1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:07,007 --> 00:00:08,133 Good morning. 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:08,883 --> 00:00:10,051 This is a man 5 00:00:10,719 --> 00:00:12,804 chosen by music. 6 00:00:12,887 --> 00:00:14,139 Can we go through it once? 7 00:00:14,222 --> 00:00:15,098 Of course. 8 00:00:29,029 --> 00:00:29,863 Again. 9 00:00:55,430 --> 00:00:57,182 -Is this the chord? -Yes. 10 00:00:57,265 --> 00:00:58,099 Yes. 11 00:01:03,897 --> 00:01:06,733 {\an8}Daiki Tsuneta. 12 00:01:15,325 --> 00:01:18,244 {\an8}He leads the massively popular Japanese rock band King Gnu 13 00:01:18,953 --> 00:01:21,206 {\an8}and is the creative genius behind all of its musical production. 14 00:01:21,289 --> 00:01:26,169 {\an8}TSUNETA, GUITAR & VOCAL 15 00:01:31,925 --> 00:01:33,301 How difficult. 16 00:01:34,636 --> 00:01:36,554 {\an8}A rare genius whose talent could not be tamed 17 00:01:36,638 --> 00:01:37,889 {\an8}even by Tokyo University of the Arts. 18 00:01:37,972 --> 00:01:39,432 {\an8}TOKYO UNIVERSITY OF THE ARTS CELLO MAJOR, LEFT THE PROGRAM 19 00:01:41,768 --> 00:01:43,895 He plays over ten different instruments. 20 00:01:44,479 --> 00:01:47,482 There are no musical barriers for him. 21 00:01:47,565 --> 00:01:51,111 An instrument called "horn" is highlighted here. 22 00:01:51,194 --> 00:01:52,028 Okay. 23 00:01:53,613 --> 00:01:55,615 Tsuneta expands the boundary of musical expression. 24 00:01:58,618 --> 00:02:02,747 How do I reshape conventional music? 25 00:02:03,498 --> 00:02:08,044 I'm drawn to that aspect of artistic expressions. 26 00:02:09,838 --> 00:02:13,299 {\an8}You could say it's a process of destruction and creation. 27 00:02:13,383 --> 00:02:16,845 {\an8}DESTRUCTION AND CREATION 28 00:02:19,180 --> 00:02:20,849 I just keep on working. 29 00:02:24,352 --> 00:02:26,604 Tsuneta's creativity extends to visual expressions 30 00:02:26,688 --> 00:02:29,190 as he collaborates with other creators in the industry. 31 00:02:32,485 --> 00:02:34,946 He now opens a new chapter of music with this innovative project. 32 00:02:35,697 --> 00:02:36,698 {\an8}millennium parade. 33 00:02:41,327 --> 00:02:44,581 His focus shifts from Tokyo to the international scene. 34 00:02:50,962 --> 00:02:52,422 I'm recording. 35 00:02:52,505 --> 00:02:54,048 You are on camera. 36 00:02:54,132 --> 00:02:56,092 Please extend a warm welcome! 37 00:02:56,175 --> 00:02:58,511 We closely followed Tsuneta for three months. 38 00:03:02,640 --> 00:03:03,975 We traced the creative process 39 00:03:04,058 --> 00:03:05,101 of a musical genius 40 00:03:05,184 --> 00:03:07,353 from the beginning to the end of one project. 41 00:03:07,437 --> 00:03:10,982 It is entitled "2992." 42 00:03:12,025 --> 00:03:14,527 Wouldn't it be interesting 43 00:03:14,611 --> 00:03:16,738 if my music persisted into 2992? 44 00:03:16,821 --> 00:03:19,324 That's why I have to give it my all. 45 00:03:23,369 --> 00:03:24,329 No! 46 00:03:24,412 --> 00:03:26,748 What did Tsuneta envision 47 00:03:26,831 --> 00:03:29,125 in the distant future? 48 00:03:29,208 --> 00:03:30,251 Not like this. 49 00:03:30,335 --> 00:03:32,003 One more time. 50 00:03:32,670 --> 00:03:34,881 I want to create a piece that affirms 51 00:03:34,964 --> 00:03:39,385 the viewpoints and perspectives of diverse people in the world. 52 00:03:50,730 --> 00:03:52,398 I've finally completed 53 00:03:52,482 --> 00:03:54,108 a clean, polished piece. 54 00:03:55,276 --> 00:03:56,569 Now, time to find ways to deconstruct it. 55 00:03:59,030 --> 00:04:00,740 Give me a break. 56 00:04:03,034 --> 00:04:05,453 I'm not done yet. It can still get tweaked. 57 00:04:05,536 --> 00:04:07,288 Why am I always in a hurry like this? 58 00:04:10,583 --> 00:04:12,752 {\an8}He is truly a prodigy born 59 00:04:12,835 --> 00:04:14,879 {\an8}from the chaotic world that is Tokyo. 60 00:04:15,630 --> 00:04:18,716 {\an8}We followed his never-ending process of destruction and creation. 61 00:04:26,975 --> 00:04:30,812 {\an8}SEPTEMBER 14, 2020 62 00:04:31,396 --> 00:04:32,230 {\an8}Hi. 63 00:04:33,856 --> 00:04:35,441 {\an8}-Hello. -Nice to meet you. 64 00:04:35,525 --> 00:04:36,776 {\an8}Our recording efforts began 65 00:04:37,735 --> 00:04:39,195 in September 2020. 66 00:04:40,071 --> 00:04:41,239 We are now recording. 67 00:04:42,991 --> 00:04:43,950 All right. 68 00:04:56,838 --> 00:04:58,881 We finished recording the bass part just now. 69 00:04:59,674 --> 00:05:02,343 Oh, hello. 70 00:05:02,427 --> 00:05:05,263 What a close-up project. 71 00:05:05,346 --> 00:05:07,390 Isn't that a big camera? 72 00:05:08,474 --> 00:05:09,350 Would you like to listen? 73 00:05:13,187 --> 00:05:14,397 {\an8}On this day, 74 00:05:14,480 --> 00:05:16,065 {\an8}they are recording 75 00:05:16,149 --> 00:05:18,276 {\an8}their debut album, THE MILLENNIUM PARADE. 76 00:05:18,359 --> 00:05:20,236 {\an8}NARRATION: TOBBY UEHARA 77 00:05:23,448 --> 00:05:26,743 {\an8}Their passion and innovation 78 00:05:26,826 --> 00:05:28,703 {\an8}are the epitome of Tokyo's chaos. 79 00:05:43,259 --> 00:05:45,011 -Is that better? -Well, 80 00:05:45,094 --> 00:05:46,137 just in case. 81 00:05:46,763 --> 00:05:48,097 After I pleaded. 82 00:05:48,181 --> 00:05:49,265 Do you want it simpler? 83 00:05:49,348 --> 00:05:50,558 Sure, why not? 84 00:05:52,643 --> 00:05:53,978 I prefer it that way. 85 00:05:55,229 --> 00:05:57,732 Could you introduce the band members? 86 00:05:57,815 --> 00:05:58,649 All right. 87 00:05:59,192 --> 00:06:02,737 {\an8}He is King Gnu's bassist. 88 00:06:03,279 --> 00:06:04,822 {\an8}I'm Kazuki Arai. 89 00:06:04,906 --> 00:06:05,740 {\an8}Nice to meet you. 90 00:06:05,823 --> 00:06:07,241 {\an8}-He's Arai. -I'm Arai. 91 00:06:07,325 --> 00:06:10,369 {\an8}And he is Ayatake Ezaki. 92 00:06:10,453 --> 00:06:14,332 {\an8}He plays for other bands such as WONK. 93 00:06:14,415 --> 00:06:19,587 {\an8}Ayatake plays the keyboard for King Gnu as well. 94 00:06:19,670 --> 00:06:21,130 In that way, 95 00:06:21,214 --> 00:06:23,966 we do have core members. 96 00:06:25,593 --> 00:06:27,386 We play Daiki Tsuneta's works. 97 00:06:27,470 --> 00:06:28,429 All right. 98 00:06:28,513 --> 00:06:29,764 Now, do you mind playing a song? 99 00:06:29,847 --> 00:06:31,015 Sure. 100 00:06:41,150 --> 00:06:42,318 -Ready. -Okay. 101 00:07:12,014 --> 00:07:13,266 Wonderful. 102 00:07:13,891 --> 00:07:14,892 It's an interesting piece. 103 00:07:14,976 --> 00:07:16,644 It might be suitable 104 00:07:16,727 --> 00:07:18,146 for the last bit of the improv. 105 00:07:19,647 --> 00:07:21,816 La, ti, do, re, mi, so, mi. 106 00:07:22,650 --> 00:07:23,484 Right. 107 00:07:24,485 --> 00:07:27,488 -Using the scale sounds interesting. -I agree. 108 00:07:27,572 --> 00:07:30,867 It may be bland, though. 109 00:07:32,076 --> 00:07:34,120 -Want to keep that version? -Yeah. 110 00:07:34,745 --> 00:07:36,873 -I'll try again. -All right. 111 00:07:50,303 --> 00:07:51,179 Usually, 112 00:07:51,262 --> 00:07:53,598 a producer directs recording sessions. 113 00:07:53,681 --> 00:07:54,765 But not in this studio. 114 00:07:55,933 --> 00:07:58,060 Tsuneta is the one who makes all the decisions. 115 00:08:03,816 --> 00:08:04,775 I can say that… 116 00:08:05,651 --> 00:08:07,904 -It's got its charm. -I agree. 117 00:08:07,987 --> 00:08:09,780 I forgot what I listened to. 118 00:08:09,864 --> 00:08:11,157 We can also 119 00:08:12,116 --> 00:08:13,576 splice the best parts from each recorded audio. 120 00:08:14,785 --> 00:08:16,704 Tsuneta, you don't seem 121 00:08:16,787 --> 00:08:18,456 to be directing the scene. 122 00:08:18,539 --> 00:08:20,082 Not usually, no. 123 00:08:20,166 --> 00:08:21,667 Ultimately, 124 00:08:22,335 --> 00:08:26,839 he decides on the final version, 125 00:08:26,923 --> 00:08:29,300 but he gives each musician 126 00:08:29,383 --> 00:08:33,554 the space to express their own creativity. 127 00:08:33,638 --> 00:08:36,891 What you witnessed with this session is a great example of that. 128 00:08:36,974 --> 00:08:38,643 I never play the bass this freely 129 00:08:38,726 --> 00:08:40,728 -in other recordings. -No, never. 130 00:08:40,811 --> 00:08:44,148 It may be rare to ask the musicians 131 00:08:44,232 --> 00:08:45,858 to be active players. 