1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:11,674 --> 00:02:13,175 I am an actor who will give 4 00:02:13,217 --> 00:02:15,845 voice to the hole at the center of this film. 5 00:02:19,098 --> 00:02:21,433 Because every film is, in part, 6 00:02:21,475 --> 00:02:22,643 an autobiography. 7 00:02:25,312 --> 00:02:27,314 Because every image has a frame. 8 00:02:29,233 --> 00:02:32,319 And every frame excludes a world beyond its edges. 9 00:02:34,613 --> 00:02:35,531 And yet, 10 00:02:35,573 --> 00:02:37,366 when we understand something, 11 00:02:37,783 --> 00:02:39,368 we still say, 12 00:02:39,410 --> 00:02:40,536 "I see". 13 00:02:57,469 --> 00:02:58,804 - Okay. - Alright, still rolling. 14 00:02:58,846 --> 00:03:01,265 Moving into the experiment phase. 15 00:03:03,934 --> 00:03:05,728 - Alright, rolling cameras. - Rolling. 16 00:03:05,769 --> 00:03:07,563 Alright, let's roll sound. Roll camera. 17 00:03:08,439 --> 00:03:09,899 What's your role? 18 00:03:09,940 --> 00:03:11,859 I want to get this out of the frame. 19 00:03:21,619 --> 00:03:23,454 Rolling, rolling. 20 00:03:23,495 --> 00:03:24,371 Alright, and action. 21 00:03:25,247 --> 00:03:26,457 Okay, hi everyone! 22 00:03:26,498 --> 00:03:28,125 Thank you for coming to participate 23 00:03:28,167 --> 00:03:29,460 in our research study. 24 00:03:32,463 --> 00:03:33,464 Hi. - Hi. 25 00:03:33,756 --> 00:03:35,549 We're a neuroscience research company, 26 00:03:35,591 --> 00:03:37,843 and we're interested primarily in how people 27 00:03:37,885 --> 00:03:39,678 respond to media content. 28 00:03:40,429 --> 00:03:41,347 Okay, 29 00:03:41,388 --> 00:03:43,265 I'm going to get you set up 30 00:03:43,307 --> 00:03:44,892 with these instruments. 31 00:03:45,851 --> 00:03:47,436 We have a bunch of different instruments 32 00:03:47,478 --> 00:03:50,105 that we use to measure those responses. 33 00:03:50,147 --> 00:03:51,607 As you watch the content, 34 00:03:51,649 --> 00:03:52,942 there are sensors-- 35 00:03:52,983 --> 00:03:55,361 so whether it's exciting or amusing... 36 00:03:55,402 --> 00:03:56,862 any of that response, 37 00:03:56,904 --> 00:03:58,822 we'll be able to pick up with these sensors. 38 00:04:01,992 --> 00:04:05,246 On the side... same here. 39 00:04:05,287 --> 00:04:07,623 You continue pushing them back. 40 00:04:07,665 --> 00:04:09,375 Are they sitting okay? - Yeah, yeah. 41 00:04:09,416 --> 00:04:10,501 - How does the headset... - Perfect. 42 00:04:10,542 --> 00:04:11,418 - Perfect? - Yeah, yeah. 43 00:04:11,460 --> 00:04:12,586 - Headset feels good? 44 00:04:12,628 --> 00:04:13,420 Feels great. 45 00:04:13,462 --> 00:04:14,755 Ah wonderful, 46 00:04:14,797 --> 00:04:16,548 and if you can just face me briefly. 47 00:04:17,925 --> 00:04:19,051 Is that comfortable? 48 00:04:19,677 --> 00:04:20,970 Okay, great. 49 00:04:25,724 --> 00:04:28,894 So, we're going to do some calibration exercises. 50 00:04:29,436 --> 00:04:31,730 If you can, just, close your eyes. 51 00:04:34,024 --> 00:04:35,609 Open your eyes. 52 00:04:36,527 --> 00:04:38,195 Close your eyes. 53 00:04:38,612 --> 00:04:40,197 Open your eyes. 54 00:04:41,115 --> 00:04:42,366 Close your eyes. 55 00:04:42,783 --> 00:04:44,410 Keep them closed. 56 00:04:44,785 --> 00:04:46,287 Keep them closed. 57 00:04:46,745 --> 00:04:47,997 Relax. 58 00:04:48,747 --> 00:04:50,374 Keep them closed. 59 00:04:51,542 --> 00:04:53,085 Open your eyes. 60 00:05:16,483 --> 00:05:17,443 Here we go. 61 00:05:20,195 --> 00:05:21,697 Oh, okay, do you want me to stop here? 62 00:05:21,739 --> 00:05:24,199 Maybe like stop right here, and say, "Hey, like, welcome," 63 00:05:24,241 --> 00:05:25,617 Oh, you wanna do the welcome there, okay. 64 00:05:25,659 --> 00:05:27,328 Can you actually step further back? 65 00:05:27,369 --> 00:05:29,163 So like, basically, there's not as much sun. 66 00:05:29,204 --> 00:05:30,164 Okay, that's good, like-- 67 00:05:30,205 --> 00:05:32,458 How's about-- Okay, you tell me. 68 00:05:32,499 --> 00:05:34,460 Yeah, so maybe, like come up, like, right here, 69 00:05:34,501 --> 00:05:35,919 It'll open right here, right? - Yep. 70 00:05:35,961 --> 00:05:37,796 Okay, great. Like, if it opens right here 71 00:05:37,838 --> 00:05:38,922 'cause you're in the shadow, 72 00:05:38,964 --> 00:05:40,090 and we can just keep the exposure 73 00:05:40,132 --> 00:05:41,133 the same right here? 74 00:05:41,175 --> 00:05:42,051 Sure. 75 00:05:42,092 --> 00:05:43,677 And then you go, and then turn. 76 00:05:43,719 --> 00:05:45,387 You do the eye scan, and we follow you from there. 77 00:05:45,429 --> 00:05:45,971 You got it. 78 00:05:51,352 --> 00:05:52,770 Come on in. 79 00:06:01,779 --> 00:06:04,198 Thank you. You have been identified. 80 00:06:21,131 --> 00:06:23,759 Welcome to Axon Headquarters and Manufacturing. 81 00:06:23,801 --> 00:06:25,511 Today we're going to take a look at some of our amazing 82 00:06:25,552 --> 00:06:26,970 Axon and Taser products. 83 00:06:27,012 --> 00:06:28,722 And we're going to take a quick tour of our building. 84 00:06:30,682 --> 00:06:31,433 Hi. 85 00:06:53,789 --> 00:06:56,917 This is the IT area for the entire company. 86 00:06:56,959 --> 00:06:58,794 More conference rooms. 87 00:06:59,211 --> 00:07:01,046 Over here, we've got the accounting side 88 00:07:01,088 --> 00:07:02,381 and the financial side for the office. 89 00:07:02,423 --> 00:07:03,465 So each 90 00:07:03,507 --> 00:07:05,676 area has its own designated department. 91 00:07:06,176 --> 00:07:08,178 As you can see here, we're on one of our first catwalks. 92 00:07:08,220 --> 00:07:10,889 We try to do this, like Star Wars, like Star Trek. 93 00:07:10,931 --> 00:07:13,016 Give this a real high-tech feel. 94 00:07:13,058 --> 00:07:14,560 If you look around here, 95 00:07:14,601 --> 00:07:15,894 there are no secrets here. 96 00:07:15,936 --> 00:07:18,397 I mean, look at, the entire C Suite is open. 97 00:07:18,439 --> 00:07:20,816 I can look right down on what the C Suite's doing. 98 00:07:21,233 --> 00:07:22,776 You know what's going on. 99 00:07:22,818 --> 00:07:24,194 And so transparency 100 00:07:24,236 --> 00:07:26,572 is really good for another thing called candor. 101 00:07:26,864 --> 00:07:29,408 We expect candor here at this building with positive intent. 102 00:07:29,700 --> 00:07:31,660 And when you know what's going on, 103 00:07:31,702 --> 00:07:34,872 It just feels really good when you get that candor 'cause 104 00:07:34,913 --> 00:07:36,457 you do assume the positive intent, 105 00:07:36,498 --> 00:07:37,875 and it makes the company better. 106 00:07:42,379 --> 00:07:44,089 We work our way up to the third floor. 107 00:07:44,548 --> 00:07:46,717 And before we do that, I want to flash over here. 108 00:07:46,758 --> 00:07:48,385 There's a Black Box. 109 00:07:48,427 --> 00:07:49,887 That's what we call it. 110 00:07:50,304 --> 00:07:52,014 And the Black Box is a colloquial term 111 00:07:52,055 --> 00:07:54,057 for R&D, the Research and Development. 112 00:07:54,099 --> 00:07:56,602 They are in a Black Box, because we don't want them 113 00:07:57,060 --> 00:07:59,271 showing their wares, or what they're working on. 114 00:07:59,563 --> 00:08:01,482 So we want them to stay kind of hidden. 115 00:08:01,523 --> 00:08:03,567 At the same time, they're looking at us 116 00:08:03,609 --> 00:08:05,652 and with, sort of like a car with a tinted window, 117 00:08:05,694 --> 00:08:07,571 they can see us, but really can't see-- 118 00:08:07,613 --> 00:08:08,780 them too well. 119 00:08:09,364 --> 00:08:10,616 That really gives that 120 00:08:12,075 --> 00:08:13,076 feel of they're working on something really unique, 121 00:08:13,118 --> 00:08:14,203 powerful, and 122 00:08:14,244 --> 00:08:16,622 not to be showed to the public just yet. 123 00:08:16,914 --> 00:08:18,165 That's the Black Box. 124 00:08:18,207 --> 00:08:20,083 And everybody says they work in a "black box", 125 00:08:20,125 --> 00:08:21,585 but we put them in a real Black Box. 126 00:08:21,627 --> 00:08:23,045 And that's pretty cool, I think. 127 00:09:01,500 --> 00:09:03,043 1874. 128 00:09:03,627 --> 00:09:04,920 The world prepares for 129 00:09:04,962 --> 00:09:06,922 the astronomical event of the century: 130 00:09:07,714 --> 00:09:08,924 the Transit of Venus. 131 00:09:10,676 --> 00:09:12,177 A few times every century, 132 00:09:12,636 --> 00:09:15,597 the orbit of Venus crosses the face of the Sun. 133 00:09:16,181 --> 00:09:19,560 By measuring the time it takes for Venus to make this journey, 134 00:09:19,601 --> 00:09:21,603 astronomers can establish the distance 135 00:09:21,645 --> 00:09:23,105 the planet has traveled. 136 00:09:24,898 --> 00:09:28,151 By comparing transit times from different vantage points, 137 00:09:28,193 --> 00:09:30,112 the distance between the Earth and the Sun 138 00:09:30,153 --> 00:09:32,197 can be calculated through triangulation. 139 00:09:34,700 --> 00:09:37,202 This process is called the solar parallax, 140 00:09:37,619 --> 00:09:39,788 and these calculations are still foundational 141 00:09:39,830 --> 00:09:41,957 for both astronomical maps of the universe 142 00:09:41,999 --> 00:09:43,834 and navigational maps here on Earth. 143 00:09:47,421 --> 00:09:49,339 Any measurement is only as accurate 144 00:09:49,381 --> 00:09:50,841 as the measuring instrument. 145 00:09:52,426 --> 00:09:54,261 Prior to 1874, 146 00:09:54,636 --> 00:09:56,263 astronomers had to rely 147 00:09:56,305 --> 00:09:58,974 on highly trained specialists for their observations. 148 00:10:00,726 --> 00:10:03,353 These specialists activated a timekeeping device 149 00:10:03,395 --> 00:10:04,980 once the Transit began 150 00:10:05,022 --> 00:10:07,107 and stopped the device to mark its end. 151 00:10:08,817 --> 00:10:11,528 But every observer had different reflexes, 152 00:10:11,570 --> 00:10:13,363 resulting in different times, 153 00:10:13,697 --> 00:10:15,490 and thus different calculations. 154 00:10:17,909 --> 00:10:19,578 Another obstacle stood in the way 155 00:10:19,620 --> 00:10:21,163 of accurate observation. 156 00:10:22,581 --> 00:10:25,125 As Venus approached the border of the Sun, 157 00:10:25,167 --> 00:10:27,377 the planet appeared to liquify, 158 00:10:27,419 --> 00:10:29,421 a phenomenon caused by distortions 159 00:10:29,463 --> 00:10:30,922 in the planet's atmosphere 160 00:10:30,964 --> 00:10:33,008 as well as the lens of the telescope. 161 00:10:34,885 --> 00:10:36,887 Astronomers called this phenomenon 162 00:10:37,220 --> 00:10:38,722 the Black Drop effect. 163 00:10:41,683 --> 00:10:44,478 The act of observation obscures the observation. 164 00:10:45,854 --> 00:10:48,523 Where the world meets the image of the world, 165 00:10:48,565 --> 00:10:49,983 the image falls apart. 166 00:10:52,110 --> 00:10:53,403 To scientists, 167 00:10:53,445 --> 00:10:55,614 the Transit provided a unique opportunity 168 00:10:55,656 --> 00:10:57,991 for technology to overcome the limitations 169 00:10:58,033 --> 00:10:59,826 of the imperfect human observer. 170 00:11:02,245 --> 00:11:04,873 But not everyone was convinced of their success. 171 00:11:06,333 --> 00:11:08,418 The philosopher Henri Bergson, 172 00:11:08,460 --> 00:11:09,836 writing on the Transit, 173 00:11:09,878 --> 00:11:12,339 said that any attempt to record a true measurement 174 00:11:12,381 --> 00:11:13,632 was doomed to failure. 175 00:11:14,841 --> 00:11:17,386 Venus, as it appeared to the scientist, 176 00:11:17,427 --> 00:11:19,638 did not reflect the true nature of Venus, 177 00:11:19,971 --> 00:11:22,683 but merely the limitations of human observation. 178 00:11:26,353 --> 00:11:27,938 There is no form, 179 00:11:27,979 --> 00:11:30,941 since form is immobile and reality is movement. 180 00:11:31,566 --> 00:11:34,528 What is real is the continual change of form: 181 00:11:35,362 --> 00:11:37,948 form is only a snapshot view of transition. 182 00:11:59,845 --> 00:12:01,263 We'll talk at the break-- 183 00:12:01,304 --> 00:12:02,806 Thank you so much. - You got it. 184 00:12:03,890 --> 00:12:05,684 - Alright, good morning. - Good morning, sir. 185 00:12:07,227 --> 00:12:08,979 Look at all these-- I see a lot of familiar faces. 186 00:12:09,020 --> 00:12:09,813 It's exciting. 187 00:12:11,356 --> 00:12:12,607 Especially this little guy over here. 188 00:12:13,775 --> 00:12:15,819 Um, I'm Sergeant Robert Corso. 189 00:12:16,111 --> 00:12:18,071 I do the body camera training, um-- 190 00:12:18,989 --> 00:12:20,866 Before we get going today, it's, uh... 191 00:12:20,907 --> 00:12:23,285 a special day. We've got, obviously, a couple cameras 192 00:12:23,702 --> 00:12:25,871 besides the body-worn cameras in the room. 193 00:12:25,912 --> 00:12:28,123 So we're gonna go over three different things 194 00:12:28,165 --> 00:12:30,250 when we talk about the body-worn cameras today. 195 00:12:30,709 --> 00:12:31,460 The first block 196 00:12:31,501 --> 00:12:32,502 is going to be about 197 00:12:32,544 --> 00:12:34,004 the actual operation of the camera. 198 00:12:34,045 --> 00:12:35,255 How this thing functions, 199 00:12:35,297 --> 00:12:37,090 how it works, how you'll use it. 200 00:12:37,716 --> 00:12:38,884 The next thing we're going to go over 201 00:12:38,925 --> 00:12:39,885 is going to be about the website. 202 00:12:40,552 --> 00:12:41,845 How you're going to access it, 203 00:12:41,887 --> 00:12:43,180 how you're going to search for videos, 204 00:12:43,221 --> 00:12:45,056 find videos, play back videos, 205 00:12:45,098 --> 00:12:46,183 things like that. 206 00:12:46,725 --> 00:12:47,976 And the last part of the day 207 00:12:48,393 --> 00:12:49,436 we're gonna talk about policy. 208 00:12:50,061 --> 00:12:50,896 And that's it. 209 00:12:51,229 --> 00:12:52,063 At the end, 210 00:12:52,105 --> 00:12:53,356 You'll get your camera. 211 00:12:53,398 --> 00:12:54,316 You'll get your phone. 212 00:12:55,442 --> 00:12:56,193 You'll learn how to pair them together. 213 00:12:56,234 --> 00:12:57,277 You take a test video. 214 00:12:57,319 --> 00:12:58,320 We'll all do it together. 215 00:12:58,612 --> 00:12:59,738 Learn how to upload it. 216 00:12:59,780 --> 00:13:01,281 And if you haven't already, 217 00:13:01,323 --> 00:13:03,200 we'll even get you registered for the website. 218 00:13:03,241 --> 00:13:04,284 And you'll be good to go. 219 00:13:05,744 --> 00:13:06,703 Alright, any questions before we get started? 220 00:13:46,159 --> 00:13:47,828 We're about to go into our production facility 221 00:13:47,869 --> 00:13:49,788 on the third floor of Axon. 222 00:13:49,830 --> 00:13:51,289 And right now, before we go in there, 223 00:13:51,331 --> 00:13:52,415 you're actually in the viewing room, 224 00:13:52,457 --> 00:13:53,708 because sometimes we don't want people 225 00:13:53,750 --> 00:13:54,459 to get full access to that. 226 00:13:54,835 --> 00:13:56,336 So, now, 227 00:13:56,378 --> 00:13:58,547 what I can do is show you the viewing room aspect of it 228 00:13:58,588 --> 00:13:59,881 in terms of turning it on and off. 229 00:14:22,237 --> 00:14:23,530 This 230 00:14:23,572 --> 00:14:27,033 is where all the activity really is taking place. 231 00:14:27,075 --> 00:14:29,286 It's the nuts and bolts of our company right here. 232 00:14:29,327 --> 00:14:30,996 We actually hand-make 233 00:14:31,037 --> 00:14:32,622 our Axon body cameras 234 00:14:32,664 --> 00:14:34,040 and also our Taser weapons 235 00:14:34,082 --> 00:14:35,917 and some of the accessories that go with it. 236 00:14:35,959 --> 00:14:37,794 So everything is made here 237 00:14:38,211 --> 00:14:38,420 that you wear on the body. 238 00:14:38,753 --> 00:14:40,297 So, 239 00:14:40,338 --> 00:14:42,883 We're going to take a look first at our Axon body cameras, 240 00:14:43,174 --> 00:14:44,759 and we'll, uh, take a gander here. 241 00:15:02,986 --> 00:15:05,113 This is where we make the Axon Body Two. 242 00:15:05,155 --> 00:15:06,489 Now what's different about this 243 00:15:06,531 --> 00:15:08,074 is that the lens is incorporated 244 00:15:08,116 --> 00:15:09,701 in the actual controller aspect of it, 245 00:15:10,118 --> 00:15:11,703 meaning that I can wear this now 246 00:15:11,745 --> 00:15:13,455 and record from my chest 247 00:15:13,496 --> 00:15:14,748 using a magnet mount 248 00:15:14,789 --> 00:15:15,832 anywhere on my body. 249 00:15:17,250 --> 00:15:18,793 Truly a body camera where you mount it to your body. 250 00:15:19,419 --> 00:15:20,754 So here, 251 00:15:21,421 --> 00:15:22,839 we make sure that the camera itself 252 00:15:22,881 --> 00:15:24,382 is focusing properly. 