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00:00:06,000 --> 00:00:12,074
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2
00:00:35,035 --> 00:00:38,038
LONG AGO, WHEN I WAS A YOUNG MAN

3
00:00:38,038 --> 00:00:40,040
MY FATHER SAID TO ME

4
00:00:40,540 --> 00:00:42,542
"NORMAN,
YOU LIKE TO WRITE STORIES."

5
00:00:43,043 --> 00:00:45,545
AND I SAID, "YES, I DO."

6
00:00:45,545 --> 00:00:49,549
THEN HE SAID,
"SOMEDAY, WHEN YOU'RE READY

7
00:00:49,549 --> 00:00:53,053
"YOU MIGHT TELL
OUR FAMILY STORY.

8
00:00:53,053 --> 00:00:57,557
ONLY THEN WILL YOU UNDERSTAND
WHAT HAPPENED AND WHY."

9
00:01:13,573 --> 00:01:14,574
IN OUR FAMILY

10
00:01:15,075 --> 00:01:16,576
THERE WAS NO CLEAR LINE

11
00:01:16,576 --> 00:01:19,079
BETWEEN RELIGION
AND FLY-FISHING.

12
00:01:26,586 --> 00:01:29,089
WE LIVED AT THE JUNCTION
OF GREAT TROUT RIVERS

13
00:01:29,089 --> 00:01:31,091
IN MISSOULA, MONTANA

14
00:01:31,091 --> 00:01:33,593
WHERE INDIANS STILL APPEARED
OUT OF THE WILDERNESS

15
00:01:33,593 --> 00:01:38,098
TO WALK THE HONKY-TONKS
 AND BROTHELS OF FRONT STREET.

16
00:03:12,692 --> 00:03:16,196
MY FATHER
WAS A PRESBYTERIAN MINISTER

17
00:03:16,196 --> 00:03:18,198
AND A FLY FISHERMAN.

18
00:03:18,198 --> 00:03:21,701
AND THOUGH IT WAS TRUE
THAT ONE DAY A WEEK

19
00:03:21,701 --> 00:03:24,204
WAS GIVEN OVER
WHOLLY TO RELIGION

20
00:03:24,704 --> 00:03:26,206
EVEN THEN, HE TOLD US

21
00:03:26,206 --> 00:03:29,709
ABOUT CHRIST'S DISCIPLES
BEING FISHERMEN.

22
00:03:29,709 --> 00:03:31,711
AND WE WERE LEFT TO ASSUME

23
00:03:31,711 --> 00:03:34,214
AS MY YOUNGER BROTHER PAUL
AND I DID

24
00:03:34,214 --> 00:03:37,717
THAT ALL FIRST-CLASS FISHERMEN
ON THE SEA OF GALILEE

25
00:03:37,717 --> 00:03:38,718
WERE FLY FISHERMEN

26
00:03:38,718 --> 00:03:40,720
AND THAT JOHN, THE FAVORITE

27
00:03:40,720 --> 00:03:42,722
WAS A DRY-FLY FISHERMAN.

28
00:03:42,722 --> 00:03:44,724
THE POOR WITHOUT CHRIST

29
00:03:44,724 --> 00:03:47,727
ARE OF ALL MEN
THE MOST MISERABLE.

30
00:03:48,228 --> 00:03:51,231
BUT THE POOR WITH CHRIST

31
00:03:51,231 --> 00:03:55,235
ARE PRINCES AND KINGS
OF THE EARTH.

32
00:03:55,235 --> 00:03:57,737
IN THE AFTERNOON
WE WOULD WALK WITH HIM

33
00:03:58,238 --> 00:04:00,240
WHILE HE UNWOUND
BETWEEN SERVICES.

34
00:04:00,240 --> 00:04:03,743
HE ALMOST ALWAYS CHOSE A PATH
ALONG THE BIG BLACKFOOT

35
00:04:03,743 --> 00:04:06,246
WHICH WE CONSIDERED
OUR FAMILY RIVER.

36
00:04:06,746 --> 00:04:09,249
AND IT WAS THERE
HE FELT HIS SOUL RESTORED

37
00:04:09,749 --> 00:04:11,751
AND HIS IMAGINATION STIRRED.

38
00:04:11,751 --> 00:04:16,256
LONG AGO RAIN FELL ON MUD
AND BECAME ROCK

39
00:04:16,256 --> 00:04:19,259
HALF A BILLION YEARS AGO.

40
00:04:19,259 --> 00:04:25,265
BUT EVEN BEFORE THAT,
BENEATH THE ROCKS...

41
00:04:25,765 --> 00:04:27,267
ARE THE WORDS OF GOD.

42
00:04:27,267 --> 00:04:28,768
LISTEN.

43
00:04:34,274 --> 00:04:39,779
AND IF PAUL AND I LISTENED
VERY CAREFULLY ALL OUR LIVES

44
00:04:39,779 --> 00:04:43,783
WE MIGHT HEAR THOSE WORDS.

45
00:04:47,787 --> 00:04:49,289
EVEN SO, PAUL AND I

46
00:04:49,289 --> 00:04:53,293
PROBABLY RECEIVED AS MANY HOURS
OF INSTRUCTION IN FLY-FISHING

47
00:04:53,293 --> 00:04:56,296
AS WE DID
IN ALL OTHER SPIRITUAL MATTERS.

48
00:04:56,296 --> 00:04:58,798
AS A PRESBYTERIAN,
MY FATHER BELIEVED

49
00:04:58,798 --> 00:05:01,301
THAT MAN BY NATURE
WAS A DAMNED MESS

50
00:05:01,301 --> 00:05:04,304
AND THAT ONLY BY PICKING UP
GOD'S RHYTHMS

51
00:05:04,304 --> 00:05:07,807
WERE WE ABLE TO REGAIN
POWER AND BEAUTY.

52
00:05:07,807 --> 00:05:09,309
TEN...

53
00:05:09,309 --> 00:05:10,810
TO HIM, ALL GOOD THINGS--

54
00:05:10,810 --> 00:05:13,813
TROUT AS WELL
AS ETERNAL SALVATION--

55
00:05:13,813 --> 00:05:14,814
COME BY GRACE

56
00:05:14,814 --> 00:05:16,816
AND GRACE COMES BY ART

57
00:05:16,816 --> 00:05:18,818
AND ART DOES NOT COME EASY.

58
00:05:18,818 --> 00:05:20,320
NORMAN.

59
00:05:25,325 --> 00:05:30,330
SO MY BROTHER AND I LEARNED
TO CAST PRESBYTERIAN STYLE--

60
00:05:30,330 --> 00:05:32,332
ON A METRONOME.

61
00:05:33,833 --> 00:05:37,337
HE BEGAN EACH SESSION
WITH THE SAME INSTRUCTION:

62
00:05:37,837 --> 00:05:39,339
CASTING IS AN ART

63
00:05:39,339 --> 00:05:42,342
THAT IS PERFORMED
ON A FOUR-COUNT RHYTHM

64
00:05:42,342 --> 00:05:44,344
BETWEEN 10:00 AND 2:00.

65
00:05:46,346 --> 00:05:48,348
IF HE HAD HAD HIS WAY

66
00:05:48,348 --> 00:05:52,352
NOBODY WHO DID NOT KNOW
HOW TO CATCH A FISH

67
00:05:52,352 --> 00:05:54,854
WOULD BE ALLOWED
TO DISGRACE A FISH

68
00:05:55,355 --> 00:05:57,357
BY CATCHING IT.

69
00:06:01,361 --> 00:06:04,864
SO IT WAS WITH
MY FORMAL EDUCATION AS WELL.

70
00:06:04,864 --> 00:06:09,369
EACH WEEKDAY, WHILE MY FATHER
WORKED ON HIS SUNDAY SERMON

71
00:06:09,369 --> 00:06:13,373
I ATTENDED THE SCHOOL
OF THE REVEREND MACLEAN.

72
00:06:13,373 --> 00:06:16,876
HE TAUGHT NOTHING
BUT READING AND WRITING

73
00:06:16,876 --> 00:06:18,378
AND, BEING A SCOT

74
00:06:18,378 --> 00:06:21,881
BELIEVED THAT THE ART OF WRITING
LAY IN THRIFT.

75
00:06:32,392 --> 00:06:34,394
HALF AS LONG.

76
00:06:39,399 --> 00:06:40,900
SO WHILE MY FRIENDS

77
00:06:40,900 --> 00:06:43,903
SPENT THEIR DAYS
AT MISSOULA ELEMENTARY

78
00:06:43,903 --> 00:06:48,908
I STAYED HOME AND LEARNED
TO WRITE THE AMERICAN LANGUAGE.

79
00:06:58,418 --> 00:07:02,422
AGAIN... HALF AS LONG.

80
00:07:29,449 --> 00:07:30,950
GOOD.

81
00:07:30,950 --> 00:07:32,452
NOW THROW IT AWAY.

82
00:07:47,467 --> 00:07:51,471
NORMAN! NORMAN!

83
00:07:51,471 --> 00:07:53,973
WAIT FOR YOUR BROTHER.

84
00:08:00,980 --> 00:08:04,484
HOWEVER, THERE WAS A BALANCE
TO MY FATHER'S SYSTEM.

85
00:08:04,484 --> 00:08:06,986
EVERY AFTERNOON I WAS SET FREE

86
00:08:06,986 --> 00:08:10,490
UNTUTORED AND UNTOUCHED
TILL SUPPER

87
00:08:10,490 --> 00:08:15,495
TO LEARN ON MY OWN
THE NATURAL SIDE OF GOD'S ORDER.

88
00:08:22,502 --> 00:08:27,006
AND THERE COULD BE
NO BETTER PLACE TO LEARN

89
00:08:27,507 --> 00:08:30,510
THAN THE MONTANA OF MY YOUTH.

90
00:08:30,510 --> 00:08:34,013
IT WAS A WORLD
WITH DEW STILL ON IT

91
00:08:34,514 --> 00:08:37,016
MORE TOUCHED BY WONDER
AND POSSIBILITY

92
00:08:37,016 --> 00:08:40,019
THAN ANY I HAVE SINCE KNOWN.

93
00:09:08,047 --> 00:09:10,049
(horn honking)

94
00:09:14,554 --> 00:09:16,556
GODDAMN IT,
OPEN UP THE DOOR!

95
00:09:16,556 --> 00:09:18,057
(boys giggle)

96
00:09:18,057 --> 00:09:19,559
WHAT THE HELL IS GOING ON?

97
00:09:19,559 --> 00:09:22,061
WHERE ARE
YOU GUYS GOING?

98
00:09:22,061 --> 00:09:23,062
CHICKENS!

99
00:09:26,065 --> 00:09:31,571
(ragtime music playing)

100
00:09:31,571 --> 00:09:35,074
COME ON,
MOVE OUT OF THE WAY.

101
00:09:46,085 --> 00:09:48,087
(women hooting)

102
00:09:50,590 --> 00:09:54,093
(women laughing and shouting)

103
00:09:57,597 --> 00:10:00,099
(men grunting)

104
00:10:02,101 --> 00:10:05,104
BUT IT WAS A TOUGH WORLD TOO.

105
00:10:05,104 --> 00:10:08,608
EVEN AS CHILDREN,
WE UNDERSTOOD THAT

106
00:10:08,608 --> 00:10:10,109
AND ADMIRED IT.

107
00:10:12,111 --> 00:10:15,114
AND OF COURSE,
WE HAD TO TEST IT.

108
00:10:15,615 --> 00:10:16,616
I KNEW I WAS TOUGH

109
00:10:17,116 --> 00:10:19,619
BECAUSE I HAD BEEN
BLOODIED IN BATTLE.

110
00:10:20,119 --> 00:10:21,621
GET HIM, GET HIM!

111
00:10:21,621 --> 00:10:24,123
DON'T BE A SISSY.

112
00:10:24,123 --> 00:10:25,124
COME ON.

113
00:10:26,125 --> 00:10:27,627
YEAH, COME ON.

114
00:10:27,627 --> 00:10:29,629
LET'S SEE
SOME BLOOD HERE.

115
00:10:29,629 --> 00:10:30,630
LOTS OF BLOOD.

116
00:10:30,630 --> 00:10:32,131
PAUL WAS DIFFERENT.

117
00:10:32,131 --> 00:10:33,633
HIS TOUGHNESS CAME

118
00:10:33,633 --> 00:10:36,135
FROM SOME SECRET PLACE
INSIDE OF HIM.

119
00:10:36,636 --> 00:10:39,639
HE SIMPLY KNEW HE WAS TOUGHER
THAN ANYONE ALIVE.

120
00:10:39,639 --> 00:10:45,144
Reverend Maclean:
GRACE WILL NOT BE SET
UNTIL THAT BOWL IS CLEAN.

121
00:10:57,657 --> 00:11:01,661
MAN HAS BEEN EATING GOD'S OATS
FOR A THOUSAND YEARS.

122
00:11:01,661 --> 00:11:05,164
IT'S NOT THE PLACE
OF AN EIGHT-YEAR-OLD BOY

123
00:11:05,164 --> 00:11:08,668
TO CHANGE
THAT TRADITION.

124
00:11:50,209 --> 00:11:51,711
(clears throat)

125
00:12:10,229 --> 00:12:13,232
GRACE.

126
00:12:20,740 --> 00:12:23,242
OH, GOD

127
00:12:23,743 --> 00:12:25,244
GOD RICH IN FORGIVENESS

128
00:12:25,244 --> 00:12:27,246
GRANT THAT WE MAY HOLD FAST

129
00:12:27,246 --> 00:12:30,249
THE GOOD THINGS
WE RECEIVE FROM THEE.

130
00:12:30,249 --> 00:12:32,752
AND AS OFTEN
AS WE'VE FALLEN TO SIN

131
00:12:32,752 --> 00:12:35,755
BE LIFTED BY REPENTANCE
THROUGH THY GRACE.

132
00:12:35,755 --> 00:12:38,257
AMEN.

133
00:12:38,257 --> 00:12:43,262
NORM, WHAT DO YOU WANT TO BE
WHEN YOU GROW UP?

134
00:12:43,262 --> 00:12:45,264
A MINISTER, I GUESS.

135
00:12:46,766 --> 00:12:48,768
OR A PROFESSIONAL BOXER.

136
00:12:48,768 --> 00:12:51,771
YOU THINK YOU COULD BEAT
JACK JOHNSON?

137
00:12:51,771 --> 00:12:53,773
I DON'T KNOW.

138
00:12:53,773 --> 00:12:56,776
I THINK YOU COULD.

139
00:12:56,776 --> 00:12:58,778
I'D LAY A BET ON IT.

140
00:12:58,778 --> 00:13:01,280
WHAT ARE YOU GOING TO BE?

141
00:13:01,280 --> 00:13:04,283
A PROFESSIONAL FLY FISHERMAN.

142
00:13:04,784 --> 00:13:06,786
THERE'S NO SUCH THING.

143
00:13:06,786 --> 00:13:08,287
THERE ISN'T?

144
00:13:08,287 --> 00:13:09,789
NO.

145
00:13:11,791 --> 00:13:13,292
HMM.

146
00:13:17,797 --> 00:13:19,799
I GUESS... A BOXER.

147
00:13:20,299 --> 00:13:22,301
NOT A MINISTER?

148
00:13:23,302 --> 00:13:25,805
(laughs)

149
00:13:33,312 --> 00:13:36,816
IN 1917, WORLD WAR I
CAME TO MISSOULA

150
00:13:36,816 --> 00:13:40,319
TAKING WITH IT
EVERY ABLE-BODIED LUMBERJACK

151
00:13:40,319 --> 00:13:43,322
LEAVING THE WOODS
TO OLD MEN AND BOYS.

152
00:13:43,322 --> 00:13:46,325
SO AT 16 I DID MY DUTY

153
00:13:46,325 --> 00:13:52,331
AND STARTED WORKING
FOR THE U.S. FOREST SERVICE.

154
00:13:52,832 --> 00:13:56,836
IT WAS A LIFE OF TIMBER AND TOIL

155
00:13:56,836 --> 00:13:59,839
WITH MEN AS TOUGH
AS THEIR AXE HANDLES

156
00:13:59,839 --> 00:14:02,842
AND MORE MOUNTAINS
IN ALL DIRECTIONS

157
00:14:03,342 --> 00:14:05,845
THAN I WOULD EVER SEE AGAIN.

158
00:14:05,845 --> 00:14:07,847
BEING TOO YOUNG TO JOIN ME

159
00:14:08,347 --> 00:14:11,851
PAUL TOOK A JOB AS LIFEGUARD
AT THE MUNICIPAL SWIMMING POOL

160
00:14:11,851 --> 00:14:15,354
SO THAT DURING THE DAY
HE COULD LOOK OVER THE GIRLS

161
00:14:15,354 --> 00:14:16,856
AND IN THE EVENINGS

162
00:14:16,856 --> 00:14:20,359
HE COULD PURSUE HIS OTHER
PURPOSE IN LIFE-- FISHING.

163
00:14:20,359 --> 00:14:22,862
?? BE THOU MY VISION ??

164
00:14:22,862 --> 00:14:27,366
?? OH, LORD OF MY HEART ??

165
00:14:27,366 --> 00:14:34,373
?? NAUGHT BE ALL ELSE TO ME
SAVE THAT THOU ART ??

166
00:14:34,373 --> 00:14:37,877
?? THOU MIGHT PRESS ON ??

167
00:14:37,877 --> 00:14:42,882
?? BY DAY OR BY NIGHT ??

168
00:14:42,882 --> 00:14:46,385
?? WAKING OR SLEEPING ??

169
00:14:46,385 --> 00:14:50,890
?
?? THY PRESENCE, MY LIGHT. ?

170
00:14:54,894 --> 00:14:56,395
WHOO!

171
00:14:56,395 --> 00:14:58,898
(boys laughing)

172
00:15:05,905 --> 00:15:07,406
(whistles)

173
00:15:25,925 --> 00:15:28,928
PREACHER,
COME ON.

174
00:15:32,431 --> 00:15:33,933
COME ON.

175
00:15:36,435 --> 00:15:39,939
SHUT UP.

176
00:15:39,939 --> 00:15:41,941
(laughing)

177
00:15:50,950 --> 00:15:52,451
DID I EVER TELL YOU GUYS

178
00:15:52,451 --> 00:15:53,953
WHAT A FOREST FIRE SOUNDS LIKE

179
00:15:54,453 --> 00:15:56,455
COMING DOWN A MOUNTAIN
AT 60 MILES...

