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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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- WHY DON'T YOU
INTRODUCE YOURSELF?

4
00:00:14,215 --> 00:00:17,051
- HELLO TO THE FOREIGN EXCHANGE
COUNCIL.

5
00:00:17,085 --> 00:00:19,587
MY NAME IS JOONSUP CHU.

6
00:00:19,620 --> 00:00:23,691
NEXT SEMESTER, I HOPE THAT YOU
ACCEPT ME INTO THIS PROGRAM

7
00:00:23,724 --> 00:00:30,364
SO THAT I CAN TRAVEL TO U.S.A.

8
00:00:30,398 --> 00:00:32,433
I AM EXCITED.

9
00:00:32,466 --> 00:00:35,436
CAN YOU ASK ONE MORE TIME
QUESTIONS?

10
00:00:35,469 --> 00:00:40,608
SOMETIMES, I LIKE
TO TAKE PICTURE...WITH CAMERA.

11
00:00:40,641 --> 00:00:46,647
I NEVER BEEN OUTSIDE OF KOREA.

12
00:00:48,716 --> 00:00:56,724
[jet landing]

13
00:01:00,628 --> 00:01:03,597
[quirky music]

14
00:01:03,631 --> 00:01:11,639
*

15
00:03:12,960 --> 00:03:17,698
HELLO.
MY NAME IS JOONSUP CHU.

16
00:03:17,731 --> 00:03:21,969
HELLO.
MY NAME IS JOONSUP.

17
00:03:22,002 --> 00:03:27,941
HELLO.
MY NAME IS JOONSUP--JOONSUP CHU.

18
00:03:27,975 --> 00:03:30,511
[knocking at the door]

19
00:03:30,544 --> 00:03:33,481
YOUR FAMILY IS SO BEAUTIFUL.

20
00:03:33,514 --> 00:03:34,782
BEAUTIFUL.

21
00:03:34,815 --> 00:03:38,519
EVERYBODY IS JUST
SO "BEAUTIPER."

22
00:03:38,552 --> 00:03:42,290
BEAUTIF--

23
00:03:44,958 --> 00:03:46,560
- YEAH?

24
00:03:46,594 --> 00:03:50,598
I AM BEAUTIFUL JOON.

25
00:03:52,032 --> 00:03:55,636
- BUD!

26
00:03:57,905 --> 00:04:00,308
I THINK THIS IS JUST GONNA BE
A GREAT EXPERIENCE

27
00:04:00,341 --> 00:04:01,909
FOR ALL OF US.

28
00:04:01,942 --> 00:04:04,778
WE'VE NEVER HAD A FOREIGNER
IN OUR HOUSE BEFORE,

29
00:04:04,812 --> 00:04:07,315
BUT I HAVE NO PROBLEM
WITH STRANGERS

30
00:04:07,348 --> 00:04:08,749
HERE IN OUR BEAUTIFUL LAND,

31
00:04:08,782 --> 00:04:10,951
AS LONG AS THEY GO
THROUGH THE PROPER CHANNELS.

32
00:04:10,984 --> 00:04:13,354
- STAY OUT OF HERE
IF I'M WATCHING TV.

33
00:04:13,387 --> 00:04:14,955
- OH, BUDDY,
HOW'S HE GONNA DO THAT?

34
00:04:14,988 --> 00:04:17,725
HE'S GOT TO PASS THROUGH HERE
TO USE THE TELEPHONE.

35
00:04:17,758 --> 00:04:19,793
WE LIVE IN A DEAD ZONE
FOR CELL PHONES,

36
00:04:19,827 --> 00:04:21,929
SO IF YOU NEED TO MAKE A CALL,
YOU EITHER HAVE TO USE

37
00:04:21,962 --> 00:04:25,299
THE HOUSE PHONE
OR THE PAY PHONE IN TOWN.

38
00:04:25,333 --> 00:04:27,568
USE THE PAY PHONE!

39
00:04:27,601 --> 00:04:29,036
AND DON'T TOUCH MY REMOTE.

40
00:04:29,069 --> 00:04:30,904
BET YOUR HANDS ARE
DIRTY AS SHIT.

41
00:04:30,938 --> 00:04:33,974
HE DOESN'T MEAN THAT.

42
00:04:34,007 --> 00:04:38,946
BUDDY HAS ABNORMALLY SMALL HANDS
FOR A HUMAN BEING.

43
00:04:38,979 --> 00:04:41,382
THAT'S WHY HE WEARS GLOVES
ALL THE TIME.

44
00:04:42,583 --> 00:04:43,751
COME ON, COME ON,

45
00:04:43,784 --> 00:04:44,952
SHOW HIM THE GLOVES
THAT YOU PUT ON.

46
00:04:44,985 --> 00:04:46,654
THEY'RE SO CUTE.
COME ON.

47
00:04:46,687 --> 00:04:47,955
COME ON.
WHAT DID I SAY NOW?

48
00:04:47,988 --> 00:04:49,323
I THINK THE GLOVES
ARE FLATTERING.

49
00:04:49,357 --> 00:04:51,725
- SHUT THE HELL UP, MOM!

50
00:04:51,759 --> 00:04:53,361
- [sighs]

51
00:04:53,394 --> 00:04:54,562
[door slams shut]

52
00:04:54,595 --> 00:04:56,964
HE'S VERY SENSITIVE.

53
00:04:56,997 --> 00:05:03,537
OH, JOON, YOU GONNA STUDY
TO BE A DOCTOR OR A SCIENTIST?

54
00:05:03,571 --> 00:05:05,339
- MM.

55
00:05:05,373 --> 00:05:08,909
I AM GOING TO BE
A STRUCTURAL ENGINEER.

56
00:05:08,942 --> 00:05:10,711
- I ONLY ASK
BECAUSE YOU PEOPLE--

57
00:05:10,744 --> 00:05:12,480
YOU PEOPLE ALWAYS
NATURALLY JUST LOOK

58
00:05:12,513 --> 00:05:17,317
LIKE YOU'RE FOCUSING ON THINGS.
YOU KNOW WHAT I MEAN?

59
00:05:19,820 --> 00:05:25,559
- I HAVE A GIFT TO--
FROM MY PARENTS.

60
00:05:25,593 --> 00:05:28,762
- [gasps]
OH!

61
00:05:28,796 --> 00:05:34,668
OH, ISN'T THAT BEAUTIFUL?

62
00:05:34,702 --> 00:05:37,805
WHAT IS IT?

63
00:05:37,838 --> 00:05:40,774
[humming]

64
00:05:46,614 --> 00:05:50,117
OH.

65
00:05:51,785 --> 00:05:55,956
IT'S A--
IT'S A--

66
00:05:55,989 --> 00:05:57,391
WHAT IS IT?

67
00:05:57,425 --> 00:06:01,061
- IT IS A TRADITIONAL
KOREAN HEAD,

68
00:06:01,094 --> 00:06:04,898
USING IN MANY IMPORTANT
CEREMONY.

69
00:06:04,932 --> 00:06:06,934
- OH.

70
00:06:08,201 --> 00:06:10,538
OKAY.

71
00:06:10,571 --> 00:06:13,941
SO, YOU WANT TO TAKE
A LITTLE TOUR OF THE HOUSE?

72
00:06:13,974 --> 00:06:15,676
BACKYARD.
BATHROOM.

73
00:06:15,709 --> 00:06:17,445
DINING ROOM.
KITCHEN.

74
00:06:17,478 --> 00:06:19,012
BATHROOM.
BUD'S ROOM.

75
00:06:19,046 --> 00:06:22,049
YOUR ROOM.

76
00:06:24,718 --> 00:06:26,554
TA-DA.

77
00:06:26,587 --> 00:06:28,589
UH, THERE AIN'T
A LOT OF BLANKETS ON THE BED,

78
00:06:28,622 --> 00:06:31,659
JUST BUD'S OLD BABY BLANKET,
BUT I'LL TELL YOU WHAT,

79
00:06:31,692 --> 00:06:34,094
AS SOON AS THAT CHECK COMES IN
FROM YOUR MOMMY,

80
00:06:34,127 --> 00:06:36,864
I'M GONNA GET A NEW COMFORTER.
AND HOW ABOUT THIS,

81
00:06:36,897 --> 00:06:39,900
I'LL GIVE YOU MY OLD ONE.

82
00:06:41,168 --> 00:06:44,171
NIGHT NIGHT.

83
00:07:02,723 --> 00:07:10,598
- [speaking on phone in Korean]

84
00:07:10,631 --> 00:07:13,534
- [speaking in Korean]

85
00:08:16,263 --> 00:08:18,031
- [snaps fingers]
HEY, PEOPLE,

86
00:08:18,065 --> 00:08:20,768
YOU CAN STOP STARING.

87
00:08:20,801 --> 00:08:25,205
YOU WILL SEE PLENTY
OF OUR BIG, FRIENDLY GIANT HERE

88
00:08:25,238 --> 00:08:29,042
IN YOUR ADVANCED MATH AND
SCIENCE COURSES THIS SEMESTER.

89
00:08:29,076 --> 00:08:30,944
APPARENTLY, J-J--

90
00:08:30,978 --> 00:08:32,913
I'M SORRY.
CHOON? CHOON? SHOON?

91
00:08:32,946 --> 00:08:34,114
JOON.
- JOON.

92
00:08:34,147 --> 00:08:36,717
JOON HAS BEEN ACCEPTED

93
00:08:36,750 --> 00:08:40,588
INTO THE KOREAN INSTITUTE
OF SCIENCE AND TECHNOLOGY.

94
00:08:40,621 --> 00:08:44,558
JUST SO HAPPENS TO BE
THE BEST ENGINEERING SCHOOL

95
00:08:44,592 --> 00:08:45,859
ON THE CONTINENT.

96
00:08:45,893 --> 00:08:48,295
HE'S STUDYING
STRUCTURAL ENGINEERING.

97
00:08:48,328 --> 00:08:52,199
VERY COOL THING.

98
00:08:52,232 --> 00:08:53,734
WELCOME, JOON.

99
00:08:55,235 --> 00:08:57,638
HERE WE GO.
[claps hands]

100
00:08:57,671 --> 00:09:00,641
[quirky music]

101
00:09:00,674 --> 00:09:08,682
*

102
00:09:21,695 --> 00:09:24,665
EXCEPTIONAL WORK AS USUAL,
JOON.

103
00:09:24,698 --> 00:09:32,072
*

104
00:09:32,105 --> 00:09:34,808
- OH, WE DON'T WANT HIM.
- WE AIN'T TAKING HIM.

105
00:09:34,842 --> 00:09:36,777
- WHAT ARE YOU CRAZY?
THAT GUY'S TALL AS SHIT.

106
00:09:36,810 --> 00:09:38,879
- I'VE SEEN HIM PLAY.
IT'S LIKE HE'S JUGGLING WATER.

107
00:09:38,912 --> 00:09:40,648
WE PICKED LAST.
YOU TAKE HIM.

108
00:09:40,681 --> 00:09:42,650
- THAT'S BULLSHIT.

109
00:09:42,683 --> 00:09:50,691
*

110
00:10:00,668 --> 00:10:03,737
- THIS IS MY MUSEUM,
ALL RIGHT?

111
00:10:03,771 --> 00:10:05,205
THE LITTLE ONES
BEHIND YOU OVER THERE,

112
00:10:05,238 --> 00:10:07,708
THOSE ARE CALLED
"TROLLING MOTORS," ALL RIGHT,

113
00:10:07,741 --> 00:10:10,343
THEY'RE USED FOR BASS FISHING.

114
00:10:10,377 --> 00:10:12,379
BUT THIS IS WHAT
I WANTED TO SHOW YOU.

115
00:10:14,915 --> 00:10:19,853
THIS IS THE "CREAM DE LA CREAM"
OF MY COLLECTION, OKAY?

116
00:10:19,887 --> 00:10:22,723
1,000 HORSEPOWER, JET POWER.

117
00:10:22,756 --> 00:10:24,157
THIS BAD BOY WILL
FLY YOUR ASS

118
00:10:24,191 --> 00:10:26,259
BACK TO WHEREVER THE HELL
YOU CAME FROM, OKAY?

119
00:10:26,293 --> 00:10:28,962
AND IT IS MADE IN AMERICA.
"YEZZIR."

120
00:10:28,996 --> 00:10:30,363
- WHERE IS YOUR BOAT?

121
00:10:30,397 --> 00:10:33,100
- DOES IT LOOK LIKE
I HAVE A FREAKIN' BOAT?

122
00:10:33,133 --> 00:10:36,136
OKAY--YEAH, YOU KNOW WHAT, I'M
GETTING A LITTLE CAUGHT UP HERE.

123
00:10:36,169 --> 00:10:39,172
STAY RIGHT THERE.

124
00:10:39,206 --> 00:10:43,711
[metal grinding]

125
00:10:45,378 --> 00:10:50,317
[engine roars]
- [yelling]

126
00:10:50,350 --> 00:10:53,320
- SO THE NEEDLES ARE PRACTICALLY
SUCKED IN THROUGH THE SKIN,

127
00:10:53,353 --> 00:10:56,289
AND WHAT THAT DOES...
- JOON, JOON, JOON, COME HERE,

128
00:10:56,323 --> 00:10:58,158
I'M WATCHING THIS SHOW
YOU MIGHT BE INTERESTED IN.

129
00:10:58,191 --> 00:11:00,127
- INTO THE MERIDIANS.

130
00:11:00,160 --> 00:11:01,729
- I GOT TO HAND IT TO YOU,

131
00:11:01,762 --> 00:11:04,097
YOU PEOPLE COME UP
WITH THE WEIRDEST THINGS.

132
00:11:04,131 --> 00:11:05,833
- WHAT YOU WILL USUALLY DO...
- UGH.

133
00:11:05,866 --> 00:11:07,768
- BEFORE ADDRESSING
A SPECIFIC SYMPTOM IS TO FIRST--

134
00:11:07,801 --> 00:11:09,903
- SO THIS SEMESTER,
WE'RE GONNA BE WORKING

135
00:11:09,937 --> 00:11:13,473
WITH A REALLY ARCHAIC,
BIZARRE THING

136
00:11:13,506 --> 00:11:17,277
THAT SOME OF YOU MAY REMEMBER
FROM WHEN YOU WERE BABIES

137
00:11:17,310 --> 00:11:20,047
CALLED FILM, OKAY,

138
00:11:20,080 --> 00:11:22,850
WHICH MEANS YOU CAN'T JUST
TAKE A MILLION SNAPS

139
00:11:22,883 --> 00:11:25,018
AND HOPE THAT ONE OF THEM
TURNS OUT HALFWAY DECENT.

140
00:11:25,052 --> 00:11:27,454
YOU HAVE TO REALLY, REALLY
MAKE IT COUNT.

141
00:11:27,487 --> 00:11:31,058
AND BOYS, I DON'T WANT TO SEE
JUST PICTURES OF CHEERLEADERS.

142
00:11:31,091 --> 00:11:32,860
UNLESS SHE HAS A CLEFT LIP

143
00:11:32,893 --> 00:11:34,962
AND LOOKS LIKE SHE'S MOURNING
THE DEATH OF HUMANITY,

144
00:11:34,995 --> 00:11:37,264
IN WHICH CASE, OH, MY GOD.

145
00:11:37,297 --> 00:11:41,101
OKAY.
LET'S GET STARTED.

146
00:11:58,786 --> 00:12:01,755
[dreamy music]

147
00:12:01,789 --> 00:12:09,797
*

148
00:12:29,416 --> 00:12:31,919
[wings flapping loudly
in slow motion]

149
00:12:31,952 --> 00:12:33,220
[camera snaps]

150
00:12:48,535 --> 00:12:50,570
[dog barking]

151
00:12:50,603 --> 00:12:51,972
- IT'S NOT REAL MEAT!
[dogs barking]

152
00:12:52,005 --> 00:12:53,306
- IT'S [indistinct]!

153
00:12:53,340 --> 00:12:54,341
- HEY, LOOK AT THE WEIRDO.

154
00:12:54,374 --> 00:12:57,811
- [laughs]
YOU WISH.

155
00:12:57,845 --> 00:13:00,447
- CLASS, LET'S GIVE
OUR VISITOR FROM ABROAD

156
00:13:00,480 --> 00:13:03,516
OUR UNDIVIDED ATTENTION.

157
00:13:03,550 --> 00:13:05,418
- [coughs]

158
00:13:05,452 --> 00:13:08,488
- THE 17 YEAR LOCUST.

159
00:13:12,425 --> 00:13:17,530
WHEN BORN, IT DROP
FROM THE TREE TO THE MOTHER.

160
00:13:20,133 --> 00:13:24,337
IT STAYS IN THE GROUND
FOR 17 YEARS.

161
00:13:24,371 --> 00:13:26,406
EVERYBODY IS ALONE.

162
00:13:26,439 --> 00:13:29,176
NOBO--NOBODY IS--

163
00:13:31,278 --> 00:13:34,381
BUT ALL THIS TIME,
IT IS GROWING.

164
00:13:35,949 --> 00:13:38,051
WHEN 17 YEARS IS FINISHED,

165
00:13:38,085 --> 00:13:41,354
THE LOCUST CLIMB
BACK INTO THE TREE.

166
00:13:42,990 --> 00:13:49,596
AND IN THE TREE,
HE SHED HIS HUSK, AND HE FLIES.

167
00:13:52,332 --> 00:13:55,102
- [coughs]

168
00:13:57,004 --> 00:14:01,508
- AND THEN...

169
00:14:01,541 --> 00:14:05,112
[students laughing
and whispering]

170
00:14:08,415 --> 00:14:11,418
- THANK YOU.

171
00:14:20,193 --> 00:14:23,163
[dreamy music]

172
00:14:23,196 --> 00:14:31,204
*

173
00:14:48,055 --> 00:14:49,322
[camera snap]

174
00:14:54,227 --> 00:15:00,167
[speaking in Korean]

175
00:15:09,042 --> 00:15:10,210
[camera snap]

176
00:15:12,712 --> 00:15:15,048
- HI.

177
00:15:15,082 --> 00:15:17,417
HOW ARE YOU?

178
00:15:17,450 --> 00:15:19,419
LOOK, I KNOW
YOU'RE PROBABLY THINKING

179
00:15:19,452 --> 00:15:22,089
I'M ABOUT TO ASK YOU SOME
STUPID, MEANINGLESS QUESTION,

180
00:15:22,122 --> 00:15:24,657
AND I KNOW WE'VE NEVER MET,
BUT I LOOK AT YOU AND I SEE YOU

181
00:15:24,691 --> 00:15:27,294
WHISPERING AND POINTING YOUR
CAMERA AT NOTHING ON THE GROUND,

182
00:15:27,327 --> 00:15:30,130
AND SUDDENLY, I FEEL LIKE
YOU ALREADY KNOW ALL THIS,

183
00:15:30,163 --> 00:15:33,466
SO CAN I ASK YOU...

184
00:15:33,500 --> 00:15:35,235
WHAT IS ART?

185
00:15:37,137 --> 00:15:42,976
- [yelling in Korean]

186
00:15:43,010 --> 00:15:44,244
AH!

187
00:15:45,778 --> 00:15:47,981
- THAT'S WHAT I'M TALKING ABOUT!

188
00:15:48,015 --> 00:15:49,616
THAT WAS BEAUTIFUL, MAN.

189
00:15:49,649 --> 00:15:52,152
GOD, I BET YOU COULDN'T EVEN
REPEAT THAT IF YOU TRIED.

