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[woman] Favorite number and why.

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Downloaded from
YTS.MX

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Oh, man. That changes every time I see it.

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I loved the ones where I don't do much.

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Official YIFY movies site:
YTS.MX

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-I liked, uh...
-[laughs]

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That's what I was waiting on.
Knew he was gonna say that.

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Anything without Lin
is really my favorite.

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Hello and welcome to "The Undefeated
Presents <i>Hamilton</i> In-Depth."

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I'm your host Kelley Carter.

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We're going to be joined today

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by nine of the stars
of the record-breaking musical <i>Hamilton</i>

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00:00:30,280 --> 00:00:32,782
as well as director Thomas Kail.

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Very few Broadway shows have had
the massive cultural impact of <i>Hamilton,</i>

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which delves into the life
of one of America's Founding Fathers,

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Alexander Hamilton,

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all set to a hip-hop soundtrack.

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♪ <i>Two Virginians and an immigrant</i>
<i>Walk into a room</i> ♪

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[with company]
♪ <i>Diametrically opposed, foes</i> ♪

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[Kelley] Despite its massive success,

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00:00:54,220 --> 00:00:57,098
the show's origins
still had humble beginnings,

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00:00:57,182 --> 00:01:00,560
especially when it was presented
to the original cast.

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You know, we really wanted to, sort of,
lay claim to this story

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and provide-- and just really get
on the board in terms of musical theater,

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in terms of representation,

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in terms of what it means for us
to tell the story of these flawed people

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who created a flawed country
with ideals worth chasing

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to which we have fallen short
for 200-some-odd years.

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[man] Lin said, "Hey, I have this idea."

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And I said, "Okay, great. How can I help?"

31
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You know, and then we just made the thing.

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So we were gonna do this this way
no matter what.

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And if somebody didn't wanna
get on board with that,

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then they weren't gonna participate.

35
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But it was never a question
from anyone involved with the production,

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our producers on down,

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that it would be anything else but this.

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My particular story with the show
is unique,

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because I had seen it.

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I had seen the very first reading
of <i>The Hamilton Mixtape </i>in Poughkeepsie.

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And so I scored the very last
folding chair in the very last row

42
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to see what was then <i>The Hamilton</i>--
the first act of <i>Hamilton,</i>

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00:02:06,501 --> 00:02:07,961
then called <i>The Hamilton Mixtape.</i>

44
00:02:08,044 --> 00:02:12,382
So I knew what I was being invited into
when he sent me that e-mail,

45
00:02:12,465 --> 00:02:15,802
and I just made it my business
to hold on for dear life.

46
00:02:15,885 --> 00:02:20,515
I just-- I never wanted him to replace me.
Because I knew--

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I didn't know that America would feel
the way it did,

48
00:02:22,976 --> 00:02:24,394
but I knew what I felt about it.

49
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It was just the boldest, freshest, most
literate, exciting thing I'd ever seen.

50
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It's funny, 'cause when we were watching
the film on our computer the other day,

51
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my husband said, "Remember when
you didn't wanna go to this audition?"

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[all laughing]

53
00:02:39,492 --> 00:02:40,952
I mean, it's just one of those things,

54
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like, where could I hide in the world

55
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if I had not ended up going
and at least trying my hand at it?

56
00:02:45,749 --> 00:02:46,958
But I went to the audition,

57
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which is where I met Lin and Tommy
and Alex Lacamoire and the creative team,

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and, um, fortunately
they called me before I made it home

59
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to tell me
that I was gonna get to do the workshop.

60
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And, like Leslie, I held on for dear life.

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00:02:59,137 --> 00:03:01,931
And I'm still holding on.

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I was onstage doing a performance
of <i>In the Heights</i> when Lin--

63
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Look, there was a moment
in the show where--

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where our characters go upstage
and we're in Usnavi's bodega,

65
00:03:12,734 --> 00:03:15,528
and he said, "So I got my next thing."

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And I was like, "Great."

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And then my next thought was,
"What am I gonna do in it?"

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-But-- But before I could get to it...
-[laughing]

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...the time had come for us,
in the middle of the show,

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to go out and perform the number "96,000."

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So the conversation was pretty--
it was abbreviated.

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Um, we hadn't, you know,
just because we'd just had--

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we hadn't had an opportunity
to continue the conversation.

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But Tommy walked up to me a few days later
at another show before the performance,

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he's like, "So, what's up, G-dubbs?"

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00:03:42,847 --> 00:03:45,141
-And I was like, "What-- Huh? What?"
-[laughs]

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And he's like, "George Washington.
Lin told you about the thing."

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And I was like, "Sort of. What do I do?
What do you-- Uh, what?"

79
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I had no idea what was going on.

80
00:03:53,942 --> 00:03:55,860
I was also sort of onstage.

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We were-- A band that we're both in
called "Freestyle Love Supreme"

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00:03:59,030 --> 00:04:04,411
was, uh, performing down in New Orleans
when the Super Bowl was there.

83
00:04:04,494 --> 00:04:09,332
So we're, like, rapping live on ESPN
about sports celebrities,

84
00:04:09,416 --> 00:04:12,836
and, uh, Tommy Kail comes up to me
and says,

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"Hey, uh, Lin's working on this new show.
It's a rap show about Alexander Hamilton."

86
00:04:19,259 --> 00:04:20,885
And I said, "That's a terrible idea."

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00:04:20,969 --> 00:04:25,807
Uh... and he said, "Do you wanna come do
this reading of it?"

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And I said, "Are you gonna pay me?"

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-And he said, "Yes." And so I did.
-[Christopher laughing]

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00:04:31,730 --> 00:04:35,483
I had just come back off
from being a singer on a cruise ship,

91
00:04:35,567 --> 00:04:37,402
doing <i>Saturday Night Fever</i>, the musical,

92
00:04:37,485 --> 00:04:41,114
and, uh, I went and auditioned
for a show that I wasn't right for.

93
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And the same casting director
was casting<i> Hamilton.</i>

94
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And they were like,
"You ain't right for this,

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but you should come in for this thing
called <i>Hamilton's Mixtape.</i>"

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00:04:48,913 --> 00:04:52,917
And I, um, did four auditions
for the show.

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Um, and-- And, uh, yeah.
And then it was great.

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And I-- Then they cast me.

99
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It was kinda crazy.

100
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I wasn't in the musical theater world
at all.

101
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So it was all, um, very new to me.

102
00:05:08,350 --> 00:05:13,313
And I did about three or four auditions,

103
00:05:13,396 --> 00:05:20,320
and Alex Lacamoire, he wrote
just Peggy's lines on a napkin,

104
00:05:20,862 --> 00:05:24,783
and, um, taught it to me
in my second callback.

