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(ALARM BLARING)
(WOMAN OVER PA) Rec time ends in five minutes.
You ever get tired of getting clowned, girl?
Because I'm gonna be honest...
GIRL 12 Fight! Yo!
Get her, Maria!
(HIP HOP MUSIC PLAYING)
MARIA: That's the best you got?
GIRL 2: Take it, girl!
GIRL 3: You got her, Maria!
(ALARM BEEPS)
(cHEERING)
Maria Bennett.
It's time to go.
Miss Bennett, yesterday in court,
you received an order to be paroled into foster care,
which made you eligible since you won't
tllm 15 fOl' 3 few fTlofllhS. Right?
Uh-huh.
Don't "uh-huh" her.
What?
I know you know better. She knows better.
Mmm-hmm.
Okay, now, Mrs. Daniels, you do understand
that as Maria's appointed foster parent,
you take full responsibility of this minor?
(CHUCKLES) Do l €V€l'.
Okay. That's it.
CONNIE: That's it?
Yes, it is. Just follow the yellow line down to the exit.
And good lu¢l<_
Thank you. Thank you so very much.
Thank you.
I was talking to Maria.
CONNIE: All right, follow me.
Going to come out here,
and we are going to put you to work.
Great.
Okay.
Let'S start with these.
An right.
And let's set a couple of rules.
Like what?
Like curfew at 9:00,
and you're not allowed to hang out with your old crew.
You ain't got to worry about that.
They ditched me a while back.
Any more rules?
Well, not a rule,
but I would like you to start thinking about your future,
Like, what do you wanna do with your life?
If it was up to me...
VVl'\3ll€V€l". It doeSr'l"[ matter.
What about your dancing? You used to love that.
Look, I got to get a real job. It's not like I can make any money dancing,
Excuse me? Honey built this studio with her dance career.
We all can't be like your daughter, Mrs, Daniels.
Well, if anybody could be, it'd be you.
What have you... Give me that!
This ain't no mirror cleaning.
Now, see, your problem is, you are not motivated,
Now, look at that. That is what a mirror's supposed to look like.
MR. KAPOOR: No, come on. Please, Maria.
MARIA: Oh, come on.
Maria, please. Please. What?
I don't think you working here is a good idea.
Why? You want to heal' me num?
I don't trust you anymore. Okay?
Mr. Kapoor, you know me.
I messed up one time. One time!
You know what they say.
Once you go bad, you never go back.
Wait, no. It's...
it's once you go "black," you never go back.
But that makes no sense. How can you go...
Is that what they really say?
Hmm. I'll try 10 l'€mEfT'lb€l' that.
Besides, Maria, I'm running a business here, not a charity, okay?
I'd really like to help you, but I just can't.
All right, maybe not. But I can help you out.
Right? And hows mar?
Hey! Put it back.
Put what back? I ain't got nothing.
Yeah? Damn!
HOW did that get in there?
I saw you take the bracelet, too.
Hey! Nobody steals from Kapoor!
Big Lester, grab him! Grab him!
(EXHALES)
Big Lester, did you see him?
It was just her.
Oh, God. These frigging kids.
Now, tell me, how did you know she was stealing?
When she walked in, I just had this feeling something was up.
Mmm. Maybe l cound use you here after all.
So, I go! the job?
Yes, but on a trial basis.
Okay.
If you screw up... Whoop! Outside, okay?
Out, yeah. Thank you.
Can you start today?
(HIP HOP MUSIC)
(TURNS OFF MUSIC)
I see you ain't lost your sexy.
Damn it, Luis. How did you get in here?
The place is locked.
Since when has that stopped me?
What do you want?
I heard you were here, and I wanted to see you.
Well, you saw me. Now leave.
Ll'S like that, huh?
Yeah.
I thought we could hang out.
Maybe catch up.
That's what you get for thinking.
You sun tripping off mar stuff mar happened?
Did you really just ask me that?
You need to get out of my face.
What did you expect me to do, Maria?
It ain't like we would've shared a cell.
You did juvie. I would've got real time.
Hen, what l got felt rean to me.
And I wouldn't have even been there if it wasn't for you.
So, what do you want me to say?
Look, I'm sorry.
Oh, well. There it is.
Ll makes il Ell Deffel' HOW.
Ldidn'l Come hSl'€ to fight.
I got some good news.
What?
You heard about the 718?
What about them?
Well, we won the Dance Battle Zone competition.
So?
