(reel softly clicking)
Downloaded from YTS.MX
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(waves softly crashing)
(metronome softly tapping)
(static drowns out radio voice)
(whimsical carnival music) (radio static softly hissing)
(woman on radio speaking foreign language)
(whimsical carnival music) (static loudly hissing)
(whimsical carnival music) (radio static softly hissing)
("My Darling" by The Aquatones)
♪ I really must know ♪
♪ My love ♪
♪ I'm under your spell ♪
♪ You're the only one I love ♪
♪ I really can tell, I really can tell ♪
(waves softly crashing)
- Hey.
What?
No, I thought you said later.
No, no, I know, I was, (light rock music)
but no, I thought you said later.
Okay, yeah, yeah, I'm on my way.
I'll be there in 10 minutes.
No, I'm on my way, I'll be there in five minutes.
I'll see you then.
All right, I love you.
("Tread on Me" by Polvo)
Fuck!
(loudly grunts)
(music drowns out lyrics)
♪ And after a while I try to start ♪
(muffled music drowns out lyrics)
(car engine softly rustles)
(light muffled guitar jazz)
(cars softly rustling)
(light muffled guitar jazz)
Those frogs there, can I,
can I purchase them with money?
- [Clerk] Frogs?
- Yeah, those, those frogs there on those hooks.
I can feel their pain.
I wanna buy those frogs, how much?
- $15.
- $15, okay, $15 each frog?
- [Clerk] $15 each.
- Shit, I'll tell you what,
I'll buy all of those frogs for 63 bucks.
- No, all the frogs, no, all the frogs, one, two-
- No, all the frogs, look,
I know it's not what they're worth
but I'm buying them in bulk, see,
so when I, when I buy them in bulk,
you don't pay the market retail price
when you buy things in bulk.
Look, this is all the money I have, I'm broke.
Let me buy those frogs, let me get them off
of the fucking hooks with all of the money I have, 63 bucks.
- You want to buy all the frogs?
- Yes, all of the frogs.
- All the frogs, $15 each.
- Look, man, I don't have it.
This is all the money I have.
I wanna buy all of the frogs
with all of the money that I have.
Next week when, when I, when I pick up cigarettes,
I'll pay you back the rest.
- You want to buy all the frogs?
- Get those boys off those hooks!
("Vibracobra" by Polvo)
♪ All curled up just like a scare that a candle lit ♪
♪ All prepared to take the high chair ♪
♪ And I'll swear it doesn't matter where I sit ♪
♪ When there's something to compare ♪
- [Woman] Like we should probably wear the t-shirts.
- I don't know you wanna be your, you're gonna
wear your own apparel? - Y'all seen Mona?
- We all match then. Yeah, I think she's pissed at you.
- What?
- Yeah, she stormed out after our set.
She's like super stressed-looking.
- Oh my God.
- God has nothing to do with it.
Suck a dick.
(muffled bass music)
Mona?
Hey.
Are you pissed at me?
- Why would I be pissed at you?
- I don't know, you kinda looked like you felt pissed.
- Well, that's how I look, but that's not how I feel.
- Here, I got you a coffee.
Lots of cream, lots of sugar.
- Hey, what happened to your hand?
- Nothing.
- Should I be pissed at to you?
- No.
It was in your dream or it was in, where did you see him?
- Today. - I don't understand.
- [Mona] Today.
- You maybe you just got your old people mixed up, you know?
- What? - Like, they all kinda
start to look the same anyway.
- What are you talking about?
- You know what I'm talking about, like,
old people kinda look similar when they,
as they get older, it's like babies,
babies all look the same. - Oh my god,
you don't believe me.
- You can't tell the difference,
you can't tell babies apart- - I knew you wouldn't
believe me. - Till they're like three
or four, it's like, no, I believe you.
I'm just saying you maybe- - No, you don't believe me.
You're saying that- - Mixed up-
- All old people look the same.
- I didn't say that.
- It couldn't possibly be the man from my dreams,
I'm crazy. - I didn't say that all
old people look the same. - That is exactly what you
said, you just said that. - I said that all old people
start to look similar. - In your world,
once you turn 60, you just blend together.
That is your logical explanation, wow.
- [Jon] Do old people not look similar?
Do they not? - Oh my god, Jon, I saw him.
I saw him. - Okay, okay.
You saw the old man in your dream stalking you.
What now then?
What do we do? - Sometimes I tell you things,
not because I want you to fix them,
just, because I want to tell you.
- All right, all right.
You know, I just, I
don't like that you're upset.
I don't like it when you're sad.
