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[light dramatic music]
- [David] Abby, why?
Speak to me, Abby, why are you doing this to me?
What do you want from me?
Abby!
- [Woman] David, David, David.
[branches crunching]
- You want me?
Come and get me!
[dramatic music]
- [Man] What if we knew that was God was real?
[door creaking]
[bat thudding]
[light music] [Abby laughing]
- [Man] Wake up, David.
It's time to get moving.
- [Woman] David.
- [David] Abby, I dreamt about you again last night.
It's day 75 and I'm no closer to figuring out
what happened to you.
They continue to point their finger at me and say I did it,
and with Charlie missing, I can't convince them otherwise.
It's easy for them to blame me, though.
It makes sense.
They say you two were having an affair, but this is a lie.
It has to be.
They don't know me,
and they certainly don't know you.
As they press me and I deal with their antics,
attempts to break me and force me to crack,
I rely on my abilities to put the pieces together
and figure it out.
There are moments though, where I see myself falling into
a dark abyss so deep, that eventually it will be impossible
to find my way back, and as the light fades,
I feel the darkness consume me.
[radio chiming]
- [Announcer] Conspiracy Radio.
- [Jimmy] Let me get this straight,
the Devil is very much alive and he's living amongst us?
- [Perez] Well, that depends on your perspective.
- [Jimmy] Oh that's such a crock, though.
I mean don't you think, I mean this spiritual battle,
a fight between good and evil, God, Creation.
Don't you think that this is just a ploy against us
that's set up by organized religion?
- [Perez] I'm not about organized religion.
Um, I am completely about something different, Mr. Jones.
- [Jimmy] Anyway, well first off, Jimmy, just call me Jimmy.
And also I hope I didn't come off
like I was antagonizing you.
I am just really curious about this
fight between good and evil,
and it seems very black and white to me.
- [Perez] No, what you or I cannot deny that there
is good and evil in this world.
There is light and there is darkness.
In between, there is nothing else.
It's either or.
We as a human race continue to ignore this
and have convinced ourselves of this gray area,
but that's not the truth.
- [Jimmy] Well that was very well said
and I might have a point to counteract with that.
Let's take a quick break and listen
to a phenomenal band Old Man Canyon.
- [David] Perez is right.
There is no gray area.
There only is or isn't.
What we do and what we don't do.
Take Detective Parks for instance.
He sits there and watches me day after day after day,
like he's expecting me to slip up.
Maybe if I was guilty I would.
The only thing I am guilty of is not telling you
every day how much I love you.
Guilty of not doing enough to keep you safe.
Believe me, I'm doing everything I can
to prove my innocence, but each day has its challenges.
While the detectives spend their time playing mind games
and hoping that eventually I'll break,
I spend my time investigating the university's involvement.
Say for a moment that you and Charlie were having an affair.
I don't know if I would resort to murder.
I have never lifted my hand
to another human being my entire life.
I don't think I'm capable of violence.
I have witnessed enough death in my time
to know that nothing is solved by it.
- And you didn't know if anyone was comin' to visit?
How do you think this looks?
Are you admitting it?
- Parks, take a walk.
- You went fishing, right?
You catch anything?
[Parks chuckling]
- Mr. Harris, my partner's just trying
to put together the pieces.
You say you come back, there was a broken mug.
The chair is flipped over and your wife
is no where to be seen.
So you go out looking for her,
yet you don't call us for a number of hours.
Now given what you do for a living,
how do you think that sounds?
- I get it, things happen, people fall in love,
especially when they work as close together
like you and Charlie did.
Suggesting you and Charlie having an affair
is too convenient, too obvious and not to mention cliche.
But I wonder if people knew how different you both were.
Sure, maybe you believed in the same things;
helping others, making a difference in the world,
not to mention your faith in God.
And even though you wanted to accomplish the same thing,
you didn't always see eye to eye.
[phone buzzing]
[muffled music]
Hello, Dad.
- [Henry] Hi, son.
You got me on that speaker again?
How many times do I have to tell you?
They may be listening.
- What do you want?
- I wanna know how you're doing today.
- Just wanted to welcome - You feel like company?
