WEBVTT

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Oh?

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Oh, come on, guys. It's not so scary.

4
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Uh-uh! You're not gonna get Scoob and I
to go into that creepy lighthouse,

5
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and lure that gill-faced ghoul
into your trap.

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No way.

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Shaggy, are you okay?

8
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Sorry, Scoob.

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Just reliving the moments that led us
to acting like live bait

10
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for that finny freak.

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"Will you do it for a Scooby Snack?"

12
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Uh-uh.

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"Will you do it for four Scooby Snacks?"

14
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Sure thing, Fred. Why wouldn't we?

15
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- I like Scooby Snacks.
- Who doesn't?

16
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But I tell you what, Scooby-Doo.

17
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It's our obsession with those all-natural
delicious treats that led us here.

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Trying to lure a monster
from the top of a lighthouse.

19
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That's it!

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We are swearing off Scooby Snacks
once and for all.

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- We are?
- That's right.

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No more Scooby Snacks means
no more us being monster bait.

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We solemnly swear off
Scooby Snacks forever.

24
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Huh?

25
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Scoob.

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Please tell me you just closed
the lighthouse door behind us.

27
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Uh-uh. Not me.

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Don't tell me the Sea Creature isn't,
like, up there, but right behind us.

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Sea Creature!

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Yikes!

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We're trapped, Scoob.

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It's a dead end.

33
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Huh?

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This is no time for fishing, Scoob.

35
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No. Sorry, Slimy.

36
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Looks like we're the ones that got away.

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Like, let's get out of here, Scoob.

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You said it.

39
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Yes!

40
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Fred, I just don't think they're in there.

41
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They have to be.

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Shaggy and Scooby are the best
in the live bait business.

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All we have to do is have the trap ready
when they come out.

44
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I think we'll be waiting
a long time, Fred. Look.

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Watch where you're going, Scoob.

46
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I can't bear to look.

47
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Huh?

48
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Whoa!

49
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Huh?

50
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Like, all this fishing
is making me hungry.

51
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- Right, Scoob?
- Yeah.

52
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Now, let's see who
the Sea Creature really is.

53
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The old lighthouse keeper?

54
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You mean that old creepy dude
in the painting?

55
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But he was lost at sea years ago.

56
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That's why it can't be him.

57
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It's really...

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Verona Dempsey?

59
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Exactly.

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Her real estate business was falling apart
until she accidentally stumbled...

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Stumbled across an old treasure map and
used the legend of the lighthouse monster

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to scare away any... Blah, blah, blah.

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Yes, and I would have gotten away...

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You would have gotten away with it, too,
if it weren't for us meddling kids. Got it.

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Are we done here, Sheriff?

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Hey, what's the hurry, Shaggy?

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So hungry.

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Dude, we were just live bait.

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- You know that works up our appetites.
- Mmm-hmm.

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How about some Scooby Snacks
to tide you over?

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Mmm-mmm.

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Sorry, Daph, we're like,
off Scooby Snacks, permanently.

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We need a real,
healthy, well-balanced meal.

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And we need it pronto.

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- What?
- Huh?

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Buns.

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You said it, Scooby-Doo.

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This is more like it.

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Shaggy? Scooby?

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Uh, what are you doing?

81
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How about 10 burgers a minute?

82
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But we're just getting warmed up.

83
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These burgers aren't for you.
They're for the contest.

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Oops.

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Like, sorry, Walt.

86
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We'll come back and make more.

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We'll even join the contest.

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- Yeah, we're still hungry.
- Uh-huh.

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Um, I'm out.

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Are you kidding? No way.

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- No, thanks.
- Too rich for my blood.

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I don't think so. I can't beat those guys.

93
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Well, looks like we have a winner.

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Congratulations, guys.

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So, Walt,

96
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where's the fabulous get-away-from-it-all
vacation anyway?

97
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Not that the title of
World's Greatest Guzzler

98
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isn't prize enough.

99
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Why, didn't you know, Shaggy?

100
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You and all your friends have just won

101
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an all-expense-paid trip
to fabulous Hollywood.

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Hollywood?

103
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Hit the road then hit the town

104
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Let's get lost until we've found

105
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This big world

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This brand-new world

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Every road a mystery

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Where we go is the place to be

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In this big world

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This brand-new world

111
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'Cause life ain't nothing
like a movie screen

112
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They're so much more than what they seem

113
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All I need in life is friends

114
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An open road that never ends

115
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In this big world

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This brand-new world

117
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Each new day is not in line

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So much to see, so much to find

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In this big world

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This brand-new world

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Hollywood, California.
Well, gang, here we are.

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It's all been leading up to this.

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Our guided tour of Brickton Studios.

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- It looks so, so...
- Old?

125
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- Rundown?
- Scary.

126
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Fabulous.

127
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This is a real Hollywood studio.

128
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I've never seen anything so glamorous
in all of my life.

129
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How do I look?

130
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Hmm?

131
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Hello, welcome to Brickton Studios.

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Home to the world's scariest monsters.

133
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Like, did he say monsters?

134
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Movie monsters, Shaggy.

135
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The only thing to fear at a movie studio
are their sequels.

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This is where all your favorite classic
scary movies were made, Shaggy.

137
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Hi, we're the contest winners
from Crystal Cove.

138
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Here for our free studio tour.

139
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Oh, contest winners, huh?

140
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Well, congratulations.

141
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You sure are lucky.

142
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Or maybe not so lucky.

143
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What, with all the crazy spook sightings
going on around here.

144
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Yikes! What?

145
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I mean, it's probably nothing.

146
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Just silly rumors.

147
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Aside from the unholy creature
I saw the other night.

148
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Go ahead. Pull in and park.

149
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The tram tour will start in a few minutes.

150
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Welcome to Hollywood.

151
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Hollywood.

152
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Hey, like, I remember now.

153
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Brickton Studios made
The Headless Horror movies.

154
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And The Marauding Mummy flicks.

155
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Scooby and I loved those.

156
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Here's your ticket.

157
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Leave the keys.

158
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Hey, aren't you... Huh?

159
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Hmm.

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Welcome to the world-famous
Brickton Studios tram tour.

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My name is Junior,
and I will be your tour guide.

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Please watch your step as you board,
and get ready for an amazing trip

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00:11:02.760 --> 00:11:06.890
to one of the greatest
movie studios of all time.

164
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Hey, aren't you the security guard?

165
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And the valet parking guy.

166
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I'm something of a detective, you know.

167
00:11:14.400 --> 00:11:17.051
Well, yes.

168
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Ever since Brickton Studios
fell on hard times,

169
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I'm also the janitor,
night watchman, tour guide,

170
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and most importantly, page.

171
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- Page?
- Like in a book?

172
00:11:29.440 --> 00:11:31.363
I've always wanted to read one of those.

173
00:11:31.560 --> 00:11:33.130
No, Shaggy. A page is a...

174
00:11:33.280 --> 00:11:36.727
A page is a small fry who gets paid to do
exactly what I tell him.

175
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Not to stand around yakking with yokels.

176
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Move it, Junior. Time is money, baby.

177
00:11:41.960 --> 00:11:42.961
It's Chet Brickton,

178
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the famous film producer,
studio owner and Hollywood mogul.

179
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He is a legend.

180
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His reputation is the size of a mountain.

181
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I guess in Hollywood,
they make mountains out of moguls.

182
00:11:54.600 --> 00:11:55.965
Right, Scoob?

183
00:11:56.120 --> 00:11:57.804
Yeah.

184
00:11:58.960 --> 00:12:00.086
Pay attention, kid.

185
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I want you to make this an extra
special tour for our extra special guests.

186
00:12:04.800 --> 00:12:07.326
More important than your contest winners?

187
00:12:09.920 --> 00:12:12.161
Yes, definitely more important.

188
00:12:12.480 --> 00:12:15.962
As I was saying, this is Mr. Atticus Fink.

189
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He will be along for
the entertaining, educational

190
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and absolutely monster-free ride.

191
00:12:21.160 --> 00:12:22.321
What's this about monsters?

192
00:12:22.800 --> 00:12:24.484
Who said anything about monsters?

193
00:12:24.680 --> 00:12:26.842
No monsters here. Right, Junior?

194
00:12:27.120 --> 00:12:28.610
That's right, Mr. Brickton.

195
00:12:28.800 --> 00:12:32.407
The monsters are really
the ghost of the great character actor...

196
00:12:32.640 --> 00:12:34.130
That's enough talking for now, Junior.

197
00:12:34.320 --> 00:12:37.005
Let's start the tour.
And stick to the script, kid.

198
00:12:37.480 --> 00:12:40.131
Yes, sir. Climb aboard, Mr. Fink.

199
00:12:40.360 --> 00:12:41.964
Thank you, young man.

200
00:12:42.520 --> 00:12:44.807
Hi, I'm Fred. Nice to meet you.

201
00:12:45.000 --> 00:12:46.206
Is it?

202
00:12:48.800 --> 00:12:52.486
Our first stop is
our classic Old West town,

203
00:12:52.680 --> 00:12:57.481
where you will enjoy the world-famous
Brickton Studios gun show.

204
00:13:00.040 --> 00:13:01.371
Excuse me.

205
00:13:04.640 --> 00:13:05.687
Hmm.

206
00:13:05.840 --> 00:13:07.126
Studio tour guide.

207
00:13:07.320 --> 00:13:10.688
You know, Scooby-Doo, that's probably
one job you and I could handle.

208
00:13:10.880 --> 00:13:13.167
Yeah. Mmm-hmm.

209
00:13:35.080 --> 00:13:37.242
No! He got me!

210
00:13:42.400 --> 00:13:43.845
- Wow!
- Oh, wow.

211
00:13:44.040 --> 00:13:45.883
- Wow.
- That was impressive.

212
00:13:47.360 --> 00:13:48.566
Is he okay?

213
00:13:49.360 --> 00:13:50.885
Thank you.

214
00:13:51.200 --> 00:13:54.522
You know, Scoob,
I don't want that job after all.

215
00:13:54.720 --> 00:13:56.085
Me neither.

216
00:14:05.720 --> 00:14:08.929
And now, the next attraction on our tour.

217
00:14:09.080 --> 00:14:14.041
Sharp-eyed film buffs will surely
recognize this famous movie location.

218
00:14:14.280 --> 00:14:15.770
The Grimsley Mansion.

219
00:14:15.920 --> 00:14:19.242
That's right. The Grimsley Mansion.

220
00:14:19.560 --> 00:14:24.600
Birthplace to one of Brickton Studios'
most well-known creations,

221
00:14:24.800 --> 00:14:27.451
The Grimsley Zombie.

222
00:14:27.800 --> 00:14:30.451
Wait a minute,
we've been to the Grimsley Mansion.

223
00:14:30.640 --> 00:14:32.290
We solved a mystery there.

224
00:14:32.440 --> 00:14:35.250
I don't remember any zombie.
Do you, Shaggy?

225
00:14:35.440 --> 00:14:36.601
Sorry, Velma.

