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Sky Tour
is youth,
enthusiasm,
and passion.
Sky Tour is
like a gift
that I have long prepared
for my fans,
for every single person
who has loved and supported Sơn Tùng M-TP's career path.
Fairly speaking, Sky Tour should have debuted earlier,
maybe a long time ago.
But just because I was so meticulous,
because I always wanted to make sure that when the gift is opened,
it has to be the best,
and it has to hold my audience in awe,
that's why I decided to lengthen the preparation process a little bit
so that the gift would be more satisfying,
more enjoyable, and it could evoke special emotions
that are carefully packed within.
Are you ready for tonight?
If you are ready, let me see your hands!
You guys.
Like I have said,
I am very grateful to my parents because they love music so much.
When I was just a kid around three or four years old,
I already knew what music is,
and the feeling started to grow on me since then.
Entering high school,
I started to record.
I got my first computer, I began to write songs,
and my dream got bigger.
I told my buddies, "Hey! You better watch out."
"Why?"
"You will hardly see me in the future."
"What?" "Why is that?"
"If this goes on, I'm going to be the most famous singer in Vietnam."
"Seriously?"
"No. But I'll keep on dreaming."
Then we both laughed at each other.
I had repeated those very momentary, instinctive jokes,
until I entered the Conservatory of Ho Chi Minh City.
I did,
not because I was arrogant.
I needed a motivation to hold onto,
to tell myself, "I am meant to walk this path."
Hi everyone,
Sky Tour 2019.
Only when I started to do it
did I realize the fact that
even though this dream is beautiful,
it would take a lot of time to accomplish.
Even tiny little things,
"Hey, Tùng, what are you going to do with this song?"
"Do you want a remix, or you just want to leave it as it is?"
That could keep me awake at night.
"How do we solve the problem with these songs?"
"The audience is willing to pay a lot just to see me perform."
If I put all the old songs on the show,
I don't deserve their support, not at all.
What I can say about Tùng's songs is they have already been so successful.
To refresh them and give them new spirits,
we need a considerable amount of time.
How do we make this part suit Tùng's voice in the best way?
How do we make sure that when the performance is over,
the audience will be excited and shout, "Oh, wow! So cool!"
Not enough, nowhere near satisfying.
Increase the workload.
"Ca, listen… I want the dancers to wear this color."
"But they don't have such materials."
"No, I don't want that or any other colors."
Even more jobs to be done.
Check every single costume for the dancers.
Do everything possible, so that Sơn Tùng M-TP
and the dancers, along with the visuals of the LED display,
must be one complete harmonization of colors,
with no displeasure.
What if we use those lightings,
the ones that keep a straight beam when the visual switches?
There, but we need to take hold of the lighting.
We need to limit it.
Because only after the intro will the show really begin.
When I appeared on stage,
I will have some audience interactions,
and it will create a sense of burning heat from the start.
At first, he put forward very simple ideas.
The intro is no more than one minute.
And then, a blackout.
"Chạy Ngay Đi" to kick off the show.
And then, it's time to show.
Nothing sounds too difficult, but once you start working on it,
you begin to see the meticulous and perfectionist side of Tùng.
Every second on stage
or every inch of that stage
has to be under his control.
Sơn Tùng M-TP is standing on the stage of his own company,
with full preparation,
burning passion,
prudence, and hope pouring into it.
And when I stepped out of that car,
I said to Long, "Hey!"
"I think, in that part, we should turn off all the music."
Not to be dramatic,
but the truth was
I want to feel that ambiance,
that momentary atmosphere.
Any other ideas?
I have one question, actually.
The tempo tap at the beginning of the song…
Clap.
But I will have to do it as well.
One, two, three, four, then one and you're in.
It's risky.
-I said it many times before. -Just once.
Because at that moment, artists need to be in control of the situation.
One moment of losing control means disaster.
For example, I just need to do a bit of action like this.
Oh, my gosh.
The clap is on, from one to four times.
Like this? Continuously, and then the song begins.
Hi, Ho Chi Minh City!