190
00:15:52,185 --> 00:15:53,420
AND YOU'RE RIGHT.
YOU ARE SO RIGHT,

191
00:15:53,453 --> 00:15:55,755
AND YOU KNOW WHAT?

192
00:15:55,788 --> 00:15:57,490
KISS MY ASS, SHOE!

193
00:15:57,524 --> 00:15:59,692
WHAT THE HELL AM I
SO AFRAID OF STEPPING ON?

194
00:15:59,726 --> 00:16:03,330
YOU'RE RIGHT.
I'VE BEEN TOO SAFE.

195
00:16:05,065 --> 00:16:08,268
CAN I--CAN I USE YOU?
I MEAN FOR THE FORCES OF GOOD.

196
00:16:08,301 --> 00:16:10,570
THERE'S SOMETHING I NEED TO DO
AND YOU'RE THE ONLY PERSON

197
00:16:10,603 --> 00:16:13,006
THAT CAN HELP ME RIGHT NOW.

198
00:16:15,042 --> 00:16:18,011
[King Of Prussia's Misadventures
of the Campaign Kids]

199
00:16:18,045 --> 00:16:21,714
*

200
00:16:21,748 --> 00:16:24,517
- * IF WE TURNED
OUR REACTORS TO THE SUN *

201
00:16:24,551 --> 00:16:26,519
* THEIR PLAN WOULD COME UNDONE

202
00:16:26,553 --> 00:16:28,088
*

203
00:16:28,121 --> 00:16:32,125
* THE WORLD WOULD BE REFORMED

204
00:16:32,159 --> 00:16:33,593
* THE LEGISLATION SIMPLY NEEDS
A PUSH ALONG *

205
00:16:33,626 --> 00:16:36,063
- OH, NO!

206
00:16:36,096 --> 00:16:37,597
- I NEVER WANT TO SEE YOU
ON SCHOOL PROPERTY AGAIN,

207
00:16:37,630 --> 00:16:39,266
YOU HERE ME?

208
00:16:39,299 --> 00:16:40,500
- YOU JUST KEEP MANNING
THE DOOR TO THE GAS CHAMBER,

209
00:16:40,533 --> 00:16:42,769
YOU FASCIST,
GOOSE-STEPPING BITCH!

210
00:16:42,802 --> 00:16:45,638
- GO, GO, GO, GO, GO!

211
00:16:45,672 --> 00:16:48,375
THAT WAS "RI-COCK-ULOUSLY"
AWESOME.

212
00:16:48,408 --> 00:16:52,145
I MEAN, WE WOKE THOSE DUDES UP.
I LOVE THAT, LIKE,

213
00:16:52,179 --> 00:16:54,347
AWAKENING DORMANT SOULS,
YOU KNOW?

214
00:16:54,381 --> 00:16:56,716
MAKES ME SOUND LIKE DRACULA,
BUT I DON'T EVEN CARE.

215
00:16:56,749 --> 00:17:00,787
[laughs]
THOSE DUDES LOOKED ALIVE.

216
00:17:00,820 --> 00:17:02,455
SO WHAT WERE YOU DOING
BACK IN THE PARK?

217
00:17:02,489 --> 00:17:04,824
YOU'RE, LIKE, A PHOTOGRAPHER,
OR SOMETHING?

218
00:17:04,857 --> 00:17:10,597
- NO.
I JUST TAKE PICTURES SOMETIMES.

219
00:17:10,630 --> 00:17:13,500
I FIND SOMETHING
LOOK INTERESTING, AND I--

220
00:17:13,533 --> 00:17:16,303
- YOU'RE AN ARTIST, MAN.
COUNT YOURSELF LUCKY.

221
00:17:16,336 --> 00:17:18,838
I MEAN, YOU'RE A PART
OF A SELECT ELITE.

222
00:17:18,871 --> 00:17:22,242
MY MOM ALWAYS USED TO SAY,
"IF YOU DON'T HAVE A DREAM,

223
00:17:22,275 --> 00:17:26,346
YOU CAN'T MAKE A DREAM
COME TRUE."

224
00:17:26,379 --> 00:17:28,248
SO WHAT'S YOUR DREAM?

225
00:17:29,716 --> 00:17:34,187
- KOREAN PARENTS VERY DIFFERENT.

226
00:17:34,221 --> 00:17:36,623
- HMM.

227
00:17:36,656 --> 00:17:43,396
YOU MUST MISS THEM A LOT, HUH?
AND ALL YOUR FRIENDS.

228
00:17:43,430 --> 00:17:45,432
YOU GOT A LOT OF FRIENDS?

229
00:17:47,234 --> 00:17:49,402
WELL, DON'T EXPECT
TO FIND ANY HERE.

230
00:17:49,436 --> 00:17:53,406
PEOPLE IN THIS TOWN,
THEY'RE LIFELESS, MAN.

231
00:17:53,440 --> 00:17:56,676
THEY SPEND THEIR DAILY LIVES
WITH NO SENSE OF PURPOSE,

232
00:17:56,709 --> 00:17:58,745
NO PASSION.

233
00:18:01,381 --> 00:18:03,150
SO WHERE ARE YOUR PARENTS?

234
00:18:03,183 --> 00:18:07,120
THEY HERE, OR THEY, LIKE,
IN SOME FAR AWAY DISTANT LAND?

235
00:18:07,154 --> 00:18:09,422
- [yelling in Korean]

236
00:18:11,324 --> 00:18:16,163
- NO, THEY'RE FAR,
BUT THEY FEEL VERY CLOSE.

237
00:18:22,435 --> 00:18:25,205
MY NAME IS JOON CHU.

238
00:18:25,238 --> 00:18:26,573
- BUTCH BLOSSOM.

239
00:18:29,642 --> 00:18:31,878
- BITCH?
- BUTCH.

240
00:18:31,911 --> 00:18:34,247
- BITCH.

241
00:18:37,684 --> 00:18:43,790
- WHAT THE HELL AM I LOOKING AT?
- MY DREAM, I THINK.

242
00:18:43,823 --> 00:18:47,427
- THIS IS REALLY WEIRD, DUDE.
- YOU SAID MY DREAM.

243
00:18:47,460 --> 00:18:48,795
- YEAH, AND I THOUGHT
YOU WERE GONNA SAY, LIKE,

244
00:18:48,828 --> 00:18:50,630
BEING THE KAREEM ABDUL JABBAR
OF PHOTOGRAPHY,

245
00:18:50,663 --> 00:18:52,232
NOT "COME TAKE A SPOOKY WALK
WITH ME

246
00:18:52,265 --> 00:18:54,601
AND LET'S TALK ABOUT BEING
A LUMBERJACK."

247
00:18:54,634 --> 00:18:56,236
- WHAT DO YOU MEAN,
"LUMBERJACK"?

248
00:18:56,269 --> 00:18:59,906
- NOTHING, I'M JUST MAKING
CONVERSATION.

249
00:18:59,939 --> 00:19:01,674
SO WHAT'S THE DREAM?

250
00:19:04,444 --> 00:19:08,715
- I DON'T KNOW, YET.

251
00:19:08,748 --> 00:19:12,485
- WELCOME TO THE CREATIVE CENTER
OF THIS PATHETIC HOLE

252
00:19:12,519 --> 00:19:14,687
WHICH YOU ARE
UNFORTUNATELY TRAPPED IN.

253
00:19:14,721 --> 00:19:18,491
FROM WITHIN THESE CANVAS WALLS
COMES ALL STRATEGY SURROUNDING

254
00:19:18,525 --> 00:19:20,560
THE COMPLETE ANNIHILATION
OF CONFORMIST THOUGHT

255
00:19:20,593 --> 00:19:23,396
EMANATING FROM THE VERY MARROW
OF THIS TOWN

256
00:19:23,430 --> 00:19:25,365
AND POSSIBLY BEYOND.

257
00:19:25,398 --> 00:19:27,767
[mellow '80s music playing]

258
00:19:27,800 --> 00:19:30,603
- THIS IS YOUR TENT?
- MY MOM GAVE IT TO ME.

259
00:19:30,637 --> 00:19:36,243
SHE USED TO SAY, "NO MAN
FINDS HIS ART UNDER A ROOF."

260
00:19:36,276 --> 00:19:37,677
- IS THAT A TATTOO?

261
00:19:37,710 --> 00:19:40,213
- OH, YEAH.
I WAS TRYING TO DO A DRAGON,

262
00:19:40,247 --> 00:19:41,448
BUT IT ENDED UP
KIND OF LOOKING LIKE A WOLF,

263
00:19:41,481 --> 00:19:42,815
SO I DID A WOLF
HOWLING AT THE MOON,

264
00:19:42,849 --> 00:19:43,916
BUT THEN IT KIND OF
ENDED UP LOOKING LIKE

265
00:19:43,950 --> 00:19:45,618
A DOG EATING A MEATBALL,

266
00:19:45,652 --> 00:19:47,487
SO TRIED TO DO THIS WHOLE
LADY AND THE TRAMP,

267
00:19:47,520 --> 00:19:49,456
"UNDER A STARRY NIGHT" THING,
BUT FINALLY, I WAS LIKE,

268
00:19:49,489 --> 00:19:50,757
"SCREW IT,"
YOU KNOW WHAT I MEAN?

269
00:19:50,790 --> 00:19:53,426
NOW IT KIND OF LOOKS
LIKE A CELLO.

270
00:19:53,460 --> 00:19:55,762
- IS THAT A TRIANGLE?

271
00:19:55,795 --> 00:19:58,598
- STRONGEST SHAPE
IN THE UNIVERSE.

272
00:19:58,631 --> 00:20:01,668
- SO WHAT YOU DID AT THE COLLEGE
IS CALLED YOUR ART?

273
00:20:01,701 --> 00:20:04,871
- NO.
THAT WAS CALLED,

274
00:20:04,904 --> 00:20:08,441
"BATTLE-AXING THE DOOR OF
A SOUL-CRUSHING DICTATORSHIP."

275
00:20:08,475 --> 00:20:10,310
THEY CALL THEMSELVES
"THE ADMISSIONS OFFICE."

276
00:20:10,343 --> 00:20:12,979
MY WHOLE LIFE,
I WANTED TO GO TO THAT SCHOOL.

277
00:20:13,012 --> 00:20:15,348
I TRIED SIX TIMES.

278
00:20:15,382 --> 00:20:17,550
I MEAN, I TOTALLY REALIZE
IT'S ALL BULLSHIT, THOUGH.

279
00:20:17,584 --> 00:20:19,819
*

280
00:20:19,852 --> 00:20:21,921
YOU EVER WANTED ANYTHING
THAT BAD BEFORE?

281
00:20:21,954 --> 00:20:26,393
*

282
00:20:26,426 --> 00:20:28,461
- WHAT KIND OF ART DO YOU DO?

283
00:20:28,495 --> 00:20:32,465
- I DO IMPORTANT STUFF,
LIKE K.S.R., YOU KNOW?

284
00:20:32,499 --> 00:20:35,335
NO, YOU DON'T KNOW!
'CAUSE I MADE IT UP.

285
00:20:35,368 --> 00:20:40,307
KINETIC STATIONARY RIOTING.
K-S-R, I CREATED IT.

286
00:20:40,340 --> 00:20:41,774
IT'S KIND OF LIKE
PERFORMANCE ART

287
00:20:41,808 --> 00:20:43,042
BUT NOT EMBARRASSING.

288
00:20:43,075 --> 00:20:45,345
- SO WHEN DO YOU DO THIS K.F.R.?

289
00:20:45,378 --> 00:20:49,048
- K.S.R.
YOU KNOW, I--WHEN--

290
00:20:49,081 --> 00:20:52,919
YOU KNOW, WHEN STUFF HITS ME,
WHEN SHIT PISSES ME OFF.

291
00:20:52,952 --> 00:20:55,422
IT'S LIKE--LIKE, LAST MONTH,
I WAS WATCHING THIS SHOW

292
00:20:55,455 --> 00:20:58,758
ABOUT HOW PEOPLE SPEND MORE TIME
WATCHING MEANINGLESS CRAP ON TV

293
00:20:58,791 --> 00:21:00,860
THAN THEY DO SPEND TIME
WITH THEIR FAMILIES.

294
00:21:00,893 --> 00:21:02,829
[heavy metal music]

295
00:21:02,862 --> 00:21:05,365
THIS IS THE BLOOD
OF NON-VOTERS.

296
00:21:05,398 --> 00:21:07,534
*

297
00:21:07,567 --> 00:21:08,901
- WHAT?

298
00:21:08,935 --> 00:21:11,504
- THAT SHIT STAINED MY SKIN RED
FOR A WEEK.

299
00:21:11,538 --> 00:21:14,707
- THAT SHONE
FOR EVERYONE TO SEE.

300
00:21:14,741 --> 00:21:16,309
HIS BLUE--

301
00:21:16,343 --> 00:21:18,711
- WHAT?

302
00:21:18,745 --> 00:21:20,413
JUST PISSES ME OFF
WHEN PEOPLE GET JUDGED

303
00:21:20,447 --> 00:21:23,883
BY THE COLOR OF THEIR SKIN,
YOU KNOW?

304
00:21:23,916 --> 00:21:31,924
[both speaking in Korean]

305
00:22:28,481 --> 00:22:33,920
[child speaking in Korean]

306
00:22:37,857 --> 00:22:42,662
- [speaking in Korean]

307
00:22:55,608 --> 00:23:02,649
[insect wings flapping]

308
00:23:14,494 --> 00:23:16,395
[wings flapping loudly]

309
00:23:35,114 --> 00:23:37,650
[footsteps]

310
00:23:42,989 --> 00:23:47,527
- THESE SAMPLES ARE
REALLY GREAT, JOON.

311
00:23:47,560 --> 00:23:51,030
THAT IS QUITE A FOREST
YOU HAVE HERE.

312
00:23:51,063 --> 00:23:53,600
COMPLETELY SURROUNDED BY OTHERS,
YET SOMEHOW MANAGES

313
00:23:53,633 --> 00:23:57,136
TO FEEL REALLY LONELY.

314
00:23:59,939 --> 00:24:02,609
THAT'S NICE WORK.

315
00:24:02,642 --> 00:24:06,479
- OUR EXPERIMENT TODAY
IS BASED ON THE THEORIES

316
00:24:06,513 --> 00:24:10,016
OF RENOWNED PHYSICIST
STEPHEN HAWKING.

317
00:24:10,049 --> 00:24:16,055
HAWKING COINED THE TERM,
"IMAGINARY TIME."

318
00:24:16,088 --> 00:24:19,091
PLEASE, EVERYONE FIND
LAB PARTNERS.

319
00:24:24,296 --> 00:24:26,232
WELL, YOU'RE IN LUCK,
MISS SWADE.

320
00:24:26,265 --> 00:24:27,734
IT LOOKS LIKE NATURAL SELECTION

321
00:24:27,767 --> 00:24:30,036
HAS PAIRED YOU UP
WITH JOON HERE.

322
00:24:31,671 --> 00:24:34,674
GET YOUR JELL-O,
GET YOUR JUMP ROPE.

323
00:24:47,554 --> 00:24:51,624
- YOU'RE PROBABLY WONDERING
WHY I TAKE THIS CLASS, HUH?

324
00:24:51,658 --> 00:24:55,528
IT'S 'CAUSE I'M HAVING AN AFFAIR
WITH MR. KIRKPATRICK.

325
00:24:55,562 --> 00:24:57,163
NOBODY ELSE KNOWS, THOUGH.

326
00:24:57,196 --> 00:24:59,699
YOU KNOW, WE ACTUALLY HAD SEX
ON THIS COUNTER ONCE.

327
00:25:03,636 --> 00:25:05,938
- GET OFF THE COUNTER.

328
00:25:05,972 --> 00:25:09,141
EXPERIMENTATION REQUIRES
A STERILE ENVIRONMENT.

329
00:25:09,175 --> 00:25:11,644
- LIKE HE KNOWS THE FIRST THING
ABOUT BEING STERILE.

330
00:25:12,645 --> 00:25:14,647
[gasps]
JESUS, MAN!

331
00:25:25,057 --> 00:25:27,059
- AHEM.

332
00:25:56,288 --> 00:26:04,263
- [sipping on straw]

333
00:26:04,296 --> 00:26:07,900
YOU GOT TO BE, LIKE, THE BIGGEST
CHINESE PERSON I EVER SAW.

334
00:26:07,934 --> 00:26:10,069
I DIDN'T EVEN THINK
YOUR SPECIES GOT THAT BIG.

335
00:26:10,102 --> 00:26:12,805
WELL, NOT THAT I KNOW
ABOUT THE CHINESE SPECIES.

336
00:26:12,839 --> 00:26:15,007
HEY, MY DAD SAYS THAT
YOU CHINESE ARE TAKING AWAY

337
00:26:15,041 --> 00:26:17,076
ALL THE GOOD HIGH-PAYING JOBS
AWAY FROM US GOOD,

338
00:26:17,109 --> 00:26:18,878
HARDWORKING AMERICANS--
- HEY, MAN ORGAN JAMMER.

339
00:26:18,911 --> 00:26:20,947
WHOSE SHIT SMELLS
LIKE EGG ROLLS?

340
00:26:20,980 --> 00:26:24,817
- [grunting]
- [laughs]

341
00:26:24,851 --> 00:26:26,686
OH, SHIT.

342
00:26:26,719 --> 00:26:28,621
[laughs]

343
00:26:28,655 --> 00:26:30,289
I THINK THAT DUDE
CRAPPED HIS PANTS.

344
00:26:30,322 --> 00:26:32,024
I DIDN'T MEAN THAT.
I WAS JUST--

345
00:26:32,058 --> 00:26:34,694
BY THE WAY, I HAVE NOTHING
AGAINST MAN ORGAN JAMMERS.

346
00:26:34,727 --> 00:26:36,028
MY UNCLE'S GAY.

347
00:26:36,062 --> 00:26:38,164
WHERE WERE YOU YESTERDAY, MAN?

348
00:26:38,197 --> 00:26:40,700
I DID SOME SERIOUS K.S.R.

349
00:26:40,733 --> 00:26:41,734
[classical music]

350
00:26:41,768 --> 00:26:43,269
- YOU HANG YOURSELF?

351
00:26:43,302 --> 00:26:46,238
- UH, YEAH, THERE WAS A HARNESS.
IT DOESN'T MATTER.

352
00:26:46,272 --> 00:26:48,174
PEOPLE ARE BLIND, MAN.

353
00:26:48,207 --> 00:26:49,942
- WHY DID YOU DO THAT?

354
00:26:49,976 --> 00:26:51,844
- ARE YOU SERIOUS?

355
00:26:51,878 --> 00:26:56,082
DO YOU HAVE ANY IDEA THE RATE
OF DEFORESTATION RIGHT NOW?

356
00:26:57,684 --> 00:26:59,118
HEY, WHAT THE HELL
ARE YOU LOOKING AT?

357
00:26:59,151 --> 00:27:01,721
YOU NEVER SEEN AN 8-FOOT TALL
MONGOLIAN BEFORE?

358
00:27:01,754 --> 00:27:03,723
- HE'S KOREAN, IDIOT.

359
00:27:03,756 --> 00:27:05,692
- YOU'RE KOREAN,
YOU STUPID DYKE!

360
00:27:07,359 --> 00:27:11,063
HOW DO YOU--
HOW DO YOU COME HERE EVERY DAY?

361
00:27:12,732 --> 00:27:14,433
BY THE WAY, I HAVE NOTHING
AGAINST DYKES EITHER.