This is obviously bothering you, the old...
Okay, okay, tell me the dream.
- I was riding my bike.
My old bike.
I don't even have that bike anymore.
(soft string music)
I was riding through my neighborhood.
Like, I think it was my old neighborhood.
(soft orchestral music)
And I came up to this house.
This white symmetrical house, except,
there's these red curtains.
And they're emitting this light,
this glowing red light and,
I'm totally fixated.
(soft bright orchestral music)
Until...
I had to go in.
(opera music in Italian)
(water splashes)
(knocks)
- [Man] Anna!
(window softly dragging down)
(breeze loudly rustling)
("So Fine" by The Aquatones)
♪ You're so fine ♪
♪ It's no wonder I adore you ♪
♪ It's no wonder I live for you ♪
♪ Come a little closer, baby ♪
♪ You're so fine ♪ - Ribbit.
♪ You're so fine ♪
♪ Well in my heart ♪ Ribbit.
♪ In my heart ♪
- What are you doing?
- Ribbit.
- Oh my god, you're an idiot. ♪ Every night ♪
♪ And day ♪
♪ We belong together ♪
- What are the odds you jump into that river?
- Are you kidding? - No.
- There's like alligators in there.
- Yeah, you pick the odds.
- Oh my god.
- God has nothing to do with it.
- Yeah, when I get in there and get eaten,
you're gonna wish God had something to do with it.
- Well, you pick the odds, so pick the odds.
- Okay, but just because I want to see your face
when I win and you have to go in there.
One out of 100.
- One out of 100, okay.
- [Together] One, two, three, 44!
- Ah-ha! - Shut up!
(Mona loudly squealing and giggling)
If you throw me in there I will break up with you.
- You'd break up with me?
- Ya, that's like abuse.
(Mona loudly screaming)
(ominous music) (water loudly splashes)
("So Fine" by The Aquatones) ♪ It's no wonder I adore you ♪
♪ Come a little closer, baby ♪
♪ You're so fine ♪
- Come on, come on, wake up, wake up.
♪ Well, in my heart ♪
♪ In my heart ♪
♪ You will stay ♪
♪ Every night ♪
♪ And day ♪
♪ We belong together, come what may ♪
♪ We belong together all the way ♪
♪ Stay here beside me, baby, you're so fine ♪
♪ You're so fine ♪
♪ Well in my heart ♪
♪ In my heart ♪
♪ You will stay ♪
♪ Every night ♪
♪ And day ♪
♪ We belong together, come what may ♪
♪ We belong together all the way ♪
♪ Stay here beside me, baby, you're so fine ♪
♪ You're so fine ♪
♪ Well, in my heart ♪
♪ In my heart ♪
♪ You will stay ♪
♪ Every night ♪
♪ And day ♪
♪ We belong together, come what may ♪
♪ We belong together all the way ♪
♪ Stay here beside me, baby, you're so fine ♪
♪ You're so fine ♪
♪ Well, in my heart ♪
♪ In my heart ♪
♪ You will stay ♪ (softly urinating)
♪ Every night ♪
♪ And day ♪
♪ We belong together, come what may ♪
♪ We belong together ♪
♪ All the way ♪ (pants softly zipping)
♪ Stay here beside me, baby, you're so fine ♪
♪ You're so fine ♪
♪ Stay here beside me, baby, you're so fine ♪
♪ You're so fine ♪
♪ Stay here beside me, baby, you're so ♪
(muffled engine softly humming)
Aw, come on.
(Jon softly grunts)
(ominous music)
(loudly screaming)
(car loudly crashes)
(psychedelic ominous beats)
(insect softly chirps)
(softly coughs)
(insects softly chirping)
("Every Holy Shroud" by Polvo)
- Dude, so I've been having those like
super fucking vivid dreams again, man,
where they just feel like so real
and they just, they like creep me out, bro.
And this one, man, I'm out on this beach, right,
and I can see there's like something in the distance,
like freaking out, I'm like, what the fuck is that?
So I go up to it, right,
and it's like this baby whale.
And it's like freaking out, and I'm like,
what the fuck is this thing doing?
'Cause we're not like super close to the water,
it's just the sand, I'm like, where the fuck is the water?
How'd this thing get all the way out here, right?
So this thing like won't stop freaking out.
So I had to like grab like a piece of wood or something
from the ground and just like smash this thing
to get it to like chill out, like knock it out, right,
and so I pick it up, it's like all slippery and shit.
But I throw it up on my shoulder
and I start like fucking marching this thing
through this mall, right?
