"HH`7Z8iţԿdm6Dt$٢3PtcX#*.M]ve]迋.ǮjKh+"xIP9o$qMt&g/\ZcØⱶø5  5Mº<~`A?9AU?P"񆣼 VԪ9pp9זϾϔc7%U]#GJخSElڛF=J ;9n+hw@:6qB>k*br АE V oy=? woe38Gy ՗lo#t6nSoi գ HwđvބZx; ύ=`k|#`U ԕi.6,iX7b.jv5 rRfnB~* p6"0f`JFV̻߮SwlՖq~ R!pHH@ ta{Rg Z Od~xx7Ge?ϐ?N]ɻQ3< eyBq<ݚv7t=Zq{ų~SN}!%sjY/ko?A?(}0|Q?03m~]~.U쓂uDɪ%[) /Y\!Mv#8~#T. &I8I /u,pXqd/Aꋌܪ(k ̚8ȤFul#-66n1۩&' 9᷒eb@os^pd*.D*!.5"Ǘ0ݶzEu5^ }F[!p!"kTkL.}o gGc?(xe+ )(}ky[[z׊&OzP±Zu+QDè>}?Ț\:a>/ip9)= &Э D#D(N[]uP߰5嗝Eϧ]]Le׏ntJdgaзV仛?>:EU++ >'Fؾ0=C)M虱UHkˬB8tg󕠁& wѸv.y)h [*o#e (sfL9T3I!,ǷM7Ek':DpGS$Q7q̘JQ$!ĐGx1]4J? /X]z!/ZBXlQʮ䪿ѡz71Z/1yq2}U+H+DTЌb.+JTu/iG2asfzg۩9^:Y3OwK _ @U YHe({iBѢ˃V}ɀ-/ݠ ߈ohϨCF!@ ǑnYl͌3Kt/:O.AWޱ6+->oXKZ/uwrL@#$9M~wtQH#E i(IVKqt[dA=zYxvQ9 ֳC hw'3g r\.7#j@Lia0@UNewSn Z$t8غ{3lpBiz-sՔpƭM,aT\_*RdN(|( W4 ]@g R=>d\f:wAWƸ'B COkfUT4Svonv^ĽJtg\k,W,ZZ]^C#EU= @ rᾭI%=TO@P^KNe FXb]^EgՏ́㗮;V Vȅ,@!P64^+rofpկZX1P FtSD8ޓVߛ, RnN>Tqےi$369SN̕@ϊ"vEꕱzROk<1Ú ߀r/{1oIB؄3<$V"2E<"t?A x$p~¦qemܮQEB̀%p$=$jgBm;<_c¾>j(0Q~[S.>/>뗤uY3`|.J&6;ogӡ}5Ѷ}rk]C%;)A'hpbhGwiL-QJ6y ï8ʊyKra6 B0X!2nf%[lY흄@4"40)QQ+K'<-I[ImiQ=T lj{US qkXX jX"Eϥ%PP:~epUN%yˁ{Vpn,N5TF|/xw`U4n[%f hQi%6ɕ =?)?T B*cֱReRzV+.h|ِdnAشԕwtơy/K WfqjV\]JnOjV.Gb3Zʹ<+t-\CYԻ`bs›|bݹ< >F}c,HcE)Ժxuc|؈ )BބbB^c9UIѻi+FEIƯ\nXU,ř=d>u?$&?03M:S|'V.q }ȃq"a^QrбtB7)4Fo}z!(4ݣ=Uğ@xp1C)MU/l0W>#rT Qxznˀz_ 鳗* ۣ2.!v\`smjVkz&"JN7-Րp&/?H85 ـO5mrHu}l*|UF;YJzg _Kpr>43м+RHFyagSg;r8s#H~y?I;9l:fZ2&D3CAo)k2cR*& +z5bao6 /Yx@EYSV؟zkӎ)gX-|/0^&$Ml "|cŻP8[U;Ùs1/# ]u3JBڢ8B@v ϑ^E禧 4I-s)YfTFս♗ʎf; İDY"Ju4ih u1kd}D= ߝ-Lb)3Q,xP ǽXdL*_Cu!T..'HɰoU?\uiOZ9gqBdQKwob^nAt<|NJ?IsThP#.>lK&)=Zg9>!=֓ ¦؋[_ʬK WdwVxho1Yzhueٸr [J#Î7;?򓇱pI+r%6!>4#b^ nR?pѬ_yzWuy;8#* Qu)?/t-@N<n*`[-XtEGԀ:.|4a|hP1A 9O8ne20~Oj޿Emp۲srhGHǴ:GũVW,3=?' a Gj=<9~![!?Ol1 UՅ>8T׿LJ|'sr:CtCJչrzOC_c =M3UkryY!J,e12R<B\-N3 S00 "Z}T eV'Irי猫?ŇF W~| #E9-{{KC*Eټ໾{@YϕL ;ٗ5ILPaͣ&Δ p*\+UhNU Z(wb@FGwGXD씅i,g$\e+ [ҚO~U\GDwo2_+|d,6D:U YN^Un~6' f,Y(`NaP)! 9B{_fSHqQ7[ni,ɣvZMy\Da{G`"(RSw9 _ofH?U ThnY q{dhn7vTX+6=1pjZ˨&qFBsEBYZPY_=;۸훧DZq㫤/I&Z` õV}qe[.*f._DrL|G'ͶuE$?JOT{{WoT,DͽTWekH2/Z蕘Yh 2M>$Д8ک؏xԥ]ylu q3 Z^R'+[ o~e MQmS ]w]G :݈ؔ)gy| A8K_ Z.}k;?cH9BN6w^)*$ǔ $~4IJ1 'pJ5ϔ1c])VJ"cs#>1k.k &VŽNzXp GXcе</A~Nm#Lw pJԢ"j@f$ԙO77{jO3N.?EbzO_ۀɆ_lt82Vt]y h"7p EZ PWQ8;;s->wo+!dPؘDJC=]@a eh'1Ar 4^ Ղv2w#GҜ=걵Љ5}J [n*WXsfÿpgLM8vBhLD}>fߏ˾YcRnmȍM0;2)B-`ß,I[q}6G?ϼXtOŹbcynFAUgpý0!VZ%FŽ(3i\s/3~-AAEz{k ./p*_AE.DޚUU6z<Dʬi83`NRZ, ܌K / FZ-)s<)4?7';+;6% +b'j`iTڶs)+6prFc,sM  l izk.dH;m? GosNJ R=ty e(TN,%2^5l^-h,7FP!w[7LOAv@<=p-~d$U T3p  A}\NnrЭc\Uz1`WJDpY6 aXB V_mɡ]z )O9u !6]1ϟDK@6WG&^zYܘmH$@뫁AyP"e @/K'dxJ+SOp5`JΚ]J@&LVHMc(l.:œ _SFTY=pIO_Q5/-upGazKyrEo:,0L |adZe!L"R@?k yB VWpS&nudH%.Lti~Հ p$M )`2lD(43ޟg8Q4aޕD`/>,1YA=Qhe%3kБ+)A(%+ :ZΣ*zꌧ(MRcď:[X{ڂOOEo s/K]z  A'z~4̇gbio*AR2q.=ؕ :,Dr ,gn ?4QB 'XwW yS0OTqʳ>eW$"0!^8]EQ縬?%a{7'Hw8ôL|9.R+62ۭÃW(^V}_@3.A9V&kF8(+r:R}Ie45% @tҏI8HJb5\"łIOEO~C4BRh5}v` X* L=ITWʍŇ*EP5 G D@[dM 5$(d88v= AG w:E|Ⲡ 12^t?vjK0ғ0ѩ0` hV 3;osLbj;ϘciJ c)9#@ND ^h75 n*/jhOb6i_|eYQX9KLQ#@}%OuJ4aHac J]^M$ZMlYfp>[0!E\>#ьW%̈oYn "A,@DVM|Z D.llP85N2[S2/#Sbr7e:Dzlrf]vQb&zJ-鏌J*2D'4^nBE>ꑚ7#j%ۯ2|y۱G?/#ot}&JF=2kQ+hjָwx6t֏8ң |OYAhYfT<>v+heZ4ƙa (4hSSA'ܽ`s0$}ԏ6uyOmPYEuR,l& O-$+?߬| >\K-zܵ&JB ט`i!վczi$ruqNJ@)m (9[W<E.l7ܘKRº9MK`5dv啮ih[);+$ @DET*{5pOU_^)CKEn\I{uBV5""h P10\b4!>m&_U )DXa,y3GDv\Pl.6d~J'[i*b߷b})@cR#3ǸMbDy щC,&o5b̡v-o M]WH}ÿmi| ]m*iq]e;RV5ݰv?ݲL ɜjyyj2̢>cYXn]53F Ȗo>W6+)> (|v"=X#]kOMp4Zب.o(Rz1WN&կv$b740hEt CNt$d%H wBN Lj0Ҩ[F1 8zZ*Qz&M AbPEVE6FH1!ًJd= r;+YdHcD݋\HCzj-&1yMJ#ՎHNe]CYOІIjzOj*{R (Y8^5nk.Zv\ɞaΫTC" qZL&y\ֻ^,<&%\7FNk,̊j|af/N KpAD\+^p,kʳ,8aVw'{SݦՄ|5ut B.̛iZ5 2O%19kYdiͬIu"bG$I 65ڳF͠A/;cy(SzrLu.3g=3[ށ^+`,uj" 2(~ ̄Ǜi}8E-8^х, >|]猒j`ؿ -F>?0x|$9rMYfl6Q,O~^j|%󻿶E"` r_6 鷵Wsz?Ȣ|Y D71Xh;Zv|4_h\xCz!Ǽib?8uR <6x2;Vmc5Őyx'|]jǭ[谺ɫC(ĖUnKTI_3?.ZNNs&b(f"ȼ^~rєQ#x#\S9[s֡ 4:^?-hϮ<*V`ՇlXL ^`-JƘ]>[`^=D@E+y?eJ:?U P]5OcBbYwx\LLZ(>*a)nSo?m׭ڸO򺖝]6_!c0C,h7#> ׈ C8zfI}G "S?թk" }nJ{6.fDÀȳ, jF D'0Ϟ!,9ZLu9{QP.)^h;Vl7{#_R^JU".a֯0Sׯqܤ(ۅEpKkl>x804:waX>v~,Vi)94{h ~Hm戀MIP+Ӫ=9ձ/c`\Df(ª֊2tFRd{?-$ƽHfLMJ*4)U'Q wm+5Җč+3@#e$L_nb%Cr!R7ՏJJ_S,nB8bh߿DPDM\K!Ț.5E?-PQSm(/mOp Zza4ߛv;DBk=1P1[j)!˖ߏpݩT19q FLey޹RW ӈa[Pw^B?O;h!Q$b?4 '{[3ԩYR-<`f ?Rj>MѱR"g/,Z΍PP A=Ppz2{޴^3|2v(~`3 Hw$Zc (jvjZ= P)I=cS-D}1Iݩ`Bb ],3YRю3K6U?Tz,)vR9i"HSӋjRߥ;^H&Vj㶲FK)-"W#1vhS^f*}JGY*7 4/S="rósnqmxaCKGݵ7' j+ 硈j`{#zSҺakKY/]PC߸}??3#Biv=z^4w:B"6mɨ39\bX /DFNl?xCrG4SwfDn}=]&Mո1KQ64uir*{JBn2-:6l%sn(Z(|NLBD;yh ."Z|1J !7C@FA_26; *[W LiOs(?xF4%Z22q.Q]nQ*#lbD{7 sh4-uSB\qA uqX/o8%\|P#Cǯl-?lD/;RtUoh$8zk@V>- # el:TBahҰlHJ:вytbI&`s6g;RYaW@$#Q9 |`cW Qje=ou !@@dƓ}S.ߚ_F19u0ma;soZGoݎ'[ϝ1f}o ף[ڃ$H5S"0<` ؃s,vr5k ݐ^B=@4 A_P zKLӣc$h+vq5&/;Xk(1h:8tX)4#E)؈Op1HO+ 5g2|HeB LywAT] [&Pj 7K4@duqx4Fh6[7!/}Ԝ?#t18v"- ,L/ÞFTϾg'3O0$UI |Uxn1b%cYA&e._o:q2 j'o$:S I0Cʛ@8J$KE8`{╕# XkDJ(ZHD~oj`z҈ŦmT.*:F J0YFzw03!Tȏu1F XU5FSՓڎޔ5Ak0^{2LƛN \>NK*yuq sƞ;'xjNLc9gC F 1wPW 6n:ʊ`F'+}*lHHޠR%\v0)C7z| xR8y N ʣzņ{DgO ŽVno߆RmOwz*?N%o.0/VVF2kx1;4CJ>[l0X8Ny69n%Sc4E.$} Pfy*Jɶ^\ȝjXL1!Z񗺦8eX/X?{N.)W.D+HBM=d/QlK& {u &2(<5?"HLڟ>tP/mJ ޯ<@3+͕]těIGK6W% WEsV-#}ShXMf7LO '\:LH>#" 2G؅.n{kѭ\cAa ECMFYldΐۗ5CǑồl:]|9 f|}+L(!\BIؙ]@;JUTL\j o BI&52tRoH?F_Uw_Zl\$F%A!qv|+;>CVO7bd&Na{Rp R_EIH+MC 3ӭn g4R 9.-_tۛ8rOQQđi2p}v8gƤZ;TāZ!K:^-jPx]'&fgN*Q+<,5nh4'b|vzV^G|IwVۍ?Ut +*wجg'"5Sp{̳p!gT`#Y/WPUo bJ~9vnӘm {Pl(bhgO0Yc,͏ P2V9IF8i8i<ɞ s=1{|W#wS3hb)ZxNbMR@kKzwD&Tq$&Y_T0GH_iOHaDnUK_{@D_;)(v_"T;:%v'DCZg ob\\EdC, H4E (T߯ `HhvWTtJф\eJ ?M;%fgʾ1%wЄn\FmSZkslS0GYmőw`\tY=i+dɭ1(ԞLg\3d6F.8jf&#l6(! 6=ƇB!b)_cf-"86ՍdU:*nfQ&ySyS+汋F7i*d;xݛ[1d ˄U-5uXU>67MgC-(K;! ވwIwv}Bdlϧn7@W|ۮw7:;Y9Ȱ4LAXz[MnaҳUm`{2_RcK*0`S zjʄ@ "< A{S!Q.P[̼Q>%"kb]<`Aϛ[fg~2rRqCFm G5tHLVo i6@9Ȇ5fi sWX7sbkkKTo|'^߃Ms>%PGx v/2v98;P /Ys\{t *kϧč@^`F଄U4dC%Bqk &z˗؍6)n$^)!6 UL܃0 fSN.<֐4+-BHMϙ;x_ k|.D t%.a\'d(/7l!GwNAQq¨}۫F\rT<;uӗ$3-zƫN}Iѥ.n2U E}V1؏e}ql^=U>MUmrEAIXShu2dٯ}O9cǝ p+amI[kۂ%%W=L$n7E6i[JHo\܎]["Yְ޲{]Uin#46J0B e9U~鏇~ZC' 垹 aigFpSI?l8$V<ېmiDIF MFPG!t_˴;D_PA K:zϜ=[P[Bo&wKIV 'bL5mWoq](l!eͪWdҹ4=-TpEFt2-N݉+OSkbC{|MDw䬭ڭZ>Hdw:^^^L#6зajxs w}j3J%/60IPe/&BB]B$/M s`wchcyGY9F[qӁ^W 섢3l5끁P^٥6pe6 +nd>yfS0'&F"yN᝖27U\_=x؜ma&p:d Lʜg3X{ ZбVW$izE@_1o2i0+8p]}iHL ~ʴ'`3Ə!:0~v5*knZ^h|̣O(}MTbVm%mkAF~uF𨶏R[84Fv~[|PႺҿW~HyX!X𓈪y/VٔA%OxeFԏM.}6rB."=X]5ľ.]ږ7ԣ3S9 ŠY9Ri-7>aҝԄ?G gWqTlM)D}>W1nE@0)^u'; 1̊f_ KMQcyn'|Qa;eIE^/K)bM'r/mF|Fa ; 3K0B(Pv gTƤ{Ndk-LHz`nYbOxM9ew:ocܷ`!RdK [&ش&-Z Q斘A~+aX~E5INkHd 1TSᶠ!fiG|߁gH 5Vl&817qZXvZ6WQ遪,>lyQul|6,r}u؀LL8naBWЮ9|'\x%] XZ#8ֹv oJwF LA664ＪԘ?Gt=u lff/J]2@ZI"%~푅c<>RN©_e V;-m)NOC@gJD,9-?!qO{*DI~+9l{($ N7ޓb72J0m<UE^ǹaX 4 4`Y?ƥ\ۘ$%E0&I!q.y \ C>DF3l]9b\FJ`@ >bh=a1x+Uծ#o&YѢx?ɦ1?[ ˓SRK`)u&׵yxo8"hs^,PJC铚5 N@Q瓗"colϝ<>lq8ϫx\(z.Wi܅`79.@`yw O>dI7Q )IB?bwȖ6K>SPew [-cYs2` >37@q(z2H~B=/nH?"<6NZv`9u㹤l"AɵHVJ4cTyç4 _E.H~᭶uͬ_KU_XL' ƜG*L voto}O4\,/c`uK-kK&s)pg6-07-m-th97=TJU>VqkƫbDcN װFvOXSaMˇyU@V()l/?l8'\ZT%}=՟v (AHR pA$x0zuӝ]} #֎ÓmS}" >w2iWE tJ,QK3Xo8拻n(tșfLdX:{L2cyA5w[.˰B&(%$S|c٩P"Nno F)[` bT 0#@f2ȝҤW؂>Z: %ఒcK.|)̦#U xv*Pㆎy/HR sm,pܙs8޴ `(z&?jhH[{ɞP&`Zh G/ּ6­Q9 )yj I I4k8q\!L8H1Tbd5LHAi\xb Oh߸5]zg# Sikn7T&*˘Q[ӬHnV8PQ_UjKȟ3~3ʟ~E*GƅVlC̟]?q/wc`?VN-jڿ-UT-/(ֲEl'bKdr5@]l$Ю2_^pD81aRu}C+X8$Ta'+s ,;;\OT >?P:%hIOUs>dRE" >C` CZX)}f-v '檁^2ޮRP^ Uwc*Df o[oZo̩:_H(]5e]+^j'R\CF6JǷ//B9)u\(:ncJfY ҶP@ {mHmQБР>%6^%GIpjyHh;qI s$I鈔Hw$kݬ'ѳ4ѳx2ŜD{@~%v˲dϢ+R緅jE~Ut꽻ǍY+' rEp>Yɮme )zu6ݸ#JOG}:ǩ8HK?.KT8UU]6*L8rF1mkgڸ o5Z?з_$5쩥Փt-|V:|)V1rPIB?]Pė=h_oKR£-h򿊶4]6ʧ-H$M,a>'6zxA\tDZt$ ơKoPzV ʗyy~J3'9kLyf\nO&lB_'n/tN%/]cR!#iйtl'V7(ϯTs.m`N0A?};[}H$dF3*`&HԜ411=<){'36#%&9"h&`3y cY(Ok5;lDMfɺpxpPgɮiF:*FRVҧ9l Y7 1չ>箛j:ӒԍDz,JCaa[̝:19Auwt"CA7<J;EvmS6y94eZUOh0v%"*D1 ,1$BK#V@Ȗx_m4eIt2Og]_C/PQʴ('}iIc߼;1)&Ww?T )(٨M₶爮?,Zt̚Ҏ+ڎ?~f/!(#AIy%gJ Tߊ x.^@ktlwH=K Qgx5>c!lDo˲se$왹ey]xԭy,90>.c_Zu~O.L,Ftm(Q<#>V_ ɀ|L9fXa^?~}o= ICJbnK[p˔ s˜F+O᎟%֒gx5(3>"/DOB3&4c1r0&9MMU{NEUC50g쬎?<5iq$rP He#剬=uϨTdmL/[j2lϱym)Ir'H&HpMM i#}0$Yb~v9\7u6ϧ6μaf|Ⱥ'y O8LY5 {m75XDHyc*?K8 +SzS\FT.E;] N 915SYWtX Τ0DA/)D`>f~StA^>{͂0^O U:dQ3 kp oh۰bYϥjDJW2(Ik G|C۩>ʒOgh_~PBӵصǁ9h0l6#Usv [k)[R [v]:QjӑBKo(Kmg{/J߭~[<vjs$(KO ąƙsFc~2F  t=ON.4%ͭm'Iix G`PG;j4]PDۆ C0ESƶr}ӝZTZ؁JٯSkdgbX/McPe')fk Q!TbZoԹle߯$|Ul3d*G e_c^ h Ņ,?vQr8:VJh;F9P @iLIil䜇X+<ۑ2VV\2 sČdϛXswtc${)M$ר0H^ ȦIdjzc?h CQ,3bnI>t𽌟Pa9Y,|gwNvQ;HKMws:>V,?m.bIQw3?d!-_sW)։^'dZ[+gɳWd1aM`'AX:2Gx Tχa74=I?8<z{zYV"z8¾G Ʃߵ?Sr7U ݠ,ge1P wU聓[+L&Սw{b<ˌ#>}p^xA6I@wOxIp vrнyiMڽO L 4~óUہ$D>+/E-n_3T :A|4TɶqY]gxW\E4<=@õ34ӊÐ;8y(dl1[? >L}RS"ݸPQl"S> lsnȮFKFOx_4=o/\UJ;6'mf?=2hVQ7.|G^*Qײg)6XzˁG9}^<~FygtbY:ozucsK)mdWiJ3J0ޏ&Fajm[D?Ž͸f2% sa?z(%Mܙk(+4δ$xf^2݌o[5WK *' $!1O}SPRH )z*o t';!Q\3]?-CܩLq@J0L`kͱ02,FDʈȣ_'ǖI_|EBd у+e$ou3 6~烃j%y`ֹ,֌M_.?v|uMmTrlY> cpDI_ P5ABtr^ٯ;ht(_G 5H7XҴXTS\??}$_"aOӣM/N6`q Yp霡sUXOUÓV©P+/s~׻5;uOƍlIPR+og%]WxoXKzxS0)\mڜ$Jܡ;Yr]phOanZԥWۼ|Hg vnNWww`k}Ѭ#c6t/iUxWF -L5:9.<_S|GI aU.І(mn*=snT]kGˢCb! hѠ)8AV?mGe6o}L+((̦rnV;i=zPKsf25 qw٘t>N0KI~ . “)pegEg$trBk.kGH%tոt47{Xv그y4ke^L7~H{*#ھo"-×Ixb]W9u#}UyìZD(r `&xWFY/(/UYr)}l4|m" < >z'[6Znfߧfu-. 0DGH,rQApϾj'/=$'p%8XP:Zj`+fzW9`o PS4^QӜve ~ q ˤe'A2hiVƍAvWL_g{RS H6I3&ovjH Ts4~bpYĶql/pXg+$rmU\d>?EBءK+Ux]^4*a!5wYVZX]&~g~7Qܭ3v ! #[Q =q X0?lvX ÏǽEĺYpeϠmvfײCy?ũT'H؀`O_q%`1ɐ}oGS9sI <}|GdằR>'ߦUL#J-ؙ9rCS1RYW٪m_=>PJeυ~,ehX@~3N6zWy~*Cԃf2}$\VY): .w6ɞXqG&or2+Z;ٹX¦G%j `heIdx!$̉¶MoM4yA|mftΜ#d0hsfv'rm4y^fȻ0Vs]qA$ͅɕ8ڔ{=V{ov65उ pc|lK&lx%P[1[vhKG%_^#8B3;n c!>b18c:N+mq>Dg8ĈY@DTXi*FXa7@|²D&%vImo<I3"tNyH\ f rđ Gm=C6'j.% ZY[ǘTL^w"Pܳ)*_O8g&Z\tucYn{-J.iMT 99,5}jSJg/@"|!l$i8G͹]N=IMh>Xw|+Wyw\uݼGzJ~&^ZL@NeA# p`1lh'zҚ8 ZW≶S+54οʖVدtޝ |( i~0x=7˒ NJS@J8|Ь=l=/Ix . ܦ%L1!ӄA 0 M&˰90(kd6JÒ̌Dw<N}9 ? fg/$͞W%iY܋ +?w$l P7 tEL}p%M0:PO$614}$HiTs̆y=]rk(Gm[ް}Oۇc9$@{EF+Q(+:GpKT-0r.^oG?j AzmMJA`6Tbrŝ5z)ITUReJ*d[Xy-:*W@2d ߢG}g0?*FQ䯸B0KWSyؓFݮ}Tnl?ڑƢä=1f0 PVdbPmHe$[UkQ ԔTA[ְ(*̆+%@bbag#d9؇W~r |P@ׄm|^b#bՅ J @t ǢuV0B@ZcLT`Z0y.viqace-z>.=BEnPdv!g=tߍv唑.1|Rg+D},_sdRa D4:TT! U$u x!n,WA{5Z"1vJB>Age8Un"_4A{mg<,VUPڲ<< X+?&W')MS (OԻ%I}*p s_pq~O8mH`0YWtpՇZQEX?j~~_|iv Ý!bgm>U}f`(6.s Ր;D/ͽ tjnA]5+WbLm7lcv :TNm41M  RV e%,7a5a.KIv.A#cWKMXMʹCp:weXBk2VXE_h Z*(zpM#!KH;bM*s]ב԰(|Ь՟5Hw͟fS1ο@ƋۑHF7G%2NP$CqbC/F0[)N :kf1W>IFMB-Mj\y?7&[F-__qiT{f|O1"{~vNg뵊UI:5Ðު~ʌU/EȨI'L}!y>3ymY*kT1$?4$T^YѤӳ۬ BտȊE,2 ݆ 79IEd%><m}ڏ Vo6_3.mā` gEA@cp(^0t9&;]^ťi 8ҷN{/1HXrߔs)>QyN:mcTd^ c/}roďbtcrK3m'csY{}?A QQli f8O8(^_{b+q(U[ACeQ34>+ nF PYo5\h/Ze`5|U9@$g o PW?2?/fibJ)(S/[|J[aIn6xM).GUmI^OZ'd>Eo~a$|MӜ˹&9uEoG=:ҀJn Hyբ9oATw|?A&0mCւl {=N3'jn/^8ӖgR]E3A>u[RaUØ)'Z7MNяYC|UͶ` ƔjMl\0mOI& 9yqi磑%% c0xRZePqf.3h QWsS_,ƦAjF /港ϼ*yifzuUPH\(̽N/T>ĊvBSB]"wP?q [ơQ;*%6iS9,Wh vPۍrܗS .~4^(LYkTkb-Yf J@+AIab$sUXO +aT\96JC9$qגCuʺO>k0L8` hVB[Fy,,^6UF?(BȕGo"&7U\qվ֌v#nuѭZ/JEbi}{ѢOۀ\  6?ɾ.֔Wvޙty*aT<MK! C|uut2(uP>8e̴>U vk7"fcB0}7DҒǃgh֫/Z`0PfeƟ#LeIWzՋ _Tߗic Pω3Q F޵Ǽ^9U7k:$TC^y{e/\-=1= Ay5"W>K:Wېz;vw[Ǖyt=֍;9[-7LVK*[eR|0r2 KT"I>xzh:<@WeJ'O'L1pGpN]vd#brcאZS441`RWFH_H66img<>9t3 ,U yme,iJ}fwCA{#ӎ)υgLHәHCV> P)# ϰO51W)o4z%zBV0c4V|Gy -xG>¯L5B!Tk/A˛QeViOFE"JU~7VI{,+˸=oe ZHDgyNʷsm/]k%իK/w~~R~ +-fd?o:|Dլ箫HK[_`/6~/hrxW)KvY³i`aWbsN􋠵ݗdKI(\ Vj[P5f^cTc7sEEhB\xqyQS oD"Lp% uw/دnbY1 ; Jp&aIp@rPpJK"4 ykpzGaE"2TrE1Iti3ekP[(I P->֍v`%c^{liM5AS~1B'N若:o:җmu oK] $zA]6Uɣ2] Dj@z=c%Ͳ? Չ!:Ze}..+|: "CodH)Iɦ!ÆJfQK m<_TY;3EvL~B׈Sa.FоY'ZUYjnؙBO))9xj~.F:B}}. h2+ 狵;3̭As|t5ET>& V;DVg D*?! cS%MѕaԈ ȬIDy*xo{8rWKO asI* L= t-{ >7zY3pL)4um:0ϘQ,.;[#^u30n`58pPW#>.dD >8ӶMD=7ˆm[G\w2jw3ي&2dY2R1p *ſ`fV u5 G|Z% }d΂CQ9y5 &-ȵA8 ߱P$1WRQpWDM+㎯ )J&]秌ͫ煈߮s\MA_LN[!ĂlK7kkȕdl}C Յ2{wiYy5p>x82Rm)lgg^/AWM )HFrlB7r2MbgclR7H Kml#|3b+5hmឥw[U_\? ~ s[CAz!6-=<=Dc(m%^Bw'['-m퍼^3hbFZMS~ʒ#hߡL$U:3.ZOgҞhBjbG(܎f3\ڀ)cms_ 1;&2LQșyީiVlX{VXL레FR&ZƖ ,,SR352N˥c8bgUq`; )&M21/62+VvdXۨit5 j\ꗔ[}Z*Ʋ!.ekJ5"c?*z뚖!Ƕ [Hn?7u?v>p9Kʁ Guj4$ ,ƪ# 2s~޺$1ns,v(49b.qhyyHQJ=3ɰĆ`a$Ql>JLR!fD<")U$f}] JLǒSN2iV1~߬#i~8xb՛=W\ 1xuC()gR.{RbOx5w7@2q,4ɤK˒XQl1TȪ_0T~> "#_|-FR>uĥ+"KBV,WXԽF(pWza=iL&7Y +D{2CW6*u1pZ:w6H|]gP ,⯳pnc{vHPw +v bêJ4 Nܥ[vzV{쌀;ᴏƽSO]Jq I]% l͍!0d(ՆlT:[1-&U>+Yq%?l( $jS<E@Ie@I]o 2wL"lfP%ZRg~n,|71M3b<&3/>h+[#,3yN VD<<іWnen h"cS‚t(6d3E \)j84uKEM9ʏ BWQHԵSL_Ot@܏zo?OA}ݽOryaEF)Sh2>F.