105
00:05:24,866 --> 00:05:29,996
Tommy had, uh, invited me to join them
in a reading of Act 2 of <i>Hamilton</i>--

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00:05:30,080 --> 00:05:32,248
<i>Hamilton Mixtape, </i>at the moment--

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um, and that was the first time
I had heard the music

108
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and worked with those guys,

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and I was blown away.

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♪ <i>But just you wait</i> ♪

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♪ <i>Just you wait</i> ♪

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♪ <i>When he was ten his father split</i>
<i>Full of it, debt-ridden</i> ♪

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♪ <i>Two years later</i>
<i>See Alex and his mother bedridden</i> ♪

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♪ <i>Half dead...</i> ♪

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My first instinct for <i>Hamilton</i>
was as an immigrant narrative.

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The thing that hooked me
into the story was

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this was a kid
who grew up in the Caribbean

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00:06:02,153 --> 00:06:06,616
and wrote his way to an education
at a very young age,

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00:06:06,700 --> 00:06:10,036
which my father did from Puerto Rico
at 18.

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And if there is one thing I know
that is true,

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it's that if you come to this country
from somewhere else,

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you have to work four times as hard
to get half as far.

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And Hamilton certainly meets
that threshold.

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Um, and so that was the way in which--

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That was my way
into this story that had never--

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I don't remember anything
from history class in high school.

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Like, it-- it just had never
grabbed me before.

128
00:06:34,978 --> 00:06:38,732
But because Hamilton was
the protoimmigrant among the founders,

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that's how I found my way in.

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What were your reactions
to the concept of <i>Hamilton</i>?

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00:06:44,779 --> 00:06:48,533
Because it was unlike something
that we'd ever seen before on Broadway.

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00:06:49,117 --> 00:06:50,452
For me, it was always just music.

133
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It was literally
just listening to the music.

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That's how I understood the show.

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00:06:54,789 --> 00:06:57,876
And I was so moved by that

136
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that there was a point where, actually,
I was not gonna be Hercules Mulligan,

137
00:07:01,254 --> 00:07:02,672
and I reached out to Tommy and Lin,
and I said,

138
00:07:02,756 --> 00:07:05,467
"I've never read or done
anything like this before,

139
00:07:05,550 --> 00:07:09,346
so just so y'all know,
I'm down when y'all get it together.

140
00:07:09,429 --> 00:07:11,097
I'm ready. I wanna do this."

141
00:07:11,181 --> 00:07:14,601
Um, that was-- I'd never been so moved by,
just, something-- listening--

142
00:07:14,684 --> 00:07:17,979
I didn't know anyone. Just off
the strength of, literally, the material.

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00:07:18,063 --> 00:07:21,316
When I came to the show,
or, like, when I was auditioning,

144
00:07:21,399 --> 00:07:23,860
I was listening to-- to Phillipa's voice.

145
00:07:23,943 --> 00:07:28,865
And I got to listen to her sing the songs
and Leslie sing "Wait For It."

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00:07:28,948 --> 00:07:32,202
And, you know, it was incredible
to be able to, you know, to be cast,

147
00:07:32,285 --> 00:07:34,954
and then, um,
and then hear it in real time.

148
00:07:35,038 --> 00:07:37,207
It's the music, the music.
That's the pulse of the show.

149
00:07:37,290 --> 00:07:39,542
There's no dialogue in the whole show.
It's just music.

150
00:07:39,626 --> 00:07:42,170
I think what's, I think, so mind-blowing

151
00:07:42,253 --> 00:07:45,882
is that something that's genius
could get better.

152
00:07:45,965 --> 00:07:47,300
It's still surprising.

153
00:07:47,384 --> 00:07:50,053
Like, even before I got to see this movie,

154
00:07:50,136 --> 00:07:54,307
I was, you know-- I've said to them,
"I'm bringing my hopes down.

155
00:07:54,391 --> 00:07:57,894
We can't assume just because
everything else has been so great

156
00:07:57,977 --> 00:07:59,354
that this is going to be great.

157
00:07:59,437 --> 00:08:01,398
That's just-- That's crazy, right?

158
00:08:01,481 --> 00:08:05,193
I'm just gonna bring my hopes down
and see what happens, you know?"

159
00:08:05,276 --> 00:08:08,988
And, um, that really started from,
like, this kind of-- the first--

160
00:08:09,072 --> 00:08:13,159
My first encounter with it
was Lin's demo of "Satisfied."

161
00:08:13,243 --> 00:08:15,495
[company]
♪ <i>To the Union, to the revolution</i> ♪

162
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-♪ <i>And the hope that you provide</i> ♪
-[company] ♪ <i>You provide</i> ♪

163
00:08:19,124 --> 00:08:23,169
-♪ <i>And may you always</i> ♪
-♪ <i>Always</i> ♪

164
00:08:23,253 --> 00:08:25,296
♪ <i>Be satisfied</i> ♪

165
00:08:25,380 --> 00:08:26,965
♪ <i>Rewind</i> ♪

166
00:08:27,048 --> 00:08:30,385
♪ <i>Rewind, rewind</i> ♪

167
00:08:30,468 --> 00:08:34,431
[Renée]
I'm like, "Yes! This is music theater.

168
00:08:34,514 --> 00:08:36,641
This is music theater.

169
00:08:36,725 --> 00:08:37,934
It is it right now.

170
00:08:38,018 --> 00:08:43,606
This music is what
should be telling our story."

171
00:08:43,690 --> 00:08:46,026
And I just-- You know--

172
00:08:46,109 --> 00:08:48,069
I-If it never got any better than that,

173
00:08:48,153 --> 00:08:51,239
I would've stayed for five years,
ten years, whatever.

174
00:08:51,322 --> 00:08:55,410
And the crazy thing
is that it kept getting better.

175
00:08:55,493 --> 00:08:58,079
I think for me
it goes all the way back to...

176
00:08:58,830 --> 00:09:02,417
um, you know, we're talking about
the developmental days,

177
00:09:02,500 --> 00:09:04,586
where we were in these workshops.

178
00:09:04,669 --> 00:09:09,215
And, um, I remember
we put the first act on its feet.

179
00:09:09,299 --> 00:09:12,010
And because of time,
we just couldn't get to the second act,

180
00:09:12,093 --> 00:09:15,430
so we decided to just do it
behind music stands,

181
00:09:15,513 --> 00:09:17,474
and even then,

182
00:09:17,557 --> 00:09:23,229
not doing anything except sitting there
and saying the words, singing the words,

183
00:09:23,313 --> 00:09:26,149
the air in the room changed.

184
00:09:26,232 --> 00:09:29,027
And I think
we were all aware at that point,

185
00:09:29,110 --> 00:09:32,364
especially because we were, kind of,
hearing it as a whole,

186
00:09:32,447 --> 00:09:35,450
um, at least for me, at that-- I was like,

187
00:09:35,533 --> 00:09:39,037
"Ooh, this is, um, this is magical.