- [Jimmy] Everyone back to the program.
- Do I have a choice?
- Of course you do. - Or if you're just tuning in
we are here with renowned
- Come on. - Author and Harvard professor
Perez Valentino. - Your mom made brownies.
- [Jimmy] In his five part series on his new book--
- So I don't have a choice.
As you wish. - This is about faith.
And I'm really curious about - Great, see you in an hour.
- [Jimmy] Your opinion of the afterlife.
- [Perez] I think the essence of our faith, is love.
I think where we [light somber music]
fall of the rails is linked to our faith
and money and material objects;
shoes, cars, televisions, television devices, T.V. shows,
news, propaganda, and we get away from our movies--
- [David] Detective Parks and Gaines are not paying
close enough attention to the university
and their involvement in your death.
They have to know more than they're letting on.
- [Perez] We, whose fact of authorities.
- [David] Whatever you two were working on
caused you to keep secrets from me.
What was so important that you felt
that you had to hide it from me?
That you felt you couldn't say something?
You don't think I noticed how on edge you were at times?
Something must have happened between you
and the board of directors that made you nervous enough
that you felt you couldn't talk to me.
If you couldn't trust me, then who could you trust?
- [Perez] Intuition.
- Hey, I got a package for a David Harris.
- [Perez] Fly south for the winter to make warm.
How do they know to fly south rather than stay, intuition.
It's something that humans have inside of them
that we've had and continually had since
the beginning of time, since existence.
[doorbell ringing]
We deny that fact of the thing that all tribunes
that modern living has in the heat of the furnace.
- [Henry] You gotta eat.
- [David] Come on in.
- I wanna whip up something special,
you wanna invite your friend in and feed him too?
- Let him starve.
- That's not very nice.
- [Jimmy] Convert you.
[muffled radio talking]
- How'd you sleep?
- [David] I don't sleep.
- Your mom sends her love and brownies.
- How is she doin'?
- Your mom? - Yeah.
- Your mom's a survivor.
She's not who I'm worried about.
You kids need a father, David.
They're not doin' too good.
This has gone on too long.
You need to do something.
- [David] What?
- Do you think I'm just gonna stand around
and watch you throw your life away?
That's not gonna happen, bud.
- [David] Tell 'em I love 'em.
- You tell 'em.
That's your job.
That's your sole purpose.
- They're comin' for me, dad.
It's just a matter of time, but they're comin'.
- I know, Martin called me this morning.
[David chuckling]
- Is that why you're here?
- Yes and no.
Okay, mostly yes.
But I thought maybe we could work on this together.
Get it figured out.
We know we don't have much time.
Have you been able to make any kind of progress?
- None.
I mean, my mind's not workin' right.
I can't think straight.
I mean, I try, I try to put the pieces together,
but they don't seem to fit.
Maybe they're right.
- What are you saying?
David.
- Maybe it's that simple?
Maybe they were having an affair.
- Don't you dare. - What!
It makes sense, doesn't it?
The secret meetings?
Coming home late at night?
- Enough!
I'm not gonna stand here and watch you go down that road.
You know what it's like when you're working
on something that's important.
Abby was a good woman.
Abby was a great wife.
Don't you dare, not even for a moment,
allow anyone to sully her reputation.
- What am I gonna do?
[light dramatic music]
- I don't know.
Maybe start at the end, work your way backwards.
- I've done that over and over and over again.
- David, you're a bright man,
but you're also very sensitive.
You can't allow your emotions
to control your thought process.
It's like you almost have to stand outside
of the circumstance that you're in,
in order to see a bigger, more global picture.
- I have been.
That's what I don't think you understand.
I have.
- How do you like your eggs?
We're not gonna be able to solve this on an empty stomach.
- Scrambled, like my brains.
- But I wanna stay with you.
- [David] Oh, sweetie, I know, but you can't.
- But you need me, I can help you.
- [David] Look, I know that it seems that way,
but daddy just needs to be alone right now, okay?
Okay?
- [Henry] What, you're not gonna finish that?
- No, I'm good.
- Well, you hardly touched it.
Come on, you need to eat.