253 00:15:24,758 --> 00:15:26,176 This is where we do a lens check. 254 00:15:26,593 --> 00:15:28,053 Processing quality assurance 255 00:15:28,094 --> 00:15:29,304 along the way. 256 00:15:29,721 --> 00:15:31,514 We need to make sure that they contrast, 257 00:15:31,556 --> 00:15:32,432 see in the dark, 258 00:15:32,474 --> 00:15:33,850 and mimic the human eye. 259 00:15:34,184 --> 00:15:36,519 This is a very unique camera lens 260 00:15:36,561 --> 00:15:38,939 in that, we don't want to not mimic the eye, 261 00:15:38,980 --> 00:15:41,483 because we don't want to be able to see in the dark. 262 00:15:41,942 --> 00:15:43,360 Humans can't see in the dark. 263 00:15:43,401 --> 00:15:44,653 So if we had an incident in which, 264 00:15:44,694 --> 00:15:46,363 somebody drew what looked like a firearm 265 00:15:46,404 --> 00:15:47,322 down a hallway, 266 00:15:47,614 --> 00:15:48,865 we don't want the infrared to show 267 00:15:48,907 --> 00:15:50,825 that it wasn't a gun or it was a gun. 268 00:15:50,867 --> 00:15:52,494 Because the officer doesn't see in infrared. 269 00:15:52,535 --> 00:15:53,828 That can jade a jury. 270 00:15:53,870 --> 00:15:55,914 We want it to mimic what the human eye can see. 271 00:15:56,331 --> 00:15:57,999 If you go beyond that, 272 00:15:58,041 --> 00:15:59,376 now you're gonna see things that 273 00:15:59,417 --> 00:16:00,877 maybe a jury would say, 274 00:16:00,919 --> 00:16:03,129 "Well, the video saw that this was a squirt gun, 275 00:16:03,171 --> 00:16:04,047 not a real gun". 276 00:16:04,381 --> 00:16:06,174 But the officer can't see that. 277 00:16:06,216 --> 00:16:07,133 You want to see what he saw. 278 00:16:07,467 --> 00:16:08,843 So, 279 00:16:08,885 --> 00:16:11,012 we saw some camera companies in the very early stages 280 00:16:11,054 --> 00:16:12,430 that were competing with us using infrared. 281 00:16:12,847 --> 00:16:13,473 Big mistake. 282 00:16:13,515 --> 00:16:14,683 They don't do that, 283 00:16:14,724 --> 00:16:16,559 because you can't go into court like that. 284 00:16:16,601 --> 00:16:17,936 It doesn't mimic the human eye. 285 00:16:18,853 --> 00:16:20,313 There-- 286 00:16:20,355 --> 00:16:22,565 There are things you want to see just like the officer sees 287 00:16:22,607 --> 00:16:23,817 from the officer's perspective. 288 00:16:23,858 --> 00:16:25,402 When it comes to court cases, 289 00:16:25,443 --> 00:16:27,821 what the officer's perspective is key. 290 00:16:28,113 --> 00:16:29,489 And that's always been the case. 291 00:16:29,531 --> 00:16:30,532 So you don't want to give them 292 00:16:30,573 --> 00:16:32,075 something beyond their perspective. 293 00:16:48,466 --> 00:16:49,509 These photos, 294 00:16:49,801 --> 00:16:50,885 from a collection titled 295 00:16:50,927 --> 00:16:52,887 Photographic Atlas of the Sun, 296 00:16:53,805 --> 00:16:55,807 do not credit any human photographer. 297 00:16:57,350 --> 00:16:59,853 The Sun itself is credited with their creation. 298 00:17:02,564 --> 00:17:04,983 The man who assembled these authorless images 299 00:17:05,025 --> 00:17:07,152 was the astronomer Jules Janssen. 300 00:17:08,445 --> 00:17:10,113 In 1871, 301 00:17:10,155 --> 00:17:12,490 with the world preparing for the Transit of Venus, 302 00:17:12,824 --> 00:17:14,826 Jules Janssen unveiled a new invention 303 00:17:14,868 --> 00:17:16,786 that he hoped would address the issues facing 304 00:17:16,828 --> 00:17:18,997 accurate measurement of the solar parallax. 305 00:17:21,624 --> 00:17:23,168 Janssen called his invention 306 00:17:23,209 --> 00:17:24,836 the photographic revolver. 307 00:17:26,337 --> 00:17:27,922 The design of Janssen's revolver 308 00:17:27,964 --> 00:17:30,133 was partly inspired by the Gatling Gun, 309 00:17:30,508 --> 00:17:33,303 a semi-automatic machine gun that was first introduced 310 00:17:33,344 --> 00:17:35,805 on the battlefields of the American Civil War. 311 00:17:37,057 --> 00:17:38,475 The gun's inventor, 312 00:17:38,516 --> 00:17:39,726 Dr. Samuel Gatling, 313 00:17:41,394 --> 00:17:43,396 dreamt his gun would drastically reduce the bloodshed of war. 314 00:17:45,440 --> 00:17:47,901 By replacing human soldiers with automatic machines, 315 00:17:47,942 --> 00:17:49,319 he thought, 316 00:17:49,360 --> 00:17:51,362 fewer soldiers would be needed to fight. 317 00:17:54,324 --> 00:17:57,410 Janssen's revolver applied automation to observation. 318 00:17:59,204 --> 00:18:02,415 The operator loads the camera with a circular plate of film. 319 00:18:03,208 --> 00:18:04,584 When activated, 320 00:18:04,626 --> 00:18:06,753 the plate is exposed at regular intervals. 321 00:18:09,964 --> 00:18:12,967 The human operator is removed from the act of observation. 322 00:18:18,723 --> 00:18:20,058 There are no original plates 323 00:18:20,100 --> 00:18:23,019 of the 1874 transit left in existence. 324 00:18:24,395 --> 00:18:26,147 This sequence, made by Janssen 325 00:18:26,189 --> 00:18:28,525 using a miniature model of Venus and the Sun, 326 00:18:29,067 --> 00:18:30,735 was filmed over 20 years before 327 00:18:30,777 --> 00:18:32,195 the Lumiere Brothers would release 328 00:18:32,237 --> 00:18:34,030 their own version of the movie camera. 329 00:18:36,324 --> 00:18:39,577 Many consider this sequence to be the first movie ever made. 330 00:18:47,043 --> 00:18:48,461 By the time of the transit 331 00:18:48,962 --> 00:18:50,880 62 parties from ten countries 332 00:18:50,922 --> 00:18:53,091 had set out with their own competing instruments, 333 00:18:53,508 --> 00:18:55,260 each vying to become the first country 334 00:18:55,301 --> 00:18:57,303 to calculate the solar parallax. 335 00:18:58,638 --> 00:19:01,808 It was the largest scientific expedition of modern times. 336 00:19:04,811 --> 00:19:06,312 But every single trip, 337 00:19:06,354 --> 00:19:07,730 including Janssen's, 338 00:19:07,772 --> 00:19:09,440 was an absolute failure. 339 00:19:11,359 --> 00:19:14,612 Each instrument had produced its own incompatible data. 340 00:19:15,738 --> 00:19:18,700 Every nation had come up with their own solar parallax. 341 00:19:22,287 --> 00:19:24,080 Astronomers were disappointed. 342 00:19:24,914 --> 00:19:26,499 The military was not. 343 00:19:29,043 --> 00:19:32,005 Techniques of long range targeting pioneered by Janssen 344 00:19:32,046 --> 00:19:33,798 were quickly adapted for the development 345 00:19:33,840 --> 00:19:35,425 of new ballistic technology. 346 00:19:36,968 --> 00:19:38,094 Janssen writes: 347 00:19:39,679 --> 00:19:41,014 "New infantry and especially artillery weapons 348 00:19:41,055 --> 00:19:42,557 can reach the enemy in places 349 00:19:42,599 --> 00:19:44,559 where he is sometimes barely visible." 350 00:19:46,769 --> 00:19:48,354 A cartridge of film is loaded. 351 00:19:49,355 --> 00:19:50,523 The shutter is triggered. 352 00:19:51,441 --> 00:19:52,650 The flash fires. 353 00:19:53,860 --> 00:19:55,069 The camera shoots. 354 00:19:56,112 --> 00:19:57,488 An image is captured. 355 00:19:59,616 --> 00:20:01,492 A common language endures. 356 00:21:17,026 --> 00:21:17,527 Trying to see if I can find somebody. 357 00:21:28,955 --> 00:21:31,916 This is our program we call Eyeview. 358 00:21:32,208 --> 00:21:34,168 It's very similar to Google Earth, 359 00:21:34,210 --> 00:21:36,004 only it's live with Tivo. 360 00:21:36,796 --> 00:21:38,006 Anywhere within it, 361 00:21:38,047 --> 00:21:40,008 the images are updated every second. 362 00:21:40,633 --> 00:21:41,884 We record 363 00:21:42,218 --> 00:21:44,512 large areas of troubled cities 364 00:21:44,971 --> 00:21:47,432 that allows us to go back in time 365 00:21:47,473 --> 00:21:49,726 and we provide an unbiased witness 366 00:21:50,226 --> 00:21:52,603 as to what actually happened on the ground 367 00:21:52,645 --> 00:21:54,105 at those locations. 368 00:21:54,856 --> 00:21:57,483 We take twelve cameras at once. 369 00:21:57,525 --> 00:22:00,361 Our objective is to make it look like one seamless image, 370 00:22:00,403 --> 00:22:02,113 so you can't see the cameras. 371 00:22:02,697 --> 00:22:05,950 But, you know, it's a hard process to do. 372 00:22:13,583 --> 00:22:14,876 Here you can see 373 00:22:14,917 --> 00:22:16,961 we can actually follow this bus. 374 00:22:17,003 --> 00:22:18,671 So here we can go forward in time. 375 00:22:19,172 --> 00:22:20,923 Here we can go backwards in time. 376 00:22:22,216 --> 00:22:24,010 And you can see that the analysts, 377 00:22:24,427 --> 00:22:25,928 they can go to the scene of a crime 378 00:22:25,970 --> 00:22:27,764 and follow these vehicles 379 00:22:28,056 --> 00:22:29,557 from the crime scenes. 380 00:22:30,600 --> 00:22:32,894 This is what a person looks like right here. 381 00:22:34,062 --> 00:22:36,689 That little dot there crossing the sidewalk 382 00:22:37,440 --> 00:22:38,566 is a person. 383 00:22:40,401 --> 00:22:42,320 And we can't tell who they are, 384 00:22:42,612 --> 00:22:43,821 what color they are, 385 00:22:45,365 --> 00:22:46,657 the only reason we know they're not a bush, 386 00:22:46,699 --> 00:22:47,825 is they're walking along the sidewalk. 387 00:22:49,327 --> 00:22:50,703 The only reason we know they're not a dog 388 00:22:50,745 --> 00:22:51,621 is they tend to get into a car and drive. 389 00:24:12,326 --> 00:24:13,286 Alright, 390 00:24:14,829 --> 00:24:15,746 so let's talk about operation of the camera. 391 00:24:17,165 --> 00:24:18,249 How this thing works, how it functions. 392 00:24:19,625 --> 00:24:20,543 How you're going to physically use it, 393 00:24:20,585 --> 00:24:21,794 activate it, deactivate it. 394 00:24:23,421 --> 00:24:24,422 When mounting the camera 395 00:24:24,464 --> 00:24:25,673 to your body, 396 00:24:27,341 --> 00:24:29,427 it's important to just be guided by some general rules, okay? 397 00:24:30,386 --> 00:24:32,096 Maximize the camera coverage. 398 00:24:32,472 --> 00:24:33,306 In other words, 399 00:24:34,599 --> 00:24:36,350 wherever you're mounting this thing to your body, 400 00:24:37,643 --> 00:24:38,853 the overall goal 401 00:24:39,562 --> 00:24:41,022 is to be capturing 402 00:24:41,063 --> 00:24:42,773 whatever you would normally see, 403 00:24:43,524 --> 00:24:44,775 sitting or standing, 404 00:24:45,443 --> 00:24:46,444 facing forward. 405 00:24:47,361 --> 00:24:47,820 Right? 406 00:24:48,738 --> 00:24:49,780 Whatever you would normally see, 407 00:24:49,822 --> 00:24:51,324 sitting or standing, facing forward. 408 00:24:51,741 --> 00:24:54,160 That's the goal to be captured with your camera. 409 00:24:55,203 --> 00:24:56,496 The purpose of this program-- 410 00:24:56,537 --> 00:24:58,164 The purpose of the body camera program 411 00:24:58,873 --> 00:25:00,750 is to record our interactions with the public 412 00:25:01,501 --> 00:25:02,960 when it needs to be, right? 413 00:25:03,336 --> 00:25:04,587 How 'bout this, I'll give you an example. 414 00:25:05,838 --> 00:25:08,049 Maybe you're in a room of the house, 415 00:25:08,090 --> 00:25:10,259 and you've found some evidence. It's under the sofa. 416 00:25:10,885 --> 00:25:11,552 Right? 417 00:25:12,553 --> 00:25:13,763 Where is this camera looking? 418 00:25:15,556 --> 00:25:16,766 It's not looking under the sofa. 419 00:25:17,558 --> 00:25:18,100 It's looking at... 420 00:25:18,726 --> 00:25:19,393 the wall. 421 00:25:20,520 --> 00:25:21,646 Keep that in mind. 422 00:25:21,687 --> 00:25:23,856 You want to document and record 423 00:25:24,357 --> 00:25:26,776 the fact that you have now found and are recovering 424 00:25:27,235 --> 00:25:28,277 that evidence. 425 00:25:29,904 --> 00:25:30,655 And this is one of your best friends to do that. 426 00:25:31,948 --> 00:25:32,990 But if it doesn't see it, 427 00:25:33,991 --> 00:25:35,034 it's not helping you. 428 00:25:36,202 --> 00:25:37,245 Just remember, 429 00:25:37,286 --> 00:25:38,329 your camera, 430 00:25:39,539 --> 00:25:40,581 your mount, 431 00:25:41,207 --> 00:25:42,500 or your hand 432 00:25:43,209 --> 00:25:44,669 and never anywhere else. 433 00:25:46,337 --> 00:25:48,130 The only time this should ever leave your physical 434 00:25:48,923 --> 00:25:49,924 contact 435 00:25:51,717 --> 00:25:53,010 is when it goes on the dock, 436 00:25:53,553 --> 00:25:55,846 or on your charger at home, if you take it home. 437 00:25:57,431 --> 00:25:59,684 Right, this is-- what is this called? 438 00:25:59,725 --> 00:26:01,561 What is this physical-- what is this called? 439 00:26:03,312 --> 00:26:04,564 Body camera. 440 00:26:04,605 --> 00:26:06,482 Right? It's in the title. 441 00:26:06,524 --> 00:26:07,608 It should be on your body, 442 00:26:07,650 --> 00:26:08,651 touching your body 443 00:26:08,693 --> 00:26:09,735 at all times. 444 00:26:30,631 --> 00:26:32,883 The body camera operator both uses 445 00:26:32,925 --> 00:26:34,343 and is part of the camera. 446 00:26:37,722 --> 00:26:39,015 Most of the time, 447 00:26:39,056 --> 00:26:41,183 the camera operator's body isn't seen. 448 00:26:44,228 --> 00:26:45,605 The camera moves, 449 00:26:45,646 --> 00:26:47,440 but we rarely see who moves it. 450 00:26:48,691 --> 00:26:50,151 I like these ones down here. 451 00:26:51,235 --> 00:26:52,653 When the operator speaks, 452 00:26:52,945 --> 00:26:55,031 it narrates the image like a voiceover. 453 00:27:01,746 --> 00:27:03,914 The Axon Body camera's recommended placement 454 00:27:03,956 --> 00:27:05,291 is centered on the chest. 455 00:27:08,794 --> 00:27:11,881 It does not capture the direct field of view of the operator, 456 00:27:11,922 --> 00:27:13,466 but from a slight parallax. 457 00:27:16,177 --> 00:27:18,638 The operator is not seeing for themselves, 458 00:27:18,679 --> 00:27:20,306 but as an extension of the state. 459 00:27:23,726 --> 00:27:24,477 The wide angle of the lens 460 00:27:24,518 --> 00:27:26,103 is meant to capture 461 00:27:26,145 --> 00:27:28,356 as much of the surrounding environment as possible. 462 00:27:30,066 --> 00:27:32,485 But the wide angle also exaggerates motion. 463 00:27:34,111 --> 00:27:35,863 Subjects appear closer than they are, 464 00:27:36,530 --> 00:27:38,032 their movements more severe. 465 00:27:52,963 --> 00:27:53,381 Time, 466 00:27:53,422 --> 00:27:55,091 date, 467 00:27:55,132 --> 00:27:57,593 and file name are imprinted in the upper right corner. 468 00:27:59,470 --> 00:28:01,263 An Axon logo brands the video. 469 00:28:04,809 --> 00:28:07,770 Axon is the literal frame through which an event is seen. 470 00:28:11,315 --> 00:28:12,858 These elements are used to prove 471 00:28:12,900 --> 00:28:14,902 that the image was captured at a certain place, 472 00:28:15,361 --> 00:28:16,362 at a certain time, 473 00:28:17,822 --> 00:28:18,989 and according to a set of standard protocols. 474 00:28:22,535 --> 00:28:24,161 These protocols allow the image 475 00:28:24,203 --> 00:28:26,414 to be admitted into court as evidence. 476 00:28:32,086 --> 00:28:33,754 A neutral witness, 477 00:28:33,796 --> 00:28:36,590 free from the imperfections and bias of human memory. 478 00:28:40,302 --> 00:28:42,138 But a blind spot is exploited. 479 00:28:42,179 --> 00:28:43,472 Just cut back. 480 00:28:43,806 --> 00:28:45,099 The frame of the body camera 481 00:28:45,141 --> 00:28:47,017 erases the officer from its view. 482 00:28:50,771 --> 00:28:53,065 A viewer is placed in the body of the officer, 483 00:28:53,399 --> 00:28:54,817 watching what happened to them, 484 00:28:55,109 --> 00:28:56,402 and not what they did. 485 00:29:00,614 --> 00:29:03,159 The courts view this image as an objective witness, 486 00:29:03,784 --> 00:29:05,161 but the camera is designed 487 00:29:05,202 --> 00:29:07,288 to limit what can be seen by this witness. 488 00:29:12,543 --> 00:29:15,504 There's always a body behind the body camera. 489 00:30:34,959 --> 00:30:36,919 Again, you'll see all our core values here. 490 00:30:37,461 --> 00:30:38,295 Win right. 491 00:30:38,921 --> 00:30:39,713 Own it. 492 00:30:41,090 --> 00:30:42,091 Be obsessed. 493 00:30:42,842 --> 00:30:44,677 Big one for us on the passion side. 494 00:30:45,678 --> 00:30:46,762 Aiming far. 495 00:30:46,804 --> 00:30:47,763 We're not gonna shoot for the moon. 496 00:30:47,805 --> 00:30:49,056 We're gonna shoot for Pluto here. 497 00:30:51,058 --> 00:30:52,101 If you own it, 498 00:30:52,142 --> 00:30:53,269 you don't want to be singular. 499 00:30:53,310 --> 00:30:54,728 You also want to join forces. 500 00:30:54,770 --> 00:30:56,730 So it's kind of a diametrically opposed, 501 00:30:56,772 --> 00:30:59,108 but not diametrically opposed situation. 