132 00:08:46,901 --> 00:08:48,236 In that way, my project 133 00:08:48,319 --> 00:08:53,366 allows musicians to bring out their best. 134 00:08:53,449 --> 00:08:54,867 -Yeah. -That may be so. 135 00:08:54,951 --> 00:08:55,785 Yeah. 136 00:08:55,868 --> 00:08:58,246 We are able to express our musical creativity here. 137 00:08:58,329 --> 00:08:59,163 Yeah. 138 00:09:12,760 --> 00:09:14,679 -Isn't it good? -It sounds good. 139 00:09:14,762 --> 00:09:16,639 It has a starting instrumental feel to it. 140 00:09:17,640 --> 00:09:18,599 Let's go with this for now. 141 00:09:26,983 --> 00:09:32,238 {\an8}SEPTEMBER 15, 2020 142 00:09:32,321 --> 00:09:33,281 {\an8}The following day, 143 00:09:33,906 --> 00:09:36,951 {\an8}we were allowed into Tsuneta's private studio. 144 00:09:40,037 --> 00:09:41,122 This was the first time 145 00:09:41,205 --> 00:09:43,416 a camera was allowed 146 00:09:43,499 --> 00:09:44,792 into the creative process with his band. 147 00:09:56,012 --> 00:09:57,638 -Good morning. -Morning. 148 00:09:57,722 --> 00:09:58,723 Good to see you today. 149 00:09:59,682 --> 00:10:02,310 What are you working on right now? 150 00:10:02,393 --> 00:10:04,395 This is for King Gnu. 151 00:10:05,146 --> 00:10:06,856 It's from December's recording. 152 00:10:07,773 --> 00:10:09,358 It's our new song. 153 00:10:16,073 --> 00:10:18,909 {\an8}"STAR OF THE SHOW" 154 00:10:18,993 --> 00:10:20,453 {\an8}He was working on 155 00:10:20,536 --> 00:10:22,580 {\an8}the demo for King Gnu's new song. 156 00:10:23,205 --> 00:10:24,874 {\an8}In other words, designing a song. 157 00:10:45,936 --> 00:10:46,937 It leads to this section. 158 00:10:47,897 --> 00:10:49,523 What do you say 159 00:10:49,607 --> 00:10:51,067 -about adding the keyboard here? -Yeah. 160 00:10:58,115 --> 00:11:00,034 Tsuneta listens to the same line over and over again 161 00:11:00,701 --> 00:11:02,953 as he fine-tunes the sound for each instrument. 162 00:11:37,988 --> 00:11:41,033 I do this endlessly. 163 00:11:41,117 --> 00:11:43,452 For example… 164 00:11:50,126 --> 00:11:51,877 These are the tracks 165 00:11:51,961 --> 00:11:54,713 -for King Gnu's newest release. -Right. 166 00:11:54,797 --> 00:11:57,716 -It's a song titled "A Cheap Novel." -Right. 167 00:11:57,800 --> 00:12:01,262 It's composed of 52 individual tracks. 168 00:12:01,804 --> 00:12:03,722 These parts compose one song. 169 00:12:08,894 --> 00:12:13,107 You start by composing the bass's melody line. 170 00:12:13,190 --> 00:12:16,819 That's correct. That's where I get the rough feel of the song. 171 00:12:16,902 --> 00:12:17,736 Okay. 172 00:12:18,863 --> 00:12:21,740 For example, I incorporate chords. 173 00:12:21,824 --> 00:12:23,409 The E chord 174 00:12:23,492 --> 00:12:24,827 is followed by an open chord. 175 00:12:33,085 --> 00:12:34,837 It sounds like this. 176 00:12:34,920 --> 00:12:36,130 It's difficult to explain using words. 177 00:12:55,357 --> 00:12:58,736 This is how I come up with the overall mood of the song. 178 00:13:01,739 --> 00:13:03,282 I start to feel out the song. 179 00:13:09,830 --> 00:13:10,998 Within that process, 180 00:13:11,081 --> 00:13:12,708 I experiment with the melody. 181 00:13:16,045 --> 00:13:17,755 This melody line 182 00:13:17,838 --> 00:13:20,424 is then incorporated like so. 183 00:13:23,052 --> 00:13:26,055 And if you don't hear the strings… 184 00:13:26,889 --> 00:13:28,474 Where's the strings track? 185 00:13:30,392 --> 00:13:31,227 Here it is. 186 00:13:32,019 --> 00:13:33,437 I incorporate the melody into the demo. 187 00:13:40,444 --> 00:13:41,320 That's the process. 188 00:13:42,363 --> 00:13:43,405 That's how 189 00:13:43,489 --> 00:13:46,242 the agglomeration is created. 190 00:13:48,452 --> 00:13:50,496 It's a never-ending process. 191 00:14:47,595 --> 00:14:49,346 Where does he draw inspiration 192 00:14:50,014 --> 00:14:51,599 for his unique musical taste? 193 00:14:52,641 --> 00:14:54,143 -All these art books. -Yes. 194 00:14:55,227 --> 00:14:56,937 This is where I draw my inspiration from. 195 00:14:57,021 --> 00:15:00,691 -Yes. -It's a collective of various artists. 196 00:15:00,774 --> 00:15:02,526 Who is this? 197 00:15:02,610 --> 00:15:04,945 This one is Kosuke Kawamura. 198 00:15:05,988 --> 00:15:07,239 He's a collage artist. 199 00:15:08,782 --> 00:15:13,704 The media he works with, 200 00:15:15,039 --> 00:15:18,000 -collage, is something I find relatable. -Yes. 201 00:15:18,834 --> 00:15:20,669 Let me show you. 202 00:15:20,753 --> 00:15:21,587 Okay. 203 00:15:24,840 --> 00:15:28,260 I sampled an orchestra. 204 00:15:28,344 --> 00:15:29,178 Okay. 205 00:15:32,890 --> 00:15:34,808 I then insert the beats. 206 00:15:35,601 --> 00:15:39,730 I applied a collage-like technique to my music. 207 00:15:39,813 --> 00:15:43,067 -Yes. -I create unique music unlike any other. 208 00:15:55,329 --> 00:15:56,914 By destroying 209 00:15:56,997 --> 00:16:00,918 a completed piece and reconstructing it from scratch, 210 00:16:02,628 --> 00:16:05,089 you can create completely different music. 211 00:16:05,756 --> 00:16:11,261 It's a way to build a totally new work. 212 00:16:11,345 --> 00:16:16,600 You can say that my work is based on this approach. 213 00:16:16,684 --> 00:16:17,768 Yes. 214 00:16:18,394 --> 00:16:22,022 -I see, you explained it very clearly. -Was it clear? That's good to hear. 215 00:16:23,857 --> 00:16:25,859 That's my approach to music. 216 00:16:25,943 --> 00:16:27,361 Wow. Yeah. 217 00:16:27,444 --> 00:16:29,405 -Look at this chair. -Okay. 218 00:16:29,488 --> 00:16:30,447 Isn't it unique? 219 00:16:31,281 --> 00:16:32,783 It has spikes coming out of the leather. 220 00:16:32,866 --> 00:16:35,411 It's custom-made. 221 00:16:35,494 --> 00:16:37,579 -It's also a work of collage. -Wow. 222 00:16:39,123 --> 00:16:40,666 The spikes are in the way, though. 223 00:16:42,418 --> 00:16:44,420 It's the same with the laptop on the floor. 224 00:16:44,503 --> 00:16:45,546 Yeah. 225 00:16:46,296 --> 00:16:47,673 Oh, 226 00:16:47,756 --> 00:16:49,883 -that's a laptop. -Yes. I used it for the longest time 227 00:16:49,967 --> 00:16:51,593 but got a new computer just recently. 228 00:16:51,677 --> 00:16:54,471 -Okay. -I dripped nail polish 229 00:16:54,555 --> 00:16:55,848 -all over it. -Okay. 230 00:16:59,685 --> 00:17:03,439 My work is also heavily influenced by Keiichi Tanaami's style. 231 00:17:03,522 --> 00:17:04,857 I see. 232 00:17:04,940 --> 00:17:07,151 This artist too. 233 00:17:07,860 --> 00:17:11,155 -He represents multi-genre art. -Yes. 234 00:17:11,238 --> 00:17:12,865 -Incredible. -Yeah. 235 00:17:14,658 --> 00:17:18,078 "Tokyo Chaotic" 236 00:17:20,164 --> 00:17:26,503 is a concept I base my work on often. 237 00:17:28,297 --> 00:17:31,008 There are people 238 00:17:31,091 --> 00:17:35,721 from various cultures and backgrounds. 239 00:17:36,430 --> 00:17:40,350 I want to affirm the perspectives 240 00:17:41,226 --> 00:17:42,728 of all the various ideas. 241 00:17:44,146 --> 00:17:47,941 I think this is also true of my current project. 242 00:17:49,568 --> 00:17:50,903 I consciously try 243 00:17:51,653 --> 00:17:56,617 to create a place for communication with people whose values 244 00:17:56,700 --> 00:18:00,662 are different from mine in my music. 245 00:18:00,746 --> 00:18:02,664 I don't want to shut anyone out. 246 00:18:03,499 --> 00:18:07,211 I hope to accept people as they are. 247 00:18:34,530 --> 00:18:39,243 {\an8}SEPTEMBER 22, 2020 248 00:18:41,286 --> 00:18:43,747 Today was King Gnu's recording. 249 00:18:48,293 --> 00:18:50,921 It's the first release 250 00:18:52,131 --> 00:18:53,924 for King Gnu this year. 251 00:18:54,466 --> 00:18:57,886 I feel the fan's expectations on my back. 252 00:18:58,929 --> 00:19:03,267 The pandemic started just as we were preparing for a tour. 253 00:19:03,934 --> 00:19:05,644 I can't wait for the pandemic to end. 254 00:19:05,727 --> 00:19:09,439 I believe we are still moving forward with our autumn tour. 255 00:19:09,523 --> 00:19:10,357 Yeah. 256 00:19:11,984 --> 00:19:15,863 His playing style evolved with his hairstyle. 257 00:19:15,946 --> 00:19:17,114 It's much more mature! 258 00:19:19,241 --> 00:19:23,245 {\an8}DRUMMER: YU SEKI 259 00:19:23,328 --> 00:19:26,290 {\an8}It has been six months since they last recorded together. 260 00:19:30,711 --> 00:19:31,920 When did you cut your hair? 261 00:19:32,004 --> 00:19:34,047 -Yesterday. -Wow. 262 00:19:34,131 --> 00:19:36,758 The front part looks very interesting. 