[light dramatic music]
- Charlie.
He had a brilliant mind and he had this ability to see
things from a different perspective, beyond science.
There was something special about him.
He had all these theories on life's creation.
He told me he wanted to scientifically
prove that God was real.
Said it would end all war, can you believe it?
- You gotta go.
- Hm, what?
- [David] Lock the door on your way out.
- What, David?
[door slamming]
- If Charlie's alive and gone into hiding,
then I'm gonna need some help to draw him out.
You hungry?
Come on, let me make you something to eat.
Why aren't you guys looking for Charlie?
- Oh, we are.
Around the clock.
Where did you hide the body?
[David chuckling]
- Oh, you guys don't quit, do you?
I didn't kill my wife.
I didn't kill Charlie.
- Keep tellin' yourself that.
- You know, your insults, they're not gonna work on me.
- Ah, that's right, you know the game.
- [David] So why aren't you looking for him?
- Mr. Harris-- - David, call me David.
- Mr. Harris, I'm not here to be your friend.
I'm here in pursuit of the truth.
- [David] Me, too.
[Parks groaning]
All right.
I'll talk, you listen.
So we know that Abby and Charlie were working
on something groundbreaking for the university.
- We looked into that.
- [David] I know, but it must have been so big that
the university got scared
and they needed to put a lid on it.
- Go on.
- [David] See, if we could, if we could find out what
it was they discovered, then we could figure out
who killed Abby, who really killed her
and we can draw Charlie out of hiding.
- Yeah, Gaines warned me about you.
Said you were too smart for your own good.
We talked to everyone we needed to at the university.
They said Charlie quit, they have his resignation letter
so you can toss that theory right out the door--
- [David] They're lying.
Anyone can fabricate a letter.
You know that.
- You've been cooped up in here way too long.
Hasn't done you any good.
- Its given me time;
time to think and put the pieces together.
I'm on to something here, and you need to go back
to the university and you need to look harder.
- Mr. Harris, you're starting to panic
because you realize the truth is about to come out.
So all of this, I get.
- [David] If Charlie's dead, then where's his body?
- I don't know, you tell me.
- [David] I don't know!
- I don't believe you.
You read a lot of conspiracy books.
I've even caught that station you listen
to when I've come in here.
- [David] It's on just for background noise.
- Yeah, right, but you've been here a long time,
and that doesn't do someone in your condition any good.
It's sad.
I think a psychologist would call this
post traumatic syndrome.
You know, a lot of the vets coming back
from the war have it.
'Cause killing someone is not an easy thing to do.
Killing two, that must be even harder.
[fist thudding] [suspenseful music]
[dramatic music]
- Abby?
Abby?
[muffled whispers]
Abby?
Abby, wait.
- [Gaines] Parks, you there?
If you're there, Parks, pick up.
Hey, Parks, I got coffee, pick up.
We're still waiting on the warrant,
so do not go inside.
[suspenseful music]
- [Parks] Yeah, you're in for it now.
What are you gonna do, run?
- You try explaining this one to your superiors.
[dramatic music]
[door slamming]
[knocking on door] - Mr. Harris.
Mr. Harris, open the door.
[tapping on glass]
Come on, let's talk.
Hey, where's Parks?
Open the door, Mr. Harris.
Can you open the door? [dramatic music]
- Hey, he went out the back door!
- Mr. Harris.
Get off the fence.
Get down.
Get off the fence.
David, get down, come on.
David, don't run.
David.
- He took my gun.
- Seriously?
[key clanging]
What the hell happened?
- I didn't think he had it in him.
- Well apparently, he did, what'd you say?
Jeez, let me do that.
- I'm right handed.
- Yeah, we'll call it in.
Here, leave that on.
- Hi, Mr. Harris. - Hi.
- It's good to see you.
- You too.
- Tea, water?
- Uh.
- Sorry to hear about your wife.
- Thanks.
- Do you want a menu?
- I'm okay right now.
Do you have a phone I can use?
- Yeah, come with me. - Okay.
Ah, 555-525-5151.
[dramatic music]
What have I done?
This is not good.
I can't believe I hit him.
