1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:10,400 --> 00:00:14,200 [SIMON] There's a trust level amongst us that we just, you can't find anywhere else. 4 00:00:14,360 --> 00:00:16,560 It just comes from having been through everything together. 5 00:00:16,720 --> 00:00:18,640 [LAUGHING] Record this?! 6 00:00:18,800 --> 00:00:21,160 [BEN] We never had these massive ambitions when we started out at all. 7 00:00:21,320 --> 00:00:24,200 We were just this weird rock band that were trying to piss people off. 8 00:00:25,000 --> 00:00:27,120 [JAMES] We never took advice from anybody. 9 00:00:27,280 --> 00:00:29,880 We just put our hoods up and turned and faced the back. 10 00:00:30,040 --> 00:00:31,760 We just kept goin. 11 00:00:32,360 --> 00:00:35,400 [SIMON] But when it comes to just what makes us, us and what makes us unique, 12 00:00:35,560 --> 00:00:37,440 It's got a lot to do with this part of the world. 13 00:00:37,600 --> 00:00:39,760 [BEN] It stands for "Big Imagination For Feeling Young 14 00:00:39,920 --> 00:00:41,480 'Cause Life Yearns Real Optimism". 15 00:00:41,640 --> 00:00:44,000 That's what it stands for. That's an acronym. 16 00:00:44,840 --> 00:00:46,520 -What does BIFFY CLYRO mean? -What does it mean? 17 00:00:47,920 --> 00:00:50,040 It's what's keeping us alive. 18 00:00:51,800 --> 00:00:53,800 It made me realize, "This is something we haven't done!" 19 00:00:53,960 --> 00:00:56,640 [JAMES] Just being our own wee gaffe, no adults around. 20 00:00:56,800 --> 00:00:59,960 It can remind me of how much I need this personally. 21 00:01:00,120 --> 00:01:01,960 That's a good place to be after 20 years. 22 00:01:02,120 --> 00:01:07,320 ♪♪♪ 23 00:01:14,960 --> 00:01:17,120 It really feels like you've got a wee secret at that point. 24 00:01:17,280 --> 00:01:19,720 A wee secret that the world doesn't know about. 25 00:01:21,320 --> 00:01:23,680 It's by far the most grassroots thing we've done. 26 00:01:26,440 --> 00:01:29,840 One new idea was, "Woah this is great this is new! 27 00:01:30,000 --> 00:01:34,920 -"I don't know what this is but it's gonna be a treat!" -♪ Justify your reasons ♪ 28 00:01:35,080 --> 00:01:38,000 ♪ Now it is my turn ♪ 29 00:01:39,880 --> 00:01:42,800 [BEN] The three of us in this bloody dairy farm. 30 00:01:42,960 --> 00:01:46,440 It's a whole rebirth that's started again. 31 00:01:47,120 --> 00:01:50,520 [JAMES] I don't even know if the label knew we were making an album at first. 32 00:01:51,400 --> 00:01:55,480 It was literally making music for the sake of making music 'cause we love it. 33 00:01:55,640 --> 00:01:57,760 It felt like we were kids again. 34 00:02:00,680 --> 00:02:10,520 ♪♪♪ 35 00:02:21,240 --> 00:02:28,240 ♪♪♪ 36 00:02:28,400 --> 00:02:30,200 -Hello! -Hello mate how you doin? 37 00:02:30,360 --> 00:02:32,400 -How you doin? -Not bad not bad! 38 00:02:33,480 --> 00:02:38,000 -Yeah. -Givin the old bit a race as well. 39 00:02:38,160 --> 00:02:40,840 Thanks for coming to Bonaire, my part of the world. 40 00:02:41,000 --> 00:02:45,040 If you do a wee full 180 there you'll see a beautiful view of the coast. 41 00:02:45,200 --> 00:02:48,280 And uh yeah this is where I was born and raised. 42 00:02:48,440 --> 00:02:52,720 It's very much a part of my identity and the identity of the band I guess. 43 00:02:55,840 --> 00:03:00,000 [SIMON] This is like the first year we haven't travelled in probably 21 years. 44 00:03:00,160 --> 00:03:03,120 We've always been on the move and I've found that inspiring for years 45 00:03:03,280 --> 00:03:07,160 and I've been scared of stopping. In case it stops the inspiration, 46 00:03:07,320 --> 00:03:09,520 but actually this last year I've felt just as inspired. 47 00:03:09,680 --> 00:03:12,080 After the shock of the initial lockdown. 48 00:03:12,240 --> 00:03:15,480 You know and just being able to do things like this, have a day to go do the beach. 49 00:03:15,640 --> 00:03:17,280 I don't think I've ever done this. 50 00:03:18,480 --> 00:03:22,560 Finally after 20 years we've made a record in Ayrshire. 51 00:03:22,720 --> 00:03:26,120 You know it's like our first top to bottom Scottish record. 52 00:03:27,320 --> 00:03:35,000 ♪♪♪ 53 00:03:35,160 --> 00:03:40,680 ♪ I'll be sitting on the left side, you'll be sitting on the right ♪ 54 00:03:40,840 --> 00:03:46,160 ♪ Dying to share our problems, make everything alright ♪ 55 00:03:46,320 --> 00:03:50,720 ♪ Then I see a darkness, you see the blinding light ♪ 56 00:03:50,880 --> 00:03:53,440 -BIFFY fucking CLYRO -BIFFY CLYRO! 57 00:03:53,600 --> 00:03:55,720 -It's BIFFY CLYRO! -Born the BIFF! 58 00:03:55,880 --> 00:03:58,360 -BIFFY CLYRO! [Crowd chanting "BIFFY"] 59 00:03:58,520 --> 00:04:01,840 ♪ You're not the lucky one ♪ 60 00:04:03,800 --> 00:04:06,880 ♪ You're not the lucky one ♪ 61 00:04:19,240 --> 00:04:29,160 ♪♪♪ [APPLAUSE] 62 00:04:33,240 --> 00:04:37,200 Hello gentlemen. Interrogation time is it? Interrogation time. 63 00:04:37,360 --> 00:04:40,400 It's gonna get hot in here. [LAUGHS] 64 00:04:42,760 --> 00:04:47,680 Check my hair. [LAUGHING] 65 00:04:47,840 --> 00:04:50,120 Simon interview, take one! 66 00:04:53,640 --> 00:04:55,840 [INTERVIEWER] So, cast your mind back mate. 67 00:04:56,000 --> 00:04:59,520 It's 2019. You're recording 'A Celebration of Endings' over in LA. 68 00:04:59,680 --> 00:05:04,320 What are your memories of that time out in the basking sunshine of Los Angeles? 69 00:05:04,480 --> 00:05:11,000 It now feels like a long time ago. 2019 it feels... like a different mind almost. 70 00:05:11,160 --> 00:05:14,240 I think back to that time, life was a lot easier. 