226
00:14:36.760 --> 00:14:38.364
We've been to a lot of haunted houses.

227
00:14:38.600 --> 00:14:41.126
They tend to run together after a while.

228
00:14:41.280 --> 00:14:42.964
I used to love those movies.

229
00:14:43.120 --> 00:14:45.202
Especially number three and six.

230
00:14:45.440 --> 00:14:49.411
The other ones, they just didn't have
enough zombie in them for my taste.

231
00:14:49.600 --> 00:14:51.648
Everyone is entitled to their opinion.

232
00:14:51.800 --> 00:14:53.131
Personally, I think they're all great.

233
00:15:06.480 --> 00:15:11.162
This sound stage is where they shot
the long-running hit TV show,

234
00:15:11.320 --> 00:15:15.291
without any monsters in it,
called Brickmasters.

235
00:15:15.840 --> 00:15:18.161
- It's kind of dark in here.
- Yeah.

236
00:15:18.400 --> 00:15:19.606
Like, can we get some light?

237
00:15:19.800 --> 00:15:21.131
Huh?

238
00:15:22.160 --> 00:15:23.446
Did anyone else hear that?

239
00:15:23.640 --> 00:15:25.085
It sounded like a horse.

240
00:15:25.320 --> 00:15:27.004
Junior, is that part of the tour?

241
00:15:34.200 --> 00:15:35.690
What's the problem here?

242
00:15:44.680 --> 00:15:47.650
Uh, the tram. It won't start.

243
00:15:55.360 --> 00:15:57.010
Junior, are you okay?

244
00:15:58.200 --> 00:15:59.326
Junior?

245
00:16:03.000 --> 00:16:05.731
Sorry, I thought we could use
a flashlight.

246
00:16:07.880 --> 00:16:09.006
What's that sound?

247
00:16:10.720 --> 00:16:13.405
Not listening. No scary sounds.

248
00:16:14.040 --> 00:16:15.166
That's it!

249
00:16:15.320 --> 00:16:16.481
The tour's over for me.

250
00:16:16.880 --> 00:16:20.202
I'm not waiting around
for whatever's out there.

251
00:16:20.520 --> 00:16:21.885
Mr. Fink, wait.

252
00:16:23.840 --> 00:16:24.921
Should we go after him?

253
00:16:25.080 --> 00:16:27.924
We should stick together until Junior
can get the tram started.

254
00:16:33.560 --> 00:16:35.210
Phew.

255
00:16:35.400 --> 00:16:37.402
Someone must have turned on the lights.

256
00:16:37.920 --> 00:16:40.082
Um, I don't think so.

257
00:16:43.760 --> 00:16:44.921
Yikes!

258
00:16:52.920 --> 00:16:54.285
Like...

259
00:16:54.440 --> 00:16:56.044
You might wanna hurry on that.

260
00:16:56.440 --> 00:16:59.125
Come on, come on, come on. Come on.

261
00:17:10.800 --> 00:17:11.961
Isn't this exciting?

262
00:17:12.240 --> 00:17:14.129
What are you talking about, Daphne?

263
00:17:15.240 --> 00:17:17.288
We're being chased by a monster.

264
00:17:17.440 --> 00:17:20.967
Yes, a Hollywood monster, in Hollywood.

265
00:17:28.480 --> 00:17:30.130
Whoa!

266
00:17:37.480 --> 00:17:38.561
Ah!

267
00:17:43.480 --> 00:17:45.608
Fred, do something.

268
00:17:47.160 --> 00:17:48.446
Junior, there.

269
00:17:48.640 --> 00:17:50.005
Get us close to that wagon.

270
00:17:58.600 --> 00:18:00.011
Oh, way to go, Fred.

271
00:18:08.840 --> 00:18:09.966
Oh...

272
00:18:17.360 --> 00:18:18.361
That's it.

273
00:18:18.520 --> 00:18:22.127
Junior, make a loop and bring
the headless horseman back this way.

274
00:18:22.360 --> 00:18:23.691
What are you going to do, Fred?

275
00:18:23.840 --> 00:18:26.047
I'm gonna shed some light
on the situation.

276
00:18:50.000 --> 00:18:52.207
- Great work, Fred.
- That scared him off.

277
00:18:52.560 --> 00:18:55.040
Speaking of scared off,
where did Atticus Fink go?

278
00:18:55.200 --> 00:18:56.645
Where do you think I went?

279
00:18:57.040 --> 00:19:00.522
To find Chet Brickton's office and
complain about this outrageous treatment.

280
00:19:00.840 --> 00:19:03.491
That's where. This place is like a maze.

281
00:19:03.680 --> 00:19:05.091
I couldn't figure out where I was.

282
00:19:05.240 --> 00:19:08.722
But I knew I didn't wanna be
anywhere near that thing.

283
00:19:09.360 --> 00:19:11.567
I know where his office is, Mr. Fink.

284
00:19:11.720 --> 00:19:12.881
Climb aboard.

285
00:19:13.040 --> 00:19:15.202
What say we walk instead?

286
00:19:15.520 --> 00:19:16.567
We'll walk with you, Mr. Fink.

287
00:19:16.720 --> 00:19:18.085
Just to make sure you get there safely.

288
00:19:19.200 --> 00:19:20.406
Oh, Shaggy?

289
00:19:20.920 --> 00:19:24.367
I'm sorry about the Hollywood
get-away-from-it-all vacation.

290
00:19:24.600 --> 00:19:29.606
But, gang, it looks like we've got
another mystery on our hands.

291
00:19:34.440 --> 00:19:37.842
But, Atticus baby,
it's the steal of the century.

292
00:19:38.280 --> 00:19:41.841
I'm selling Brickton Studios
to you at a tenth of its value.

293
00:19:42.080 --> 00:19:43.844
Steal is right.

294
00:19:44.040 --> 00:19:45.883
You're stealing from me.

295
00:19:46.280 --> 00:19:49.284
How do you expect me
to develop land that haunted?

296
00:19:49.560 --> 00:19:50.607
Good night!

297
00:19:55.240 --> 00:19:58.449
Like, what do you mean by
sell the studio, Mr. Brickton?

298
00:19:58.600 --> 00:19:59.761
Yeah.

299
00:19:59.960 --> 00:20:03.965
Look, kids. Sorry to burst your bubble,
but Brickton Studios is bust.

300
00:20:04.440 --> 00:20:08.411
I'm trying to unload this place before we
finish filming the last Brickton movie ever.

301
00:20:08.880 --> 00:20:09.961
What?

302
00:20:10.120 --> 00:20:15.081
Then you should stop shooting this dumb,
mushy, cookie cutter rom-com,

303
00:20:15.280 --> 00:20:18.329
and make a great horror movie
like you used to.

304
00:20:18.640 --> 00:20:21.484
Sorry, Junior.
No one cares about horror anymore.

305
00:20:21.920 --> 00:20:23.968
No, that's not true!

306
00:20:24.160 --> 00:20:26.481
Scary movies make people happy!

307
00:20:27.800 --> 00:20:30.610
Wow, he's really passionate
about horror movies.

308
00:20:31.000 --> 00:20:32.570
He has a right to be angry.

309
00:20:32.760 --> 00:20:35.809
Those movies are what built
this studio, brick by brick.

310
00:20:36.480 --> 00:20:38.482
Here, follow me. I'll show you.

311
00:20:46.560 --> 00:20:49.131
Welcome to News of the Earth.

312
00:20:49.640 --> 00:20:52.086
Hollywood mogul
Chet Brickton does it again

313
00:20:52.280 --> 00:20:55.602
with the release of
Curse of the Tomb of the Mummy's Shadow.

314
00:20:55.840 --> 00:20:58.684
Another hit for Brickton Studios,
who brought you

315
00:20:58.840 --> 00:21:00.365
Son of Zombie

316
00:21:00.520 --> 00:21:03.808
and Nephew of the Headless Rider's Curse.

317
00:21:04.200 --> 00:21:09.081
And the star behind this string of hits,
none other than Boris Carnac.

318
00:21:09.320 --> 00:21:12.688
The man of 999 faces.

319
00:21:13.200 --> 00:21:16.363
With the unbeatable monster maker team
of Brickton and Carnac,

320
00:21:16.520 --> 00:21:19.888
horror lovers should have
plenty to scream about.

321
00:21:21.000 --> 00:21:22.525
Wow, Boris Carnac.

322
00:21:22.680 --> 00:21:23.681
I've heard of him.

323
00:21:23.880 --> 00:21:26.201
He had the ability to play any monster.

324
00:21:26.360 --> 00:21:27.691
That he did.

325
00:21:28.000 --> 00:21:32.164
Ever since Boris passed away, we haven't
been able to make one successful movie.

326
00:21:32.840 --> 00:21:35.207
- I'm not sure why?
- I know why.

327
00:21:37.560 --> 00:21:39.528
Vampire!

328
00:21:41.000 --> 00:21:44.607
Hey, that's no vampire.
That's Drella Diabolique,

329
00:21:44.840 --> 00:21:47.366
the greatest
late night movie hostess ever.

330
00:21:47.560 --> 00:21:50.131
That's 10 points to the kid
with the chinstache.

331
00:21:50.360 --> 00:21:51.850
He's not as goofy as he looks.

332
00:21:52.080 --> 00:21:53.889
But then, how could he be?

333
00:21:54.680 --> 00:21:57.081
She is funny.

334
00:21:58.560 --> 00:22:00.562
I'm sorry, but who are you?

335
00:22:00.920 --> 00:22:03.605
You don't watch Drella Diabolique?

336
00:22:03.880 --> 00:22:07.805
She plays old horror movies and intercuts
'em with her doing corny jokes.

337
00:22:08.040 --> 00:22:10.247
She has millions of fans.

338
00:22:10.400 --> 00:22:13.085
Millions of fans.

339
00:22:13.240 --> 00:22:15.368
Millions of fans.

340
00:22:15.720 --> 00:22:18.451
Drella, to what do I owe the honor?

341
00:22:18.920 --> 00:22:20.445
You heard the sarcasm, right?

342
00:22:20.600 --> 00:22:23.604
You're not spreading more of those
ridiculous curse rumors again, are you?

343
00:22:23.760 --> 00:22:25.285
Curse?

344
00:22:25.440 --> 00:22:27.568
Listen, Brickton.
I may be funny for a living.

345
00:22:27.760 --> 00:22:29.762
But the curse is no joke.

346
00:22:30.440 --> 00:22:33.284
Boris Carnac was the
best actor that ever lived.

347
00:22:33.560 --> 00:22:34.766
Too good, in fact.

348
00:22:34.920 --> 00:22:38.481
He played otherworldly creatures
so well that when he passed on,

349
00:22:38.720 --> 00:22:43.650
his spirit came back to haunt the studio
as his most famous creations forever!

350
00:22:46.600 --> 00:22:48.125
Gets 'em every time.

351
00:22:48.280 --> 00:22:50.442
There's no such thing as a curse.

352
00:22:50.600 --> 00:22:52.443
Oh, how do you explain the Horseman?