And you, you're, I saw your lifeless body.
They found you at the bottom of a ravine.
Dead people aren't supposed to appear
in front of you like that,
they're supposed to stay dead.
What's happening to me?
[phone ringing]
- [Melissa] Harris, Carter, and McGill,
how can I direct your call?
- Yeah, Martin Carter, please.
- Uh, Mr. Carter is with some clients right now.
- Melissa, it's me, David.
I need to talk to him.
- Oh, my God, David.
Are you okay?
Stay on the line.
[sighs]
[phone ringing]
- David, where the hell are you?
- I can't say.
- Of course you can.
Tell me where you are, I'll come get you.
- No, Martin, no.
- David.
David, this isn't how we do things.
You know that.
- I saw her, Martin.
- [Martin] You saw who, David?
- I saw Abby.
- All right.
All right, buddy.
Let me help you.
Now tell me where you are.
[dial tone buzzing]
[phone beeping]
Henry, it's Martin.
We have a problem.
[door slamming]
- [Man] Two, please.
- [David] Those two, who are they?
They aren't FBI or CIA or the mob.
That pin, they're with the school.
That's it.
They're sending people after me, aren't they?
And I can't believe I told Martin.
That wasn't very smart.
He's crazy if he thinks I'm gonna turn myself in.
- [Man] What's he doing?
- Writing, he's writing.
- [Man] Anything else?
- [David] I have to watch myself.
Every move I make has to be calculated.
- [Man] Nobody else is with him?
- By himself.
Single plate.
- [David] What kinda trouble were you in, Abby?
What do they want with me?
- Would you like a refill?
Are you sure you don't want a second cup?
It's free.
[giggling]
[snapping]
- Mr. Harris?
Mr. Harris?
You zoned out there for a second.
You okay?
You sure you don't want something to eat?
Mr. Harris, Mr. Harris. [suspenseful music]
[light dramatic music]
- [Henry] Chloe, come on inside.
It's time to eat.
Come on in, let's get washed up, hon.
[somber music]
- Abby?
Abby?
[David sighing]
- [Woman] David.
- [Radio] Harris has been on the run since yesterday.
A warrant for his arrest has been issued.
Charged with the murder of his wife, Abby Harris,
and also been linked to the mysterious disappearance
of her alleged lover, Charlie Miller, also presumed dead.
Police are asking for your help in locating the suspect--
- This one's on me. - Thank you.
- No problem.
- Have a nice day. - You, as well.
- Put that down.
Here.
You know that this is not good, right?
I could get in a lot of trouble for having you here.
- I know.
I need your help.
[light dramatic music]
- Anything.
What do you need?
- I know this is gonna sound crazy,
but I need you to believe me.
Abby's appeared to me.
- David.
- I've seen her with my own eyes.
I know she's dead, but I saw her.
She's trying to tell me something.
- David.
You need to listen to me, not only as a doctor,
but as your friend, okay?
Please don't do this to yourself.
Please.
Turn yourself in.
Let your father and Martin do their job.
- I can't.
- [Sofia] What are you gonna do?
- I'm gonna figure it out.
- How are you going to figure this out?
You have to be realistic.
- I am.
If she's trying to tell me something,
I need to trust in that.
- Okay, if that's the case, what is she trying to tell you?
- Well, if I knew.
I need you to think back to before Abby died.
Did she say anything to you?
Did she give you a hint with regards
to anything that her and Charlie were working on?
- No, nothing.
They were very protective over their work.
Dammit, I wish I could tell you something, but I can't.
Hey, I miss her, I do.
But this is not the way to do things.
- You know Abby never did tell me how that week went.
- She didn't go.
She said that she was going
to the cabin with you and the kids.
- No, I was in New York on a job that week.
The kids, they were with my parents.
- What?
You don't think.
- I need you to do one more thing for me.
- [Jimmy] But what about those gray circumstances
that happen in the world?
What about someone's mother dying of cancer?
And the repercussions.
The ripple effect that happens with that.
If God is all this love and all of this good,
what about these bad things that happen?
'Cause people will certainly argue with you.
