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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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Are you sure about waiting here?
What about the cafe across the street?
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I see. Okay then.
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I'll come in first.
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It's like dropping kids off at school.
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I'm a bit nervous.
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Wish me luck.
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Hello, sir.
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Gus.
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I have prepared three episodes
with the files already.
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You just need to study it.
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Let's just make an adaptation
of the soap opera IP.
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It'll be a box office hit.
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And you have quite a reputation
in writing film adaptations.
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They have made a reborn version,
haven't they?
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That's the good thing about reborn,
we can just make another one.
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By the way, sir.
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Please listen to my ideas.
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What if we make a movie
in black and white?
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My goodness, Bagus. In black and white?
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- You know how our industry works.
- That's it. The title--
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Who wants to watch
black and white movies nowadays?
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Right. The title... The title--
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Our audience doesn't like complex stories.
They want to be entertained.
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Let's just entertain them, Gus.
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Keep it for the festivals.
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No, sir. Don't worry about it.
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It's not a complex story.
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- No?
- No.
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Don't worry. You'll like it once I--
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Gus.
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Sir.
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How about this? If you don't like it,
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you can just make me
write film adaptations
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for the rest of my life.
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Give me all the soap opera IP's
you have, and I'll write them for you.
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- Keep your word, okay?
- Okay.
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00:02:47,291 --> 00:02:48,125
Okay, tell me.
40
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- I'll tell you the story.
- Okay.
41
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You need to imagine it in black and white.
42
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- Right.
- Okay? In black and white.
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That's it. Mr. Yoram,
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this film is about a film writer
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who wants to get the girl of his dreams
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by secretly writing their love story
into his script.
47
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So, it's like writing a love letter
through a film.
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What do you think?
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Is it cool?
50
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Okay, I'll explain it again.
51
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To explain it more clearly,
let's start with Sequence One.
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THE INITIAL SITUATION
AND THE EVENT THAT CHANGES IT
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In Sequence One,
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we can see that the girl
who the writer has a crush on,
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let's call her Hana,
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is actually the writer's
high school friend who's recently widowed.
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Interesting. The husband died
because of Covid?
58
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Yeah... It could be that.
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I haven't thought about
the cause of his death.
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- We can think about it.
- Right.
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- Can I continue?
- Sure.
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So, here's the thing.
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But why black and white?
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It will be hard for me to market it.
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I have done it in the past.
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I had to keep reminding the audience
that it's in black and white.
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Some of them walked out of the theater,
asking the staff
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if there was something wrong
with the projector.
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They thought it was a defect in the film.
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Right. That's why, in the ending,
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we will explain why it was
in black and white.
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So it has a happy ending?
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Sir, I haven't told you the story.
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- Yes. A happy ending, a very happy ending!
- Good.
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00:04:13,541 --> 00:04:15,625
- In the ending,
- Yeah?
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when Bagus' film is finally released...
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The writer's name is Bagus.
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So, it's about you. It's about you, right?
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As a writer,
we ought to write something personal.
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They all say the same thing.
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Right.
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When the movie is released and premiered,
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Hana will watch the film,
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and she will find out that Bagus
actually has feelings for her.
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I know. That would be a great gimmick!
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Once, at a premiere, I had
pocong sit among the audience.
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It was hysterical!
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So, in the ending,
we can do a proposal scene.
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At our premiere,
you can propose to your girlfriend.
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- It would blow up everywhere. Viral!
- Right.
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Right. We can think about this later.
Can I continue my story?
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Right.
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- I'll continue. Please don't interrupt me.
- Okay, I won't.
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The opening scene is in a supermarket.
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But Gus,
that opening will cost a lot of money.
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You interrupted me.
97
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Right. Sorry. Please continue.
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- Let me finish.
- Yes, please.
99
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People are shopping in the supermarket.
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Hana is also there.
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We can see her shopping for groceries.
102
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She is buying fruit,
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meat, vegetables,
and some other essentials.
104
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But we can do the same scene
at a traditional market.
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I mean, we don't have to do that--
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Can I finish my story first?
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- Right, sorry.
- Okay?
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Sorry. I thought it was the same thing.
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Go ahead.
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At a glance, we don't see anything special
about the groceries,
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but if we look deeper into her eyes,
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we'll see that deep inside,
she is carrying profound grief.
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It's not an art film, right?
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No, it's a commercial film.
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You should have told me so I don't worry.
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I was trying to tell you.
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Okay, this is it. After this moment,
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Bagus will meet Hana, at this moment.
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Every romance film
needs a meet-cute, right?
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- We'll get it here, at this moment?
- Here?
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Sir, you need to weigh the fruit first.
122
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There, at the back.
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- I see.
- It's okay, I'll wait.
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- Okay.
- Sorry for the inconvenience.
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00:06:39,541 --> 00:06:40,875
- I'm sorry too.
- Yes.
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Sorry. Excuse me.
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Excuse me.
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Excuse me a minute.
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Sorry.
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Gus.
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Do you have anyone in mind to play Bagus?
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I know. I can see it in my head.
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Dion Wiyoko.
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Excuse me.
135
00:07:07,500 --> 00:07:08,833
Hey, Na!
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- Gus?
- You're here?
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Yeah.
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Excuse me. Can I do it later?
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Sure, Bagus.
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I didn't expect to see you here.
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Sir.
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I'm sorry.
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- Bagus is the writer in the story.
- Okay.
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Dion Wiyoko is too handsome to play him.
145
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- He has an athletic body, so...
- Is that so?
146
00:07:30,083 --> 00:07:33,458
It's unrealistic for a writer
to be built like him.
147
00:07:33,541 --> 00:07:35,208
You mean the lack of balance
in characters?
148
00:07:35,291 --> 00:07:37,333
- Is that so?
- Lack of balance.
149
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We can balance it out.
150
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What if we cast Julie Estelle
to play Hana?
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That's balanced, right?
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It fits!
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Couple of the year!
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Think about it.
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Wait, sir.
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Can I continue my story first?
We're still at the beginning,
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- why are we discussing the cast?
- Oh, right.
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00:07:55,958 --> 00:07:58,125
- We can discuss that later.
- Right.
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00:07:58,208 --> 00:08:01,000
- Can I?
- Sure. Go ahead. I got carried away.
160
00:08:01,083 --> 00:08:02,375
It's okay.
161
00:08:03,583 --> 00:08:05,458
Excuse me.
162
00:08:06,875 --> 00:08:09,416
Hana? You're here?
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Did you move to Jakarta?
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I... Just finish your payment first.
165
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Excuse me.
I'll do it later. You can move the line.
166
00:08:20,750 --> 00:08:22,833
I can't do that. I rung up your items.
167
00:08:22,916 --> 00:08:26,375
You can cancel it.
168
00:08:26,458 --> 00:08:28,125
I can't.
169
00:08:29,041 --> 00:08:30,250
Huh?
170
00:08:30,333 --> 00:08:33,583
Can't you press escape or delete?
171
00:08:33,666 --> 00:08:35,625
No, I can't. I'll get in trouble for that.
172
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He's getting on my nerves.
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Pay first. We'll catch up later.
174
00:08:40,041 --> 00:08:41,625
You can join me.
175
00:08:41,708 --> 00:08:43,083
You don't need to queue. Just join me!
176
00:08:43,166 --> 00:08:44,791
- What about the others?
- It's fine.
177
00:08:44,875 --> 00:08:46,125
- Gus...
- Sorry.
178
00:08:46,208 --> 00:08:47,166
Excuse me.
179
00:08:47,250 --> 00:08:48,958
Excuse me. Sorry.
180
00:08:49,041 --> 00:08:50,583
Sorry.
181
00:08:51,791 --> 00:08:53,166
It's weighed already.
182
00:08:53,250 --> 00:08:55,333
- Please separate them.
- Please.
183
00:08:55,416 --> 00:08:57,666
- And this one...
- Yeah.
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00:08:57,750 --> 00:08:59,375
Okay.
185
00:09:05,958 --> 00:09:07,791
How are you doing?
186
00:09:08,625 --> 00:09:10,416
I'm fine.
187
00:09:13,708 --> 00:09:14,875
What?
188
00:09:16,958 --> 00:09:18,333
"I'm fine".
189
00:09:20,750 --> 00:09:21,750
Well...
190
00:09:22,333 --> 00:09:25,208
If you really want to know,
191
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I'm currently dealing
with pressure from work.
192
00:09:28,791 --> 00:09:29,833
Now you're being real.
193
00:09:30,375 --> 00:09:35,000
I'm thinking about resigning or...
194
00:09:35,083 --> 00:09:36,083
What am I saying?
195
00:09:36,750 --> 00:09:40,916
We can do small talk first.
I don't have to blabber about my problems.
196
00:09:41,000 --> 00:09:43,000
Well, you said it yourself.
197
00:09:43,083 --> 00:09:44,500
- Right?
- You started it.
198
00:09:45,666 --> 00:09:46,666
What's the pressure?
199
00:09:49,291 --> 00:09:50,750
So, here's the thing...
200
00:09:50,833 --> 00:09:55,541
Since working as a script writer,
201
00:09:55,625 --> 00:09:59,708
I've only worked on adaptation projects.
202
00:09:59,791 --> 00:10:03,416
I have now been given the chance
to write an original story.
203
00:10:03,500 --> 00:10:06,041
- Wow.
- My own story.
204
00:10:06,125 --> 00:10:10,708
I actually watched some of your work.
What was it again?
205
00:10:10,791 --> 00:10:13,166
Terlahir Kembali Remake.
206
00:10:13,250 --> 00:10:14,958
You mean "reborn"?
207
00:10:15,041 --> 00:10:16,458
Terlahir Kembali Reborn?
208
00:10:16,541 --> 00:10:17,958
- Correct, "reborn".
- Really?
209
00:10:19,708 --> 00:10:20,625
Is that weird?
210
00:10:20,708 --> 00:10:23,625
- What's the difference?
- Nothing. It's the same thing.
211
00:10:24,583 --> 00:10:30,625
But according to my producer,
it's a strategy.
212
00:10:30,708 --> 00:10:34,166
It's a strategy to reduce the budget
213
00:10:34,250 --> 00:10:36,750
since people are familiar with the story.
214
00:10:36,833 --> 00:10:41,125
They are hoping people will watch it
because they are familiar with the story.
215
00:10:41,208 --> 00:10:43,916
- I see. I didn't think about that.
- Yeah.
216
00:10:44,000 --> 00:10:46,416
It was a trilogy, right?
217
00:10:46,500 --> 00:10:47,750
- Right.
- I watched all three.
218
00:10:47,833 --> 00:10:49,208
- You did?
- I did.
219
00:10:49,291 --> 00:10:52,333
The link was circulated
on our high school group chat.
220
00:10:52,416 --> 00:10:53,833
-"The link"?
- Right.
221
00:10:53,916 --> 00:10:55,250
A pirated version?
222
00:10:59,166 --> 00:11:00,625
- It was original.
- Well...
223
00:11:00,708 --> 00:11:04,041
It was a pirated version
in original quality.
224
00:11:04,125 --> 00:11:06,083
That sent shivers down my spine.
225
00:11:06,166 --> 00:11:07,125
No, you got it wrong.
226
00:11:07,208 --> 00:11:08,791
The video was in high definition.
227
00:11:08,875 --> 00:11:12,041
Pirated versions
aren't always bad quality.
228
00:11:12,125 --> 00:11:15,375
Gosh! My work was pirated
and you watched it?
229
00:11:15,458 --> 00:11:18,541
"Lebah Ganteng" did the subtitles, right?
230
00:11:19,458 --> 00:11:22,916
- You're right.
- So, it was really a pirated version?
231
00:11:23,000 --> 00:11:26,708
- That's crazy! My career is ruined.
- Sorry, I didn't mean it.
232
00:11:26,791 --> 00:11:29,458
- I didn't know, Gus.
- I'm speechless.
233
00:11:29,541 --> 00:11:32,375
- Blame my friends on the group chat.
- I didn't expect it.
234
00:11:32,458 --> 00:11:34,916
That's so disappointing.
They should've known better.
235
00:11:36,125 --> 00:11:37,375
That was crazy!
236
00:11:40,166 --> 00:11:43,041
I'm really sorry. I didn't know.
237
00:11:46,916 --> 00:11:48,291
You haven't changed.
238
00:11:48,791 --> 00:11:50,125
Neither have you.
239
00:11:50,208 --> 00:11:53,291
You mean like an "aunty"?
240
00:11:53,375 --> 00:11:54,791
I didn't say that.
241
00:11:54,875 --> 00:11:57,291
But people call me "aunty" now.
242
00:11:57,375 --> 00:11:59,916
Your hair is still the same.
243
00:12:00,000 --> 00:12:03,333
Back in high school,
you used to wear a bun, right?
244
00:12:03,416 --> 00:12:05,958
- My hair was the same length, right?
- Right.
245
00:12:06,041 --> 00:12:09,041
Wait... You're right.
246
00:12:09,125 --> 00:12:10,125
With a ponytail, right?
247
00:12:10,208 --> 00:12:11,583
- Right.
- Right?
248
00:12:11,666 --> 00:12:12,708
Right.
249
00:12:14,125 --> 00:12:15,583
Is it the same look as then?
250
00:12:18,666 --> 00:12:20,750
- You still have--
- Forget it! Two-second rule!
251
00:12:20,833 --> 00:12:23,750
A two-second delay
means it's just a formality.
252
00:12:23,833 --> 00:12:25,875
- But I--
- Enough now.
253
00:12:25,958 --> 00:12:28,916
I didn't mean it in a bad way,
my delayed response...
254
00:12:30,250 --> 00:12:31,208
Stop it now.
255
00:12:31,291 --> 00:12:34,708
I still admire you.
You haven't changed. It's true.
256
00:12:34,791 --> 00:12:35,666
- Really?
- No change.
257
00:12:35,750 --> 00:12:40,000
And I like that you don't follow the trend
like many women out there.
258
00:12:40,083 --> 00:12:42,333
- What trend?
- A lot of women
259
00:12:42,416 --> 00:12:45,083
do that eyebrow embroidery stuff.
260
00:12:45,166 --> 00:12:46,708
I mean, what for?
261
00:12:46,791 --> 00:12:49,541
It must be really painful
to have eyebrow strands
262
00:12:49,625 --> 00:12:51,125
planted on your skin.
263
00:12:51,208 --> 00:12:55,500
I don't understand why.
264
00:12:55,583 --> 00:12:56,625
Right?
265
00:13:01,041 --> 00:13:02,125
What is it?
266
00:13:04,166 --> 00:13:05,083
Huh?
267
00:13:07,666 --> 00:13:08,666
Gus.
268
00:13:09,375 --> 00:13:11,041
I also did that.
269
00:13:12,291 --> 00:13:14,541
- That's from the embroidery?
- Right.
270
00:13:14,625 --> 00:13:16,375
But it looks nice. I mean...
271
00:13:16,458 --> 00:13:20,583
We need to appreciate women's efforts
272
00:13:20,666 --> 00:13:23,625
to achieve their aesthetic goals
with natural means.
273
00:13:23,708 --> 00:13:24,541
It's their right anyway.
274
00:13:24,625 --> 00:13:26,333
- Now you're talking nonsense.
- Damn!
275
00:13:26,416 --> 00:13:29,083
I just insulted the stuff
that you're wearing proudly.
276
00:13:29,666 --> 00:13:31,458
- It looks so natural.
- Touch it.
277
00:13:31,541 --> 00:13:32,666
Just touch it.
278
00:13:33,416 --> 00:13:34,416
You're right.
279
00:13:34,500 --> 00:13:35,500
No eyebrow strands.
280
00:13:35,583 --> 00:13:38,041
- You misunderstood.
- What do you mean?
281
00:13:38,125 --> 00:13:42,125
Eyebrow embroidery doesn't mean
they plant the strands onto your skin.
282
00:13:42,208 --> 00:13:46,500
They actually draw the strands one by one,
hence the name.
283
00:13:46,583 --> 00:13:49,375
I thought they did it
like the thread embroidery.
284
00:13:49,458 --> 00:13:52,166
- Of course not.
- Is that so?
285
00:13:52,250 --> 00:13:54,583
That's why you need to appreciate women.
286
00:13:54,666 --> 00:13:57,083
I've told you that I appreciate them.
287
00:13:57,166 --> 00:14:01,000
- To achieve their aesthetic goals...
- Right.
288
00:14:01,083 --> 00:14:04,083
- To achieve their aesthetic goals...
- Yeah.
289
00:14:04,166 --> 00:14:06,791
- Right? I said that.
- Yeah.
290
00:14:10,583 --> 00:14:11,875
- Gus.
- What?
291
00:14:12,708 --> 00:14:16,416
What if you write about your exes?
292
00:14:17,250 --> 00:14:18,416
You have a lot.
293
00:14:18,500 --> 00:14:20,916
- That's a bit...
- No...
294
00:14:21,000 --> 00:14:22,791
Just do it.
295
00:14:22,875 --> 00:14:24,666
You can write a love story
296
00:14:24,750 --> 00:14:27,250
from when you were young.
297
00:14:27,333 --> 00:14:32,208
People will love a teenage love story.
It will be huge.
298
00:14:32,291 --> 00:14:35,916
I don't think I can do that.
299
00:14:36,000 --> 00:14:37,000
I don't know why...
300
00:14:37,083 --> 00:14:39,708
I think romance at our age
still has a spark.
301
00:14:39,791 --> 00:14:42,333
- No way.
- It has a spark!
302
00:14:42,416 --> 00:14:46,833
No way. Love doesn't have
the same spark at our age.
303
00:14:46,916 --> 00:14:49,458
- It does.
- No, it doesn't.
304
00:14:49,541 --> 00:14:50,541
Trust me.
305
00:14:50,625 --> 00:14:56,583
No, can you imagine a romantic film
306
00:14:56,666 --> 00:15:00,125
with the cast as old as we are?
