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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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[mechanical buzzing]

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[camera rattles]

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[camera rattles]

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[shaky breathing]

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[distant television chatter]

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[crane whines]

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I am an actor
who will give

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voice to the hole
at the center of this film.

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Because every film is, in part,

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an autobiography.

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Because every image has a frame.

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And every frame excludes
a world beyond its edges.

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And yet,

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when we understand something,

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we still say,

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"I see".

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[dreamy electronic tones]

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(woman) Okay.
(man) Alright, still rolling.

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Moving into
the experiment phase.

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[dreamy guitar]

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(man) Alright, rolling cameras.
(camera) Rolling.

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(man) Alright, let's roll sound.
Roll camera.

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(man) What's your role?

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(woman) I want to get this
out of the frame.

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[group chatters]

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[electronics whir]

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[slate claps]

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(man) Rolling, rolling.
[murmurs]

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Alright, and action.

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(woman) Okay, hi everyone!

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Thank you for coming
to participate

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in our research study.

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Hi.
- Hi.

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We're a neuroscience
research company,

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and we're interested primarily
in how people

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respond to media content.

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[metal scrapes]
(woman) Okay,

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I'm going to get you set up

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with these instruments.

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We have a bunch
of different instruments

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that we use to measure
those responses.

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As you watch the content,

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there are sensors--

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so whether it's exciting
or amusing...

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any of that response,

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we'll be able to pick up
with these sensors.

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[music continues]

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(quietly) On the side...
same here.

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You continue pushing them back.

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Are they sitting okay?
- Yeah, yeah.

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- How does the headset...
- Perfect.

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- Perfect?
- Yeah, yeah.

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- Headset feels good?

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Feels great.

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[sighs] Ah wonderful,

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and if you can just
face me briefly.

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Is that comfortable?

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Okay, great.

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So, we're going to do some
calibration exercises.

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If you can, just,
close your eyes.

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Open your eyes.

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Close your eyes.

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Open your eyes.

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Close your eyes.

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Keep them closed.

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Keep them closed.

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Relax.

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Keep them closed.

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Open your eyes.

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[music builds]

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[water bubbles quietly]

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Here we go.

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Oh, okay,
do you want me to stop here?

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Maybe like stop right here,
and say, "Hey, like, welcome,"

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Oh, you wanna do
the welcome there, okay.

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(man) Can you actually
step further back?

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So like, basically,
there's not as much sun.

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Okay, that's good, like--

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How's about--
Okay, you tell me.

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Yeah, so maybe, like
come up, like, right here,

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It'll open right here, right?
- Yep.

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Okay, great.
Like, if it opens right here

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'cause you're in the shadow,

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and we can just
keep the exposure

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the same right here?

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Sure.

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And then you go, and then turn.

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You do the eye scan,
and we follow you from there.

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You got it.

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[door rattles]

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[footsteps]

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Come on in.

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[camera clicks]

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(machine) Thank you.
You have been identified.

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[footsteps continue]

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Welcome to Axon Headquarters
and Manufacturing.

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Today we're going to take a look
at some of our amazing

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Axon and Taser products.

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And we're going to take
a quick tour of our building.

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(quietly) Hi.

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[distant murmuring]
[doors squeak]

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This is the IT area
for the entire company.

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More conference rooms.

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Over here, we've got
the accounting side

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and the financial side
for the office.

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So each

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area has its own
designated department.

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As you can see here, we're on
one of our first catwalks.

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We try to do this,
like Star Wars, like Star Trek.

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Give this a real high-tech feel.

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If you look around here,

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there are no secrets here.

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I mean, look at,
the entire C Suite is open.

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I can look right down on what
the C Suite's doing.

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You know what's going on.

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And so transparency

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is really good for another thing
called candor.

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We expect candor here at this
building with positive intent.

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And when you know
what's going on,

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It just feels really good
when you get that candor 'cause

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you do assume
the positive intent,

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and it makes the company better.

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We work our way
up to the third floor.

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And before we do that,
I want to flash over here.

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There's a Black Box.

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That's what we call it.

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And the Black Box
is a colloquial term

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for R&D,
the Research and Development.

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They are in a Black Box,
because we don't want them

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showing their wares,
or what they're working on.

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So we want them to stay
kind of hidden.

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At the same time,
they're looking at us

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and with, sort of like a car
with a tinted window,

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they can see us,
but really can't see--

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them too well.

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That really gives that

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feel of they're working
on something really unique,

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powerful, and

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not to be showed
to the public just yet.

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That's the Black Box.

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And everybody says they work
in a "black box",

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but we put them
in a real Black Box.

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And that's pretty cool, I think.

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[somber music]

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[door clicks and squeaks]

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[keys clack]

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1874.

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00:09:03,627 --> 00:09:04,920
The world prepares for

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the astronomical event
of the century:

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the Transit of Venus.

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A few times every century,

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the orbit of Venus crosses
the face of the Sun.

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By measuring the time it takes
for Venus to make this journey,

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astronomers can establish
the distance

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the planet has traveled.

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By comparing transit times
from different vantage points,

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the distance between
the Earth and the Sun

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can be calculated
through triangulation.

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This process is called
the solar parallax,

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and these calculations
are still foundational

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for both astronomical maps
of the universe

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and navigational maps
here on Earth.

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Any measurement
is only as accurate

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as the measuring instrument.

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Prior to 1874,

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astronomers had to rely

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on highly trained specialists
for their observations.

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These specialists activated
a timekeeping device

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once the Transit began

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and stopped the device
to mark its end.

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But every observer
had different reflexes,

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resulting in different times,

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and thus different calculations.

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Another obstacle
stood in the way

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of accurate observation.

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As Venus approached
the border of the Sun,

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the planet appeared to liquify,

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a phenomenon caused
by distortions

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in the planet's atmosphere

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as well as
the lens of the telescope.

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Astronomers called
this phenomenon

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the Black Drop effect.

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The act of observation
obscures the observation.

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Where the world meets
the image of the world,

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the image falls apart.

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To scientists,

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the Transit provided
a unique opportunity

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for technology to overcome
the limitations

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of the imperfect human observer.

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But not everyone was
convinced of their success.

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The philosopher Henri Bergson,

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writing on the Transit,

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said that any attempt
to record a true measurement

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was doomed to failure.

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Venus, as it appeared
to the scientist,

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00:11:17,427 --> 00:11:19,638
did not reflect
the true nature of Venus,

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but merely the limitations
of human observation.

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He writes:

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There is no form,

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00:11:27,979 --> 00:11:30,941
since form is immobile
and reality is movement.

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00:11:31,566 --> 00:11:34,528
What is real is
the continual change of form:

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form is only
a snapshot view of transition.

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[music continues]

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00:11:51,002 --> 00:11:53,964
[music fades]

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00:11:54,840 --> 00:11:57,801
[muffled murmurs]

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00:11:59,845 --> 00:12:01,263
(man) We'll talk at the break--

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00:12:01,304 --> 00:12:02,806
Thank you so much.
- You got it.

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00:12:03,890 --> 00:12:05,684
Alright, good morning.
(group) Good morning, sir.

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00:12:07,227 --> 00:12:08,979
Look at all these--
I see a lot of familiar faces.

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00:12:09,020 --> 00:12:09,813
It's exciting.

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00:12:10,272 --> 00:12:11,314
[laughs]

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00:12:11,356 --> 00:12:12,607
Especially this little guy
over here.

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00:12:13,775 --> 00:12:15,819
Um, I'm Sergeant Robert Corso.

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00:12:16,111 --> 00:12:18,071
I do the body camera training,
um--

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00:12:18,989 --> 00:12:20,866
Before we get going today,
it's, uh...

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00:12:20,907 --> 00:12:23,285
a special day. We've got,
obviously, a couple cameras

219
00:12:23,702 --> 00:12:25,871
besides the body-worn cameras
in the room.

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00:12:25,912 --> 00:12:28,123
So we're gonna go over
three different things

221
00:12:28,165 --> 00:12:30,250
when we talk about
the body-worn cameras today.

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00:12:30,709 --> 00:12:31,460
The first block

223
00:12:31,501 --> 00:12:32,502
is going to be about

224
00:12:32,544 --> 00:12:34,004
the actual operation
of the camera.

225
00:12:34,045 --> 00:12:35,255
How this thing functions,

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00:12:35,297 --> 00:12:37,090
how it works,
how you'll use it.

227
00:12:37,716 --> 00:12:38,884
The next thing
we're going to go over

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00:12:38,925 --> 00:12:39,885
is going to be
about the website.

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00:12:40,552 --> 00:12:41,845
How you're going to access it,

230
00:12:41,887 --> 00:12:43,180
how you're going
to search for videos,

231
00:12:43,221 --> 00:12:45,056
find videos,
play back videos,

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00:12:45,098 --> 00:12:46,183
things like that.

233
00:12:46,725 --> 00:12:47,976
And the last part of the day

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00:12:48,393 --> 00:12:49,436
we're gonna talk about policy.

235
00:12:50,061 --> 00:12:50,896
And that's it.

236
00:12:51,229 --> 00:12:52,063
At the end,

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You'll get your camera.

238
00:12:53,398 --> 00:12:54,316
You'll get your phone.

239
00:12:55,442 --> 00:12:56,193
You'll learn how
to pair them together.

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00:12:56,234 --> 00:12:57,277
You take a test video.

241
00:12:57,319 --> 00:12:58,320
We'll all do it together.

242
00:12:58,612 --> 00:12:59,738
Learn how to upload it.

243
00:12:59,780 --> 00:13:01,281
And if you haven't already,

244
00:13:01,323 --> 00:13:03,200
we'll even get you
registered for the website.

245
00:13:03,241 --> 00:13:04,284
And you'll be good to go.

246
00:13:05,744 --> 00:13:06,703
Alright, any questions
before we get started?

247
00:13:07,746 --> 00:13:10,707
[dreamy electronic music]

248
00:13:44,908 --> 00:13:46,117
[music fades]

249
00:13:46,159 --> 00:13:47,828
We're about to go
into our production facility

250
00:13:47,869 --> 00:13:49,788
on the third floor of Axon.

251
00:13:49,830 --> 00:13:51,289
And right now,
before we go in there,

252
00:13:51,331 --> 00:13:52,415
you're actually
in the viewing room,

253
00:13:52,457 --> 00:13:53,708
because sometimes
we don't want people

254
00:13:53,750 --> 00:13:54,459
to get full access to that.

255
00:13:54,835 --> 00:13:56,336
So, now,

256
00:13:56,378 --> 00:13:58,547
what I can do is show you
the viewing room aspect of it

257
00:13:58,588 --> 00:13:59,881
in terms of turning it
on and off.

258
00:14:00,590 --> 00:14:03,552
[switch clicks rhythmically]

259
00:14:19,484 --> 00:14:21,069
[door squeaks]
[distant voices]

260
00:14:22,237 --> 00:14:23,530
This

261
00:14:23,572 --> 00:14:27,033
is where all the activity
really is taking place.

262
00:14:27,075 --> 00:14:29,286
It's the nuts and bolts
of our company right here.

263
00:14:29,327 --> 00:14:30,996
We actually hand-make

264
00:14:31,037 --> 00:14:32,622
our Axon body cameras

265
00:14:32,664 --> 00:14:34,040
and also our Taser weapons

266
00:14:34,082 --> 00:14:35,917
and some of the accessories
that go with it.

267
00:14:35,959 --> 00:14:37,794
So everything is made here

268
00:14:38,211 --> 00:14:38,420
that you wear on the body.

269
00:14:38,753 --> 00:14:40,297
So,

270
00:14:40,338 --> 00:14:42,883
We're going to take a look first
at our Axon body cameras,

271
00:14:43,174 --> 00:14:44,759
and we'll, uh,
take a gander here.

272
00:14:45,093 --> 00:14:48,054
[machines hum]
[distant voices]

273
00:14:56,521 --> 00:14:59,482
[air hisses]

274
00:15:02,986 --> 00:15:05,113
This is where we make
the Axon Body Two.

275
00:15:05,155 --> 00:15:06,489
Now what's different about this

276
00:15:06,531 --> 00:15:08,074
is that the lens is incorporated

277
00:15:08,116 --> 00:15:09,701
in the actual
controller aspect of it,

278
00:15:10,118 --> 00:15:11,703
meaning that I can wear this now

279
00:15:11,745 --> 00:15:13,455
and record from my chest

280
00:15:13,496 --> 00:15:14,748
using a magnet mount

281
00:15:14,789 --> 00:15:15,832
anywhere on my body.

282
00:15:17,250 --> 00:15:18,793
Truly a body camera
where you mount it to your body.

283
00:15:19,419 --> 00:15:20,754
[air hisses]
So here,

284
00:15:21,421 --> 00:15:22,839
we make sure
that the camera itself

285
00:15:22,881 --> 00:15:24,382
is focusing properly.

286
00:15:24,758 --> 00:15:26,176
This is where
we do a lens check.

287
00:15:26,593 --> 00:15:28,053
Processing quality assurance

288
00:15:28,094 --> 00:15:29,304
along the way.

289
00:15:29,721 --> 00:15:31,514
We need to make sure
that they contrast,

290
00:15:31,556 --> 00:15:32,432
see in the dark,

291
00:15:32,474 --> 00:15:33,850
and mimic the human eye.

292
00:15:34,184 --> 00:15:36,519
This is a very
unique camera lens

293
00:15:36,561 --> 00:15:38,939
in that, we don't want to
not mimic the eye,

294
00:15:38,980 --> 00:15:41,483
because we don't want to be
able to see in the dark.

295
00:15:41,942 --> 00:15:43,360
Humans can't see in the dark.

296
00:15:43,401 --> 00:15:44,653
So if we had
an incident in which,

297
00:15:44,694 --> 00:15:46,363
somebody drew
what looked like a firearm

298
00:15:46,404 --> 00:15:47,322
down a hallway,

299
00:15:47,614 --> 00:15:48,865
we don't want the
infrared to show

300
00:15:48,907 --> 00:15:50,825
that it wasn't a gun
or it was a gun.

301
00:15:50,867 --> 00:15:52,494
Because the officer
doesn't see in infrared.

302
00:15:52,535 --> 00:15:53,828
That can jade a jury.

303
00:15:53,870 --> 00:15:55,914
We want it to mimic
what the human eye can see.

304
00:15:56,331 --> 00:15:57,999
If you go beyond that,

305
00:15:58,041 --> 00:15:59,376
now you're gonna see things that

306
00:15:59,417 --> 00:16:00,877
maybe a jury would say,

307
00:16:00,919 --> 00:16:03,129
"Well, the video saw that
this was a squirt gun,

308
00:16:03,171 --> 00:16:04,047
not a real gun".

309
00:16:04,381 --> 00:16:06,174
But the officer can't see that.

310
00:16:06,216 --> 00:16:07,133
You want to see what he saw.

311
00:16:07,467 --> 00:16:08,843
So,

312
00:16:08,885 --> 00:16:11,012
we saw some camera companies
in the very early stages

313
00:16:11,054 --> 00:16:12,430
that were competing with us
using infrared.

314
00:16:12,847 --> 00:16:13,473
Big mistake.

315
00:16:13,515 --> 00:16:14,683
They don't do that,

316
00:16:14,724 --> 00:16:16,559
because you can't go
into court like that.

317
00:16:16,601 --> 00:16:17,936
It doesn't mimic the human eye.

318
00:16:18,853 --> 00:16:20,313
There--

319
00:16:20,355 --> 00:16:22,565
There are things you want to see
just like the officer sees

320
00:16:22,607 --> 00:16:23,817
from the officer's perspective.

321
00:16:23,858 --> 00:16:25,402
When it comes to court cases,

322
00:16:25,443 --> 00:16:27,821
what the officer's
perspective is key.

323
00:16:28,113 --> 00:16:29,489
And that's always been the case.

324
00:16:29,531 --> 00:16:30,532
So you don't want to give them

325
00:16:30,573 --> 00:16:32,075
something beyond
their perspective.

326
00:16:35,537 --> 00:16:39,833
[somber electronic tones]

327
00:16:48,466 --> 00:16:49,509
These photos,

328
00:16:49,801 --> 00:16:50,885
from a collection titled

329
00:16:50,927 --> 00:16:52,887
Photographic Atlas of the Sun,

330
00:16:53,805 --> 00:16:55,807
do not credit
any human photographer.

331
00:16:57,350 --> 00:16:59,853
The Sun itself is credited
with their creation.

332
00:17:02,564 --> 00:17:04,983
The man who assembled
these authorless images

333
00:17:05,025 --> 00:17:07,152
was the astronomer
Jules Janssen.

334
00:17:08,445 --> 00:17:10,113
In 1871,

335
00:17:10,155 --> 00:17:12,490
with the world preparing
for the Transit of Venus,

336
00:17:12,824 --> 00:17:14,826
Jules Janssen unveiled
a new invention

337
00:17:14,868 --> 00:17:16,786
that he hoped would
address the issues facing

338
00:17:16,828 --> 00:17:18,997
accurate measurement
of the solar parallax.

339
00:17:21,624 --> 00:17:23,168
Janssen called his invention

340
00:17:23,209 --> 00:17:24,836
the photographic revolver.

341
00:17:26,337 --> 00:17:27,922
The design of Janssen's revolver

342
00:17:27,964 --> 00:17:30,133
was partly inspired
by the Gatling Gun,

343
00:17:30,508 --> 00:17:33,303
a semi-automatic machine gun
that was first introduced

344
00:17:33,344 --> 00:17:35,805
on the battlefields
of the American Civil War.

345
00:17:37,057 --> 00:17:38,475
The gun's inventor,

346
00:17:38,516 --> 00:17:39,726
Dr. Samuel Gatling,

347
00:17:41,394 --> 00:17:43,396
dreamt his gun would drastically
reduce the bloodshed of war.

348
00:17:45,440 --> 00:17:47,901
By replacing human soldiers
with automatic machines,

349
00:17:47,942 --> 00:17:49,319
he thought,

350
00:17:49,360 --> 00:17:51,362
fewer soldiers would
be needed to fight.

351
00:17:54,324 --> 00:17:57,410
Janssen's revolver applied
automation to observation.

352
00:17:59,204 --> 00:18:02,415
The operator loads the camera
with a circular plate of film.

353
00:18:03,208 --> 00:18:04,584
When activated,

354
00:18:04,626 --> 00:18:06,753
the plate is exposed
at regular intervals.

355
00:18:09,964 --> 00:18:12,967
The human operator is removed
from the act of observation.

356
00:18:18,723 --> 00:18:20,058
There are no original plates

357
00:18:20,100 --> 00:18:23,019
of the 1874 transit
left in existence.

358
00:18:24,395 --> 00:18:26,147
This sequence, made by Janssen

359
00:18:26,189 --> 00:18:28,525
using a miniature model
of Venus and the Sun,

360
00:18:29,067 --> 00:18:30,735
was filmed over 20 years before

361
00:18:30,777 --> 00:18:32,195
the Lumiere Brothers
would release

362
00:18:32,237 --> 00:18:34,030
their own version
of the movie camera.

363
00:18:36,324 --> 00:18:39,577
Many consider this sequence
to be the first movie ever made.

364
00:18:47,043 --> 00:18:48,461
By the time of the transit

365
00:18:48,962 --> 00:18:50,880
62 parties from ten countries

366
00:18:50,922 --> 00:18:53,091
had set out with their own
competing instruments,

367
00:18:53,508 --> 00:18:55,260
each vying to become
the first country

368
00:18:55,301 --> 00:18:57,303
to calculate
the solar parallax.

369
00:18:58,638 --> 00:19:01,808
It was the largest scientific
expedition of modern times.

370
00:19:04,811 --> 00:19:06,312
But every single trip,

371
00:19:06,354 --> 00:19:07,730
including Janssen's,

372
00:19:07,772 --> 00:19:09,440
was an absolute failure.

373
00:19:11,359 --> 00:19:14,612
Each instrument had produced
its own incompatible data.

374
00:19:15,738 --> 00:19:18,700
Every nation had come up
with their own solar parallax.

375
00:19:22,287 --> 00:19:24,080
Astronomers were disappointed.

376
00:19:24,914 --> 00:19:26,499
The military was not.

377
00:19:29,043 --> 00:19:32,005
Techniques of long range
targeting pioneered by Janssen

378
00:19:32,046 --> 00:19:33,798
were quickly adapted
for the development

379
00:19:33,840 --> 00:19:35,425
of new ballistic technology.

380
00:19:36,968 --> 00:19:38,094
Janssen writes:

381
00:19:39,679 --> 00:19:41,014
"New infantry and especially
artillery weapons

382
00:19:41,055 --> 00:19:42,557
can reach the enemy in places

383
00:19:42,599 --> 00:19:44,559
where he is sometimes
barely visible."

384
00:19:46,769 --> 00:19:48,354
A cartridge of film is loaded.

385
00:19:49,355 --> 00:19:50,523
The shutter is triggered.

386
00:19:51,441 --> 00:19:52,650
The flash fires.

387
00:19:53,860 --> 00:19:55,069
The camera shoots.

388
00:19:56,112 --> 00:19:57,488
An image is captured.

389
00:19:59,616 --> 00:20:01,492
A common language endures.