Hi, Hanoi!
Hi, Da Nang!
Show me your hands!
Are you ready for tonight with Sơn Tùng M-TP?
If you're ready, show me your hands!
Your hands!
Show me your hands!
Are you ready to get high tonight?
If you're ready, put your hands up!
If you're ready, show me your hands!
Where are your hands?
Will we belong together tonight?
Yes!
-Will we belong together tonight? -Yes!
If yes, show me your hands!
Promise me, tonight we'll belong together, okay?
If yes, show me your hands!
Where are your hands?
If we belong together, show me your hands!
Everybody answers me one more time!
Put your hands up if you enjoy the music!
Right here, put your hands up!
Put your hands up if you enjoy the music!
It's not just any normal concert that Sơn Tùng M-TP has performed.
For Sky Tour to be captured as it was on the photos you have seen,
everyone in the team
has put a lot of effort into the project
for a long period of time.
There were debates and discussions,
that I think sometimes, many members tried their best to argue their ideas,
fighting to make sure the concert achieves its prime.
Eventually, everyone managed to reach a sweet spot.
When people talk about the investment or the scale of an event,
it's not always about the money.
Sky Tour is a project that has been conceived since 2018
and started to take form in 2019,
so the making of it had gone on for one year.
Considering other aspects such as human resources,
concert quality, performance quality,
accuracy, and attention to detail,
to me, Sky Tour 2019 is the biggest show that I've been a part of.
Honestly, to me,
every time Tùng releases a new project,
he would pour out his heart and soul into everything he did,
from the biggest
to the tiniest things.
That sincere attitude is what I look up to.
It is the determining factor.
Many a little makes a mickle.
That day, when I talked to Tùng and Ca,
Tùng shared his feelings,
the feelings
that he wanted to convey through the song "Lạc Trôi."
Right now, the fighting aesthetic has not met my expectations.
I want it to be more aggressive.
Now, it just looks like dance movements with a touch of martial arts.
I don't like lifting people up and down.
I mean, I want it to be this real, like a real fistfight.
For instance, a clear move, these groups stand around here.
I walk like this,
just keep walking, while the others fly actively.
The red background would be so nice.
One, two, three! Let's go!
One, two, one, two, three! Let's go!
Put your hands up if you enjoy the music!
Show me your hands!
One, two, one, two, three! Let's go!
What's up?
How is your spirit today, dudes?
Okay.
This is my very first show,
so the audience is expecting a lot of things.
For my part, if I can't satisfy their expectations to the fullest,
it will affect my spirit significantly.
As you can see,
the staging was spectacularly and thoroughly prepared
by the technical team in all three cities of the tour.
The sound system was bought from one of the best audio brands in the world.
Lighting and visuals were done with programming timecode
for perfect synchronization.
It's decided then.
I think it's more achievable this way.
Just keep the visual then, because it's programmed really well.
Tùng had counted on me quite a lot in terms of stage setup
before he arrived for rehearsal.
Honestly, this sound,
this lighting system, and this LED display,
gave me huge anxiety.
I mean, really huge, tremendous.
Because if just one out of these three things is out of sync,
the whole show will look really ridiculous.
Long's part during "Remember Me,"
the sound of the start is too loud compared to the backing track.
We need to find a way to put the volume of all songs into a booming balance.
It shouldn't be just a very nice performance that finishes,
and suddenly the next one has the mic louder than the music,
or suddenly the one after has the music louder than the mic.
You need to pay attention to those issues
to make sure all the performances
meet auditory standards.
When I arrived at the first rehearsal in Ho Chi Minh City,
the first thing I did was meet Long Halo
and asked him to take me
to all the aurally restricted sections of the auditorium.
And he did, he took me to investigate
every corner of that concert venue.
Long stated that these are the places
that the audience may have difficulties experiencing the sound.
At that moment, I turned to him and said,
"The audience paid a lot to come here, to see this show,
so our mission is to pay them back what they deserve."
"All of these drawbacks,
please give me a solution to fix it."
Long Halo was really worried about it.
