1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX

2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX

3
00:00:14,626 --> 00:00:19,292
I WAS AT HOME, BUT...

4
00:08:38,584 --> 00:08:41,834
Nor earth to me give food,
nor heaven light!

5
00:08:43,459 --> 00:08:47,084
Sport and repose lock from me
day and night!

6
00:08:49,001 --> 00:08:52,209
To desperation turn my trust and hope.

7
00:08:54,126 --> 00:08:57,251
An anchor's cheer in prison be my scope.

8
00:08:58,751 --> 00:09:02,084
Each opposite,
that blanks the face of joy

9
00:09:03,334 --> 00:09:07,126
meet what I would have well,
and it destroy!

10
00:09:08,876 --> 00:09:12,251
Both here and hence,
pursue me lasting strife

11
00:09:13,334 --> 00:09:16,209
if, once a widow, ever I be wife!

12
00:09:19,084 --> 00:09:21,209
'Tis deeply sworn.

13
00:09:21,292 --> 00:09:23,751
Sweet, leave me here awhile.

14
00:09:25,417 --> 00:09:27,709
My spirits grow dull

15
00:09:27,792 --> 00:09:29,834
and fain I would beguile

16
00:09:31,209 --> 00:09:33,501
the tedious day with sleep.

17
00:09:35,626 --> 00:09:37,542
Sleep rock thy brain.

18
00:09:37,626 --> 00:09:39,626
And never come mischance

19
00:09:40,959 --> 00:09:42,792
between us twain.

20
00:11:22,167 --> 00:11:24,084
I might have a bike.

21
00:11:26,334 --> 00:11:28,167
What's it like?

22
00:11:28,584 --> 00:11:30,459
Ten gears. Silver.

23
00:11:30,542 --> 00:11:32,459
Should we take a look?

24
00:11:34,376 --> 00:11:36,417
Not now. I'll stay here.

25
00:11:38,292 --> 00:11:40,251
I might need advice.

26
00:12:16,917 --> 00:12:18,834
I have this jacket.

27
00:12:22,751 --> 00:12:24,251
Hello.

28
00:12:33,626 --> 00:12:35,626
This won't come clean.

29
00:12:40,792 --> 00:12:43,042
I can't promise you anything.

30
00:12:44,376 --> 00:12:46,126
Will you try?

31
00:12:55,917 --> 00:12:57,417
Yes.

32
00:13:04,376 --> 00:13:06,292
When should I come?

33
00:13:06,709 --> 00:13:08,209
Thursday.

34
00:13:12,209 --> 00:13:14,709
I hope it will come out.
- Goodbye.

35
00:13:39,792 --> 00:13:41,709
It looks really nice.

36
00:13:44,126 --> 00:13:47,334
It's in perfect condition.

37
00:13:53,126 --> 00:13:55,251
And you want 80 euros for it?

38
00:13:56,001 --> 00:13:57,501
Yes.

39
00:13:59,042 --> 00:14:01,042
Okay, I'll give it a try.

40
00:14:56,251 --> 00:14:58,292
It's fine. I'll take it.

41
00:16:29,459 --> 00:16:31,376
He's back with me.

42
00:16:31,709 --> 00:16:33,459
He's back home.

43
00:16:34,667 --> 00:16:36,501
He's doing well.

44
00:18:10,542 --> 00:18:12,542
Flo, please don't cry.

45
00:18:14,626 --> 00:18:16,376
Please don't cry.

46
00:18:18,167 --> 00:18:20,167
Flo, stop crying.

47
00:22:20,876 --> 00:22:24,167
It's okay not to kick him out of school
if we care.

48
00:22:24,251 --> 00:22:25,834
Sure.

49
00:22:25,917 --> 00:22:27,501
I don't get it.

50
00:22:27,584 --> 00:22:30,584
Do you want him to go or to stay?
- To stay.

51
00:22:31,626 --> 00:22:35,917
I just want to point out
that I don't think he needs our care.

52
00:22:36,542 --> 00:22:39,167
We still have to react in some way.

53
00:22:52,626 --> 00:22:54,917
You want to be needed. I see.

54
00:22:55,626 --> 00:22:57,626
I want to be needed too.

55
00:22:57,959 --> 00:22:59,459
Me too.

56
00:22:59,959 --> 00:23:02,709
I don't want to be
more boring than my pupils.

57
00:23:03,042 --> 00:23:06,584
Or you want pupils as boring as you are?
- Exactly.

58
00:23:13,042 --> 00:23:15,959
Are we going to decide or go home to bed?

59
00:24:06,167 --> 00:24:08,751
It's me. Am I going to see you later?

60
00:24:10,792 --> 00:24:12,292
<i>No.</i>

61
00:24:13,751 --> 00:24:15,251
Please.

62
00:24:16,834 --> 00:24:18,334
<i>No, Lars.</i>

63
00:24:30,167 --> 00:24:31,667
<i>Lars?</i>

64
00:24:32,417 --> 00:24:34,084
Yes, I'm here.

65
00:24:43,167 --> 00:24:46,334
How old is she now?
- Three and a half weeks.

66
00:24:52,334 --> 00:24:55,417
Ying-Li is doing well?
- Yes, very well.

67
00:25:01,167 --> 00:25:03,417
Have her parents been to visit?

68
00:25:03,501 --> 00:25:05,876
No, it's all a bit uncertain.

69
00:25:05,959 --> 00:25:08,126
She and the baby might fly over.

70
00:25:08,209 --> 00:25:10,959
Or we both will, in the holidays.

71
00:25:11,501 --> 00:25:13,251
We'll see.

72
00:25:23,584 --> 00:25:25,334
Are you honest?

73
00:25:30,709 --> 00:25:32,209
My lord?

74
00:25:36,417 --> 00:25:38,167
Are you fair?

75
00:25:41,709 --> 00:25:43,709
What means your lordship?

76
00:25:46,501 --> 00:25:48,876
That if you be honest and fair,

77
00:25:49,542 --> 00:25:53,667
your honesty should admit
no discourse to your beauty.