307
00:15:00,208 --> 00:15:01,875
Who would want to watch that?
308
00:15:01,958 --> 00:15:03,750
No, just imagine.
309
00:15:03,833 --> 00:15:06,125
- We walk into the cinema,
- Right.
310
00:15:06,208 --> 00:15:08,541
we see the big screen,
311
00:15:08,625 --> 00:15:11,375
and we see people who look like us?
312
00:15:11,458 --> 00:15:12,875
Where's the fun in that?
313
00:15:13,458 --> 00:15:14,500
Wait.
314
00:15:14,583 --> 00:15:18,333
La La Land was played by people our age.
That's a great movie.
315
00:15:18,833 --> 00:15:19,666
Not really.
316
00:15:19,750 --> 00:15:21,916
What do you mean "not really"?
It got a lot of awards.
317
00:15:22,000 --> 00:15:23,250
They separate in the end, right?
318
00:15:23,333 --> 00:15:26,500
- They do.
- That's why.
319
00:15:26,583 --> 00:15:28,916
They should resolve their conflict.
320
00:15:29,000 --> 00:15:31,333
What they want to do
about their relationship...
321
00:15:31,416 --> 00:15:32,541
I mean...
322
00:15:32,625 --> 00:15:34,375
They sing and dance too much.
323
00:15:34,458 --> 00:15:38,666
- It's a musical! They have to sing.
- No, they don't.
324
00:15:38,750 --> 00:15:42,291
Couples need to communicate by talking.
325
00:15:42,375 --> 00:15:44,666
They don't need to sing and dance
that much.
326
00:15:44,750 --> 00:15:47,041
One of them wants to own a jazz bar,
327
00:15:47,125 --> 00:15:49,583
the other wants to be an actress in Paris.
328
00:15:49,666 --> 00:15:54,041
They just need to talk about
where their relationship is heading.
329
00:15:54,125 --> 00:15:56,708
They could visit each other
if it's a long-distance relationship.
330
00:15:56,791 --> 00:15:59,666
Just make time. It's that simple.
331
00:15:59,750 --> 00:16:01,625
You seem upset by that movie.
332
00:16:02,208 --> 00:16:03,541
I watched it with Deny.
333
00:16:03,625 --> 00:16:06,291
We were upset at the end.
334
00:16:06,375 --> 00:16:08,916
- But it's a good movie, right?
- No way.
335
00:16:09,000 --> 00:16:10,916
- No?
- It doesn't have a happy ending.
336
00:16:11,000 --> 00:16:11,875
It doesn't have to be a happy ending...
337
00:16:11,958 --> 00:16:14,375
Gosh! You're a typical netizen.
338
00:16:14,458 --> 00:16:17,750
- Everything has to fit your expectations.
- What is wrong with that?
339
00:16:17,833 --> 00:16:19,250
That's why I said
340
00:16:19,333 --> 00:16:22,583
the lovey-dovey kind of romance
only belongs to the youngsters.
341
00:16:24,416 --> 00:16:25,666
I can't do that.
342
00:16:25,750 --> 00:16:29,500
I want to write a love story
about people our age,
343
00:16:29,583 --> 00:16:32,541
and it will be more passionate
than young love.
344
00:16:32,625 --> 00:16:33,958
I want to write about that.
345
00:16:34,041 --> 00:16:36,375
- Gus, that's impossible.
- It's not.
346
00:16:36,458 --> 00:16:38,791
Falling in love at our age
347
00:16:38,875 --> 00:16:42,583
comes with many things to consider.
348
00:16:42,666 --> 00:16:43,791
So many considerations.
349
00:16:43,875 --> 00:16:46,166
Can you imagine a movie
350
00:16:46,250 --> 00:16:52,416
where a couple our age
is in love like high school kids?
351
00:16:52,500 --> 00:16:56,166
No way. It would be really cringey!
352
00:16:57,875 --> 00:16:59,416
Here is the thing.
353
00:16:59,500 --> 00:17:03,625
A lovey-dovey romance
only belongs to the youngsters.
354
00:17:04,250 --> 00:17:07,750
Okay? For people our age,
355
00:17:07,833 --> 00:17:11,208
it doesn't make sense to experience
falling in love like in the movies.
356
00:17:14,000 --> 00:17:15,083
Right?
357
00:17:40,666 --> 00:17:42,166
You put the title here?
358
00:17:42,916 --> 00:17:45,500
It's about 20 minutes already.
359
00:17:45,583 --> 00:17:47,250
If you put the title here,
360
00:17:47,333 --> 00:17:50,666
it will ruin the watching experience.
Hana's delivering her best line,
361
00:17:50,750 --> 00:17:53,375
and you want to cut it
by putting the title there?
362
00:17:53,458 --> 00:17:54,333
It would ruin the experience.
363
00:17:54,416 --> 00:17:58,333
We won't cut anything.
The scene stops right there.
364
00:17:58,416 --> 00:18:00,458
I'm sure the title placement
will ruin the watching experience.
365
00:18:00,541 --> 00:18:02,208
No, it won't.
366
00:18:02,291 --> 00:18:04,541
Gus, trust me.
367
00:18:04,625 --> 00:18:05,916
If you put it right here,
368
00:18:06,000 --> 00:18:08,750
it will be an unpleasant surprise
for the audience.
369
00:18:08,833 --> 00:18:12,625
Our audiences will understand.
Don't worry.
370
00:18:12,708 --> 00:18:16,166
Okay, just imagine
when the film is finished
371
00:18:16,250 --> 00:18:18,166
and you place the title there,
372
00:18:18,250 --> 00:18:20,125
at the exact duration,
373
00:18:25,125 --> 00:18:26,250
they won't like it.
374
00:18:26,333 --> 00:18:27,541
Okay, sir.
375
00:18:27,625 --> 00:18:30,125
You can decide that during editing.
376
00:18:30,208 --> 00:18:31,833
- Good idea.
- Let me finish my story.
377
00:18:32,416 --> 00:18:34,416
Okay. Where were we?
378
00:18:34,500 --> 00:18:38,333
It was when Hana delivered the title
through her lines.
379
00:18:38,416 --> 00:18:39,250
Cool, right?
380
00:18:39,333 --> 00:18:40,666
- Is that so?
- Yeah.
381
00:18:40,750 --> 00:18:47,416
Bagus wants to prove to Hana
that he can write a film
382
00:18:47,500 --> 00:18:49,333
about 40-year-olds, like them,
383
00:18:49,416 --> 00:18:54,666
but with a romance that is more passionate
than a teenage love story.
384
00:18:54,750 --> 00:18:57,916
It's really your personal story, right?
385
00:18:58,000 --> 00:19:00,666
Can I continue?
386
00:19:00,750 --> 00:19:02,250
- I'll go ahead, okay?
- Yes.
387
00:19:04,416 --> 00:19:06,125
- Do you need help?
- No, let me.
388
00:19:09,541 --> 00:19:10,666
Gus.
389
00:19:10,750 --> 00:19:11,833
Here is the thing.
390
00:19:11,916 --> 00:19:14,000
When we were young,
391
00:19:14,083 --> 00:19:16,083
we only knew the lovey-dovey parts.
392
00:19:17,458 --> 00:19:18,875
Now, at our age,
393
00:19:18,958 --> 00:19:20,916
we have witnessed
so many different things.
394
00:19:22,500 --> 00:19:24,166
What things?
395
00:19:25,500 --> 00:19:28,750
I mean, we have seen
how complicated relationships are.
396
00:19:28,833 --> 00:19:30,375
The adjustment,
397
00:19:30,458 --> 00:19:31,500
the compromises.
398
00:19:32,500 --> 00:19:34,000
The acceptance.
399
00:19:34,083 --> 00:19:36,958
We know that conflict is inevitable.
400
00:19:37,041 --> 00:19:41,916
Then we make up, like a cycle.
It's different from the past. Right?
401
00:19:42,000 --> 00:19:44,708
That's why
402
00:19:45,208 --> 00:19:49,708
I don't enjoy romance films
with people our age.
403
00:19:49,791 --> 00:19:53,333
Imagining to be in love again is draining.
404
00:19:53,416 --> 00:19:57,333
We have to get to know
each other and argue.
405
00:19:58,333 --> 00:20:01,791
- Okay, but I think...
- Okay.
406
00:20:01,875 --> 00:20:05,916
Let's say, if we fall in love,
407
00:20:06,000 --> 00:20:08,958
we won't feel drained
408
00:20:09,041 --> 00:20:13,583
because when we're in love,
things just flow naturally, right?
409
00:20:13,666 --> 00:20:15,916
No, I would feel that way.
410
00:20:17,750 --> 00:20:19,416
Okay then.
411
00:20:21,333 --> 00:20:22,666
Let's say,
412
00:20:23,458 --> 00:20:25,125
you still have a long time to live.
413
00:20:25,208 --> 00:20:26,041
You're in your thirties.
414
00:20:26,125 --> 00:20:28,625
- Pushing 40.
- Okay, pushing 40.
415
00:20:28,708 --> 00:20:31,458
Let's say you still have 40 years to live...
416
00:20:31,541 --> 00:20:33,125
- Amen.
- Amen.
417
00:20:34,166 --> 00:20:40,333
So, it's possible another man
will come into your life.
418
00:20:43,208 --> 00:20:45,791
I don't think so. I think...
419
00:20:45,875 --> 00:20:47,291
I'm fine on my own.
420
00:20:47,375 --> 00:20:49,708
I know, but what if you fall in love?
421
00:20:50,541 --> 00:20:51,625
There's no way.
422
00:20:51,708 --> 00:20:53,666
-"What if"?
- There's no way.
423
00:20:53,750 --> 00:20:55,166
I said "what if".
424
00:20:55,250 --> 00:20:57,625
Gus, when Deny passed away...
425
00:20:59,875 --> 00:21:02,166
all my feelings, my life,
426
00:21:03,250 --> 00:21:06,250
it was over.
Everything was buried with him.
427
00:21:19,708 --> 00:21:22,000
Gus, you can write this story.
428
00:21:22,083 --> 00:21:24,291
So, she just lost her husband?
429
00:21:24,375 --> 00:21:26,791
Yes, it's been four months.
430
00:21:26,875 --> 00:21:30,791
The audience won't feel any sympathy
for his character.
431
00:21:30,875 --> 00:21:34,333
They won't like it
if the protagonist has a crush
432
00:21:34,416 --> 00:21:35,833
on his friend who lost her husband.
433
00:21:35,916 --> 00:21:37,500
I've told you,
434
00:21:37,583 --> 00:21:42,208
this is about a writer who has a crush
on his recently widowed friend.
435
00:21:42,291 --> 00:21:45,125
And he'll secretly write their love story.
436
00:21:45,208 --> 00:21:46,833
But not so soon.
437
00:21:46,916 --> 00:21:49,666
We'll get the answer in Sequence Two.
438
00:21:49,750 --> 00:21:52,166
- Sequence Two?
- Yes, Sequence Two.
439
00:21:53,583 --> 00:21:58,125
SETTING THE GOAL
440
00:21:58,208 --> 00:21:59,666
Back in high school,
441
00:21:59,750 --> 00:22:02,083
- Bagus actually had feelings for her.
- Okay.
442
00:22:02,166 --> 00:22:03,958
He never got to tell her.
443
00:22:04,041 --> 00:22:06,250
They got separated for a long time,
444
00:22:06,333 --> 00:22:08,250
then they met again.
445
00:22:08,333 --> 00:22:10,375
Now they're both single.
446
00:22:10,458 --> 00:22:12,541
They caught up and clicked.
447
00:22:12,625 --> 00:22:13,791
They felt comfortable.
448
00:22:14,708 --> 00:22:15,666
So you...
449
00:22:16,166 --> 00:22:17,916
want this movie to have a lot of dialogue?
450
00:22:18,833 --> 00:22:22,083
This is a romance,
and romance is full of conversation.
451
00:22:22,166 --> 00:22:24,458
Do you agree with Hana?
452
00:22:24,958 --> 00:22:27,333
- What do you mean?
- Hana said that...
453
00:22:27,416 --> 00:22:31,458
In your story, she said that a romance
about people your age
454
00:22:31,541 --> 00:22:33,375
is basically about having conversations,
455
00:22:33,458 --> 00:22:35,250
about having discussions.
456
00:22:35,333 --> 00:22:38,791
But it's not just any conversation.
It's romantic.
457
00:22:38,875 --> 00:22:40,666
Their opening conversation
is romantic, right?
458
00:22:41,208 --> 00:22:43,791
- You think that is romantic?
- Of course.
459
00:22:45,166 --> 00:22:47,708
Well... But...
460
00:22:47,791 --> 00:22:50,916
I think you can elevate the scene.
461
00:22:51,000 --> 00:22:52,208
Intensify it.
462
00:22:52,708 --> 00:22:54,416
More fantastic.
463
00:22:54,500 --> 00:22:55,875
More romantic.
464
00:22:55,958 --> 00:22:58,166
Gus, remember...
465
00:23:02,250 --> 00:23:04,791
Well, sir. Here is the thing.
466
00:23:05,875 --> 00:23:08,583
When we go on a date,
467
00:23:08,666 --> 00:23:12,291
if we go somewhere, we talk.
468
00:23:12,375 --> 00:23:14,541
You must've experienced that.
469
00:23:14,625 --> 00:23:15,791
I had an arranged marriage.
470
00:23:16,291 --> 00:23:20,791
Most people, including me,
when we go on a date,
471
00:23:20,875 --> 00:23:22,708
we mostly just talk.
472
00:23:22,791 --> 00:23:24,208
- Is that so?
- That's how it is.
473
00:23:24,291 --> 00:23:27,333
So why, in a movie,
474
00:23:27,416 --> 00:23:28,875
we have to make it more tense?
475
00:23:28,958 --> 00:23:30,083
Why does it have to be "bigger than life"?
476
00:23:30,166 --> 00:23:33,000
Is it wrong for it to be a piece of life?
477
00:23:33,083 --> 00:23:35,958
- Why do we need to make it bigger?
- Gus.
478
00:23:36,041 --> 00:23:40,208
Our audience demands a tense event
every three minutes.
479
00:23:40,291 --> 00:23:41,625
I know.
480
00:23:41,708 --> 00:23:44,083
But 25% of this scene
is only conversation.
481
00:23:44,166 --> 00:23:46,458
It would reduce the budget.
482
00:23:46,541 --> 00:23:47,541
That's brilliant!
483
00:23:51,333 --> 00:23:54,875
If I like it and it's a good story,
484
00:23:54,958 --> 00:23:56,416
money is not a problem.
485
00:23:58,750 --> 00:24:03,250
Okay then. But I've only written
the second sequence.
486
00:24:03,333 --> 00:24:05,875
Why are you doing it half-heartedly?
487
00:24:05,958 --> 00:24:10,291
You asked me to discuss this.
488
00:24:10,375 --> 00:24:13,625
- I did?
- You said so on the phone.
489
00:24:13,708 --> 00:24:17,125
I left my laundry at home.
It's probably wet now because of the rain.
490
00:24:17,208 --> 00:24:20,458
If this becomes a box office hit,
you can get a new washing machine.
491
00:24:20,541 --> 00:24:22,333
So, when are you going to finish this?
492
00:24:22,416 --> 00:24:23,875
I need to approach Riri.
493
00:24:26,125 --> 00:24:28,333
- You mean Riri Riza?
- Right.
494
00:24:28,416 --> 00:24:29,416
Whoa.
495
00:24:30,000 --> 00:24:31,708
Gosh, if that's the case...
496
00:24:31,791 --> 00:24:33,541
If he's going to do it...
497
00:24:33,625 --> 00:24:36,875
But are you sure he would agree to this?
498
00:24:36,958 --> 00:24:40,541
From what I heard,
he only directs his own scripts.
499
00:24:40,625 --> 00:24:45,541
He definitely would.
I've known him since college.
500
00:24:45,625 --> 00:24:48,750
He totally would. I'll ask Mira.
501
00:24:48,833 --> 00:24:50,333
Trust me.
502
00:24:50,416 --> 00:24:52,166
Well...
503
00:24:52,250 --> 00:24:53,625
How do I say it?
504
00:24:53,708 --> 00:24:59,583
It will be an honor for me
if he directs my script.
505
00:24:59,666 --> 00:25:01,583
The Great Riri Reza.
506
00:25:01,666 --> 00:25:05,083
- It's Riri Riza, sir.
- That's what I mean.
507
00:25:05,166 --> 00:25:06,583
So, when?
508
00:25:06,666 --> 00:25:09,166
As soon as possible, sir.
509
00:25:09,250 --> 00:25:10,500
I'm going now.
510
00:25:10,583 --> 00:25:12,958
I'll revise the script
and rewrite some parts,
511
00:25:13,041 --> 00:25:14,625
so when Riri Riza checks it,
I won't be embarrassed.
512
00:25:14,708 --> 00:25:17,416
I will also be embarrassed
if the script is bad.
513
00:25:17,500 --> 00:25:19,000
This is our movie.
514
00:25:19,083 --> 00:25:21,791
- Okay then.
- Right.
515
00:25:22,333 --> 00:25:23,541
- I'll go now.
- Okay.
516
00:25:23,625 --> 00:25:24,875
Thank you, sir.
517
00:25:24,958 --> 00:25:25,833
- Gus.
- Yeah?
518
00:25:29,041 --> 00:25:30,041
Sure.
519
00:25:32,625 --> 00:25:35,458
Why would you agree to be a gimmick?
I really don't understand.
520
00:25:35,541 --> 00:25:38,416
It's romantic, Cheline.
You and your husband are not romantic,
521
00:25:38,500 --> 00:25:39,750
that's why you don't understand.
522
00:25:40,666 --> 00:25:42,791
You know what? You remind me of something.