362
00:27:14,466 --> 00:27:16,335
MY AUNT IS GAY.

363
00:27:16,368 --> 00:27:18,938
- YOUR AUNT AND YOUR UNCLE
IS BOTH GAY?

364
00:27:18,971 --> 00:27:22,041
- I'M ACTUALLY--I'M LIVING
IN MY AUNT AND UNCLE'S YARD

365
00:27:22,074 --> 00:27:23,209
RIGHT NOW.

366
00:27:23,242 --> 00:27:25,344
- WHERE IS YOUR MOTHER?

367
00:27:25,377 --> 00:27:27,013
- SHE DIED.

368
00:27:27,046 --> 00:27:29,916
WHEN I WAS 12.
IT WAS CANCER.

369
00:27:29,949 --> 00:27:31,984
REALLY SUCKED.

370
00:27:32,018 --> 00:27:34,353
- I'M SORRY, I--
- NAW, MAN.

371
00:27:34,386 --> 00:27:36,155
SHE WOULD'VE GOT A KICK
OUT OF YOU, THOUGH.

372
00:27:36,188 --> 00:27:38,024
YEAH.

373
00:27:38,057 --> 00:27:41,060
I MEAN, SHE LOVED ARTISTS.

374
00:27:46,432 --> 00:27:50,770
- MY BROTHER,
HE--HE DIED IN KOREA.

375
00:27:50,803 --> 00:27:54,340
MY PARENTS MISS HIM VERY MUCH.

376
00:27:57,409 --> 00:27:58,878
- YOU GUYS WEREN'T THAT CLOSE?

377
00:27:58,911 --> 00:28:01,948
- HE WAS MY BEST FRIEND.

378
00:28:07,854 --> 00:28:09,722
- HEY, YOU WANT TO GO
CLIFF JUMPING?

379
00:28:09,756 --> 00:28:12,058
- WHAT IS THAT?

380
00:28:12,091 --> 00:28:13,425
[upbeat music]

381
00:28:13,459 --> 00:28:15,427
- COME ON, LET'S GO!

382
00:28:15,461 --> 00:28:18,264
- HEY. WAIT.

383
00:28:18,297 --> 00:28:21,033
- [grunts]

384
00:28:21,067 --> 00:28:23,402
*

385
00:28:23,435 --> 00:28:25,137
- GO, GO, GO!
DON'T SLOW IT DOWN.

386
00:28:25,171 --> 00:28:27,473
- BUTCH!
- AH!

387
00:28:27,506 --> 00:28:30,109
- BUTCH!
- HERE WE GO!

388
00:28:30,142 --> 00:28:33,279
- BUTCH!
BUTCH!

389
00:28:33,312 --> 00:28:35,381
- JUST UP AHEAD.
- SLOW DOWN!

390
00:28:35,414 --> 00:28:38,284
I'M TIRED!

391
00:28:38,317 --> 00:28:40,119
WHERE ARE YOU GOING?

392
00:28:40,152 --> 00:28:42,354
- AH!

393
00:28:48,060 --> 00:28:50,296
WHOA!
WHOO!

394
00:28:50,329 --> 00:28:51,831
[shivers]

395
00:28:51,864 --> 00:28:56,302
IT'S COLD! CHRIST!
OH, YEAH!

396
00:28:56,335 --> 00:28:58,771
YOUR TURN!
- NO!

397
00:28:58,805 --> 00:29:01,040
- I WAS JUST KIDDING
ABOUT ALL THE COLD STUFF.

398
00:29:01,073 --> 00:29:02,875
IT'S SUPER WARM.

399
00:29:02,909 --> 00:29:05,311
COME ON,
LIVE THE LIFE OF THE SAMURAI!

400
00:29:05,344 --> 00:29:08,981
- I'M KOREAN, STUPID!
- WHATEVER, JUMP!

401
00:29:09,015 --> 00:29:12,518
- [yelling in Korean]

402
00:29:12,551 --> 00:29:20,759
[all speaking in Korean]

403
00:29:31,470 --> 00:29:34,340
- JOON, IT'S NOW OR NEVER!

404
00:29:34,373 --> 00:29:35,875
EYE OF THE TIGER, BITCH!

405
00:29:35,908 --> 00:29:38,177
- [yelling in Korean]

406
00:29:38,210 --> 00:29:40,279
- GO! GO! GO!

407
00:29:40,312 --> 00:29:42,849
- [panting]

408
00:29:43,916 --> 00:29:48,120
- [speaking in Korean]

409
00:29:48,154 --> 00:29:49,856
- OH!

410
00:29:52,624 --> 00:29:54,593
WHOO!

411
00:29:54,626 --> 00:29:58,264
- OH! OH! OH!
- JOON! JOON, ARE YOU OKAY?

412
00:29:58,297 --> 00:30:01,600
- OH, OH. [laughs]
- YOU'RE A MAD MAN!

413
00:30:01,633 --> 00:30:02,835
[both laughing]

414
00:30:02,869 --> 00:30:04,837
- I AM THE LOCUST!

415
00:30:04,871 --> 00:30:07,840
[upbeat music]

416
00:30:07,874 --> 00:30:11,377
*

417
00:30:34,133 --> 00:30:36,335
- IF I WERE A LION,
YOU'D BE DEAD BY NOW.

418
00:30:39,972 --> 00:30:43,609
- [whispering in Korean]

419
00:30:43,642 --> 00:30:46,545
- WHAT DOES IT MEAN
TO HAVE A CREATIVE VIEW?

420
00:30:46,578 --> 00:30:50,182
I DON'T KNOW ABOUT YOU,
BUT I DON'T USUALLY THINK

421
00:30:50,216 --> 00:30:54,420
OF FOUR BIG RAINBOW BLOBS
WHEN I THINK OF APARTHEID,

422
00:30:54,453 --> 00:30:57,423
BUT EMIL GABEZI DID.

423
00:30:57,456 --> 00:31:00,026
SO WHAT DO YOU THINK ABOUT?

424
00:31:00,059 --> 00:31:03,362
WHAT PLAGUES YOU?
WHAT STIRS YOU UP?

425
00:31:03,395 --> 00:31:05,564
NOW, I KNOW THAT SOME OF YOU
ARE THINKING,

426
00:31:05,597 --> 00:31:08,200
"CAMERAS DON'T HAVE
THAT KIND OF FREEDOM."

427
00:31:08,234 --> 00:31:12,939
SO FEAST YOUR EYES UPON THIS,
MY LITTLE PYGMIES.

428
00:31:12,972 --> 00:31:14,440
A TRAGEDY, RIGHT?

429
00:31:14,473 --> 00:31:17,643
THIS PICTURE BRINGS UP
FEELINGS OF SADNESS

430
00:31:17,676 --> 00:31:22,581
AND LONELINESS,
BUT SUPPOSE I TOLD YOU

431
00:31:22,614 --> 00:31:26,986
THAT THIS IS A PICTURE
OF A CHILD'S HAPPIEST DAY?

432
00:31:27,019 --> 00:31:29,221
SHE HAD 30 KIDS AT HER PARTY,

433
00:31:29,255 --> 00:31:32,624
THEY RAN AROUND CAUSING
JUST CHAOS AND DESTRUCTION,

434
00:31:32,658 --> 00:31:38,497
AND WHEN THAT TODDLER BLITZKRIEG
FINALLY EBBED,

435
00:31:38,530 --> 00:31:42,068
MY DAUGHTER SAT ON THE GROUND,

436
00:31:42,101 --> 00:31:45,471
TOOK ONE BIG
EXHILARATED BREATH,

437
00:31:45,504 --> 00:31:48,107
AND FELL ASLEEP SITTING UP.

438
00:31:48,140 --> 00:31:51,043
SO WE CAN SEE
THAT THE MOMENT WE CHOOSE

439
00:31:51,077 --> 00:31:55,581
TO PRESS THAT LITTLE BUTTON
IS REALLY, REALLY IMPORTANT.

440
00:31:55,614 --> 00:31:58,250
NOW, GET THE HELL
OUT OF MY CLASSROOM

441
00:31:58,284 --> 00:32:00,686
AND FIND YOUR VIEW.

442
00:32:03,689 --> 00:32:06,658
[Jesse Woods's Sparks]

443
00:32:06,692 --> 00:32:14,700
*

444
00:32:18,304 --> 00:32:21,607
- * WISH I COULD TAKE
YOUR LIPS WITH ME *

445
00:32:21,640 --> 00:32:24,610
* ON THE ROAD WHEREVER I'D BE

446
00:32:24,643 --> 00:32:32,218
* I'D KISS YOU GOOD NIGHT
IN THE FAR OFF MOONLIGHT *

447
00:32:32,251 --> 00:32:35,754
* I WISH I COULD TAKE
YOUR LIPS WITH ME *

448
00:32:35,787 --> 00:32:43,362
* LISTEN TO YOUR LITTLE VOICE
SING ALONG WITH THE RADIO *

449
00:32:43,395 --> 00:32:46,198
* A SONG
THAT SOMEONE ELSE WROTE *

450
00:32:46,232 --> 00:32:48,367
* I DON'T CARE

451
00:32:48,400 --> 00:32:51,770
*

452
00:32:51,803 --> 00:32:54,740
* I JUST NEED YOU HERE

453
00:32:54,773 --> 00:33:01,013
*

454
00:33:01,047 --> 00:33:02,648
* AND I SEE A SPARK
IN THE MAKING *

455
00:33:02,681 --> 00:33:08,120
- [groaning]

456
00:33:08,154 --> 00:33:11,557
* YOU'VE GOT A HAND
FOR THE TAKING *

457
00:33:11,590 --> 00:33:15,094
* AND I'M ABOUT TO TAKE IT
TO THE MOON *

458
00:33:15,127 --> 00:33:18,264
* I SEE A SPARK IN THE MAKING

459
00:33:18,297 --> 00:33:22,301
* I HOPE THE RAIN DON'T COME
TOO SOON *

460
00:33:22,334 --> 00:33:25,637
* YOU'VE GOT A HAND
FOR THE TAKING *

461
00:33:25,671 --> 00:33:30,509
* AND I'M ABOUT TO TAKE IT
TO THE MOON *

462
00:33:30,542 --> 00:33:32,811
*

463
00:33:32,844 --> 00:33:37,683
* I'M ABOUT TO TAKE IT
TO THE MOON *

464
00:33:37,716 --> 00:33:40,119
*

465
00:33:40,152 --> 00:33:43,455
[music fading out]
* AND I'M ABOUT TO TAKE IT...

466
00:33:52,764 --> 00:33:53,765
- HI.

467
00:33:53,799 --> 00:33:56,102
COULD YOU MAYBE HELP ME?

468
00:33:56,135 --> 00:33:58,304
THIS STUPID THING
NEVER WANTS TO OPEN.

469
00:33:58,337 --> 00:34:00,839
- YES, NO PROBLEM.
- THANKS.

470
00:34:00,872 --> 00:34:02,808
YOUR LOOKS PRETTY OLD TOO.
WHERE'D YOU GET IT?

471
00:34:02,841 --> 00:34:05,077
- MY BROTHER.

472
00:34:08,414 --> 00:34:11,183
- YOUR SHOTS ARE GREAT.

473
00:34:11,217 --> 00:34:13,819
SOMETHING KIND OF DIFFERENT
ABOUT THEM.

474
00:34:13,852 --> 00:34:15,621
LOOK, DON'T WORRY ABOUT IT.
I'LL JUST GO AT IT

475
00:34:15,654 --> 00:34:17,523
WITH A SCREWDRIVER LATER,
OR SOMETHING.

476
00:34:17,556 --> 00:34:21,160
- IS THAT WALL BREAKING?

477
00:34:21,193 --> 00:34:22,228
- WHAT?
- OH.

478
00:34:24,396 --> 00:34:26,798
- WAIT, WHAT DID YOU S--
OH, THANK YOU.

479
00:34:26,832 --> 00:34:29,501
THAT'S AWESOME.

480
00:34:29,535 --> 00:34:32,571
WOULDN'T WANT ANYTHING TO HAPPEN
TO THIS CREATIVE VIEW, SO--

481
00:34:34,740 --> 00:34:37,143
COOL.

482
00:34:40,746 --> 00:34:43,115
WHY HAVEN'T YOU
ASKED ME MY NAME YET?

483
00:34:45,551 --> 00:34:47,386
- CHERRY SWADE?

484
00:34:47,419 --> 00:34:49,521
DUDE, THAT SOUNDS
LIKE A PORN STAR NAME.

485
00:34:49,555 --> 00:34:51,323
THAT'S SO AWESOME.

486
00:34:51,357 --> 00:34:55,261
NOT THAT I'M IN FAVOR
OF EXPLOITING WOMEN.

487
00:34:55,294 --> 00:34:58,464
- SHE...IS...VERY NICE.

488
00:34:58,497 --> 00:35:00,766
all: SHH!

489
00:35:00,799 --> 00:35:03,302
- THANK YOU.

490
00:35:03,335 --> 00:35:06,238
IT'S ALL RIGHT, MAN.

491
00:35:06,272 --> 00:35:09,908
- I WAS WONDERING
HOW TO MAKE CONVERSATION.

492
00:35:09,941 --> 00:35:12,211
I WANT TO MAKE
A GOOD CONVERSATION.

493
00:35:12,244 --> 00:35:13,612
- [laughs]

494
00:35:13,645 --> 00:35:15,247
NO, MAN, THAT SOUNDS
REALLY SWEET,

495
00:35:15,281 --> 00:35:16,648
BUT I'LL TELL YOU SOMETHING,

496
00:35:16,682 --> 00:35:18,650
WOMEN THESE DAYS,
THEY TAKE A SHIT ON SWEET.

497
00:35:18,684 --> 00:35:20,352
IT'S LIKE THEY ALL WANT
THUNDER GODS OR SOMETHING,

498
00:35:20,386 --> 00:35:23,489
AND UNLESS YOU CAN
MAKE IT RAIN, NAH.

499
00:35:23,522 --> 00:35:26,225
YOU'RE IN FOR SOME HEARTACHE,
BROTHER.

500
00:35:26,258 --> 00:35:29,328
- WHAT DO YOU MEAN "RAIN"?
I DON'T UNDERSTAND.

501
00:35:29,361 --> 00:35:34,166
- YO, AND P.S., WOMEN LOVE
IT WHEN YOU TALK ABOUT MYTHS,

502
00:35:34,200 --> 00:35:37,469
LIKE--LIKE KING TRITON
OR, LIKE, MERMAIDS.

503
00:35:37,503 --> 00:35:40,572
YOU CAN PRETTY MUCH ALWAYS
BANK ON THAT STUFF.

504
00:35:40,606 --> 00:35:41,907
THAT'S WHY THEY CALL IT
CLASSICAL.

505
00:35:41,940 --> 00:35:44,210
- [whispering]
HEY, THERE'S THAT FREAK.

506
00:35:44,243 --> 00:35:48,547
- SERIOUSLY?
WHAT ARE YOU EVEN DOING IN HERE?

507
00:35:51,217 --> 00:35:55,221
- BUTCH,
WHY DON'T YOU TAKE A BREAK?

508
00:36:03,762 --> 00:36:07,466
- GOD, I HATE "SKOCKS."
- WHAT IS "SKOCKS"?

509
00:36:07,499 --> 00:36:09,235
- IT'S JOCKS
THAT DRESS LIKE SKATERS,

510
00:36:09,268 --> 00:36:11,703
BUT ABOUT AS EXTREME AS THEY GET
IS JUMPING ON TRAMPOLINES.

511
00:36:11,737 --> 00:36:13,772
HOW DID MY MOM LIVE HERE?

512
00:36:13,805 --> 00:36:15,974
I MEAN, THERE'S NO LOVE, MAN.
THERE'S NO LOVE.

513
00:36:16,007 --> 00:36:18,777
I MEAN, ROMEO AND JULIET
WOULD HAVE KILLED THEMSELVES

514
00:36:18,810 --> 00:36:22,581
IF THEY LIVED IN THIS TOWN.

515
00:36:22,614 --> 00:36:23,949
OH, MY GOD.

516
00:36:23,982 --> 00:36:25,784
OH, MY GOD,
YOU'RE GONNA LOVE ME.

517
00:36:25,817 --> 00:36:27,386
YOU'RE GONNA LOVE ME SO MUCH,
YOU'RE GONNA BEG ME

518
00:36:27,419 --> 00:36:28,787
TO MAKE LOVE TO YOU,
BUT I'M NOT GONNA DO IT,

519
00:36:28,820 --> 00:36:31,690
BECAUSE I'M NOT LIKE THAT.

520
00:36:31,723 --> 00:36:34,793
MEET ME BACK HERE AT MIDNIGHT.

521
00:36:34,826 --> 00:36:38,230
- WHY?
- JUST DO IT!

522
00:36:38,264 --> 00:36:41,467
- WHY?

523
00:37:03,789 --> 00:37:06,458
- COME ON, LET'S GO.
HOP ON.

524
00:37:06,492 --> 00:37:07,893
- WHERE DID YOU GET
THIS MOTORCYCLE?

525
00:37:07,926 --> 00:37:09,695
- IT'S A SCOOTER.

526
00:37:09,728 --> 00:37:12,564
MY AUNT LETS ME BORROW IT
WHEN I NEED WHEELS SOMETIMES.

527
00:37:12,598 --> 00:37:13,832
- WHAT DO WE NEED IT FOR?

528
00:37:13,865 --> 00:37:15,867
- I'LL SHOW YOU ON THE WAY.
COME ON.

529
00:37:18,370 --> 00:37:19,871
YOU GOT TO PUT ON THE BACKPACK.

530
00:37:25,377 --> 00:37:28,380
THIS IS WHAT YOU'RE WEARING.

531
00:37:31,883 --> 00:37:34,853
[triumphant rock music]

532
00:37:34,886 --> 00:37:35,987
*

533
00:37:37,989 --> 00:37:40,459
- THIS RIDICULOUS.
IT'S STILL RAINING.

534
00:37:40,492 --> 00:37:43,395
- I KNOW, MAN, IT'S PERFECT.
IT'S EPIC.

535
00:37:45,664 --> 00:37:48,400
- NO, NO, I CANNOT DO THIS.
- YES, YOU CAN.

536
00:37:48,434 --> 00:37:49,701
- NO, NO, NO, NO.
- YES, YOU CAN.

537
00:37:49,735 --> 00:37:51,803
- NO, I SAID, NO.
- LISTEN. LISTEN TO ME.

538
00:37:51,837 --> 00:37:54,673
AMERICAN GIRLS,
THEY LOVE THIS STUFF, MAN.

539
00:37:54,706 --> 00:37:59,578
NOW, WARM UP LIKE I TOLD YOU.
[plays notes on keyboard]

540
00:37:59,611 --> 00:38:01,947
- "PETER PIPER PICKED
A PECK OF 'PICKY PECK.'

541
00:38:01,980 --> 00:38:03,915
A PECK OF 'PEPER' PEPPER
PETER PIPER PICKED."

542
00:38:03,949 --> 00:38:06,785
- ALL RIGHT, GREAT,
YOU'RE READY, ALL RIGHT?

543
00:38:06,818 --> 00:38:08,520
GO.

544
00:38:08,554 --> 00:38:10,021
[plays single notes on keyboard]

545
00:38:10,055 --> 00:38:16,862
- "BUT SOFT, WHAT LIGHT
THROUGH YONDER WINDOW BREAKS?

546
00:38:16,895 --> 00:38:21,367
IT IS THE EAST,
AND JULIET IS THE SUN."