188
00:09:39,120 --> 00:09:40,872
And I think it'll...

189
00:09:41,831 --> 00:09:47,212
Something will happen, and I won't be able
to process it until after it's over."

190
00:09:47,295 --> 00:09:52,258
You know, sitting there
when Lin couldn't find, like, an ending,

191
00:09:52,342 --> 00:09:53,802
the ending that he wanted...

192
00:09:53,885 --> 00:09:55,303
Oh, yeah. I forgot.

193
00:09:55,387 --> 00:09:59,224
...and he writes, like, that whole rap,
and it's a cappella.

194
00:09:59,307 --> 00:10:00,600
Right.

195
00:10:00,684 --> 00:10:04,688
And it's all those moments,
where you're thinking--

196
00:10:04,771 --> 00:10:05,897
just like you said, Renée,

197
00:10:05,980 --> 00:10:09,567
"It can't get better. It can't get better.
It can't possibly get better."

198
00:10:09,651 --> 00:10:11,945
And it was, you know?

199
00:10:12,028 --> 00:10:18,368
And being in the room, you know, in those
rehearsal rooms watching the changes,

200
00:10:18,451 --> 00:10:22,664
and it just getting better, is...

201
00:10:22,747 --> 00:10:26,376
uh, that's also one of the things
where, like, I will never forget.

202
00:10:26,459 --> 00:10:28,503
In that first time watching it,

203
00:10:28,586 --> 00:10:34,134
sure, there were moments like "My Shot"
and the opening and "Satisfied"

204
00:10:34,217 --> 00:10:36,136
that just completely bowled me over,

205
00:10:36,219 --> 00:10:42,308
but the image that made me
a Hamilfan for life--

206
00:10:42,392 --> 00:10:44,561
like, I didn't know--
I wasn't sitting in that last row

207
00:10:44,644 --> 00:10:46,438
thinking I was gonna be in the show.

208
00:10:46,521 --> 00:10:48,982
But the image in "The Story of Tonight"--

209
00:10:49,065 --> 00:10:54,237
I had never in my life seen
four men of color onstage

210
00:10:54,320 --> 00:10:58,033
singing about friendship
and brotherhood in my life.

211
00:10:58,116 --> 00:11:01,911
And to me,
the image of that was the revolution.

212
00:11:01,995 --> 00:11:04,414
He was showing us something new.

213
00:11:04,497 --> 00:11:05,915
I have chills thinking about it.

214
00:11:06,624 --> 00:11:09,294
The thesis of this story

215
00:11:09,377 --> 00:11:13,298
was always the story of America then
told by America now.

216
00:11:13,381 --> 00:11:15,633
And people of color
are the future of this country,

217
00:11:15,717 --> 00:11:17,552
they are the present, they are the future,

218
00:11:17,635 --> 00:11:21,431
and, um, on another level,

219
00:11:21,514 --> 00:11:24,100
this was always a hip-hop musical
in my head.

220
00:11:24,184 --> 00:11:26,853
Um, if this had been cast
with all white people,

221
00:11:26,936 --> 00:11:28,563
wouldn't you think I'd messed up?

222
00:11:28,646 --> 00:11:30,607
It was such an intentional choice.

223
00:11:30,690 --> 00:11:36,321
How do we give more access to a story
that has been kept from so many people?

224
00:11:36,404 --> 00:11:38,907
So many people that we cared about,
so many people that we believed in,

225
00:11:38,990 --> 00:11:43,703
and so many people that we know, uh,
had something that needed to be heard.

226
00:11:43,787 --> 00:11:46,206
So it wasn't even
a conversation about that.

227
00:11:46,289 --> 00:11:47,540
It's just, "This is what the show is.

228
00:11:47,624 --> 00:11:50,627
And if you wanna be a part of it,
then embrace that."

229
00:11:50,710 --> 00:11:52,379
And it was-- it was embraced.

230
00:11:52,462 --> 00:11:55,882
-♪ <i>We are waiting in the wings for you</i> ♪
-♪ <i>Waiting in the wings for you</i> ♪

231
00:11:55,965 --> 00:11:57,634
♪ <i>You could never back down</i> ♪

232
00:11:57,717 --> 00:11:59,719
♪ <i>You never learned to take your</i> ♪

233
00:11:59,803 --> 00:12:02,472
♪ <i>Time</i> ♪

234
00:12:02,555 --> 00:12:05,183
♪ <i>Oh, Alexander Hamilton...</i> ♪

235
00:12:05,266 --> 00:12:11,356
What we are watching in this film
is the, sort of, genesis of America.

236
00:12:11,439 --> 00:12:18,238
And all these figures, historical figures
that we've vaguely learned about

237
00:12:18,321 --> 00:12:22,742
are being embodied by a multiethnic cast,

238
00:12:22,826 --> 00:12:24,452
and mostly brown people.

239
00:12:24,536 --> 00:12:31,334
And there is an implicit assumption there

240
00:12:31,418 --> 00:12:36,840
that the rights
that are virtues of being American

241
00:12:36,923 --> 00:12:40,301
should be given to all Americans, right?

242
00:12:40,385 --> 00:12:43,596
By putting brown people
at the center of that story, it means--

243
00:12:43,680 --> 00:12:47,225
What you're really saying is,
"We built this country too."

244
00:12:47,308 --> 00:12:50,061
And so if you watch this movie

245
00:12:50,145 --> 00:12:55,275
and you feel a sense of pride
in the America that you see in this movie,

246
00:12:55,358 --> 00:12:57,193
you should then be inspired to take action

247
00:12:57,277 --> 00:13:00,321
to make that
the America that you see in real life.

248
00:13:00,864 --> 00:13:05,744
We are taking the principles that have
been espoused by these great thinkers

249
00:13:05,827 --> 00:13:09,539
to elevate the idea of what a democracy
or a republic is, right?

250
00:13:09,622 --> 00:13:13,043
And rather than get caught up in, um,

251
00:13:13,126 --> 00:13:16,171
the-- the things that historically
we've been caught up in--

252
00:13:16,254 --> 00:13:20,884
You know, all of those Founding Fathers
were all about posterity.

253
00:13:20,967 --> 00:13:23,720
They were all about
what history would remember of them

254
00:13:23,803 --> 00:13:25,764
and, uh, were very--

255
00:13:25,847 --> 00:13:29,934
Those that adhered to that were
very careful in crafting that messaging.

256
00:13:30,018 --> 00:13:34,606
Um, unfortunately,
it has historically left out

257
00:13:34,689 --> 00:13:38,401
the most substantive part
of what that message was--

258
00:13:38,485 --> 00:13:40,987
who that message
was supposed to represent.