523
00:25:42,875 --> 00:25:45,000
It's the same as the horror movie
524
00:25:45,083 --> 00:25:48,125
that had pocong among the audience
during the premiere.
525
00:25:48,208 --> 00:25:51,166
It's like admitting that your movie
isn't powerful on its own,
526
00:25:51,250 --> 00:25:53,500
so it needs a gimmick!
527
00:25:53,583 --> 00:25:56,083
You can pretend to be possessed
during the proposal to add more stunts.
528
00:25:56,166 --> 00:25:59,000
That would be a gimmick,
but this film is not!
529
00:25:59,083 --> 00:26:01,250
This is sincere from my heart.
530
00:26:01,333 --> 00:26:03,041
What do you mean "sincere"?
Have you asked for permission?
531
00:26:03,125 --> 00:26:05,208
If I ask for permission,
that will ruin the surprise.
532
00:26:05,291 --> 00:26:06,916
- What are you talking about?
- See?
533
00:26:07,000 --> 00:26:08,083
You...
534
00:26:08,166 --> 00:26:09,208
Hey!
535
00:26:09,291 --> 00:26:10,166
Dion Wiyoko!
536
00:26:10,250 --> 00:26:12,083
- Gus.
- Huh?
537
00:26:12,166 --> 00:26:13,208
Don't you have a shoot to do?
538
00:26:13,291 --> 00:26:14,375
He does, doesn't he?
539
00:26:14,458 --> 00:26:16,166
Just ask him.
540
00:26:26,583 --> 00:26:28,958
New directors are a pain in the ass.
541
00:26:29,458 --> 00:26:30,916
With the cast in double roles.
542
00:26:32,000 --> 00:26:33,958
Triple actually, as an investor.
543
00:26:34,041 --> 00:26:35,041
What?
544
00:27:00,666 --> 00:27:01,583
Poy!
545
00:27:02,500 --> 00:27:03,333
What do we do now?
546
00:27:03,416 --> 00:27:04,958
He's heading home?
547
00:27:10,458 --> 00:27:11,541
What now, Poy?
548
00:27:14,000 --> 00:27:17,208
Guys, we're taking a break until...
549
00:27:19,166 --> 00:27:20,625
Let's just take a break.
550
00:27:21,541 --> 00:27:22,625
Jeez.
551
00:27:23,333 --> 00:27:24,583
So that's what happened.
552
00:27:25,083 --> 00:27:26,166
He just left.
553
00:27:26,250 --> 00:27:27,416
People looked for him all night,
554
00:27:27,500 --> 00:27:29,458
and we heard nothing from him.
555
00:27:29,541 --> 00:27:30,708
Gone!
556
00:27:31,708 --> 00:27:32,875
He went home during a take?
557
00:27:32,958 --> 00:27:33,958
He did.
558
00:27:34,500 --> 00:27:35,833
That's crazy!
559
00:27:36,625 --> 00:27:38,541
That would be a good movie.
560
00:27:38,625 --> 00:27:41,250
A story about a director
abandoning his movie during a shoot,
561
00:27:41,333 --> 00:27:43,708
then a close-up on the crew's faces,
562
00:27:43,791 --> 00:27:45,125
bam!
563
00:27:47,333 --> 00:27:48,458
That's pretty fun.
564
00:27:49,666 --> 00:27:51,875
Is he on drugs?
565
00:27:51,958 --> 00:27:53,208
Maybe.
566
00:27:53,291 --> 00:27:54,375
It is what it is.
567
00:27:54,458 --> 00:27:56,708
I don't know how long I'll be off.
568
00:27:56,791 --> 00:27:58,416
The crew must be bummed.
569
00:27:58,916 --> 00:28:01,750
Gus, don't change the topic!
570
00:28:01,833 --> 00:28:03,458
- What do you mean?
- You need to ask Hana's permission.
571
00:28:03,541 --> 00:28:04,541
Huh?
572
00:28:04,625 --> 00:28:07,416
Tell her you want to write about her.
573
00:28:07,500 --> 00:28:12,333
She's grieving. I can't tell her now.
574
00:28:12,416 --> 00:28:14,416
It would ruin the surprise.
575
00:28:14,500 --> 00:28:18,041
Still, you need permission.
It's her story.
576
00:28:18,125 --> 00:28:20,458
I'd be upset if it was me.
577
00:28:20,541 --> 00:28:22,458
- Wouldn't you be touched?
- See?
578
00:28:22,541 --> 00:28:23,375
No.
579
00:28:23,875 --> 00:28:25,333
It's someone's privacy.
580
00:28:25,416 --> 00:28:27,333
You can't use it without permission.
581
00:28:28,291 --> 00:28:32,000
If I tell her now,
582
00:28:32,083 --> 00:28:33,833
what would that make me?
583
00:28:33,916 --> 00:28:36,541
I still have a year to write the script,
584
00:28:36,625 --> 00:28:39,333
and she still has a year to move on.
585
00:28:39,416 --> 00:28:41,250
And I can get closer to her.
586
00:28:41,333 --> 00:28:45,250
When she finally watches the movie,
she'll be thrilled.
587
00:28:45,333 --> 00:28:46,583
That's what I want.
588
00:28:46,666 --> 00:28:50,041
What if she hasn't moved on after a year?
589
00:28:51,666 --> 00:28:53,666
Then it would be a sad ending.
590
00:28:55,291 --> 00:28:57,083
Are you talking
about a script or real life?
591
00:28:58,166 --> 00:28:59,375
Listen.
592
00:28:59,458 --> 00:29:02,625
Are you serious about her?
593
00:29:03,208 --> 00:29:04,958
- Of course I'm serious.
- Okay then.
594
00:29:05,041 --> 00:29:06,666
You said you're serious about her,
595
00:29:06,750 --> 00:29:08,708
and I asked you what if she gets angry,
596
00:29:08,791 --> 00:29:12,166
and you gave a lot of excuses.
597
00:29:12,250 --> 00:29:14,291
Okay, fine, I'll ask you again.
598
00:29:14,375 --> 00:29:19,291
What if she hasn't moved on
after a year and she gets really angry
599
00:29:19,375 --> 00:29:22,125
and you casually said,
"It would be a sad ending."
600
00:29:22,208 --> 00:29:23,500
Are you for real?
601
00:29:23,583 --> 00:29:25,250
This is your life.
602
00:29:25,333 --> 00:29:27,666
- This is not a script.
- So, it's real?
603
00:29:27,750 --> 00:29:29,083
Listen.
604
00:29:29,166 --> 00:29:31,750
Like I said before,
605
00:29:31,833 --> 00:29:34,375
she's grieving now.
606
00:29:34,458 --> 00:29:38,583
If I confess to her,
that will make me a really cruel person.
607
00:29:38,666 --> 00:29:44,500
That's why I am writing the script,
since we still have a year.
608
00:29:44,583 --> 00:29:46,458
Both of us will have enough time.
609
00:29:46,541 --> 00:29:51,916
This is my first original script.
610
00:29:52,000 --> 00:29:54,416
I want to make it my personal story.
611
00:29:54,500 --> 00:29:56,291
I dedicate this to her.
612
00:29:56,375 --> 00:29:59,583
That's why I don't use aliases.
613
00:29:59,666 --> 00:30:01,750
Are you sure this is for her
and not just you?
614
00:30:01,833 --> 00:30:04,000
It's for her. I’m writing her story.
615
00:30:04,083 --> 00:30:06,583
Of course, it's about...
It's for her. That's it!
616
00:30:07,166 --> 00:30:08,250
Whatever.
617
00:30:08,333 --> 00:30:11,250
I hope nobody asks me to edit the film.
618
00:30:11,333 --> 00:30:13,583
- I don't want to be involved.
- You're assigned to edit.
619
00:30:14,375 --> 00:30:17,083
Mr. Yoram wants you to edit this.
620
00:30:17,166 --> 00:30:18,416
- No way!
- What?
621
00:30:18,916 --> 00:30:22,291
I proposed other people,
but he wants you to do it.
622
00:30:22,375 --> 00:30:23,625
- I don't want to!
- Hey.
623
00:30:23,708 --> 00:30:26,541
- Is this about a film or a real event?
- I don't want to do it.
624
00:30:26,625 --> 00:30:28,250
- I don't want to be involved.
- Can you reject his request?
625
00:30:28,333 --> 00:30:29,291
- Bagus. Is this real?
- What?
626
00:30:29,375 --> 00:30:32,708
- For real?
- Ask your wife. I don't want to know.
627
00:30:33,208 --> 00:30:35,250
It's giving me a headache. Hey!
628
00:30:35,333 --> 00:30:37,125
- I was playing a game.
- I need the monitor for editing.
629
00:30:37,208 --> 00:30:39,083
You can do that on the computer.
I want to play.
630
00:30:39,166 --> 00:30:40,833
I want to use the big monitor.
631
00:30:40,916 --> 00:30:42,666
I can't play on your computer screen.
632
00:30:42,750 --> 00:30:44,916
What am I doing here if I can't play?
633
00:30:45,000 --> 00:30:46,291
So, why are you here?
634
00:30:46,375 --> 00:30:47,583
- I want to play.
- Huh?
635
00:30:47,666 --> 00:30:49,041
I think the laundry is still damp.
636
00:30:49,125 --> 00:30:50,791
- It smells.
- What am I going to do?
637
00:30:51,291 --> 00:30:53,041
Should I eat these?
638
00:30:53,125 --> 00:30:54,458
I don't know.
639
00:30:55,416 --> 00:30:56,750
Now what? Where are you going?
640
00:30:56,833 --> 00:30:58,291
- Dion?
- I need to dry the laundry.
641
00:30:58,375 --> 00:31:01,708
Come on. I only need to play.
642
00:31:01,791 --> 00:31:02,791
BAGUS' RENTED HOUSE - LIVING ROOM - NIGHT
643
00:31:02,875 --> 00:31:08,375
BAGUS HAS DECIDED TO WRITE
ABOUT HIS LOVE STORY
644
00:31:14,666 --> 00:31:16,416
BAGUS HAS DECIDED TO WRITE
645
00:31:16,500 --> 00:31:18,958
ABOUT HIS LOVE STORY
WITH HANA IN THE SCRIPT
646
00:31:27,458 --> 00:31:32,166
THE OBSTACLE
647
00:31:32,250 --> 00:31:34,208
Ma'am, this is Bagus.
648
00:31:34,291 --> 00:31:37,041
- Hello, ma'am.
- He's a writer.
649
00:31:37,125 --> 00:31:39,416
He is writing about florists.
650
00:31:39,500 --> 00:31:41,583
- He's researching.
- Yes.
651
00:31:42,083 --> 00:31:43,208
It's for the cinema.
652
00:31:43,291 --> 00:31:44,458
I see.
653
00:31:44,541 --> 00:31:47,541
You watched his movie.
654
00:31:47,625 --> 00:31:51,083
From the soap opera, Terlahir Kembali.
655
00:31:51,166 --> 00:31:55,041
He's the one who wrote the feature film.
656
00:31:55,125 --> 00:31:56,500
Did you watch it?
657
00:31:56,583 --> 00:31:58,166
Yes, I watched the film.
658
00:31:58,250 --> 00:32:00,583
- I see.
- She actually did.
659
00:32:00,666 --> 00:32:01,750
Did you like it?
660
00:32:03,291 --> 00:32:05,083
It's okay. Just be honest.
661
00:32:07,208 --> 00:32:08,666
It was bad.
662
00:32:10,708 --> 00:32:11,708
Ma'am.
663
00:32:12,583 --> 00:32:16,041
It's okay. I prefer honesty.
664
00:32:16,125 --> 00:32:19,958
At a premiere,
people only give diplomatic answers.
665
00:32:20,041 --> 00:32:23,500
When they get asked about the movie,
666
00:32:23,583 --> 00:32:26,458
even if it is bad,
they will compliment it, nevertheless.
667
00:32:26,541 --> 00:32:28,875
I prefer honest comments.
That's good, ma'am.
668
00:32:28,958 --> 00:32:31,791
Honesty is rare nowadays.
I really appreciate it.
669
00:32:32,291 --> 00:32:34,291
- Thanks.
- Excuse me.
670
00:32:34,375 --> 00:32:35,708
Okay.
671
00:32:44,208 --> 00:32:45,208
It actually hurts.
672
00:32:45,958 --> 00:32:47,958
- Ouch.
- Gosh.
673
00:32:48,583 --> 00:32:51,375
No, the film is fine.
674
00:32:51,458 --> 00:32:54,083
She was too honest about it.
675
00:32:54,166 --> 00:32:55,500
I'm so hurt right now.
676
00:32:55,583 --> 00:32:56,833
People have different tastes.
677
00:32:56,916 --> 00:32:59,958
- It's okay.
- Don't worry.
678
00:33:00,041 --> 00:33:01,833
Sir.
679
00:33:02,375 --> 00:33:04,708
Please deliver this
to the same address as yesterday.
680
00:33:04,791 --> 00:33:06,333
- The same address?
- Yes.
681
00:33:07,875 --> 00:33:09,791
That's all.
682
00:33:09,875 --> 00:33:11,083
It's the same every afternoon.
683
00:33:11,791 --> 00:33:15,583
It's usually hectic in the morning,
especially with last-minute orders,
684
00:33:15,666 --> 00:33:18,416
so many things to do.
685
00:33:18,500 --> 00:33:21,083
It's really hectic in the morning.
686
00:33:21,166 --> 00:33:23,541
So, you can relax now?
687
00:33:24,041 --> 00:33:25,625
I'll go now.
688
00:33:25,708 --> 00:33:26,958
- Take care.
- Okay.
689
00:33:29,166 --> 00:33:31,291
Is that a standard procedure?
690
00:33:33,208 --> 00:33:35,791
That's her husband.
691
00:33:36,666 --> 00:33:41,250
I thought you had to do that
to make it look sacred.
692
00:33:41,333 --> 00:33:43,375
It's not that.
693
00:33:43,458 --> 00:33:45,916
- She's nice.
- I know.
694
00:33:46,000 --> 00:33:47,250
She's really kind to me.
695
00:33:47,333 --> 00:33:48,958
- Hana.
- Huh?
696
00:33:53,250 --> 00:33:56,000
That's her son.
697
00:33:59,208 --> 00:34:01,500
And who are you? Her daughter?
698
00:34:01,583 --> 00:34:03,500
I guess everyone here is her family.
699
00:34:03,583 --> 00:34:06,416
- And he's probably her nephew.
- Yes?
700
00:34:06,500 --> 00:34:07,916
- You're talking about me?
- Yes.
701
00:34:08,000 --> 00:34:10,458
- Right, I'm her nephew.
- I see.
702
00:34:10,541 --> 00:34:11,666
Okay...
703
00:34:11,750 --> 00:34:12,583
- Excuse me.
- Please.
704
00:34:12,666 --> 00:34:14,125
You can go in.
705
00:34:16,541 --> 00:34:18,083
Everyone is her family?
706
00:34:18,833 --> 00:34:21,958
She brought her whole family here.
707
00:35:23,208 --> 00:35:26,000
My eyes stay closed
708
00:35:26,083 --> 00:35:31,708
I remember your sweet scent
709
00:35:32,833 --> 00:35:36,250
I love the part about Hana and her past.
710
00:35:36,333 --> 00:35:39,833
The coffin scene, it's so heart-wrenching.
711
00:35:39,916 --> 00:35:43,041
Can you make the sad scene longer?
712
00:35:43,125 --> 00:35:45,458
Or you can add a soundtrack.
It will fit the scene.
713
00:35:49,166 --> 00:35:50,166
Well...
714
00:35:52,333 --> 00:35:54,958
I'm still writing the draft.
715
00:35:55,041 --> 00:35:59,875
But if I extend the sad scene,
716
00:35:59,958 --> 00:36:02,750
wouldn't it be too melodramatic?
717
00:36:02,833 --> 00:36:05,291
Our audience will love that.
718
00:36:05,375 --> 00:36:10,083
They like to be emotionally drained.
Make them cry their eyes out.
719
00:36:10,166 --> 00:36:11,666
If they cry during the premiere,
720
00:36:11,750 --> 00:36:14,083
I'll use the clips for media promotion.
721
00:36:14,166 --> 00:36:15,291
It will work.
722
00:36:16,583 --> 00:36:19,625
We just need the song... What's the...
723
00:36:19,708 --> 00:36:22,041
- What's the title?
- It's "Sudut Memori".
724
00:36:22,125 --> 00:36:24,958
"Sudut Memori", right.
Raisa will agree to it.
725
00:36:25,041 --> 00:36:26,625
I'll call her.
726
00:36:27,500 --> 00:36:28,500
It's Yura.
727
00:36:30,291 --> 00:36:31,291
Who's that?
728
00:36:32,666 --> 00:36:35,291
Yura sings "Sudut Memori".
729
00:36:35,375 --> 00:36:38,583
It's her? I know her personally.
730
00:36:38,666 --> 00:36:40,791
We go way back.
731
00:36:40,875 --> 00:36:43,791
It's okay.
I'll approach Yura Yunani in person.
732
00:36:43,875 --> 00:36:45,291
It's Yunita, sir.
733
00:36:45,958 --> 00:36:49,791
It has great potential.
We just need to find...
734
00:36:49,875 --> 00:36:51,500
a director.
735
00:36:52,916 --> 00:36:56,125
You said Riri Riza will direct this.
736
00:36:56,208 --> 00:36:59,583
Correct, but Mira said he's fully booked,
737
00:36:59,666 --> 00:37:03,208
so we need to wait four to five years.
738
00:37:04,166 --> 00:37:07,666
That means he's not fully booked,
they rejected us.
739
00:37:11,916 --> 00:37:13,625
What about you?
740
00:37:25,333 --> 00:37:29,833
It's so cool!
You're going to be a director!
741
00:37:29,916 --> 00:37:34,541
It's actually because Mr. Yoram has seen
his fellow producers do the same thing.