263 00:19:36,842 --> 00:19:38,302 I agree, the front of my hair is kind of long. 264 00:19:38,385 --> 00:19:39,595 It looks worse when I let it down. 265 00:19:40,888 --> 00:19:41,722 And the sides? 266 00:19:41,805 --> 00:19:43,098 It looks normal if I tuck it. 267 00:19:44,183 --> 00:19:46,393 No, it's definitely not normal-looking. 268 00:19:46,476 --> 00:19:48,604 Oh, isn't it passable? 269 00:20:18,008 --> 00:20:20,010 What are you typing? 270 00:20:21,220 --> 00:20:25,849 I'm typing rhyming words. 271 00:20:25,933 --> 00:20:26,767 Okay. 272 00:20:27,643 --> 00:20:31,188 This song spits out words machine gun-style. 273 00:20:31,897 --> 00:20:34,942 No matter how many words I come up with, 274 00:20:35,025 --> 00:20:35,943 it's not enough. 275 00:20:39,071 --> 00:20:41,657 The words to the song they are recording 276 00:20:41,740 --> 00:20:43,367 weren't written yet. 277 00:20:49,998 --> 00:20:53,335 The first verse surpassed my expectations. 278 00:20:56,296 --> 00:20:59,258 "The desire for life," 279 00:21:00,259 --> 00:21:03,470 "the spark of life." Those are the themes. 280 00:21:06,098 --> 00:21:07,474 Well, now I'm embarrassed. 281 00:21:08,392 --> 00:21:10,185 Oh, well. 282 00:21:10,269 --> 00:21:11,770 That's the idea. 283 00:21:11,853 --> 00:21:13,605 Really. 284 00:21:13,689 --> 00:21:15,983 -That's the rough idea. -I'm embarrassed. 285 00:21:20,445 --> 00:21:23,573 {\an8}He begins to explain the last line of the verse. 286 00:21:26,159 --> 00:21:29,746 {\an8}"Give me the antibodies." 287 00:21:29,830 --> 00:21:31,915 {\an8}We need to develop our immunity. 288 00:21:32,499 --> 00:21:34,793 Life will only get harder. 289 00:21:36,461 --> 00:21:39,840 I sure hope researchers 290 00:21:39,923 --> 00:21:41,216 are hard at work. 291 00:21:42,551 --> 00:21:43,427 Seriously. 292 00:21:44,219 --> 00:21:46,138 It's outside our realm. 293 00:21:48,724 --> 00:21:53,228 This is an earnest plea. 294 00:21:58,442 --> 00:21:59,985 You wouldn't have come up with it unless 295 00:22:00,068 --> 00:22:01,153 -this pandemic happened. -Exactly. 296 00:22:03,155 --> 00:22:06,199 "Give me the antibodies to live this life." 297 00:22:10,370 --> 00:22:12,247 What do you think? 298 00:22:12,331 --> 00:22:14,750 -Things are better-- -It seems so. 299 00:22:14,833 --> 00:22:17,919 That's for sure. 300 00:22:18,003 --> 00:22:22,257 But it is risky to sell too many tickets. 301 00:22:23,216 --> 00:22:24,384 What if we sell the tickets 302 00:22:24,468 --> 00:22:28,930 -and there's an outbreak the first night? -And it gets canceled? 303 00:22:29,014 --> 00:22:30,515 What if one of us gets infected? 304 00:22:32,350 --> 00:22:35,103 There's a double meaning to the line "give me the antibodies." 305 00:22:36,146 --> 00:22:39,316 We've created a song about an earnest plea. 306 00:22:52,954 --> 00:22:55,791 I thought that was catchy. 307 00:22:58,418 --> 00:23:00,170 All good. 308 00:23:01,546 --> 00:23:03,632 -Are we done? -Let's be done. 309 00:23:03,715 --> 00:23:05,926 -We are done early. -Yeah. 310 00:23:06,009 --> 00:23:07,385 Yes. 311 00:23:07,469 --> 00:23:08,887 We've never finished this early. 312 00:23:17,521 --> 00:23:18,772 Do you want a ride? 313 00:23:30,784 --> 00:23:32,119 It's raining. 314 00:23:34,204 --> 00:23:36,081 It was cloudy all day. 315 00:23:36,164 --> 00:23:39,292 -Right. It's the end of summer. -Yeah. 316 00:23:51,555 --> 00:23:52,889 Tsuneta's car of choice 317 00:23:52,973 --> 00:23:54,683 is a domestic '70s model. 318 00:23:58,019 --> 00:24:01,231 -I got my first car when I was around 20. -Yeah. 319 00:24:02,899 --> 00:24:04,651 -It was a Rasheen. -Oh, a Rasheen? 320 00:24:04,734 --> 00:24:05,819 When you were in your teens? 321 00:24:05,902 --> 00:24:08,196 -Oh, do you know it? -Oh, definitely. 322 00:24:08,280 --> 00:24:10,991 -We have the same taste! -Right. 323 00:24:12,033 --> 00:24:15,036 Maintenance was expensive, so I let it go. 324 00:24:15,120 --> 00:24:15,954 Yes. 325 00:24:16,496 --> 00:24:18,915 -When it needed inspection. -Right. 326 00:24:19,875 --> 00:24:24,212 It's sad to let go of a car. 327 00:24:24,296 --> 00:24:26,590 It makes me want to make more money. 328 00:24:29,342 --> 00:24:33,597 -But I finally got another car -Yeah. 329 00:24:34,931 --> 00:24:39,603 -just this year. It was about time. -Yeah. 330 00:24:41,646 --> 00:24:45,984 But have you always wanted to work with music? 331 00:24:46,818 --> 00:24:49,237 I couldn't imagine myself doing anything else. 332 00:24:50,405 --> 00:24:54,492 I never considered going into anything else. 333 00:24:57,871 --> 00:24:59,414 What do you say about getting food? 334 00:24:59,497 --> 00:25:00,457 Is that all right? 335 00:25:01,958 --> 00:25:04,169 Let's go somewhere cheap. 336 00:25:04,836 --> 00:25:07,297 -I can look it up. -If you don't mind. 337 00:25:07,380 --> 00:25:08,340 -Okay. -Okay. 338 00:25:10,091 --> 00:25:11,301 Thanks for the food. 339 00:25:13,887 --> 00:25:17,766 Tsuneta says his favorite food is egg over rice. 340 00:25:22,020 --> 00:25:23,230 -Can I grab it? -Sure. 341 00:25:25,273 --> 00:25:27,484 I don't know how to hold chopsticks. 342 00:25:28,818 --> 00:25:31,988 I never learned good manners. 343 00:25:32,572 --> 00:25:35,325 -Your family wasn't strict. -Not at all. 344 00:25:37,410 --> 00:25:41,706 -One time, we were eating a bento meal -Right. 345 00:25:42,499 --> 00:25:44,960 at a recording for Kenshi Yonezu. 346 00:25:47,504 --> 00:25:50,006 Yonezu was shocked. He asked if I'm from a civilized world. 347 00:25:51,800 --> 00:25:55,220 That's how bad mine is. 348 00:25:59,266 --> 00:26:01,101 Ever since he pointed it out, 349 00:26:03,228 --> 00:26:05,188 I've been careful of how I hold my chopsticks. 350 00:26:05,814 --> 00:26:06,648 Yeah. 351 00:26:06,731 --> 00:26:07,691 I've been practicing since. 352 00:26:08,483 --> 00:26:10,193 That's where I had to start. 353 00:26:25,542 --> 00:26:26,501 10:00 p.m. 354 00:26:27,460 --> 00:26:29,546 Tsuneta does not head home 355 00:26:29,629 --> 00:26:30,672 but to his studio. 356 00:26:41,308 --> 00:26:44,019 He begins to work on the lyrics once more. 357 00:27:56,132 --> 00:27:58,051 He destroys 358 00:27:58,593 --> 00:28:00,011 the melody he created once again. 359 00:28:09,396 --> 00:28:11,523 Repeating a haphazard play 360 00:28:11,606 --> 00:28:16,319 Always forcing the plot Cobbling life together 361 00:28:16,945 --> 00:28:23,284 The end of the maze is just the beginning 362 00:28:31,626 --> 00:28:33,962 The B melody needs more work. 363 00:28:34,045 --> 00:28:37,632 -Yeah. -I'm thinking of changing up the melody. 364 00:28:38,717 --> 00:28:39,592 What about the lyrics? 365 00:28:40,635 --> 00:28:42,011 -That too. -Yeah. 366 00:29:07,912 --> 00:29:13,251 A cheap novel… 367 00:29:28,683 --> 00:29:35,523 {\an8}SEPTEMBER 26, 2020 368 00:29:36,524 --> 00:29:37,692 This is hard. 369 00:29:37,776 --> 00:29:38,902 {\an8}VOCALIST: SATORU IGUCHI 370 00:29:38,985 --> 00:29:41,529 {\an8}Now sing and dance like you've gone mad 371 00:29:42,280 --> 00:29:44,657 {\an8}It's tricky. It's hard to get it perfect. 372 00:29:44,741 --> 00:29:46,534 -Let's start -Now sing and dance… 373 00:29:46,618 --> 00:29:49,162 -the chorus on B. -Okay. 374 00:29:51,998 --> 00:29:53,458 Tsuneta said he finished up the lyrics 375 00:29:53,541 --> 00:29:55,335 just this morning. 376 00:29:55,418 --> 00:29:59,047 "STAR OF THE SHOW" 377 00:30:01,049 --> 00:30:03,718 I want you and I to be in love 378 00:30:03,802 --> 00:30:07,263 A business selling whatever you want Regret is nothing but a pain 379 00:30:07,347 --> 00:30:12,435 Give me the antibodies to live this life This unrefined life 380 00:30:13,269 --> 00:30:14,479 Oh, that's fast. 381 00:30:14,562 --> 00:30:16,439 Very fast. 382 00:30:17,732 --> 00:30:19,067 Hey, about the line here. 383 00:30:19,150 --> 00:30:21,861 What if we change it 384 00:30:21,945 --> 00:30:23,530 to "this raw and unrefined life"? 385 00:30:23,613 --> 00:30:25,031 "Raw and unrefined life"? 386 00:30:25,114 --> 00:30:26,449 Switch the lyrics around. 387 00:30:26,533 --> 00:30:29,452 Yes, and add "raw and unrefined." 388 00:30:29,536 --> 00:30:30,620 All right. 389 00:30:30,703 --> 00:30:31,746 "Raw and unrefined life." 390 00:30:35,291 --> 00:30:37,627 Try to sing more dynamically than usual. 391 00:30:37,710 --> 00:30:38,670 All right. 