180
00:15:56,956 --> 00:15:57,957
SHUT UP.

181
00:15:57,957 --> 00:16:00,459
DAMN IT,
THE FOREST FIRE.

182
00:16:00,459 --> 00:16:02,962
I'VE GOT A GREAT IDEA.

183
00:16:02,962 --> 00:16:04,463
I KNOW HOW WE CAN
GO DOWN IN HISTORY.

184
00:16:04,463 --> 00:16:05,464
HOW'S THAT?

185
00:16:05,464 --> 00:16:07,967
WE BORROW OLD MAN
SEIFERT'S ROWBOAT

186
00:16:07,967 --> 00:16:09,468
AND WE SHOOT
THE CHUTES.

187
00:16:09,468 --> 00:16:11,470
YOU CAN'T
SHOOT THE CHUTES, PAULY.

188
00:16:11,971 --> 00:16:12,471
YOU CAN TRY.

189
00:16:12,972 --> 00:16:13,973
YOU CAN DIE TRYING.

190
00:16:13,973 --> 00:16:16,475
THEY'D BURY YOU
WITH FULL HONORS.

191
00:16:16,475 --> 00:16:17,977
TELL THEM,
NORM.

192
00:16:17,977 --> 00:16:19,979
WE WOULD BE
THE KINGS OF MISSOULA.

193
00:16:19,979 --> 00:16:21,981
Paul:
YEAH, KINGS.

194
00:16:21,981 --> 00:16:23,482
YOU WOULD GET
YOUR PHOTOGRAPHS

195
00:16:23,482 --> 00:16:25,484
IN THE PAPER.

196
00:16:25,484 --> 00:16:26,485
I'M DOING IT.

197
00:16:26,485 --> 00:16:28,487
I AM.

198
00:16:28,487 --> 00:16:29,488
YOU'LL DIE.

199
00:16:29,488 --> 00:16:30,990
NO.

200
00:16:32,992 --> 00:16:33,993
LET'S DO IT.

201
00:16:33,993 --> 00:16:35,494
COME ON.

202
00:16:35,494 --> 00:16:36,495
I'M WITH YOU.

203
00:16:36,495 --> 00:16:37,997
LET'S GO.

204
00:16:37,997 --> 00:16:38,998
WHAT?

205
00:16:38,998 --> 00:16:39,999
ALL RIGHT.

206
00:16:39,999 --> 00:16:43,002
YEAH!

207
00:16:43,002 --> 00:16:44,503
WHOO!

208
00:16:44,503 --> 00:16:47,506
?? ROW, ROW, ROW YOUR BOAT,
GENTLY DOWN THE STREAM... ??

209
00:16:47,506 --> 00:16:49,508
LET'S GO.

210
00:16:54,513 --> 00:16:56,515
I'LL GET THE OARS.

211
00:16:58,517 --> 00:17:00,019
WHOSE IDEA
WAS THIS ANYWAY?

212
00:17:00,019 --> 00:17:02,521
WHERE WE GOING, PAULY?

213
00:17:02,521 --> 00:17:03,522
THIS WAY.

214
00:17:03,522 --> 00:17:05,524
(shouting and laughing)

215
00:17:05,524 --> 00:17:07,526
DON'T WORK
TOO HARD, CHUB.

216
00:17:07,526 --> 00:17:10,529
(singing)

217
00:17:10,529 --> 00:17:15,034
(water rushing)

218
00:17:30,549 --> 00:17:32,551
JESUS, MARY, AND JOSEPH.

219
00:17:35,054 --> 00:17:39,058
OKAY, WE'LL
PUT IN UPSTREAM.

220
00:17:45,064 --> 00:17:48,067
OKAY.

221
00:17:48,067 --> 00:17:49,568
FLIP IT.

222
00:17:54,573 --> 00:17:57,076
OKAY, HOP IN.

223
00:18:01,580 --> 00:18:02,581
COME ON

224
00:18:02,581 --> 00:18:04,083
WE CAN ALL FIT.

225
00:18:04,083 --> 00:18:05,584
I DON'T THINK SO.

226
00:18:05,584 --> 00:18:06,585
NO, I...

227
00:18:07,586 --> 00:18:11,090
(clucking like a chicken)

228
00:18:11,590 --> 00:18:13,092
HEY.

229
00:18:13,092 --> 00:18:14,593
ALL RIGHT.

230
00:18:15,094 --> 00:18:17,096
JUST ME, NORM, AND CHUB.

231
00:18:17,096 --> 00:18:20,099
JEEZ, PAULY...

232
00:18:20,099 --> 00:18:21,600
OKAY.

233
00:18:22,101 --> 00:18:26,105
THEN I GUESS
IT'S JUST THE MACLEANS.

234
00:18:50,629 --> 00:18:52,631
YOU GUYS BE CAREFUL.

235
00:19:01,140 --> 00:19:03,142
(laughing)

236
00:19:03,142 --> 00:19:06,645
YOU AIN'T GOING OVER, PAULY.

237
00:19:06,645 --> 00:19:08,147
THEY'LL PULL TO SHORE.

238
00:19:08,147 --> 00:19:10,649
SEE YOU IN HEAVEN.

239
00:19:10,649 --> 00:19:13,152
I GOT TO
TELL YOU SOMETHING.

240
00:19:13,152 --> 00:19:14,653
COME ON, GUYS.

241
00:19:25,164 --> 00:19:28,667
SEE YOU LATER, BOYS.

242
00:19:34,673 --> 00:19:36,675
HEAVY ON THE RIGHT.

243
00:19:44,683 --> 00:19:46,685
ON YOUR RIGHT,
WATCH THE RIGHT.

244
00:19:56,695 --> 00:20:00,199
˙˙˙˙(laughing)

245
00:20:14,713 --> 00:20:16,215
RIGHT.

246
00:20:16,215 --> 00:20:18,717
RIGHT.

247
00:20:18,717 --> 00:20:20,219
WATCH IT.

248
00:20:20,719 --> 00:20:23,222
ON YOUR RIGHT,
ON YOUR RIGHT.

249
00:20:29,228 --> 00:20:30,729
RIGHT.

250
00:20:37,736 --> 00:20:39,238
HANG ON.

251
00:21:01,260 --> 00:21:02,761
OH, JEEZ.

252
00:21:06,265 --> 00:21:08,267
MACLEAN!

253
00:21:08,267 --> 00:21:09,768
HEY!

254
00:21:12,271 --> 00:21:15,274
MACLEAN.

255
00:21:22,781 --> 00:21:25,284
PAULY!

256
00:21:25,284 --> 00:21:26,785
HEY, CHUB.

257
00:21:40,299 --> 00:21:42,301
MACLEAN!

258
00:21:42,301 --> 00:21:44,303
(shouting)

259
00:21:46,305 --> 00:21:47,806
WHAT THE HELL?

260
00:21:50,309 --> 00:21:52,311
(laughing)

261
00:21:52,311 --> 00:21:54,813
SON OF A...

262
00:21:56,815 --> 00:21:59,818
CRAZY SON OF A...

263
00:22:02,321 --> 00:22:06,325
CRAZY SON OF A BITCH.

264
00:22:07,326 --> 00:22:09,328
YOU GUYS OKAY?

265
00:22:09,328 --> 00:22:10,829
WHERE'S...

266
00:22:14,833 --> 00:22:16,835
PREACH, YOU OKAY?

267
00:22:16,835 --> 00:22:20,339
SURE.

268
00:22:28,347 --> 00:22:30,849
(door creaking)

269
00:22:39,358 --> 00:22:41,360
YOU WILL GO TO CHURCH
THIS DAY

270
00:22:41,360 --> 00:22:43,362
AND PRAY
FOR FORGIVENESS.

271
00:22:45,864 --> 00:22:48,867
YOUR MOTHER SPENT THE NIGHT
SICK WITH WORRY.

272
00:22:48,867 --> 00:22:51,370
DID YOU THINK
ABOUT HER FEELINGS?

273
00:22:51,370 --> 00:22:55,374
Mrs. Maclean:
MRS. CAMPBELL CALLED.

274
00:22:56,875 --> 00:22:58,377
WHO GAVE YOU THE BOAT?

275
00:22:58,377 --> 00:22:59,878
WE, UM...

276
00:22:59,878 --> 00:23:00,879
BORROWED IT.

277
00:23:01,880 --> 00:23:03,882
BORROWED?

278
00:23:07,386 --> 00:23:09,888
BOYS, WHAT HAVE YOU DONE?

279
00:23:15,394 --> 00:23:19,398
WELL, YOU WILL WORK OFF
EVERY CENT OF ITS VALUE.

280
00:23:19,398 --> 00:23:21,400
YES, SIR.

281
00:23:21,400 --> 00:23:23,402
I'LL WORK IT OFF,
FATHER.

282
00:23:23,402 --> 00:23:24,903
IT WAS MY IDEA.

283
00:23:36,415 --> 00:23:37,916
(whistles)

284
00:23:37,916 --> 00:23:41,420
WHOO!

285
00:23:41,420 --> 00:23:43,422
WHAT YOU MAKING?

286
00:23:43,422 --> 00:23:45,424
KNOW WHAT YOU NEED ON THAT?

287
00:23:45,424 --> 00:23:47,426
HAM, CHEESE, AND SARDINES.

288
00:23:47,926 --> 00:23:49,428
I DON'T WANT SARDINES.

289
00:23:49,428 --> 00:23:50,929
I'LL SHOW YOU.

290
00:23:50,929 --> 00:23:52,931
BOY, CAN YOU BELIEVE
THOSE GUYS?

291
00:23:52,931 --> 00:23:56,435
THEY'LL BE TELLING EVERYONE
THE CLASS OF '19 DID IT.

292
00:23:56,935 --> 00:23:58,437
I SHOULD WRITE
AN ARTICLE.

293
00:23:58,437 --> 00:23:59,938
"MACLEANS CONQUER SHOOTS."

294
00:23:59,938 --> 00:24:01,440
I DON'T LIKE SARDINES.

295
00:24:01,440 --> 00:24:04,943
AND YOU COULD GET IT
IN THE SCHOOL PAPER, I BET.

296
00:24:04,943 --> 00:24:06,445
CHUB.

297
00:24:06,445 --> 00:24:08,947
"JEEZ, PAULY."

298
00:24:08,947 --> 00:24:10,449
WHAT A SKEEZITS.

299
00:24:10,449 --> 00:24:12,951
I DON'T WANT ANY
GODDAMN SARDINES.

300
00:24:19,958 --> 00:24:21,960
(glass shattering)

301
00:24:25,464 --> 00:24:27,466
(groaning)

302
00:24:37,476 --> 00:24:40,479
NO, STOP IT.

303
00:24:40,479 --> 00:24:42,481
STOP IT, STOP IT.

304
00:24:42,481 --> 00:24:43,482
STOP IT!

305
00:24:43,482 --> 00:24:44,983
(screams)

306
00:24:44,983 --> 00:24:47,486
YOU HIT HER,
YOU SON OF A BITCH.

307
00:24:47,486 --> 00:24:49,988
YOU KNOCKED HER DOWN,
YOU BASTARD.

308
00:24:49,988 --> 00:24:51,490
SON OF A BITCH.

309
00:24:51,490 --> 00:24:53,992
PLEASE, I SLIPPED,
I SLIPPED, I SLIPPED.

310
00:25:02,000 --> 00:25:06,004
I JUST SLIPPED,
THAT'S ALL.

311
00:25:23,522 --> 00:25:26,525
THAT WAS THE ONLY TIME
WE EVER FOUGHT.

312
00:25:26,525 --> 00:25:31,029
PERHAPS WE WONDERED AFTERWARDS
WHICH ONE OF US WAS TOUGHER

313
00:25:31,029 --> 00:25:35,033
BUT IF BOYHOOD QUESTIONS AREN'T
ANSWERED BEFORE A CERTAIN POINT

314
00:25:35,033 --> 00:25:37,035
THEY CAN'T BE RAISED AGAIN.

315
00:25:37,035 --> 00:25:40,038
SO WE RETURNED TO BEING
GRACIOUS TO ONE ANOTHER

316
00:25:40,038 --> 00:25:42,040
AS THE CHURCH WALL SUGGESTED.

317
00:26:20,078 --> 00:26:23,582
I THEN SAW SOMETHING REMARKABLE.

318
00:26:23,582 --> 00:26:25,083
FOR THE FIRST TIME

319
00:26:25,083 --> 00:26:28,086
PAUL BROKE FREE
OF OUR FATHER'S INSTRUCTIONS

320
00:26:28,587 --> 00:26:32,090
INTO A RHYTHM ALL HIS OWN.

321
00:26:43,101 --> 00:26:45,103
OKAY.

322
00:26:55,614 --> 00:26:57,115
OKAY.

323
00:27:01,620 --> 00:27:06,625
THEY'RE BOTH MARVELOUS.

324
00:27:13,632 --> 00:27:15,133
I'D SAY THE LORD

325
00:27:15,133 --> 00:27:17,636
HAS BLESSED
US ALL TODAY.

326
00:27:20,639 --> 00:27:21,640
(clears throat)

327
00:27:26,144 --> 00:27:31,149
IT'S JUST THAT HE'S BEEN
PARTICULARLY GOOD TO ME.

328
00:27:31,149 --> 00:27:33,652
(laughs)

329
00:27:38,657 --> 00:27:40,659
THE YEAR ENDED

330
00:27:40,659 --> 00:27:42,661
WITH MY ACCEPTANCE
INTO DARTMOUTH COLLEGE.

331
00:27:42,661 --> 00:27:44,162
SOMETIME BEFORE

332
00:27:44,663 --> 00:27:46,164
FATHER HAD TOLD ME
I WAS ALLOWED TO ATTEND

333
00:27:46,665 --> 00:27:48,166
ANY COLLEGE IN THE WORLD
I COULD GET INTO.

334
00:27:48,166 --> 00:27:52,170
I KNEW HE EARNED NO MORE
THAN $1,800 A YEAR

335
00:27:52,170 --> 00:27:55,173
SO HIS OFFER MEANT MORE
THAN ANYTHING IN MY LIFE.

336
00:27:55,173 --> 00:27:57,676
WELL, DO YOUR BEST.

337
00:27:57,676 --> 00:27:59,177
I WILL.

338
00:27:59,177 --> 00:28:00,679
(clears throat)

339
00:28:00,679 --> 00:28:01,680
Man:
ALL ABOARD.

340
00:28:13,191 --> 00:28:15,694
HEY, NORMAN, NORM.

341
00:28:36,715 --> 00:28:41,219
SO IN THE AUTUMN OF 1919,
I BOARDED THE NORTHERN PACIFIC

342
00:28:41,219 --> 00:28:47,225
FOR A 3,000-MILE TRIP EAST
TO THE UNKNOWN.

343
00:28:47,225 --> 00:28:50,228
TO THE SON OF A MONTANA MINISTER

344
00:28:50,228 --> 00:28:53,732
DARTMOUTH WAS
MORE THAN AN EDUCATION.

345
00:28:53,732 --> 00:28:55,734
IT WAS A REVELATION

346
00:28:55,734 --> 00:29:00,238
EXPOSING ME TO A WORLD
I HAD ONLY GUESSED AT.

347
00:29:03,241 --> 00:29:06,745
AS PART OF MY DEGREE

348
00:29:06,745 --> 00:29:08,747
I WAS REQUIRED TO ENLIGHTEN
INCOMING FRESHMEN

349
00:29:08,747 --> 00:29:11,249
ON THE WONDERS
OF THE ROMANTIC POETS

350
00:29:11,249 --> 00:29:14,753
AND ALTHOUGH I WAS
UNAWARE OF IT THEN

351
00:29:14,753 --> 00:29:16,254
TEACHING FIT ME.

352
00:29:16,254 --> 00:29:18,256
BUT MOST OF THE TIME

353
00:29:18,256 --> 00:29:20,759
I SAT IN THE CARD ROOM
OF MY FRATERNITY HOUSE

354
00:29:20,759 --> 00:29:24,262
GIVING MY BLUENOSE BROTHERS
 A LESSON IN FRONT STREET POKER.

355
00:29:26,264 --> 00:29:28,767
IN ALL, I SPENT SIX YEARS
AT DARTMOUTH--

356
00:29:29,267 --> 00:29:32,771
AWAY FROM HOME
NEARLY ALL THAT TIME.

357
00:29:33,271 --> 00:29:34,272
ON THE OTHER HAND

358
00:29:34,272 --> 00:29:36,775
PAUL STAYED HOME FOR COLLEGE

359
00:29:36,775 --> 00:29:40,779
UNWILLING TO LEAVE THE FISH
HE HAD NOT YET CAUGHT.

360
00:29:44,783 --> 00:29:45,784
AFTER GRADUATION

361
00:29:46,284 --> 00:29:49,287
HE TOOK A JOB AS A REPORTER
FOR A HELENA NEWSPAPER

362
00:29:49,788 --> 00:29:51,289
AND MOVED TO THAT TOWN--

363
00:29:51,289 --> 00:29:56,294
HIS CONNECTION WITH THE FAMILY
GROWING AS SLIGHT AS MY OWN.

364
00:30:04,302 --> 00:30:07,305
IT WAS NOT UNTIL
THE SPRING OF 1926

365
00:30:07,305 --> 00:30:10,308
THAT I FINALLY DID COME HOME.

366
00:30:53,852 --> 00:30:55,353
DINNER IS IN
HALF AN HOUR.

367
00:30:55,353 --> 00:30:57,355
YOU HAVE TIME
FOR A BATH.

368
00:30:59,858 --> 00:31:01,359
DO I LOOK THIN, MOTHER?

369
00:31:04,863 --> 00:31:07,365
DO I LOOK OLD, NORMAN?

370
00:31:09,367 --> 00:31:10,368
NO.

371
00:31:10,368 --> 00:31:12,370
YOU LOOK, UH...

372
00:31:12,370 --> 00:31:15,373
WISH PAUL COULD
HAVE BEEN HERE TONIGHT.

373
00:31:15,874 --> 00:31:17,375
HE'S WORKING LATE.

374
00:31:20,378 --> 00:31:22,881
NORMAN?

375
00:31:22,881 --> 00:31:24,382
WOULD YOU COME IN?

376
00:31:30,889 --> 00:31:33,892
I'M SORRY PAUL
WON'T BE HERE.

377
00:31:33,892 --> 00:31:36,394
THE LIFE
OF A NEWSPAPERMAN.

