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- WHY DON'T YOU INTRODUCE YOURSELF?
- HELLO TO THE FOREIGN EXCHANGE COUNCIL.
MY NAME IS JOONSUP CHU.
NEXT SEMESTER, I HOPE THAT YOU ACCEPT ME INTO THIS PROGRAM
SO THAT I CAN TRAVEL TO U.S.A.
I AM EXCITED.
CAN YOU ASK ONE MORE TIME QUESTIONS?
SOMETIMES, I LIKE TO TAKE PICTURE...WITH CAMERA.
I NEVER BEEN OUTSIDE OF KOREA.
[jet landing]
[quirky music]
*
HELLO. MY NAME IS JOONSUP CHU.
HELLO. MY NAME IS JOONSUP.
HELLO. MY NAME IS JOONSUP--JOONSUP CHU.
[knocking at the door]
YOUR FAMILY IS SO BEAUTIFUL.
BEAUTIFUL.
EVERYBODY IS JUST SO "BEAUTIPER."
BEAUTIF--
- YEAH?
I AM BEAUTIFUL JOON.
- BUD!
I THINK THIS IS JUST GONNA BE A GREAT EXPERIENCE
FOR ALL OF US.
WE'VE NEVER HAD A FOREIGNER IN OUR HOUSE BEFORE,
BUT I HAVE NO PROBLEM WITH STRANGERS
HERE IN OUR BEAUTIFUL LAND,
AS LONG AS THEY GO THROUGH THE PROPER CHANNELS.
- STAY OUT OF HERE IF I'M WATCHING TV.
- OH, BUDDY, HOW'S HE GONNA DO THAT?
HE'S GOT TO PASS THROUGH HERE TO USE THE TELEPHONE.
WE LIVE IN A DEAD ZONE FOR CELL PHONES,
SO IF YOU NEED TO MAKE A CALL, YOU EITHER HAVE TO USE
THE HOUSE PHONE OR THE PAY PHONE IN TOWN.
USE THE PAY PHONE!
AND DON'T TOUCH MY REMOTE.
BET YOUR HANDS ARE DIRTY AS SHIT.
HE DOESN'T MEAN THAT.
BUDDY HAS ABNORMALLY SMALL HANDS FOR A HUMAN BEING.
THAT'S WHY HE WEARS GLOVES ALL THE TIME.
COME ON, COME ON,
SHOW HIM THE GLOVES THAT YOU PUT ON.
THEY'RE SO CUTE. COME ON.
WHAT DID I SAY NOW?
I THINK THE GLOVES ARE FLATTERING.
- SHUT THE HELL UP, MOM!
- [sighs]
[door slams shut]
HE'S VERY SENSITIVE.
OH, JOON, YOU GONNA STUDY TO BE A DOCTOR OR A SCIENTIST?
- MM.
I AM GOING TO BE A STRUCTURAL ENGINEER.
- I ONLY ASK BECAUSE YOU PEOPLE--
YOU PEOPLE ALWAYS NATURALLY JUST LOOK
LIKE YOU'RE FOCUSING ON THINGS. YOU KNOW WHAT I MEAN?
- I HAVE A GIFT TO-- FROM MY PARENTS.
- [gasps] OH!
OH, ISN'T THAT BEAUTIFUL?
WHAT IS IT?
[humming]
OH.
IT'S A-- IT'S A--
WHAT IS IT?
- IT IS A TRADITIONAL KOREAN HEAD,
USING IN MANY IMPORTANT CEREMONY.
- OH.
OKAY.
SO, YOU WANT TO TAKE A LITTLE TOUR OF THE HOUSE?
BACKYARD. BATHROOM.
DINING ROOM. KITCHEN.
BATHROOM. BUD'S ROOM.
YOUR ROOM.
TA-DA.
UH, THERE AIN'T A LOT OF BLANKETS ON THE BED,
JUST BUD'S OLD BABY BLANKET, BUT I'LL TELL YOU WHAT,
AS SOON AS THAT CHECK COMES IN FROM YOUR MOMMY,
I'M GONNA GET A NEW COMFORTER. AND HOW ABOUT THIS,
I'LL GIVE YOU MY OLD ONE.
NIGHT NIGHT.
- [speaking on phone in Korean]
- [speaking in Korean]
- [snaps fingers] HEY, PEOPLE,
YOU CAN STOP STARING.
YOU WILL SEE PLENTY OF OUR BIG, FRIENDLY GIANT HERE
IN YOUR ADVANCED MATH AND SCIENCE COURSES THIS SEMESTER.
APPARENTLY, J-J--
I'M SORRY. CHOON? CHOON? SHOON?
JOON. - JOON.
JOON HAS BEEN ACCEPTED
INTO THE KOREAN INSTITUTE OF SCIENCE AND TECHNOLOGY.
JUST SO HAPPENS TO BE THE BEST ENGINEERING SCHOOL
ON THE CONTINENT.
HE'S STUDYING STRUCTURAL ENGINEERING.
VERY COOL THING.
WELCOME, JOON.
HERE WE GO. [claps hands]
[quirky music]
*
EXCEPTIONAL WORK AS USUAL, JOON.
*
- OH, WE DON'T WANT HIM. - WE AIN'T TAKING HIM.
- WHAT ARE YOU CRAZY? THAT GUY'S TALL AS SHIT.
- I'VE SEEN HIM PLAY. IT'S LIKE HE'S JUGGLING WATER.
WE PICKED LAST. YOU TAKE HIM.
- THAT'S BULLSHIT.
*
- THIS IS MY MUSEUM, ALL RIGHT?
THE LITTLE ONES BEHIND YOU OVER THERE,
THOSE ARE CALLED "TROLLING MOTORS," ALL RIGHT,
THEY'RE USED FOR BASS FISHING.
BUT THIS IS WHAT I WANTED TO SHOW YOU.
THIS IS THE "CREAM DE LA CREAM" OF MY COLLECTION, OKAY?
1,000 HORSEPOWER, JET POWER.
THIS BAD BOY WILL FLY YOUR ASS
BACK TO WHEREVER THE HELL YOU CAME FROM, OKAY?
AND IT IS MADE IN AMERICA. "YEZZIR."
- WHERE IS YOUR BOAT?
- DOES IT LOOK LIKE I HAVE A FREAKIN' BOAT?
OKAY--YEAH, YOU KNOW WHAT, I'M GETTING A LITTLE CAUGHT UP HERE.
STAY RIGHT THERE.
[metal grinding]
[engine roars] - [yelling]
- SO THE NEEDLES ARE PRACTICALLY SUCKED IN THROUGH THE SKIN,
AND WHAT THAT DOES... - JOON, JOON, JOON, COME HERE,
I'M WATCHING THIS SHOW YOU MIGHT BE INTERESTED IN.
- INTO THE MERIDIANS.
- I GOT TO HAND IT TO YOU,
YOU PEOPLE COME UP WITH THE WEIRDEST THINGS.
- WHAT YOU WILL USUALLY DO... - UGH.
- BEFORE ADDRESSING A SPECIFIC SYMPTOM IS TO FIRST--
- SO THIS SEMESTER, WE'RE GONNA BE WORKING
WITH A REALLY ARCHAIC, BIZARRE THING
THAT SOME OF YOU MAY REMEMBER FROM WHEN YOU WERE BABIES
CALLED FILM, OKAY,
WHICH MEANS YOU CAN'T JUST TAKE A MILLION SNAPS
AND HOPE THAT ONE OF THEM TURNS OUT HALFWAY DECENT.
YOU HAVE TO REALLY, REALLY MAKE IT COUNT.
AND BOYS, I DON'T WANT TO SEE JUST PICTURES OF CHEERLEADERS.
UNLESS SHE HAS A CLEFT LIP
AND LOOKS LIKE SHE'S MOURNING THE DEATH OF HUMANITY,
IN WHICH CASE, OH, MY GOD.
OKAY. LET'S GET STARTED.
[dreamy music]
*
[wings flapping loudly in slow motion]
[camera snaps]
[dog barking]
- IT'S NOT REAL MEAT! [dogs barking]
- IT'S [indistinct]!
- HEY, LOOK AT THE WEIRDO.
- [laughs] YOU WISH.
- CLASS, LET'S GIVE OUR VISITOR FROM ABROAD
OUR UNDIVIDED ATTENTION.
- [coughs]
- THE 17 YEAR LOCUST.
WHEN BORN, IT DROP FROM THE TREE TO THE MOTHER.
IT STAYS IN THE GROUND FOR 17 YEARS.
EVERYBODY IS ALONE.
NOBO--NOBODY IS--
BUT ALL THIS TIME, IT IS GROWING.
WHEN 17 YEARS IS FINISHED,
THE LOCUST CLIMB BACK INTO THE TREE.
AND IN THE TREE, HE SHED HIS HUSK, AND HE FLIES.
- [coughs]
- AND THEN...
[students laughing and whispering]
- THANK YOU.
[dreamy music]
*
[camera snap]
[speaking in Korean]
[camera snap]
- HI.
HOW ARE YOU?
LOOK, I KNOW YOU'RE PROBABLY THINKING
I'M ABOUT TO ASK YOU SOME STUPID, MEANINGLESS QUESTION,
AND I KNOW WE'VE NEVER MET, BUT I LOOK AT YOU AND I SEE YOU
WHISPERING AND POINTING YOUR CAMERA AT NOTHING ON THE GROUND,
AND SUDDENLY, I FEEL LIKE YOU ALREADY KNOW ALL THIS,
SO CAN I ASK YOU...
WHAT IS ART?
- [yelling in Korean]
AH!
- THAT'S WHAT I'M TALKING ABOUT!
THAT WAS BEAUTIFUL, MAN.
GOD, I BET YOU COULDN'T EVEN REPEAT THAT IF YOU TRIED.
AND YOU'RE RIGHT. YOU ARE SO RIGHT,
AND YOU KNOW WHAT?
KISS MY ASS, SHOE!
WHAT THE HELL AM I SO AFRAID OF STEPPING ON?