547
00:38:21,400 --> 00:38:23,502
*

548
00:38:23,535 --> 00:38:24,970
- ALL RIGHT, NOW SING.

549
00:38:25,003 --> 00:38:28,039
- SING WHAT?
- JUST SING, MAN, SING.

550
00:38:28,073 --> 00:38:29,975
- SING--I DON'T KNOW, WHAT SONG?
- MAN, LISTEN,

551
00:38:30,008 --> 00:38:31,877
GIRLS LOVE IMPROV.
THEY LIKE,

552
00:38:31,910 --> 00:38:34,946
LIKE, SPONTANEITY, OKAY?
ALL RIGHT?

553
00:38:34,980 --> 00:38:37,015
SO JUST, I DON'T KNOW,
TAKE IN THE SPACE.

554
00:38:37,048 --> 00:38:41,086
TAKE IN THE SPACE.
AND...

555
00:38:41,119 --> 00:38:44,956
[plays single notes on keyboard]
SING.

556
00:38:44,990 --> 00:38:47,726
- * HERE I AM

557
00:38:47,759 --> 00:38:53,532
* STANDING UNDER THIS BIG TREE

558
00:38:53,565 --> 00:38:57,002
* YOU HAVE

559
00:38:57,035 --> 00:39:00,639
* VERY NICE HOUSE

560
00:39:00,672 --> 00:39:02,941
* NICE COLOR

561
00:39:02,974 --> 00:39:04,643
THIS IS JUST STUPID.
- NO, IT'S NOT.

562
00:39:04,676 --> 00:39:06,545
HEY! SHH, SHH.
SHE'S--GOING, GOING, GOING.

563
00:39:06,578 --> 00:39:07,546
GO, GO, GO, GO GO!

564
00:39:07,579 --> 00:39:08,580
[plays single notes on keyboard]

565
00:39:08,614 --> 00:39:09,948
- * IT'S RAINING

566
00:39:09,981 --> 00:39:12,851
- YEAH.
* I'M SO COLD

567
00:39:12,884 --> 00:39:15,554
* BUT YOU WON'T WARM ME UP

568
00:39:15,587 --> 00:39:17,122
- OH, SHIT.
- WHAT? WHAT? WHAT?

569
00:39:17,155 --> 00:39:19,124
- ABORT, ABORT, ABORT.
- WHAT? WHAT? WHAT?

570
00:39:19,157 --> 00:39:21,393
- IT'S--ABORT!
[playing random notes]

571
00:39:21,427 --> 00:39:23,028
- WHAT?
- SHE HAS PINK HAIR.

572
00:39:23,061 --> 00:39:24,430
- SO WHAT?
- YOU DIDN'T TELL ME

573
00:39:24,463 --> 00:39:26,632
SHE HAD PINK HAIR, MAN!
- WHO CARE?

574
00:39:26,665 --> 00:39:30,902
- THIS IS BEYOND ME, MAN.
WE NEED REINFORCEMENTS.

575
00:39:30,936 --> 00:39:32,471
ON THE COUNT OF THREE,
WE RUN FOR THE BIKE.

576
00:39:32,504 --> 00:39:34,773
OKAY, READY?

577
00:39:34,806 --> 00:39:36,107
ONE, TWO, THREE.

578
00:39:36,141 --> 00:39:39,978
MY AUNT AND UNCLE
WILL KNOW WHAT TO DO.

579
00:39:40,011 --> 00:39:42,481
- BUTCH, DO YOU HAVE ANY IDEA
WHAT TIME IT IS?

580
00:39:42,514 --> 00:39:46,184
YOU WOKE ME OUT OF PROBABLY
THE MOST EROTIC DREAM

581
00:39:46,217 --> 00:39:47,786
I'VE EVER HAD
IN MY WHOLE GODDAMN LIFE.

582
00:39:47,819 --> 00:39:50,456
- INAPPROPRIATE, INAPPROPRIATE.
- I WAS--

583
00:39:50,489 --> 00:39:52,858
- LISTEN, GUYS,
I'M REALLY SORRY.

584
00:39:52,891 --> 00:39:54,526
JOON HERE NEEDS OUR HELP.

585
00:39:54,560 --> 00:39:55,794
I MEAN, WHEN WAS THE LAST TIME
I ASKED YOU GUYS

586
00:39:55,827 --> 00:39:57,429
FOR ANY KIND OF ADVICE?

587
00:39:57,463 --> 00:40:02,100
- WELL, WE ARE SO EXCITED
TO MEET YOUR NEW FRIEND.

588
00:40:02,133 --> 00:40:03,535
HI.

589
00:40:05,070 --> 00:40:06,805
SO?

590
00:40:06,838 --> 00:40:10,075
- SO...

591
00:40:10,108 --> 00:40:11,777
WHAT SHOULD HE DO?

592
00:40:14,946 --> 00:40:19,651
- WELL, BUTCH,
IT IS A TRICKY QUESTION.

593
00:40:19,685 --> 00:40:23,822
THE FEMALE OF THE SPECIES
HAS ALWAYS BEEN AN ENIGMA,

594
00:40:23,855 --> 00:40:28,560
BUT TRUE LOVE IS "DEFI-NATE-LY"
A WORTHY CAUSE.

595
00:40:28,594 --> 00:40:30,796
I THINK YOUR YOUNG FRIEND
FROM THE EAST

596
00:40:30,829 --> 00:40:32,998
HAS A LITTLE BIT OF RESEARCH
AHEAD OF HIM.

597
00:40:33,031 --> 00:40:36,067
FOR INSTANCE,
WHAT ARE HER HOBBIES?

598
00:40:36,101 --> 00:40:37,769
WHAT DOES SHE LIKE
TO DO FOR FUN?

599
00:40:37,803 --> 00:40:40,806
WHY DON'T YOU TAKE HER OUT
FOR DINNER AND A MOVIE?

600
00:40:40,839 --> 00:40:44,810
OR PERHAPS YOUR YOUNG INGENUE
WOULD PREFER THE THEATER.

601
00:40:44,843 --> 00:40:46,778
I KNOW THE MIDDLE SCHOOL
HAS ON A PRODUCTION

602
00:40:46,812 --> 00:40:49,481
OF THE MAN OF LA MANCHA,
WHICH I HEAR IS BREATHTAKING.

603
00:40:49,515 --> 00:40:51,082
- [laughs]
- WHAT ARE YOU LAUGHING AT?

604
00:40:51,116 --> 00:40:53,552
- I'M LAUGHING
AT THE DATE MASTER.

605
00:40:53,585 --> 00:40:55,487
REALLY, YOU BOGGLE MY MIND
SOMETIMES.

606
00:40:55,521 --> 00:40:57,188
- OH, REALLY, IS THAT A FACT?
- YES.

607
00:40:57,222 --> 00:40:59,558
YOU'RE GONNA SEND THIS BOY
OUT TO FIGHT A DRAGON

608
00:40:59,591 --> 00:41:02,027
WITH NOTHING BUT A ROSE
STICKING OUT OF HIS ASS?

609
00:41:02,060 --> 00:41:03,795
WHAT YOU DON'T SEEM
TO RECOGNIZE,

610
00:41:03,829 --> 00:41:06,064
MY DARLING SHE/HE...
- "SHE/HE"?

611
00:41:06,097 --> 00:41:08,567
- 95% OF THE WOMEN ON THE PLANET

612
00:41:08,600 --> 00:41:11,202
ARE LIKE THAT MONSTER IN THE PIT
IN RETURN OF THE JEDI.

613
00:41:11,236 --> 00:41:13,572
I MEAN, YOU DON'T KNOW WHAT'S
IN THE BOTTOM OF THAT PIT.

614
00:41:13,605 --> 00:41:15,507
ALL YOU KNOW IS THAT THE PEOPLE
ARE SCREAMING

615
00:41:15,541 --> 00:41:17,643
AS THEY SLIDE INTO THAT HOLE!
- OKAY.

616
00:41:17,676 --> 00:41:19,745
ALL RIGHT.

617
00:41:19,778 --> 00:41:22,113
THAT'S REALLY INTERESTING,
BUT I THINK JOON HERE--

618
00:41:22,147 --> 00:41:24,783
- HAVE YOU LOOKED IN THE MIRROR
LATELY, YOU ALLIGATOR?

619
00:41:24,816 --> 00:41:26,284
- DO YOU ACTUALLY THINK
THAT YOU KNOW MORE

620
00:41:26,317 --> 00:41:28,620
ABOUT WHAT A WOMAN WOULD WANT
THAN ME?

621
00:41:28,654 --> 00:41:31,189
- GUYS!
SERIOUSLY, STOP!

622
00:41:31,222 --> 00:41:34,926
YOU'RE EMBARRASSING ME.

623
00:41:37,963 --> 00:41:39,731
CAN YOU IMAGINE
A ROSE LIKE ME

624
00:41:39,765 --> 00:41:42,100
BLOOMING IN A SWAMP OF SHIT
LIKE THIS?

625
00:41:44,903 --> 00:41:48,574
- THESE GALLERY SHOWINGS MAKE UP
HALF OF YOUR FINAL GRADE,

626
00:41:48,607 --> 00:41:53,044
SO IF I WERE YOU, I WOULD THINK
ABOUT MAKING A REAL EFFORT.

627
00:41:53,078 --> 00:41:55,280
EACH OF YOU GETS
A GALLERY SECTION

628
00:41:55,313 --> 00:41:59,150
ALL TO YOURSELF.
I UNDERSTAND THAT THE THOUGHT

629
00:41:59,184 --> 00:42:01,887
OF GIVING UP A MONTH
OF FRIDAY AND SATURDAY NIGHTS

630
00:42:01,920 --> 00:42:05,190
FEELS LIKE A SOCIAL APOCALYPSE
TO MOST OF YOU,

631
00:42:05,223 --> 00:42:07,926
BUT THIS IS HOW MUCH I CARE.

632
00:42:14,633 --> 00:42:16,868
VERY ATTRACTIVE, CHERRY.

633
00:42:16,902 --> 00:42:21,740
HELL HATH NO FURY LIKE THE WRATH
I WILL WREAK UPON THE LAZY.

634
00:42:21,773 --> 00:42:24,743
[Benjamin Francis Leftwich's
1904]

635
00:42:24,776 --> 00:42:31,783
*

636
00:42:33,785 --> 00:42:36,287
- IT'S A PRETTY COOL SHOT.

637
00:42:36,321 --> 00:42:40,091
PITY ABOUT YOUR SUBJECT,
THOUGH.

638
00:42:40,125 --> 00:42:41,760
*

639
00:42:41,793 --> 00:42:43,294
YOU KNOW, THAT PICTURE WAS
A PERFECT OPPORTUNITY

640
00:42:43,328 --> 00:42:45,330
FOR YOU TO BONE UP
ON YOUR PORN COLLECTION.

641
00:42:45,363 --> 00:42:50,235
INSTEAD,
YOU TOTALLY BLEW IT.

642
00:42:50,268 --> 00:42:52,370
- YES.
- UGH.

643
00:42:52,403 --> 00:42:54,239
THESE DARK ROOMS
SERIOUSLY STINK.

644
00:42:54,272 --> 00:42:57,676
NO WONDER NOBODY USES THEM
ANYMORE.

645
00:42:57,709 --> 00:42:59,745
STILL, I GUESS
THERE'S SOMETHING KIND OF NICE

646
00:42:59,778 --> 00:43:02,380
ABOUT SEEING YOUR WORK
SLOWLY APPEAR IN FRONT OF YOU.

647
00:43:02,413 --> 00:43:04,650
IT'S NOT SO IMMEDIATE.

648
00:43:04,683 --> 00:43:06,752
MY GRANDPA ACTUALLY SAYS
THAT ALL THE GOOD THINGS IN LIFE

649
00:43:06,785 --> 00:43:09,387
ARE WORTH WAITING FOR.

650
00:43:09,420 --> 00:43:16,261
- * AND IN 1904 I FOUND

651
00:43:16,294 --> 00:43:18,730
- I WAS...

652
00:43:18,764 --> 00:43:23,702
THINKING MAYBE IF YOU...

653
00:43:23,735 --> 00:43:25,971
MAYBE IF YOU--
MAYBE INTEREST

654
00:43:26,004 --> 00:43:32,878
IN WATCHING
MAN OF LA MANCHA WITH ME?

655
00:43:32,911 --> 00:43:35,714
- I DIDN'T KNOW IT WAS IN TOWN.

656
00:43:35,747 --> 00:43:38,183
- YES, IT IS.

657
00:43:38,216 --> 00:43:42,053
* OOH, OOH

658
00:43:42,087 --> 00:43:48,093
* WALK ON
WALK ON *

659
00:43:48,126 --> 00:43:50,161
- HI, JOON.
- HI, AUNT.

660
00:43:50,195 --> 00:43:52,831
- LITTLE HAPPIER
THAN THE LAST TIME I SAW YOU.

661
00:43:52,864 --> 00:43:54,666
DID YOU TAP THAT ASS?

662
00:43:54,700 --> 00:43:57,936
- MM, NO.

663
00:43:57,969 --> 00:44:01,172
I HAVE GOOD NEWS.
IS BUTCH HERE?

664
00:44:01,206 --> 00:44:05,777
- UH, NO.

665
00:44:07,445 --> 00:44:08,980
- IS THIS YOUR CAR?

666
00:44:09,014 --> 00:44:11,416
- [laughs]
ARE YOU OUT OF YOUR MIND?

667
00:44:11,449 --> 00:44:13,218
NO, THIS IS LIZZIE'S CAR,

668
00:44:13,251 --> 00:44:17,055
BUT MY BROTHER WAS RESPONSIBLE
FOR THE--

669
00:44:17,088 --> 00:44:19,390
I TAUGHT LIZZIE TO DRIVE
IN THIS CAR.

670
00:44:19,424 --> 00:44:21,793
OUR DAD GAVE IT TO HER.

671
00:44:21,827 --> 00:44:23,895
JUST SHOWED UP ONE DAY
OUT OF THE BLUE, YOU KNOW.

672
00:44:23,929 --> 00:44:25,997
HE WAS KIND OF LIKE THAT,
KIND OF QUIET.

673
00:44:26,031 --> 00:44:28,433
NEVER KNEW WHERE YOU STOOD
WITH HIM.

674
00:44:28,466 --> 00:44:32,337
ALWAYS TRYING TO GUESS
WHAT HE WAS THINKING.

675
00:44:32,370 --> 00:44:34,806
I BET YOU GET THAT A LOT,
DON'T YOU?

676
00:44:36,942 --> 00:44:38,710
SHE'D PROBABLY BE PISSED
ABOUT THESE THINGS

677
00:44:38,744 --> 00:44:40,311
STUCK UNDER THE HOOD,
THOUGH.

678
00:44:40,345 --> 00:44:42,313
- * AH! AH! AH!

679
00:44:42,347 --> 00:44:45,250
* [humming]

680
00:44:45,283 --> 00:44:47,385
- HE DANCES WHEN HE'S SAD.

681
00:44:47,418 --> 00:44:49,855
- WHY IS HE SAD?

682
00:44:53,224 --> 00:44:55,961
- BUTCH IS PROBABLY
UP AT THE GOLF COURSE TODAY.

683
00:44:55,994 --> 00:44:58,296
I BET HE'D LIKE TO HEAR
YOUR GOOD NEWS.

684
00:44:58,329 --> 00:45:00,966
YOU SHOULD PROBABLY
HEAD UP THERE.

685
00:45:15,413 --> 00:45:19,084
- HEY.
- HEY.

686
00:45:22,320 --> 00:45:24,155
- WHAT ARE YOU DOING?

687
00:45:24,189 --> 00:45:29,194
- KIND OF A RAMBO MEETS
JACKSON POLLOCK THING, I THINK.

688
00:45:29,227 --> 00:45:31,863
- YOU DO THIS OFTEN?

689
00:45:31,897 --> 00:45:36,935
- UH, USUALLY JUST HOLIDAYS.

690
00:45:36,968 --> 00:45:39,170
IT'S MY MOM'S BIRTHDAY TODAY.

691
00:45:44,309 --> 00:45:47,913
WE USED TO HIKE HERE
WHEN I WAS LITTLE.

692
00:45:47,946 --> 00:45:50,415
THE GOLF COURSE HADN'T EXTENDED
OVER HERE YET.

693
00:45:50,448 --> 00:45:55,921
SHE TRIED TO GET THE TOWN
TO MAKE THIS PROTECTED LAND.

694
00:45:55,954 --> 00:45:58,389
SHE DRESSED UP LIKE A GOFER
AND, LIKE, ATTACKED GOLFERS

695
00:45:58,423 --> 00:46:00,959
FOR, LIKE, TWO WEEKS STRAIGHT.

696
00:46:00,992 --> 00:46:02,894
THEY HAD TO PUT
A RESTRAINING ORDER ON HER.

697
00:46:02,928 --> 00:46:06,431
I MEAN, SHE NEVER TOOK NOTHING
LYING DOWN, MAN.

698
00:46:11,469 --> 00:46:14,072
I'M STARTING TO FORGET THINGS
ABOUT HER.

699
00:46:14,105 --> 00:46:16,141
I CAN'T REMEMBER
WHAT SHE SMELLED LIKE.

700
00:46:16,174 --> 00:46:20,478
HOW DOES SOMEONE FORGET
SOMETHING LIKE THAT?

701
00:46:20,511 --> 00:46:23,314
- WHERE IS YOUR FATHER?

702
00:46:23,348 --> 00:46:25,216
- [laughs]

703
00:46:25,250 --> 00:46:26,985
HOW THE HELL SHOULD I KNOW?

704
00:46:27,018 --> 00:46:30,588
HE'S SOME BLOODSUCKING CORPORATE
LAWYER IN NEW YORK CITY.

705
00:46:30,621 --> 00:46:34,325
I NEVER MET HIM.

706
00:46:34,359 --> 00:46:38,329
MY MOM USED TO SAY, "EVERYBODY'S
GOT THEIR OWN DESTINY."

707
00:46:38,363 --> 00:46:41,332
[chuckles]

708
00:46:41,366 --> 00:46:44,903
YOU DON'T LEAVE
THE ONES THAT YOU LOVE.

709
00:46:44,936 --> 00:46:47,839
YOU JUST DON'T.

710
00:46:47,873 --> 00:46:50,175
- AW!
- SQUIRRELS DON'T GOLF!

711
00:46:50,208 --> 00:46:52,077
YOU'RE ON STOLEN LAND!

712
00:46:54,946 --> 00:46:57,916
WHAT'D YOU DO TODAY?

713
00:46:57,949 --> 00:47:00,852
- I ASKED CHERRY OUT ON A DATE.

714
00:47:00,886 --> 00:47:04,055
- GET OUTTA HERE.
YOU DID NOT.

715
00:47:04,089 --> 00:47:06,324
- I DID.
- WHAT?

716
00:47:06,357 --> 00:47:09,527
THIS TOTALLY CALLS
FOR A VICTORY LAUNCH.

717
00:47:16,201 --> 00:47:20,605
SLOW AND STEADY WINS THE RACE.
ALL RIGHT.

718
00:47:20,638 --> 00:47:23,008
NOW, YOU GOTTA AIM,
AND ON THREE.

719
00:47:23,041 --> 00:47:25,410
ONE--
OKAY.

720
00:47:25,443 --> 00:47:28,880
NO--WHAT THE?
I'LL KILL YOU!

721
00:47:28,914 --> 00:47:30,882
- OH, SHIT.
OKAY, ALL RIGHT.