78
00:25:54,292 --> 00:25:56,167
I did love you once.

79
00:26:00,334 --> 00:26:02,042
Indeed, my lord,

80
00:26:02,459 --> 00:26:04,459
you made me believe so.

81
00:26:09,709 --> 00:26:12,209
You should not have believed me.

82
00:26:12,292 --> 00:26:14,126
I loved you not.

83
00:26:21,209 --> 00:26:23,417
I was the more deceived.

84
00:27:00,584 --> 00:27:02,084
<i>Yes?</i>

85
00:27:02,501 --> 00:27:04,334
Hello, it's Astrid.

86
00:27:05,167 --> 00:27:07,667
I've come back about the bike.

87
00:27:10,667 --> 00:27:12,709
I bought your bike.

88
00:27:15,126 --> 00:27:16,917
Can you hear me?

89
00:27:20,084 --> 00:27:21,584
Hello?

90
00:27:23,042 --> 00:27:24,584
Mr. Meissner?

91
00:27:33,626 --> 00:27:34,917
<i>Yes?</i>

92
00:27:35,001 --> 00:27:36,584
It's Astrid.

93
00:27:36,667 --> 00:27:38,667
The bike. You remember?

94
00:27:39,709 --> 00:27:41,709
Could you come out here?

95
00:28:32,834 --> 00:28:34,334
Hello.

96
00:28:34,834 --> 00:28:37,042
I've brought your bike back.

97
00:28:37,751 --> 00:28:43,042
The back wheel gets jammed and it skips
from one gear to the next on its own.

98
00:28:55,501 --> 00:28:59,292
The ad said it had been reconditioned
but it's junk.

99
00:29:00,001 --> 00:29:01,751
Please take it back.

100
00:29:19,376 --> 00:29:22,126
Mr. Meissner, please take it back.

101
00:29:22,209 --> 00:29:26,626
It doesn't work properly.
I bought it under mistaken premises.

102
00:29:40,542 --> 00:29:44,251
I can repair it.

103
00:29:44,334 --> 00:29:47,292
I'd be happy to do that.

104
00:30:04,542 --> 00:30:06,834
Mr. Meissner, I don't have time!

105
00:30:18,334 --> 00:30:21,417
I don't need a bike that doesn't work.

106
00:30:21,501 --> 00:30:24,959
It hadn't been reconditioned.
You deceived me.

107
00:31:18,542 --> 00:31:20,334
Voilà!

108
00:31:21,251 --> 00:31:23,751
No, I don't want the bike anymore.

109
00:31:25,959 --> 00:31:31,126
I believe that it'll work now but I can't
keep coming here to get it fixed.

110
00:31:40,709 --> 00:31:43,959
You won't have to do that.

111
00:31:44,459 --> 00:31:48,001
It works fine again now.

112
00:31:50,542 --> 00:31:52,459
But I don't want it!

113
00:31:52,834 --> 00:31:55,292
I made a mistake. Mr. Meissner!

114
00:32:00,376 --> 00:32:03,667
If what you say is true,
you can sell it again.

115
00:32:06,501 --> 00:32:12,459
I've already removed
the advertisement though.

116
00:32:13,334 --> 00:32:15,001
Put it back in.

117
00:32:15,084 --> 00:32:17,542
I can't do that.

118
00:32:18,251 --> 00:32:20,876
I need help

119
00:32:20,959 --> 00:32:26,001
and my friend isn't here at the moment.

120
00:32:26,917 --> 00:32:28,542
Your friend?

121
00:32:30,251 --> 00:32:33,959
I'll leave you the new saddle,
then you make a profit.

122
00:32:38,084 --> 00:32:41,084
Where's the old one?

123
00:32:41,167 --> 00:32:44,834
What?
- Where is the old saddle?

124
00:32:44,917 --> 00:32:47,626
I don't have it. The new one is better.

125
00:32:58,876 --> 00:33:01,709
It isn't junk.

126
00:33:02,459 --> 00:33:05,959
No, it's not junk.
I'm sorry I said it's junk.

127
00:33:06,376 --> 00:33:10,959
But it caused me lots of stress
and the gears don't work either.

128
00:33:12,584 --> 00:33:14,459
Okay.

129
00:33:14,542 --> 00:33:19,292
I'll take the time
to have a proper look at that.

130
00:33:19,959 --> 00:33:21,542
Meaning?

131
00:33:21,626 --> 00:33:26,292
I'll make sure
that it works properly again.

132
00:33:27,292 --> 00:33:28,792
No!

133
00:33:29,626 --> 00:33:32,626
You bought it.

134
00:33:33,126 --> 00:33:35,334
I know. I made a mistake.

135
00:33:35,417 --> 00:33:38,542
I don't understand
why you won't take it back.

136
00:33:38,626 --> 00:33:41,542
If what you say is true
and it's a good bike

137
00:33:41,626 --> 00:33:43,751
you'll sell it again quickly.

138
00:33:43,834 --> 00:33:48,542
I don't have your money anymore.

139
00:33:53,334 --> 00:33:55,042
Okay. Goodbye.

140
00:33:55,126 --> 00:34:00,417
I can get it to you next week.

141
00:34:00,834 --> 00:34:01,959
Yeah?

142
00:34:02,042 --> 00:34:05,792
I can transfer the money to you.

143
00:34:06,417 --> 00:34:09,834
Really?
Then I'll give you my account number.

144
00:36:08,334 --> 00:36:09,834
Hello.

145
00:36:11,209 --> 00:36:12,709
Hello.

146
00:36:14,501 --> 00:36:16,126
How are you?

147
00:36:16,626 --> 00:36:18,251
Fine, thanks.

148
00:36:23,292 --> 00:36:25,584
Phillip doesn't know I'm here.

149
00:36:27,251 --> 00:36:29,876
I came here without planning to.

150
00:36:31,751 --> 00:36:33,792
I wanted to tell you...