YOU'RE RIGHT. I'VE BEEN TOO SAFE.
CAN I--CAN I USE YOU? I MEAN FOR THE FORCES OF GOOD.
THERE'S SOMETHING I NEED TO DO AND YOU'RE THE ONLY PERSON
THAT CAN HELP ME RIGHT NOW.
[King Of Prussia's Misadventures of the Campaign Kids]
*
- * IF WE TURNED OUR REACTORS TO THE SUN *
* THEIR PLAN WOULD COME UNDONE
*
* THE WORLD WOULD BE REFORMED
* THE LEGISLATION SIMPLY NEEDS A PUSH ALONG *
- OH, NO!
- I NEVER WANT TO SEE YOU ON SCHOOL PROPERTY AGAIN,
YOU HERE ME?
- YOU JUST KEEP MANNING THE DOOR TO THE GAS CHAMBER,
YOU FASCIST, GOOSE-STEPPING BITCH!
- GO, GO, GO, GO, GO!
THAT WAS "RI-COCK-ULOUSLY" AWESOME.
I MEAN, WE WOKE THOSE DUDES UP. I LOVE THAT, LIKE,
AWAKENING DORMANT SOULS, YOU KNOW?
MAKES ME SOUND LIKE DRACULA, BUT I DON'T EVEN CARE.
[laughs] THOSE DUDES LOOKED ALIVE.
SO WHAT WERE YOU DOING BACK IN THE PARK?
YOU'RE, LIKE, A PHOTOGRAPHER, OR SOMETHING?
- NO. I JUST TAKE PICTURES SOMETIMES.
I FIND SOMETHING LOOK INTERESTING, AND I--
- YOU'RE AN ARTIST, MAN. COUNT YOURSELF LUCKY.
I MEAN, YOU'RE A PART OF A SELECT ELITE.
MY MOM ALWAYS USED TO SAY, "IF YOU DON'T HAVE A DREAM,
YOU CAN'T MAKE A DREAM COME TRUE."
SO WHAT'S YOUR DREAM?
- KOREAN PARENTS VERY DIFFERENT.
- HMM.
YOU MUST MISS THEM A LOT, HUH? AND ALL YOUR FRIENDS.
YOU GOT A LOT OF FRIENDS?
WELL, DON'T EXPECT TO FIND ANY HERE.
PEOPLE IN THIS TOWN, THEY'RE LIFELESS, MAN.
THEY SPEND THEIR DAILY LIVES WITH NO SENSE OF PURPOSE,
NO PASSION.
SO WHERE ARE YOUR PARENTS?
THEY HERE, OR THEY, LIKE, IN SOME FAR AWAY DISTANT LAND?
- [yelling in Korean]
- NO, THEY'RE FAR, BUT THEY FEEL VERY CLOSE.
MY NAME IS JOON CHU.
- BUTCH BLOSSOM.
- BITCH? - BUTCH.
- BITCH.
- WHAT THE HELL AM I LOOKING AT? - MY DREAM, I THINK.
- THIS IS REALLY WEIRD, DUDE. - YOU SAID MY DREAM.
- YEAH, AND I THOUGHT YOU WERE GONNA SAY, LIKE,
BEING THE KAREEM ABDUL JABBAR OF PHOTOGRAPHY,
NOT "COME TAKE A SPOOKY WALK WITH ME
AND LET'S TALK ABOUT BEING A LUMBERJACK."
- WHAT DO YOU MEAN, "LUMBERJACK"?
- NOTHING, I'M JUST MAKING CONVERSATION.
SO WHAT'S THE DREAM?
- I DON'T KNOW, YET.
- WELCOME TO THE CREATIVE CENTER OF THIS PATHETIC HOLE
WHICH YOU ARE UNFORTUNATELY TRAPPED IN.
FROM WITHIN THESE CANVAS WALLS COMES ALL STRATEGY SURROUNDING
THE COMPLETE ANNIHILATION OF CONFORMIST THOUGHT
EMANATING FROM THE VERY MARROW OF THIS TOWN
AND POSSIBLY BEYOND.
[mellow '80s music playing]
- THIS IS YOUR TENT? - MY MOM GAVE IT TO ME.
SHE USED TO SAY, "NO MAN FINDS HIS ART UNDER A ROOF."
- IS THAT A TATTOO?
- OH, YEAH. I WAS TRYING TO DO A DRAGON,
BUT IT ENDED UP KIND OF LOOKING LIKE A WOLF,
SO I DID A WOLF HOWLING AT THE MOON,
BUT THEN IT KIND OF ENDED UP LOOKING LIKE
A DOG EATING A MEATBALL,
SO TRIED TO DO THIS WHOLE LADY AND THE TRAMP,
"UNDER A STARRY NIGHT" THING, BUT FINALLY, I WAS LIKE,
"SCREW IT," YOU KNOW WHAT I MEAN?
NOW IT KIND OF LOOKS LIKE A CELLO.
- IS THAT A TRIANGLE?
- STRONGEST SHAPE IN THE UNIVERSE.
- SO WHAT YOU DID AT THE COLLEGE IS CALLED YOUR ART?
- NO. THAT WAS CALLED,
"BATTLE-AXING THE DOOR OF A SOUL-CRUSHING DICTATORSHIP."
THEY CALL THEMSELVES "THE ADMISSIONS OFFICE."
MY WHOLE LIFE, I WANTED TO GO TO THAT SCHOOL.
I TRIED SIX TIMES.
I MEAN, I TOTALLY REALIZE IT'S ALL BULLSHIT, THOUGH.
*
YOU EVER WANTED ANYTHING THAT BAD BEFORE?
*
- WHAT KIND OF ART DO YOU DO?
- I DO IMPORTANT STUFF, LIKE K.S.R., YOU KNOW?
NO, YOU DON'T KNOW! 'CAUSE I MADE IT UP.
KINETIC STATIONARY RIOTING. K-S-R, I CREATED IT.
IT'S KIND OF LIKE PERFORMANCE ART
BUT NOT EMBARRASSING.
- SO WHEN DO YOU DO THIS K.F.R.?
- K.S.R. YOU KNOW, I--WHEN--
YOU KNOW, WHEN STUFF HITS ME, WHEN SHIT PISSES ME OFF.
IT'S LIKE--LIKE, LAST MONTH, I WAS WATCHING THIS SHOW
ABOUT HOW PEOPLE SPEND MORE TIME WATCHING MEANINGLESS CRAP ON TV
THAN THEY DO SPEND TIME WITH THEIR FAMILIES.
[heavy metal music]
THIS IS THE BLOOD OF NON-VOTERS.
*
- WHAT?
- THAT SHIT STAINED MY SKIN RED FOR A WEEK.
- THAT SHONE FOR EVERYONE TO SEE.
HIS BLUE--
- WHAT?
JUST PISSES ME OFF WHEN PEOPLE GET JUDGED
BY THE COLOR OF THEIR SKIN, YOU KNOW?
[both speaking in Korean]
[child speaking in Korean]
- [speaking in Korean]
[insect wings flapping]
[wings flapping loudly]
[footsteps]
- THESE SAMPLES ARE REALLY GREAT, JOON.
THAT IS QUITE A FOREST YOU HAVE HERE.
COMPLETELY SURROUNDED BY OTHERS, YET SOMEHOW MANAGES
TO FEEL REALLY LONELY.
THAT'S NICE WORK.
- OUR EXPERIMENT TODAY IS BASED ON THE THEORIES
OF RENOWNED PHYSICIST STEPHEN HAWKING.
HAWKING COINED THE TERM, "IMAGINARY TIME."
PLEASE, EVERYONE FIND LAB PARTNERS.
WELL, YOU'RE IN LUCK, MISS SWADE.
IT LOOKS LIKE NATURAL SELECTION
HAS PAIRED YOU UP WITH JOON HERE.
GET YOUR JELL-O, GET YOUR JUMP ROPE.
- YOU'RE PROBABLY WONDERING WHY I TAKE THIS CLASS, HUH?
IT'S 'CAUSE I'M HAVING AN AFFAIR WITH MR. KIRKPATRICK.
NOBODY ELSE KNOWS, THOUGH.
YOU KNOW, WE ACTUALLY HAD SEX ON THIS COUNTER ONCE.
- GET OFF THE COUNTER.
EXPERIMENTATION REQUIRES A STERILE ENVIRONMENT.
- LIKE HE KNOWS THE FIRST THING ABOUT BEING STERILE.
[gasps] JESUS, MAN!
- AHEM.
- [sipping on straw]
YOU GOT TO BE, LIKE, THE BIGGEST CHINESE PERSON I EVER SAW.
I DIDN'T EVEN THINK YOUR SPECIES GOT THAT BIG.
WELL, NOT THAT I KNOW ABOUT THE CHINESE SPECIES.
HEY, MY DAD SAYS THAT YOU CHINESE ARE TAKING AWAY
ALL THE GOOD HIGH-PAYING JOBS AWAY FROM US GOOD,
HARDWORKING AMERICANS-- - HEY, MAN ORGAN JAMMER.
WHOSE SHIT SMELLS LIKE EGG ROLLS?
- [grunting] - [laughs]
OH, SHIT.
[laughs]
I THINK THAT DUDE CRAPPED HIS PANTS.
I DIDN'T MEAN THAT. I WAS JUST--
BY THE WAY, I HAVE NOTHING AGAINST MAN ORGAN JAMMERS.
MY UNCLE'S GAY.
WHERE WERE YOU YESTERDAY, MAN?
I DID SOME SERIOUS K.S.R.
[classical music]
- YOU HANG YOURSELF?
- UH, YEAH, THERE WAS A HARNESS. IT DOESN'T MATTER.
PEOPLE ARE BLIND, MAN.
- WHY DID YOU DO THAT?
- ARE YOU SERIOUS?
DO YOU HAVE ANY IDEA THE RATE OF DEFORESTATION RIGHT NOW?
HEY, WHAT THE HELL ARE YOU LOOKING AT?
YOU NEVER SEEN AN 8-FOOT TALL MONGOLIAN BEFORE?