722
00:47:30,916 --> 00:47:32,150
LET'S GO.
TIME TO GO, TIME TO GO.

723
00:47:32,183 --> 00:47:33,484
COME ON, COME ON.

724
00:47:33,518 --> 00:47:34,920
HERE WE GO.
COME ON, COME ON, COME ON!

725
00:47:34,953 --> 00:47:38,924
- YOU LITTLE PUNKS!

726
00:47:38,957 --> 00:47:42,593
- GOOD EVENING, WELCOME
TO OUR HUMBLE, LITTLE PRODUCTION

727
00:47:42,627 --> 00:47:44,562
OF MAN OF LA MANCHA.

728
00:47:44,595 --> 00:47:46,464
[applause]

729
00:47:46,497 --> 00:47:51,002
- WHOO!

730
00:47:51,036 --> 00:47:52,437
- SO WHY DID YOU TRAVEL
THE WHOLE WAY ACROSS THE WORLD

731
00:47:52,470 --> 00:47:54,505
TO COME HERE?

732
00:47:54,539 --> 00:47:56,407
- I DIDN'T HAVE A LOT OF CHOICE.

733
00:47:56,441 --> 00:47:58,309
- REALLY?
THAT SUCKS.

734
00:47:58,343 --> 00:48:00,979
- ACTUALLY,
I'M VERY FORTUNATE.

735
00:48:01,012 --> 00:48:04,182
NOT MANY PEOPLE
GET TO COME TO AMERICA.

736
00:48:04,215 --> 00:48:05,917
IT IS VERY DIFFICULT.

737
00:48:05,951 --> 00:48:07,685
- OH, THEN HOW ARE YOU HERE?

738
00:48:07,718 --> 00:48:12,223
- AFTER MY BROTHER DIED,

739
00:48:12,257 --> 00:48:17,996
I DIDN'T REALLY SPEAK TO ANYBODY
FOR A LONG TIME.

740
00:48:18,029 --> 00:48:22,200
MY PARENTS THINK
I BETTER FOCUS ON MY FUTURE.

741
00:48:22,233 --> 00:48:26,938
SCHOOL IN AMERICA LOOK VERY GOOD
TO UNIVERSITY IN KOREA.

742
00:48:31,142 --> 00:48:34,379
- HMM.

743
00:48:34,412 --> 00:48:38,283
YOU KNOW, ASIAN MEN DON'T GET
A LOT OF PLAY IN THIS COUNTRY.

744
00:48:38,316 --> 00:48:41,419
- PLAY?
I DON'T KNOW "PLAY."

745
00:48:41,452 --> 00:48:46,992
- I GUESS...PEOPLE THINK OF YOU
AS MORE, LIKE, COMPUTER MAKERS

746
00:48:47,025 --> 00:48:50,195
OR DOCTORS,
BUT NOT LIKE SOAP OPERA DOCTORS,

747
00:48:50,228 --> 00:48:53,664
LIKE, DOCTORS THAT ACTUALLY
PRACTICE MEDICINE, YOU KNOW?

748
00:48:53,698 --> 00:48:57,635
- OH.

749
00:48:57,668 --> 00:48:59,537
- THAT'S OF COURSE
UNLESS YOU INCLUDE THOSE

750
00:48:59,570 --> 00:49:01,172
"SNEAK AROUND
TRYING TO GET PICTURES

751
00:49:01,206 --> 00:49:03,975
OF UNSUSPECTING
FOREST-GOING LOVERS."

752
00:49:05,676 --> 00:49:08,646
I HEAR THEY'RE PRETTY "IN"
RIGHT NOW.

753
00:49:08,679 --> 00:49:11,649
[romantic music]

754
00:49:11,682 --> 00:49:13,518
*

755
00:49:13,551 --> 00:49:16,354
- I WAS LIKE, "WHEELCHAIR
DOES NOT EQUAL LAZY."

756
00:49:16,387 --> 00:49:21,026
YOU KNOW WHAT I MEAN?
- [chuckles]

757
00:49:21,059 --> 00:49:23,561
- SO WHAT KIND OF A NAME
IS "BUTCH BLOSSOM"?

758
00:49:23,594 --> 00:49:24,662
- WHAT DO YOU MEAN?
- WELL, IT'S SORT OF

759
00:49:24,695 --> 00:49:26,097
AN OXYMORON, ISN'T IT?

760
00:49:26,131 --> 00:49:27,532
- YOUR MOM'S A OXYMORON.

761
00:49:30,168 --> 00:49:33,371
- MY MOM'S DEAD, JERK.

762
00:49:33,404 --> 00:49:36,507
- JEEZ.
LOOK, I'M REALLY SORRY.

763
00:49:36,541 --> 00:49:38,076
I-I SAY SOME STUPID CRAP--

764
00:49:38,109 --> 00:49:40,045
- HA!

765
00:49:40,078 --> 00:49:41,446
GOTCHA.
YOU KNOW, FOR AN ARTIST,

766
00:49:41,479 --> 00:49:45,416
YOU'RE PRETTY GULLIBLE.
YOUR MOM'S DEAD.

767
00:49:45,450 --> 00:49:47,018
- MY MOM IS DEAD.
- OH, COME ON,

768
00:49:47,052 --> 00:49:50,055
WHERE'S THE ORIGINALITY?
JOON, NOT IMPRESSED.

769
00:49:52,423 --> 00:49:55,160
- NAH, MY MOM'S DEAD.
- OF COURSE SHE IS.

770
00:49:55,193 --> 00:49:57,362
SO WHY DON'T YOU JUST DRAG
HER OLD BONES UP HERE?

771
00:49:57,395 --> 00:49:59,797
I HAVE PUPPET STRINGS, WE'LL ACT
LIKE SHE WAS NEVER GONE.

772
00:49:59,830 --> 00:50:02,467
- CHERRY.
- WHAT?

773
00:50:02,500 --> 00:50:05,203
- HIS MOM IS DEAD.

774
00:50:05,236 --> 00:50:07,705
- NO, SHE'S--DON'T--

775
00:50:10,475 --> 00:50:13,344
OH, MY GOD.
SHE IS.

776
00:50:13,378 --> 00:50:15,180
- HA!
[laughs]

777
00:50:15,213 --> 00:50:16,714
TAKE THAT SHIT!

778
00:50:16,747 --> 00:50:18,283
- YOU ASSHOLE!
I TOTALLY BELIEVED

779
00:50:18,316 --> 00:50:19,684
THAT HIS MOM WAS REALLY DEAD!

780
00:50:19,717 --> 00:50:21,119
- SHE IS.

781
00:50:21,152 --> 00:50:24,089
- OH.

782
00:50:24,122 --> 00:50:26,657
- JOON, I LOVE THIS GIRL.
SHE'S TOTALLY AWESOME.

783
00:50:26,691 --> 00:50:28,293
BY THE WAY, "CHERRY SWADE"

784
00:50:28,326 --> 00:50:30,128
SOUNDS LIKE A COLOR
OF FRICKIN' CARPET.

785
00:50:30,161 --> 00:50:32,029
- [laughs]

786
00:50:43,241 --> 00:50:44,809
WHAT DOES YOUR NOTE SAY?

787
00:50:44,842 --> 00:50:46,411
- "THIS WOULD HAVE REALLY HURT
IF I HADN'T ALREADY

788
00:50:46,444 --> 00:50:48,146
BEEN KILLED BY INDIFFERENCE."

789
00:50:48,179 --> 00:50:50,148
[crash]
- OH.

790
00:50:50,181 --> 00:50:51,349
[Crocodiles' Sunday
(Psychic Conversation #9)]

791
00:50:51,382 --> 00:50:52,550
- * EINS, ZWEI, DREI, VEIR *

792
00:50:52,583 --> 00:50:55,120
*

793
00:50:55,153 --> 00:51:01,126
* IT'S SUNDAY
AND THE WORLD LOVES ITSELF *

794
00:51:01,159 --> 00:51:08,266
* FOR ALL ITS FAULTS
AND ITS EXPLOSIONS OF WEALTH *

795
00:51:08,299 --> 00:51:16,141
* EYES OF THE WORLD
WILL STILL BURN

796
00:51:16,174 --> 00:51:20,645
* AND IN TURN
WELL, SUNDAY *

797
00:51:20,678 --> 00:51:21,712
[music fades out]

798
00:51:21,746 --> 00:51:23,714
- THIS IS PRETTY INCREDIBLE.

799
00:51:23,748 --> 00:51:26,851
I DON'T KNOW ANYONE
KNEW ABOUT IT.

800
00:51:26,884 --> 00:51:31,222
[chuckles]
THAT CLIFF IS PRETTY INTENSE.

801
00:51:31,256 --> 00:51:33,724
- JOON JUMPED OFF THAT SHIT.

802
00:51:33,758 --> 00:51:36,594
- YOU JUMPED OFF THAT SHIT?

803
00:51:36,627 --> 00:51:38,229
- I JUMPED OFF THAT SHIT.

804
00:51:38,263 --> 00:51:43,501
[laughter]

805
00:51:43,534 --> 00:51:45,370
- NOBODY FROM TOWN
COMES UP HERE

806
00:51:45,403 --> 00:51:48,306
BECAUSE THEY'RE--THEY NEVER
LEAVE THEIR DRIVEWAYS.

807
00:51:48,339 --> 00:51:50,241
THEY'RE AFRAID SOMEBODY'S GONNA
TELL THE CLONE FACTORY.

808
00:51:50,275 --> 00:51:51,576
THEY'LL ALL GET RECALLED.

809
00:51:51,609 --> 00:51:53,678
- YEAH, BUT YOU LIVE HERE.

810
00:51:53,711 --> 00:51:54,812
WOULDN'T EXACTLY CALL YOU
A HEALTHY MEMBER

811
00:51:54,845 --> 00:51:56,547
OF THE STATUS QUO.

812
00:51:58,216 --> 00:52:02,187
WELL, I MOVED HERE,
LIKE, THREE YEARS AGO FROM D.C.

813
00:52:02,220 --> 00:52:05,890
AT FIRST, I HATED IT.
I MEAN HATED IT.

814
00:52:05,923 --> 00:52:09,760
I COULDN'T UNDERSTAND WHY
WE'D GONE FROM SOMEWHERE WHERE

815
00:52:09,794 --> 00:52:11,629
EVERYTHING WAS HAPPENING
TO A PLACE

816
00:52:11,662 --> 00:52:14,932
WHERE PEOPLE DON'T EVEN REALIZE
THAT THINGS DO HAPPEN, YOU KNOW?

817
00:52:14,965 --> 00:52:19,570
- THAT'S WHAT I'M SAYING, MAN.
THIS PLACE IS FROZEN SOLID.

818
00:52:19,604 --> 00:52:23,274
- THERE'S SOMETHING
ABOUT THE TININESS OF THIS TOWN,

819
00:52:23,308 --> 00:52:27,512
I THINK.
IT'S JUST...

820
00:52:27,545 --> 00:52:29,680
MAKES IT EASY TO BE UNIQUE,
I GUESS.

821
00:52:29,714 --> 00:52:31,249
- IT'S NOT REAL, THOUGH.

822
00:52:31,282 --> 00:52:34,352
YOU SURROUND YOURSELF
WITH TEN MILLION PEOPLE,

823
00:52:34,385 --> 00:52:38,223
EVERY POSSIBLE THING,
THEN IF YOU'RE STILL UNIQUE,

824
00:52:38,256 --> 00:52:40,891
ODDS ARE, YOU'RE PROBABLY
PRETTY DAMN UNIQUE.

825
00:52:41,892 --> 00:52:45,863
- YEAH.

826
00:52:45,896 --> 00:52:50,501
- I THINK THIS TOWN HAVE SPACE.

827
00:52:50,535 --> 00:52:52,770
IN KOREA, NO SPACE.

828
00:52:52,803 --> 00:52:58,776
I THINK MAYBE THIS TOWN
HAVE SPACE FOR MAYBE GROW.

829
00:52:58,809 --> 00:53:02,313
JUST NEED THE SEED.

830
00:53:02,347 --> 00:53:03,948
- [chuckles]

831
00:53:03,981 --> 00:53:05,883
- AW, SHIT.
I'M LATE FOR WORK.

832
00:53:05,916 --> 00:53:07,285
DAMN.

833
00:53:07,318 --> 00:53:09,554
- OH!
[laughs]

834
00:53:09,587 --> 00:53:12,690
- WHOO!

835
00:53:12,723 --> 00:53:15,660
I'M DOING A PUPPET-RE-ENACTMENT
OF SCHINDLER'S LIST

836
00:53:15,693 --> 00:53:16,961
DOWN BY THE LIBRARY.

837
00:53:16,994 --> 00:53:18,729
I'M GONNA BE SHIELDING
YOUNG MINDS

838
00:53:18,763 --> 00:53:21,799
FROM EVIL FASCIST EMPIRES.
PEACE OUT.

839
00:53:21,832 --> 00:53:23,334
[chuckles]

840
00:53:31,742 --> 00:53:36,013
- DO YOU THINK I'M DIFFERENT?
- WHAT DO YOU MEAN?

841
00:53:36,046 --> 00:53:41,752
- I MEAN FROM THIS TOWN.

842
00:53:41,786 --> 00:53:44,655
I THINK YOU'RE DIFFERENT,

843
00:53:44,689 --> 00:53:48,993
AND NOT JUST
IN THE OBVIOUS WAYS.

844
00:53:49,026 --> 00:53:52,530
I THINK YOU'RE BRAVE.

845
00:53:52,563 --> 00:53:57,268
IT'S LIKE YOU'RE NOT AFRAID
TO BE SOMETHING SPECIAL.

846
00:53:57,302 --> 00:53:58,803
I JUST GET SO SCARED SOMETIMES

847
00:53:58,836 --> 00:54:01,739
THAT I'M JUST GONNA END UP
LIKE EVERYONE ELSE.

848
00:54:04,909 --> 00:54:08,012
SO DO YOU THINK I'M DIFFERENT?

849
00:54:10,415 --> 00:54:13,418
- IN THE VERY BEST WAY.

850
00:54:15,019 --> 00:54:16,721
- GOOD.

851
00:54:16,754 --> 00:54:19,690
'CAUSE NORMAL KIND OF
SUCKS MY DICK.

852
00:54:19,724 --> 00:54:22,427
- [laughs]
- [laughs]

853
00:54:22,460 --> 00:54:25,029
ARE YOU OKAY?

854
00:54:25,062 --> 00:54:28,466
- WE DON'T HAVE THIS DRINK
IN KOREA.

855
00:54:28,499 --> 00:54:32,002
VERY NICE.
- [laughs]

856
00:54:38,643 --> 00:54:41,612
[Benjamin Francis Leftwich's
Atlas Hands]

857
00:54:41,646 --> 00:54:45,082
*

858
00:54:45,115 --> 00:54:47,318
[laughs]

859
00:54:49,053 --> 00:54:52,457
SO NO ROOT BEER IN KOREA, HUH?
- NO.

860
00:54:52,490 --> 00:54:55,626
- THAT'S TOO BAD.

861
00:54:55,660 --> 00:54:58,663
- * TAKE ME TO THE DOCKS

862
00:54:58,696 --> 00:55:00,498
- BUTCH, DO YOU HAVE A SUIT?

863
00:55:00,531 --> 00:55:02,867
- OH, SHIT.
THEY GOT YOU DIDN'T THEY?

864
00:55:02,900 --> 00:55:04,569
THOSE CORPORATE ASS-SUCKING
GUIDANCE COUNSELORS,

865
00:55:04,602 --> 00:55:06,504
THEY GOT YOU.
- WHAT ARE YOU TALKING ABOUT?

866
00:55:06,537 --> 00:55:08,439
- THE MAN.
HE STUCK HIS PENIS IN YOU.

867
00:55:08,473 --> 00:55:10,040
MAYBE IT WAS JUST THE TIP,
BUT IN SOME CULTURES,

868
00:55:10,074 --> 00:55:11,709
THAT'S STILL CALLED RAPE, MAN.

869
00:55:11,742 --> 00:55:14,412
- I JUST NEED A SUIT.
- DO YOU HEAR YOURSELF?

870
00:55:14,445 --> 00:55:15,580
"I NEED, I NEED."

871
00:55:15,613 --> 00:55:16,681
I FEEL LIKE YOUR SPONSOR
RIGHT NOW.

872
00:55:16,714 --> 00:55:18,383
FIGHT THIS SHIT, MAN.

873
00:55:18,416 --> 00:55:19,984
- DO YOU HAVE A SUIT?
- OKAY,

874
00:55:20,017 --> 00:55:21,486
WHAT DO YOU NEED A SUIT FOR?

875
00:55:21,519 --> 00:55:23,421
- CHERRY'S GALLERY SHOW.

876
00:55:23,454 --> 00:55:24,655
- WHAT DOES THAT HAVE TO DO
WITH PENISES

877
00:55:24,689 --> 00:55:26,857
OR RAPE OR ANYTHING?

878
00:55:26,891 --> 00:55:29,694
YOU HAVE A REAL
COMMUNICATION PROBLEM.

879
00:55:29,727 --> 00:55:32,930
YOU DO REALIZE THAT, RIGHT?
- YES.

880
00:55:32,963 --> 00:55:35,600
- COOL.

881
00:55:35,633 --> 00:55:38,569
HOLD THIS FOR A SECOND.

882
00:55:38,603 --> 00:55:40,538
YOU WANT TO COME
SEE MY BAND TONIGHT?

883
00:55:40,571 --> 00:55:41,939
- [laughing]
YOU HAVE A BAND?

884
00:55:41,972 --> 00:55:43,608
- AM I, LIKE, QUADRIPLEGIC
OR SOMETHING?

885
00:55:43,641 --> 00:55:47,111
WHY IS THAT SO HARD TO BELIEVE?

886
00:55:47,144 --> 00:55:50,448
- SORRY, CHERRY'S SHOW
IS TONIGHT.

887
00:55:50,481 --> 00:55:51,749
- NO WORRIES.

888
00:55:51,782 --> 00:55:54,452
YOU GOTTA GO.
YOU GOTTA DO THAT,

889
00:55:54,485 --> 00:55:56,654
BUT YOU CAN'T GO TO AN ART SHOW
LOOKING LIKE THAT, THOUGH.

890
00:55:56,687 --> 00:55:58,456
I GOT JUST THE THING,

891
00:55:58,489 --> 00:56:02,460
BUT IT MIGHT BE
A LITTLE SMALL FOR YOU.

892
00:56:02,493 --> 00:56:04,462
- I THINK THAT SHOULD BE
IN A REAL MUSEUM.

893
00:56:04,495 --> 00:56:06,864
- YOU SHOULD BE WORKING
FOR THE NATIONAL GEOGRAPHIC.

894
00:56:06,897 --> 00:56:07,932
- IT'S NOT LIKE
I WENT TO AFRICA, DAD.

895
00:56:07,965 --> 00:56:09,166
I TOOK THESE AT THE ZOO.

896
00:56:09,199 --> 00:56:10,501
- WELL, I SEE
A LOT OF POTENTIAL.

897
00:56:10,535 --> 00:56:11,936
- OH.
- ARTIST IN THE HOUSE!

898
00:56:11,969 --> 00:56:13,504
ANYBODY SEE AN ARTIST
IN THE HOUSE?

899
00:56:13,538 --> 00:56:14,939
- HI, AL.
- HEY, KIDDO, HOW ARE YOU?

900
00:56:14,972 --> 00:56:16,541
- GOOD.
- GOOD TO SEE YOU, TIMBO.