And I come up and I see this luggage carousel
and it's got like this big green light
and it's like loaded with fish.
I'm like, this is, there's something going on here.
Let me figure out what the fuck this is, right,
and this carousel was leading out to the ocean.
I'm like, I know what I gotta do now, right?
I'm just gonna drop this fucking thing
on the carousel and be done.
So I go over there to put the thing down,
it's still heavy, it's like a whale.
It's a small whale, but it's still a fucking whale,
it's heavy, you know?
And I drop it on this carousel
and it fucking breaks the thing,
and like it, and then this light on top,
it like starts flashing red.
I'm like, oh shit, I just fucked something up.
I'm like, I don't know if I should run or try to fix it.
I'm like, fuck this, and but as soon as the thing fell,
it fell into the water, right?
But as soon as it fell into the water,
this big metal piece comes down
and fucking impales the whale.
Like I did all this shit trying to save this whale,
and I just fucking killed it, man.
It's like bleeding out all over the place.
It was fucked, and yeah, it was, it was weird, man.
I don't know what the fuck that means,
but it means something.
♪ Well I know what it sounds like ♪
♪ I hope they care ♪
♪ And now we just brought a sitar ♪
♪ So be prepared ♪
♪ Apologetic trips to make you sick ♪
- I'm gonna go take a shit.
- [Bruce] Oh, yeah, dude, we're gonna be on in 10.
("Every Holy Shroud" by Polvo)
♪ Celebrate the new dark age with us ♪
♪ Calculate the irony with someone you can trust ♪
♪ Feel the holy shroud that keeps us warm ♪
♪ Show me something round and I'll analyze the form ♪
♪ I don't understand why you don't get it ♪
♪ I can take the time to insure that you regret it ♪
- Hey all you party people.
For those of you that just came in, we're Bats in the Belfry
and we're gonna keep on truckin'.
(muffled audience softly cheering)
One. Two. One, two, three.
(garage rock music)
- Hey, motherfucker!
- Bruce, Bruce, Bruce, whoa, what the fuck is going on?
Get off him! - Hey!
- Get off him! - Yo, Bruce!
- He was walking back and forth outside,
and I kept trying to calm him down.
He was saying King Kong is a racist movie.
Like, you know, the building and the girl,
and you just think about the whole geography of it-
- What? - And, yeah.
I mean, I kind of agree.
(door softly knocking) - Come.
This place is getting fucking depressing.
It's the second time that kid has pulled some shit.
It wasn't always like this before, man, I know.
(lightly chuckles) I know.
Oh, shit.
Where the...
(papers softly shuffling) Look man,
I can only pay you 50 this time,
on account of all the shit that was broke and everything.
On account of all the shit that was
broke and everything. - Yeah, cool.
- All right, good job tonight, brother, considering.
You be safe out there.
Have a good one.
God, this place is getting fucking depressing.
- [Jon] I told you before but I'm sorry.
I'm sorry about everything. (soft opera music)
But I can fix this, I can make things better for you, I can.
- How do you think you make me feel, Jon?
How do you think I feel with you sitting
at my dinner table eating this food?
I don't know, but I can fix things.
I love your food. - You don't understand.
I'm hungry, I want to eat, that is why I'm here.
I need to feed myself.
- I'm sorry, I'm sorry.
- You're not sorry, if you were sorry,
you would look under there
and you would feed the food to that.
- I don't understand.
- Look under there, Jon.
Look under the table, Jon.
- Oh, god, what's that smell?
- Look under the table, Jon!
(ominous music)
(soft muffled trumpet music)
(crickets softly chirping)
(soft orchestral music on TV)
- [Man On TV] Mora?
(bottle loudly shatters)
(muffled soft orchestral music)
Mora?
(ominous music on TV)
(door loudly knocking)
(Jon softly sighs)
- Yes?
- Hey.
- Can I come in?
- Yeah, sorry, I forgot you were coming.
(soft orchestral music on TV)
- [Man On TV] Mora!
(Anna softly moaning) (soft muffled trumpet music)
- [Beth] Jon. (softly moans)
(soft muffled trumpet music)
- I can't stop listening to it.
- Me too.
- It's driving me crazy.
- Me too.
- What the hell?
It never bothers me.
Why is it bothering me?
I mean,
it's kinda late, do you think I should knock?
- Maybe.
- You think I should?
- Well, I mean, I don't know, maybe, it is kind of late.
- I mean, it makes sense to just politely ask him
to not play so loud so late.
But I don't really want to be that guy.
Why, why am I the dick?