502 00:30:59,149 --> 00:31:02,152 And the last one is expect candor with positive intent. 503 00:31:02,611 --> 00:31:04,488 We speak pretty frank here at Taser. 504 00:31:10,828 --> 00:31:12,037 We're going to take a look 505 00:31:12,079 --> 00:31:14,790 at the X2 line, for our Taser smart weapons. 506 00:31:15,207 --> 00:31:17,668 A smart weapon is an electronic controlled device. 507 00:31:18,043 --> 00:31:19,628 It's a device that's gonna use electricity 508 00:31:19,670 --> 00:31:21,130 to incapacitate a violent 509 00:31:21,171 --> 00:31:22,590 or dangerous person. 510 00:31:22,631 --> 00:31:24,091 We make that weapon here, 511 00:31:24,550 --> 00:31:26,552 and it's really important to understand that 512 00:31:26,886 --> 00:31:30,055 quality is really important on this side of the line because 513 00:31:30,097 --> 00:31:31,724 an officer's life may depend on it, 514 00:31:32,016 --> 00:31:34,268 and conversely, a suspect's life may depend on it 515 00:31:34,310 --> 00:31:35,603 working properly because 516 00:31:35,644 --> 00:31:36,770 if it doesn't work, 517 00:31:38,230 --> 00:31:39,315 an officer may have to go to a higher level of force, 518 00:31:39,607 --> 00:31:40,983 and that's not good for the suspect, 519 00:31:41,358 --> 00:31:43,110 and certainly, that's not what the officer wants to do. 520 00:31:43,777 --> 00:31:45,070 So let's take a look at how they're made. 521 00:31:54,288 --> 00:31:55,164 - Hi! - Hello. 522 00:31:58,125 --> 00:31:59,793 Oh, just filming right now. 523 00:31:59,835 --> 00:32:00,836 Oh! 524 00:32:02,504 --> 00:32:04,256 A final scan is done here. 525 00:32:04,298 --> 00:32:06,592 It's been used many times, put under stress. 526 00:32:07,092 --> 00:32:08,552 It goes in here for final kitting. 527 00:32:08,969 --> 00:32:10,596 And off this goes, in a box, 528 00:32:11,347 --> 00:32:13,474 and goes off to a law enforcement agency. 529 00:32:14,099 --> 00:32:15,434 Hopefully, it saves someone's life. 530 00:32:18,145 --> 00:32:19,813 Just being aimed at a suspect 531 00:32:19,855 --> 00:32:21,273 is our number one use of force. 532 00:32:22,024 --> 00:32:23,567 It makes you think: 533 00:32:23,609 --> 00:32:25,402 "I'm on the business end of whatever that is, 534 00:32:25,444 --> 00:32:26,737 and if it's a taser weapon, 535 00:32:26,779 --> 00:32:29,073 I really don't want to be shocked by that device." 536 00:32:29,698 --> 00:32:31,450 So to me, it give that standoff, 537 00:32:31,492 --> 00:32:32,910 and you give good verbal commands. 538 00:32:33,535 --> 00:32:35,037 "I'm gonna use a taser on you. 539 00:32:35,079 --> 00:32:36,163 Put your hands down. Put your hands down." 540 00:32:36,205 --> 00:32:37,206 And all the sudden, they see that. 541 00:32:38,040 --> 00:32:39,708 That's a great visual cue 542 00:32:39,750 --> 00:32:41,835 that something bad is about-- is going to happen to you. 543 00:32:46,090 --> 00:32:48,926 Oh, by far and away, the cameras have the same effect. 544 00:32:48,968 --> 00:32:50,636 Look at the effect it's having on me right now. 545 00:32:50,678 --> 00:32:51,762 I dressed up. 546 00:32:51,804 --> 00:32:52,763 I'm more professional. 547 00:32:52,805 --> 00:32:54,431 I'm not cursing right now. Why? 548 00:32:54,723 --> 00:32:56,517 I'm being professional. I know I'm being recorded. 549 00:32:56,892 --> 00:32:59,895 Your cameraman is being very professional too. Why? 550 00:32:59,937 --> 00:33:01,105 He's recording me. 551 00:33:01,146 --> 00:33:02,898 We both have jobs to do. 552 00:33:02,940 --> 00:33:04,191 The officer has a job to do. 553 00:33:04,525 --> 00:33:05,985 He wants the professional-- 554 00:33:06,026 --> 00:33:07,194 So at the end of the day, 555 00:33:07,778 --> 00:33:09,863 the cameras are changing behaviors 556 00:33:09,905 --> 00:33:11,573 just like the weapons, when they're aimed, 557 00:33:12,116 --> 00:33:14,368 can change behavior in a very positive manner. 558 00:33:42,229 --> 00:33:44,565 No photos of the 1874 transit 559 00:33:44,606 --> 00:33:45,899 are left in existence. 560 00:33:47,443 --> 00:33:48,736 But this strange portrait 561 00:33:48,777 --> 00:33:50,654 of a smoking Jules Janssen survives. 562 00:33:54,783 --> 00:33:57,786 The portrait was taken by Étienne Jules Marey, 563 00:33:57,828 --> 00:34:00,789 a French scientist and pioneer of early photography. 564 00:34:02,416 --> 00:34:03,959 Marey invented a new camera 565 00:34:04,001 --> 00:34:06,378 that improved and miniaturized Janssen's design. 566 00:34:08,714 --> 00:34:09,965 He called his invention 567 00:34:10,007 --> 00:34:11,675 the photographic rifle. 568 00:34:14,386 --> 00:34:16,555 It was the first portable movie camera. 569 00:34:20,350 --> 00:34:21,560 With his rifle, 570 00:34:21,602 --> 00:34:23,604 Marey turned his gaze from the stars 571 00:34:23,645 --> 00:34:24,855 to life on Earth. 572 00:34:30,069 --> 00:34:31,445 In the studio, 573 00:34:31,487 --> 00:34:33,363 Marey performed a series of experiments 574 00:34:33,405 --> 00:34:35,199 that studied the mechanics of motion. 575 00:34:40,662 --> 00:34:41,997 To Marey, 576 00:34:42,039 --> 00:34:43,957 these cameras were not just a better eye, 577 00:34:43,999 --> 00:34:45,959 but an entirely new sensory organ, 578 00:34:46,335 --> 00:34:49,296 capable of revealing the invisible patterns of the world. 579 00:34:52,216 --> 00:34:53,675 "Not only are these instruments 580 00:34:53,717 --> 00:34:55,886 sometimes destined to replace the observer, 581 00:34:55,928 --> 00:34:57,513 but they also have their own domain 582 00:34:57,554 --> 00:34:59,098 where nothing can replace them. 583 00:34:59,598 --> 00:35:01,100 When the eye ceases to see, 584 00:35:01,850 --> 00:35:02,976 the ear to hear, 585 00:35:03,811 --> 00:35:04,937 the touch to feel, 586 00:35:06,688 --> 00:35:08,524 or indeed when our senses give deceptive appearances, 587 00:35:09,399 --> 00:35:11,151 these instruments are like new senses 588 00:35:11,193 --> 00:35:12,778 of astonishing precision." 589 00:35:17,157 --> 00:35:19,201 Our senses may lie to us, 590 00:35:19,243 --> 00:35:20,494 machines cannot. 591 00:35:23,205 --> 00:35:26,125 Marey went beyond simply photographing motion. 592 00:35:27,126 --> 00:35:28,752 When motion was captured, 593 00:35:28,794 --> 00:35:31,088 it was automatically converted into data. 594 00:35:33,674 --> 00:35:34,925 Seeing and interpretation 595 00:35:34,967 --> 00:35:36,635 were combined in the same device. 596 00:35:40,305 --> 00:35:41,765 Before these machines, 597 00:35:43,559 --> 00:35:45,602 the world becomes a resource for the extraction of data. 598 00:35:49,022 --> 00:35:49,940 They see. 599 00:35:50,732 --> 00:35:51,775 They measure. 600 00:35:52,484 --> 00:35:53,694 They compute. 601 00:35:55,779 --> 00:35:57,239 As a scientist, 602 00:35:57,281 --> 00:36:00,159 Marey hoped to uncover the natural order of the world. 603 00:36:02,161 --> 00:36:03,912 But his methods actively concealed 604 00:36:03,954 --> 00:36:06,123 the unnatural conditions of this process. 605 00:36:08,792 --> 00:36:11,295 These instruments do not reproduce the world, 606 00:36:11,962 --> 00:36:13,463 they produce new worlds. 607 00:36:20,095 --> 00:36:21,763 His subjects were not in nature, 608 00:36:22,306 --> 00:36:24,600 but in the controlled setting of the studio. 609 00:36:25,893 --> 00:36:28,854 What would these images be without this theatrical set? 610 00:36:30,647 --> 00:36:32,524 Without these specialized instruments? 611 00:36:34,693 --> 00:36:36,278 What do these lines represent 612 00:36:36,320 --> 00:36:38,488 but the restrictions of the subject's movement? 613 00:36:43,535 --> 00:36:45,913 Who gets to frame another as subject? 614 00:36:50,500 --> 00:36:52,294 These motion studies, 615 00:36:52,336 --> 00:36:55,005 taken in Senegal under French colonial rule, 616 00:36:55,297 --> 00:36:57,049 tie Marey's work with another project 617 00:36:57,090 --> 00:36:59,593 of resource extraction and exploitation. 618 00:37:03,639 --> 00:37:05,140 In one sequence, 619 00:37:05,182 --> 00:37:07,809 a group of children walk past Marey's camera. 620 00:37:10,312 --> 00:37:11,855 They pause for a moment, 621 00:37:12,439 --> 00:37:14,316 staring straight into the lens. 622 00:37:18,362 --> 00:37:21,323 Perhaps they stare at the man behind the camera. 623 00:37:39,049 --> 00:37:40,133 Cool. 624 00:37:40,842 --> 00:37:42,177 - Alright, see? - There it is. 625 00:37:42,219 --> 00:37:43,929 Alright, there it is. Alright. 626 00:37:43,971 --> 00:37:45,889 Cool, alright, so let's, uh, 627 00:37:46,682 --> 00:37:47,975 I'll just, um... 628 00:37:48,016 --> 00:37:49,268 I'll just give this to you, I guess, 629 00:37:49,309 --> 00:37:50,602 and then you can bring it over there. 630 00:37:50,644 --> 00:37:51,937 And uh... 631 00:38:30,058 --> 00:38:32,602 Ed is wearing an Axon Body 2 camera. 632 00:38:32,978 --> 00:38:34,813 He's also wearing a Taser X2. 633 00:38:35,105 --> 00:38:37,190 That X2 has Axon signal technology 634 00:38:37,232 --> 00:38:38,900 that will turn that camera on 635 00:38:39,318 --> 00:38:40,944 as soon as he turns the safety on. 636 00:38:56,710 --> 00:38:58,670 Right now, that subject is convulsing. 637 00:38:58,712 --> 00:39:00,547 He went through a five second discharge 638 00:39:00,589 --> 00:39:02,007 from a Taser X2 639 00:39:02,049 --> 00:39:03,884 that hit all these core muscles here. 640 00:39:03,925 --> 00:39:05,844 He split the belt-line which is key. 641 00:39:06,178 --> 00:39:09,348 This person would have been very disconcerted at a minimum 642 00:39:09,389 --> 00:39:12,142 and he would have been not able to do any controlled movements. 643 00:39:12,184 --> 00:39:13,727 He would have fallen down on the ground. 644 00:39:13,769 --> 00:39:14,936 I didn't get here in time, 645 00:39:14,978 --> 00:39:17,022 so go ahead and engage him one more time. 646 00:39:19,149 --> 00:39:20,859 He has the ability to reengage this 647 00:39:20,901 --> 00:39:22,444 since this person is still plugged in. 648 00:39:23,153 --> 00:39:24,237 On that second application, 649 00:39:24,613 --> 00:39:26,073 he's complied. 650 00:39:26,114 --> 00:39:28,533 We can now say that this person is completely controlled. 651 00:39:28,825 --> 00:39:30,619 I can now remove the probes. 652 00:39:30,911 --> 00:39:32,412 I simply take out the probes, 653 00:39:32,788 --> 00:39:33,997 and you can take a look at what these probes 654 00:39:34,039 --> 00:39:34,956 look like up close. 655 00:39:35,707 --> 00:39:37,167 What we need that probe to do is 656 00:39:37,209 --> 00:39:39,252 either stick to clothing or skin. 657 00:39:39,294 --> 00:39:40,837 We need both of them on there 658 00:39:40,879 --> 00:39:42,047 to complete that circuit. 659 00:39:42,422 --> 00:39:43,757 If you take a look down on the ground, 660 00:39:43,799 --> 00:39:44,716 you'll also see 661 00:39:45,133 --> 00:39:47,052 that it's also displaced or dispersed 662 00:39:47,469 --> 00:39:48,845 multiple pieces of confetti 663 00:39:48,887 --> 00:39:51,556 called anti-felon identification confetti. 664 00:39:51,598 --> 00:39:52,766 It has serialized confetti 665 00:39:52,808 --> 00:39:54,768 that will match back to that specific 666 00:39:54,810 --> 00:39:56,895 cartridge right there that Ed just fired. 667 00:39:57,854 --> 00:39:59,815 We can now upload that camera evidence 668 00:40:00,232 --> 00:40:01,608 up to Evidence.com 669 00:40:01,650 --> 00:40:03,860 to see what exactly happened from his perspective. 670 00:40:05,028 --> 00:40:07,447 Great. Freeze. I'm gonna track out for a second 671 00:40:07,489 --> 00:40:09,449 to give us more tail on the end. 672 00:40:11,868 --> 00:40:16,665 One, two, three, four, five, 673 00:40:16,706 --> 00:40:17,791 - Cut. - Okay. 674 00:40:19,418 --> 00:40:21,002 Okay, so the video you recorded 675 00:40:21,044 --> 00:40:22,504 has been uploaded to Evidence.com. 676 00:40:22,546 --> 00:40:23,964 Now we'll go ahead to our player screen. 677 00:40:24,005 --> 00:40:25,257 And press play. 678 00:40:34,057 --> 00:40:35,725 The camera records an image of an event. 679 00:40:37,144 --> 00:40:39,271 But the image does not speak for itself. 680 00:40:43,150 --> 00:40:44,985 To be considered in a court of law, 681 00:40:45,444 --> 00:40:47,863 any piece of evidence must be both authentic 682 00:40:47,904 --> 00:40:49,322 and relevant to the case. 683 00:40:49,364 --> 00:40:50,907 He's complied. 684 00:40:51,741 --> 00:40:53,410 This person is completely controlled. 685 00:40:54,119 --> 00:40:55,829 When admitting evidence, 686 00:40:55,871 --> 00:40:58,665 any lawyer must establish that these requirements are met. 687 00:41:01,376 --> 00:41:04,337 Axon's software automates much of this process. 688 00:41:06,214 --> 00:41:07,841 When an officer docks their camera 689 00:41:07,883 --> 00:41:09,176 at the end of a shift, 690 00:41:09,468 --> 00:41:10,969 the image is automatically saved 691 00:41:11,011 --> 00:41:12,929 and uploaded to Evidence.com. 692 00:41:14,181 --> 00:41:14,598 Date, 693 00:41:14,639 --> 00:41:16,308 time, 694 00:41:16,349 --> 00:41:19,102 and device number are saved alongside the video file. 695 00:41:21,229 --> 00:41:23,607 The metadata proves that the camera was actually there 696 00:41:23,648 --> 00:41:25,150 at the event in question. 697 00:41:29,404 --> 00:41:30,655 Everytime a clip is opened, 698 00:41:31,198 --> 00:41:32,073 shared, 699 00:41:32,115 --> 00:41:33,742 or modified in any way, 700 00:41:34,326 --> 00:41:37,245 the software generates a note alongside the video file 701 00:41:37,287 --> 00:41:39,164 indicating who accessed the video, 702 00:41:39,623 --> 00:41:40,832 when they did, 703 00:41:40,874 --> 00:41:42,167 and what they did with it. 704 00:41:44,169 --> 00:41:46,004 This audit trail is presented in court 705 00:41:46,046 --> 00:41:48,423 as proof that the evidence has not been tampered with. 706 00:41:52,886 --> 00:41:55,347 But the body camera footage serves another purpose, 707 00:41:56,056 --> 00:41:57,849 as a memory aid for the officer. 708 00:42:01,603 --> 00:42:03,188 After a use of force incident, 709 00:42:04,231 --> 00:42:06,316 most police departments in the United States 710 00:42:06,358 --> 00:42:08,026 allow officers to review footage 711 00:42:08,068 --> 00:42:09,653 before making a sworn statement. 712 00:42:13,865 --> 00:42:15,492 An opportunity arises. 713 00:42:17,577 --> 00:42:19,287 After watching the video, 714 00:42:19,329 --> 00:42:20,997 the officer may align their statement 715 00:42:21,039 --> 00:42:22,666 with available video evidence. 716 00:42:25,544 --> 00:42:27,671 These tools do not reproduce an event. 717 00:42:28,338 --> 00:42:30,006 They produce a narrative of events 718 00:42:30,048 --> 00:42:31,675 that can be used to retroactively 719 00:42:31,716 --> 00:42:33,426 justify a use of force. 720 00:42:40,308 --> 00:42:41,851 Oh, it's all AI. Yeah. 721 00:42:42,352 --> 00:42:43,645 The way this software is gonna learn 722 00:42:43,937 --> 00:42:45,564 and it's gonna go ahead and automate what 723 00:42:45,605 --> 00:42:47,899 takes us, you know, some manual labor today. 724 00:43:47,917 --> 00:43:50,086 Photography has been used by the justice system 725 00:43:50,128 --> 00:43:53,089 since the 1840s to document detained people. 726 00:43:54,716 --> 00:43:57,010 But photographs without a classification system 727 00:43:57,052 --> 00:43:58,803 were useless for police departments. 728 00:44:01,306 --> 00:44:03,266 A young police department administrator, 729 00:44:03,808 --> 00:44:05,101 Alphonse Bertillon, 730 00:44:05,393 --> 00:44:07,145 wrote a letter to the Paris police daily 731 00:44:07,187 --> 00:44:08,563 describing the problem: 732 00:44:10,023 --> 00:44:11,941 "If an individual already condemned 733 00:44:11,983 --> 00:44:14,736 under the name of Pierre claims that his name is Paul 734 00:44:14,778 --> 00:44:16,488 and that it's his first offense, 735 00:44:16,529 --> 00:44:18,490 how can one even suspect a lie? 736 00:44:18,865 --> 00:44:20,075 How can one prove it?" 737 00:44:22,619 --> 00:44:23,995 In 1879, 738 00:44:24,663 --> 00:44:26,748 Bertillon introduced a system where 739 00:44:26,790 --> 00:44:27,957 upon arrest, 740 00:44:27,999 --> 00:44:29,501 a person would be photographed 741 00:44:29,542 --> 00:44:31,711 and subjected to a series of 11 measurements. 742 00:44:33,296 --> 00:44:35,382 These measurements were written onto index cards 743 00:44:35,423 --> 00:44:36,883 alongside their portrait. 744 00:44:38,301 --> 00:44:40,053 Bertillon called his images 745 00:44:40,095 --> 00:44:41,304 "talking portraits". 