259
00:13:41,071 --> 00:13:45,200
It wasn't about what was behind that flag,
it was about who made up that flag,

260
00:13:45,283 --> 00:13:49,788
who-- who literally contributed
to the founding

261
00:13:49,871 --> 00:13:53,249
and the everyday goings-on
of this experiment.

262
00:13:53,333 --> 00:13:55,752
This story is-- And the American story
is one of those things

263
00:13:55,835 --> 00:13:58,922
where all of these things are true
all at one time.

264
00:13:59,005 --> 00:14:04,052
But it's a matter of
who's publishing the final word,

265
00:14:04,135 --> 00:14:07,305
or the word that-- that endures.

266
00:14:07,389 --> 00:14:10,225
They hadn't had it all figured out,
and that's what we're saying in the story.

267
00:14:10,308 --> 00:14:14,854
We didn't-- The American experiment
is going to be that forever.

268
00:14:14,938 --> 00:14:17,399
♪ <i>No one really knows</i>
<i>How the game is played</i> ♪

269
00:14:17,482 --> 00:14:20,527
♪ <i>The art of the trade</i>
<i>How the sausage gets made</i> ♪

270
00:14:20,610 --> 00:14:22,696
♪ <i>We just assume that it happens</i> ♪

271
00:14:23,405 --> 00:14:26,366
♪ <i>But no one else is in the room</i>
<i>Where it happens</i> ♪

272
00:14:35,834 --> 00:14:40,296
When did you realize that this was
a certified pop-cultural phenomenon?

273
00:14:40,380 --> 00:14:45,010
Like, what moment happened
that made you understand how big this was?

274
00:14:45,093 --> 00:14:49,472
Um, I knew that this
was gonna be unprecedented

275
00:14:49,556 --> 00:14:52,892
when we announced our second
extension off-Broadway.

276
00:14:52,976 --> 00:14:55,478
We announced
we were gonna run through May.

277
00:14:55,562 --> 00:14:59,941
And the folks at the Public told us
that the phone banks went down.

278
00:15:00,025 --> 00:15:03,611
Um, and they said,
"We've had the website crash before.

279
00:15:03,695 --> 00:15:06,406
We've never had
the phone bank crash before."

280
00:15:06,489 --> 00:15:08,616
It truly was, kind of,
a word-of-mouth show.

281
00:15:08,700 --> 00:15:11,995
People saw it. Only 300 people at a time
at the Public could see it.

282
00:15:12,078 --> 00:15:13,246
And we were there for months.

283
00:15:13,329 --> 00:15:16,875
And by the time we moved to Broadway,
folks had made some decisions

284
00:15:16,958 --> 00:15:21,004
about how they were gonna, you know,
borrow from that 401k, or...

285
00:15:21,087 --> 00:15:22,714
[laughing]

286
00:15:22,797 --> 00:15:27,218
Or forgo that, uh-- [chuckles]
forgo that vacation, you know?

287
00:15:27,302 --> 00:15:28,303
-Um--
-[Daveed] Yeah.

288
00:15:28,386 --> 00:15:30,138
You know, because that's just
what the market did.

289
00:15:30,221 --> 00:15:32,390
It was a very strange thing. But, um--

290
00:15:32,474 --> 00:15:35,602
But just, you know,
you do theater long enough,

291
00:15:35,685 --> 00:15:37,437
you can see what is resonating.

292
00:15:37,520 --> 00:15:43,401
And in real time, you can see, um,
how people are moved by an experience.

293
00:15:43,485 --> 00:15:44,819
And to know that, um--

294
00:15:45,528 --> 00:15:47,197
To know that we were doing something--

295
00:15:47,280 --> 00:15:50,950
You know, that people were examining
our work and our work together

296
00:15:51,034 --> 00:15:52,619
in the telling of this thing,

297
00:15:52,702 --> 00:15:55,163
you could tell that people were
very, very, very excited.

298
00:15:55,246 --> 00:15:56,581
And it also--

299
00:15:56,664 --> 00:15:59,834
It's a very real thing when--
when POTUS comes to the--

300
00:15:59,918 --> 00:16:02,170
-[laughs] comes to the last show...
-I was about to say--

301
00:16:02,253 --> 00:16:03,797
...of the first week of previews.

302
00:16:03,880 --> 00:16:04,881
Like, that's, uh--

303
00:16:04,964 --> 00:16:07,175
-You know you've gotten some attention.
-I always--

304
00:16:07,258 --> 00:16:08,343
-[laughs]
-[Kelley] Yeah.

305
00:16:08,426 --> 00:16:10,970
I always say
the second time we met the Obamas

306
00:16:11,054 --> 00:16:12,681
-is the best night.
-Yeah.

307
00:16:12,764 --> 00:16:15,308
You know what I'm saying?
It's like, "Oh, you're back?"

308
00:16:15,392 --> 00:16:18,269
[Christopher, laughing] Yeah.
"And you brought your crew with you."

309
00:16:18,353 --> 00:16:19,187
[Daveed] Yeah.

310
00:16:19,270 --> 00:16:20,980
I was like, "Oh, the president's here?"

311
00:16:21,064 --> 00:16:22,816
[Kelley and Okieriete laugh]

312
00:16:22,899 --> 00:16:23,900
"Twice?"

313
00:16:24,442 --> 00:16:26,653
-"Oh, he giving a speech?"
-[Okieriete laughing]

314
00:16:26,736 --> 00:16:32,575
And then not to mention, like,
every person I've seen on TV or whatever.

315
00:16:32,659 --> 00:16:35,161
You know, from athletes to this to that--

316
00:16:35,245 --> 00:16:39,249
All these people making it a point
to see our show.

317
00:16:40,667 --> 00:16:43,044
I was like, "Yo, this is kinda crazy."

318
00:16:43,128 --> 00:16:44,754
The telling part about the show too,

319
00:16:44,838 --> 00:16:49,259
is that when people came back after
the show, especially on Broadway, like,

320
00:16:49,342 --> 00:16:53,263
our stage transformed into this incredible
green room experience, right?

321
00:16:53,346 --> 00:16:55,348
Because Meryl Streep has come back,

322
00:16:55,432 --> 00:17:00,270
and she's kicking it with us on stage.
Like, "Okay..."

323
00:17:00,353 --> 00:17:01,312
-[Daveed] Yes.
-Um,

324
00:17:01,396 --> 00:17:03,148
but we're meeting these other artists,

325
00:17:03,231 --> 00:17:06,776
and this is the kind of experience
that had artists open, right?

326
00:17:06,860 --> 00:17:10,113
I remember we were off Broadway
when Busta Rhymes came the first time.

327
00:17:10,196 --> 00:17:11,406
Man.

328
00:17:11,489 --> 00:17:15,660
And he's like-- I just-- He-- He-- He--
You know, it's-- He's Bust, right?