390
00:20:03,077 --> 00:20:06,039
[dreamy music continues]

391
00:20:14,005 --> 00:20:16,925
[music fades]

392
00:20:23,514 --> 00:20:24,766
[mouse clicks]

393
00:20:42,200 --> 00:20:44,702
[machine whirs]
[keys click]

394
00:20:53,294 --> 00:20:56,256
[mouse clicks]

395
00:21:02,762 --> 00:21:03,638
[sighs]

396
00:21:08,851 --> 00:21:11,813
[percussive mouse clicks
continue]

397
00:21:14,524 --> 00:21:15,483
[sighs]

398
00:21:17,026 --> 00:21:17,527
(man) Trying to see
if I can find somebody.

399
00:21:28,955 --> 00:21:31,916
(McNutt) This is our program
we call Eyeview.

400
00:21:32,208 --> 00:21:34,168
It's very similar
to Google Earth,

401
00:21:34,210 --> 00:21:36,004
only it's live with Tivo.

402
00:21:36,796 --> 00:21:38,006
Anywhere within it,

403
00:21:38,047 --> 00:21:40,008
the images are updated
every second.

404
00:21:40,633 --> 00:21:41,884
We record

405
00:21:42,218 --> 00:21:44,512
large areas of troubled cities

406
00:21:44,971 --> 00:21:47,432
that allows us to go
back in time

407
00:21:47,473 --> 00:21:49,726
and we provide
an unbiased witness

408
00:21:50,226 --> 00:21:52,603
as to what actually happened
on the ground

409
00:21:52,645 --> 00:21:54,105
at those locations.

410
00:21:54,856 --> 00:21:57,483
We take twelve cameras at once.

411
00:21:57,525 --> 00:22:00,361
Our objective is to make it look
like one seamless image,

412
00:22:00,403 --> 00:22:02,113
so you can't see the cameras.

413
00:22:02,697 --> 00:22:05,950
But, you know,
it's a hard process to do.

414
00:22:06,326 --> 00:22:09,245
[clicking continues]

415
00:22:13,583 --> 00:22:14,876
Here you can see

416
00:22:14,917 --> 00:22:16,961
we can actually follow this bus.

417
00:22:17,003 --> 00:22:18,671
So here we can go
forward in time.

418
00:22:19,172 --> 00:22:20,923
Here we can go
backwards in time.

419
00:22:22,216 --> 00:22:24,010
And you can see
that the analysts,

420
00:22:24,427 --> 00:22:25,928
they can go to
the scene of a crime

421
00:22:25,970 --> 00:22:27,764
and follow these vehicles

422
00:22:28,056 --> 00:22:29,557
from the crime scenes.

423
00:22:30,600 --> 00:22:32,894
This is what a person
looks like right here.

424
00:22:34,062 --> 00:22:36,689
That little dot there
crossing the sidewalk

425
00:22:37,440 --> 00:22:38,566
is a person.

426
00:22:40,401 --> 00:22:42,320
And we can't tell who they are,

427
00:22:42,612 --> 00:22:43,821
what color they are,

428
00:22:45,365 --> 00:22:46,657
the only reason we know
they're not a bush,

429
00:22:46,699 --> 00:22:47,825
is they're walking along
the sidewalk.

430
00:22:49,327 --> 00:22:50,703
The only reason we know
they're not a dog

431
00:22:50,745 --> 00:22:51,621
is they tend to get
into a car and drive.

432
00:23:02,131 --> 00:23:08,304
[wings flap]
[birds whine]

433
00:23:15,812 --> 00:23:18,773
[wings continue]
[birds coo]

434
00:23:30,827 --> 00:23:33,788
[wings rustle]

435
00:23:37,333 --> 00:23:40,294
[distant birdsong]

436
00:23:49,637 --> 00:23:52,598
[birdsong fades]

437
00:24:01,023 --> 00:24:03,985
[distant voices]

438
00:24:12,326 --> 00:24:13,286
(Corso) Alright,

439
00:24:14,829 --> 00:24:15,746
so let's talk about
operation of the camera.

440
00:24:17,165 --> 00:24:18,249
How this thing works,
how it functions.

441
00:24:19,625 --> 00:24:20,543
How you're going
to physically use it,

442
00:24:20,585 --> 00:24:21,794
activate it, deactivate it.

443
00:24:23,421 --> 00:24:24,422
When mounting the camera

444
00:24:24,464 --> 00:24:25,673
to your body,

445
00:24:27,341 --> 00:24:29,427
it's important to just be guided
by some general rules, okay?

446
00:24:30,386 --> 00:24:32,096
Maximize the camera coverage.

447
00:24:32,472 --> 00:24:33,306
In other words,

448
00:24:34,599 --> 00:24:36,350
wherever you're mounting
this thing to your body,

449
00:24:37,643 --> 00:24:38,853
the overall goal

450
00:24:39,562 --> 00:24:41,022
is to be capturing

451
00:24:41,063 --> 00:24:42,773
whatever you would normally see,

452
00:24:43,524 --> 00:24:44,775
sitting or standing,

453
00:24:45,443 --> 00:24:46,444
facing forward.

454
00:24:47,361 --> 00:24:47,820
Right?

455
00:24:48,738 --> 00:24:49,780
Whatever you would normally see,

456
00:24:49,822 --> 00:24:51,324
sitting or standing,
facing forward.

457
00:24:51,741 --> 00:24:54,160
That's the goal to be captured
with your camera.

458
00:24:55,203 --> 00:24:56,496
The purpose of this program--

459
00:24:56,537 --> 00:24:58,164
The purpose of
the body camera program

460
00:24:58,873 --> 00:25:00,750
is to record our interactions
with the public

461
00:25:01,501 --> 00:25:02,960
when it needs to be, right?

462
00:25:03,336 --> 00:25:04,587
How 'bout this,
I'll give you an example.

463
00:25:05,838 --> 00:25:08,049
Maybe you're in
a room of the house,

464
00:25:08,090 --> 00:25:10,259
and you've found some evidence.
It's under the sofa.

465
00:25:10,885 --> 00:25:11,552
Right?

466
00:25:12,553 --> 00:25:13,763
Where is this camera looking?

467
00:25:15,556 --> 00:25:16,766
It's not looking under the sofa.

468
00:25:17,558 --> 00:25:18,100
It's looking at...

469
00:25:18,726 --> 00:25:19,393
the wall.

470
00:25:20,520 --> 00:25:21,646
Keep that in mind.

471
00:25:21,687 --> 00:25:23,856
You want to document and record

472
00:25:24,357 --> 00:25:26,776
the fact that you have now found
and are recovering

473
00:25:27,235 --> 00:25:28,277
that evidence.

474
00:25:29,904 --> 00:25:30,655
And this is one of
your best friends to do that.

475
00:25:31,948 --> 00:25:32,990
But if it doesn't see it,

476
00:25:33,991 --> 00:25:35,034
it's not helping you.

477
00:25:36,202 --> 00:25:37,245
Just remember,

478
00:25:37,286 --> 00:25:38,329
your camera,

479
00:25:39,539 --> 00:25:40,581
your mount,

480
00:25:41,207 --> 00:25:42,500
or your hand

481
00:25:43,209 --> 00:25:44,669
and never anywhere else.

482
00:25:46,337 --> 00:25:48,130
The only time this should
ever leave your physical

483
00:25:48,923 --> 00:25:49,924
contact

484
00:25:51,717 --> 00:25:53,010
is when it goes on the dock,

485
00:25:53,553 --> 00:25:55,846
or on your charger at home,
if you take it home.

486
00:25:57,431 --> 00:25:59,684
Right, this is--
what is this called?

487
00:25:59,725 --> 00:26:01,561
What is this physical--
what is this called?

488
00:26:01,602 --> 00:26:03,271
[murmurs]

489
00:26:03,312 --> 00:26:04,564
Body camera.

490
00:26:04,605 --> 00:26:06,482
Right? It's in the title.

491
00:26:06,524 --> 00:26:07,608
It should be on your body,

492
00:26:07,650 --> 00:26:08,651
touching your body

493
00:26:08,693 --> 00:26:09,735
at all times.

494
00:26:09,777 --> 00:26:10,695
[body cam beeps]

495
00:26:10,736 --> 00:26:13,406
[distant music and voices]

496
00:26:13,447 --> 00:26:15,074
[door rattles]

497
00:26:19,453 --> 00:26:22,415
[distant baby cries]

498
00:26:23,958 --> 00:26:26,919
[electronic tones build]

499
00:26:30,631 --> 00:26:32,883
The body camera
operator both uses

500
00:26:32,925 --> 00:26:34,343
and is part of the camera.

501
00:26:35,219 --> 00:26:36,137
[high-pitched beep]

502
00:26:37,722 --> 00:26:39,015
Most of the time,

503
00:26:39,056 --> 00:26:41,183
the camera operator's
body isn't seen.

504
00:26:41,517 --> 00:26:42,393
[beeping]

505
00:26:44,228 --> 00:26:45,605
The camera moves,

506
00:26:45,646 --> 00:26:47,440
but we rarely see who moves it.

507
00:26:48,691 --> 00:26:50,151
(officer) I like these
ones down here.

508
00:26:51,235 --> 00:26:52,653
When the operator speaks,

509
00:26:52,945 --> 00:26:55,031
it narrates the image
like a voiceover.

510
00:26:55,364 --> 00:26:58,326
[distant voices]

511
00:27:01,746 --> 00:27:03,914
The Axon Body camera's
recommended placement

512
00:27:03,956 --> 00:27:05,291
is centered on the chest.

513
00:27:08,794 --> 00:27:11,881
It does not capture the direct
field of view of the operator,

514
00:27:11,922 --> 00:27:13,466
but from a slight parallax.

515
00:27:16,177 --> 00:27:18,638
The operator is not
seeing for themselves,

516
00:27:18,679 --> 00:27:20,306
but as an extension
of the state.

517
00:27:21,682 --> 00:27:23,684
[muffled television voices]

518
00:27:23,726 --> 00:27:24,477
The wide angle of the lens

519
00:27:24,518 --> 00:27:26,103
is meant to capture

520
00:27:26,145 --> 00:27:28,356
as much of the surrounding
environment as possible.

521
00:27:30,066 --> 00:27:32,485
But the wide angle
also exaggerates motion.

522
00:27:34,111 --> 00:27:35,863
Subjects appear closer
than they are,

523
00:27:36,530 --> 00:27:38,032
their movements more severe.

524
00:27:38,324 --> 00:27:40,493
[clatter]

525
00:27:41,160 --> 00:27:44,121
[slurping]

526
00:27:48,000 --> 00:27:48,668
[clatters]

527
00:27:48,709 --> 00:27:50,127
[child screams]

528
00:27:52,963 --> 00:27:53,381
Time,

529
00:27:53,422 --> 00:27:55,091
date,

530
00:27:55,132 --> 00:27:57,593
and file name are imprinted
in the upper right corner.

531
00:27:59,470 --> 00:28:01,263
An Axon logo brands the video.

532
00:28:04,809 --> 00:28:07,770
Axon is the literal frame
through which an event is seen.

533
00:28:11,315 --> 00:28:12,858
These elements are used to prove

534
00:28:12,900 --> 00:28:14,902
that the image was captured
at a certain place,

535
00:28:15,361 --> 00:28:16,362
at a certain time,

536
00:28:17,822 --> 00:28:18,989
and according to a set
of standard protocols.

537
00:28:22,535 --> 00:28:24,161
These protocols allow the image

538
00:28:24,203 --> 00:28:26,414
to be admitted
into court as evidence.

539
00:28:29,583 --> 00:28:32,044
[distant music]

540
00:28:32,086 --> 00:28:33,754
A neutral witness,

541
00:28:33,796 --> 00:28:36,590
free from the imperfections
and bias of human memory.

542
00:28:40,302 --> 00:28:42,138
But a blind spot is exploited.

543
00:28:42,179 --> 00:28:43,472
(officer) Just cut back.

544
00:28:43,806 --> 00:28:45,099
The frame
of the body camera

545
00:28:45,141 --> 00:28:47,017
erases the officer
from its view.

546
00:28:48,436 --> 00:28:49,186
[beeps]

547
00:28:50,771 --> 00:28:53,065
A viewer is placed
in the body of the officer,

548
00:28:53,399 --> 00:28:54,817
watching what happened
to them,

549
00:28:55,109 --> 00:28:56,402
and not what they did.

550
00:29:00,614 --> 00:29:03,159
The courts view this image
as an objective witness,

551
00:29:03,784 --> 00:29:05,161
but the camera
is designed

552
00:29:05,202 --> 00:29:07,288
to limit what can be
seen by this witness.

553
00:29:08,414 --> 00:29:11,375
[dreamy electronic music]

554
00:29:12,543 --> 00:29:15,504
There's always a body
behind the body camera.

555
00:29:24,221 --> 00:29:27,183
[music builds]

556
00:30:25,908 --> 00:30:28,869
[music cuts abruptly]
[distant voices]

557
00:30:34,959 --> 00:30:36,919
(Tuttle) Again, you'll see
all our core values here.

558
00:30:37,461 --> 00:30:38,295
Win right.

559
00:30:38,921 --> 00:30:39,713
Own it.

560
00:30:41,090 --> 00:30:42,091
Be obsessed.

561
00:30:42,842 --> 00:30:44,677
Big one for us
on the passion side.

562
00:30:45,678 --> 00:30:46,762
Aiming far.

563
00:30:46,804 --> 00:30:47,763
We're not gonna shoot
for the moon.

564
00:30:47,805 --> 00:30:49,056
We're gonna shoot
for Pluto here.

565
00:30:51,058 --> 00:30:52,101
If you own it,

566
00:30:52,142 --> 00:30:53,269
you don't want to be singular.

567
00:30:53,310 --> 00:30:54,728
You also want to join forces.

568
00:30:54,770 --> 00:30:56,730
So it's kind of
a diametrically opposed,

569
00:30:56,772 --> 00:30:59,108
but not diametrically opposed
situation.

570
00:30:59,149 --> 00:31:02,152
And the last one is expect
candor with positive intent.

571
00:31:02,611 --> 00:31:04,488
We speak pretty frank
here at Taser.

572
00:31:04,530 --> 00:31:07,157
[machines whir and buzz]

573
00:31:10,828 --> 00:31:12,037
(Tuttle) We're going
to take a look

574
00:31:12,079 --> 00:31:14,790
at the X2 line,
for our Taser smart weapons.

575
00:31:15,207 --> 00:31:17,668
A smart weapon is
an electronic controlled device.

576
00:31:18,043 --> 00:31:19,628
It's a device that's
gonna use electricity

577
00:31:19,670 --> 00:31:21,130
to incapacitate a violent

578
00:31:21,171 --> 00:31:22,590
or dangerous person.

579
00:31:22,631 --> 00:31:24,091
We make that weapon here,

580
00:31:24,550 --> 00:31:26,552
and it's really important
to understand that

581
00:31:26,886 --> 00:31:30,055
quality is really important
on this side of the line because

582
00:31:30,097 --> 00:31:31,724
an officer's life
may depend on it,

583
00:31:32,016 --> 00:31:34,268
and conversely, a suspect's life
may depend on it

584
00:31:34,310 --> 00:31:35,603
working properly because

585
00:31:35,644 --> 00:31:36,770
if it doesn't work,

586
00:31:38,230 --> 00:31:39,315
an officer may have to go
to a higher level of force,

587
00:31:39,607 --> 00:31:40,983
and that's not good
for the suspect,

588
00:31:41,358 --> 00:31:43,110
and certainly, that's not what
the officer wants to do.

589
00:31:43,777 --> 00:31:45,070
So let's take a look
at how they're made.

590
00:31:46,405 --> 00:31:49,325
[machines whir]
[distant chatter]

591
00:31:54,288 --> 00:31:55,164
(woman) Hi!
(Tuttle) Hello.

592
00:31:58,125 --> 00:31:59,793
Oh, just filming right now.

593
00:31:59,835 --> 00:32:00,836
Oh!

594
00:32:02,504 --> 00:32:04,256
A final scan is done here.

595
00:32:04,298 --> 00:32:06,592
It's been used many times,
put under stress.

596
00:32:07,092 --> 00:32:08,552
It goes in here
for final kitting.

597
00:32:08,969 --> 00:32:10,596
And off this goes, in a box,

598
00:32:11,347 --> 00:32:13,474
and goes off to
a law enforcement agency.

599
00:32:14,099 --> 00:32:15,434
Hopefully,
it saves someone's life.

600
00:32:16,560 --> 00:32:17,144
[beep]

601
00:32:18,145 --> 00:32:19,813
Just being aimed at a suspect

602
00:32:19,855 --> 00:32:21,273
is our number one use of force.

603
00:32:22,024 --> 00:32:23,567
It makes you think:

604
00:32:23,609 --> 00:32:25,402
"I'm on the business end
of whatever that is,

605
00:32:25,444 --> 00:32:26,737
and if it's a taser weapon,

606
00:32:26,779 --> 00:32:29,073
I really don't want to be
shocked by that device."

607
00:32:29,698 --> 00:32:31,450
So to me, it give that standoff,

608
00:32:31,492 --> 00:32:32,910
and you give good
verbal commands.

609
00:32:33,535 --> 00:32:35,037
"I'm gonna use a taser on you.

610
00:32:35,079 --> 00:32:36,163
Put your hands down.
Put your hands down."

611
00:32:36,205 --> 00:32:37,206
And all the sudden,
they see that.

612
00:32:38,040 --> 00:32:39,708
That's a great visual cue

613
00:32:39,750 --> 00:32:41,835
that something bad is about--
is going to happen to you.

614
00:32:42,461 --> 00:32:45,422
[tasers buzz]

615
00:32:46,090 --> 00:32:48,926
Oh, by far and away, the cameras
have the same effect.

616
00:32:48,968 --> 00:32:50,636
Look at the effect it's having
on me right now.

617
00:32:50,678 --> 00:32:51,762
I dressed up.

618
00:32:51,804 --> 00:32:52,763
I'm more professional.

619
00:32:52,805 --> 00:32:54,431
I'm not cursing right now.
Why?

620
00:32:54,723 --> 00:32:56,517
I'm being professional.
I know I'm being recorded.

621
00:32:56,892 --> 00:32:59,895
Your cameraman is being
very professional too. Why?

622
00:32:59,937 --> 00:33:01,105
He's recording me.

623
00:33:01,146 --> 00:33:02,898
We both have jobs to do.

624
00:33:02,940 --> 00:33:04,191
The officer has a job to do.

625
00:33:04,525 --> 00:33:05,985
He wants the professional--

626
00:33:06,026 --> 00:33:07,194
So at the end of the day,

627
00:33:07,778 --> 00:33:09,863
the cameras are changing
behaviors

628
00:33:09,905 --> 00:33:11,573
just like the weapons,
when they're aimed,

629
00:33:12,116 --> 00:33:14,368
can change behavior
in a very positive manner.

630
00:33:15,202 --> 00:33:18,163
[ominous music]

631
00:33:22,501 --> 00:33:25,462
[tasers click]
[music builds]

632
00:33:29,883 --> 00:33:32,803
[sustained ringing music]

633
00:33:42,229 --> 00:33:44,565
No photos of the 1874 transit

634
00:33:44,606 --> 00:33:45,899
are left in existence.

635
00:33:47,443 --> 00:33:48,736
But this strange portrait

636
00:33:48,777 --> 00:33:50,654
of a smoking
Jules Janssen survives.

637
00:33:54,783 --> 00:33:57,786
The portrait was taken
by Étienne Jules Marey,

638
00:33:57,828 --> 00:34:00,789
a French scientist and pioneer
of early photography.

639
00:34:02,416 --> 00:34:03,959
Marey invented a new camera

640
00:34:04,001 --> 00:34:06,378
that improved and
miniaturized Janssen's design.

641
00:34:08,714 --> 00:34:09,965
He called his invention

642
00:34:10,007 --> 00:34:11,675
the photographic rifle.

643
00:34:14,386 --> 00:34:16,555
It was the first
portable movie camera.

644
00:34:20,350 --> 00:34:21,560
With his rifle,

645
00:34:21,602 --> 00:34:23,604
Marey turned his gaze
from the stars

646
00:34:23,645 --> 00:34:24,855
to life on Earth.

647
00:34:30,069 --> 00:34:31,445
In the studio,

648
00:34:31,487 --> 00:34:33,363
Marey performed
a series of experiments

649
00:34:33,405 --> 00:34:35,199
that studied
the mechanics of motion.

650
00:34:40,662 --> 00:34:41,997
To Marey,

651
00:34:42,039 --> 00:34:43,957
these cameras were not
just a better eye,

652
00:34:43,999 --> 00:34:45,959
but an entirely
new sensory organ,

653
00:34:46,335 --> 00:34:49,296
capable of revealing the
invisible patterns of the world.

654
00:34:51,090 --> 00:34:52,174
He writes:

655
00:34:52,216 --> 00:34:53,675
"Not only are these instruments

656
00:34:53,717 --> 00:34:55,886
sometimes destined
to replace the observer,

657
00:34:55,928 --> 00:34:57,513
but they also have
their own domain

658
00:34:57,554 --> 00:34:59,098
where nothing can replace them.