378
00:31:36,394 --> 00:31:40,398
WELL, YOU KNOW HOW PAUL
LIKES TO...

379
00:31:40,899 --> 00:31:42,400
I DO.

380
00:31:42,400 --> 00:31:44,402
SIT.

381
00:31:50,408 --> 00:31:53,411
I ALSO HEAR THAT HE...

382
00:31:53,411 --> 00:31:56,414
WELL, I HEAR EVERYTHING,
DON'T I?

383
00:31:56,414 --> 00:31:59,417
GOD FORBID MY FLOCK
KEEP ME IN IGNORANCE.

384
00:32:02,921 --> 00:32:03,922
YES.

385
00:32:03,922 --> 00:32:06,925
YOU CAN BET EVERYONE
FROM HERE TO HELENA

386
00:32:06,925 --> 00:32:09,928
KNOWS THE DETAILS
OF YOUR EDUCATION, NORMAN.

387
00:32:09,928 --> 00:32:13,431
THAT IS
AN ACHIEVEMENT.

388
00:32:13,932 --> 00:32:16,434
TO WHAT USE SHALL YOU PUT
THIS ACHIEVEMENT?

389
00:32:16,434 --> 00:32:18,937
(clears throat)

390
00:32:18,937 --> 00:32:23,441
WELL, I'VE BEEN CONSIDERING
THE FOREST SERVICE.

391
00:32:23,441 --> 00:32:25,944
AS A CAREER?

392
00:32:25,944 --> 00:32:28,446
NO.

393
00:32:28,446 --> 00:32:32,450
NO, FOR THE SUMMER.

394
00:32:32,450 --> 00:32:34,452
AH.

395
00:32:34,452 --> 00:32:35,954
AS A BREAK.

396
00:32:35,954 --> 00:32:37,956
WELL, THAT'S A GOOD IDEA.

397
00:32:37,956 --> 00:32:39,958
THE BODY FUELS THE MIND.

398
00:32:39,958 --> 00:32:41,459
THAT'S WHAT
I WAS THINKING.

399
00:32:41,459 --> 00:32:42,961
AND AFTER?

400
00:32:42,961 --> 00:32:46,464
I'M NOT ABSOLUTELY SURE YET.

401
00:32:46,464 --> 00:32:51,970
WELL, YOU'VE HAD SIX YEARS
TO BECOME SURE, NORMAN.

402
00:33:01,479 --> 00:33:04,983
HAVE YOU CONSIDERED
AN ADVANCED DEGREE?

403
00:33:04,983 --> 00:33:06,484
THE LAW?

404
00:33:06,985 --> 00:33:08,486
MEDICINE?

405
00:33:08,486 --> 00:33:09,487
NO.

406
00:33:09,487 --> 00:33:12,490
THE MINISTRY.

407
00:33:12,490 --> 00:33:16,995
I'VE APPLIED FOR SEVERAL
TEACHING POSITIONS AND, UM...

408
00:33:16,995 --> 00:33:17,996
HAVE YOU?

409
00:33:17,996 --> 00:33:18,997
YES, COLLEGE LEVEL.

410
00:33:19,497 --> 00:33:20,999
I HAVEN'T HEARD
ANYTHING YET.

411
00:33:21,499 --> 00:33:23,501
NO, IT'S EARLY, BUT...

412
00:33:23,501 --> 00:33:26,504
NOW, YOU HAVE TAUGHT CLASSES
ALREADY, HAVEN'T YOU?

413
00:33:26,504 --> 00:33:28,506
YES.

414
00:33:28,506 --> 00:33:31,509
AND DID YOU FIND
THAT EXPERIENCE REWARDING?

415
00:33:31,509 --> 00:33:33,011
THAT IS TO SAY

416
00:33:33,011 --> 00:33:36,514
DO YOU FEEL THIS COULD BE
YOUR CALLING?

417
00:33:36,514 --> 00:33:40,518
MY CALLING?

418
00:33:40,518 --> 00:33:43,021
˙˙Mrs. Maclean:
˙˙˙˙˙˙DINNER, GENTLEMEN.

419
00:33:58,536 --> 00:34:01,539
˙˙Paul:
˙˙˙˙˙˙IF IT'S SO FUNNY,
˙˙˙˙˙˙HOW COME I'M NOT LAUGHING?

420
00:34:01,539 --> 00:34:03,541
YES, PEE IN THEIR PANTS.

421
00:34:05,543 --> 00:34:06,044
PAUL MACLEAN?

422
00:34:06,544 --> 00:34:07,545
IN THERE.

423
00:34:07,545 --> 00:34:10,048
Paul:
THE ANACONDA MINE RULES

424
00:34:10,048 --> 00:34:13,551
SAY NO BREAKS, SO THEY HAVE
TO PEE IN THEIR PANTS.

425
00:34:13,551 --> 00:34:15,553
Man:
WHAT ABOUT THE LATE
GEORGE MASTERSON?

426
00:34:15,553 --> 00:34:17,555
Man #2:
OOH, THE GRIEVING WIDOW.

427
00:34:17,555 --> 00:34:19,057
Man #1:
I'LL TAKE THAT ONE.

428
00:34:19,557 --> 00:34:21,059
YOU TAKE THE ANACONDA.

429
00:34:21,559 --> 00:34:24,062
BUT I'M THE BOSS, MACLEAN.

430
00:34:25,563 --> 00:34:28,066
FINE BY ME, BOSS.

431
00:34:28,066 --> 00:34:30,068
BROTHER.

432
00:34:32,570 --> 00:34:34,072
LOOK AT YOU.

433
00:34:35,573 --> 00:34:39,077
BOYS, THIS IS MY BIG BROTHER,
THE PROFESSOR.

434
00:34:39,077 --> 00:34:40,578
GENTLEMEN.

435
00:34:40,578 --> 00:34:42,580
COME ON.

436
00:34:44,582 --> 00:34:46,084
Editor:
WE GO WITH IT.

437
00:34:46,584 --> 00:34:49,087
THANKS FOR COMING TO SEE ME
LAST NIGHT.

438
00:34:49,087 --> 00:34:50,588
I AM SORRY
ABOUT THAT.

439
00:34:50,588 --> 00:34:52,090
WANTED TO BE THERE.

440
00:34:52,090 --> 00:34:54,092
WANTED TO HEAR THE OLD MAN SAY

441
00:34:54,092 --> 00:34:57,595
"NORMAN, COULD YOU COME
INTO MY STUDY, PLEASE?"

442
00:34:57,595 --> 00:34:59,097
(laughing)

443
00:35:04,102 --> 00:35:06,604
JEEZ, THE PROFESSOR.

444
00:35:09,607 --> 00:35:11,609
WE SHOULD CELEBRATE.

445
00:35:18,616 --> 00:35:19,617
YEAH.

446
00:35:19,617 --> 00:35:23,121
A LITTLE EARLY FOR ME.

447
00:35:23,121 --> 00:35:28,126
OH, THE EAST IS MAKING YOU SOFT.

448
00:35:28,126 --> 00:35:31,129
IS THAT RIGHT?

449
00:35:47,145 --> 00:35:49,147
DO MUCH FISHING OUT EAST?

450
00:35:49,147 --> 00:35:52,150
NONE.

451
00:35:52,150 --> 00:35:53,151
NONE?

452
00:35:53,651 --> 00:35:55,153
WELL, WHAT DO YOU SAY?

453
00:35:55,153 --> 00:35:57,155
BIG BLACKFOOT.

454
00:36:23,181 --> 00:36:25,183
YOU SET?

455
00:36:25,183 --> 00:36:26,184
YEAH.

456
00:36:33,691 --> 00:36:35,693
WHY DON'T YOU TAKE
THIS HOLE?

457
00:36:35,693 --> 00:36:37,195
NO, THAT'S ALL RIGHT.

458
00:36:37,195 --> 00:36:39,197
NO, NO,
IT'S A GOOD HOLE.

459
00:36:46,204 --> 00:36:48,206
(casts line)

460
00:36:58,716 --> 00:37:01,219
TOO TIGHT.

461
00:37:01,219 --> 00:37:03,221
TRY A ROLL CAST.

462
00:37:14,732 --> 00:37:16,234
(disgusted grunt)

463
00:37:18,236 --> 00:37:21,239
THE FISH
ARE OUT FURTHER.

464
00:37:22,740 --> 00:37:25,743
JUST A LITTLE... FURTHER.

465
00:37:25,743 --> 00:37:28,246
CAST YOUR LINE
INTO THE CURRENT.

466
00:37:28,246 --> 00:37:30,748
IT'LL GIVE YOU
A BETTER BASE.

467
00:37:30,748 --> 00:37:32,250
ADD SOME DISTANCE.

468
00:37:32,250 --> 00:37:36,254
YOU'RE JUST RUSTY,
THAT'S ALL.

469
00:39:34,372 --> 00:39:36,374
HE CALLED IT SHADOW CASTING--

470
00:39:36,874 --> 00:39:41,879
KEEPING HIS LINE ABOVE WATER
LONG ENOUGH AND LOW ENOUGH

471
00:39:41,879 --> 00:39:44,382
TO MAKE A RAINBOW RISE.

472
00:39:44,382 --> 00:39:47,385
AND I REALIZED THAT IN THE TIME
I WAS AWAY

473
00:39:47,385 --> 00:39:51,889
MY BROTHER HAD BECOME AN ARTIST.

474
00:39:51,889 --> 00:39:55,393
AND ONE DAY MY COACH
COMES UP TO ME AND SAYS

475
00:39:55,393 --> 00:39:57,895
"MAC, HOW'D YOU LIKE
TO MEET JOHN L. SULLIVAN?"

476
00:39:57,895 --> 00:39:58,896
NO.

477
00:39:58,896 --> 00:39:59,897
YES, THE JOHN L. SULLIVAN.

478
00:40:00,398 --> 00:40:02,400
THE LAST BARE-KNUCKLE CHAMPION
OF THE WORLD.

479
00:40:02,900 --> 00:40:05,403
IT WAS THEN I KNEW I WAS HOME.

480
00:40:05,403 --> 00:40:09,407
STANDING ON THE STEPS OF
THE MISSOULA LIBRARY ONCE AGAIN

481
00:40:09,407 --> 00:40:10,408
LATE AT NIGHT

482
00:40:10,908 --> 00:40:13,911
TELLING STORIES TO THE SAME BOYS
WHO HAD SAT THERE

483
00:40:13,911 --> 00:40:15,913
AND LISTENED
A HUNDRED TIMES BEFORE.

484
00:40:15,913 --> 00:40:19,917
AND WHO HAD, IN MY ABSENCE,
BECOME MEN.

485
00:40:20,418 --> 00:40:23,921
IT JUST GOES TO SHOW YOU,
THE WORLD IS FULL OF BASTARDS.

486
00:40:24,422 --> 00:40:25,923
Both:
THE NUMBER INCREASING RAPIDLY

487
00:40:26,424 --> 00:40:28,926
THE FURTHER ONE GETS
FROM MISSOULA, MONTANA.

488
00:40:28,926 --> 00:40:29,927
AMEN.

489
00:40:30,428 --> 00:40:33,431
THAT'S WHY YOU NEED
TO STICK AROUND HERE.

490
00:40:33,431 --> 00:40:35,433
HEY, WHERE'S THE GARGLE?

491
00:40:35,433 --> 00:40:37,435
YES, PASS
THIS WAY.

492
00:40:37,435 --> 00:40:40,438
I'M TAKING YOU
TO THE FOURTH OF JULY DANCE.

493
00:40:40,438 --> 00:40:43,441
EVERY GIRL YOU NEED TO KNOW
WILL BE THERE.

494
00:40:43,441 --> 00:40:44,442
WITHOUT MAMA.

495
00:40:44,442 --> 00:40:48,946
FIND YOU A LITTLE SHEBA.

496
00:40:48,946 --> 00:40:51,949
WELL, GENTLEMEN,
IT'S BEEN SWELL.

497
00:40:51,949 --> 00:40:54,952
WHERE YOU GOING?

498
00:40:54,952 --> 00:40:56,454
HEAVY DATE,
PAULY?

499
00:40:56,454 --> 00:40:57,955
WITH A POKER TABLE.

500
00:40:57,955 --> 00:41:00,958
YOU SEE THEM NEW SIGNS
ON THE WAY DOWN, PAULY?

501
00:41:00,958 --> 00:41:02,960
"DOES YOUR HUSBAND MISBEHAVE

502
00:41:02,960 --> 00:41:05,463
"GRUNT AND GRUMBLE,
RANT AND RAVE?

503
00:41:05,463 --> 00:41:08,966
WELL, SHOOT THAT BRUTE
SOME BURMA SHAVE."

504
00:41:08,966 --> 00:41:11,469
(guys laughing)

505
00:41:11,469 --> 00:41:12,970
THE ROAD TO WHERE?

506
00:41:12,970 --> 00:41:14,972
LOLO.

507
00:41:24,982 --> 00:41:30,488
BEING BACK IN MY FATHER'S CHURCH
SEEMED TO COMPLETE MY RETURN.

508
00:41:30,488 --> 00:41:31,989
MORE THAN ANYTHING ELSE

509
00:41:32,490 --> 00:41:34,492
I REALIZED
IT WAS MY FATHER'S WORDS

510
00:41:34,492 --> 00:41:36,494
THAT MADE ME FEEL MOST AT HOME.

511
00:41:36,494 --> 00:41:39,497
...AND IN THE GLOW
OF AWAKENED MEMORIES

512
00:41:39,497 --> 00:41:44,001
WHEN THE DEEPEST FEELINGS
OF THE HEART ARE ALL ASTIR

513
00:41:44,001 --> 00:41:48,005
WE ARE REMINDED OF THE POET
WHO SINGS

514
00:41:48,005 --> 00:41:52,009
"BACKWARD, TURN BACKWARD,
OH, TIME, OH, FLIGHT

515
00:41:52,009 --> 00:41:57,781
MAKE ME A CHILD AGAIN,
JUST FOR TONIGHT."

516
00:41:57,781 --> 00:42:01,018
('20s dance music playing)

517
00:42:27,545 --> 00:42:29,046
WHOO!

518
00:42:29,046 --> 00:42:30,548
OOH!

519
00:42:38,055 --> 00:42:39,557
RECOGNIZE ANYBODY?

520
00:42:39,557 --> 00:42:41,058
WELL, UH...

521
00:42:41,058 --> 00:42:43,060
OH, YOU BEEN GONE
TOO LONG, SON.

522
00:42:43,060 --> 00:42:44,562
Man:
OH, JESSIE.

523
00:42:47,565 --> 00:42:49,066
WHO'S THAT?

524
00:42:49,066 --> 00:42:51,068
WHO?

525
00:42:51,569 --> 00:42:53,070
THERE.

526
00:42:55,573 --> 00:42:57,074
YEAH?

527
00:42:59,076 --> 00:43:02,580
LITTLE INFATUATION?

528
00:43:02,580 --> 00:43:05,082
CHUB, WHO IS THAT?

529
00:43:05,082 --> 00:43:06,584
JESSIE BURNS.

530
00:43:07,084 --> 00:43:08,085
FROM WOLF CREEK.

531
00:43:08,085 --> 00:43:11,088
GOT A BROTHER
WHO WENT TO HOLLYWOOD.

532
00:43:11,088 --> 00:43:13,591
JESSIE BURNS.

533
00:43:20,598 --> 00:43:23,100
EXCUSE ME,
WOULD YOU LIKE TO DANCE?

534
00:43:23,100 --> 00:43:25,603
OH, GOD, WOULD YOU
BE A DOLL

535
00:43:25,603 --> 00:43:27,104
AND GET US A DRINK?

536
00:43:27,104 --> 00:43:29,106
JESSIE,
WHO'S THAT?

537
00:43:51,629 --> 00:43:53,130
HERE YOU ARE.

538
00:43:57,134 --> 00:43:58,636
HERE YOU GO.

539
00:43:58,636 --> 00:44:00,137
OH, GREAT.

540
00:44:00,137 --> 00:44:02,139
YOU'RE A LIFESAVER.

541
00:44:02,640 --> 00:44:04,141
OOP.

542
00:44:04,141 --> 00:44:05,643
HOW LADYLIKE.

543
00:44:08,145 --> 00:44:09,647
I HAVE TO BE CAREFUL

544
00:44:09,647 --> 00:44:12,149
OR I'LL WIPE OFF
ALL THE POWDER.

545
00:44:12,149 --> 00:44:15,653
PHANTOM OF THE OPERA.

546
00:44:23,661 --> 00:44:26,163
?
?? PACK UP ALL MY CARE AND WOE ?

547
00:44:26,163 --> 00:44:28,165
?? HERE I GO, SINGING LOW ??

548
00:44:28,666 --> 00:44:32,169
?? BYE-BYE, BLACKBIRD... ??

549
00:44:32,169 --> 00:44:35,673
YOU KNOW, I HEARD
LOUIS ARMSTRONG SING THIS SONG

550
00:44:36,173 --> 00:44:39,677
IN A LITTLE SPEAK
IN GREENWICH VILLAGE, NEW YORK.

551
00:44:39,677 --> 00:44:42,179
REALLY?

552
00:44:42,179 --> 00:44:43,681
BEST JAZZ IN THE WORLD.

553
00:44:43,681 --> 00:44:45,182
COLORED JAZZ, YOU KNOW.

554
00:44:45,182 --> 00:44:46,684
THE REAL McCOY.

555
00:44:46,684 --> 00:44:50,187
NOT LIKE PAUL WHITEMAN
OR THE KLIQUOT CLUB ESKIMOS.

556
00:44:50,187 --> 00:44:53,691
MY MOTHER LOVES
THE KLIQUOT CLUB ESKIMOS.

557
00:44:56,193 --> 00:44:57,695
DOES SHE?

558
00:44:58,696 --> 00:45:04,702
??
?? ...BLACKBIRD, BYE-BYE...

559
00:45:15,713 --> 00:45:17,214
DANCE?

560
00:45:20,718 --> 00:45:21,719
YEAH.

561
00:45:21,719 --> 00:45:24,722
Man:
YOWSA, YOWSA, YOWSA.

562
00:45:24,722 --> 00:45:26,223
LET THE FIREWORKS BEGIN.

563
00:45:26,724 --> 00:45:28,225
(fireworks exploding)

564
00:45:28,726 --> 00:45:30,227
GUYS, COME ON.

565
00:45:30,227 --> 00:45:32,229
JESSIE, COME ON.

566
00:45:32,229 --> 00:45:33,230
JESSIE.