329
00:17:15,744 --> 00:17:19,789
Like, he's the guy that we all know
and love through his music.

330
00:17:19,873 --> 00:17:23,793
But he came back and he's like, "Yo, yo,
I gotta go to the studio and write.

331
00:17:23,877 --> 00:17:26,796
I-- I just gotta do more.
I'm not doing enough.

332
00:17:26,880 --> 00:17:29,466
I gotta write more.
I gotta-- I gotta do more."

333
00:17:29,549 --> 00:17:33,053
You know, to see that from someone
who's obviously a legend

334
00:17:33,136 --> 00:17:37,474
but is prolific and always has been
on so many levels

335
00:17:37,557 --> 00:17:40,268
say that that's what he took away
from the show,

336
00:17:40,352 --> 00:17:43,396
but then he stayed for an hour to,
like, kick it with us, right? Like--

337
00:17:43,480 --> 00:17:45,190
Just, like, holding court downstairs.

338
00:17:45,273 --> 00:17:46,232
-Just, like...
-Yeah.

339
00:17:46,316 --> 00:17:48,693
...wanting to talk about every second
of the show and how--

340
00:17:48,777 --> 00:17:50,945
-Yeah. Yeah.
-"That was crazy when you"--

341
00:17:51,029 --> 00:17:53,948
You know what I'm saying? Mind you,
he also sat in the front row, remember,

342
00:17:54,032 --> 00:17:55,408
-with that bright red shirt on...
-Yeah, yeah.

343
00:17:55,492 --> 00:17:58,620
...and every chain that's ever been made
around his neck.

344
00:17:58,703 --> 00:18:02,457
And, like, at intermission, the, like,
folks came to him and were like,

345
00:18:02,540 --> 00:18:05,835
"We can move you to a better seat.
These aren't actually the best seats,"

346
00:18:05,919 --> 00:18:09,547
and he was like, "Nah, I'm trying to be
in it. I wanna be here." You know, like--

347
00:18:09,631 --> 00:18:12,425
And then he proceeded
to come back hella times,

348
00:18:12,509 --> 00:18:14,177
-and we would just go up...
-Oh, yeah, yeah.

349
00:18:14,260 --> 00:18:17,097
...to The Library Bar and kick it.
Like, Bust was at the show a lot.

350
00:18:17,180 --> 00:18:21,184
He wouldn't even see the show.
He'd just come hang out afterwards like--

351
00:18:21,267 --> 00:18:22,852
How about you, Oak?

352
00:18:22,936 --> 00:18:24,771
For me, hands down, it's Dave Chappelle.

353
00:18:24,854 --> 00:18:28,566
He's always been an idol of mine,
and meeting him was absolutely perfect.

354
00:18:28,650 --> 00:18:31,695
Being able to say to him, you know,
"You have moved me in terms

355
00:18:31,778 --> 00:18:34,698
of how you continue to educate people
through your art,

356
00:18:34,781 --> 00:18:37,033
how you never sacrifice your voice
through your art,

357
00:18:37,117 --> 00:18:39,786
how you're constantly trying to move
your own people, black people,

358
00:18:39,869 --> 00:18:41,746
forward in thought through your art."

359
00:18:41,830 --> 00:18:43,623
He's so prolific with everything.

360
00:18:43,707 --> 00:18:45,625
He continues to be consistent in saying,

361
00:18:45,709 --> 00:18:47,293
"I will continually use
my platform and art

362
00:18:47,377 --> 00:18:49,963
to really speak on things that I think
people really need to hear

363
00:18:50,046 --> 00:18:53,258
that aren't talking about, and put it
in a way that's ugly but necessary."

364
00:18:53,341 --> 00:18:56,761
The fact that he came to see our show,
saw our performances, my performance,

365
00:18:56,845 --> 00:19:00,015
and said he was moved, that just
completely blew me out of the water.

366
00:19:00,640 --> 00:19:04,978
Yeah. I think there's a lot of people who,

367
00:19:05,061 --> 00:19:07,522
like Busta and like Dave Chappelle,

368
00:19:07,605 --> 00:19:11,985
like, that we grew up listening to
or watching

369
00:19:12,068 --> 00:19:14,571
in our most defining moments,

370
00:19:14,654 --> 00:19:16,823
and the fact that they were coming

371
00:19:16,906 --> 00:19:21,494
and not only seeing the show
and complimenting it,

372
00:19:21,578 --> 00:19:23,663
but talking to us afterwards

373
00:19:23,747 --> 00:19:28,418
and having real conversations as equals,

374
00:19:28,501 --> 00:19:33,173
as people in the same community,
it was really, like, mind-blowing,

375
00:19:33,256 --> 00:19:37,844
um, to feel, like,
connected to them in that way

376
00:19:37,927 --> 00:19:40,221
because as kids or as young people,
we're--

377
00:19:40,305 --> 00:19:43,308
We feel so distant from the people
that we're inspired by.

378
00:19:43,391 --> 00:19:46,353
So I think that was
a really magical moment for a lot of us,

379
00:19:46,436 --> 00:19:50,065
seeing our heroes come
and say that they were moved

380
00:19:50,148 --> 00:19:51,983
and that we were their heroes.

381
00:19:52,067 --> 00:19:55,362
♪ <i>Will they know what you overcame? </i>♪

382
00:19:55,445 --> 00:19:58,782
♪ <i>Will they know you rewrote the game? </i>♪

383
00:19:58,865 --> 00:20:05,789
♪ <i>The world will never be the same, oh </i>♪

384
00:20:09,125 --> 00:20:12,295
What's good, everybody? This is Justin
Tinsley from theundefeated.com,

385
00:20:12,379 --> 00:20:14,798
and I'm here to tell you
how <i>The Hamilton Mixtape</i>

386
00:20:14,881 --> 00:20:17,258
brought the <i>Hamilton</i> experience
full circle.

387
00:20:17,342 --> 00:20:18,385
Think about it like this.

388
00:20:18,468 --> 00:20:21,262
The <i>Hamilton</i> stage play
is the biggest thing in pop culture.

389
00:20:21,346 --> 00:20:23,473
Not only was it the number one album
in the country,

390
00:20:23,556 --> 00:20:26,059
which is the beacon of success
in the music industry,

391
00:20:26,142 --> 00:20:30,021
it reinvigorated
the cassette tape industry in 2017.

392
00:20:30,105 --> 00:20:32,315
Sales spiked by 35%,

393
00:20:32,399 --> 00:20:34,943
and <i>The Hamilton Mixtape</i>
was a huge reason for that.

394
00:20:49,582 --> 00:20:51,751
Now that we're in this renewed awakening,

395
00:20:51,835 --> 00:20:55,630
what do you hope is the takeaway
from everyone who consumes this show?