659
00:34:59,598 --> 00:35:01,100
When the eye ceases to see,

660
00:35:01,850 --> 00:35:02,976
the ear to hear,

661
00:35:03,811 --> 00:35:04,937
the touch to feel,

662
00:35:06,688 --> 00:35:08,524
or indeed when our senses
give deceptive appearances,

663
00:35:09,399 --> 00:35:11,151
these instruments
are like new senses

664
00:35:11,193 --> 00:35:12,778
of astonishing precision."

665
00:35:13,695 --> 00:35:16,657
[music continues]

666
00:35:17,157 --> 00:35:19,201
Our senses may lie to us,

667
00:35:19,243 --> 00:35:20,494
machines cannot.

668
00:35:23,205 --> 00:35:26,125
Marey went beyond simply
photographing motion.

669
00:35:27,126 --> 00:35:28,752
When motion was captured,

670
00:35:28,794 --> 00:35:31,088
it was automatically
converted into data.

671
00:35:33,674 --> 00:35:34,925
Seeing and interpretation

672
00:35:34,967 --> 00:35:36,635
were combined
in the same device.

673
00:35:40,305 --> 00:35:41,765
Before these machines,

674
00:35:43,559 --> 00:35:45,602
the world becomes a resource
for the extraction of data.

675
00:35:49,022 --> 00:35:49,940
They see.

676
00:35:50,732 --> 00:35:51,775
They measure.

677
00:35:52,484 --> 00:35:53,694
They compute.

678
00:35:55,779 --> 00:35:57,239
As a scientist,

679
00:35:57,281 --> 00:36:00,159
Marey hoped to uncover
the natural order of the world.

680
00:36:02,161 --> 00:36:03,912
But his methods
actively concealed

681
00:36:03,954 --> 00:36:06,123
the unnatural conditions
of this process.

682
00:36:08,792 --> 00:36:11,295
These instruments do not
reproduce the world,

683
00:36:11,962 --> 00:36:13,463
they produce new worlds.

684
00:36:20,095 --> 00:36:21,763
His subjects were not in nature,

685
00:36:22,306 --> 00:36:24,600
but in the controlled
setting of the studio.

686
00:36:25,893 --> 00:36:28,854
What would these images be
without this theatrical set?

687
00:36:30,647 --> 00:36:32,524
Without these
specialized instruments?

688
00:36:34,693 --> 00:36:36,278
What do these lines represent

689
00:36:36,320 --> 00:36:38,488
but the restrictions
of the subject's movement?

690
00:36:43,535 --> 00:36:45,913
Who gets to frame
another as subject?

691
00:36:50,500 --> 00:36:52,294
These motion studies,

692
00:36:52,336 --> 00:36:55,005
taken in Senegal
under French colonial rule,

693
00:36:55,297 --> 00:36:57,049
tie Marey's work
with another project

694
00:36:57,090 --> 00:36:59,593
of resource extraction
and exploitation.

695
00:37:03,639 --> 00:37:05,140
In one sequence,

696
00:37:05,182 --> 00:37:07,809
a group of children
walk past Marey's camera.

697
00:37:10,312 --> 00:37:11,855
They pause for a moment,

698
00:37:12,439 --> 00:37:14,316
staring straight into the lens.

699
00:37:18,362 --> 00:37:21,323
Perhaps they stare
at the man behind the camera.

700
00:37:22,741 --> 00:37:25,702
[music continues]

701
00:37:35,295 --> 00:37:38,257
[music cuts]
[beeping]

702
00:37:39,049 --> 00:37:40,133
Cool.

703
00:37:40,842 --> 00:37:42,177
- Alright, see?
- There it is.

704
00:37:42,219 --> 00:37:43,929
Alright, there it is.
Alright.

705
00:37:43,971 --> 00:37:45,889
Cool, alright,
so let's, uh,

706
00:37:46,682 --> 00:37:47,975
I'll just, um...

707
00:37:48,016 --> 00:37:49,268
I'll just give this to you,
I guess,

708
00:37:49,309 --> 00:37:50,602
and then you can bring
it over there.

709
00:37:50,644 --> 00:37:51,937
And uh...

710
00:38:01,905 --> 00:38:02,531
[wings rustle]

711
00:38:04,658 --> 00:38:07,619
[distant birdsong]

712
00:38:13,500 --> 00:38:14,960
[thuds]

713
00:38:15,460 --> 00:38:17,337
[pigeon camera rattles]

714
00:38:19,464 --> 00:38:22,801
[ducks quack]
[pigeons coo]

715
00:38:30,058 --> 00:38:32,602
Ed is wearing
an Axon Body 2 camera.

716
00:38:32,978 --> 00:38:34,813
He's also wearing a Taser X2.

717
00:38:35,105 --> 00:38:37,190
That X2 has
Axon signal technology

718
00:38:37,232 --> 00:38:38,900
that will turn that camera on

719
00:38:39,318 --> 00:38:40,944
as soon as he turns
the safety on.

720
00:38:44,156 --> 00:38:45,449
[taser clicks]

721
00:38:51,705 --> 00:38:56,668
[bang]
[taser buzzes]

722
00:38:56,710 --> 00:38:58,670
Right now, that subject
is convulsing.

723
00:38:58,712 --> 00:39:00,547
He went through
a five second discharge

724
00:39:00,589 --> 00:39:02,007
from a Taser X2

725
00:39:02,049 --> 00:39:03,884
that hit all these
core muscles here.

726
00:39:03,925 --> 00:39:05,844
He split the belt-line
which is key.

727
00:39:06,178 --> 00:39:09,348
This person would have been
very disconcerted at a minimum

728
00:39:09,389 --> 00:39:12,142
and he would have been not able
to do any controlled movements.

729
00:39:12,184 --> 00:39:13,727
He would have fallen
down on the ground.

730
00:39:13,769 --> 00:39:14,936
I didn't get here in time,

731
00:39:14,978 --> 00:39:17,022
so go ahead
and engage him one more time.

732
00:39:17,439 --> 00:39:19,107
[taser buzzes]

733
00:39:19,149 --> 00:39:20,859
He has the ability
to reengage this

734
00:39:20,901 --> 00:39:22,444
since this person
is still plugged in.

735
00:39:23,153 --> 00:39:24,237
On that second application,

736
00:39:24,613 --> 00:39:26,073
he's complied.

737
00:39:26,114 --> 00:39:28,533
We can now say that this person
is completely controlled.

738
00:39:28,825 --> 00:39:30,619
I can now remove the probes.

739
00:39:30,911 --> 00:39:32,412
I simply take out the probes,

740
00:39:32,788 --> 00:39:33,997
and you can take a look
at what these probes

741
00:39:34,039 --> 00:39:34,956
look like up close.

742
00:39:35,707 --> 00:39:37,167
What we need that probe to do is

743
00:39:37,209 --> 00:39:39,252
either stick to clothing
or skin.

744
00:39:39,294 --> 00:39:40,837
We need both of them on there

745
00:39:40,879 --> 00:39:42,047
to complete that circuit.

746
00:39:42,422 --> 00:39:43,757
If you take a look down
on the ground,

747
00:39:43,799 --> 00:39:44,716
you'll also see

748
00:39:45,133 --> 00:39:47,052
that it's also displaced
or dispersed

749
00:39:47,469 --> 00:39:48,845
multiple pieces of confetti

750
00:39:48,887 --> 00:39:51,556
called anti-felon identification
confetti.

751
00:39:51,598 --> 00:39:52,766
It has serialized confetti

752
00:39:52,808 --> 00:39:54,768
that will match back
to that specific

753
00:39:54,810 --> 00:39:56,895
cartridge right there
that Ed just fired.

754
00:39:57,854 --> 00:39:59,815
We can now upload that
camera evidence

755
00:40:00,232 --> 00:40:01,608
up to Evidence.com

756
00:40:01,650 --> 00:40:03,860
to see what exactly happened
from his perspective.

757
00:40:05,028 --> 00:40:07,447
(cameraman) Great. Freeze.
I'm gonna track out for a second

758
00:40:07,489 --> 00:40:09,449
to give us more tail on the end.

759
00:40:11,868 --> 00:40:16,665
(man) One, two, three,
four, five,

760
00:40:16,706 --> 00:40:17,791
- Cut.
- Okay.

761
00:40:17,833 --> 00:40:19,376
[mouse clicks]

762
00:40:19,418 --> 00:40:21,002
(man)
Okay, so the video you recorded

763
00:40:21,044 --> 00:40:22,504
has been uploaded
to Evidence.com.

764
00:40:22,546 --> 00:40:23,964
Now we'll go ahead
to our player screen.

765
00:40:24,005 --> 00:40:25,257
And press play.

766
00:40:25,966 --> 00:40:26,925
[beeping]

767
00:40:28,677 --> 00:40:33,765
[bang]
[taser buzzes and beeps]

768
00:40:34,057 --> 00:40:35,725
The camera records
an image of an event.

769
00:40:35,767 --> 00:40:37,102
[Tuttle speaks on video]

770
00:40:37,144 --> 00:40:39,271
But the image does
not speak for itself.

771
00:40:39,646 --> 00:40:42,607
[taser buzzes]

772
00:40:43,150 --> 00:40:44,985
To be considered
in a court of law,

773
00:40:45,444 --> 00:40:47,863
any piece of evidence
must be both authentic

774
00:40:47,904 --> 00:40:49,322
and relevant to the case.

775
00:40:49,364 --> 00:40:50,907
(Tuttle) He's complied.

776
00:40:51,741 --> 00:40:53,410
This person is completely
controlled. [click]

777
00:40:54,119 --> 00:40:55,829
(actor) When admitting evidence,

778
00:40:55,871 --> 00:40:58,665
any lawyer must establish that
these requirements are met.

779
00:41:01,376 --> 00:41:04,337
Axon's software automates
much of this process.

780
00:41:06,214 --> 00:41:07,841
When an officer
docks their camera

781
00:41:07,883 --> 00:41:09,176
at the end of a shift,

782
00:41:09,468 --> 00:41:10,969
the image is automatically saved

783
00:41:11,011 --> 00:41:12,929
and uploaded to Evidence.com.

784
00:41:14,181 --> 00:41:14,598
Date,

785
00:41:14,639 --> 00:41:16,308
time,

786
00:41:16,349 --> 00:41:19,102
and device number are saved
alongside the video file.

787
00:41:21,229 --> 00:41:23,607
The metadata proves that
the camera was actually there

788
00:41:23,648 --> 00:41:25,150
at the event in question.

789
00:41:29,404 --> 00:41:30,655
Everytime a clip is opened,

790
00:41:31,198 --> 00:41:32,073
shared,

791
00:41:32,115 --> 00:41:33,742
or modified in any way,

792
00:41:34,326 --> 00:41:37,245
the software generates a note
alongside the video file

793
00:41:37,287 --> 00:41:39,164
indicating who
accessed the video,

794
00:41:39,623 --> 00:41:40,832
when they did,

795
00:41:40,874 --> 00:41:42,167
and what they did with it.

796
00:41:44,169 --> 00:41:46,004
This audit trail is presented
in court

797
00:41:46,046 --> 00:41:48,423
as proof that the evidence
has not been tampered with.

798
00:41:50,467 --> 00:41:52,385
[sounds from video]

799
00:41:52,886 --> 00:41:55,347
But the body camera footage
serves another purpose,

800
00:41:56,056 --> 00:41:57,849
as a memory aid for the officer.

801
00:42:01,603 --> 00:42:03,188
After a use of force incident,

802
00:42:04,231 --> 00:42:06,316
most police departments
in the United States

803
00:42:06,358 --> 00:42:08,026
allow officers to review footage

804
00:42:08,068 --> 00:42:09,653
before making a sworn statement.

805
00:42:10,362 --> 00:42:13,323
[taser buzzes]

806
00:42:13,865 --> 00:42:15,492
An opportunity arises.

807
00:42:15,534 --> 00:42:17,536
[slowed video speech]

808
00:42:17,577 --> 00:42:19,287
After watching the video,

809
00:42:19,329 --> 00:42:20,997
the officer may align
their statement

810
00:42:21,039 --> 00:42:22,666
with available video evidence.

811
00:42:25,544 --> 00:42:27,671
These tools do not
reproduce an event.

812
00:42:28,338 --> 00:42:30,006
They produce
a narrative of events

813
00:42:30,048 --> 00:42:31,675
that can be used to
retroactively

814
00:42:31,716 --> 00:42:33,426
justify a use of force.

815
00:42:40,308 --> 00:42:41,851
Oh, it's all AI. Yeah.

816
00:42:42,352 --> 00:42:43,645
The way this software
is gonna learn

817
00:42:43,937 --> 00:42:45,564
and it's gonna go ahead
and automate what

818
00:42:45,605 --> 00:42:47,899
takes us, you know, some
manual labor today.

819
00:42:49,776 --> 00:42:52,737
[foreboding electronic music]

820
00:43:47,917 --> 00:43:50,086
Photography has been
used by the justice system

821
00:43:50,128 --> 00:43:53,089
since the 1840s to document
detained people.

822
00:43:54,716 --> 00:43:57,010
But photographs without
a classification system

823
00:43:57,052 --> 00:43:58,803
were useless
for police departments.

824
00:44:01,306 --> 00:44:03,266
A young police department
administrator,

825
00:44:03,808 --> 00:44:05,101
Alphonse Bertillon,

826
00:44:05,393 --> 00:44:07,145
wrote a letter
to the Paris police daily

827
00:44:07,187 --> 00:44:08,563
describing the problem:

828
00:44:10,023 --> 00:44:11,941
"If an individual
already condemned

829
00:44:11,983 --> 00:44:14,736
under the name of Pierre
claims that his name is Paul

830
00:44:14,778 --> 00:44:16,488
and that it's
his first offense,

831
00:44:16,529 --> 00:44:18,490
how can one even suspect a lie?

832
00:44:18,865 --> 00:44:20,075
How can one prove it?"

833
00:44:22,619 --> 00:44:23,995
In 1879,

834
00:44:24,663 --> 00:44:26,748
Bertillon introduced
a system where

835
00:44:26,790 --> 00:44:27,957
upon arrest,

836
00:44:27,999 --> 00:44:29,501
a person would be photographed

837
00:44:29,542 --> 00:44:31,711
and subjected to a series
of 11 measurements.

838
00:44:33,296 --> 00:44:35,382
These measurements were
written onto index cards

839
00:44:35,423 --> 00:44:36,883
alongside their portrait.

840
00:44:38,301 --> 00:44:40,053
Bertillon called his images

841
00:44:40,095 --> 00:44:41,304
"talking portraits".

842
00:44:42,722 --> 00:44:44,557
If the image cannot
speak for itself,

843
00:44:45,016 --> 00:44:46,851
Bertillon hoped that
the measurements could.

844
00:44:50,855 --> 00:44:52,899
Bertillon wrote a manual
that standardized

845
00:44:52,941 --> 00:44:54,901
the methods for taking
these measurements.

846
00:44:57,445 --> 00:44:59,739
The diagrams depict
a delicate choreography

847
00:44:59,781 --> 00:45:01,116
between police officer,

848
00:45:01,825 --> 00:45:02,909
detained person,

849
00:45:03,368 --> 00:45:04,786
and scientific instrument.

850
00:45:07,997 --> 00:45:09,541
Everyone is well dressed,

851
00:45:09,916 --> 00:45:11,292
fully compliant.

852
00:45:13,712 --> 00:45:15,004
In some,

853
00:45:15,046 --> 00:45:16,673
there is the faint trace
of a smile.

854
00:45:21,386 --> 00:45:22,429
In one example,

855
00:45:23,805 --> 00:45:25,056
Bertillon poses
as a criminal subject

856
00:45:25,098 --> 00:45:26,683
within his own system.

857
00:45:27,976 --> 00:45:31,020
His image takes up relatively
little space on the card.

858
00:45:33,314 --> 00:45:34,733
Within Bertillon's system,

859
00:45:35,316 --> 00:45:37,569
a person's data
supersedes their image.

860
00:45:38,903 --> 00:45:41,865
The human body is fractured
into an array of features.

861
00:45:42,866 --> 00:45:45,034
Data is extracted and organized.

862
00:45:46,453 --> 00:45:48,455
A new human subject
is assembled,

863
00:45:48,830 --> 00:45:51,040
one that's legible
as a criminal to the state.

864
00:45:53,668 --> 00:45:54,711
Bertillon writes:

865
00:45:55,754 --> 00:45:56,963
"In a word,

866
00:45:57,005 --> 00:45:59,007
to fix the human personality,

867
00:45:59,549 --> 00:46:01,634
to give each human being
an identity,

868
00:46:02,177 --> 00:46:03,720
an individuality,

869
00:46:04,387 --> 00:46:05,013
certain,

870
00:46:05,638 --> 00:46:06,431
durable,

871
00:46:06,473 --> 00:46:07,515
invariable,

872
00:46:07,849 --> 00:46:09,350
always recognizable,

873
00:46:10,143 --> 00:46:12,395
and always capable
of being proven."

874
00:46:14,856 --> 00:46:17,734
Police departments worldwide
adopted his methods.

875
00:46:18,943 --> 00:46:20,862
Bertillon himself
toured the world

876
00:46:20,904 --> 00:46:23,323
giving courses
in "ocular education".

877
00:46:24,908 --> 00:46:26,868
On entering one
of his classrooms,

878
00:46:27,243 --> 00:46:29,954
it was said that students
were met with a large poster

879
00:46:29,996 --> 00:46:32,540
displaying one of
Bertillon's favorite sayings:

880
00:46:34,209 --> 00:46:37,629
"The eye only sees in each thing
that for which it looks,

881
00:46:38,087 --> 00:46:41,466
and it only looks for that of
which it already has an idea."

882
00:46:44,969 --> 00:46:47,931
[music fades]

883
00:46:49,974 --> 00:46:51,142
The camera that we have,

884
00:46:52,560 --> 00:46:54,020
the Axon Body 2,

885
00:46:55,688 --> 00:46:57,357
it's the second generation
camera designed by Axon.

886
00:46:58,650 --> 00:46:59,901
Features include:

887
00:46:59,943 --> 00:47:00,860
a lens,

888
00:47:01,277 --> 00:47:01,861
right?

889
00:47:03,071 --> 00:47:04,364
All cameras do. It's how
they record video.

890
00:47:05,073 --> 00:47:06,282
This camera,

891
00:47:06,324 --> 00:47:08,576
in particular, records in HD.

892
00:47:09,410 --> 00:47:11,329
142 degree viewing angle.

893
00:47:11,746 --> 00:47:13,623
So if I were to wear
this camera up here,

894
00:47:13,665 --> 00:47:15,083
stand right here
in the front of the class,

895
00:47:15,124 --> 00:47:17,627
I would definitely see
all you guys no problem.

896
00:47:18,127 --> 00:47:19,712
Does a good job at capturing
a wide angle

897
00:47:19,754 --> 00:47:21,089
without distorting the video.

898
00:47:22,924 --> 00:47:23,925
Microphone,

899
00:47:24,592 --> 00:47:25,552
it's how it records audio.

900
00:47:26,177 --> 00:47:27,136
Simple enough.

901
00:47:28,012 --> 00:47:29,597
Standby switch at the top.

902
00:47:30,557 --> 00:47:31,182
This is important.

903
00:47:32,600 --> 00:47:34,561
Think of the standby switch
like a light switch.

904
00:47:34,978 --> 00:47:36,020
When it's off,

905
00:47:36,521 --> 00:47:37,981
and you don't see
that red sticker,

906
00:47:38,773 --> 00:47:39,774
it's off.

907
00:47:40,400 --> 00:47:41,442
All the way off.

908
00:47:42,110 --> 00:47:43,027
When it's on,

909
00:47:43,987 --> 00:47:45,363
and you do see a red sticker,

910
00:47:45,905 --> 00:47:48,324
there are two different
operating modes.

911
00:47:48,950 --> 00:47:50,660
Alright, there's standby mode

912
00:47:50,702 --> 00:47:52,120
which you'll be in
most of the time,

913
00:47:52,829 --> 00:47:54,122
and then there's recording mode.

914
00:47:55,498 --> 00:47:57,333
When you are in standby mode

915
00:47:57,375 --> 00:48:00,336
you have not activated this
camera to take a recording.

916
00:48:00,670 --> 00:48:02,088
Technically,
it's always recording,

917
00:48:02,463 --> 00:48:04,257
but only video, no sound.

918
00:48:04,799 --> 00:48:05,842
Now,

919
00:48:07,260 --> 00:48:09,095
the only time it's going to
save that information

920
00:48:09,137 --> 00:48:10,763
is if you hit the button

921
00:48:11,180 --> 00:48:14,100
to take a video
yourself manually.

922
00:48:14,726 --> 00:48:17,103
Once you activate this
to take a recording,

923
00:48:17,145 --> 00:48:19,522
that thirty seconds that
it's always been saving

924
00:48:19,564 --> 00:48:20,815
will automatically be added

925
00:48:20,857 --> 00:48:22,692
to the beginning of your video
for you.

926
00:48:22,734 --> 00:48:23,985
And I'm going to show you why.

927
00:48:25,153 --> 00:48:27,071
Thirty seconds is a long time.

928
00:48:28,072 --> 00:48:29,782
We're gonna go thirty seconds
right now.

929
00:48:29,824 --> 00:48:30,658
You ready?