71 00:05:14,400 --> 00:05:18,320 You know we were just there making our music in LA like we've done 72 00:05:18,480 --> 00:05:20,400 so many times before. 73 00:05:20,560 --> 00:05:23,680 It feels like a kind of natural place for us to be. 74 00:05:23,840 --> 00:05:28,120 [SIMON] For us it's always been quite an important part to kind of go as far away from home, 75 00:05:28,280 --> 00:05:31,640 and feel like we're in a part of the world where anything is possible. 76 00:05:31,800 --> 00:05:34,000 You know writing the songs and everything and the essence 77 00:05:34,160 --> 00:05:36,120 and the soul of the music is very Scottish. 78 00:05:36,280 --> 00:05:38,160 But when I'm making a record with Ben and James as well, 79 00:05:38,320 --> 00:05:40,560 we don't want to feel those limitations. 80 00:05:41,240 --> 00:05:43,960 [BEN] Over in LA in North America you can definitely dream 81 00:05:44,120 --> 00:05:46,520 big and nobody checks you for it. 82 00:05:46,680 --> 00:05:49,920 You know when you're making a record you wanna shoot for the stars so 83 00:05:50,080 --> 00:05:51,680 LA's a good place to do that. 84 00:05:51,840 --> 00:05:57,920 ♪♪♪ 85 00:05:58,080 --> 00:06:02,120 [JAMES] When the band's in the studio and we get the songs to a point where we're happy 86 00:06:02,280 --> 00:06:06,200 that's true elation. Like nobody can touch you at that point. 87 00:06:06,360 --> 00:06:11,680 Living together like the Brady Bunch in a house is really a huge part of it for me. 88 00:06:11,840 --> 00:06:15,600 It's really a big part of the comradery of giving you that fighting spirit. 89 00:06:15,760 --> 00:06:17,080 That you're all in it together. 90 00:06:17,240 --> 00:06:21,160 ♪♪♪ ♪ Doo doo doo ♪ 91 00:06:21,320 --> 00:06:23,640 They're never gonna hear that coming! 92 00:06:23,800 --> 00:06:27,480 -No I mean, two choruses are always better than one. -They're never gonna hear that-- 93 00:06:27,640 --> 00:06:30,000 We create the worst bike gang that LA's ever seen. 94 00:06:30,160 --> 00:06:32,280 Us and our little push bikes. [LAUGHS] 95 00:06:32,440 --> 00:06:34,560 -Like three wee guys from the west coast of Scotland. -Yeah! 96 00:06:34,720 --> 00:06:37,040 And we're kind of over there living our dreams. 97 00:06:38,560 --> 00:06:41,480 Those are the moments that I really cherish the most. 98 00:06:41,640 --> 00:06:44,520 -What's sporty! [LAUGHTER] 99 00:06:44,680 --> 00:06:48,280 [BEN] It's a wonderful part of the world, great studios. 100 00:06:48,440 --> 00:06:51,000 Back to us having a really good time recording again. 101 00:06:51,160 --> 00:07:00,080 ♪♪♪ 102 00:07:04,600 --> 00:07:06,800 ♪ Hey hey hey ♪ 103 00:07:07,480 --> 00:07:09,160 ♪ Hey hey hey ♪ 104 00:07:09,320 --> 00:07:13,040 -That was amazing! -♪ Hey hey hey ♪ 105 00:07:13,200 --> 00:07:15,600 ♪ Hey hey hey ♪ 106 00:07:20,520 --> 00:07:23,080 We've worked so hard on this album, we come home and, 107 00:07:23,240 --> 00:07:27,080 and we're ultimately very proud of it, we think you know it's our best work to date. 108 00:07:27,240 --> 00:07:29,240 So excited to let people hear it. 109 00:07:29,400 --> 00:07:33,520 And then COVID hits, and the whole complexion of the world changes. 110 00:07:34,240 --> 00:07:36,760 [SIMON] Like everyone else I mean it really messed us up. 111 00:07:36,920 --> 00:07:38,880 You know with everything stopping and I don't think 112 00:07:39,040 --> 00:07:41,160 there's a soul on the planet that hasn't felt it. 113 00:07:41,320 --> 00:07:44,280 For us timing-wise with the album it was really awkward because 114 00:07:44,440 --> 00:07:47,440 we literally had just announced the album was gonna come out in like May. 115 00:07:47,600 --> 00:07:49,760 I think it was May. But it was like, "This isn't gonna happen." 116 00:07:49,920 --> 00:07:52,280 It was physically impossible to make it happen. 117 00:07:52,880 --> 00:07:56,920 [JAMES] Every bit of our energy and focus has gone into this thing that is now 118 00:07:57,080 --> 00:07:59,800 to all intents and purposes taken away from us. 119 00:07:59,960 --> 00:08:04,760 [SIMON] I really struggled in the aftermath of not putting it out. 120 00:08:04,920 --> 00:08:07,440 I suddenly started to think like, "Is music even important?" 121 00:08:07,600 --> 00:08:09,840 Is anyone gonna want to stand in a field again? 122 00:08:10,000 --> 00:08:14,760 Or a venue to watch music when we're dealing with so much shit. 123 00:08:14,920 --> 00:08:19,360 [JAMES] You're off the hampster wheel and you're not doing what it is you love to do, 124 00:08:19,520 --> 00:08:23,040 so it was really a kind of a bit of an existential crisis. 125 00:08:23,200 --> 00:08:26,600 What are we doing? What am I doing? What is life about? 126 00:08:29,000 --> 00:08:31,920 [SIMON] If I don't have something activating and engaging my brain 127 00:08:32,080 --> 00:08:34,600 then that's when I kinda start to go into a spiral. 128 00:08:34,760 --> 00:08:39,800 I felt like I was a bike, gaping wind in my, my mind. 129 00:08:39,960 --> 00:08:44,600 Not to be overly dramatic, but my soul, I just felt, I felt empty. 130 00:08:45,440 --> 00:08:48,600 Yeah, it was a little dark and 131 00:08:49,760 --> 00:08:53,080 had to find something to focus on basically 132 00:08:53,240 --> 00:08:55,800 becasue if you've got nothing at the end of the tunnel then 133 00:08:55,960 --> 00:08:57,800 its kinda what's the point type thing. 