- HE'S KOREAN, IDIOT.
- YOU'RE KOREAN, YOU STUPID DYKE!
HOW DO YOU-- HOW DO YOU COME HERE EVERY DAY?
BY THE WAY, I HAVE NOTHING AGAINST DYKES EITHER.
MY AUNT IS GAY.
- YOUR AUNT AND YOUR UNCLE IS BOTH GAY?
- I'M ACTUALLY--I'M LIVING IN MY AUNT AND UNCLE'S YARD
RIGHT NOW.
- WHERE IS YOUR MOTHER?
- SHE DIED.
WHEN I WAS 12. IT WAS CANCER.
REALLY SUCKED.
- I'M SORRY, I-- - NAW, MAN.
SHE WOULD'VE GOT A KICK OUT OF YOU, THOUGH.
YEAH.
I MEAN, SHE LOVED ARTISTS.
- MY BROTHER, HE--HE DIED IN KOREA.
MY PARENTS MISS HIM VERY MUCH.
- YOU GUYS WEREN'T THAT CLOSE?
- HE WAS MY BEST FRIEND.
- HEY, YOU WANT TO GO CLIFF JUMPING?
- WHAT IS THAT?
[upbeat music]
- COME ON, LET'S GO!
- HEY. WAIT.
- [grunts]
*
- GO, GO, GO! DON'T SLOW IT DOWN.
- BUTCH! - AH!
- BUTCH! - HERE WE GO!
- BUTCH! BUTCH!
- JUST UP AHEAD. - SLOW DOWN!
I'M TIRED!
WHERE ARE YOU GOING?
- AH!
WHOA! WHOO!
[shivers]
IT'S COLD! CHRIST! OH, YEAH!
YOUR TURN! - NO!
- I WAS JUST KIDDING ABOUT ALL THE COLD STUFF.
IT'S SUPER WARM.
COME ON, LIVE THE LIFE OF THE SAMURAI!
- I'M KOREAN, STUPID! - WHATEVER, JUMP!
- [yelling in Korean]
[all speaking in Korean]
- JOON, IT'S NOW OR NEVER!
EYE OF THE TIGER, BITCH!
- [yelling in Korean]
- GO! GO! GO!
- [panting]
- [speaking in Korean]
- OH!
WHOO!
- OH! OH! OH! - JOON! JOON, ARE YOU OKAY?
- OH, OH. [laughs] - YOU'RE A MAD MAN!
[both laughing]
- I AM THE LOCUST!
[upbeat music]
*
- IF I WERE A LION, YOU'D BE DEAD BY NOW.
- [whispering in Korean]
- WHAT DOES IT MEAN TO HAVE A CREATIVE VIEW?
I DON'T KNOW ABOUT YOU, BUT I DON'T USUALLY THINK
OF FOUR BIG RAINBOW BLOBS WHEN I THINK OF APARTHEID,
BUT EMIL GABEZI DID.
SO WHAT DO YOU THINK ABOUT?
WHAT PLAGUES YOU? WHAT STIRS YOU UP?
NOW, I KNOW THAT SOME OF YOU ARE THINKING,
"CAMERAS DON'T HAVE THAT KIND OF FREEDOM."
SO FEAST YOUR EYES UPON THIS, MY LITTLE PYGMIES.
A TRAGEDY, RIGHT?
THIS PICTURE BRINGS UP FEELINGS OF SADNESS
AND LONELINESS, BUT SUPPOSE I TOLD YOU
THAT THIS IS A PICTURE OF A CHILD'S HAPPIEST DAY?
SHE HAD 30 KIDS AT HER PARTY,
THEY RAN AROUND CAUSING JUST CHAOS AND DESTRUCTION,
AND WHEN THAT TODDLER BLITZKRIEG FINALLY EBBED,
MY DAUGHTER SAT ON THE GROUND,
TOOK ONE BIG EXHILARATED BREATH,
AND FELL ASLEEP SITTING UP.
SO WE CAN SEE THAT THE MOMENT WE CHOOSE
TO PRESS THAT LITTLE BUTTON IS REALLY, REALLY IMPORTANT.
NOW, GET THE HELL OUT OF MY CLASSROOM
AND FIND YOUR VIEW.
[Jesse Woods's Sparks]
*
- * WISH I COULD TAKE YOUR LIPS WITH ME *
* ON THE ROAD WHEREVER I'D BE
* I'D KISS YOU GOOD NIGHT IN THE FAR OFF MOONLIGHT *
* I WISH I COULD TAKE YOUR LIPS WITH ME *
* LISTEN TO YOUR LITTLE VOICE SING ALONG WITH THE RADIO *
* A SONG THAT SOMEONE ELSE WROTE *
* I DON'T CARE
*
* I JUST NEED YOU HERE
*
* AND I SEE A SPARK IN THE MAKING *
- [groaning]
* YOU'VE GOT A HAND FOR THE TAKING *
* AND I'M ABOUT TO TAKE IT TO THE MOON *
* I SEE A SPARK IN THE MAKING
* I HOPE THE RAIN DON'T COME TOO SOON *
* YOU'VE GOT A HAND FOR THE TAKING *
* AND I'M ABOUT TO TAKE IT TO THE MOON *
*
* I'M ABOUT TO TAKE IT TO THE MOON *
*
[music fading out] * AND I'M ABOUT TO TAKE IT...
- HI.
COULD YOU MAYBE HELP ME?
THIS STUPID THING NEVER WANTS TO OPEN.
- YES, NO PROBLEM. - THANKS.
YOUR LOOKS PRETTY OLD TOO. WHERE'D YOU GET IT?
- MY BROTHER.
- YOUR SHOTS ARE GREAT.
SOMETHING KIND OF DIFFERENT ABOUT THEM.
LOOK, DON'T WORRY ABOUT IT. I'LL JUST GO AT IT
WITH A SCREWDRIVER LATER, OR SOMETHING.
- IS THAT WALL BREAKING?
- WHAT? - OH.
- WAIT, WHAT DID YOU S-- OH, THANK YOU.
THAT'S AWESOME.
WOULDN'T WANT ANYTHING TO HAPPEN TO THIS CREATIVE VIEW, SO--
COOL.
WHY HAVEN'T YOU ASKED ME MY NAME YET?
- CHERRY SWADE?
DUDE, THAT SOUNDS LIKE A PORN STAR NAME.
THAT'S SO AWESOME.
NOT THAT I'M IN FAVOR OF EXPLOITING WOMEN.
- SHE...IS...VERY NICE.
all: SHH!
- THANK YOU.
IT'S ALL RIGHT, MAN.
- I WAS WONDERING HOW TO MAKE CONVERSATION.
I WANT TO MAKE A GOOD CONVERSATION.
- [laughs]
NO, MAN, THAT SOUNDS REALLY SWEET,
BUT I'LL TELL YOU SOMETHING,
WOMEN THESE DAYS, THEY TAKE A SHIT ON SWEET.
IT'S LIKE THEY ALL WANT THUNDER GODS OR SOMETHING,
AND UNLESS YOU CAN MAKE IT RAIN, NAH.
YOU'RE IN FOR SOME HEARTACHE, BROTHER.
- WHAT DO YOU MEAN "RAIN"? I DON'T UNDERSTAND.
- YO, AND P.S., WOMEN LOVE IT WHEN YOU TALK ABOUT MYTHS,
LIKE--LIKE KING TRITON OR, LIKE, MERMAIDS.
YOU CAN PRETTY MUCH ALWAYS BANK ON THAT STUFF.
THAT'S WHY THEY CALL IT CLASSICAL.
- [whispering] HEY, THERE'S THAT FREAK.
- SERIOUSLY? WHAT ARE YOU EVEN DOING IN HERE?
- BUTCH, WHY DON'T YOU TAKE A BREAK?
- GOD, I HATE "SKOCKS." - WHAT IS "SKOCKS"?
- IT'S JOCKS THAT DRESS LIKE SKATERS,
BUT ABOUT AS EXTREME AS THEY GET IS JUMPING ON TRAMPOLINES.
HOW DID MY MOM LIVE HERE?
I MEAN, THERE'S NO LOVE, MAN. THERE'S NO LOVE.
I MEAN, ROMEO AND JULIET WOULD HAVE KILLED THEMSELVES
IF THEY LIVED IN THIS TOWN.
OH, MY GOD.
OH, MY GOD, YOU'RE GONNA LOVE ME.
YOU'RE GONNA LOVE ME SO MUCH, YOU'RE GONNA BEG ME
TO MAKE LOVE TO YOU, BUT I'M NOT GONNA DO IT,
BECAUSE I'M NOT LIKE THAT.
MEET ME BACK HERE AT MIDNIGHT.
- WHY? - JUST DO IT!
- WHY?
- COME ON, LET'S GO. HOP ON.
- WHERE DID YOU GET THIS MOTORCYCLE?
- IT'S A SCOOTER.
MY AUNT LETS ME BORROW IT WHEN I NEED WHEELS SOMETIMES.
- WHAT DO WE NEED IT FOR?
- I'LL SHOW YOU ON THE WAY. COME ON.
YOU GOT TO PUT ON THE BACKPACK.
THIS IS WHAT YOU'RE WEARING.
[triumphant rock music]
*
- THIS RIDICULOUS. IT'S STILL RAINING.
- I KNOW, MAN, IT'S PERFECT. IT'S EPIC.
- NO, NO, I CANNOT DO THIS. - YES, YOU CAN.
- NO, NO, NO, NO. - YES, YOU CAN.
- NO, I SAID, NO. - LISTEN. LISTEN TO ME.
AMERICAN GIRLS, THEY LOVE THIS STUFF, MAN.
NOW, WARM UP LIKE I TOLD YOU. [plays notes on keyboard]
- "PETER PIPER PICKED A PECK OF 'PICKY PECK.'
A PECK OF 'PEPER' PEPPER PETER PIPER PICKED."
- ALL RIGHT, GREAT, YOU'RE READY, ALL RIGHT?
GO.