930
00:48:30,950 --> 00:48:31,951
Everyone be quiet.

931
00:48:33,411 --> 00:48:36,372
[silence]

932
00:48:53,431 --> 00:48:54,515
Not even halfway there.

933
00:49:07,570 --> 00:49:09,197
[murmuring]

934
00:49:10,698 --> 00:49:11,699
Thirty seconds.

935
00:49:13,159 --> 00:49:14,118
That was thirty seconds.

936
00:49:14,160 --> 00:49:15,870
A lot can happen
in thirty seconds.

937
00:49:16,287 --> 00:49:16,871
A lot.

938
00:49:16,913 --> 00:49:18,373
And it does.

939
00:49:18,414 --> 00:49:20,500
But think about it this way,
once it happens,

940
00:49:21,292 --> 00:49:23,503
having the ability
to essentially go back

941
00:49:23,544 --> 00:49:24,963
and grab that information

942
00:49:25,004 --> 00:49:26,923
simply by hitting
the button on your camera,

943
00:49:27,840 --> 00:49:29,592
because of something sudden
that happened,

944
00:49:29,634 --> 00:49:30,843
that you didn't know.

945
00:49:30,885 --> 00:49:32,011
You know, you didn't know
in advance

946
00:49:32,053 --> 00:49:33,763
that a crime
was gonna take place

947
00:49:33,805 --> 00:49:34,889
or that somebody was gonna

948
00:49:34,931 --> 00:49:36,099
assault you,

949
00:49:36,140 --> 00:49:36,808
or something like that.

950
00:49:36,849 --> 00:49:38,059
Being able to go back

951
00:49:38,101 --> 00:49:40,603
and essentially grab
that last thirty seconds,

952
00:49:41,312 --> 00:49:42,021
that's huge.

953
00:49:42,063 --> 00:49:43,189
That's big for us.

954
00:49:43,231 --> 00:49:44,232
As you can see here.

955
00:49:44,691 --> 00:49:45,483
Huge.

956
00:49:47,527 --> 00:49:48,861
So,

957
00:49:48,903 --> 00:49:50,530
imagine if we did not
have that feature.

958
00:49:51,406 --> 00:49:52,240
Imagine if it just,

959
00:49:52,281 --> 00:49:53,658
the video started when

960
00:49:53,700 --> 00:49:55,410
you pressed the button
on the camera, right?

961
00:49:55,451 --> 00:49:56,577
[dreamy music]

962
00:49:56,619 --> 00:49:58,037
Still we would have video.

963
00:49:58,871 --> 00:50:00,665
It wouldn't be nearly
as helpful though

964
00:50:00,707 --> 00:50:01,916
as the video we have.

965
00:50:02,458 --> 00:50:04,377
See, see from here, if--

966
00:50:04,877 --> 00:50:06,671
if it started
where you press the button,

967
00:50:07,463 --> 00:50:09,048
and it didn't have that buffer.

968
00:50:09,090 --> 00:50:10,842
This is why that buffer
is a huge feature for us.

969
00:50:10,883 --> 00:50:12,010
That's huge.

970
00:50:12,051 --> 00:50:13,177
Watch what you would see.

971
00:50:13,219 --> 00:50:15,930
[murmuring]
[music continues]

972
00:50:15,972 --> 00:50:18,558
(officer) We are 31!
Shots fired! Shots fired!

973
00:50:20,893 --> 00:50:22,353
(Corso) Okay,
so we see a suspect.

974
00:50:22,395 --> 00:50:23,855
We see a weapon, right?

975
00:50:24,522 --> 00:50:26,149
We don't get to see him running
through the neighborhood

976
00:50:26,190 --> 00:50:27,650
We don't get to see him
carrying the gun.

977
00:50:27,692 --> 00:50:29,110
Definitely don't get to see him
turn around

978
00:50:29,152 --> 00:50:30,653
and point it
at the police officer.

979
00:50:31,529 --> 00:50:33,364
Not nearly as helpful

980
00:50:33,781 --> 00:50:36,284
as having that
thirty second buffer.

981
00:50:36,325 --> 00:50:37,952
Still better than no video.

982
00:50:37,994 --> 00:50:40,163
It definitely adds a layer
of evidence to our cases.

983
00:50:40,455 --> 00:50:42,999
But not nearly as helpful
as having that thirty second--

984
00:50:43,750 --> 00:50:46,711
[music continues]

985
00:51:44,018 --> 00:51:48,314
[rhythmic tapping]

986
00:51:51,901 --> 00:51:54,946
[music fades]
[tapping continues]

987
00:51:58,241 --> 00:52:01,202
[taps]

988
00:52:16,467 --> 00:52:19,262
[faint applause]

989
00:52:19,303 --> 00:52:20,179
(director) I think that's good.
Let's see what it looks like

990
00:52:20,221 --> 00:52:21,430
in a take,

991
00:52:21,472 --> 00:52:22,598
and then we can make
an adjustment.

992
00:52:22,640 --> 00:52:23,891
And we'll do that actual layers.

993
00:52:23,933 --> 00:52:25,852
So the shot is that, uh,

994
00:52:26,185 --> 00:52:27,645
we'll be very tight on your face

995
00:52:27,687 --> 00:52:28,896
and we'll zoom out

996
00:52:28,938 --> 00:52:30,022
while you're watching
the footage.

997
00:52:30,064 --> 00:52:31,983
Just like very neutral,
just watching.

998
00:52:32,441 --> 00:52:33,609
And we pan over

999
00:52:34,026 --> 00:52:35,570
and all this stuff
is floating

1000
00:52:35,611 --> 00:52:36,946
and it's just gonna start
flowing around you.

1001
00:52:36,988 --> 00:52:38,072
(woman) Okay. Just watching it--
- And that's--

1002
00:52:38,114 --> 00:52:39,615
You're just watching--
[crew murmurs]

1003
00:52:40,032 --> 00:52:42,076
You're just--
you don't even see this.

1004
00:52:42,118 --> 00:52:43,911
You don't see
the entire film crew.

1005
00:52:43,953 --> 00:52:45,580
- Okay.
- Right here and--

1006
00:52:45,621 --> 00:52:46,330
Yeah.

1007
00:52:48,791 --> 00:52:50,877
(director) Alright, let's, uh,
reset to one.

1008
00:52:51,586 --> 00:52:54,589
Let's have the string pullers
standing by.

1009
00:52:54,630 --> 00:52:56,257
(woman) you're good--

1010
00:52:56,299 --> 00:52:59,260
[mouse clicks]

1011
00:53:00,344 --> 00:53:02,930
(McNutt) The analyst will
actually
go in and track the car

1012
00:53:03,389 --> 00:53:04,849
second by second.

1013
00:53:05,224 --> 00:53:07,185
And it's a little bit
like a video game

1014
00:53:07,226 --> 00:53:08,102
where you

1015
00:53:08,144 --> 00:53:09,395
click on the car

1016
00:53:09,770 --> 00:53:11,063
as if you're--

1017
00:53:11,105 --> 00:53:12,481
I don't want to say
shooting at it,

1018
00:53:12,523 --> 00:53:13,983
'cause that gives you
the wrong indication,

1019
00:53:14,692 --> 00:53:16,694
but I think this is
just an interesting way

1020
00:53:16,736 --> 00:53:17,737
of looking at it.

1021
00:53:18,529 --> 00:53:21,490
[mouse clicks]

1022
00:53:21,991 --> 00:53:25,703
I think it's more of
the "God's Eye View" in essence.

1023
00:53:26,287 --> 00:53:29,081
Where you're getting
an opportunity to look down on

1024
00:53:29,123 --> 00:53:30,833
huge areas of a city.

1025
00:53:31,417 --> 00:53:33,628
We can't reach out
and touch anybody,

1026
00:53:33,920 --> 00:53:36,130
but we can see what occurred

1027
00:53:36,464 --> 00:53:37,924
on the city streets.

1028
00:53:43,930 --> 00:53:44,764
(McNutt) Um...

1029
00:53:46,599 --> 00:53:48,935
I believe God sees everything.

1030
00:53:49,977 --> 00:53:52,313
And that he not only sees

1031
00:53:52,355 --> 00:53:53,898
where you are

1032
00:53:53,940 --> 00:53:56,484
but also what you're doing

1033
00:53:56,525 --> 00:53:58,861
[calm guitar]

1034
00:53:58,903 --> 00:54:01,864
and we see very very small parts

1035
00:54:02,573 --> 00:54:04,450
of what I believe God sees.

1036
00:54:11,540 --> 00:54:13,501
(McNutt) Uh... yes.

1037
00:54:15,711 --> 00:54:16,504
I can do that.

1038
00:54:18,130 --> 00:54:20,424
Well, it's one keystroke for me.

1039
00:54:23,177 --> 00:54:24,470
Backwards in time.

1040
00:54:27,223 --> 00:54:30,184
[mouse clicks]
[music continues]

1041
00:54:46,200 --> 00:54:47,326
1908.

1042
00:54:48,703 --> 00:54:49,870
A photograph captures
an airborne view

1043
00:54:49,912 --> 00:54:51,163
of Kronberg, Germany.

1044
00:54:53,124 --> 00:54:55,876
The wings of a pigeon poke
in from beyond the frame.

1045
00:54:57,753 --> 00:55:00,131
Another photo in the series
captures a man,

1046
00:55:00,589 --> 00:55:02,091
Dr. Julius Neubronner,

1047
00:55:02,133 --> 00:55:03,634
on a roof with his assistant.

1048
00:55:05,845 --> 00:55:08,014
Neubronner was the son
of a pharmacist.

1049
00:55:09,307 --> 00:55:10,683
His father had trained pigeons

1050
00:55:10,725 --> 00:55:12,977
to fly prescriptions
to distant patients

1051
00:55:14,520 --> 00:55:17,064
The younger Neubronner
engineered a different payload:

1052
00:55:18,107 --> 00:55:21,319
a lightweight camera containing
an automated shutter mechanism.

1053
00:55:25,698 --> 00:55:28,909
A released pigeon will always
fly straight back to its roost.

1054
00:55:30,745 --> 00:55:32,455
Attached to the pigeon's chest,

1055
00:55:32,747 --> 00:55:34,040
Neubronner's camera created

1056
00:55:34,081 --> 00:55:35,958
a photographic record
of their flight.

1057
00:55:39,754 --> 00:55:41,380
The pigeon is both part of

1058
00:55:41,422 --> 00:55:43,007
and operator of the camera.

1059
00:55:45,760 --> 00:55:48,721
The human gaze is outsourced
to another living species,

1060
00:55:49,597 --> 00:55:52,725
providing unmanned aerial
surveillance of the world below.

1061
00:55:56,354 --> 00:55:58,064
Neubronner's invention
did not escape

1062
00:55:58,105 --> 00:56:00,024
the attention
of the German military.

1063
00:56:01,776 --> 00:56:03,444
Balloons were too
slow and obvious

1064
00:56:03,486 --> 00:56:04,945
for aerial surveillance.

1065
00:56:05,529 --> 00:56:07,073
Early planes were too loud.

1066
00:56:08,616 --> 00:56:10,576
Pigeons represented a silent,

1067
00:56:10,618 --> 00:56:12,203
nearly invisible means
of gaining

1068
00:56:12,244 --> 00:56:13,954
valuable information by air.

1069
00:56:15,748 --> 00:56:17,333
As Europe marched towards war,

1070
00:56:17,792 --> 00:56:19,543
the birds were trained
for combat.

1071
00:56:23,047 --> 00:56:25,174
But the pigeons did not
make good soldiers.

1072
00:56:26,634 --> 00:56:29,053
Because pigeons will only
fly in straight lines,

1073
00:56:29,678 --> 00:56:32,723
the pigeons had to be released
deep within enemy territory,

1074
00:56:33,224 --> 00:56:35,017
something that
was nearly impossible

1075
00:56:35,059 --> 00:56:37,645
during the bloody trench
warfare of World War One.

1076
00:56:40,314 --> 00:56:42,483
These borders present
no such obstacle

1077
00:56:42,525 --> 00:56:44,151
for today's combat drones.

1078
00:56:48,155 --> 00:56:50,658
In Neubronner's diary,
we encounter a dream:

1079
00:56:52,326 --> 00:56:55,287
"A dream last night where
I was flying over Kronberg.

1080
00:56:56,414 --> 00:56:57,998
At some point in my journey,

1081
00:56:58,040 --> 00:57:00,334
I looked down to see
a man on top of a roof.

1082
00:57:01,627 --> 00:57:02,962
On closer inspection

1083
00:57:03,337 --> 00:57:05,131
I saw that it was not a man,

1084
00:57:05,172 --> 00:57:06,507
but one of my pigeons.

1085
00:57:08,050 --> 00:57:09,718
A great vertigo overcame me.

1086
00:57:10,511 --> 00:57:13,097
I didn't know who was flying
and who was standing still.

1087
00:57:14,348 --> 00:57:16,809
I realized that we must
be orbiting each other,

1088
00:57:16,851 --> 00:57:19,186
tethered by the mutual gravity
of our gaze.

1089
00:57:29,238 --> 00:57:32,199
[music fades]

1090
00:57:32,241 --> 00:57:34,118
[officers murmur]

1091
00:57:34,160 --> 00:57:36,495
(Corso) Alright guys, let's keep
it rolling with policy.

1092
00:57:38,581 --> 00:57:41,542
So let's talk about the purpose
of the body camera program.

1093
00:57:41,876 --> 00:57:43,502
There are four main points,

1094
00:57:44,295 --> 00:57:45,171
four main points:

1095
00:57:45,796 --> 00:57:46,964
professionalism,

1096
00:57:48,174 --> 00:57:49,258
transparency,

1097
00:57:50,092 --> 00:57:51,177
evidence collection,

1098
00:57:51,927 --> 00:57:53,012
and accountability.

1099
00:57:53,053 --> 00:57:53,929
Right?

1100
00:57:53,971 --> 00:57:55,014
(female officer) Correct.

1101
00:57:55,055 --> 00:57:56,724
When they talk
about professionalism,

1102
00:57:57,516 --> 00:57:58,184
what do they mean?

1103
00:58:00,644 --> 00:58:01,937
(Corso) It means the cameras
are going to document

1104
00:58:01,979 --> 00:58:02,980
all of our actions.

1105
00:58:03,272 --> 00:58:03,814
Right?

1106
00:58:03,856 --> 00:58:05,232
[officers murmur]

1107
00:58:05,274 --> 00:58:07,026
Actions can be reviewed
by a supervisor.

1108
00:58:07,067 --> 00:58:08,486
They can be reviewed
by Internal--

1109
00:58:08,527 --> 00:58:09,445
Listen up, guys.

1110
00:58:13,449 --> 00:58:14,700
The point is to ensure that

1111
00:58:14,742 --> 00:58:16,785
everyone is acting
in a professional manner

1112
00:58:17,411 --> 00:58:18,162
as always.

1113
00:58:19,997 --> 00:58:20,831
Accountability.

1114
00:58:21,707 --> 00:58:22,541
Definitely for us.

1115
00:58:23,292 --> 00:58:24,293
We wear the camera.

1116
00:58:24,710 --> 00:58:26,504
Right? Everything we do
is on camera.

1117
00:58:28,214 --> 00:58:30,132
Everyone's actions are caught
on camera though,

1118
00:58:30,174 --> 00:58:32,134
so not only is it
accountability for us,

1119
00:58:33,052 --> 00:58:35,012
but it's accountability
for those that we deal with.

1120
00:58:35,846 --> 00:58:36,472
Right?

1121
00:58:37,598 --> 00:58:38,807
Definitely.
Definitely.

1122
00:58:40,392 --> 00:58:41,185
I'm going to show you guys
an example of that.

1123
00:58:42,937 --> 00:58:46,815
[gasping and clatter
from camera]

1124
00:58:46,857 --> 00:58:47,566
(officer) Is this a shooting?

1125
00:58:48,192 --> 00:58:48,651
(Corso) Yeah.

1126
00:58:49,401 --> 00:58:49,985
You wanna pause.

1127
00:59:00,913 --> 00:59:01,330
Good to go.

1128
00:59:15,844 --> 00:59:17,471
(man) Alright.
[officers murmur]

1129
00:59:17,888 --> 00:59:25,104
[indistinct voices and rattling]

1130
00:59:25,896 --> 00:59:26,689
[screams]

1131
00:59:36,740 --> 00:59:37,366
(man) No.

1132
00:59:42,871 --> 00:59:44,498
(officer) He just said drop
something on Wilkerson?

1133
00:59:44,540 --> 00:59:45,833
[officer laughs]

1134
00:59:49,837 --> 00:59:51,463
(Corso) Alright.
[officer laughs]

1135
00:59:51,505 --> 00:59:53,674
(male officer) Why don't they
show this so the public can see

1136
00:59:53,716 --> 00:59:55,259
what we film can be bull crap.
[officers murmur]

1137
00:59:55,301 --> 00:59:59,054
[camera thuds]
[officers talk and laugh]

1138
00:59:59,388 --> 01:00:01,348
Internal-- IDs should
be watching this.

1139
01:00:01,390 --> 01:00:02,391
(Corso) We show a lot of things.

1140
01:00:02,433 --> 01:00:03,726
And the ID has watched this.

1141
01:00:03,767 --> 01:00:05,811
- Well I hope they watch--
- This individual...

1142
01:00:06,145 --> 01:00:07,146
after his arrest

1143
01:00:07,438 --> 01:00:08,981
Well first, let's back up.

1144
01:00:09,023 --> 01:00:09,898
What do we have here?
We have a foot pursuit, right?

1145
01:00:09,940 --> 01:00:11,483
(female officer) Mhm.

1146
01:00:11,525 --> 01:00:12,860
And what happens at the end
of the foot pursuit?

1147
01:00:14,486 --> 01:00:16,030
(male officer) He falls.
- Who's watching? What happen--

1148
01:00:16,071 --> 01:00:17,531
What happened to this gentleman
at the end of the video?

1149
01:00:17,573 --> 01:00:19,283
(female officer) Let me tell you
what happened to him.

1150
01:00:19,325 --> 01:00:21,118
[laughs]

1151
01:00:21,160 --> 01:00:22,828
I didn't like the fact
that the way

1152
01:00:22,870 --> 01:00:24,747
he was pulling something out

1153
01:00:24,788 --> 01:00:25,789
from his waistband.

1154
01:00:25,831 --> 01:00:26,624
He knew it was just
his phone.

1155
01:00:27,166 --> 01:00:28,751
(Corso) Yeah.

1156
01:00:28,792 --> 01:00:30,502
(male officer) The recording--
- Well yeah, you know what--

1157
01:00:30,544 --> 01:00:31,503
(Corso) You see him reaching
all over the place.

1158
01:00:31,545 --> 01:00:32,921
Yeah, that there.

1159
01:00:32,963 --> 01:00:33,839
(Corso) Even before all that,
what happened?

1160
01:00:33,881 --> 01:00:35,049
What happened right here?

1161
01:00:35,090 --> 01:00:36,300
(officer) It looked like
he needed to head--

1162
01:00:36,342 --> 01:00:37,676
(male officer) He fell.
- He f--

1163
01:00:37,718 --> 01:00:38,802
(officer 2) Well,
we get the sound...

1164
01:00:38,844 --> 01:00:39,386
He's tripping.

1165
01:00:40,304 --> 01:00:41,138
(Corso) He's falling right now.

1166
01:00:41,180 --> 01:00:42,640
[officers murmur over speaker]

1167
01:00:42,681 --> 01:00:43,515
- Oh he's falling.
(officer) His legs are giving
out.

1168
01:00:43,557 --> 01:00:44,892
(Corso) His legs are giving out.

1169
01:00:44,933 --> 01:00:46,352
(Corso) We thought he was gonna
bob and we

1170
01:00:46,393 --> 01:00:47,978
inbetween some parked cars
and you know,

1171
01:00:48,312 --> 01:00:49,772
It didn't work out.

1172
01:00:49,813 --> 01:00:51,023
(male officer) He just got
the cell phone out

1173
01:00:51,065 --> 01:00:52,483
so he could manipulate
the situation.

1174
01:00:52,858 --> 01:00:54,735
- Right, that's what I--
- He's trying to record

1175
01:00:54,777 --> 01:00:56,445
the officer. What's he gonna do?
[camera thuds]

1176
01:00:56,862 --> 01:00:58,364
(female officer) But that's
something sticky though,

1177
01:00:58,405 --> 01:01:00,282
it look like him reaching
for something like--

1178
01:01:00,324 --> 01:01:02,326
[officers talk over each other]

1179
01:01:02,368 --> 01:01:04,453
- Right.
- So he could have a gun--

1180
01:01:04,828 --> 01:01:05,954
I've seen it.

1181
01:01:06,413 --> 01:01:07,456
(Corso) Right.

1182
01:01:07,915 --> 01:01:08,666
So,

1183
01:01:08,999 --> 01:01:10,250
his legs give out.

1184
01:01:10,292 --> 01:01:12,044
He runs to the back
of the pickup truck.

1185
01:01:12,086 --> 01:01:13,128
He falls down.

1186
01:01:13,629 --> 01:01:15,422
And he immediately starts
yelling what?

1187
01:01:15,464 --> 01:01:16,840
(officers) You hit me!