- No, okay, you are not the dick, he's the dick.
- Why the hell is this bothering, this never bothers me.
Why'd you do this to me?
- What, I didn't do anything to you,
what are you talking about?
Do you want me to go?
- What?
- Do you want me to go?
Like I'll go ask him to stop.
- No, no. - Why?
It's driving you crazy, I can tell.
- No, I'm too embarrassed for you.
- You're embarrassed for me?
- Yes, Beth, I'm asking you not to.
- That doesn't make any sense, why would you
be embarrassed for me? - It makes perfect sense.
- I'm the one doing it.
- Beth, why do you insist on doing what I ask you not to do?
- Because I'm trying to help you and you don't let me
make my own decisions, which is something
that I'm capable of doing. - That's not what I'm saying.
- [Beth] Like, I can actually make decisions.
- All right, you can do whatever you want, I'm just saying-
- Okay, I can't do whatever I want because you yell at me.
- That's cause you're fucking asinine.
- [Beth] Excuse me?
- You're being asinine.
- Do you even know what that means?
- [Jon] Of course I know what that means.
- What does it mean?
- I'm pretty sure I know what it means.
(softly knocking at door)
- What the hell was that?
- I think we're being too loud.
- [Beth] We are not that loud.
- Beth, we were screaming.
- What about the trumpet player?
- [Jon] He's a good kid.
- He's loud.
- Nevertheless.
- So you're not gonna go get the door,
you're just gonna leave him there?
- No, I know what they want.
They know I know what they want, just be quiet now.
- Just don't understand you sometimes.
What do you want me to do, do you want me to go?
Where the fuck is my shirt, Jon?
- I don't know where your shirt is, Beth.
- [Beth] Okay, well, you took it off.
- Yeah, I remember that. (soft muffled trumpet music)
- Jesus, what the fuck is under here?
Okay, like what did you do, did you just
toss it up in the air? - Did you look under the bed?
- Yes, I just looked under the bed, are you not
even paying attention? - Was it under there?
- No, it wasn't under the bed.
Would I be talking to you if it was under the bed?
- No you can't, that's my favorite jacket,
you can't take that. - Okay, I don't care.
I'm taking it, and it doesn't- - No, that's,
hey, that's backwards.
- Okay, whatever I don't care, maybe I wanna
wear it backwards. - You're gonna stretch it out.
You can't stretch it out, that was my grandfather's jacket.
- I don't care!
I think we should stop seeing each other
because this isn't working.
- What?
Are you breaking up with me?
- We are not a couple.
- What about the thing tomorrow?
- The thing, what?
- The mermaid thing, you invited me.
- The mermaid?
I'm not going to a mermaid thing tomorrow.
- Well, I'm going to the mermaid thing tomorrow.
- Okay, you go to the mermaid thing
tomorrow. - I am!
- Okay, good, have fun!
- I will.
- Okay, good, why the fuck do you keep telling me about it?
- So what now then?
- We have a show on Saturday, shithead.
- Fuck, I forgot about that.
(ominous music)
(muffled carnival music) (waves softly crashing)
(metronome loudly tapping) (static softly hissing)
(radio channels softly flipping)
(metronome loudly tapping) (static softly hissing)
(muffled carnival music) (waves softly crashing)
(whimsical carnival music)
(crowd softly chattering) (whimsical carnival music)
(kids softly screaming)
- Hi there.
How much, how much for the mermaid show?
- Nine bucks.
- Nine, nine bucks.
You got change for 20?
- What happened to your eye?
- You know you can't go in there, right?
- What do you mean?
- Show doesn't start till eight tonight.
You bought a ticket for the show.
- But I thought there was stuff going on all night in there.
- Yeah, that's the regular exhibit.
That regular exhibit goes on all night.
- Okay.
- You wanna buy a ticket to the regular exhibit?
- I guess, if I, if I buy the ticket
for the regular exhibit, can I go in now?
- Yeah, obviously, you buy the ticket, you can go in.
- All right, well, I was just making sure
because I thought that's what the first ticket did.
- First ticket was the show ticket.
The normal thing goes on all night.
- All right, all right, I'll just get the normal ticket,
then, I didn't know. - All right,
no need to get aggressive.
I'm just trying to explain. - Okay, all right, okay, okay.
Can I just do an exchange
for the show ticket for the normal ticket?
- You can, I can't do exchanges.
You gotta go over to the customer service.
If you want to do an exchange. - I'm not going to the,
no, I'll just buy the normal ticket,
how much is it, how much is it?
- Five bucks.
- Five,
change for a 10?