[plays single notes on keyboard]
- "BUT SOFT, WHAT LIGHT THROUGH YONDER WINDOW BREAKS?
IT IS THE EAST, AND JULIET IS THE SUN."
*
- ALL RIGHT, NOW SING.
- SING WHAT? - JUST SING, MAN, SING.
- SING--I DON'T KNOW, WHAT SONG? - MAN, LISTEN,
GIRLS LOVE IMPROV. THEY LIKE,
LIKE, SPONTANEITY, OKAY? ALL RIGHT?
SO JUST, I DON'T KNOW, TAKE IN THE SPACE.
AND...
[plays single notes on keyboard] SING.
- * HERE I AM
* STANDING UNDER THIS BIG TREE
* YOU HAVE
* VERY NICE HOUSE
* NICE COLOR
THIS IS JUST STUPID. - NO, IT'S NOT.
HEY! SHH, SHH. SHE'S--GOING, GOING, GOING.
GO, GO, GO, GO GO!
[plays single notes on keyboard]
- * IT'S RAINING
- YEAH. * I'M SO COLD
* BUT YOU WON'T WARM ME UP
- OH, SHIT. - WHAT? WHAT? WHAT?
- ABORT, ABORT, ABORT. - WHAT? WHAT? WHAT?
- IT'S--ABORT! [playing random notes]
- WHAT? - SHE HAS PINK HAIR.
- SO WHAT? - YOU DIDN'T TELL ME
SHE HAD PINK HAIR, MAN! - WHO CARE?
- THIS IS BEYOND ME, MAN. WE NEED REINFORCEMENTS.
ON THE COUNT OF THREE, WE RUN FOR THE BIKE.
OKAY, READY?
ONE, TWO, THREE.
MY AUNT AND UNCLE WILL KNOW WHAT TO DO.
- BUTCH, DO YOU HAVE ANY IDEA WHAT TIME IT IS?
YOU WOKE ME OUT OF PROBABLY THE MOST EROTIC DREAM
I'VE EVER HAD IN MY WHOLE GODDAMN LIFE.
- INAPPROPRIATE, INAPPROPRIATE. - I WAS--
- LISTEN, GUYS, I'M REALLY SORRY.
JOON HERE NEEDS OUR HELP.
I MEAN, WHEN WAS THE LAST TIME I ASKED YOU GUYS
FOR ANY KIND OF ADVICE?
- WELL, WE ARE SO EXCITED TO MEET YOUR NEW FRIEND.
HI.
SO?
- SO...
WHAT SHOULD HE DO?
- WELL, BUTCH, IT IS A TRICKY QUESTION.
THE FEMALE OF THE SPECIES HAS ALWAYS BEEN AN ENIGMA,
BUT TRUE LOVE IS "DEFI-NATE-LY" A WORTHY CAUSE.
I THINK YOUR YOUNG FRIEND FROM THE EAST
HAS A LITTLE BIT OF RESEARCH AHEAD OF HIM.
FOR INSTANCE, WHAT ARE HER HOBBIES?
WHAT DOES SHE LIKE TO DO FOR FUN?
WHY DON'T YOU TAKE HER OUT FOR DINNER AND A MOVIE?
OR PERHAPS YOUR YOUNG INGENUE WOULD PREFER THE THEATER.
I KNOW THE MIDDLE SCHOOL HAS ON A PRODUCTION
OF THE MAN OF LA MANCHA, WHICH I HEAR IS BREATHTAKING.
- [laughs] - WHAT ARE YOU LAUGHING AT?
- I'M LAUGHING AT THE DATE MASTER.
REALLY, YOU BOGGLE MY MIND SOMETIMES.
- OH, REALLY, IS THAT A FACT? - YES.
YOU'RE GONNA SEND THIS BOY OUT TO FIGHT A DRAGON
WITH NOTHING BUT A ROSE STICKING OUT OF HIS ASS?
WHAT YOU DON'T SEEM TO RECOGNIZE,
MY DARLING SHE/HE... - "SHE/HE"?
- 95% OF THE WOMEN ON THE PLANET
ARE LIKE THAT MONSTER IN THE PIT IN RETURN OF THE JEDI.
I MEAN, YOU DON'T KNOW WHAT'S IN THE BOTTOM OF THAT PIT.
ALL YOU KNOW IS THAT THE PEOPLE ARE SCREAMING
AS THEY SLIDE INTO THAT HOLE! - OKAY.
ALL RIGHT.
THAT'S REALLY INTERESTING, BUT I THINK JOON HERE--
- HAVE YOU LOOKED IN THE MIRROR LATELY, YOU ALLIGATOR?
- DO YOU ACTUALLY THINK THAT YOU KNOW MORE
ABOUT WHAT A WOMAN WOULD WANT THAN ME?
- GUYS! SERIOUSLY, STOP!
YOU'RE EMBARRASSING ME.
CAN YOU IMAGINE A ROSE LIKE ME
BLOOMING IN A SWAMP OF SHIT LIKE THIS?
- THESE GALLERY SHOWINGS MAKE UP HALF OF YOUR FINAL GRADE,
SO IF I WERE YOU, I WOULD THINK ABOUT MAKING A REAL EFFORT.
EACH OF YOU GETS A GALLERY SECTION
ALL TO YOURSELF. I UNDERSTAND THAT THE THOUGHT
OF GIVING UP A MONTH OF FRIDAY AND SATURDAY NIGHTS
FEELS LIKE A SOCIAL APOCALYPSE TO MOST OF YOU,
BUT THIS IS HOW MUCH I CARE.
VERY ATTRACTIVE, CHERRY.
HELL HATH NO FURY LIKE THE WRATH I WILL WREAK UPON THE LAZY.
[Benjamin Francis Leftwich's 1904]
*
- IT'S A PRETTY COOL SHOT.
PITY ABOUT YOUR SUBJECT, THOUGH.
*
YOU KNOW, THAT PICTURE WAS A PERFECT OPPORTUNITY
FOR YOU TO BONE UP ON YOUR PORN COLLECTION.
INSTEAD, YOU TOTALLY BLEW IT.
- YES. - UGH.
THESE DARK ROOMS SERIOUSLY STINK.
NO WONDER NOBODY USES THEM ANYMORE.
STILL, I GUESS THERE'S SOMETHING KIND OF NICE
ABOUT SEEING YOUR WORK SLOWLY APPEAR IN FRONT OF YOU.
IT'S NOT SO IMMEDIATE.
MY GRANDPA ACTUALLY SAYS THAT ALL THE GOOD THINGS IN LIFE
ARE WORTH WAITING FOR.
- * AND IN 1904 I FOUND
- I WAS...
THINKING MAYBE IF YOU...
MAYBE IF YOU-- MAYBE INTEREST
IN WATCHING MAN OF LA MANCHA WITH ME?
- I DIDN'T KNOW IT WAS IN TOWN.
- YES, IT IS.
* OOH, OOH
* WALK ON WALK ON *
- HI, JOON. - HI, AUNT.
- LITTLE HAPPIER THAN THE LAST TIME I SAW YOU.
DID YOU TAP THAT ASS?
- MM, NO.
I HAVE GOOD NEWS. IS BUTCH HERE?
- UH, NO.
- IS THIS YOUR CAR?
- [laughs] ARE YOU OUT OF YOUR MIND?
NO, THIS IS LIZZIE'S CAR,
BUT MY BROTHER WAS RESPONSIBLE FOR THE--
I TAUGHT LIZZIE TO DRIVE IN THIS CAR.
OUR DAD GAVE IT TO HER.
JUST SHOWED UP ONE DAY OUT OF THE BLUE, YOU KNOW.
HE WAS KIND OF LIKE THAT, KIND OF QUIET.
NEVER KNEW WHERE YOU STOOD WITH HIM.
ALWAYS TRYING TO GUESS WHAT HE WAS THINKING.
I BET YOU GET THAT A LOT, DON'T YOU?
SHE'D PROBABLY BE PISSED ABOUT THESE THINGS
STUCK UNDER THE HOOD, THOUGH.
- * AH! AH! AH!
* [humming]
- HE DANCES WHEN HE'S SAD.
- WHY IS HE SAD?
- BUTCH IS PROBABLY UP AT THE GOLF COURSE TODAY.
I BET HE'D LIKE TO HEAR YOUR GOOD NEWS.
YOU SHOULD PROBABLY HEAD UP THERE.
- HEY. - HEY.
- WHAT ARE YOU DOING?
- KIND OF A RAMBO MEETS JACKSON POLLOCK THING, I THINK.
- YOU DO THIS OFTEN?
- UH, USUALLY JUST HOLIDAYS.
IT'S MY MOM'S BIRTHDAY TODAY.
WE USED TO HIKE HERE WHEN I WAS LITTLE.
THE GOLF COURSE HADN'T EXTENDED OVER HERE YET.
SHE TRIED TO GET THE TOWN TO MAKE THIS PROTECTED LAND.
SHE DRESSED UP LIKE A GOFER AND, LIKE, ATTACKED GOLFERS
FOR, LIKE, TWO WEEKS STRAIGHT.
THEY HAD TO PUT A RESTRAINING ORDER ON HER.
I MEAN, SHE NEVER TOOK NOTHING LYING DOWN, MAN.
I'M STARTING TO FORGET THINGS ABOUT HER.
I CAN'T REMEMBER WHAT SHE SMELLED LIKE.
HOW DOES SOMEONE FORGET SOMETHING LIKE THAT?
- WHERE IS YOUR FATHER?
- [laughs]
HOW THE HELL SHOULD I KNOW?
HE'S SOME BLOODSUCKING CORPORATE LAWYER IN NEW YORK CITY.
I NEVER MET HIM.
MY MOM USED TO SAY, "EVERYBODY'S GOT THEIR OWN DESTINY."
[chuckles]
YOU DON'T LEAVE THE ONES THAT YOU LOVE.
YOU JUST DON'T.
- AW! - SQUIRRELS DON'T GOLF!
YOU'RE ON STOLEN LAND!
WHAT'D YOU DO TODAY?