392 00:30:40,088 --> 00:30:41,047 Yeah. 393 00:30:41,130 --> 00:30:45,134 A business selling whatever you want Regret is nothing but a pain 394 00:30:45,218 --> 00:30:47,720 Give me the antibodies to live this life This raw and unrefined life 395 00:30:51,641 --> 00:30:55,562 Give me the antibodies 396 00:30:55,645 --> 00:30:58,022 To live this life This raw and unrefined life 397 00:30:58,731 --> 00:31:00,567 Is that better? 398 00:31:00,650 --> 00:31:01,693 Nothing but a pain 399 00:31:02,193 --> 00:31:03,903 Nothing but a pain 400 00:31:03,987 --> 00:31:04,988 Do you want to change it? 401 00:31:05,071 --> 00:31:06,406 I can sing it. 402 00:31:07,699 --> 00:31:10,034 Regret is nothing but a pain 403 00:31:11,452 --> 00:31:12,620 -Here. -All right. 404 00:31:13,413 --> 00:31:17,208 A business selling whatever you want Regret is nothing but a pain 405 00:31:17,292 --> 00:31:22,297 Give me the antibodies to live this life This raw and unrefined life 406 00:31:24,382 --> 00:31:26,092 Can you accentuate more? 407 00:31:26,175 --> 00:31:27,927 I don't know about that. 408 00:31:30,138 --> 00:31:32,348 A business selling whatever you want Regret is nothing but a pain 409 00:31:32,432 --> 00:31:37,312 Give me the antibodies to live this life This raw and unrefined life 410 00:31:39,606 --> 00:31:40,648 -That was good. -Yes. 411 00:31:44,527 --> 00:31:47,155 What if we make this the chorus? 412 00:31:49,866 --> 00:31:53,661 -You are keeping the title. -Yes. 413 00:31:53,745 --> 00:31:55,246 From "A Cheap Novel" to the "Star of the Show." 414 00:31:55,330 --> 00:31:56,664 They share a theme. 415 00:31:57,248 --> 00:31:59,918 How should I put it… 416 00:32:02,170 --> 00:32:05,131 These are upbeat songs. 417 00:32:05,840 --> 00:32:08,134 Those are very important to King Gnu. 418 00:32:08,217 --> 00:32:10,428 Our band is about live concerts. 419 00:32:12,263 --> 00:32:15,934 Songs that sound better live. 420 00:32:16,017 --> 00:32:19,771 That's a core trait of our band. 421 00:32:20,688 --> 00:32:23,232 That's very important to us. 422 00:32:24,317 --> 00:32:28,112 I believe this song will be one of the fan favorites. 423 00:32:32,367 --> 00:32:34,577 I want to hear you talk like Yosui. 424 00:32:34,661 --> 00:32:35,495 Can you do that? 425 00:32:36,371 --> 00:32:37,789 Is your stomach 426 00:32:38,748 --> 00:32:40,208 full of mommy's cooking? 427 00:32:41,793 --> 00:32:43,836 -Did you get enough? -Oh… 428 00:32:43,920 --> 00:32:45,505 Oh, you changed your voice. 429 00:32:45,588 --> 00:32:47,799 Will you find a use for this track? 430 00:32:47,882 --> 00:32:50,301 Isn't this recording pointless? 431 00:32:50,385 --> 00:32:53,554 -I'm sure we'll find a use for it somehow. -I highly doubt that. 432 00:32:56,349 --> 00:32:57,850 This happened during a break. 433 00:32:59,811 --> 00:33:01,020 We have to cut our tour down to a smaller scale. 434 00:33:01,604 --> 00:33:03,356 Why's that? 435 00:33:03,439 --> 00:33:05,900 -Is the situation getting worse? -Not that, but 436 00:33:05,984 --> 00:33:07,652 -there are more risks than before. -Yeah. 437 00:33:09,487 --> 00:33:11,489 We'll only go to Tokyo, Nagoya, and Osaka. 438 00:33:12,490 --> 00:33:14,200 Tokyo, Nagoya, and Osaka? 439 00:33:14,283 --> 00:33:15,451 We won't play in Sapporo. 440 00:33:15,535 --> 00:33:18,663 We won't play in Sapporo, Fukuoka, and Sendai. 441 00:33:18,746 --> 00:33:19,580 Any of them? 442 00:33:22,917 --> 00:33:24,669 That's about 40,000 people. 443 00:33:24,752 --> 00:33:26,212 In a normal situation, 444 00:33:27,046 --> 00:33:28,840 we'd expect 100,000 tickets sold. 445 00:33:29,966 --> 00:33:30,883 That's half. 446 00:33:32,343 --> 00:33:33,344 Half? 447 00:33:34,762 --> 00:33:35,680 Half… 448 00:33:38,725 --> 00:33:39,559 Wow. 449 00:33:40,351 --> 00:33:41,185 This sucks. 450 00:33:43,730 --> 00:33:44,814 How unfortunate. 451 00:33:57,910 --> 00:33:59,162 Well… 452 00:33:59,787 --> 00:34:00,705 Let's see. 453 00:34:00,788 --> 00:34:01,748 This year, 454 00:34:03,082 --> 00:34:06,210 -we were supposed to be on a roll. -Yeah. 455 00:34:11,174 --> 00:34:12,133 Anyway, 456 00:34:14,010 --> 00:34:18,014 we can only do our best. 457 00:34:20,600 --> 00:34:24,937 Repeating a haphazard play Always forcing the plot 458 00:34:25,688 --> 00:34:29,776 The end of the maze is just the beginning A suspension bridge with nothing in hand 459 00:34:29,859 --> 00:34:32,028 Slipping as I drunkenly stagger 460 00:34:32,862 --> 00:34:35,281 One wrong move and it's over Dead men tell no tales… 461 00:34:38,951 --> 00:34:41,245 Songs are now written 462 00:34:41,329 --> 00:34:44,582 to be listened to privately at home. 463 00:34:44,665 --> 00:34:46,209 That's the current trend of the Japanese music industry. 464 00:34:46,959 --> 00:34:51,464 When I create powerful songs like this, 465 00:34:52,507 --> 00:34:56,677 the listeners imagine listening to them at a concert. 466 00:34:58,304 --> 00:35:02,975 My fans are starved for music. 467 00:35:05,853 --> 00:35:08,773 The pandemic has changed 468 00:35:09,524 --> 00:35:13,486 our perception of time in every regard. 469 00:35:14,570 --> 00:35:17,782 It's as if we are in a cryogenic sleep of 2020. 470 00:35:18,908 --> 00:35:20,701 If we were to repeat 471 00:35:20,785 --> 00:35:22,787 2020 again next year, it won't feel strange. 472 00:35:24,038 --> 00:35:28,334 It would actually feel right. 473 00:35:29,836 --> 00:35:30,670 Right? 474 00:35:33,589 --> 00:35:37,593 I wrote these powerful songs… 475 00:35:40,388 --> 00:35:45,601 for the world to keep moving forward. 476 00:35:46,853 --> 00:35:49,230 I'm doing this instinctively. 477 00:35:49,981 --> 00:35:52,942 I'm doing what I can… 478 00:35:55,945 --> 00:35:57,155 to keep the time ticking. 479 00:35:59,824 --> 00:36:02,577 That's what I'm trying to do. 480 00:36:07,331 --> 00:36:10,918 On the stage of a lifetime It doesn't matter if you're famous or not 481 00:36:11,002 --> 00:36:14,714 Make me feel exhilarated I want you and I to be in love 482 00:36:14,797 --> 00:36:18,467 A business selling whatever you want Regret is nothing but a pain 483 00:36:18,551 --> 00:36:23,931 Give me the antibodies to live this life This raw and unrefined life 484 00:36:24,515 --> 00:36:25,349 -One more time. -Okay. 485 00:36:26,184 --> 00:36:29,604 Give me the antibodies to live this life This raw and unrefined life 486 00:36:29,687 --> 00:36:31,314 One more time! 487 00:36:31,397 --> 00:36:34,609 Give me the antibodies to live this life This raw and unrefined life 488 00:36:47,413 --> 00:36:50,041 There is a place that he considers his origin. 489 00:37:06,098 --> 00:37:06,974 Let's go. 490 00:37:09,894 --> 00:37:13,189 He moved from Nagano, his birthplace, when he was 18 491 00:37:13,272 --> 00:37:16,275 and lived here for seven years with his grandmother. 492 00:37:18,778 --> 00:37:21,781 {\an8}HIS GRANDMOTHER HAS ALREADY PASSED AWAY. 493 00:37:21,864 --> 00:37:24,325 {\an8}THIS HOUSE HAS BEEN VACANT FOR THREE YEARS. 494 00:37:27,203 --> 00:37:29,747 Aren't these paintings nice? 495 00:37:32,959 --> 00:37:35,044 My grandmother was an artist. 496 00:37:36,671 --> 00:37:37,964 She designed outfits. 497 00:37:38,047 --> 00:37:41,050 She was such a character. 498 00:37:41,968 --> 00:37:44,262 I think she resembles me the most. 499 00:37:47,348 --> 00:37:50,184 Whoa, an award for Grandfather. 500 00:37:51,394 --> 00:37:53,104 {\an8}He made TVs. 501 00:37:53,187 --> 00:37:54,021 {\an8}Color TVs. 502 00:37:54,105 --> 00:37:56,190 {\an8}HIS GRANDFATHER WAS AN ENGINEER AND DEVELOPED COLOR TVS. 503 00:37:56,274 --> 00:37:58,317 {\an8}Wow, I didn't know we had this. 504 00:37:58,401 --> 00:37:59,610 {\an8}Is it okay to just leave this in here? 505 00:38:02,613 --> 00:38:04,573 What kind of meals did you eat with her? 506 00:38:05,241 --> 00:38:08,369 She'd give me canned cat food by mistake at times. 507 00:38:09,120 --> 00:38:12,206 She mixed it up with canned tuna 508 00:38:12,290 --> 00:38:13,416 and she'd buy them at the store. 509 00:38:15,293 --> 00:38:16,877 I'd tell her it's cat food. 510 00:38:18,504 --> 00:38:20,214 We can't eat it. 511 00:38:20,298 --> 00:38:23,634 But we ate it anyway. It wasn't that bad. 512 00:38:28,931 --> 00:38:33,060 This neighborhood has always been, you know… 513 00:38:33,144 --> 00:38:33,978 Yeah. 514 00:38:34,687 --> 00:38:35,980 How do I say this? 515 00:38:36,981 --> 00:38:38,691 They all know each other. 