^a5r[+"`uS|?n' -^ύgJYb17bckYobm3BWM%#` C]C(50Y -Tyk[b 0xJ0;\JS5Nzfư8{cx;⨌hkͱp4ꎟ.QkM0fLSdWk~x;dQ:x)}%$,xݏYDɩ Y&AHժGC2v$Q1쿩i&+fx)#:b) y^d|5)]fD\ [ 篁`mYE3[@F T0+|_$:;Mnk&(!x/־V ,> ;lN:sg0">@cīV"% ݁usfvvM~G\1!YPl[:|A? &nݩ`u( # (NYA? C~/\ri=6h_yxܱwN ش x|_8;;oI2[R-$gG9x;$ ʟk>cm2͠|rJ*OU)H u@TkՅps1 (زMpe; )o6'/OY8dM6LRG?5uC&T#av̮0]5Uc,ƒN@,}/Swע:=-u\$B:<×hjpPCng̻q)5Z fI vjz?B:yT%9yU5/"VI2Ӱ)zTCwp($[O'w!M>K' R_`dw&Tٶ[WUjԳ-'p^'uΔk}a.a8 +U?8/pu9Z9[:X;@ȣ4+_Ey#'ŀUIĝ2,&AT^'Ö" 8rjv4r5/MM'#g&7Jr3ǦܵI@'" \ ۿR8/HҪR:ߒF{hg$̴PY]5(u*GulvLgK[h3$NMvTr91vlk6RsGʀ<$H3 ;4u\ /2 R,aq Z$앨~_hY3p\dlp#]IHʔ#m0jT1| dcB$A3B7,r3,6Y}lYF7t޻J1yCV]"3kĒSlQOEF_eU|Ab:^]ύ;.gdSA8,] &2Sb1RDɲI-h$]_@\n\& c.æbז>92׼ݰlY)`␓9L 'kqaƪJ XI_8:hwnw;Zn+$NuI@<*q#: Amf\e;d[;rLOj<az#tD $$P`V׆)v9܌H/BYU_.b]}mrfWqIgD>eW/jBwgm-gk:qt-B(\ˎEWorr-GxbYMA'\  Im ^]PjlfEl@\ܡe.+5"H(S )$g\Nڛ||q?BV:m+9Ho,u8αbHƹ,UbJ0O;n@wvGE )teH:gJ*]4sGgwaH1d\3r87MՁwkkR߁|n}yibud"E1v*zpK,g)C8`ƳHj@m{F"U]6&  Kg+3B9b1ل(L4˜g~IRR+Ÿ6* Zf;?+X3~47u2*HZ@oDIof;v#S!b)r<)B贙٥؂mΌϜ(*VePsY6)hS7GѨdE|s}0q; 3]؜7T2EY/p|>hwFUZC&pZ%|ȥ_ۯ)i5\zFj2 tOQDn~sʦJ"ep] )N56M5=ve8JT-3G,s/DbCRup3=UgY@#s_4[b&QGer"PRSa8uEt4^|s$4,ڽqCj-yw/`4"SM- Y0d`߳9-R=wVFHD"SJDr8^W:.wvB5f,0\%k*ftq浓U=4 # ^F帴}ri bubQDj#/v`T",BvUѮn{oOe)g)<×^`'W&/i(1)Ve-V;_f`ˁ1׭Oʅdvr5ެۢ-S p N!x{B76712`9(u$Mk?I+d"&6JD8r}%oBjA@2K tHkMs{bN g6)P&5% /Ϯpui"NezFeYdAlH7SP rkn6,p,`nm #8SݻȸBoFk(VBN?ٷ"Ǜٸ4r8G^OElmO()uxuIt\E%2:JJbQ%\&6dDCdJs0(/FmTW^vNoJrC5S{AN\%\vڂYJLn|l 9/2{*k :0PU7 YcغOY/#'f|aP nEn%ݽԉKx0aVRW {(Ӏēv%[aO]7 Y໘| dX3M udwsnz c/wF=T`Gd#.iFw  XķtkW{MNz ^sV?S;&O`6󣈩FpN$U<!ӌ1n#"o2d. bu?6"RݑWS_W9GaY"^m x{5_=.GhO*== ĕxVU1 tRf6 ٣Re'iPv af۰E˙߻ƖZ2ZŚ6s3iQ("$sf2f{5^Z9][GuFR)]T>X>TP/{Rc5,l^hBF)ޝWOX?8v_IR勤A^'{AECDYZ&4-H] uI*Da C|#_ pB\=Q@et/}Њ[Hsڮ4В*QfJİLOu+xx%H nw70~S#[2 / â%8r3N9zJ htʨF1TRC`rQd11s/WNJ.0i1Zot荦% kTSSf}EHdC@IV g]_ĩ#nqxrtN d!*y.2I;oø|{jKs$&ƅ#5X|T!Q8H`J9^փX`^ pO(.og[.:ș8*w.C]9QS F>TDgޭ?Bn W#öTDXPP0 Qƛ,3p/msl'c]-O g Q5T+ڝwu^qb~`u3A _M{Z،[=DF&_1Ϥz omB_z<~@C=hTp9mw;1QIj\"]k*/g89dx\AЈdRL|zU[TKFyw}]C݄Pno] 슺0`氠67-'_N?u7D˫*o,8>(pꅤ'>ϬC34EaT,:za>D? ;_+x:5ss|TqFm~6`B{C'zgV9Uhw]>u@Գ61V)@%ap( Z&6|WPUv**/H N?~%i;BG7Ɋ2T"22r.N1&꿏*flY9'K JٕΰB$Tft#I QH"Hc9Uao9lV'03錳dhNMw@X/LR3~]q3A;C9n^?VWPWyzܥwۼb:q%Ҧ@UJL@byrb#ȯ"2^BIBh<(5]6NuaS9Ȑϱ!ψH_%myA<9I lBf]׬?xa<[x*Ͳ_^ɥ6B#Z3٭ ϲ6;Z$t{.t4,<㙎UfO4`[YUmף25;^w<VHB8z/ao^<[C,* X;f)XyL 8始M eo@S9p4ZF}Ffms8mM1ybv/;vƵ2hj?"J-]w<=EǍo/qш}ok|};>dҎlr |hXZq]9 IR0cLy W('2SP s9gh5Վ+6k5,͒}2nN^W/V4G@qV/ՈLr;B=J/0hCyҥevZnQҊAQxPC[j GIonP"q$&Ke1R[`aLd (AQiŷ _I18nNVyIsη 6 4Mvx$b\z a)&uB3dLB~FTM\[ֲպ%sPξ v9w)5qt~|,1/P)cYZV\0p2 "9 >5 27#;Q1b tqu&GއRKv[Ʃ$ RY$f~EVBV$d9 קRvkrV0=pg,»NNp<8x ޙZ0-rAӖdbJm[W??&*0F3zZ>ȃ5v*Cmhr&hl!7q] c 0|+89TDk`jpe3&Hllq]Ơ8 M[sDt <ވoө\c0c@|D{d,AzJe}LJsʎBٔF.z5ñZ$#\3U1FSo[ET@X4nhH Lo`$bccz  Dܰg,*aj/%-pC:ߟD3^ǡbى$Zԫ*tĜ2FD#JŹPGm fp7rE0w4Ҁ,-#ȍ/>o[ȽUA6큵.0dŽOl(9XVآiӧI;^բJׇB, \e5e' #G2 aM,m>VD=ٺN52Um/$H-lR @:`te0,K] F9~_M>P-Jd[#2xpUr{lwD(G}+ՠk-g//edR8@"["Q>Zgil=Mϴp!{F!Bdy?a;poDȫ1[7X"S ğ_ K3צjy2-ڸ|?Ēd^Mo72~> i)QG|#uAoǨ^V{EXR G=s0^TMg&;p>jw!KȾȧ&H߯wSnmÞ з6?!9PW.' r#%Mjcz|K%gO=/6âO{iHzYh8Λmm|Gsߣ~w,/nG3 Mad9MHwťEV ſ͍D'pY%i41Zd-20 6r_GwZͬ5UOM Dz!_V|f~smy}mWI=ͶWSI'bmvU,4ʝaҋ)GRwaA|]=2ӲjlVGO_vpV^JH-qbجoq{YMPu  [ml0'F0*͓2F@l t sU2,hwlfB Ϊ4d7Iܹg%_ǖmʐ1`UgI8|w&Σ\/^;QҐsQI lB !'k<1~ R9gϽpQ[F>mp/TK(Kti3~e}Q1  5)ԖOu>}chL332aR8sfHi&KxKTf۩zF#օCt#N-t@ݛЮxТ31.o#ߗ~Gz ik 6IƛdRh#|ET%En'ݏ_LW3!(oױrщm4-X~_.!@a#LbΌ#ou^@!xhP0 L:[)u+п$šF)LD[z`bd@-&{HK!8KLbQg᫓3&>)d `ceqASa*д”s\y'.Z)jۯGAw۫Jm˥^#̎Âھ0䇏{r ߒ(\w \qq_woaxIB| F' "mG-QGE$4+kmD*s{sG\^MXJ%z0CV<"LJYz>g_Pvo)Z{wZ|Ih;YPDl='Ҳ޴_j# V":7RvAqs <5>*iu#❍dŃZhŃ> ca$JWy0NA/ #] dq ΢K;`&?DLzRJ2/@9Isz̏^^/gEP'Rj\v1\A|ʰ*G[^[[}L鑻-A zkLЀ Ba=T`hղ*Jc`+b{H8[1>ƕK(HE-_5:ӏrC!wzFoMnqMdE]qQ RK.6iG} ,og+K4PIua $kV`Jut0 dE?<s ؎GJTԭ|Lb?ejiDY]ÄC ߔnx9-oMK){790[DށӇpqw;^tLK\ s&ĵ؟bGݥ)K8|8g8&_ڛ#%ޝ6(ίLCck4` f<)8V.qA@8 U ?zerqEQhcH(@uVxFB7f2:_!\.#'HIe̦c8Y(vel]v|i]HvD>'Hsd܏'ЩjYI cr_a?/wW^sF4) (J b|f -mӡZR邌?62ieJCNb=g 7epD42+=nW@ng(DS_CI d`xV䈊=׆\`] I)dTC'`g'Jby/  !<]6 }IVQrTZX;. ܗxw"X]fi)\+v~,@Е٣R꺜GwꦧRJK-O&wf!^`(Zjn᳉.e fk!ӦYccY]MĞA4M `}*Rb̰MH5[!<ÜനN4=6/*`_JY[YX#XʮA|SCvQ1.Q䒙Llڸ'7Xna𛪞cq7,mT$O|Xfr٦/6uG?dL/>Ca릊iYm9feT7#D5hz"~'Z[Q5! ]kFxb_K#Fft&*`cֻ}q9yz_sL|=e=[jwfJb&qkZAUWG55i06;Y-DV7<VX]Į&!;QY$kP y֞N4'xcyrD9[ݟt@(K,z t0UI@Žbh_՗[=u0f3V2xS-=p L{p8Ԇa^D~E /:=̰-oA @ņ_~tFcO6?Pu2^aj1p ]& PCҘM]ɂڙwQR-n&'~%x'᤟ʇ,xyIUЊ<)C5D+nQ `,rCttfq<_A{G<ռ(jo} hxQ[0g&(4@㡏(YK%׏|[hfHeC N\P|31MGН,xG&_ɋ{K%{SHt*b1x S= NJ栏)Uah)G8FouX<+_*~[uHa4:K;Zl-kh)q` wdB:sŀ tH=7SGn J[TCE ھ041bYBj .2IMƗ1ׁOҖ- :T^؃2+>>nVG=Ś(ornqRA {|dq-[*syԍPA@uU޸ĎMKGD\zH\F1汵6mgFz598WcE`q/'kW~qeZ`Cz!V(12m^rqS }#r "xjsV5^F6T Kmj$SK#4˴۶mYEcֽz{pFwz#mOyjs3R&^*X[l2+t̷BՋ'mZ,yꨚߑքٓ5r"NzBz@n,Aqoz*٬,Fc⟽3Q_ʳOu&h"RlT}RifNM멅Ӌ!/ӱq#s,>0G`l.&ZƇ}Z¬,;^X䦰AI9rPҕ2ipn# ןL=S y_?_5eB"G+Ə|]k߄:u"Wv?;܅6@c\IRMT}Izg ΒJ&36Ev2q<kYǔs} C%wXɐyo7Qf @3B܉!J Dhm랗;I#i {43Y14NI>`Ó֏*NQïϓ?"(Uh\y܄?}]qlR0kr\1.z9Y3]890DRؿ p(24J\ 06jk<__VhH |4k L1;*W"jKmM_ :|1A:]Kf'>Q,AQˮ^<12ca̿q.>zҕp,9=H%IfMz HOV:~[U۩ի)D/=7=`0SP>cY t`Q+5ТHq&!V7k ㋯_iazb׆c'yghЉ߀X1Y`k%rj68Diz^WhGYX]xG{>Y97\kM3/+bF8}D$΂n5{kNdo2b[wE#)'H'utZ&DrKpUk+Զ]$)Z# )pgmi7;qqAޚOhH_lJ>ofz].ly 6N 0*vym ӱ"\lt;f606 G1Q˙lq7:wz ~O~zkiS*Mʀ|Ɉ]Ni:ۗ@=yj.EpM Jk~e  FlU'7G7VnL[p')Z3HQqQ큡8Ƃz i'UzBp'I! H{c0Lx|VA MnPfIA>@Ցs ؑoOθg4W,on"z,0ANf5 M m "훗sR)$K//7Bu[jx E|Zɸ}7.]kZwzeoH}* (UO" Vk$Vs;(Oٗ:Wn@8I7F<B7䍺 cBQy8(C Y' &zL=\ - s(M8 +:rZ_.3Amdr-WWBwmRܺTX.B"nt'N`L&ڦ/`9nfMe@\["sykKFu~~O18XjYVn @S?nƻ^ϔ`ko[Y3Xhc*522[V]?Ĥz|c9]Eyazr/RpP!6mYPݜW?ɫOv9X_Oa!*)ڸ\_Gaz`R\,DpJyǬoAˡR-GE!2%H6s3LF!@RmYzOa昮,6"0x5ε\~߉9Dil!Xn&@wv ] sB\uh|VOP׳J =)Y="6ۈ3>QFVi\Ys M0hm[!U -Ҩ\?6﯈Icxs'4PRbί.QPq U5oTx=QltJb& H ^!c挅EE>H(Dfׅ?SNO7^kwN)!vw8 zd+lӜ2q`jQی7>'U-VtQඥO/%xQO[]ߖ/3b,L`BOn]Ԝ8n3uƊ%izx3ڸn;x5r %z\S8+oi|R߷z-wU$2׫&WWx j#.{Nd?Ied;yg<\ "Uř.HB+H}IjbE*;kC5@ti?ϜfE )oyEmI`B/3 00n6EVšݑ3ё#V؆es^n+NjuG̞G|<ƫ6*2ѧ ꫌7v> Gr&ݰ{_Ovz$t~xb@%)C>VKݐN9.k=n7)$6Ɋp(茗2G(KrTB2~3(&}[蹴@Jd,Ȣ*%:D^Qꐫdm4m؄9Op4"M\~#P /Zxf5WNN "]:m LT d1'g )?4SLq2<;t8j|B*YhY5} ˦k0^2Zi# EJ//-:)Ӑ0!Ď8ΰz]?f]^z=H.ujt!HBK[|HE,_ Lb㌯BAf2o^`u^:# gEU9*[2&j޵M$gp1h&),W1#dXx:} {ra\vDkape5{SqʫB=|}EGFzH(R\f8YcMŨ'2p+Hwa+hNTȽ_pG|_ٙ;1Pl[e[N6D#!{l( 4P([R8ؔ!dĈ\ 9\ca!mm_50rгjQh1Wͩ jfEQs?}S`z?,Yj?i]-ZlU Njx,Lݮ@$_n@t(MөVGiY@Q O`}uDjhܧ l`,}rؚ>lvاͪ7RR<biً>'FwY!^7OLB1qr5*neMө̥tl,Bz5`@ҬWYSBqbLRs#ޫF?ZEĵlc?.U KY3GkUU/ÞzIU:hO]Nי@ϲK+ڮ~ f] *-)QIS8*c#lحQk]1$|w1. |aqi6ػhspu5h)l`dvʛq1% uzOugF!Ru\E*Lfz LIM88)L>%YCh &HXզ灀 F4C0`ksƉm*L w$Bp[o.blh QonA2q(۝,ҨȩKh. #7([ą}nZ I"KRN;eM@uTEJEMm  .GJ2yص B5W4 ՇODoqcM%T"/uӁ5H0ryc>ӗ:VIIKh\jS:c;H!iUu$9 15(*3 %=HCKڃXe3~\+!W,h͈~+MolJd!T۷ (FՈ7# Bk^wfo!JWK~@Ҙީ-u$t >V݈J>u~Y;7nDÝݐ]tԶ[y̞ߜ3B Ӫ]WmvwskFN|wu/( '99+&3y-qSnQ~~/_踸 Zh6*O'UDǀ<:6&3y1YiB,;7dQjxTfh䴓ύ95~ E=G<oF *W{pe;6 wgʵf79`r ,LZ4s9bbCLԯ؈f0CƟ}$W4ASp=s42tLl{[qT=K?[;~-" @ӀlEK2f2伌ucCC9/B%Hft#^GIwBa!F& H–h_" 91mjw&@ƿݨcέőA0te!`GwIG(nL yӥ'ҧWۆoըvV;3d!u\C̴#F6qC98PdœR,fwwXzlFo;E6S:Lfn[ҎowS>_n` dh#VUzE:N~?AГ X)Qw%n1sXQ+`; ^(,Ƀ .Rจ ۈ=f%c*WTY=Gbg]ZWXDL/E*!&"C86} ߟ65o`\+tϖ!k#! \B<1(|ɢn!aS7g}('WSf+ .JfKIG>0VCFOEWVcgP}M{?c=_X: A-Eƿ0Z4;' l]§x%Upə&ZYF#AmjRK4m[LQ?:^Vty1 nyt2wV,hb}Y$*_ 4!yt~ y!3NC;Qr_$\DeMwؕ|n-S@OQ-uL/`+q\q]>8_w Gu@2rIi")8&1K1}[vڔz_J,ƤS{ü1wݱ7\A }~п w4|;Pr7Fe葈K@,MѐVH36pveK/D*0=l"9>OnJ1523`c_qbHI3ejA p- ԪN} 8+XݳtTkPudAũ5&G;oR ) ɾe2 Y8ni!;x.9$qMf  !U$ը5mypez4DZ^y3'/_ lGm۫K :\}Lܗ48"r$m2.lnJef־cj&>eͶXN1UT"+IN櫯g`AS7n4ff/-Ot`Pܿ> JIYޙ׷ms "$IREݪcS/ut E//)+fc.?fҼ(K_b/fm\KIх$A 4=$#!VN"DU6ŰPwEemwnP +Щó~?lR浹O}jxԏs2]AT fT)S%HtcJ΍,.˾˂uFvS 3q{̙)-ɿFqoN MVV-OgɕUG JW?#L&Z`b=y񮔸"T?\hnT$߇ܐշpVM3 gPM8 l#)@tԜTT8s"օlގt D_T=/f&]N+KՑb^Ѯw-}.[4mҩVXD#q~ɋ}Ms7`܀\N}%)n6V9' 6ܚ)%G)B UPqLhX!)+!T׀0.}8vI=MsHw8Hezr=V74e{ o 䗁/pMǧg7#^* .QxE+/8Sehvt/klfC0}YB;zs|_ @w%<ᢏwt,Ru+ XF5@+zYEMSTj`v'J[=U (8z WETz%=Ua(ab}bMg#qr%qy%&'aNB]oYX7*l!6bm?thKn^?k'2%YCYc4ku96\Vd'5ߨma$3Ɠ`HR11$ M Hy*RFKl$E`; zń'%eE0ry2/ 3NJ"P_9N[衞Dg5S|+@I-WU'!Ix_uϽRoңܔBWSOi,"I|ցœ_gVz.sRvCQn}?e^KY`"i7i T-/\s}l)=Ru aϟ0]ϣuO*% 2b??-fCgH cU}c]nqbokZ#X2IӴ,L2cbluAW3sbWf z~…I;€5 Cj4䙸-S @eRa`B]"6D=7l'1L7*Db~ 7Ƌ+_K ?T{똵{Z܀Ƌgsnl|PCWuR5K͋yi\O|G5C%KLJKfnrMVf ߀Bi58Q!mK0;u˞RcWKE9vWf Z-ˆ̕g\QtURSAÂV~AzG k TF9tQUQsh!r6RrC8ui~">dA]03hnriSmub&|l-%^8;Ŕh,th |31j>P(ngn#F\Gj;x8-N^'<s0PΖӨF]xF|Hd_F~]>ms˝=kB(O>00CUa-=9 $_"!<V 3nn+VWquã^sDކd?6Av|x0rV xA#/')4/wqQQ2#{uqn7N? /3U]5xK=Yi^tT/ =D,/sE(B.:%n2u_O(Pg`%0C򷦒&0FU냝X`qPH7/.&v>˥np$jFX0|Sn6G[R{OTIAҟ^UCh:m+wi͋$!>+8@hG_F4Wʬ@jujbdICxQF"K_uwdg*^}2ۺ&x*w<^} Ѱp~L}ljbL\фtKeR<5 pTbn5\mيGZInɏ"U !y؝RXXuÑp11A:C8П#e6,nŠo.@loػ"rae$[IC[VVu'~MITl /o>Y/W,|JMIDs 1齚@4eոm(H'hi{ _NZpWq3O,oэ~N7 ^vOԷ` Z+ Ȇl,qN; S^ݵ`gӣ.JS7/lQK)u-1jK#ٟ}μ{TvaJ/]m3|u\J)c5_IT 'imR^WuGΈ|emsYۚԜ }'b%JIةʴ;0 3֮>͞onBW(~`Z8PC/XxrZ}M;{'#exL0N a[KK$ϱ6ԇ1lӗ, `8*vx=^q`d |пG(.G:ƙ2S"sWHџ_^O o4 G魖o)Q‘I}4g[NՆleԳ0x* &~N &tx25Ϯ$]゙$IjzUpT+LS UgP“e*+ DŴ4-UFltNثq)R"!97(㉅B5cOQ<^2ldd$g.5‰goS@R41 l .}uQsMm@2靹s~C>`괸F$ܤ߀vkχonxXa3Nr:+ޚv:BG1Qx @S<95T@aw}] XҳmBƏ?Ska l՞^<0 3{>wOw:aALd q=ue *:6cp6<ץ<|%1vv ?̻0B=C7zV~]ڐ*)Z{īU[2}/X5ץs[< # !d8oҦ m)*}\y;}c훱2%޹IĹ.nAM3Ϗiъ=}}vL{+_z J|םwX7%\ᐅV`5(o[#K:"XBS%kh*GHb /0:u\GᣆC5eT]վ}V "yJudu-Ik;g^՛}6 Tj0exԂp9v#_{ASzD2vUwxj0UB_NVA6 9pLj]bt2uvZ] h;E!Aَ oo>FhoޤM,pEy[lys.V_ J2+O -[?(k 4K& ̘u>HB4e7%0ȖaH;D{l~tѩԜV 8-n| 1hxrDek0l.NR?Ï6R2G{'Lg@ `  Rޙy+xUP@n@ɿN]JJeNd#fʙ!G6K)ȡMDk$Y=|8g1U۳v1Oƍ,6۰ȗgdX9PU돕t¿%F"$4jxHIuSAJ@^kwl_5ᥭIi:7O+{N&X˔[Fɜ§鬺0nJ:!lӝ1lw-+uz+f11/Xh(,a!J4N&7̨W8i厈 5݉;!<{]GjB@$bW|ձoeJ(eO*VT؄qf2 byY&څ ({v-Fd;:/y" 4pP^Y hihbW}IӓafRkܻKIbga#He, B 3 _Yʭ GzVTuzcEJjd3Y8ېZlMz㠞 [^4%_t:vHx&W%;N4,:8 1Pn Jy"y8S\-EUuZ .;erazXfE ڎ av/Δ jcl{W?I>A!۰ {P—RGP7Uw3gUeLXZcui5C N"墾: })DuCNdOVXO#nL7<Ǭr@Q{noQ"~KL|CTa՘s^/Y M)Yҁ8[jsJd}J_JUOifzMqsy IQֽt(& "NEjmeAo|\(8~Q H=gPYMp ip8ű{s)8KK|*4pYR7M)| _]GHug I!M8wPjRJ7/dDjƒ|9Fkg. -Dͷ%3ٛVV~N"|lwHSðy>e^%6}xscE 2D?1D OpUW؃%NڼX6Ķ$oa :. =+Oڷ@=]x "tf_/qv,4b8 r%(2$J=hƸ!nJ:,'DWK7HBL7l9\9/AJ|`򎥇gѫ' "W sɀ `ː:r= #VNFA5?_/ӷPX< k/>5yѳIA$G~&Vˢ,.kJ FJ{6 2G85"(]JYփ#,qS+ˎnXwkqcM\&6h_ !o f爠#'JBY ^,*w]FVfU| Q/xЫRU?sNjpu3P^UY!KtC,]z(`[C q(IãؠV;+# 3hYX"zmU?TXKhFhΨcYJ)cp:a nETTsD ]_cT堵 Hau9\N /Iv{HF:=hD|vᢑ`X. x%~_`?X]YgX eXfv$R/8B`J 6IQ dP@AK}3݊0#..RYv4g&t@XBeLo]0 fޛQÂ$'i+:221XsQWJS%`b+DBɞVLN'3iNkRkX~!!Wz B\6(zF?qI $ K P;Ա6:KȎ(0lǀ%?/XԭnG{.H[s~Ιѷsjp\!&'nL f'+'{r⿑>^sB.P܍w'B'u9M,F;cML9WKvH^$Stklo';6lO B-"K|j$Qlmn}Z$Q q . RaFy}EW^`=g֕)IBUstv  1Qf]̿mf,>N=>?1r.g> ۋo7R]U#m+,ǧ!\$fP[W0(Pc/"Y"I#kÊ!| *Q$?.[vd;.yE{Rj^/*]UJ~/op{A ' 1A!Z4 XvTXsy֫N܂>T8+@?mNGe9%a ˨+kv^>'d>RɆ'W~~'ĝ?'sюpl/lԭJsRV4RoG~t\(q/nbH΄^[B+R$u2:Ad+g`:Y"?%]^5t'su^šY}rޜ&mH_tuF8WAinG g=b(ǽz0zҶXYU̩[ԍrl/ 4*7["Aߏ}9i=6JN: •4VC~Zx.CFa!Y5w;~b=l:)iڷb.p լU4ւ8R 5&ShbNxd.?YEa#4att1z6eiOeW\a?:P$lw~K|<oXwc% E!\K0݃OT]{ap'+&S!r}Dh}[_~oCF&xh$?W'niɱ:zos~|_K) aMR&xQ]11\3mF``doՏr%mbmQG/zP+=v9fG_ხ ,4X:V~y#E'd|cS1r\t#'bg8{"k5mWbLpv(34P8}.B{~uXY8СPn+3rI >n%* tˍHti'D":5N [ٞ!,LFmx$Jۡb \Z Y3kfl(g>;-6bJl9Pg\!e5ư[ 2T&mQZDhfPGbSQO`+ҟvt /~\,$4QGs~`\$KGrsvh &66M9G"[dϰA2F{LqԨ)^9֖J/vۚ eZ x͛i^Re9n.mxpqB“HX83g/>Jnv>\[:BV[ 9-丸rܻ}chYΜ7J ;X)2L[=䧐AWA ΄J6"*ggz hPuNo>/|8 qE4G` wMG=¼23G)%l&#ȫvBG-dڿ+Z5R.ܪYUy D{SoK*Lt4t#30pKCZ?+Օ (v,6$pṱM7DoIT(YOrUE; RqE4`;?6ŭpe~B_O8{/&&xx:G{l %I8*& ,L7,2`XJ,&{j3zH!3cd!Z]I572-2[# ,j!uF]920oX+H]ec.b(ltu<:# k4y6ԧ6m~UdUR9z0 v$b&ck?C [n'ˉCLJ VTZˢ0y6є#-iS ׺!fƛ8{Q\/gpp@L<:fl%Mf+K`E%Љ5ov-p 4 z]gR\pxQغ w%9!4V,+~>Yl~F ݇+Wl&6"QF~,,KlnN&72'I*)*UC*&fcĢY ʝ&VLu~_.0}AFsݐAzL@/pURP=gJD#Yb?o)j?jcP~YfjSЦإG( Tc16$"3E.g]mܴ) Uߢ|-)B?Įwc6g4pXr8V58= 19(E cq7{>'1ٶʳmF ;(ݨ9qli7:M|tbtTMCmP.Jj9B^ʰ\vn/g 'dAh=s4R ܙzlSj8`qun  7DS+3z$=i8A+]R7%>j-A3p`Heþ-l!{Ys;X@ o.1Qչz֙+#aׯ;yӓVrJ% Ұx۳[\ZV l=$ ;ي g*-''WYIQJBvw 0~FNȒH`7bl]Aι񠷯RJOCNĶ(T֛Jl`RӐjX D-xJA$Ncj= A9XY;zcw+ƵVY ow~>JPEj `YU×Jf₩܄۷`%zz!@0qZX=yf/uǫ= l³A r1٭(ƪ#|&]8?ᆡWƖ٥@sa1HHil]$x Ď)\C9b0 Ѹsqs?|D<[2o~h0v(X[պp9o8>FL67N%ݸyL3泽Z\)VFk/Ma=g C5 G,dUUI I0Bg $;QuOlY2 iu.*Zn>9咧w&gƾcc4v =Թ"vsVͻ[A4UEP&# kF7u 1m@lѪ?C=5kJF?l'o7:vQy˭;;^gfj˷L|)o Dc!۹:؂Dn!̩éZj }q\WaM͋Wq ;]4< 2`MBt9uJxDdQv&[% Z@6(_?N+iwM2OS)F k6(Ɇ!ֹS`~_ d.ݲخ^#{l™FUnE1G2#NpKg}gB"o| ى8`G*;*wjTRRfyoki Gd[m33aKq/=f@9WP$<}yOrf3u-#vC :N:UPj|x08<#F:!ݺ$?~@E"<}!lH6;  y|(y^'|/ )-6Y2`/;OyKQCn1!IAHPI1`NPJ) i+ C41DE0Bvrb=xUb;0xy+M[%SzvoyK\x<{iJR;pd?m0hs ܣ?ˊkwI@5;H+!ho,!X1ō7*<'?