- Boy, you are really cleaning me out
all my change over here.
(bright orchestral music)
(soft opera music)
(soft ominous music)
(man speaking Italian)
(ominous music)
(whimsical carnival music) (crowd softly chattering)
- Hey,
this is mine.
(bicycle wheels softly clicking)
(soft electric guitar)
- [Man On TV] Silvio Samuel.
Silvio, they love you!
(audience on TV softly cheering)
(door loudly knocking)
- Hey.
- What are you watching?
- Nothing, how are you?
- I'm glad you called.
- Okay, so I couldn't figure anything out
about this Anna girl, but I know there's
something weird going on at that carnival.
It's owned by this dude, Salvador Montalvano.
- Salvador, you mean Salvatore, right?
- Salvador.
- Salvatore, it's Italian.
- Great, so it's owned by this Italian dude
who I saw at the mermaid show and he was all like,
I don't know, I don't know.
- Okay, so what about this girl?
- Well, I, I think she's not safe.
- [Beth] Jon.
- No, I'm serious, and I, this dude Salvador-
- Salvatore.
- I know he has something to do with it.
Why would Salvatore have anything to do with it?
- Because he's scary, angry and evil.
- I don't think you should be drinking coffee right now.
- It doesn't affect me.
- Okay, so who's Anna?
- [Jon] I don't know.
- But didn't you talk to her?
- Yeah, but she was, she's very aloof. Aloof?
- And she looks like Mona?
- Like exactly like Mona, like she have a twin sister?
- [Beth] Shouldn't you know that?
- You knew her longer.
- No, she didn't have a twin sister, but...
- So what now, then?
("There's Nothing Better Than Love" by York Street Hustle)
♪ If you found a heart that beats with a feeling ♪
♪ Then you found a heart that's also ♪
♪ Willing to give you love ♪
Okay, I have to tell you something.
It's this weird thing I know
but I feel like we have some sort of connection or something
and you look exactly like my dead ex-girlfriend.
- That's how you're gonna say it?
- Well, what am I supposed to say?
- You should say that...
"You, you look like someone I used to know."
No, you should say, "You remind me
"of someone I used to know," that sounds better.
- Okay, I have to tell you something.
I feel like we have some sort of connection or something
and you remind me of someone I used to know.
- Your dead ex-girlfriend?
- Oh, come on, I can't do this.
Maybe I should just shouldn't say anything.
- You gotta be ready for that.
It sounds like that's what you're gonna say.
You can see it in your face,
like your face totally says that.
- Dude, she...
Well, okay, so what am I supposed to do then?
- Okay.
- If I can't say that, yeah, she just won't care.
I shouldn't say anything.
- About what, what are you talking about?
- About Mona.
- Okay.
- About Mona, the mermaid looks exactly like Mona.
- Okay.
Okay, I have an idea, I know what I'm gonna do.
I'm gonna come down here,
and I'm gonna help you and we're gonna do it, okay.
So I want you to look me in the face and I want you to,
I want you to say what you would say to her to me.
- Okay.
I know we just met, but I feel like we have this connection
and you look exactly like my ex-girlfriend
who died not that long ago.
No, man, (Beth loudly laughs) you're so out of control.
- I'm, whoa, whoa, what is your damage?
- What the hell?
- What do you mean, "What the hell?"
Why would you do that?
- All right, I'll see you later, I guess.
- Jon,
I think you should spy on her.
- Spy on her?
That's what you're gonna leave me with.
- Yeah, you know where she works, go back tomorrow,
wait until she leaves- - No, no, no,
I'm not doing that. - And see what you can see.
- See what I can see?
Beth, I'm not doing that.
- Don't be an ash mat.
- Excuse me?
- Yeah, don't you want to know who she is, man up.
- I do want to know who she is
but I'm not, I'm not spying on her.
I'm better than that.
- Whatever.
- Ash mat?
(crowd softly cheering)
(smooth funk music)
Shit, shit, shit, get your head in the game, come on.
- Excuse me.
- Yeah, um, nice mask.
I was just admiring your groovy ride here, beach cruiser.
So what, is it dangerous riding this thing out here?
Lots of car accidents, have you ever been in a car accident?
- What do you want?
- I'm Bruce.
Okay, this...
Here's what it is.
I think that we have some sort of connection or something
and you look like someone I used to know.
- I'm wearing a mask.
You're wearing a mask.
Aren't we all wearing masks?
Some are silk- - Yeah, okay.
- Some are silk, some are satin, some are steel.
Some are leather, some are feathers.
They're the, hm?