He walked it through with Chief Chau and me,
as well as the rest of the sound crew,
to find solutions to fix those mistakes,
those problems, as quickly as possible.
Rehearsal is unnerving enough!
The truth is, the smoke can only reach one's chest.
If we want the audience to see it completely,
it's best that all dancers
go to the sides,
or go backstage.
Normally, I feel comfortable
working with people who suggest their ideas
and what they actually want beforehand.
That's my working style.
I'll take on the role of a person
who turns their expectations into reality,
help them convey their messages,
their passion, and their music
through the means of body language.
I'm like a chef.
I create a recipe, mix and match spices,
add them to the performances and help uplift Tùng on stage
during the song "Lạc Trôi."
Tùng is always like,
every time he puts forward an idea,
I'll simply reply,
"I think that one costs a lot, mate."
Or like, "That one, I think will be difficult,
it must be around 1,000 or 2,000 dollars-something to do it."
We donate two GoPros.
That's nothing.
Now, you have to understand
that I'm paralyzed,
financially paralyzed!
I have no more money to handle it!
Look inside my pocket, there's nothing left.
I'm so damn tired.
My assistant cooks dinner for me because I can't eat out anymore.
My tendency to mention costs and expenses
got on everyone's nerves.
They would say "It's all about the money with him."
"Mr. Money."
Speaking of money,
"Hey Tùng, you need to deposit this much tomorrow."
"Hey Tùng, the stage needs your deposit tomorrow."
"Hey Tùng, the production team needs this much deposit."
Honored.
It was a great honor.
I then realized that,
okay, temporary, this is just temporary,
what is to return will return, what I deserve will be served eventually.
And that's why I told everyone that I approached everything
with passion first,
and what comes after is what you really deserve.
Hey.
Who do you think you are?
You think you can really do it?
Forget it!
Everything is a lie.
You are being blinded.
You will fail.
You will fail!
You know why?
Because you are scared… and weak.
Sometimes you will feel pain.
Sometimes you will feel hurt, right?
Stand up now.
Stand up now!
You can do it!
You can.
Come on!
You can do it.
Don't listen to all that gossip!
Don't mind all those insults!
There are people who love you.
Run!
Run now!
As fast as you can.
As fast as you can!
Toward your dream!
Toward your dream, go!
PERHAPS ALL THE PAIN HAVE HELPED ME GROW UP
EVERY TEAR HAS MADE ME STRONGER
THANK YOU ALL...
The weather was harsh on the shooting day
as the location was in a desert in Phan Thiet,
and it's not like Tùng has the chance to experience
that condition all the time.
I remember we were on set
from dawn until dusk.
There were three different personalities
that Tùng had to play out subsequently.
One person in the morning,
a different person in the afternoon,
and an uplifting final scene in the evening
which again, is another person.
Obviously, we can approach it
in a much easier way,
with more simple camera techniques and tricks,
while making sure the audience
can still understand what I want to say.
But upon reflection, I then realized
this is my own video product,
so I want to convey everything I want to say,
every emotion I put into it.
Action!
And in Ho Chi Minh City, there was one colossal mistake
with the programmed timecode
for that part.
I told Long,
"Hey, I only need two minutes to change my outfits."
We put ourselves into a difficult hypothesis,
like what if something happened during those two minutes,
and I could not change on time?
That hypothesis was proved to be true
in Ho Chi Minh City,
at least "almost true."
What almost happened had affected my mental state,
and I mean dramatically.
Yesterday, you know what?
Once I re-entered the stage,
the thing that made me angry backstage,
suddenly brought me another mood
to perform "Remember Me."
Surprisingly, that mood
matched the performance perfectly.
That mood was a godsend.
It fitted so well
with the video we had played.
It wouldn't be as good with a cheerful mood.
It has to be something like it, like an internal struggle
so that the last part with my parents
would look like I was finally fulfilled.
It would be so different if I act cute and stuff.
Yesterday's "Remember Me"
was the best one so far.
After each show,
I am usually attached to my phone.