746 00:44:42,722 --> 00:44:44,557 If the image cannot speak for itself, 747 00:44:45,016 --> 00:44:46,851 Bertillon hoped that the measurements could. 748 00:44:50,855 --> 00:44:52,899 Bertillon wrote a manual that standardized 749 00:44:52,941 --> 00:44:54,901 the methods for taking these measurements. 750 00:44:57,445 --> 00:44:59,739 The diagrams depict a delicate choreography 751 00:44:59,781 --> 00:45:01,116 between police officer, 752 00:45:01,825 --> 00:45:02,909 detained person, 753 00:45:03,368 --> 00:45:04,786 and scientific instrument. 754 00:45:07,997 --> 00:45:09,541 Everyone is well dressed, 755 00:45:09,916 --> 00:45:11,292 fully compliant. 756 00:45:13,712 --> 00:45:15,004 In some, 757 00:45:15,046 --> 00:45:16,673 there is the faint trace of a smile. 758 00:45:21,386 --> 00:45:22,429 In one example, 759 00:45:23,805 --> 00:45:25,056 Bertillon poses as a criminal subject 760 00:45:25,098 --> 00:45:26,683 within his own system. 761 00:45:27,976 --> 00:45:31,020 His image takes up relatively little space on the card. 762 00:45:33,314 --> 00:45:34,733 Within Bertillon's system, 763 00:45:35,316 --> 00:45:37,569 a person's data supersedes their image. 764 00:45:38,903 --> 00:45:41,865 The human body is fractured into an array of features. 765 00:45:42,866 --> 00:45:45,034 Data is extracted and organized. 766 00:45:46,453 --> 00:45:48,455 A new human subject is assembled, 767 00:45:48,830 --> 00:45:51,040 one that's legible as a criminal to the state. 768 00:45:53,668 --> 00:45:54,711 Bertillon writes: 769 00:45:55,754 --> 00:45:56,963 "In a word, 770 00:45:57,005 --> 00:45:59,007 to fix the human personality, 771 00:45:59,549 --> 00:46:01,634 to give each human being an identity, 772 00:46:02,177 --> 00:46:03,720 an individuality, 773 00:46:04,387 --> 00:46:05,013 certain, 774 00:46:05,638 --> 00:46:06,431 durable, 775 00:46:06,473 --> 00:46:07,515 invariable, 776 00:46:07,849 --> 00:46:09,350 always recognizable, 777 00:46:10,143 --> 00:46:12,395 and always capable of being proven." 778 00:46:14,856 --> 00:46:17,734 Police departments worldwide adopted his methods. 779 00:46:18,943 --> 00:46:20,862 Bertillon himself toured the world 780 00:46:20,904 --> 00:46:23,323 giving courses in "ocular education". 781 00:46:24,908 --> 00:46:26,868 On entering one of his classrooms, 782 00:46:27,243 --> 00:46:29,954 it was said that students were met with a large poster 783 00:46:29,996 --> 00:46:32,540 displaying one of Bertillon's favorite sayings: 784 00:46:34,209 --> 00:46:37,629 "The eye only sees in each thing that for which it looks, 785 00:46:38,087 --> 00:46:41,466 and it only looks for that of which it already has an idea." 786 00:46:49,974 --> 00:46:51,142 The camera that we have, 787 00:46:52,560 --> 00:46:54,020 the Axon Body 2, 788 00:46:55,688 --> 00:46:57,357 it's the second generation camera designed by Axon. 789 00:46:58,650 --> 00:46:59,901 Features include: 790 00:46:59,943 --> 00:47:00,860 a lens, 791 00:47:01,277 --> 00:47:01,861 right? 792 00:47:03,071 --> 00:47:04,364 All cameras do. It's how they record video. 793 00:47:05,073 --> 00:47:06,282 This camera, 794 00:47:06,324 --> 00:47:08,576 in particular, records in HD. 795 00:47:09,410 --> 00:47:11,329 142 degree viewing angle. 796 00:47:11,746 --> 00:47:13,623 So if I were to wear this camera up here, 797 00:47:13,665 --> 00:47:15,083 stand right here in the front of the class, 798 00:47:15,124 --> 00:47:17,627 I would definitely see all you guys no problem. 799 00:47:18,127 --> 00:47:19,712 Does a good job at capturing a wide angle 800 00:47:19,754 --> 00:47:21,089 without distorting the video. 801 00:47:22,924 --> 00:47:23,925 Microphone, 802 00:47:24,592 --> 00:47:25,552 it's how it records audio. 803 00:47:26,177 --> 00:47:27,136 Simple enough. 804 00:47:28,012 --> 00:47:29,597 Standby switch at the top. 805 00:47:30,557 --> 00:47:31,182 This is important. 806 00:47:32,600 --> 00:47:34,561 Think of the standby switch like a light switch. 807 00:47:34,978 --> 00:47:36,020 When it's off, 808 00:47:36,521 --> 00:47:37,981 and you don't see that red sticker, 809 00:47:38,773 --> 00:47:39,774 it's off. 810 00:47:40,400 --> 00:47:41,442 All the way off. 811 00:47:42,110 --> 00:47:43,027 When it's on, 812 00:47:43,987 --> 00:47:45,363 and you do see a red sticker, 813 00:47:45,905 --> 00:47:48,324 there are two different operating modes. 814 00:47:48,950 --> 00:47:50,660 Alright, there's standby mode 815 00:47:50,702 --> 00:47:52,120 which you'll be in most of the time, 816 00:47:52,829 --> 00:47:54,122 and then there's recording mode. 817 00:47:55,498 --> 00:47:57,333 When you are in standby mode 818 00:47:57,375 --> 00:48:00,336 you have not activated this camera to take a recording. 819 00:48:00,670 --> 00:48:02,088 Technically, it's always recording, 820 00:48:02,463 --> 00:48:04,257 but only video, no sound. 821 00:48:04,799 --> 00:48:05,842 Now, 822 00:48:07,260 --> 00:48:09,095 the only time it's going to save that information 823 00:48:09,137 --> 00:48:10,763 is if you hit the button 824 00:48:11,180 --> 00:48:14,100 to take a video yourself manually. 825 00:48:14,726 --> 00:48:17,103 Once you activate this to take a recording, 826 00:48:17,145 --> 00:48:19,522 that thirty seconds that it's always been saving 827 00:48:19,564 --> 00:48:20,815 will automatically be added 828 00:48:20,857 --> 00:48:22,692 to the beginning of your video for you. 829 00:48:22,734 --> 00:48:23,985 And I'm going to show you why. 830 00:48:25,153 --> 00:48:27,071 Thirty seconds is a long time. 831 00:48:28,072 --> 00:48:29,782 We're gonna go thirty seconds right now. 832 00:48:29,824 --> 00:48:30,658 You ready? 833 00:48:30,950 --> 00:48:31,951 Everyone be quiet. 834 00:48:53,431 --> 00:48:54,515 Not even halfway there. 835 00:49:10,698 --> 00:49:11,699 Thirty seconds. 836 00:49:13,159 --> 00:49:14,118 That was thirty seconds. 837 00:49:14,160 --> 00:49:15,870 A lot can happen in thirty seconds. 838 00:49:16,287 --> 00:49:16,871 A lot. 839 00:49:16,913 --> 00:49:18,373 And it does. 840 00:49:18,414 --> 00:49:20,500 But think about it this way, once it happens, 841 00:49:21,292 --> 00:49:23,503 having the ability to essentially go back 842 00:49:23,544 --> 00:49:24,963 and grab that information 843 00:49:25,004 --> 00:49:26,923 simply by hitting the button on your camera, 844 00:49:27,840 --> 00:49:29,592 because of something sudden that happened, 845 00:49:29,634 --> 00:49:30,843 that you didn't know. 846 00:49:30,885 --> 00:49:32,011 You know, you didn't know in advance 847 00:49:32,053 --> 00:49:33,763 that a crime was gonna take place 848 00:49:33,805 --> 00:49:34,889 or that somebody was gonna 849 00:49:34,931 --> 00:49:36,099 assault you, 850 00:49:36,140 --> 00:49:36,808 or something like that. 851 00:49:36,849 --> 00:49:38,059 Being able to go back 852 00:49:38,101 --> 00:49:40,603 and essentially grab that last thirty seconds, 853 00:49:41,312 --> 00:49:42,021 that's huge. 854 00:49:42,063 --> 00:49:43,189 That's big for us. 855 00:49:43,231 --> 00:49:44,232 As you can see here. 856 00:49:44,691 --> 00:49:45,483 Huge. 857 00:49:47,527 --> 00:49:48,861 So, 858 00:49:48,903 --> 00:49:50,530 imagine if we did not have that feature. 859 00:49:51,406 --> 00:49:52,240 Imagine if it just, 860 00:49:52,281 --> 00:49:53,658 the video started when 861 00:49:53,700 --> 00:49:55,410 you pressed the button on the camera, right? 862 00:49:56,619 --> 00:49:58,037 Still we would have video. 863 00:49:58,871 --> 00:50:00,665 It wouldn't be nearly as helpful though 864 00:50:00,707 --> 00:50:01,916 as the video we have. 865 00:50:02,458 --> 00:50:04,377 See, see from here, if-- 866 00:50:04,877 --> 00:50:06,671 if it started where you press the button, 867 00:50:07,463 --> 00:50:09,048 and it didn't have that buffer. 868 00:50:09,090 --> 00:50:10,842 This is why that buffer is a huge feature for us. 869 00:50:10,883 --> 00:50:12,010 That's huge. 870 00:50:12,051 --> 00:50:13,177 Watch what you would see. 871 00:50:15,972 --> 00:50:18,558 We are 31! Shots fired! Shots fired! 872 00:50:20,893 --> 00:50:22,353 Okay, so we see a suspect. 873 00:50:22,395 --> 00:50:23,855 We see a weapon, right? 874 00:50:24,522 --> 00:50:26,149 We don't get to see him running through the neighborhood 875 00:50:26,190 --> 00:50:27,650 We don't get to see him carrying the gun. 876 00:50:27,692 --> 00:50:29,110 Definitely don't get to see him turn around 877 00:50:29,152 --> 00:50:30,653 and point it at the police officer. 878 00:50:31,529 --> 00:50:33,364 Not nearly as helpful 879 00:50:33,781 --> 00:50:36,284 as having that thirty second buffer. 880 00:50:36,325 --> 00:50:37,952 Still better than no video. 881 00:50:37,994 --> 00:50:40,163 It definitely adds a layer of evidence to our cases. 882 00:50:40,455 --> 00:50:42,999 But not nearly as helpful as having that thirty second-- 883 00:52:19,303 --> 00:52:20,179 I think that's good. Let's see what it looks like 884 00:52:20,221 --> 00:52:21,430 in a take, 885 00:52:21,472 --> 00:52:22,598 and then we can make an adjustment. 886 00:52:22,640 --> 00:52:23,891 And we'll do that actual layers. 887 00:52:23,933 --> 00:52:25,852 So the shot is that, uh, 888 00:52:26,185 --> 00:52:27,645 we'll be very tight on your face 889 00:52:27,687 --> 00:52:28,896 and we'll zoom out 890 00:52:28,938 --> 00:52:30,022 while you're watching the footage. 891 00:52:30,064 --> 00:52:31,983 Just like very neutral, just watching. 892 00:52:32,441 --> 00:52:33,609 And we pan over 893 00:52:34,026 --> 00:52:35,570 and all this stuff is floating 894 00:52:35,611 --> 00:52:36,946 and it's just gonna start flowing around you. 895 00:52:36,988 --> 00:52:38,072 - Okay. Just watching it-- - And that's-- 896 00:52:38,114 --> 00:52:39,615 You're just watching-- 897 00:52:40,032 --> 00:52:42,076 You're just-- you don't even see this. 898 00:52:42,118 --> 00:52:43,911 You don't see the entire film crew. 899 00:52:43,953 --> 00:52:45,580 - Okay. - Right here and-- 900 00:52:45,621 --> 00:52:46,330 Yeah. 901 00:52:48,791 --> 00:52:50,877 Alright, let's, uh, reset to one. 902 00:52:51,586 --> 00:52:54,589 Let's have the string pullers standing by. 903 00:52:54,630 --> 00:52:56,257 you're good-- 904 00:53:00,344 --> 00:53:02,930 The analyst will actually go in and track the car 905 00:53:03,389 --> 00:53:04,849 second by second. 906 00:53:05,224 --> 00:53:07,185 And it's a little bit like a video game 907 00:53:07,226 --> 00:53:08,102 where you 908 00:53:08,144 --> 00:53:09,395 click on the car 909 00:53:09,770 --> 00:53:11,063 as if you're-- 910 00:53:11,105 --> 00:53:12,481 I don't want to say shooting at it, 911 00:53:12,523 --> 00:53:13,983 'cause that gives you the wrong indication, 912 00:53:14,692 --> 00:53:16,694 but I think this is just an interesting way 913 00:53:16,736 --> 00:53:17,737 of looking at it. 914 00:53:21,991 --> 00:53:25,703 I think it's more of the "God's Eye View" in essence. 915 00:53:26,287 --> 00:53:29,081 Where you're getting an opportunity to look down on 916 00:53:29,123 --> 00:53:30,833 huge areas of a city. 917 00:53:31,417 --> 00:53:33,628 We can't reach out and touch anybody, 918 00:53:33,920 --> 00:53:36,130 but we can see what occurred 919 00:53:36,464 --> 00:53:37,924 on the city streets. 920 00:53:43,930 --> 00:53:44,764 Um... 921 00:53:46,599 --> 00:53:48,935 I believe God sees everything. 922 00:53:49,977 --> 00:53:52,313 And that he not only sees 923 00:53:52,355 --> 00:53:53,898 where you are 924 00:53:53,940 --> 00:53:56,484 but also what you're doing 925 00:53:58,903 --> 00:54:01,864 and we see very very small parts 926 00:54:02,573 --> 00:54:04,450 of what I believe God sees. 927 00:54:11,540 --> 00:54:13,501 Uh... yes. 928 00:54:15,711 --> 00:54:16,504 I can do that. 929 00:54:18,130 --> 00:54:20,424 Well, it's one keystroke for me. 930 00:54:23,177 --> 00:54:24,470 Backwards in time. 931 00:54:46,200 --> 00:54:47,326 1908. 932 00:54:48,703 --> 00:54:49,870 A photograph captures an airborne view 933 00:54:49,912 --> 00:54:51,163 of Kronberg, Germany. 934 00:54:53,124 --> 00:54:55,876 The wings of a pigeon poke in from beyond the frame. 935 00:54:57,753 --> 00:55:00,131 Another photo in the series captures a man, 936 00:55:00,589 --> 00:55:02,091 Dr. Julius Neubronner, 937 00:55:02,133 --> 00:55:03,634 on a roof with his assistant. 938 00:55:05,845 --> 00:55:08,014 Neubronner was the son of a pharmacist. 939 00:55:09,307 --> 00:55:10,683 His father had trained pigeons 940 00:55:10,725 --> 00:55:12,977 to fly prescriptions to distant patients 941 00:55:14,520 --> 00:55:17,064 The younger Neubronner engineered a different payload: 942 00:55:18,107 --> 00:55:21,319 a lightweight camera containing an automated shutter mechanism. 943 00:55:25,698 --> 00:55:28,909 A released pigeon will always fly straight back to its roost. 944 00:55:30,745 --> 00:55:32,455 Attached to the pigeon's chest, 945 00:55:32,747 --> 00:55:34,040 Neubronner's camera created 946 00:55:34,081 --> 00:55:35,958 a photographic record of their flight. 947 00:55:39,754 --> 00:55:41,380 The pigeon is both part of 948 00:55:41,422 --> 00:55:43,007 and operator of the camera. 949 00:55:45,760 --> 00:55:48,721 The human gaze is outsourced to another living species, 950 00:55:49,597 --> 00:55:52,725 providing unmanned aerial surveillance of the world below. 951 00:55:56,354 --> 00:55:58,064 Neubronner's invention did not escape 952 00:55:58,105 --> 00:56:00,024 the attention of the German military. 953 00:56:01,776 --> 00:56:03,444 Balloons were too slow and obvious 954 00:56:03,486 --> 00:56:04,945 for aerial surveillance. 955 00:56:05,529 --> 00:56:07,073 Early planes were too loud. 956 00:56:08,616 --> 00:56:10,576 Pigeons represented a silent, 957 00:56:10,618 --> 00:56:12,203 nearly invisible means of gaining 958 00:56:12,244 --> 00:56:13,954 valuable information by air. 959 00:56:15,748 --> 00:56:17,333 As Europe marched towards war, 960 00:56:17,792 --> 00:56:19,543 the birds were trained for combat. 961 00:56:23,047 --> 00:56:25,174 But the pigeons did not make good soldiers. 962 00:56:26,634 --> 00:56:29,053 Because pigeons will only fly in straight lines, 963 00:56:29,678 --> 00:56:32,723 the pigeons had to be released deep within enemy territory, 964 00:56:33,224 --> 00:56:35,017 something that was nearly impossible 965 00:56:35,059 --> 00:56:37,645 during the bloody trench warfare of World War One. 966 00:56:40,314 --> 00:56:42,483 These borders present no such obstacle 967 00:56:42,525 --> 00:56:44,151 for today's combat drones. 968 00:56:48,155 --> 00:56:50,658 In Neubronner's diary, we encounter a dream: 969 00:56:52,326 --> 00:56:55,287 "A dream last night where I was flying over Kronberg. 970 00:56:56,414 --> 00:56:57,998 At some point in my journey, 971 00:56:58,040 --> 00:57:00,334 I looked down to see a man on top of a roof. 972 00:57:01,627 --> 00:57:02,962 On closer inspection 973 00:57:03,337 --> 00:57:05,131 I saw that it was not a man, 974 00:57:05,172 --> 00:57:06,507 but one of my pigeons. 975 00:57:08,050 --> 00:57:09,718 A great vertigo overcame me. 976 00:57:10,511 --> 00:57:13,097 I didn't know who was flying and who was standing still. 977 00:57:14,348 --> 00:57:16,809 I realized that we must be orbiting each other, 978 00:57:16,851 --> 00:57:19,186 tethered by the mutual gravity of our gaze. 979 00:57:34,160 --> 00:57:36,495 Alright guys, let's keep it rolling with policy. 980 00:57:38,581 --> 00:57:41,542 So let's talk about the purpose of the body camera program. 981 00:57:41,876 --> 00:57:43,502 There are four main points, 982 00:57:44,295 --> 00:57:45,171 four main points: 983 00:57:45,796 --> 00:57:46,964 professionalism, 984 00:57:48,174 --> 00:57:49,258 transparency, 985 00:57:50,092 --> 00:57:51,177 evidence collection, 986 00:57:51,927 --> 00:57:53,012 and accountability. 987 00:57:53,053 --> 00:57:53,929 Right? 988 00:57:53,971 --> 00:57:55,014 Correct. 989 00:57:55,055 --> 00:57:56,724 When they talk about professionalism, 990 00:57:57,516 --> 00:57:58,184 what do they mean? 991 00:58:00,644 --> 00:58:01,937 It means the cameras are going to document 992 00:58:01,979 --> 00:58:02,980 all of our actions. 993 00:58:03,272 --> 00:58:03,814 Right? 994 00:58:05,274 --> 00:58:07,026 Actions can be reviewed by a supervisor. 995 00:58:07,067 --> 00:58:08,486 They can be reviewed by Internal-- 996 00:58:08,527 --> 00:58:09,445 Listen up, guys. 997 00:58:13,449 --> 00:58:14,700 The point is to ensure that 998 00:58:14,742 --> 00:58:16,785 everyone is acting in a professional manner 999 00:58:17,411 --> 00:58:18,162 as always. 