|M\j0(NXY~LE+gl/ەA5}RNAtrZ9FU MqX/ca30&Ja~+ǁ Mrϔ耧lǣF!FF,LpW[r_ZAPA:Jf3:ݏ)2֕><8wF,D A]ZVf Z]q+t>Yjxj6aoŸÿ9.,粗6jϒ@PoEp˩ "].YqB=8z?;#!hJ3`7[8y6 kP@ ]@CBIOdF}~!Gq@ g<#AL^ ՕhrKK؆ЭNА [^eOd:‡kjp>h7eQAzc@>А[ݨ"rPmzZJ%aCX,4}(^?Z/델"5=pXnB(bH Zk}5 aq iuP$; Kr#r6ZMQdfa{)tU`vUP|~j!.П" vm^.|`Xvk*`p>)2-߫fQط*tE~f?l=A@s{92mun })PuyN 2,]ҔX(qe S`9:hX!p jx( yT\ spcd+DQ bHzU`FK!q!Dw1Öze*dz\IIZZdLpB0hq/N7avrfޘg$Skw:Ƞf@fL5`5ʁ6ؑCQ{BPo?!sgғS'ך7' O rG U7&D9S<҅X(~V,N$ N)r y[KY֤D^7%=ĭ~ $[w?\3g5宅Fc64lhX}To[ 7_ zU f8=<pk(%Cwvjl%Jߕ:).Q Q^]_&ZSVwJH V&88#tJ%MA} Xrͻ$3w8bIt@t}}}UQ$U|/N :Ym nFW]b. f]P<7%h[!8Hv p3_ꎼ8 q T2 \.B咟 J9'{_{'s'2m~W.gSr|P +T^5`IfHƲp{n^"Tl>TVԊXH]+au$]qEN.F{XJbM ~܊ER}e?]M1}|TU7=9jUn/ƩJZXfiqNk$X *-Ӓrl3TlL ePAg0߯g8(~D8Zugwq} 3?ijlԿ.$[NQ0`DR剻w]$){Ùf'ƫ`ĩ֟0- `C}PL+?ȧ{3 ԡrok\OU~+=L/ON)-Bj%dALqϼ cDonK:<`SE2dk@4M&F!YWLݖ Bg5ź8s jdߢ-QDtA p>CKxڂ1~j2^J]a^ _bChx4*t|/eR1EqGŤ"(%<P9Cy I}/֩>mǞ^u+k;WWl0ɐ;8)/>rg7L(ɼTWn-Č/z/C_,:<| DԒ0p3[JsߍkИ$ƭVx-ao+-eS,*76!n`i|݌FD̓$4ŀR;gx/̋.5+ԈYH^3bz067gW#G_=mU^L.}ɠ i:5J5!KŽȒu9ܴ{H{QU%``mꩀ]nC|jv9(}k`qrhZ5[KZb}_tm bB]Dhܳ6I_j+ݔV9wzY@еԯ*5!oȥ Zh?}jIL-Ml-PF{Dr=GOYQ՟užd82c?AB-|ցtSw}9" @ԕ;_5GLl%L,/Dh?s?ȡj`|f¸ݩ9˘鉉`$iK:=Mc5s̾s; !uH#a®[f^x[2}:ouK j`/+EXEJ(0:Btq_h_`@_6BV|רyo@-@=ʜya {18ChZ#j_yK79 P=7iRR_K|Jf 1jóׅ4*[}P^im7]m<oPo] ڑmfِT! ,1h uvO]5|^8hr(øRT9Ϗ9\%CCnh,[ד |s#:!x]F5E3VbPOKTKlR'.|b :2FbΗc`IDb3'%j2gipAoi:6JmĐVO.fmcg1*6}ZAq }8M{]i,z^s~SmN^`,Ⱦ27auQ7A2yՒ&T(;R=E2yx0'5L ROoC/kqOK2܅Ex*o(XYi"GZΜKfMYϧQ)FJ;#iؒg grN K8=dx/bUH-aBNoǘGi!Fh ]P:]3/1XY{r?Tgg-'=nђEhqH] ߮~̍,$"%Lbi0~h/dqg$(zD ݬ'BE=q#|(ƜnRY0$dsXˀﮜ,kp#? p$0-AпUtቃ2ĀsS:qȋPWL0圙7 ayDƆjTȴg"d\0A-#WY * '#^ǻE=]ū9XN]1K*%o`JDoj$C3PիdGl:DPI`-sM)_Y/3=̳%EÁqvB6v>DVM'vo3.YZ@G*yߖ@#}lD'kDYx T3\+Ɗ\-fБsxhTCat+7_#_[ R_Sxeo )}Xw؀[ѡ&[HV~8¼!l`ɞCl0 Ɠ!M"P|U9pRS )0_Q ݩTpI-p7OtN@÷zMi ׏/ʎsxf TL >GˈdyaWZqGLZM v]{hi}!/`T}t~ρLk[9D~;x̊dcAԘ2) wu)z^Y E ϕW phJXd 6JѮ/NRXrekP6a㩀o2P^U/ &6FY)M8Y9#\Vv~};L!r]$yXƥ_scp&dQ$Cm'SeH;HC haתbP}2ړp%J=_0aۚu) ǃѰi{xL(pQ,۾' *Ub(s//s^ 5JcDƥ14Xb)=rx^a`:NA!R(5/A'hy?D|[ lت1pŪa6W9sUvԭEeMW|NGFrCmD7hl|zmYFat8 / Ty̢meFNʊL16L!n eQR9Bmnf*?9s'+ 8RJ ˣ?*|~AA IXVFx\S:^9˙F򅄅0 n5dن(3t,7BGz;(6Kat{nx׬<'/Nhξzjǩ'1ЍOGk#PD~ᝒ]۟`0I>yO$$/7t@7GOn?nG%SE]#J[u =Ӫ=wsG1Z;䦱>{f7{`Br'., X_%\w aB5˙idc{gTǔw-(G i&(nA2\r$Aӌ^> nxB(/ qՆFƫ6/N,s?{I * 1)9/"R@p#6Uv\q>!K-P;>m[NN& .I3X4E'D>265UER&t Gܳq"074*ۘ9%]^Sίf%m;9,IaW&Nu&u^ wvQx=؊~~փ%yqг ªېT}1kO*!>9n6׊YS3)Nf9ݿug7?|9e*,6_Y E#]>-+Lb+Uܛ?{ElMB\4\ʵQƊ(dXC~U~ꝧ z'ɟiYLL6FPkAzܗV@ 1yM+DX22RHth86jK73}#&)PFsB3,ʋ#{}8Ԋ(hf^H쒍1 }[ĉ9\Gn_U;Rif8~MQ/ևR(/j27ܬ]?ZN5:3C-z`;T[a(?Uvљ )Qc&SeF+-~u&d%ʕm~xW"D:} x۶n1"X!KHʼn!r chu^b 6N Ø*spMElu`h~@79ˀR7/n;VSO _H 't8+?=9K$BXɦ-k|]l <+]oKE!pj)%$v5˺:l'' cœ!f?-x|u.V R`=t|HTA.ޑf> ͆ FۊӅa򼖢\S3d,uR=*Vh% NN"66(׽:V{1キZsT{*6 ކr؈&&$186Ajew0Y&j>,0ԲR1t|BuwKαCK:"ՒL )LZU'mĠZ-ssUzexYmbL ՀV=u7'v&d4/CB ϣ;Z֪^eƻ bHbCaf2F ߤs#NǚLE,[~:FE͞fLjt?/՛k lY] ?YTZ^>.}ʒxҮlh8Ng,2VqV>hLSo\>̂c;Y|iɋ\u5eK p&j;&q.R>w-ɉ3BJ)ïͬlxTŤSuQ␩JkgJllSkjI? 3b  ږ;Ez Gd8M])!uvERĉ e,VNy;Vs{"8nI6TV hN7gtZxa"ͪx~Z ((}.GIѤ\kv')el'uzHQWDb@4l.rpB 96 ejS~!G/EQ||26T[`sbH!  @eǗW/TY;XnTAX=bmԐ1[@K_Wfd-|-CA-5ԯ)?b-`]fG6kB5_$ǛhRi6^6蝈=SR>:! $P\%)fpw<~DVKr|5П +Z|_yJ>WV}8+%(~rRgj9y>$s*H dJFW!v-Z4V } e딤s_ Hp5s'B$u[\peR\]\M`GP}Iɇ[pT /oOuQeR(/A|$xMlQ3"oe 2762Ւf#bI}|v?ܽӠ -Ș@t^"hȂwO2-bT@Ƥ,uHs XH [QXq`S_6Sg'jk!{!0>FAP>^sX2NwdQ)0CR@B^V{EOPE6d\j'YS:#zjNW Hu`ni.anted to. 897 00:53:49,800 --> 00:53:52,076 And I thought this will be a great chance to collaborate. 898 00:53:52,160 --> 00:53:54,296 And, I think, when you're putting your temp score together, 899 00:53:54,320 --> 00:53:58,360 where I do the editor, there's always some of the Black Ops score in there. 900 00:53:58,480 --> 00:54:00,836 It just clicked. It was a great fit. 901 00:54:00,920 --> 00:54:04,709 And it was a good chance for me to pass on some knowledge to Jack 902 00:54:04,840 --> 00:54:07,833 in terms of the process, 'cause I've done it more than he has. 903 00:54:07,920 --> 00:54:09,752 And creatively, he's just golden. 904 00:54:09,840 --> 00:54:13,038 So, it became this really great energy between the two of us. 905 00:54:13,160 --> 00:54:17,200 And what ends up happening when we use timeframes and stuff like that, 906 00:54:17,280 --> 00:54:19,749 is we get to focus a little harder and a little bit longer 907 00:54:19,840 --> 00:54:21,513 than if you did it all by yourself. 908 00:54:21,600 --> 00:54:23,159 So, I think it was the right choice 909 00:54:23,360 --> 00:54:25,591 and I really appreciate you being open to the idea, 910 00:54:25,680 --> 00:54:28,400 and I think it ended up having just a really great score. 911 00:54:28,520 --> 00:54:32,070 Yeah, no. I think it's great. The score is amazing. Absolutely. 912 00:54:32,160 --> 00:54:34,356 No, I was so happy about it. 913 00:54:34,600 --> 00:54:38,674 Hey, and you have your own studio? What kind of system do you work on? 914 00:54:38,760 --> 00:54:43,596 Can you tell me a little bit more technically what you use on scoring movies? 915 00:54:43,680 --> 00:54:47,356 Yeah, my software is Cubase. That's my music software. 916 00:54:47,480 --> 00:54:49,870 That's where I write all my mockups, electronics. 917 00:54:50,000 --> 00:54:53,357 And I use all the usual plugs-ins. And then we mix it into Pro Tools. 918 00:54:53,480 --> 00:54:55,392 And then, as you know, Roel, 919 00:54:55,520 --> 00:54:59,514 I have a pretty state-of-the-art mixing facility at my LA studio. 920 00:54:59,600 --> 00:55:03,480 I've always looked at mixing music like the color timing phase 921 00:55:03,560 --> 00:55:05,472 of being a movie maker, like what you do, 922 00:55:05,560 --> 00:55:09,554 is you got the material, it's edited, there's the movie, but color timing, 923 00:55:09,640 --> 00:55:12,439 you can really make a big difference to the look of something, 924 00:55:12,520 --> 00:55:14,432 - by saturating the color. - Yeah, absolutely. 925 00:55:14,520 --> 00:55:16,557 Or desaturating, or whatever. 926 00:55:16,680 --> 00:55:19,593 Music mixing is that same phase for me, 927 00:55:19,680 --> 00:55:24,232 where we get to really open it up in 5. 1 and really get those subwoofers going, 928 00:55:24,320 --> 00:55:26,630 and that cinematic thing that we both love. 929 00:55:26,760 --> 00:55:28,513 So, it starts with me in Cubase 930 00:55:28,600 --> 00:55:31,240 and it ends up going through my Euphonix console in the mix room. 931 00:55:31,320 --> 00:55:34,711 And then, ultimately, to Pro Tools, on its way to the dub stage. 932 00:55:34,840 --> 00:55:36,115 Cool, man. 933 00:55:36,400 --> 00:55:39,313 Hey, and are you a big John Woo fan? 934 00:55:39,920 --> 00:55:40,920 Yeah. 935 00:55:40,960 --> 00:55:43,031 Can you tell me a little bit about the experience 936 00:55:43,120 --> 00:55:45,430 when you first saw his movie, or something? 937 00:55:46,840 --> 00:55:48,069 It's been a while, 938 00:55:48,160 --> 00:55:52,598 but I remember seeing an interview with him on Face/Off. 939 00:55:52,680 --> 00:55:54,353 - He did Face/Off, right? Yeah. - Yeah. 940 00:55:54,440 --> 00:55:57,877 Talking about how he... He reminds me of you a lot, actually, Roel. 941 00:55:58,000 --> 00:56:01,960 He talks about how much he loves big sound, big music, big sound effects. 942 00:56:03,520 --> 00:56:05,671 He has a thing for doves or birds. 943 00:56:05,760 --> 00:56:09,640 And just his style that makes his thing unique and... 944 00:56:09,760 --> 00:56:12,594 For these sort of movies, you wanna be experientially 945 00:56:12,760 --> 00:56:13,876 just all the way in it. 946 00:56:14,000 --> 00:56:17,994 Immersed in the sound and the look and the action and... 947 00:56:18,120 --> 00:56:20,191 I think you're a great fit to do this one in a way, 948 00:56:20,280 --> 00:56:23,990 'cause guys have very similar styles, which is why I like working with you, I think. 949 00:56:24,120 --> 00:56:26,237 Cool, man. Great. All right. Thanks, man. 950 00:56:26,360 --> 00:56:29,273 Thanks for popping in on such a short notice. 951 00:56:29,360 --> 00:56:32,080 But I like having all these people on the commentary. 952 00:56:32,240 --> 00:56:33,435 Thanks for doing this. 953 00:56:33,520 --> 00:56:35,216 No, thanks for having me. No problem at all. 954 00:56:35,240 --> 00:56:36,390 Okay, man. Good luck. 955 00:56:36,480 --> 00:56:38,312 - Speak to you later. Bye. - Okay, bye. 956 00:56:38,440 --> 00:56:39,794 Well, that was Trevor. 957 00:56:40,640 --> 00:56:41,869 Wait! 958 00:57:01,880 --> 00:57:02,996 Fuck! 959 00:57:04,560 --> 00:57:07,837 God damn it! Somebody kill this prick! 960 00:57:22,240 --> 00:57:26,029 The burning... Officially, we were planning a big burn. 961 00:57:26,120 --> 00:57:28,191 A stunt burn with a stunt guy. 962 00:57:28,360 --> 00:57:32,434 When you start shooting a movie and you only have 20 days, 963 00:57:32,520 --> 00:57:34,273 and there's so much going on, 964 00:57:34,360 --> 00:57:38,832 that you are changing things during the shoot because you don't have any time. 965 00:57:38,920 --> 00:57:44,200 So, there was no time left to do a big burning gag with a stunt guy. 966 00:57:44,360 --> 00:57:45,953 So, I said, 967 00:57:46,040 --> 00:57:51,593 "So, why are we notjust putting a result of burning on the floor?" 968 00:57:51,720 --> 00:57:57,000 So, I suggested to put down a wardrobe, so we have trousers and a t-shirt. 969 00:57:57,560 --> 00:58:00,075 And inside, we'll put sand. 970 00:58:00,160 --> 00:58:03,039 So, we filled it up with sand, the t-shirt and the trousers, 971 00:58:03,560 --> 00:58:06,712 and then, on top of it, Alex Gunn, the special effects guy, 972 00:58:06,800 --> 00:58:09,998 puts some gasoline or some kind of gasoline thing, 973 00:58:10,080 --> 00:58:11,560 and then we're gonna put it on fire. 974 00:58:11,720 --> 00:58:13,871 So, it looks like a body's on fire. 975 00:58:13,960 --> 00:58:17,670 Because if you wanna use a dummy to put on fire, 976 00:58:17,760 --> 00:58:20,639 the dummies are made out of foam and plastic. 977 00:58:20,720 --> 00:58:23,440 And so, you cannot put it on fire. It will look silly. 978 00:58:23,560 --> 00:58:29,238 But putting sand in the wardrobe was the easy and the fastest solution. 979 00:58:29,320 --> 00:58:32,950 But was, of course... I was really happy with the result. 980 00:58:34,440 --> 00:58:37,638 So, now, we are in this real cave. 981 00:58:37,760 --> 00:58:40,753 It was a beautiful cave. 982 00:58:40,880 --> 00:58:43,793 Thailand has a lot of caves and I shot in many of them. 983 00:58:43,880 --> 00:58:45,872 And this was a night shoot. 984 00:58:46,080 --> 00:58:48,834 Yeah, let's talk a little bit about the lighting. 985 00:58:48,960 --> 00:58:53,512 So, on all my movies, I don't use HMI lights. 986 00:58:54,320 --> 00:58:58,712 I don't like the look of it. I like tungsten lights. 987 00:58:58,800 --> 00:59:02,476 So, I use tungsten for the days, 988 00:59:02,640 --> 00:59:05,519 and I use tungsten for the nights as well. 989 00:59:05,600 --> 00:59:09,435 It gives me a very nice, warm white light. 990 00:59:09,520 --> 00:59:12,718 And especially when you do the color timing that I do, 991 00:59:12,800 --> 00:59:15,952 a lot of saturation, you take the colors out. 992 00:59:16,120 --> 00:59:18,954 I put a kind of a look to it, 993 00:59:19,040 --> 00:59:22,431 then this tungsten becomes white 994 00:59:22,520 --> 00:59:26,673 and then, it doesn't take away the skin color of the actors too much. 995 00:59:26,920 --> 00:59:31,278 But then in the flashlights, we put in daylight, so that's HMI. 996 00:59:31,360 --> 00:59:34,637 It's LEDs in the flashlights. 997 00:59:34,800 --> 00:59:37,474 And that gives you then now the nice blue stuff. 