353
00:22:52.640 --> 00:22:55.120
Or the other monsters that
have been seen on the lot.

354
00:22:55.280 --> 00:22:56.770
- Other monsters?
- Huh?

355
00:22:56.960 --> 00:22:58.007
Well, I...

356
00:22:58.240 --> 00:23:00.811
Why did you install the
security cameras everywhere?

357
00:23:00.960 --> 00:23:03.486
It's not to catch mice. That's for sure.

358
00:23:04.120 --> 00:23:06.964
You're playing with
Boris Carnac's legacy, Brickton.

359
00:23:07.440 --> 00:23:09.283
You just watch yourself.

360
00:23:14.280 --> 00:23:15.645
Was she right, Mr. Brickton?

361
00:23:15.920 --> 00:23:18.366
Have you had more
monster sightings on the lot?

362
00:23:21.640 --> 00:23:22.766
Whoa!

363
00:23:23.000 --> 00:23:25.970
And my mom says
I watch too much television.

364
00:23:26.280 --> 00:23:29.648
I'm gonna show you some footage
we recorded over the last several months.

365
00:23:43.800 --> 00:23:46.963
You're in luck, Mr. Brickton,
because mysteries are our specialty.

366
00:23:47.160 --> 00:23:48.366
Maybe we can help.

367
00:23:48.520 --> 00:23:50.522
I'll take any help I can get.

368
00:23:50.800 --> 00:23:52.529
How about you guys
hang out for a few days?

369
00:23:52.800 --> 00:23:55.531
See if you can get to
the bottom of this so-called haunting.

370
00:23:56.000 --> 00:23:57.650
That sounds great, Mr. Brickton.

371
00:23:58.040 --> 00:23:59.166
What's that?

372
00:24:00.480 --> 00:24:04.044
That's Two Hearts in Paris,
the romantic comedy we're filming.

373
00:24:04.200 --> 00:24:05.725
Looks like they're getting ready
to film a scene.

374
00:24:06.000 --> 00:24:07.206
Right now? A film?

375
00:24:07.400 --> 00:24:08.481
Do they need an extra?

376
00:24:08.640 --> 00:24:10.210
May be someone that would
bring pizazz to the screen?

377
00:24:10.360 --> 00:24:12.169
Some young, feminine,
yet strong personality

378
00:24:12.360 --> 00:24:14.203
that would add to the story so much so,

379
00:24:14.360 --> 00:24:16.249
that the Academy would do nothing
but give her the award

380
00:24:16.480 --> 00:24:19.370
for best actress to ever exist
in the history of the world.

381
00:24:21.000 --> 00:24:22.365
- What?
- Junior.

382
00:24:22.720 --> 00:24:25.530
Yeah, take these kids over to
the Two Hearts in Paris set.

383
00:24:27.400 --> 00:24:30.722
Maybe while you're there, you can figure
out what's going on around here.

384
00:24:31.360 --> 00:24:33.601
Some get-away-from-it-all vacation.

385
00:24:33.840 --> 00:24:36.889
It didn't even get us away
from monsters or mysteries.

386
00:24:38.240 --> 00:24:40.925
Oh, lamp, you're the only one
who understands.

387
00:24:41.200 --> 00:24:43.123
I love Sebastian and I hate him.

388
00:24:43.360 --> 00:24:44.407
But I love him.

389
00:24:45.040 --> 00:24:47.361
Oh my, isn't it wonderful?

390
00:24:48.040 --> 00:24:49.963
There are no monsters in it at all.

391
00:24:50.200 --> 00:24:52.965
In that case, we give it five stars.

392
00:24:53.200 --> 00:24:54.247
Yeah.

393
00:24:54.400 --> 00:24:55.526
What's this movie about, Junior?

394
00:24:55.760 --> 00:24:59.560
Oh, yes, it's the touching
yet hilarious story of two opposites

395
00:24:59.760 --> 00:25:01.603
who meet in a ridiculous way, and then,

396
00:25:01.760 --> 00:25:04.764
after a series of wacky misunderstandings,

397
00:25:04.920 --> 00:25:06.604
find they're meant for each other.

398
00:25:06.880 --> 00:25:10.202
O-M-G! That sounds like
the best movie ever.

399
00:25:12.440 --> 00:25:13.566
Sorry.

400
00:25:14.280 --> 00:25:18.171
It sounds like every other cookie cutter
movie that exists out there.

401
00:25:18.400 --> 00:25:20.971
- Yikes. Touchy.
- Cookie.

402
00:25:21.240 --> 00:25:22.241
Ooh.

403
00:25:31.400 --> 00:25:33.448
Scoob? Scooby-Doo?

404
00:25:33.960 --> 00:25:36.281
- Food.
- Huh?

405
00:25:41.600 --> 00:25:42.931
Ahh...

406
00:25:52.760 --> 00:25:54.444
Uh...

407
00:25:54.800 --> 00:25:56.928
Excuse me, Junior. Um...

408
00:25:57.520 --> 00:25:59.807
What's that table? Like, over there?

409
00:26:00.000 --> 00:26:01.490
Craft services.

410
00:26:01.680 --> 00:26:04.047
It's basically an all-you-can-eat table,

411
00:26:04.280 --> 00:26:07.363
reserved only for those
working on the movie!

412
00:26:07.840 --> 00:26:08.966
Just our luck.

413
00:26:09.120 --> 00:26:10.326
Huh?

414
00:26:10.960 --> 00:26:12.803
- Did you hear that?
- And smelled it.

415
00:26:13.000 --> 00:26:14.047
A horse.

416
00:26:14.200 --> 00:26:16.328
Who brought a horse onto the soundstage?

417
00:26:16.800 --> 00:26:19.326
Oh, wait. Maybe a horse
would help this scene.

418
00:26:28.960 --> 00:26:30.485
Cut! That's a wrap!

419
00:26:32.960 --> 00:26:34.166
Out of my way!

420
00:26:36.160 --> 00:26:39.721
That movie just got 10 times better.

421
00:26:59.920 --> 00:27:01.524
Outstanding!

422
00:27:08.360 --> 00:27:10.362
Yeah!

423
00:27:18.600 --> 00:27:20.045
We have to get out of here.

424
00:27:20.280 --> 00:27:22.203
Daphne? Where's Daphne?

425
00:27:27.400 --> 00:27:28.925
Daphne, what are you doing?

426
00:27:29.360 --> 00:27:32.204
- I'm breaking in.
- We need to break out.

427
00:27:32.400 --> 00:27:34.607
- Where are Scooby and Shaggy?
- Where do you think?

428
00:27:37.520 --> 00:27:39.045
We have to save the food.

429
00:27:39.240 --> 00:27:41.083
Yeah. Save the food.

430
00:27:50.600 --> 00:27:51.931
Yikes!

431
00:27:54.880 --> 00:27:57.724
I think you might have gotten
ahead of yourself.

432
00:28:03.760 --> 00:28:06.764
Scooby-Doo, where are you?

433
00:28:06.920 --> 00:28:08.126
Over here.

434
00:28:19.120 --> 00:28:20.610
I'm through, Brickton!

435
00:28:20.800 --> 00:28:22.325
Find yourself another director.

436
00:28:22.560 --> 00:28:24.244
That's it. I quit.

437
00:28:24.680 --> 00:28:27.761
I'm going back to volcano exploring,
where it's safer.

438
00:28:28.920 --> 00:28:31.287
No, wait, wait, wait.
You can't go anywhere.

439
00:28:31.640 --> 00:28:33.244
We're not done filming yet.

440
00:28:37.960 --> 00:28:41.123
My set. My movie.

441
00:28:41.800 --> 00:28:43.484
I'm finished.

442
00:28:44.600 --> 00:28:46.841
There's gotta be something
we can do to help.

443
00:28:48.480 --> 00:28:50.926
Unless you've got
a cast and crew up your sleeves,

444
00:28:51.280 --> 00:28:54.204
I'm afraid I've got no choice
but to declare bankruptcy

445
00:28:54.480 --> 00:28:56.881
and sell this studio at a loss.

446
00:28:57.480 --> 00:28:58.527
We can do it.

447
00:28:59.200 --> 00:29:01.202
- Do what?
- Finish the movie.

448
00:29:01.440 --> 00:29:03.329
Velma is smart enough
to handle the camera.

449
00:29:04.040 --> 00:29:06.691
Yeah, yeah, it just might work.

450
00:29:06.960 --> 00:29:09.327
- Fred, you can direct.
- Direct?

451
00:29:09.560 --> 00:29:11.449
No, I can't direct.

452
00:29:11.680 --> 00:29:12.966
Eh, who says you can't?

453
00:29:13.160 --> 00:29:17.688
Well, I don't have an artistic point
of view or any original ideas.

454
00:29:18.000 --> 00:29:20.128
What? Are you kidding?
You're a natural, baby.

455
00:29:20.360 --> 00:29:23.011
Besides, you're wearing
an ascot, aren't you?

456
00:29:23.840 --> 00:29:25.365
Well, I never thought about that.

457
00:29:25.720 --> 00:29:27.404
Yeah, that's more than
most directors have.

458
00:29:27.880 --> 00:29:29.689
Of course, you'll need a star.

459
00:29:30.360 --> 00:29:32.681
Of course. Someone charismatic.

460
00:29:32.880 --> 00:29:34.564
With that special something.

461
00:29:34.840 --> 00:29:36.365
It's like you're reading my mind.

462
00:29:36.520 --> 00:29:37.806
Someone good-looking.

463
00:29:38.040 --> 00:29:39.690
Well, if you say so.

464
00:29:40.040 --> 00:29:42.042
- Someone like...
- I accept.

465
00:29:42.360 --> 00:29:44.362
- Shaggy.
- First, I'd like to...

466
00:29:44.720 --> 00:29:46.210
What? Shaggy?

467
00:29:47.040 --> 00:29:48.690
Me?

468
00:29:48.880 --> 00:29:51.565
Gosh, Mr. Brickton, I don't know.

469
00:29:51.760 --> 00:29:53.046
Like, that's a lot of pressure.

470
00:29:53.240 --> 00:29:55.368
Not to mention the fact
that being a celebrity

471
00:29:55.600 --> 00:29:58.046
goes against my
counter culture principles.

472
00:29:58.560 --> 00:30:00.847
But we need you, Shaggy, baby.

473
00:30:01.040 --> 00:30:02.724
You got that certain special something.

474
00:30:02.920 --> 00:30:05.241
And by that, I mean,
you're available right now.

475
00:30:05.440 --> 00:30:08.091
Let me handle the negotiations,
Mr. Brickton.

476
00:30:08.400 --> 00:30:09.731
Shaggy, will you do it for a...

477
00:30:09.880 --> 00:30:11.405
Don't say it, Fred.

478
00:30:11.560 --> 00:30:12.607
I'll tell you what.

479
00:30:12.760 --> 00:30:15.684
I'll do it if you stop
offering me Scooby Snacks.

480
00:30:15.880 --> 00:30:17.041
Hmm.