516 00:38:40,234 --> 00:38:43,154 I played music for them. 517 00:38:45,197 --> 00:38:47,825 I played for everyone here. 518 00:38:47,908 --> 00:38:48,743 Yeah. 519 00:38:49,285 --> 00:38:51,454 My friends would come over 520 00:38:51,537 --> 00:38:53,539 and we'd hold rehearsals here. 521 00:38:53,622 --> 00:38:55,291 We'd do stuff like that. 522 00:38:56,042 --> 00:39:00,046 This was long before forming King Gnu. 523 00:39:00,129 --> 00:39:00,963 Yeah. 524 00:39:02,256 --> 00:39:06,177 I wonder if it was here where I started creating music seriously. 525 00:39:06,761 --> 00:39:07,678 Yeah. 526 00:39:10,639 --> 00:39:14,393 My father lived here at one point, I think. 527 00:39:23,402 --> 00:39:25,154 I'm seeing this for the first time. 528 00:39:28,282 --> 00:39:30,826 These are my parents' wedding pictures. 529 00:39:30,910 --> 00:39:32,328 My mother and father. 530 00:39:36,791 --> 00:39:37,750 Oh, there's my grandmother. 531 00:39:39,043 --> 00:39:41,045 {\an8}MOTHER, FATHER, GRANDMOTHER, GRANDFATHER 532 00:39:41,128 --> 00:39:43,589 {\an8}-You lived here with your grandmother. -Correct. 533 00:39:47,218 --> 00:39:48,636 I look like my grandfather… 534 00:39:48,719 --> 00:39:50,554 Both of his parents play the piano. 535 00:39:51,305 --> 00:39:54,266 His home was full of instruments like the guitar and bass guitars. 536 00:39:57,144 --> 00:39:58,813 He didn't need formal lessons. 537 00:39:59,397 --> 00:40:01,774 Tsuneta picked up one instrument at a time. 538 00:40:07,029 --> 00:40:09,949 {\an8}He hasn't changed 539 00:40:10,032 --> 00:40:11,867 {\an8}ever since I met him in junior high. 540 00:40:11,951 --> 00:40:17,540 {\an8}He's always pursued the very best in his music. 541 00:40:17,623 --> 00:40:20,876 It was like a music club. 542 00:40:20,960 --> 00:40:21,836 Oh, I see. 543 00:40:22,420 --> 00:40:25,798 He was the leader. He was strict. 544 00:40:28,134 --> 00:40:29,677 Even if the finished song 545 00:40:30,177 --> 00:40:32,054 was nearly flawless, he did not let go of a single imperfection. 546 00:40:32,638 --> 00:40:34,640 He hates leaving things unfinished. 547 00:40:36,475 --> 00:40:39,895 This might make him sound strict, 548 00:40:39,979 --> 00:40:41,313 but he's just an honest man. 549 00:40:42,731 --> 00:40:45,568 I couldn't get along with others. 550 00:40:45,651 --> 00:40:47,570 Of course, I had a few friends but just that. 551 00:40:48,571 --> 00:40:51,323 We formed a band and I taught them how to play instruments. 552 00:40:51,407 --> 00:40:52,867 I even taught drums. 553 00:40:53,576 --> 00:40:55,286 We performed at the school festival. 554 00:40:57,496 --> 00:40:59,248 We played original songs. 555 00:40:59,874 --> 00:41:06,547 But I couldn't win the heart of the audience then. 556 00:41:07,214 --> 00:41:08,507 We were out of place. 557 00:41:12,428 --> 00:41:14,472 He entered Tokyo University of Arts 558 00:41:14,555 --> 00:41:16,515 to further pursue his musical career. 559 00:41:17,516 --> 00:41:18,893 Tsuneta was a cellist for an orchestra 560 00:41:18,976 --> 00:41:21,103 led by Seiji Ozawa, an internationally acclaimed conductor. 561 00:41:22,229 --> 00:41:23,898 This was a turning point for Tsuneta. 562 00:41:27,359 --> 00:41:29,904 It was such a moving experience. 563 00:41:30,696 --> 00:41:32,698 I could never forget that sensation. 564 00:41:33,491 --> 00:41:36,410 The concert hall filled with sound and the audience. 565 00:41:36,494 --> 00:41:38,329 The expressions of the conductor. 566 00:41:38,412 --> 00:41:41,040 The sound echoed in the hall. 567 00:41:41,123 --> 00:41:42,333 The experience has shaped 568 00:41:42,416 --> 00:41:47,755 what I consider to be beautiful music. 569 00:41:47,838 --> 00:41:48,672 However, 570 00:41:49,632 --> 00:41:55,971 I've always been drawn to art 571 00:41:57,890 --> 00:42:04,271 because it's about changing conventions. 572 00:42:06,190 --> 00:42:10,110 It's a process of destruction and creation. 573 00:42:15,991 --> 00:42:18,160 He left the university after a year. 574 00:42:21,622 --> 00:42:22,456 Look at that. 575 00:42:23,332 --> 00:42:25,167 {\an8}The mirror ball is the only thing remaining. 576 00:42:25,251 --> 00:42:27,586 {\an8}TSUNETA'S OLD ROOM 577 00:42:27,670 --> 00:42:30,297 I wanted to liven up my room. 578 00:42:32,550 --> 00:42:33,759 He learned the process 579 00:42:33,842 --> 00:42:36,220 of destruction and creation in this room, 580 00:42:36,303 --> 00:42:38,305 finding his own musical style. 581 00:42:38,931 --> 00:42:40,182 Yeah… 582 00:42:41,684 --> 00:42:45,563 We found a demo recording Tsuneta sent to a record label back then. 583 00:42:50,943 --> 00:42:57,950 {\an8}MUSIC CREATED BY TSUNETA WHEN HE WAS 19 584 00:43:10,754 --> 00:43:12,506 {\an8}I thought the sound was edgy. 585 00:43:12,590 --> 00:43:13,757 {\an8}MINORU TAGUCHI FORMER TALENT SCOUT, SONY MUSIC 586 00:43:13,841 --> 00:43:16,468 {\an8}It's the final unadulterated cry of youth. 587 00:43:17,595 --> 00:43:21,432 But it was difficult as a record label 588 00:43:21,515 --> 00:43:24,018 to find ways to make his talent profitable for us. 589 00:43:51,670 --> 00:43:52,880 When I was around 20, 590 00:43:52,963 --> 00:43:54,965 I sent my music to a record label. 591 00:43:56,050 --> 00:43:59,637 They said it sounds awesome, 592 00:43:59,720 --> 00:44:01,639 but it's not profitable. 593 00:44:02,222 --> 00:44:03,390 That's what they said to me. 594 00:44:03,474 --> 00:44:07,519 My music did not follow the popular J-pop pattern. 595 00:44:10,105 --> 00:44:12,733 That's what the person from the label said. 596 00:44:16,320 --> 00:44:17,237 I remember 597 00:44:18,322 --> 00:44:20,449 not being able to accept that answer. 598 00:44:22,451 --> 00:44:26,121 I researched the history of music seriously. 599 00:44:27,623 --> 00:44:29,083 I had to think about the instruments seriously too. 600 00:44:30,167 --> 00:44:31,877 I asked myself, 601 00:44:31,960 --> 00:44:33,796 "Why isn't my music valued in the world?" 602 00:44:34,463 --> 00:44:37,216 I had pride as a musician as well. 603 00:44:38,217 --> 00:44:39,843 I never thought the public's opinion 604 00:44:40,552 --> 00:44:43,889 defined my artistic abilities. 605 00:44:46,225 --> 00:44:47,601 And I knew 606 00:44:47,685 --> 00:44:50,938 I couldn't lie to my music. 607 00:44:54,441 --> 00:44:55,567 That's my life's philosophy. 608 00:44:57,694 --> 00:44:58,654 That's why 609 00:44:59,238 --> 00:45:01,407 I had to do this my own way. 610 00:45:01,490 --> 00:45:04,410 I had to gain the public's approval of my music. 611 00:45:08,747 --> 00:45:10,958 He doesn't want to create music according to expectations. 612 00:45:11,959 --> 00:45:12,876 That's why 613 00:45:13,585 --> 00:45:15,587 he wants to gain the public's approval of his unique music. 614 00:45:20,509 --> 00:45:26,265 This is the plating of a drum. 615 00:45:27,474 --> 00:45:28,976 A drum's top plate. 616 00:45:31,061 --> 00:45:34,356 I wanted to paint it 617 00:45:34,440 --> 00:45:35,816 and draw the logo on it. 618 00:45:36,567 --> 00:45:40,154 I got scolded for getting the spray paint on the house. 619 00:45:48,662 --> 00:45:50,914 Over time, the others who share the same dreams 620 00:45:50,998 --> 00:45:54,001 began to gather by Tsuneta's side. 621 00:45:54,626 --> 00:45:56,295 "LOW LOVE" 622 00:45:57,296 --> 00:46:00,966 {\an8}I wanted to create really awesome music. 623 00:46:01,049 --> 00:46:03,177 Like, he sacrifices himself for his music. 624 00:46:03,260 --> 00:46:05,512 It may not be that serious 625 00:46:06,430 --> 00:46:07,598 but it sounded like fun. 626 00:46:08,348 --> 00:46:09,183 And it's cool. 627 00:46:09,766 --> 00:46:13,770 I've never met anyone like him in my life. 628 00:46:13,854 --> 00:46:15,564 That's why I wanted to get involved. 629 00:46:16,273 --> 00:46:20,944 The mark left by a rusted ring 630 00:46:21,028 --> 00:46:25,199 "Looks like we'll share the pain" Hiding our bruises 631 00:46:25,282 --> 00:46:31,914 While we continue to live Blades hidden behind rationality 632 00:46:31,997 --> 00:46:35,626 "You're such an adult, aren't you?" With a hint of sarcasm 633 00:46:35,709 --> 00:46:37,419 We attract each other 634 00:46:37,503 --> 00:46:41,840 You should stay a bit 635 00:46:41,924 --> 00:46:47,596 "This is the only place You belong, right?" 