567
00:45:33,731 --> 00:45:36,233
LOOK AT THAT.

568
00:45:36,233 --> 00:45:37,735
WOW!

569
00:45:37,735 --> 00:45:39,737
SWELL.

570
00:45:43,741 --> 00:45:45,743
WHAT A WONDERFUL IDEA.

571
00:45:45,743 --> 00:45:48,245
WHAT BETTER LESSON
FOR THOSE GIRLS

572
00:45:48,245 --> 00:45:50,748
THAN A TRIP
TO THE RESERVATION

573
00:45:50,748 --> 00:45:54,251
TO LEARN A REAL
CHRISTIAN MESSAGE OF GIVING.

574
00:45:54,752 --> 00:45:55,753
DON'T YOU THINK?

575
00:45:55,753 --> 00:45:58,255
I'LL ORGANIZE IT.
DON'T LIFT A FINGER.

576
00:45:58,255 --> 00:45:59,757
OH, THANK YOU, EVA.

577
00:45:59,757 --> 00:46:01,759
THIS IS THE MOST
CHARITABLE IDEA

578
00:46:02,259 --> 00:46:03,260
I'VE HEARD IN YEARS.

579
00:46:03,260 --> 00:46:05,763
DO YOU KNOW
THOSE INDIAN CHILDREN

580
00:46:05,763 --> 00:46:07,765
DON'T EVEN
HAVE SHOES, NORMAN?

581
00:46:07,765 --> 00:46:09,767
YOU WAITING
FOR THE PHONE?

582
00:46:09,767 --> 00:46:11,769
I DON'T HAVE TO.

583
00:46:11,769 --> 00:46:12,770
NO, GO AHEAD.

584
00:46:13,270 --> 00:46:14,271
OKAY.

585
00:46:14,271 --> 00:46:15,773
IF YOU NEED
TO USE IT.

586
00:46:15,773 --> 00:46:17,775
NO, NO, NO,
I'VE WORK TO DO.

587
00:46:30,287 --> 00:46:31,789
HELLO, MRS. HATCHER.

588
00:46:34,291 --> 00:46:38,295
HELLO, MRS. HATCHER,
I'D LIKE...

589
00:46:38,295 --> 00:46:39,797
OH, SHE'S FINE.

590
00:46:39,797 --> 00:46:41,298
I'D LIKE...

591
00:46:41,298 --> 00:46:43,801
YES, THEY'RE FINE,
EVERYBODY'S FINE.

592
00:46:43,801 --> 00:46:45,803
THEY'RE ALL FINE,
MRS. HATCHER.

593
00:46:45,803 --> 00:46:49,807
I'D LIKE THE BURNS RESIDENCE
IN WOLF CREEK, PLEASE.

594
00:46:49,807 --> 00:46:54,311
YES, MRS. HATCHER,
I KNOW IT'S LONG DISTANCE.

595
00:46:54,812 --> 00:46:56,814
THANK YOU.

596
00:46:59,316 --> 00:47:01,318
HELLO.

597
00:47:01,318 --> 00:47:03,320
IS JESSIE THERE?

598
00:47:03,821 --> 00:47:08,325
OH, THIS IS NORMAN MACLEAN,
BUT I DON'T THINK SHE...

599
00:47:11,328 --> 00:47:12,830
HELLO.

600
00:47:16,333 --> 00:47:20,838
NO, I'M THE ONE
WHO BROUGHT YOU THE DRINK.

601
00:47:20,838 --> 00:47:22,840
MM-HMM.

602
00:47:22,840 --> 00:47:25,843
NO, WE DIDN'T GET A CHANCE.

603
00:47:25,843 --> 00:47:29,346
THE FIREWORKS STARTED
AND, WELL...

604
00:47:29,346 --> 00:47:32,349
WE TALKED ABOUT MUSIC?

605
00:47:32,850 --> 00:47:40,858
AND I SAID I HEARD
LOUIS ARMSTRONG SING THE...

606
00:47:40,858 --> 00:47:43,861
YEAH, THAT'S ME.

607
00:47:43,861 --> 00:47:46,864
YEAH, I WAS
JUST A LITTLE NERVOUS, HMM?

608
00:47:46,864 --> 00:47:52,369
WELL, BECAUSE... YOU WERE SO
JE NE SAIS QUOI.

609
00:47:56,874 --> 00:47:59,376
AND I THOUGHT MAYBE I COULD
COME OVER

610
00:47:59,877 --> 00:48:03,881
AND LISTEN TO THE KLIQUOT CLUB
ESKIMOS WITH YOUR MOTHER.

611
00:48:04,381 --> 00:48:06,884
YES.

612
00:48:06,884 --> 00:48:09,386
UH-HUH.

613
00:48:09,386 --> 00:48:15,893
WELL, ACTUALLY, I CALLED BECAUSE
I WANTED TO SEE YOU AGAIN.

614
00:48:15,893 --> 00:48:21,398
WELL, UM, HOW ABOUT SATURDAY?

615
00:48:21,398 --> 00:48:23,400
UH, 8:00?

616
00:48:25,402 --> 00:48:26,904
OKAY.

617
00:48:29,406 --> 00:48:32,409
OKAY.

618
00:48:32,409 --> 00:48:35,412
THEN I'LL SEE YOU THEN.

619
00:48:35,412 --> 00:48:37,414
BYE.

620
00:48:49,426 --> 00:48:51,428
(drunken singing)

621
00:48:51,428 --> 00:48:53,430
I'D LIKE TO DO THAT AGAIN.

622
00:48:54,932 --> 00:48:56,934
Paul:
HEY, HERE THEY ARE.

623
00:48:59,937 --> 00:49:02,439
BROTHER.

624
00:49:02,439 --> 00:49:03,440
HI.

625
00:49:03,440 --> 00:49:04,441
HI.

626
00:49:04,942 --> 00:49:06,944
JESSIE, THIS IS MY
BABY BROTHER PAUL.

627
00:49:07,444 --> 00:49:08,445
AND THIS IS MONASITA.

628
00:49:08,946 --> 00:49:11,448
MABEL.

629
00:49:11,448 --> 00:49:14,451
HI.

630
00:49:14,451 --> 00:49:15,953
SHALL WE?

631
00:49:21,458 --> 00:49:22,459
WHAT DO YOU SAY, PAULY?

632
00:49:22,960 --> 00:49:23,961
HEY, PAULY.

633
00:49:23,961 --> 00:49:24,962
MURPH.

634
00:49:24,962 --> 00:49:25,963
PREACHER.

635
00:49:25,963 --> 00:49:27,965
PREACHER?

636
00:49:27,965 --> 00:49:28,966
HOW ARE YOU, MURPH?

637
00:49:28,966 --> 00:49:30,968
LONG TIME,
LONG TIME.

638
00:49:31,468 --> 00:49:33,470
GOOD TO SEE YOU.

639
00:49:33,470 --> 00:49:35,973
UH, YOU KNOW
THE HOUSE RULES

640
00:49:35,973 --> 00:49:37,975
AS GOOD AS I DO, PAUL.

641
00:49:38,475 --> 00:49:39,476
NO INJUNS.

642
00:49:39,476 --> 00:49:41,478
PERIOD.

643
00:49:41,478 --> 00:49:44,481
I JUST FLAT DON'T LIKE
THE HOUSE RULES, MURPH.

644
00:49:44,982 --> 00:49:46,984
ME NEITHER.

645
00:49:49,987 --> 00:49:52,990
WHAT ARE YOU GOING
TO MAKE ME DO HERE, PAULY?

646
00:49:53,490 --> 00:49:56,493
JUST GET US A TABLE
FOR FOUR.

647
00:50:06,503 --> 00:50:07,504
LAST TIME, PAUL.

648
00:50:08,005 --> 00:50:09,006
HELLO, JUDGE.

649
00:50:09,006 --> 00:50:10,507
PAUL.

650
00:50:10,507 --> 00:50:11,508
YOU CAN GET HIM BACK.

651
00:50:12,009 --> 00:50:14,511
GET DRUNK AND DANCE NAKED
ON HIS TABLE.

652
00:50:14,511 --> 00:50:18,015
I'LL BEAT THE HELL
OUT OF THE SON OF A BITCH.

653
00:50:19,016 --> 00:50:23,520
(music playing)

654
00:50:23,520 --> 00:50:25,022
MOLLY, MY DARLING.

655
00:50:25,022 --> 00:50:26,523
HI, PAUL.

656
00:50:28,525 --> 00:50:31,028
THEY'VE GOT
SOME SWELL HOOTCH HERE.

657
00:50:31,028 --> 00:50:33,030
THEY EVEN WASH THE GLASSES.

658
00:50:47,044 --> 00:50:49,046
Woman:
DRINK?

659
00:50:49,046 --> 00:50:52,049
WHAT'LL IT BE, JESSIE? JESSIE.

660
00:50:52,549 --> 00:50:54,051
I'LL HAVE A MARTINI, PAUL.

661
00:50:54,051 --> 00:50:57,554
IT IS PAUL?

662
00:50:57,554 --> 00:50:59,056
RIGHTY-O.

663
00:50:59,056 --> 00:51:02,059
THE USUAL FOR NORM,
GIN AND PRUNE JUICE.

664
00:51:02,059 --> 00:51:04,561
MAKE THAT A DOUBLE.

665
00:51:04,561 --> 00:51:06,063
Mabel:
EXCUSE ME.

666
00:51:06,563 --> 00:51:08,565
I'D LIKE TO ORDER
A DRINK TOO.

667
00:51:08,565 --> 00:51:11,568
WHISKEY, DOUBLE.

668
00:51:16,573 --> 00:51:20,077
SO, WHAT ARE YOU DOING
NOW, MABEL?

669
00:51:20,077 --> 00:51:24,081
I SELL BAIT.

670
00:51:25,582 --> 00:51:28,085
YOU KNOW, YOU HAVE
THE MOST BEAUTIFUL HAIR

671
00:51:28,085 --> 00:51:29,586
I'VE EVER SEEN.

672
00:51:31,588 --> 00:51:33,590
YOU THINK I SHOULD
GET IT BOBBED?

673
00:51:33,590 --> 00:51:37,094
NO, NO, NOT IN A MILLION YEARS.

674
00:51:41,098 --> 00:51:43,100
AH, WELL...

675
00:51:43,100 --> 00:51:44,601
"THE CANDLE BURNS
AT BOTH ENDS.

676
00:51:45,102 --> 00:51:48,605
"IT WILL NOT LAST
THE NIGHT.

677
00:51:48,605 --> 00:51:51,108
"BUT, AH, MY FOES,
AND, OH, MY FRIENDS

678
00:51:51,108 --> 00:51:55,112
IT GIVES A LOVELY LIGHT."

679
00:51:55,112 --> 00:51:58,115
THAT'S NICE.

680
00:52:11,128 --> 00:52:13,630
HOW ABOUT TO MY EDITOR,
THE OLD F...

681
00:52:13,630 --> 00:52:15,632
THE OLD CURMUDGEON,
EXCUSE ME.

682
00:52:15,632 --> 00:52:18,135
HE TOOK ME OFF
THE ANACONDA STORY TODAY.

683
00:52:18,135 --> 00:52:20,137
I'M A REPORTER
ATTHE BEE.

684
00:52:20,137 --> 00:52:21,138
I KNOW.

685
00:52:21,138 --> 00:52:21,638
HOW?

686
00:52:22,139 --> 00:52:23,640
OH, I'M FAMOUS.

687
00:52:23,640 --> 00:52:25,142
FISHING NEWSPAPERMAN.

688
00:52:25,142 --> 00:52:26,643
YOU KNOW HE FISHES TOO?

689
00:52:26,643 --> 00:52:28,145
I THOUGHT EVERYBODY KNEW.

690
00:52:28,145 --> 00:52:30,647
BROTHER, YOU BEEN AWAY
A LONG TIME.

691
00:52:30,647 --> 00:52:32,649
I'D SAY SO.

692
00:52:32,649 --> 00:52:34,151
ANYWAY, IT SEEMS MY EDITOR...

693
00:52:34,151 --> 00:52:35,652
THE OLD CURMUDGEON.

694
00:52:35,652 --> 00:52:37,154
YES, EXACTLY.

695
00:52:37,154 --> 00:52:38,655
HAS BEEN GETTING CALLS.

696
00:52:38,655 --> 00:52:40,157
NO NAMES, JUST THREATS.

697
00:52:40,157 --> 00:52:41,658
REAL THREATS?

698
00:52:41,658 --> 00:52:43,160
WELL, IT'S NICE TO KNOW

699
00:52:43,660 --> 00:52:45,662
YOU'RE TOUCHING
A NERVE BUTTON.

700
00:52:45,662 --> 00:52:47,664
WELL, WHAT DID
THEY SAY?

701
00:52:47,664 --> 00:52:48,665
HMM?

702
00:52:48,665 --> 00:52:49,666
WHAT DID THEY SAY?

703
00:52:49,666 --> 00:52:51,168
HMM?

704
00:52:51,168 --> 00:52:52,169
WHAT DID THEY SAY?

705
00:52:52,169 --> 00:52:54,171
YOU'LL HAVE
TO CUT IT OUT OF HIM.

706
00:52:54,171 --> 00:52:55,672
THE USUAL.

707
00:52:55,672 --> 00:52:57,674
SOME OF THE BOYS
WILL COME DOWN

708
00:52:57,674 --> 00:52:59,176
AND PAY ME
A LITTLE VISIT.

709
00:52:59,176 --> 00:53:02,679
FIT YOU WITH A PAIR
OF CONCRETE GALOSHES, SEE?

710
00:53:02,679 --> 00:53:04,681
EXACTLY.

711
00:53:05,682 --> 00:53:07,184
I HAVE TO DANCE.

712
00:53:19,696 --> 00:53:21,198
Man:
HEY, HEY.

713
00:53:22,699 --> 00:53:24,201
WATCH OUT.

714
00:53:24,201 --> 00:53:26,703
WOW.

715
00:53:55,732 --> 00:53:59,736
AND NOW "THE MUSKRAT RAMBLE."

716
00:53:59,736 --> 00:54:00,737
(music starts)

717
00:54:02,239 --> 00:54:03,740
(glasses clatter)

718
00:54:03,740 --> 00:54:05,242
HEY!

719
00:54:35,272 --> 00:54:40,277
(slow music starts)

720
00:54:42,779 --> 00:54:45,782
I'M NOWHERE NEAR AS GOOD
AS MY BROTHER, BUT...

721
00:54:46,283 --> 00:54:47,784
WOULD YOU DO ME THE HONOR?

722
00:54:47,784 --> 00:54:49,786
I'D LOVE TO.

723
00:55:29,326 --> 00:55:30,827
Norman:
"DEAR JESSIE

724
00:55:31,328 --> 00:55:34,831
"AS THE MOON LINGERS A MOMENT
OVER THE BITTERROOTS

725
00:55:34,831 --> 00:55:37,834
"BEFORE ITS DESCENT
INTO THE INVISIBLE

726
00:55:37,834 --> 00:55:41,838
"MY MIND IS FILLED WITH SONG.

727
00:55:41,838 --> 00:55:44,341
"I FIND I AM HUMMING, SOFTLY

728
00:55:44,341 --> 00:55:47,344
"NOT TO THE MUSIC,
BUT SOMETHING ELSE...

729
00:55:47,344 --> 00:55:49,846
"SOMEPLACE ELSE...

730
00:55:50,347 --> 00:55:53,350
"A PLACE REMEMBERED...

731
00:55:53,350 --> 00:55:56,853
"A FIELD OF GRASS WHERE NO ONE
SEEMED TO HAVE BEEN

732
00:55:56,853 --> 00:55:58,855
"EXCEPT THE DEER

733
00:55:58,855 --> 00:56:02,359
"AND THE MEMORY IS STRENGTHENED
BY THE FEELING OF YOU

734
00:56:02,359 --> 00:56:05,362
"DANCING IN MY AWKWARD ARMS.

735
00:56:05,362 --> 00:56:07,364
NORMAN."

736
00:56:13,353 --> 00:56:15,355
(telephone rings)

737
00:56:22,862 --> 00:56:24,864
YES?

738
00:56:25,865 --> 00:56:27,367
WHAT'S WRONG?

739
00:56:27,367 --> 00:56:29,369
Mrs. Maclean:
NORMAN?

740
00:56:29,369 --> 00:56:31,371
IT'S OKAY, MOTHER.

741
00:56:31,371 --> 00:56:32,872
WHO IS THIS?

742
00:56:47,637 --> 00:56:49,639
I'M NORMAN MACLEAN.

743
00:56:49,639 --> 00:56:53,143
NAH, HE DOESN'T
HAVE TO POST BOND.

744
00:56:53,643 --> 00:56:55,645
HE HAS FRIENDS HERE.

745
00:56:55,645 --> 00:56:58,148
JUST TAKE HIM HOME.

746
00:56:58,148 --> 00:57:00,150
WHAT DID HE DO?

747
00:57:00,150 --> 00:57:01,651
HE HIT A GUY

748
00:57:01,651 --> 00:57:04,154
AND THE GUY'S MISSING
A COUPLE TEETH.

749
00:57:04,154 --> 00:57:06,156
WHY DID HE HIT HIM?

750
00:57:06,156 --> 00:57:08,158
IT SAYS HERE

751
00:57:08,158 --> 00:57:10,160
A REMARK WAS PASSED
CONCERNING

752
00:57:10,160 --> 00:57:13,163
THE INDIAN WOMAN
HE WAS WITH.

753
00:57:13,163 --> 00:57:16,166
THE GUY DESERVED IT.

754
00:57:16,166 --> 00:57:19,669
WE'RE PICKING
YOUR BROTHER UP
TOO MUCH LATELY.

755
00:57:19,669 --> 00:57:23,173
IS THAT RIGHT?

756
00:57:23,173 --> 00:57:25,175
BESIDES, HE'S BEHIND

757
00:57:25,175 --> 00:57:27,677
ON THE POKER GAME
AT LOLO.

758
00:57:27,677 --> 00:57:31,181
IT'S NOT HEALTHY
TO GET BEHIND AT LOLO.

759
00:57:31,181 --> 00:57:34,684
IS HE HURT?

760
00:57:34,684 --> 00:57:37,187
HE'S NOT HURT.
HE'S JUST SICK.

761
00:57:37,187 --> 00:57:39,189
HE DRINKS TOO MUCH.

762
00:57:39,189 --> 00:57:41,191
DOWN AT LOLO

763
00:57:41,191 --> 00:57:44,194
THEY DON'T DRINK
TOO MUCH.