742
00:37:34,625 --> 00:37:39,666
They gave a chance to new directors
and the movie became a box office hit.
743
00:37:39,750 --> 00:37:44,083
He wanted to do the same,
so he gave me the chance.
744
00:37:44,666 --> 00:37:46,916
- So, you're going to party?
- I am.
745
00:37:47,000 --> 00:37:50,583
What do you want to do for the party?
746
00:37:50,666 --> 00:37:53,708
- Really?
- You can ask for anything.
747
00:37:56,083 --> 00:37:57,291
All-you-can-eat Padang cuisine.
748
00:37:57,875 --> 00:37:59,791
You're really something.
749
00:37:59,875 --> 00:38:03,125
It's full of coconut milk.
It's all cholesterol.
750
00:38:03,791 --> 00:38:07,666
Is that all? Only Padang food?
We need more to celebrate.
751
00:38:08,166 --> 00:38:10,458
Napoleon!
752
00:38:12,291 --> 00:38:13,375
Napoleon?
753
00:38:16,750 --> 00:38:18,750
Napoleon Bona-"parte".
754
00:38:18,833 --> 00:38:22,666
Damn, now you're doing wordplay too?
755
00:38:23,500 --> 00:38:27,625
Napoleon Bona-"parte". Gosh!
756
00:38:40,041 --> 00:38:41,541
You do this every day?
757
00:38:43,458 --> 00:38:45,375
- Yes.
- Always this early?
758
00:38:46,791 --> 00:38:49,000
This is actually pretty late.
759
00:38:49,083 --> 00:38:50,458
Is it because of me?
760
00:38:50,541 --> 00:38:52,708
Isn't that obvious?
761
00:38:53,416 --> 00:38:54,625
Sorry.
762
00:38:56,458 --> 00:39:01,041
You come here early every morning,
763
00:39:01,125 --> 00:39:04,166
so you never wake up late?
764
00:39:04,666 --> 00:39:06,166
Never.
765
00:39:07,375 --> 00:39:09,666
- Because I don't sleep.
- Huh?
766
00:39:10,750 --> 00:39:12,291
You don't sleep?
767
00:39:14,041 --> 00:39:14,916
Really?
768
00:39:15,750 --> 00:39:19,833
Well, I sleep, but I'm restless.
769
00:39:22,750 --> 00:39:25,208
- Don't tell anyone about this.
- I won't.
770
00:39:29,125 --> 00:39:30,875
Since Deny passed away,
771
00:39:31,875 --> 00:39:34,791
I can't sleep in my room.
772
00:39:34,875 --> 00:39:38,833
I can't stand to see his side empty.
773
00:39:39,916 --> 00:39:41,500
So I sleep on the couch.
774
00:39:44,208 --> 00:39:46,666
At night, I don't sleep much,
775
00:39:48,166 --> 00:39:50,208
but every afternoon...
776
00:39:50,291 --> 00:39:53,375
I feel so sleepy.
777
00:39:53,958 --> 00:39:55,666
Then I take a nap.
778
00:39:56,833 --> 00:39:58,083
I just repeat the cycle.
779
00:40:00,250 --> 00:40:02,291
Gus, which one do you like more?
780
00:40:02,791 --> 00:40:04,208
The white ones
781
00:40:04,291 --> 00:40:05,541
or the yellow ones.
782
00:40:05,625 --> 00:40:09,125
I prefer the white ones.
783
00:40:11,625 --> 00:40:13,041
Okay, I'll take this one.
784
00:40:13,125 --> 00:40:15,166
- Okay, ma'am.
- Hana.
785
00:40:15,250 --> 00:40:18,416
I chose the white ones.
786
00:40:19,208 --> 00:40:20,208
I know.
787
00:40:20,291 --> 00:40:21,583
Why didn't you take them?
788
00:40:22,083 --> 00:40:23,791
I wanted to see what you like.
789
00:40:27,541 --> 00:40:29,000
- Here's the money.
- Thanks.
790
00:40:29,083 --> 00:40:31,041
Gus, I'm going over there.
Take care of this.
791
00:40:31,125 --> 00:40:32,416
- Okay.
- Thanks.
792
00:40:32,500 --> 00:40:35,166
- Please give it to him. Thanks.
- Sure.
793
00:40:35,250 --> 00:40:38,083
The white flowers
are beautiful too, right?
794
00:40:38,166 --> 00:40:40,208
The white ones? They're beautiful.
795
00:40:41,375 --> 00:40:43,916
Hana! He said the white ones
are beautiful.
796
00:40:45,083 --> 00:40:46,583
But this one is more beautiful.
797
00:40:47,166 --> 00:40:48,416
Never mind.
798
00:40:50,291 --> 00:40:52,791
So you prefer the yellow ones?
799
00:40:52,875 --> 00:40:55,166
Me? I prefer the red ones.
800
00:40:57,500 --> 00:40:58,500
Thanks.
801
00:41:00,958 --> 00:41:02,166
It's sweet, right?
802
00:41:05,541 --> 00:41:06,541
Right.
803
00:41:11,541 --> 00:41:14,875
Why did you choose a florist
as a character?
804
00:41:16,541 --> 00:41:22,083
I think it would be sweet
if the character is a florist.
805
00:41:22,166 --> 00:41:25,750
The set will be full of colorful flowers.
806
00:41:25,833 --> 00:41:27,416
On the contrary,
the movie is in black and white.
807
00:41:27,500 --> 00:41:28,833
I think it's quite witty. Like this.
808
00:41:31,458 --> 00:41:33,625
What about you?
Why did you choose to be a florist?
809
00:41:34,333 --> 00:41:36,166
- I like flowers.
- I can see that.
810
00:41:38,291 --> 00:41:40,250
I mean, I realized it not too long ago.
811
00:41:40,333 --> 00:41:43,000
I've always liked flowers the most.
812
00:41:44,750 --> 00:41:46,250
When Deny passed away,
813
00:41:46,333 --> 00:41:49,500
I was surrounded by so many flowers,
814
00:41:50,958 --> 00:41:52,916
but when somebody sent me flowers,
815
00:41:54,041 --> 00:41:55,916
it made me happy to receive them.
816
00:41:57,375 --> 00:41:58,625
You like it that much?
817
00:41:59,208 --> 00:42:00,208
It's weird, isn't it?
818
00:42:01,916 --> 00:42:05,166
I considered closing the business.
819
00:42:05,916 --> 00:42:07,500
I wanted to stop doing this
820
00:42:08,583 --> 00:42:09,916
when Deny passed away.
821
00:42:11,125 --> 00:42:13,958
But after I received so many flowers,
822
00:42:14,541 --> 00:42:19,208
I became so determined
to continue this business.
823
00:42:21,166 --> 00:42:22,041
Wait.
824
00:42:22,625 --> 00:42:23,750
- Sir.
- Can I help you?
825
00:42:24,875 --> 00:42:27,541
- Do you have small asters?
- Yes, it's here.
826
00:42:28,250 --> 00:42:30,500
- The usual price?
- Yes, you'll get ten.
827
00:42:31,083 --> 00:42:32,000
Okay, I'll take this one
828
00:42:32,083 --> 00:42:33,666
- and the smaller ones if you have it.
- Two more?
829
00:42:33,750 --> 00:42:34,666
Here they are.
830
00:42:34,750 --> 00:42:37,125
- I'll take two of them.
- Got it.
831
00:42:37,208 --> 00:42:38,625
- Please tie them.
- Okay.
832
00:42:41,666 --> 00:42:43,041
I feel like...
833
00:42:44,625 --> 00:42:48,250
we can't fully understand
someone's feelings.
834
00:42:49,500 --> 00:42:52,625
So, when we give them flowers,
it's like we're giving them a sign...
835
00:42:54,166 --> 00:42:59,166
that we try to understand their situation
836
00:42:59,833 --> 00:43:01,416
through the flowers we send.
837
00:43:04,750 --> 00:43:05,750
Interesting.
838
00:43:08,208 --> 00:43:09,958
For me,
839
00:43:10,041 --> 00:43:12,458
what I like about movies,
840
00:43:12,541 --> 00:43:15,416
they give us the chance
to be someone else.
841
00:43:15,500 --> 00:43:18,125
So we can feel
what it's like to be someone else.
842
00:43:18,791 --> 00:43:22,166
Also, we can get
life solutions from films.
843
00:43:24,416 --> 00:43:25,833
- Here, sir.
- The usual, ma'am.
844
00:43:25,916 --> 00:43:27,708
- Thank you, sir.
- Thank you.
845
00:43:27,791 --> 00:43:29,166
- You're welcome.
- Yes.
846
00:43:31,958 --> 00:43:33,250
Can we really do it?
847
00:43:33,750 --> 00:43:38,375
Feel someone else's emotions
through films?
848
00:43:38,458 --> 00:43:39,458
We can.
849
00:43:40,083 --> 00:43:42,375
But it depends on the films.
850
00:43:43,916 --> 00:43:45,333
What about...
851
00:43:46,291 --> 00:43:48,333
Terlahir Kembali Reborn?
852
00:43:48,833 --> 00:43:49,875
Enough for now.
853
00:43:49,958 --> 00:43:53,166
- Gus, it was a genuine question.
- Stop it. Let's just go.
854
00:43:53,250 --> 00:43:54,791
Please answer first.
855
00:43:57,916 --> 00:43:59,708
Excuse me. This one is wet.
856
00:45:02,375 --> 00:45:07,041
TIRED, HANA IS ASLEEP LIKE A CHILD
EXHAUSTED FROM PLAYING ALL DAY
857
00:45:07,125 --> 00:45:13,375
PLAYING WITH GRIEF
HIDING UNDER THE MASK OF LOVE
858
00:45:20,750 --> 00:45:23,500
- How is the script coming along?
- Huh?
859
00:45:25,875 --> 00:45:28,500
I'm writing the ending for Sequence Four.
860
00:45:30,416 --> 00:45:31,791
Have you written the ending already?
861
00:45:31,875 --> 00:45:33,416
No.
862
00:45:34,208 --> 00:45:37,416
Movies has eight sequences. I'm writing
863
00:45:37,500 --> 00:45:39,083
the ending for the fourth sequence.
864
00:45:41,250 --> 00:45:42,375
Can you explain?
865
00:45:43,583 --> 00:45:47,000
Movies have eight parts.
866
00:45:47,083 --> 00:45:49,375
We call them "sequences".
867
00:45:49,458 --> 00:45:52,083
That's the term we use in writing.
868
00:45:54,291 --> 00:45:55,250
And then?
869
00:45:57,041 --> 00:46:00,125
It'll take time to explain it
step by step.
870
00:46:01,583 --> 00:46:04,041
It's okay, right?
871
00:46:04,708 --> 00:46:05,958
You want me to explain it?
872
00:46:07,250 --> 00:46:08,458
We have time.
873
00:46:08,541 --> 00:46:09,541
It's long.
874
00:46:11,958 --> 00:46:13,166
I want to learn.
875
00:46:15,458 --> 00:46:16,666
Okay, wait.
876
00:46:16,750 --> 00:46:18,291
I'll take a sip first.
877
00:46:21,916 --> 00:46:24,458
We'll start with Sequence One.
878
00:46:25,541 --> 00:46:29,375
Sequence One introduces the characters.
879
00:46:29,458 --> 00:46:30,708
Because it's a romance,
880
00:46:30,791 --> 00:46:33,875
I have to put the meet-cute
at the beginning.
881
00:46:34,583 --> 00:46:38,208
A meet-cute is when the characters
882
00:46:38,791 --> 00:46:44,333
first meet with each other,
usually in a cute way.
883
00:46:44,916 --> 00:46:46,250
You mean "meet cute"?
884
00:46:46,333 --> 00:46:49,958
Meet as in a meeting
and cute as in a cute way?
885
00:46:50,041 --> 00:46:51,875
Yes, that's it.
886
00:46:51,958 --> 00:46:54,583
In this part,
I have to set a false belief.
887
00:46:55,291 --> 00:46:56,541
- A false belief?
- Yeah.
888
00:46:56,625 --> 00:47:03,375
A false belief is something
the character believes,
889
00:47:03,458 --> 00:47:06,416
- but it's actually wrong. Okay?
- Okay.
890
00:47:06,500 --> 00:47:09,166
That's Sequence One.
891
00:47:10,041 --> 00:47:11,791
Sequence Two.
892
00:47:12,750 --> 00:47:15,625
- Okay.
- Setting the goal.
893
00:47:15,708 --> 00:47:19,458
Our main character is very determined
894
00:47:19,541 --> 00:47:23,416
to get his dream girl.
He's so sure about it,
895
00:47:23,500 --> 00:47:28,750
he wants to pursue that goal
no matter what it takes.
896
00:47:29,750 --> 00:47:31,791
- Okay, now, it's...
- The third one.
897
00:47:31,875 --> 00:47:33,750
- Three.
- Sequence Three.
898
00:47:35,125 --> 00:47:37,625
This is about the first obstacle.
899
00:47:37,708 --> 00:47:42,458
Here, we can clearly see
the goal of our main character.
900
00:47:42,541 --> 00:47:44,583
For example, to get his dream girl,
901
00:47:44,666 --> 00:47:46,541
to get her love.
902
00:47:46,625 --> 00:47:49,958
But the first obstacle happens here.
903
00:47:50,041 --> 00:47:53,541
For example,
she's someone else's girlfriend
904
00:47:53,625 --> 00:47:56,625
or their parents
are against their relationship.
905
00:47:57,833 --> 00:47:59,458
- That's three.
- Three.
906
00:47:59,541 --> 00:48:01,000
- What about four?
- Four.
907
00:48:02,791 --> 00:48:05,708
THE FIRST CLIMAX
908
00:48:08,875 --> 00:48:14,125
So, for Sequence Four, imagine
when you watch a movie in the cinema
909
00:48:14,208 --> 00:48:16,291
and you feel like
you have watched half of the movie,
910
00:48:16,375 --> 00:48:20,541
we call it Sequence Four or mid-point.
911
00:48:21,125 --> 00:48:25,250
Usually, in Sequence Four,
912
00:48:25,333 --> 00:48:29,750
the false belief creates a problem
in the romance for the first time.
913
00:48:29,833 --> 00:48:33,291
So, it's like the first climax.
914
00:48:33,375 --> 00:48:35,000
The first climax in this movie.
915
00:48:35,083 --> 00:48:39,000
Usually, the couple argues in this scene.
916
00:48:40,041 --> 00:48:41,041
Okay, now...
917
00:48:41,125 --> 00:48:45,166
It's easier to write the romantic part.
918
00:48:45,250 --> 00:48:49,458
The hardest part is finding
the false belief
919
00:48:49,541 --> 00:48:53,458
and the lesson for the character.
920
00:48:53,541 --> 00:48:55,208
It's the same in our lives.
921
00:48:55,291 --> 00:48:58,916
There's always something to learn,
and it could be a difficult process.
922
00:49:00,208 --> 00:49:01,333
For example?
923
00:49:01,416 --> 00:49:03,083
- An example? Well...
- Right.
924
00:49:03,166 --> 00:49:04,250
What about me?
925
00:49:05,208 --> 00:49:06,791
Take me as your example.
926
00:49:07,583 --> 00:49:09,041
What is my false belief?
927
00:49:10,666 --> 00:49:11,666
Well...
928
00:49:11,750 --> 00:49:13,875
- I can't do that.
- It's okay.
929
00:49:14,666 --> 00:49:15,958
I can't. I feel bad.
930
00:49:16,541 --> 00:49:18,750
It's okay, I want to learn.
931
00:49:23,291 --> 00:49:24,833
But it's only for a film, okay?
932
00:49:24,916 --> 00:49:25,958
Okay.
933
00:49:27,666 --> 00:49:28,583
For you...
934
00:49:29,791 --> 00:49:31,458
You once said
935
00:49:31,541 --> 00:49:33,541
that you'll never fall in love again.
936
00:49:33,625 --> 00:49:34,958
- Right.
- Okay then.
937
00:49:35,458 --> 00:49:38,000
In the end, you'll learn
938
00:49:38,083 --> 00:49:41,958
that it's only because you're grieving
939
00:49:42,041 --> 00:49:43,708
or probably because of trauma.
940
00:49:43,791 --> 00:49:47,625
When you meet the right person,
you'll fall in love again,
941
00:49:47,708 --> 00:49:52,916
and you'll feel like
life is so much better than before.
942
00:49:55,125 --> 00:49:58,541
How would you know
if it's because of trauma?
943
00:50:05,000 --> 00:50:06,958
- Well...
- I...
944
00:50:08,750 --> 00:50:13,208
Is it wrong to never fall in love again?
945
00:50:16,208 --> 00:50:19,291
No, it's not wrong. It's only an example.
946
00:50:22,666 --> 00:50:23,833
Well...
947
00:50:26,791 --> 00:50:31,250
If you write about a character like me,
948
00:50:32,833 --> 00:50:34,791
would you choose that for my false belief?
949
00:50:37,625 --> 00:50:38,916
Well...
950
00:50:40,541 --> 00:50:41,541
I think I would.
951
00:50:45,416 --> 00:50:46,416
I see.
952
00:50:49,625 --> 00:50:53,416
But this is only a movie.
953
00:50:53,500 --> 00:50:56,458
- It's only for the story.
- I know.
954
00:51:05,166 --> 00:51:08,208
This is a unique clash between them.
955
00:51:08,291 --> 00:51:09,500
I like this.
956
00:51:10,291 --> 00:51:12,583
This is what we call the golden scene.
957
00:51:13,875 --> 00:51:15,791
But I haven't finished it.
958
00:51:16,291 --> 00:51:19,333
We had a board meeting yesterday
959
00:51:19,416 --> 00:51:22,041
and agreed to launch this
by the end of this year.