They will say, well, if God is all good,
then why did my mother die of cancer?
What do you have to say to that?
Because that's out there.
That's another Tweet that I could read to you.
- [Perez] I think that man is in charge of man's destiny.
And we live in a physical world and physical things
happen to man and it's not all good.
People get sick.
People get cancer.
People get terrible, terrible disease and there are miracles
that happen, but it's not God's fault
that these things happen, that someone gets sick.
All we have is God's grace and God's forgiveness
and God's love to help us through the trying times
and the suffering that we must endure.
But, it's not God's fault that these bad things happen.
It is a physical world.
- I just wanna let you know, I'm pregnant.
- [Perez] It's man's world and we decide what we do.
- [Jimmy] So essentially you're saying it's part
of the gift of being alive.
Having free will. - Exactly.
- [Jimmy] We're kind of, you know,
biting the hand that fed us, so to speak.
- [Perez] Um, in a way.
Yes, in a way, yes.
- I'm pregnant.
♪ To you dear ♪
♪ Sorry that I left you there ♪
♪ Low ♪
♪ All that I tried to erase ♪
♪ The memories ♪
♪ Everyday that I try to erase ♪
♪ The memories that we ♪
[dramatic music]
[door creaking]
- Mr. Harris.
- It's nice of you to join us.
- [Jimmy] Then why do you choose to talk about God?
Is that your anchor?
Is that your focal point that you think that
people will relate to because isn't the core of it really,
what you're talking about, is the essence of energy?
- [Perez] I believe that we have lost something,
and that I believe we have lost the essence of our faith.
- I'm afraid we don't have any milk.
I hope that's okay.
But, we have a specialty of my wife's, brownies.
- Thank you.
- Those are really good.
- I know, right?
Okay, so you're not the CIA, you're not the FBI,
and unless I missed it, there haven't been any alien
sightings in the area recently.
So, who do you work for?
[light dramatic music]
- Who who work for isn't important.
- Oh, I think it is.
- [Perez] From that loss, I believe we have become
rudderless and that we have lost our way and that the only
way to find our path is to come back to the Father.
Come back to the stars.
Because in darkness a speck of light will always burn
through a sheet of darkness and that just is a fact.
And that is a scientific fact.
- I mean it's obvious you're not
authoritative types, that's apparent.
I come in the house, you guys are snoopin' around.
And that car, it smacks of organized crime.
How do you know that I didn't already call the cops
and I'm just biding time until they get here.
- [Agent] I don't think you did that.
- Oh no?
- What my partner's trying to say is we believe
you're more interested in protecting your son
than causing him more harm.
Let me ask you something, Mr. Harris.
How important is David's safety to you?
- Why would you wanna hurt my son?
- You got us all wrong.
We don't wanna hurt David, we wanna help him.
- We know David is innocent.
We also know David is the key to helping us
recover what belongs to us.
- I don't know where he is.
[Agent groans]
- Mr. Harris, give me your hands.
- It's okay, it's okay, it's okay.
It's okay, it's okay.
It's okay.
[suspenseful music]
[Henry sighing]
- What did you just do to me?
[dramatic music]
- [Man] Howdy.
- [David] This is unbelievable.
How'd they find me?
They mustn't be the only ones watching me.
I have a feeling there's someone else.
Who, Abby?
Who else is following me?
I have to get to the cabin.
At least there I can rest and think.
First I have to ditch the car.
- [Gaines] Take it easy.
Dr. Milano.
- I didn't make that mess in there.
Think they found a UFO around here?
- [David] What?
- The suits, car.
You mind driving?
Let's do it.
Hey, thanks for driving.
I needed a break.
You don't mind, do you?
I love this song.
[muffled country music] [car rumbling]
What are you comin' all the way out here for?
- I needed to get away.
- Traveling light, huh?
- It's kind of a last minute thing.
- Me too.
Just gonna rest my eyes.
It'll all be over soon.
♪ There's an angel watching over you ♪
[dramatic music]
- And that's the truth.
He showed up at the cafe, I brought him back here,
he showered, we talked and then he left.
- That's it?
Nothin' else?
Aiding and abetting a fugative.