134 00:08:58,760 --> 00:09:01,280 It seems crazy to sit here and moan about 135 00:09:01,440 --> 00:09:03,720 that sort of thing happening when I'm lucky enough to be 136 00:09:03,880 --> 00:09:06,280 in this amazing band and have this amazing life, 137 00:09:06,440 --> 00:09:10,640 but, I mean, yeah, it's all relative. It was hard. 138 00:09:10,800 --> 00:09:12,560 As much as its been really tough, 139 00:09:12,720 --> 00:09:15,040 it's probably reinforced who we are as a band 140 00:09:15,200 --> 00:09:16,840 and as friends more than ever because 141 00:09:17,000 --> 00:09:18,560 actually when you rip everything else away, 142 00:09:18,720 --> 00:09:21,240 that's what we enjoy. That's what makes us who we are. 143 00:09:21,400 --> 00:09:23,440 But it was really hard to rememeber that. 144 00:09:23,600 --> 00:09:26,160 [JAMES] I mean life is often about compromises. 145 00:09:26,320 --> 00:09:28,040 When it comes down to the choice of 146 00:09:28,200 --> 00:09:31,160 not puttin' the record out at all because we can't tour 147 00:09:31,320 --> 00:09:34,400 or get the music out there, people can enjoy it. 148 00:09:34,560 --> 00:09:36,720 Music's about helping you through life. 149 00:09:37,640 --> 00:09:39,800 Everyone was stuck at home for a year so. 150 00:09:39,960 --> 00:09:42,680 In some ways you could say we had a captive audience, you know? 151 00:09:42,840 --> 00:09:46,400 Hello everybody. Thanks so much for taking 'A Celebration of Endings' 152 00:09:46,560 --> 00:09:49,920 to number one in the offical album chart. Oh, yeah! 153 00:09:50,080 --> 00:09:52,280 We miss you guys loads. We're very proud of this record. 154 00:09:52,440 --> 00:09:54,960 Thanks for listening. We love you. Miss you. 155 00:09:55,120 --> 00:09:59,040 We are Biffy Clyro and we'll see you soon. 156 00:09:59,720 --> 00:10:02,920 [SIMON] The week fo the album release we wanted to do like a performance 157 00:10:03,080 --> 00:10:06,400 from Glasgow, you know as close as we can get to playing together as a band 158 00:10:06,560 --> 00:10:09,080 so that we felt some semblance of normalcy. 159 00:10:09,240 --> 00:10:12,720 Anyone that knows the band knows what history we have in that room. 160 00:10:12,880 --> 00:10:14,560 It's just an incredible place. 161 00:10:14,720 --> 00:10:17,640 ♪♪♪ 162 00:10:17,800 --> 00:10:20,040 [SIMON] Without that show I wouldn't even feel like 163 00:10:20,200 --> 00:10:22,560 I necessarilly released an album you know? 164 00:10:24,040 --> 00:10:26,120 It's like you pull the catapult back and you're ready, 165 00:10:26,280 --> 00:10:28,080 but you're tensed. You're stress there, 166 00:10:28,240 --> 00:10:31,680 until you let go of that it doesn't come to fruition. 167 00:10:31,840 --> 00:10:38,440 ♪♪♪ 168 00:10:45,000 --> 00:10:49,880 [JAMES] I think we took a negative situation and really turned it positive. 169 00:10:50,040 --> 00:10:53,800 [SIMON] Just tryin' to appreciate they're actually live stream the camera. 170 00:10:53,960 --> 00:10:56,680 That's the fans when you're right there when you're performing in that moment. 171 00:10:56,840 --> 00:11:01,960 ♪♪♪ 172 00:11:02,120 --> 00:11:05,000 ♪ I've been punching rainbows since '79 ♪ 173 00:11:05,160 --> 00:11:09,840 ♪ It's self preservation baby, I'm scorched earth you're hearts and minds ♪ 174 00:11:10,000 --> 00:11:14,840 ♪ Fuck everybody, woo! ♪ 175 00:11:16,920 --> 00:11:20,360 [JAMES] I actually feel that the badlands show was one of the best things 176 00:11:20,520 --> 00:11:22,400 we ever did. I say that kind of bashfully, 177 00:11:22,560 --> 00:11:24,920 but that is one of the things I'm proudest of. 178 00:11:25,440 --> 00:11:27,200 Well done everybody. 179 00:11:37,080 --> 00:11:40,240 [SIMON] I started making a bunch of music after the album came out. 180 00:11:40,400 --> 00:11:43,680 The album came out in August and in September I knew I needed to, 181 00:11:43,840 --> 00:11:46,080 even though I didn't feel very creative, I knew I needed to 182 00:11:46,240 --> 00:11:49,280 have a sense of purpose because it all built up 183 00:11:49,440 --> 00:11:52,320 and then the album is out and then it was like, what now? 184 00:11:52,480 --> 00:11:55,920 [BEN] Simon just writes all the time, you know, he's always got songs. 185 00:11:56,080 --> 00:11:58,040 So I think what started this, maybe like 186 00:11:58,200 --> 00:12:00,240 this is a kind of wee B sides album type thing. 187 00:12:00,400 --> 00:12:02,240 It's now become a whole different beast. 188 00:12:02,400 --> 00:12:06,480 One new idea was whoa, this is great, this is new. 189 00:12:06,640 --> 00:12:09,840 I don't know what this is but it's going to be a treat. 190 00:12:10,000 --> 00:12:12,680 I know it's going to work because the exitements there in that new 191 00:12:12,840 --> 00:12:15,640 terrain. You've opened up a new landscape to yourself. 192 00:12:16,240 --> 00:12:18,080 We just had to record them, but, 193 00:12:18,240 --> 00:12:19,760 what do you do when you're restricted? 194 00:12:19,920 --> 00:12:22,000 You can't travel. You can't go anywhere. 195 00:12:22,160 --> 00:12:24,840 I don't even know if the label knew we were making an album at first. 196 00:12:25,000 --> 00:12:26,920 You know, we were just doing our own thing. 197 00:12:27,720 --> 00:12:30,040 It really feels like you've got a wee secret at that point. 198 00:12:30,200 --> 00:12:32,640 A wee secret that the world doesn't know about. 199 00:12:32,800 --> 00:12:40,880 ♪♪♪ 200 00:12:41,040 --> 00:12:43,360 [BEN] You've got rolling fields over here. On a nice day like this 201 00:12:43,520 --> 00:12:45,120 it's beautiful to come here and look at this. 202 00:12:45,280 --> 00:12:47,520 It's quite inspiring. I'm sure you'll agree. 203 00:12:47,680 --> 00:12:49,400 And hopefully we'll bump into a farmer. 204 00:12:49,560 --> 00:12:53,200 And you will not understand a word these guys are sayin'. 205 00:12:53,360 --> 00:12:55,280 This is deep Ayrshire. 206 00:12:57,520 --> 00:13:00,960 Fantastic. Oh, here we go. Some friends. 