- I ASKED CHERRY OUT ON A DATE.
- GET OUTTA HERE. YOU DID NOT.
- I DID. - WHAT?
THIS TOTALLY CALLS FOR A VICTORY LAUNCH.
SLOW AND STEADY WINS THE RACE. ALL RIGHT.
NOW, YOU GOTTA AIM, AND ON THREE.
ONE-- OKAY.
NO--WHAT THE? I'LL KILL YOU!
- OH, SHIT. OKAY, ALL RIGHT.
LET'S GO. TIME TO GO, TIME TO GO.
COME ON, COME ON.
HERE WE GO. COME ON, COME ON, COME ON!
- YOU LITTLE PUNKS!
- GOOD EVENING, WELCOME TO OUR HUMBLE, LITTLE PRODUCTION
OF MAN OF LA MANCHA.
[applause]
- WHOO!
- SO WHY DID YOU TRAVEL THE WHOLE WAY ACROSS THE WORLD
TO COME HERE?
- I DIDN'T HAVE A LOT OF CHOICE.
- REALLY? THAT SUCKS.
- ACTUALLY, I'M VERY FORTUNATE.
NOT MANY PEOPLE GET TO COME TO AMERICA.
IT IS VERY DIFFICULT.
- OH, THEN HOW ARE YOU HERE?
- AFTER MY BROTHER DIED,
I DIDN'T REALLY SPEAK TO ANYBODY FOR A LONG TIME.
MY PARENTS THINK I BETTER FOCUS ON MY FUTURE.
SCHOOL IN AMERICA LOOK VERY GOOD TO UNIVERSITY IN KOREA.
- HMM.
YOU KNOW, ASIAN MEN DON'T GET A LOT OF PLAY IN THIS COUNTRY.
- PLAY? I DON'T KNOW "PLAY."
- I GUESS...PEOPLE THINK OF YOU AS MORE, LIKE, COMPUTER MAKERS
OR DOCTORS, BUT NOT LIKE SOAP OPERA DOCTORS,
LIKE, DOCTORS THAT ACTUALLY PRACTICE MEDICINE, YOU KNOW?
- OH.
- THAT'S OF COURSE UNLESS YOU INCLUDE THOSE
"SNEAK AROUND TRYING TO GET PICTURES
OF UNSUSPECTING FOREST-GOING LOVERS."
I HEAR THEY'RE PRETTY "IN" RIGHT NOW.
[romantic music]
*
- I WAS LIKE, "WHEELCHAIR DOES NOT EQUAL LAZY."
YOU KNOW WHAT I MEAN? - [chuckles]
- SO WHAT KIND OF A NAME IS "BUTCH BLOSSOM"?
- WHAT DO YOU MEAN? - WELL, IT'S SORT OF
AN OXYMORON, ISN'T IT?
- YOUR MOM'S A OXYMORON.
- MY MOM'S DEAD, JERK.
- JEEZ. LOOK, I'M REALLY SORRY.
I-I SAY SOME STUPID CRAP--
- HA!
GOTCHA. YOU KNOW, FOR AN ARTIST,
YOU'RE PRETTY GULLIBLE. YOUR MOM'S DEAD.
- MY MOM IS DEAD. - OH, COME ON,
WHERE'S THE ORIGINALITY? JOON, NOT IMPRESSED.
- NAH, MY MOM'S DEAD. - OF COURSE SHE IS.
SO WHY DON'T YOU JUST DRAG HER OLD BONES UP HERE?
I HAVE PUPPET STRINGS, WE'LL ACT LIKE SHE WAS NEVER GONE.
- CHERRY. - WHAT?
- HIS MOM IS DEAD.
- NO, SHE'S--DON'T--
OH, MY GOD. SHE IS.
- HA! [laughs]
TAKE THAT SHIT!
- YOU ASSHOLE! I TOTALLY BELIEVED
THAT HIS MOM WAS REALLY DEAD!
- SHE IS.
- OH.
- JOON, I LOVE THIS GIRL. SHE'S TOTALLY AWESOME.
BY THE WAY, "CHERRY SWADE"
SOUNDS LIKE A COLOR OF FRICKIN' CARPET.
- [laughs]
WHAT DOES YOUR NOTE SAY?
- "THIS WOULD HAVE REALLY HURT IF I HADN'T ALREADY
BEEN KILLED BY INDIFFERENCE."
[crash] - OH.
[Crocodiles' Sunday (Psychic Conversation #9)]
- * EINS, ZWEI, DREI, VEIR *
*
* IT'S SUNDAY AND THE WORLD LOVES ITSELF *
* FOR ALL ITS FAULTS AND ITS EXPLOSIONS OF WEALTH *
* EYES OF THE WORLD WILL STILL BURN
* AND IN TURN WELL, SUNDAY *
[music fades out]
- THIS IS PRETTY INCREDIBLE.
I DON'T KNOW ANYONE KNEW ABOUT IT.
[chuckles] THAT CLIFF IS PRETTY INTENSE.
- JOON JUMPED OFF THAT SHIT.
- YOU JUMPED OFF THAT SHIT?
- I JUMPED OFF THAT SHIT.
[laughter]
- NOBODY FROM TOWN COMES UP HERE
BECAUSE THEY'RE--THEY NEVER LEAVE THEIR DRIVEWAYS.
THEY'RE AFRAID SOMEBODY'S GONNA TELL THE CLONE FACTORY.
THEY'LL ALL GET RECALLED.
- YEAH, BUT YOU LIVE HERE.
WOULDN'T EXACTLY CALL YOU A HEALTHY MEMBER
OF THE STATUS QUO.
WELL, I MOVED HERE, LIKE, THREE YEARS AGO FROM D.C.
AT FIRST, I HATED IT. I MEAN HATED IT.
I COULDN'T UNDERSTAND WHY WE'D GONE FROM SOMEWHERE WHERE
EVERYTHING WAS HAPPENING TO A PLACE
WHERE PEOPLE DON'T EVEN REALIZE THAT THINGS DO HAPPEN, YOU KNOW?
- THAT'S WHAT I'M SAYING, MAN. THIS PLACE IS FROZEN SOLID.
- THERE'S SOMETHING ABOUT THE TININESS OF THIS TOWN,
I THINK. IT'S JUST...
MAKES IT EASY TO BE UNIQUE, I GUESS.
- IT'S NOT REAL, THOUGH.
YOU SURROUND YOURSELF WITH TEN MILLION PEOPLE,
EVERY POSSIBLE THING, THEN IF YOU'RE STILL UNIQUE,
ODDS ARE, YOU'RE PROBABLY PRETTY DAMN UNIQUE.
- YEAH.
- I THINK THIS TOWN HAVE SPACE.
IN KOREA, NO SPACE.
I THINK MAYBE THIS TOWN HAVE SPACE FOR MAYBE GROW.
JUST NEED THE SEED.
- [chuckles]
- AW, SHIT. I'M LATE FOR WORK.
DAMN.
- OH! [laughs]
- WHOO!
I'M DOING A PUPPET-RE-ENACTMENT OF SCHINDLER'S LIST
DOWN BY THE LIBRARY.
I'M GONNA BE SHIELDING YOUNG MINDS
FROM EVIL FASCIST EMPIRES. PEACE OUT.
[chuckles]
- DO YOU THINK I'M DIFFERENT? - WHAT DO YOU MEAN?
- I MEAN FROM THIS TOWN.
I THINK YOU'RE DIFFERENT,
AND NOT JUST IN THE OBVIOUS WAYS.
I THINK YOU'RE BRAVE.
IT'S LIKE YOU'RE NOT AFRAID TO BE SOMETHING SPECIAL.
I JUST GET SO SCARED SOMETIMES
THAT I'M JUST GONNA END UP LIKE EVERYONE ELSE.
SO DO YOU THINK I'M DIFFERENT?
- IN THE VERY BEST WAY.
- GOOD.
'CAUSE NORMAL KIND OF SUCKS MY DICK.
- [laughs] - [laughs]
ARE YOU OKAY?
- WE DON'T HAVE THIS DRINK IN KOREA.
VERY NICE. - [laughs]
[Benjamin Francis Leftwich's Atlas Hands]
*
[laughs]
SO NO ROOT BEER IN KOREA, HUH? - NO.
- THAT'S TOO BAD.
- * TAKE ME TO THE DOCKS
- BUTCH, DO YOU HAVE A SUIT?
- OH, SHIT. THEY GOT YOU DIDN'T THEY?
THOSE CORPORATE ASS-SUCKING GUIDANCE COUNSELORS,
THEY GOT YOU. - WHAT ARE YOU TALKING ABOUT?
- THE MAN. HE STUCK HIS PENIS IN YOU.
MAYBE IT WAS JUST THE TIP, BUT IN SOME CULTURES,
THAT'S STILL CALLED RAPE, MAN.
- I JUST NEED A SUIT. - DO YOU HEAR YOURSELF?
"I NEED, I NEED."
I FEEL LIKE YOUR SPONSOR RIGHT NOW.
FIGHT THIS SHIT, MAN.
- DO YOU HAVE A SUIT? - OKAY,
WHAT DO YOU NEED A SUIT FOR?
- CHERRY'S GALLERY SHOW.
- WHAT DOES THAT HAVE TO DO WITH PENISES
OR RAPE OR ANYTHING?
YOU HAVE A REAL COMMUNICATION PROBLEM.
YOU DO REALIZE THAT, RIGHT? - YES.
- COOL.
HOLD THIS FOR A SECOND.
YOU WANT TO COME SEE MY BAND TONIGHT?
- [laughing] YOU HAVE A BAND?
- AM I, LIKE, QUADRIPLEGIC OR SOMETHING?
WHY IS THAT SO HARD TO BELIEVE?
- SORRY, CHERRY'S SHOW IS TONIGHT.
- NO WORRIES.
YOU GOTTA GO. YOU GOTTA DO THAT,
BUT YOU CAN'T GO TO AN ART SHOW LOOKING LIKE THAT, THOUGH.