636 00:46:47,679 --> 00:46:51,808 Take all these tasteless things 637 00:46:51,892 --> 00:46:56,355 And destroy them in a "seizure" 638 00:46:56,438 --> 00:46:59,691 In a "seizure" 639 00:47:00,901 --> 00:47:01,735 Still… 640 00:47:06,156 --> 00:47:10,661 I reach out my hand To that dreamlike flower 641 00:47:11,245 --> 00:47:14,998 {\an8}2019, MAJOR DEBUT AS KING GNU 642 00:47:15,082 --> 00:47:16,959 {\an8}Even though I know it's all artificial 643 00:47:17,042 --> 00:47:23,006 {\an8}Still I surrender myself 644 00:47:55,664 --> 00:47:59,626 {\an8}INTERVIEW FOR THE MOVIE A FAMILY 645 00:47:59,710 --> 00:48:02,629 {\an8}TSUNETA WROTE THE THEME SONG. 646 00:48:07,801 --> 00:48:13,890 {\an8}THE LEADING ACTOR: GO AYANO 647 00:48:22,441 --> 00:48:24,109 Looking good. 648 00:48:30,282 --> 00:48:31,325 Come on. 649 00:48:32,951 --> 00:48:35,078 Why did you suddenly take a picture of him? 650 00:48:35,996 --> 00:48:38,206 Well, isn't it normal 651 00:48:38,290 --> 00:48:40,751 to want a picture of someone you love? 652 00:48:40,834 --> 00:48:44,212 Isn't that right? 653 00:48:44,296 --> 00:48:45,339 It's the same. 654 00:48:46,214 --> 00:48:47,299 I like him outside of work. 655 00:48:50,427 --> 00:48:52,596 We are like a gang of delinquents. 656 00:48:53,972 --> 00:48:55,057 Sure. 657 00:48:55,140 --> 00:49:00,187 As for me, there was a time 658 00:49:00,270 --> 00:49:03,732 when I needed to gain strength for myself. 659 00:49:03,815 --> 00:49:06,652 He creates a family. 660 00:49:07,194 --> 00:49:10,447 He's been doing this with his gang for a long time. 661 00:49:11,865 --> 00:49:12,741 There aren't many 662 00:49:13,408 --> 00:49:17,204 who can commit to something like that over the years. 663 00:49:18,288 --> 00:49:19,331 Yeah. 664 00:49:19,414 --> 00:49:21,375 That's what attracted me to him. 665 00:49:22,417 --> 00:49:24,127 Thank you. 666 00:49:24,211 --> 00:49:25,212 I complimented you. 667 00:49:41,061 --> 00:49:42,104 2020. 668 00:49:43,021 --> 00:49:44,856 Tsuneta has been working on a project. 669 00:49:50,404 --> 00:49:54,116 It is to incorporate orchestra and modern music into one. 670 00:49:55,200 --> 00:49:56,535 This is the compilation 671 00:49:56,618 --> 00:49:59,955 of his entire life itself. 672 00:50:10,257 --> 00:50:15,470 {\an8}He reconstructs a song he wrote in the past named "DURA". 673 00:50:20,392 --> 00:50:22,686 It would be interesting 674 00:50:22,769 --> 00:50:25,522 if we could create an innovative sound that no one's heard before. 675 00:50:26,189 --> 00:50:27,816 A song that incorporates beautiful 676 00:50:28,608 --> 00:50:29,651 and unpleasant sounds all the same. 677 00:50:32,237 --> 00:50:35,157 I wish to incorporate them all. 678 00:50:35,240 --> 00:50:39,077 I mean, isn't that life? 679 00:50:39,161 --> 00:50:42,914 Something that is filthy, yet beautiful. 680 00:50:42,998 --> 00:50:45,375 I hope it turns out like so. 681 00:50:48,962 --> 00:50:55,844 {\an8}THE PROCESS IS FILMED USING A REMOTE CAMERA 682 00:51:54,027 --> 00:52:01,034 {\an8}TSUNETA THEN ADDS THE CELLO PART 683 00:52:02,869 --> 00:52:03,703 Crap. 684 00:53:04,931 --> 00:53:09,728 {\an8}COMPOSING THE ELECTRIC BASS PART 685 00:53:09,811 --> 00:53:16,401 {\an8}COMPOSING THE ELECTRIC BASS PART 686 00:53:20,739 --> 00:53:21,615 Good. 687 00:54:04,532 --> 00:54:05,450 One more time. 688 00:54:47,075 --> 00:54:48,326 Not this one. 689 00:56:25,090 --> 00:56:28,176 All right. One, two, and three. 690 00:56:42,315 --> 00:56:43,274 Don't need this. 691 00:56:52,742 --> 00:56:54,619 During his composition process, 692 00:56:59,249 --> 00:57:02,293 Tsuneta heads to the next room. 693 00:57:07,423 --> 00:57:08,967 What about this outfit? 694 00:57:10,093 --> 00:57:12,095 It's very cool. 695 00:57:13,138 --> 00:57:15,223 It fits the theme of "A Cheap Novel." 696 00:57:15,306 --> 00:57:16,391 Yes. 697 00:57:19,436 --> 00:57:22,272 {\an8}They are a creative group called PERIMETRON. 698 00:57:23,273 --> 00:57:26,276 {\an8}They have collaborated often since he first started creating music. 699 00:57:35,743 --> 00:57:37,745 {\an8}The music was created by Tsuneta. 700 00:57:37,829 --> 00:57:41,583 PERIMETRON has developed most of his music videos. 701 00:57:57,974 --> 00:57:59,934 {\an8}In addition, they have also designed 702 00:58:00,727 --> 00:58:02,312 {\an8}CD covers and live performances. 703 00:58:24,834 --> 00:58:26,586 {\an8}What page are you on? 704 00:58:26,669 --> 00:58:29,339 {\an8}VISUAL DIRECTOR: OSRIN 705 00:58:29,422 --> 00:58:30,840 {\an8}One, two, three… 706 00:58:30,924 --> 00:58:33,343 {\an8}We need the final page count. 707 00:58:33,426 --> 00:58:35,845 When we first started King Gnu, 708 00:58:35,929 --> 00:58:37,597 we'd edit at diners like Gusto. 709 00:58:37,680 --> 00:58:38,848 We gathered at Gusto. 710 00:58:38,932 --> 00:58:42,060 -Until the morning. -We stayed until 5 a.m., 711 00:58:42,143 --> 00:58:44,103 then Gusto would close, so we'd go to a Manga Cafe nearby. 712 00:58:44,187 --> 00:58:45,897 It was quite hellish. 713 00:58:47,649 --> 00:58:49,734 Then we'd go back to Gusto. 714 00:58:49,817 --> 00:58:50,985 Once Gusto opens in the morning, that is. 715 00:58:52,570 --> 00:58:55,031 Looking back on that, 716 00:58:55,949 --> 00:58:58,117 we've really come a long way. 717 00:58:58,201 --> 00:59:00,411 We really have. 718 00:59:00,495 --> 00:59:03,706 We always ate shrimp and tomato spaghetti. 719 00:59:05,708 --> 00:59:06,751 I'll let you know. 720 00:59:07,794 --> 00:59:09,087 Time to go back. 721 00:59:18,972 --> 00:59:22,850 {\an8}OCTOBER 12, 2020 722 00:59:32,402 --> 00:59:33,778 Let's start from the start. 723 00:59:40,201 --> 00:59:43,538 Tsuneta now begins to adjust DURA's sound balance. 724 01:00:02,765 --> 01:00:03,641 Hold on. 725 01:00:05,143 --> 01:00:08,396 How does it sound when it's inserted into the chain? 726 01:00:08,479 --> 01:00:10,273 -In the drama. -In the drama? 727 01:00:16,154 --> 01:00:17,488 From here on, 728 01:00:17,572 --> 01:00:20,241 Tsuneta will make adjustments by instrument. 729 01:00:22,994 --> 01:00:25,955 I want another track. 730 01:00:26,706 --> 01:00:27,665 What can I add? 731 01:00:28,499 --> 01:00:30,543 The entire section 732 01:00:30,627 --> 01:00:31,919 will be back-breaking work. 733 01:00:34,631 --> 01:00:37,383 How many instruments are in use already? 734 01:00:38,509 --> 01:00:39,385 How many? 735 01:00:40,345 --> 01:00:41,929 How many tracks are there? 736 01:00:42,013 --> 01:00:43,640 About 150. 737 01:00:45,099 --> 01:00:47,101 Is this normal for you? 738 01:00:47,185 --> 01:00:48,394 No, not at all. 739 01:00:48,478 --> 01:00:50,021 This is unusual. 740 01:00:50,104 --> 01:00:51,230 It's quite rare. 741 01:01:01,741 --> 01:01:04,327 The top annoys me, but I like the bottom track. 742 01:01:04,410 --> 01:01:05,620 I'll get rid of the top. 743 01:01:06,954 --> 01:01:09,415 We might as well swap the effects. 744 01:01:13,628 --> 01:01:17,799 He now wants to switch the recorded music. 745 01:01:23,137 --> 01:01:25,264 This one's nice. 746 01:01:27,100 --> 01:01:27,934 Here. 747 01:01:35,775 --> 01:01:38,319 -Thanks. -It's almost there. 748 01:01:39,278 --> 01:01:41,739 We wouldn't have had this with that assembly. 749 01:01:42,573 --> 01:01:45,952 I like the footing and the echo. 750 01:01:46,994 --> 01:01:47,829 What to do now? 751 01:02:10,059 --> 01:02:13,187 What if we just play the hook? 752 01:02:15,064 --> 01:02:21,779 I've always created this sort of mixed music. 753 01:02:21,863 --> 01:02:24,615 But it's difficult to perfect. 754 01:02:25,575 --> 01:02:26,993 I haven't had many cases 755 01:02:27,076 --> 01:02:28,703 where I was satisfied with the result. 756 01:02:30,413 --> 01:02:31,789 If one is overpowering, 757 01:02:31,873 --> 01:02:35,209 the other one is suppressed. 758 01:02:36,627 --> 01:02:38,713 It's quite laborsome. 759 01:02:41,966 --> 01:02:43,092 Anyway, well, 760 01:02:44,594 --> 01:02:45,636 can we try another song? 761 01:02:47,472 --> 01:02:48,389 Sorry, okay. 762 01:02:51,350 --> 01:02:55,688 The deadline for millennium parade's first album is impending. 763 01:03:00,276 --> 01:03:03,905 {\an8}OCTOBER 21, 2020 "A CHEAP NOVEL" 764 01:03:03,988 --> 01:03:05,406 {\an8}It is now the end of October. 765 01:03:05,490 --> 01:03:07,784 {\an8}They film the music video. 766 01:03:07,867 --> 01:03:11,704 Have saved me 767 01:03:18,044 --> 01:03:19,045 Let's check. 