So, I want you to come back and dance with us.
Yo, we missed you, and we still got mad love for you.
Yeah, I've had your kind of love.
And you can keep it.
Look, I've changed.
I ain't caught up in all that bullshit anymore.
I've been straight since you left. No hustling or stealing!
I don't believe you.
Then let me prove it to you.
I know you still want to be a real dancer. I can make that happen.
You know what? I think you should leave.
Rigm now.
Okay.
I won't push.
But do me a favor,
just lhink about it.
Okay?
Goodbye, Luis.
(EXHALES)
(ALARM CLOCK BUZZING) (KNOCKING ON DOOR)
CONNIE: Maria!
Maria!
MARIA: What? I'm up!
Maria! Ge! up!
All right!
Damn. Crazy woman.
Ta-da!
Ls that for me? Of course!
Bui don't get used 10 it.
Now, you may be living in Bay Ridge now,
but room service is a one-time only thing.
Thanks, Mrs. Daniels.
You're welcome.
Now, don't you feel bad for cursing me out?
Oh, I was having a nightmare,
YO, SOD. What?
Damn!
That's got to be the finest janitor ever.
Hen, yeah.
And you know what?
I think she needs some of this pimping right here,
Darnell, don't do this to yourself, man.
You got no swag and no chance with that.
(SCOFFS) Come on. Watch me, kid.
Darnell.
I'm telling you, man...
Excuse me, sweetheart?
An right.
(CLEARS THROAT)
Excuse me, miss?
You are far too fine to be sweeping these floors.
What if I told you I could change your life if you just take my hand?
Uh.,.
What? Can't speak?
I'm waiting for the punch line.
That was a joke, right?
Uh,
Awkward.
Yeah.
Of course. Okay.
Yeah. All jokes.
I'll let you do what you do.
YOU are me Wol'S\.
What? You couldn't have did it, man.
CARLA: Hey, boys! Hey!
(UPBEAT HIP HOP MUSIC)
Whoo!
LYRIC: Jump in there!
Whoa, whoa! Can I help you?
Not you, her.
$38.75.
Pay up.
What? I don't even know...
That's how much you owe for the stuff you tried to steal,
the mess you caused and that bracelet.
You better get out of my face!
What are you going to do?
First, you need to check your tone. This is my cousin.
And please believe I will break your little, skinny ass in half.
I wasn't talking to you! You belief back Off!
Cool it! I got this chick.
Back Off!
Tina, stop! Stop.
Look, now, I don't know who you are,
but you can't just roll up here and harass my crew.
She's a thief. I caught her shoplifting.
You did that, Tina? Brandon!
Who are you going to believe? Me or this janitor?
I'm sure the janitor has a name.
Who are you?
Don't worry about who I am.
Just keep your little hoodrat on a leash.
CARLA: Damn!
I know that chick.
Her name's Maria, She used to dance with Luis and them.
The 718? Mmm-hmm.
Yeah, okay.
No, Carla's right. Yo, she was fire.
TINA: Anyway. I ain't thinking about them.
All right, it's over. Let's get back to work.
Word. CARLA: Word.
MARIOZ The winning crew WU! Win $ 'I 00, 000,
go on a world tour with a major recording artist
and their choreographer will get a year's internship
with a world-renowned choreographer.
Three huge prizes.
YOU dofl'f Waflf YO mfSS fhfS.
So, if your crew thinks the;/'re the next B-Z champs,
go oniine now for auditions near you.
And we'll see you next week on Battle Zone.
Go hard or go home!
I can't believe this show is making celebrities out of these thugs.
They're the best crew out right now.
I just wish I had...
Maria...
Don't wait up.
(UPBEAT MUSIC PLAYING)
BRANDON: Hey.
You stalking me or something?
Me? Stalking you?
Nor hardly.
Damn, I was kidding, gm.
You always this rude, Maria?
How'd you know my name?
It's on your necklace.
Come on, you want to dance?
No, thanks.
Wow.
What, are you scared? Scared you might like me?
Or scared you can't hang?
I knew you'd come back to me.
Not even.
Hold up. The crew is here.
Come hang out with us. No, thanks.
What's your problem?
Look, I'm just trying to stay out of trouble. That's all.
We did more than just get into trouble, remember?
Hey, back off, all right? I'm here with someone.
Who?
I got to go.
Hey!
Hey,
Do me a favor. What's up?
Come on, dance with me.
Youve kidding me, right?
NO,
Why you desperate all Of a Sudden?