396
00:20:55,714 --> 00:20:58,633
Um, in terms of the conversations
the world is having,

397
00:20:58,717 --> 00:21:00,510
and particularly
the United States is having,

398
00:21:00,593 --> 00:21:04,014
about systemic racism that have been
there since our founding,

399
00:21:04,097 --> 00:21:07,267
to have this story that brushes up
against our founding,

400
00:21:07,350 --> 00:21:10,478
um, I think, is really interesting.

401
00:21:10,562 --> 00:21:12,480
It's funny. I had another reporter ask me,

402
00:21:12,564 --> 00:21:15,859
"How has <i>Hamilton</i> changed
from the Obama era to the Trump era?"

403
00:21:15,942 --> 00:21:18,653
And the answer is,
it hasn't changed at all.

404
00:21:18,737 --> 00:21:24,200
Um, and if there's anything
really political about the show,

405
00:21:24,284 --> 00:21:28,621
it's that the fights that were present
and the paradoxes that were present

406
00:21:28,705 --> 00:21:30,957
at our founding still exist.

407
00:21:31,041 --> 00:21:34,252
They're the same fights we keep having,
and that is everything

408
00:21:34,336 --> 00:21:38,048
from the original sin of slavery
to gun control.

409
00:21:38,131 --> 00:21:40,717
Everyone in our show dies
as a result of gun violence

410
00:21:40,800 --> 00:21:42,886
with the exception of George Washington.

411
00:21:42,969 --> 00:21:47,640
Um, the-- So many things
that were present then are present now,

412
00:21:47,724 --> 00:21:50,101
and the way in which I wrote them
was to try to make them

413
00:21:50,185 --> 00:21:53,938
as present as possible,
so things just hit different.

414
00:21:54,356 --> 00:21:56,316
Like, things that were present
in the show,

415
00:21:56,399 --> 00:21:59,903
the stories about slavery
and what they did,

416
00:21:59,986 --> 00:22:02,364
and they were all complicit,
and what they didn't do,

417
00:22:02,447 --> 00:22:06,284
I think,
hit different than they may have in 2015.

418
00:22:06,368 --> 00:22:09,871
Um, but the show hasn't changed,
and it will be very inter-- It--

419
00:22:09,954 --> 00:22:15,168
What's been incredible is to see lyrics
from the show popping up

420
00:22:15,251 --> 00:22:18,171
at Black Lives Matter protests
all over the country.

421
00:22:18,254 --> 00:22:21,508
Seeing "History has its eyes on you,"
seeing "Tomorrow there'll be more of us,"

422
00:22:21,591 --> 00:22:25,679
and people finding the language
of revolution in this other revolution,

423
00:22:25,762 --> 00:22:29,933
and that's been very heartening
and overwhelming.

424
00:22:30,517 --> 00:22:36,356
The-- That the conversation,
um, has progressed.

425
00:22:36,439 --> 00:22:40,026
You know, we are in a different point
of this conversation

426
00:22:40,110 --> 00:22:42,612
than we've ever been before. I-- I--

427
00:22:43,655 --> 00:22:48,827
My own little form of honoring
one of our fallen brothers was, you know,

428
00:22:48,910 --> 00:22:54,165
I remember dedicating my final performance
in <i>Hamilton</i> to Philando Castile.

429
00:22:54,582 --> 00:22:57,377
-Um, and that's four years ago.
-[Kelley] Mm-hmm.

430
00:22:57,460 --> 00:23:01,881
And so, now we see, you know,
brother George Floyd's lynching,

431
00:23:01,965 --> 00:23:05,385
his murder, leading to people
taking it to the streets.

432
00:23:06,219 --> 00:23:07,554
I mean, I'm...

433
00:23:09,723 --> 00:23:13,226
Still hopeful, you know, that we can--
That we can get this thing right.

434
00:23:13,309 --> 00:23:16,396
That we can-- That we can make it right.

435
00:23:16,479 --> 00:23:19,315
Um, but the first step was--

436
00:23:19,399 --> 00:23:22,485
First step was being honest
about how we got here.

437
00:23:22,569 --> 00:23:28,408
The first step is really talking about--
Talking about this trauma,

438
00:23:28,491 --> 00:23:31,619
and being honest about systemic racism

439
00:23:31,703 --> 00:23:34,789
and the most violent arm
of systemic racism,

440
00:23:34,873 --> 00:23:38,001
which are the police departments
around the country.

441
00:23:38,084 --> 00:23:41,171
That is-- That--
That is the most violent arm of it.

442
00:23:41,588 --> 00:23:45,717
So, we gotta talk about that.
We are talking about that.

443
00:23:45,800 --> 00:23:46,801
Um...

444
00:23:48,720 --> 00:23:50,972
Better late than never, I guess.

445
00:23:52,182 --> 00:23:55,977
I'm inspired by empowerment.

446
00:23:56,061 --> 00:23:58,146
I feel that, um...

447
00:23:59,397 --> 00:24:03,943
You know, somebody actually said to me,
uh, when I was doing <i>Hamilton</i>, you know,

448
00:24:04,027 --> 00:24:08,782
"You're-- You are incredibly powerful
if you know you are."

449
00:24:09,240 --> 00:24:11,368
And, like, if you don't know you are, it
doesn't matter how much power you have.

450
00:24:11,451 --> 00:24:12,452
You don't have any.

451
00:24:12,535 --> 00:24:15,872
And, um, and this shows...

452
00:24:16,539 --> 00:24:19,876
Um, this shows somebody
becoming all powerful

453
00:24:19,959 --> 00:24:24,381
just because he kept asking himself
this question,

454
00:24:24,464 --> 00:24:26,549
"Why is there so much suffering around me?

455
00:24:26,633 --> 00:24:28,968
Why is there so much dying,
and why am I still here?

456
00:24:29,052 --> 00:24:31,096
What am I supposed to do with this time?

457
00:24:31,179 --> 00:24:33,973
With nothing,
what am I supposed to do with this time?"

458
00:24:34,057 --> 00:24:36,434
Like, that kind of-- That continually,

459
00:24:36,518 --> 00:24:40,397
"Me. What can I do with this time
that I have for a reason?

460
00:24:40,480 --> 00:24:43,566
What can I do? Wh-- I have nothing.
I have no f-- I have"--

461
00:24:43,650 --> 00:24:47,529
You know, and that-- That-- The-- The--
The asking of that question

462
00:24:47,612 --> 00:24:53,326
and the bravery with which you answer it
is what I want our young people,

463
00:24:53,410 --> 00:24:57,997
and all of us, to take from this.

464
00:24:58,081 --> 00:25:02,627
If anything, take that,
and we need it. We need them.