901
00:56:16,574 --> 00:56:17,742
WHAT DO YOU SAY, HUH?
- GOOD TO SEE YOU TOO.

902
00:56:17,775 --> 00:56:19,009
- THERE'S MY LITTLE PICASSO.

903
00:56:19,043 --> 00:56:20,778
- PICASSO'S A PAINTER,
UNCLE AL.

904
00:56:20,811 --> 00:56:22,747
- HEY, DON'T YOU
SELL YOURSELF SHORT.

905
00:56:22,780 --> 00:56:24,782
YOU'RE GOOD, UNDERSTAND?
- OKAY.

906
00:56:24,815 --> 00:56:25,983
- BABY, GO GET DADDY A DRINK,
WILL YOU, PLEASE?

907
00:56:26,016 --> 00:56:27,818
- UH-HUH. MMM.

908
00:56:27,852 --> 00:56:30,488
- THAT WAS A REAL NICE THING,
WHAT YOU DID FOR BETHANY TODAY.

909
00:56:30,521 --> 00:56:33,023
TAKING PICTURES OF THE WEDDING.
GOTTA THANK YOU.

910
00:56:33,057 --> 00:56:35,593
THOUGHT I'D RETURN THE GESTURE.

911
00:56:35,626 --> 00:56:37,161
SHE LOOKED NICE, HUH?

912
00:56:37,194 --> 00:56:38,729
IT WAS NICE,
SHE LOOKED BEAUTIFUL.

913
00:56:38,763 --> 00:56:40,698
ALL RIGHT, 15, 25 POUNDS
OVERWEIGHT,

914
00:56:40,731 --> 00:56:42,667
BUT SHE LOOKS NICE, RIGHT?

915
00:56:52,009 --> 00:56:54,512
YOU USED TO BE PRETTY,
NOW YOU LOOK BEAUTIFUL.

916
00:56:54,545 --> 00:56:56,614
LOOK HER SHAPE TOO, AM I WRONG?
- THANK YOU.

917
00:56:56,647 --> 00:56:57,948
- NOW YOU'RE LIKE A WOMAN NOW.

918
00:56:57,982 --> 00:56:59,717
SO HOW'S YOUR LOVE LIFE, HUH?

919
00:56:59,750 --> 00:57:01,786
- CHERRY ACTUALLY WENT OUT
ON A DATE WITH A YOUNG ASIAN MAN

920
00:57:01,819 --> 00:57:03,454
THE OTHER NIGHT.
WHERE'S HE FROM, HONEY?

921
00:57:03,488 --> 00:57:05,590
- KOREA, MOM.
- AH, JEEZ, AH, NO, NO,

922
00:57:05,623 --> 00:57:08,158
BECAUSE YOU KNOW,
THESE COMMIES, THE MEXICANS,

923
00:57:08,192 --> 00:57:09,994
THEY'RE COMING OVER THE BORDER
WITHOUT PERMISSION.

924
00:57:10,027 --> 00:57:11,829
- I DON'T THINK THAT'S
ENTIRELY APPROPRIATE, AL.

925
00:57:11,862 --> 00:57:13,864
- NO, I'M JUST SAYING,
BEWARE, TIM,

926
00:57:13,898 --> 00:57:15,132
BECAUSE THESE PEOPLE,
THEY'LL GRAB

927
00:57:15,165 --> 00:57:17,167
A PIECE OF AMERICA
ANY WAY THEY CAN.

928
00:57:17,201 --> 00:57:19,169
- CAN WE GET A PICTURE?
- I THINK I'VE GOT,

929
00:57:19,203 --> 00:57:20,738
LIKE, THREE SHOTS LEFT
FROM TODAY, SO--

930
00:57:20,771 --> 00:57:22,740
- THREE SHOTS?
JEEZ, I COULD HAVE FILLED UP

931
00:57:22,773 --> 00:57:25,810
TEN ROLLS WITH THE MAGIC I HAD
IN THAT BACKYARD TODAY.

932
00:57:25,843 --> 00:57:27,512
- SO WHY'D YOU ONLY PAY
FOR TWO ROLES OF FILM

933
00:57:27,545 --> 00:57:29,046
FOR YOUR ONLY DAUGHTER'S
WEDDING?

934
00:57:29,079 --> 00:57:31,816
- TIM, DON'T YOU KNOW
ANYTHING ABOUT ART?

935
00:57:31,849 --> 00:57:33,884
IT'S NOT THE QUANTITY,
IT'S THE QUALITY.

936
00:57:33,918 --> 00:57:34,885
- HONEY, LET ME GET
IN THE MIDDLE.

937
00:57:34,919 --> 00:57:35,886
- COME HERE.

938
00:57:35,920 --> 00:57:37,154
- OKAY, EVERYBODY SMILE.

939
00:57:37,187 --> 00:57:38,889
- OH, NO, NO, NO, NO, NO.

940
00:57:38,923 --> 00:57:40,558
YOU'RE IN ON THIS PICTURE TOO.
COME ON OVER HERE.

941
00:57:40,591 --> 00:57:42,593
HEY, KID! KID, CAN YOU
HELP US OUT HERE, PLEASE?

942
00:57:42,627 --> 00:57:43,928
COME HERE.
CAN YOU HELP US FOR A SECOND?

943
00:57:43,961 --> 00:57:45,630
- JOON!

944
00:57:45,663 --> 00:57:46,831
WHERE ARE YOU GOING?

945
00:57:46,864 --> 00:57:50,034
- I-I-I WAS JUST MAYBE
THINKING--

946
00:57:50,067 --> 00:57:51,602
- NO, NO, NO, IF YOU LEAVE ME
ALONE WITH THESE PEOPLE

947
00:57:51,636 --> 00:57:53,003
FOR ONE MORE SECOND,
I SWEAR TO GOD

948
00:57:53,037 --> 00:57:56,040
I'M GONNA KILL YOU,
SO PLEASE COME WITH ME.

949
00:57:56,073 --> 00:57:59,109
PLEASE?
COME ON.

950
00:58:01,078 --> 00:58:05,049
UH, EVERYONE, THIS IS JOON.
- H-HELLO.

951
00:58:05,082 --> 00:58:08,085
- I GOTTA TELL YOU, YOU'RE
ONE OF THE BIGGEST "ORNAMENTALS"

952
00:58:08,118 --> 00:58:09,987
I EVER SEEN.
- OH, MY GOD.

953
00:58:10,020 --> 00:58:11,522
- YOU LIKE THAT, TIM, HUH,
"ORNAMENTAL"?

954
00:58:11,556 --> 00:58:12,890
- REALLY FUNNY, AL,
EXCEPT FOR THE FACT

955
00:58:12,923 --> 00:58:14,592
"ORIENTALS"
ARE FROM THE ORIENT.

956
00:58:14,625 --> 00:58:16,627
- NO, "ORIENTAL" IS SOMETHING
THAT YOU CALL A RUG,

957
00:58:16,661 --> 00:58:18,228
SO MAYBE WE COULD JUST
STOP INSTANTLY

958
00:58:18,262 --> 00:58:21,231
WITH THE BLATANT RACIST REMARKS
IN FRONT OF MY FRIEND HERE.

959
00:58:21,265 --> 00:58:22,833
- THIS GUY'S ENORMOUS.

960
00:58:22,867 --> 00:58:24,301
WHAT, DO THEY CALL YOU
"GODZILLA" BACK HOME?

961
00:58:24,334 --> 00:58:25,736
- GODZILLA'S FROM JAPAN, AL.

962
00:58:25,770 --> 00:58:27,271
- OH, MY GOD,
I AM SO SORRY, JOON.

963
00:58:27,304 --> 00:58:29,239
- WHAT ARE YOU APOLOGIZING FOR?

964
00:58:29,273 --> 00:58:31,241
WHAT, A GUY CAN'T CALL
A CHINAMAN A CHINAMAN?

965
00:58:31,275 --> 00:58:33,110
- HONEY, WHY DON'T YOU
ASK JOON

966
00:58:33,143 --> 00:58:35,045
IF HE CAN HELP US
WITH THE CAMERA?

967
00:58:36,681 --> 00:58:39,183
- COULD YOU PLEASE
JUST HELP ME WITH THIS?

968
00:58:39,216 --> 00:58:41,752
- ALL RIGHT.
- THANK YOU.

969
00:58:42,753 --> 00:58:44,088
- OH, MY GOD, JOON!

970
00:58:44,121 --> 00:58:46,190
- JESUS, YOU RUINED THE FILM!

971
00:58:46,223 --> 00:58:48,759
- I-I THOUGHT YOU SAID--
- WHY WOULD YOU DO THAT?

972
00:58:48,793 --> 00:58:50,027
- I OUGHT TO WHUP YOUR ASS!
- ALL RIGHT, ALL RIGHT,

973
00:58:50,060 --> 00:58:51,962
EVERYBODY JUST CALM--
- AL--AL--

974
00:58:51,996 --> 00:58:53,330
- JOON.
NO, NO, JOON! JOON!

975
00:58:53,363 --> 00:58:54,331
- NO!
- NICE GOING,

976
00:58:54,364 --> 00:58:55,733
YOU COMMIE BASTARD!

977
00:58:55,766 --> 00:58:58,569
THOSE PICTURES ARE
IRREPLACEABLE!

978
00:58:58,603 --> 00:59:01,572
[punk music playing]

979
00:59:01,606 --> 00:59:09,614
*

980
00:59:10,615 --> 00:59:11,649
- BUTCH.

981
00:59:11,682 --> 00:59:13,150
- HEY.
HOLY--YES!

982
00:59:13,183 --> 00:59:16,353
WHAT ARE YOU DOING HERE?
WHAT ABOUT CHERRY'S SHOW?

983
00:59:16,386 --> 00:59:17,755
BUTCH, WHAT ARE YOU WAITING FOR?

984
00:59:17,788 --> 00:59:20,057
- HEY, GUYS,
THIS IS MY FRIEND JOON.

985
00:59:20,090 --> 00:59:22,960
- LET'S START THIS SHIT UP, MAN.
THESE GUYS ARE GONNA LEAVE.

986
00:59:22,993 --> 00:59:24,962
- NOTHING BUT ASSHOLES
IN THIS WORLD, JOON,

987
00:59:24,995 --> 00:59:26,997
I'M TELLING YOU.

988
00:59:27,031 --> 00:59:30,668
HELLO, EVERYONE!
- SHUT UP AND PLAY, HOMO!

989
00:59:30,701 --> 00:59:33,938
- THAT IS RIGHT, I AM GAY.
IN FACT, I'LL TAP THAT ASS,

990
00:59:33,971 --> 00:59:35,840
I'LL TAP THAT ASS,
I'LL TAP THAT ASS.

991
00:59:35,873 --> 00:59:38,676
IN FACT, WHY DON'T YOU ALL
JUST TURN AROUND AND LINE UP,

992
00:59:38,709 --> 00:59:41,078
AND I'LL JUST--
- BUTCH.

993
00:59:41,111 --> 00:59:43,313
- JUST--CHANGED MY MIND.
YOU'RE ALL TOO UGLY.

994
00:59:43,347 --> 00:59:46,016
WE ARE APATHY GRAVEYARD!

995
00:59:46,050 --> 00:59:47,785
[all cheering]
[drummer countoff]

996
00:59:47,818 --> 00:59:51,055
[drummer intro]

997
00:59:51,088 --> 00:59:57,061
- * [singing indistinctly]

998
00:59:57,094 --> 00:59:59,764
*

999
00:59:59,797 --> 01:00:02,800
* CULTURE
CODE NAMES *

1000
01:00:02,833 --> 01:00:05,803
* [singing indistinctly]

1001
01:00:05,836 --> 01:00:13,844
*

1002
01:00:21,919 --> 01:00:23,153
JOON!

1003
01:00:23,187 --> 01:00:25,155
STOP.
STOP IT.

1004
01:00:25,189 --> 01:00:28,025
STOP IT.
HEY, STOP IT!

1005
01:00:28,058 --> 01:00:29,727
[guitar feedback]

1006
01:00:29,760 --> 01:00:31,662
- WHAT THE HELL'S YOUR PROBLEM?

1007
01:00:31,696 --> 01:00:32,963
- JOON, ARE YOU ALL RIGHT?

1008
01:00:32,997 --> 01:00:34,364
- PLAY SOME MUSIC, FAGS!

1009
01:00:34,398 --> 01:00:36,366
- HOLY SHIT,
YOU ARE UNORIGINAL, MAN.

1010
01:00:36,400 --> 01:00:37,968
- YOU WANT YOUR ASS KICKED,
PUSSY?

1011
01:00:38,002 --> 01:00:39,303
- YOU KNOW WHAT
THE SHAME OF IT IS?

1012
01:00:39,336 --> 01:00:40,838
IS THAT YOU'RE ACTING
SO TOUGH

1013
01:00:40,871 --> 01:00:42,406
IN FRONT OF ALL THESE PEOPLE
RIGHT HERE,

1014
01:00:42,439 --> 01:00:44,274
BUT YOU KNOW WHAT I SAW EARLIER?
I SAW YOU OUTSIDE

1015
01:00:44,308 --> 01:00:46,276
BUYING A POPSICLE
FROM THE ICE CREAM MAN.

1016
01:00:46,310 --> 01:00:48,045
[crowd jeering]

1017
01:00:48,078 --> 01:00:49,947
- WHAT?
- DON'T TRY AND DENY IT.

1018
01:00:49,980 --> 01:00:51,281
I SAW YOU, MAN,
I THOUGHT TO MYSELF,

1019
01:00:51,315 --> 01:00:53,918
"GOD, HE LOOKS
LIKE A BIG, MEAN IDIOT,

1020
01:00:53,951 --> 01:00:55,385
"BUT LOOK AT HIM RIGHT NOW.

1021
01:00:55,419 --> 01:00:57,888
HE'S EATING A POPSICLE
JUST LIKE A LITTLE BOY."

1022
01:00:57,922 --> 01:00:58,989
[laughter]

1023
01:00:59,023 --> 01:01:01,792
- SHUT UP!
I SAID SHUT UP!

1024
01:01:01,826 --> 01:01:03,460
I'LL KICK EVERYONE'S ASS
IN THIS ROOM!

1025
01:01:03,493 --> 01:01:06,797
- NOW EVERYBODY KNOWS IT, YOU
POPSICLE EATING LITTLE BITCH!

1026
01:01:06,831 --> 01:01:08,098
[crowd murmurs]
- AH!

1027
01:01:08,132 --> 01:01:10,735
- GET OFF ME!
- JOON!

1028
01:01:10,768 --> 01:01:12,036
- AH!

1029
01:01:12,069 --> 01:01:14,004
- BUTCH!

1030
01:01:14,038 --> 01:01:15,372
- JOON!

1031
01:01:19,309 --> 01:01:21,311
- BUTCH!

1032
01:01:22,980 --> 01:01:25,182
- SO I THINK
I'M OUT OF THE BAND.

1033
01:01:25,215 --> 01:01:27,985
- I THINK SO TOO.
- [laughs]

1034
01:01:28,018 --> 01:01:30,487
OH.
NO LAUGHING.

1035
01:01:30,520 --> 01:01:33,157
THINK I MIGHT HAVE
BROKE A RIB.

1036
01:01:33,190 --> 01:01:38,996
- I AM THE CAPTAIN.
THE CAPTAIN IS VERY DRUNK.

1037
01:01:39,029 --> 01:01:42,933
- I LOVE YOUR ACCENT, MAN.
- NO.

1038
01:01:42,967 --> 01:01:44,301
- YES.
- NO.

1039
01:01:44,334 --> 01:01:47,972
- YES!
NO, IT'S COOL AS SHIT.

1040
01:01:48,005 --> 01:01:52,309
- SO COOL, RIGHT?
IT'S--IT'S WHY EVERYBODY TELL ME

1041
01:01:52,342 --> 01:01:55,780
"YOU THE BIGGEST CHINESE
I EVER SEEN!

1042
01:01:55,813 --> 01:01:57,381
- [laughs]

1043
01:01:57,414 --> 01:02:01,151
- "IS YOUR NAME GODZILLA?

1044
01:02:01,185 --> 01:02:03,921
YOU CHINESE JAPANESE
GIANT GOOK!"

1045
01:02:03,954 --> 01:02:05,923
- [laughs]

1046
01:02:05,956 --> 01:02:07,992
THINK I CALLED YOU
A MONGOLIAN ONCE.

1047
01:02:08,025 --> 01:02:09,359
- [laughs]

1048
01:02:09,393 --> 01:02:13,430
IT LIKE EVERYBODY EXPECT ME
TO SAY TO YOU,

1049
01:02:13,463 --> 01:02:18,002
"MIYAGI!
YOU COWARD, MIYAGI!

1050
01:02:18,035 --> 01:02:22,840
YOU NO FIGHT ME NOW,
I SAY YOU ARE COWARD!"

1051
01:02:22,873 --> 01:02:28,879
- SO WHAT HAPPENED
AT CHERRY'S SHOW, MAN?

1052
01:02:28,913 --> 01:02:32,049
- IT'S NOTHING BUT ASSHOLES
IN THIS WORLD,

1053
01:02:32,082 --> 01:02:36,053
I'M TELLING YOU, BUTCH.

1054
01:02:36,086 --> 01:02:40,090
- THAT SUCKS.
I'M SORRY, MAN.

1055
01:02:45,429 --> 01:02:49,900
- I MISS MY BROTHER.

1056
01:02:51,168 --> 01:02:54,939
HE WAS SO MUCH COOLER THAN ME.

1057
01:02:54,972 --> 01:03:00,444
IT WAS IMPOSSIBLE
NOT TO LIKE HIM.

1058
01:03:00,477 --> 01:03:05,816
HE WAS NEVER AFRAID.

1059
01:03:05,850 --> 01:03:08,819
HE ALWAYS DID
WHATEVER HE WANT.

1060
01:03:08,853 --> 01:03:13,858
NEVER LET MY PARENTS TELL HIM
WHAT TO DO, WHAT TO THINK.

1061
01:03:20,998 --> 01:03:23,968
HE USED TO TEACH ME ORIGAMI.

1062
01:03:24,001 --> 01:03:28,338
[chuckles]
HE LOVE IT.

1063
01:03:28,372 --> 01:03:32,042
HE MADE ME AN ARMY.

1064
01:03:36,046 --> 01:03:39,283
HE IS TELLING ME
HE MAKING ME AN ARMY

1065
01:03:39,316 --> 01:03:44,321
BECAUSE IF I WAS EVER
IN TROUBLE, I COULD CALL THEM.

1066
01:03:46,556 --> 01:03:48,959
- THAT'S AWESOME.

1067
01:03:52,329 --> 01:03:55,099
- I LOVE YOU.

1068
01:03:55,132 --> 01:03:59,203
[grunts]
- [laughs]

1069
01:03:59,236 --> 01:04:02,873
- SHH. SHH.
[chuckles]

1070
01:04:02,907 --> 01:04:06,911
SHH.
VERY QUIET, SHH.

1071
01:04:09,379 --> 01:04:16,921
* [singing in Korean]

1072
01:04:18,355 --> 01:04:22,893
GODZILLA!
YOU ABOUT TO BE EATEN!

1073
01:04:24,428 --> 01:04:27,464
[groans]

1074
01:04:27,497 --> 01:04:29,666
- OH, SWEET JESUS!
- [hiccups]

1075
01:04:29,699 --> 01:04:31,902
- OH, GOD, OH, SWEET JESUS!
OH, BUDDY!