1000 00:58:19,997 --> 00:58:20,831 Accountability. 1001 00:58:21,707 --> 00:58:22,541 Definitely for us. 1002 00:58:23,292 --> 00:58:24,293 We wear the camera. 1003 00:58:24,710 --> 00:58:26,504 Right? Everything we do is on camera. 1004 00:58:28,214 --> 00:58:30,132 Everyone's actions are caught on camera though, 1005 00:58:30,174 --> 00:58:32,134 so not only is it accountability for us, 1006 00:58:33,052 --> 00:58:35,012 but it's accountability for those that we deal with. 1007 00:58:35,846 --> 00:58:36,472 Right? 1008 00:58:37,598 --> 00:58:38,807 Definitely. Definitely. 1009 00:58:40,392 --> 00:58:41,185 I'm going to show you guys an example of that. 1010 00:58:46,857 --> 00:58:47,566 Is this a shooting? 1011 00:58:48,192 --> 00:58:48,651 Yeah. 1012 00:58:49,401 --> 00:58:49,985 You wanna pause. 1013 00:59:00,913 --> 00:59:01,330 Good to go. 1014 00:59:15,844 --> 00:59:17,471 Alright. 1015 00:59:36,740 --> 00:59:37,366 No. 1016 00:59:42,871 --> 00:59:44,498 He just said drop something on Wilkerson? 1017 00:59:49,837 --> 00:59:51,463 Alright. 1018 00:59:51,505 --> 00:59:53,674 Why don't they show this so the public can see 1019 00:59:53,716 --> 00:59:55,259 what we film can be bull crap. 1020 00:59:59,388 --> 01:00:01,348 Internal-- IDs should be watching this. 1021 01:00:01,390 --> 01:00:02,391 We show a lot of things. 1022 01:00:02,433 --> 01:00:03,726 And the ID has watched this. 1023 01:00:03,767 --> 01:00:05,811 - Well I hope they watch-- - This individual... 1024 01:00:06,145 --> 01:00:07,146 after his arrest 1025 01:00:07,438 --> 01:00:08,981 Well first, let's back up. 1026 01:00:09,023 --> 01:00:09,898 What do we have here? We have a foot pursuit, right? 1027 01:00:09,940 --> 01:00:11,483 Mhm. 1028 01:00:11,525 --> 01:00:12,860 And what happens at the end of the foot pursuit? 1029 01:00:14,486 --> 01:00:16,030 - He falls. - Who's watching? What happen-- 1030 01:00:16,071 --> 01:00:17,531 What happened to this gentleman at the end of the video? 1031 01:00:17,573 --> 01:00:19,283 Let me tell you what happened to him. 1032 01:00:21,160 --> 01:00:22,828 I didn't like the fact that the way 1033 01:00:22,870 --> 01:00:24,747 he was pulling something out 1034 01:00:24,788 --> 01:00:25,789 from his waistband. 1035 01:00:25,831 --> 01:00:26,624 He knew it was just his phone. 1036 01:00:27,166 --> 01:00:28,751 Yeah. 1037 01:00:28,792 --> 01:00:30,502 - The recording-- - Well yeah, you know what-- 1038 01:00:30,544 --> 01:00:31,503 You see him reaching all over the place. 1039 01:00:31,545 --> 01:00:32,921 Yeah, that there. 1040 01:00:32,963 --> 01:00:33,839 Even before all that, what happened? 1041 01:00:33,881 --> 01:00:35,049 What happened right here? 1042 01:00:35,090 --> 01:00:36,300 It looked like he needed to head-- 1043 01:00:36,342 --> 01:00:37,676 - He fell. - He f-- 1044 01:00:37,718 --> 01:00:38,802 Well, we get the sound... 1045 01:00:38,844 --> 01:00:39,386 He's tripping. 1046 01:00:40,304 --> 01:00:41,138 He's falling right now. 1047 01:00:42,681 --> 01:00:43,515 - Oh he's falling. - His legs are giving out. 1048 01:00:43,557 --> 01:00:44,892 His legs are giving out. 1049 01:00:44,933 --> 01:00:46,352 We thought he was gonna bob and we 1050 01:00:46,393 --> 01:00:47,978 inbetween some parked cars and you know, 1051 01:00:48,312 --> 01:00:49,772 It didn't work out. 1052 01:00:49,813 --> 01:00:51,023 He just got the cell phone out 1053 01:00:51,065 --> 01:00:52,483 so he could manipulate the situation. 1054 01:00:52,858 --> 01:00:54,735 - Right, that's what I-- - He's trying to record 1055 01:00:54,777 --> 01:00:56,445 the officer. What's he gonna do? 1056 01:00:56,862 --> 01:00:58,364 But that's something sticky though, 1057 01:00:58,405 --> 01:01:00,282 it look like him reaching for something like-- 1058 01:01:02,368 --> 01:01:04,453 - Right. - So he could have a gun-- 1059 01:01:04,828 --> 01:01:05,954 I've seen it. 1060 01:01:06,413 --> 01:01:07,456 Right. 1061 01:01:07,915 --> 01:01:08,666 So, 1062 01:01:08,999 --> 01:01:10,250 his legs give out. 1063 01:01:10,292 --> 01:01:12,044 He runs to the back of the pickup truck. 1064 01:01:12,086 --> 01:01:13,128 He falls down. 1065 01:01:13,629 --> 01:01:15,422 And he immediately starts yelling what? 1066 01:01:15,464 --> 01:01:16,840 You hit me! 1067 01:01:16,882 --> 01:01:17,966 They hit me. 1068 01:01:19,843 --> 01:01:21,428 Record. 1069 01:01:21,470 --> 01:01:22,805 You dropped something on Wilkerson. 1070 01:01:22,846 --> 01:01:24,723 Who's he-- who's he saying record to? Us? 1071 01:01:24,765 --> 01:01:26,642 His homeboys! 1072 01:01:26,684 --> 01:01:27,518 He say he dropped the drugs 1073 01:01:27,559 --> 01:01:28,352 on Wilkerson. 1074 01:01:30,437 --> 01:01:32,106 He dropped the drugs on Wilkerson. 1075 01:01:32,147 --> 01:01:33,107 So was there-- 1076 01:01:34,358 --> 01:01:36,110 was there any unreasonable force used there? 1077 01:01:36,151 --> 01:01:37,361 Was there really any force - No! 1078 01:01:37,403 --> 01:01:37,861 - used there at all? - No. 1079 01:01:37,903 --> 01:01:39,530 No. 1080 01:01:39,571 --> 01:01:42,282 And this video immediately exonerated those officers. 1081 01:01:42,324 --> 01:01:43,617 You know, no wrongdoing. 1082 01:01:43,659 --> 01:01:44,576 It was very apparent. 1083 01:01:45,369 --> 01:01:46,829 Shows what actions each side takes. 1084 01:01:47,454 --> 01:01:48,497 That includes us 1085 01:01:49,039 --> 01:01:49,915 and them. 1086 01:01:50,374 --> 01:01:51,667 Everyone else that we deal with, 1087 01:01:51,709 --> 01:01:53,794 anyone who's not the police wearing the camera, 1088 01:01:53,836 --> 01:01:54,336 shows what actions 1089 01:01:54,378 --> 01:01:55,921 they took. 1090 01:01:55,963 --> 01:01:58,340 And then it shows subsequently what action we took 1091 01:01:58,924 --> 01:01:59,967 in response to it. 1092 01:02:01,135 --> 01:02:01,635 So, 1093 01:02:02,594 --> 01:02:03,971 cameras don't take sides. 1094 01:02:04,012 --> 01:02:04,555 Just remember that. 1095 01:02:05,514 --> 01:02:06,974 They're the all-seeing eye 1096 01:02:07,015 --> 01:02:07,808 and just going to remember whatever they see, 1097 01:02:09,643 --> 01:02:10,602 and they're going to play it back for everyone else to see. 1098 01:03:59,753 --> 01:04:00,546 You hear that sound? 1099 01:04:01,505 --> 01:04:02,840 That's the sound 1100 01:04:02,881 --> 01:04:03,924 of a business 1101 01:04:03,966 --> 01:04:06,051 That's the sound of success. 1102 01:04:06,552 --> 01:04:07,970 That's the sound of an economy. 1103 01:04:08,387 --> 01:04:09,388 And 1104 01:04:09,429 --> 01:04:11,306 I don't think people quite realize 1105 01:04:11,348 --> 01:04:13,058 the economic engine 1106 01:04:13,100 --> 01:04:14,726 companies like this make 1107 01:04:15,102 --> 01:04:16,728 for the success of a country. 1108 01:04:17,229 --> 01:04:18,856 All these pieces of equipment, 1109 01:04:18,897 --> 01:04:20,774 you're not gonna find this anywhere else in the world. 1110 01:04:20,816 --> 01:04:21,650 This is it. 1111 01:04:21,942 --> 01:04:23,485 No one else makes this, this, 1112 01:04:23,527 --> 01:04:25,070 this, all put together like this. 1113 01:04:25,112 --> 01:04:27,072 You just feel the ticking sound 1114 01:04:27,364 --> 01:04:28,323 of production, 1115 01:04:28,365 --> 01:04:29,366 and that's being taxed. 1116 01:04:29,825 --> 01:04:30,993 That's paying for tanks. 1117 01:04:31,034 --> 01:04:32,119 It's paying for social security. 1118 01:04:32,160 --> 01:04:33,328 It's paying for everything here. 1119 01:04:34,204 --> 01:04:36,540 Even this piece of mylar is taxed. 1120 01:04:37,791 --> 01:04:39,543 The smallest little thing here, 1121 01:04:39,585 --> 01:04:41,420 from the wire to the tools, 1122 01:04:41,461 --> 01:04:43,672 all of this is part of this economic engine here. 1123 01:04:44,006 --> 01:04:45,007 And to see 1124 01:04:45,048 --> 01:04:46,508 a piece of equipment in the airport 1125 01:04:46,550 --> 01:04:48,802 on the officer's belt, from the camera to the weapon, 1126 01:04:49,553 --> 01:04:50,512 you know where it came from. 1127 01:04:50,554 --> 01:04:51,763 You know someone like her made it. 1128 01:04:51,805 --> 01:04:52,514 And that's 1129 01:04:52,806 --> 01:04:54,182 pretty exciting here to me. 1130 01:04:57,227 --> 01:04:58,437 I love this sound. 1131 01:04:58,478 --> 01:04:59,104 Dat. Dat. 1132 01:05:00,063 --> 01:05:01,481 That's an amazing sound to me. 1133 01:05:01,940 --> 01:05:02,691 It really is. 1134 01:07:19,536 --> 01:07:20,620 Okay, and cut. 1135 01:07:21,329 --> 01:07:23,040 Woo! I think that was it. 1136 01:07:23,081 --> 01:07:25,375 - We've done it! - Great job guys. 1137 01:07:25,417 --> 01:07:26,293 Oh my God. 1138 01:07:28,211 --> 01:07:29,921 Uh, okay, are we done with these-- 1139 01:07:29,963 --> 01:07:31,757 are we done with the special effects? 1140 01:07:31,798 --> 01:07:33,717 We are done with the special effects. 1141 01:07:48,732 --> 01:07:50,067 We don't want immigration. 1142 01:07:50,108 --> 01:07:52,486 What? We want the-- what? Fair in power. 1143 01:07:52,819 --> 01:07:53,820 So when you leave here with your documentary, 1144 01:07:54,196 --> 01:07:55,697 Right? 1145 01:07:55,739 --> 01:07:57,199 Oh no, no, this isn't a documentary. 1146 01:07:57,240 --> 01:07:58,617 Whatever, whatever, whatever it is. 1147 01:07:58,658 --> 01:08:00,285 - This is-- - Whatever it is, sir. 1148 01:08:00,786 --> 01:08:02,245 And they're filming without permission? 1149 01:08:02,537 --> 01:08:03,455 I think you outta say, brother, you're on. 1150 01:08:03,497 --> 01:08:04,623 You're hot. 1151 01:08:04,664 --> 01:08:05,916 You gotta say that means, "The light is on. 1152 01:08:05,957 --> 01:08:06,666 We're recording you 1153 01:08:06,708 --> 01:08:07,793 without your permission", 1154 01:08:07,834 --> 01:08:10,337 and if you are going to print it 1155 01:08:10,378 --> 01:08:12,047 without my permission and my signed affadavit, 1156 01:08:12,089 --> 01:08:13,298 I will sue you as I sued 1157 01:08:13,340 --> 01:08:14,341 the University of Baltimore Medical system, 1158 01:08:14,382 --> 01:08:15,175 and shut 'em down. 1159 01:08:15,509 --> 01:08:16,259 That was me. 1160 01:08:16,802 --> 01:08:17,511 I'm just saying. 1161 01:08:17,552 --> 01:08:18,970 As we come in here 1162 01:08:19,012 --> 01:08:20,430 and have the beautiful, beloved community happy talk 1163 01:08:20,722 --> 01:08:22,307 which will we need? 1164 01:08:22,349 --> 01:08:24,434 What we need is the truth about this neighborhood. 1165 01:08:24,768 --> 01:08:26,520 These people take care of this community. 1166 01:08:26,561 --> 01:08:27,938 They want honesty in this community. 1167 01:08:27,979 --> 01:08:29,147 But what they don't want 1168 01:08:29,189 --> 01:08:31,358 is to be pimped again by anybody. 1169 01:08:31,399 --> 01:08:32,150 I doubt it. 1170 01:08:32,484 --> 01:08:33,443 I doubt it. I don't bring pimps. 1171 01:08:33,860 --> 01:08:35,445 I bring solutions. 1172 01:08:35,487 --> 01:08:36,488 - I'm not talking to you! I'm talking to this man. 1173 01:08:36,530 --> 01:08:37,280 But he's ordered-- 1174 01:08:37,322 --> 01:08:39,032 And that's fair. 1175 01:08:39,074 --> 01:08:40,617 and because you're here, that means they're more credible 1176 01:08:40,951 --> 01:08:41,785 So, 1177 01:08:41,827 --> 01:08:42,911 I'm gonna take a little walk. 1178 01:08:42,953 --> 01:08:43,829 We got a little weed. And I'll be back. 1179 01:08:43,870 --> 01:08:44,913 You're gonna be-- 1180 01:08:44,955 --> 01:08:45,789 - I'll come back. - You'll come back? 1181 01:08:45,831 --> 01:08:47,332 You sure? - I'm coming back. 1182 01:08:47,374 --> 01:08:48,542 - In't just walk. - Yeah, but-- 1183 01:08:48,583 --> 01:08:49,251 - Alright. - ... talking about. 1184 01:08:49,292 --> 01:08:49,668 Gotcha. 1185 01:08:51,128 --> 01:08:52,379 And you can use whatever you wanna use! 1186 01:08:52,420 --> 01:08:53,630 My mom might like to see me on TV. 1187 01:08:55,423 --> 01:08:56,675 He definitely know what he talking about. 1188 01:08:56,716 --> 01:08:57,592 - Yeah, we're definitely gonna be talking about... 1189 01:08:57,634 --> 01:08:58,760 There's no doubt about it. 1190 01:08:58,802 --> 01:09:00,762 Give him both. He's angry passionately. 1191 01:09:00,804 --> 01:09:01,555 He's spitting facts. 1192 01:09:01,596 --> 01:09:02,931 Yeah, he's spitting facts. 1193 01:09:02,973 --> 01:09:04,266 Right? 'Cause some people like-- 1194 01:09:04,307 --> 01:09:05,183 the first thing that gentleman said, 1195 01:09:05,225 --> 01:09:06,726 and I'm not knocking him, 1196 01:09:06,768 --> 01:09:08,270 is that he starts looking for color in the room. 1197 01:09:10,230 --> 01:09:12,357 Why isn't the cameraman African American or Black, right? 1198 01:09:12,858 --> 01:09:14,442 I understand that, and you know what's funny, 1199 01:09:14,484 --> 01:09:15,902 I have a bunch of younger cousins 1200 01:09:15,944 --> 01:09:17,404 who are in this industry. 1201 01:09:17,821 --> 01:09:18,864 They're in this industry, 1202 01:09:18,905 --> 01:09:20,532 and one of the things is, my cousin, 1203 01:09:20,574 --> 01:09:21,575 I had a conversation with him. 1204 01:09:21,616 --> 01:09:22,951 I said, "Yo, you need to train me 1205 01:09:22,993 --> 01:09:25,036 about audio and visual, and things of that nature. 1206 01:09:25,412 --> 01:09:26,621 because I want to know about it." 1207 01:09:28,373 --> 01:09:29,749 The dude that's in front of the camera, that's acting, 1208 01:09:29,791 --> 01:09:31,334 that's not the money maker. 1209 01:09:31,376 --> 01:09:33,128 It's the dude behind the camera Behind the camera. 1210 01:09:33,170 --> 01:09:34,254 So I think that 1211 01:09:34,296 --> 01:09:35,964 what we have to-- and I say that to say, 1212 01:09:36,006 --> 01:09:36,756 we gotta come-- 1213 01:09:36,798 --> 01:09:37,883 we gotta play the-- 1214 01:09:39,301 --> 01:09:40,510 be behind the scenes to get in front of the scenes. 1215 01:09:40,552 --> 01:09:41,428 - Mhm. - I wanna, I wanna-- 1216 01:09:41,469 --> 01:09:43,263 I wanna start because 1217 01:09:43,305 --> 01:09:45,390 some people gotta leave real quick. 1218 01:09:45,432 --> 01:09:46,516 Some local feedback. 1219 01:09:46,558 --> 01:09:47,517 That's why I'll be here. 1220 01:09:47,559 --> 01:09:49,060 To get the feedback. 1221 01:09:49,102 --> 01:09:51,062 They're here to document the feedback. 1222 01:09:52,147 --> 01:09:54,482 So, I thank all of y'all for coming. 1223 01:09:55,150 --> 01:09:57,444 I have asked Ross to come 1224 01:09:57,485 --> 01:09:59,821 and give a brief presentation 1225 01:10:00,113 --> 01:10:01,615 to you wonderful men 1226 01:10:01,656 --> 01:10:04,492 that I know that will take this and spread it. 1227 01:10:05,493 --> 01:10:06,161 Okay. 1228 01:10:06,203 --> 01:10:08,079 So, this is Ross McNutt. 1229 01:10:08,121 --> 01:10:09,623 This is-- This is his, uh, 1230 01:10:09,664 --> 01:10:11,374 show. Knock em out. 1231 01:10:11,416 --> 01:10:12,626 Thank you Archie. 1232 01:10:12,667 --> 01:10:14,419 Um... 1233 01:10:15,337 --> 01:10:17,088 I really appreciate you guys coming. 1234 01:10:17,130 --> 01:10:18,673 We come to talk with you, 1235 01:10:20,467 --> 01:10:21,384 and to share with you a little bit about what we're doing. 1236 01:10:22,344 --> 01:10:23,929 The Community Support Program 1237 01:10:23,970 --> 01:10:25,597 is a service that we provide. 1238 01:10:26,223 --> 01:10:28,266 It's built out of a system that we built-- 1239 01:10:28,642 --> 01:10:30,852 Actually we used it in Iraq and Afghanistan 1240 01:10:31,394 --> 01:10:33,855 to support the IEDs and the U.S. troops there. 1241 01:10:34,522 --> 01:10:36,107 The outputs of our major-- 1242 01:10:36,149 --> 01:10:37,776 of our investigations 1243 01:10:37,817 --> 01:10:39,778 is a briefing that says what happened. 1244 01:10:40,403 --> 01:10:41,863 Who was there? 1245 01:10:41,905 --> 01:10:43,657 Where'd they come from? Where'd they go to? 1246 01:10:44,241 --> 01:10:46,701 And providing that information to law enforcement, 1247 01:10:46,743 --> 01:10:48,620 and also, to public defenders, 1248 01:10:48,662 --> 01:10:49,621 and defense attorneys, 1249 01:10:49,663 --> 01:10:51,581 so that the truth can come out. 1250 01:10:51,623 --> 01:10:53,583 We provide an unbiased witness 1251 01:10:53,959 --> 01:10:55,752 to police activity within the area. 1252 01:10:56,336 --> 01:10:57,462 What I want to do is show you what 1253 01:10:57,504 --> 01:10:59,464 wide-area motion imagery is. 1254 01:10:59,506 --> 01:11:01,299 If you've ever seen Google Earth, 1255 01:11:01,883 --> 01:11:04,177 what we do is a live version of Google Earth. 