481
00:30:17.440 --> 00:30:18.726
But won't you get hungry?

482
00:30:18.920 --> 00:30:22.208
Shaggy, you'll have all the
free craft services you want.

483
00:30:22.400 --> 00:30:23.447
Huh?

484
00:30:26.080 --> 00:30:27.411
- I'm in.
- Me too.

485
00:30:29.920 --> 00:30:32.287
- What about the female lead?
- That's right.

486
00:30:32.600 --> 00:30:34.125
What about the female lead?

487
00:30:34.600 --> 00:30:35.647
Hmm.

488
00:30:35.920 --> 00:30:37.251
She'll have to have grace.

489
00:30:39.080 --> 00:30:40.889
She'll have to have presence.

490
00:30:41.080 --> 00:30:43.765
Did you know that I was Ms. Crystal Cove,
five years running?

491
00:30:46.480 --> 00:30:47.606
Which is no easy feat,

492
00:30:47.760 --> 00:30:50.570
when your talent demonstration
is knocking things over.

493
00:30:50.760 --> 00:30:54.805
And lastly, she'll have
to have great hair.

494
00:30:59.600 --> 00:31:00.806
Oh, I got it.

495
00:31:01.160 --> 00:31:04.289
There's only one girl who
could possibly fit this bill.

496
00:31:04.480 --> 00:31:05.811
Yes? Yes?

497
00:31:06.000 --> 00:31:07.809
Drella Diabolique.

498
00:31:08.280 --> 00:31:09.441
You rang?

499
00:31:09.840 --> 00:31:11.285
Argh.

500
00:31:11.480 --> 00:31:15.610
No offense, Mr. Brickton, but Drella
doesn't really fit your description.

501
00:31:15.800 --> 00:31:17.609
No, but she's here.

502
00:31:17.800 --> 00:31:21.481
And she's got a pretty good following
on social media, so, what the hay?

503
00:31:22.280 --> 00:31:25.124
Don't worry, Daphne. I'll make sure
we get you some screen time.

504
00:31:25.360 --> 00:31:27.647
Oh, Fred. You're the best.

505
00:31:28.000 --> 00:31:29.684
Well, what are you waiting around for?

506
00:31:30.000 --> 00:31:31.525
Let's make a movie.

507
00:31:46.520 --> 00:31:48.887
I'm putting myself
in your capable paws, honey.

508
00:31:49.120 --> 00:31:51.168
I want a whole new look.

509
00:31:51.720 --> 00:31:52.846
Hmm.

510
00:31:57.880 --> 00:31:59.006
Yeah.

511
00:32:03.400 --> 00:32:05.004
Mmm? Ta-da!

512
00:32:05.360 --> 00:32:07.567
Huh? Uh...

513
00:32:07.920 --> 00:32:09.888
Huh? Oh...

514
00:32:10.880 --> 00:32:14.248
Ah, perfect. You're a genius.

515
00:32:20.840 --> 00:32:22.410
All right, Drella. Are you ready?

516
00:32:22.600 --> 00:32:23.681
Are you kidding, blondie?

517
00:32:23.920 --> 00:32:26.048
I've been ready for this my whole life.

518
00:32:26.560 --> 00:32:27.971
- Great.
- Rolling.

519
00:32:36.960 --> 00:32:38.041
Nothing's happening.

520
00:32:38.280 --> 00:32:40.362
Fred, you have to say "Action."

521
00:32:40.720 --> 00:32:42.290
Oh, right.

522
00:32:42.560 --> 00:32:45.086
Okay, everyone. Action!

523
00:32:45.880 --> 00:32:49.043
Sitting here in Paris, the city of love,

524
00:32:49.200 --> 00:32:52.568
without anyone to share
a cup of coffee with.

525
00:32:54.240 --> 00:32:55.651
I said,

526
00:32:56.040 --> 00:32:59.249
sitting here in Paris, the city of love,

527
00:32:59.400 --> 00:33:02.802
without anyone to share
a cup of coffee with.

528
00:33:03.960 --> 00:33:05.246
Shaggy, that's your cue.

529
00:33:07.160 --> 00:33:08.286
Like, right.

530
00:33:11.600 --> 00:33:13.125
Excusez-moi, Miss.

531
00:33:13.400 --> 00:33:15.482
Do you mind if I share your table?

532
00:33:15.760 --> 00:33:18.969
Mind? I'd be offended if you didn't.

533
00:33:23.240 --> 00:33:24.924
So, Mister...

534
00:33:25.120 --> 00:33:27.248
Eh, what is in a name?

535
00:33:27.480 --> 00:33:30.927
It is nothing but a word
that our mother writes in our underwear,

536
00:33:31.120 --> 00:33:33.282
when we go to camp. No?

537
00:33:33.480 --> 00:33:34.641
I can tell.

538
00:33:34.960 --> 00:33:36.325
You're deep.

539
00:33:39.320 --> 00:33:41.163
- Cut.
- Take two.

540
00:33:42.800 --> 00:33:43.926
Action.

541
00:33:45.440 --> 00:33:46.521
Ow!

542
00:33:47.120 --> 00:33:49.009
- Cut.
- Take 22.

543
00:33:49.840 --> 00:33:51.444
And action!

544
00:33:57.360 --> 00:33:59.681
- Cut.
- Take 52.

545
00:34:01.120 --> 00:34:02.201
Action!

546
00:34:08.000 --> 00:34:09.001
Ow!

547
00:34:09.160 --> 00:34:10.207
Cut!

548
00:34:10.400 --> 00:34:11.845
Let's give it one more try.

549
00:34:12.120 --> 00:34:14.361
This time, with a few changes.

550
00:34:16.560 --> 00:34:18.961
Okay, everybody.
Let's take it from the top.

551
00:34:19.480 --> 00:34:20.811
I don't know, Fred.

552
00:34:21.000 --> 00:34:23.321
Hanging from this drone
isn't very comfortable.

553
00:34:23.640 --> 00:34:25.802
Art isn't supposed to be
comfortable, Velma.

554
00:34:26.080 --> 00:34:29.482
The creative process is raw.
It's dangerous.

555
00:34:30.160 --> 00:34:31.366
Uh-huh.

556
00:34:32.080 --> 00:34:33.411
Take 76.

557
00:34:34.360 --> 00:34:35.486
Action.

558
00:34:37.360 --> 00:34:39.362
Closer. Closer.

559
00:34:43.320 --> 00:34:46.563
It looks like this is the
beginning of a beautiful...

560
00:34:49.240 --> 00:34:50.890
No, no, no, no, no. Cut!

561
00:34:51.080 --> 00:34:52.570
What is all that noise?

562
00:34:52.760 --> 00:34:54.524
That, like, wasn't us, Fred.

563
00:34:59.920 --> 00:35:01.888
Uh, looks like that's a wrap.

564
00:35:02.120 --> 00:35:05.249
Velma, I'm the director,
and I'm the only one that gets to say,

565
00:35:05.440 --> 00:35:06.680
"That's a wrap."

566
00:35:07.120 --> 00:35:09.088
Uh, not that type of wrap.

567
00:35:09.360 --> 00:35:11.203
- The mummy kind of wrap.
- Huh?

568
00:35:15.360 --> 00:35:17.362
Okay, now, that's a wrap.

569
00:35:17.520 --> 00:35:20.569
- Like you said it, from head to toe.
- Uh-oh.

570
00:35:26.640 --> 00:35:27.721
Some leading man.

571
00:35:27.880 --> 00:35:29.484
I've got more grit in my toothpaste.

572
00:35:29.720 --> 00:35:31.210
Drella, come on, this way.

573
00:35:36.720 --> 00:35:38.882
My set. My beautiful set.

574
00:35:45.920 --> 00:35:50.084
Uh, Fred, let's not wait around to see
what else it tries to tear to pieces.

575
00:35:50.280 --> 00:35:52.931
Never, the director always
goes down with his film.

576
00:35:53.120 --> 00:35:55.726
That's, "The captain always
goes down with his ship."

577
00:35:55.920 --> 00:36:00.002
Directors never go down with their film,
they get, like, 10 more tries.

578
00:36:03.920 --> 00:36:06.082
What in blazes is going on here?

579
00:36:06.240 --> 00:36:08.288
I'm trying to run a business
across the street and...

580
00:36:08.520 --> 00:36:10.841
Galloping ghouls! What's that?

581
00:36:11.120 --> 00:36:12.929
It's either a ghost dressed up as a mummy,

582
00:36:13.120 --> 00:36:15.930
or possibly, a mummy's ghost.
Either way, run.

583
00:36:35.640 --> 00:36:38.291
Good idea, Scoob.
Saving the craft service.

584
00:36:38.480 --> 00:36:39.606
Phew.

585
00:36:40.040 --> 00:36:42.805
We may have single-handedly
saved the whole movie.

586
00:36:43.000 --> 00:36:45.446
Without food, a movie can't operate.

587
00:36:45.680 --> 00:36:46.727
You said it.

588
00:36:46.880 --> 00:36:50.805
But still, this studio is crawling with
monsters and ghosts and mummies.

589
00:36:51.000 --> 00:36:52.684
This food isn't safe.

590
00:36:52.880 --> 00:36:55.804
If only there was, like,
someplace we could put this food,

591
00:36:55.960 --> 00:36:58.042
where those ghouls couldn't get at it.

592
00:37:05.160 --> 00:37:07.891
Like, I like the way
you think, Scooby-Doo.

593
00:37:16.360 --> 00:37:17.407
We can hide in here.

594
00:37:17.560 --> 00:37:20.211
No one would dare to disturb
a star's dressing room.

595
00:37:20.400 --> 00:37:23.006
Not even the ghost of Boris Carnac.

596
00:37:23.160 --> 00:37:24.207
Dressing room?

597
00:37:24.360 --> 00:37:27.330
Isn't this just an unused corner
of an abandoned soundstage?

598
00:37:27.920 --> 00:37:30.366
No, I just have
a very large dressing room.

599
00:37:33.600 --> 00:37:36.046
Wow. I guess black is the new black.

600
00:37:36.320 --> 00:37:40.927
Lesson number one of being a star,
always look good in a crisis.

601
00:37:41.160 --> 00:37:42.924
Always look good...

602
00:37:43.440 --> 00:37:44.566
What are you doing?

603
00:37:44.760 --> 00:37:45.921
I am writing your lesson down.

604
00:37:46.200 --> 00:37:49.010
It's not every day
you get acting advice from a movie star.

605
00:37:49.560 --> 00:37:52.769
Have you always dreamed of
being a famous movie star?

606
00:37:53.120 --> 00:37:56.363
Yes. Ever since we won
this trip to Hollywood, three days ago.

607
00:37:56.560 --> 00:37:58.050
Are there any more tips you could give me?

608
00:37:58.400 --> 00:38:00.368
Acting isn't something
you just pick up in a minute.

609
00:38:00.600 --> 00:38:02.728
It takes time to perfect one's craft.

610
00:38:03.120 --> 00:38:05.805
We have at least an hour
before Fred's able to reassemble the set.