The faces of a stranger. (bike wheels softly clicking)
But we love to try them on.
(soft electric guitar)
Shit, shit.
Goddammit.
(soft opera music)
Yes?
- What the hell?
You following me?
- What the hell?
- [Anna] What?
- What are you doing?
- What is your problem?
- [Jon] I know what you're doing.
- What?
- You know what I'm talking about,
the mask, Anna, why the mask?
- Oh, yeah, I thought you knew what I was doing.
- I know enough.
- Oh God.
What do you think I'm doing?
- Evil shit.
- I'm leaving.
Follow me, and I will do evil shit to you.
- Your name is Mona.
- What?
- You're Mona.
I know it's you, all right, when the fuck is this-
- What? - Gonna stop?
- What are you talking about?
- You know what I'm talking about, and-
- Shit.
Who is that?
Hey- - Let go.
- When is this gonna stop, why are you doing this to me?
- Look, my name is Anna.
And you don't want to be involved in this.
- No, your name is Mona.
You're Mona- - Let go.
- I'm Jon, who the fuck is that?
- Let go, or I'll- - You know I saw
that house in my dream, did you know that I saw that?
- I'm not responsible for your dreams.
- Neither am I.
Hey, who- - Let go.
- Who is that?
- Let go, or I'll scream.
(soft opera music)
(lively garage rock music)
♪ How deep did you want it ♪
♪ How would you want me to go ♪
♪ Breaking ground could be harder than this ♪
♪ If you were in my shoes ♪
♪ How long is a half life ♪
♪ Just take a moment to think about ♪
♪ How you and me relate and how ♪
♪ We could make something new ♪
♪ Do you wanna help me ♪
♪ Or do you wanna heal me ♪
♪ Just kill me ♪
- So I've been like, having like
those crazy fucked-up dreams again,
like super like real and vivid, man.
Ever since I haven't been like partying so much, and-
- Did you find out anything about Anna?
- Nope, nothing.
- Nothing?
- Seems totally normal.
- [Bruce] We're all out camping at like this lake-
- Well, you know what I was thinking
maybe this time what you can do
is you can go back- - Beth, drop it.
- No, really, listen, this is a good idea,
you can go back and look her
directly into the eyes and- - Beth, I'm serious.
Please stop it, please.
- Okay, all right.
I'll let it go.
- And it comes up to me and I remember this,
this story of like when I was a little kid
about this like pond- - I never apologized
about the other night.
- The other night?
- Yeah, I just had a lot,
like on my mind altogether.
I spaced out, I just completely spaced out.
There was so much going on. - I thought it was my fault.
Don't worry about it.
- What?
- I mean, with everything going on with
Mona and this mermaid girl like,
I don't know what the fuck I'm doing.
- What does that have to do with anything?
- I mean, even though you were giving me mixed signals,
it was kind of a dick move to make a move on you.
- I'm talking about the night we played
and I skipped your solo.
- I don't remember that. - I'm not talking about
the night that I came over.
And I'm not sorry about that either
because you were being a dick.
- Beth, you don't always have to remind me of my failures.
- Okay, well. - I remember them.
- I will remind you of your failures when they involve me.
And, well actually, besides,
you already said that you were being a dick
and you admitted to it. - Why are you this way?
- Why am I this way?
I'm just the way that God made me.
- Camping and drinking and- - Oh, great, yeah, well,
have you ever thought maybe, (crosstalk drowns out Bruce)
maybe think about this, there's something
that you could have done differently in a situation.
- What situation?
- I wasn't being a dick, really.
- Yes, you were, you were being a dick.
- I wasn't being a dick. - And why would you say that?
You already admitted and apologized
to being a dick. - I thought you were
apologizing for being a dick. - You thought I
was being a dick? - And I was trying
to self-defrecate on your behalf.
- What, self-defecate?
- I was trying to be nice.
- You're not nice.
- Yes, I am.
- No, you're not.
- Yes, I am.
- No, you're not, don't self-defecate on my behalf.
- I'm trying to be nice, Beth.
- You're not nice, Lee?
Lee, Lee is Jon nice? - Leave Lee out of this.
- Jon's a nice, dude. - No, right?
- Thank you, Lee. - No, what?
Why would you say that? - Lee knows.
- No, okay, you are not a nice guy.
- Ask- - Don't bring Danny into this.
- Ask Danny. - Don't even bring Danny
into this. - Danny, am I a nice guy?
- [Beth] Danny don't answer that,
you don't have to answer that. - You let your 14-year-old
brother jump in? - See, you're not a nice guy.