1256 01:11:05,887 --> 01:11:07,514 So this is your shooter right here. 1257 01:11:09,140 --> 01:11:11,810 And what we often do is look for changes in behavior 1258 01:11:11,851 --> 01:11:13,353 on the ground that would indicate 1259 01:11:13,395 --> 01:11:14,854 that a major event has occurred. 1260 01:11:20,318 --> 01:11:23,029 We're proposing to help use this technologies 1261 01:11:23,071 --> 01:11:24,990 and these systems to help the community. 1262 01:11:25,031 --> 01:11:26,825 How does that help the community when 1263 01:11:26,866 --> 01:11:29,536 it's a constant surveillance of the community? 1264 01:11:29,577 --> 01:11:31,329 Let me-- Let me show you how this works. 1265 01:11:31,371 --> 01:11:32,330 and I'll answer that in just-- 1266 01:11:32,372 --> 01:11:33,748 I kinda understood how it works 1267 01:11:33,790 --> 01:11:35,125 because there were instances-- 1268 01:11:35,166 --> 01:11:36,293 But maybe somebody else doesn't. 1269 01:11:36,334 --> 01:11:38,586 But I-- I have a few minutes, 1270 01:11:38,628 --> 01:11:40,714 I-I-I have a right to ask questions 1271 01:11:40,755 --> 01:11:43,133 so let me-- allow me to ask questions, mam. 1272 01:11:43,174 --> 01:11:44,926 Because I'm a member of this community. 1273 01:11:44,968 --> 01:11:45,844 And some of us - Yes, but... 1274 01:11:45,885 --> 01:11:47,262 are foolishly 1275 01:11:47,304 --> 01:11:49,639 allow folks to tell us what they gonna do for us. 1276 01:11:50,140 --> 01:11:51,683 So, uh, 1277 01:11:52,892 --> 01:11:55,061 there were instances in Baltimore City 1278 01:11:55,103 --> 01:11:57,564 when that same technology was used 1279 01:11:57,605 --> 01:12:00,525 to, pretty much, without the consent 1280 01:12:00,817 --> 01:12:02,110 of the Mayor's office, 1281 01:12:02,152 --> 01:12:03,361 and other folks, 1282 01:12:03,403 --> 01:12:05,447 and they were being in operation for almost 1283 01:12:05,488 --> 01:12:07,407 two-- three, four, five months. 1284 01:12:07,449 --> 01:12:08,533 And I think-- I believe that's the same operation. 1285 01:12:08,575 --> 01:12:10,118 Yes. 1286 01:12:10,160 --> 01:12:13,788 And so, that operation was paid for by a private individual. 1287 01:12:14,164 --> 01:12:15,248 And I will tell you 1288 01:12:15,290 --> 01:12:17,167 that we fought very hard. - Mhm. 1289 01:12:17,208 --> 01:12:18,793 And we were told we weren't allowed 1290 01:12:19,085 --> 01:12:20,462 to let people know. 1291 01:12:20,503 --> 01:12:22,255 We're-- we've been asked by the community 1292 01:12:22,297 --> 01:12:24,257 to come in and brief the community 1293 01:12:24,632 --> 01:12:25,967 and this will only go forward 1294 01:12:26,009 --> 01:12:28,345 if the community believes that it's acceptable. 1295 01:12:28,386 --> 01:12:30,638 But if, if the information 1296 01:12:30,680 --> 01:12:33,099 that is being provided to the community 1297 01:12:33,641 --> 01:12:35,727 is not the full scope of the information, 1298 01:12:35,769 --> 01:12:38,521 how can the community give full consent? 1299 01:12:38,563 --> 01:12:40,648 And how can the consent be deemed to be accurate 1300 01:12:40,690 --> 01:12:43,401 when all the information is not really 1301 01:12:43,693 --> 01:12:45,445 the whole objective of this 1302 01:12:45,487 --> 01:12:47,072 of that-- uh-- 1303 01:12:47,530 --> 01:12:48,281 program. 1304 01:12:48,323 --> 01:12:49,366 We are here 1305 01:12:49,407 --> 01:12:50,909 presenting that information. 1306 01:12:50,950 --> 01:12:52,202 That's always been the case. 1307 01:12:52,243 --> 01:12:53,453 But in reality, 1308 01:12:53,495 --> 01:12:54,579 we know that 1309 01:12:54,621 --> 01:12:56,039 this type of information, 1310 01:12:56,081 --> 01:12:57,916 the end result has never been 1311 01:12:57,957 --> 01:12:59,667 what this city would have been 1312 01:12:59,709 --> 01:13:01,127 in the first place. 1313 01:13:01,169 --> 01:13:02,629 We use crime 1314 01:13:03,171 --> 01:13:04,130 as a bait. 1315 01:13:05,340 --> 01:13:06,549 Because we know people are very emotional 1316 01:13:06,925 --> 01:13:09,094 especially when we say we want to solve crime. 1317 01:13:09,928 --> 01:13:13,390 But if the intention is to solve crime, 1318 01:13:13,890 --> 01:13:16,851 why allow a private entity 1319 01:13:17,227 --> 01:13:20,563 to have control of such huge 1320 01:13:20,605 --> 01:13:22,273 type of devices 1321 01:13:22,315 --> 01:13:24,567 when it involves citizens? 1322 01:13:24,609 --> 01:13:26,861 And it's almost like the private entity 1323 01:13:26,903 --> 01:13:28,571 - I think... - is replacing the state 1324 01:13:28,613 --> 01:13:30,323 and doing the work of the state. 1325 01:13:30,365 --> 01:13:32,534 And that to me is unconstitutional. 1326 01:13:32,951 --> 01:13:34,077 But I don't have much time. 1327 01:13:34,119 --> 01:13:35,286 I have another meeting. 1328 01:13:35,328 --> 01:13:37,122 But folks please. Be mindful 1329 01:13:37,163 --> 01:13:39,749 of what you allow folks to come in our community to do. 1330 01:13:40,125 --> 01:13:42,919 Consent is not always given freely. 1331 01:13:42,961 --> 01:13:43,670 Thank you for coming. 1332 01:13:43,711 --> 01:13:44,921 Yes, Archie. 1333 01:13:46,631 --> 01:13:47,048 Archie, do you want to address any of that? 1334 01:13:48,049 --> 01:13:49,384 I'll deal with that 1335 01:13:49,426 --> 01:13:50,552 - Okay. - Can I address it? 1336 01:13:50,593 --> 01:13:52,137 Sure! - Can I address it? 1337 01:13:52,804 --> 01:13:55,849 Okay, the reason why I said, it-- it-- 1338 01:13:55,890 --> 01:13:57,809 it's not that, um, 1339 01:13:58,435 --> 01:13:59,436 it's consent, 1340 01:13:59,978 --> 01:14:01,479 it is, um, 1341 01:14:01,896 --> 01:14:02,564 um, 1342 01:14:03,773 --> 01:14:06,901 it is the fact that when we go to the store, 1343 01:14:07,402 --> 01:14:09,112 we are under surveillance. 1344 01:14:09,571 --> 01:14:10,989 When we walk in the bank, 1345 01:14:11,322 --> 01:14:12,866 we are under surveillance. 1346 01:14:13,241 --> 01:14:15,869 When you walk in the Baltimore City Public Schools, 1347 01:14:15,910 --> 01:14:17,454 we are under surveillance. 1348 01:14:17,871 --> 01:14:19,998 When you walk into the hospital, 1349 01:14:20,039 --> 01:14:21,833 you are under surveillance. 1350 01:14:22,333 --> 01:14:25,628 You go down to the inner harbor area. 1351 01:14:25,670 --> 01:14:27,881 - Trust me. - we are under surveillance. 1352 01:14:27,922 --> 01:14:28,756 You are under surveillance. 1353 01:14:28,798 --> 01:14:30,758 - Right. - Mhm. 1354 01:14:30,800 --> 01:14:33,261 Most of the crimes happen on the streets of Baltimore 1355 01:14:33,303 --> 01:14:34,721 in broad daylight. 1356 01:14:35,472 --> 01:14:37,265 During daytime hours 1357 01:14:38,016 --> 01:14:39,559 when the deterrents 1358 01:14:39,934 --> 01:14:42,604 are in the hospitals and in the- 1359 01:14:42,645 --> 01:14:45,148 in the banks, and they still rob. 1360 01:14:46,399 --> 01:14:47,859 Your premise is that 1361 01:14:47,901 --> 01:14:49,527 if I am under surveillance 1362 01:14:49,569 --> 01:14:52,489 then I must open myself to be much more under surveillance, 1363 01:14:52,530 --> 01:14:54,157 I think that's a false premise. 1364 01:14:54,199 --> 01:14:56,075 Because consent-- 1365 01:14:56,117 --> 01:14:58,119 This is-- This is the difference. 1366 01:14:58,161 --> 01:14:59,162 I was born in Haiti. 1367 01:14:59,621 --> 01:15:00,788 Right? 1368 01:15:00,830 --> 01:15:02,499 This is the difference between this country 1369 01:15:02,540 --> 01:15:03,750 and other countries in the world. 1370 01:15:03,791 --> 01:15:05,043 This is why I love this country. 1371 01:15:05,877 --> 01:15:07,504 It's the fact that 1372 01:15:08,421 --> 01:15:10,131 one has to be consented, 1373 01:15:10,965 --> 01:15:12,842 and that consent has to be understood. 1374 01:15:12,884 --> 01:15:14,719 Why am I giving my consent? 1375 01:15:15,678 --> 01:15:18,056 There's a-- We have used a lot of excuses 1376 01:15:18,097 --> 01:15:20,767 to deprive people of their privacy right? 1377 01:15:20,808 --> 01:15:22,310 And their individual right. 1378 01:15:22,810 --> 01:15:26,022 You always come under the false pretense of crime. 1379 01:15:26,064 --> 01:15:28,149 If we want to solve crime in Baltimore City, 1380 01:15:28,191 --> 01:15:29,776 we can easily solve the crime. 1381 01:15:29,817 --> 01:15:33,655 I mean, we could follow the routes of those individuals. 1382 01:15:33,696 --> 01:15:36,533 We know most of the individuals that are operating on the street 1383 01:15:36,574 --> 01:15:38,409 and out there doing the things that they're doing. 1384 01:15:38,701 --> 01:15:41,162 But to tell me that 1385 01:15:41,204 --> 01:15:42,580 in order to solve crime, 1386 01:15:42,622 --> 01:15:44,874 I'm going to give up all my rights 1387 01:15:45,959 --> 01:15:47,377 so that crimes can be solved, 1388 01:15:47,418 --> 01:15:48,545 That's a false premise. 1389 01:15:48,586 --> 01:15:49,879 That's a false hope. 1390 01:15:49,921 --> 01:15:51,839 And that's what you're asking these folks to do. 1391 01:15:51,881 --> 01:15:53,466 Because we know-- No! 1392 01:15:53,508 --> 01:15:55,927 Most of us don't even know where these cameras are located. 1393 01:15:56,928 --> 01:15:57,887 That's not true. 1394 01:15:57,929 --> 01:15:59,138 Okay, listen. 1395 01:15:59,180 --> 01:16:00,890 Alright, listen. Let's-- let's-- 1396 01:16:00,932 --> 01:16:02,141 And-and first of all, 1397 01:16:02,183 --> 01:16:03,101 W-wait, wait, wait. 1398 01:16:03,142 --> 01:16:04,644 You have cameras in here 1399 01:16:04,686 --> 01:16:07,480 that most people did not give their consent to be filmed. 1400 01:16:07,522 --> 01:16:08,606 I understand. 1401 01:16:08,648 --> 01:16:10,775 You see, also that's another violation. 1402 01:16:10,817 --> 01:16:12,860 You cannot come.. - I know, I know. 1403 01:16:12,902 --> 01:16:13,987 - You cannot come-- - everything that you're saying 1404 01:16:14,028 --> 01:16:15,822 You do not come in the community. 1405 01:16:15,863 --> 01:16:18,032 You cannot come in the community. 1406 01:16:18,074 --> 01:16:19,492 You cannot come in the community 1407 01:16:19,534 --> 01:16:21,077 filming people! 1408 01:16:21,119 --> 01:16:23,871 Because I do not know what's the use and the purpose of this 1409 01:16:23,913 --> 01:16:26,124 power in government. - Listen, let-- listen. 1410 01:16:28,334 --> 01:16:29,669 The truth is 1411 01:16:29,711 --> 01:16:30,795 - What truth? - is that-- 1412 01:16:30,837 --> 01:16:31,754 - What truth? - The truth is-- 1413 01:16:31,796 --> 01:16:33,256 What truth? The truth. 1414 01:16:35,091 --> 01:16:37,635 That's the difference-- 1415 01:16:37,677 --> 01:16:38,845 come in, combative. 1416 01:16:38,886 --> 01:16:40,138 - Yes! - It's not combative. 1417 01:16:40,179 --> 01:16:41,347 It's not combative! 1418 01:16:41,389 --> 01:16:43,016 No, it's not combative! 1419 01:16:43,057 --> 01:16:44,142 We let you speak. Why don't you let him speak? 1420 01:16:44,183 --> 01:16:45,518 - It's not combative! 1421 01:16:45,560 --> 01:16:48,354 I've listened to you talk! 1422 01:16:48,438 --> 01:16:49,981 I'm trying to bring out a point! 1423 01:16:52,442 --> 01:16:54,527 --that what I'm saying is complex! 1424 01:16:54,569 --> 01:16:56,446 It's not complex. It's simple. 1425 01:16:57,030 --> 01:16:59,198 How many murders are there in this town? 1426 01:17:00,325 --> 01:17:02,869 How many murders are in this town? 1427 01:17:03,411 --> 01:17:05,163 And you don't want to answer that! 1428 01:17:05,204 --> 01:17:07,790 If you answer, how many murders 1429 01:17:07,832 --> 01:17:09,334 there are in this city, 1430 01:17:09,375 --> 01:17:11,169 then you oughta be willing 1431 01:17:11,210 --> 01:17:12,545 Let him, let him, let him. 1432 01:17:12,587 --> 01:17:14,047 then you oughta be willing 1433 01:17:14,088 --> 01:17:17,258 to apply something that would curve it! 1434 01:17:17,300 --> 01:17:18,718 He's here, he's here. 1435 01:17:18,760 --> 01:17:20,053 No, he's not here! 1436 01:17:20,094 --> 01:17:20,928 He is here! He is here. 1437 01:17:20,970 --> 01:17:22,180 Where am I? 1438 01:17:22,221 --> 01:17:23,181 You see first of all, 1439 01:17:23,222 --> 01:17:25,558 I'm a pastor in this community. 1440 01:17:25,600 --> 01:17:26,517 What are you doing? 1441 01:17:26,559 --> 01:17:27,894 I'm a pastor here! 1442 01:17:27,935 --> 01:17:29,062 What are you doing? 1443 01:17:30,688 --> 01:17:32,523 I'm trying to tell you now-- 1444 01:17:32,565 --> 01:17:35,777 - Tell him to come back-- - That your boys up there on-- 1445 01:18:03,304 --> 01:18:05,640 The aerial perspective looks down at the world. 1446 01:18:07,308 --> 01:18:09,560 Objects and people are rendered as pixels, 1447 01:18:10,186 --> 01:18:12,438 flattened into a two-dimensional plane. 1448 01:18:13,773 --> 01:18:15,191 Through the flattening of space, 1449 01:18:15,566 --> 01:18:17,068 a new dimension emerges. 1450 01:18:18,861 --> 01:18:21,489 The vertical axis becomes a literal projection of power. 1451 01:18:23,241 --> 01:18:24,575 The world is down there, 1452 01:18:25,368 --> 01:18:26,786 the camera up here. 1453 01:18:29,288 --> 01:18:31,582 The viewer is supposed to look down with the camera, 1454 01:18:32,500 --> 01:18:34,252 not to look at the camera itself. 1455 01:18:36,421 --> 01:18:38,506 Where seeing meets the seeing of the world, 1456 01:18:38,923 --> 01:18:39,924 we are blind. 1457 01:18:42,051 --> 01:18:45,012 It is in this blind spot that power sets its agenda. 1458 01:18:49,308 --> 01:18:52,270 This eye does not see into the tall buildings downtown. 1459 01:18:55,648 --> 01:18:58,609 The green trees of suburban areas block our view. 1460 01:19:01,529 --> 01:19:03,489 This eye is made to look for crime 1461 01:19:03,531 --> 01:19:05,366 in historically high-crime areas, 1462 01:19:06,159 --> 01:19:09,495 and so it will see crime in historically high-crime areas. 1463 01:19:12,165 --> 01:19:13,124 This eye sees, 1464 01:19:13,583 --> 01:19:14,751 an arrest is made. 1465 01:19:15,501 --> 01:19:17,420 The eye trains its sights again. 1466 01:19:20,423 --> 01:19:21,674 Sometimes, 1467 01:19:23,384 --> 01:19:24,677 the plane's body pokes in at the edge of the frame. 1468 01:19:28,097 --> 01:19:30,767 Pixels disappear between the seams of the image. 1469 01:19:33,311 --> 01:19:36,272 With them, bodies disappear too. 1470 01:19:38,858 --> 01:19:40,777 We are reminded that someone, 1471 01:19:40,818 --> 01:19:41,819 somewhere, 1472 01:19:41,861 --> 01:19:43,613 is putting this world together. 1473 01:19:55,708 --> 01:19:57,668 An act of seeing is always an act. 1474 01:20:00,713 --> 01:20:02,465 An intervention into the world. 1475 01:20:05,843 --> 01:20:07,094 We do not see the world. 1476 01:20:08,429 --> 01:20:09,889 We see this intervention. 1477 01:20:28,908 --> 01:20:31,869 The frame excludes a world beyond its edges. 1478 01:20:33,663 --> 01:20:35,081 But if we look hard enough, 1479 01:20:35,540 --> 01:20:37,667 there's always an edge that creeps back in. 1480 01:21:22,503 --> 01:21:23,921 Alright, so, 1481 01:21:23,963 --> 01:21:26,090 - this is ready to go. - I'm gonna-- 1482 01:21:27,133 --> 01:21:28,843 Red is recording right? 1483 01:21:28,885 --> 01:21:29,510 Yep. 1484 01:21:29,552 --> 01:21:30,469 Alright. 1485 01:21:30,511 --> 01:21:32,388 Do we wanna, just-- 1486 01:21:34,807 --> 01:21:35,766 And action! 1487 01:21:36,434 --> 01:21:38,519 This is the Axon Network. 1488 01:21:43,232 --> 01:21:43,816 This 1489 01:21:44,108 --> 01:21:45,234 is the Axon 1490 01:21:45,276 --> 01:21:46,819 Flex 2 Body Camera. 1491 01:21:52,491 --> 01:21:54,452 Axon Signal Sidearm Holster. 1492 01:21:59,707 --> 01:22:01,250 Axon Fleet 2 1493 01:22:01,292 --> 01:22:03,419 with SPPM on the Taser weapon. 1494 01:22:08,799 --> 01:22:09,842 Axon Air. 1495 01:22:12,929 --> 01:22:14,764 Axon Body 2 Camera. 1496 01:22:16,474 --> 01:22:18,726 When I draw this firearm out of the holster, 1497 01:22:18,768 --> 01:22:20,478 it will activate all the cameras. 1498 01:23:36,971 --> 01:23:39,932 A man poses as a criminal on a Bertillon card. 1499 01:23:41,142 --> 01:23:42,727 He is Francis Galton, 1500 01:23:42,768 --> 01:23:44,603 first cousin to Charles Darwin, 1501 01:23:45,104 --> 01:23:46,981 and a prominent English scientist. 1502 01:23:49,567 --> 01:23:52,028 Using a series of barometric recordings, 1503 01:23:52,486 --> 01:23:53,904 Galton compiled the first 1504 01:23:53,946 --> 01:23:55,573 comprehensive weather map of Europe, 1505 01:23:56,323 --> 01:23:58,576 showing how a series of interconnected data points 1506 01:23:58,617 --> 01:23:59,994 could be used to predict 1507 01:24:00,036 --> 01:24:01,996 the future behavior of complex systems. 