960
00:51:22,125 --> 00:51:25,708
So, you need to finish this next week.
961
00:51:30,250 --> 00:51:31,666
Next week?
962
00:51:33,458 --> 00:51:34,875
You mean like a week from now?
963
00:51:36,625 --> 00:51:41,708
Sir, a week is too soon.
964
00:51:41,791 --> 00:51:45,250
I'm afraid the script
won't be good if we rush it.
965
00:51:45,333 --> 00:51:47,875
But you are a good writer.
966
00:51:48,833 --> 00:51:51,666
Sir, this is not a joke, I'm serious.
967
00:51:51,750 --> 00:51:52,875
There's no way I can finish it in a week.
968
00:51:52,958 --> 00:51:54,583
I haven't even finished
the fourth sequence.
969
00:51:54,666 --> 00:51:55,916
Listen, Gus.
970
00:51:57,625 --> 00:51:59,541
I know you can do it.
971
00:52:02,291 --> 00:52:04,708
I's not about that.
972
00:52:05,458 --> 00:52:07,333
A week is impossible.
973
00:52:08,833 --> 00:52:12,625
This is your first original script.
974
00:52:12,708 --> 00:52:14,375
It's your story.
975
00:52:14,458 --> 00:52:15,958
From deep within your heart.
976
00:52:19,083 --> 00:52:21,958
I know you can do it.
977
00:52:23,291 --> 00:52:27,041
Sir, it's not like I don't want to.
In fact, this is...
978
00:52:27,125 --> 00:52:30,666
Gus, not everything instant
tastes bad, right?
979
00:52:30,750 --> 00:52:32,666
You and your wordplay.
980
00:52:32,750 --> 00:52:38,625
But sir, since this
is my first original script,
981
00:52:38,708 --> 00:52:40,958
I need to do my best.
982
00:52:41,041 --> 00:52:43,166
One week...
983
00:52:44,000 --> 00:52:45,458
It's too soon.
984
00:52:45,541 --> 00:52:48,125
At least you can present your first draft.
985
00:52:48,208 --> 00:52:50,708
Okay? See you next week. Okay?
986
00:52:50,791 --> 00:52:53,750
Can you at least give me two weeks?
987
00:52:54,708 --> 00:52:56,083
Next week.
988
00:52:56,166 --> 00:52:57,333
What do I do now?
989
00:53:08,041 --> 00:53:09,833
I only have a week.
990
00:53:12,708 --> 00:53:15,666
BAGUS RAHMAT - INCOMING WHATSAPP CALL
991
00:54:33,458 --> 00:54:37,375
CHELINE, DION, JULIE MUST CONTRIBUTE...
992
00:55:01,458 --> 00:55:04,125
HANA IGNORES HIM. BAGUS KNOWS
THAT THE PROBLEM IS BIGGER THAN IT SEEMS
993
00:56:38,875 --> 00:56:41,291
THEY KISS -THE LONG YEARNING
FINALLY MEETS. THE END
994
00:57:10,541 --> 00:57:14,208
Gus, I told you already.
995
00:57:14,958 --> 00:57:17,625
Don't forget to rest.
996
00:57:17,708 --> 00:57:21,875
Don't forget to take your vitamins,
and you need to clean up your place.
997
00:57:21,958 --> 00:57:25,291
You eat too much instant food.
Look what it's done to you.
998
00:57:26,125 --> 00:57:27,791
But sir...
999
00:57:28,500 --> 00:57:32,833
That's why I asked you
to stop giving me impossible deadlines.
1000
00:57:32,916 --> 00:57:34,000
Enough now.
1001
00:57:34,083 --> 00:57:36,625
I'll get the production budget
to pay for your medical bills.
1002
00:57:37,166 --> 00:57:38,291
Thank you, sir.
1003
00:57:38,375 --> 00:57:39,958
You're registered
in the healthcare service, right?
1004
00:57:45,375 --> 00:57:47,583
I've talked to the board.
1005
00:57:48,291 --> 00:57:49,791
We can postpone it for a week.
1006
00:57:49,875 --> 00:57:51,000
Huh?
1007
00:57:51,500 --> 00:57:55,166
So, you can actually give me two weeks?
1008
00:57:55,250 --> 00:57:57,041
If I knew this, I could have...
1009
00:57:57,125 --> 00:57:58,500
Never mind.
1010
00:57:59,000 --> 00:58:02,833
This is different.
Your sickness is force majeure.
1011
00:58:03,333 --> 00:58:04,708
This is only the script.
1012
00:58:04,791 --> 00:58:05,791
You still have to direct it.
1013
00:58:07,166 --> 00:58:10,041
But I'm sure you can do that.
1014
00:58:12,250 --> 00:58:17,583
And by the way, I brought you clothes
from your place.
1015
00:58:20,333 --> 00:58:23,583
I picked comfortable ones for you.
1016
00:58:24,666 --> 00:58:25,916
I see.
1017
00:58:26,458 --> 00:58:28,500
Thank you, sir. Sorry for troubling you.
1018
00:58:28,583 --> 00:58:29,791
No worries.
1019
00:58:30,500 --> 00:58:32,750
And I also brought...
1020
00:58:33,250 --> 00:58:34,250
this.
1021
00:58:35,541 --> 00:58:36,833
Gosh.
1022
00:58:41,875 --> 00:58:43,000
Well...
1023
00:58:43,583 --> 00:58:48,375
In case you get bored
and want to do something productive here.
1024
00:58:48,458 --> 00:58:52,250
Who knows,
maybe you can finish the second draft.
1025
00:58:53,916 --> 00:58:55,375
Just take a rest.
1026
00:58:55,458 --> 00:59:00,750
I'll put this next to the IV drip,
so you can reach it easily.
1027
00:59:03,208 --> 00:59:06,916
This is all I could do.
1028
00:59:08,750 --> 00:59:11,583
Okay, enjoy your rest.
1029
00:59:13,500 --> 00:59:14,500
Tell Hana I said hi.
1030
00:59:29,416 --> 00:59:30,666
{\an8}What are you doing?
1031
00:59:31,333 --> 00:59:33,791
I wanted to find out if it hurts,
since you just got discharged.
1032
00:59:33,875 --> 00:59:37,041
{\an8}Well, it's not like I had surgery,
it's just typhoid.
1033
00:59:37,125 --> 00:59:40,333
{\an8}I didn't know that.
That's why I want to know if it hurts.
1034
00:59:40,416 --> 00:59:42,083
- So, it doesn't hurt?
- Of course not.
1035
00:59:42,166 --> 00:59:45,875
That's why you should
stop eating instant food.
1036
00:59:46,750 --> 00:59:48,291
But typhoid is caused by bacteria.
1037
00:59:48,375 --> 00:59:49,291
It's from a virus.
1038
00:59:49,958 --> 00:59:51,083
{\an8}It's bacteria, Dion.
1039
00:59:51,166 --> 00:59:52,291
{\an8}It's from a virus.
1040
00:59:52,375 --> 00:59:53,791
{\an8}- No, it's bacteria.
- Hey!
1041
00:59:53,875 --> 00:59:54,875
It's a virus.
1042
00:59:54,958 --> 00:59:56,458
It's bacteria, Dion.
1043
00:59:56,541 --> 00:59:59,166
{\an8}- Just Google it.
- No need to.
1044
00:59:59,250 --> 01:00:01,416
No need to Google it! It's bacteria.
1045
01:00:01,500 --> 01:00:07,083
{\an8}You two are so weird. A married couple
debating about viruses vs bacteria.
1046
01:00:08,833 --> 01:00:10,666
This one. See?
1047
01:00:11,791 --> 01:00:13,208
It's bacteria.
1048
01:00:13,708 --> 01:00:15,958
You're still doing it? Stop now.
1049
01:00:16,041 --> 01:00:17,166
You don't believe me.
1050
01:00:17,250 --> 01:00:19,166
I think you overworked yourself, Gus.
1051
01:00:19,833 --> 01:00:21,375
In the name of passion.
1052
01:00:22,250 --> 01:00:24,166
She's right. It's bacteria.
1053
01:00:25,208 --> 01:00:26,333
Just stop!
1054
01:00:28,333 --> 01:00:29,666
The passion of typhoid.
1055
01:00:30,166 --> 01:00:34,250
It's fine. It's worth
the directing role though, right?
1056
01:00:34,833 --> 01:00:36,750
{\an8}What about your script?
1057
01:00:36,833 --> 01:00:37,833
{\an8}Did you get permission?
1058
01:00:39,416 --> 01:00:42,708
{\an8}I said that if I ask permission,
it would ruin the surprise.
1059
01:00:42,791 --> 01:00:44,125
{\an8}You're so stubborn!
1060
01:00:44,208 --> 01:00:47,500
{\an8}You need permission?
Isn't that an original script?
1061
01:00:47,583 --> 01:00:49,041
Why do you need the IP's permission?
1062
01:00:49,125 --> 01:00:50,500
{\an8}Gus.
1063
01:00:51,083 --> 01:00:52,250
{\an8}This is it.
1064
01:00:52,333 --> 01:00:58,541
{\an8}This is why we need more female directors.
Both of you are so insensitive.
1065
01:00:58,625 --> 01:01:02,041
I think there are a lot
of insensitive female directors too.
1066
01:01:02,958 --> 01:01:05,000
Directing is not about gender.
1067
01:01:05,083 --> 01:01:07,750
{\an8}There are a lot
of insensitive male directors too.
1068
01:01:07,833 --> 01:01:09,625
- Don't change the topic!
- Ouch!
1069
01:01:09,708 --> 01:01:11,958
- You need to tell him as a friend.
- Hey.
1070
01:01:12,041 --> 01:01:16,125
How could he use
someone's private life for a script?
1071
01:01:16,208 --> 01:01:17,250
Ouch.
1072
01:01:17,750 --> 01:01:18,750
Whatever.
1073
01:01:35,875 --> 01:01:37,333
Is Bagus here?
1074
01:01:38,666 --> 01:01:39,666
Yes.
1075
01:01:40,875 --> 01:01:42,041
He's sleeping now.
1076
01:01:44,125 --> 01:01:45,166
I see.
1077
01:01:46,208 --> 01:01:47,250
Are you Hana?
1078
01:01:48,000 --> 01:01:48,833
Right.
1079
01:01:48,916 --> 01:01:50,583
- I see.
- I see.
1080
01:01:50,666 --> 01:01:51,875
So it's real.
1081
01:01:54,083 --> 01:01:56,166
Please wait inside. He's sleeping now.
1082
01:01:56,250 --> 01:01:58,041
He'll wake up in about 30 minutes.
1083
01:01:58,125 --> 01:01:59,500
He just took his meds.
1084
01:01:59,583 --> 01:02:00,583
I see.
1085
01:02:01,458 --> 01:02:03,625
Sorry. Cheline.
1086
01:02:03,708 --> 01:02:05,375
- Dion.
- Hana.
1087
01:02:06,625 --> 01:02:08,583
You are going to stay here, right?
1088
01:02:09,333 --> 01:02:10,875
We're leaving.
1089
01:02:10,958 --> 01:02:12,375
Please come in.
1090
01:02:14,000 --> 01:02:15,875
- Please come in.
- Yeah.
1091
01:02:15,958 --> 01:02:17,125
- Thank you.
- No worries.
1092
01:02:17,208 --> 01:02:18,583
We're going.
1093
01:02:18,666 --> 01:02:20,375
- Excuse us.
- Of course.
1094
01:02:21,916 --> 01:02:24,791
I thought she was only
a part of the script.
1095
01:03:33,833 --> 01:03:37,791
{\an8}FALLING IN LOVE LIKE IN THE MOVIES
1096
01:03:43,416 --> 01:03:46,791
SEQUENCE SEVEN - MOTORCYCLE FOR GALLONS
CHELINE'S PERSPECTIVE! AHA! STYLIST!
1097
01:04:02,333 --> 01:04:03,375
Hana?
1098
01:04:29,291 --> 01:04:30,916
I trusted you.
1099
01:04:37,791 --> 01:04:39,958
Hana, actually, I planned to...
1100
01:04:40,041 --> 01:04:41,958
I really thought about it.
1101
01:04:42,750 --> 01:04:45,208
The stuff that we talked about last time,
the stuff that you said to me.
1102
01:04:48,333 --> 01:04:50,375
So that was only for your work?
1103
01:04:52,750 --> 01:04:54,916
- It's not about work.
- I don't get it.
1104
01:04:58,708 --> 01:05:01,833
I'll explain it, so please calm down--
1105
01:05:01,916 --> 01:05:02,958
"Calm down," you said?
1106
01:05:03,041 --> 01:05:04,583
The things that you wrote here...
1107
01:05:04,666 --> 01:05:07,833
You wrote about everything
we have talked about!
1108
01:05:07,916 --> 01:05:08,875
Here.
1109
01:05:13,375 --> 01:05:19,500
"Tired, Hana is asleep like a child,
exhausted from playing all day."
1110
01:05:19,583 --> 01:05:21,125
"Playing with..."
1111
01:05:26,416 --> 01:05:29,541
"Playing with the grief,
hiding under the mask of love."
1112
01:05:35,125 --> 01:05:36,375
Well...
1113
01:05:36,458 --> 01:05:38,083
So, you think
1114
01:05:38,166 --> 01:05:40,583
everything that I feel is not love?
1115
01:05:44,625 --> 01:05:48,666
No, it's not. Love is not supposed
to make you suffer like that.
1116
01:05:48,750 --> 01:05:50,125
Who are you really?
1117
01:05:50,958 --> 01:05:52,208
I don't know this person in front of me.
1118
01:05:54,291 --> 01:05:57,541
- I can explain--
- I don't know how you can be this cruel.
1119
01:05:57,625 --> 01:05:59,125
- I can ex--
- No!
1120
01:06:00,375 --> 01:06:01,583
I thought...
1121
01:06:03,000 --> 01:06:06,333
we have had enough at this age.
1122
01:06:07,250 --> 01:06:09,250
We can live by ourselves.
1123
01:06:09,333 --> 01:06:12,291
We don't have best friends
like when we were in school.
1124
01:06:14,208 --> 01:06:15,625
You came into my life.
1125
01:06:15,708 --> 01:06:16,958
We talked every day.
1126
01:06:17,041 --> 01:06:21,541
I told you everything
because I thought you were my friend.
1127
01:06:21,625 --> 01:06:23,541
My old friend.
1128
01:06:23,625 --> 01:06:25,375
I really trusted you.
1129
01:06:26,625 --> 01:06:29,166
I told you everything... Gosh!
1130
01:06:30,333 --> 01:06:33,291
And you wrote about everything
for your work!
1131
01:06:35,625 --> 01:06:36,666
Hana.
1132
01:06:37,375 --> 01:06:38,708
I can explain.
1133
01:06:39,833 --> 01:06:43,541
It is a year before the movie
will be released.
1134
01:06:43,625 --> 01:06:46,541
- So, if I have a year--
- What is wrong with you?
1135
01:06:47,541 --> 01:06:49,000
Are you running out of ideas?
1136
01:06:49,083 --> 01:06:51,125
So, you think you can use my story
1137
01:06:51,208 --> 01:06:52,375
for your work?
1138
01:06:53,125 --> 01:06:54,000
Huh?
1139
01:06:56,458 --> 01:06:57,375
Gosh!
1140
01:07:01,041 --> 01:07:02,291
Do you even understand
1141
01:07:02,375 --> 01:07:07,541
why you only had the chance
to write adaptations?
1142
01:07:08,958 --> 01:07:12,666
That's because you have nothing
in your life that is worth telling.
1143
01:07:12,750 --> 01:07:14,583
So you had to steal it from someone else!
1144
01:07:16,208 --> 01:07:18,416
- Do you even know what my life is like?
- Tell me!
1145
01:07:18,500 --> 01:07:21,416
- Tell me because I don't know.
- My life is about you.
1146
01:07:21,500 --> 01:07:24,208
My life is about you.
That's why I'm writing about you.
1147
01:07:24,291 --> 01:07:26,625
Because I have feelings for you.
What is wrong with that?
1148
01:07:26,708 --> 01:07:27,541
It's totally wrong.
1149
01:07:27,625 --> 01:07:30,750
- Can we blame love for this?
- Yes! We're adults. Think about it!
1150
01:07:30,833 --> 01:07:33,791
- So, adults can't fall in love?
- You should've controlled it.
1151
01:07:33,875 --> 01:07:34,916
Wait.
1152
01:07:35,000 --> 01:07:36,416
Do you even know what love means?
1153
01:07:36,500 --> 01:07:38,250
But we're friends!
1154
01:07:38,333 --> 01:07:40,250
That's good.
We don't have to get to know each other.
1155
01:07:40,333 --> 01:07:42,708
I'm still grieving!
1156
01:07:42,791 --> 01:07:46,458
So, I can't like you because you're
grieving or because you're my friend?
1157
01:07:46,541 --> 01:07:49,875
Because of both of them!
Because of everything!
1158
01:07:58,125 --> 01:07:59,750
And just so you know...
1159
01:08:01,125 --> 01:08:03,291
I still love Deny.
1160
01:08:13,125 --> 01:08:14,791
Deny is no longer here.
1161
01:08:22,958 --> 01:08:24,166
He's still here.
1162
01:08:26,041 --> 01:08:27,458
In my heart.
1163
01:08:28,958 --> 01:08:30,125
Forever.
1164
01:08:30,208 --> 01:08:31,791
And you will never understand that.
1165
01:08:32,750 --> 01:08:36,416
You have no right to talk about love
or write about love
1166
01:08:36,500 --> 01:08:38,458
because you know nothing about it!
1167
01:08:41,375 --> 01:08:43,083
How long are you planning
to sleep on the couch
1168
01:08:43,166 --> 01:08:44,791
because you're too afraid
of Deny's memories?
1169
01:08:46,083 --> 01:08:48,541
How long are you planning
to live in the past?