611
00:38:06.120 --> 00:38:07.804
Oh, that's more than enough time.

612
00:39:22.640 --> 00:39:24.608
Oh, Drella, it's hopeless.

613
00:39:24.880 --> 00:39:26.803
I can't act. I can't dance.

614
00:39:27.000 --> 00:39:29.367
Honey, in my book,
that makes you a natural.

615
00:39:29.640 --> 00:39:32.007
But what can I offer
the entertainment industry?

616
00:39:32.360 --> 00:39:34.522
Plenty. When we
get a little time, sweetie.

617
00:39:34.800 --> 00:39:38.646
I can give you a makeover
that'll make you as glamorous as me.

618
00:39:43.480 --> 00:39:45.369
No, Fred. It's too dangerous.

619
00:39:46.320 --> 00:39:48.482
It'll take a lot more than
the ghost of a movie actor

620
00:39:48.720 --> 00:39:51.530
dressed like a 2,000-year-old
skeleton to stop me.

621
00:39:51.720 --> 00:39:54.166
Nothing is going to get
in the way of my movie.

622
00:39:59.480 --> 00:40:01.528
The Mummy. It's gone.

623
00:40:01.800 --> 00:40:05.521
What kind of ghost appears to wreck a set,
and then disappears?

624
00:40:07.680 --> 00:40:08.761
Look, Fred.

625
00:40:09.000 --> 00:40:11.162
The Mummy left the camera untouched.

626
00:40:15.160 --> 00:40:17.162
Oh, my sweet, sweet movie.

627
00:40:17.360 --> 00:40:19.840
It's okay. Freddie is here to protect you.

628
00:40:20.200 --> 00:40:21.247
Hmm.

629
00:40:21.400 --> 00:40:23.846
Something smells mighty fishy here.

630
00:40:24.200 --> 00:40:25.361
Smells?

631
00:40:25.600 --> 00:40:27.887
Who cares how the movie smells, Velma?

632
00:40:28.080 --> 00:40:29.605
It's not smell-o-rama.

633
00:40:29.920 --> 00:40:32.002
How can you call yourself
a cinematographer

634
00:40:32.240 --> 00:40:34.561
if you don't even know
the basics of film making?

635
00:40:34.880 --> 00:40:37.247
I don't call myself a cinematographer.

636
00:40:37.520 --> 00:40:40.364
I'm a mystery solver, first,
last and always.

637
00:40:40.560 --> 00:40:42.528
Now, let's see if we can find some clues

638
00:40:42.720 --> 00:40:45.291
as to why a ghost is trying
to break into the movies.

639
00:40:52.920 --> 00:40:54.365
Excuse me.

640
00:40:55.760 --> 00:40:57.250
What's all this then?

641
00:40:58.040 --> 00:41:00.771
I'm afraid that I'll have to
be arresting you

642
00:41:00.960 --> 00:41:04.760
on charges of unlawful eating,
don't you know?

643
00:41:05.040 --> 00:41:06.121
Huh?

644
00:41:07.080 --> 00:41:09.731
Relax, Scoob. It's just me.

645
00:41:09.920 --> 00:41:12.571
Check out all these crazy movie costumes.

646
00:41:22.320 --> 00:41:23.765
Gad zukes.

647
00:41:29.720 --> 00:41:31.848
Like, everybody, into the pool.

648
00:41:38.760 --> 00:41:41.411
Space, the final frontier.

649
00:41:42.800 --> 00:41:44.643
I'm Batman.

650
00:41:46.680 --> 00:41:50.480
Grr. Walk the plank, ye scurvy dog.

651
00:41:50.840 --> 00:41:53.161
Hey, who you calling scurvy?

652
00:41:53.680 --> 00:41:56.445
Oh, sorry, Scoob.

653
00:42:05.960 --> 00:42:07.007
Ha!

654
00:42:25.160 --> 00:42:26.525
Huh?

655
00:42:27.000 --> 00:42:28.286
Oh...

656
00:42:29.320 --> 00:42:30.685
Mmm.

657
00:42:41.000 --> 00:42:42.001
Huh?

658
00:42:43.400 --> 00:42:44.561
Like, what was that?

659
00:42:44.960 --> 00:42:47.566
- A mummy?
- It's getting closer, Scoob.

660
00:42:47.800 --> 00:42:49.802
It was nice knowing you, buddy.

661
00:42:50.000 --> 00:42:51.365
You too, Shaggy.

662
00:42:56.160 --> 00:42:59.767
Shaggy, Scooby.
What are you guys doing here?

663
00:43:00.520 --> 00:43:02.045
Junior?

664
00:43:02.240 --> 00:43:04.481
Oh, man, are we glad to see you.

665
00:43:04.720 --> 00:43:06.051
We thought you were the Mummy.

666
00:43:06.320 --> 00:43:10.041
You mean, the ghost of Boris Carnac? No.

667
00:43:10.240 --> 00:43:12.402
It's just plain old Junior.

668
00:43:12.720 --> 00:43:17.362
Mr. Brickton asked me to find everyone
and see how the movie is going.

669
00:43:18.280 --> 00:43:19.520
Where is everybody?

670
00:43:19.920 --> 00:43:21.729
Scared away by the ghost.

671
00:43:22.880 --> 00:43:24.006
I don't get it.

672
00:43:24.240 --> 00:43:26.288
You were terrified of a ghost,

673
00:43:26.520 --> 00:43:30.445
and stopped to eat all of the craft
service food and try on costumes?

674
00:43:31.200 --> 00:43:35.205
Yeah, and all these costume changes
are making us hungry again.

675
00:43:43.920 --> 00:43:45.206
Hey, look there.

676
00:43:45.360 --> 00:43:46.407
Footprints.

677
00:43:55.720 --> 00:43:58.724
Footprints that lead right
up to Chet Brickton's office.

678
00:44:00.120 --> 00:44:01.281
Quick, hide.

679
00:44:08.440 --> 00:44:09.771
What are they saying?

680
00:44:10.000 --> 00:44:13.083
I don't know, because
you're whispering at me.

681
00:44:18.840 --> 00:44:19.921
That's strange.

682
00:44:20.080 --> 00:44:21.650
The last time we saw those two together,

683
00:44:21.920 --> 00:44:25.003
Atticus Fink was refusing
to buy the lot because it was haunted.

684
00:44:25.280 --> 00:44:28.090
A failing studio, the ghost of an actor,

685
00:44:28.240 --> 00:44:30.607
a mummy, a headless horseman.

686
00:44:30.920 --> 00:44:32.763
What does it all mean, Fred?

687
00:44:33.440 --> 00:44:35.124
I've been doing a lot of thinking, Velma.

688
00:44:35.360 --> 00:44:37.089
It's like I've been walking
in a thick fog.

689
00:44:37.320 --> 00:44:40.850
But suddenly, seeing that mummy,
everything fell into place.

690
00:44:41.120 --> 00:44:42.804
I have got the answer.

691
00:44:43.200 --> 00:44:45.168
- You do?
- Yes.

692
00:44:45.440 --> 00:44:47.329
I know exactly how to fix my movie.

693
00:44:47.520 --> 00:44:48.601
Whoa!

694
00:44:49.160 --> 00:44:52.164
Thank you all for your
selfless dedication to my film.

695
00:44:52.600 --> 00:44:56.605
I know not every crew would be willing
to risk their lives for the sake of art.

696
00:44:57.400 --> 00:44:59.289
Like, risk our lives?

697
00:45:03.000 --> 00:45:06.129
- What about Drella?
- What about Drella?

698
00:45:09.480 --> 00:45:11.528
If you think a little thing
like annihilation

699
00:45:11.760 --> 00:45:15.164
at the hands of a supernatural being
is going to keep me from my big break,

700
00:45:15.640 --> 00:45:18.120
you've got another thing coming.

701
00:45:18.360 --> 00:45:20.931
Okay, everybody,
I'm about to save this picture.

702
00:45:21.320 --> 00:45:25.484
What it needs is thrills, action, danger.

703
00:45:26.160 --> 00:45:27.491
In a romantic comedy?

704
00:45:29.160 --> 00:45:32.645
My genius refuses to be pigeonholed
into one of your neat little boxes.

705
00:45:33.640 --> 00:45:36.769
Bring forth the stunt plane.

706
00:45:46.520 --> 00:45:50.200
Junior? Listen, kid, I need you
to run an errand for me, pronto.

707
00:45:50.960 --> 00:45:53.167
Sorry, guys. Duty calls.

708
00:45:53.640 --> 00:45:55.961
Fine, I'll do this film alone if need be.

709
00:45:56.320 --> 00:45:59.881
My masterpiece will be fully realized.

710
00:46:03.680 --> 00:46:04.966
Okay, Shaggy,

711
00:46:05.160 --> 00:46:08.369
the Crocodile King has captured Drella
and locked her in that tower.

712
00:46:08.880 --> 00:46:10.211
It's up to you to save her.

713
00:46:10.520 --> 00:46:11.885
Fred, I don't understand.

714
00:46:12.200 --> 00:46:14.806
Are we in New York City
or the Louisiana bayou?

715
00:46:15.360 --> 00:46:17.408
Oh, hello, logic police.

716
00:46:17.640 --> 00:46:19.483
It's a metaphor. A metaphor.

717
00:46:19.800 --> 00:46:21.040
A metaphor what?

718
00:46:22.400 --> 00:46:26.007
Look, if I just tell you what everything
means, then it wouldn't be art.

719
00:46:27.240 --> 00:46:28.366
All right, Shaggy.

720
00:46:28.520 --> 00:46:31.922
All you have to do is jump into your
biplane and pilot it toward this ramp,

721
00:46:32.200 --> 00:46:35.409
where you'll make an immediate impossible
ascent to the top of that tower,

722
00:46:35.760 --> 00:46:37.364
where Drella will grab onto the wing

723
00:46:37.600 --> 00:46:40.570
and you'll swerve out of the soundstage
and into the open sky.

724
00:46:42.680 --> 00:46:44.728
Well, gee, Fred, that sounds like...

725
00:46:46.240 --> 00:46:48.402
- Kind of dangerous.
- What?

726
00:46:48.600 --> 00:46:49.681
Shaggy, come on.

727
00:46:49.840 --> 00:46:51.444
You're one of my closest friends.

728
00:46:51.720 --> 00:46:55.406
Do you think for one minute I'd put you
into any kind of dangerous situation?

729
00:46:57.240 --> 00:46:59.766
Well, I guess we are buddies.

730
00:47:00.200 --> 00:47:01.884
Of course we are.

731
00:47:04.080 --> 00:47:05.286
Roll camera.

732
00:47:06.440 --> 00:47:07.566
Rolling.

733
00:47:08.040 --> 00:47:09.087
Action.

734
00:47:09.280 --> 00:47:12.409
Help! Somebody, help!

735
00:47:13.600 --> 00:47:16.251
Fear not, my little crepes-suzette,

736
00:47:16.440 --> 00:47:18.283
I shall save you.