764
00:57:46,196 --> 00:57:50,200
YOU BETTER GO IN
AND GET YOUR BROTHER.

765
00:57:52,702 --> 00:57:54,704
THANKS.

766
00:58:24,734 --> 00:58:29,739
Man:
?? I'M TIRED
AND I WANT TO GO TO BED ??

767
00:58:29,739 --> 00:58:34,744
?? I JUST HAD A DRINK
ABOUT AN HOUR AGO ??

768
00:58:34,744 --> 00:58:38,748
??
?? IT WENT RIGHT TO MY HEAD

769
00:58:38,748 --> 00:58:41,251
?? NO MATTER WHERE I GO ??

770
00:58:41,251 --> 00:58:44,754
?? BY LAND OR SEA OR BOAT ??

771
00:58:45,255 --> 00:58:50,260
?? YOU CAN ALWAYS HEAR ME
SINGING THIS SONG ??

772
00:58:50,260 --> 00:58:53,763
?
?? SHOW ME THE WAY TO GO HOME. ?

773
00:59:20,290 --> 00:59:22,292
(groans)

774
00:59:48,318 --> 00:59:51,821
IF YOU NEED ANY MONEY, PAUL

775
00:59:51,821 --> 00:59:53,823
OR ANYTHING ELSE

776
00:59:53,823 --> 00:59:55,825
I WANT YOU TO KNOW THAT...

777
00:59:55,825 --> 00:59:58,828
SHE LIVES PAST
THE SLAUGHTERHOUSE.

778
01:00:02,332 --> 01:00:04,834
I CAN HELP.

779
01:00:08,338 --> 01:00:10,340
TURN HERE.

780
01:00:20,850 --> 01:00:22,852
(fiddle, banjo,
and guitar playing)

781
01:00:28,858 --> 01:00:31,361
(starter's gun fires)

782
01:00:36,866 --> 01:00:40,370
Girl:
COME HERE, JEANNIE, COME HERE.

783
01:00:42,372 --> 01:00:45,875
I GOT IT.

784
01:01:04,894 --> 01:01:05,895
Man:
OH, HO, HO

785
01:01:05,895 --> 01:01:07,897
LOOK AT THAT.

786
01:01:07,897 --> 01:01:09,899
WELL, CHICKENS HAVEN'T

787
01:01:10,400 --> 01:01:12,402
COME HOME TO ROOST YET, AL.

788
01:01:16,906 --> 01:01:20,410
NOT BAD.

789
01:01:20,410 --> 01:01:23,913
ARE YOU ALL RIGHT,
NORMAN?

790
01:01:23,913 --> 01:01:26,416
CLARA, WAS THAT
YOUR JELLY?

791
01:01:26,416 --> 01:01:27,917
YES, IT WAS.

792
01:01:27,917 --> 01:01:29,419
IT WAS WONDERFUL.

793
01:01:29,419 --> 01:01:31,421
AND IS THIS NORMAN?

794
01:01:31,421 --> 01:01:32,922
MY GOODNESS.

795
01:01:32,922 --> 01:01:34,424
WE'RE VERY PROUD.

796
01:01:34,424 --> 01:01:36,426
NICE TO HAVE YOU BACK.

797
01:01:36,926 --> 01:01:38,928
HER DAUGHTER'S
QUITE A BEAUTY.

798
01:01:38,928 --> 01:01:40,930
THERE SHE IS,
OVER THERE.

799
01:01:40,930 --> 01:01:42,932
Mrs. Maclean:
20 ONLY A WEEK AGO.

800
01:01:42,932 --> 01:01:44,934
SHE'S BRIGHT
AS A LIGHT.

801
01:01:44,934 --> 01:01:46,936
MOTHER.

802
01:01:46,936 --> 01:01:50,440
MR. MURCHISON,
HOW ARE YOU?

803
01:01:50,440 --> 01:01:52,942
(louder:)
HOW ARE YOU?

804
01:01:52,942 --> 01:01:54,944
HOW ARE YOU?

805
01:01:54,944 --> 01:01:56,946
QUITE WELL, THANK YOU.

806
01:01:56,946 --> 01:01:58,948
GOOD, GOOD.

807
01:01:58,948 --> 01:02:00,950
AND THIS IS PAUL?

808
01:02:00,950 --> 01:02:02,952
NO, THIS IS NORMAN.

809
01:02:02,952 --> 01:02:04,454
NORMAN.

810
01:02:04,454 --> 01:02:06,456
OH, NORMAN.

811
01:02:06,456 --> 01:02:08,458
YOU'RE
LOOKING GOOD.

812
01:02:08,458 --> 01:02:09,959
YES, HASN'T HE
GROWN UP?

813
01:02:09,959 --> 01:02:11,461
Mr. Murchison:
OH, YES.

814
01:02:11,461 --> 01:02:13,463
Mrs. Maclean:
PAUL'S HERE, COME ON.

815
01:02:13,463 --> 01:02:18,468
I'M MEETING JESSIE BURNS' FAMILY
AT THE STATION.

816
01:02:18,468 --> 01:02:20,470
HER BROTHER NEAL'S COMING IN
FROM CALIFORNIA.

817
01:02:20,470 --> 01:02:22,472
OH, WELL, NOW.

818
01:02:22,472 --> 01:02:23,973
SO I'M LATE.

819
01:02:23,973 --> 01:02:25,975
SHOULD WE HAVE HER
TO DINNER?

820
01:02:25,975 --> 01:02:27,977
PERHAPS, MOTHER.

821
01:02:42,992 --> 01:02:43,493
HELLO.

822
01:02:43,993 --> 01:02:44,494
HOWDY.

823
01:02:44,994 --> 01:02:45,995
MOTHER.

824
01:02:45,995 --> 01:02:48,498
(shrieking:)
STOP!

825
01:02:48,498 --> 01:02:52,001
(giggling)

826
01:02:52,001 --> 01:02:53,503
COME ON.

827
01:02:53,503 --> 01:02:55,004
Man:
HI, PAUL.

828
01:02:55,004 --> 01:02:56,506
WELL, WELL.

829
01:02:56,506 --> 01:02:58,007
HELLO, PAUL.

830
01:02:58,007 --> 01:02:59,509
HI, SAM.

831
01:02:59,509 --> 01:03:01,010
LET ME
BORROW THOSE.

832
01:03:01,511 --> 01:03:03,012
HELLO, FATHER.

833
01:03:08,518 --> 01:03:10,019
WHOO!

834
01:03:10,019 --> 01:03:12,021
Man:
FIRST SHOT

835
01:03:12,021 --> 01:03:15,024
AND HE BANGS IT
RIGHT UP THERE.

836
01:03:25,535 --> 01:03:26,536
THE BURNS FAMILY

837
01:03:27,036 --> 01:03:29,539
RAN A GENERAL STORE
IN A ONE-STORE TOWN

838
01:03:29,539 --> 01:03:33,042
AND STILL MANAGED TO DO BADLY.

839
01:03:33,543 --> 01:03:34,043
THIS IS NORMAN.

840
01:03:34,544 --> 01:03:35,545
THEY WERE METHODISTS--

841
01:03:35,545 --> 01:03:37,547
A DENOMINATION
MY FATHER REFERRED TO

842
01:03:38,047 --> 01:03:40,049
AS "BAPTISTS WHO COULD READ."

843
01:03:40,049 --> 01:03:40,550
POP.

844
01:03:41,050 --> 01:03:42,552
IT'S A PLEASURE.

845
01:03:43,052 --> 01:03:44,554
MY MOTHER.

846
01:03:44,554 --> 01:03:47,056
JESSIE TELLS ME
YOU'RE A POET.

847
01:03:47,056 --> 01:03:49,559
ARE YOU RELATED
TO THE FISHING NEWSPAPERMAN?

848
01:03:49,559 --> 01:03:51,561
THAT'S MY BROTHER.

849
01:03:51,561 --> 01:03:54,063
JESSIE SAYS YOU
JUST GOT YOUR DEGREE.

850
01:03:54,063 --> 01:03:56,065
JESSIE
WAS MAJORING IN...

851
01:03:56,065 --> 01:03:57,567
FLAPPERISM.

852
01:03:57,567 --> 01:04:00,570
SCIENCE,
WASN'T IT?

853
01:04:00,570 --> 01:04:02,071
BUT SHE DROPPED OUT.

854
01:04:02,071 --> 01:04:03,072
Jessie:
AUNT SALLY!

855
01:04:03,072 --> 01:04:06,075
SHE COULD LEARN FROM YOU.
STICK-TOIT-TIVITY.

856
01:04:06,075 --> 01:04:08,077
LET THE YOUNG MAN
BREATHE.

857
01:04:08,077 --> 01:04:10,079
HE'S NOT USED TO THIS.

858
01:04:10,079 --> 01:04:12,582
HE'S A PRESBYTERIAN.

859
01:04:14,584 --> 01:04:16,085
Mrs. Burns:
OOH, NEAL.

860
01:04:16,085 --> 01:04:18,087
HE'S HERE,
HE'S HERE!

861
01:04:19,088 --> 01:04:21,591
LET'S GO.

862
01:04:30,099 --> 01:04:32,101
(laughs)

863
01:04:32,101 --> 01:04:35,104
JESSIE'S BROTHER, NEAL,
STEPPED OFF THE TRAIN

864
01:04:35,104 --> 01:04:36,606
TRYING TO REMEMBER

865
01:04:36,606 --> 01:04:39,609
WHAT A DAVIS CUP TENNIS PLAYER
LOOKED LIKE.

866
01:04:39,609 --> 01:04:41,611
YOU LOOK SO GOOD.

867
01:04:41,611 --> 01:04:43,613
HOW YOU DOING?

868
01:04:43,613 --> 01:04:45,615
YOU LOOK GREAT.

869
01:04:45,615 --> 01:04:46,616
OH, NEAL

870
01:04:46,616 --> 01:04:48,117
THIS IS NORMAN.

871
01:04:48,117 --> 01:04:49,619
MY BROTHER NEAL.

872
01:04:49,619 --> 01:04:51,120
HELLO, BOY.

873
01:04:52,622 --> 01:04:54,624
DID YOU SIT UP
ALL NIGHT?

874
01:04:54,624 --> 01:04:56,626
I MET SOME
NICE PEOPLE.

875
01:04:56,626 --> 01:04:59,629
WHAT DO YOU THINK
ABOUT THIS TIE?

876
01:04:59,629 --> 01:05:01,631
COME ON,
LET HIM BREATHE.

877
01:05:01,631 --> 01:05:03,633
LET'S GO EAT.

878
01:05:03,633 --> 01:05:05,635
OH, GREAT IDEA.

879
01:05:05,635 --> 01:05:09,138
Mrs. Burns:
I'VE GOT BAKING
CHICKENS AT HOME.

880
01:05:09,138 --> 01:05:12,141
MRS. MILLER GAVE US
SOME CHERRIES.

881
01:05:12,642 --> 01:05:16,145
Neal:
MRS. MILLER'S
STILL ALIVE?

882
01:05:16,145 --> 01:05:19,148
Mrs. Burns:
OH, NOT THE HOMEMADE BEER.

883
01:05:19,148 --> 01:05:21,651
BOY, WAS A GOOD YEAR.

884
01:05:21,651 --> 01:05:23,653
OVER THE LIPS,
PAST THE GUMS

885
01:05:24,153 --> 01:05:26,656
LOOK OUT STOMACH,
HERE SHE COMES.

886
01:05:28,157 --> 01:05:30,660
WHAT'S THE FIRST STATION
OUT THERE?

887
01:05:30,660 --> 01:05:34,664
WHEN I TRAVELED,
SAN BERDOO WAS THERE.

888
01:05:35,164 --> 01:05:36,666
AND A LOT OF SAND

889
01:05:36,666 --> 01:05:41,170
AND A HELL
OF A LOT OF DESERT.

890
01:05:41,170 --> 01:05:43,673
WE CAME BACK
TO SALT LAKE CITY

891
01:05:44,173 --> 01:05:46,175
AND HAD
TO CHANGE THERE.

892
01:05:46,175 --> 01:05:48,177
THERE WAS A HOTEL THAT...

893
01:05:48,177 --> 01:05:50,179
SERVED OYSTERS.

894
01:05:50,179 --> 01:05:52,682
SERVED OYSTERS, YEAH.

895
01:05:52,682 --> 01:05:54,684
NORMAN,
DO YOU DRINK?

896
01:05:54,684 --> 01:05:55,685
DOES HE DRINK?

897
01:05:55,685 --> 01:05:57,687
A LITTLE BIT.

898
01:05:58,187 --> 01:06:00,189
HERE'S TO THE OLE FAM-DAMN-ILY.

899
01:06:00,189 --> 01:06:02,191
Boy:
THE FAM-DAMN-ILY.

900
01:06:02,191 --> 01:06:04,193
Mr. Burns:
DOWN THE TRENCHES.

901
01:06:04,193 --> 01:06:06,696
IT'S NICE
TO HAVE HIM BACK.

902
01:06:06,696 --> 01:06:08,698
Jessie:
HE'S FINE,
AUNT SALLY.

903
01:06:08,698 --> 01:06:10,199
HE'S JUST TIRED.

904
01:06:10,199 --> 01:06:12,702
Mrs. Burns:
AT LEAST HE STILL
HAS HIS APPETITE.

905
01:06:18,207 --> 01:06:22,712
SO, HOW LONG DO YOU PLAN
TO STAY, NEAL?

906
01:06:22,712 --> 01:06:25,214
SPORT.

907
01:06:25,214 --> 01:06:26,215
SPORT, COME HERE.

908
01:06:28,217 --> 01:06:29,719
I DON'T KNOW.

909
01:06:30,219 --> 01:06:31,721
I MISS THE OCEAN.

910
01:06:31,721 --> 01:06:33,723
WHAT'S IT LIKE?

911
01:06:33,723 --> 01:06:35,224
IT'S BIG AND BLUE.

912
01:06:35,224 --> 01:06:36,726
PEOPLE RIDE
ON THE WAVES.

913
01:06:36,726 --> 01:06:39,228
I WAS GETTING GOOD AT IT.

914
01:06:39,228 --> 01:06:40,229
OW!

915
01:06:40,229 --> 01:06:41,731
DAMN IT!

916
01:06:41,731 --> 01:06:42,732
BAD DOG!

917
01:06:42,732 --> 01:06:43,733
JEEZ, MA.

918
01:06:44,233 --> 01:06:47,236
WELL, YOU GET HIM SO EXCITED.

919
01:06:47,236 --> 01:06:50,239
ANYWHO, WHAT WAS
I TALKING ABOUT?

920
01:06:50,740 --> 01:06:52,241
THE WATER.

921
01:06:52,241 --> 01:06:53,242
THE OCEAN.

922
01:06:53,242 --> 01:06:55,244
OH, OH, YEAH, YEAH.

923
01:06:55,244 --> 01:06:58,247
WE'D RIDE THOSE WAVES
ALL DAY LONG.

924
01:06:58,247 --> 01:07:00,249
RAMON, ME, RONNIE COLMAN.

925
01:07:00,249 --> 01:07:01,751
RONALD COLMAN?

926
01:07:01,751 --> 01:07:02,752
RONALD COLMAN?

927
01:07:02,752 --> 01:07:05,254
I LOVE RONALD COLMAN.

928
01:07:05,254 --> 01:07:07,757
I LOOK LIKE RONALD COLMAN.

929
01:07:09,258 --> 01:07:10,259
YEAH.

930
01:07:10,259 --> 01:07:13,763
I CAN'T PICTURE RONALD COLMAN
RIDING ON WAVES.

931
01:07:13,763 --> 01:07:17,767
(laughing)

932
01:07:18,267 --> 01:07:22,271
SOME KODAK, HUH?

933
01:07:22,271 --> 01:07:25,775
WELL, MA

934
01:07:26,275 --> 01:07:28,277
IT'S BEEN A LONG TRIP.

935
01:07:31,781 --> 01:07:35,284
MAYBE YOU COULD GO FISHING
WITH NORMAN.

936
01:07:35,284 --> 01:07:36,786
HMM?

937
01:07:37,286 --> 01:07:39,288
Jessie:
THAT'S A GOOD IDEA.

938
01:07:42,792 --> 01:07:43,793
YEAH.

939
01:07:43,793 --> 01:07:46,295
WONDERFUL, WOULDN'T IT BE?

940
01:07:46,295 --> 01:07:47,797
FISHING.

941
01:07:47,797 --> 01:07:49,298
YOU DO FISH?

942
01:07:49,799 --> 01:07:50,299
OF COURSE.

943
01:07:50,800 --> 01:07:52,802
HE HAS A POLE
AND EVERYTHING.

944
01:07:52,802 --> 01:07:54,303
OH, YES,
EVERYBODY DOES.

945
01:07:54,303 --> 01:07:56,305
YOU BETCHA.

946
01:07:56,305 --> 01:07:59,308
WHEN WOULD BE
A GOOD TIME?

947
01:07:59,308 --> 01:08:00,309
FRIDAY.

948
01:08:00,309 --> 01:08:01,310
FRIDAY'S GOOD.

949
01:08:01,310 --> 01:08:03,813
YEAH, WHAT TIME?

950
01:08:04,313 --> 01:08:06,315
6:00.

951
01:08:06,816 --> 01:08:08,317
A.M.?

952
01:08:08,317 --> 01:08:09,819
(all laughing)

953
01:08:11,320 --> 01:08:13,823
YES, HE'LL BE THERE.

954
01:08:13,823 --> 01:08:15,825
WON'T YOU, HONEY?

955
01:08:15,825 --> 01:08:17,326
THANK YOU, NORMAN.

956
01:08:17,326 --> 01:08:18,828
MY PLEASURE.

957
01:08:19,328 --> 01:08:21,330
MAYBE PAUL
COULD COME TOO?

958
01:08:21,330 --> 01:08:23,332
Mrs. Burns:
THAT WOULD BE NICE.

959
01:08:23,332 --> 01:08:26,836
I'M SURE PAUL WOULD LOVE
TO GO FISHING.

960
01:08:26,836 --> 01:08:27,837
CAN I COME?

961
01:08:27,837 --> 01:08:29,338
NOT THIS TIME,
HONEY.

962
01:08:29,839 --> 01:08:31,340
NEXT TIME.

963
01:08:40,850 --> 01:08:45,354
WHY DON'T YOU GO
WITH NEAL, NORMAN?