Courts don't take lightly to that.
- David do that?
Wow.
I wouldn't think he had it in him.
- Look, Dr. Milano.
Despite what my partner said,
you're not a person of interest in the case, okay?
We're not here for you, we're just looking for David.
- I gave him my car.
He needed my help, so I did what was right.
- Okay, what do you drive?
- An SUV, it's white.
License plate 223EEA
- [Gaines] Thank you.
- He didn't kill Abby, you have to know that.
- Then why did he run?
- Because he saw her.
- Who?
- Abby.
- He told you that? - Yes.
- He told you he saw his dead wife?
- That's right.
- So you see, you see how unstable he is.
We need to pick him up before he hurts himself,
before he hurts anyone else.
So any detail that you could tell us, could be of value.
Anything, Sofia.
[country music]
- You in some kind of trouble?
- What do you mean?
- The suits, they're following us.
Look, I don't know what you're into,
but I'm not looking for trouble.
- Neither am I.
- What's with the gun?
I will drop you right here if you don't start talking.
- I'm innocent, okay?
My wife is dead, they think I did it.
All I have to do is prove my innocence.
- How are you gonna do that?
- I had a plan.
- To run?
- Yeah, no.
I mean, I don't know.
- [Thomas] You sound confused.
- It wasn't supposed to be part of the plan.
It's just, they left me no other choice.
- You always have a choice.
- You know, Abby would say that.
Me, I think it's like a dog eat dog world.
I play the hand I've been dealt.
- A wise man once said, know when to hold them,
know when to fold them.
So, what are we gonna do about our friends back there?
- [David] Can we lose 'em?
- We can do anything.
Pull over.
This is as far as I take you.
Well, you're going this way and I'm going that way.
- I just thought you were gonna take me all the way there.
- Change of plans.
I have somewhere to be.
Hey, chin up.
You're not alone.
Trust me.
I know.
Good luck.
- Thanks for the ride.
- [Thomas] Anytime.
[light dramatic music]
♪ I can taste the poison ♪
♪ Running through my veins ♪
♪ Part of your destruction ♪
♪ Toxic in every way ♪
♪ Ruin me with your lips ♪
♪ Suffocate by taste ♪
♪ They say I won't listen ♪
♪ But I have no choice to take ♪
♪ You've been wearin' a toll on me now ♪
♪ And I can hardly take ♪
♪ No way I should right now ♪
♪ We're not the only chase ♪
♪ Moonlight cover my tracks ♪
♪ If he can't fine me there's no way ♪
♪ That he can ever bring me back ♪
♪ Moonlight help me fast ♪
♪ Don't stop runnin' now or else ♪
♪ He's gonna come and take you back ♪
[humming]
- [David] Are you okay?
Maybe we should get away.
Take the kids to the cabin or something.
- That sounds like a great idea,
I just don't know when I can do that right now.
♪ I can feel your heartbeat getting closer now ♪
♪ Lurking through the shadows ♪
- [David] You were trying to protect us, weren't you?
No wonder you couldn't talk to me.
You feared for our lives.
- Charlie, he had a brilliant mind.
He had so many theories on life's creation.
I can guarantee you they were not having an affair, David.
- [David] I have to believe Sofia.
So what was the meeting at the park about?
Who was with you that day at the cabin?
Who, Abby?
I have to get there before someone else does.
[branches crunching]
♪ Moonlight cover my tracks ♪
♪ If he can't find me there's no way ♪
♪ That he can ever bring me back ♪
♪ Moonlight help me fast ♪
♪ Don't stop runnin' now or else ♪
♪ He's gonna come and take you back ♪
[humming]
♪ The haunted hauntin' this place ♪
♪ You won't catch me ♪
♪ Watch me run now ♪
♪ Hide and seek is way less fun now ♪
♪ Blow my cover ♪
♪ Hide my footsteps ♪
♪ I won't go back, I won't give in ♪
♪ Moonlight cover my tracks ♪
♪ If he can't find me there's no way ♪
♪ That he can ever bring me back ♪
♪ Moonlight help me fast ♪
♪ Don't stop runnin' now or else ♪
♪ He's gonna come and take you back ♪
[humming]
♪ The haunted hauntin' this place ♪
[light dramatic music]
- Abby, why?