Because Facebook, Instagram,
or any social media platforms are the places
that tend to have the most updated news
about how my show went.
I read a lot of compliments,
lavish praise for Sky Tour,
for M-TP Entertainment.
But why did I feel so empty at that very moment?
Because the one who understands best what just happened
seems to be neither anyone in the audience
nor any news reporter down there.
It's me.
When Tùng fell into that self-doubt state,
well,
what I could tell him was,
"If possible,
just confide in those closest to you, those who understand you most,
so you can let go of all those explosive feelings,
so that you won't be more stressful."
But he just…
he turned to me and simply said,
"You did nothing wrong."
"I can't drag you down
just because I'm dejected."
I really appreciate those words.
Mom's here!
-What are you doing? -Hello!
I'm nervously waiting for your call after the show.
I'm on my way to the hotel.
I see. Your voice sounds husky today.
Always like that after every show.
Poor thing, how was it today?
When I talked to Mom, I felt like
all of my nerves and anxieties
have been relieved significantly.
Parents are the best.
They
live far from here.
They don't know anything about "the art of life,"
or whatever people call, "classy."
They just give me the purest form of love,
and the sincerest pieces of advice
from the bottom of their heart.
The assistants next to Tùng,
are responsible for routine stuff
like his meals, costumes,
things that are small as people may think,
but without proper attention,
without actual precision,
they could greatly affect the artist.
First, my homies love me, then they grow to love M-TP.
It's not just about me anymore. It's about this company that we live for.
This working environment,
this team spirit makes us feel like we are a family.
The truth is, though 24 hours a day is never enough for Tùng,
he still spares some time to sit down,
to share what piled up in his mind
from his heart to Viet, Chanh,
me, and Hoang…
about things that we need to put more attention on.
For me, Tùng on stage is one person,
and when Tùng's at home, he's a totally different person.
The one who sees my exhaustion,
who clearly understands
what I've been through
at the end of the day, was just Tùng all along.
Tùng is like the big brother of the family,
so I appreciate every single thing that Tùng gives me.
Tùng gave me a lot of advice
and countless opportunities to change for the better.
I reckon fans usually wonder what Tùng usually does for leisure.
He loves playing games with everyone in the company,
team building games, or console games,
like soccer with Chau,
Duong, Bao, Onion.
His leisure activities are just like that, down-to-earth and humble.
Unlike the grandeur that everyone keeps fantasizing about him,
he rewards himself with simplicity and peace.
In Da Nang, my travel group consisted of Chanh, Viet, and Luan.
Yes, we traveled together.
We actually visited Hue, or was it somewhere near Hue?
I can't remember exactly.
But it was the first time I saw that place.
Magnificent!
And I told everyone,
"Well, it's not like we're here everyday, so let's take some photos!"
The sun was harsh,
like burning, and we have deadlines,
but it was so beautiful, drop-dead gorgeous.
And I stopped by and captured some moments with everyone.
I told everyone to "Smile," "Pose."
"It's a moment of our lifetime."
"Remember." "Remember it for life!"
And afterward, I had a very spontaneous movement.
I wound down the car window and then passers-by recognized me.
They didn't shy away from me or look embarrassed.
It's dangerous! Run, my friend!
Because at that moment, I wanted to let go of all the negative energies.
And the reactions, the beaming smiles of those who recognized me
brought me pure joy and comfort.
When Sky Tour landed in Da Nang, we planned a trip to Hoi An right away.
Hell, you can already imagine the place during the weekend.
It was packed with people, but Tùng showed no hesitation.
This is the first time I've performed a concert in the land of Da Nang
with my own resources, under my own company.
I sincerely wished that this sacred land would give me strength,
confidence, and resilience, so when I step up there,
I can shine like a star,
and give the best of me to my audience.
I suddenly felt fresher,
more relaxed.
And everyone around me felt it too.
"Since Tùng is more relieved now, so we should also calm our nerves."
"No need to feel stressed out!"
I really appreciate the emotions of those who stayed with me.
When Sky Tour was held in Da Nang,
coincidentally, it was also my birthday.