964
01:08:45,855 --> 01:08:46,856
HMM?

965
01:08:46,856 --> 01:08:48,858
YOU KNOW, MAKE YOUR PLANS.

966
01:08:48,858 --> 01:08:50,860
OH, YEAH.

967
01:08:54,864 --> 01:08:56,866
THE ONLY PLAN NEAL HAD

968
01:08:56,866 --> 01:09:00,870
WAS A TRIP TO BLACK JACK'S BAR,
AN OLD FREIGHT CAR

969
01:09:01,370 --> 01:09:02,371
SET IN THE WOODS

970
01:09:02,872 --> 01:09:05,875
WHERE ANY HONEST POLICEMAN
WOULDN'T FIND IT.

971
01:09:06,075 --> 01:09:09,879
Neal:
IT WAS THIS OTTER
AND HER PUPS.

972
01:09:09,879 --> 01:09:14,383
I HAD A HELL OF A TIME
TRACKING THEM.

973
01:09:14,383 --> 01:09:17,386
AFTER A FEW SHOTS
OF VILE WHISKEY

974
01:09:17,386 --> 01:09:19,388
BREWED BY BLACK JACK HIMSELF

975
01:09:19,388 --> 01:09:21,390
NEAL BEGAN TO HOLD FORTH.

976
01:09:21,390 --> 01:09:24,393
HE'D CHOSEN MONTANA SUBJECTS
TO SPIN LIES

977
01:09:24,393 --> 01:09:26,395
ABOUT SHOOTING,
HIKING, TRAPPING

978
01:09:26,395 --> 01:09:30,399
TO IMPRESS THE ONLY OTHER CLIENT
AT THE BAR--

979
01:09:30,399 --> 01:09:33,402
A PLOY THAT WAS PAYING OFF.

980
01:09:33,402 --> 01:09:35,404
SHE TRIED TO LOSE ME

981
01:09:35,404 --> 01:09:37,406
AGAIN AND AGAIN...

982
01:09:37,406 --> 01:09:40,409
SHE WENT BY THE NAME
OF OLD RAWHIDE.

983
01:09:40,409 --> 01:09:44,413
TEN YEARS BEFORE,
SHE'D BEEN ELECTED BEAUTY QUEEN.

984
01:09:44,413 --> 01:09:47,917
SHE HAD RIDDEN BAREBACK,
STANDING UP.

985
01:09:47,917 --> 01:09:51,921
HER SKIRTS FLEW HIGH
AND SHE WON THE CONTEST.

986
01:09:51,921 --> 01:09:54,423
I COULDN'T
FEEL MY HANDS.

987
01:09:54,423 --> 01:09:56,926
I'M THINKING
ABOUT MY DOG, SPORT.

988
01:09:56,926 --> 01:09:58,928
IF IT GETS ANY COLDER

989
01:09:58,928 --> 01:10:01,931
I MAY HAVE
TO SLIT HIM OPEN

990
01:10:01,931 --> 01:10:03,432
AND STICK MY HANDS IN

991
01:10:03,432 --> 01:10:05,434
TO KEEP THEM
FROM FREEZING.

992
01:10:05,935 --> 01:10:09,438
HELL, I DID IT BEFORE
UP AT THE YUKON.

993
01:10:09,438 --> 01:10:11,941
GOD KNOWS
I LOVE THAT DOG...

994
01:10:11,941 --> 01:10:14,944
SHE STILL WORE
A HORSEWOMAN'S DIVIDED SKIRTS

995
01:10:14,944 --> 01:10:17,446
A HARDSHIP
IN HER NEW PROFESSION.

996
01:10:17,446 --> 01:10:20,449
AND THERE
ON A BRANCH

997
01:10:20,449 --> 01:10:22,451
WAITING TO JUMP
ON THE FIRST DEER

998
01:10:22,451 --> 01:10:25,955
IS THE GODDAMN OTTER.

999
01:10:26,455 --> 01:10:28,457
HEY, BUSTER

1000
01:10:28,457 --> 01:10:30,459
WHAT'S
AN OTTER DOING

1001
01:10:30,459 --> 01:10:33,462
ON THE TOP
OF ROGER'S PASS?

1002
01:10:33,462 --> 01:10:35,464
THEY SWIM DOWN
IN THE CRICKS.

1003
01:10:35,464 --> 01:10:37,466
JACK

1004
01:10:37,466 --> 01:10:40,970
BRING THIS LADY
A WHISKEY.

1005
01:10:41,470 --> 01:10:43,973
I GOT
TO SHOVE OFF.

1006
01:10:43,973 --> 01:10:45,975
AND DON'T FORGET

1007
01:10:45,975 --> 01:10:47,476
FRIDAY, FISHING.

1008
01:10:47,476 --> 01:10:50,980
WHAT?

1009
01:11:16,505 --> 01:11:18,007
WHAT SAY?

1010
01:11:18,507 --> 01:11:22,011
THEY SAID I'D FIND YOU
AT YOUR OTHER OFFICE.

1011
01:11:22,011 --> 01:11:23,512
YEAH, DEADLINE.

1012
01:11:23,512 --> 01:11:25,014
CAN'T WORK THERE.

1013
01:11:25,514 --> 01:11:28,017
HMM.

1014
01:11:28,017 --> 01:11:30,019
YOU COME FOR A DRINK?

1015
01:11:30,019 --> 01:11:35,024
UM, A FAVOR.

1016
01:11:35,024 --> 01:11:38,027
UH-OH.

1017
01:11:38,027 --> 01:11:42,531
GO FISHING WITH ME?

1018
01:11:46,035 --> 01:11:47,536
SURE.

1019
01:11:48,037 --> 01:11:49,538
WELL, THAT'S MARVY

1020
01:11:50,039 --> 01:11:52,541
BECAUSE JESSIE'S GOT A BROTHER

1021
01:11:53,042 --> 01:11:55,544
IN FROM CALIFORNIA,
AND, UH...

1022
01:11:56,045 --> 01:11:56,545
I WON'T LIE--

1023
01:11:57,046 --> 01:11:59,048
HE'S A WORLD CHAMPION
PECKERWOOD.

1024
01:11:59,048 --> 01:12:00,049
BAIT FISHERMAN?

1025
01:12:00,049 --> 01:12:01,550
HE DIDN'T SAY.

1026
01:12:01,550 --> 01:12:03,052
GOOD LORD.

1027
01:12:03,052 --> 01:12:04,553
GEORGE!

1028
01:12:04,553 --> 01:12:06,055
HE'LL SHOW UP

1029
01:12:06,055 --> 01:12:08,057
WITH A COFFEE CAN
FULL OF WORMS.

1030
01:12:08,057 --> 01:12:10,059
RED CAN, HILLS BROTHERS.

1031
01:12:10,059 --> 01:12:14,063
I PROMISED JESSIE.

1032
01:12:17,066 --> 01:12:19,568
ARE YOU GETTING SERIOUS?

1033
01:12:19,568 --> 01:12:20,569
WHAT?

1034
01:12:21,070 --> 01:12:22,571
YOU SON
OF A BITCH

1035
01:12:23,072 --> 01:12:25,074
YOU'RE GETTING SERIOUS.

1036
01:12:26,575 --> 01:12:28,577
WELL?

1037
01:12:28,577 --> 01:12:31,080
I DON'T KNOW.

1038
01:12:33,582 --> 01:12:37,586
THEN I GUESS WE GOT TO DO IT.

1039
01:12:52,101 --> 01:12:55,104
(car horn honking)

1040
01:13:03,112 --> 01:13:05,114
(car horn honking)

1041
01:13:05,114 --> 01:13:07,616
WHOA, WHOA, WHOA.

1042
01:13:13,122 --> 01:13:15,124
Paul:
AS I LIVE AND BREATHE.

1043
01:13:15,124 --> 01:13:18,127
BUSTER HERE WANTS TO FISH.

1044
01:13:25,634 --> 01:13:28,137
YOU'RE LATE, NEAL.

1045
01:13:29,638 --> 01:13:32,641
YEAH, I DIDN'T
GET IN TILL LATE.

1046
01:13:32,641 --> 01:13:35,644
I DIDN'T
GET IN AT ALL.

1047
01:13:36,145 --> 01:13:37,146
Norman:
NEAL, PAUL.

1048
01:13:37,146 --> 01:13:38,647
PAUL, NEAL.

1049
01:13:38,647 --> 01:13:41,150
IN MONTANA,
WE'RE NEVER LATE

1050
01:13:41,150 --> 01:13:43,152
FOR CHURCH,
WORK, AND FISHING.

1051
01:13:43,152 --> 01:13:45,654
RIGHTY-O.

1052
01:13:45,654 --> 01:13:47,656
ANYWHO, THIS IS...

1053
01:13:47,656 --> 01:13:50,659
WE'VE MET.
WE'VE MET.

1054
01:13:54,163 --> 01:13:56,165
DON'T GO AWAY.

1055
01:14:07,176 --> 01:14:09,178
WATCH THE FIRST STEP.

1056
01:14:09,178 --> 01:14:12,181
IT'S A LULU.

1057
01:14:18,687 --> 01:14:20,689
SO.

1058
01:14:20,689 --> 01:14:22,191
YOU READY TO..?

1059
01:14:22,691 --> 01:14:23,192
NEAL.

1060
01:14:23,692 --> 01:14:25,694
NEAL!

1061
01:14:25,694 --> 01:14:27,696
WHAT?

1062
01:14:27,696 --> 01:14:29,698
FISHING.

1063
01:14:36,705 --> 01:14:39,708
BUSTER WANTS TO FISH.

1064
01:14:44,713 --> 01:14:47,216
OH, NEAL,
WHAT ABOUT THE BAIT?

1065
01:14:47,216 --> 01:14:51,220
DUMB DORA.

1066
01:15:02,231 --> 01:15:05,234
WE'RE NOT GOING
TO CATCH ANYTHING.

1067
01:15:05,234 --> 01:15:07,236
IT'S TOO DAMN HOT.

1068
01:15:07,236 --> 01:15:10,239
MAY HE CATCH
THREE DOSES OF CLAP.

1069
01:15:10,239 --> 01:15:13,242
SURE GLAD I DIDN'T
GET SOME SLEEP.

1070
01:15:13,242 --> 01:15:16,245
AW!

1071
01:15:16,745 --> 01:15:20,249
WHERE IS HE?

1072
01:15:22,751 --> 01:15:24,753
JEEZ.

1073
01:15:27,756 --> 01:15:29,758
I'LL CATCH UP.

1074
01:15:29,758 --> 01:15:32,261
YEAH.

1075
01:16:01,790 --> 01:16:04,793
I KNOW, YOU GOT 20.

1076
01:16:12,301 --> 01:16:16,305
COULDN'T YOU FIND HIM?

1077
01:16:16,805 --> 01:16:18,307
THE HELL WITH HIM.

1078
01:16:18,307 --> 01:16:21,310
I THOUGHT WE WERE SUPPOSED
TO HELP HIM.

1079
01:16:21,310 --> 01:16:23,812
HOW DO YOU HELP
THAT SON OF A BITCH?

1080
01:16:23,812 --> 01:16:28,317
BY TAKING HIM FISHING.

1081
01:16:28,817 --> 01:16:31,320
HE DOESN'T LIKE FISHING,
DOESN'T LIKE MONTANA.

1082
01:16:31,820 --> 01:16:34,323
SURE AS HELL DOESN'T LIKE ME.

1083
01:16:34,323 --> 01:16:42,831
WELL, MAYBE WHAT HE LIKES
IS SOMEBODY TRYING TO HELP HIM.

1084
01:16:55,344 --> 01:16:58,847
YOU SANK THE BEER, YEAH?

1085
01:16:59,348 --> 01:17:01,350
YOU BET YOUR LIFE.

1086
01:17:01,350 --> 01:17:04,853
YEAH.

1087
01:17:04,853 --> 01:17:06,855
OKAY, LET'S GO.

1088
01:17:14,363 --> 01:17:16,865
OH, JEEZ,
I CAN TASTE IT.

1089
01:17:20,369 --> 01:17:23,372
Paul:
SHOULD WE KILL HIM?

1090
01:17:23,372 --> 01:17:25,374
Norman:
SHIT.

1091
01:17:30,879 --> 01:17:34,383
GODDAMN IT.

1092
01:17:34,383 --> 01:17:36,385
HOLY CHRIST.

1093
01:17:49,898 --> 01:17:51,900
Norman:
THIS IS NOT GOOD.

1094
01:17:51,900 --> 01:17:57,406
SHE'S GOT A TATTOO.

1095
01:17:57,906 --> 01:17:59,408
INITIALS?

1096
01:17:59,408 --> 01:18:00,409
NO.

1097
01:18:00,409 --> 01:18:02,411
"LOVE."

1098
01:18:09,918 --> 01:18:11,920
I CAN GET IN MYSELF.

1099
01:18:11,920 --> 01:18:13,922
I DON'T NEED HELP.

1100
01:18:13,922 --> 01:18:16,425
(groaning)

1101
01:18:17,426 --> 01:18:20,429
YOU GOT ANYTHING
TO DRINK, BUSTER?

1102
01:18:20,429 --> 01:18:23,432
BUSTER'S THE ONE
WITH THE RED ASS.

1103
01:18:31,440 --> 01:18:33,442
(grunts)

1104
01:18:35,944 --> 01:18:37,446
I'M IN DEEP TROUBLE.

1105
01:18:37,946 --> 01:18:40,949
YOU WANT ME TO COME
AND PROTECT YOU?

1106
01:18:40,949 --> 01:18:43,452
MRS. BURNS WOULD
LOVE TO MEET HER.

1107
01:18:43,452 --> 01:18:45,454
I AIN'T BURNED.

1108
01:18:45,954 --> 01:18:49,458
THE SUN DON'T BOTHER ME.

1109
01:18:49,458 --> 01:18:51,960
YEAH.

1110
01:18:51,960 --> 01:18:54,463
NORM, WHAT ABOUT ME
SPENDING THE NIGHT?

1111
01:18:54,963 --> 01:18:59,468
WE COME BACK HERE TOMORROW,
WIPE THIS DAY OFF THE BOOKS.

1112
01:18:59,968 --> 01:19:01,470
IT'S A DEAL.

1113
01:19:01,470 --> 01:19:03,472
COME ON, BUSTER.

1114
01:19:03,472 --> 01:19:05,474
I'M AS DRY AS DIRT.

1115
01:19:05,474 --> 01:19:07,976
HARK, FAIR JULIET SPEAKS.

1116
01:19:10,979 --> 01:19:12,981
GOOD LUCK.

1117
01:19:27,996 --> 01:19:30,499
(groans)

1118
01:19:32,000 --> 01:19:33,001
OW!

1119
01:19:38,006 --> 01:19:39,508
SWEET JESUS.

1120
01:19:41,009 --> 01:19:42,010
WHAT HAVE YOU DONE

1121
01:19:42,010 --> 01:19:43,512
TO MY BOY?

1122
01:19:43,512 --> 01:19:45,013
NO, OW!

1123
01:19:46,014 --> 01:19:49,518
HE FELL ASLEEP
IN THE SUN.

1124
01:19:53,522 --> 01:19:55,524
Mrs. Burns:
MY LORD IN HEAVEN.

1125
01:19:55,524 --> 01:19:57,025
IT'S ALL RIGHT.

1126
01:19:57,025 --> 01:19:59,027
IT'S ALL RIGHT, HONEY.

1127
01:19:59,027 --> 01:20:01,029
WE'LL FIX IT.

1128
01:20:07,035 --> 01:20:09,538
YOU LEFT HIM ALONE, NORMAN?

1129
01:20:09,538 --> 01:20:14,042
HE BROUGHT SOMEONE AND, UH...

1130
01:20:14,042 --> 01:20:16,545
I THINK YOU BETTER GO HOME.

1131
01:20:31,059 --> 01:20:32,561
(knocks on door)

1132
01:20:34,062 --> 01:20:36,064
I NEED A RIDE HOME.

1133
01:21:03,675 --> 01:21:05,677
BETTER HANG ON.

1134
01:21:05,677 --> 01:21:08,179
WHAT ARE YOU DO..?

1135
01:21:32,704 --> 01:21:36,207
I DON'T THINK YOU, UH...

1136
01:21:36,207 --> 01:21:39,210
THEY SEND TRAINS
DOWN HERE ALL THE TIME

1137
01:21:39,210 --> 01:21:40,712
WITHOUT A SCHEDULE.

1138
01:21:40,712 --> 01:21:44,215
THEY'RE NOT, UH...

1139
01:21:44,215 --> 01:21:48,720
I DON'T THINK THEY
CAN SEE US IN HERE.

1140
01:22:57,739 --> 01:23:03,244
WELL, THANKS FOR THE FLIGHT.

1141
01:23:03,244 --> 01:23:07,248
YOU KNOW, YOU'RE FUNNY.

1142
01:23:07,749 --> 01:23:10,251
OH, HOW AM I FUNNY?

1143
01:23:10,251 --> 01:23:14,756
YOU, UH, YOU DON'T
LIKE MY BROTHER, DO YOU?

1144
01:23:19,260 --> 01:23:22,263
NO, I DO NOT LIKE YOUR BROTHER.

1145
01:23:24,766 --> 01:23:27,769
I DON'T KNOW
ANY CARD TRICKS, JESS

1146
01:23:27,769 --> 01:23:29,771
BUT I LIKE YOU.

1147
01:23:29,771 --> 01:23:33,274
AND I WANT TO SEE YOU AGAIN.

1148
01:23:40,281 --> 01:23:42,283
(car horn honking)

1149
01:23:42,283 --> 01:23:43,284
HEY!

1150
01:23:43,284 --> 01:23:44,285
HELLO, JESS.

1151
01:23:44,786 --> 01:23:46,788
HEY, PAUL.

1152
01:23:47,288 --> 01:23:48,289
HOW'S YOUR BROTHER?

1153
01:23:48,790 --> 01:23:50,792
YOU BOTH LEFT HIM ALONE.

1154
01:23:51,292 --> 01:23:53,795
I'M SORRY, THAT WAS MY FAULT.

1155
01:23:53,795 --> 01:23:56,297
WELL, YOU'RE NOT FORGIVEN.

1156
01:23:56,297 --> 01:23:58,800
WAS NORMAN FORGIVEN?

1157
01:23:58,800 --> 01:24:00,802
NORMAN'S NOT FUNNY.

1158
01:24:06,307 --> 01:24:07,809
OOH.