737
00:47:18.560 --> 00:47:21.769
Lose the French accent, Shag.
It's taking me out of it.

738
00:47:22.640 --> 00:47:23.971
Don't worry, my love,

739
00:47:24.200 --> 00:47:27.124
I'll save you from that mean
old Crocodile King.

740
00:47:27.440 --> 00:47:29.442
Or whatever it is.

741
00:47:29.600 --> 00:47:30.761
Cue stuntman.

742
00:47:30.960 --> 00:47:34.123
- Wait, should I cut now?
- Ah, we'll fix it in editing.

743
00:47:34.440 --> 00:47:36.488
All right, Scoob, all you have to do

744
00:47:36.880 --> 00:47:38.291
- is take off in the airplane...
- Huh?

745
00:47:38.440 --> 00:47:41.284
...make an immediate nearly
impossible ascent up to Drella,

746
00:47:41.480 --> 00:47:45.280
and we'll have an artistically
satisfying blockbuster on our hands.

747
00:47:45.840 --> 00:47:50.767
Excuse me, Freddie, but isn't Scooby-Doo
one of your closest friends, too?

748
00:47:50.960 --> 00:47:53.122
Yes, that's why I gave him a helmet.

749
00:47:53.800 --> 00:47:54.961
Oh.

750
00:47:55.160 --> 00:47:56.286
Fair enough.

751
00:47:57.320 --> 00:47:58.765
Good luck, dude.

752
00:48:12.640 --> 00:48:15.325
- Look.
- Scooby-Doo, look out!

753
00:48:16.320 --> 00:48:18.129
Hmm?

754
00:48:21.640 --> 00:48:23.529
Zombie. Zombie.

755
00:48:33.440 --> 00:48:35.124
Oh, no. Not the food.

756
00:48:35.320 --> 00:48:36.970
Anything but the food.

757
00:48:48.680 --> 00:48:49.841
Oh, no.

758
00:48:50.640 --> 00:48:52.130
He's coming!

759
00:49:00.520 --> 00:49:03.091
- We have to help him.
- Keep shooting, Velma.

760
00:49:03.320 --> 00:49:05.891
This is cinematic gold. Gold!

761
00:49:06.040 --> 00:49:07.883
Fred, we have to stop that zombie.

762
00:49:08.080 --> 00:49:09.161
Don't worry, Daph.

763
00:49:09.360 --> 00:49:11.886
That zombie is gonna pay
for ruining my shot.

764
00:49:12.040 --> 00:49:14.884
One phone call and he'll never
work in this town again.

765
00:49:15.080 --> 00:49:16.081
Huh?

766
00:49:18.600 --> 00:49:19.726
Ah!

767
00:49:26.600 --> 00:49:27.761
- Huh?
- Oh-oh.

768
00:49:28.440 --> 00:49:30.761
Ha-ha!

769
00:49:45.760 --> 00:49:47.569
Uh, Fred, can we cut now?

770
00:49:47.720 --> 00:49:49.245
No, no, no, no, keep rolling.
Keep rolling.

771
00:49:49.400 --> 00:49:51.368
This is all free production value.

772
00:49:53.040 --> 00:49:54.451
He'll swerve away at the last second.

773
00:49:54.720 --> 00:49:56.449
He's a ghost, he's not crazy.

774
00:49:58.440 --> 00:49:59.646
Velma, jump.

775
00:50:03.400 --> 00:50:06.370
Whoa, whoa, whoa!

776
00:50:08.480 --> 00:50:10.482
Whoo-hoo!

777
00:50:17.280 --> 00:50:18.406
Whoa!

778
00:50:36.800 --> 00:50:37.847
Phew.

779
00:50:57.160 --> 00:50:59.208
Sorry, Velma. I got a little carried away.

780
00:50:59.520 --> 00:51:00.681
Are you okay?

781
00:51:00.920 --> 00:51:01.921
Mmm-hmm.

782
00:51:02.120 --> 00:51:03.167
Mmm.

783
00:51:03.320 --> 00:51:05.322
Zoinks! That was too close.

784
00:51:05.480 --> 00:51:10.162
I can't imagine anything worse than
being run down by a headless horseman.

785
00:51:16.680 --> 00:51:19.809
I stand corrected.

786
00:51:21.200 --> 00:51:22.361
Huh?

787
00:51:28.680 --> 00:51:31.001
Something really seemed
to upset that zombie.

788
00:51:31.200 --> 00:51:33.521
Or ghost or whatever it was.

789
00:51:33.880 --> 00:51:34.881
Yeah.

790
00:51:35.040 --> 00:51:38.567
Right when he was about, like, here.

791
00:51:39.720 --> 00:51:40.801
Jinkies.

792
00:51:41.000 --> 00:51:43.162
- Jeepers.
- Zoinks.

793
00:51:43.520 --> 00:51:44.726
What? What is it?

794
00:51:45.360 --> 00:51:46.566
Don't look, Fred.

795
00:51:48.040 --> 00:51:50.008
No. No, it can't be.

796
00:51:50.360 --> 00:51:52.044
The film exposed.

797
00:51:52.640 --> 00:51:55.530
Ruined! You were so good.

798
00:51:55.680 --> 00:51:57.921
You were so, so good.

799
00:51:59.720 --> 00:52:01.563
I couldn't see from the top
of the fake building.

800
00:52:01.880 --> 00:52:03.928
- What happened?
- The Headless Horseman attacked.

801
00:52:04.160 --> 00:52:05.207
Oh, no.

802
00:52:05.360 --> 00:52:07.522
And a creepy zombie
showed up from nowhere.

803
00:52:07.720 --> 00:52:08.881
How terrible!

804
00:52:09.080 --> 00:52:12.926
And, like, Fred's masterpiece
was totally destroyed.

805
00:52:13.240 --> 00:52:15.083
Well, I guess it wasn't all bad.

806
00:52:15.600 --> 00:52:17.841
Goodbye, my love. Goodbye.

807
00:52:19.080 --> 00:52:20.684
Freddie, are you okay?

808
00:52:21.440 --> 00:52:23.568
Gang? It's one thing for a ghost

809
00:52:23.760 --> 00:52:25.285
to come back and haunt the living,

810
00:52:25.760 --> 00:52:28.411
for monsters to threaten
and terrorize the innocent,

811
00:52:29.080 --> 00:52:31.890
but when they destroy
a man's artistic masterpiece,

812
00:52:32.240 --> 00:52:37.041
it's time to stop being Hollywood phonies
and start being mystery solvers.

813
00:52:37.720 --> 00:52:39.802
- Yeah, that's right, Fred.
- Let's go.

814
00:52:42.960 --> 00:52:45.440
Atticus, baby, have a heart.

815
00:52:45.800 --> 00:52:47.290
This is highway robbery.

816
00:52:47.800 --> 00:52:49.928
You're just lucky
I'm willing to pay anything

817
00:52:50.080 --> 00:52:52.651
for that ghost-infested rattrap, Brickton.

818
00:52:53.080 --> 00:52:57.966
Now, just sign on the dotted line and
all your troubles will be just a memory.

819
00:52:58.480 --> 00:52:59.891
Along with your studio.

820
00:53:09.480 --> 00:53:11.562
You can't do it, Mr. Brickton.

821
00:53:11.760 --> 00:53:13.808
Your studio is a piece of history.

822
00:53:14.160 --> 00:53:16.731
It's about to be history, kid.

823
00:53:17.240 --> 00:53:20.289
Mr. Brickton knows
he doesn't have a choice.

824
00:53:21.840 --> 00:53:24.127
Sorry, Junior. He's right.

825
00:53:24.480 --> 00:53:25.686
There's nothing I can do.

826
00:53:26.080 --> 00:53:28.841
Without that film, there's no chance
of getting back in the black.

827
00:53:29.160 --> 00:53:33.609
I have to sell the whole place for a song
or I won't get anything at all.

828
00:53:34.000 --> 00:53:36.287
Oh, well, I guess that's showbiz.

829
00:53:39.920 --> 00:53:42.321
- This is so sad.
- Yeah.

830
00:53:50.520 --> 00:53:52.488
No! No!

831
00:53:53.840 --> 00:53:55.285
Ah, lovely.

832
00:53:55.640 --> 00:53:58.211
First thing in the morning,
I'll hand this over to my lawyers,

833
00:53:58.440 --> 00:54:01.284
and Brickton Studios
will be leveled by noon.

834
00:54:01.600 --> 00:54:03.489
Not so fast, Atticus.

835
00:54:03.680 --> 00:54:07.048
That contract gives me
24 hours to say goodbye.

836
00:54:07.280 --> 00:54:08.327
Fine.

837
00:54:08.520 --> 00:54:11.842
Be sure to say goodbye
to the ghost of Boris Carnac.

838
00:54:12.320 --> 00:54:14.846
Tell him he's about to be paved over.

839
00:54:26.320 --> 00:54:28.482
Well, I guess that's that.

840
00:54:29.240 --> 00:54:31.368
Is it? I'm not so sure.

841
00:54:31.720 --> 00:54:34.405
I know that look. What is it, Velma?

842
00:54:34.800 --> 00:54:37.087
Atticus mentioned Boris Carnac.

843
00:54:37.360 --> 00:54:39.362
The studio is supposed
to be haunted by him

844
00:54:39.520 --> 00:54:42.171
in the guise of the characters
he played, right?

845
00:54:42.360 --> 00:54:43.885
Like, it sure is.

846
00:54:44.320 --> 00:54:48.887
But we saw the Headless Horseman
and the Zombie at the same time.

847
00:54:49.080 --> 00:54:50.206
That's right.

848
00:54:50.360 --> 00:54:52.362
Even a ghost can't be
in two places at once.

849
00:54:52.720 --> 00:54:53.767
Jeepers.

850
00:54:54.000 --> 00:54:56.844
I'm starting to smell
something fishy about this haunting.

851
00:54:57.200 --> 00:54:59.441
That might be Scoob and me.

852
00:54:59.680 --> 00:55:02.730
There was a lot of day-old sushi
on that craft service table.

853
00:55:02.920 --> 00:55:05.207
Yeah. Mmm-mmm.

854
00:55:07.080 --> 00:55:08.445
What'd you have in mind, kid?

855
00:55:09.040 --> 00:55:12.722
Every time we tried to shoot,
a ghost showed up to sabotage the film.

856
00:55:13.080 --> 00:55:15.560
I think this is a case of,
"The show must go on."

857
00:55:15.760 --> 00:55:16.761
Right, Fred?

858
00:55:16.920 --> 00:55:18.081
Huh? Oh.

859
00:55:18.400 --> 00:55:21.244
I don't know.
Maybe for some better director.

860
00:55:21.600 --> 00:55:23.762
Fred, you are a great director.

861
00:55:24.080 --> 00:55:25.889
- Really?
- Absolutely.

862
00:55:26.440 --> 00:55:28.124
Just not at directing films.

863
00:55:28.400 --> 00:55:30.402
Then what am I good at directing, Velma?