Everyone just focused on their tasks.
Even I forgot my own birthday.
I thought maybe this birthday doesn't count.
I remember I was on set
and I had to go backstage.
Then I received a phone call from Viet.
Before going to rehearsal that night, he told us at the hotel
that it was Ca's birthday,
so we should do something for her.
He asked me to text her a message.
"Come to the waiting room for urgent business."
That feeling, when I was sitting inside that waiting room,
I was so…
I mean, it was so hot, but I didn't dare turn on the AC.
Push. Something is stuck here.
All wishes go to M-TP.
Tùng was holding a birthday cake, and everyone stepped in,
singing "Happy Birthday" for me.
Why did I write "girl" here?
If there comes a day when I text her, and call her, "Miss,"
you know something really bad,
a terrifying catastrophe is about to happen.
But look further into our future, as long as I still call you "girl,"
you know our friendship is yet to sink.
Happy birthday, Ca.
Before Tùng gave me the cake and wished me a happy birthday,
I was so worried.
-But now, my feelings are… -Two, three.
-The last one. -Two, three.
Okay, happy birthday!
The truth is,
I was so emotional,
because…
I understood the enormous workload
he needed to put into Sky Tour.
I could never think that…
Tùng himself asked his assistant
to buy me a birthday cake
and put his wishes for me
on the cake.
I was so worried.
But now, my feelings are…
I felt so happy.
As a general rule of the company, if there are any upcoming birthdays,
Tùng always wanted to celebrate them right in our office,
with everyone there.
So after Sky Tour finished in Da Nang,
I got another birthday party in the office.
So I celebrated my birthday two times this year with Tùng.
Show me your face. I'll choose this scene.
Goodbye!
Goodbye, Ca, Viet, Tu. Oh, goodbye, Ca, Bao, Tu.
Do you know the title of this song?
What song is this?
So let's sing along with me!
What's up?
What's next?
Keep singing loudly!
What's up?
Keep singing!
Sơn Tùng M-TP rarely did shows that are too close to the audience.
That's the reason why my crew and I
thought about a fan meeting
before the show started.
Firstly, for my fans to actually see me.
Secondly, for me to actually see my fans.
And thirdly, for us to share our thoughts.
I would tease them about what's in store for that night,
how they should prepare themselves,
and how to stay healthy to enjoy the show to the fullest.
Although those were just casual conversations
between me and my fans,
I felt genuinely happy
because all of my fans spent their time being there.
We had many interesting memories.
I am married and expecting a baby next year,
so I'm wondering if Tùng can help me name the baby?
You are my first love,
can you be my mother's son-in-law?
Asking me to name a baby.
How can I refuse such a cute request?
And then we have, "Will you agree to be my mother's son-in-law?"
If she's okay, then I'm in. Why would I hesitate?
I love you!
And I adore you very much too, babe!
Where are you from?
I am from Hue.
I'm Sky coming here from Ho Chi Minh City.
Have we met the other night in Ho Chi Minh City?
Yes, we have.
Wow!
The feeling of being close to the audience
is a blessed and wonderful one.
I remember you.
That one autograph meeting in District 1.
I'm sure of myself.
For the album, right?
Unforgettable memories. I still remember that warm handshake.
You're like my big brother.
For real? Give me your hand.
Our team got Tùng's string.
-You were born in 200… 2005. -2005.
It was a chance for the fans to stay close to me, to hold my hand,
and I was able to see them clearly, to hold their hands,
and to talk to them in the most comfortable way.
When the night came, we met again,
to be crazy, to be wild to the fullest,
and then, feel nostalgic for that night.
That's why I was so determined
to organize a fan meeting before starting the show.
It's been such a long time since I last visited Da Nang.
I haven't seen Hanoi for years.
And I haven't had any shows in Ho Chi Minh for a while.
It's best to take some time to meet, to accept love, and to be loved.
Now, I want to hear you loud and clear
because I've been using these in-ear monitors.
I'm going to take one out!
And I hope to hear your voices as loud as possible.
Wow!