Speak to me, Abby, why are you doing this to me?
What do you want from me?
Abby?
Talk to me, please.
[branches crunching]
You want me?
Come and get me!
[dramatic music]
[thudding]
- [Thomas] David, pick yourself up son.
The clock is ticking.
[bat thudding]
[Charlie groaning]
- David, David, I'm on your side.
- Really?
Then where have you been for the last few months?
- Look, I didn't kill Abby.
[gun clicks]
I wanna make that very clear with you.
[dramatic music]
She was my friend.
- Why should I trust you?
- 'Cause you don't have a choice.
- You know, that's funny.
Yesterday I had a conversation with this man
and he said we all have a choice.
- Because I'm the only one that could clear your name.
- What happened to her?
What happened to her!
- It was an accident.
I came up here to talk to her about
a project that we were workin' on.
Things didn't go the way they were supposed to.
We started arguing.
Next thing I know I was chasing her through the woods.
She fell.
I didn't know what to do.
So I ran.
- If it was an accident why didn't you say something?
Why hide?
We were family.
You ate dinner at our table.
Chloe is your god daughter.
- My life's work was at stake.
- What about us?
- You don't understand.
- I don't understand?
[David chuckling]
I don't understand?
I don't understand my wife is dead?
I don't understand I don't get to see my children?
There's people chasing me, following me,
and I don't even know who they are.
So you tell me what I don't understand.
- Five years ago Abby and I started researching
the genetic cause of diseases.
Our goal was to find out why certain family members
contract and others don't.
What it led us to discover was one common gene.
I believe this proof, physical proof of one divine creator.
- What does this have to do with her death?
- We didn't see eye to eye.
Abby felt that it went against everything that she
believed in and what our colleagues believed in,
and I felt that this was proof
that we can give people their lives back.
But the board decided to go with the status quo.
Problem is, all that work that we had to done,
Abby took it and hid it away.
And when I came up here to ask her to give it back to me,
that's when everything just went sideways.
I wish it woulda never happened.
And I wish that she was here with us today.
- Do you think she hid it here?
- That's what she told me, but I've looked everywhere
and I can't find it.
Sofia told me that Abby appears
to you sometimes in your dreams.
Is it true?
David!
- What?
- Is it true?
- I don't wanna talk about it.
- Maybe she's reaching out to you.
Maybe she's trying to tell you something.
Come on, David, talk to me.
- [David] I can't.
- [Charlie] Yes, you can.
- No, I can't.
I don't want to.
- Look, I know your views on the world are different
from the way Abby and I saw things.
When are you gonna let it go?
- I don't know how.
- Sure you do.
Everybody does.
- I don't wanna talk to him.
- He's always listenin', even when you think he isn't.
He is.
[light dramatic music]
Pray, David.
Talk to him, David.
Pray.
Concentrate.
Just concentrate.
- I'm the only friend you have left.
[light dramatic music]
[Abby giggling]
- Yes.
Yes.
- I think I know where she hid it.
Why is this so important to you?
- I mean, think about it.
You know how the world is.
Look at how we treat one another.
I mean, having faith is difficult.
I mean, most people aren't even capable of it.
I mean, what if we knew, what if we knew that God was real?
- You really think he cares?
Maybe you're doin' this for nothing.
- I'm tryin' to do something good for the world, David.
- And that makes you as bad as every religious fanatic
I've ever sat with.
- This isn't about religion, David.
This is about us.
People always say that religion is bad.
Religion isn't bad.
It's man that makes religion evil.
The way they teach it, the way they manipulate it,
the way they benefit from it.
And if I can prove that God really exists,
then I believe I'm giving humanity the answers
that it's searching for.
And I hope that one day,
that it'll end war and pain and suffering,
and give people what they really deserve; peace.
[light dramatic music]
David.
Dave.
Where the hell are we going?
Dave.
- Just up here.
Right here.
[gun clicks]
You lying son of a--
- [Charlie] Easy.
- What about me and my family?