207 00:13:01,640 --> 00:13:04,480 Alright there, how you doing? Oh, no. 208 00:13:04,640 --> 00:13:08,360 -Bit skitish. Bit skitish today. -[CAMERAMAN] Not a fan of the last album maybe. 209 00:13:08,520 --> 00:13:11,040 No no, they don't like the new stuff. 210 00:13:11,200 --> 00:13:13,480 It's... They're older fans. 211 00:13:13,960 --> 00:13:18,000 You're a biggin' You are a biggin. Nah. 212 00:13:18,160 --> 00:13:19,960 I'm not feeling pally today. Almost. 213 00:13:20,120 --> 00:13:23,600 Oh Jesus, covered in slobber. Fuck that. 214 00:13:25,360 --> 00:13:29,280 [BEN] It's been an eye opener. I realized how good at recording we can get. 215 00:13:29,440 --> 00:13:33,640 You can be on a farm with an outhouse toilet and no running water 216 00:13:33,800 --> 00:13:35,920 and still make a great album. That's great. 217 00:13:37,320 --> 00:13:39,760 [SIMON] We are on a farm. We are in a working farm. 218 00:13:39,920 --> 00:13:44,800 It's a dairy farm. You know, we hear the dairy trucks arrive. The cows are next door. 219 00:13:44,960 --> 00:13:47,440 It's weird because when people hear we were making a record here, 220 00:13:47,600 --> 00:13:49,760 even just like family and things, they go, "Oooo." 221 00:13:49,920 --> 00:13:53,000 You know and that was quite exciting for me because 222 00:13:53,160 --> 00:13:55,720 it made me realize this is something we haven't done. 223 00:13:57,320 --> 00:14:00,200 [JAMES] We first went there 15 years ago, it was, 224 00:14:00,360 --> 00:14:02,280 it was a very different place. 225 00:14:02,440 --> 00:14:07,120 We got the overalls on and we got to DIY 226 00:14:07,280 --> 00:14:09,640 [BEN] Grafted everyday to build this amazing dias 227 00:14:09,800 --> 00:14:11,440 and to create this living room space as well 228 00:14:11,600 --> 00:14:13,760 we could hang out in and also make a kitchen, 229 00:14:13,920 --> 00:14:16,400 which I tiled. My first ever tiling job. 230 00:14:16,560 --> 00:14:18,840 [JAMES] It's not any better soundproofed than it was so 231 00:14:19,000 --> 00:14:21,400 I think the neighbors are still like... 232 00:14:21,560 --> 00:14:23,440 I hope they like our music, 233 00:14:23,600 --> 00:14:27,400 because, if they don't, then it's been a long 15 years. [LAUGHS] 234 00:14:27,560 --> 00:14:32,520 ♪♪♪ 235 00:14:44,000 --> 00:14:46,720 Adam Noble was our obvious choice. He's a wonderful producer. 236 00:14:46,880 --> 00:14:48,840 [JAMES] Adam feels a part of the gang 237 00:14:49,000 --> 00:14:51,280 so he doesn't need a lot of convincing to get involved 238 00:14:51,440 --> 00:14:53,520 and that's something we're so lucky with. 239 00:14:53,680 --> 00:14:55,480 [SIMON] Fortunately we got a fantastic relationship 240 00:14:55,640 --> 00:14:57,520 and he trusts us as a band so he knows 241 00:14:57,680 --> 00:15:00,120 even if what we're attempting is the most insane thing 242 00:15:00,280 --> 00:15:03,400 everybody knows that there's purpose to it and there's a concept behind it. 243 00:15:05,240 --> 00:15:07,040 It's exotic that. 244 00:15:10,280 --> 00:15:14,200 You know, he laughs so much. When he starts laughing really hard, 245 00:15:14,360 --> 00:15:16,440 you know that's when you've done the right thing. 246 00:15:18,720 --> 00:15:22,360 ♪♪♪ 247 00:15:29,360 --> 00:15:33,240 [SIMON] Churd has been my guitar tech for 15 or 16 years. 248 00:15:33,400 --> 00:15:37,080 He's one of the sweetest humans you could meet. I mean we've grown up together you know. 249 00:15:37,240 --> 00:15:39,800 We remember Churd when he was 21. 250 00:15:39,960 --> 00:15:42,640 He was a classic rock guy on tour. You know. 251 00:15:42,800 --> 00:15:48,640 Churd! Churd! Churd! Churd! Churd! Churd! 252 00:15:50,440 --> 00:15:54,440 He's just a saint is Churd. He'll work and work and never complain. 253 00:15:54,600 --> 00:15:56,800 [JAMES] We're dear dear friends. You know these are-- 254 00:15:57,720 --> 00:16:00,240 If you wanna see me cry let's keep talking 255 00:16:00,400 --> 00:16:03,960 because these are people that we love. We've got a strong connection. 256 00:16:04,120 --> 00:16:07,680 We've lived our best moments and our darkest moments together. 257 00:16:07,840 --> 00:16:10,240 [SIMON] But the challenge was definitely can we record 258 00:16:10,400 --> 00:16:14,160 a proper record and not a low-fi record. Not like a dusty sounding record 259 00:16:14,320 --> 00:16:17,280 but like somthing that makes everyone proud and it blows 260 00:16:17,440 --> 00:16:20,680 even 'A Celebration of Endings' out the water. That's part of the plan. 261 00:16:20,840 --> 00:16:24,000 Just feel it building up for that last one. 262 00:16:24,160 --> 00:16:30,240 ♪♪♪ 263 00:16:30,400 --> 00:16:33,560 [JAMES] First day of recording we spent really quite a lot of time 264 00:16:33,720 --> 00:16:36,280 making sure we got all the little hums and all the pops 265 00:16:36,440 --> 00:16:39,360 that you get down the vocal mics and things like that 266 00:16:39,520 --> 00:16:41,600 and we're just getting ready to do bass. 267 00:16:41,760 --> 00:16:44,800 I looked at the computer and it's like duf, duf. 268 00:16:44,960 --> 00:16:47,520 All these spikes coming from the bass channel and we're like 269 00:16:47,680 --> 00:16:50,720 the sessions over. What we gotta do? 270 00:16:51,560 --> 00:16:54,160 A ticking noise in the audio and it was the electric fence 271 00:16:54,320 --> 00:16:56,800 to try and keep sheep in their bloody pen. 272 00:16:56,960 --> 00:16:59,240 So we had to get the farmer to turn off the electric fence. 