1188
01:01:16,882 --> 01:01:17,966
(Corso) They hit me.

1189
01:01:18,008 --> 01:01:19,802
[officers mock video
indistinctly]

1190
01:01:19,843 --> 01:01:21,428
(Corso) Record.

1191
01:01:21,470 --> 01:01:22,805
(male officer) You dropped
something on Wilkerson.

1192
01:01:22,846 --> 01:01:24,723
(Corso) Who's he-- who's he
saying record to? Us?

1193
01:01:24,765 --> 01:01:26,642
[indistinct]
- His homeboys!

1194
01:01:26,684 --> 01:01:27,518
(officer) [laughs] He say
he dropped the drugs

1195
01:01:27,559 --> 01:01:28,352
on Wilkerson.

1196
01:01:28,394 --> 01:01:30,396
[officers laugh and chatter]

1197
01:01:30,437 --> 01:01:32,106
(female officer) He dropped
the drugs on Wilkerson.

1198
01:01:32,147 --> 01:01:33,107
(Corso) So was there--

1199
01:01:34,358 --> 01:01:36,110
was there any unreasonable
force used there?

1200
01:01:36,151 --> 01:01:37,361
Was there really any force
- No!

1201
01:01:37,403 --> 01:01:37,861
- used there at all?
- No.

1202
01:01:37,903 --> 01:01:39,530
(Corso) No.

1203
01:01:39,571 --> 01:01:42,282
And this video immediately
exonerated those officers.

1204
01:01:42,324 --> 01:01:43,617
You know, no wrongdoing.

1205
01:01:43,659 --> 01:01:44,576
It was very apparent.

1206
01:01:45,369 --> 01:01:46,829
Shows what actions
each side takes.

1207
01:01:47,454 --> 01:01:48,497
That includes us

1208
01:01:49,039 --> 01:01:49,915
and them.

1209
01:01:50,374 --> 01:01:51,667
Everyone else that we deal with,

1210
01:01:51,709 --> 01:01:53,794
anyone who's not the police
wearing the camera,

1211
01:01:53,836 --> 01:01:54,336
shows what actions

1212
01:01:54,378 --> 01:01:55,921
they took.

1213
01:01:55,963 --> 01:01:58,340
And then it shows subsequently
what action we took

1214
01:01:58,924 --> 01:01:59,967
in response to it.

1215
01:02:01,135 --> 01:02:01,635
So,

1216
01:02:02,594 --> 01:02:03,971
cameras don't take sides.

1217
01:02:04,012 --> 01:02:04,555
Just remember that.

1218
01:02:05,514 --> 01:02:06,974
They're the all-seeing eye

1219
01:02:07,015 --> 01:02:07,808
and just going to remember
whatever they see,

1220
01:02:09,643 --> 01:02:10,602
and they're going to play it
back for everyone else to see.

1221
01:02:11,854 --> 01:02:15,023
[camera rattles]

1222
01:02:15,065 --> 01:02:18,026
[pigeons coo]

1223
01:02:18,569 --> 01:02:21,739
[camera continues to rattle]

1224
01:02:52,144 --> 01:02:54,354
[distant voices]

1225
01:02:54,396 --> 01:02:58,275
[machine whirs and whines]

1226
01:03:21,048 --> 01:03:24,009
[assembly lines rattle]

1227
01:03:26,345 --> 01:03:29,306
[parts click together]

1228
01:03:46,406 --> 01:03:49,368
[machines continue to rattle]

1229
01:03:59,753 --> 01:04:00,546
(Tuttle) You hear that sound?

1230
01:04:01,505 --> 01:04:02,840
That's the sound

1231
01:04:02,881 --> 01:04:03,924
of a business

1232
01:04:03,966 --> 01:04:06,051
That's the sound of success.

1233
01:04:06,552 --> 01:04:07,970
That's the sound of an economy.

1234
01:04:08,387 --> 01:04:09,388
And

1235
01:04:09,429 --> 01:04:11,306
I don't think people
quite realize

1236
01:04:11,348 --> 01:04:13,058
the economic engine

1237
01:04:13,100 --> 01:04:14,726
companies like this make

1238
01:04:15,102 --> 01:04:16,728
for the success of a country.

1239
01:04:17,229 --> 01:04:18,856
All these pieces of equipment,

1240
01:04:18,897 --> 01:04:20,774
you're not gonna find this
anywhere else in the world.

1241
01:04:20,816 --> 01:04:21,650
This is it.

1242
01:04:21,942 --> 01:04:23,485
No one else makes this, this,

1243
01:04:23,527 --> 01:04:25,070
this, all put together
like this.

1244
01:04:25,112 --> 01:04:27,072
You just feel the ticking sound

1245
01:04:27,364 --> 01:04:28,323
of production,

1246
01:04:28,365 --> 01:04:29,366
and that's being taxed.

1247
01:04:29,825 --> 01:04:30,993
That's paying for tanks.

1248
01:04:31,034 --> 01:04:32,119
It's paying for social security.

1249
01:04:32,160 --> 01:04:33,328
It's paying for everything here.

1250
01:04:34,204 --> 01:04:36,540
Even this piece of mylar
is taxed.

1251
01:04:37,791 --> 01:04:39,543
The smallest little thing here,

1252
01:04:39,585 --> 01:04:41,420
from the wire to the tools,

1253
01:04:41,461 --> 01:04:43,672
all of this is part of
this economic engine here.

1254
01:04:44,006 --> 01:04:45,007
And to see

1255
01:04:45,048 --> 01:04:46,508
a piece of equipment
in the airport

1256
01:04:46,550 --> 01:04:48,802
on the officer's belt,
from the camera to the weapon,

1257
01:04:49,553 --> 01:04:50,512
you know where it came from.

1258
01:04:50,554 --> 01:04:51,763
You know someone like her
made it.

1259
01:04:51,805 --> 01:04:52,514
And that's

1260
01:04:52,806 --> 01:04:54,182
pretty exciting here to me.

1261
01:04:57,227 --> 01:04:58,437
I love this sound.

1262
01:04:58,478 --> 01:04:59,104
Dat. Dat.

1263
01:05:00,063 --> 01:05:01,481
That's an amazing sound to me.

1264
01:05:01,940 --> 01:05:02,691
It really is.

1265
01:05:12,242 --> 01:05:16,330
[machines whir and click]

1266
01:05:16,371 --> 01:05:22,878
[dreamy electronic music]

1267
01:05:44,942 --> 01:05:47,903
[music builds]

1268
01:06:29,403 --> 01:06:32,364
[music continues]

1269
01:07:00,934 --> 01:07:03,895
[steady electronic tones]

1270
01:07:19,536 --> 01:07:20,620
(director) Okay, and cut.

1271
01:07:21,329 --> 01:07:23,040
Woo! I think that was it.

1272
01:07:23,081 --> 01:07:25,375
- We've done it! [applause]
- Great job guys.

1273
01:07:25,417 --> 01:07:26,293
Oh my God.

1274
01:07:26,793 --> 01:07:28,170
[sighs]

1275
01:07:28,211 --> 01:07:29,921
(woman) Uh, okay, are we done
with these--

1276
01:07:29,963 --> 01:07:31,757
are we done
with the special effects?

1277
01:07:31,798 --> 01:07:33,717
(director) We are done
with the special effects.

1278
01:07:48,732 --> 01:07:50,067
(man) We don't want
immigration.

1279
01:07:50,108 --> 01:07:52,486
What? We want the-- what?
Fair in power.

1280
01:07:52,819 --> 01:07:53,820
So when you leave here
with your documentary,

1281
01:07:54,196 --> 01:07:55,697
Right?

1282
01:07:55,739 --> 01:07:57,199
(McNutt) Oh no, no,
this isn't a documentary.

1283
01:07:57,240 --> 01:07:58,617
(man) Whatever, whatever,
whatever it is.

1284
01:07:58,658 --> 01:08:00,285
(McNutt) This is--
- Whatever it is, sir.

1285
01:08:00,786 --> 01:08:02,245
And they're filming
without permission?

1286
01:08:02,537 --> 01:08:03,455
I think you outta say,
brother, you're on.

1287
01:08:03,497 --> 01:08:04,623
You're hot.

1288
01:08:04,664 --> 01:08:05,916
You gotta say that means,
"The light is on.

1289
01:08:05,957 --> 01:08:06,666
We're recording you

1290
01:08:06,708 --> 01:08:07,793
without your permission",

1291
01:08:07,834 --> 01:08:10,337
and if you are going to print it

1292
01:08:10,378 --> 01:08:12,047
without my permission
and my signed affadavit,

1293
01:08:12,089 --> 01:08:13,298
I will sue you as I sued

1294
01:08:13,340 --> 01:08:14,341
the University of Baltimore
Medical system,

1295
01:08:14,382 --> 01:08:15,175
and shut 'em down.

1296
01:08:15,509 --> 01:08:16,259
That was me.

1297
01:08:16,802 --> 01:08:17,511
I'm just saying.

1298
01:08:17,552 --> 01:08:18,970
As we come in here

1299
01:08:19,012 --> 01:08:20,430
and have the beautiful, beloved
community happy talk

1300
01:08:20,722 --> 01:08:22,307
which will we need?

1301
01:08:22,349 --> 01:08:24,434
What we need is the truth
about this neighborhood.

1302
01:08:24,768 --> 01:08:26,520
These people take care
of this community.

1303
01:08:26,561 --> 01:08:27,938
They want honesty
in this community.

1304
01:08:27,979 --> 01:08:29,147
But what they don't want

1305
01:08:29,189 --> 01:08:31,358
is to be pimped again
by anybody.

1306
01:08:31,399 --> 01:08:32,150
(Archie) I doubt it.

1307
01:08:32,484 --> 01:08:33,443
I doubt it. I don't bring pimps.

1308
01:08:33,860 --> 01:08:35,445
I bring solutions.

1309
01:08:35,487 --> 01:08:36,488
- I'm not talking to you!
I'm talking to this man.

1310
01:08:36,530 --> 01:08:37,280
But he's ordered--

1311
01:08:37,322 --> 01:08:39,032
(man) And that's fair.

1312
01:08:39,074 --> 01:08:40,617
and because you're here, that
means they're more credible

1313
01:08:40,951 --> 01:08:41,785
So,

1314
01:08:41,827 --> 01:08:42,911
I'm gonna take a little walk.

1315
01:08:42,953 --> 01:08:43,829
We got a little weed.
And I'll be back.

1316
01:08:43,870 --> 01:08:44,913
(McNutt) You're gonna be--

1317
01:08:44,955 --> 01:08:45,789
- I'll come back.
- You'll come back?

1318
01:08:45,831 --> 01:08:47,332
You sure?
- I'm coming back.

1319
01:08:47,374 --> 01:08:48,542
- In't just walk.
(another man) Yeah, but--

1320
01:08:48,583 --> 01:08:49,251
- Alright.
- ... talking about.

1321
01:08:49,292 --> 01:08:49,668
(McNutt) Gotcha.

1322
01:08:51,128 --> 01:08:52,379
(man) And you can use whatever
you wanna use!

1323
01:08:52,420 --> 01:08:53,630
My mom might like
to see me on TV.

1324
01:08:53,672 --> 01:08:54,840
[laughs]

1325
01:08:55,423 --> 01:08:56,675
He definitely know
what he talking about.

1326
01:08:56,716 --> 01:08:57,592
- Yeah, we're definitely
gonna be talking about...

1327
01:08:57,634 --> 01:08:58,760
There's no doubt about it.

1328
01:08:58,802 --> 01:09:00,762
Give him both.
He's angry passionately.

1329
01:09:00,804 --> 01:09:01,555
He's spitting facts.

1330
01:09:01,596 --> 01:09:02,931
Yeah, he's spitting facts.

1331
01:09:02,973 --> 01:09:04,266
(man) Right?
'Cause some people like--

1332
01:09:04,307 --> 01:09:05,183
the first thing
that gentleman said,

1333
01:09:05,225 --> 01:09:06,726
and I'm not knocking him,

1334
01:09:06,768 --> 01:09:08,270
is that he starts looking
for color in the room.

1335
01:09:10,230 --> 01:09:12,357
Why isn't the cameraman
African American or Black,
right?

1336
01:09:12,858 --> 01:09:14,442
I understand that,
and you know what's funny,

1337
01:09:14,484 --> 01:09:15,902
I have a bunch
of younger cousins

1338
01:09:15,944 --> 01:09:17,404
who are in this industry.

1339
01:09:17,821 --> 01:09:18,864
They're in this industry,

1340
01:09:18,905 --> 01:09:20,532
and one of the things is,
my cousin,

1341
01:09:20,574 --> 01:09:21,575
I had a conversation with him.

1342
01:09:21,616 --> 01:09:22,951
I said, "Yo,
you need to train me

1343
01:09:22,993 --> 01:09:25,036
about audio and visual,
and things of that nature.

1344
01:09:25,412 --> 01:09:26,621
because I want
to know about it."

1345
01:09:28,373 --> 01:09:29,749
The dude that's in front
of the camera, that's acting,

1346
01:09:29,791 --> 01:09:31,334
that's not the money maker.

1347
01:09:31,376 --> 01:09:33,128
It's the dude behind the camera
(men) Behind the camera.

1348
01:09:33,170 --> 01:09:34,254
So I think that

1349
01:09:34,296 --> 01:09:35,964
what we have to--
and I say that to say,

1350
01:09:36,006 --> 01:09:36,756
we gotta come--

1351
01:09:36,798 --> 01:09:37,883
we gotta play the--

1352
01:09:39,301 --> 01:09:40,510
be behind the scenes
to get in front of the scenes.

1353
01:09:40,552 --> 01:09:41,428
- Mhm.
(Archie) I wanna, I wanna--

1354
01:09:41,469 --> 01:09:43,263
I wanna start because

1355
01:09:43,305 --> 01:09:45,390
some people gotta leave
real quick.

1356
01:09:45,432 --> 01:09:46,516
Some local feedback.

1357
01:09:46,558 --> 01:09:47,517
That's why I'll be here.

1358
01:09:47,559 --> 01:09:49,060
To get the feedback.

1359
01:09:49,102 --> 01:09:51,062
They're here to document
the feedback.

1360
01:09:51,104 --> 01:09:52,105
[crowd murmurs]

1361
01:09:52,147 --> 01:09:54,482
So, I thank all of y'all
for coming.

1362
01:09:55,150 --> 01:09:57,444
I have asked Ross to come

1363
01:09:57,485 --> 01:09:59,821
and give a brief presentation

1364
01:10:00,113 --> 01:10:01,615
to you wonderful men

1365
01:10:01,656 --> 01:10:04,492
that I know that will take this
and spread it.

1366
01:10:05,493 --> 01:10:06,161
Okay.

1367
01:10:06,203 --> 01:10:08,079
So, this is Ross McNutt.

1368
01:10:08,121 --> 01:10:09,623
This is-- This is his, uh,

1369
01:10:09,664 --> 01:10:11,374
show.
Knock em out.

1370
01:10:11,416 --> 01:10:12,626
Thank you Archie.

1371
01:10:12,667 --> 01:10:14,419
Um...

1372
01:10:15,337 --> 01:10:17,088
I really appreciate
you guys coming.

1373
01:10:17,130 --> 01:10:18,673
We come to talk with you,

1374
01:10:20,467 --> 01:10:21,384
and to share with you a little
bit about what we're doing.

1375
01:10:22,344 --> 01:10:23,929
The Community Support Program

1376
01:10:23,970 --> 01:10:25,597
is a service that we provide.

1377
01:10:26,223 --> 01:10:28,266
It's built out of a system
that we built--

1378
01:10:28,642 --> 01:10:30,852
Actually we used it in Iraq
and Afghanistan

1379
01:10:31,394 --> 01:10:33,855
to support the IEDs
and the U.S. troops there.

1380
01:10:34,522 --> 01:10:36,107
The outputs of our major--

1381
01:10:36,149 --> 01:10:37,776
of our investigations

1382
01:10:37,817 --> 01:10:39,778
is a briefing that says
what happened.

1383
01:10:40,403 --> 01:10:41,863
Who was there?

1384
01:10:41,905 --> 01:10:43,657
Where'd they come from?
Where'd they go to?

1385
01:10:44,241 --> 01:10:46,701
And providing that information
to law enforcement,

1386
01:10:46,743 --> 01:10:48,620
and also, to public defenders,

1387
01:10:48,662 --> 01:10:49,621
and defense attorneys,

1388
01:10:49,663 --> 01:10:51,581
so that the truth can come out.

1389
01:10:51,623 --> 01:10:53,583
We provide an unbiased witness

1390
01:10:53,959 --> 01:10:55,752
to police activity
within the area.

1391
01:10:56,336 --> 01:10:57,462
What I want to do
is show you what

1392
01:10:57,504 --> 01:10:59,464
wide-area motion imagery is.

1393
01:10:59,506 --> 01:11:01,299
If you've ever
seen Google Earth,

1394
01:11:01,883 --> 01:11:04,177
what we do is a live version
of Google Earth.

1395
01:11:05,887 --> 01:11:07,514
So this is your shooter
right here.

1396
01:11:09,140 --> 01:11:11,810
And what we often do is look
for changes in behavior

1397
01:11:11,851 --> 01:11:13,353
on the ground that
would indicate

1398
01:11:13,395 --> 01:11:14,854
that a major event has occurred.

1399
01:11:20,318 --> 01:11:23,029
(McNutt) We're proposing to help
use this technologies

1400
01:11:23,071 --> 01:11:24,990
and these systems to help
the community.

1401
01:11:25,031 --> 01:11:26,825
How does that help
the community when

1402
01:11:26,866 --> 01:11:29,536
it's a constant surveillance
of the community?

1403
01:11:29,577 --> 01:11:31,329
(McNutt) Let me-- Let me
show you how this works.

1404
01:11:31,371 --> 01:11:32,330
and I'll answer that in just--

1405
01:11:32,372 --> 01:11:33,748
I kinda understood
how it works

1406
01:11:33,790 --> 01:11:35,125
because there were instances--

1407
01:11:35,166 --> 01:11:36,293
(woman) But maybe
somebody else doesn't.

1408
01:11:36,334 --> 01:11:38,586
But I-- [stammers]
I have a few minutes,

1409
01:11:38,628 --> 01:11:40,714
I-I-I have a right
to ask questions

1410
01:11:40,755 --> 01:11:43,133
so let me-- allow me to
ask questions, mam.

1411
01:11:43,174 --> 01:11:44,926
Because I'm a member
of this community.

1412
01:11:44,968 --> 01:11:45,844
And some of us
- Yes, but...

1413
01:11:45,885 --> 01:11:47,262
are foolishly

1414
01:11:47,304 --> 01:11:49,639
allow folks to tell us
what they gonna do for us.

1415
01:11:50,140 --> 01:11:51,683
So, uh,

1416
01:11:52,892 --> 01:11:55,061
there were instances
in Baltimore City

1417
01:11:55,103 --> 01:11:57,564
when that same technology
was used

1418
01:11:57,605 --> 01:12:00,525
to, pretty much,
without the consent

1419
01:12:00,817 --> 01:12:02,110
of the Mayor's office,

1420
01:12:02,152 --> 01:12:03,361
and other folks,

1421
01:12:03,403 --> 01:12:05,447
and they were being
in operation for almost

1422
01:12:05,488 --> 01:12:07,407
two-- three, four, five months.

1423
01:12:07,449 --> 01:12:08,533
And I think-- I believe that's
the same operation.

1424
01:12:08,575 --> 01:12:10,118
(McNutt) Yes.

1425
01:12:10,160 --> 01:12:13,788
And so, that operation was paid
for by a private individual.

1426
01:12:14,164 --> 01:12:15,248
(McNutt) And I will tell you

1427
01:12:15,290 --> 01:12:17,167
that we fought very hard.
- Mhm.

1428
01:12:17,208 --> 01:12:18,793
And we were told
we weren't allowed

1429
01:12:19,085 --> 01:12:20,462
to let people know.

1430
01:12:20,503 --> 01:12:22,255
We're-- we've been asked
by the community

1431
01:12:22,297 --> 01:12:24,257
to come in and brief
the community

1432
01:12:24,632 --> 01:12:25,967
and this will only go forward

1433
01:12:26,009 --> 01:12:28,345
if the community believes
that it's acceptable.

1434
01:12:28,386 --> 01:12:30,638
(man) But if, if the information

1435
01:12:30,680 --> 01:12:33,099
that is being provided
to the community

1436
01:12:33,641 --> 01:12:35,727
is not the full scope
of the information,

1437
01:12:35,769 --> 01:12:38,521
how can the community
give full consent?

1438
01:12:38,563 --> 01:12:40,648
And how can the consent
be deemed to be accurate

1439
01:12:40,690 --> 01:12:43,401
when all the information
is not really

1440
01:12:43,693 --> 01:12:45,445
the whole objective of this

1441
01:12:45,487 --> 01:12:47,072
of that-- uh--

1442
01:12:47,530 --> 01:12:48,281
program.

1443
01:12:48,323 --> 01:12:49,366
(McNutt) We are here

1444
01:12:49,407 --> 01:12:50,909
presenting that information.

1445
01:12:50,950 --> 01:12:52,202
(man) That's always
been the case.