Come on.
Really? He'll be back.
Hey, whatever.
Au right. All right.
Come on. Watch and learn this.
There you go.
Go away.
Ls everything all right?
I'm fine, yeah. Just ignore him.
What's wrong? Can't hang no more?
I can hang.
L.€l'S 566.
Why you all up in our business? Go find your own chick.
That's my girl! No, I ain't.
This fool.
(PEOPLE CLAMORING)
So, are we going out tonight?
What? No! Not today, boo. No, no.
What you mean?
Yo, hey, look, for real.
Hey, you're wack.
Hey, what the hell was lhai?
It was tomorrow's schedule until you made me ruin it.
I'm talking about last night when you played me.
No, I didn't.
I almost got in a fight over you with that fool Luis,
and then you bail&d on me? What's up with thai?
It's a long story, and I don't want to talk about ii.
That's it? Pretty much.
Whatever. You owe me.
I don't owe you anything.
Come with me.
I have 10 finish my board!
...And just all up in my business like, "Who are you?"
Yo, what is she doing here?
Okay.
I want you to show them how you danced last night.
You're kidding me, right?
No, I'm serious.
Do it.
TI NAI What's ihe matter?
Are you afraid to dance?
YOU look SCEFSU I0 me.
Yo, maybe she can help clean us up.
She can give me a bath any day,
(ALL LAUGHING)
TINA: Just what I thought.
This trick ain't got nothing but a big mouth.
An right.
Play the music.
(HIP HOP MUSIC PLAYING)
(ALL WHOOPING)
Damn! That was the business!
Damn, boo, you are the truth!
Carla, really, you got to stop talking like that to people,
What, college boy? I mean, she knows how I meant it.
Girls can say that to each other, all right?
Lt'S like when black folks call each other "my..."
Quit it while you're behind. Baby, stop.
Lail"I'll ever seen 8 New York Clal'1CeF that Could turf like that.
Did you live in Cali or something? No.
I learned it from this girl I used to know.
You think you can teach us how to do it?
Really? What happened to, "I'm going to break your ass in halt”'?
Yeah, that was before I saw you dance, though.
Whatever, Lyric. We don't need her.
I think we do, Tina, because I've never seen you get down like that.
So, you interested?
No, thanks.
Why not? YOU'l'€ here an me time.
What you got to lose?
Is cleaning toilets keeping you busy?
I bet she's going Crawling back to the 718.
Girl, if I wasn't on probation..
Ooh! What would you do?
You know what? I'm just not interested.
Hey, what's going on?
It's the 718. They're buying everybody slices.
When why?
They always do stuff like that,
Last time, they handed out school supplies.
My moms really loved that, but I'd rather have the pizza.
YOU'l'€jUSI in time.
For whai? What is all Of this?
What does it look like? We take care of our own, Ma.
I mean, if not US, who will?
So, this is what you meant when you said you changed?
Yeah, part of it.
I'm trying to do right, at least.
Didr'l't Seem like it last night.
Man, I was just having some fun.
Hey, did you eat yet? No.
Thefl Com& inSid€. Difll'1EI"S On me.
Thanks, but no.
I'm just trying to feed you, I ain't trying to get you pregnant.
Okay. But I'm not staying long.
MARIA: (LAUGHS) Do you remember your cousin's wedding?
Yo, you got so lit.
I wasn'l too buzzed to catch the bouquet, though.
Right. After you knocked over the old lady and the flower girl.
Oh, my gosh, it was an accident! Nobody got hurt.
The flower girl lost a tooth, Maria.
It was already loose.
And I gave her the bouquet to make up for it!
True. True. Okay, then.
Oh, man. You know, after a while, the DJ wasn't that bad.
We danced for a while after everybody left.
It was nice, though.
I thought about that night a lot
when I was gone.
Have you thought about coming back to the crew?
I'm so tempted.
You know how much dancing means to me.
Come dance with us tomorrow.
I know once we get back at it, it'll be just like Old times.
That's what I'm afraid Of.
Hey, you know I got you.
(HIP HOP PLAYING)
Wow.
So, this is where it all goes down.
Let's show her how we rock the 71 8.
(wHooPINs)
(lvluslc sToPs)
(PANNNG)
So, are you ready to join in?
(MUSIC RESUMES)
(lvluslc sToPs)
(PANNNG)
(CREW CHEERING)
LUIS: Man, it feels good to have you back.
It just seems right. You feel me?