273 00:17:00,640 --> 00:17:03,680 [SIMON] Even though we were entering this fight with one hand tied behind our back 274 00:17:03,840 --> 00:17:08,440 it didn't mean we were wanting to do any less damage. It's still a, a hell of a fist. 275 00:17:13,320 --> 00:17:16,240 I feel very cool comin' in here today with this sunshine. 276 00:17:19,480 --> 00:17:24,840 [TALKING OVER EACH OTHER] 277 00:17:27,760 --> 00:17:30,960 I talk a good game. I try and get it in every record. 278 00:17:31,120 --> 00:17:33,120 It doesn't often make it, but there's a couple of songs 279 00:17:33,280 --> 00:17:35,840 in this that are, that have real sound scaping moments 280 00:17:36,000 --> 00:17:39,600 that I think I can get away with my rudimental skills. 281 00:17:39,760 --> 00:17:43,920 ♪♪♪ Oh yeah, I just went and made Last of the Mohicans there. 282 00:17:47,280 --> 00:17:51,080 [SIMON] First song 'Dum Dum' was the key song on that album. 283 00:17:51,240 --> 00:17:54,520 [JAMES] The song almost whispers its way into life. 284 00:17:54,680 --> 00:17:56,920 It really starts so subtly. 285 00:17:57,080 --> 00:17:59,800 It's unlike any bit of music we've recorded before. 286 00:17:59,960 --> 00:18:04,400 ♪♪♪ 287 00:18:12,520 --> 00:18:15,280 It puts you off the scent. It makes you think the album's going to be 288 00:18:15,440 --> 00:18:17,560 a completely different piece than what you hear. 289 00:18:17,720 --> 00:18:20,320 The fact that that felt alien to what we normally do 290 00:18:20,480 --> 00:18:24,640 actually was the first meaningful song on this record. 291 00:18:24,800 --> 00:18:33,560 ♪♪♪ 292 00:18:33,720 --> 00:18:38,040 ♪ This is how we fuck it from the start ♪ 293 00:18:44,280 --> 00:18:48,920 ♪ This is how we fuck it from the start ♪ 294 00:18:52,480 --> 00:18:54,200 Cool. 295 00:18:55,160 --> 00:18:57,040 Yep. 296 00:18:57,200 --> 00:19:00,640 Alright. Good luck Benny. 297 00:19:00,800 --> 00:19:02,920 ♪♪♪ 298 00:19:03,080 --> 00:19:06,360 [JAMES] I think 'A Hunger In Your Haunt' is a little more classic Biffy. 299 00:19:06,520 --> 00:19:08,720 It's mostly guitar based and drums. 300 00:19:08,880 --> 00:19:12,160 It's just agro. Getiin' in your face. 301 00:19:13,240 --> 00:19:16,840 Brought you in. We've enticed you into our world and now you're gonna get one of those. 302 00:19:17,000 --> 00:19:19,480 I think that's the wake up call we're all looking for. 303 00:19:19,640 --> 00:19:22,680 ♪ My mind is crying out for stimulation ♪ 304 00:19:22,840 --> 00:19:26,880 ♪ It's been dark a while so where's the fucking dawn? ♪ 305 00:19:35,760 --> 00:19:38,960 [SIMON] 'Hunger In Your Haunt' is about finding that fire inside yourself 306 00:19:39,120 --> 00:19:42,480 during a tough time to find a reason to get up in the morning, 307 00:19:42,640 --> 00:19:44,520 to find that purpose and I think musically, 308 00:19:44,680 --> 00:19:46,600 especially after 'Dum Dum', it has that 309 00:19:46,760 --> 00:19:49,400 straight to the point. It's pure purpose that song. 310 00:19:49,560 --> 00:19:51,320 Yeah, I like that. 311 00:19:55,240 --> 00:19:59,560 Could I add an extra... in this verse? 312 00:19:59,720 --> 00:20:01,280 -Yeah. -One guitar doing that, 313 00:20:01,440 --> 00:20:03,320 I think it might be nice to just have one more. 314 00:20:05,240 --> 00:20:06,960 Yeah. 315 00:20:07,120 --> 00:20:11,160 It's got some progy stabs and Simon's screamin' his lungs out. 316 00:20:11,320 --> 00:20:14,000 It's just a quality Biffy track, that one for me. 317 00:20:16,120 --> 00:20:19,080 [SIMON] There's some things in feel of what we do as a 3 piece band 318 00:20:19,240 --> 00:20:21,640 that it's like this is who we are this identity. 319 00:20:21,800 --> 00:20:23,400 ♪♪♪ 320 00:20:23,560 --> 00:20:26,040 ♪ A hunger in your haunt ♪ 321 00:20:26,200 --> 00:20:30,040 ♪ Are you taking pleasure in this storm? ♪ 322 00:20:30,200 --> 00:20:33,880 ♪ Brace yourself, here's a slap across your jaw ♪ 323 00:20:34,040 --> 00:20:38,960 ♪ Can you find any hunger in your haunt? ♪ 324 00:20:39,120 --> 00:20:44,720 ♪♪♪ 325 00:20:47,120 --> 00:20:48,640 [JAMES] Well now that I've done my bass I should probably 326 00:20:48,800 --> 00:20:52,200 -go on to a bit of milking. -Yeah haha! 327 00:20:52,360 --> 00:20:56,240 We're in there making a racket, making our noise... and there's people out here 328 00:20:56,400 --> 00:20:59,400 doing real work. [LAUGHING] 329 00:21:00,440 --> 00:21:02,360 This is uh, David, head of operations. 330 00:21:02,520 --> 00:21:05,360 He writes all the songs, he tells us what to play. [LAUGHING] 331 00:21:05,520 --> 00:21:08,240 Oh I thought you were going to say head of operations just in the farm. 332 00:21:08,400 --> 00:21:12,200 -Oh no no no. -When the shit hits the fan I've gotta deal with it. 333 00:21:12,360 --> 00:21:16,240 -[CAMERAMAN] Yeah that's it! Uh oh. -It doesn't stay. 334 00:21:16,400 --> 00:21:19,080 -[BEN] This is cool! -[JAMES] It's not that fucking cool! 335 00:21:20,920 --> 00:21:24,240 -Oh that's good! It... -What? 336 00:21:24,400 --> 00:21:26,840 -Oh, it swivels! -It's got steadycam. 337 00:21:27,440 --> 00:21:29,280 [JAMES] What's the story man? 338 00:21:29,440 --> 00:21:32,040 [BEN] The story is... glory right now 339 00:21:32,200 --> 00:21:34,480 'cause we are on top of the silos tower. 340 00:21:34,640 --> 00:21:37,480 -[JAMES] Hey we're on the Simon, look at that! -Yeah! 341 00:21:37,640 --> 00:21:40,600 Yo yo! [LAUGHING] 342 00:21:40,760 --> 00:21:46,120 -You're very high. -[JAMES] Yeah I know. He's a tiny wee dot man! So far away! 343 00:21:46,280 --> 00:21:50,560 Being here we've kind of stripped away a lot of the extraneous things that come 344 00:21:50,720 --> 00:21:53,480 with recording and I think here it's much simpler. 