1446
01:12:52,243 --> 01:12:53,453
But in reality,

1447
01:12:53,495 --> 01:12:54,579
we know that

1448
01:12:54,621 --> 01:12:56,039
this type of information,

1449
01:12:56,081 --> 01:12:57,916
the end result has never been

1450
01:12:57,957 --> 01:12:59,667
what this city would have been

1451
01:12:59,709 --> 01:13:01,127
in the first place.

1452
01:13:01,169 --> 01:13:02,629
We use crime

1453
01:13:03,171 --> 01:13:04,130
as a bait.

1454
01:13:05,340 --> 01:13:06,549
Because we know people
are very emotional

1455
01:13:06,925 --> 01:13:09,094
especially when we say
we want to solve crime.

1456
01:13:09,928 --> 01:13:13,390
But if the intention
is to solve crime,

1457
01:13:13,890 --> 01:13:16,851
why allow a private entity

1458
01:13:17,227 --> 01:13:20,563
to have control of such huge

1459
01:13:20,605 --> 01:13:22,273
type of devices

1460
01:13:22,315 --> 01:13:24,567
when it involves citizens?

1461
01:13:24,609 --> 01:13:26,861
And it's almost like
the private entity

1462
01:13:26,903 --> 01:13:28,571
- I think...
- is replacing the state

1463
01:13:28,613 --> 01:13:30,323
and doing the work of the state.

1464
01:13:30,365 --> 01:13:32,534
And that to me
is unconstitutional.

1465
01:13:32,951 --> 01:13:34,077
But I don't have much time.

1466
01:13:34,119 --> 01:13:35,286
I have another meeting.

1467
01:13:35,328 --> 01:13:37,122
But folks please. Be mindful

1468
01:13:37,163 --> 01:13:39,749
of what you allow folks to come
in our community to do.

1469
01:13:40,125 --> 01:13:42,919
Consent is not always
given freely.

1470
01:13:42,961 --> 01:13:43,670
(Archie) Thank you for coming.

1471
01:13:43,711 --> 01:13:44,921
(man) Yes, Archie.

1472
01:13:46,631 --> 01:13:47,048
(McNutt) Archie, do you want
to address any of that?

1473
01:13:48,049 --> 01:13:49,384
(Archie) I'll deal with that

1474
01:13:49,426 --> 01:13:50,552
(McNutt) Okay.
(woman) Can I address it?

1475
01:13:50,593 --> 01:13:52,137
Sure!
- Can I address it?

1476
01:13:52,804 --> 01:13:55,849
Okay, the reason why I said,
it-- it--

1477
01:13:55,890 --> 01:13:57,809
it's not that, um,

1478
01:13:58,435 --> 01:13:59,436
it's consent,

1479
01:13:59,978 --> 01:14:01,479
it is, um,

1480
01:14:01,896 --> 01:14:02,564
um,

1481
01:14:03,773 --> 01:14:06,901
it is the fact that
when we go to the store,

1482
01:14:07,402 --> 01:14:09,112
we are under surveillance.

1483
01:14:09,571 --> 01:14:10,989
When we walk in the bank,

1484
01:14:11,322 --> 01:14:12,866
we are under surveillance.

1485
01:14:13,241 --> 01:14:15,869
When you walk in the
Baltimore City Public Schools,

1486
01:14:15,910 --> 01:14:17,454
we are under surveillance.

1487
01:14:17,871 --> 01:14:19,998
When you walk into the hospital,

1488
01:14:20,039 --> 01:14:21,833
you are under surveillance.

1489
01:14:22,333 --> 01:14:25,628
You go down
to the inner harbor area.

1490
01:14:25,670 --> 01:14:27,881
Trust me.
(men) we are under surveillance.

1491
01:14:27,922 --> 01:14:28,756
You are under surveillance.

1492
01:14:28,798 --> 01:14:30,758
- Right.
- Mhm.

1493
01:14:30,800 --> 01:14:33,261
(woman) Most of the crimes
happen
on the streets of Baltimore

1494
01:14:33,303 --> 01:14:34,721
in broad daylight.

1495
01:14:35,472 --> 01:14:37,265
During daytime hours

1496
01:14:38,016 --> 01:14:39,559
when the deterrents

1497
01:14:39,934 --> 01:14:42,604
are in the hospitals and in the-

1498
01:14:42,645 --> 01:14:45,148
in the banks,
and they still rob.

1499
01:14:46,399 --> 01:14:47,859
(man) Your premise is that

1500
01:14:47,901 --> 01:14:49,527
if I am under surveillance

1501
01:14:49,569 --> 01:14:52,489
then I must open myself to be
much more under surveillance,

1502
01:14:52,530 --> 01:14:54,157
I think that's a false premise.

1503
01:14:54,199 --> 01:14:56,075
Because consent--

1504
01:14:56,117 --> 01:14:58,119
This is--
This is the difference.

1505
01:14:58,161 --> 01:14:59,162
I was born in Haiti.

1506
01:14:59,621 --> 01:15:00,788
Right?

1507
01:15:00,830 --> 01:15:02,499
This is the difference
between this country

1508
01:15:02,540 --> 01:15:03,750
and other countries
in the world.

1509
01:15:03,791 --> 01:15:05,043
This is why I love this country.

1510
01:15:05,877 --> 01:15:07,504
It's the fact that

1511
01:15:08,421 --> 01:15:10,131
one has to be consented,

1512
01:15:10,965 --> 01:15:12,842
and that consent
has to be understood.

1513
01:15:12,884 --> 01:15:14,719
Why am I giving my consent?

1514
01:15:15,678 --> 01:15:18,056
There's a-- We have used
a lot of excuses

1515
01:15:18,097 --> 01:15:20,767
to deprive people
of their privacy right?

1516
01:15:20,808 --> 01:15:22,310
And their individual right.

1517
01:15:22,810 --> 01:15:26,022
You always come under the false
pretense of crime.

1518
01:15:26,064 --> 01:15:28,149
If we want to solve crime
in Baltimore City,

1519
01:15:28,191 --> 01:15:29,776
we can easily solve the crime.

1520
01:15:29,817 --> 01:15:33,655
I mean, we could follow
the routes of those individuals.

1521
01:15:33,696 --> 01:15:36,533
We know most of the individuals
that are operating on the street

1522
01:15:36,574 --> 01:15:38,409
and out there doing
the things that they're doing.

1523
01:15:38,701 --> 01:15:41,162
But to tell me that

1524
01:15:41,204 --> 01:15:42,580
in order to solve crime,

1525
01:15:42,622 --> 01:15:44,874
I'm going to
give up all my rights

1526
01:15:45,959 --> 01:15:47,377
so that crimes can be solved,

1527
01:15:47,418 --> 01:15:48,545
That's a false premise.

1528
01:15:48,586 --> 01:15:49,879
That's a false hope.

1529
01:15:49,921 --> 01:15:51,839
And that's what you're asking
these folks to do.

1530
01:15:51,881 --> 01:15:53,466
Because we know-- No!

1531
01:15:53,508 --> 01:15:55,927
Most of us don't even know
where these cameras are located.

1532
01:15:56,928 --> 01:15:57,887
That's not true.

1533
01:15:57,929 --> 01:15:59,138
Okay, listen.

1534
01:15:59,180 --> 01:16:00,890
Alright, listen. Let's-- let's--

1535
01:16:00,932 --> 01:16:02,141
(man) And-and first of all,

1536
01:16:02,183 --> 01:16:03,101
W-wait, wait, wait.

1537
01:16:03,142 --> 01:16:04,644
(man) You have cameras in here

1538
01:16:04,686 --> 01:16:07,480
that most people did not give
their consent to be filmed.

1539
01:16:07,522 --> 01:16:08,606
I understand.

1540
01:16:08,648 --> 01:16:10,775
You see, also
that's another violation.

1541
01:16:10,817 --> 01:16:12,860
You cannot come..
- I know, I know.

1542
01:16:12,902 --> 01:16:13,987
- You cannot come--
- everything that you're saying

1543
01:16:14,028 --> 01:16:15,822
You do not come
in the community.

1544
01:16:15,863 --> 01:16:18,032
You cannot come
in the community.

1545
01:16:18,074 --> 01:16:19,492
You cannot come
in the community

1546
01:16:19,534 --> 01:16:21,077
filming people!

1547
01:16:21,119 --> 01:16:23,871
Because I do not know what's
the use and the purpose of this

1548
01:16:23,913 --> 01:16:26,124
power in government.
- Listen, let-- listen.

1549
01:16:26,165 --> 01:16:28,293
[murmurs]

1550
01:16:28,334 --> 01:16:29,669
The truth is

1551
01:16:29,711 --> 01:16:30,795
- What truth?
- is that--

1552
01:16:30,837 --> 01:16:31,754
- What truth?
- The truth is--

1553
01:16:31,796 --> 01:16:33,256
What truth? The truth.

1554
01:16:33,298 --> 01:16:35,049
[community speaks over
each other]

1555
01:16:35,091 --> 01:16:37,635
- That's the difference--
[ominous music]

1556
01:16:37,677 --> 01:16:38,845
(other man) --come in,
combative.

1557
01:16:38,886 --> 01:16:40,138
(woman) Yes!
- It's not combative.

1558
01:16:40,179 --> 01:16:41,347
It's not combative!
[speaking gets louder]

1559
01:16:41,389 --> 01:16:43,016
No, it's not combative!

1560
01:16:43,057 --> 01:16:44,142
(man) We let you speak.
Why don't you let him speak?

1561
01:16:44,183 --> 01:16:45,518
- It's not combative!

1562
01:16:45,560 --> 01:16:48,354
I've listened to you talk!

1563
01:16:48,438 --> 01:16:49,981
I'm trying to bring out a point!

1564
01:16:52,442 --> 01:16:54,527
--that what I'm saying
is complex!

1565
01:16:54,569 --> 01:16:56,446
It's not complex. It's simple.

1566
01:16:57,030 --> 01:16:59,198
How many murders are there
in this town?

1567
01:17:00,325 --> 01:17:02,869
(yells) How many murders
are in this town?

1568
01:17:03,411 --> 01:17:05,163
And you don't want
to answer that!

1569
01:17:05,204 --> 01:17:07,790
If you answer, how many murders

1570
01:17:07,832 --> 01:17:09,334
there are in this city,

1571
01:17:09,375 --> 01:17:11,169
then you oughta be willing

1572
01:17:11,210 --> 01:17:12,545
(another man) Let him, let him,
let him.

1573
01:17:12,587 --> 01:17:14,047
(yelling man)
then you oughta be willing

1574
01:17:14,088 --> 01:17:17,258
to apply something
that would curve it!

1575
01:17:17,300 --> 01:17:18,718
(man) He's here, he's here.

1576
01:17:18,760 --> 01:17:20,053
(yelling man) No, he's not here!

1577
01:17:20,094 --> 01:17:20,928
(other man) He is here!
He is here.

1578
01:17:20,970 --> 01:17:22,180
(man in hat) Where am I?

1579
01:17:22,221 --> 01:17:23,181
(yelling man)
You see first of all,

1580
01:17:23,222 --> 01:17:25,558
I'm a pastor in this community.

1581
01:17:25,600 --> 01:17:26,517
(other man) What are you doing?

1582
01:17:26,559 --> 01:17:27,894
(yelling man) I'm a pastor here!

1583
01:17:27,935 --> 01:17:29,062
(woman) What are you doing?

1584
01:17:30,688 --> 01:17:32,523
- I'm trying to tell you now--
[people speak loudly]

1585
01:17:32,565 --> 01:17:35,777
- Tell him to come back--
- That your boys up there on--

1586
01:17:35,818 --> 01:17:38,780
[yelling continues]

1587
01:17:38,821 --> 01:17:41,783
[electronic music drowns
out shouts]

1588
01:18:03,304 --> 01:18:05,640
The aerial perspective
looks down at the world.

1589
01:18:07,308 --> 01:18:09,560
Objects and people
are rendered as pixels,

1590
01:18:10,186 --> 01:18:12,438
flattened into
a two-dimensional plane.

1591
01:18:13,773 --> 01:18:15,191
Through the flattening of space,

1592
01:18:15,566 --> 01:18:17,068
a new dimension emerges.

1593
01:18:18,861 --> 01:18:21,489
The vertical axis becomes
a literal projection of power.

1594
01:18:23,241 --> 01:18:24,575
The world is down there,

1595
01:18:25,368 --> 01:18:26,786
the camera up here.

1596
01:18:29,288 --> 01:18:31,582
The viewer is supposed
to look down with the camera,

1597
01:18:32,500 --> 01:18:34,252
not to look
at the camera itself.

1598
01:18:36,421 --> 01:18:38,506
Where seeing meets
the seeing of the world,

1599
01:18:38,923 --> 01:18:39,924
we are blind.

1600
01:18:42,051 --> 01:18:45,012
It is in this blind spot
that power sets its agenda.

1601
01:18:49,308 --> 01:18:52,270
This eye does not see into
the tall buildings downtown.

1602
01:18:55,648 --> 01:18:58,609
The green trees of suburban
areas block our view.

1603
01:19:01,529 --> 01:19:03,489
This eye is made
to look for crime

1604
01:19:03,531 --> 01:19:05,366
in historically
high-crime areas,

1605
01:19:06,159 --> 01:19:09,495
and so it will see crime in
historically high-crime areas.

1606
01:19:12,165 --> 01:19:13,124
This eye sees,

1607
01:19:13,583 --> 01:19:14,751
an arrest is made.

1608
01:19:15,501 --> 01:19:17,420
The eye trains its sights again.

1609
01:19:20,423 --> 01:19:21,674
Sometimes,

1610
01:19:23,384 --> 01:19:24,677
the plane's body pokes in
at the edge of the frame.

1611
01:19:28,097 --> 01:19:30,767
Pixels disappear between
the seams of the image.

1612
01:19:33,311 --> 01:19:36,272
With them, bodies disappear too.

1613
01:19:38,858 --> 01:19:40,777
We are reminded that someone,

1614
01:19:40,818 --> 01:19:41,819
somewhere,

1615
01:19:41,861 --> 01:19:43,613
is putting this world together.

1616
01:19:45,072 --> 01:19:48,034
[music continues]

1617
01:19:51,120 --> 01:19:52,914
[shaky breathing]

1618
01:19:55,708 --> 01:19:57,668
An act of seeing
is always an act.

1619
01:20:00,713 --> 01:20:02,465
An intervention into the world.

1620
01:20:05,843 --> 01:20:07,094
We do not see the world.

1621
01:20:08,429 --> 01:20:09,889
We see this intervention.

1622
01:20:19,899 --> 01:20:22,777
[deep inhale]

1623
01:20:28,908 --> 01:20:31,869
The frame excludes
a world beyond its edges.

1624
01:20:33,663 --> 01:20:35,081
But if we look hard enough,

1625
01:20:35,540 --> 01:20:37,667
there's always an edge
that creeps back in.

1626
01:20:41,128 --> 01:20:44,090
[music shifts to dreamy melody]

1627
01:21:07,613 --> 01:21:08,447
[door shuts]
[music cuts abruptly]

1628
01:21:09,782 --> 01:21:13,119
[car warning tone]
[seatbelts rattle]

1629
01:21:18,207 --> 01:21:19,542
[door thuds closed]

1630
01:21:19,876 --> 01:21:20,668
[tone stops]
[seatbelt clicks]

1631
01:21:22,503 --> 01:21:23,921
(director) Alright, so,

1632
01:21:23,963 --> 01:21:26,090
this is ready to go.
I'm gonna-- [beeps]

1633
01:21:27,133 --> 01:21:28,843
Red is recording right?

1634
01:21:28,885 --> 01:21:29,510
(cameraman) Yep.

1635
01:21:29,552 --> 01:21:30,469
(director) Alright.

1636
01:21:30,511 --> 01:21:32,388
[beeps]
Do we wanna, just--

1637
01:21:32,430 --> 01:21:32,847
[slate clacks]

1638
01:21:34,807 --> 01:21:35,766
(director) And action!

1639
01:21:36,434 --> 01:21:38,519
This is the Axon Network.

1640
01:21:43,232 --> 01:21:43,816
This

1641
01:21:44,108 --> 01:21:45,234
is the Axon

1642
01:21:45,276 --> 01:21:46,819
Flex 2 Body Camera.

1643
01:21:52,491 --> 01:21:54,452
Axon Signal Sidearm Holster.

1644
01:21:59,707 --> 01:22:01,250
Axon Fleet 2

1645
01:22:01,292 --> 01:22:03,419
with SPPM on the Taser weapon.

1646
01:22:08,799 --> 01:22:09,842
Axon Air.

1647
01:22:12,929 --> 01:22:14,764
Axon Body 2 Camera.

1648
01:22:16,474 --> 01:22:18,726
When I draw this firearm
out of the holster,

1649
01:22:18,768 --> 01:22:20,478
it will activate
all the cameras.

1650
01:22:27,276 --> 01:22:30,237
[drone whirs]

1651
01:22:44,085 --> 01:22:47,630
[camera beeps continuously]

1652
01:23:14,031 --> 01:23:16,993
[beeping continues]
[ominous music grows]

1653
01:23:36,971 --> 01:23:39,932
A man poses as a
criminal on a Bertillon card.

1654
01:23:41,142 --> 01:23:42,727
He is Francis Galton,

1655
01:23:42,768 --> 01:23:44,603
first cousin to Charles Darwin,

1656
01:23:45,104 --> 01:23:46,981
and a prominent
English scientist.

1657
01:23:49,567 --> 01:23:52,028
Using a series
of barometric recordings,

1658
01:23:52,486 --> 01:23:53,904
Galton compiled the first

1659
01:23:53,946 --> 01:23:55,573
comprehensive weather map
of Europe,

1660
01:23:56,323 --> 01:23:58,576
showing how a series
of interconnected data points

1661
01:23:58,617 --> 01:23:59,994
could be used to predict

1662
01:24:00,036 --> 01:24:01,996
the future behavior
of complex systems.

1663
01:24:04,957 --> 01:24:07,043
Galton turned this attention
from the weather

1664
01:24:07,334 --> 01:24:08,794
to the human subject.

1665
01:24:10,421 --> 01:24:12,131
In 1879,

1666
01:24:12,173 --> 01:24:15,301
Galton first presents his system
of composite photography.

1667
01:24:17,219 --> 01:24:20,181
Galton organizes a collection
of images by type.

1668
01:24:21,557 --> 01:24:22,391
Criminal.

1669
01:24:23,642 --> 01:24:24,810
Tubercular Patient.

1670
01:24:26,187 --> 01:24:27,188
Family likeness.

1671
01:24:28,522 --> 01:24:29,523
Scientist.

1672
01:24:31,525 --> 01:24:32,109
Jew.

1673
01:24:34,153 --> 01:24:37,114
The images are overlaid onto
a single photographic plate,

1674
01:24:37,448 --> 01:24:39,283
forming a composite exposure.

1675
01:24:41,869 --> 01:24:43,370
Darker lines indicate regions

1676
01:24:43,412 --> 01:24:45,206
that align closely
to the average.

1677
01:24:47,208 --> 01:24:49,627
Blur measures deviation
from the average type.

1678
01:24:52,254 --> 01:24:53,255
The composite,

1679
01:24:53,297 --> 01:24:54,256
Galton believed,

1680
01:24:55,800 --> 01:24:57,009
reflected a greater truth
about the subject

1681
01:24:57,051 --> 01:24:58,427
than their individual
components.

1682
01:25:01,680 --> 01:25:02,556
Galton writes:

1683
01:25:03,099 --> 01:25:04,642
"All that is common remains,

1684
01:25:05,226 --> 01:25:07,561
all that is individual
tends to disappear."

1685
01:25:11,023 --> 01:25:12,483
Like Marey's experiments,

1686
01:25:13,109 --> 01:25:14,819
these images claim
to automatically

1687
01:25:14,860 --> 01:25:16,487
perform a mathematical function.

1688
01:25:18,447 --> 01:25:21,408
Galton called his system
"pictorial statistics".

1689
01:25:23,786 --> 01:25:25,621
But a crucial innovation
is proposed.

1690
01:25:28,165 --> 01:25:30,793
These images don't just
represent a subject,

1691
01:25:31,502 --> 01:25:34,463
they predict what a subject
in the future may look like.

1692
01:25:37,091 --> 01:25:37,967
"They represent,"

1693
01:25:38,425 --> 01:25:39,135
Galton writes,

1694
01:25:39,552 --> 01:25:41,053
"not the criminal,

1695
01:25:41,095 --> 01:25:43,472
but the man who is
liable to fall into crime."

1696
01:25:45,724 --> 01:25:46,934
As a scientist,

1697
01:25:48,561 --> 01:25:49,979
Galton hoped to uncover
the natural order of the world.

1698
01:25:51,897 --> 01:25:53,149
But his methods actively

1699
01:25:53,190 --> 01:25:55,151
concealed
this unnatural process.

1700
01:25:59,697 --> 01:26:01,448
For all the time
that Galton spends

1701
01:26:01,490 --> 01:26:03,617
describing
his photographic inventions,

1702
01:26:04,118 --> 01:26:07,329
he never describes how he
decides what images to include.