998 00:59:37,560 --> 00:59:41,839 So, if I would have shot that scene at night in HMI, 999 00:59:41,920 --> 00:59:44,389 then the whole jungle would be blue. 1000 00:59:44,480 --> 00:59:49,271 But now it's a nice distinguish between the blue lights in the flashlights 1001 00:59:49,680 --> 00:59:51,512 and the lights themselves. 1002 00:59:54,840 --> 00:59:57,435 This also is all tungsten lighting. 1003 00:59:57,520 --> 01:00:01,912 I try to get as less as possible lighting in the location, 1004 01:00:02,000 --> 01:00:04,196 and I really like sidelights. 1005 01:00:04,280 --> 01:00:07,512 So, I'm not really a traditional director of photography 1006 01:00:07,600 --> 01:00:12,470 having a key light and a backlight and a fill and soft and... 1007 01:00:12,640 --> 01:00:17,317 I don't do that. I do hard sidelights on eye level 1008 01:00:17,400 --> 01:00:19,710 that gives them a nice glow, you see. 1009 01:00:19,840 --> 01:00:25,199 And then, in the cave, I had china bowls that you can buy at IKEA. 1010 01:00:25,280 --> 01:00:29,877 You have this little paper bowls where you put a little bulb in 1011 01:00:29,960 --> 01:00:32,759 and those bulbs are also tungsten on a dimmer 1012 01:00:32,840 --> 01:00:35,639 and that gives you a nice little fill from the camera 1013 01:00:35,760 --> 01:00:39,834 and then the hard sidelights are doing the nice rims on their faces. 1014 01:00:40,000 --> 01:00:43,391 And then, of course, there's a lot of candles in the background. 1015 01:00:43,680 --> 01:00:45,797 That's what you want, right? 1016 01:00:45,880 --> 01:00:47,314 This is the music... 1017 01:00:47,400 --> 01:00:50,438 I really like this theme that Trevor composed. 1018 01:00:50,560 --> 01:00:54,315 And you hear the violin that Trevor was talking about. 1019 01:01:01,440 --> 01:01:03,079 Good night, Tha. 1020 01:01:06,600 --> 01:01:09,672 And that was a very famous traditional instrument. 1021 01:01:09,760 --> 01:01:12,639 A violin composer came in to do that. 1022 01:01:12,720 --> 01:01:14,712 What is this? Fucking summer camp? 1023 01:01:18,520 --> 01:01:23,072 So, Aldrich, how'd you get into this business, if you don't mind me asking? 1024 01:01:24,280 --> 01:01:29,275 CIA didn't have much appreciation for my talents. 1025 01:01:29,360 --> 01:01:32,319 Said I was too theatrical. 1026 01:01:32,760 --> 01:01:34,638 Can you believe that? 1027 01:01:35,680 --> 01:01:38,240 So, I came up with my own business. 1028 01:01:38,560 --> 01:01:41,758 We cut the movie in Los Angeles. 1029 01:01:41,880 --> 01:01:45,271 Radu lon, he's my regular editor. 1030 01:01:45,440 --> 01:01:49,354 We cut, I think, in 12 weeks, the movie. 1031 01:01:49,440 --> 01:01:54,231 He does first, an edit assembly, and then I come and do a director's cut. 1032 01:01:54,320 --> 01:01:57,233 But this time, we were kind of bummed out 1033 01:01:57,320 --> 01:02:02,952 because I was doing an episode of Black Sails in Cape Town. 1034 01:02:03,040 --> 01:02:07,239 So, after I delivered my director's cut, I had to go there, 1035 01:02:07,320 --> 01:02:10,313 and prep and shoot Black Sails. 1036 01:02:10,960 --> 01:02:15,432 And then, through Skype and on the phone and with little QuickTimes, 1037 01:02:15,520 --> 01:02:20,470 I was watching the producer's cut or the studio cut evolving 1038 01:02:20,560 --> 01:02:22,552 and gave notes and... 1039 01:02:22,640 --> 01:02:26,714 So, I was a little bit remote, but I didn't like the process of that. 1040 01:02:26,840 --> 01:02:28,832 And then, when I was done with the episode, 1041 01:02:29,000 --> 01:02:34,519 I came back to supervise or direct the audio recordings and ADR. 1042 01:02:34,840 --> 01:02:37,309 And that's how it goes, you know? 1043 01:02:37,440 --> 01:02:40,751 So, as a director for these kind of studio movies, 1044 01:02:40,840 --> 01:02:43,594 the script will be developed by the studio. 1045 01:02:43,680 --> 01:02:47,390 I will be part of that, in the development process. 1046 01:02:47,520 --> 01:02:50,513 I do notes or I do sessions with the writers. 1047 01:02:50,600 --> 01:02:52,319 And then, you get a budget, 1048 01:02:52,400 --> 01:02:56,314 what is kind of the budget that the studio decides to make this movie for. 1049 01:02:56,840 --> 01:02:58,976 In this regard, it was four and a half million dollars. 1050 01:02:59,000 --> 01:03:02,550 And then, I always suggested to shoot in Thailand. 1051 01:03:02,680 --> 01:03:06,117 So, then, I went to Thailand with an executive. 1052 01:03:06,200 --> 01:03:09,716 His name is George Engel. And he's a really great guy from Universal. 1053 01:03:10,320 --> 01:03:15,031 And you go to Thailand, you then scout locations, 1054 01:03:15,240 --> 01:03:16,879 you meet the crew. 1055 01:03:16,960 --> 01:03:18,792 For me, of course, shooting in Thailand, 1056 01:03:18,880 --> 01:03:22,351 it was like I already knew the crew that I wanted to hire. 1057 01:03:22,440 --> 01:03:26,036 And Chris, the producer, the local producer in Thailand, 1058 01:03:26,120 --> 01:03:28,635 he locked down this crew. 1059 01:03:28,720 --> 01:03:32,873 But then, during the scouts, you basically see the locations that I like, 1060 01:03:32,960 --> 01:03:35,475 and I pick the locations that I want to shoot at, 1061 01:03:35,560 --> 01:03:38,632 and then, you basically start designing the movie. 1062 01:03:38,720 --> 01:03:41,713 By choosing locations, you're designing the look, 1063 01:03:41,800 --> 01:03:43,996 you're designing also the story. 1064 01:03:44,080 --> 01:03:48,040 And you're designing, of course, the action, and what will happen. 1065 01:03:48,200 --> 01:03:50,271 For example, the elephant scene. 1066 01:03:50,880 --> 01:03:54,191 There were different variations of this idea. 1067 01:03:54,280 --> 01:03:58,479 I think, in the original script, there was a snake. 1068 01:03:58,600 --> 01:04:02,640 He fell in water, and then a big snake would attack him. 1069 01:04:02,800 --> 01:04:06,111 But I thought that doing a snake, we've seen it before. 1070 01:04:06,240 --> 01:04:08,960 And also, doing a fake snake will look fake, 1071 01:04:09,920 --> 01:04:11,832 and doing a CG... 1072 01:04:11,920 --> 01:04:14,389 This is, by the way, one of my drone shots again. 1073 01:04:14,480 --> 01:04:16,551 I really like to pull out to the clouds. 1074 01:04:16,640 --> 01:04:21,351 This drone goes, like, one and a half kilometer far away. 1075 01:04:21,440 --> 01:04:26,037 And, of course, anywhere in the world, you need to have a permit to fly. 1076 01:04:27,000 --> 01:04:31,313 Because, especially at those kind of distances, it's very dangerous, of course. 1077 01:04:31,440 --> 01:04:35,832 In America itself, you cannot fly higher than 400 feet, 1078 01:04:35,960 --> 01:04:38,555 but in Thailand, we had to get permission. 1079 01:04:38,680 --> 01:04:41,991 So, the production did this at the government... 1080 01:04:42,080 --> 01:04:44,037 They sent us these permission forms, 1081 01:04:44,120 --> 01:04:48,478 and I was the first drone operator getting a permit 1082 01:04:49,120 --> 01:04:52,431 for flying and shooting movies with drones. 1083 01:04:52,520 --> 01:04:55,479 So, an official permit, and I still have it. 1084 01:04:55,600 --> 01:04:59,992 I put it in a little thing to put up on the wall, because it was very unique. 1085 01:05:00,080 --> 01:05:04,438 At that time, nobody had a permit yet to shoot officially with drones. 1086 01:05:04,520 --> 01:05:10,232 So, that shot to the clouds, the drone is one and a half kilometer up. 1087 01:05:10,640 --> 01:05:15,431 And then, on the monitor on the remote, you can see the shot and operate the shot. 1088 01:05:15,520 --> 01:05:16,920 I do it myself. 1089 01:05:17,000 --> 01:05:19,071 A lot of drones, they have two operators, 1090 01:05:19,160 --> 01:05:22,517 but I like to do it with only me, with one operator. 1091 01:05:22,960 --> 01:05:27,113 And, especially, these DJI drones, they're so easy to fly. 1092 01:05:27,200 --> 01:05:31,672 And if you understand shots, you can pull off these shots easily. 1093 01:05:33,360 --> 01:05:35,829 So, I was talking about the whole setup, right? 1094 01:05:36,000 --> 01:05:37,593 Then I choose the locations... 1095 01:05:37,680 --> 01:05:41,594 The design, the action, are all based on these locations. 1096 01:05:41,680 --> 01:05:44,673 And then, I went back to LA, talked with the writer, 1097 01:05:44,840 --> 01:05:47,560 and threw in my ideas to the writers. 1098 01:05:47,640 --> 01:05:51,839 So, we found these railroad bridges, and we found the cave. 1099 01:05:51,920 --> 01:05:53,434 And then, instead of the snake, 1100 01:05:53,520 --> 01:05:58,754 I thought, "Okay, let's do this introduction with Tha with elephants." 1101 01:05:58,880 --> 01:06:01,714 Because elephants are always beautiful creatures, 1102 01:06:01,800 --> 01:06:03,712 and there are a lot of them in Thailand. 1103 01:06:03,880 --> 01:06:07,396 So, they are easier to get. So, we got the elephants there. 1104 01:06:07,880 --> 01:06:11,157 So, then, this design will go into the screenplay, 1105 01:06:11,240 --> 01:06:13,118 there will come another draft. 1106 01:06:13,200 --> 01:06:18,559 And then, the production will start six weeks before the first day of shooting 1107 01:06:18,640 --> 01:06:22,270 with producing the movie, organizing everything. 1108 01:06:22,440 --> 01:06:25,672 And I normally start four weeks before shooting. 1109 01:06:25,760 --> 01:06:28,400 This time, I think, I started five weeks before shooting. 1110 01:06:28,560 --> 01:06:29,789 I flew then to Australia. 1111 01:06:31,440 --> 01:06:34,558 At the time, we already did some reading, 1112 01:06:34,640 --> 01:06:37,314 so, I could look at videos of actors in Australia. 1113 01:06:37,680 --> 01:06:39,990 And then, I picked the choices, 1114 01:06:40,120 --> 01:06:43,352 the guys or the girls that I thought were interesting. 1115 01:06:43,440 --> 01:06:46,160 And then, I was in Sydney for three days. 1116 01:06:46,240 --> 01:06:49,233 And then during those three days, I do casting sessions, 1117 01:06:49,320 --> 01:06:52,119 do call-backs of the actors that I liked. 1118 01:06:52,200 --> 01:06:56,160 And then, take a look at them, rehearse with them, do the scenes with them, 1119 01:06:56,280 --> 01:06:58,795 talk a little bit with them, have a feeling. 1120 01:06:58,920 --> 01:07:03,233 And then basically, I do my number one and number two options, 1121 01:07:03,320 --> 01:07:05,880 choices of these sessions. 1122 01:07:06,000 --> 01:07:08,959 And then, these choices go to the studio. 1123 01:07:09,120 --> 01:07:12,113 And then, they say, "Yay or nay" on my choices. 1124 01:07:12,200 --> 01:07:17,320 And, a lot of times, we are completely in agreement in who we will cast. 1125 01:07:17,720 --> 01:07:20,394 That is for all the smaller parts. 1126 01:07:20,520 --> 01:07:24,150 Scott, of course, was in from very early on. 1127 01:07:24,640 --> 01:07:27,838 And Robert Knepper was in very early on. 1128 01:07:27,920 --> 01:07:31,675 And Temuera, I really wanted to bring to Australia 1129 01:07:31,800 --> 01:07:33,473 from really early on. 1130 01:07:33,600 --> 01:07:35,557 And Rhona Mitra as well. 1131 01:07:35,680 --> 01:07:39,310 So, those are the four actors that I decided on out from LA. 1132 01:07:39,440 --> 01:07:44,310 And then, all the other actors, I cast in Australia or in Thailand. 1133 01:07:44,400 --> 01:07:48,076 Because after those three days in Sydney, I flew to Bangkok. 