- Do I take a lower pay
than everyone because I'm a fucking asshole?
- Whoa, lift the glass!
What the fuck are you doing?
- It all spilled out- - Calm down.
- Seriously, man, god. - I'm sorry, I'm sorry,
it was an accident. - Why would you do that?
- Can somebody bring some paper towels?
- Were you listening to my fucking story?
- I'm sorry, man. - Bruce, nobody cares
about your dream, no one cares
about your dream. - Don't be such a bitch, Beth.
- Don't call me a bitch.
- Kind of a bitch, Beth.
- No matter what you do and where you go,
I will always be there to watch you fuck it up.
- Paper towels! - Damn, geez.
Jesus Christ lady. Oh my god!
- Jon, what the fuck?
- [Danny] How do you even?
I don't even get that.
I don't, I don't know.
(soft jazz on TV)
I mean, what the, I don't even understand (softly mumbles)
Goddamn.
- I quit.
- What are you saying to me?
- I quit, I'm not coming back.
- This shit is crazy, man, look,
look at this dude's, what do you call those?
His dorsie, dorsa?
- Your lats?
- Lat, look, your lat, dude, look at this dude's lat.
He's got lats the size of West Texas, motha fuck-
- I'm not coming back, can I grab my check?
- Man, you gotta get over that girl.
That's what you gotta do.
Look, man, you do whatever you gotta do, but,
there's the full 200.
That should keep you going in the interim.
- The interim?
- Yeah, man, 'cause I care about you,
physically- - We said 250.
- Phys... We said 250?
Physiologically. I can't do 250.
But that should keep you going in the interim.
- All right, all right, I'll see you tomorrow.
- Look, this is some mutant shit.
I can see the veins in your ass.
You shoot up in your ass.
(whimsical carnival music) (kids softly screaming)
- [Man] Here you go, $5.
All right, thank you.
- Hi, there-
- $5 please.
- I actually just wanted to talk to the manager
to get some information on the mermaid show.
- He's inside the exhibit, that's his office.
- Can I go talk to him now?
I don't know, you can try.
- Okay, thank you.
- Wait!
It's $5.
- But I'm not going to the show, I just, I told you,
I just want to talk to the manager.
- The manager is in his office.
His office is in the exhibit, it's $5.
- I was, can he come out here then?
Because I was here yesterday, I already paid.
I don't want to go see the show, I just want
to talk to the guy. - Today's wristband color
is orange, you can't get in with a green wristband.
It's $5 for today's wristband color, which is orange.
- What's this one do?
- Today's wristband color is orange.
You can't get in with a white wristband, it's $5
for today's wristband color- - Okay, okay.
- Which is orange.
- Okay, how 'bout this, how 'bout you go get the manager-
- Come on, man, it's just five bucks.
- I'm not going into the show.
I just wanna talk to the manager, she's not letting-
- It doesn't matter, man, it's just five bucks.
- Just mind your own business for a second, man.
- Hey, this is my business, man.
- Okay, can you help me out with this at all, man?
What is this?
What are your names?
- My name is tickets are $5.
- Okay, listen, you little ticket Nazi, I just-
- It doesn't matter, man, it's just five bucks.
- Hey, you, shut your mouth!
- [Man In Floral Shirt] What?
- What?
- [Man In Floral Shirt] What?
- Look, I'm sorry, man, just relax, it's,
I'm having a rough day. - Shut my mouth?
Shut my mouth?
- I'm sorry, man, I didn't mean that.
- I'll fucking touch you, man!
- What?
- Dude, fucking hell.
- Next.
- [Man In Floral Shirt] But he was the aggressor.
- [Officer] It's not the way I see it.
- [Man In Floral Shirt] That's some bullshit, man.
I was trying to mind my business,
you know, just trying to keep it cool.
- Look, we asked several people,
they said he was ordering tickets, arguing with concessions
which is a whole separate incident.
He turned to you, some obscenities were exchanged.
No particulars were exchanged.
You assaulted him in the face.
That's what we understand.
Several people saw this.
Several witnesses said- - Just a minute.
- That you assaulted him in the face.
- Wait.
You might be right.
But, I gotta say something.
He was the aggressor.
- Listen here, you shit. You (speaks Italian)
you're fucking up my fair, you're fucking up my customers,
and you're fucking up (speaks Italian) my day.
(speaks Italian), I deal with (speaks Italian)
like you on a regular basis, I am done playing nice.
(yelling in Italian)
I want you to apologize to me for what you have done.
(speaking Italian)
- Okay, wait.