345 00:21:53,640 --> 00:21:56,480 There's a different feeling of accomplishment I think because we've got 346 00:21:56,640 --> 00:22:00,200 our hands a little bit dirtier doing it and there's no everyday distractions in 347 00:22:00,360 --> 00:22:02,040 -life at the moment. So it's really nice -Yeah. 348 00:22:02,200 --> 00:22:04,320 to have this something to focus on. 349 00:22:04,480 --> 00:22:07,720 We can just hunker down in our wee world here and... 350 00:22:07,880 --> 00:22:12,480 [JAMES] The last few weeks being here together, the comradery, the vibe is really 351 00:22:12,640 --> 00:22:15,200 equal importance to the music at this stage. 352 00:22:15,360 --> 00:22:18,760 And I always find that when things in life don't come that easy you appreciate them 353 00:22:18,920 --> 00:22:21,120 -a little bit more. -[BEN] Yeah. 354 00:22:21,280 --> 00:22:28,680 [UNINTELLIGIBLE CONVERSATION] 355 00:22:28,840 --> 00:22:33,240 Bit of a panic you know, running about the supermarket. [LAUGHS] 356 00:22:33,400 --> 00:22:35,400 [CAMERAMAN] Not usually the most important thing when making an album. 357 00:22:35,560 --> 00:22:39,080 Not usually, not for the drummer, but, this is a different album man. 358 00:22:39,240 --> 00:22:43,880 You know Ben took on all the cooking with Churd for like, two months. 359 00:22:45,040 --> 00:22:49,080 [BEN] Yeah, I was jumping between drum machines and the stove trying to make dinner. 360 00:22:49,240 --> 00:22:55,640 And James is basically, he was the engineer backing up the producer, Adam Noble 361 00:22:55,800 --> 00:22:59,080 If there's limitations to it practically, we'll figure that out. 362 00:22:59,240 --> 00:23:02,120 [LAUGHS] What fuckin fuck is that? 363 00:23:03,440 --> 00:23:06,120 [JAMES] But as long as you can come up with the idea and have the spark 364 00:23:06,280 --> 00:23:08,760 the feeling amongst us is that we can make this work. 365 00:23:08,920 --> 00:23:15,240 [PLAYING SYNTH] Yeah man, haha. 366 00:23:16,680 --> 00:23:20,720 [JAMES] So we're gonna give you a little run down of dinner, right Churds? 367 00:23:20,880 --> 00:23:24,440 Nice bit of salmon, we've got a medley of summer vegetables. 368 00:23:24,600 --> 00:23:26,880 We're gonna eat well, we're gonna eat well. 369 00:23:27,040 --> 00:23:30,840 We only started even having people in here that weren't myself, Ben and James 370 00:23:31,000 --> 00:23:34,160 probably two years ago because it's such a sacred place for us and it was 371 00:23:34,320 --> 00:23:36,960 all about keeping the vibe right. Because that's what we cherish 372 00:23:37,120 --> 00:23:39,000 so much about this place is this place is fun. 373 00:23:39,160 --> 00:23:42,600 This is like a kind of clubhouse forest to make our music. 374 00:23:44,480 --> 00:23:47,840 ♪ Ooh ♪ Oh, no! 375 00:23:48,000 --> 00:23:52,000 Just did the job that Ben half did. [LAUGHTER] 376 00:23:52,160 --> 00:23:56,040 At one time we were on holiday in France, bizzarely watching snooker. 377 00:23:56,200 --> 00:23:58,640 And they're all going 'Allie McManus! Allie McManus!' 378 00:23:58,800 --> 00:24:04,200 So Alan McManus is uh, is my favorite player. Is this the 'making of the making of'? 379 00:24:04,360 --> 00:24:09,480 [SIMON] this is the making of the making of the making of... the making of. 380 00:24:09,640 --> 00:24:11,800 I don't actually know what's happening anymore! [LAUGHING] 381 00:24:11,960 --> 00:24:15,880 [SIMON] Oh fuckin hell it's the 11th wall is down! Yes! 382 00:24:16,280 --> 00:24:19,080 [SIMON] Do you remember where we got them? 383 00:24:19,240 --> 00:24:22,560 [BEN] All of them I believe have been thrown on stage, right, there or gigs. 384 00:24:22,720 --> 00:24:25,800 -[BEN] Um there's half of Souttar. And half uh, Poland. -[SIMON] Right, okay. 385 00:24:25,960 --> 00:24:27,880 -[SIMON] That's Scotland and Poland together. 386 00:24:28,040 --> 00:24:30,440 [JAMES AND SIMON] Together at last! 387 00:24:30,600 --> 00:24:34,040 [BEN] And there we've got Portugal, and this is amazing look at the drawing on this! 388 00:24:34,200 --> 00:24:36,800 I have no idea how they've done this, but the likeness is just uncanny. 389 00:24:36,960 --> 00:24:41,200 -[SIMON] It's pretty hot. -It's pretty hot, just three bored dudes. 390 00:24:41,360 --> 00:24:46,200 I mean we've been having a bit of a laugh but genuinely it is so nice to have the support. 391 00:24:46,800 --> 00:24:50,240 -To have the memories of these people. You know? -[BEN] Yeah. 392 00:24:51,000 --> 00:24:54,760 [SIMON] As much as we felt isolated last year as everyone did, putting these things up 393 00:24:54,920 --> 00:24:57,520 and the nice messages we've got from all over the world really helped us be like, 394 00:24:57,680 --> 00:24:59,520 "You know there's people out there that care." 395 00:24:59,680 --> 00:25:05,160 ♪♪♪ 396 00:25:05,320 --> 00:25:08,080 [SIMON] I pour a lot of myself, my vulnerabilities into the songs 397 00:25:08,240 --> 00:25:10,280 which at a point can take its toll. But seeing 398 00:25:10,440 --> 00:25:12,840 people listen to your music in the right way I feel very lucky 399 00:25:13,000 --> 00:25:18,080 that the people that dig our band really care about the music the same way that we do. 400 00:25:18,240 --> 00:25:19,920 [ENGINEER] Would that work in the chorus? 401 00:25:20,080 --> 00:25:22,360 Yeah, let me try that in the chorus absolutely! 402 00:25:22,840 --> 00:25:26,600 ♪♪♪ 403 00:25:26,760 --> 00:25:29,400 [SIMON] Satisfaction even in your darkest moment writing a really 404 00:25:29,560 --> 00:25:31,920 sad song can still end up bringing you joy. 405 00:25:32,080 --> 00:25:35,760 There's like a full circle that happens in that and that's why I keep making music. 