1134 01:07:48,160 --> 01:07:51,710 And then, we were four weeks out for principle photography. 1135 01:07:51,800 --> 01:07:54,952 And then, I start first with casting, 1136 01:07:55,040 --> 01:08:00,832 seeing actors in Thailand that I like, doing call-backs and doing sessions. 1137 01:08:01,400 --> 01:08:04,199 And then you start going scouting again, 1138 01:08:04,280 --> 01:08:08,240 because then, you need to finalize the sets 1139 01:08:08,320 --> 01:08:10,152 and what we're going to do there. 1140 01:08:10,240 --> 01:08:14,154 At that time, art department is already building the props et cetera. 1141 01:08:14,280 --> 01:08:17,671 I have daily meetings with the stunt coordinators 1142 01:08:17,840 --> 01:08:21,356 and the special effects coordinators to figure out the stunts and the action. 1143 01:08:21,480 --> 01:08:23,392 Then I do some more scouting. 1144 01:08:23,520 --> 01:08:25,751 And then you start to do tech-recces. 1145 01:08:25,840 --> 01:08:27,877 Tech-recces are, basically, you go to the location 1146 01:08:27,960 --> 01:08:32,034 with all the technical crew and I talk them through what we're gonna do. 1147 01:08:32,120 --> 01:08:35,113 And I'm very specific in those meetings. 1148 01:08:35,200 --> 01:08:38,272 I'm not somebody who does any storyboards. 1149 01:08:38,360 --> 01:08:39,874 I'm not doing shotlists. 1150 01:08:40,040 --> 01:08:43,511 But what I will do is that I dream my movies. 1151 01:08:43,680 --> 01:08:45,990 So, on every location, 1152 01:08:46,080 --> 01:08:49,357 I know exactly where this crane movement will be, 1153 01:08:49,520 --> 01:08:54,879 where the actors will be coming from, how we stage a fight or stage a scene. 1154 01:08:55,000 --> 01:08:59,040 And then, during the tech-recces, I tell everybody how I'm going to do it. 1155 01:08:59,120 --> 01:09:04,070 And so, they know how to clean out this little jungle here, 1156 01:09:04,240 --> 01:09:07,597 or they know where to put all the service trucks. 1157 01:09:07,760 --> 01:09:11,595 Because I know very specifically, what I'm going to shoot on the day. 1158 01:09:11,720 --> 01:09:14,792 I even tell them already where the dolly track will be, 1159 01:09:14,920 --> 01:09:18,630 or where the crane will be built, and which lenses we are using. 1160 01:09:18,800 --> 01:09:21,838 And, 90% of what I tell them during the tech-recce 1161 01:09:21,920 --> 01:09:25,675 is also actually what we shoot on the location on the day. 1162 01:09:26,280 --> 01:09:28,158 Meet me at the river. 1163 01:09:36,920 --> 01:09:38,673 I will never tell you. 1164 01:09:49,320 --> 01:09:50,879 I think you will. 1165 01:09:58,600 --> 01:10:04,278 So, this fight was choreographed by Seng and his crew and his team. 1166 01:10:04,840 --> 01:10:06,479 Pretty well done. 1167 01:10:06,800 --> 01:10:09,759 Officially, this stunt was a little bit longer. 1168 01:10:09,880 --> 01:10:13,157 And in the deleted scenes on the Blu-ray, 1169 01:10:13,240 --> 01:10:18,554 you can see a little bit longer, this scene, and what happens with the girl fight. 1170 01:10:18,680 --> 01:10:23,914 And also, this, I like a lot. I like fights where the guns go off. 1171 01:10:24,080 --> 01:10:27,710 And then, of course, we have a little John Woo moment here. 1172 01:10:27,920 --> 01:10:31,197 Nice and close. There we go. And the two guns, of course, there. 1173 01:10:33,120 --> 01:10:35,112 The girl fight, right? 1174 01:10:35,240 --> 01:10:37,152 So, officially, the girl fight ended 1175 01:10:37,280 --> 01:10:40,990 with them rolling down the hill and then she would break her neck. 1176 01:10:41,320 --> 01:10:43,915 But this stunt, which is a real stunt, 1177 01:10:44,000 --> 01:10:47,835 which is very dangerous, was so nasty, 1178 01:10:48,000 --> 01:10:52,836 and such a beautiful gag, that we decided, "Okay, let's kill her there." 1179 01:10:52,960 --> 01:10:56,112 And that is something you decide in the editing. 1180 01:10:56,240 --> 01:10:58,880 So, with CG, it would do a little bit help here. 1181 01:10:58,960 --> 01:11:03,830 So, it's all CG blocked there, because that was a different planning. 1182 01:11:10,680 --> 01:11:13,752 This is a very nice moment when the shell hits him. 1183 01:11:14,400 --> 01:11:17,791 Of course, that is all CG, because, so at close range. 1184 01:11:18,200 --> 01:11:21,193 This jump, right? So, Scott is doing this jump himself. 1185 01:11:21,320 --> 01:11:23,676 On the bridge, he's jumping on a mattress. 1186 01:11:23,880 --> 01:11:26,600 And then, this is back at that resort 1187 01:11:26,680 --> 01:11:31,197 at the river for Deer Hunter, where Scottjumps into the river himself. 1188 01:11:31,680 --> 01:11:34,957 And because this river is the same river as the bridge, 1189 01:11:35,040 --> 01:11:37,953 but it's only like 100 kilometers further up, 1190 01:11:38,040 --> 01:11:41,238 where we shot the jumping in the water. 1191 01:11:43,920 --> 01:11:47,391 So, then in the fight, in editing, we decided 1192 01:11:47,480 --> 01:11:51,269 that it's much cooler and much stronger to end that fight 1193 01:11:51,360 --> 01:11:56,037 with her being knocked down in between the two carriages of the train. 1194 01:11:56,200 --> 01:11:58,760 And so, that's what you end up with. 1195 01:12:02,000 --> 01:12:05,630 So, these are the stunt-doubles floating around. 1196 01:12:05,720 --> 01:12:08,838 And, of course, Temuera seeing the dead body. 1197 01:12:09,040 --> 01:12:11,157 And that's, of course, not good, 1198 01:12:11,960 --> 01:12:13,235 killing the hunters. 1199 01:12:14,200 --> 01:12:17,238 Also, the fight where we did the train on, 1200 01:12:17,360 --> 01:12:20,910 that was in that same resort of The Deer Hunter resort. 1201 01:12:21,080 --> 01:12:26,519 So, the bridge that you see here is really the bridge of River Kwai. 1202 01:12:26,600 --> 01:12:32,358 You know, the famous bridge that was built during the Second World War by Japan, 1203 01:12:32,520 --> 01:12:37,276 and by a lot of prisoners, of course, war prisoners. 1204 01:12:37,440 --> 01:12:39,591 They built this bridge, and we shot on this bridge. 1205 01:12:39,720 --> 01:12:42,280 It's now a very famous tourist attraction. 1206 01:12:42,360 --> 01:12:48,038 And also, the next scene where they're gonna be at a military place 1207 01:12:48,120 --> 01:12:52,114 is also at one of the bridges of the River Kwai. 1208 01:12:52,240 --> 01:12:56,234 It's the same railroad and the same history on the bridge. 1209 01:12:56,320 --> 01:12:57,320 Found Sofia. 1210 01:13:02,280 --> 01:13:03,475 Fuck. 1211 01:13:04,280 --> 01:13:06,954 At least we know where they're going. 1212 01:13:07,640 --> 01:13:12,920 I kind of like this shot where we pull out, and we see all four of them standing there. 1213 01:13:13,040 --> 01:13:15,032 I think it's really cool. 1214 01:13:19,320 --> 01:13:22,597 So, for those kind of shots, I used sliders a lot 1215 01:13:22,680 --> 01:13:24,433 because not on all locations 1216 01:13:24,520 --> 01:13:28,355 you can get quickly, of course, a GoPro camera. 1217 01:13:28,800 --> 01:13:32,840 But on all locations, you cannot put in track... 1218 01:13:33,560 --> 01:13:35,040 And you saw that. 1219 01:13:35,160 --> 01:13:39,074 By the way, that was a visual effect, putting that shot in there. 1220 01:13:39,240 --> 01:13:42,517 I really like what the visual effects guys have done 1221 01:13:42,600 --> 01:13:44,990 because you see the reflection in the water. 1222 01:13:45,120 --> 01:13:47,476 But we put it there in post. 1223 01:13:48,360 --> 01:13:51,000 When I save your ass, you rob me blind? 1224 01:13:53,520 --> 01:13:56,752 So, for this talk, there was a big, long dialog, 1225 01:13:56,880 --> 01:13:59,839 that was kind of not very interesting. 1226 01:14:00,000 --> 01:14:04,153 So, I thought, "Okay, what about doing this dialog on the river, 1227 01:14:04,240 --> 01:14:06,994 "floating on this little tree-thing?" 1228 01:14:07,160 --> 01:14:09,436 So, that was kind of the plan, 1229 01:14:09,520 --> 01:14:13,355 and that was, I think, the stupidest plan I had on this movie. 1230 01:14:13,480 --> 01:14:16,314 Because I was planning to have them float in the river, 1231 01:14:16,400 --> 01:14:18,995 and they were talking and then with the boat 1232 01:14:19,080 --> 01:14:21,879 we would follow it and have the dialog like that. 1233 01:14:22,040 --> 01:14:25,556 But after a half hour of fooling around with this floating thing, 1234 01:14:25,640 --> 01:14:27,199 like, floating like this... 1235 01:14:27,320 --> 01:14:29,630 This of course, again, is my drone. 1236 01:14:29,760 --> 01:14:31,991 Floating like that did not work at all. 1237 01:14:32,080 --> 01:14:34,720 Because when you're on water, 1238 01:14:34,840 --> 01:14:37,958 and especially, a river that is really floating, 1239 01:14:38,160 --> 01:14:40,800 there's no more control in the angle 1240 01:14:40,880 --> 01:14:43,554 or the distance you can have with the camera 1241 01:14:43,720 --> 01:14:46,155 with your subject, with the actors. 1242 01:14:46,280 --> 01:14:51,833 So, we ended up putting this tree very close to the shore. 1243 01:14:51,920 --> 01:14:54,833 Basically, here at this beach, where we shot this scene, 1244 01:14:55,080 --> 01:14:59,074 we basically put the tree trunk just a meter out of the shore 1245 01:14:59,160 --> 01:15:03,552 so I could stand with the cameras on tripods, in the water. 1246 01:15:03,680 --> 01:15:07,833 And they were floating... Basically, with their knees, they were on the sand, 1247 01:15:07,920 --> 01:15:10,071 the actors, and they were hanging there. 1248 01:15:10,320 --> 01:15:13,472 And because the river water is moving in the background, 1249 01:15:13,920 --> 01:15:17,755 you feel, you believe that they are floating around. 1250 01:15:17,920 --> 01:15:20,879 But they basically were standing still, hanging still, 1251 01:15:21,040 --> 01:15:24,158 and then with really tight shots, we could make it work. 1252 01:15:26,360 --> 01:15:30,877 This sandbank is at the same resort, that had so many locations, 1253 01:15:31,000 --> 01:15:33,231 The Deer Hunter resort. 1254 01:15:33,320 --> 01:15:37,837 It was a little beach area where we could shoot this scene. 1255 01:15:38,000 --> 01:15:42,313 And when we're gonna pull out after we kill his character, 1256 01:15:42,440 --> 01:15:44,113 I'm doing this drone shot again. 1257 01:15:44,200 --> 01:15:48,353 And then basically, in this drone shot, you see the resort in the background, 1258 01:15:48,520 --> 01:15:49,715 and the river. 1259 01:15:49,800 --> 01:15:54,352 But of course, we could not put the resort in the movie there. 1260 01:15:55,400 --> 01:15:57,869 It's binding. 1261 01:15:59,480 --> 01:16:00,800 And actionable. 1262 01:16:02,840 --> 01:16:06,754 This is, by the way, CG blood. I didn't want to spend time. 1263 01:16:06,840 --> 01:16:10,356 Even the blood coming from the blade on the shirt, 1264 01:16:10,480 --> 01:16:12,472 all CG blood. 1265 01:16:12,640 --> 01:16:15,200 I could not spend time on doing a prosthetic here. 1266 01:16:15,320 --> 01:16:18,552 It was just too time-consuming and too expensive. 1267 01:16:18,640 --> 01:16:21,519 So, we solved this with CG. 1268 01:16:22,240 --> 01:16:26,439 By the way, I wanted to have this prop, this GPS tracker. 1269 01:16:26,560 --> 01:16:28,597 I asked the prop master. 1270 01:16:28,680 --> 01:16:31,195 He's a really cool Thai guy, who came with all these props. 1271 01:16:31,680 --> 01:16:36,516 I asked him to build me a GPS device that was different. 