151
00:36:36,584 --> 00:36:38,417
all of you...

152
00:36:47,417 --> 00:36:50,584
I keep imagining you talking about him

153
00:36:50,667 --> 00:36:52,292
and it's torture.

154
00:36:53,876 --> 00:36:57,667
I know you have to make
an informed judgement, but...

155
00:36:58,126 --> 00:37:00,709
that doesn't seem possible to me

156
00:37:02,209 --> 00:37:05,376
as any judgement
is unthinkable or wrong,

157
00:37:10,709 --> 00:37:15,209
and I'm sorry I'm confronting you
with a problem I can't solve,

158
00:37:17,417 --> 00:37:20,126
but I came because...

159
00:37:25,667 --> 00:37:30,751
I don't think anyone can understand
something they have never felt,

160
00:37:31,001 --> 00:37:34,084
that hasn't affected them personally.

161
00:37:38,751 --> 00:37:42,042
I know I can't influence your decision.

162
00:37:43,501 --> 00:37:48,042
I came because I fear for my son
as I worry he will be treated unfairly

163
00:37:48,126 --> 00:37:50,959
because this child, my son...

164
00:37:57,042 --> 00:37:59,292
My whole life is in his hands,

165
00:37:59,376 --> 00:38:01,501
as is the life of his sister,

166
00:38:01,584 --> 00:38:04,334
although it's in my hands too, but...

167
00:38:09,042 --> 00:38:11,876
it has to do with the fact he's a man,

168
00:38:12,626 --> 00:38:14,792
or is becoming one.

169
00:38:15,709 --> 00:38:21,126
There's no word for that state of
becoming and being at the same time.

170
00:38:21,917 --> 00:38:25,251
At the same time. I see it...

171
00:38:29,459 --> 00:38:32,751
I would like to ask you not to worry.

172
00:38:33,709 --> 00:38:35,959
If that's at all possible.

173
00:38:37,917 --> 00:38:40,084
To worry?

174
00:38:41,584 --> 00:38:43,209
Yes...

175
00:38:46,917 --> 00:38:49,667
I think it's stupid that I came here.

176
00:38:51,376 --> 00:38:55,334
I'm not sure...
How does one talk to a radiator?

177
00:39:00,876 --> 00:39:03,542
No, a radiator....

178
00:39:07,251 --> 00:39:09,667
is something else.

179
00:39:15,542 --> 00:39:18,376
I'm glad you're his class teacher.

180
00:39:22,001 --> 00:39:23,501
Goodbye.

181
00:42:03,459 --> 00:42:05,917
We're looking for Phillip.

182
00:42:06,167 --> 00:42:08,584
Is that the boy with sepsis?

183
00:42:11,876 --> 00:42:14,292
He's having surgery.

184
00:43:07,709 --> 00:43:09,626
Hi.

185
00:43:09,709 --> 00:43:11,584
<i>Hi.</i>

186
00:43:12,542 --> 00:43:14,876
<i>What are you doing?</i>

187
00:43:17,792 --> 00:43:19,751
<i>Hey?</i>

188
00:43:20,334 --> 00:43:22,084
Nothing.

189
00:43:24,042 --> 00:43:26,709
How was your match?
<i>- I lost.</i>

190
00:43:28,459 --> 00:43:30,459
You lost?

191
00:43:30,542 --> 00:43:33,292
<i>Six to three, six to seven, three to six.</i>

192
00:43:34,584 --> 00:43:38,042
<i>I was pretty good,</i>
<i>but the other guy was better.</i>

193
00:43:38,126 --> 00:43:40,209
<i>I'm exhausted.</i>

194
00:43:42,792 --> 00:43:45,167
I understand.

195
00:43:45,792 --> 00:43:48,126
<i>I have to sleep.</i>

196
00:43:48,209 --> 00:43:50,209
<i>Will I see you tomorrow?</i>

197
00:43:51,334 --> 00:43:53,334
That'd be nice.

198
00:51:55,292 --> 00:51:56,792
Hello.

199
00:51:59,167 --> 00:52:01,459
Do you live here?

200
00:52:01,542 --> 00:52:03,959
Only when I'm here in Berlin.

201
00:52:04,626 --> 00:52:07,084
Because you have a bike, I mean.

202
00:52:07,584 --> 00:52:09,584
I borrowed it.

203
00:52:23,376 --> 00:52:25,834
She's lovely.
- Yes.

204
00:52:30,084 --> 00:52:32,751
Good luck with the professorship.

205
00:52:33,251 --> 00:52:37,251
Thanks. I haven't heard yet.
- It usually takes a while.

206
00:52:37,584 --> 00:52:39,959
Acting is liberation,

207
00:52:41,042 --> 00:52:45,292
and staging death is deliverance from it,
says the director,

208
00:52:45,376 --> 00:52:48,417
thought what he knows is irrelevant.

209
00:52:48,501 --> 00:52:52,584
That's why I think theatre
is the opposite of death in a way.

210
00:52:52,667 --> 00:52:56,501
So acting, when an actor acts,
it's always a lie

211
00:52:56,584 --> 00:52:59,709
because he's doing something unnecessary,

212
00:52:59,792 --> 00:53:04,042
that isn't natural
but rather something he decides to do

213
00:53:04,292 --> 00:53:07,792
because the director wants it,
the script says so,

214
00:53:07,876 --> 00:53:10,876
or because he just had the idea himself.

215
00:53:11,501 --> 00:53:17,376
But it's very rare that we see an actor
or dancer do what they really have to do

216
00:53:18,167 --> 00:53:22,501
because, although it's not impossible,
we just never see it

217
00:53:22,584 --> 00:53:27,501
and that's why I find it odd
to place a terminally ill person,

218
00:53:27,584 --> 00:53:31,876
who knows, who really knows
they're going to die soon...

219
00:53:31,959 --> 00:53:35,501
to place that person opposite an actor.