465
00:25:02,711 --> 00:25:06,506
We desperately need them,
so my prayer is that some of those words

466
00:25:06,589 --> 00:25:10,552
and some of that sentiment gets, you know,
rooted in their-- in their heart,

467
00:25:10,635 --> 00:25:14,347
in their psyche, in their mouth,
and, um, and it becomes--

468
00:25:14,431 --> 00:25:19,853
Wh-- In-- In their own words, you know.
And it leads us in this revolution.

469
00:25:20,520 --> 00:25:22,397
What about you, Phillipa?

470
00:25:22,480 --> 00:25:25,358
I have a hope and desire

471
00:25:25,442 --> 00:25:29,446
for people to really feel the necessity

472
00:25:29,529 --> 00:25:33,575
to participate as citizens.

473
00:25:33,825 --> 00:25:39,539
Um, you know, through your work,
and for us that's through our art,

474
00:25:39,622 --> 00:25:42,959
but also through just our activism,

475
00:25:43,043 --> 00:25:47,255
and what it means to show up
and use your voice,

476
00:25:47,339 --> 00:25:50,050
whether that's trying to run for office,

477
00:25:50,133 --> 00:25:52,510
whether that's trying
to change legislation,

478
00:25:52,594 --> 00:25:54,679
whether that's just going out
and making sure

479
00:25:54,763 --> 00:25:57,557
that you're registered
to vote and going to vote.

480
00:25:57,640 --> 00:25:59,768
Um, I hope it inspires people

481
00:25:59,851 --> 00:26:04,564
to not only feel the duty
that they have to participate,

482
00:26:04,647 --> 00:26:10,737
but also to feel the excitement
and the desire to leave a legacy,

483
00:26:10,820 --> 00:26:14,324
um, to be a part of something greater
than themselves,

484
00:26:14,407 --> 00:26:20,580
to contribute, that, you know,
the reason that we've come to where we are

485
00:26:20,663 --> 00:26:25,251
is because of a lot of amazing things

486
00:26:25,335 --> 00:26:28,254
and a lot of flaws that we have,

487
00:26:28,338 --> 00:26:31,716
and to look our imperfections in the face
and say,

488
00:26:31,800 --> 00:26:37,180
"I'm going to choose to deal with that
and actively participate"

489
00:26:37,263 --> 00:26:39,891
is the mind-set that I think
that we need to have.

490
00:26:40,266 --> 00:26:41,935
Honestly, Pips, I-- Like, you--

491
00:26:42,018 --> 00:26:45,897
The way you're articulating the excitement
that people have about getting involved,

492
00:26:45,980 --> 00:26:47,982
um, you've really opened my eyes to that.

493
00:26:48,066 --> 00:26:51,361
I've been very upset with what's happening
in the world and very hurt and angry,

494
00:26:51,444 --> 00:26:54,698
as a lot of people are, and some people
when they're in that place,

495
00:26:54,781 --> 00:26:57,909
they lose sight of the excitement,
um, of change.

496
00:26:58,410 --> 00:27:00,620
There's weight sometimes to change.
You feel like there's this,

497
00:27:00,704 --> 00:27:03,415
"Oh, I gotta change.
How am I gonna figure it out?"

498
00:27:03,498 --> 00:27:06,167
But the excitement is when it does change,
think of it that way.

499
00:27:06,251 --> 00:27:10,046
So I thank you, Pips, for highlighting
that for me personally as well.

500
00:27:10,130 --> 00:27:12,298
And that is very exciting
to see these young men

501
00:27:12,382 --> 00:27:14,884
who are excited about standing on boxes

502
00:27:14,968 --> 00:27:17,137
and talking about laws
that they feel are unjust,

503
00:27:17,220 --> 00:27:19,389
who are excited about going home
and figuring out ways

504
00:27:19,472 --> 00:27:22,100
to aid and change their government,
what they see wrong.

505
00:27:22,183 --> 00:27:28,398
The excitement that these characters have,
I think, is a huge, massive takeaway.

506
00:27:28,481 --> 00:27:32,068
So, he-- Takeaway to the people
out in the streets to know

507
00:27:32,152 --> 00:27:35,321
that though you have this hurt, like,
you can have the joy

508
00:27:35,405 --> 00:27:38,324
that can also fuel you to create
the change that you want as well.

509
00:27:38,408 --> 00:27:40,493
And I know I personally
can lose sight of that sometimes,

510
00:27:40,577 --> 00:27:43,079
so thank you, Pips, for those words.

511
00:27:43,913 --> 00:27:45,665
You know,
I've been out to a few protests now,

512
00:27:45,749 --> 00:27:49,586
and it's been-- It's been encouraging
to see people of all different colors,

513
00:27:49,669 --> 00:27:54,424
you know, men, women, all different--
Trans-- All different colors out there,

514
00:27:54,507 --> 00:27:59,304
with the-- You know, in solidarity,
you know, saying with just one message,

515
00:27:59,387 --> 00:28:00,930
Black Lives Matter.

516
00:28:01,014 --> 00:28:05,185
My grandpar-- My grandmother especially,
they were civil rights organizers,

517
00:28:05,268 --> 00:28:09,522
and I knew more about my heritage

518
00:28:09,606 --> 00:28:12,233
before the age of five
than most college graduates get.

519
00:28:12,317 --> 00:28:17,238
Like, she was just adamant about making
sure I knew who I was in this world.

520
00:28:17,322 --> 00:28:21,951
And I say all of that to say, you know,
she gave me so much,

521
00:28:22,035 --> 00:28:24,871
but the thing that I always say
is that, you know,

522
00:28:24,954 --> 00:28:30,126
she taught me how to dream,
and I'm a living embodiment of that,

523
00:28:30,210 --> 00:28:33,296
but never in her wildest dreams
could she have imagined

524
00:28:33,380 --> 00:28:37,092
that I would be in a-- in a place of honor
to be standing in front

525
00:28:37,175 --> 00:28:38,968
of the first black president
of the United States.

526
00:28:39,052 --> 00:28:41,262
She was literally
working toward that moment.

527
00:28:41,971 --> 00:28:45,684
I constantly think about, like,
the youth when it comes to,

528
00:28:45,767 --> 00:28:48,812
um, this show and how impactful it is.

529
00:28:48,895 --> 00:28:53,233
Like, even a lot of the followers
that I have from the show are,

530
00:28:53,316 --> 00:28:57,028
especially, like, young women,
like, young girls.

531
00:28:57,112 --> 00:29:01,199
And so to see the power of a sisterhood,

532
00:29:01,282 --> 00:29:03,743
um, to see the love that women

533
00:29:03,827 --> 00:29:05,995
have for each other
and to support each other,

534
00:29:06,079 --> 00:29:09,124
um, to see fighting for a revolution,

535
00:29:09,207 --> 00:29:12,836
to see-- to see all of this strength

536
00:29:12,919 --> 00:29:16,256
with this beautiful and talented
and diverse cast onstage,

537
00:29:16,339 --> 00:29:18,967
I just--
I just want the youth to take that

538
00:29:19,050 --> 00:29:22,137
and have it inspire them to do something.