864
00:55:30.800 --> 00:55:31.926
Traps.

865
00:55:34.440 --> 00:55:37.091
Well, if we're gonna trap two ghosts,

866
00:55:37.640 --> 00:55:39.449
it's gotta be a pretty tricky trap.

867
00:55:39.640 --> 00:55:41.927
I've got something that just might work.

868
00:55:42.240 --> 00:55:44.208
If you're still up for that
Hollywood makeover.

869
00:55:44.480 --> 00:55:45.925
Ready when you are, Deedee.

870
00:55:46.320 --> 00:55:48.926
And we're gonna need some live bait.

871
00:55:52.480 --> 00:55:53.606
What do you say, fellas?

872
00:55:53.800 --> 00:55:55.165
Will you do it for a Scooby Snack?

873
00:55:55.480 --> 00:55:57.721
Nuh-uh. No way, no how.

874
00:55:58.120 --> 00:56:00.168
Sorry, Daph. Like we told you before,

875
00:56:00.400 --> 00:56:03.609
we will not be live bait
for Scooby Snacks.

876
00:56:06.120 --> 00:56:08.851
But we will do it for a different reason.

877
00:56:09.120 --> 00:56:10.326
And what would that be?

878
00:56:10.800 --> 00:56:13.007
Because the show must go on.

879
00:56:24.120 --> 00:56:26.487
Another perfect morning

880
00:56:26.680 --> 00:56:30.162
Under a California sky

881
00:56:34.640 --> 00:56:36.802
So let's get down to business

882
00:56:36.960 --> 00:56:41.124
No time to sit and wonder why

883
00:56:45.200 --> 00:56:49.603
I know it may seem
just like any other town

884
00:56:50.440 --> 00:56:54.968
But something happens here
when dreamers come around

885
00:56:55.280 --> 00:56:57.362
Hollywood

886
00:56:58.000 --> 00:57:00.128
Hollywood

887
00:57:00.560 --> 00:57:04.804
Hollywood

888
00:57:05.880 --> 00:57:08.042
Hollywood

889
00:57:08.560 --> 00:57:10.688
Hollywood

890
00:57:11.040 --> 00:57:15.204
Hollywood

891
00:57:27.360 --> 00:57:29.522
Come on, let's work together

892
00:57:29.720 --> 00:57:33.520
We can get through whatever now

893
00:57:37.880 --> 00:57:40.201
That sunshine on my shoulder

894
00:57:40.560 --> 00:57:44.201
Is all I need to show me how

895
00:57:48.200 --> 00:57:52.888
But Tinseltown is more than
fame and merchandise

896
00:57:53.600 --> 00:57:58.128
Because with you here
all my daydreams come to life

897
00:57:58.680 --> 00:58:00.523
Hollywood

898
00:58:01.280 --> 00:58:03.362
Hollywood

899
00:58:03.920 --> 00:58:06.924
Hollywood

900
00:58:09.240 --> 00:58:11.402
Hollywood

901
00:58:11.800 --> 00:58:14.087
Hollywood

902
00:58:14.520 --> 00:58:18.445
Hollywood

903
00:58:19.080 --> 00:58:20.605
Everybody, places, please.

904
00:58:21.080 --> 00:58:22.411
It's time for some action.

905
00:58:29.080 --> 00:58:31.924
What in blue blazes
is going on over there?

906
00:58:40.160 --> 00:58:41.764
You okay, Scooby old buddy?

907
00:58:41.960 --> 00:58:44.247
Can't whistle. Too scared.

908
00:58:44.760 --> 00:58:46.285
Too scared to whistle, huh?

909
00:58:46.480 --> 00:58:51.127
Well, don't worry. Just a few more shots,
and we'll have this movie in the can.

910
00:59:08.520 --> 00:59:10.249
How's the shoot going, Fred?

911
00:59:10.480 --> 00:59:11.970
Terrible, just terrible.

912
00:59:12.160 --> 00:59:13.924
I'm surrounded by amateurs.

913
00:59:14.120 --> 00:59:15.121
Back to first positions.

914
00:59:15.360 --> 00:59:16.805
Going again.

915
00:59:17.000 --> 00:59:18.525
Action.

916
00:59:18.840 --> 00:59:20.330
Huh?

917
00:59:20.520 --> 00:59:22.170
- No, no, no, no. Cut!
- Huh?

918
00:59:22.360 --> 00:59:24.488
- What's wrong with that?
- Good for me.

919
00:59:24.640 --> 00:59:26.768
Was it? Well, that's just great.

920
00:59:27.000 --> 00:59:28.490
But you're not the director, I am.

921
00:59:28.680 --> 00:59:30.808
Do it again, faster, louder and funnier.

922
00:59:31.040 --> 00:59:32.690
- Is that enough?
- I think so.

923
00:59:33.040 --> 00:59:35.327
Velma can you...

924
00:59:35.520 --> 00:59:37.124
No problem.

925
00:59:37.320 --> 00:59:39.721
Be sure to get your...

926
00:59:40.800 --> 00:59:43.167
I hope you weren't planning on
a career in front of the camera,

927
00:59:43.360 --> 00:59:45.886
because you've got
a perfect face for radio.

928
00:59:50.880 --> 00:59:52.166
Yoo-hoo!

929
00:59:52.720 --> 00:59:53.846
Hey, Mr. Zombie.

930
00:59:54.040 --> 00:59:56.168
Looks like we've got
a final scene to film,

931
00:59:56.400 --> 00:59:58.164
and you're in it.

932
01:00:14.680 --> 01:00:16.205
Ow.

933
01:00:30.600 --> 01:00:31.681
Huh?

934
01:00:32.200 --> 01:00:33.929
Expecting someone else?

935
01:00:44.040 --> 01:00:45.201
Don't give up now.

936
01:00:45.400 --> 01:00:46.561
We're finally into the third act.

937
01:00:46.720 --> 01:00:48.688
Hmm.

938
01:00:54.560 --> 01:00:55.561
You're doing great.

939
01:00:55.760 --> 01:00:58.127
But sometimes to get
the best performance out of an actor,

940
01:00:58.360 --> 01:01:00.442
the director has to
give them a little push.

941
01:01:06.280 --> 01:01:07.884
Don't lose your head.

942
01:01:11.960 --> 01:01:13.246
Huh? Huh?

943
01:01:14.920 --> 01:01:17.127
Huh?

944
01:01:39.480 --> 01:01:40.845
Whoa!

945
01:01:57.160 --> 01:01:59.527
If you know what's good for you,

946
01:01:59.760 --> 01:02:01.125
you won't come any closer.

947
01:02:01.360 --> 01:02:02.964
If anything happens to me,

948
01:02:03.120 --> 01:02:06.761
I promise to come back
and haunt you forever.

949
01:02:07.320 --> 01:02:08.651
Totally not kidding.

950
01:02:16.360 --> 01:02:17.600
Huh? Huh?

951
01:02:20.520 --> 01:02:22.204
You won't find me there.

952
01:02:26.160 --> 01:02:29.528
And now, I will haunt you forever.

953
01:02:36.320 --> 01:02:39.845
You know, for a dead guy, you scream
an awful lot like one of my blind dates.

954
01:02:44.720 --> 01:02:46.404
And cue Scooby.

955
01:03:01.040 --> 01:03:02.724
Bombs away.

956
01:03:08.000 --> 01:03:09.411
And cut!

957
01:03:18.240 --> 01:03:21.767
I told you I could turn you
into a glamorous movie star.

958
01:03:28.000 --> 01:03:29.240
Congratulations, Fred.

959
01:03:29.440 --> 01:03:31.568
It looks like your
directing debut is a wrap.

960
01:03:35.400 --> 01:03:36.526
I don't get it.

961
01:03:39.240 --> 01:03:42.403
Wow, kids. Great job!

962
01:03:42.680 --> 01:03:44.603
I can't believe you actually did it.

963
01:03:45.120 --> 01:03:46.884
But who are they?

964
01:03:47.120 --> 01:03:49.930
And why did you wait for me
to get here to find out?

965
01:03:50.600 --> 01:03:53.961
Mr. Brickton, if my time in show business
has taught me anything,

966
01:03:54.240 --> 01:03:56.402
it's how to do things with flair.

967
01:03:57.920 --> 01:03:59.922
You sure there aren't
more of them out there?

968
01:04:00.120 --> 01:04:03.203
From my security feed,
there's at least a mummy runnin' around.

969
01:04:03.640 --> 01:04:05.130
I'm sure these are the only two.

970
01:04:05.800 --> 01:04:06.926
How can you be sure?

971
01:04:07.320 --> 01:04:09.129
Because I know who they are.

972
01:04:09.560 --> 01:04:10.607
You do?

973
01:04:13.080 --> 01:04:14.730
Whoops. Sorry about that.

974
01:04:17.880 --> 01:04:21.248
As I was saying,
the Headless Horseman is really...

975
01:04:22.400 --> 01:04:24.129
Atticus Fink?

976
01:04:25.720 --> 01:04:29.405
I started suspecting something was wrong
the minute we got on the tram.

977
01:04:29.840 --> 01:04:31.285
Inside the darkened soundstage,

978
01:04:31.480 --> 01:04:33.562
Atticus Fink had
a panic attack and ran off

979
01:04:33.800 --> 01:04:35.802
just before we were attacked
by the Headless Horseman.

980
01:04:36.480 --> 01:04:40.283
I noticed when Atticus reappeared
that he was blinking an awful lot.

981
01:04:41.240 --> 01:04:43.641
Indicative of someone
who had just been blinded.

982
01:04:44.120 --> 01:04:46.009
Later, my suspicions were confirmed

983
01:04:46.240 --> 01:04:48.811
when we were in his office
and I noticed his decor.

984
01:04:49.160 --> 01:04:52.490
Atticus is an accomplished horseman,
and the only one that has a vested interest

985
01:04:52.640 --> 01:04:55.166
in making sure Mr. Brickton
never gets his movie made.

986
01:04:55.360 --> 01:04:58.805
But wait a minute. We saw Atticus
at the same time we saw the Mummy.

987
01:04:59.040 --> 01:05:00.166
It couldn't be him.

988
01:05:00.640 --> 01:05:01.846
We'll circle back to that.

989
01:05:02.200 --> 01:05:04.680
Fink, you really are a...

990
01:05:06.200 --> 01:05:07.281
Fink!

991
01:05:07.520 --> 01:05:09.363
It doesn't matter what you say.

992
01:05:09.640 --> 01:05:11.210
You signed the contract.

993
01:05:11.480 --> 01:05:15.168
In a few short hours,
this studio will be a parking lot.

994
01:05:17.360 --> 01:05:20.011
Actually, I have a copy
of the contract right here.

995
01:05:20.200 --> 01:05:23.808
And pursuant to Article V, "In the case
of fraud on the part of the buyer,

996
01:05:24.000 --> 01:05:26.002
"all purchases will be null and void."

997
01:05:26.280 --> 01:05:30.683
What? Why, you... You meddling kids.