Yeah. It made me realize how much I miss being with our crew,
Is that all you missed?
You know, we could have it all now.
I just wish you would've listened to me back in the day,
Are you blaming me for what happened?
Don't sweat it.
We can start all over.
(POLICE SIREN WAILS)
Yo, we got company. Let's go! Let's go!
What are you doing? Hold this.
What are you doing? Relax.
What up, Luis?
What's u p, homes?
What you got for us tonight?
Same thing I got for you every night. Nothing.
(LAUGHS)
We can play ii that way, too.
I know you got something.
Nope. He's clean.
We'll get him next time.
The fool is bound to slip up.
You must have a thing for losers, huh, baby?
You two have a good night.
(SPEAKS SPANISH)
Are you okay?
BESKHFU!
You lied to me!
Listen, you don't understand. Ii'S just a Side hustle!
Li's how I'm able to do the good shit
I do around here and give back!
Don't you see that?
They don't care about us. We got to do for ourselves.
Me and you. No!
Not me. Not anymore.
I don'\ want ii.
(Klcl<s CANS)
Hey,
I'll dance with your crew on one condition.
Yeah, what's that?
We get on Battle Zane and we beat the 718.
Wait, hold up. You're trying to use us to get revenge?
That, and part of the grand prize is that
your choreographer gets an internship.
That'S the kind of break I need.
Who said you were going to take over our choreography?
BRANDON: I mean, we could use the help.
Rigm now, we're just winging it.
Her Stuff could push us over the top.
Au right, so can we get started?
No, see, you're tripping.
AUdmOl'1S BTS if the end of the month. Let's do this.
BRANDON; Tina, Lyric.
Part of the grand prize is $100,000.
I know we could all use that money,
but with your grandma's medical expenses, I thoug ht.,.
Why you got to put us on blast?
No, I'm not.
Look, you know I got your back, always.
And if you really don't want her in,
just say the word and I'm down.
But I think we should do it for Grandma. I do.
And if I say no, I'm the bad guy, right?
Pretty much.
All right, Fine, she's in.
CARLA: Yeah!
But if she gets in my face again, I'm going to cut her.
With what? Your razor sharp wit?
My what?
I just said yes to you to get in my crew.
DOf't'1i'lalk to ITIS like that.
All right. Five, six, seven, eight. It's one, two, three,
four, five, six and seven, eight.
One, two, three...
One, two, yep, three, four, five, six, seven, eight.
You guys got to trust that the guys have your back.
And you guys need to turn,
and you guys need to know that they're coming.
Three and four, five and six, and seven, eight.
One, two, four, six, eight,
Are you serious?
Get up! Ge! up!
Carla, pay attention!
Whoa! Oh, my God!
TINA: This is So Stupid. I'm not into it, right?
Yo, can we just stop arguing for two seconds and focus?
How are we supposed to know what we're doing if we can't even see?
That's the whole point.
You guys are using your eyes and those mirrors as crutches.
You need to learn how to trust your instincts.
Trust each other. Think you can do il?
Just turn the damn music on already. Shit.
LYRIC: Watch ii! Whoa!
(FAST-PACED MUSIC)
(ALL CHEERING)
That was dope.
That was amazing, yo!
MARIA: All right, y'all ready to go full out?
BRANDON: l_6ll'S do if..
Whoo!
All right, HD!
(ALL WHOOPING)
That was dope.
I got to hand it to you, girl. You're really getting us there.
I feel like we might even have a shot to win this thing.
We'll See! We're going to need to come a lot stronger than this,
I know that much.
Wow! What is your problem?
I guess I can't help telling the truth.
My bad.
Hey, I like what you're doing.
Keep it up, and all the haters are going to have left is hate.
I appreciate that.
Later, y'all.
PSHCG.
Same time tomorrow, B? Yep.
Fife me.
Later, D. You got it, bro.
Bye,
(LAUGHS)
Don't listen to Tina.
She talks a lot of smack, but she's a good girl.
Yeah, it's not her smack talk that pisses me off.
I think she might be right.
Was Tina right when she said that you're
trying to win this thing to get back at Luis?
Notjust Luis.
It's like, most of my life, people told me I'd never be anything.
So, what is it you wanted to be?
Honestly?
I want to be a dancer. And I always have.
I think we should go somewhere.
Okay. Where are we going? Where are you taking me?
You'll see. We're going to get cleaned up.
(MARIA GRUNTS) Yeah.