1703
01:26:11,917 --> 01:26:14,211
The criminal composite
does not reflect the person

1704
01:26:14,253 --> 01:26:16,005
who is liable
to fall into crime,

1705
01:26:16,672 --> 01:26:19,341
but merely what Galton
thinks a criminal looks like.

1706
01:26:26,015 --> 01:26:27,641
Galton would go on
to apply this

1707
01:26:27,683 --> 01:26:30,895
pseudo-scientific reasoning to
the new discipline of Eugenics,

1708
01:26:31,270 --> 01:26:34,106
a field which he is often
considered the founder.

1709
01:26:39,862 --> 01:26:43,157
No criminal was ever caught
using composite portraiture.

1710
01:26:44,200 --> 01:26:47,161
Though the images claim to show
what a criminal may look like,

1711
01:26:47,661 --> 01:26:50,247
they are impossible
to use for identification.

1712
01:26:52,791 --> 01:26:54,585
Not only are they blurry

1713
01:26:54,627 --> 01:26:57,796
but the people they depict
don't actually exist.

1714
01:27:00,841 --> 01:27:01,634
And yet,

1715
01:27:03,135 --> 01:27:04,220
they have already
been accused of a crime.

1716
01:27:09,225 --> 01:27:11,560
From what history
does the future dream?

1717
01:27:12,311 --> 01:27:15,272
[music continues]

1718
01:27:53,227 --> 01:27:54,353
[door clicks]

1719
01:28:11,829 --> 01:28:13,205
(woman) So we're zooming in

1720
01:28:13,247 --> 01:28:15,165
on, um, license plates
that are clear enough,

1721
01:28:15,207 --> 01:28:16,500
[mouse clicks]

1722
01:28:16,542 --> 01:28:19,295
and then drawing a tight
bounding box

1723
01:28:19,336 --> 01:28:20,671
around the license plate

1724
01:28:21,171 --> 01:28:23,215
to show the AI where it begins.

1725
01:28:24,008 --> 01:28:26,135
And then, if it has

1726
01:28:26,176 --> 01:28:27,553
legible letters in it,

1727
01:28:27,886 --> 01:28:29,013
then we'd add that in,

1728
01:28:29,054 --> 01:28:29,805
and the state.

1729
01:28:31,181 --> 01:28:32,057
And then it just
goes on from there.

1730
01:28:39,064 --> 01:28:41,525
An Axon Body camera
goes out into the world,

1731
01:28:41,567 --> 01:28:43,027
then records what it sees.

1732
01:28:43,068 --> 01:28:44,737
[dramatic music]

1733
01:28:44,778 --> 01:28:46,947
The image is stored
on Axon servers,

1734
01:28:47,364 --> 01:28:48,991
where it gets used as evidence.

1735
01:28:51,243 --> 01:28:52,119
Images,

1736
01:28:52,411 --> 01:28:53,662
and the data they contain,

1737
01:28:54,204 --> 01:28:56,248
are Axon's most
valuable product.

1738
01:28:59,376 --> 01:29:02,421
When a police department
signs up with Evidence.com,

1739
01:29:02,880 --> 01:29:05,799
they have the option of
allowing Axon to use their video

1740
01:29:05,841 --> 01:29:08,594
to train their next generation
of software products.

1741
01:29:10,763 --> 01:29:11,847
If they opt in,

1742
01:29:13,599 --> 01:29:15,267
departmental footage is sent
back to Axon headquarters,

1743
01:29:15,851 --> 01:29:17,519
where human analysts
aid the machine

1744
01:29:17,561 --> 01:29:19,897
in detecting recurring patterns
within the footage.

1745
01:29:21,607 --> 01:29:23,776
Recurring patterns
may include faces,

1746
01:29:24,193 --> 01:29:25,194
license plates,

1747
01:29:25,611 --> 01:29:26,487
loud noises,

1748
01:29:26,904 --> 01:29:28,113
or sudden movement.

1749
01:29:28,155 --> 01:29:29,615
[beeps]
[car door thuds]

1750
01:29:30,157 --> 01:29:31,325
With enough videos,

1751
01:29:33,118 --> 01:29:35,079
Axon's software can begin
to detect patterns on its own.

1752
01:29:36,830 --> 01:29:38,665
Once a recurring pattern
is learned,

1753
01:29:39,124 --> 01:29:41,377
actions may be programmed
based on that pattern.

1754
01:29:42,628 --> 01:29:45,089
Sample actions include
detecting faces,

1755
01:29:45,798 --> 01:29:47,383
transcribing conversations,

1756
01:29:48,092 --> 01:29:49,593
calling reinforcements,

1757
01:29:49,635 --> 01:29:50,969
or looking up a license plate.

1758
01:29:51,804 --> 01:29:54,723
[dreamy music]

1759
01:29:56,683 --> 01:29:58,811
The bureaucratic labor
of the police officer

1760
01:29:58,852 --> 01:30:01,230
is outsourced to
Axon's automated system.

1761
01:30:02,815 --> 01:30:03,982
[car whirs]
[gravel crumbles]

1762
01:30:04,441 --> 01:30:05,859
These promotional videos,

1763
01:30:06,402 --> 01:30:07,945
taken from Axon's website,

1764
01:30:08,487 --> 01:30:09,863
dramatize a process

1765
01:30:09,905 --> 01:30:11,865
that is typically invisible
to the public.

1766
01:30:13,492 --> 01:30:16,245
But these images conceal
more than they reveal.

1767
01:30:16,620 --> 01:30:19,581
[grass rustles]
[murmurs from radio]

1768
01:30:19,873 --> 01:30:21,542
The Axon Network is a process

1769
01:30:21,583 --> 01:30:23,544
that takes place
within secure rooms,

1770
01:30:24,169 --> 01:30:25,421
on private servers,

1771
01:30:26,964 --> 01:30:29,049
enacted by code whose
basic functions are kept secret

1772
01:30:29,091 --> 01:30:31,301
by intellectual property
contracts.

1773
01:30:31,343 --> 01:30:34,221
[radio beeps]
[voices murmur]

1774
01:30:35,722 --> 01:30:38,767
It feels like watching
a corporation dream out loud.

1775
01:30:38,809 --> 01:30:41,770
[drone whirs]

1776
01:30:42,479 --> 01:30:44,106
A seamless world
where every tool

1777
01:30:44,148 --> 01:30:47,234
has met just the right situation
for its intended use.

1778
01:30:47,276 --> 01:30:50,237
[rumbles]
[taser whooshes]

1779
01:30:57,035 --> 01:30:58,745
History converges
on the present.

1780
01:31:02,875 --> 01:31:03,542
Weapon.

1781
01:31:05,919 --> 01:31:06,587
Eye.

1782
01:31:09,006 --> 01:31:09,756
Archive.

1783
01:31:13,260 --> 01:31:14,470
Interpretation.

1784
01:31:17,347 --> 01:31:18,056
Automation.

1785
01:31:25,105 --> 01:31:27,274
From what history
does the future dream?

1786
01:31:28,317 --> 01:31:31,278
[music continues and builds]

1787
01:31:45,417 --> 01:31:46,752
What I say to
the conversation is--

1788
01:31:46,793 --> 01:31:48,086
[men murmur]

1789
01:31:48,128 --> 01:31:50,088
What have you is
you have data.

1790
01:31:50,130 --> 01:31:50,881
(McNutt) Right.

1791
01:31:50,923 --> 01:31:51,798
(man) And, and, and--

1792
01:31:51,840 --> 01:31:53,133
(older man) It won't work.

1793
01:31:53,175 --> 01:31:54,051
- In my opinion,
- It will not work.

1794
01:31:54,092 --> 01:31:55,594
data can be manipulated.

1795
01:31:55,636 --> 01:31:56,929
It can be adjusted or whatever.

1796
01:31:56,970 --> 01:31:57,930
[men speak over each other]

1797
01:31:57,971 --> 01:31:59,306
(man) They commit crime.

1798
01:31:59,348 --> 01:32:00,599
(older man) You gotta put
your feet--

1799
01:32:00,641 --> 01:32:01,934
(Archie) Let's get
that understood.

1800
01:32:01,975 --> 01:32:03,977
This is not the City,
this is not--

1801
01:32:04,019 --> 01:32:05,479
This is not
Baltimore Police Department.

1802
01:32:05,521 --> 01:32:06,355
(man) Right?

1803
01:32:06,396 --> 01:32:08,398
This is a whole private entity

1804
01:32:08,440 --> 01:32:10,108
that wants to assist Baltimore.

1805
01:32:10,150 --> 01:32:11,193
That's it.

1806
01:32:11,652 --> 01:32:12,569
They just wanna help.

1807
01:32:13,028 --> 01:32:14,363
They wanna come to assist.

1808
01:32:14,404 --> 01:32:16,406
There's nobody else coming
with no solutions.

1809
01:32:16,782 --> 01:32:18,534
There's nobody else coming
with no--

1810
01:32:18,575 --> 01:32:19,952
no "let's get together".

1811
01:32:19,993 --> 01:32:21,203
There's nobody coming with--

1812
01:32:21,245 --> 01:32:22,246
ain't nothing!

1813
01:32:22,788 --> 01:32:24,331
Even your City Council
don't have it.

1814
01:32:24,831 --> 01:32:25,749
I know.

1815
01:32:25,791 --> 01:32:27,209
We just left there yesterday.

1816
01:32:27,543 --> 01:32:29,169
There's no solutions
on the table.

1817
01:32:29,211 --> 01:32:30,462
This is the solutions.

1818
01:32:30,504 --> 01:32:31,797
"Give them more jail time".

1819
01:32:32,214 --> 01:32:34,258
So if you want that,
sign up for it then.

1820
01:32:34,299 --> 01:32:36,260
Are you saying the community
will be able to use this?

1821
01:32:36,301 --> 01:32:37,010
(McNutt) Yes.

1822
01:32:37,928 --> 01:32:38,845
We can look on the internet and-

1823
01:32:38,887 --> 01:32:40,222
(McNutt) Well, no, the-- it--

1824
01:32:40,264 --> 01:32:42,224
we still have lots of
privacy policies,

1825
01:32:42,266 --> 01:32:44,142
but, you know,
if you have justice,

1826
01:32:44,476 --> 01:32:45,811
because the system works,

1827
01:32:45,852 --> 01:32:46,895
I think

1828
01:32:46,937 --> 01:32:49,523
the crime will come down
significantly.

1829
01:32:49,565 --> 01:32:51,650
(man) The tier-- the tier
(older man) Let me stand up!

1830
01:32:52,067 --> 01:32:54,945
of crime 'cause the person
who wants to commit the crime

1831
01:32:54,987 --> 01:32:57,114
will figure out that somebody's-
(McNutt) That's right.

1832
01:32:57,155 --> 01:32:58,490
- And that's actually--
(Archie) That's it!

1833
01:32:58,532 --> 01:32:59,908
(McNutt) That is the biggest
objective.

1834
01:32:59,950 --> 01:33:01,243
(Archie) That's it!

1835
01:33:01,285 --> 01:33:02,828
That's all!
[laughs]

1836
01:33:02,869 --> 01:33:04,746
That right there.
See what you just said.

1837
01:33:04,788 --> 01:33:06,039
That's it!

1838
01:33:06,081 --> 01:33:07,124
That's all!

1839
01:33:07,165 --> 01:33:08,667
This is all we asking for

1840
01:33:08,709 --> 01:33:09,918
is a deterrent.

1841
01:33:09,960 --> 01:33:11,461
Take two hundred of you

1842
01:33:11,503 --> 01:33:13,297
and go fill sh--

1843
01:33:13,338 --> 01:33:14,423
Two hundred of you

1844
01:33:14,464 --> 01:33:16,508
and go out there and say, look,

1845
01:33:16,550 --> 01:33:17,467
'Cause I tell you

1846
01:33:17,509 --> 01:33:19,803
the moment I got whiff of it

1847
01:33:19,845 --> 01:33:22,556
he'll tell you,
I was not only paranoid,

1848
01:33:22,598 --> 01:33:24,433
but I actually said,
you know what?

1849
01:33:24,474 --> 01:33:26,435
We're not even ready
to cross the street right now.

1850
01:33:27,436 --> 01:33:28,353
You understand?

1851
01:33:28,395 --> 01:33:30,188
Like these kids nowadays,

1852
01:33:30,230 --> 01:33:31,773
only thing you gotta tell 'em,
"Hey,

1853
01:33:31,815 --> 01:33:33,942
God's eye-- God's eye up there.

1854
01:33:34,901 --> 01:33:36,403
Better wa--
Boy, be careful.

1855
01:33:36,445 --> 01:33:39,072
I, uh, beg to differ
to a certain degree.

1856
01:33:39,114 --> 01:33:40,324
Let me tell you why.

1857
01:33:40,365 --> 01:33:42,284
And I was saying this,
and she said it.

1858
01:33:42,618 --> 01:33:44,578
I've sat with young people,
and I've talked with them.

1859
01:33:44,620 --> 01:33:46,538
I've asked a group of kids
that was in a room.

1860
01:33:46,580 --> 01:33:47,956
Twenty kids in a room.

1861
01:33:47,998 --> 01:33:50,751
And I said, if you knew
the consequences of the law,

1862
01:33:51,084 --> 01:33:52,127
would you break it?

1863
01:33:52,919 --> 01:33:53,879
Ten of them said yes.

1864
01:33:55,422 --> 01:33:57,341
They knew that they could get
ten to fifteen years

1865
01:33:57,382 --> 01:33:58,800
to go to prison
by selling drugs.

1866
01:33:58,842 --> 01:34:00,385
They said yes.
You know why?

1867
01:34:00,427 --> 01:34:01,887
Because they trying to survive.

1868
01:34:02,304 --> 01:34:04,097
These kids don't care
about no camera!

1869
01:34:04,139 --> 01:34:04,973
(man) They don't care.

1870
01:34:05,015 --> 01:34:06,183
They know they being watched!

1871
01:34:06,224 --> 01:34:07,434
And it's in their area!

1872
01:34:07,476 --> 01:34:08,769
Those blue light cameras

1873
01:34:08,810 --> 01:34:10,145
are in urban areas.

1874
01:34:10,437 --> 01:34:11,647
Not in Mt. Washington.

1875
01:34:11,980 --> 01:34:13,065
It's not in Federal Hill.

1876
01:34:13,482 --> 01:34:14,900
They're in urban areas!

1877
01:34:14,941 --> 01:34:16,193
Yeah, I agree with that.

1878
01:34:17,778 --> 01:34:19,279
But I also know that one of
the major factors in deterrents

1879
01:34:19,321 --> 01:34:21,156
is the likelihood
of getting caught.

1880
01:34:21,531 --> 01:34:22,991
(man) They don't care
about that though, sir!

1881
01:34:23,033 --> 01:34:24,117
It's video cameras--
Listen!

1882
01:34:24,409 --> 01:34:25,786
Yo,

1883
01:34:25,827 --> 01:34:26,953
when the riots
and all that stuff happened

1884
01:34:26,995 --> 01:34:28,246
(Archie) It wasn't him!

1885
01:34:28,288 --> 01:34:30,290
Listen, it don't make--
it don't gotta be him!

1886
01:34:30,332 --> 01:34:32,626
If I know I'm being-- See?
There we go with the deterrent.

1887
01:34:32,918 --> 01:34:34,461
If somebody's watching me,

1888
01:34:34,503 --> 01:34:35,921
I don't gotta know who it is.

1889
01:34:35,962 --> 01:34:38,215
I know it's somebody.
So it should deter me, right?

1890
01:34:38,548 --> 01:34:39,549
It didn't deter.

1891
01:34:39,591 --> 01:34:41,134
We had 306 brothers going up.

1892
01:34:41,677 --> 01:34:43,804
So it ain't cameras
that's gonna deter anything.

1893
01:34:43,845 --> 01:34:45,889
It's mentality that's gonna--
(men) Right.

1894
01:34:45,931 --> 01:34:48,517
(woman) We have to begin to
change the mentality!

1895
01:34:48,558 --> 01:34:50,018
But not by being watched!

1896
01:34:50,060 --> 01:34:52,604
No, no, no that's just--
that's not--

1897
01:34:52,646 --> 01:34:53,897
That's not just--

1898
01:34:53,939 --> 01:34:55,607
I think where we're getting
off track here is

1899
01:34:55,649 --> 01:34:58,026
is that what you're saying
is right.

1900
01:34:58,068 --> 01:34:59,569
What he's saying is right.

1901
01:34:59,611 --> 01:35:03,198
What we're-- we're mixing
apples and oranges here.

1902
01:35:03,240 --> 01:35:04,574
(man) Imma correct myself.

1903
01:35:04,616 --> 01:35:05,158
Okay.

1904
01:35:05,200 --> 01:35:06,368
It's systematic.

1905
01:35:06,410 --> 01:35:07,619
The system has to change

1906
01:35:07,661 --> 01:35:09,121
for people to see growth
and progression.

1907
01:35:09,162 --> 01:35:10,539
(man) Exactly.

1908
01:35:10,580 --> 01:35:11,832
(pastor) May I say something?
(man) Yes sir.

1909
01:35:11,873 --> 01:35:13,083
(Archie) Go ahead.
(pastor) Listen.

1910
01:35:13,709 --> 01:35:14,626
This is

1911
01:35:14,668 --> 01:35:15,669
step number one.

1912
01:35:16,169 --> 01:35:17,462
And I'm asking you,

1913
01:35:17,879 --> 01:35:19,131
like I've asked everybody.

1914
01:35:19,172 --> 01:35:20,298
(McNutt) Mhm.

1915
01:35:20,340 --> 01:35:23,135
I said, if, if you wanna
sell this program,

1916
01:35:23,677 --> 01:35:25,429
turn the camera around.

1917
01:35:27,097 --> 01:35:30,350
The community is not
at all interested

1918
01:35:30,767 --> 01:35:32,561
in being surveilled.

1919
01:35:33,103 --> 01:35:34,271
I'm here to tell you.

1920
01:35:34,855 --> 01:35:36,231
You gotta understand.

1921
01:35:36,273 --> 01:35:38,567
Your perspective is different
from mine.

1922
01:35:39,067 --> 01:35:40,485
There are different perspectives
here.

1923
01:35:41,361 --> 01:35:43,447
We gotta see it
from their standpoint.

1924
01:35:44,656 --> 01:35:45,866
But what are you looking at?

1925
01:35:45,907 --> 01:35:46,992
How do you feel?

1926
01:35:49,536 --> 01:35:51,371
[stammers]
But, it-- it-- hey.

1927
01:35:52,831 --> 01:35:54,124
if you do that,

1928
01:35:54,166 --> 01:35:57,085
then you will make it palatable
to the community.

1929
01:35:58,503 --> 01:36:00,088
(McNutt) We're trying our best.

1930
01:36:00,130 --> 01:36:01,047
Thank you, Pastor.

1931
01:36:01,965 --> 01:36:02,966
I really appreciate it.

1932
01:36:04,509 --> 01:36:05,844
I think we probably
oughta pull this together.

1933
01:36:05,886 --> 01:36:07,095
(men) Yeah.
And uh...

1934
01:36:07,846 --> 01:36:10,182
It was a little different
environment this time,

1935
01:36:10,223 --> 01:36:11,099
I might add.

1936
01:36:11,475 --> 01:36:12,184
I don't know

1937
01:36:12,225 --> 01:36:13,310
if, uh,

1938
01:36:13,351 --> 01:36:15,645
some of that was the fact
that there was

1939
01:36:15,687 --> 01:36:18,356
cameras and other things, um--

1940
01:36:18,982 --> 01:36:21,067
You know, I don't know how
that played in,

1941
01:36:21,109 --> 01:36:22,277
to be honest with ya.

1942
01:36:22,611 --> 01:36:23,612
Um...
[piano begins]

1943
01:36:23,653 --> 01:36:24,654
I appreciate your time.

1944
01:36:24,696 --> 01:36:25,864
I would like to be in touch.

1945
01:36:27,449 --> 01:36:29,284
I think we have a program
that can help a lot.

1946
01:36:29,826 --> 01:36:30,535
Alright?

1947
01:36:31,536 --> 01:36:32,537
Pastor, thank you very much.

1948
01:36:32,996 --> 01:36:34,164
Thank you for hosting us.

1949
01:36:35,874 --> 01:36:37,083
And, uh, we'll come back
as many times as you'd like.

1950
01:36:37,375 --> 01:36:40,337
[dreamy piano]

1951
01:36:47,093 --> 01:36:48,804
(neuroscientist) Okay, so,
I'm just going to go through

1952
01:36:48,845 --> 01:36:50,222
a series of brief questions

1953
01:36:50,263 --> 01:36:52,057
about the content
that you just watched.

1954
01:36:52,974 --> 01:36:55,227
You saw many images today.

1955
01:36:55,268 --> 01:36:57,521
What specific images
do you remember seeing?

1956
01:36:58,104 --> 01:36:59,606
Were there any that
stood out to you?

1957
01:37:01,817 --> 01:37:04,319
(participant) Well, uh, yeah,
I saw a bunch of images.

1958
01:37:04,361 --> 01:37:06,822
The most interesting ones were

1959
01:37:06,863 --> 01:37:08,865
either helicopter
or drone shots?

1960
01:37:11,910 --> 01:37:15,997
[people murmuring]

1961
01:37:17,624 --> 01:37:19,417
Good morning,
and thank you for coming.