I GOT JUST THE THING,
BUT IT MIGHT BE A LITTLE SMALL FOR YOU.
- I THINK THAT SHOULD BE IN A REAL MUSEUM.
- YOU SHOULD BE WORKING FOR THE NATIONAL GEOGRAPHIC.
- IT'S NOT LIKE I WENT TO AFRICA, DAD.
I TOOK THESE AT THE ZOO.
- WELL, I SEE A LOT OF POTENTIAL.
- OH. - ARTIST IN THE HOUSE!
ANYBODY SEE AN ARTIST IN THE HOUSE?
- HI, AL. - HEY, KIDDO, HOW ARE YOU?
- GOOD. - GOOD TO SEE YOU, TIMBO.
WHAT DO YOU SAY, HUH? - GOOD TO SEE YOU TOO.
- THERE'S MY LITTLE PICASSO.
- PICASSO'S A PAINTER, UNCLE AL.
- HEY, DON'T YOU SELL YOURSELF SHORT.
YOU'RE GOOD, UNDERSTAND? - OKAY.
- BABY, GO GET DADDY A DRINK, WILL YOU, PLEASE?
- UH-HUH. MMM.
- THAT WAS A REAL NICE THING, WHAT YOU DID FOR BETHANY TODAY.
TAKING PICTURES OF THE WEDDING. GOTTA THANK YOU.
THOUGHT I'D RETURN THE GESTURE.
SHE LOOKED NICE, HUH?
IT WAS NICE, SHE LOOKED BEAUTIFUL.
ALL RIGHT, 15, 25 POUNDS OVERWEIGHT,
BUT SHE LOOKS NICE, RIGHT?
YOU USED TO BE PRETTY, NOW YOU LOOK BEAUTIFUL.
LOOK HER SHAPE TOO, AM I WRONG? - THANK YOU.
- NOW YOU'RE LIKE A WOMAN NOW.
SO HOW'S YOUR LOVE LIFE, HUH?
- CHERRY ACTUALLY WENT OUT ON A DATE WITH A YOUNG ASIAN MAN
THE OTHER NIGHT. WHERE'S HE FROM, HONEY?
- KOREA, MOM. - AH, JEEZ, AH, NO, NO,
BECAUSE YOU KNOW, THESE COMMIES, THE MEXICANS,
THEY'RE COMING OVER THE BORDER WITHOUT PERMISSION.
- I DON'T THINK THAT'S ENTIRELY APPROPRIATE, AL.
- NO, I'M JUST SAYING, BEWARE, TIM,
BECAUSE THESE PEOPLE, THEY'LL GRAB
A PIECE OF AMERICA ANY WAY THEY CAN.
- CAN WE GET A PICTURE? - I THINK I'VE GOT,
LIKE, THREE SHOTS LEFT FROM TODAY, SO--
- THREE SHOTS? JEEZ, I COULD HAVE FILLED UP
TEN ROLLS WITH THE MAGIC I HAD IN THAT BACKYARD TODAY.
- SO WHY'D YOU ONLY PAY FOR TWO ROLES OF FILM
FOR YOUR ONLY DAUGHTER'S WEDDING?
- TIM, DON'T YOU KNOW ANYTHING ABOUT ART?
IT'S NOT THE QUANTITY, IT'S THE QUALITY.
- HONEY, LET ME GET IN THE MIDDLE.
- COME HERE.
- OKAY, EVERYBODY SMILE.
- OH, NO, NO, NO, NO, NO.
YOU'RE IN ON THIS PICTURE TOO. COME ON OVER HERE.
HEY, KID! KID, CAN YOU HELP US OUT HERE, PLEASE?
COME HERE. CAN YOU HELP US FOR A SECOND?
- JOON!
WHERE ARE YOU GOING?
- I-I-I WAS JUST MAYBE THINKING--
- NO, NO, NO, IF YOU LEAVE ME ALONE WITH THESE PEOPLE
FOR ONE MORE SECOND, I SWEAR TO GOD
I'M GONNA KILL YOU, SO PLEASE COME WITH ME.
PLEASE? COME ON.
UH, EVERYONE, THIS IS JOON. - H-HELLO.
- I GOTTA TELL YOU, YOU'RE ONE OF THE BIGGEST "ORNAMENTALS"
I EVER SEEN. - OH, MY GOD.
- YOU LIKE THAT, TIM, HUH, "ORNAMENTAL"?
- REALLY FUNNY, AL, EXCEPT FOR THE FACT
"ORIENTALS" ARE FROM THE ORIENT.
- NO, "ORIENTAL" IS SOMETHING THAT YOU CALL A RUG,
SO MAYBE WE COULD JUST STOP INSTANTLY
WITH THE BLATANT RACIST REMARKS IN FRONT OF MY FRIEND HERE.
- THIS GUY'S ENORMOUS.
WHAT, DO THEY CALL YOU "GODZILLA" BACK HOME?
- GODZILLA'S FROM JAPAN, AL.
- OH, MY GOD, I AM SO SORRY, JOON.
- WHAT ARE YOU APOLOGIZING FOR?
WHAT, A GUY CAN'T CALL A CHINAMAN A CHINAMAN?
- HONEY, WHY DON'T YOU ASK JOON
IF HE CAN HELP US WITH THE CAMERA?
- COULD YOU PLEASE JUST HELP ME WITH THIS?
- ALL RIGHT. - THANK YOU.
- OH, MY GOD, JOON!
- JESUS, YOU RUINED THE FILM!
- I-I THOUGHT YOU SAID-- - WHY WOULD YOU DO THAT?
- I OUGHT TO WHUP YOUR ASS! - ALL RIGHT, ALL RIGHT,
EVERYBODY JUST CALM-- - AL--AL--
- JOON. NO, NO, JOON! JOON!
- NO! - NICE GOING,
YOU COMMIE BASTARD!
THOSE PICTURES ARE IRREPLACEABLE!
[punk music playing]
*
- BUTCH.
- HEY. HOLY--YES!
WHAT ARE YOU DOING HERE? WHAT ABOUT CHERRY'S SHOW?
BUTCH, WHAT ARE YOU WAITING FOR?
- HEY, GUYS, THIS IS MY FRIEND JOON.
- LET'S START THIS SHIT UP, MAN. THESE GUYS ARE GONNA LEAVE.
- NOTHING BUT ASSHOLES IN THIS WORLD, JOON,
I'M TELLING YOU.
HELLO, EVERYONE! - SHUT UP AND PLAY, HOMO!
- THAT IS RIGHT, I AM GAY. IN FACT, I'LL TAP THAT ASS,
I'LL TAP THAT ASS, I'LL TAP THAT ASS.
IN FACT, WHY DON'T YOU ALL JUST TURN AROUND AND LINE UP,
AND I'LL JUST-- - BUTCH.
- JUST--CHANGED MY MIND. YOU'RE ALL TOO UGLY.
WE ARE APATHY GRAVEYARD!
[all cheering] [drummer countoff]
[drummer intro]
- * [singing indistinctly]
*
* CULTURE CODE NAMES *
* [singing indistinctly]
*
JOON!
STOP. STOP IT.
HEY, STOP IT!
[guitar feedback]
- WHAT THE HELL'S YOUR PROBLEM?
- JOON, ARE YOU ALL RIGHT?
- PLAY SOME MUSIC, FAGS!
- HOLY SHIT, YOU ARE UNORIGINAL, MAN.
- YOU WANT YOUR ASS KICKED, PUSSY?
- YOU KNOW WHAT THE SHAME OF IT IS?
IS THAT YOU'RE ACTING SO TOUGH
IN FRONT OF ALL THESE PEOPLE RIGHT HERE,
BUT YOU KNOW WHAT I SAW EARLIER? I SAW YOU OUTSIDE
BUYING A POPSICLE FROM THE ICE CREAM MAN.
[crowd jeering]
- WHAT? - DON'T TRY AND DENY IT.
I SAW YOU, MAN, I THOUGHT TO MYSELF,
"GOD, HE LOOKS LIKE A BIG, MEAN IDIOT,
"BUT LOOK AT HIM RIGHT NOW.
HE'S EATING A POPSICLE JUST LIKE A LITTLE BOY."
[laughter]
- SHUT UP! I SAID SHUT UP!
I'LL KICK EVERYONE'S ASS IN THIS ROOM!
- NOW EVERYBODY KNOWS IT, YOU POPSICLE EATING LITTLE BITCH!
[crowd murmurs] - AH!
- GET OFF ME! - JOON!
- AH!
- BUTCH!
- JOON!
- BUTCH!
- SO I THINK I'M OUT OF THE BAND.
- I THINK SO TOO. - [laughs]
OH. NO LAUGHING.
THINK I MIGHT HAVE BROKE A RIB.
- I AM THE CAPTAIN. THE CAPTAIN IS VERY DRUNK.
- I LOVE YOUR ACCENT, MAN. - NO.
- YES. - NO.
- YES! NO, IT'S COOL AS SHIT.
- SO COOL, RIGHT? IT'S--IT'S WHY EVERYBODY TELL ME
"YOU THE BIGGEST CHINESE I EVER SEEN!
- [laughs]
- "IS YOUR NAME GODZILLA?
YOU CHINESE JAPANESE GIANT GOOK!"
- [laughs]
THINK I CALLED YOU A MONGOLIAN ONCE.
- [laughs]
IT LIKE EVERYBODY EXPECT ME TO SAY TO YOU,
"MIYAGI! YOU COWARD, MIYAGI!
YOU NO FIGHT ME NOW, I SAY YOU ARE COWARD!"
- SO WHAT HAPPENED AT CHERRY'S SHOW, MAN?
- IT'S NOTHING BUT ASSHOLES IN THIS WORLD,
I'M TELLING YOU, BUTCH.
- THAT SUCKS. I'M SORRY, MAN.
- I MISS MY BROTHER.
HE WAS SO MUCH COOLER THAN ME.
IT WAS IMPOSSIBLE NOT TO LIKE HIM.
HE WAS NEVER AFRAID.
HE ALWAYS DID WHATEVER HE WANT.