1508 01:24:04,957 --> 01:24:07,043 Galton turned this attention from the weather 1509 01:24:07,334 --> 01:24:08,794 to the human subject. 1510 01:24:10,421 --> 01:24:12,131 In 1879, 1511 01:24:12,173 --> 01:24:15,301 Galton first presents his system of composite photography. 1512 01:24:17,219 --> 01:24:20,181 Galton organizes a collection of images by type. 1513 01:24:21,557 --> 01:24:22,391 Criminal. 1514 01:24:23,642 --> 01:24:24,810 Tubercular Patient. 1515 01:24:26,187 --> 01:24:27,188 Family likeness. 1516 01:24:28,522 --> 01:24:29,523 Scientist. 1517 01:24:31,525 --> 01:24:32,109 Jew. 1518 01:24:34,153 --> 01:24:37,114 The images are overlaid onto a single photographic plate, 1519 01:24:37,448 --> 01:24:39,283 forming a composite exposure. 1520 01:24:41,869 --> 01:24:43,370 Darker lines indicate regions 1521 01:24:43,412 --> 01:24:45,206 that align closely to the average. 1522 01:24:47,208 --> 01:24:49,627 Blur measures deviation from the average type. 1523 01:24:52,254 --> 01:24:53,255 The composite, 1524 01:24:53,297 --> 01:24:54,256 Galton believed, 1525 01:24:55,800 --> 01:24:57,009 reflected a greater truth about the subject 1526 01:24:57,051 --> 01:24:58,427 than their individual components. 1527 01:25:01,680 --> 01:25:02,556 Galton writes: 1528 01:25:03,099 --> 01:25:04,642 "All that is common remains, 1529 01:25:05,226 --> 01:25:07,561 all that is individual tends to disappear." 1530 01:25:11,023 --> 01:25:12,483 Like Marey's experiments, 1531 01:25:13,109 --> 01:25:14,819 these images claim to automatically 1532 01:25:14,860 --> 01:25:16,487 perform a mathematical function. 1533 01:25:18,447 --> 01:25:21,408 Galton called his system "pictorial statistics". 1534 01:25:23,786 --> 01:25:25,621 But a crucial innovation is proposed. 1535 01:25:28,165 --> 01:25:30,793 These images don't just represent a subject, 1536 01:25:31,502 --> 01:25:34,463 they predict what a subject in the future may look like. 1537 01:25:37,091 --> 01:25:37,967 "They represent," 1538 01:25:38,425 --> 01:25:39,135 Galton writes, 1539 01:25:39,552 --> 01:25:41,053 "not the criminal, 1540 01:25:41,095 --> 01:25:43,472 but the man who is liable to fall into crime." 1541 01:25:45,724 --> 01:25:46,934 As a scientist, 1542 01:25:48,561 --> 01:25:49,979 Galton hoped to uncover the natural order of the world. 1543 01:25:51,897 --> 01:25:53,149 But his methods actively 1544 01:25:53,190 --> 01:25:55,151 concealed this unnatural process. 1545 01:25:59,697 --> 01:26:01,448 For all the time that Galton spends 1546 01:26:01,490 --> 01:26:03,617 describing his photographic inventions, 1547 01:26:04,118 --> 01:26:07,329 he never describes how he decides what images to include. 1548 01:26:11,917 --> 01:26:14,211 The criminal composite does not reflect the person 1549 01:26:14,253 --> 01:26:16,005 who is liable to fall into crime, 1550 01:26:16,672 --> 01:26:19,341 but merely what Galton thinks a criminal looks like. 1551 01:26:26,015 --> 01:26:27,641 Galton would go on to apply this 1552 01:26:27,683 --> 01:26:30,895 pseudo-scientific reasoning to the new discipline of Eugenics, 1553 01:26:31,270 --> 01:26:34,106 a field which he is often considered the founder. 1554 01:26:39,862 --> 01:26:43,157 No criminal was ever caught using composite portraiture. 1555 01:26:44,200 --> 01:26:47,161 Though the images claim to show what a criminal may look like, 1556 01:26:47,661 --> 01:26:50,247 they are impossible to use for identification. 1557 01:26:52,791 --> 01:26:54,585 Not only are they blurry 1558 01:26:54,627 --> 01:26:57,796 but the people they depict don't actually exist. 1559 01:27:00,841 --> 01:27:01,634 And yet, 1560 01:27:03,135 --> 01:27:04,220 they have already been accused of a crime. 1561 01:27:09,225 --> 01:27:11,560 From what history does the future dream? 1562 01:28:11,829 --> 01:28:13,205 So we're zooming in 1563 01:28:13,247 --> 01:28:15,165 on, um, license plates that are clear enough, 1564 01:28:16,542 --> 01:28:19,295 and then drawing a tight bounding box 1565 01:28:19,336 --> 01:28:20,671 around the license plate 1566 01:28:21,171 --> 01:28:23,215 to show the AI where it begins. 1567 01:28:24,008 --> 01:28:26,135 And then, if it has 1568 01:28:26,176 --> 01:28:27,553 legible letters in it, 1569 01:28:27,886 --> 01:28:29,013 then we'd add that in, 1570 01:28:29,054 --> 01:28:29,805 and the state. 1571 01:28:31,181 --> 01:28:32,057 And then it just goes on from there. 1572 01:28:39,064 --> 01:28:41,525 An Axon Body camera goes out into the world, 1573 01:28:41,567 --> 01:28:43,027 then records what it sees. 1574 01:28:44,778 --> 01:28:46,947 The image is stored on Axon servers, 1575 01:28:47,364 --> 01:28:48,991 where it gets used as evidence. 1576 01:28:51,243 --> 01:28:52,119 Images, 1577 01:28:52,411 --> 01:28:53,662 and the data they contain, 1578 01:28:54,204 --> 01:28:56,248 are Axon's most valuable product. 1579 01:28:59,376 --> 01:29:02,421 When a police department signs up with Evidence.com, 1580 01:29:02,880 --> 01:29:05,799 they have the option of allowing Axon to use their video 1581 01:29:05,841 --> 01:29:08,594 to train their next generation of software products. 1582 01:29:10,763 --> 01:29:11,847 If they opt in, 1583 01:29:13,599 --> 01:29:15,267 departmental footage is sent back to Axon headquarters, 1584 01:29:15,851 --> 01:29:17,519 where human analysts aid the machine 1585 01:29:17,561 --> 01:29:19,897 in detecting recurring patterns within the footage. 1586 01:29:21,607 --> 01:29:23,776 Recurring patterns may include faces, 1587 01:29:24,193 --> 01:29:25,194 license plates, 1588 01:29:25,611 --> 01:29:26,487 loud noises, 1589 01:29:26,904 --> 01:29:28,113 or sudden movement. 1590 01:29:30,157 --> 01:29:31,325 With enough videos, 1591 01:29:33,118 --> 01:29:35,079 Axon's software can begin to detect patterns on its own. 1592 01:29:36,830 --> 01:29:38,665 Once a recurring pattern is learned, 1593 01:29:39,124 --> 01:29:41,377 actions may be programmed based on that pattern. 1594 01:29:42,628 --> 01:29:45,089 Sample actions include detecting faces, 1595 01:29:45,798 --> 01:29:47,383 transcribing conversations, 1596 01:29:48,092 --> 01:29:49,593 calling reinforcements, 1597 01:29:49,635 --> 01:29:50,969 or looking up a license plate. 1598 01:29:56,683 --> 01:29:58,811 The bureaucratic labor of the police officer 1599 01:29:58,852 --> 01:30:01,230 is outsourced to Axon's automated system. 1600 01:30:04,441 --> 01:30:05,859 These promotional videos, 1601 01:30:06,402 --> 01:30:07,945 taken from Axon's website, 1602 01:30:08,487 --> 01:30:09,863 dramatize a process 1603 01:30:09,905 --> 01:30:11,865 that is typically invisible to the public. 1604 01:30:13,492 --> 01:30:16,245 But these images conceal more than they reveal. 1605 01:30:19,873 --> 01:30:21,542 The Axon Network is a process 1606 01:30:21,583 --> 01:30:23,544 that takes place within secure rooms, 1607 01:30:24,169 --> 01:30:25,421 on private servers, 1608 01:30:26,964 --> 01:30:29,049 enacted by code whose basic functions are kept secret 1609 01:30:29,091 --> 01:30:31,301 by intellectual property contracts. 1610 01:30:35,722 --> 01:30:38,767 It feels like watching a corporation dream out loud. 1611 01:30:42,479 --> 01:30:44,106 A seamless world where every tool 1612 01:30:44,148 --> 01:30:47,234 has met just the right situation for its intended use. 1613 01:30:57,035 --> 01:30:58,745 History converges on the present. 1614 01:31:02,875 --> 01:31:03,542 Weapon. 1615 01:31:05,919 --> 01:31:06,587 Eye. 1616 01:31:09,006 --> 01:31:09,756 Archive. 1617 01:31:13,260 --> 01:31:14,470 Interpretation. 1618 01:31:17,347 --> 01:31:18,056 Automation. 1619 01:31:25,105 --> 01:31:27,274 From what history does the future dream? 1620 01:31:45,417 --> 01:31:46,752 What I say to the conversation is-- 1621 01:31:48,128 --> 01:31:50,088 What have you is you have data. 1622 01:31:50,130 --> 01:31:50,881 Right. 1623 01:31:50,923 --> 01:31:51,798 And, and, and-- 1624 01:31:51,840 --> 01:31:53,133 It won't work. 1625 01:31:53,175 --> 01:31:54,051 - In my opinion, - It will not work. 1626 01:31:54,092 --> 01:31:55,594 data can be manipulated. 1627 01:31:55,636 --> 01:31:56,929 It can be adjusted or whatever. 1628 01:31:57,971 --> 01:31:59,306 They commit crime. 1629 01:31:59,348 --> 01:32:00,599 You gotta put your feet-- 1630 01:32:00,641 --> 01:32:01,934 Let's get that understood. 1631 01:32:01,975 --> 01:32:03,977 This is not the City, this is not-- 1632 01:32:04,019 --> 01:32:05,479 This is not Baltimore Police Department. 1633 01:32:05,521 --> 01:32:06,355 Right? 1634 01:32:06,396 --> 01:32:08,398 This is a whole private entity 1635 01:32:08,440 --> 01:32:10,108 that wants to assist Baltimore. 1636 01:32:10,150 --> 01:32:11,193 That's it. 1637 01:32:11,652 --> 01:32:12,569 They just wanna help. 1638 01:32:13,028 --> 01:32:14,363 They wanna come to assist. 1639 01:32:14,404 --> 01:32:16,406 There's nobody else coming with no solutions. 1640 01:32:16,782 --> 01:32:18,534 There's nobody else coming with no-- 1641 01:32:18,575 --> 01:32:19,952 no "let's get together". 1642 01:32:19,993 --> 01:32:21,203 There's nobody coming with-- 1643 01:32:21,245 --> 01:32:22,246 ain't nothing! 1644 01:32:22,788 --> 01:32:24,331 Even your City Council don't have it. 1645 01:32:24,831 --> 01:32:25,749 I know. 1646 01:32:25,791 --> 01:32:27,209 We just left there yesterday. 1647 01:32:27,543 --> 01:32:29,169 There's no solutions on the table. 1648 01:32:29,211 --> 01:32:30,462 This is the solutions. 1649 01:32:30,504 --> 01:32:31,797 "Give them more jail time". 1650 01:32:32,214 --> 01:32:34,258 So if you want that, sign up for it then. 1651 01:32:34,299 --> 01:32:36,260 Are you saying the community will be able to use this? 1652 01:32:36,301 --> 01:32:37,010 Yes. 1653 01:32:37,928 --> 01:32:38,845 We can look on the internet and- 1654 01:32:38,887 --> 01:32:40,222 Well, no, the-- it-- 1655 01:32:40,264 --> 01:32:42,224 we still have lots of privacy policies, 1656 01:32:42,266 --> 01:32:44,142 but, you know, if you have justice, 1657 01:32:44,476 --> 01:32:45,811 because the system works, 1658 01:32:45,852 --> 01:32:46,895 I think 1659 01:32:46,937 --> 01:32:49,523 the crime will come down significantly. 1660 01:32:49,565 --> 01:32:51,650 The tier-- the tier Let me stand up! 1661 01:32:52,067 --> 01:32:54,945 of crime 'cause the person who wants to commit the crime 1662 01:32:54,987 --> 01:32:57,114 will figure out that somebody's- That's right. 1663 01:32:57,155 --> 01:32:58,490 - And that's actually-- - That's it! 1664 01:32:58,532 --> 01:32:59,908 That is the biggest objective. 1665 01:32:59,950 --> 01:33:01,243 That's it! 1666 01:33:01,285 --> 01:33:02,828 That's all! 1667 01:33:02,869 --> 01:33:04,746 That right there. See what you just said. 1668 01:33:04,788 --> 01:33:06,039 That's it! 1669 01:33:06,081 --> 01:33:07,124 That's all! 1670 01:33:07,165 --> 01:33:08,667 This is all we asking for 1671 01:33:08,709 --> 01:33:09,918 is a deterrent. 1672 01:33:09,960 --> 01:33:11,461 Take two hundred of you 1673 01:33:11,503 --> 01:33:13,297 and go fill sh-- 1674 01:33:13,338 --> 01:33:14,423 Two hundred of you 1675 01:33:14,464 --> 01:33:16,508 and go out there and say, look, 1676 01:33:16,550 --> 01:33:17,467 'Cause I tell you 1677 01:33:17,509 --> 01:33:19,803 the moment I got whiff of it 1678 01:33:19,845 --> 01:33:22,556 he'll tell you, I was not only paranoid, 1679 01:33:22,598 --> 01:33:24,433 but I actually said, you know what? 1680 01:33:24,474 --> 01:33:26,435 We're not even ready to cross the street right now. 1681 01:33:27,436 --> 01:33:28,353 You understand? 1682 01:33:28,395 --> 01:33:30,188 Like these kids nowadays, 1683 01:33:30,230 --> 01:33:31,773 only thing you gotta tell 'em, "Hey, 1684 01:33:31,815 --> 01:33:33,942 God's eye-- God's eye up there. 1685 01:33:34,901 --> 01:33:36,403 Better wa-- Boy, be careful. 1686 01:33:36,445 --> 01:33:39,072 I, uh, beg to differ to a certain degree. 1687 01:33:39,114 --> 01:33:40,324 Let me tell you why. 1688 01:33:40,365 --> 01:33:42,284 And I was saying this, and she said it. 1689 01:33:42,618 --> 01:33:44,578 I've sat with young people, and I've talked with them. 1690 01:33:44,620 --> 01:33:46,538 I've asked a group of kids that was in a room. 1691 01:33:46,580 --> 01:33:47,956 Twenty kids in a room. 1692 01:33:47,998 --> 01:33:50,751 And I said, if you knew the consequences of the law, 1693 01:33:51,084 --> 01:33:52,127 would you break it? 1694 01:33:52,919 --> 01:33:53,879 Ten of them said yes. 1695 01:33:55,422 --> 01:33:57,341 They knew that they could get ten to fifteen years 1696 01:33:57,382 --> 01:33:58,800 to go to prison by selling drugs. 1697 01:33:58,842 --> 01:34:00,385 They said yes. You know why? 1698 01:34:00,427 --> 01:34:01,887 Because they trying to survive. 1699 01:34:02,304 --> 01:34:04,097 These kids don't care about no camera! 1700 01:34:04,139 --> 01:34:04,973 They don't care. 1701 01:34:05,015 --> 01:34:06,183 They know they being watched! 1702 01:34:06,224 --> 01:34:07,434 And it's in their area! 1703 01:34:07,476 --> 01:34:08,769 Those blue light cameras 1704 01:34:08,810 --> 01:34:10,145 are in urban areas. 1705 01:34:10,437 --> 01:34:11,647 Not in Mt. Washington. 1706 01:34:11,980 --> 01:34:13,065 It's not in Federal Hill. 1707 01:34:13,482 --> 01:34:14,900 They're in urban areas! 1708 01:34:14,941 --> 01:34:16,193 Yeah, I agree with that. 1709 01:34:17,778 --> 01:34:19,279 But I also know that one of the major factors in deterrents 1710 01:34:19,321 --> 01:34:21,156 is the likelihood of getting caught. 1711 01:34:21,531 --> 01:34:22,991 They don't care about that though, sir! 1712 01:34:23,033 --> 01:34:24,117 It's video cameras-- Listen! 1713 01:34:24,409 --> 01:34:25,786 Yo, 1714 01:34:25,827 --> 01:34:26,953 when the riots and all that stuff happened 1715 01:34:26,995 --> 01:34:28,246 It wasn't him! 1716 01:34:28,288 --> 01:34:30,290 Listen, it don't make-- it don't gotta be him! 1717 01:34:30,332 --> 01:34:32,626 If I know I'm being-- See? There we go with the deterrent. 1718 01:34:32,918 --> 01:34:34,461 If somebody's watching me, 1719 01:34:34,503 --> 01:34:35,921 I don't gotta know who it is. 1720 01:34:35,962 --> 01:34:38,215 I know it's somebody. So it should deter me, right? 1721 01:34:38,548 --> 01:34:39,549 It didn't deter. 1722 01:34:39,591 --> 01:34:41,134 We had 306 brothers going up. 1723 01:34:41,677 --> 01:34:43,804 So it ain't cameras that's gonna deter anything. 1724 01:34:43,845 --> 01:34:45,889 It's mentality that's gonna-- Right. 1725 01:34:45,931 --> 01:34:48,517 We have to begin to change the mentality! 1726 01:34:48,558 --> 01:34:50,018 But not by being watched! 1727 01:34:50,060 --> 01:34:52,604 No, no, no that's just-- that's not-- 1728 01:34:52,646 --> 01:34:53,897 That's not just-- 1729 01:34:53,939 --> 01:34:55,607 I think where we're getting off track here is 1730 01:34:55,649 --> 01:34:58,026 is that what you're saying is right. 1731 01:34:58,068 --> 01:34:59,569 What he's saying is right. 1732 01:34:59,611 --> 01:35:03,198 What we're-- we're mixing apples and oranges here. 1733 01:35:03,240 --> 01:35:04,574 Imma correct myself. 1734 01:35:04,616 --> 01:35:05,158 Okay. 1735 01:35:05,200 --> 01:35:06,368 It's systematic. 1736 01:35:06,410 --> 01:35:07,619 The system has to change 1737 01:35:07,661 --> 01:35:09,121 for people to see growth and progression. 1738 01:35:09,162 --> 01:35:10,539 Exactly. 1739 01:35:10,580 --> 01:35:11,832 - May I say something? - Yes sir. 1740 01:35:11,873 --> 01:35:13,083 - Go ahead. - Listen. 1741 01:35:13,709 --> 01:35:14,626 This is 1742 01:35:14,668 --> 01:35:15,669 step number one. 1743 01:35:16,169 --> 01:35:17,462 And I'm asking you, 1744 01:35:17,879 --> 01:35:19,131 like I've asked everybody. 1745 01:35:19,172 --> 01:35:20,298 Mhm. 1746 01:35:20,340 --> 01:35:23,135 I said, if, if you wanna sell this program, 1747 01:35:23,677 --> 01:35:25,429 turn the camera around. 1748 01:35:27,097 --> 01:35:30,350 The community is not at all interested 1749 01:35:30,767 --> 01:35:32,561 in being surveilled. 1750 01:35:33,103 --> 01:35:34,271 I'm here to tell you. 1751 01:35:34,855 --> 01:35:36,231 You gotta understand. 1752 01:35:36,273 --> 01:35:38,567 Your perspective is different from mine. 1753 01:35:39,067 --> 01:35:40,485 There are different perspectives here. 1754 01:35:41,361 --> 01:35:43,447 We gotta see it from their standpoint. 