1159
01:24:16,317 --> 01:24:19,320
Mrs. Maclean:
AND I HUNG FRESH TOWELS
ON THE WASHSTAND FOR YOU.

1160
01:24:19,320 --> 01:24:21,823
DID YOU POWDER
MY TOOTHBRUSH?

1161
01:24:21,823 --> 01:24:23,825
OH.

1162
01:24:24,325 --> 01:24:26,327
LET PAUL TELL
HIS LATEST STORY.

1163
01:24:26,327 --> 01:24:28,329
OH, YES,
WHICH ONE?

1164
01:24:28,329 --> 01:24:30,331
THE MURDER
OR THE FIRE?

1165
01:24:30,331 --> 01:24:33,334
THEY SHOULD PUT YOU
ON THE CHURCH BEAT.

1166
01:24:33,835 --> 01:24:35,336
QUOTE,
THE REVEREND MACLEAN

1167
01:24:35,837 --> 01:24:37,338
HAD A NICE ROAST

1168
01:24:37,839 --> 01:24:39,340
WHILE DINING
WITH HIS FAMILY.

1169
01:24:39,841 --> 01:24:41,843
ALL EXCEPT
THE POOR, ELDER SON

1170
01:24:41,843 --> 01:24:44,846
ENJOYED IT
IMMENSELY.

1171
01:24:44,846 --> 01:24:46,347
NORMAN, WHAT'S THE MATTER?

1172
01:24:46,848 --> 01:24:47,849
HE'S NOT FUNNY.

1173
01:24:47,849 --> 01:24:48,850
PARDON ME?

1174
01:24:48,850 --> 01:24:50,351
(whispering:)
HE'S NOT FUNNY.

1175
01:24:52,353 --> 01:24:54,856
THERE ARE MORE IMPORTANT
ACCOMPLISHMENTS.

1176
01:24:54,856 --> 01:24:57,859
IT'S ALL RIGHT
IF YOU'RE DULL.

1177
01:24:57,859 --> 01:25:00,361
Mrs. Maclean:
NO.

1178
01:25:00,361 --> 01:25:02,363
WE'RE VERY PROUD OF YOU.

1179
01:25:03,865 --> 01:25:04,866
YES.

1180
01:25:04,866 --> 01:25:07,368
I DO HAVE ONE STORY.

1181
01:25:07,368 --> 01:25:10,872
I INTERVIEWED
THE PRESIDENT.

1182
01:25:12,373 --> 01:25:15,376
CALVIN COOLIDGE?

1183
01:25:15,376 --> 01:25:16,377
MR. COOLIDGE?

1184
01:25:16,377 --> 01:25:17,879
YEAH.  UH-HUH.
WHEN?

1185
01:25:17,879 --> 01:25:19,881
HE WAS IN DAKOTA.

1186
01:25:19,881 --> 01:25:21,382
FLY-FISHING.

1187
01:25:21,382 --> 01:25:22,383
FLY-FISHING!

1188
01:25:22,884 --> 01:25:24,385
IN A SUIT AND TIE

1189
01:25:24,886 --> 01:25:26,387
WHITE GLOVES
AND PATENT LEATHER SHOES.

1190
01:25:26,387 --> 01:25:29,891
SO I ASKED HIM

1191
01:25:29,891 --> 01:25:31,893
I SAID, "EXCUSE ME, SIR

1192
01:25:31,893 --> 01:25:33,895
WHAT ARE THEY BITING ON?"

1193
01:25:33,895 --> 01:25:36,898
HE SAYS, "THE END OF MY LINE."

1194
01:25:37,899 --> 01:25:39,400
"THE END OF MY LINE."

1195
01:25:41,903 --> 01:25:43,905
THEN THE LOCALS CAME OVER

1196
01:25:43,905 --> 01:25:47,408
TIED ON SOME FLY
THE SIZE OF A CHICKEN.

1197
01:25:47,408 --> 01:25:49,410
OLD CAL
HEAVES IT OUT.

1198
01:25:49,911 --> 01:25:53,414
FIGURES IF HE CAN'T
CATCH A TROUT,
HE'LL SCARE ONE TO DEATH.

1199
01:25:56,918 --> 01:25:58,419
DID YOU GET A PICTURE?

1200
01:25:58,920 --> 01:26:00,421
BE IN THE SUNDAY PAPER.

1201
01:26:00,922 --> 01:26:03,424
"CLOSED-MOUTH CAL
COMMUNES WITH THE CRAPPIES."

1202
01:26:06,427 --> 01:26:08,429
UGH.

1203
01:26:10,431 --> 01:26:14,435
OH, MOTHER, THAT WAS AMAZING.

1204
01:26:14,435 --> 01:26:16,938
HE USUALLY EATS
WHAT HE HITS ON THE ROAD.

1205
01:26:16,938 --> 01:26:19,440
NOW THAT WAS FUNNY.

1206
01:26:19,440 --> 01:26:22,443
YOU KNOW, I DO WORRY...

1207
01:26:22,443 --> 01:26:23,945
I'M GOING TO RUN...

1208
01:26:23,945 --> 01:26:24,946
WHAT?

1209
01:26:24,946 --> 01:26:27,448
WHAT?

1210
01:26:27,448 --> 01:26:30,451
OH, I WAS JUST GOING TO SAY...

1211
01:26:32,453 --> 01:26:35,456
THOUGHT I'D GO MEET
SOME OLD PALS

1212
01:26:35,456 --> 01:26:38,960
BEING IN TOWN AND ALL.

1213
01:26:38,960 --> 01:26:40,962
DON'T YOU WAIT UP.

1214
01:26:40,962 --> 01:26:44,966
I PLAN ON EATING THE REST
WHEN NOBODY'S LOOKING.

1215
01:27:14,996 --> 01:27:20,501
I UNDERSTAND HE'S CHANGED
THE SPELLING OF OUR NAME.

1216
01:27:20,501 --> 01:27:25,506
MacLean, WITH A CAPITAL "L."

1217
01:27:25,506 --> 01:27:29,510
NOW EVERYONE WILL THINK
WE'RE LOWLAND SCOTS.

1218
01:27:44,525 --> 01:27:46,527
HOWDY, NORMAN.

1219
01:27:48,529 --> 01:27:51,032
HI THERE, MR. SWEENEY.

1220
01:27:51,032 --> 01:27:53,034
WHO DO YOU KNOW

1221
01:27:53,034 --> 01:27:56,037
AT THE UNIVERSITY
OF CHICAGO?

1222
01:27:56,537 --> 01:28:00,041
CHICKEN IN A CAR,
CAR WON'T GO.

1223
01:28:00,541 --> 01:28:03,544
THAT'S HOW YOU
SPELL CHICAGO.

1224
01:28:19,060 --> 01:28:22,563
(Reverend Maclean murmuring)

1225
01:28:29,570 --> 01:28:33,574
"THOUGH NOTHING
CAN BRING BACK THE HOUR

1226
01:28:34,075 --> 01:28:35,576
"OF SPLENDOR IN THE GRASS

1227
01:28:36,077 --> 01:28:39,080
"OF GLORY IN THE FLOWER,
WE WILL GRIEVE NOT

1228
01:28:39,080 --> 01:28:43,084
RATHER FIND STRENGTH
IN WHAT REMAINS BEHIND."

1229
01:28:43,584 --> 01:28:45,086
"IN THE PRIMAL SYMPATHY

1230
01:28:45,586 --> 01:28:47,088
WHICH HAVING BEEN MUST EVER BE."

1231
01:28:47,088 --> 01:28:48,589
"IN THE SOOTHING THOUGHTS

1232
01:28:48,589 --> 01:28:50,091
THAT SPRING OUT
OF HUMAN SUFFERING"

1233
01:28:50,091 --> 01:28:53,094
"IN THE FAITH
THAT LOOKS THROUGH DEATH."

1234
01:28:53,094 --> 01:28:56,597
"THANKS TO THE HUMAN HEART
BY WHICH WE LIVE.

1235
01:28:56,597 --> 01:29:01,602
"THANKS TO ITS TENDERNESS,
ITS JOYS, ITS FEARS.

1236
01:29:01,602 --> 01:29:02,603
"TO ME

1237
01:29:02,603 --> 01:29:04,605
"THE MEANEST FLOWER
THAT GROWS

1238
01:29:04,605 --> 01:29:06,607
Both:
"CAN GIVE THOUGHTS

1239
01:29:07,108 --> 01:29:12,113
THAT DO OFTEN LIE
TOO DEEP FOR TEARS."

1240
01:29:15,783 --> 01:29:17,618
GOOD LUCK, SON.

1241
01:29:17,618 --> 01:29:19,620
THERE'S SANDWICHES IN HERE.

1242
01:29:19,620 --> 01:29:23,624
IT WAS ONE WEEK
BEFORE I SPOKE TO JESSIE AGAIN.

1243
01:29:23,624 --> 01:29:27,628
SHE TOLD ME THAT NEAL
WAS GOING BACK TO CALIFORNIA

1244
01:29:27,628 --> 01:29:31,632
AND THAT HE WOULD APPRECIATE
MESEEING HIM OFF.

1245
01:29:34,135 --> 01:29:36,637
THOUGH I WAS SURPRISED
BY THE INVITATION

1246
01:29:36,637 --> 01:29:38,639
I ASKED ONLY ONE QUESTION:

1247
01:29:38,639 --> 01:29:40,641
DIDSHEWANT ME TO COME?

1248
01:29:40,641 --> 01:29:42,643
AND SHE ANSWERED YES.

1249
01:29:42,643 --> 01:29:44,645
DON'T FORGET
TO WRITE.

1250
01:30:22,683 --> 01:30:27,688
Jessie:
IF HE CAME BACK NEXT SUMMER,
WOULD YOU TRY AND HELP HIM?

1251
01:30:27,688 --> 01:30:30,691
Norman:
IF YOU WANTED ME TO,
I WOULD TRY.

1252
01:30:30,691 --> 01:30:32,693
HE'S NOT COMING BACK.

1253
01:30:32,693 --> 01:30:34,695
AT LEAST HE'S GOT
FRIENDS THERE.

1254
01:30:34,695 --> 01:30:38,199
WHO, RONALD COLMAN?

1255
01:30:46,207 --> 01:30:50,211
WHY IS IT THE PEOPLE
WHO NEED THE MOST HELP

1256
01:30:50,211 --> 01:30:53,214
WON'T TAKE IT?

1257
01:30:53,214 --> 01:30:56,717
I DON'T KNOW, JESS.

1258
01:31:01,722 --> 01:31:04,725
OH, GOD.

1259
01:31:05,226 --> 01:31:06,727
I DON'T...

1260
01:31:07,228 --> 01:31:09,230
I DON'T CRY, NORMAN.

1261
01:31:24,745 --> 01:31:26,747
CAN I SHOW YOU SOMETHING?

1262
01:31:26,747 --> 01:31:29,750
ONLY IF IT'S
SOMETHING GOOD.

1263
01:31:35,256 --> 01:31:37,258
READ.

1264
01:31:45,266 --> 01:31:48,269
SO WHAT DO YOU THINK?

1265
01:31:48,269 --> 01:31:50,271
WHAT DO I THINK?!

1266
01:31:50,271 --> 01:31:52,273
I THINK IT'S THE BERRIES.

1267
01:31:52,273 --> 01:31:53,274
YOU DO?

1268
01:31:53,274 --> 01:31:55,276
YEAH, TO GET AWAY,
CHICAGO.

1269
01:31:55,276 --> 01:31:57,278
GOD, IT'S HEAVEN.

1270
01:31:57,278 --> 01:31:58,779
HAVE YOU EVER BEEN?

1271
01:31:58,779 --> 01:32:00,281
NO, NOT ANYWHERE.

1272
01:32:00,281 --> 01:32:02,283
HELENA.

1273
01:32:02,283 --> 01:32:04,285
(laughing)

1274
01:32:04,285 --> 01:32:06,787
GOD, CONGRATULATIONS, NORMAN.

1275
01:32:06,787 --> 01:32:11,792
TRUTH IS,
I'M NOT SURE I WANT TO LEAVE.

1276
01:32:11,792 --> 01:32:14,295
MONTANA? WHY?

1277
01:32:14,295 --> 01:32:16,297
IT'LL ALWAYS BE HERE.

1278
01:32:16,297 --> 01:32:18,299
NOT MONTANA.

1279
01:32:18,299 --> 01:32:19,800
THEN WHAT?

1280
01:32:21,302 --> 01:32:23,304
WHAT?

1281
01:32:23,304 --> 01:32:26,807
I'M NOT SURE
I WANT TO LEAVE YOU.

1282
01:32:53,334 --> 01:32:55,336
Paul:
WATCH IT, FRED.

1283
01:32:55,336 --> 01:32:57,838
THEY'RE AFTER YOU.

1284
01:32:59,840 --> 01:33:01,842
WELL, NOW.

1285
01:33:05,846 --> 01:33:09,350
GIVE US A COUPLE
BOILERMAKERS, FRED.

1286
01:33:14,355 --> 01:33:16,357
Fred:
TWO UP.

1287
01:33:22,863 --> 01:33:27,368
WELL, HERE'S TO THE HEART,
GODDAMN IT.

1288
01:33:27,368 --> 01:33:29,370
OH, LORDY.

1289
01:33:45,886 --> 01:33:49,890
I'M IN LOVE
WITH JESSIE BURNS.

1290
01:33:49,890 --> 01:33:53,894
JESUS CHRIST, NORM.

1291
01:33:53,894 --> 01:33:56,897
WITH ALL THE FISH IN THE RIVER.

1292
01:33:56,897 --> 01:33:58,899
NOT LIKE HER.

1293
01:33:58,899 --> 01:34:01,902
OH, RIGHT.

1294
01:34:01,902 --> 01:34:04,405
NOT LIKE HER.

1295
01:34:05,906 --> 01:34:08,909
CONGRATULATIONS.

1296
01:34:08,909 --> 01:34:12,413
I'M REAL HAPPY
FOR YOU.

1297
01:34:14,415 --> 01:34:18,419
WELL, GODDAMN IT,
LET'S GO CELEBRATE.

1298
01:34:18,419 --> 01:34:20,421
DONE.

1299
01:34:20,421 --> 01:34:22,923
?? ...BANANAS TODAY ??

1300
01:34:22,923 --> 01:34:25,426
?? WE'VE GOT
HOME-GROWN POTATOES ??

1301
01:34:25,426 --> 01:34:26,427
??
?? AND VINE-RIPENED TOMATOES...

1302
01:34:26,427 --> 01:34:28,429
IT'S A STINKER.

1303
01:34:28,429 --> 01:34:29,430
WHAT?

1304
01:34:29,430 --> 01:34:30,931
IT STINKS.

1305
01:34:31,432 --> 01:34:33,434
WHAT DO YOU MEAN?

1306
01:34:33,434 --> 01:34:35,436
IT'S A CLASSIC.

1307
01:34:35,436 --> 01:34:37,438
OH, REALLY?

1308
01:34:38,439 --> 01:34:39,940
YES.

1309
01:34:39,940 --> 01:34:42,443
?? WE HAVE NO BANANAS ??

1310
01:34:42,443 --> 01:34:44,945
?? WE HAVE NO BANANAS TODAY. ??

1311
01:34:46,947 --> 01:34:48,949
Norman:
WHERE ARE WE?

1312
01:34:48,949 --> 01:34:52,453
WHERE WE GOING?

1313
01:34:55,956 --> 01:34:57,958
LOLO.

1314
01:34:57,958 --> 01:35:00,461
YUP.

1315
01:35:04,465 --> 01:35:06,467
WELL.

1316
01:35:11,472 --> 01:35:13,474
FIGURED YOU FELT
LUCKY TONIGHT.

1317
01:35:13,474 --> 01:35:16,977
I COULD USE
SOME OF THE LUCK.

1318
01:35:21,982 --> 01:35:23,984
JESUS CHRIST.

1319
01:35:24,485 --> 01:35:25,986
DON'T, NO, DON'T.

1320
01:35:26,487 --> 01:35:28,989
DON'T BE
THE PROFESSOR TONIGHT.

1321
01:35:28,989 --> 01:35:30,991
NORM.

1322
01:35:30,991 --> 01:35:32,493
PREACHER.

1323
01:36:18,539 --> 01:36:21,542
Paul:
HELLO, FRANK.

1324
01:36:21,542 --> 01:36:24,545
WELL, MY GAL SAL.

1325
01:36:51,572 --> 01:36:54,074
SAL, HEY, SAL?

1326
01:36:54,074 --> 01:36:57,578
GET A DRINK
FOR MY BROTHER.

1327
01:36:57,578 --> 01:36:59,079
BOURBON.

1328
01:36:59,580 --> 01:37:03,083
IN FACT,
HOW ABOUT A ROUND ON ME?

1329
01:37:03,083 --> 01:37:05,586
HE'S IN LOVE.

1330
01:37:14,094 --> 01:37:17,097
HANG ON.

1331
01:37:17,097 --> 01:37:21,101
TAKE CARE
OF HIM, SAL.

1332
01:37:28,108 --> 01:37:31,612
NOT A GOOD IDEA, PAUL.

1333
01:37:33,614 --> 01:37:35,616
(talking quietly)

1334
01:37:44,124 --> 01:37:46,126
WHAT DO YOU WANT?

1335
01:37:46,126 --> 01:37:47,127
WHAT?

1336
01:37:47,127 --> 01:37:51,131
CARDS? WHAT?

1337
01:37:53,634 --> 01:37:55,636
WHAT DO YOU WANT?

1338
01:37:57,137 --> 01:37:57,638
NOTHING.

1339
01:37:59,139 --> 01:37:59,640
A BUCK.

1340
01:38:00,140 --> 01:38:01,642
PAUL SAYS HE'S PAYING

1341
01:38:01,642 --> 01:38:03,143
BUT...

1342
01:38:03,143 --> 01:38:04,645
Paul:
OKAY!

1343
01:38:06,647 --> 01:38:07,648
YEAH, OKAY, OKAY.

1344
01:38:07,648 --> 01:38:09,650
NO, NO.

1345
01:38:10,150 --> 01:38:11,652
NO.

1346
01:38:11,652 --> 01:38:13,654
JUST GAMES.

1347
01:38:13,654 --> 01:38:14,655
ONLY GAMES.

1348
01:38:15,155 --> 01:38:16,657
LET'S GO, NOW.

1349
01:38:17,157 --> 01:38:20,661
COME ON, WE'RE GETTING
OUT OF HERE.