220
00:53:36,667 --> 00:53:39,584
The gravity that's seized the ill person,

221
00:53:39,667 --> 00:53:43,209
the undeniable truth
plain to see on their person,

222
00:53:43,292 --> 00:53:47,501
contrasts so starkly
with the actor who only pretends,

223
00:53:47,584 --> 00:53:51,626
who is a master liar
with every fibre of their being,

224
00:53:51,709 --> 00:53:56,292
who sees it as their duty
to use their body to tell lies.

225
00:53:58,501 --> 00:54:02,126
I didn't see the rest of your film
because I had to go

226
00:54:02,209 --> 00:54:08,042
but that moment where the dancer,
whose only concern is controlling her body,

227
00:54:08,126 --> 00:54:13,334
meets the sick woman, who has understood
there's nothing she can control,

228
00:54:13,417 --> 00:54:16,917
and is therefore much more "body"
than the dancer...

229
00:54:17,001 --> 00:54:19,792
Because she knows
that she's going to die,

230
00:54:19,876 --> 00:54:23,876
that she is at the mercy of her body,
that she <i>is</i> her body,

231
00:54:23,959 --> 00:54:28,959
she has actually achieved the dancer's
goal of being nothing but body.

232
00:54:30,084 --> 00:54:34,501
While the dancer tries with control,
actually the opposite is true:

233
00:54:34,584 --> 00:54:39,084
the truth only reveals itself
when you are forced to lose control.

234
00:54:39,167 --> 00:54:42,709
So the dancer is just pretending,
it's all pretend,

235
00:54:42,792 --> 00:54:45,834
while the ill woman can't pretend a thing.

236
00:54:45,917 --> 00:54:51,417
I mean, in that encounter between them
you see how hollow and empty acting is.

237
00:54:51,501 --> 00:54:54,876
When the dancer touches
the woman and smiles,

238
00:54:54,959 --> 00:54:58,751
it's not two people meeting,
it's false meeting true,

239
00:54:58,834 --> 00:55:03,876
false smile versus true smile,
and so the encounter means nothing

240
00:55:03,959 --> 00:55:06,584
because false is always stronger

241
00:55:06,667 --> 00:55:09,959
and one false moment
ruins the whole thing.

242
00:55:10,042 --> 00:55:12,626
It's like food, you've got a great dish,

243
00:55:12,709 --> 00:55:17,626
but one false spice, or too much of it,
and the whole thing is ruined.

244
00:55:17,709 --> 00:55:20,709
It's not a great analogy,
but do you get it?

245
00:55:22,126 --> 00:55:25,751
Maybe you have to watch the entire film.

246
00:55:26,334 --> 00:55:28,709
Yes. Yes, I will watch it.

247
00:55:29,209 --> 00:55:31,834
I only saw the bit you mentioned.

248
00:55:31,917 --> 00:55:35,251
I'm sorry that I got so excited about it.

249
00:55:36,834 --> 00:55:39,626
Do you have much to do with theatre?

250
00:55:40,167 --> 00:55:43,251
Not at all.
I hardly go to the theatre now.

251
00:55:43,334 --> 00:55:46,876
But my children's dad
was a theatre director.

252
00:55:46,959 --> 00:55:49,751
He died two years ago.

253
00:55:52,042 --> 00:55:54,376
I understand.

254
00:55:55,792 --> 00:55:58,376
What? What do you understand?

255
00:55:58,834 --> 00:56:01,209
Why you react like that.

256
00:56:01,501 --> 00:56:03,376
Yeah?

257
00:56:03,917 --> 00:56:06,376
Why do I react like that?

258
00:56:06,626 --> 00:56:09,417
It's your own personal truth.

259
00:56:17,876 --> 00:56:21,584
The people... who are sick

260
00:56:21,667 --> 00:56:24,709
got a lot out of meeting the artists.

261
00:56:25,376 --> 00:56:30,001
For me, the dancers
and the actors are artists.

262
00:56:30,084 --> 00:56:33,167
I get that.
But it wasn't a social project.

263
00:56:33,251 --> 00:56:35,834
That's not what you were doing.

264
00:56:36,501 --> 00:56:38,001
No.

265
00:56:39,709 --> 00:56:42,334
I wanted to do it

266
00:56:42,959 --> 00:56:46,126
because I was interested in the people.

267
00:56:46,584 --> 00:56:49,792
But not because
I was trying to help them.

268
00:56:50,334 --> 00:56:52,667
I'm not a therapist.

269
00:56:53,042 --> 00:56:55,376
But when you actually do it,

270
00:56:55,459 --> 00:56:59,501
when you're working on a film
with other people,

271
00:56:59,917 --> 00:57:02,126
then it does become important

272
00:57:02,209 --> 00:57:04,959
how the work affects those people.

273
00:57:05,709 --> 00:57:08,209
What it means to them.

274
00:57:09,334 --> 00:57:11,959
Whether they have the feeling

275
00:57:12,042 --> 00:57:16,001
that the things
that are being expected of them

276
00:57:16,751 --> 00:57:19,292
mean something to them.

277
00:57:20,959 --> 00:57:25,001
And that was the case.
There was meaning.

278
00:57:25,084 --> 00:57:28,626
The sick people we worked with
confirmed that.

279
00:57:29,251 --> 00:57:32,376
And that's something I sensed as well.

280
00:57:33,126 --> 00:57:37,667
Those encounters, that physical contact,
were important.

281
00:57:37,751 --> 00:57:42,251
Something new, something different.
- Yes. I believe that.

282
00:57:44,001 --> 00:57:46,542
But that's a different matter.

283
00:57:48,459 --> 00:57:52,126
But I do get it.
Of course it has meaning, or can have.

284
00:57:52,209 --> 00:57:54,417
And that's great,

285
00:57:56,459 --> 00:58:01,417
but if I'm just someone at the cinema,
then I don't care about that

286
00:58:01,501 --> 00:58:06,001
and I don't like when a lie meets
the truth and makes it look silly

287
00:58:06,084 --> 00:58:08,584
because the people who meet...