406 00:25:37,320 --> 00:25:39,160 Yes, nice one ain't it. 407 00:25:40,240 --> 00:25:44,400 -Aya! Little motherfuckin prick! -Ah yeah that sounded good. 408 00:25:44,560 --> 00:25:47,080 -So delicate! -Aaaargh! Yeah! 409 00:25:50,680 --> 00:25:52,880 -[JAMES] Here we are! -[BEN] Oooh! 410 00:25:55,720 --> 00:25:58,680 -This is so peaceful man! -Nice innit? 411 00:26:01,120 --> 00:26:03,200 I kind of want to take a trip up to that farm sometime. 412 00:26:03,360 --> 00:26:05,280 Don't know what they do up there. 413 00:26:05,440 --> 00:26:08,520 -Have we been? -I wanna know what rock band's up there. 414 00:26:09,360 --> 00:26:12,480 [JAMES] I think we get the best of both worlds with the travelling that we do. 415 00:26:12,640 --> 00:26:16,200 And then we have the grounding... of home. 416 00:26:16,360 --> 00:26:19,800 And the attitude of the people at home I think that's really important 417 00:26:19,960 --> 00:26:22,720 to your... mental wellbeing. 418 00:26:22,880 --> 00:26:27,480 I think 'cause we're in a job where people often celebrate your success it's nice 419 00:26:27,640 --> 00:26:30,360 to come to a place where no-one really gives a shit. [LAUGHING] 420 00:26:30,520 --> 00:26:33,880 And that suits us just fine. 421 00:26:34,640 --> 00:26:36,400 You can't go wrong with that eh? 422 00:26:38,160 --> 00:26:40,200 We've been pretty much everywhere in the world. 423 00:26:40,360 --> 00:26:44,600 And that's helped get me, contextualize why this place is important to me. 424 00:26:44,760 --> 00:26:47,200 And why it's really important to our band. 425 00:26:47,360 --> 00:26:49,680 [BEN] This is the longest we've been home since we were actually 426 00:26:49,840 --> 00:26:51,880 kids 'cause we've been touring since. 427 00:26:52,040 --> 00:26:54,880 As you get older you do have this appreciation for where you come from 428 00:26:55,040 --> 00:26:58,560 and how it has affected you as a person. How it's made you who you are. 429 00:26:59,280 --> 00:27:02,720 [JAMES] The more we've travelled over the years, the connection becomes stronger. 430 00:27:02,880 --> 00:27:07,360 The more time you spend away, the Scottishness is deep within us. 431 00:27:08,240 --> 00:27:11,880 I wouldn't be comfortable being so vulnerable in my songs or... 432 00:27:12,040 --> 00:27:15,720 or kind of defenseless if they didn't come from this part of the world. 433 00:27:18,400 --> 00:27:21,720 [JAMES] We've come back home. We've come back home to glorious Kilmarnock. 434 00:27:21,880 --> 00:27:23,440 -Kind of where it all started for us really. -Yeah. 435 00:27:23,600 --> 00:27:25,240 -In the garage. -In the garage. 436 00:27:25,400 --> 00:27:27,560 -The parents' garage. -Tight 8PM cutoff. 437 00:27:27,720 --> 00:27:30,320 [BEN] Yeah, if it got to 8:01, the door got shut. 438 00:27:30,480 --> 00:27:32,720 -Can't go over. -Stop, that's it, 8:01. 439 00:27:32,880 --> 00:27:35,600 And these other neighbors that hate us. 440 00:27:35,760 --> 00:27:38,040 Persona non grata right here! 441 00:27:38,200 --> 00:27:39,880 Watch your head tall man! 442 00:27:40,040 --> 00:27:43,760 Amps everywhere! It was like, one in one out. 443 00:27:43,920 --> 00:27:45,840 -A bit of a clusterfuck. -It really was. 444 00:27:46,000 --> 00:27:49,800 -To play some over the years. Biffy gigs. Oh my god. -Wow. 445 00:27:49,960 --> 00:27:53,080 -There's a really old one from the paper. -Oh when we played the... 446 00:27:53,240 --> 00:27:58,880 So that's us playing a battle of bands. It's gone yellow. 447 00:27:59,040 --> 00:28:02,120 [JAMES] We didn't have very many plans but we did take it seriously. 448 00:28:02,280 --> 00:28:04,520 Practice was about getting better. 449 00:28:04,680 --> 00:28:07,840 Just that feeling when you all come together and you just make that beautiful 450 00:28:08,000 --> 00:28:11,640 harmony, you make that noise. There's just nothing really like it. 451 00:28:15,960 --> 00:28:18,040 You filming aye? 452 00:28:18,200 --> 00:28:20,880 How we doin? Welcome to Kilmarnock! 453 00:28:22,120 --> 00:28:24,080 -There's star walks further down town. -[LAUGHTER] 454 00:28:24,240 --> 00:28:28,400 Where they have all the famous people. It goes on for miles. 455 00:28:28,560 --> 00:28:30,920 [CAMERAMAN] Haha, a handsome man! 456 00:28:31,080 --> 00:28:33,520 -Fuckin shivers. -I know haha! 457 00:28:33,680 --> 00:28:37,440 A couple of venues in this square half mile that we played loads when we were younger. 458 00:28:37,600 --> 00:28:40,680 Typical you know like that's- like you find the couple of pubs nearby that let you 459 00:28:40,840 --> 00:28:42,360 -in underage with your fake ID. -Yeah. 460 00:28:42,520 --> 00:28:43,880 Basically it was whoever had sideburns 461 00:28:44,040 --> 00:28:46,360 would be the first one walkin up like, 462 00:28:46,520 --> 00:28:49,720 "Hey man I've got sideburns I'm quite obviously legal!" and then they'd be like, 463 00:28:49,880 --> 00:28:51,840 -"Alright, in ya come." -Yeah. 464 00:28:52,000 --> 00:28:54,440 But it's just about getting your pals down to watch the show. 465 00:28:54,600 --> 00:28:58,120 It's just about playing music with your friends and we've never taken it for granted. 466 00:28:58,280 --> 00:29:00,560 And I think if your roots are different than ours are then 467 00:29:00,720 --> 00:29:03,520 maybe you would take some things for granted. 468 00:29:03,680 --> 00:29:07,240 Taa daaa! 469 00:29:07,400 --> 00:29:09,320 -[JAMES] Is that what you were expecting? -[SIMON] Is that not gorgeous? 470 00:29:09,480 --> 00:29:11,000 Is that not gorgeous? 