1350
01:38:20,661 --> 01:38:23,163
RIGHTY-O, HO, HO.

1351
01:38:28,168 --> 01:38:31,171
Man:
BYE-BYE, SONNY.

1352
01:38:37,678 --> 01:38:39,179
(keys jangle)

1353
01:38:44,184 --> 01:38:45,686
I'M NOT LEAVING.

1354
01:38:46,186 --> 01:38:47,688
WHAT?

1355
01:38:47,688 --> 01:38:49,690
THESE HANDS ARE HOT, NORM.

1356
01:38:49,690 --> 01:38:51,692
I CAN FEEL IT.

1357
01:38:51,692 --> 01:38:53,694
YOU CAN'T GO BACK IN THERE.

1358
01:38:54,194 --> 01:38:55,696
NORM, IT'S FINE.

1359
01:38:56,196 --> 01:38:57,197
I'LL BE FINE.

1360
01:38:57,698 --> 01:38:59,199
THEY WON'T LET YOU PLAY.

1361
01:38:59,700 --> 01:39:01,702
OH, YES, THEY WILL.

1362
01:39:01,702 --> 01:39:05,205
YOU ARE IN DEBT UP TO YOUR NECK!

1363
01:39:05,205 --> 01:39:07,708
NORM, IT'S MY DEBT.

1364
01:39:09,209 --> 01:39:13,213
OKAY? IT'S MY DEBT.

1365
01:39:13,213 --> 01:39:16,717
JESUS CHRIST!

1366
01:39:28,228 --> 01:39:30,731
(car starts)

1367
01:39:37,738 --> 01:39:39,239
NORM!

1368
01:39:39,740 --> 01:39:41,241
HEY, NORM!

1369
01:39:41,742 --> 01:39:43,744
NORM.

1370
01:39:43,744 --> 01:39:46,747
HEY.

1371
01:39:46,747 --> 01:39:49,249
WE NEVER
GOT TO GO FISHING AGAIN.

1372
01:39:49,750 --> 01:39:51,251
MAYBE WE COULD GO TOMORROW.

1373
01:39:51,752 --> 01:39:53,253
WE COULD GET DAD TO COME.

1374
01:39:53,754 --> 01:39:56,256
OKAY?

1375
01:39:56,757 --> 01:40:00,260
YOU ASK HIM.

1376
01:40:00,761 --> 01:40:04,765
OKAY.

1377
01:40:05,265 --> 01:40:07,267
6:30.

1378
01:40:49,309 --> 01:40:51,311
(car approaching)

1379
01:40:59,319 --> 01:41:01,321
BOY, SOMETHING
SMELLS GOOD.

1380
01:41:01,822 --> 01:41:03,323
MORNING, EVERYBODY.

1381
01:41:03,824 --> 01:41:05,325
Mrs. Maclean:
IT'S THE MUFFINS.

1382
01:41:05,826 --> 01:41:09,329
WE'RE SO GLAD
YOU COULD MAKE IT.

1383
01:41:09,329 --> 01:41:10,831
I WOULDN'T MISS IT.

1384
01:41:10,831 --> 01:41:13,333
Reverend Maclean:
DO YOU HAVE ANY
NEW STORIES?

1385
01:41:13,333 --> 01:41:15,836
A STORY? HMM...

1386
01:41:15,836 --> 01:41:17,838
ALL RIGHTY.

1387
01:41:18,338 --> 01:41:21,341
OH, JEEZ.

1388
01:41:21,341 --> 01:41:23,844
I HAVE ONE.

1389
01:41:25,846 --> 01:41:27,848
WHAT?

1390
01:41:27,848 --> 01:41:31,852
I'VE BEEN OFFERED A JOB
AT THE UNIVERSITY OF CHICAGO.

1391
01:41:31,852 --> 01:41:34,354
YES?

1392
01:41:34,855 --> 01:41:37,357
TEACHING LITERATURE.

1393
01:41:37,357 --> 01:41:39,359
WHAT?

1394
01:41:39,860 --> 01:41:44,364
STARTING
FALL TERM.

1395
01:41:44,364 --> 01:41:47,367
I'M GOING TO TAKE IT.

1396
01:41:47,868 --> 01:41:50,370
Mrs. Maclean:
NORMAN.

1397
01:41:55,375 --> 01:41:58,378
I AM PLEASED.

1398
01:42:00,881 --> 01:42:03,383
YES, I AM PLEASED.

1399
01:42:03,383 --> 01:42:06,386
WELL...

1400
01:42:06,386 --> 01:42:08,388
A PROFESSOR.

1401
01:42:11,391 --> 01:42:14,895
A REAL PROFESSOR.

1402
01:42:14,895 --> 01:42:17,397
DAMNATION.

1403
01:42:19,399 --> 01:42:23,904
I'M PROUD OF YOU.

1404
01:42:24,404 --> 01:42:26,406
(giggling)

1405
01:42:36,917 --> 01:42:39,419
NOW, TAKE PICTURES.

1406
01:42:41,421 --> 01:42:42,923
WE'LL CATCH
SOME BIG FISH.

1407
01:42:43,423 --> 01:42:44,424
YES, WE ARE.

1408
01:42:44,925 --> 01:42:45,926
LET'S GO!

1409
01:42:56,436 --> 01:43:00,440
REMEMBER THOSE ROCKS
WE BUILT OUR FIREPLACE NEAR?

1410
01:43:00,440 --> 01:43:02,442
THOSE WERE
BIG ROCKS.

1411
01:43:02,442 --> 01:43:04,444
NEARLY A BILLION
YEARS OLD.

1412
01:43:04,444 --> 01:43:06,446
HALF A BILLION,
NORMAN.

1413
01:43:06,446 --> 01:43:08,448
COME ON.

1414
01:43:11,451 --> 01:43:15,956
WELL, I BELIEVE
THE HIGH ROAD

1415
01:43:15,956 --> 01:43:18,458
WILL SUIT ME
BETTER.

1416
01:43:18,458 --> 01:43:19,960
OH.

1417
01:43:19,960 --> 01:43:23,463
TRUE.

1418
01:43:23,964 --> 01:43:26,466
THERE WAS A TIME.

1419
01:43:26,466 --> 01:43:28,969
YOU'LL MAKE A KILLING.

1420
01:43:32,973 --> 01:43:34,975
HE'LL MAKE A KILLING.

1421
01:43:35,976 --> 01:43:37,978
LET'S FISH
TOGETHER TODAY.

1422
01:43:37,978 --> 01:43:39,980
GOOD.

1423
01:45:40,600 --> 01:45:42,602
WHAT ARE THEY BITING ON?

1424
01:45:42,602 --> 01:45:43,603
WHAT?

1425
01:45:43,603 --> 01:45:46,606
WHAT ARE THEY BITING ON?

1426
01:45:47,107 --> 01:45:48,608
LOUDER!

1427
01:45:48,608 --> 01:45:51,111
I SAID...

1428
01:45:51,611 --> 01:45:53,613
(no audio)

1429
01:45:53,613 --> 01:45:55,615
BUNYON BUGS!

1430
01:45:58,118 --> 01:46:00,620
WANT ME
TO BRING YOU ONE?

1431
01:46:01,121 --> 01:46:06,126
NO, I'LL COME AND GET IT.

1432
01:46:17,137 --> 01:46:19,139
BUNYON BUGS

1433
01:46:19,639 --> 01:46:21,141
STONE FLY
NUMBER TWO.

1434
01:46:21,641 --> 01:46:23,643
THANK YOU,
OH, MERCIFUL PROFESSOR

1435
01:46:23,643 --> 01:46:25,645
OF POETRY AND TROUT.

1436
01:46:52,172 --> 01:46:56,676
I'M GOING TO ASK JESSIE
TO MARRY ME.

1437
01:46:56,676 --> 01:47:00,680
YES...

1438
01:47:01,181 --> 01:47:04,184
QUITE A DAY.

1439
01:47:12,692 --> 01:47:16,696
WHY DON'T YOU COME WITH US
TO CHICAGO ?

1440
01:47:21,701 --> 01:47:23,703
IT'S 2,000 MILES AWAY.

1441
01:47:23,703 --> 01:47:27,707
THEY GOT MORE
THAN A DOZEN PAPERS THERE.

1442
01:47:27,707 --> 01:47:31,711
YOU'D BE RIGHT IN
THE MIDDLE OF THINGS.

1443
01:47:31,711 --> 01:47:33,713
WHAT DO YOU SAY?

1444
01:47:33,713 --> 01:47:37,217
COME WITH US.

1445
01:47:40,220 --> 01:47:43,723
OH, I'LL NEVER
LEAVE MONTANA, BROTHER.

1446
01:48:25,315 --> 01:48:27,317
(laughs)

1447
01:48:34,824 --> 01:48:37,327
(clears throat)

1448
01:49:33,333 --> 01:49:34,334
THERE!

1449
01:51:02,422 --> 01:51:05,425
(whooping)

1450
01:51:05,425 --> 01:51:07,427
OH, ME, OH, MY.

1451
01:51:07,427 --> 01:51:11,431
Norman:
LOOK AT THAT FISH!

1452
01:51:11,431 --> 01:51:13,433
Reverend Maclean:
OH, MY.

1453
01:51:13,433 --> 01:51:14,434
WHOA.

1454
01:51:14,434 --> 01:51:16,436
UNBELIEVABLE.

1455
01:51:16,936 --> 01:51:21,441
AT THAT MOMENT, I KNEW,
SURELY AND CLEARLY

1456
01:51:21,441 --> 01:51:23,943
THAT I WAS
WITNESSING PERFECTION.

1457
01:51:25,945 --> 01:51:27,447
YOU...

1458
01:51:27,447 --> 01:51:29,949
YOU ARE A FINE
FISHERMAN.

1459
01:51:29,949 --> 01:51:31,451
ONLY THREE MORE YEARS

1460
01:51:31,451 --> 01:51:33,453
BEFORE I CAN THINK
LIKE A FISH.

1461
01:51:33,453 --> 01:51:35,955
YOU'RE ALREADY
THINKING LIKE
A DEADSTONE FLY.

1462
01:51:35,955 --> 01:51:36,956
HERE, PICTURES.

1463
01:51:36,956 --> 01:51:38,458
MOTHER'S PICTURES.

1464
01:51:38,458 --> 01:51:39,459
HURRY UP.

1465
01:51:39,459 --> 01:51:40,460
ONE.

1466
01:51:42,462 --> 01:51:43,463
TWO.

1467
01:51:43,463 --> 01:51:45,465
MY BROTHER STOOD BEFORE US

1468
01:51:45,465 --> 01:51:48,468
NOT ON A BANK
OF THE BIG BLACKFOOT RIVER

1469
01:51:48,468 --> 01:51:50,470
BUT SUSPENDED, ABOVE THE EARTH

1470
01:51:50,470 --> 01:51:53,473
FREE FROM ALL ITS LAWS
LIKE A WORK OF ART.

1471
01:51:53,473 --> 01:51:55,975
THREE.

1472
01:51:58,978 --> 01:52:00,980
(no audio)

1473
01:52:08,988 --> 01:52:12,992
AND I KNEW JUST AS SURELY
AND JUST AS CLEARLY

1474
01:52:12,992 --> 01:52:15,495
THAT LIFE IS NOT A WORK OF ART

1475
01:52:15,995 --> 01:52:18,998
AND THAT THE MOMENT
COULD NOT LAST.

1476
01:52:32,512 --> 01:52:36,015
AND SO, WHEN THE POLICE SERGEANT
AWAKENED ME ONE MORNING

1477
01:52:36,516 --> 01:52:39,519
JUST BEFORE JESSIE AND I
LEFT FOR CHICAGO

1478
01:52:39,519 --> 01:52:43,022
I ROSE AND ASKED NO QUESTIONS.

1479
01:53:10,049 --> 01:53:13,052
HE DROVE ME BACK HOME
 DOWN THE LENGTH OF THE RIVER

1480
01:53:13,052 --> 01:53:16,055
SO THAT I COULD TELL
MY FATHER AND MOTHER

1481
01:53:16,055 --> 01:53:18,558
THAT PAUL HAD BEEN
BEATEN TO DEATH

1482
01:53:18,558 --> 01:53:20,059
BY THE BUTT OF A REVOLVER

1483
01:53:20,059 --> 01:53:23,062
AND HIS BODY DUMPED IN AN ALLEY.

1484
01:54:01,100 --> 01:54:03,102
(door closes)

1485
01:54:04,604 --> 01:54:08,608
IS THERE ANYTHING ELSE
YOU CAN TELL ME?

1486
01:54:13,112 --> 01:54:16,616
NEARLY ALL THE BONES
IN HIS HAND WERE BROKEN.

1487
01:54:35,134 --> 01:54:37,136
WHICH HAND?

1488
01:54:39,639 --> 01:54:42,141
HIS RIGHT HAND.

1489
01:55:15,675 --> 01:55:19,679
AS TIME PASSED, MY FATHER
STRUGGLED FOR MORE TO HOLD ONTO

1490
01:55:20,179 --> 01:55:22,181
ASKING ME AGAIN AND AGAIN

1491
01:55:22,181 --> 01:55:24,183
HAD I TOLD HIM EVERYTHING?

1492
01:55:24,183 --> 01:55:26,185
AND FINALLY I SAID TO HIM

1493
01:55:26,185 --> 01:55:29,188
"MAYBE ALL I REALLY KNOW
ABOUT PAUL

1494
01:55:29,188 --> 01:55:32,191
IS THAT HE WAS
A FINE FISHERMAN."

1495
01:55:32,191 --> 01:55:35,194
"YOU KNOW MORE THAN THAT,"
MY FATHER SAID.

1496
01:55:35,695 --> 01:55:37,196
"HE WAS BEAUTIFUL."

1497
01:55:37,196 --> 01:55:39,198
AND THAT WAS THE LAST TIME

1498
01:55:39,198 --> 01:55:42,201
WE EVER SPOKE
OF MY BROTHER'S DEATH.

1499
01:55:51,711 --> 01:55:53,212
INDIRECTLY THOUGH

1500
01:55:53,212 --> 01:55:56,716
PAUL WAS ALWAYS PRESENT
IN MY FATHER'S THOUGHTS.

1501
01:55:56,716 --> 01:56:00,219
I REMEMBER THE LAST SERMON
I HEARD HIM GIVE

1502
01:56:00,219 --> 01:56:02,722
NOT LONG BEFORE HIS OWN DEATH.

1503
01:56:02,722 --> 01:56:07,226
EACH ONE OF US HERE TODAY
WILL, AT ONE TIME IN OUR LIVES

1504
01:56:07,226 --> 01:56:10,229
LOOK UPON A LOVED ONE
WHO IS IN NEED

1505
01:56:10,229 --> 01:56:12,732
AND ASK THE SAME QUESTION.

1506
01:56:12,732 --> 01:56:14,734
"WE ARE WILLING TO HELP, LORD

1507
01:56:15,234 --> 01:56:19,739
BUT WHAT, IF ANYTHING,
IS NEEDED?"

1508
01:56:19,739 --> 01:56:23,242
IT IS TRUE WE CAN SELDOM HELP
THOSE CLOSEST TO US.

1509
01:56:23,743 --> 01:56:27,246
EITHER WE DON'T KNOW
WHAT PART OF OURSELVES TO GIVE

1510
01:56:27,246 --> 01:56:30,750
OR, MORE OFTEN THAN NOT,
THE PART WE HAVE TO GIVE

1511
01:56:30,750 --> 01:56:34,253
IS NOT WANTED.

1512
01:56:34,253 --> 01:56:41,260
AND SO IT IS THOSE WE LIVE WITH
AND SHOULD KNOW, WHO ELUDE US

1513
01:56:41,260 --> 01:56:44,764
BUT WE CAN STILL LOVE THEM.

1514
01:56:44,764 --> 01:56:46,766
WE CAN LOVE COMPLETELY

1515
01:56:47,266 --> 01:56:51,270
WITHOUT COMPLETE UNDERSTANDING.

1516
01:57:28,808 --> 01:57:30,810
NOW NEARLY ALL THOSE I LOVED

1517
01:57:30,810 --> 01:57:34,313
AND DID NOT UNDERSTAND
IN MY YOUTH ARE DEAD

1518
01:57:34,313 --> 01:57:35,815
EVEN JESSIE

1519
01:57:35,815 --> 01:57:39,318
BUT I STILL REACH OUT TO THEM.

1520
01:57:49,829 --> 01:57:53,833
OF COURSE, NOW I'M TOO OLD
TO BE MUCH OF A FISHERMAN

1521
01:57:53,833 --> 01:57:56,836
AND NOW I USUALLY FISH
THE BIG WATERS ALONE

1522
01:57:57,336 --> 01:57:59,839
ALTHOUGH SOME FRIENDS
THINK I SHOULDN'T.

1523
01:58:06,846 --> 01:58:10,850
BUT WHEN I AM ALONE
IN THE HALF-LIGHT OF THE CANYON

1524
01:58:10,850 --> 01:58:14,854
ALL EXISTENCE SEEMS TO FADE
TO A BEING WITH MY SOUL

1525
01:58:14,854 --> 01:58:15,855
AND MEMORIES

1526
01:58:16,355 --> 01:58:19,358
AND THE SOUNDS
OF THE BIG BLACKFOOT RIVER

1527
01:58:19,358 --> 01:58:20,860
AND A FOUR-COUNT RHYTHM

1528
01:58:20,860 --> 01:58:24,363
AND THE HOPE
THAT A FISH WILL RISE.

1529
01:58:36,876 --> 01:58:42,381
EVENTUALLY,
ALL THINGS MERGE INTO ONE

1530
01:58:42,381 --> 01:58:45,885
AND A RIVER RUNS THROUGH IT.

1531
01:58:51,390 --> 01:58:54,894
THE RIVER WAS CUT
BY THE WORLD'S GREAT FLOOD

1532
01:58:54,894 --> 01:58:58,898
AND RUNS OVER ROCKS
FROM THE BASEMENT OF TIME.

1533
01:58:58,898 --> 01:59:03,402
ON SOME OF THE ROCKS
ARE TIMELESS RAINDROPS.

1534
01:59:03,402 --> 01:59:06,405
UNDER THE ROCKS ARE THE WORDS

1535
01:59:06,405 --> 01:59:09,408
AND SOME OF THE WORDS
ARE THEIRS.

1536
01:59:18,417 --> 01:59:21,921
I AM HAUNTED BY WATERS.

1537
01:59:22,305 --> 02:00:22,284
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