1170
01:08:48,625 --> 01:08:52,333
I'm okay with living like this.
Is that so wrong?
1171
01:08:53,041 --> 01:08:54,708
Then why did you move to Jakarta?
1172
01:08:54,791 --> 01:08:56,291
To start again?
1173
01:08:57,333 --> 01:09:00,083
You know very well
that you are trying to move on.
1174
01:09:00,166 --> 01:09:01,791
That's what you want deep down, right?
1175
01:09:01,875 --> 01:09:04,708
I won't move on!
1176
01:09:05,208 --> 01:09:06,208
Got it?
1177
01:09:09,250 --> 01:09:10,791
Let me tell you something.
1178
01:09:11,375 --> 01:09:13,208
Life is not like the films you write!
1179
01:09:13,291 --> 01:09:17,625
You only love yourself
and your imagination!
1180
01:09:17,708 --> 01:09:21,333
You only love your career
and your writing!
1181
01:09:21,416 --> 01:09:25,333
You only love your measly film world,
1182
01:09:25,416 --> 01:09:27,708
and you think
it can change the real world!
1183
01:09:29,625 --> 01:09:31,000
You think
1184
01:09:31,500 --> 01:09:35,291
you can feel what people feel
through making movies?
1185
01:09:38,416 --> 01:09:42,583
All this romance is just in your head.
1186
01:09:50,083 --> 01:09:51,083
You're right.
1187
01:09:52,250 --> 01:09:56,208
All this romance is just in my head.
1188
01:09:57,958 --> 01:09:59,541
But aren't we the same?
1189
01:10:03,125 --> 01:10:05,625
The romance is also only in your head.
1190
01:10:07,458 --> 01:10:09,375
So you think if you suffer,
1191
01:10:10,625 --> 01:10:13,916
if you drown yourself in sadness
and isolate yourself from the world,
1192
01:10:14,416 --> 01:10:16,625
is that what love is for you?
1193
01:10:16,708 --> 01:10:20,208
Is that what we're supposed to do?
I haven't finished. Listen.
1194
01:10:20,791 --> 01:10:23,958
So we have to put ourselves through pain
to know what love is?
1195
01:10:24,041 --> 01:10:25,708
That's a strange concept of love!
1196
01:10:42,041 --> 01:10:43,750
SEQUENCE FIVE - SUBPLOT
CHELINE, DION, AND JULIE
1197
01:10:43,833 --> 01:10:45,541
HAVE TO CONTRIBUTE
1198
01:11:15,000 --> 01:11:18,375
KALIURANG FLOWER HOUSE
1199
01:11:18,458 --> 01:11:22,708
Let's welcome the main cast
of Falling in Love like in the Movies.
1200
01:11:22,791 --> 01:11:25,333
Dion Wiyoko as Bagus.
1201
01:11:26,500 --> 01:11:29,916
And Hana is played by Julie Estelle.
1202
01:11:33,708 --> 01:11:37,583
Julie, can you tell us
more about the film?
1203
01:11:38,833 --> 01:11:42,541
So, Hana is a widow
1204
01:11:43,458 --> 01:11:46,458
who is trying to get her life
back on track
1205
01:11:46,541 --> 01:11:49,541
by moving on from her grief
1206
01:11:49,625 --> 01:11:54,000
and opening up to find a new love.
1207
01:11:59,250 --> 01:12:04,750
This movie is about telling people
1208
01:12:04,833 --> 01:12:09,500
to not lose themselves to grief.
1209
01:12:10,583 --> 01:12:12,875
That's the message, right, Bagus?
1210
01:12:13,375 --> 01:12:15,375
The storyline is so good.
1211
01:12:16,250 --> 01:12:18,625
Just like the meaning of his name.
1212
01:13:07,583 --> 01:13:10,875
Alright, thanks to all the media partners
who showed up at this event.
1213
01:13:10,958 --> 01:13:15,291
All the best for the movie
Falling in Love like in the Movies.
1214
01:13:18,375 --> 01:13:19,333
CINERE HOUSE - GOOD HOME OPTIONS
1215
01:13:19,416 --> 01:13:23,541
Okay, so this is our second
weekly meeting.
1216
01:13:23,625 --> 01:13:26,250
This is Julie's wardrobe.
1217
01:13:27,333 --> 01:13:29,041
She did the fitting, right?
1218
01:13:29,125 --> 01:13:30,750
- Did we finished it?
- Yes.
1219
01:13:30,833 --> 01:13:32,666
So, this is it.
1220
01:13:41,416 --> 01:13:46,166
Miss Hana told me
that she can't see you now.
1221
01:13:46,250 --> 01:13:49,875
I know, but can you persuade her?
1222
01:13:49,958 --> 01:13:54,416
I just need a little of her time.
1223
01:13:54,916 --> 01:13:59,750
I'm sorry, but she insisted.
1224
01:14:00,791 --> 01:14:02,666
I'll excuse myself.
1225
01:14:02,750 --> 01:14:04,750
- Okay, thank you.
- You're welcome.
1226
01:14:23,208 --> 01:14:24,875
But I admire you.
1227
01:14:24,958 --> 01:14:27,708
You don't follow
the eyebrows embroidery trend.
1228
01:14:27,791 --> 01:14:32,291
So, it's actually eyebrow strands
being planted on the skin?
1229
01:14:32,375 --> 01:14:33,500
That would be so painful.
1230
01:14:35,416 --> 01:14:39,375
Bagus, sorry for interrupting.
1231
01:14:39,458 --> 01:14:44,208
I have a question. So, this is
when Hana and Bagus first meet, right?
1232
01:14:44,291 --> 01:14:46,416
- Right.
- Well...
1233
01:14:46,500 --> 01:14:51,083
So, in the beginning,
does he only want to approach her,
1234
01:14:51,708 --> 01:14:53,791
or does he have genuine feelings for her?
1235
01:15:03,416 --> 01:15:05,458
Just take that spot,
it'll look just as good.
1236
01:15:05,541 --> 01:15:07,791
It would be difficult.
This one is the best.
1237
01:15:07,875 --> 01:15:09,833
I'll secure this spot, okay?
1238
01:15:09,916 --> 01:15:10,750
I'll take this one.
1239
01:15:10,833 --> 01:15:13,458
- I'll take care of everything from now on.
- We need to have options.
1240
01:15:13,541 --> 01:15:16,833
- Let's just use this spot.
- What about here?
1241
01:15:16,916 --> 01:15:18,833
- It's all good. I'll take care...
- Let's look for other options.
1242
01:15:18,916 --> 01:15:20,250
- Look for other options.
- No, we can't.
1243
01:15:20,333 --> 01:15:21,708
Just use that spot.
1244
01:15:21,791 --> 01:15:25,541
- It has a better view. It's for our movie.
- It's...
1245
01:15:25,625 --> 01:15:28,583
Let's use this place. It's good, right?
1246
01:15:28,666 --> 01:15:29,791
- Right?
- No, I prefer the other one.
1247
01:15:29,875 --> 01:15:31,708
- Let Bagus decide.
- Okay?
1248
01:15:31,791 --> 01:15:33,291
Well...
1249
01:15:35,166 --> 01:15:36,791
Okay, I choose this one.
1250
01:15:36,875 --> 01:15:38,916
No way, Gus.
1251
01:15:39,791 --> 01:15:41,416
When Deny passed away,
1252
01:15:41,500 --> 01:15:45,625
I felt like all my feelings, my life,
1253
01:15:45,708 --> 01:15:48,875
everything was over.
1254
01:15:49,916 --> 01:15:52,000
Everything was buried with him.
1255
01:16:11,208 --> 01:16:13,583
Bagus thinks he knows everything, right?
1256
01:16:14,750 --> 01:16:17,583
I mean Bagus in the script.
1257
01:16:17,666 --> 01:16:18,875
I know.
1258
01:16:19,583 --> 01:16:21,916
You really made him this annoying?
1259
01:16:24,000 --> 01:16:25,166
Is that so?
1260
01:16:25,666 --> 01:16:26,708
Well...
1261
01:16:26,791 --> 01:16:29,000
He's the worst!
1262
01:16:29,083 --> 01:16:30,500
Hana really puts up with him.
1263
01:16:30,583 --> 01:16:32,791
He's so insensitive.
1264
01:16:33,958 --> 01:16:37,041
She's grieving and he keeps chasing her.
1265
01:16:37,125 --> 01:16:39,125
I'm sure the audience will be upset.
1266
01:16:41,208 --> 01:16:45,125
Don't you think Hana
will learn something from Bagus?
1267
01:16:45,208 --> 01:16:46,333
I mean,
1268
01:16:46,416 --> 01:16:51,625
considering Hana's situation,
Bagus is actually giving her
1269
01:16:51,708 --> 01:16:54,916
some kind of a new perspective, no?
1270
01:16:55,000 --> 01:16:59,291
I think Hana
is supposed to be really angry here
1271
01:16:59,375 --> 01:17:03,958
because Bagus clearly diminishes
her feelings.
1272
01:17:04,958 --> 01:17:06,250
He's actually cruel.
1273
01:17:14,083 --> 01:17:16,333
I want to postpone the shoot.
1274
01:17:17,416 --> 01:17:19,083
What's the problem?
1275
01:17:20,250 --> 01:17:23,875
I feel like the script
is not finalized yet.
1276
01:17:23,958 --> 01:17:27,666
I need to revise a lot of parts.
1277
01:17:27,750 --> 01:17:29,541
The character is so unlikeable.
1278
01:17:30,291 --> 01:17:33,208
But I already got the launch date
from the cinemas.
1279
01:17:33,750 --> 01:17:37,875
- Just a month, sir.
- I couldn't even give you a week.
1280
01:17:37,958 --> 01:17:40,916
You need to remember
that it's a black and white movie.
1281
01:17:41,000 --> 01:17:43,416
I can't negotiate with the cinemas.
1282
01:17:43,500 --> 01:17:45,875
Not to mention
if the date clashes with MCU films,
1283
01:17:45,958 --> 01:17:48,875
I won't be taking vitamins but sedatives.
1284
01:17:50,458 --> 01:17:51,791
Just go with it.
1285
01:17:53,500 --> 01:17:55,750
- Sir.
- Huh?
1286
01:17:57,333 --> 01:17:59,291
If you can't postpone the shoot,
1287
01:17:59,375 --> 01:18:01,208
I'll step down from this project.
1288
01:18:13,750 --> 01:18:15,333
I think...
1289
01:18:15,833 --> 01:18:20,166
since we can't completely feel
what others feel,
1290
01:18:20,250 --> 01:18:23,791
sending them flowers is like a sign
1291
01:18:24,916 --> 01:18:27,666
that we're trying to understand
1292
01:18:27,750 --> 01:18:28,750
their situations
1293
01:18:30,083 --> 01:18:32,541
through the colors
1294
01:18:33,125 --> 01:18:34,458
and shapes of the flowers.
1295
01:18:34,958 --> 01:18:37,333
But it's just a representation, right?
1296
01:18:38,333 --> 01:18:40,500
But in the films, I like it
1297
01:18:40,583 --> 01:18:44,833
because we can really feel
what it's like to be someone else.
1298
01:18:45,375 --> 01:18:46,750
It's not only a representation.
1299
01:18:47,833 --> 01:18:49,125
- Really?
- Totally.
1300
01:19:02,291 --> 01:19:03,250
What's wrong?
1301
01:19:03,333 --> 01:19:04,500
Is something wrong?
1302
01:19:04,583 --> 01:19:05,625
Well...
1303
01:19:05,708 --> 01:19:08,458
It's not you.
1304
01:19:08,541 --> 01:19:09,500
Is it me?
1305
01:19:09,583 --> 01:19:12,291
It's not you either.
1306
01:19:14,458 --> 01:19:19,750
Do you think that we can feel
what others feel through films?
1307
01:19:20,416 --> 01:19:21,333
- Yeah.
- No.
1308
01:19:28,375 --> 01:19:32,041
One more time, okay? It was my fault.
From the start.
1309
01:19:32,708 --> 01:19:33,750
- One more time, okay?
- Come on.
1310
01:19:33,833 --> 01:19:35,291
Reset, guys!
1311
01:19:36,166 --> 01:19:37,791
From the start!
1312
01:19:37,875 --> 01:19:38,833
Come on!
1313
01:19:39,333 --> 01:19:41,291
- Again, Gus?
- Yes!
1314
01:19:41,375 --> 01:19:43,250
- Reset, guys!
- Got it!
1315
01:19:44,166 --> 01:19:45,541
It is my fault.
1316
01:19:47,291 --> 01:19:49,041
So stupid.
1317
01:19:50,416 --> 01:19:51,625
Okay!
1318
01:19:51,708 --> 01:19:54,000
Please open the road for now!
1319
01:20:21,125 --> 01:20:22,958
Sir, where are these going?
1320
01:20:23,041 --> 01:20:25,041
- Where are you taking the stuff?
- To Jogja.
1321
01:20:25,125 --> 01:20:26,416
What about the owners?
1322
01:20:26,500 --> 01:20:27,625
She's leaving tonight.
1323
01:20:28,208 --> 01:20:29,250
We're convoying.
1324
01:20:30,166 --> 01:20:31,875
Is she home?
1325
01:20:33,000 --> 01:20:35,000
She went out.
1326
01:20:37,666 --> 01:20:39,041
Okay...
1327
01:20:53,208 --> 01:20:54,458
Come on now. It's heavy.
1328
01:20:55,541 --> 01:20:56,541
Let's count.
1329
01:20:56,625 --> 01:20:57,875
I'll count.
1330
01:20:57,958 --> 01:20:59,916
One, two, three!
1331
01:21:01,250 --> 01:21:06,375
THE LOWEST POINT
1332
01:21:21,291 --> 01:21:22,541
Talents in! Stand in!
1333
01:21:22,625 --> 01:21:23,666
Out!
1334
01:21:32,041 --> 01:21:33,166
Good.
1335
01:21:34,833 --> 01:21:37,708
Slide 2.300, scene 51,
shoot two, take one.
1336
01:21:39,041 --> 01:21:40,208
Okay.
1337
01:21:47,000 --> 01:21:49,041
It's actually easy
to write the romance parts.
1338
01:21:49,125 --> 01:21:52,333
The hard part is actually deciding
the false belief
1339
01:21:52,416 --> 01:21:54,833
and the lessons for the character.
1340
01:21:57,708 --> 01:21:58,750
For example?
1341
01:22:02,291 --> 01:22:04,833
Take me as an example.
1342
01:22:04,916 --> 01:22:05,958
What about it?
1343
01:22:06,041 --> 01:22:07,208
I can't do that.
1344
01:22:07,291 --> 01:22:08,750
It's okay.
1345
01:22:09,625 --> 01:22:13,083
- I can't do that.
- It's okay, tell me.
1346
01:22:14,291 --> 01:22:15,416
Okay then.
1347
01:22:16,541 --> 01:22:18,583
Let's say you're a movie character
1348
01:22:18,666 --> 01:22:21,166
and you said once
that you'll never fall in love again,
1349
01:22:21,250 --> 01:22:24,791
in the end, you'll learn
1350
01:22:24,875 --> 01:22:27,375
that it's because of your trauma.
1351
01:22:27,458 --> 01:22:29,875
You just lost someone and you're grieving.
1352
01:22:31,166 --> 01:22:34,208
You'll fall in love again one day.
1353
01:22:39,791 --> 01:22:41,666
But how do you know
1354
01:22:42,166 --> 01:22:43,958
that it is rooted from my trauma?
1355
01:22:46,000 --> 01:22:48,791
Is it wrong
if we don't fall in love again?
1356
01:22:50,291 --> 01:22:51,875
That's only an example.
1357
01:22:51,958 --> 01:22:56,166
I really want to know
your personal opinion.
1358
01:22:57,000 --> 01:22:58,375
Do you think that it's wrong?
1359
01:23:02,875 --> 01:23:06,541
Let's say you're writing about me
as a character,
1360
01:23:07,208 --> 01:23:10,041
is that how you would write
my false belief?
1361
01:23:11,833 --> 01:23:12,833
I think I would.
1362
01:23:15,708 --> 01:23:16,708
I see.
1363
01:23:37,958 --> 01:23:40,125
Jeez.
1364
01:23:41,833 --> 01:23:43,750
This is why I don't like
working with new directors.
1365
01:23:44,666 --> 01:23:46,000
Is your director stupid or what?
1366
01:23:46,666 --> 01:23:48,750
- Let's take a cigarette break.
- Okay.
1367
01:23:55,666 --> 01:23:58,250
- Bagus.
- Hi, Julie.
1368
01:23:58,333 --> 01:24:00,500
- I have a question.
- Okay.
1369
01:24:01,666 --> 01:24:04,416
Pardon me, but I just realized it now.
1370
01:24:05,500 --> 01:24:06,750
What is it?
1371
01:24:08,875 --> 01:24:11,166
This Bagus character,
1372
01:24:11,250 --> 01:24:13,708
is he going to be so selfish
until the end?
1373
01:24:16,041 --> 01:24:17,250
I mean,
1374
01:24:17,333 --> 01:24:19,541
I just want to propose an idea.
1375
01:24:19,625 --> 01:24:22,208
Don't you think in this scene,
1376
01:24:22,291 --> 01:24:24,541
we need to make Bagus
1377
01:24:24,625 --> 01:24:26,083
more understanding towards Hana,
1378
01:24:26,166 --> 01:24:27,916
even just a little?
1379
01:24:28,791 --> 01:24:31,250
Because in the end,
1380
01:24:31,333 --> 01:24:33,625
Hana really moves on.
1381
01:24:34,625 --> 01:24:37,250
But Bagus seems like...
1382
01:24:37,791 --> 01:24:39,666
he doesn't have any character arc.
1383
01:24:42,125 --> 01:24:43,375
She's right.