1076
01:04:31,936 --> 01:04:33,337
OH, BUDDY!
BUDDY, GET IN HERE!

1077
01:04:33,370 --> 01:04:35,672
SOMEBODY DID A HATE CRIME
TO THE EXCHANGE STUDENT!

1078
01:04:35,705 --> 01:04:37,207
- WHAT ARE YOU TALKING ABOUT?
- LOOK AT HIM!

1079
01:04:37,241 --> 01:04:39,043
- HO HO!
WHAT THE HELL HAPPENED

1080
01:04:39,076 --> 01:04:41,011
TO THIS GUY?
- WHAT THE HELL DO YOU THINK?

1081
01:04:41,045 --> 01:04:42,679
SOMEBODY BEAT THE SHIT
OUT OF HIM!

1082
01:04:42,712 --> 01:04:44,348
- LOOK, IF SOMEBODY--
LISTEN TO ME.

1083
01:04:44,381 --> 01:04:46,016
IF SOMEBODY
FROM THE EXCHANGE OFFICE

1084
01:04:46,050 --> 01:04:48,018
HEARS ABOUT THIS, THERE GOES
THE RENT CHECK, BIG BOY.

1085
01:04:48,052 --> 01:04:50,487
- REALLY?
- HEY, WHO DID THIS TO YOU?

1086
01:04:50,520 --> 01:04:54,358
- MIYAGI!
YOU A COWARD MIYAGI!

1087
01:04:54,391 --> 01:04:55,392
- [whispering]
WHO'S HE TALKING TO?

1088
01:04:55,425 --> 01:05:02,599
- ME!
[laughs]

1089
01:05:02,632 --> 01:05:04,969
- WHAT THE HELL'S THIS GUY
LAUGHING AT?

1090
01:05:05,002 --> 01:05:08,238
- HEY, DO YOU KNOW SOMETHING
WE DON'T KNOW?

1091
01:05:08,272 --> 01:05:10,474
COME ON, SIT UP.
PULL YOURSELF TOGETHER!

1092
01:05:10,507 --> 01:05:12,509
DO YOU KNOW SOMETHING
THAT WE DON'T KNOW?

1093
01:05:12,542 --> 01:05:14,011
- [vomits]
- OH!

1094
01:05:14,044 --> 01:05:16,713
- AH!
- OH, SNAP, HE'S DRUNK, MA.

1095
01:05:16,746 --> 01:05:21,218
- THIS IS COMING
OUT OF YOUR POCKET, BUSTER!

1096
01:05:30,127 --> 01:05:34,098
- [speaking in Korean]

1097
01:05:37,001 --> 01:05:43,240
- [speaking in Korean]

1098
01:05:44,241 --> 01:05:45,976
[bird chirping]

1099
01:05:48,245 --> 01:05:49,246
[camera snap]

1100
01:05:53,217 --> 01:05:54,584
- CAN I HELP YOU?

1101
01:05:54,618 --> 01:05:56,486
- HI, I'M BUTCH, JOON'S--

1102
01:05:56,520 --> 01:05:58,555
- DID YOU KICK HIS ASS?

1103
01:05:58,588 --> 01:06:01,291
- NO, I'M A FRIEND OF HIS.
- I KNOW WHO YOU ARE.

1104
01:06:01,325 --> 01:06:04,294
YOU AIN'T EXACTLY A STRANGER
IN THESE PARTS, PSYCHO-BOY.

1105
01:06:04,328 --> 01:06:06,263
WHY'D YOU COME BACK,
TO FINISH THE JOB NOW?

1106
01:06:06,296 --> 01:06:09,133
- NO, IS JOON HOME?
- HEY, BACK ON THE SIDEWALK.

1107
01:06:09,166 --> 01:06:11,668
HE AIN'T RECEIVING VISITORS
AT THE MOMENT.

1108
01:06:11,701 --> 01:06:14,071
- LISTEN, ALL I WANT TO DO
IS I WANT TO--

1109
01:06:14,104 --> 01:06:16,506
- BUD! WE GOT A DIPSHIT
ON THE FRONT PORCH!

1110
01:06:16,540 --> 01:06:18,208
- THE HELL IS YOUR PROBLEM,
HEFFALUMP?

1111
01:06:18,242 --> 01:06:19,509
- WHOA!
WHAT DID YOU CALL MY MAMA?

1112
01:06:19,543 --> 01:06:21,078
- WHAT THE IS THIS,
THE ADDAMS FAMILY?

1113
01:06:21,111 --> 01:06:23,347
I'M LEAVING, OKAY?
ALL RIGHT, OKAY,

1114
01:06:23,380 --> 01:06:26,083
YOU TELL JOON I STOPPED BY.
THANK YOU!

1115
01:06:26,116 --> 01:06:30,087
[phone ringing]

1116
01:06:30,120 --> 01:06:32,289
- HELLO?

1117
01:06:32,322 --> 01:06:36,293
OH, MRS. CHU!
I'M SO GLAD YOU CALLED.

1118
01:06:36,326 --> 01:06:39,029
[knocking at the door]

1119
01:06:39,063 --> 01:06:41,331
YOU AWAKE?
- [groans]

1120
01:06:41,365 --> 01:06:44,534
- YOU HAVE A PHONE CALL.
IT'S YOUR DAD.

1121
01:06:44,568 --> 01:06:47,104
- [sighs]

1122
01:06:52,176 --> 01:06:54,344
[speaking in Korean]

1123
01:07:02,286 --> 01:07:10,260
[both speaking in Korean]

1124
01:07:10,294 --> 01:07:11,728
- "THE NATIONAL GUARD
BROUGHT IN BY THE GOVERNOR

1125
01:07:11,761 --> 01:07:13,663
"WAS REINFORCED
BY FEDERAL TROOPS.

1126
01:07:13,697 --> 01:07:16,266
600 MINORS WERE ROUNDED UP"--

1127
01:07:16,300 --> 01:07:18,068
HEY.

1128
01:07:18,102 --> 01:07:19,636
- I CANNOT BE YOUR FRIEND.

1129
01:07:19,669 --> 01:07:21,138
- WHAT DO YOU MEAN,
YOU CAN'T BE MY FRIEND?

1130
01:07:21,171 --> 01:07:22,772
WHY THE F--
[stuttering]

1131
01:07:22,806 --> 01:07:24,574
NOT?
- MR. BLOSSOM JUST SAID

1132
01:07:24,608 --> 01:07:26,610
THE "F" WORD.
- NO, I DID NOT.

1133
01:07:26,643 --> 01:07:28,678
WHICH ONE OF YOU GUYS
CAN READ?

1134
01:07:28,712 --> 01:07:30,514
LISTEN, YOU READ THEM
CHAPTER SEVEN.

1135
01:07:30,547 --> 01:07:32,549
STUFF THEY DID TO THE INDIANS
WILL MAKE YOU PISS BLOOD.

1136
01:07:32,582 --> 01:07:34,151
I PROMISE YOU.
- OKAY, MR. BLOSSOM.

1137
01:07:34,184 --> 01:07:37,454
- COME HERE.
WHAT ARE YOU TALKING ABOUT, MAN?

1138
01:07:37,487 --> 01:07:39,789
- I NEED TO FOCUS
ON MY EDUCATION.

1139
01:07:39,823 --> 01:07:43,293
- AW, COME ON.
YOU'RE DOING FINE IN SCHOOL.

1140
01:07:43,327 --> 01:07:47,197
- MY PARENTS...

1141
01:07:47,231 --> 01:07:51,468
I THINK I NEED TO RETURN HOME
AFTER GRADUATION.

1142
01:07:53,737 --> 01:07:57,641
- YOU SAID AFTER THE SUMMER.
JOON, STOP IT, MAN.

1143
01:07:57,674 --> 01:07:59,476
STOP THE WAY
YOU'RE TALKING TO ME.

1144
01:07:59,509 --> 01:08:01,111
WHAT ABOUT WHAT YOU WANT, MAN?
WHAT--

1145
01:08:01,145 --> 01:08:03,747
WHY DON'T YOU JUST TELL THEM
WHAT YOU WANT?

1146
01:08:03,780 --> 01:08:08,585
- BECAUSE I CAN'T.
I AM ALL THEY HAVE.

1147
01:08:08,618 --> 01:08:10,654
IT'S NOT THEIR FAULT.
- OH, MAN,

1148
01:08:10,687 --> 01:08:13,089
THEY CAN'T USE THAT AGAINST YOU.
IT'S WRONG.

1149
01:08:15,159 --> 01:08:16,826
- YOU DON'T KNOW.

1150
01:08:16,860 --> 01:08:19,463
- YOU THINK YOUR BROTHER
WOULD WANT THAT?

1151
01:08:19,496 --> 01:08:23,300
- DON'T SAY ANYTHING ABOUT HIM.
YOU DON'T KNOW ANYTHING.

1152
01:08:23,333 --> 01:08:26,170
- I KNOW THAT HE'S A LOT BRAVER
THAN YOU SEEM TO BE.

1153
01:08:26,203 --> 01:08:29,673
- YOU KNOW ANYTHING ABOUT BRAVE?
YOU THINK YOU KNOW?

1154
01:08:29,706 --> 01:08:33,577
YOU HATE THIS TOWN,
BUT YOU SCARED TO LEAVE.

1155
01:08:33,610 --> 01:08:38,715
YOUR MOTHER IS DEAD.
YOU THINK SHE PROUD OF YOU, HUH?

1156
01:08:38,748 --> 01:08:44,388
YOU COULD DO SOMETHING.
YOU DON'T DO NOTHING.

1157
01:08:46,823 --> 01:08:48,658
- YOU THINK YOUR BROTHER'S
PROUD OF YOU?

1158
01:08:48,692 --> 01:08:51,761
[chuckles]
YOU'RE A COWARD.

1159
01:08:53,763 --> 01:08:55,232
BUTCH.
BUTCH, I'M SORRY.

1160
01:08:55,265 --> 01:08:56,900
- YOU GET OUT OF MY LIBRARY
RIGHT NOW.

1161
01:08:56,933 --> 01:09:00,136
YOU GET THE FUCK OUT!

1162
01:09:03,473 --> 01:09:08,178
- MR. BLOSSOM, YOU SAID
THE "F" WORD THAT TIME FOR SURE.

1163
01:09:10,647 --> 01:09:13,617
[somber music]

1164
01:09:13,650 --> 01:09:21,658
*

1165
01:09:37,974 --> 01:09:40,944
- TERRIBLE, I DO NOT WANT
TO SEE MEN'S PENISES.

1166
01:09:40,977 --> 01:09:43,647
[indistinct chatter]

1167
01:09:43,680 --> 01:09:46,650
[chatter fades out]

1168
01:09:46,683 --> 01:09:54,691
*

1169
01:10:41,538 --> 01:10:49,546
[both speaking in Korean]

1170
01:12:01,751 --> 01:12:03,587
- HEY.

1171
01:12:03,620 --> 01:12:06,823
JOON, I NOTICED THAT YOU
CROSSED OUT THE DATE

1172
01:12:06,856 --> 01:12:09,926
FOR YOUR GALLERY NIGHT.
DO YOU NEED A NEW DAY?

1173
01:12:11,395 --> 01:12:12,929
- NO.
- JOON, THE GALLERY

1174
01:12:12,962 --> 01:12:15,965
IS HALF OF YOUR GRADE.
I CAN'T PASS YOU WITHOUT IT.

1175
01:12:20,069 --> 01:12:21,705
- OKAY.

1176
01:12:21,738 --> 01:12:23,673
- DO YOU WANT TO TALK
ABOUT ANYTHING?

1177
01:12:23,707 --> 01:12:27,010
[school bell rings]

1178
01:12:27,043 --> 01:12:29,379
THIS CONVERSATION IS NOT OVER.

1179
01:12:35,084 --> 01:12:37,521
- JOON?

1180
01:12:44,728 --> 01:12:47,697
JOON.
JOON, STOP.

1181
01:12:48,765 --> 01:12:50,667
[door closing]

1182
01:12:50,700 --> 01:12:55,038
JOON, I WAS REALLY EMBARRASSED
AND I DIDN'T KNOW WHAT TO DO.

1183
01:12:55,071 --> 01:12:59,142
I SHOULD HAVE JUST
DEFENDED YOU.

1184
01:12:59,175 --> 01:13:01,411
SO I'M SORRY.

1185
01:13:03,947 --> 01:13:06,616
CAN WE JUST--

1186
01:13:10,587 --> 01:13:16,025
OKAY, I GUESS--I GUESS
THAT ANSWERS THAT QUESTION.

1187
01:13:16,059 --> 01:13:19,429
UM...

1188
01:13:19,463 --> 01:13:21,698
WHAT ABOUT YOUR GALLERY SHOWING?

1189
01:13:21,731 --> 01:13:24,000
- I'M GOING HOME SOON.

1190
01:13:24,033 --> 01:13:27,471
IT'S NOT IMPORTANT.

1191
01:13:30,006 --> 01:13:32,776
- SO THAT'S IT?

1192
01:13:32,809 --> 01:13:33,910
FINE, I GUESS YOU'RE JUST
NOT AS DIFFERENT

1193
01:13:33,943 --> 01:13:35,879
AS I THOUGHT YOU WERE.

1194
01:13:35,912 --> 01:13:40,817
IT'S REALLY EASY TO BE BRAVE
WHEN NO ONE'S LOOKING, JOON.

1195
01:13:40,850 --> 01:13:42,486
IT'S TOO BAD.

1196
01:13:42,519 --> 01:13:45,522
I WAS KIND OF CURIOUS
ABOUT YOUR VIEW.

1197
01:13:54,030 --> 01:13:57,801
- SO, JOON,
HOW DO YOU LIKE DINNER?

1198
01:13:57,834 --> 01:13:59,936
MAKES YOU FEEL
RIGHT AT HOME, HUH?

1199
01:13:59,969 --> 01:14:01,771
- IT'S PASTA, MA.

1200
01:14:01,805 --> 01:14:07,577
- IT'S NOODLES, MR. KNOW-IT-ALL.
NOODLES.

1201
01:14:07,611 --> 01:14:11,615
JOON, TELL YOUR MOM
I REALLY LOVE HER GIFT.

1202
01:14:11,648 --> 01:14:14,518
IT MAKES ME LOOK
VERY CULTIVATED.

1203
01:14:14,551 --> 01:14:16,886
WHAT DO YOU THINK?
WHAT DO YOU THINK?

1204
01:14:16,920 --> 01:14:18,755
- YOU LOOK LIKE A FRIGGIN' BAT.

1205
01:14:18,788 --> 01:14:20,890
- I DON'T WANT TO HEAR
ANOTHER WORD OUT OF YOUR MOUTH.

1206
01:14:20,924 --> 01:14:23,493
YOU JUST ZIP IT,
FROM HERE ON IN.

1207
01:14:23,527 --> 01:14:26,095
LET'S TALK ABOUT
SOMETHING HAPPY.

1208
01:14:26,129 --> 01:14:28,197
JOON, HOW'S YOUR MOMMY
AND DADDY?

1209
01:14:28,231 --> 01:14:31,601
- EXPECTING ANY MAIL FROM THEM?
- THAT'S PRETTY SUBTLE, MOM.

1210
01:14:31,635 --> 01:14:32,936
- OKAY, FINE.

1211
01:14:32,969 --> 01:14:35,639
WHAT DO YOU WANT TO TALK ABOUT,
MR. FASCINATOR?

1212
01:14:35,672 --> 01:14:40,276
WE'RE ALL CURIOUS TO HEAR
WHAT YOU WANT TO TALK ABOUT NOW.

1213
01:14:40,309 --> 01:14:42,912
- SOME FREAK
DRESSED LIKE A UNICORN

1214
01:14:42,946 --> 01:14:44,914
SMASHED HIS MOPED
INTO DARYL'S TRUCK TODAY.

1215
01:14:44,948 --> 01:14:47,283
GONNA COST HIM,
LIKE, 500 BUCKS IN DAMAGES.

1216
01:14:47,316 --> 01:14:50,053
DARYL SAID THE FREAK DID
A TRIPLE AXEL OVER THE HOOD

1217
01:14:50,086 --> 01:14:51,621
AND WENT BOUNCING
DOWN THE STREET

1218
01:14:51,655 --> 01:14:53,757
LIKE A SKIPPING STONE.
BY THE TIME I GOT THERE,

1219
01:14:53,790 --> 01:14:55,559
THE AMBULANCE ALREADY
CARTED HIM OFF.

1220
01:15:03,733 --> 01:15:06,936
- EXCUSE ME,
WHERE IS ROOM 536?

1221
01:15:22,318 --> 01:15:25,555
- AM I SEEING ASIAN ANGELS?

1222
01:15:25,589 --> 01:15:30,259
WHAT BRINGS YOU HERE,
NOBLE SAMURAI?

1223
01:15:30,293 --> 01:15:31,961
- I'M SORRY.

1224
01:15:31,995 --> 01:15:34,998
- SIT DOWN.

1225
01:15:44,240 --> 01:15:50,580
- I THOUGHT BUTCH WAS--
- OH, I SEE.

1226
01:15:50,614 --> 01:15:55,218
NO, IT WAS HIS MUCH MORE
ATTRACTIVE YOUNGER BROTHER

1227
01:15:55,251 --> 01:15:57,253
THAT CRASHED THE SCOOTER.

1228
01:15:59,055 --> 01:16:04,894
SO BUTCH TELLS ME YOU TWO BOYS
HAD A LITTLE BIT OF A ROW.

1229
01:16:04,928 --> 01:16:08,064
- YES.

1230
01:16:08,097 --> 01:16:14,303
- WOULD YOU LIKE SOME ADVICE
FROM A DYING MAN?

1231
01:16:14,337 --> 01:16:16,305
- YOU ARE DYING?

1232
01:16:16,339 --> 01:16:18,074
- NO.

1233
01:16:18,107 --> 01:16:19,809
BUT I'M THINKING OF STARTING
TO TELL PEOPLE THAT...

1234
01:16:19,843 --> 01:16:21,878
[Southern accent]
FOR DRAMATIC EFFECT.

1235
01:16:25,749 --> 01:16:27,383
- VERY GOOD.

1236
01:16:27,416 --> 01:16:33,289
- YEAH, IT WOULD BE,
EXCEPT FOR THE FACT THAT I...

1237
01:16:33,322 --> 01:16:35,725
I ACTUALLY AM DYING.

1238
01:16:35,759 --> 01:16:38,795
- FUNNY.
- WHY IS IT FUNNY?

1239
01:16:38,828 --> 01:16:40,830
I DON'T HAVE MUCH TIME.

1240
01:16:43,099 --> 01:16:47,871
- I'M SO SORRY, I--
- YEAH, SO YOU SHOULD BE.

1241
01:16:50,139 --> 01:16:52,876
'CAUSE YOU FELL FOR IT AGAIN.
[laughs]

1242
01:16:52,909 --> 01:16:55,078
THIS IS SO MUCH FUN.

1243
01:16:55,111 --> 01:16:59,883
I JUST WISH I HAD MORE FRIENDS.
[laughs]

1244
01:16:59,916 --> 01:17:04,053
ANYWAY...

1245
01:17:04,087 --> 01:17:06,389
OHH.

1246
01:17:06,422 --> 01:17:10,727
WHEN I WAS 15, MY MOTHER
CAUGHT ME WITH A BOY

1247
01:17:10,760 --> 01:17:12,729
IN OUR GARAGE.

1248
01:17:12,762 --> 01:17:18,367
WE WERE COMPARING TOOLS.