- Don't worry, I'll take care of you, I promise.
We don't know what kinda evil these people are, David.
What if they'll stop at nothin', huh?
Drop it.
Come on.
- It doesn't have to be this way.
If what you discovered is true, then let me help you.
- Help me?
You can't help me, David.
I can only help myself.
Now let's go.
[suspenseful music]
- Charlie.
- Stay back, I won't hesitate.
- This isn't the way we do things.
- I know how this works.
- [Agent] Put the gun down.
- Don't trust 'em.
Don't trust them.
- Charlie, think about what you're doing.
You go down this road, there's no turning back.
- [Charlie] Don't even think about it.
[dramatic music]
- You okay? - Yeah.
- [Agent] Okay, watch your step.
That's it.
- Mr. Harris, David, may I call you that?
- Yeah.
- We are deeply saddened by your loss.
Abby was a wonderful woman.
She did great things for the university,
and her memory will not be lost.
[car engine rumbling]
- I'm gonna go call your mom.
- [Perez] There are red flags that come up.
In that people become upset.
But we must not, that must not stop us from saying.
- [Jimmy] I think you might have taken it the wrong way.
I'm not vilifying God in any way.
My worry is, how are you?
- [Parks] Huh, feel better?
- Enough of this conspiracy radio--
- No, no, just give it a second.
Good stuff here. - Oh this is real?
You believe in this?
- I don't believe in it, it's just,
it's interesting. - Crop circles,
and the whole Area 51. - Just give it a chance.
- And the mafia killed JFK. - You're killin me, man.
You're killin' me. - Marilyn Monroe is still
alive livin' in Argentina. - All right.
We're changing the channel, all right?
- With Hitler. - It's not goin' anymore.
- Okay good.
Wake me up.
- Aw, man. - When we get there.
- You just, you just can't have
one bit of patience, can you?
- The sun's so warm.
- [Radio] Made it back to their headquarters.
[light dramatic music]
- Go on, there's dad.
- Hey, sweetie.
You okay?
Yeah.
Ben?
- Well, Ben's not quite ready.
Give him a little time, he'll come around.
- Okay.
I'm glad you're home.
Abby, I may never be able to explain
to the children what happened to you.
I still don't fully understand it myself.
As difficult as it will be to let you go,
I know it's for the best.
Better for me, for Ben and for Chloe.
Maybe it's time I gave God more credit for who he is.
Maybe it's time to start talkin' to him again.
I sure hope Heaven is as great as it's written to be.
Till we meet again, I love you.
[light music]
♪ When we were young all we knew ♪
♪ Was days of us ♪
♪ Time had flew by so fast ♪
♪ But what is ever do ♪
♪ We found our way to the Milky Way ♪
♪ To follow dreams ♪
♪ Smoke splitting in a phase of me ♪
♪ I'll be who I wanna be ♪
♪ Said your past isn't first ♪
♪ Your unquenchable thirst ♪
♪ Always meant for best that the world ♪
♪ She said how do we get back to the start ♪
♪ Because we're breakin' apart ♪
♪ To seem to get ahead then we fall right back again ♪
♪ How do we get back to do the start ♪
♪ Because we're breakin' apart ♪
♪ To seem to get ahead then we fall right back again ♪
♪ Right back again ♪
♪ So here we are wild and young ♪
♪ The world is yours and what is it you wanna become ♪
♪ The light of the rising sun ♪
♪ And don't tell me what you think is fact ♪
♪ The future's mine ♪
♪ Maybe got us feelin' the past ♪
♪ We gotta make our move ♪
♪ I need some love for my soul right now ♪
♪ I need some love for my soul ♪
♪ I need some love for my soul right now ♪
♪ I need some love for my soul ♪
♪ And how do we get back to the start ♪
♪ Because we're breakin' apart ♪
♪ To seem to get ahead and we fall right back again ♪
♪ How do we get back to the start ♪
♪ Because we're breakin' apart ♪
♪ To seem to get ahead and we fall right back again ♪
♪ How do we get back to the start ♪
♪ Because we're breakin' apart ♪
♪ To seem to get ahead and we fall right back again ♪