288
00:58:09,376 --> 00:58:13,376
because the people who meet
don't share a common truth.

289
00:58:13,751 --> 00:58:16,334
I think art, including performance art,

290
00:58:16,417 --> 00:58:19,584
is always an encounter between two things

291
00:58:19,667 --> 00:58:22,959
that transform as a result of that encounter,

292
00:58:23,042 --> 00:58:27,667
and there are elements that meet
but nothing happens.

293
00:58:27,751 --> 00:58:32,042
Nothing emerges. They don't transform.
Like oil and water?

294
00:58:32,126 --> 00:58:36,792
They can't mix. It's just theory.
You were exploring a theory.

295
00:58:36,876 --> 00:58:41,709
You can do that, but then it's based
only on an idea, not experience.

296
00:58:41,792 --> 00:58:46,251
Never mind. I shouldn't be so upset
because you didn't hurt me.

297
00:58:46,626 --> 00:58:49,084
It's okay.
- It's an experiment

298
00:58:49,167 --> 00:58:51,542
and I get that you wanted to try it.

299
00:58:51,626 --> 00:58:55,251
And in your eyes, the experiment failed.
- Yes!

300
00:58:55,334 --> 00:58:57,584
In mine it didn't.
- Okay!

301
00:58:59,292 --> 00:59:04,459
If you don't have a problem filming
an actor on stage like it's real life,

302
00:59:04,542 --> 00:59:07,209
then you don't have a problem.

303
00:59:10,209 --> 00:59:13,209
There are wonderful moments
at the start

304
00:59:13,292 --> 00:59:15,709
where you show what life is,

305
00:59:15,792 --> 00:59:20,292
like the amazing scene where the old
woman gets up in the morning.

306
00:59:20,376 --> 00:59:24,709
How you did that is pure art:
it only exists because you did it.

307
00:59:24,792 --> 00:59:28,792
The colours, the light,
the movement of the body,

308
00:59:29,292 --> 00:59:34,334
the bed as a place where we sleep,
that we have to leave in the morning,

309
00:59:34,417 --> 00:59:37,292
all of us, throughout our entire lives,

310
00:59:37,376 --> 00:59:39,876
unless you live in the woods

311
00:59:39,959 --> 00:59:44,834
where there are no beds, just earth
to which we must return one day.

312
00:59:45,084 --> 00:59:50,709
That's why you already seek the earth
and reject the soft warm bed

313
00:59:50,792 --> 00:59:55,459
so as not to forget that one day
the body will, without a doubt,

314
00:59:57,959 --> 01:00:00,667
reunite with it.

315
01:00:01,167 --> 01:00:02,959
But...

316
01:00:04,251 --> 01:00:06,751
that's not what I wanted to say.

317
01:00:07,292 --> 01:00:10,709
I assume you sleep in a bed,
not in the woods.

318
01:00:11,751 --> 01:00:16,751
This encounter with the "artists"...
And you might as well call them that

319
01:00:16,834 --> 01:00:21,084
though it means different things
to everyone, as all words do.

320
01:00:21,167 --> 01:00:24,501
It's amazing we even expect
to be understood,

321
01:00:24,584 --> 01:00:27,209
yet words just come pouring out.

322
01:00:27,292 --> 01:00:31,917
The artists meeting the sick people
was unbearably bad cinema!

323
01:00:32,001 --> 01:00:33,917
Do you understand?

324
01:00:34,001 --> 01:00:37,167
I understood that some time ago.
- Right!

325
01:00:37,251 --> 01:00:40,251
What did you call it? Personal truth?

326
01:00:40,334 --> 01:00:42,959
Should I choke on my own truth?

327
01:00:43,042 --> 01:00:45,917
You don't want to be alone
with your truth,

328
01:00:46,001 --> 01:00:50,126
you want to share it with others!
Although that's nonsense.

329
01:00:50,209 --> 01:00:53,876
An opinion can be shared
but opinion isn't truth,

330
01:00:53,959 --> 01:00:55,917
but okay...

331
01:00:57,834 --> 01:01:01,709
But I still think it'd be great
if you get the professorship.

332
01:01:01,792 --> 01:01:05,251
I find you quite likable.
- We'll see.

333
01:01:05,334 --> 01:01:09,584
The others were keen, though,
as I'm sure you noticed.

334
01:01:12,876 --> 01:01:15,209
Where are we going now?

335
01:01:15,542 --> 01:01:17,126
Nowhere.

336
01:01:17,209 --> 01:01:19,334
I live over there.

337
01:01:26,501 --> 01:01:29,626
Thank you. That was helpful.
- My pleasure.

338
01:01:34,334 --> 01:01:37,084
I talked your ear off. I'm sorry.

339
01:01:37,167 --> 01:01:39,626
Sometimes I think I'm going mad.

340
01:01:39,709 --> 01:01:41,917
No, no. It was interesting.

341
01:01:42,959 --> 01:01:46,126
Are you staying here long?
- One month.

342
01:01:46,209 --> 01:01:48,709
You chose the grey Berlin winter.

343
01:01:48,792 --> 01:01:50,542
Yes.

344
01:01:51,292 --> 01:01:54,376
Take care. And don't be cross with me.

345
01:01:54,751 --> 01:01:56,834
I hope to see you again.

346
01:01:57,751 --> 01:02:00,042
Goodbye. Take care.

347
01:02:49,001 --> 01:02:52,042
Flo, you're not supposed to cook alone!

348
01:02:52,126 --> 01:02:54,042
Mum!
- Damn it!

349
01:02:54,126 --> 01:02:58,876
Mum, nothing happened.
- I don't want you to turn on the stove!

350
01:02:58,959 --> 01:03:02,001
Do something else!
Make toast or something!

351
01:03:12,126 --> 01:03:14,251
Do you understand me?
- Yes.

352
01:03:22,501 --> 01:03:25,042
Leave it! You'll make a bigger mess!

353
01:03:27,459 --> 01:03:28,959
Go away!