1272 01:16:36,680 --> 01:16:39,514 And also, in the future... 1273 01:16:39,640 --> 01:16:44,112 I read this article about screens, LED TV screens 1274 01:16:44,240 --> 01:16:47,790 that are bendable, that you can bend like paper. 1275 01:16:49,000 --> 01:16:50,832 So, I told him about it. 1276 01:16:50,960 --> 01:16:53,316 I said, "Okay, let's make a GPS tracker 1277 01:16:53,400 --> 01:16:57,030 "that the screen is bendable, so it flips open... 1278 01:16:57,120 --> 01:16:58,998 "And the screen is bent, 1279 01:16:59,080 --> 01:17:03,040 "and we'll put it in with CG, so we have a unique prop." 1280 01:17:03,280 --> 01:17:04,839 So, he was like, "Cool!" 1281 01:17:04,920 --> 01:17:08,550 And so, he built this little plastic device that could click open. 1282 01:17:08,640 --> 01:17:11,360 So, that is the GPS tracker that you see. 1283 01:17:11,480 --> 01:17:15,269 So, it's a non-existing, futuristic thing. 1284 01:17:16,680 --> 01:17:18,399 Call in the cleanup crew. 1285 01:17:18,640 --> 01:17:21,075 - You think we need them? - Call them! 1286 01:17:31,360 --> 01:17:33,875 So, in this pull out that we're gonna see now, 1287 01:17:34,000 --> 01:17:35,400 the resort is in the back. 1288 01:17:35,480 --> 01:17:38,279 But, of course, we cannot see a resort at this stage. 1289 01:17:39,560 --> 01:17:43,190 So, the CG guys take out the resort buildings and the resort, 1290 01:17:43,280 --> 01:17:45,476 and also crew members who were in this shot. 1291 01:17:45,560 --> 01:17:48,280 Me, for example, operating the shot. 1292 01:17:48,840 --> 01:17:53,198 But this is what the river looks like and how the land looks around that resort. 1293 01:17:53,320 --> 01:17:55,312 It's really pretty. 1294 01:17:56,760 --> 01:17:59,832 So, then we come again to the bridge. 1295 01:18:00,320 --> 01:18:04,394 And this is also the bridge of the River Kwai. 1296 01:18:04,520 --> 01:18:08,196 It's a little bit further up on the same railroad track. 1297 01:18:08,280 --> 01:18:11,956 The big problem with this location was, there's so many tourists. 1298 01:18:12,120 --> 01:18:14,874 So, I am now looking away from the tourists. 1299 01:18:15,000 --> 01:18:16,514 But if you look back, 1300 01:18:16,600 --> 01:18:20,196 there will be thousands of tourists watching us filming, 1301 01:18:20,280 --> 01:18:22,511 and there are restaurants and terraces 1302 01:18:22,600 --> 01:18:25,832 where people are sitting down, watching us work. 1303 01:18:25,920 --> 01:18:28,515 And they all come to this bridge, to walk on to the bridge, 1304 01:18:28,680 --> 01:18:31,275 because it's a really big tourist place. 1305 01:18:33,080 --> 01:18:37,279 So, we had to keep them off the property and off the bridge. 1306 01:18:37,400 --> 01:18:41,155 It was a very tough location to shoot. But it's really beautiful. 1307 01:18:42,680 --> 01:18:46,799 You see there, that's the bendable GPS. 1308 01:18:47,120 --> 01:18:51,990 And then CG designs the digital things that were on the screen 1309 01:18:52,160 --> 01:18:55,039 because the screen was just black with some tracking marks on it. 1310 01:18:55,160 --> 01:18:56,799 But I like that you close it. 1311 01:18:56,880 --> 01:19:00,430 He closed now on one side, and then he closed the other side. 1312 01:19:00,600 --> 01:19:03,240 Anyway, so, on one side of this bridge, 1313 01:19:03,920 --> 01:19:07,800 there's big tourist boats, and restaurant boats, 1314 01:19:07,880 --> 01:19:09,951 and there was a market square. 1315 01:19:10,080 --> 01:19:13,073 And on the other side, there's a temple on one side, 1316 01:19:13,160 --> 01:19:15,117 and then the other side was empty. 1317 01:19:15,200 --> 01:19:19,877 So, we asked the art department to put there, a little bit of a military camp. 1318 01:19:20,520 --> 01:19:24,400 So, they brought in all the props and dressed it in, 1319 01:19:24,480 --> 01:19:26,551 and the result was, I think, amazing. 1320 01:19:31,120 --> 01:19:33,191 GPS says he's around here somewhere. 1321 01:19:34,800 --> 01:19:40,159 And then we would do this explosion when he was sailing away. 1322 01:19:41,080 --> 01:19:43,072 You two get to the border. 1323 01:19:46,760 --> 01:19:48,240 You make him pay. 1324 01:19:48,320 --> 01:19:49,879 Why would you do this for us? 1325 01:19:53,520 --> 01:19:57,196 The funny thing is, is that when I lived in Holland, in Amsterdam, 1326 01:19:57,320 --> 01:20:01,633 I had a speedboat in the canals in Amsterdam. 1327 01:20:02,520 --> 01:20:07,515 And sailing a speedboat in the canals in Amsterdam is really tough, 1328 01:20:07,600 --> 01:20:11,389 because it's very busy in the canals, it's very narrow. 1329 01:20:11,560 --> 01:20:15,634 So, you really learn how to sail a speedboat. 1330 01:20:15,720 --> 01:20:20,192 My first speedboat in Holland, looked a lot... 1331 01:20:20,280 --> 01:20:23,910 It was almost the same speedboat as we are using 1332 01:20:24,000 --> 01:20:25,354 that Scott is now stealing. 1333 01:20:26,720 --> 01:20:28,313 So, when we were shooting, 1334 01:20:28,400 --> 01:20:30,756 I'm so good at sailing these things 1335 01:20:30,880 --> 01:20:34,430 that I suggested, "Okay, let me do the sailing." 1336 01:20:34,640 --> 01:20:39,112 And then I'll have Rolf operating the camera. 1337 01:20:40,600 --> 01:20:44,435 So, this is that speedboat. It looks exactly like the one I had in Holland. 1338 01:20:44,520 --> 01:20:48,355 And then we had a camera boat, what is kind of similar. 1339 01:20:48,480 --> 01:20:50,631 And then, I was steering the boat, 1340 01:20:50,720 --> 01:20:54,236 and then Rolf was on the front, operating the shots, 1341 01:20:54,320 --> 01:20:59,031 because basically, when you shoot on boats or you shoot from helicopters, 1342 01:20:59,120 --> 01:21:02,750 the one piloting the boat or piloting the helicopter 1343 01:21:02,840 --> 01:21:05,071 is basically operating the shot. 1344 01:21:05,160 --> 01:21:09,154 Because as a camera person, you are fixed on this boat, 1345 01:21:09,440 --> 01:21:13,275 and you can only pan left or right, or tilt up, or zoom in. 1346 01:21:13,440 --> 01:21:15,671 But you cannot really move, you know. 1347 01:21:15,760 --> 01:21:18,116 The moving has to be done by the object itself. 1348 01:21:19,760 --> 01:21:21,194 So, for all these shots, 1349 01:21:21,280 --> 01:21:24,671 I operated the boat, and Rolf was operating the camera, 1350 01:21:24,760 --> 01:21:26,911 and then we could do this perfect timing. 1351 01:21:27,000 --> 01:21:30,038 So, example, this shot what's coming up right now, 1352 01:21:30,160 --> 01:21:33,312 it's me, operating this boat, with the camera, 1353 01:21:33,400 --> 01:21:34,600 and Scott operating that boat, 1354 01:21:34,920 --> 01:21:38,880 and having a nice, almost close, touching each other, here as well. 1355 01:21:39,640 --> 01:21:43,793 And so, Scott was sailing himself, and I was sailing... 1356 01:21:44,000 --> 01:21:46,071 And that was such a blast to do. 1357 01:21:46,600 --> 01:21:48,910 Because you can really nicely time these shots. 1358 01:21:49,440 --> 01:21:52,797 And being with Scott on the water, of course, was a lot of fun. 1359 01:21:56,080 --> 01:22:00,677 So, then, because of the schedule, it was very difficult to schedule in... 1360 01:22:01,840 --> 01:22:06,995 Also, these shots are all operated from this camera boat kind of thing. 1361 01:22:09,360 --> 01:22:14,276 So then, we are back to the drone, of course, with the chase. 1362 01:22:14,360 --> 01:22:15,919 This is all the drone. 1363 01:22:16,000 --> 01:22:18,595 And these drones are really fast, as you can see. 1364 01:22:18,680 --> 01:22:22,037 These things fly, I think, at 30 kilometers an hour or something. 1365 01:22:23,120 --> 01:22:25,680 I see you, yes. I'm coming for you. 1366 01:22:26,160 --> 01:22:28,755 This fight, what we did, 1367 01:22:28,880 --> 01:22:32,760 this angle, on this side, we shot at the resort 1368 01:22:33,280 --> 01:22:36,318 because of the schedule issues we had. 1369 01:22:36,400 --> 01:22:37,856 But we could see the resort on this side. 1370 01:22:37,880 --> 01:22:42,591 So, the reverse, we shot on the real bridge location. 1371 01:22:43,120 --> 01:22:46,192 So, we had to split up this scene, which made it very complicated, 1372 01:22:46,320 --> 01:22:51,600 between this angle that's somewhere else and this angle that's also somewhere else. 1373 01:22:51,720 --> 01:22:55,555 And then the fight, of course, was so much fun to do. 1374 01:22:59,160 --> 01:23:00,196 Win! 1375 01:23:01,920 --> 01:23:04,992 When I was designing the ending of the movie, 1376 01:23:05,080 --> 01:23:09,074 I always wanted to end the movie in a city 1377 01:23:10,080 --> 01:23:13,152 so you felt, like, a city building... 1378 01:23:13,240 --> 01:23:17,917 This, by the way, when you see this little dialog bit here in the helicopter, 1379 01:23:18,000 --> 01:23:22,756 the helicopterjust stands still on the ground, and I'm shaking the camera a little bit. 1380 01:23:22,840 --> 01:23:26,311 So, these shots are just the Poor Man's Process, right. 1381 01:23:26,400 --> 01:23:28,869 So, we had a little wind machine. 1382 01:23:28,960 --> 01:23:30,394 But this shot... 1383 01:23:31,960 --> 01:23:36,079 That is Robert, really, himself, hanging out of the chopper. 1384 01:23:36,160 --> 01:23:40,677 That is Robert himself, hanging out of the chopper to do those shots. 1385 01:23:41,360 --> 01:23:43,272 Anyway, so, when we were... 1386 01:23:43,400 --> 01:23:47,280 I wanted to end the movie in a city, in a Burmese city. 1387 01:23:47,640 --> 01:23:52,317 And then end on this beautiful building that is in Chinatown in Bangkok, 1388 01:23:52,440 --> 01:23:55,911 as it would be in a building in a border town. 1389 01:23:56,760 --> 01:24:01,835 But it was very difficult to organize that, to produce that. 1390 01:24:01,960 --> 01:24:05,954 We had to buy out so many stores in Chinatown. 1391 01:24:06,080 --> 01:24:09,710 And logistically, it was just a nightmare. 1392 01:24:09,880 --> 01:24:12,918 But I wanted to do a big fight on the roof of this building. 1393 01:24:14,760 --> 01:24:17,878 Because you want an epic ending, that's what you want. 1394 01:24:17,960 --> 01:24:22,671 So, this bridge... That was an idea of Chris, the producer. 1395 01:24:22,800 --> 01:24:27,238 He lives in Thailand. And, he tells me, he said, "There's a really nice bridge. 1396 01:24:27,320 --> 01:24:30,313 "Now that we have so many bridges in the movie, 1397 01:24:30,440 --> 01:24:33,751 "there's this really nice walking bridge in this town in the north." 1398 01:24:33,880 --> 01:24:38,796 It was a long drive, like a three, four-hour drive to this town. 1399 01:24:38,880 --> 01:24:41,839 So, this is the hut we built that we blew up. 1400 01:24:41,920 --> 01:24:44,196 But, this bridge was an existing wooden bridge 1401 01:24:44,320 --> 01:24:47,358 that was part of a temple complex. 1402 01:24:47,480 --> 01:24:49,995 People, tourists, but also a lot of locals... 1403 01:24:50,080 --> 01:24:54,871 This is me, by the way, flying my drone over the helicopter, shooting that shot. 1404 01:24:54,960 --> 01:24:56,155 I'm so proud of that shot. 1405 01:24:58,840 --> 01:25:01,514 I suggested this to the helicopter pilot. 