It wasn't until now that I heard you this clearly.
Okay, before we proceed to the next part,
I would like to ask you
if I could take a sip of water?
Thank you so much!
What's that?
Can you have one?
Who's thirsty?
How can I handle this many?
Why do Hanoians seem to love tough games?
Just one, okay?
Here.
Okay.
What now?
This one?
This thing?
Who will surely take this? Raise your hand!
For real?
Are you sure?
If your parents ask, whose is this, what would you say?
Whose?
I'm doomed.
My phone would be ringing nonstop.
Okay, love for love.
May fate smile upon whoever catches this.
Since I'm facing this side, I'll prioritize this side then.
Okay.
Thank you all very much.
Thank you.
What?
This side seems like they want to say something.
Thirsty?
Thirsty or thirst for me?
Oh, so just thirsty then.
Almost forgot.
Okay, so one more then.
Tonight, whoever catches this bottle, it means we are bound together by fate.
See you after 30.
If you're a guy, we can be soulmates, okay?
Thank you.
Here, you are the closest.
Thank you.
Who was born in 2000 here?
Like a slap to my face.
How about 2001?
You guys from this side are lying,
responding to both questions.
Let me ask one last question.
Anyone born in 2007?
Who's born in 2007?
"Now, all your love is filled with lies."
"I don't want to live a…"
"I don't want to find the dream…"
"So baby, please slow down, just be yourself of yesterday."
"Just be yourself of yesterday."
Don't leave me alone all by myself
Just stop and wipe all memories…
Here, come here then.
Come here then.
Now, is it my show or your show?
The next song!
The next song.
The next song!
When I met Bao and the dancers,
my job is to tell him,
"Hey, Bao, we need to practice like it's real."
"I want it that way."
"Because it's the only way for me
to deliver the perfect performance on stage."
"If we only just practice dancing
without singing,
I could never practice controlling my breath,
or my voice when I'm performing live."
"And you already know how we artists
always go wilder and crazier
once we go on stage."
Speaking of the song "Em Của Ngày Hôm Qua,"
everyone thought that it was
a rather easy song, but actually, it wasn't.
This performance was planned and programmed with timecodes.
It's like, the whole performance has its lighting,
sound, and visuals all programmed together.
But afterward, when Tùng reviewed everything,
he suggested adding more props,
and more special moments
to impress the fans and to capture the soul of the song.
So he wanted an elevating stage, and then a new instrument,
which is a keytar.
About the keytar,
it was another risky thing that the team decided on
because the venue we chose was not a suitable one
for live instrumentation.
That is why we had to tailor the structure ourselves,
together with the original structure of the stage.
And the fact that the keytar is dropped from above,
it comes with another risk.
Its amplitude would be high.
If somehow that instrument hit the artist's head,
it would be a very awkward situation.
Secondly, the keytar is still a bit high.
I still have to stretch up a bit to grab it.
It needs to be lowered,
as low as possible.
Adjust it so that when I bring the arm forward,
I don't need to stretch up,
just a fast grab and that's it.
I spent many days and times
sitting with the people who oversee the visuals,
the lighting,
and with Ngai, the director who's in charge of the script,
so that everything could turn out perfectly,
without any mistake.
"Now, your script here notes that
the keytar will drop down,
and I'll walk up,
so, I need the lighting to be like this, I need the visual to be like this."
"Do everything you can in order for the whole performance
to be as spectacular as it can be."
And when I got home,
I tried to pour myself a glass of water,
told myself to relax,
and temporarily forget everything.
What I need to do now is to keep my head clear.
I told myself,
"Be handsome,
be lively,
put on nice clothes, be cool, be calm,
and be yourself on stage."
If something happened on stage,
just take control of it, like what I've done
for so many times until now.
I just updated a new idea for "Hãy Trao Cho Anh."
As Ca and I observed the dance part,
we thought it might be nice if the stage follows
the Korean visual concept.
No props needed, just purely visual.
Here, the visual I intended to do is like this.
Let Tay, who was in charge of Levi's Stage, do this.