354
01:03:33,959 --> 01:03:38,376
Don't act like you need protecting!
I won't do anything to you!

355
01:03:47,417 --> 01:03:49,167
Do you want something?

356
01:03:50,709 --> 01:03:54,084
Flo, eat if you're hungry!
- I'm not hungry.

357
01:03:56,792 --> 01:03:58,626
Mum, you eat one.

358
01:03:58,709 --> 01:04:00,709
I have to get this clean.

359
01:04:13,584 --> 01:04:15,251
Leave me!

360
01:04:24,751 --> 01:04:26,584
Stop it, Phillip!

361
01:04:39,001 --> 01:04:41,001
Leave me be! Please!

362
01:06:21,001 --> 01:06:22,501
Get out!

363
01:06:24,709 --> 01:06:25,959
Out!

364
01:06:26,042 --> 01:06:27,834
Both of you, out!

365
01:06:29,251 --> 01:06:30,292
Out!

366
01:06:31,542 --> 01:06:33,167
Get out!

367
01:06:50,709 --> 01:06:53,084
Get lost! Get out of here!

368
01:07:52,126 --> 01:07:54,126
When will I see you again?

369
01:07:56,917 --> 01:07:58,417
Tomorrow?

370
01:08:04,501 --> 01:08:06,501
What are you doing tonight?

371
01:08:06,917 --> 01:08:09,167
Going to dinner with my dad.

372
01:08:09,251 --> 01:08:11,167
Just the two of you?

373
01:08:11,251 --> 01:08:12,834
Yes.

374
01:08:12,917 --> 01:08:15,084
I want him to give me money.

375
01:08:16,292 --> 01:08:18,584
For the app?
- Yes.

376
01:08:19,626 --> 01:08:22,001
It's not much. Eight thousand.

377
01:08:26,001 --> 01:08:27,917
Will that be enough?

378
01:08:30,042 --> 01:08:31,876
For the time being.

379
01:09:00,876 --> 01:09:03,459
What's it like having a rich dad?

380
01:09:04,334 --> 01:09:05,959
Normal.

381
01:09:06,042 --> 01:09:07,917
It is what it is.

382
01:09:17,751 --> 01:09:19,584
Where are you eating?

383
01:09:21,709 --> 01:09:24,292
I don't know. He wants steak.

384
01:09:31,126 --> 01:09:32,626
Steak...

385
01:09:35,959 --> 01:09:37,459
You could...

386
01:09:38,042 --> 01:09:40,001
We'll find something.

387
01:10:22,251 --> 01:10:24,709
Hello?
<i>- ... my name...</i>

388
01:10:24,792 --> 01:10:28,417
Sorry?
<i>- You can come get the money.</i>

389
01:10:28,501 --> 01:10:30,084
Get it?

390
01:10:30,167 --> 01:10:32,667
<i>Meissner, hello?</i>

391
01:10:32,751 --> 01:10:34,417
Yes. Sorry.

392
01:10:35,251 --> 01:10:38,126
When are you at home today?
<i>- Today.</i>

393
01:10:41,501 --> 01:10:43,501
Is the speaker broken?

394
01:10:44,459 --> 01:10:47,376
The bike guy's giving me the money back.

395
01:10:47,459 --> 01:10:49,042
Great!

396
01:10:49,126 --> 01:10:51,417
Where are you going to get a bike?

397
01:10:57,376 --> 01:11:00,084
You could take it back if he's fixed it.

398
01:11:00,167 --> 01:11:01,792
You're joking?

399
01:11:01,876 --> 01:11:03,709
I don't want that bike.

400
01:11:07,209 --> 01:11:09,209
Bye.
- Bye.

401
01:11:43,834 --> 01:11:47,042
When in your motion you are hot and dry

402
01:11:47,126 --> 01:11:50,251
as make your bouts more violent
to that end

403
01:11:50,334 --> 01:11:53,167
and that he calls for drink
I'll have prepared him

404
01:11:53,251 --> 01:11:56,376
a chalice for the nonce,
whereon but sipping

405
01:11:56,459 --> 01:11:59,292
if he by chance escape your venom'd stuck

406
01:11:59,376 --> 01:12:01,709
our purpose may hold there.

407
01:12:04,584 --> 01:12:06,501
What is that noise?

408
01:12:10,209 --> 01:12:13,709
One woe doth tread upon another's heel.

409
01:12:14,917 --> 01:12:16,501
Laertes,

410
01:12:16,584 --> 01:12:18,959
your sister's drown'd.

411
01:12:22,209 --> 01:12:23,709
Drown'd!

412
01:12:24,876 --> 01:12:26,459
O, where?

413
01:12:26,542 --> 01:12:30,459
There is a willow grows aslant a brook,

414
01:12:31,667 --> 01:12:35,917
that shows his hoar leaves
in the glassy stream.

415
01:12:37,042 --> 01:12:40,667
There with fantastic garlands
did she come

416
01:12:42,001 --> 01:12:43,959
of crowflowers,

417
01:12:44,042 --> 01:12:46,709
nettles, and long purples,

418
01:12:48,042 --> 01:12:51,792
that liberal shepherds
give a grosser name,

419
01:12:53,084 --> 01:12:55,084
but our cold maids

420
01:12:55,167 --> 01:12:57,709
do dead men's fingers call them.

421
01:12:58,501 --> 01:13:01,959
There, on the pendant boughs
her coronet weeds

422
01:13:02,876 --> 01:13:05,126
clambering to hang,

423
01:13:05,542 --> 01:13:07,542
an envious silver broke.

424
01:13:08,584 --> 01:13:12,376
When down her weedy trophies
and herself fell

425
01:13:13,459 --> 01:13:15,209
in the weeping brook.