768 01:03:19,128 --> 01:03:21,172 -No time to stop. -All right. 769 01:03:22,215 --> 01:03:23,299 What's next? 770 01:03:23,382 --> 01:03:24,425 {\an8}PERIMETRON's OSRIN, who has collaborated 771 01:03:24,509 --> 01:03:27,512 {\an8}with Tsuneta over the years, directs the music video. 772 01:03:35,394 --> 01:03:36,896 During the break, 773 01:03:36,979 --> 01:03:39,565 Tsuneta shares his feedback on the recording. 774 01:03:40,566 --> 01:03:41,692 I wanted to ask about the gold confetti. 775 01:03:41,776 --> 01:03:43,611 -Huh? -The confetti. 776 01:03:43,694 --> 01:03:45,530 -The gold confetti? -Yes. 777 01:03:45,613 --> 01:03:47,198 I'd like to use gold confetti at the end. 778 01:03:48,449 --> 01:03:51,202 OSRIN had planned to use gold confetti 779 01:03:51,285 --> 01:03:52,620 at the climax of the music video. 780 01:03:53,788 --> 01:03:54,747 What do you think? 781 01:03:56,582 --> 01:03:59,919 We kept the entire music video quite simple. 782 01:04:00,002 --> 01:04:01,128 Gold confetti may not fit the theme. 783 01:04:01,754 --> 01:04:02,672 Oh, come on. 784 01:04:03,464 --> 01:04:04,715 How will you drop the confetti? 785 01:04:04,799 --> 01:04:05,925 I do have a plan. 786 01:04:06,968 --> 01:04:08,594 We can use that. 787 01:04:10,596 --> 01:04:12,265 We have equipment for the stage. 788 01:04:13,933 --> 01:04:17,395 That may be good to use. 789 01:04:18,729 --> 01:04:20,523 Despite Tsuneta's objections, 790 01:04:20,606 --> 01:04:22,900 OSRIN sticks through with the golden confetti. 791 01:04:25,319 --> 01:04:26,404 Thank you. 792 01:04:28,739 --> 01:04:29,740 How do I say this? 793 01:04:31,200 --> 01:04:33,452 He says things like, 794 01:04:33,536 --> 01:04:34,996 "Let's not use the gold confetti." 795 01:04:35,705 --> 01:04:38,958 Most directors would halt its use when the artist objects, 796 01:04:40,751 --> 01:04:42,420 but not me. 797 01:04:45,423 --> 01:04:46,257 That's because 798 01:04:47,800 --> 01:04:50,511 we have a good relationship. 799 01:04:52,471 --> 01:04:54,682 Though we all have different roles, 800 01:04:54,765 --> 01:04:56,350 we share the same solitude in our work. 801 01:04:57,143 --> 01:04:59,061 I can't help him make his music, 802 01:04:59,145 --> 01:05:00,938 and he can't help us with the video. 803 01:05:02,356 --> 01:05:03,983 We all support each other. 804 01:05:12,742 --> 01:05:14,035 This song is a ballad 805 01:05:14,118 --> 01:05:17,079 about a man who writes novels that do not sell 806 01:05:17,163 --> 01:05:19,957 and his wife who believes in him. 807 01:05:23,961 --> 01:05:25,338 All right, 808 01:05:25,421 --> 01:05:26,631 we are rolling. 809 01:05:30,176 --> 01:05:31,928 Tsuneta's lyrics 810 01:05:32,011 --> 01:05:34,013 seem to convey his conviction 811 01:05:34,096 --> 01:05:38,184 as they held steadfast to their creative process. 812 01:05:46,776 --> 01:05:49,236 Even if this life 813 01:05:49,320 --> 01:05:52,156 Ended up as a cheap novel 814 01:05:52,239 --> 01:05:54,492 I have no plans of throwing it out 815 01:05:54,575 --> 01:05:57,787 I'll rewrite it However many times it takes 816 01:06:08,714 --> 01:06:13,469 In order to face our truths 817 01:06:13,552 --> 01:06:19,684 Sometimes we have no choice But to be alone 818 01:06:19,767 --> 01:06:24,313 Even though I know it's a mistake 819 01:06:24,397 --> 01:06:30,486 There's a story I still want to tell 820 01:06:31,070 --> 01:06:34,949 A script full of nonsense 821 01:06:35,032 --> 01:06:41,998 Told through terrible acting And it's all I need 822 01:06:42,081 --> 01:06:47,336 Your clumsy expressions 823 01:06:47,420 --> 01:06:50,256 And awkward words 824 01:06:50,339 --> 01:06:54,260 Have saved me 825 01:06:54,343 --> 01:06:56,929 Standing alone that day 826 01:06:57,013 --> 01:07:00,641 A back hunched down in shame 827 01:07:00,725 --> 01:07:04,895 If it was now, I would push it up straight 828 01:07:04,979 --> 01:07:07,857 No matter my stupid expressions 829 01:07:07,940 --> 01:07:12,028 Or awkward words 830 01:07:12,111 --> 01:07:16,198 You're still next to me, smiling 831 01:07:18,409 --> 01:07:19,368 Thank you! 832 01:07:20,911 --> 01:07:23,831 That was wonderful! Thank you! 833 01:07:34,300 --> 01:07:38,012 Where I am very blessed 834 01:07:39,346 --> 01:07:42,683 is that there's a team 835 01:07:42,767 --> 01:07:44,351 that finds value in my work, 836 01:07:45,603 --> 01:07:48,189 not as how the public values my work, 837 01:07:48,272 --> 01:07:52,193 but from their own artistic point of view. 838 01:07:52,985 --> 01:07:53,861 Yes. 839 01:07:55,696 --> 01:07:58,282 There's no ulterior motive in the value they find in my work. 840 01:07:59,325 --> 01:08:01,452 It's not about the profit my music generates. 841 01:08:04,038 --> 01:08:06,373 They don't value my work because of money. 842 01:08:07,833 --> 01:08:11,837 I want to create and do amazing things. 843 01:08:13,380 --> 01:08:14,715 That's where we are similar. 844 01:08:16,675 --> 01:08:22,556 To me, that is my treasure and my hope. 845 01:08:24,850 --> 01:08:27,436 That's how I feel. 846 01:08:29,063 --> 01:08:31,607 If it weren't so, you know, 847 01:08:33,359 --> 01:08:35,945 I wouldn't be able to continue on like this. 848 01:08:41,158 --> 01:08:43,160 And he began to reveal 849 01:08:43,244 --> 01:08:44,995 his plans for "DURA". 850 01:08:46,205 --> 01:08:47,414 Thank you. 851 01:08:47,498 --> 01:08:49,708 -I'll see you tomorrow. -Okay. 852 01:08:52,169 --> 01:08:54,171 Tomorrow is a crucial day. 853 01:08:54,255 --> 01:08:56,715 -That's true. -As for "DURA", 854 01:08:56,799 --> 01:09:00,302 we changed its title to "2992". 855 01:09:03,097 --> 01:09:05,599 If a man born in 1992… 856 01:09:08,310 --> 01:09:11,188 has a millennium of parades, that's a thousand years. 857 01:09:11,272 --> 01:09:13,190 We would be in 2992. 858 01:09:15,401 --> 01:09:16,360 That's why I changed the title. 859 01:09:17,444 --> 01:09:20,781 That title, "2992," 860 01:09:22,449 --> 01:09:25,995 how interesting would it be if your work persisted into 2992? 861 01:09:26,078 --> 01:09:27,121 That's why I have to keep working hard. 862 01:09:44,805 --> 01:09:50,311 {\an8}OCTOBER 22, 2020 863 01:09:59,987 --> 01:10:01,030 It does feel 864 01:10:01,906 --> 01:10:03,490 like you aren't expressing these lyrics fully. 865 01:10:04,325 --> 01:10:06,702 {\an8}I added "all" to the words here. 866 01:10:10,331 --> 01:10:11,207 {\an8}No, not that. 867 01:10:11,290 --> 01:10:14,543 {\an8}Tsuneta thoroughly goes over each word of the lyrics with ermhoi, 868 01:10:14,627 --> 01:10:16,670 who wrote the lyrics for 2992, to the last minute. 869 01:10:22,635 --> 01:10:27,598 Well, we are born in 1992. 870 01:10:27,681 --> 01:10:30,434 This song is about a thousand years from now. 871 01:10:30,517 --> 01:10:31,477 That's the idea. 872 01:10:32,394 --> 01:10:37,775 This is what we think of people who would be 873 01:10:37,858 --> 01:10:40,194 alive a thousand years from now. 874 01:10:41,403 --> 01:10:42,238 Is that right? 875 01:10:52,873 --> 01:10:54,833 Tsuneta sends sound and music 876 01:10:54,917 --> 01:10:56,168 from the chaotic present… 877 01:10:56,252 --> 01:10:57,086 Okay… 878 01:10:57,169 --> 01:10:59,588 …to a thousand years from now. 879 01:11:32,997 --> 01:11:33,831 Yes. 880 01:11:34,790 --> 01:11:35,833 How was that? 881 01:11:35,916 --> 01:11:37,626 What feel are you going for? 882 01:11:38,794 --> 01:11:40,462 Do you want 883 01:11:41,380 --> 01:11:44,425 me to be more of a storyteller? 884 01:11:45,676 --> 01:11:48,137 -Or a protagonist? -Yes, go with that. 885 01:11:48,220 --> 01:11:49,805 Protagonist, okay. 886 01:12:02,818 --> 01:12:04,528 Oh, dear. 887 01:12:04,611 --> 01:12:07,489 -I don't quite understand this song. -No? 888 01:12:10,534 --> 01:12:11,869 Oh, man. 889 01:12:34,475 --> 01:12:35,809 Something's amiss. 890 01:12:35,893 --> 01:12:38,103 You aren't immersed in the song. 891 01:12:38,187 --> 01:12:39,605 Exactly. 892 01:12:39,688 --> 01:12:42,483 -I can tell by listening to you. -Right? 893 01:12:42,566 --> 01:12:44,651 I don't quite understand it. 894 01:12:44,735 --> 01:12:46,278 Like, the best approach? 895 01:12:47,112 --> 01:12:51,033 Well, not quite the best approach, 896 01:12:51,116 --> 01:12:54,578 but I don't get the mood of the song. 897 01:12:54,661 --> 01:12:56,163 -I don't -Is it too abstract? 