539
00:29:22,220 --> 00:29:24,806
Right, and in the show's format
on Broadway,

540
00:29:24,889 --> 00:29:28,268
you could only reach a certain amount
and demographic of people,

541
00:29:28,351 --> 00:29:32,188
but with the film release,
you can reach a much wider audience.

542
00:29:32,272 --> 00:29:34,524
What kind of impact
do you envision that having?

543
00:29:34,607 --> 00:29:38,236
You know, one of the things
that we wanted to do in this film

544
00:29:38,319 --> 00:29:39,946
was celebrate our love of theater.

545
00:29:40,030 --> 00:29:44,659
And so to do that,
let's capture this story in the envelope

546
00:29:44,743 --> 00:29:46,911
in which it is supposed to exist,
which is the theater.

547
00:29:46,995 --> 00:29:48,204
That was the authorial intent.

548
00:29:48,288 --> 00:29:54,044
Lin wrote this show to be performed
in front of an audience live,

549
00:29:54,127 --> 00:29:55,420
everybody breathing the same air.

550
00:29:55,503 --> 00:29:57,922
I just think, in a time when it looks like

551
00:29:58,006 --> 00:30:00,383
live theater's not coming back
for a long time,

552
00:30:00,467 --> 00:30:05,388
a reminder of how vital
live theater can be is...

553
00:30:05,472 --> 00:30:07,724
I'm very grateful
that we're in the opportunity,

554
00:30:07,807 --> 00:30:10,018
we have the opportunity to provide that.

555
00:30:10,101 --> 00:30:11,644
When the pandemic hit,

556
00:30:11,728 --> 00:30:13,563
and all of a sudden there was
no live performance,

557
00:30:13,646 --> 00:30:16,816
there was no Broadway, there was
no touring production of any show,

558
00:30:16,900 --> 00:30:18,360
there were no live concerts,

559
00:30:18,443 --> 00:30:22,364
it felt like there was an opportunity
to pull this up 15 months

560
00:30:22,447 --> 00:30:26,743
and let anybody that is missing the
experience of what it means to commune,

561
00:30:26,826 --> 00:30:28,953
to sit in the dark
with a group of strangers you've never met

562
00:30:29,037 --> 00:30:31,664
and watch a story unfold,
which has been happening all the way back

563
00:30:31,748 --> 00:30:33,208
since you used to sit around a campfire.

564
00:30:33,291 --> 00:30:34,668
It's just, this is the campfire now.

565
00:30:34,751 --> 00:30:37,295
♪ <i>Well, the word got around</i>,
<i>they said, "This kid is insane, man" </i>♪

566
00:30:37,379 --> 00:30:41,257
♪ <i>Took up a collection</i>
<i>just to send him to the mainland </i>♪

567
00:30:41,341 --> 00:30:44,594
And we wanted to do that in a way
that lowered the barrier to entry.

568
00:30:44,678 --> 00:30:46,763
Theater's too expensive.
There aren't enough theaters

569
00:30:46,846 --> 00:30:49,057
and there aren't enough seats for
all the people that want to participate.

570
00:30:49,140 --> 00:30:52,769
But if you put something out in this way,
you're giving something to the people

571
00:30:52,852 --> 00:30:55,063
that they might have wanted
but didn't have access to,

572
00:30:55,146 --> 00:30:57,482
and again, we have to give more access.

573
00:30:57,816 --> 00:31:01,986
The part that I can't even
wrap my mind around, to be honest,

574
00:31:02,070 --> 00:31:06,533
is the fact that we serve this
like we're a restaurant most of the time.

575
00:31:06,616 --> 00:31:10,537
We serve it 1,300 people at a time
on any given night,

576
00:31:10,620 --> 00:31:15,458
and more people will probably see
<i>Hamilton</i> on July third, fourth and fifth

577
00:31:15,542 --> 00:31:18,878
than will have seen it
in the previous five years combined.

578
00:31:18,962 --> 00:31:21,631
Um, I can't wrap my mind around that.

579
00:31:22,257 --> 00:31:27,220
We're hopeful that it continues to...

580
00:31:28,555 --> 00:31:31,891
you know, take root in new communities.

581
00:31:31,975 --> 00:31:33,810
I mean, as many places as it's been,

582
00:31:33,893 --> 00:31:36,521
there are new communities
that have not had access to it,

583
00:31:36,604 --> 00:31:41,568
and we're really excited
about the possibility that,

584
00:31:41,651 --> 00:31:44,029
you know, you know,

585
00:31:44,112 --> 00:31:46,740
the, you know, the black community
can really embrace this.

586
00:31:46,823 --> 00:31:50,744
Um, you know, people that don't travel
to New York to see theater, necessarily.

587
00:31:50,827 --> 00:31:54,414
People... You know,
global reach of this thing beyond

588
00:31:54,497 --> 00:31:58,293
where the show happens to be in town
and your ability to afford this ticket.

589
00:31:58,376 --> 00:32:02,756
Um, you know, we really, truly believe
that there is a blessing

590
00:32:02,839 --> 00:32:06,176
for all people in this-- in all times,

591
00:32:06,259 --> 00:32:11,097
and we're excited
about what it could mean,

592
00:32:11,181 --> 00:32:14,934
you know, on your television in your home.

593
00:32:15,018 --> 00:32:19,314
We're really excited about the ability
to bring theater to people that way.

594
00:32:19,397 --> 00:32:22,609
And also, as a reminder for people
who have, you know,

595
00:32:22,692 --> 00:32:25,195
have been out there
for so many years, right?

596
00:32:25,278 --> 00:32:28,823
It can hopefully maybe be something
that they can, uh, turn to

597
00:32:28,907 --> 00:32:32,452
or come back to that, kind of,
can reinvigorate that fire in them.

598
00:32:32,535 --> 00:32:35,080
You know? Every now and then
when the battery gets low.

599
00:32:35,163 --> 00:32:38,792
All right, all right.
That's what I'm talking about!

600
00:32:43,088 --> 00:32:46,466
Thank you, Lin, Tommy, Renée, Leslie,

601
00:32:46,549 --> 00:32:51,388
Daveed, Jasmine, Chris, Phillipa,
Anthony and Oak.

602
00:32:51,471 --> 00:32:55,642
And don't forget to stream the
Tony Award-winning musical, <i>Hamilton</i>,

603
00:32:55,725 --> 00:32:58,228
exclusively on Disney+.

604
00:32:58,311 --> 00:33:01,981
And thank you all for watching
the Zoom where it happened.