426
01:13:15,834 --> 01:13:18,001
Her clothes spread wide

427
01:13:18,792 --> 01:13:22,376
and, mermaid-like,
awhile they bore her up,

428
01:13:23,334 --> 01:13:26,792
which time she chanted
snatches of old tunes

429
01:13:28,126 --> 01:13:32,042
as one incapable of her own distress,

430
01:13:33,376 --> 01:13:36,709
or like a creature native and induc'd

431
01:13:37,376 --> 01:13:39,251
unto that element.

432
01:13:39,334 --> 01:13:41,501
But long it could not be

433
01:13:41,584 --> 01:13:43,792
till that her garments,

434
01:13:43,876 --> 01:13:46,001
heavy with their drink,

435
01:13:46,084 --> 01:13:50,376
pull'd the poor wretch
from her melodious lay

436
01:13:51,042 --> 01:13:53,459
to muddy death.

437
01:13:57,792 --> 01:13:59,459
Alas, then,

438
01:14:01,209 --> 01:14:02,959
she is drown'd?

439
01:14:04,001 --> 01:14:05,584
Drown'd,

440
01:14:05,667 --> 01:14:07,167
drown'd.

441
01:14:35,792 --> 01:14:37,959
Are you staying?
- Should I?

442
01:14:38,834 --> 01:14:41,209
I have to go shopping.
- Stay a bit.

443
01:14:41,292 --> 01:14:43,709
Right? You want her to watch?
- Yes!

444
01:14:46,834 --> 01:14:48,334
Sit.

445
01:15:48,751 --> 01:15:50,251
Excuse me!

446
01:15:59,542 --> 01:16:03,792
I want a crate of these.
There are only single bottles inside.

447
01:16:21,084 --> 01:16:22,584
Thank you.

448
01:16:44,667 --> 01:16:46,584
Who are you?

449
01:16:46,667 --> 01:16:48,501
Get out of here.

450
01:16:53,126 --> 01:16:54,626
Get lost.

451
01:17:15,626 --> 01:17:17,459
Now get out of here.

452
01:22:21,501 --> 01:22:23,084
Come on.

453
01:24:30,459 --> 01:24:32,834
All the creatures in the world...

454
01:24:36,209 --> 01:24:38,126
It's too much for me.

455
01:24:44,084 --> 01:24:47,084
How can I determine between good and bad?

456
01:24:49,167 --> 01:24:51,167
Aren't they all the same?

457
01:24:56,667 --> 01:25:00,126
And then, in this mass
of senseless creatures...

458
01:25:01,209 --> 01:25:02,709
a child.

459
01:25:05,084 --> 01:25:08,584
One that only exists
because you and I wanted it.

460
01:25:11,001 --> 01:25:12,876
It seems crazy.

461
01:25:16,917 --> 01:25:19,959
If everyone's crazy, why can't we be too?

462
01:25:24,292 --> 01:25:27,292
Isn't it enough that we know each other?

463
01:25:27,376 --> 01:25:29,792
I'm scared of vanishing.

464
01:25:31,876 --> 01:25:34,209
Then there'll be nothing left.

465
01:25:37,792 --> 01:25:39,584
I'll hold you.

466
01:25:39,667 --> 01:25:41,376
How much longer?

467
01:25:44,126 --> 01:25:48,251
It's hard to believe you love me
if you don't want a child.

468
01:25:49,292 --> 01:25:51,751
I understand.
- Do you love me?

469
01:25:54,292 --> 01:25:56,584
I think I do.
- You think so?

470
01:25:58,209 --> 01:26:01,501
How can I know?
- I know that I love you.

471
01:26:05,417 --> 01:26:07,834
I feel that I have to be lonely.

472
01:26:10,292 --> 01:26:13,209
A person who is lonely and has nothing.

473
01:26:16,292 --> 01:26:20,042
When I see you or think of you,
I feel loved.

474
01:26:22,917 --> 01:26:26,209
But that doesn't alter the fact that I'm alone.

475
01:26:27,584 --> 01:26:30,459
Having a child wouldn't change that.

476
01:26:30,542 --> 01:26:32,501
What do you mean?

477
01:26:33,542 --> 01:26:36,334
There's a reason why we're here.

478
01:26:36,417 --> 01:26:38,084
A mission.

479
01:26:40,209 --> 01:26:43,959
What kind of mission is that?
Being lonely and alone?

480
01:26:44,042 --> 01:26:45,876
Who does it help?

481
01:26:46,292 --> 01:26:48,042
What does it achieve?

482
01:26:48,459 --> 01:26:50,209
I don't know.

483
01:26:51,501 --> 01:26:53,334
It's just a feeling.

484
01:26:56,626 --> 01:26:58,459
How does it feel?

485
01:27:00,584 --> 01:27:02,209
I don't know.

486
01:27:03,376 --> 01:27:05,292
I feel it very deeply.

487
01:27:06,334 --> 01:27:08,751
But is it good? Does it feel good?

488
01:27:08,834 --> 01:27:10,251
Good?

489
01:27:10,334 --> 01:27:11,834
Deep.

490
01:27:12,501 --> 01:27:14,751
I am steeped in loneliness.

491
01:27:15,417 --> 01:27:17,001
In loneliness?

492
01:27:20,251 --> 01:27:22,001
That's not true.

493
01:27:26,542 --> 01:27:28,167
That's horrible.

494
01:27:30,084 --> 01:27:31,834
It's a nightmare.

495
01:27:36,084 --> 01:27:40,251
I couldn't be anyone's wife.
That's not my mission.

496
01:27:40,334 --> 01:27:43,292
Stop talking about a silly mission.
- What?

497
01:27:43,376 --> 01:27:45,834
You're convincing yourself of it.

498
01:27:45,917 --> 01:27:49,751
Okay, you want to be alone.
But that's not a mission.

499
01:27:49,834 --> 01:27:51,667
What's the goal?

500
01:27:51,751 --> 01:27:54,501
I don't know. I already told you that.

501
01:27:56,001 --> 01:27:59,126
I just want to be ready.
- Ready for what?

502
01:27:59,209 --> 01:28:01,959
Lars, can't you hear? I don't know!