If it's just visual,
then there's nothing left to discuss.
Nothing special at all.
It's nearly my last song of the show.
So before "Hãy Trao Cho Anh,"
right after "Em Của Ngày Hôm Qua," we have to do something impressive.
Something like…
let the audience be like…
I'm so tired, I don't know how to sing this song.
have you used your full energy yet?
Not yet, but I don't know why I feel so tired.
In "Hãy Trao Cho Anh,"
Tùng's feeling for the song is legit.
He's the one who catches the theme of the song.
It made me feel natural and comfortable.
His movements were spontaneous on stage.
And I really like the way he dances,
which is freestyle.
Nothing can come between him and his special personality.
I want to share a few things now. Is that okay?
Today is the last show of Sky Tour 2019.
No doubt I'm having mixed emotions
in this heart of mine.
The first stop was Ho Chi Minh City.
The second one was Da Nang.
And now, the last stop, Hanoi.
Everyone has loved me wholeheartedly.
Thank you very much!
Thank you, Hanoi, for being here tonight,
with Sơn Tùng M-TP.
Thank you very much.
And hopefully, next year, 2020,
if there's a Sky Tour 2020,
will all of these familiar faces show up or not?
Will you?
Promise?
Thank you very much!
Next song.
Calm down.
Looks familiar?
Well, no, I should be more handsome to look familiar.
How about now?
Close enough?
The next song.
"Hãy Trao Cho Anh."
Show me your hands!
Where are your hands?
Thank you.
Will you guys miss me?
But…
how will you miss me?
You want the show to end?
Not yet, right?
Thank you very much.
I just want to say one thing.
So this song, you sing for me, okay?
Sing it out loud for me to hear.
What's next?
Where are your hands?
Over here!
Hey, my friends!
Always be like yesterday.
I'm grateful and I would like to say thank you to Hanoi!
Let's go!
What are your hands?
Clap your hands!
Louder!
Put your hands up!
One more time.
Like yesterday…
And I'm sure we'll see each other soon.
Thank you very much.
Goodbye to this side.
I love you all.
How about this side?
I love you all.
How about the far back?
Thank you very much.
I hope,
everyone will stay with me,
love me, and support this little boy right here!
With Sky Tour: the Movie,
to me, it's like a memory
that I have with my audience.
The year 2019, with "Hãy Trao Cho Anh," with Sky Tour,
with Sơn Tùng M-TP,
I think it's a wonderful year.
To me, Tùng is forever my close friend,
my family member,
and my future.
If I'm called "Mr. Money,"
then Tùng is "Mr. Perfect."
I really hope that Sky Tour
will not just be a thing for next year,
but an annual thing for years to come.
I've never seen any starry skies
as spectacular, and as bright
as the stars that Sky created
in all three shows in Ho Chi Minh City, Da Nang, and Hanoi.
I think…
Sky Tour,
for me, is youth,
enthusiasm,
and everything that I have nourished
throughout many years.
And I also think…
it is a debt of gratitude that needs to be paid
between me and those who have loved me.
And eventually,
I have fulfilled that promise
and paid that debt
in the most wonderful way.
Always be like yesterday.
Promise me!
I feel so good today.
This is the first time I saw Tùng in person.
I attend all of his tours, but every time for me,
is like the first time.
I love you!
This is the second time I got to see Sơn Tùng,
the second time in my life.
But I haven't been able to touch him.
Every performance was so impressive.
It was explosive.
When you stand close to the stage, you'll feel like your whole body
was harmonizing with the bass from the speakers.
I'm speechless. Just wonderful!
Cool! Excellent! Magnificent!
The song I like most is surely
"Chắc Ai Đó Sẽ Về."
I like Sơn Tùng because he always puts his family first
and loves his parents.
That's the best thing about him.
-Superb. -Superb.
-Amazing. -Amazing.
-Wonderful. -Wonderful.
THANK YOU FOR BEING PART OF EACH OTHER'S YOUTH
THANK YOU SO MUCH!
Subtitle translation by: Lucas Luan Nguyen