898 01:12:56,246 --> 01:12:57,539 understand it. 899 01:12:57,623 --> 01:12:58,624 Let's see. 900 01:12:59,333 --> 01:13:02,753 I understand the lyrics since I wrote it, 901 01:13:03,837 --> 01:13:06,215 but the music itself and the overall balance is, 902 01:13:06,298 --> 01:13:07,299 let's say… 903 01:13:09,635 --> 01:13:11,387 It's widening the ambiance. 904 01:13:11,470 --> 01:13:13,472 Right, it's not about the emotion. 905 01:13:14,014 --> 01:13:14,848 Right. 906 01:13:16,600 --> 01:13:19,895 I'm not sure how to interpret it. 907 01:13:21,355 --> 01:13:22,439 Let's see… 908 01:13:26,985 --> 01:13:30,280 That's how I feel. It's quite difficult. 909 01:13:33,742 --> 01:13:34,701 Yes. 910 01:13:35,661 --> 01:13:38,330 It may be hard to explain with words, so let's pick the sound 911 01:13:39,706 --> 01:13:44,002 that suits the mood of the song. 912 01:13:44,086 --> 01:13:45,295 -Right. -Yes. 913 01:13:54,304 --> 01:13:55,556 It's difficult. 914 01:13:55,639 --> 01:13:58,225 This song is very difficult. 915 01:14:03,480 --> 01:14:04,440 Well… 916 01:14:08,193 --> 01:14:11,864 It already sounds good to me. 917 01:14:12,698 --> 01:14:14,616 I feel like it's too clean. 918 01:14:15,993 --> 01:14:17,327 The instrumental version 919 01:14:17,411 --> 01:14:19,496 is very clean. 920 01:14:19,580 --> 01:14:23,917 It's a clean sound. It's a pop-like arrangement. 921 01:14:24,001 --> 01:14:26,753 A refreshing sound. 922 01:14:26,837 --> 01:14:30,215 Refreshing sound. It's not muddled. 923 01:14:30,299 --> 01:14:31,884 I want to make it muddled. 924 01:14:33,677 --> 01:14:35,637 Looks like we won't be done anytime soon. 925 01:14:37,139 --> 01:14:38,849 We'll be done by midnight. 926 01:14:43,437 --> 01:14:49,443 {\an8}NOVEMBER 2, 2020 927 01:14:51,862 --> 01:14:57,910 {\an8}KING GNU'S NATIONAL TOUR WAS IMPENDING 928 01:15:15,969 --> 01:15:22,768 {\an8}MILLENNIUM PARADE ALBUM CREATION IS IN ITS FINAL STAGE 929 01:15:24,061 --> 01:15:26,104 {\an8}Once it's done, 930 01:15:26,188 --> 01:15:28,732 please check the rest online. 931 01:15:29,483 --> 01:15:31,485 Let's keep it up. 932 01:15:33,904 --> 01:15:35,072 Oh, this? 933 01:15:35,822 --> 01:15:38,659 Oh, it's for the camera. 934 01:15:38,742 --> 01:15:39,910 I can put that in the fridge for you. 935 01:15:39,993 --> 01:15:41,203 It's thick. 936 01:15:41,286 --> 01:15:43,247 It's been sitting for a while. 937 01:15:43,330 --> 01:15:45,916 It has, it's already nighttime. 938 01:15:45,999 --> 01:15:48,126 Don't drink the soup. 939 01:15:48,210 --> 01:15:49,920 They disassembled the monitor. 940 01:15:56,176 --> 01:16:00,430 -You've worn that the last three days. -I have. 941 01:16:01,473 --> 01:16:02,724 I bathe every day, 942 01:16:03,475 --> 01:16:06,853 but I can't be bothered with choosing my clothes. 943 01:16:09,314 --> 01:16:10,566 What about your underwear? 944 01:16:13,235 --> 01:16:15,279 {\an8}Since Yu is here, let's do "Bon Dance." 945 01:16:16,446 --> 01:16:21,201 {\an8}MIDNIGHT 946 01:16:33,297 --> 01:16:38,885 {\an8}NOVEMBER 4, 2020 947 01:16:42,556 --> 01:16:43,890 Beginning of November. 948 01:16:44,975 --> 01:16:47,269 Today, they conduct the mix check for "2992". 949 01:16:48,020 --> 01:16:50,647 In other words, it's the last step before completion. 950 01:17:05,454 --> 01:17:07,664 Give me a break. 951 01:17:09,708 --> 01:17:12,294 Let's use the fireworks 952 01:17:12,377 --> 01:17:14,880 from FAMILIA's first chorus. 953 01:17:16,340 --> 01:17:19,176 -Yes. -Let's do it. I didn't like it. 954 01:17:22,596 --> 01:17:24,264 Even at this stage, 955 01:17:24,348 --> 01:17:25,807 he insists on using different audio. 956 01:17:26,600 --> 01:17:28,769 Not only so, he wishes to use audio of fireworks. 957 01:17:33,732 --> 01:17:37,778 The part where the drum's snare doesn't fit. 958 01:17:37,861 --> 01:17:39,571 Right, let's switch out the drum's snare. 959 01:17:39,655 --> 01:17:41,448 Wonderful. 960 01:17:42,240 --> 01:17:44,117 Let's find the foot as well. 961 01:17:46,536 --> 01:17:48,830 We're starting another backbreaking task again. 962 01:17:53,710 --> 01:17:55,337 I love the echo of the first shot. 963 01:17:58,757 --> 01:18:01,510 I want to use the sound of the fireworks going up in the sky for the intro. 964 01:18:01,593 --> 01:18:03,679 I want clear audio of that sound. 965 01:18:10,060 --> 01:18:13,063 A new world is conceived 966 01:18:14,106 --> 01:18:15,107 in this chaotic musical world. 967 01:18:16,066 --> 01:18:17,693 Tsuneta's musical process 968 01:18:17,776 --> 01:18:18,694 never ends. 969 01:18:19,945 --> 01:18:21,822 Could you save the other track? 970 01:18:29,329 --> 01:18:30,205 Awesome. 971 01:18:32,708 --> 01:18:34,167 It's grossly good. 972 01:18:34,251 --> 01:18:35,127 It's gross, though. 973 01:18:37,504 --> 01:18:39,589 This bassline sounds difficult. 974 01:18:39,673 --> 01:18:40,966 What to do now. 975 01:18:46,012 --> 01:18:46,847 Oh, man. 976 01:18:46,930 --> 01:18:47,931 Whoa, what's that? 977 01:18:48,014 --> 01:18:51,143 {\an8}He always comes at the worst timing. 978 01:18:51,226 --> 01:18:54,855 {\an8}1:30 A.M. 979 01:19:05,449 --> 01:19:06,283 Okay. 980 01:19:40,066 --> 01:19:41,485 -One more time? -Sure. 981 01:19:46,031 --> 01:19:47,157 -One more time. -Sure. 982 01:20:07,135 --> 01:20:08,845 I'll wake you up when I'm done. 983 01:20:10,222 --> 01:20:11,181 All right. 984 01:20:58,228 --> 01:20:59,980 It's gotten cold. 985 01:21:02,649 --> 01:21:04,943 {\an8}You are very diligent. 986 01:21:05,026 --> 01:21:08,071 {\an8}I sure am. 987 01:21:08,154 --> 01:21:08,989 {\an8}I agree. 988 01:21:10,156 --> 01:21:12,534 I can keep going still. There's more tweaking to do. 989 01:21:15,078 --> 01:21:17,163 {\an8}I do feel that 990 01:21:18,039 --> 01:21:20,834 {\an8}I'm compelled into working. 991 01:21:20,917 --> 01:21:22,711 {\an8}Just a thought. 992 01:21:25,171 --> 01:21:26,965 {\an8}Why do I back myself into a corner? 993 01:21:27,048 --> 01:21:28,049 {\an8}Like I'm being chased. 994 01:21:30,802 --> 01:21:32,429 Why am I in such a rush? 995 01:21:33,263 --> 01:21:34,139 Right. 996 01:21:41,062 --> 01:21:43,690 It's 4:08 now. 997 01:21:45,275 --> 01:21:47,027 Why don't we stop by the office? 998 01:21:47,110 --> 01:21:48,862 -Why not? -Let's do it. 999 01:21:59,789 --> 01:22:01,041 Hello. 1000 01:22:03,710 --> 01:22:04,794 I knew you'd be here. 1001 01:22:06,796 --> 01:22:07,756 What's that? 1002 01:22:07,839 --> 01:22:10,383 I knew you'd be here for the food. 1003 01:22:14,054 --> 01:22:15,221 Who wrote this? 1004 01:22:17,182 --> 01:22:20,310 -It's regressed. -What a chill handwriting. 1005 01:22:20,393 --> 01:22:21,519 It's even more relaxed than before. 1006 01:22:21,603 --> 01:22:23,688 So much more sloppy. 1007 01:22:29,361 --> 01:22:30,403 We were working. 1008 01:22:30,487 --> 01:22:31,863 You really were. 1009 01:22:36,701 --> 01:22:37,953 Thanks. 1010 01:22:38,036 --> 01:22:39,412 See you tomorrow. 1011 01:22:44,376 --> 01:22:48,505 We aren't even close. 1012 01:22:50,256 --> 01:22:51,257 I'm only getting started. 1013 01:22:52,092 --> 01:22:53,259 We can't end here. 1014 01:23:05,563 --> 01:23:12,570 ONE MONTH LATER, "2992" IS COMPLETE 1015 01:27:05,845 --> 01:27:08,848 {\an8}Thank you for recording today. 1016 01:27:09,724 --> 01:27:12,227 {\an8}Thank you so much! 1017 01:27:19,108 --> 01:27:23,488 {\an8}Thank you to the orchestra members. 1018 01:27:25,240 --> 01:27:28,868 Band staff and orchestra staff. 1019 01:27:29,535 --> 01:27:31,037 There are so many 1020 01:27:31,120 --> 01:27:32,372 types of people here. 1021 01:27:33,790 --> 01:27:37,502 We have a diverse crew. 1022 01:27:38,670 --> 01:27:40,880 It's very close 1023 01:27:42,632 --> 01:27:44,926 -to the ideal I envisioned. -Right. 1024 01:27:45,802 --> 01:27:48,221 I witnessed a wonderful scenery today. 1025 01:27:48,304 --> 01:27:50,181 -Yes. -A wonderful scenery? 1026 01:27:50,265 --> 01:27:51,307 Wasn't it 1027 01:27:51,975 --> 01:27:54,769 -a wonderful view? It was. -It certainly was. 1028 01:27:58,231 --> 01:28:04,988 {\an8}DECEMBER 23, 2020 1029 01:28:40,815 --> 01:28:41,649 All right. 1030 01:28:43,484 --> 01:28:45,945 Yay, all done. 1031 01:28:46,029 --> 01:28:47,697 Great job. 1032 01:28:47,780 --> 01:28:50,450 -Great. -Great work today. 1033 01:28:50,533 --> 01:28:52,702 -Thank you. -You've done well. 1034 01:29:04,464 --> 01:29:09,469 Subtitle translation by: Megumi Hunter