Yeah, watch, watch. Whoo!
How did you know about all those places?
I'm a dance major at NYU.
And part of our curriculum is to experience the arts.
My head is just busting with ideas right now.
All the stuff we could do, like mixing the stuff we saw.
You know what I mean? Like, if we go...
Barn! Bam! Bam!
Bam!
You know? (CAR HONKING)
Thank you!
Do you even realize what you do with your choreography?
It's like you're telling this beautiful story.
What?
"Beautiful"?
Yeah, I said it. Beautiful.
What's wrong with that? Nothing.
Just, if that's the way you step to girls, your game is pretty weak.
You might want to take some lessons from Darnell.
What? Are you serious? Yeah!
Darnell?
Okay, I would never do that, first of all.
Second, I bet I do know what impresses you.
What?
What are you doing?
Yo, yo, what up, Ma? You dig my swagger now?
Or you still fronting like you stunting?
I'm just saying, shawty.
What's a brotha got to do to get with you?
You need to quit.
Quit what? Quit this?
Oh, ay! Ay!
Uh, uh!
Ooh! Pow!
How you like me now?
No, l liked you beflel' bEfo\'E,
Yeah? Yeah.
Just go back to your college boy ways.
They're starting to grow on me.
Word?
Yes, word.
Stupid.
Ll'S l'liC€.
YGS,
Maria?
What?
I still think you're beautiful.
Whal else?
Okay, you're going to make me earn this kiss, huh?
Oh, yeah.
Okay.
Your smile.
I mean, you don't give it up much, but when I catch one,
I just want to make you happy.
Oh,
Now what?
Now, I want you to look at me
like I'm the only girl in this world.
I've been doing that
since the first moment I saw you.
Okay.
Can I kiss you now?
You really need to kiss me now.
MALE RJ: It's another beautiful day here in New York City.
Lef'S heat if up just 5 little m0f'9 with Reflejo de Luna.
(LATIN MUSIC PLAYING)
(INCREASES MUSIC VOLUME)
Maria!
What are you doing?
The tango!
I know what ii'S called.
What I want to know is why are you doing it
when you're supposed to be working?
Mr. Kapoor, you work too hard. Do you know what you need?
Yes, an employee who doesn't tango with brooms.
No, you need to dance more.
No, thank you. I only dance at the funerals of people I hate.
Come on! Stop being so grumpy all the time.
I'm warning you, Maria.
I have bad knees, arthritis and clogged arteries,
I'll make ii easy for you. Put your hand here.
And keep your shoulders straight.
One, two, three, four, five, six, seven, eight.
NO, that wasn't good.
That was good!
No, I did Shit.
You killed it!
Hey!
What are you doing here?
I wasn't expecting to see you until later.
Wen, l thought maybe we can get a bite to eat before rehearsals.
Okay. And I wan! to talk to you about something.
Why?
I just found out they moved my finals
to the same day as the audition.
YOU have fin8lS in GBHCG?
No, I'm a double major. I got dance, and I got business,
These are my business exams.
I'm sorry. I hate that I have to miss it, Maria.
Rm going to be with you guys every step of the way,
leading up until the audition.
WS CED do \hiS.
It's fine.
BRANDON: One, two, three, four, five and six, seven, eight.
And one, two, three, four, five and six and seven, eight.
One, two, three, four, five, six, seven, eight.
P€l'f€C\.
Let's do some miming.
Miming_
You all know what a mime is, right? Are you kidding?
No, I'm serious.
When l WHS fhfee, ISEW One if the Cil'CLIS.
One, two, three and four.
So that's, one,
two,
three,
four.
One, two, three, four.
That looks good.
(SOFTLY) Ballet.
I Can CIO b8ll€\.
All right, One and two and three and four.
Yeah, I mean...
When you do it, just loosen up your arms. Like that.
Relax them.
Who are you shooting? Relax them.
This is So stupid.
CARLA: Tina, Iei's just finish it.
It's not stupid, Tina.
Okay, look, I studied the show.
All the past winners are well-rounded.
This will help us.
Right. And with this new style,
it's like we've been dipped in culture.
That's one thing I know the 71 8 doesn't have.
Culture.
(SOFTLY) Dipped.
Dipped in culture.
I don't think so.
BRANDON: Come on, it's a good thing.
This stuff will help us.
Come on.
Fine.
LYRIC: Quit whining.
TINA: Stop.
(PEOPLE CHEERING)
Pick me!
MAN: That'S ii! Let's go now!