1406 01:25:01,640 --> 01:25:03,677 And he was like, "Yeah, yeah, sure." 1407 01:25:03,760 --> 01:25:06,036 As long as I would stay on one side of the bridge, 1408 01:25:06,160 --> 01:25:08,921 and he would be on the other side of the bridge, I could fly over him. 1409 01:25:09,080 --> 01:25:11,754 So, I was in a drone, operating, 1410 01:25:12,640 --> 01:25:14,597 flying over the helicopter, 1411 01:25:15,120 --> 01:25:17,954 while the helicopter was chasing Scott on the boat. 1412 01:25:18,120 --> 01:25:20,874 Those moments were really, really fun to do. 1413 01:25:21,080 --> 01:25:23,151 I remember when I was operating that shot, 1414 01:25:23,240 --> 01:25:25,391 and I was looking at my little monitor on my remote, 1415 01:25:25,520 --> 01:25:28,274 and I was like, "Holy shit, am I doing this right now?" 1416 01:25:28,360 --> 01:25:29,919 It was really, really great. 1417 01:25:35,920 --> 01:25:37,559 I wanted to have an epic ending. 1418 01:25:37,720 --> 01:25:41,680 And Chris came with the idea... He knew this bridge. 1419 01:25:41,840 --> 01:25:44,036 So, I went there, I saw it, 1420 01:25:44,200 --> 01:25:49,400 and I was sold on it right away, because, it was epic, it was beautiful. 1421 01:25:49,520 --> 01:25:52,752 It was also a nice bridge between two borders. 1422 01:25:52,880 --> 01:25:55,349 And it made all the sense in the world. 1423 01:25:55,440 --> 01:25:59,070 So, then, I did a rewrite on the screenplay, 1424 01:25:59,200 --> 01:26:01,999 and wrote in the bridge 1425 01:26:02,080 --> 01:26:04,311 and wrote in this whole action scene 1426 01:26:04,400 --> 01:26:09,395 with him chasing with the helicopter and shooting at him and the whole thing. 1427 01:26:09,560 --> 01:26:13,349 This is also the Poor Man's Process again. He's just standing still, of course. 1428 01:26:14,600 --> 01:26:16,432 And his helicopter goes lower. 1429 01:26:16,520 --> 01:26:20,753 And then, this shot... This is Scott, right? This is not a double. 1430 01:26:20,840 --> 01:26:23,435 This is just Scottjumping from this moving boat. 1431 01:26:23,680 --> 01:26:25,911 And absolutely spectacular. 1432 01:26:26,080 --> 01:26:29,756 And then, I wanted to do this one shot, this John Woo kind of thing. 1433 01:26:29,920 --> 01:26:32,276 So, that became this shot with the Steadicam. 1434 01:26:34,080 --> 01:26:36,959 To do another homage shot to John Woo. 1435 01:26:37,120 --> 01:26:42,434 Of course, the famous one-shot with the elevator in the hospital. 1436 01:26:42,640 --> 01:26:47,192 What I really, really love from one of his movies, 1437 01:26:47,280 --> 01:26:49,351 one of his Hong Kong movies. 1438 01:26:53,320 --> 01:26:57,951 So, we could use the bridge. And then, of course, I will try to push the limit. 1439 01:26:58,160 --> 01:27:01,631 So, I asked, "Can we land on the bridge with the helicopter?" 1440 01:27:01,920 --> 01:27:04,037 And, of course, we cannot. 1441 01:27:04,120 --> 01:27:06,874 So, then Seng said, 1442 01:27:06,960 --> 01:27:10,317 "Okay, what about them jumping out of the helicopter?" 1443 01:27:10,520 --> 01:27:12,796 And that was, of course, a brilliant idea. 1444 01:27:12,920 --> 01:27:15,355 Now, the stunt-doubles are jumping out. 1445 01:27:15,440 --> 01:27:20,720 And Seng, my stunt coordinator, he's doubling here for Temuera. 1446 01:27:20,800 --> 01:27:23,599 So, he's the one on the right side, jumping off. 1447 01:27:23,680 --> 01:27:26,639 And then, of course, I asked the helicopter pilot 1448 01:27:26,760 --> 01:27:29,195 to come over the bridge one more time. 1449 01:27:29,280 --> 01:27:33,957 And then, I operated this shot in slo-mo, 120 frames a second, 1450 01:27:34,160 --> 01:27:36,675 where we see the drone in their backs, 1451 01:27:36,760 --> 01:27:39,958 and it gives you this nice, epic John Woo shot, 1452 01:27:40,040 --> 01:27:43,477 where you see this slo-mo helicopter in the background. 1453 01:27:43,640 --> 01:27:48,669 But basically, it was the helicopter doing one more pass in the back of them. 1454 01:27:48,760 --> 01:27:52,640 And there's a big distance between them, but with a very long lens... 1455 01:27:52,760 --> 01:27:54,056 Let's talk about this gun, by the way. 1456 01:27:54,080 --> 01:27:57,710 But with a very long lens, it feels like the helicopter's really close. 1457 01:27:59,440 --> 01:28:04,071 So, of course, in Hard Target 1, Lance Henriksen, who played the villain, 1458 01:28:04,160 --> 01:28:06,595 he has this very iconic kind of gun, 1459 01:28:06,680 --> 01:28:10,196 this revolver with only one bullet in it. 1460 01:28:10,400 --> 01:28:15,270 And I really wanted to do a glimpse of it, you know? 1461 01:28:16,680 --> 01:28:18,399 I always, in my mind... 1462 01:28:18,520 --> 01:28:21,718 This character, Robert's character, is family 1463 01:28:21,800 --> 01:28:26,158 with Lance Henriksen's character of the first Hard Target. 1464 01:28:26,320 --> 01:28:30,997 So, I was like, probably he's continuing the business that 1465 01:28:31,080 --> 01:28:34,039 Lance is setting up in the first Hard Target. 1466 01:28:34,600 --> 01:28:38,879 And then, he's continuing the business, so, he got Lance's gun. 1467 01:28:39,280 --> 01:28:43,911 But this revolver, we could get nowhere in Thailand. 1468 01:28:45,040 --> 01:28:47,714 So, based on photos from the movie... 1469 01:28:47,880 --> 01:28:50,236 Of course, the John Woo shot. 1470 01:28:50,360 --> 01:28:53,353 Based on the photos from the first movie, 1471 01:28:53,440 --> 01:28:58,560 I had the prop master in Thailand build me this revolver. 1472 01:28:59,000 --> 01:29:03,074 Because I wanted to have this iconic one-bullet revolver, 1473 01:29:03,240 --> 01:29:06,278 which was exactly the same revolver as Hard Target 1. 1474 01:29:06,480 --> 01:29:09,552 And, he did. So, I'm really happy. 1475 01:29:09,880 --> 01:29:12,349 This, of course, you see the beauty... how this bridge looks. 1476 01:29:12,440 --> 01:29:13,999 It's such a beautiful bridge. 1477 01:29:17,440 --> 01:29:18,760 So, we put it in the movie. 1478 01:29:18,840 --> 01:29:22,197 And I'm really happy that we have the revolver there. 1479 01:29:24,560 --> 01:29:30,272 I also wanted to do a nice end fight which cuts on this bridge. 1480 01:29:30,600 --> 01:29:35,470 So, the idea was to bring five fighters or six fighters to the bridge 1481 01:29:35,560 --> 01:29:37,631 and have them fight with Scott. 1482 01:29:38,080 --> 01:29:41,869 What was really a cool and epic moment. 1483 01:29:43,240 --> 01:29:44,833 It's up my ass. 1484 01:29:45,160 --> 01:29:47,231 Well, let me help you extract it. 1485 01:29:53,880 --> 01:29:56,554 You know, I know you're not that bright, Madden, 1486 01:29:56,640 --> 01:29:59,075 but you do realize that wasn't my ass. 1487 01:30:02,520 --> 01:30:04,273 I'm not the man you insult. 1488 01:30:04,360 --> 01:30:08,593 So, when we were talking with Robert, he was talking about the heat, right? 1489 01:30:08,680 --> 01:30:11,320 It was so insanely hot on this bridge. 1490 01:30:12,320 --> 01:30:16,155 And the sun was blasting on top of us, and there was no wind. 1491 01:30:16,240 --> 01:30:17,674 It was just... 1492 01:30:18,240 --> 01:30:21,074 And we were, like, two days or three days on this bridge. 1493 01:30:21,160 --> 01:30:24,358 We had to work really hard and we had to carry everything in. 1494 01:30:24,480 --> 01:30:27,917 But, I think, the results... It's really, really good. 1495 01:30:28,000 --> 01:30:30,959 It's an epic ending for this movie. 1496 01:30:31,480 --> 01:30:33,836 Hell, I would just die. I wouldn't be able to... 1497 01:30:35,440 --> 01:30:38,512 Stop it. That's what he wants. That's exactly what he wants. 1498 01:30:38,720 --> 01:30:40,598 Death's just not enough for you, is it? 1499 01:30:40,680 --> 01:30:42,616 You want to go out like your friend, like a warrior. 1500 01:30:42,640 --> 01:30:45,360 Just give me what I want, and I'll be happy to oblige. 1501 01:30:47,000 --> 01:30:48,878 No more shame, no more guilt. 1502 01:30:49,520 --> 01:30:53,912 So, then you start shooting. You get 20 days of shooting. 1503 01:30:54,080 --> 01:30:57,994 I go in with a good plan so I can do maximum results. 1504 01:30:58,800 --> 01:31:02,191 And then, after the four weeks, you go home, basically. 1505 01:31:02,320 --> 01:31:05,119 Then the editor will do an editor's assembly. 1506 01:31:05,280 --> 01:31:10,036 He is cutting all the footage. In the first pass of editing, 1507 01:31:10,120 --> 01:31:12,396 I'm not seeing any of what he's doing. 1508 01:31:12,480 --> 01:31:16,520 I don't like to look at editing during the shooting. 1509 01:31:16,680 --> 01:31:19,479 I do it sometimes on movies. 1510 01:31:19,600 --> 01:31:24,231 But normally, on these movies, I do not, because, I want to keep my head focused. 1511 01:31:25,760 --> 01:31:30,312 This girl, by the way, is a very famous Thai actress fighter. 1512 01:31:30,400 --> 01:31:34,314 She's a big star in Thailand and she's a great fighter. 1513 01:31:51,760 --> 01:31:53,080 Fun to look at. 1514 01:31:58,120 --> 01:31:59,120 Yes. 1515 01:31:59,640 --> 01:32:03,236 And also, not this guy, but this guy on the right, 1516 01:32:03,320 --> 01:32:06,677 that's Kazu, he's also one of the fight choreographers. 1517 01:32:06,760 --> 01:32:10,674 This guy that is going down here, he works for Seng. 1518 01:32:10,760 --> 01:32:13,912 And he choreographed a lot of these fights as well. 1519 01:32:17,640 --> 01:32:22,476 Yeah, this girl can fight. But Scott, of course, he's badass. 1520 01:32:24,760 --> 01:32:29,312 So, after five or six weeks of editor's assembly, 1521 01:32:29,760 --> 01:32:33,390 I come in and then have four weeks to do a director's cut. 1522 01:32:33,520 --> 01:32:37,799 And then, three weeks to do the producer's or the studio cut. 1523 01:32:37,880 --> 01:32:40,873 But in the producer's cut, studio cut, 1524 01:32:41,040 --> 01:32:43,953 I'm also involved with notes and trying things out. 1525 01:32:45,080 --> 01:32:48,869 So, it was really a collaboration, which was fun. 1526 01:32:51,280 --> 01:32:53,112 But the creative process, 1527 01:32:53,240 --> 01:32:58,360 you get a lot of freedom, or I get a lot of freedom on these movies 1528 01:32:58,440 --> 01:33:02,673 to decide how to shoot it, what to shoot, the angles. 1529 01:33:02,880 --> 01:33:06,874 And in the editing even, how we're gonna put it together. 1530 01:33:06,960 --> 01:33:11,398 Radu lon, he's the editor of almost all my movies. 1531 01:33:11,520 --> 01:33:13,432 He then puts a temp score in. 1532 01:33:13,520 --> 01:33:17,560 Basically, he uses a score from other movies that he cuts in. 1533 01:33:17,680 --> 01:33:19,433 And then, we lock picture. 1534 01:33:19,520 --> 01:33:24,436 So, at the moment we lock picture, the movie goes to the sound designers. 1535 01:33:24,560 --> 01:33:28,156 Chris Bonis with his team did this movie. 1536 01:33:28,240 --> 01:33:30,391 They've done a lot of my other movies as well. 1537 01:33:30,760 --> 01:33:35,880 And then, Trevor Morris comes in, starts composing the movie. 1538 01:33:36,400 --> 01:33:39,313 And then, of course, all the visual effects are put in, 1539 01:33:39,440 --> 01:33:42,114 and we start cutting the visual effects in. 1540 01:33:42,200 --> 01:33:45,955 And then, at the end, you do ADR with the actors, 1541 01:33:46,080 --> 01:33:51,599 you're recording bad sounding dialog, or you try some extra lines here and there. 1542 01:33:52,880 --> 01:33:56,271 And then, everything is mixed in, the music and all the sound effects. 1543 01:33:56,400 --> 01:33:58,312 And the movie is finished. 1544 01:33:58,400 --> 01:34:01,472 And then, of course, the color timing is also a long process. 1545 01:34:01,560 --> 01:34:03,711 It's kind of six days of color timing. 