I gotta tell you something.
(speaking Italian)
Your breath smells like shit.
(ominous music)
- I smell like shit?
(speaking Italian)
There's nothing a pair of scissors can't fix, nothing.
(man softly grunting) (scissors softly snipping)
(intensifying music)
(insects softly chirping) (car softly rustling)
("My Darling" by The Aquatones)
♪ My darling ♪
♪ I love you so ♪
♪ Please say that you care for me ♪
♪ I really must know ♪
♪ My love ♪
♪ I'm under your spell ♪
♪ Your spell ♪
(CD softly scratches)
(insects softly chirping)
(CD softly spins)
("My Darling") ♪ My darling ♪
♪ I love you so ♪
♪ Please say that you ♪
♪ Say that you, say that you ♪
(CD softly scratching)
(CD softly spins)
("My Darling") ♪ My darling ♪
♪ I love you so ♪
♪ Please say that you care for ♪
♪ You care for, you care for, you care for ♪
(CD softly scratches)
(insects softly chirping)
(woman softly screams in distance)
(insects softly chirping)
(thunder loudly clashing)
(soft ominous electric guitar)
(soft orchestral music)
(soft opera music)
- Anna.
Anna, come on, come on, come on.
Anna.
(metronome softly tapping) (cheerful piano music)
♪ On the good ship Venus ♪
♪ By Christ you should have seen us ♪
♪ The figurehead was a whore in bed ♪
♪ Sucking a dead man's penis ♪
♪ The captain's name was Lugger ♪
♪ By Christ he was a bugger ♪
♪ He wasn't fit to shovel shit ♪
♪ From one ship to another ♪
♪ The cabin boy was Kipper ♪
♪ By Christ he was a nipper ♪
♪ He stuffed his ass with broken glass ♪
♪ And circumcised the skipper ♪
♪ On the good ship Venus ♪
♪ By Christ you should have seen us ♪
♪ The figurehead was a whore in bed ♪
♪ Sucking a dead man's penis ♪
(Salvatore laughs)
♪ La la la la la la, la la la la la la ♪
♪ La la la la la la la, la la la la la la la ♪
♪ La la la la la la, la la la la la la ♪
♪ La la la la la la la, la la la la la la la ♪
♪ La la, la la, lull, lull ♪ (metronome softly tapping)
♪ A-La ♪
(ominous electric guitar music)
(waves softly crashing)
(woman on radio speaking foreign language)
(light muffled rock music)
(static loudly hissing)
(static drowns out voices on radio)
(waves softly crashing) (static softly hissing)
(radio channels softly changing)
(muffled engine softly humming)
(soft intensifying drumbeats)
(static drowns out voice on radio)
(soft intensifying drumbeats)
(muffled engine softly humming)
("My Darling" by The Aquatones)
♪ My, love ♪
♪ I'm under your spell ♪
♪ You're the only one I love ♪
♪ I really can tell ♪
♪ I'll always love you ♪
♪ With all my heart ♪
♪ It wouldn't seem right ♪
♪ For us to part ♪
♪ My dearest ♪
♪ I love only you ♪
♪ Won't you please tell me ♪
♪ You'll always be true ♪
♪ I'll always be true ♪
♪ I'll always love you ♪ (Jon loudly screams)
(brakes loudly screech)
(car loudly thuds)
("My Darling") ♪ Please tell me ♪
♪ You'll always be true ♪
♪ I'll always be true ♪
♪ I'll always love you ♪
♪ With all my heart ♪
♪ It wouldn't seem right ♪
♪ For us to part ♪
♪ My love ♪
♪ I'm under your spell ♪
♪ You're the only one I love ♪
♪ I really can tell ♪
("So Fine" by The Aquatones)
♪ You drive me crazy with your kisses ♪
♪ You drive me crazy, I've been missing ♪
♪ Your honey loving, baby, you're so fine ♪
♪ You're so fine ♪
♪ It's no wonder I adore you ♪
♪ It's no I wonder I adore you ♪
♪ Come a little closer, baby, you're so fine ♪
♪ You're so fine ♪
♪ Well, in my heart ♪
♪ In my heart ♪
♪ You will stay ♪
♪ Every night ♪
♪ And day ♪
♪ We belong together, come what may ♪
♪ We belong together all the way ♪
♪ Stay here beside me, baby, you're so fine ♪
♪ You're so fine ♪
♪ Stay here beside me, baby, you're so fine ♪
♪ You're so fine ♪
(thunder loudly clashes)
(soft opera music)
(waves softly crashing)
(whimsical carnival music)