1755 01:35:44,656 --> 01:35:45,866 But what are you looking at? 1756 01:35:45,907 --> 01:35:46,992 How do you feel? 1757 01:35:49,536 --> 01:35:51,371 But, it-- it-- hey. 1758 01:35:52,831 --> 01:35:54,124 if you do that, 1759 01:35:54,166 --> 01:35:57,085 then you will make it palatable to the community. 1760 01:35:58,503 --> 01:36:00,088 We're trying our best. 1761 01:36:00,130 --> 01:36:01,047 Thank you, Pastor. 1762 01:36:01,965 --> 01:36:02,966 I really appreciate it. 1763 01:36:04,509 --> 01:36:05,844 I think we probably oughta pull this together. 1764 01:36:05,886 --> 01:36:07,095 Yeah. And uh... 1765 01:36:07,846 --> 01:36:10,182 It was a little different environment this time, 1766 01:36:10,223 --> 01:36:11,099 I might add. 1767 01:36:11,475 --> 01:36:12,184 I don't know 1768 01:36:12,225 --> 01:36:13,310 if, uh, 1769 01:36:13,351 --> 01:36:15,645 some of that was the fact that there was 1770 01:36:15,687 --> 01:36:18,356 cameras and other things, um-- 1771 01:36:18,982 --> 01:36:21,067 You know, I don't know how that played in, 1772 01:36:21,109 --> 01:36:22,277 to be honest with ya. 1773 01:36:22,611 --> 01:36:23,612 Um... 1774 01:36:23,653 --> 01:36:24,654 I appreciate your time. 1775 01:36:24,696 --> 01:36:25,864 I would like to be in touch. 1776 01:36:27,449 --> 01:36:29,284 I think we have a program that can help a lot. 1777 01:36:29,826 --> 01:36:30,535 Alright? 1778 01:36:31,536 --> 01:36:32,537 Pastor, thank you very much. 1779 01:36:32,996 --> 01:36:34,164 Thank you for hosting us. 1780 01:36:35,874 --> 01:36:37,083 And, uh, we'll come back as many times as you'd like. 1781 01:36:47,093 --> 01:36:48,804 Okay, so, I'm just going to go through 1782 01:36:48,845 --> 01:36:50,222 a series of brief questions 1783 01:36:50,263 --> 01:36:52,057 about the content that you just watched. 1784 01:36:52,974 --> 01:36:55,227 You saw many images today. 1785 01:36:55,268 --> 01:36:57,521 What specific images do you remember seeing? 1786 01:36:58,104 --> 01:36:59,606 Were there any that stood out to you? 1787 01:37:01,817 --> 01:37:04,319 Well, uh, yeah, I saw a bunch of images. 1788 01:37:04,361 --> 01:37:06,822 The most interesting ones were 1789 01:37:06,863 --> 01:37:08,865 either helicopter or drone shots? 1790 01:37:17,624 --> 01:37:19,417 Good morning, and thank you for coming. 1791 01:37:19,459 --> 01:37:22,128 I'm here today to announce a pilot program 1792 01:37:22,629 --> 01:37:24,756 for aerial surveillance in Baltimore. 1793 01:37:25,382 --> 01:37:27,050 We would be the first American city 1794 01:37:27,092 --> 01:37:28,969 to use this technology in an attempt 1795 01:37:29,010 --> 01:37:30,887 to solve and deter violent crime. 1796 01:37:31,847 --> 01:37:33,557 Alright guys, if there's nothing else, 1797 01:37:33,598 --> 01:37:34,683 then what we're gonna do now 1798 01:37:34,724 --> 01:37:36,184 is I'm gonna go get ITS 1799 01:37:36,226 --> 01:37:37,936 They're gonna come in with the camera equipment, 1800 01:37:37,978 --> 01:37:39,104 get it all issued out. 1801 01:37:39,646 --> 01:37:41,147 Henry 392. 1802 01:37:43,525 --> 01:37:44,651 Frank 171. 1803 01:37:47,571 --> 01:37:48,572 Henry 392. 1804 01:37:50,365 --> 01:37:51,533 So, how did these images make you feel? 1805 01:37:52,367 --> 01:37:53,118 Well, 1806 01:37:53,451 --> 01:37:54,286 I'm a filmmaker. 1807 01:37:54,870 --> 01:37:55,871 So-- so-- 1808 01:37:56,288 --> 01:37:57,789 My eye on watching films 1809 01:37:57,831 --> 01:37:59,040 is a little bit different from people. 1810 01:37:59,082 --> 01:38:00,000 I watch 1811 01:38:00,041 --> 01:38:01,209 everything in the background, 1812 01:38:01,251 --> 01:38:02,586 so I'm always critical. 1813 01:38:02,961 --> 01:38:04,045 So those type of things. 1814 01:38:07,299 --> 01:38:08,633 I've decided to proceed 1815 01:38:08,675 --> 01:38:10,552 with this proposed pilot program because 1816 01:38:10,844 --> 01:38:14,264 it could represent yet another tool in the toolbox 1817 01:38:14,556 --> 01:38:16,808 to solve and deter violent crime in our city. 1818 01:38:18,059 --> 01:38:20,270 So, we're rolling. I'm gonna come over, 1819 01:38:21,271 --> 01:38:22,272 and you're gonna show me how to hold it. 1820 01:38:23,982 --> 01:38:25,734 And you're going to put them in pairing mode 1821 01:38:26,484 --> 01:38:29,404 by holding the function button on the side of the camera. 1822 01:38:29,446 --> 01:38:31,364 The little, tiny button on the side of the camera. 1823 01:38:31,865 --> 01:38:32,824 Hold that down. 1824 01:38:34,326 --> 01:38:36,202 And hold down the record button at the same time. 1825 01:38:37,495 --> 01:38:38,872 Tell me a little bit more about 1826 01:38:38,914 --> 01:38:41,166 how it felt to be filmed in this setting. 1827 01:38:41,625 --> 01:38:42,667 Hm... 1828 01:38:42,709 --> 01:38:44,419 It felt kinda, you know, 1829 01:38:44,461 --> 01:38:46,880 because you talked about, like, what we were going to be doing 1830 01:38:46,922 --> 01:38:49,174 and I was really paying attention to my heart rate, 1831 01:38:49,215 --> 01:38:51,092 and whether my palms were sweating 1832 01:38:51,134 --> 01:38:54,179 so it felt kind of like I was observing myself. 1833 01:38:54,512 --> 01:38:56,514 Make sure you paired with the right camera, 1834 01:38:56,932 --> 01:38:58,266 and point the camera at yourself. 1835 01:38:59,100 --> 01:39:00,435 You should see yourself. 1836 01:39:00,477 --> 01:39:01,728 If you see somebody else, you messed up. 1837 01:39:01,770 --> 01:39:03,063 Yeah. 1838 01:39:03,104 --> 01:39:03,438 Oh, I can see myself! 1839 01:39:05,231 --> 01:39:07,567 So I'm looking forward to hear from our community, 1840 01:39:07,609 --> 01:39:10,028 and to educate them on what this is, 1841 01:39:10,320 --> 01:39:11,571 and what this is not. 1842 01:39:11,947 --> 01:39:12,989 So at this time, 1843 01:39:13,365 --> 01:39:14,407 I'll take a few questions. 1844 01:39:15,700 --> 01:39:16,618 Did these images 1845 01:39:16,660 --> 01:39:18,495 feel connected in any way? 1846 01:39:18,536 --> 01:39:21,081 Or did you feel there was a narrative being formed? 1847 01:40:25,437 --> 01:40:26,771 Say hello to the camera. 1848 01:40:26,813 --> 01:40:27,856 Hello to the camera. 1849 01:40:31,151 --> 01:40:31,901 Hi. 1850 01:40:33,194 --> 01:40:33,486 Alright, let's do this. 1851 01:40:34,863 --> 01:40:36,406 Okay, we'll just do this in one take 1852 01:40:36,448 --> 01:40:37,699 Do you want me to put it in now? 1853 01:40:37,741 --> 01:40:38,616 Standby mode. 1854 01:40:38,658 --> 01:40:39,492 Uh, double tap to get it to go. 1855 01:40:40,827 --> 01:40:41,911 You hold it in right? - You hold the button in? 1856 01:40:43,329 --> 01:40:43,747 You'll hear a beep and vibrate. 1857 01:40:44,789 --> 01:40:45,957 - That's what I did. - And then, 1858 01:40:45,999 --> 01:40:47,208 - Like this right? - And then your light-- 1859 01:40:47,250 --> 01:40:48,126 You're still recording. 1860 01:40:49,252 --> 01:40:50,003 Alright. 1861 01:40:50,628 --> 01:40:51,546 I just like-- 1862 01:40:51,588 --> 01:40:52,630 And just toss it up. 1863 01:41:02,432 --> 01:41:03,683 We want it-- 1864 01:41:04,100 --> 01:41:06,936 This is my first day getting my body-worn camera. 1865 01:41:06,978 --> 01:41:08,229 I'm so excited. 1866 01:41:08,271 --> 01:41:08,980 ...and enter information. 1867 01:41:10,607 --> 01:41:13,026 There are three different fields on that playback window 1868 01:41:13,068 --> 01:41:14,611 to enter in information. 1869 01:41:15,111 --> 01:41:16,404 The first one-- - Six. 1870 01:41:16,446 --> 01:41:18,782 22. 2017 Testing. 1871 01:41:18,823 --> 01:41:21,076 ...search menu on the website ID. 1872 01:41:21,993 --> 01:41:23,078 This video 1873 01:41:23,119 --> 01:41:24,329 is a training video. 1874 01:41:25,080 --> 01:41:26,498 It is concluding. 1875 01:41:28,124 --> 01:41:28,875 You wanna try it again? 1876 01:41:29,417 --> 01:41:29,959 Um... 1877 01:41:30,752 --> 01:41:31,753 Or you can just throw-- 1878 01:41:31,795 --> 01:41:33,254 Okay, yeah, yeah we can try it again. 1879 01:42:12,127 --> 01:42:13,378 We're filming! 1880 01:42:15,421 --> 01:42:16,756 Ay, yay, yay. ...you met Theo before? 1881 01:42:16,798 --> 01:42:16,923 Did you get any shots though? 1882 01:42:18,383 --> 01:42:19,717 Yeah, I was mostly making sure 1883 01:42:19,759 --> 01:42:20,301 the camera was calibrated for the room. 1884 01:42:28,643 --> 01:42:30,019 What camera, would you know? 1885 01:42:30,061 --> 01:42:31,104 The FS5. 1886 01:42:32,814 --> 01:42:33,481 So this is what you, this is your personal one? 1887 01:42:33,523 --> 01:42:34,107 Yep. 1888 01:42:35,024 --> 01:42:36,276 - Doc! - Yessir. 1889 01:42:36,317 --> 01:42:37,902 Getting behind the scenes. 1890 01:42:39,571 --> 01:42:40,822 Okay, we're just setting him up 1891 01:42:40,864 --> 01:42:42,031 with his little, uh-- 1892 01:42:42,073 --> 01:42:42,824 I'm recording. 1893 01:42:42,866 --> 01:42:44,325 Check, check, check. 1894 01:42:44,367 --> 01:42:46,411 Alright, so, that's good. But anyway. 1895 01:42:46,786 --> 01:42:48,413 What in episode one 1896 01:42:48,454 --> 01:42:50,331 happened during the episode 1897 01:42:50,373 --> 01:42:52,709 that's gonna make people wanna watch it? 1898 01:42:53,960 --> 01:42:55,503 That's-- that's what we need to focus on. 1899 01:42:55,920 --> 01:42:57,213 So if there's nothing in there 1900 01:42:57,589 --> 01:42:59,215 that actually draws the attention 1901 01:42:59,257 --> 01:43:00,884 of the audience we looking for, 1902 01:43:01,217 --> 01:43:02,760 then we need to add or fix something. 1903 01:43:15,607 --> 01:43:17,066 You can't-- that's what I'm saying. 1904 01:43:17,108 --> 01:43:18,776 You can't just put a flashback out of nowhere. 1905 01:43:18,818 --> 01:43:20,236 It was just like-- 1906 01:43:20,278 --> 01:43:21,613 - But he look like somebody-- - Something has to-- this 1907 01:43:21,654 --> 01:43:22,947 This is what I'm saying. This is what I'm saying. 1908 01:43:22,989 --> 01:43:24,324 That's what's going to get people thinking like, 1909 01:43:24,365 --> 01:43:26,367 Hold up, why did they just put that flashback there? 1910 01:43:26,409 --> 01:43:29,370 Exactly, but in order to have a flashback, 1911 01:43:29,412 --> 01:43:30,997 something has to happen. 1912 01:43:31,039 --> 01:43:32,999 - Oh... - See what I'm saying? Like, 1913 01:43:33,041 --> 01:43:34,000 We can't just-- - But let's-- 1914 01:43:34,042 --> 01:43:35,501 Look, look, look 1915 01:43:35,543 --> 01:43:37,003 man, you can't just be talking 1916 01:43:37,503 --> 01:43:39,214 man, you can't just be talking-- 1917 01:43:39,255 --> 01:43:40,882 they're not doing a flashback. 1918 01:43:41,257 --> 01:43:42,300 They can put two and two together like that. 1919 01:43:42,342 --> 01:43:43,843 This is what I'm saying. 1920 01:43:43,885 --> 01:43:45,970 In a flashback, let's say, me and John is having a conv-- 1921 01:44:03,821 --> 01:44:05,990 something like-- 1922 01:44:06,032 --> 01:44:07,825 Y'all just keep walking in the middle. 1923 01:44:07,867 --> 01:44:09,160 The one time I try to get a shot. 1924 01:44:10,787 --> 01:44:11,537 Y'all gotta start doing something. 1925 01:44:11,579 --> 01:44:12,956 Y'all know what to do? 1926 01:44:12,997 --> 01:44:14,499 Follow somebody that's doing something. 1927 01:44:14,540 --> 01:44:15,917 Lens change. We're putting in the, um, 1928 01:44:15,959 --> 01:44:17,210 Follow somebody that's doing something. 1929 01:44:17,252 --> 01:44:17,669 Right here, on-- 1930 01:44:20,672 --> 01:44:21,089 All hands on deck. 1931 01:44:21,130 --> 01:44:22,382 Okay? 1932 01:44:22,423 --> 01:44:23,633 Time is of the essence. 1933 01:44:23,675 --> 01:44:24,550 Time it somebody. 1934 01:44:24,592 --> 01:44:25,843 Go. Go. Go. 1935 01:44:27,637 --> 01:44:28,888 And then I use the little thing, 1936 01:44:28,930 --> 01:44:30,265 Oh my God. 1937 01:44:30,932 --> 01:44:33,309 I'm amazing with this in my hand. 1938 01:44:34,269 --> 01:44:35,895 So, like, amazing. 1939 01:44:35,937 --> 01:44:37,563 Pat came in there with hella drinks. 1940 01:44:37,605 --> 01:44:38,398 Subs. 1941 01:44:39,607 --> 01:44:40,316 Straight up good. Fine... 1942 01:44:40,358 --> 01:44:41,276 Yes! 1943 01:44:43,069 --> 01:44:44,612 That's what I'm talking about! 1944 01:44:44,654 --> 01:44:47,031 It don't take much to make me happy, folks. 1945 01:44:47,073 --> 01:44:48,741 Like, everybody trying! 1946 01:44:48,783 --> 01:44:50,618 You know, it doesn't take that much to make me happy. 1947 01:44:51,035 --> 01:44:52,620 Little things, 1948 01:44:52,662 --> 01:44:54,455 those moments where you guys are coming together. 1949 01:44:54,497 --> 01:44:55,415 That's what I'm talking about. 1950 01:44:55,456 --> 01:44:57,083 Love it. 1951 01:45:02,588 --> 01:45:04,340 - Y'all ready? - Y'all ready? 1952 01:45:04,382 --> 01:45:06,384 Alright, places, places! 1953 01:45:06,426 --> 01:45:07,760 Places, y'all, places! 1954 01:45:07,802 --> 01:45:09,637 Can I get quiet on the set-- - Go back to the script. 1955 01:45:09,679 --> 01:45:10,930 Quiet on the set, okay. 1956 01:45:10,972 --> 01:45:12,515 So-- That's your breast. 1957 01:45:12,557 --> 01:45:13,099 Alright, quiet on the set! 1958 01:45:13,516 --> 01:45:14,934 Alright, look. 1959 01:45:14,976 --> 01:45:16,561 If you're behind the scenes, I need you out of the shot 1960 01:45:16,602 --> 01:45:17,937 which is back there by 1961 01:45:17,979 --> 01:45:19,564 and if you are actors, I need you in your places. 1962 01:45:19,605 --> 01:45:21,107 Alrighty? 1963 01:45:21,149 --> 01:45:22,483 And try to get it on the first one! 1964 01:45:22,525 --> 01:45:23,776 Top of the pilot. 1965 01:45:24,861 --> 01:45:26,529 Quiet on the set. Quiet on the set. 1966 01:45:27,113 --> 01:45:28,364 Alright, so, 1967 01:45:28,656 --> 01:45:29,615 Cafe. 1968 01:45:29,657 --> 01:45:30,366 Take one. 1969 01:45:30,408 --> 01:45:31,117 Scene Five. 1970 01:45:45,340 --> 01:45:48,092 ♪ All of the sudden It's another self ♪ 1971 01:45:48,134 --> 01:45:49,761 ♪ It's another vibration ♪ 1972 01:45:49,802 --> 01:45:52,472 ♪ It's another state of seeing ♪ 1973 01:45:57,894 --> 01:46:00,772 ♪ We have may been here before ♪ 1974 01:46:00,813 --> 01:46:03,316 ♪ We may have taken this path ♪ 1975 01:46:03,358 --> 01:46:07,653 ♪ One time, Long time ago ♪ 1976 01:46:13,409 --> 01:46:16,120 ♪ All of the sudden It's another smile ♪ 1977 01:46:16,162 --> 01:46:17,622 ♪ It's another heartbeat ♪ 1978 01:46:17,663 --> 01:46:20,583 ♪ It's another style of thinking ♪ 1979 01:46:25,922 --> 01:46:28,966 ♪ Who can recall ♪ 1980 01:46:29,008 --> 01:46:32,178 ♪ The flowers smell differently and ♪ 1981 01:46:32,220 --> 01:46:34,806 ♪ Who can remember ♪ 1982 01:46:34,847 --> 01:46:38,893 ♪ The embraces weren't this warm before ♪ 1983 01:46:46,150 --> 01:46:48,986 ♪ All of the sudden, it's a different world ♪ 1984 01:46:49,028 --> 01:46:50,530 ♪ It's a different time ♪ 1985 01:46:50,571 --> 01:46:53,741 ♪ It's a different mode of vision ♪ 1986 01:46:58,704 --> 01:47:01,374 ♪ All of the sudden it's a different path ♪ 1987 01:47:01,416 --> 01:47:03,042 ♪ It's a different time ♪ 1988 01:47:03,084 --> 01:47:06,337 ♪ It's a different sun in the sky ♪ 1989 01:47:06,379 --> 01:47:09,257 ♪ Warm feeling ♪ 1990 01:47:09,298 --> 01:47:12,301 ♪ Floods the world again ♪ 1991 01:47:12,343 --> 01:47:17,974 ♪ This time, we're at the center of it all ♪ 1992 01:47:23,563 --> 01:47:26,315 ♪ All of the sudden it's a different time ♪ 1993 01:47:26,357 --> 01:47:28,025 ♪ It's a different pace ♪ 1994 01:47:28,067 --> 01:47:30,445 ♪ It's a different melody ♪ 1995 01:47:36,159 --> 01:47:38,911 ♪ All of the sudden it's a different self ♪ 1996 01:47:38,953 --> 01:47:40,371 ♪ It's a different purpose ♪ 1997 01:47:40,413 --> 01:47:42,331 ♪ It's a different direction ♪ 1998 01:47:42,373 --> 01:47:47,837 ♪ Now here, this way unfolding ♪ 1999 01:47:47,879 --> 01:47:51,048 ♪ So clear, we're knowing ♪ 2000 01:47:51,090 --> 01:47:53,801 ♪ God is here, glowing ♪ 2001 01:47:53,843 --> 01:47:57,096 ♪ As our name ♪ 2002 01:48:01,058 --> 01:48:03,811 ♪ All of the sudden it's a different sunshine ♪ 2003 01:48:03,853 --> 01:48:05,354 ♪ It's a different being ♪ 2004 01:48:05,396 --> 01:48:08,149 ♪ It's a different state of mind ♪ 2005 01:48:16,657 --> 01:48:19,160 ♪ Growth can change us ♪ 2006 01:48:19,202 --> 01:48:22,205 ♪ And change can grow us ♪ 2007 01:48:23,122 --> 01:48:25,875 ♪ New can take us in ♪ 2008 01:48:25,917 --> 01:48:27,543 ♪ To the beyond♪ 2009 01:48:27,585 --> 01:48:29,003 ♪ And where ♪ 2010 01:48:29,045 --> 01:48:31,797 ♪ Suddenly it's a different place ♪ 2011 01:48:31,839 --> 01:48:33,299 ♪ It's a different rate ♪ 2012 01:48:33,341 --> 01:48:36,385 ♪ It's a different state of feeling ♪ 2013 01:48:39,722 --> 01:48:42,683 ♪ Oooh ♪