(cHEERING)
I said, "My brothers"!
Break it down.
ALL: Uh!
ALL: A-G-T. Strike step!
ALL: Ah!
ALL: Get down!
ALL; Lers get funky!
Welcome to the Dance Battle Zone.
(AUDIENCE CHEERS)
N u m ber 542?
That's us, 542.
You're up next.
Come on, guys. We can do this.
I C3n'l believe they lei Luis sit in 0l'1 3Udili0f1S.
Just ignore him.
Let's see. HD Crew, right?
You're out of the Honey Daniels Center.
IS that what the HD stands for?
No. No, it stands for "High Def."
Like, clear.
In your face.
JONAS: Well, Honey Daniels is amazing.
Y'all have got some big, big shoes to fill.
I could tell you righi now, you're just wasting your time.
JONAS; What, you know them, Luis?
LUIS: Just her.
She couldn't quite cut it with our crew,
SO l cut her IOOS€.
Why you got to lie?
Yo, can we get this audition going, or what?
(LAUGHS) Yes, you can.
I do love the drama, though.
Lei'S do it!
All right. Come on, y'all.
I'm going to show you.
(GIRL SINGING)
(HIP HOP BEATS)
(ALL LAUGHING)
Thank you, but it's a "no," kids.
KATRINA: Sorry. Maybe next year.
You guys are wack.
(LAUGHING)
I tried to Yell you, Maria, You're just not good enough.
And those two new dancers ain't going to save you either.
Now, beat it.
MAN: Get out of here. Get out.
Beat it!
NO!
NO,
Sweetie, don't make this difficult on yourself.
We're doing it again.
JONAS: Well, well, well.
Now, this just got more interesting.
(MUSIC PLAYING)
(PANNNG)
Listen, we've decided that because of your dancing
and the obvious tension between you and my boy Luis here,
that this Should make for great television.
HD, welcome to the Battle Zone.
(ALL SCREAM JOYOUSLY)
Thank you. Thank you.
We did it.
That was insane.
It was nuts.
Not just the way we made the show,
but the way you stood up to those judges.
I mean, you were like, "Hell no! Y'all are going to check us out!"
Okay, I just wanted our crew to have a fair shot.
I give you mad props for that.
We finally feel like a real crew, you know?
And that wouldn't have happened if it wasn't for you.
I respect that.
You're welcome.
You can take that one to them. I'll get the other one.
Okay.
Make them save me a slice, though,
I will.
I'm in.
So, where's Brandon at?
I texted him. He must still be taking his finals.
Finals? He could've skipped those to come celebrate, man.
You don't skip finals, bro. That's why they call them finals,
The boy is trying to get his edu-macation on.
That don't make him any different than the rest of us.
We all just want to dance for a living.
Yeah, but we don't all have filthy rich parents like he does.
What are you talking about?
His family owns half Of Texas.
You didn't know?
His family makes the Hiltons look like the Hammers.
(LAUGHING)
Can't touch this.
Really_ Really?
He's good with kids, too.
He te8Cl'1€S 3 ClaSS with kids?
Yeah. Once a week.
You didn't know that either?
What do you know?
Let me ask you a serious question.
Do y'all actually ever talk or just bone? She just be like...
Shake it, baby!
Yo, Carla.
Check it out.
CARLAI Oh, uh-uh.
She is about to be sleeping with the enemy.
Good stuff today.
Thank you.
Watching you move was amazing.
Stop it.
Hey, I'm serious.
Tina, is he bothering you?
No, he was just telling me how much he liked our audition.
No, I said I like your audition.
You're the one who brings the heat to this group.
Tina, did he tell you that you're too good for us
and that you should be dancing with his crew?
Yeah, he did, but...
Tina, he's trying to play you.
Hey, calm down. I told him I would stay with the HDS.
Wen, good.
But you act like I ain't even good enough to dance with them.
I diunw say mar.
Sounds like that's what she's saying to me.
MARIA: You know what? Stop starting trouble.
Leave our crew alone.
Tina, are you going to let her dis you like that?
I mean, I know if someone in my crew called me out,
we'd battle on the spot.
Wow! I am not calling her out. And if we're going to battle,
we're going to do it as a crew and take your sorry ass out.
And what's stopping you?
What's stopping you?
(LAUGHS MOCKINGLY)
See that, Tina?
She's scared.
She's scared!
If you were on the 718, baby, you wouldn't run from nothing.
Whatever.
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