503
01:28:03,876 --> 01:28:06,376
We don't have forever, you know?

504
01:28:15,876 --> 01:28:17,876
But you think you love me.

505
01:28:24,667 --> 01:28:26,167
Okay.

506
01:28:31,376 --> 01:28:34,459
Come for the third, Laertes.
You but dally.

507
01:28:34,542 --> 01:28:39,334
I pray you, pass with your best violence.
I am afeard you make a wanton of me.

508
01:28:39,417 --> 01:28:41,626
Say you so? Come on.

509
01:28:47,709 --> 01:28:49,459
Nothing, neither way.

510
01:28:50,834 --> 01:28:52,751
Have at you now!

511
01:29:30,876 --> 01:29:33,001
Look to the queen there, ho!

512
01:29:34,917 --> 01:29:36,959
How does the queen?

513
01:29:37,042 --> 01:29:39,251
She swoons to see them bleed.

514
01:29:39,876 --> 01:29:42,001
No, no! The drink!

515
01:29:42,084 --> 01:29:43,709
The drink!

516
01:29:44,834 --> 01:29:47,001
O my dear Hamlet! The drink!

517
01:29:47,084 --> 01:29:48,834
I am poison'd.

518
01:29:59,251 --> 01:30:00,917
O villainy!

519
01:30:01,792 --> 01:30:04,626
Ho! Let the door be lock'd.

520
01:30:11,834 --> 01:30:13,334
Hamlet,

521
01:30:13,667 --> 01:30:15,292
thou art slain.

522
01:30:17,001 --> 01:30:19,084
No medicine in the world

523
01:30:19,167 --> 01:30:21,084
can do thee good.

524
01:30:22,501 --> 01:30:24,251
In thee

525
01:30:24,334 --> 01:30:26,334
is not half an hour of life.

526
01:30:28,292 --> 01:30:30,751
The treacherous instrument

527
01:30:31,667 --> 01:30:33,501
is in thy hand.

528
01:30:35,042 --> 01:30:36,751
Unbated

529
01:30:36,834 --> 01:30:38,751
and envenom'd.

530
01:30:40,292 --> 01:30:42,042
The foul practice

531
01:30:42,459 --> 01:30:44,459
hath turned itself on me.

532
01:30:46,542 --> 01:30:48,126
Lo!

533
01:30:48,209 --> 01:30:49,792
Here I lie,

534
01:30:50,542 --> 01:30:52,376
never to rise again.

535
01:30:53,501 --> 01:30:55,667
The point envenom'd.

536
01:30:59,376 --> 01:31:00,876
The king!

537
01:31:01,626 --> 01:31:03,667
The king's to blame.

538
01:31:03,751 --> 01:31:05,584
The point envenom'd too!

539
01:31:05,667 --> 01:31:08,126
Then, venom, to thy work.

540
01:31:17,251 --> 01:31:18,751
Treason!

541
01:31:19,709 --> 01:31:21,209
Treason!

542
01:31:31,251 --> 01:31:34,251
O, yet defend me, friends. I am but hurt.

543
01:31:35,917 --> 01:31:37,917
Incestuous, murderous,

544
01:31:38,001 --> 01:31:39,709
damned Dane!

545
01:31:49,126 --> 01:31:52,376
Drink off this potion.
Is thy union here?

546
01:31:58,376 --> 01:32:00,084
Follow my mother.

547
01:32:20,417 --> 01:32:22,334
Horatio, I am dead.

548
01:32:26,626 --> 01:32:28,251
Thou liv'st.

549
01:32:31,042 --> 01:32:33,584
Report me and my cause aright.

550
01:32:36,334 --> 01:32:38,209
To the unsatisfied.

551
01:32:52,584 --> 01:32:54,334
Never believe it.

552
01:32:54,417 --> 01:32:56,167
I swear it.

553
01:32:57,001 --> 01:32:59,209
Here's yet some liquor left.

554
01:33:05,584 --> 01:33:07,417
Give me the cup.

555
01:33:11,584 --> 01:33:13,417
Let go, by heaven.

556
01:33:35,251 --> 01:33:38,167
If thou didst ever hold me in thy heart,

557
01:33:40,251 --> 01:33:42,959
absent thee from felicity awhile

558
01:33:46,209 --> 01:33:48,209
and in this harsh world

559
01:33:50,459 --> 01:33:52,584
draw thy breath in pain

560
01:33:54,251 --> 01:33:56,251
to tell my story.

561
01:34:06,917 --> 01:34:08,751
What noise is this?

562
01:34:12,292 --> 01:34:13,917
So warlike.

563
01:34:15,292 --> 01:34:19,001
Young Fortinbras,
with conquest come from Poland

564
01:34:19,084 --> 01:34:23,501
to the ambassadors of England
gives this warlike volley.

565
01:34:47,334 --> 01:34:49,209
O, I die, Horatio.

566
01:34:53,667 --> 01:34:55,376
The potent poison

567
01:34:57,501 --> 01:34:59,751
quite o'er-crows my spirit.

568
01:35:02,876 --> 01:35:05,042
I cannot live to hear the news

569
01:35:05,542 --> 01:35:07,167
from England.

570
01:35:10,376 --> 01:35:12,292
But I do prophesy

571
01:35:18,584 --> 01:35:20,501
the election lights

572
01:35:21,292 --> 01:35:22,792
on Fortinbras.

573
01:35:24,751 --> 01:35:26,751
He has my dying voice.

574
01:35:30,251 --> 01:35:31,917
So tell him.

575
01:35:33,459 --> 01:35:35,917
With the occurrents, more or less.

576
01:35:37,334 --> 01:35:39,334
which have solicited.

577
01:35:45,209 --> 01:35:47,501
The rest... is silence.

578
01:36:14,292 --> 01:36:17,417
Now cracks a noble heart.

579
01:36:20,251 --> 01:36:22,251
Goodnight, sweet prince.

580
01:36:23,417 --> 01:36:27,001
And flights of angels sing thee to thy rest.