1384
01:24:44,916 --> 01:24:48,375
What if we make him more understanding?
1385
01:24:49,041 --> 01:24:51,666
We only need to improve the dialogue.
1386
01:24:57,708 --> 01:24:58,916
Let's try that later.
1387
01:24:59,416 --> 01:25:01,250
- Please wait.
- It's okay.
1388
01:25:13,458 --> 01:25:15,708
It's really okay?
1389
01:25:15,791 --> 01:25:17,416
It's fine.
1390
01:25:18,125 --> 01:25:18,958
What's happening?
1391
01:25:20,583 --> 01:25:21,583
Let's do the shoot!
1392
01:25:23,041 --> 01:25:24,166
Chel.
1393
01:25:24,250 --> 01:25:25,291
Chel.
1394
01:25:25,375 --> 01:25:26,625
Chel!
1395
01:25:26,708 --> 01:25:27,875
Let me see that.
1396
01:25:29,750 --> 01:25:32,916
- We need to wait for the other shots.
- I just need to see it.
1397
01:25:45,875 --> 01:25:47,958
I think...
1398
01:25:49,166 --> 01:25:51,166
Do you need to add a close-up?
1399
01:26:02,625 --> 01:26:04,416
Do you think we need to add
a close-up here?
1400
01:26:04,916 --> 01:26:07,416
I don't think I can answer that.
1401
01:26:07,500 --> 01:26:10,041
I'm just the editor.
Ask the director about adding extra shots.
1402
01:26:10,125 --> 01:26:11,958
Bagus, do we need to add a close-up?
1403
01:26:12,041 --> 01:26:13,083
Ask the director...
1404
01:26:13,166 --> 01:26:14,625
Then why did you move to Jakarta?
1405
01:26:14,708 --> 01:26:15,916
To start again.
1406
01:26:16,000 --> 01:26:19,041
Bagus, about the shot before,
should we keep that one or...
1407
01:26:19,125 --> 01:26:21,708
You know well
that you are trying to move on.
1408
01:26:21,791 --> 01:26:23,375
That's what you really want, right?
1409
01:26:23,458 --> 01:26:25,958
I will never move on.
1410
01:26:26,041 --> 01:26:27,541
One more time.
1411
01:26:27,625 --> 01:26:30,916
Don't forget the close-up.
I don't want to get scolded by Mr. Yoram.
1412
01:26:31,000 --> 01:26:33,833
- We need more shots...
- Just shoot the goddamn close-up yourself!
1413
01:26:35,500 --> 01:26:36,333
Gus.
1414
01:26:36,416 --> 01:26:38,541
And why do we need the editor on location?
1415
01:26:38,625 --> 01:26:40,916
This is a drama, not an action movie.
1416
01:26:41,000 --> 01:26:43,333
Editor on location
is only for action movies.
1417
01:26:43,875 --> 01:26:44,791
Sorry, it's not your fault.
1418
01:26:46,208 --> 01:26:48,250
I'm a new director,
but I know these things.
1419
01:26:48,750 --> 01:26:50,000
And what are you doing here?
1420
01:26:50,083 --> 01:26:51,666
Well, I am a creative producer.
1421
01:26:51,750 --> 01:26:54,875
There's no such thing
as a creative producer!
1422
01:26:54,958 --> 01:26:56,541
A producer is a producer!
1423
01:26:56,625 --> 01:26:58,333
Just do it yourself!
1424
01:27:05,833 --> 01:27:07,375
So, when are we doing the shoot?
1425
01:27:11,583 --> 01:27:14,500
Guys, let's take a break.
1426
01:27:14,583 --> 01:27:16,333
Let's wait until...
1427
01:27:18,041 --> 01:27:19,833
Let's just take a break.
1428
01:27:23,708 --> 01:27:25,250
Don't worry.
1429
01:27:25,750 --> 01:27:29,375
We have time. Let's change the dialogue
and do some retakes.
1430
01:27:30,708 --> 01:27:33,458
I can't do retakes on my life!
1431
01:27:42,666 --> 01:27:44,416
Hana read the script.
1432
01:27:44,500 --> 01:27:45,583
Huh?
1433
01:27:48,333 --> 01:27:52,125
You're right.
She was really angry when she found out.
1434
01:27:54,500 --> 01:27:57,625
So the plot is exactly the same
as your story with Hana?
1435
01:27:57,708 --> 01:28:00,791
- You didn't know?
- You never told me.
1436
01:28:02,875 --> 01:28:05,958
Don't you see that the characters
have the same names?
1437
01:28:06,791 --> 01:28:08,583
You said it was hyperrealism.
1438
01:28:09,375 --> 01:28:12,625
Aren't you two supposed to talk about it
as husband and wife?
1439
01:28:12,708 --> 01:28:14,291
Enough. So, what do you want to do?
1440
01:28:15,416 --> 01:28:17,958
Nothing. It's over for me now.
1441
01:28:18,458 --> 01:28:22,916
I have no chance to make up with her.
She's moving to Yogyakarta.
1442
01:28:23,750 --> 01:28:24,791
Gosh...
1443
01:28:25,666 --> 01:28:29,250
Gus, Dion, let's do the retake.
Julie is waiting for you guys.
1444
01:28:30,416 --> 01:28:33,541
I watched the scene. So good!
1445
01:28:34,125 --> 01:28:37,875
Trust me. He'll give you a sequel.
1446
01:28:37,958 --> 01:28:39,375
I hope he won't.
1447
01:28:39,458 --> 01:28:42,041
There's no need for a sequel
for this film.
1448
01:28:42,125 --> 01:28:45,958
- I think that's okay. Come on!
- Okay, wait.
1449
01:28:46,833 --> 01:28:49,583
I really don't understand the need
1450
01:28:49,666 --> 01:28:51,333
to make a sequel
for every successful film.
1451
01:28:51,416 --> 01:28:52,750
Gosh!
1452
01:28:53,875 --> 01:28:55,333
Right.
1453
01:28:56,875 --> 01:29:03,250
If we can't do a retake,
we can continue the film with a sequel.
1454
01:29:03,333 --> 01:29:04,833
- Dion!
- What?
1455
01:29:05,333 --> 01:29:06,708
- You're right!
- About what?
1456
01:29:06,791 --> 01:29:08,500
We can make a sequel.
1457
01:29:08,583 --> 01:29:09,708
What are you talking about?
1458
01:29:09,791 --> 01:29:12,000
We can make a sequel!
1459
01:29:12,083 --> 01:29:16,416
I can't do a retake on my life,
but I can continue living it.
1460
01:29:22,458 --> 01:29:24,541
Has anyone seen Bagus anywhere?
1461
01:29:27,500 --> 01:29:29,041
He's not here yet?
1462
01:29:29,125 --> 01:29:32,333
I complimented him, but he ran away.
1463
01:29:32,416 --> 01:29:33,958
Remember what I said?
1464
01:29:34,041 --> 01:29:36,583
This is why I don't like
working with new directors.
1465
01:29:37,250 --> 01:29:38,666
They're experts at going MIA.
1466
01:29:40,208 --> 01:29:41,416
Let's do the retake.
1467
01:29:41,500 --> 01:29:42,333
Cheline, close...
1468
01:29:43,791 --> 01:29:46,125
- Where's Cheline?
- Let's do the take.
1469
01:29:46,208 --> 01:29:49,083
I remember the order.
We finish after this, right?
1470
01:29:50,708 --> 01:29:53,166
Je, monitor, please. Is the talent ready?
1471
01:29:53,250 --> 01:29:54,458
Julie's set,
1472
01:29:54,541 --> 01:29:57,458
but we can't find Dion anywhere.
1473
01:29:57,541 --> 01:29:58,541
He's gone.
1474
01:30:01,083 --> 01:30:02,291
Gosh!
1475
01:30:02,375 --> 01:30:03,375
I need coffee.
1476
01:30:05,458 --> 01:30:07,458
We'll finish in the morning
if this is the case.
1477
01:30:10,541 --> 01:30:12,166
Jupri, monitor, please.
1478
01:30:12,250 --> 01:30:13,708
Copy.
1479
01:30:14,583 --> 01:30:15,833
I need one coffee.
1480
01:30:16,708 --> 01:30:18,208
Hot or cold?
1481
01:30:18,291 --> 01:30:19,333
Cold.
1482
01:30:19,958 --> 01:30:21,500
But we don't have water.
1483
01:30:21,583 --> 01:30:22,416
Then why did you ask?
1484
01:30:25,916 --> 01:30:28,833
This is so fun, like in the movies!
1485
01:30:29,791 --> 01:30:33,541
The scene where they chase the lovers
is usually in the last sequence.
1486
01:30:33,625 --> 01:30:36,166
We need an upbeat score!
1487
01:30:37,291 --> 01:30:41,583
We need a lot of shots too.
It'll be easier to edit a tense scene!
1488
01:30:41,666 --> 01:30:44,000
One camera here.
1489
01:30:46,625 --> 01:30:49,875
One camera here for the protagonist
from the front.
1490
01:30:49,958 --> 01:30:52,458
Nice. We can make it look higher.
1491
01:30:52,958 --> 01:30:55,916
Great! Stay in position, Gus!
1492
01:31:00,291 --> 01:31:02,666
We can use drones!
1493
01:31:04,291 --> 01:31:08,916
It will chase us.
Nice! A cinematic experience!
1494
01:31:10,708 --> 01:31:14,833
Use a racing drone! From this point!
1495
01:31:14,916 --> 01:31:19,416
It'll chase us from here
and then it makes a turn.
1496
01:31:22,958 --> 01:31:24,166
Turn again.
1497
01:31:28,416 --> 01:31:29,250
The building!
1498
01:31:29,333 --> 01:31:35,291
From the back of the building
and then the shot will be from above.
1499
01:31:35,375 --> 01:31:38,708
We'll confuse the audience
about where we're going.
1500
01:31:38,791 --> 01:31:41,833
Let it move down,
and it will get to that point!
1501
01:31:41,916 --> 01:31:44,916
It'll chase us again,
and the audience will know.
1502
01:31:45,750 --> 01:31:50,625
Then it will take a turn in front of us.
1503
01:31:51,666 --> 01:31:52,916
Go forward.
1504
01:31:53,791 --> 01:31:54,791
One more time!
1505
01:31:56,541 --> 01:31:59,583
From here, we move to Hana's scene.
1506
01:32:00,166 --> 01:32:02,625
She's in a hurry
1507
01:32:02,708 --> 01:32:04,916
to pack up all her things
before she leaves,
1508
01:32:05,000 --> 01:32:07,083
so we can see that she's in a rush.
1509
01:32:08,041 --> 01:32:13,916
Or we can make Hana sit
in the middle of moving extras.
1510
01:32:14,000 --> 01:32:18,416
They go in and out
to move the stuff to the car.
1511
01:32:21,625 --> 01:32:23,291
I know!
1512
01:32:23,375 --> 01:32:25,708
What will happen if we reduce
1513
01:32:25,791 --> 01:32:27,166
the shutter speed,
like in Slumdog Millionaire,
1514
01:32:27,250 --> 01:32:29,000
so it looks like it's lagging?
1515
01:32:35,125 --> 01:32:38,291
Or we can use the split screen.
1516
01:32:38,375 --> 01:32:40,625
Bagus on the left side,
Hana on the right side.
1517
01:32:40,708 --> 01:32:43,291
So we can see that one of them is chasing
1518
01:32:43,375 --> 01:32:45,958
and one of them is preparing
to leave at the same time.
1519
01:32:46,041 --> 01:32:47,583
It would be amazing.
1520
01:33:01,791 --> 01:33:03,291
Dion, stop!
1521
01:33:03,375 --> 01:33:05,750
- Where?
- This is the house.
1522
01:33:05,833 --> 01:33:07,750
- Whoa!
- Stop!
1523
01:33:07,833 --> 01:33:08,875
- Stop!
- Okay.
1524
01:33:08,958 --> 01:33:10,625
- Calm down.
- Ouch.
1525
01:33:17,958 --> 01:33:19,625
Hana!
1526
01:33:19,708 --> 01:33:20,916
Let's talk.
1527
01:33:21,708 --> 01:33:22,750
Hana!
1528
01:33:22,833 --> 01:33:24,416
Just a moment.
1529
01:33:25,333 --> 01:33:27,791
Let's talk. I need to talk to you.
1530
01:33:28,375 --> 01:33:29,375
Hana.
1531
01:33:30,125 --> 01:33:32,166
I promised... Please give me a chance to...
1532
01:33:32,250 --> 01:33:33,583
just to talk to you.
1533
01:33:34,166 --> 01:33:35,083
Only for a moment.
1534
01:33:35,166 --> 01:33:37,583
- Please put that in the truck.
- Yeah.
1535
01:33:38,541 --> 01:33:39,500
Hana, just a moment.
1536
01:33:40,375 --> 01:33:41,375
Hana!
1537
01:33:44,875 --> 01:33:49,041
After we talk, I'll understand if you
don't want to talk to me or see me again.
1538
01:33:49,125 --> 01:33:51,166
I just need a little of your time.
1539
01:33:51,250 --> 01:33:56,083
Hana, please. Just a moment.
1540
01:33:57,083 --> 01:33:58,083
Let's talk.
1541
01:33:58,166 --> 01:33:59,750
Hana...
1542
01:33:59,833 --> 01:34:00,916
Hana!
1543
01:34:01,416 --> 01:34:03,041
Hana, please, just a moment.
1544
01:34:04,000 --> 01:34:05,041
Please.
1545
01:34:06,208 --> 01:34:09,000
You never answered my calls.
1546
01:34:10,125 --> 01:34:13,625
Before you leave,
let's talk for the last time.
1547
01:34:16,708 --> 01:34:19,708
I don't want us to stop talking,
I just need to...
1548
01:34:19,791 --> 01:34:22,916
We can talk for just a moment.
1549
01:34:23,000 --> 01:34:26,666
Okay, then let me tell you something.
1550
01:34:26,750 --> 01:34:28,125
I want to explain.
1551
01:34:28,208 --> 01:34:31,875
We can't do this. Please listen to me.
1552
01:34:31,958 --> 01:34:34,916
Please. I made that movie...
1553
01:34:35,000 --> 01:34:39,000
Hana, listen. I made that movie...
1554
01:34:39,083 --> 01:34:41,375
Hana!
1555
01:34:41,875 --> 01:34:45,541
Hana! I got caught!
1556
01:34:46,041 --> 01:34:49,291
My shirt got caught!
1557
01:34:49,375 --> 01:34:51,875
Hana! My shirt got caught!
1558
01:34:52,375 --> 01:34:54,791
Hana!
1559
01:34:55,500 --> 01:34:56,708
Hana!
1560
01:34:56,791 --> 01:34:59,000
Hana! My shirt got caught!
1561
01:35:00,583 --> 01:35:01,916
Bagus! No!
1562
01:35:05,250 --> 01:35:06,583
Ouch!
1563
01:35:06,666 --> 01:35:07,583
Bagus!
1564
01:35:10,666 --> 01:35:12,291
Gus!
1565
01:35:12,375 --> 01:35:14,250
Gus, slowly!
1566
01:35:14,333 --> 01:35:15,375
Slowly.
1567
01:35:15,875 --> 01:35:16,916
Stop.
1568
01:35:17,000 --> 01:35:18,916
- Slowly.
- Hana...
1569
01:35:19,000 --> 01:35:20,916
It's broken. It's broken.
1570
01:35:21,000 --> 01:35:22,250
- Don't joke.
- I swear.
1571
01:35:22,333 --> 01:35:23,458
It's really broken.
1572
01:35:23,541 --> 01:35:24,583
Please call an ambulance.
1573
01:35:24,666 --> 01:35:26,125
- It's broken for real?
- Please.
1574
01:35:26,208 --> 01:35:27,500
It's really broken.
1575
01:35:27,583 --> 01:35:29,708
- Please call the ambulance.
- Wait...
1576
01:35:29,791 --> 01:35:30,791
Gus...
1577
01:35:30,875 --> 01:35:32,750
- Huh?
- This is an important moment.
1578
01:35:33,875 --> 01:35:34,875
- Gus...
- But...
1579
01:35:34,958 --> 01:35:36,916
If he broke his leg, she'll forgive him.
1580
01:35:37,000 --> 01:35:39,208
Don't touch it!
1581
01:35:40,916 --> 01:35:42,916
- Stop.
- Wait.
1582
01:35:45,666 --> 01:35:49,625
I wrote this because since the beginning,
I wanted this to be about you.
1583
01:35:51,708 --> 01:35:54,083
I wrote this
because I wanted to understand you.
1584
01:35:57,166 --> 01:35:59,250
Because I wanted to understand your grief.
1585
01:35:59,833 --> 01:36:02,291
Your pain after losing someone you love.
1586
01:36:04,083 --> 01:36:05,708
What you think,
1587
01:36:05,791 --> 01:36:08,125
what you went through.
1588
01:36:10,208 --> 01:36:11,583
Your grief.
1589
01:36:12,250 --> 01:36:14,375
That's why it's in black and white.
1590
01:36:17,333 --> 01:36:18,916
That's so good!
1591
01:36:19,000 --> 01:36:20,958
So good!
1592
01:36:24,916 --> 01:36:26,291
Bagus!
1593
01:36:26,375 --> 01:36:28,250
Have you called the ambulance?
1594
01:36:28,333 --> 01:36:30,458
- Hana...
- We called them!
1595
01:36:31,750 --> 01:36:32,833
Hana.
1596
01:36:32,916 --> 01:36:33,916
Listen to me.
1597
01:36:35,500 --> 01:36:37,375
I dropped the film.
1598
01:36:39,916 --> 01:36:42,750
I don't want to continue.
1599
01:36:44,833 --> 01:36:46,958
I'm ashamed of myself.