NEVER LET MY PARENTS TELL HIM WHAT TO DO, WHAT TO THINK.
HE USED TO TEACH ME ORIGAMI.
[chuckles] HE LOVE IT.
HE MADE ME AN ARMY.
HE IS TELLING ME HE MAKING ME AN ARMY
BECAUSE IF I WAS EVER IN TROUBLE, I COULD CALL THEM.
- THAT'S AWESOME.
- I LOVE YOU.
[grunts] - [laughs]
- SHH. SHH. [chuckles]
SHH. VERY QUIET, SHH.
* [singing in Korean]
GODZILLA! YOU ABOUT TO BE EATEN!
[groans]
- OH, SWEET JESUS! - [hiccups]
- OH, GOD, OH, SWEET JESUS! OH, BUDDY!
BUDDY, GET IN HERE!
SOMEBODY DID A HATE CRIME TO THE EXCHANGE STUDENT!
- WHAT ARE YOU TALKING ABOUT? - LOOK AT HIM!
- HO HO! WHAT THE HELL HAPPENED
TO THIS GUY? - WHAT THE HELL DO YOU THINK?
SOMEBODY BEAT THE SHIT OUT OF HIM!
- LOOK, IF SOMEBODY-- LISTEN TO ME.
IF SOMEBODY FROM THE EXCHANGE OFFICE
HEARS ABOUT THIS, THERE GOES THE RENT CHECK, BIG BOY.
- REALLY? - HEY, WHO DID THIS TO YOU?
- MIYAGI! YOU A COWARD MIYAGI!
- [whispering] WHO'S HE TALKING TO?
- ME! [laughs]
- WHAT THE HELL'S THIS GUY LAUGHING AT?
- HEY, DO YOU KNOW SOMETHING WE DON'T KNOW?
COME ON, SIT UP. PULL YOURSELF TOGETHER!
DO YOU KNOW SOMETHING THAT WE DON'T KNOW?
- [vomits] - OH!
- AH! - OH, SNAP, HE'S DRUNK, MA.
- THIS IS COMING OUT OF YOUR POCKET, BUSTER!
- [speaking in Korean]
[bird chirping]
[camera snap]
- CAN I HELP YOU?
- HI, I'M BUTCH, JOON'S--
- DID YOU KICK HIS ASS?
- NO, I'M A FRIEND OF HIS. - I KNOW WHO YOU ARE.
YOU AIN'T EXACTLY A STRANGER IN THESE PARTS, PSYCHO-BOY.
WHY'D YOU COME BACK, TO FINISH THE JOB NOW?
- NO, IS JOON HOME? - HEY, BACK ON THE SIDEWALK.
HE AIN'T RECEIVING VISITORS AT THE MOMENT.
- LISTEN, ALL I WANT TO DO IS I WANT TO--
- BUD! WE GOT A DIPSHIT ON THE FRONT PORCH!
- THE HELL IS YOUR PROBLEM, HEFFALUMP?
- WHOA! WHAT DID YOU CALL MY MAMA?
- WHAT THE IS THIS, THE ADDAMS FAMILY?
I'M LEAVING, OKAY? ALL RIGHT, OKAY,
YOU TELL JOON I STOPPED BY. THANK YOU!
[phone ringing]
- HELLO?
OH, MRS. CHU! I'M SO GLAD YOU CALLED.
[knocking at the door]
YOU AWAKE? - [groans]
- YOU HAVE A PHONE CALL. IT'S YOUR DAD.
- [sighs]
[speaking in Korean]
[both speaking in Korean]
- "THE NATIONAL GUARD BROUGHT IN BY THE GOVERNOR
"WAS REINFORCED BY FEDERAL TROOPS.
600 MINORS WERE ROUNDED UP"--
HEY.
- I CANNOT BE YOUR FRIEND.
- WHAT DO YOU MEAN, YOU CAN'T BE MY FRIEND?
WHY THE F-- [stuttering]
NOT? - MR. BLOSSOM JUST SAID
THE "F" WORD. - NO, I DID NOT.
WHICH ONE OF YOU GUYS CAN READ?
LISTEN, YOU READ THEM CHAPTER SEVEN.
STUFF THEY DID TO THE INDIANS WILL MAKE YOU PISS BLOOD.
I PROMISE YOU. - OKAY, MR. BLOSSOM.
- COME HERE. WHAT ARE YOU TALKING ABOUT, MAN?
- I NEED TO FOCUS ON MY EDUCATION.
- AW, COME ON. YOU'RE DOING FINE IN SCHOOL.
- MY PARENTS...
I THINK I NEED TO RETURN HOME AFTER GRADUATION.
- YOU SAID AFTER THE SUMMER. JOON, STOP IT, MAN.
STOP THE WAY YOU'RE TALKING TO ME.
WHAT ABOUT WHAT YOU WANT, MAN? WHAT--
WHY DON'T YOU JUST TELL THEM WHAT YOU WANT?
- BECAUSE I CAN'T. I AM ALL THEY HAVE.
IT'S NOT THEIR FAULT. - OH, MAN,
THEY CAN'T USE THAT AGAINST YOU. IT'S WRONG.
- YOU DON'T KNOW.
- YOU THINK YOUR BROTHER WOULD WANT THAT?
- DON'T SAY ANYTHING ABOUT HIM. YOU DON'T KNOW ANYTHING.
- I KNOW THAT HE'S A LOT BRAVER THAN YOU SEEM TO BE.
- YOU KNOW ANYTHING ABOUT BRAVE? YOU THINK YOU KNOW?
YOU HATE THIS TOWN, BUT YOU SCARED TO LEAVE.
YOUR MOTHER IS DEAD. YOU THINK SHE PROUD OF YOU, HUH?
YOU COULD DO SOMETHING. YOU DON'T DO NOTHING.
- YOU THINK YOUR BROTHER'S PROUD OF YOU?
[chuckles] YOU'RE A COWARD.
BUTCH. BUTCH, I'M SORRY.
- YOU GET OUT OF MY LIBRARY RIGHT NOW.
YOU GET THE FUCK OUT!
- MR. BLOSSOM, YOU SAID THE "F" WORD THAT TIME FOR SURE.
[somber music]
*
- TERRIBLE, I DO NOT WANT TO SEE MEN'S PENISES.
[indistinct chatter]
[chatter fades out]
*
[both speaking in Korean]
- HEY.
JOON, I NOTICED THAT YOU CROSSED OUT THE DATE
FOR YOUR GALLERY NIGHT. DO YOU NEED A NEW DAY?
- NO. - JOON, THE GALLERY
IS HALF OF YOUR GRADE. I CAN'T PASS YOU WITHOUT IT.
- OKAY.
- DO YOU WANT TO TALK ABOUT ANYTHING?
[school bell rings]
THIS CONVERSATION IS NOT OVER.
- JOON?
JOON. JOON, STOP.
[door closing]
JOON, I WAS REALLY EMBARRASSED AND I DIDN'T KNOW WHAT TO DO.
I SHOULD HAVE JUST DEFENDED YOU.
SO I'M SORRY.
CAN WE JUST--
OKAY, I GUESS--I GUESS THAT ANSWERS THAT QUESTION.
UM...
WHAT ABOUT YOUR GALLERY SHOWING?
- I'M GOING HOME SOON.
IT'S NOT IMPORTANT.
- SO THAT'S IT?
FINE, I GUESS YOU'RE JUST NOT AS DIFFERENT
AS I THOUGHT YOU WERE.
IT'S REALLY EASY TO BE BRAVE WHEN NO ONE'S LOOKING, JOON.
IT'S TOO BAD.
I WAS KIND OF CURIOUS ABOUT YOUR VIEW.
- SO, JOON, HOW DO YOU LIKE DINNER?
MAKES YOU FEEL RIGHT AT HOME, HUH?
- IT'S PASTA, MA.
- IT'S NOODLES, MR. KNOW-IT-ALL. NOODLES.
JOON, TELL YOUR MOM I REALLY LOVE HER GIFT.
IT MAKES ME LOOK VERY CULTIVATED.
WHAT DO YOU THINK? WHAT DO YOU THINK?
- YOU LOOK LIKE A FRIGGIN' BAT.
- I DON'T WANT TO HEAR ANOTHER WORD OUT OF YOUR MOUTH.
YOU JUST ZIP IT, FROM HERE ON IN.
LET'S TALK ABOUT SOMETHING HAPPY.
JOON, HOW'S YOUR MOMMY AND DADDY?
- EXPECTING ANY MAIL FROM THEM? - THAT'S PRETTY SUBTLE, MOM.
- OKAY, FINE.
WHAT DO YOU WANT TO TALK ABOUT, MR. FASCINATOR?
WE'RE ALL CURIOUS TO HEAR WHAT YOU WANT TO TALK ABOUT NOW.
- SOME FREAK DRESSED LIKE A UNICORN
SMASHED HIS MOPED INTO DARYL'S TRUCK TODAY.
GONNA COST HIM, LIKE, 500 BUCKS IN DAMAGES.
DARYL SAID THE FREAK DID A TRIPLE AXEL OVER THE HOOD
AND WENT BOUNCING DOWN THE STREET
LIKE A SKIPPING STONE. BY THE TIME I GOT THERE,
THE AMBULANCE ALREADY CARTED HIM OFF.
- EXCUSE ME, WHERE IS ROOM 536?
- AM I SEEING ASIAN ANGELS?
WHAT BRINGS YOU HERE, NOBLE SAMURAI?
- I'M SORRY.
- SIT DOWN.
- I THOUGHT BUTCH WAS-- - OH, I SEE.
NO, IT WAS HIS MUCH MORE ATTRACTIVE YOUNGER BROTHER
THAT CRASHED THE SCOOTER.
SO BUTCH TELLS ME YOU TWO BOYS HAD A LITTLE BIT OF A ROW.
- YES.
- WOULD YOU LIKE SOME ADVICE FROM A DYING MAN?
- YOU ARE DYING?
- NO.
BUT I'M THINKING OF STARTING TO TELL PEOPLE THAT...