998
01:05:31.400 --> 01:05:33.528
Well, at least someone knows their lines.

999
01:05:33.680 --> 01:05:37.401
I would have had everything
if it wasn't for you and your mangy mutt.

1000
01:05:39.840 --> 01:05:42.571
Well, Atticus, we'll be seein' you,

1001
01:05:43.000 --> 01:05:45.844
in about 10 to 15 years.

1002
01:05:46.080 --> 01:05:47.889
Take 'em away, boys.

1003
01:05:51.160 --> 01:05:52.241
What about him?

1004
01:05:52.520 --> 01:05:54.090
Who's Atticus's accomplice?

1005
01:05:54.720 --> 01:05:56.688
He's not Atticus's accomplice at all.

1006
01:05:56.920 --> 01:05:59.366
Our zombie here
has his own separate motive

1007
01:05:59.600 --> 01:06:00.931
for haunting the studio.

1008
01:06:02.680 --> 01:06:03.761
Junior?

1009
01:06:04.080 --> 01:06:06.162
Oh, he seemed so nice.

1010
01:06:06.360 --> 01:06:07.407
Why?

1011
01:06:07.760 --> 01:06:10.883
Mr. Brickton said that the ghosts
of the Boris Carnac characters

1012
01:06:11.040 --> 01:06:13.281
started to appear around six months ago.

1013
01:06:13.520 --> 01:06:15.921
Right around the time
Junior started working here.

1014
01:06:16.360 --> 01:06:17.725
When a creature did appear,

1015
01:06:17.920 --> 01:06:20.446
I noticed that he always left
the camera standing.

1016
01:06:20.720 --> 01:06:23.530
Like he wanted to make sure
the movie was getting made.

1017
01:06:23.720 --> 01:06:25.404
The kind of movie he wanted.

1018
01:06:25.680 --> 01:06:27.569
Junior loves old horror films.

1019
01:06:27.760 --> 01:06:31.728
He hated the fact that Brickton Studios
was now making romantic comedies.

1020
01:06:32.440 --> 01:06:33.566
She's right.

1021
01:06:33.800 --> 01:06:36.724
I couldn't stand that Brickton Studios,

1022
01:06:36.920 --> 01:06:39.969
known for the great Boris Carnac films,

1023
01:06:40.200 --> 01:06:42.885
was making a boring romantic comedy

1024
01:06:43.080 --> 01:06:45.242
with her in the lead.

1025
01:06:45.640 --> 01:06:47.802
Me? What do you have against me?

1026
01:06:48.600 --> 01:06:50.602
Your late-night movie show

1027
01:06:50.760 --> 01:06:54.048
airs these amazing monster movies.

1028
01:06:54.280 --> 01:06:58.444
And you interrupt them
just to ridicule them.

1029
01:06:58.880 --> 01:07:02.441
Oh, sweetie, I love these
movies more than anyone.

1030
01:07:02.640 --> 01:07:04.449
I do what I can to keep 'em alive.

1031
01:07:04.720 --> 01:07:06.802
Especially the ones with Boris Carnac.

1032
01:07:07.080 --> 01:07:08.161
Because he...

1033
01:07:08.800 --> 01:07:11.485
Hey, wait just a minute.

1034
01:07:17.440 --> 01:07:19.681
You're a dead ringer for Boris.

1035
01:07:20.480 --> 01:07:24.246
- Yeah, he looks just like him.
- He's his spitting image.

1036
01:07:25.280 --> 01:07:29.080
That's because Junior's full name
is Boris Carnac, Jr.

1037
01:07:29.520 --> 01:07:32.649
He's the son of the man with 999 faces.

1038
01:07:33.120 --> 01:07:35.805
Uh... I didn't mean any harm.

1039
01:07:36.280 --> 01:07:37.805
When I first started working here

1040
01:07:38.000 --> 01:07:40.526
and found my dad's old monster workshop,

1041
01:07:40.840 --> 01:07:43.810
I decided to try and help
Mr. Brickton in the studio

1042
01:07:44.200 --> 01:07:48.002
by showing him how relevant
Dad's old characters still are.

1043
01:07:49.800 --> 01:07:51.325
Let him go, Officer.

1044
01:07:53.520 --> 01:07:56.524
Well, I suppose your heart
was in the right place, son.

1045
01:07:57.040 --> 01:07:59.008
But it's too late for Brickton Studios.

1046
01:07:59.200 --> 01:08:00.326
Without Freddie's film,

1047
01:08:00.520 --> 01:08:03.285
we're going to declare bankruptcy
and lose everything.

1048
01:08:12.800 --> 01:08:14.040
Play that part again.

1049
01:08:14.360 --> 01:08:15.691
Look at how scared we were.

1050
01:08:22.000 --> 01:08:24.367
Is this really the time
to be watching that, guys?

1051
01:08:24.520 --> 01:08:25.567
Why not?

1052
01:08:26.000 --> 01:08:29.243
This is, like, the best viral video
I've ever seen.

1053
01:08:29.680 --> 01:08:32.570
- Viral video. That's it.
- What's it?

1054
01:08:32.800 --> 01:08:34.086
All the security footage.

1055
01:08:34.360 --> 01:08:37.091
We can cut it together into
a found-footage horror movie.

1056
01:08:37.360 --> 01:08:38.771
You're right, Freddie.

1057
01:08:39.040 --> 01:08:41.566
Fans love those fake found-footage things.

1058
01:08:41.920 --> 01:08:44.048
Well, what are we waiting for?

1059
01:08:44.520 --> 01:08:46.602
You kids are the greatest.

1060
01:09:06.720 --> 01:09:08.722
This is Bryan Lakeshore,

1061
01:09:08.920 --> 01:09:11.241
reporting from the hottest
ticket in Tinseltown.

1062
01:09:11.560 --> 01:09:13.244
The much anticipated premiere of

1063
01:09:13.440 --> 01:09:16.410
Security Cam Monsters:
The Adventure Begins.

1064
01:09:16.720 --> 01:09:18.563
It looks like the first star has arrived.

1065
01:09:25.080 --> 01:09:28.646
Miss Diabolique, Miss Diabolique,
a moment of your time.

1066
01:09:29.440 --> 01:09:32.603
With a face like that,
you can have two moments, gorgeous.

1067
01:09:33.240 --> 01:09:35.641
Uh, what can you tell us about this movie?

1068
01:09:35.920 --> 01:09:36.967
I don't want to spoil it,

1069
01:09:37.120 --> 01:09:40.522
but it's a throwback film
with a new type of attitude.

1070
01:09:40.760 --> 01:09:43.604
You'll have to pay for a ticket
if you wanna know any more.

1071
01:09:43.840 --> 01:09:44.887
Come on, baby.

1072
01:09:45.040 --> 01:09:48.044
Look, it's Boris Carnac, Jr.

1073
01:09:48.280 --> 01:09:52.604
The long-lost son of
the original man of 999 faces.

1074
01:09:52.920 --> 01:09:54.365
Junior, over here.

1075
01:09:55.120 --> 01:09:57.964
How does it feel to step
into your father's footsteps.

1076
01:09:58.200 --> 01:10:00.601
Oh, it feels great.

1077
01:10:00.800 --> 01:10:04.725
I feel like I'm finally doing
what I was supposed to do in my life.

1078
01:10:05.120 --> 01:10:08.363
Remember, kids, your dreams can come true,

1079
01:10:08.640 --> 01:10:11.246
even if your dream is to be a monster.

1080
01:10:13.720 --> 01:10:15.927
Oh.

1081
01:10:16.120 --> 01:10:17.645
Look.

1082
01:10:19.560 --> 01:10:21.767
Arriving in true Hollywood rebel style,

1083
01:10:21.960 --> 01:10:24.804
the film's director,
Fred Jones, with his entourage.

1084
01:10:25.440 --> 01:10:27.920
Uh, Fred. Word of mouth
on this movie is great.

1085
01:10:28.160 --> 01:10:30.322
Any idea on what
your next project will be?

1086
01:10:30.600 --> 01:10:33.080
Well, Bryan, I've decided
to retire from directing.

1087
01:10:33.280 --> 01:10:36.011
I mean, once you've created
the most amazing film ever,

1088
01:10:36.160 --> 01:10:37.730
it's a little like climbing Everest.

1089
01:10:37.960 --> 01:10:42.165
So I've decided to focus all my
artistic energy on mystery-solving.

1090
01:10:43.320 --> 01:10:44.560
Oh, well, that's great.

1091
01:10:44.800 --> 01:10:45.847
And you, Daphne?

1092
01:10:46.000 --> 01:10:47.286
Horror Heroines magazine says

1093
01:10:47.480 --> 01:10:50.086
that you give a gut-busting,
hilarious performance

1094
01:10:50.280 --> 01:10:52.487
that might even have
an award nomination attached to it.

1095
01:10:52.840 --> 01:10:53.841
Yeah, Daph.

1096
01:10:54.000 --> 01:10:56.685
Thinking about hanging up
the mystery-solving hat for Hollywood?

1097
01:10:56.920 --> 01:10:58.331
Never, Freddie.

1098
01:10:58.520 --> 01:11:00.522
You'd miss detective work too much?

1099
01:11:00.840 --> 01:11:03.241
I guess. Mostly it's just that
the paparazzi

1100
01:11:03.480 --> 01:11:06.930
constantly taking flash pictures of me
is disastrous for my hair.

1101
01:11:07.920 --> 01:11:09.649
Look, up in the sky.

1102
01:11:31.120 --> 01:11:32.963
Please sign this, here.
Please, please, please.

1103
01:11:33.160 --> 01:11:35.686
Sorry, gang. No autographs, please.

1104
01:11:36.000 --> 01:11:38.321
What about for a Scooby Snack?

1105
01:11:38.560 --> 01:11:40.801
- Ooh...
- What do you think, Scoob?

1106
01:11:41.000 --> 01:11:42.684
Are we back on Scooby Snacks?

1107
01:11:43.000 --> 01:11:44.365
We're live bait, anyway.

1108
01:11:44.640 --> 01:11:45.687
That's right.

1109
01:11:45.880 --> 01:11:50.046
Even without Scooby Snacks,
we still ended up as live bait, so...

1110
01:11:50.520 --> 01:11:54.206
One autograph per Scooby Snack, please.

1111
01:11:54.560 --> 01:11:55.561
Sounds great.

1112
01:11:59.720 --> 01:12:01.324
Tell me why we gave these things up.

1113
01:12:01.520 --> 01:12:03.090
Ah, I can't remember.

1114
01:12:04.680 --> 01:12:06.250
Come on, everybody.

1115
01:12:06.400 --> 01:12:08.880
The movie is going to start.

1116
01:12:09.320 --> 01:12:10.401
Wait a minute.

1117
01:12:12.720 --> 01:12:15.007
Hey, everyone. Gather around.

1118
01:12:15.720 --> 01:12:16.881
Selfie.

1119
01:12:18.560 --> 01:12:22.849
Scooby-Dooby-Doo!

1119
01:12:23.305 --> 01:12:29.547
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