1600
01:36:51,375 --> 01:36:52,500
I thought
1601
01:36:52,583 --> 01:36:54,791
if I surprised you with the film,
1602
01:36:54,875 --> 01:36:57,000
it would be a token of my love for you.
1603
01:36:57,083 --> 01:36:58,416
But I was wrong.
1604
01:36:58,916 --> 01:37:00,250
It's not like that at all.
1605
01:37:02,791 --> 01:37:05,416
I can't stand my own foolishness.
1606
01:37:08,916 --> 01:37:10,000
You're right.
1607
01:37:10,500 --> 01:37:12,916
The romance is only in my head.
1608
01:37:18,250 --> 01:37:19,375
I can see it now.
1609
01:37:20,041 --> 01:37:22,250
I want you more than the film.
1610
01:37:54,291 --> 01:37:55,541
This is it.
1611
01:37:55,625 --> 01:37:59,875
This kind of romantic scene in movies
do not make sense at all.
1612
01:38:00,708 --> 01:38:02,958
How can we talk when you broke your leg?
1613
01:38:03,541 --> 01:38:06,375
We are still waiting for the ambulance.
1614
01:38:06,458 --> 01:38:10,708
We have time to talk
until the ambulance comes.
1615
01:38:10,791 --> 01:38:12,125
But Gus...
1616
01:38:13,166 --> 01:38:15,625
the fracture would be too painful.
1617
01:38:16,125 --> 01:38:17,625
There's no way we could talk.
1618
01:38:17,708 --> 01:38:20,875
It'll make more sense
if you scream in pain.
1619
01:38:20,958 --> 01:38:23,666
And your friends, Cheline, Dion,
1620
01:38:24,291 --> 01:38:27,541
how could he just stand still
watching his friend break his leg?
1621
01:38:29,041 --> 01:38:32,833
This is a rom-com,
a romantic comedy movie.
1622
01:38:33,416 --> 01:38:35,750
There has to be some comedy in it.
1623
01:38:36,958 --> 01:38:38,666
It doesn't make sense.
1624
01:38:39,833 --> 01:38:42,625
But are you angry
1625
01:38:42,708 --> 01:38:45,375
to see how I wrote your character?
1626
01:38:51,583 --> 01:38:52,583
Well, I am.
1627
01:38:57,666 --> 01:39:00,750
THE RISE
1628
01:39:00,833 --> 01:39:02,208
I really wonder
1629
01:39:02,833 --> 01:39:05,333
how you could write such a story.
1630
01:39:06,666 --> 01:39:08,375
Drawing your own conclusions.
1631
01:39:09,500 --> 01:39:10,833
How did you do that?
1632
01:39:11,708 --> 01:39:14,125
From the beginning,
1633
01:39:14,791 --> 01:39:18,458
I intended to write about our meetings.
1634
01:39:20,541 --> 01:39:21,541
Hana.
1635
01:39:21,625 --> 01:39:22,958
You're here?
1636
01:39:31,208 --> 01:39:35,791
After we had an argument
in the Padang restaurant...
1637
01:39:35,875 --> 01:39:37,750
Would you choose that for my false belief?
1638
01:39:38,666 --> 01:39:39,750
I think I would.
1639
01:39:40,500 --> 01:39:43,208
- I see.
- We had an argument.
1640
01:39:44,625 --> 01:39:47,500
Then Mr. Yoram rushed the deadline.
1641
01:39:47,583 --> 01:39:49,791
So I had to finish it in a hurry.
1642
01:39:52,083 --> 01:39:54,083
I tried to call you,
1643
01:39:54,166 --> 01:39:58,000
but I knew you were angry with me.
1644
01:39:58,750 --> 01:40:03,333
There was nothing I could do.
I only had myself.
1645
01:40:03,416 --> 01:40:08,000
And the reason why I wanted
to make movies from the start.
1646
01:40:09,708 --> 01:40:14,750
I contemplated everything
and I reflected on myself.
1647
01:40:14,833 --> 01:40:18,333
Then I realized
1648
01:40:19,291 --> 01:40:21,958
that the one with the false belief
wasn't you,
1649
01:40:26,583 --> 01:40:28,208
but it was me.
1650
01:40:29,541 --> 01:40:32,416
The romance is only in my head.
1651
01:40:41,500 --> 01:40:48,333
After that,
I just made up stories about us.
1652
01:40:48,416 --> 01:40:52,208
The thing that I was afraid of the most,
1653
01:40:52,291 --> 01:40:55,541
was what would happen
if you read the script,
1654
01:40:55,625 --> 01:40:58,416
because deep down,
I knew you'd be really angry.
1655
01:41:00,500 --> 01:41:03,875
You really thought I would be that angry?
1656
01:41:06,791 --> 01:41:10,000
See? I read your script.
1657
01:41:10,083 --> 01:41:11,500
I didn't yell at you, right?
1658
01:41:12,000 --> 01:41:13,333
In movies,
1659
01:41:13,416 --> 01:41:19,833
usually, the character would be angry
and delivers really cool lines,
1660
01:41:19,916 --> 01:41:22,000
like that one,
1661
01:41:22,083 --> 01:41:28,041
"Gus, you only care
about your measly film world,
1662
01:41:28,125 --> 01:41:30,708
and you think
it can change the real world!"
1663
01:41:38,000 --> 01:41:39,666
In this script,
1664
01:41:40,416 --> 01:41:42,916
if Bagus liked Hana that much,
1665
01:41:45,166 --> 01:41:49,166
why didn't he confess?
They just needed to talk it out.
1666
01:41:52,500 --> 01:41:53,541
Hana.
1667
01:41:54,833 --> 01:41:56,250
I like you.
1668
01:41:56,333 --> 01:41:58,375
See? It's easy.
1669
01:41:58,458 --> 01:42:00,083
I've told you,
1670
01:42:00,166 --> 01:42:02,500
couples only need to communicate and talk.
1671
01:42:02,583 --> 01:42:04,708
But it's real.
1672
01:42:05,208 --> 01:42:06,833
I really like you.
1673
01:42:16,708 --> 01:42:19,708
But I was foolish
1674
01:42:19,791 --> 01:42:22,083
for not wanting
to understand your feelings.
1675
01:42:24,583 --> 01:42:28,583
Your feelings
about losing someone you love.
1676
01:42:30,000 --> 01:42:32,166
It was just me who got excited.
1677
01:42:34,583 --> 01:42:35,750
I admit
1678
01:42:36,375 --> 01:42:37,541
I was selfish.
1679
01:42:39,208 --> 01:42:42,791
That's why when I finished the script,
I wanted to show you.
1680
01:42:43,875 --> 01:42:47,333
And I wanted to tell you honestly like...
1681
01:42:50,083 --> 01:42:52,000
what I just did.
1682
01:42:59,375 --> 01:43:00,375
Now I feel like...
1683
01:43:02,541 --> 01:43:06,583
our relationship
has gotten more complicated.
1684
01:43:08,750 --> 01:43:09,750
I'm sorry.
1685
01:43:11,416 --> 01:43:16,333
I didn't mean to complicate the situation.
1686
01:43:20,583 --> 01:43:22,166
But do you like the script?
1687
01:43:27,291 --> 01:43:28,583
No, I don't.
1688
01:43:30,708 --> 01:43:32,583
It's not romantic.
1689
01:43:34,916 --> 01:43:35,916
But the fact
1690
01:43:36,833 --> 01:43:38,875
that you're here
1691
01:43:41,083 --> 01:43:42,875
and that you're honest with me,
1692
01:43:48,041 --> 01:43:50,500
I think that's romantic.
1693
01:44:16,916 --> 01:44:19,625
FALLING IN LOVE LIKE IN THE MOVIES
1694
01:44:44,166 --> 01:44:45,375
I think it's fine.
1695
01:44:45,458 --> 01:44:49,666
- I mean, I don't need to revise it.
- It's fine.
1696
01:44:49,750 --> 01:44:51,625
It's fine, just relax.
1697
01:44:52,541 --> 01:44:53,791
Cheline.
1698
01:44:53,875 --> 01:44:55,083
- Dion.
- Bagus.
1699
01:44:55,166 --> 01:44:57,208
Hey, are you going to edit the film?
1700
01:44:57,291 --> 01:44:58,208
- Huh?
- You have editing to do?
1701
01:44:58,291 --> 01:45:00,083
- You're presenting?
- Yes.
1702
01:45:00,166 --> 01:45:02,500
This is Hana, guys.
1703
01:45:03,791 --> 01:45:05,000
- Cheline.
- Hana.
1704
01:45:05,083 --> 01:45:06,125
Dion.
1705
01:45:07,000 --> 01:45:08,333
They're...
1706
01:45:08,416 --> 01:45:09,583
Yes, right!
1707
01:45:12,416 --> 01:45:13,583
So, you told her?
1708
01:45:13,666 --> 01:45:14,750
I did.
1709
01:45:17,416 --> 01:45:18,833
So, it's a real story?
1710
01:45:18,916 --> 01:45:21,250
Okay, I have editing to do.
Good luck for the presentation.
1711
01:45:21,333 --> 01:45:22,250
Hana, please excuse us.
1712
01:45:22,333 --> 01:45:23,416
- Take care.
- Bye.
1713
01:45:23,500 --> 01:45:24,916
- Bye.
- Bye.
1714
01:45:25,625 --> 01:45:27,000
Chel.
1715
01:45:27,083 --> 01:45:28,291
So, it's real?
1716
01:45:30,375 --> 01:45:31,666
Answer me.
1717
01:45:32,791 --> 01:45:33,625
Sir.
1718
01:45:33,708 --> 01:45:35,708
- Yes?
- Please come in. Mr. Yoram is waiting.
1719
01:45:35,791 --> 01:45:37,166
Okay, wait.
1720
01:45:38,208 --> 01:45:41,125
Okay then. You want to come in with me?
1721
01:45:41,208 --> 01:45:42,416
No need to.
1722
01:45:42,500 --> 01:45:44,583
- Are you sure?
- It's okay.
1723
01:45:44,666 --> 01:45:46,000
I'll go inside.
1724
01:45:54,708 --> 01:45:57,208
Are you sure about waiting here?
What about the cafe across the street?
1725
01:45:57,291 --> 01:45:59,666
It's fine. I can wait here.
1726
01:45:59,750 --> 01:46:00,875
Okay then.
1727
01:46:00,958 --> 01:46:02,541
It's like dropping kids off at school.
1728
01:46:06,875 --> 01:46:07,875
Gus.
1729
01:46:10,916 --> 01:46:12,416
I'm a bit nervous. Wish me luck.
1730
01:46:20,416 --> 01:46:21,500
Hello, sir.
1731
01:46:31,666 --> 01:46:32,750
Gus.
1732
01:46:33,250 --> 01:46:36,958
I have prepared three episodes
with the files already.
1733
01:46:37,041 --> 01:46:38,958
You just need to study it.
1734
01:46:39,458 --> 01:46:42,208
Let's just make an adaptation
of a soap opera IP.
1735
01:46:42,291 --> 01:46:43,625
We'll be a box office hit.
1736
01:46:44,125 --> 01:46:47,833
And you have quite the reputation
for writing film adaptations.
1737
01:46:50,458 --> 01:46:52,583
They have made a reborn version,
haven't they?
1738
01:46:52,666 --> 01:46:55,791
That's the good thing about a reborn
we can just make another one.
1739
01:46:57,833 --> 01:46:58,791
By the way, sir,
1740
01:47:00,875 --> 01:47:03,375
please listen to my ideas.
1741
01:47:03,875 --> 01:47:08,250
What if we make a movie
in black and white?
1742
01:47:12,875 --> 01:47:13,916
Interesting.
1743
01:47:14,000 --> 01:47:15,000
Interesting.
1744
01:47:16,666 --> 01:47:20,000
- This one? I'll take a look.
- That one. Please.
1745
01:47:24,500 --> 01:47:26,083
{\an8}MR. YORAM'S ROOM - ANDAMAN FILMS - DAY
1746
01:47:26,166 --> 01:47:27,625
{\an8}BAGUS SITS IN FRONT OF HIS PRODUCER, YORAM
1747
01:47:27,708 --> 01:47:29,291
{\an8}WHAT IF WE MAKE A MOVIE
IN BLACK AND WHITE?
1748
01:47:29,375 --> 01:47:30,708
{\an8}YOU KNOW WELL HOW OUR INDUSTRY WORKS
1749
01:47:34,583 --> 01:47:36,875
The character names are the same as us.
1750
01:47:37,541 --> 01:47:38,458
Right, sir.
1751
01:47:39,791 --> 01:47:43,250
- I don't have to play it, right?
- No, sir. It's better if you don't.
1752
01:47:45,125 --> 01:47:49,041
- You won't play it either, right?
- No, sir. No.
1753
01:47:49,125 --> 01:47:50,291
Okay.
1754
01:47:51,375 --> 01:47:53,375
So, black and white?
1755
01:47:53,458 --> 01:47:55,083
So, it's a horror film?
1756
01:47:55,666 --> 01:47:56,708
Romance, sir.
1757
01:47:57,958 --> 01:47:59,166
Gus.
1758
01:47:59,958 --> 01:48:01,375
I've told you,
1759
01:48:01,458 --> 01:48:05,833
you can give me an original script
as long as it's a horror movie.
1760
01:48:05,916 --> 01:48:08,541
But listen to me, sir.
This is an interesting story.
1761
01:48:08,625 --> 01:48:11,000
This is about a film writer
1762
01:48:11,083 --> 01:48:18,041
who secretly writes his love story
to get his dream girl,
1763
01:48:18,125 --> 01:48:20,291
his friend who's recently widowed.
1764
01:48:20,375 --> 01:48:21,916
That's interesting.
1765
01:48:22,500 --> 01:48:26,833
Then a vengeful spirit is against
their relationship and chases them down
1766
01:48:26,916 --> 01:48:28,791
- to kill them?
- No, sir.
1767
01:48:29,458 --> 01:48:32,750
The spirit uses a thing as a vessel
that is carried by them,
1768
01:48:32,833 --> 01:48:38,083
- then they get haunted?
- No, it's a romance, sir.
1769
01:48:40,291 --> 01:48:41,625
What's the title?
1770
01:48:42,916 --> 01:48:45,750
Please read the title. I want to hear it.
1771
01:48:46,583 --> 01:48:50,125
Falling in Love like in the Movies.
1772
01:48:50,208 --> 01:48:51,208
Horror.
1773
01:48:52,125 --> 01:48:55,875
Falling in Love like in Horror Movies.
1774
01:48:55,958 --> 01:48:57,208
- See?
- Sir.
1775
01:48:57,291 --> 01:48:59,333
That's a brilliant title.
1776
01:48:59,416 --> 01:49:01,750
But you promised me.
1777
01:49:01,833 --> 01:49:03,375
I know I did.
1778
01:49:07,916 --> 01:49:11,875
RESOLUTIONS
1779
01:49:11,958 --> 01:49:13,625
THE ENDING: BAGUS AND HANA
COINCIDENTALLY MEET AT A SUPERMARKET,
1780
01:49:13,708 --> 01:49:15,333
SMILING AT EACH OTHER.
1781
01:49:15,416 --> 01:49:17,083
THIS IS OUR CONVERSATION WITH...
JUST MAKE SOMETHING UP, GUS.
1782
01:49:17,166 --> 01:49:22,416
Mr. Yoram wants me
to extend the grieving scene.
1783
01:49:23,000 --> 01:49:24,958
He proposed this revision.
1784
01:49:27,166 --> 01:49:30,125
But I wonder why in movies...
1785
01:49:30,625 --> 01:49:32,583
- Personally...
- Yeah?
1786
01:49:33,875 --> 01:49:35,875
I don't think grieving feels like that.
1787
01:49:37,750 --> 01:49:38,625
Huh?
1788
01:49:44,458 --> 01:49:45,666
Look at Ms. Yati.
1789
01:49:48,250 --> 01:49:49,291
What's with her?
1790
01:49:52,125 --> 01:49:54,458
Her husband passed away last week.
1791
01:49:55,916 --> 01:49:56,750
What?
1792
01:49:57,500 --> 01:49:59,416
He has been sick for quite a long time.
1793
01:49:59,916 --> 01:50:02,250
Gosh.
1794
01:50:04,458 --> 01:50:08,916
I think the hardest part of grieving
1795
01:50:09,000 --> 01:50:10,791
is how life must go on
1796
01:50:12,166 --> 01:50:14,166
when we just want to stop.
1797
01:50:19,000 --> 01:50:20,416
Or...
1798
01:50:21,958 --> 01:50:25,333
from my experience,
1799
01:50:27,625 --> 01:50:30,250
when I feel happy,
1800
01:50:31,166 --> 01:50:32,416
just like now,
1801
01:50:32,916 --> 01:50:34,916
like when we talk,
1802
01:50:38,250 --> 01:50:39,916
I'm happy...
1803
01:50:40,416 --> 01:50:45,125
but I feel like...
1804
01:50:46,208 --> 01:50:48,166
I'm not allowed to be too happy.
1805
01:50:48,875 --> 01:50:52,166
Like there's somebody forbidding me.
1806
01:51:03,708 --> 01:51:07,833
There's a part that I need to revise.
1807
01:51:09,291 --> 01:51:10,166
Which one?
1808
01:51:11,166 --> 01:51:13,416
The part when you...
1809
01:51:14,291 --> 01:51:15,708
move on.
1810
01:51:19,208 --> 01:51:21,083
Because now, I think
1811
01:51:22,125 --> 01:51:23,916
that you don't need to move on.
1812
01:51:26,916 --> 01:51:28,375
Just move with it.
1813
01:51:31,708 --> 01:51:34,541
You can just carry it.
1814
01:51:40,875 --> 01:51:44,791
I can see that Deny has a really big space
in your heart.
1815
01:51:49,666 --> 01:51:53,916
I'm fine with keeping a small one...
1816
01:51:55,625 --> 01:51:57,500
if you still have any left.