[Southern accent] FOR DRAMATIC EFFECT.
- VERY GOOD.
- YEAH, IT WOULD BE, EXCEPT FOR THE FACT THAT I...
I ACTUALLY AM DYING.
- FUNNY. - WHY IS IT FUNNY?
I DON'T HAVE MUCH TIME.
- I'M SO SORRY, I-- - YEAH, SO YOU SHOULD BE.
'CAUSE YOU FELL FOR IT AGAIN. [laughs]
THIS IS SO MUCH FUN.
I JUST WISH I HAD MORE FRIENDS. [laughs]
ANYWAY...
OHH.
WHEN I WAS 15, MY MOTHER CAUGHT ME WITH A BOY
IN OUR GARAGE.
WE WERE COMPARING TOOLS.
SHE DIDN'T YELL. SHE JUST TURNED AND WALKED AWAY.
I DON'T THINK SHE EVER EVEN TOLD MY FATHER,
BUT THE NEXT DAY, THERE WAS A LOCK ON THE GARAGE.
IT WAS NEVER MENTIONED, EVER.
SEE, I ALWAYS FELT SO GUILTY ABOUT WHO I WAS.
I WANTED THAT LOCK.
I THOUGHT THAT BY NOT SAYING IT,
I WAS SACRIFICING MY FEELINGS FOR MY FAMILY,
BUT THE THING IS, THE PEOPLE WHO WERE
SUPPOSED TO LOVE ME MOST IN THE WORLD
NEVER REALLY KNEW ME.
YOU KNOW?
[church bell ringing]
- SLOW YOUR ASS DOWN!
WE ONLY CHANGE IF WE'RE WILLING TO BEND!
[grunts]
WHAT DO YOU WANT?
- I HEARD THERE WAS DEMONSTRATION FOR ARTISTS.
- YEAH, WELL, YOU JUST CAN'T CALL YOURSELF AN ARTIST.
YOU HAVE TO PAY YOUR DUES.
AT LEAST THAT'S THE WORD ON THE STREET.
SO WHAT DO YOU WANT?
- I'M SORRY, AND I WANT MY FRIEND BACK.
- THIS DIDN'T REALLY TURN OUT TO BE THE AXIS OF CHANGE
THAT I WAS HOPING FOR.
BUT I'VE BEEN THINKING.
I'M ALREADY A SUCCESS.
I WAS THE SPERM THAT WON, YOU KNOW?
OUT OF 10 MILLION SPERM, I WAS THE FASTEST.
SO I GOT THAT GOING FOR ME.
- I NEED YOUR HELP.
- DON'T THINK I'M NOT PISSED AT YOU.
- DO YOU STILL HAVE THAT HARNESS AND SKI MASK?
- OF COURSE.
- I NEED HELP WITH K.S.R.
- K.S.R., HUH?
HMM.
JUST GIVE ME A SECOND?
- [laughs] - YES!
I KNEW I WAS AHEAD OF MY TIME! LET'S GO!
[upbeat rock music]
AH, HA!
*
- BUDDY! I BROUGHT YOU YOUR BANANA SAND--
[plate breaking]
- LET'S GO.
*
WHERE DID YOU GET THIS CART?
- I ASKED ABOUT 500 SQUIRRELS, AND THEY ALL SAID IT WAS COOL.
I NAMED IT AFTER MY MOM.
LET'S GO, LET'S GO, COME ON.
TIME IS MONEY, MY FRIEND.
[crowd chattering]
- [laughs] WHAT'S UP? WHAT'S UP, MAN?
- WHAT THE HELL IS GOING ON? - WHAT DO YOU MEAN?
- WHAT DO YOU MEAN, WHAT DO I MEAN?
- LISTEN, EVERYTHING'S SET. ALL YOU HAVE TO DO--
- I SAID, "ONLY PEOPLE FROM MY CLASS."
- THAT'S WHAT I DID.
- THEN WHO ARE THEY HERE FOR?
- THEY'RE HERE FOR YOU.
- I CANNOT DO THIS.
- THEN THE EMPEROR HAS ALREADY WON.
- I DON'T KNOW WHAT THAT'S SUPPOSED TO MEAN.
- I HAVE NO IDEA. MY ADVICE SUCKS,
BUT I'M GONNA DROP THIS CURTAIN IN EXACTLY 30 SECONDS.
REMEMBER, YOU...
ARE MY NUMBER ONE...GUY!
- I HATE YOU. - AWESOME.
[ethereal music]
*
[both speaking in Korean]
[crowd murmuring]
- HELLO. YOU DON'T KNOW ME.
MY NAME IS JOON.
I DON'T THINK I KNOW YOU EITHER,
BUT I THINK THIS IS OKAY.
I WANT TO SHOW YOU SOMETHING.
I WAS VERY AFRAID, BUT MY FRIEND SAID HIS MOTHER
SAW HIM TOUCHING HAMMERS WITH A BOY IN A GARAGE...
- EW. - SO I SAID, "MAYBE IT'S OKAY."
I AM NOT SO AFRAID.
THIS IS A PIECE OF K.S.R,
A TECHNIQUE CREATED BY THE WORLD FAMOUS,
PROGRESSIVE... - VISIONARY!
- VISIONARY ARTIST, BUTCH BLOSSOM.
THIS IS FOR THE BRAVEST PERSON I HAVE EVER KNOWN,
AND FOR ELIZABETH BLOSSOM, WHO SAID,
"YOU CANNOT FIND YOUR ART UNDER A ROOF."
[Amadou and Mariam's Sabali]
*
- * [singing in Bambara]
THIS IS MY VIEW.
*
* [singing in Bambara]
*
* [singing in Bambara]
*
* [singing in Bambara]
*
* [singing in Bambara]
*
* [speaking in Bambara]
*
* [speaking in Bambara]
[thunder peals and rain falls]
*
- YES! YES! HA HA!
HOLY SHIT, WE PUT K.S.R ON THE MAP!
- HEY! HOW DID YOU DO THAT?
- I'M SORRY, FOR EVERYTHING.
- IT WAS INCREDIBLE.
[squeals]
[laughs]
[Benjamin Francis Leftwich's Atlas Hands]
*
- * TAKE ME TO THE DOCKS
* THERE'S A SHIP WITHOUT A NAME THERE *
* AND IT IS SAILING TO THE MIDDLE OF THE SEA *
*
* I WILL REMEMBER YOUR FACE
* 'CAUSE I AM STILL IN LOVE WITH THAT PLACE *
* BUT WHEN THE STARS ARE THE ONLY THINGS WE SHARE *
* WILL YOU BE THERE?
*
[music fades out]
- HE'S NOT GOOD WITH GOOD-BYES.
HE'S A GOOD KID. TELL HIM WE DID THE BEST
A PRINCESS AND HER PET GOLEM COULD DO.
- WHAT? - I WASN'T TALKING ABOUT YOU,
SWEETHEART.
[mouthing words]
IT'S BEEN A PLEASURE, YOUNG SQUIRE.
- THANK YOU.
GOOD-BYE, AUNT.
- OH, I ALMOST FORGOT. HE LEFT SOMETHING FOR YOU.
YOU BETTER HURRY.
- HEY. - HEY.
- TODAY IS WARM.
YOU GOING FOR A LONG TIME?
- I HOPE SO.
IT'S TIME TO GET THE HELL OUT OF HERE, YOU KNOW?
YOU KNOW, THAT GUY FROM THE ART INSTITUTE
TOLD ME TO STOP BY ON MONDAY.
BUT... EH, THEY'RE NOT READY FOR ME.
- I'M GOING TO MISS YOU.
- I'M REALLY PROUD OF YOU, MAN.
I MEAN, YOU HIT PEOPLE LAST NIGHT.
THAT'S MY FAVORITE SHIT!
DON'T YOU DARE LET ANYONE TRY AND ART-RAPE YOU.
'CAUSE THEY WILL, MAN. BELIEVE ME, THEY'LL TRY.
- I DON'T EVEN KNOW WHAT THAT MEANS.
- GOOD. IT'S BETTER THAT WAY.
- YOU GOING TO TELL ME WHERE YOU'RE GOING?
- I WAS THINKING MAYBE NEW YORK.
- NEW YORK IS A BIG PLACE.
- ENORMOUS.
- MAYBE YOU'RE JUST FITTING, BARELY.
- AND WHO KNOWS, YOU KNOW?
MAYBE I'LL LOOK UP MY DAD, RUIN HIS LIFE OR SOMETHING.
SO WHAT ABOUT YOU AND CHERRY?
YOU GONNA, LIKE, STUFF HER IN YOUR SUITCASE?
- ME AND CHERRY ARE GOING TO WRITE LETTERS.
YOUR UNCLE SAYS VERY ROMANTIC.
- WHAT ABOUT YOUR PARENTS?
THEY GONNA, LIKE, COMMIT HARA-KIRI TOGETHER?
AH, THEY'LL BE ALL RIGHT. JUST GIVE 'EM A LITTLE TIME.
[rock hits passing car]
[tires screeching] - WHAT THE HELL ARE YOU DOING?
- LADY, ROLL UP YOUR WINDOW AND HEAD TO THE MALL!
[tires screeching]
- I WISH MY BROTHER COULD HAVE MET YOU.
- HE WOULDN'T HAVE HATED ME?
[sighs]
- IN KOREA, WE HAVE A NAME WE CALL OUR MOST CLOSEST FRIEND.
THIS IS SOMEBODY THAT THEY DIDN'T SEARCH FOR,
BUT FOUND ANYWAYS, BECAUSE THEY ALWAYS NEXT TO EACH OTHER,
GROWING AT SAME TIME. IT'S CALLED "BUDAL CHINGOO."
YOU ARE MY BUDAL CHINGOO.
- WHAT DOES THAT EVEN MEAN?
- "TESTICLE BROTHER."
[both laughing]
- THAT'S SO AWESOME.
[bus door opening]
[upbeat music]
*
- [speaking in Korean]
[beep]
- [speaking in Korean]