1249
01:17:18,401 --> 01:17:23,840
SHE DIDN'T YELL.
SHE JUST TURNED AND WALKED AWAY.

1250
01:17:23,873 --> 01:17:25,942
I DON'T THINK SHE EVER EVEN
TOLD MY FATHER,

1251
01:17:25,975 --> 01:17:33,082
BUT THE NEXT DAY,
THERE WAS A LOCK ON THE GARAGE.

1252
01:17:33,116 --> 01:17:36,786
IT WAS NEVER MENTIONED, EVER.

1253
01:17:36,820 --> 01:17:40,990
SEE, I ALWAYS FELT SO GUILTY
ABOUT WHO I WAS.

1254
01:17:41,024 --> 01:17:43,459
I WANTED THAT LOCK.

1255
01:17:43,492 --> 01:17:45,328
I THOUGHT THAT
BY NOT SAYING IT,

1256
01:17:45,361 --> 01:17:48,097
I WAS SACRIFICING
MY FEELINGS FOR MY FAMILY,

1257
01:17:48,131 --> 01:17:52,201
BUT THE THING IS,
THE PEOPLE WHO WERE

1258
01:17:52,235 --> 01:17:56,472
SUPPOSED TO LOVE ME
MOST IN THE WORLD

1259
01:17:56,505 --> 01:17:59,743
NEVER REALLY KNEW ME.

1260
01:17:59,776 --> 01:18:02,712
YOU KNOW?

1261
01:18:11,855 --> 01:18:17,827
[church bell ringing]

1262
01:18:17,861 --> 01:18:20,463
- SLOW YOUR ASS DOWN!

1263
01:18:20,496 --> 01:18:25,368
WE ONLY CHANGE
IF WE'RE WILLING TO BEND!

1264
01:18:25,401 --> 01:18:27,403
[grunts]

1265
01:18:33,209 --> 01:18:35,478
WHAT DO YOU WANT?

1266
01:18:35,511 --> 01:18:38,381
- I HEARD THERE WAS
DEMONSTRATION FOR ARTISTS.

1267
01:18:38,414 --> 01:18:42,085
- YEAH, WELL, YOU JUST CAN'T
CALL YOURSELF AN ARTIST.

1268
01:18:42,118 --> 01:18:44,520
YOU HAVE TO PAY YOUR DUES.

1269
01:18:44,553 --> 01:18:47,056
AT LEAST THAT'S THE WORD
ON THE STREET.

1270
01:18:48,157 --> 01:18:51,294
SO WHAT DO YOU WANT?

1271
01:18:51,327 --> 01:18:55,264
- I'M SORRY,
AND I WANT MY FRIEND BACK.

1272
01:19:04,540 --> 01:19:07,176
- THIS DIDN'T REALLY TURN OUT
TO BE THE AXIS OF CHANGE

1273
01:19:07,210 --> 01:19:09,378
THAT I WAS HOPING FOR.

1274
01:19:09,412 --> 01:19:12,115
BUT I'VE BEEN THINKING.

1275
01:19:12,148 --> 01:19:14,884
I'M ALREADY A SUCCESS.

1276
01:19:14,918 --> 01:19:17,987
I WAS THE SPERM THAT WON,
YOU KNOW?

1277
01:19:18,021 --> 01:19:22,758
OUT OF 10 MILLION SPERM,
I WAS THE FASTEST.

1278
01:19:25,128 --> 01:19:28,131
SO I GOT THAT GOING FOR ME.

1279
01:19:31,400 --> 01:19:33,002
- I NEED YOUR HELP.

1280
01:19:33,036 --> 01:19:35,438
- DON'T THINK I'M NOT
PISSED AT YOU.

1281
01:19:35,471 --> 01:19:38,241
- DO YOU STILL HAVE
THAT HARNESS AND SKI MASK?

1282
01:19:38,274 --> 01:19:39,909
- OF COURSE.

1283
01:19:39,943 --> 01:19:42,979
- I NEED HELP WITH K.S.R.

1284
01:19:48,451 --> 01:19:50,987
- K.S.R., HUH?

1285
01:19:51,020 --> 01:19:54,858
HMM.

1286
01:19:54,891 --> 01:19:56,926
JUST GIVE ME A SECOND?

1287
01:20:01,630 --> 01:20:03,532
- [laughs]
- YES!

1288
01:20:03,566 --> 01:20:06,269
I KNEW I WAS AHEAD OF MY TIME!
LET'S GO!

1289
01:20:06,302 --> 01:20:08,171
[upbeat rock music]

1290
01:20:08,204 --> 01:20:10,073
AH, HA!

1291
01:20:12,175 --> 01:20:20,183
*

1292
01:20:39,502 --> 01:20:42,438
- BUDDY!
I BROUGHT YOU YOUR BANANA SAND--

1293
01:20:46,242 --> 01:20:47,276
[plate breaking]

1294
01:20:48,611 --> 01:20:50,579
- LET'S GO.

1295
01:20:50,613 --> 01:20:58,621
*

1296
01:21:58,381 --> 01:22:00,216
WHERE DID YOU GET THIS CART?

1297
01:22:00,249 --> 01:22:03,519
- I ASKED ABOUT 500 SQUIRRELS,
AND THEY ALL SAID IT WAS COOL.

1298
01:22:03,552 --> 01:22:05,688
I NAMED IT AFTER MY MOM.

1299
01:22:05,721 --> 01:22:08,491
LET'S GO, LET'S GO, COME ON.

1300
01:22:10,059 --> 01:22:13,062
TIME IS MONEY, MY FRIEND.

1301
01:22:14,663 --> 01:22:22,671
[crowd chattering]

1302
01:22:24,573 --> 01:22:27,410
- [laughs]
WHAT'S UP? WHAT'S UP, MAN?

1303
01:22:27,443 --> 01:22:30,246
- WHAT THE HELL IS GOING ON?
- WHAT DO YOU MEAN?

1304
01:22:30,279 --> 01:22:31,981
- WHAT DO YOU MEAN,
WHAT DO I MEAN?

1305
01:22:32,015 --> 01:22:34,317
- LISTEN, EVERYTHING'S SET.
ALL YOU HAVE TO DO--

1306
01:22:34,350 --> 01:22:37,553
- I SAID, "ONLY PEOPLE
FROM MY CLASS."

1307
01:22:37,586 --> 01:22:38,654
- THAT'S WHAT I DID.

1308
01:22:38,687 --> 01:22:41,090
- THEN WHO ARE THEY HERE FOR?

1309
01:22:41,124 --> 01:22:43,059
- THEY'RE HERE FOR YOU.

1310
01:22:43,092 --> 01:22:45,228
- I CANNOT DO THIS.

1311
01:22:45,261 --> 01:22:49,632
- THEN THE EMPEROR
HAS ALREADY WON.

1312
01:22:49,665 --> 01:22:51,700
- I DON'T KNOW WHAT THAT'S
SUPPOSED TO MEAN.

1313
01:22:51,734 --> 01:22:53,569
- I HAVE NO IDEA.
MY ADVICE SUCKS,

1314
01:22:53,602 --> 01:22:57,406
BUT I'M GONNA DROP THIS CURTAIN
IN EXACTLY 30 SECONDS.

1315
01:22:57,440 --> 01:23:01,010
REMEMBER, YOU...

1316
01:23:01,044 --> 01:23:07,016
ARE MY NUMBER ONE...GUY!

1317
01:23:10,619 --> 01:23:13,622
- I HATE YOU.
- AWESOME.

1318
01:23:20,229 --> 01:23:23,199
[ethereal music]

1319
01:23:23,232 --> 01:23:26,269
*

1320
01:23:26,302 --> 01:23:34,310
[both speaking in Korean]

1321
01:23:49,258 --> 01:23:57,266
[crowd murmuring]

1322
01:24:10,846 --> 01:24:15,384
- HELLO.
YOU DON'T KNOW ME.

1323
01:24:17,420 --> 01:24:20,556
MY NAME IS JOON.

1324
01:24:20,589 --> 01:24:22,791
I DON'T THINK
I KNOW YOU EITHER,

1325
01:24:22,825 --> 01:24:26,129
BUT I THINK THIS IS OKAY.

1326
01:24:32,335 --> 01:24:35,371
I WANT TO SHOW YOU SOMETHING.

1327
01:24:35,404 --> 01:24:40,776
I WAS VERY AFRAID,
BUT MY FRIEND SAID HIS MOTHER

1328
01:24:40,809 --> 01:24:44,747
SAW HIM TOUCHING HAMMERS
WITH A BOY IN A GARAGE...

1329
01:24:44,780 --> 01:24:47,883
- EW.
- SO I SAID, "MAYBE IT'S OKAY."

1330
01:24:47,916 --> 01:24:50,186
I AM NOT SO AFRAID.

1331
01:24:50,219 --> 01:24:54,590
THIS IS A PIECE OF K.S.R,

1332
01:24:54,623 --> 01:24:58,194
A TECHNIQUE CREATED
BY THE WORLD FAMOUS,

1333
01:24:58,227 --> 01:25:02,498
PROGRESSIVE...
- VISIONARY!

1334
01:25:02,531 --> 01:25:06,702
- VISIONARY ARTIST,
BUTCH BLOSSOM.

1335
01:25:06,735 --> 01:25:13,176
THIS IS FOR THE BRAVEST PERSON
I HAVE EVER KNOWN,

1336
01:25:13,209 --> 01:25:17,746
AND FOR ELIZABETH BLOSSOM,
WHO SAID,

1337
01:25:17,780 --> 01:25:23,319
"YOU CANNOT FIND YOUR ART
UNDER A ROOF."

1338
01:25:26,722 --> 01:25:29,692
[Amadou and Mariam's Sabali]

1339
01:25:29,725 --> 01:25:32,695
*

1340
01:25:32,728 --> 01:25:40,736
- * [singing in Bambara]

1341
01:25:44,407 --> 01:25:48,277
THIS IS MY VIEW.

1342
01:25:48,311 --> 01:25:56,319
*

1343
01:26:14,970 --> 01:26:20,809
* [singing in Bambara]

1344
01:26:20,843 --> 01:26:22,645
*

1345
01:26:22,678 --> 01:26:28,651
* [singing in Bambara]

1346
01:26:28,684 --> 01:26:30,553
*

1347
01:26:30,586 --> 01:26:36,559
* [singing in Bambara]

1348
01:26:36,592 --> 01:26:38,227
*

1349
01:26:38,261 --> 01:26:44,233
* [singing in Bambara]

1350
01:26:44,267 --> 01:26:47,336
*

1351
01:26:47,370 --> 01:26:52,341
* [speaking in Bambara]

1352
01:26:52,375 --> 01:27:00,383
*

1353
01:27:01,450 --> 01:27:07,456
* [speaking in Bambara]

1354
01:27:07,490 --> 01:27:13,028
[thunder peals and rain falls]

1355
01:27:13,061 --> 01:27:21,270
*

1356
01:27:26,074 --> 01:27:29,545
- YES! YES!
HA HA!

1357
01:27:29,578 --> 01:27:31,980
HOLY SHIT, WE PUT K.S.R
ON THE MAP!

1358
01:27:32,014 --> 01:27:35,017
- HEY!
HOW DID YOU DO THAT?

1359
01:27:35,050 --> 01:27:39,755
- I'M SORRY,
FOR EVERYTHING.

1360
01:27:39,788 --> 01:27:42,425
- IT WAS INCREDIBLE.

1361
01:27:43,792 --> 01:27:46,495
[squeals]

1362
01:27:56,939 --> 01:27:59,041
[laughs]

1363
01:28:12,855 --> 01:28:15,824
[Benjamin Francis Leftwich's
Atlas Hands]

1364
01:28:15,858 --> 01:28:22,865
*

1365
01:28:24,433 --> 01:28:26,602
- * TAKE ME TO THE DOCKS

1366
01:28:26,635 --> 01:28:29,838
* THERE'S A SHIP
WITHOUT A NAME THERE *

1367
01:28:29,872 --> 01:28:33,476
* AND IT IS SAILING
TO THE MIDDLE OF THE SEA *

1368
01:28:33,509 --> 01:28:35,911
*

1369
01:28:35,944 --> 01:28:41,684
* I WILL REMEMBER YOUR FACE

1370
01:28:41,717 --> 01:28:47,690
* 'CAUSE I AM STILL IN LOVE
WITH THAT PLACE *

1371
01:28:47,723 --> 01:28:52,828
* BUT WHEN THE STARS
ARE THE ONLY THINGS WE SHARE *

1372
01:28:52,861 --> 01:28:54,930
* WILL YOU BE THERE?

1373
01:28:54,963 --> 01:29:01,437
*

1374
01:29:01,470 --> 01:29:06,642
[music fades out]

1375
01:29:06,675 --> 01:29:11,146
- HE'S NOT GOOD WITH GOOD-BYES.

1376
01:29:11,179 --> 01:29:15,484
HE'S A GOOD KID.
TELL HIM WE DID THE BEST

1377
01:29:15,518 --> 01:29:18,487
A PRINCESS AND HER PET GOLEM
COULD DO.

1378
01:29:18,521 --> 01:29:20,523
- WHAT?
- I WASN'T TALKING ABOUT YOU,

1379
01:29:20,556 --> 01:29:21,890
SWEETHEART.

1380
01:29:21,924 --> 01:29:24,159
[mouthing words]

1381
01:29:24,192 --> 01:29:27,596
IT'S BEEN A PLEASURE,
YOUNG SQUIRE.

1382
01:29:27,630 --> 01:29:29,965
- THANK YOU.

1383
01:29:31,133 --> 01:29:33,436
GOOD-BYE, AUNT.

1384
01:29:35,103 --> 01:29:38,507
- OH, I ALMOST FORGOT.
HE LEFT SOMETHING FOR YOU.

1385
01:29:47,583 --> 01:29:49,084
YOU BETTER HURRY.

1386
01:30:03,666 --> 01:30:06,669
- HEY.
- HEY.

1387
01:30:10,873 --> 01:30:13,876
- TODAY IS WARM.

1388
01:30:17,680 --> 01:30:20,749
YOU GOING FOR A LONG TIME?

1389
01:30:20,783 --> 01:30:22,551
- I HOPE SO.

1390
01:30:22,585 --> 01:30:26,822
IT'S TIME TO GET THE HELL
OUT OF HERE, YOU KNOW?

1391
01:30:26,855 --> 01:30:28,090
YOU KNOW, THAT GUY
FROM THE ART INSTITUTE

1392
01:30:28,123 --> 01:30:31,660
TOLD ME TO STOP BY ON MONDAY.

1393
01:30:31,694 --> 01:30:36,499
BUT...
EH, THEY'RE NOT READY FOR ME.

1394
01:30:39,702 --> 01:30:42,705
- I'M GOING TO MISS YOU.

1395
01:30:45,508 --> 01:30:47,543
- I'M REALLY PROUD OF YOU, MAN.

1396
01:30:47,576 --> 01:30:48,677
I MEAN, YOU HIT PEOPLE
LAST NIGHT.

1397
01:30:48,711 --> 01:30:52,147
THAT'S MY FAVORITE SHIT!

1398
01:30:52,180 --> 01:30:56,485
DON'T YOU DARE LET ANYONE
TRY AND ART-RAPE YOU.

1399
01:30:56,519 --> 01:30:59,688
'CAUSE THEY WILL, MAN.
BELIEVE ME, THEY'LL TRY.

1400
01:30:59,722 --> 01:31:02,124
- I DON'T EVEN KNOW
WHAT THAT MEANS.

1401
01:31:02,157 --> 01:31:05,828
- GOOD.
IT'S BETTER THAT WAY.

1402
01:31:12,067 --> 01:31:17,172
- YOU GOING TO TELL ME
WHERE YOU'RE GOING?

1403
01:31:17,205 --> 01:31:21,544
- I WAS THINKING MAYBE NEW YORK.

1404
01:31:21,577 --> 01:31:24,813
- NEW YORK IS A BIG PLACE.

1405
01:31:24,847 --> 01:31:27,049
- ENORMOUS.

1406
01:31:27,082 --> 01:31:30,485
- MAYBE YOU'RE JUST FITTING,
BARELY.

1407
01:31:33,722 --> 01:31:35,691
- AND WHO KNOWS, YOU KNOW?

1408
01:31:35,724 --> 01:31:40,228
MAYBE I'LL LOOK UP MY DAD,
RUIN HIS LIFE OR SOMETHING.

1409
01:31:41,964 --> 01:31:44,700
SO WHAT ABOUT YOU AND CHERRY?

1410
01:31:44,733 --> 01:31:47,069
YOU GONNA, LIKE,
STUFF HER IN YOUR SUITCASE?

1411
01:31:47,102 --> 01:31:51,974
- ME AND CHERRY ARE GOING TO
WRITE LETTERS.

1412
01:31:52,007 --> 01:31:54,943
YOUR UNCLE SAYS VERY ROMANTIC.

1413
01:31:54,977 --> 01:31:57,212
- WHAT ABOUT YOUR PARENTS?

1414
01:31:57,245 --> 01:32:00,683
THEY GONNA, LIKE,
COMMIT HARA-KIRI TOGETHER?

1415
01:32:03,886 --> 01:32:06,288
AH, THEY'LL BE ALL RIGHT.
JUST GIVE 'EM A LITTLE TIME.

1416
01:32:06,321 --> 01:32:07,956
[rock hits passing car]

1417
01:32:07,990 --> 01:32:10,893
[tires screeching]
- WHAT THE HELL ARE YOU DOING?

1418
01:32:10,926 --> 01:32:14,663
- LADY, ROLL UP YOUR WINDOW
AND HEAD TO THE MALL!

1419
01:32:15,831 --> 01:32:17,199
[tires screeching]

1420
01:32:20,769 --> 01:32:24,907
- I WISH MY BROTHER
COULD HAVE MET YOU.

1421
01:32:24,940 --> 01:32:28,310
- HE WOULDN'T HAVE HATED ME?

1422
01:32:41,023 --> 01:32:42,758
[sighs]

1423
01:32:42,791 --> 01:32:48,096
- IN KOREA, WE HAVE A NAME
WE CALL OUR MOST CLOSEST FRIEND.

1424
01:32:48,130 --> 01:32:50,633
THIS IS SOMEBODY
THAT THEY DIDN'T SEARCH FOR,

1425
01:32:50,666 --> 01:32:54,870
BUT FOUND ANYWAYS, BECAUSE
THEY ALWAYS NEXT TO EACH OTHER,

1426
01:32:54,903 --> 01:32:59,875
GROWING AT SAME TIME.
IT'S CALLED "BUDAL CHINGOO."

1427
01:32:59,908 --> 01:33:01,977
YOU ARE MY BUDAL CHINGOO.

1428
01:33:13,789 --> 01:33:17,025
- WHAT DOES THAT EVEN MEAN?

1429
01:33:17,059 --> 01:33:19,795
- "TESTICLE BROTHER."

1430
01:33:22,297 --> 01:33:23,699
[both laughing]

1431
01:33:23,732 --> 01:33:25,367
- THAT'S SO AWESOME.

1432
01:33:25,400 --> 01:33:28,603
[bus door opening]

1433
01:33:53,461 --> 01:33:56,431
[upbeat music]

1434
01:33:56,464 --> 01:34:04,673
*

1435
01:34:11,013 --> 01:34:17,753
- [speaking in Korean]

1436
01:34:17,786 --> 01:34:18,954
[beep]

1437
01:34:18,987 --> 01:34:26,995
- [speaking in Korean]