1546 01:34:03,840 --> 01:34:07,038 And I wanted to do this very stylish kind of look. 1547 01:34:07,520 --> 01:34:12,515 I wanted to make the world of Aldrich very cold and desaturated, 1548 01:34:12,880 --> 01:34:16,237 and big contrast and a lot of blacks, 1549 01:34:16,360 --> 01:34:19,194 because you want to make it kind of a... 1550 01:34:19,400 --> 01:34:21,551 You know, the thing is 1551 01:34:21,920 --> 01:34:26,153 that I love a lot of subtext and subconscious moviemaking. 1552 01:34:26,280 --> 01:34:29,990 There's not a lot of time you have on these movies to do that. 1553 01:34:30,080 --> 01:34:33,596 But on my bigger movies, like the Admiral movie, 1554 01:34:34,040 --> 01:34:35,872 I had a lot of time to do that. 1555 01:34:36,000 --> 01:34:37,798 But with the color timing, 1556 01:34:37,880 --> 01:34:41,476 you get a feeling with the audience about this world 1557 01:34:41,600 --> 01:34:44,752 which is very cold and distant, 1558 01:34:44,840 --> 01:34:49,596 and makes it suspenseful and dangerous for our hero. 1559 01:34:50,000 --> 01:34:54,677 So, what you'll notice is that everything that is Aldrich's world 1560 01:34:54,760 --> 01:34:57,434 is in this color palette. 1561 01:34:57,600 --> 01:35:00,274 And then, in the opening of the movie, 1562 01:35:00,440 --> 01:35:05,595 Scott Adkins' world is very warm-colored and warm in tones. 1563 01:35:05,800 --> 01:35:09,953 And that makes the difference between these two worlds that collide. 1564 01:35:10,120 --> 01:35:14,433 And then, of course, at the end of this movie, it turns around, 1565 01:35:14,560 --> 01:35:17,519 and then the world becomes warm again. 1566 01:35:17,600 --> 01:35:21,640 You're gonna see that after we have killed Aldrich. 1567 01:35:23,680 --> 01:35:25,319 Sixty seconds! 1568 01:35:36,040 --> 01:35:38,635 You're gonna have to kill me, Baylor. 1569 01:35:39,520 --> 01:35:43,196 'Cause I have friends. Rich, powerful friends. 1570 01:35:51,840 --> 01:35:52,920 So, you have to understand, 1571 01:35:53,000 --> 01:35:57,916 these extras, right, they're locals, and they're not trained military. 1572 01:35:58,040 --> 01:36:02,956 So, what also Seng, with the stunt guys, do really well, 1573 01:36:03,040 --> 01:36:08,354 I always ask them to train the extras in what they're doing. 1574 01:36:08,680 --> 01:36:13,755 So, now they have to march in and stand there military-style. 1575 01:36:14,000 --> 01:36:18,199 And that is something that Seng will do with his team. 1576 01:36:18,360 --> 01:36:19,680 And normally, Jimmy does this. 1577 01:36:19,840 --> 01:36:24,198 Jimmy is Seng's assistant, and also a Thai stunt coordinator. 1578 01:36:25,200 --> 01:36:29,877 And they will train the extras to do this military thing. 1579 01:36:34,760 --> 01:36:37,639 So, on this bridge, it was very tough to shoot, 1580 01:36:37,760 --> 01:36:40,036 especially when you want to shoot with long lenses. 1581 01:36:40,160 --> 01:36:43,073 I always use this big Angénieux zoom lens, 1582 01:36:43,160 --> 01:36:48,189 which is a 28-250mm, bit heavy zoom lens. 1583 01:36:49,000 --> 01:36:53,597 I then put it on a slider so I can always have a little nice movement. 1584 01:36:57,080 --> 01:37:01,632 And this is all CG. CG shooting, CG bullet hits. 1585 01:37:04,800 --> 01:37:08,077 We had a practical effect 1586 01:37:08,240 --> 01:37:11,756 where we did a lot of bullet hits, 1587 01:37:11,840 --> 01:37:15,311 and I asked Alex to do bullet hits, 1588 01:37:15,400 --> 01:37:17,312 like, 50 bullet hits on his chest. 1589 01:37:17,480 --> 01:37:21,190 But when we did the gag, a lot of them didn't go off 1590 01:37:21,280 --> 01:37:25,718 because he didn't have the right black powder to make it work. 1591 01:37:26,400 --> 01:37:30,235 So, we ended up using in the cuts, 1592 01:37:30,720 --> 01:37:33,599 a rehearsal that I did with him. 1593 01:37:33,680 --> 01:37:37,993 And then with CG, we put in the blood and the hits. 1594 01:37:38,240 --> 01:37:40,391 And Aldrich is dead. 1595 01:37:41,800 --> 01:37:45,191 So you see here, that slowly, the movie becomes a little warmer. 1596 01:37:45,360 --> 01:37:49,320 And then, the next scene, it's gonna be completely warmed up. 1597 01:37:49,440 --> 01:37:53,753 And basically, Scott takes control back 1598 01:37:55,120 --> 01:37:57,430 of his world and of the story. 1599 01:37:57,640 --> 01:38:01,111 And therefore, the color timing changes with him. 1600 01:38:02,760 --> 01:38:05,036 So, I didn't talk about Tha yet. 1601 01:38:05,120 --> 01:38:10,036 Ann Truong, who plays Tha here, she is from Australia. 1602 01:38:10,160 --> 01:38:13,710 She was very good, a very good actress, 1603 01:38:13,800 --> 01:38:15,996 a very nice actress to work with. 1604 01:38:16,280 --> 01:38:19,671 She was also very serious about her character, 1605 01:38:19,880 --> 01:38:22,793 and came with a lot of good ideas. 1606 01:38:23,000 --> 01:38:25,469 And it was absolutely a blast to work with her. 1607 01:38:25,640 --> 01:38:27,518 For also, it was a very tough shoot 1608 01:38:28,760 --> 01:38:32,390 because we shot so fast, so many scenes on a day. 1609 01:38:34,160 --> 01:38:35,719 But she was great to work with. 1610 01:38:38,160 --> 01:38:41,597 And then, of course, everything becomes warmer. 1611 01:38:41,680 --> 01:38:44,991 Warmer, and then a nice pull out with my drone again. 1612 01:38:45,160 --> 01:38:47,834 And there you see all the people walking on the other bridge, 1613 01:38:48,000 --> 01:38:50,834 that was just the locals who normally use the big bridge, 1614 01:38:50,920 --> 01:38:54,630 and they were using, now, this help bridge on the side. 1615 01:38:54,760 --> 01:38:57,912 And we end the story there. 1616 01:39:00,240 --> 01:39:03,995 Then we wanted to end the movie with a nice upbeat... 1617 01:39:05,120 --> 01:39:08,955 This voiceover that you hear now is the character of Jonny's wife. 1618 01:39:09,880 --> 01:39:15,239 In the opening of the movie, she is the one crying when Jonny gets killed. 1619 01:39:15,880 --> 01:39:21,160 I did a version of the ending of the movie where I brought her there. 1620 01:39:21,320 --> 01:39:26,031 I liked that version much better. I never really had time to finalize it. 1621 01:39:26,160 --> 01:39:29,153 But that was something that the studio didn't want to do. 1622 01:39:29,280 --> 01:39:32,956 So, we ended up with just the voiceover, which was also scripted. 1623 01:39:33,080 --> 01:39:36,232 But I shot a different version. 1624 01:39:36,400 --> 01:39:39,234 You can see a version of my different version 1625 01:39:39,400 --> 01:39:43,394 in the deleted scenes on the Blu-ray, as well. 1626 01:39:43,800 --> 01:39:47,874 And then I shot, also, this alternative ending. I shot, basically, three endings. 1627 01:39:48,000 --> 01:39:50,390 Why I brought her back to the scene, 1628 01:39:50,560 --> 01:39:55,396 what was kind of an upbeat, nice moment that we decided in the end to put in, 1629 01:39:56,200 --> 01:39:58,556 that they are back together again. 1630 01:39:58,760 --> 01:40:03,391 And he is kind of training these kids on this little boat. 1631 01:40:08,640 --> 01:40:10,074 So, this boat... 1632 01:40:10,200 --> 01:40:15,320 There was a disco boat coming by the hotel every night, with a lot of noise. 1633 01:40:15,480 --> 01:40:18,837 And it was pulled by this little ship. 1634 01:40:19,120 --> 01:40:22,670 And then, when we were looking for a final location for the movie, 1635 01:40:22,760 --> 01:40:23,960 where he would train the kids, 1636 01:40:24,120 --> 01:40:28,637 I thought, like, "Let's use the disco boat." And that's what we ended up using. 1637 01:40:33,480 --> 01:40:36,598 So, as I told you before, 1638 01:40:36,680 --> 01:40:42,119 for the end credits, I'm using the footage that I did of Chinatown. 1639 01:40:42,200 --> 01:40:46,638 We wanted to end the movie in Chinatown, but we ended up on the bridge. 1640 01:40:46,720 --> 01:40:50,031 But these, I wanted to do some B-roll shots. 1641 01:40:50,160 --> 01:40:54,791 So, we asked Scott to come with me, and with Rolf, for a few hours. 1642 01:40:54,920 --> 01:40:56,877 So, these kids, for example, 1643 01:40:56,960 --> 01:41:00,431 are really making homework on the streets in Chinatown. 1644 01:41:00,520 --> 01:41:01,640 That was really interesting. 1645 01:41:01,720 --> 01:41:05,316 So, for a few hours, we walked with him through Chinatown, 1646 01:41:05,400 --> 01:41:09,872 and we shot it just on two GH4s using a Ronin-M 1647 01:41:10,000 --> 01:41:12,151 to have these nice, smooth movements, 1648 01:41:12,240 --> 01:41:18,589 and just to have some nice footage of Bangkok and his life there. 1649 01:41:18,840 --> 01:41:23,278 So, another secret I have to tell you is that I also make music. 1650 01:41:23,600 --> 01:41:28,675 I compose music, myself. And I do this under the name Dida. 1651 01:41:28,840 --> 01:41:34,279 So, I composed this music that is over the end credits of this movie. 1652 01:41:34,520 --> 01:41:38,480 I do this a lot, and a lot of my movies have my music underneath. 1653 01:41:38,680 --> 01:41:42,833 And you can find it on the Internet if you're more interested in it. 1654 01:41:52,080 --> 01:41:54,959 So, we shot this guerilla style. 1655 01:41:55,040 --> 01:41:57,680 We were only with two or three crew members, 1656 01:41:57,840 --> 01:42:01,356 with me and Rolf, two GH4s, and Scott Adkins, 1657 01:42:01,480 --> 01:42:04,439 and jotted and just stole these shots, you know? 1658 01:42:04,520 --> 01:42:06,512 Went on to the streets and shot it. 1659 01:42:06,720 --> 01:42:11,715 I know that Chris got permission to shoot at the metro station 1660 01:42:11,800 --> 01:42:14,235 because that's a big security thing. 1661 01:42:14,360 --> 01:42:17,831 But also, the drone shots, because I had the permits, 1662 01:42:17,920 --> 01:42:20,640 I could fly the drone in Bangkok, 1663 01:42:20,720 --> 01:42:23,474 and have these beautiful drone shots, like this one. 1664 01:42:25,200 --> 01:42:29,433 And for me, the plan was to use this B-roll footage, 1665 01:42:29,560 --> 01:42:33,474 maybe in the opening of the movie where we're seeing his life. 1666 01:42:33,600 --> 01:42:35,557 But it didn't really work out. 1667 01:42:36,080 --> 01:42:39,278 So, we ended up using it now for the credit sequence, 1668 01:42:39,400 --> 01:42:41,198 which was a nice go-out. 1669 01:42:41,360 --> 01:42:44,239 And this location was found by my location scout. 1670 01:42:44,360 --> 01:42:47,080 It's a really, kind of, part of Bangkok 1671 01:42:47,160 --> 01:42:51,677 where these people live in these houses, really close to the rail track. 1672 01:42:51,760 --> 01:42:55,071 And when you see railroad tracks... You see, here, this train, 1673 01:42:55,160 --> 01:42:58,517 it just goes past the houses with just a few centimeters... 1674 01:42:59,000 --> 01:43:02,437 And I wanted to do a whole scene here. 1675 01:43:02,600 --> 01:43:06,753 But because we didn't end in Bangkok, we used this. 1676 01:43:06,840 --> 01:43:11,357 And this is, by the way, that rooftop of the building in Chinatown 1677 01:43:11,440 --> 01:43:13,591 that I wanted to use for the ending of the movie. 1678 01:43:13,680 --> 01:43:17,594 But I hopefully, am gonna use it in a movie in the future. 1679 01:43:18,720 --> 01:43:21,360 Now, I hope you liked this commentary. 1680 01:43:21,440 --> 01:43:24,990 Hit me up on Facebook. Roel Reiné on Facebook. 1681 01:43:25,080 --> 01:43:26,753 And I hope to catch you all later. Bye. 1681 01:43:27,305 --> 01:44:27,924 -== [ www.OpenSubtitles.org ] ==-