1962
01:37:19,459 --> 01:37:22,128
I'm here today to announce
a pilot program

1963
01:37:22,629 --> 01:37:24,756
for aerial surveillance
in Baltimore.

1964
01:37:25,382 --> 01:37:27,050
We would be
the first American city

1965
01:37:27,092 --> 01:37:28,969
to use this technology
in an attempt

1966
01:37:29,010 --> 01:37:30,887
to solve and deter
violent crime.

1967
01:37:31,847 --> 01:37:33,557
(Corso) Alright guys,
if there's nothing else,

1968
01:37:33,598 --> 01:37:34,683
then what we're gonna do now

1969
01:37:34,724 --> 01:37:36,184
is I'm gonna go get ITS

1970
01:37:36,226 --> 01:37:37,936
They're gonna come in
with the camera equipment,

1971
01:37:37,978 --> 01:37:39,104
get it all issued out.

1972
01:37:39,646 --> 01:37:41,147
(ITS) Henry 392.

1973
01:37:43,525 --> 01:37:44,651
Frank 171.

1974
01:37:47,571 --> 01:37:48,572
Henry 392.

1975
01:37:50,365 --> 01:37:51,533
(neuroscientist) So, how did
these images make you feel?

1976
01:37:52,367 --> 01:37:53,118
(participant) Well,

1977
01:37:53,451 --> 01:37:54,286
I'm a filmmaker.

1978
01:37:54,870 --> 01:37:55,871
So-- so--

1979
01:37:56,288 --> 01:37:57,789
My eye on watching films

1980
01:37:57,831 --> 01:37:59,040
is a little bit different
from people.

1981
01:37:59,082 --> 01:38:00,000
I watch

1982
01:38:00,041 --> 01:38:01,209
everything in the background,

1983
01:38:01,251 --> 01:38:02,586
so I'm always critical.

1984
01:38:02,961 --> 01:38:04,045
So those type of things.

1985
01:38:04,087 --> 01:38:06,339
[camera rattles]
[piano music continues]

1986
01:38:07,299 --> 01:38:08,633
(Davis) I've decided to proceed

1987
01:38:08,675 --> 01:38:10,552
with this proposed
pilot program because

1988
01:38:10,844 --> 01:38:14,264
it could represent yet another
tool in the toolbox

1989
01:38:14,556 --> 01:38:16,808
to solve and deter violent crime
in our city.

1990
01:38:18,059 --> 01:38:20,270
(director) So, we're rolling.
I'm gonna come over,

1991
01:38:21,271 --> 01:38:22,272
and you're gonna show me
how to hold it.

1992
01:38:23,982 --> 01:38:25,734
(Corso) And you're going to
put them in pairing mode

1993
01:38:26,484 --> 01:38:29,404
by holding the function button
on the side of the camera.

1994
01:38:29,446 --> 01:38:31,364
The little, tiny button
on the side of the camera.

1995
01:38:31,865 --> 01:38:32,824
Hold that down.

1996
01:38:34,326 --> 01:38:36,202
And hold down the record button
at the same time.

1997
01:38:37,495 --> 01:38:38,872
(neuroscientist) Tell me
a little bit more about

1998
01:38:38,914 --> 01:38:41,166
how it felt to be filmed
in this setting.

1999
01:38:41,625 --> 01:38:42,667
Hm...

2000
01:38:42,709 --> 01:38:44,419
It felt kinda, you know,
[stammers]

2001
01:38:44,461 --> 01:38:46,880
because you talked about, like,
what we were going to be doing

2002
01:38:46,922 --> 01:38:49,174
and I was really paying
attention to my heart rate,

2003
01:38:49,215 --> 01:38:51,092
and whether
my palms were sweating

2004
01:38:51,134 --> 01:38:54,179
so it felt kind of like
I was observing myself.

2005
01:38:54,512 --> 01:38:56,514
(Corso) Make sure you paired
with the right camera,

2006
01:38:56,932 --> 01:38:58,266
and point the camera
at yourself.

2007
01:38:59,100 --> 01:39:00,435
You should see yourself.
[laughs]

2008
01:39:00,477 --> 01:39:01,728
If you see somebody else,
you messed up.

2009
01:39:01,770 --> 01:39:03,063
Yeah.

2010
01:39:03,104 --> 01:39:03,438
(female officer)
Oh, I can see myself!

2011
01:39:03,480 --> 01:39:05,190
[laughs]

2012
01:39:05,231 --> 01:39:07,567
(Davis) So I'm looking forward
to hear from our community,

2013
01:39:07,609 --> 01:39:10,028
and to educate them
on what this is,

2014
01:39:10,320 --> 01:39:11,571
and what this is not.

2015
01:39:11,947 --> 01:39:12,989
So at this time,

2016
01:39:13,365 --> 01:39:14,407
I'll take a few questions.

2017
01:39:15,700 --> 01:39:16,618
(neuroscientist)
Did these images

2018
01:39:16,660 --> 01:39:18,495
feel connected in any way?

2019
01:39:18,536 --> 01:39:21,081
Or did you feel there was
a narrative being formed?

2020
01:39:21,706 --> 01:39:24,668
[piano builds]

2021
01:40:22,851 --> 01:40:23,768
[music cuts]
[camera beeps]

2022
01:40:23,810 --> 01:40:25,395
[classroom murmurs]

2023
01:40:25,437 --> 01:40:26,771
(officer) Say hello
to the camera.

2024
01:40:26,813 --> 01:40:27,856
Hello to the camera.

2025
01:40:28,648 --> 01:40:31,109
[murmurs continue]

2026
01:40:31,151 --> 01:40:31,901
Hi.
[beeps]

2027
01:40:33,194 --> 01:40:33,486
(director) Alright,
let's do this.

2028
01:40:34,863 --> 01:40:36,406
Okay, we'll just do
this in one take

2029
01:40:36,448 --> 01:40:37,699
(pigeon trainer) Do you want
me to put it in now?

2030
01:40:37,741 --> 01:40:38,616
[beeping]
(officer) Standby mode.

2031
01:40:38,658 --> 01:40:39,492
Uh, double tap to get it to go.

2032
01:40:40,827 --> 01:40:41,911
You hold it in right?
- You hold the button in?

2033
01:40:43,329 --> 01:40:43,747
You'll hear a beep and vibrate.
[classroom mumbling]

2034
01:40:44,789 --> 01:40:45,957
- That's what I did.
- And then,

2035
01:40:45,999 --> 01:40:47,208
- Like this right?
- And then your light--

2036
01:40:47,250 --> 01:40:48,126
You're still recording.
[laughs]

2037
01:40:49,252 --> 01:40:50,003
Alright.

2038
01:40:50,628 --> 01:40:51,546
I just like--

2039
01:40:51,588 --> 01:40:52,630
And just toss it up.

2040
01:40:53,006 --> 01:40:55,383
[wings flap loudly]

2041
01:40:56,926 --> 01:40:59,888
[pigeon coos]

2042
01:41:02,432 --> 01:41:03,683
[beeping]
(Corso) We want it--

2043
01:41:04,100 --> 01:41:06,936
This is my first day
getting my body-worn camera.

2044
01:41:06,978 --> 01:41:08,229
I'm so excited.

2045
01:41:08,271 --> 01:41:08,980
(Corso)
...and enter information.

2046
01:41:10,607 --> 01:41:13,026
There are three different fields
on that playback window

2047
01:41:13,068 --> 01:41:14,611
to enter in information.

2048
01:41:15,111 --> 01:41:16,404
The first one--
- Six.

2049
01:41:16,446 --> 01:41:18,782
22. 2017
Testing.

2050
01:41:18,823 --> 01:41:21,076
(Corso) ...search menu
on the website ID.

2051
01:41:21,993 --> 01:41:23,078
This video

2052
01:41:23,119 --> 01:41:24,329
is a training video.

2053
01:41:25,080 --> 01:41:26,498
It is concluding.

2054
01:41:28,124 --> 01:41:28,875
You wanna try it again?

2055
01:41:29,417 --> 01:41:29,959
Um...

2056
01:41:30,752 --> 01:41:31,753
Or you can just throw--

2057
01:41:31,795 --> 01:41:33,254
Okay, yeah, yeah
we can try it again.

2058
01:41:34,089 --> 01:41:37,884
[wings flap loudly]

2059
01:41:37,926 --> 01:41:40,929
[silence]

2060
01:41:56,653 --> 01:41:59,823
[distant voices speak]
[camera rattles]

2061
01:41:59,864 --> 01:42:00,615
[door thuds and squeaks]

2062
01:42:01,074 --> 01:42:04,077
[people chatter indistinctly]

2063
01:42:10,125 --> 01:42:12,085
[chairs rattle]

2064
01:42:12,127 --> 01:42:13,378
[thud]
(teacher) We're filming!

2065
01:42:15,421 --> 01:42:16,756
(student) Ay, yay, yay.
(teacher) ...you met Theo
before?

2066
01:42:16,798 --> 01:42:16,923
(student) Did you get
any shots though?

2067
01:42:18,383 --> 01:42:19,717
(director) Yeah,
I was mostly making sure

2068
01:42:19,759 --> 01:42:20,301
the camera was calibrated
for the room.

2069
01:42:20,802 --> 01:42:23,763
[silence]

2070
01:42:28,643 --> 01:42:30,019
(man) What camera,
would you know?

2071
01:42:30,061 --> 01:42:31,104
(director) The FS5.

2072
01:42:32,814 --> 01:42:33,481
(man) So this is what you,
this is your personal one?

2073
01:42:33,523 --> 01:42:34,107
(director) Yep.

2074
01:42:35,024 --> 01:42:36,276
- Doc!
- Yessir.

2075
01:42:36,317 --> 01:42:37,902
(camera) Getting
behind the scenes.

2076
01:42:37,944 --> 01:42:39,529
[students murmur]

2077
01:42:39,571 --> 01:42:40,822
(camera) Okay, we're just
setting him up

2078
01:42:40,864 --> 01:42:42,031
with his little, uh--

2079
01:42:42,073 --> 01:42:42,824
I'm recording.

2080
01:42:42,866 --> 01:42:44,325
Check, check, check.

2081
01:42:44,367 --> 01:42:46,411
(student) Alright, so,
that's good. But anyway.

2082
01:42:46,786 --> 01:42:48,413
(student) What in episode one

2083
01:42:48,454 --> 01:42:50,331
happened during the episode

2084
01:42:50,373 --> 01:42:52,709
that's gonna make
people wanna watch it?

2085
01:42:53,960 --> 01:42:55,503
That's-- that's what
we need to focus on.

2086
01:42:55,920 --> 01:42:57,213
So if there's nothing in there

2087
01:42:57,589 --> 01:42:59,215
that actually
draws the attention

2088
01:42:59,257 --> 01:43:00,884
of the audience we looking for,

2089
01:43:01,217 --> 01:43:02,760
then we need to add
or fix something.

2090
01:43:03,678 --> 01:43:06,639
[silence]

2091
01:43:15,607 --> 01:43:17,066
(student) You can't--
that's what I'm saying.

2092
01:43:17,108 --> 01:43:18,776
You can't just put a flashback
out of nowhere.

2093
01:43:18,818 --> 01:43:20,236
It was just like--

2094
01:43:20,278 --> 01:43:21,613
- But he look like somebody--
- Something has to-- this

2095
01:43:21,654 --> 01:43:22,947
This is what I'm saying. This
is what I'm saying.

2096
01:43:22,989 --> 01:43:24,324
That's what's going to get
people thinking like,

2097
01:43:24,365 --> 01:43:26,367
Hold up, why did they just
put that flashback there?

2098
01:43:26,409 --> 01:43:29,370
Exactly, but in order to have
a flashback,

2099
01:43:29,412 --> 01:43:30,997
something has to happen.

2100
01:43:31,039 --> 01:43:32,999
- Oh...
- See what I'm saying? Like,

2101
01:43:33,041 --> 01:43:34,000
We can't just--
- But let's--

2102
01:43:34,042 --> 01:43:35,501
Look, look, look

2103
01:43:35,543 --> 01:43:37,003
man, you can't just be talking

2104
01:43:37,503 --> 01:43:39,214
(student) man, you can't
just be talking--

2105
01:43:39,255 --> 01:43:40,882
they're not doing a flashback.

2106
01:43:41,257 --> 01:43:42,300
They can put two and two
together like that.

2107
01:43:42,342 --> 01:43:43,843
This is what I'm saying.

2108
01:43:43,885 --> 01:43:45,970
In a flashback, let's say, me
and John is having a conv--

2109
01:43:48,223 --> 01:43:51,184
[silence]

2110
01:44:03,821 --> 01:44:05,990
(student)
[indistinct] something like--

2111
01:44:06,032 --> 01:44:07,825
Y'all just keep walking
in the middle.

2112
01:44:07,867 --> 01:44:09,160
The one time I try
to get a shot.

2113
01:44:10,787 --> 01:44:11,537
(Dr. Patterson) Y'all gotta
start doing something.

2114
01:44:11,579 --> 01:44:12,956
Y'all know what to do?

2115
01:44:12,997 --> 01:44:14,499
Follow somebody
that's doing something.

2116
01:44:14,540 --> 01:44:15,917
(student) Lens change.
We're putting in the, um,

2117
01:44:15,959 --> 01:44:17,210
Follow somebody
that's doing something.

2118
01:44:17,252 --> 01:44:17,669
(another student)
Right here, on--

2119
01:44:18,378 --> 01:44:19,337
[indistinct]

2120
01:44:20,672 --> 01:44:21,089
(Dr. Patterson)
All hands on deck.

2121
01:44:21,130 --> 01:44:22,382
Okay?

2122
01:44:22,423 --> 01:44:23,633
Time is of the essence.
[students murmur]

2123
01:44:23,675 --> 01:44:24,550
Time it somebody.

2124
01:44:24,592 --> 01:44:25,843
Go. Go. Go.

2125
01:44:25,885 --> 01:44:27,595
[boys murmur]
[flash clicks]

2126
01:44:27,637 --> 01:44:28,888
(student) And then I use
the little thing,

2127
01:44:28,930 --> 01:44:30,265
Oh my God.

2128
01:44:30,932 --> 01:44:33,309
I'm amazing with this
in my hand.

2129
01:44:34,269 --> 01:44:35,895
So, like, amazing.

2130
01:44:35,937 --> 01:44:37,563
(student) Pat came in there
with hella drinks.

2131
01:44:37,605 --> 01:44:38,398
Subs.

2132
01:44:39,607 --> 01:44:40,316
Straight up good. Fine...
[murmurs]

2133
01:44:40,358 --> 01:44:41,276
Yes!

2134
01:44:41,317 --> 01:44:43,027
[students murmur]
[flash clicks]

2135
01:44:43,069 --> 01:44:44,612
(Dr. Patterson) That's what
I'm talking about!

2136
01:44:44,654 --> 01:44:47,031
It don't take much
to make me happy, folks.

2137
01:44:47,073 --> 01:44:48,741
Like, everybody trying!

2138
01:44:48,783 --> 01:44:50,618
You know, it doesn't take
that much to make me happy.

2139
01:44:51,035 --> 01:44:52,620
Little things,

2140
01:44:52,662 --> 01:44:54,455
those moments where
you guys are coming together.

2141
01:44:54,497 --> 01:44:55,415
That's what I'm talking about.

2142
01:44:55,456 --> 01:44:57,083
Love it.

2143
01:44:57,125 --> 01:44:59,127
[coughs and laughs]

2144
01:44:59,877 --> 01:45:02,547
[students murmur]

2145
01:45:02,588 --> 01:45:04,340
(student) Y'all ready?
- Y'all ready?

2146
01:45:04,382 --> 01:45:06,384
(student) Alright, places,
places!

2147
01:45:06,426 --> 01:45:07,760
Places, y'all, places!

2148
01:45:07,802 --> 01:45:09,637
Can I get quiet on the set--
- Go back to the script.

2149
01:45:09,679 --> 01:45:10,930
Quiet on the set, okay.

2150
01:45:10,972 --> 01:45:12,515
So--
(student) That's your breast.

2151
01:45:12,557 --> 01:45:13,099
Alright, quiet on the set!

2152
01:45:13,516 --> 01:45:14,934
Alright, look.

2153
01:45:14,976 --> 01:45:16,561
If you're behind the scenes,
I need you out of the shot

2154
01:45:16,602 --> 01:45:17,937
which is back there
by [indistinct]

2155
01:45:17,979 --> 01:45:19,564
and if you are actors, I need
you in your places.

2156
01:45:19,605 --> 01:45:21,107
Alrighty?

2157
01:45:21,149 --> 01:45:22,483
(student) And try to get it
on the first one!

2158
01:45:22,525 --> 01:45:23,776
[thud]
Top of the pilot.

2159
01:45:24,861 --> 01:45:26,529
Quiet on the set.
Quiet on the set.

2160
01:45:27,113 --> 01:45:28,364
Alright, so,

2161
01:45:28,656 --> 01:45:29,615
Cafe.

2162
01:45:29,657 --> 01:45:30,366
Take one.

2163
01:45:30,408 --> 01:45:31,117
Scene Five.

2164
01:45:32,035 --> 01:45:32,493
[slate clacks]

2165
01:45:40,418 --> 01:45:43,421
["All Of The Sudden" by Laraaji]

2166
01:45:45,340 --> 01:45:48,092
♪ All of the sudden
It's another self ♪

2167
01:45:48,134 --> 01:45:49,761
♪ It's another vibration ♪

2168
01:45:49,802 --> 01:45:52,472
♪ It's another state of seeing ♪

2169
01:45:57,894 --> 01:46:00,772
♪ We have may been here before ♪

2170
01:46:00,813 --> 01:46:03,316
♪ We may have taken this path ♪

2171
01:46:03,358 --> 01:46:07,653
♪ One time,
Long time ago ♪

2172
01:46:13,409 --> 01:46:16,120
♪ All of the sudden
It's another smile ♪

2173
01:46:16,162 --> 01:46:17,622
♪ It's another heartbeat ♪

2174
01:46:17,663 --> 01:46:20,583
♪ It's another style
of thinking ♪

2175
01:46:25,922 --> 01:46:28,966
♪ Who can recall ♪

2176
01:46:29,008 --> 01:46:32,178
♪ The flowers smell
differently and ♪

2177
01:46:32,220 --> 01:46:34,806
♪ Who can remember ♪

2178
01:46:34,847 --> 01:46:38,893
♪ The embraces weren't
this warm before ♪

2179
01:46:46,150 --> 01:46:48,986
♪ All of the sudden,
it's a different world ♪

2180
01:46:49,028 --> 01:46:50,530
♪ It's a different time ♪

2181
01:46:50,571 --> 01:46:53,741
♪ It's a different mode
of vision ♪

2182
01:46:58,704 --> 01:47:01,374
♪ All of the sudden
it's a different path ♪

2183
01:47:01,416 --> 01:47:03,042
♪ It's a different time ♪

2184
01:47:03,084 --> 01:47:06,337
♪ It's a different sun
in the sky ♪

2185
01:47:06,379 --> 01:47:09,257
♪ Warm feeling ♪

2186
01:47:09,298 --> 01:47:12,301
♪ Floods the world again ♪

2187
01:47:12,343 --> 01:47:17,974
♪ This time,
we're at the center of it all ♪

2188
01:47:23,563 --> 01:47:26,315
♪ All of the sudden
it's a different time ♪

2189
01:47:26,357 --> 01:47:28,025
♪ It's a different pace ♪

2190
01:47:28,067 --> 01:47:30,445
♪ It's a different melody ♪

2191
01:47:36,159 --> 01:47:38,911
♪ All of the sudden
it's a different self ♪

2192
01:47:38,953 --> 01:47:40,371
♪ It's a different purpose ♪

2193
01:47:40,413 --> 01:47:42,331
♪ It's a different direction ♪

2194
01:47:42,373 --> 01:47:47,837
♪ Now here, this way
unfolding ♪

2195
01:47:47,879 --> 01:47:51,048
♪ So clear, we're knowing ♪

2196
01:47:51,090 --> 01:47:53,801
♪ God is here, glowing ♪

2197
01:47:53,843 --> 01:47:57,096
♪ As our name ♪

2198
01:48:01,058 --> 01:48:03,811
♪ All of the sudden
it's a different sunshine ♪

2199
01:48:03,853 --> 01:48:05,354
♪ It's a different being ♪

2200
01:48:05,396 --> 01:48:08,149
♪ It's a different
state of mind ♪

2201
01:48:16,657 --> 01:48:19,160
♪ Growth can change us ♪

2202
01:48:19,202 --> 01:48:22,205
♪ And change can grow us ♪

2203
01:48:23,122 --> 01:48:25,875
♪ New can take us in ♪

2204
01:48:25,917 --> 01:48:27,543
♪ To the beyond♪

2205
01:48:27,585 --> 01:48:29,003
♪ And where ♪

2206
01:48:29,045 --> 01:48:31,797
♪ Suddenly
it's a different place ♪

2207
01:48:31,839 --> 01:48:33,299
♪ It's a different rate ♪

2208
01:48:33,341 --> 01:48:36,385
♪ It's a different
state of feeling ♪

2209
01:48:39,722 --> 01:48:42,683
♪ Oooh ♪