471 00:29:11,160 --> 00:29:13,640 This is BIFFY CLYRO. [IMMITATES DRUMMING RHYTHM] 472 00:29:13,800 --> 00:29:17,760 ♪♪♪ 473 00:29:17,920 --> 00:29:20,720 [SIMON] So this is the venue that one of our very first shows... 474 00:29:20,880 --> 00:29:24,880 So I broke a string, it was literally like SOS sorry everyone. 475 00:29:25,040 --> 00:29:28,240 Just need to drive home to get a spare string, so that's what we did. 476 00:29:28,400 --> 00:29:30,640 There was a 15 minute delay in the gig. "We're gonna take 477 00:29:30,800 --> 00:29:33,360 "a 5 minute break for 10 minutes. See you in 15!" That was-- 478 00:29:33,520 --> 00:29:37,320 flung that out there and I'll never forget that. What a line! It's not my line. 479 00:29:37,480 --> 00:29:39,520 And then yeah we went out and literally I changed the guitar string 480 00:29:39,680 --> 00:29:41,840 -in front of the whole crowd and then we carried on. -And that's that. 481 00:29:42,000 --> 00:29:46,200 But you know that's the spirit of things when you start as a proper DIY band. 482 00:29:46,360 --> 00:29:50,720 You know like, get in a van, make your own gigs happen. Print your own flyers and shit. 483 00:29:50,880 --> 00:29:52,480 -That's what happens. -Yup. -Absolutely. 484 00:29:52,640 --> 00:29:54,920 You don't want things to come too easy to you you know? 485 00:29:55,080 --> 00:29:57,200 Oh it would've been nice though! [LAUGHING] 486 00:29:58,080 --> 00:30:01,040 [BEN] I mean it was terrifying. I remember being so scared. 487 00:30:01,200 --> 00:30:04,320 So rigid and not moving. Like that not even breaking a sweat. 488 00:30:04,480 --> 00:30:08,160 But hooked, absolutely hooked, it was just the most amazing feeling. 489 00:30:08,840 --> 00:30:12,240 [JAMES] We just kept going. More often than not we were unpopular. 490 00:30:12,400 --> 00:30:17,040 People asking for Oasis people asking for... anything but what we were doing. 491 00:30:17,200 --> 00:30:22,400 We didn't change! We did not change, we just put our hoods up and turned and faced the back. 492 00:30:22,560 --> 00:30:26,080 [SIMON] I don't know it it was just arrogance or confidence. 493 00:30:26,240 --> 00:30:28,640 Or whether it was self preservation. 494 00:30:28,800 --> 00:30:31,760 You know like, hey, we're not gonna engage so therefore if people aren't into it 495 00:30:31,920 --> 00:30:34,000 then we can-- well we didn't want you to like our band! 496 00:30:34,160 --> 00:30:36,000 And that was kind of our badge of honor. 497 00:30:39,640 --> 00:30:42,640 And here we are approaching what used to be... 498 00:30:42,800 --> 00:30:46,240 -Arlington Birdies. -Right here? -Yeah, yeah that's it. 499 00:30:46,400 --> 00:30:50,760 [OVERLAPPING AGREEMENT] It's super gone! 500 00:30:50,920 --> 00:30:54,960 But this is where we played, I think it was on the 3rd set of the night. 501 00:30:55,120 --> 00:30:57,840 -It was your birthday though? -It was our birthday, our 18th birthday. 502 00:30:58,000 --> 00:31:01,040 And the owner came over said, "You guys better turn this down it's getting too loud!" 503 00:31:01,200 --> 00:31:03,960 And Simon being the young defiant man that he was like, 504 00:31:04,120 --> 00:31:07,320 "Yeah, very good!" Duh nuh nuh! Turned it up. [LAUGHING] 505 00:31:07,480 --> 00:31:10,080 -And uh, I think there were a few choice words. -I'll never forget it, 506 00:31:10,240 --> 00:31:12,800 "Do not make a cunt of me young man." [LAUGHING] 507 00:31:12,960 --> 00:31:17,520 Which in essence is making a cunt of yourself, saying that to an 18 year old child. 508 00:31:17,680 --> 00:31:21,440 -You paid 60 quid to hire out- I know! -Exactly! 509 00:31:21,600 --> 00:31:24,280 "Do you want your 60 quid or not?!" [OVERLAPPING TALKING/LAUGHING] 510 00:31:25,560 --> 00:31:28,960 [SIMON] It's nice to be able to honor these places which have allowed us 511 00:31:29,120 --> 00:31:32,640 to then make our ridiculous new album. 512 00:31:32,800 --> 00:31:35,360 You know like 2 miles that way, it's fuckin' brilliant! 513 00:31:35,520 --> 00:31:38,160 You know with that it's like, you couldn't make that up. 514 00:31:38,320 --> 00:31:43,400 [JAMES] In terms of where we're from being a part of who we are, it's undeniable. 515 00:31:43,560 --> 00:31:46,160 Probably a slight chip on our shoulder. 516 00:31:46,320 --> 00:31:49,400 Probably a slight underdog mentality. 517 00:31:49,560 --> 00:31:52,920 [SIMON] Lookin back I'm so glad that myself Ben and James kind of stood alone 518 00:31:53,080 --> 00:31:55,400 in our small towns because... 519 00:31:55,560 --> 00:31:58,720 It gave us a strength and this identity and this gang mentality 520 00:31:58,880 --> 00:32:00,600 that we wouldn't have had otherwise. 521 00:32:02,320 --> 00:32:06,400 [BEN] Quite a big lable actually came up to see us play and after the showcase 522 00:32:06,560 --> 00:32:09,560 he kind of said the deal hinged on us changing the name. 523 00:32:09,720 --> 00:32:11,560 And so we were like "nope." 524 00:32:11,720 --> 00:32:15,200 [JAMES] Even if it means you think we're going to fail. 525 00:32:15,360 --> 00:32:20,320 That's out choice to make. And if we do fail, we'll go down fightin'. 526 00:32:20,480 --> 00:32:25,000 [BEN] So we kinda turned down this record deal to keep the name BIFFY CLYRO. 527 00:32:25,160 --> 00:32:28,440 Oh god that sounds so stupid. It's true. 528 00:32:30,000 --> 00:32:31,760 No, sticking to your guns is a good thing. 529 00:32:31,920 --> 00:32:34,280 And trying to see your vision out, and that's what we did. 530 00:32:34,440 --> 00:32:39,840 We kept the silly name and it's haunted us ever since. 531 00:32:44,400 --> 00:32:50,160 [SYNTH PLAYING] 532 00:32:50,320 --> 00:32:52,320 This is fun stuff! [LAUGHING] 533 00:32:52,480 --> 00:32:55,680 Listen to this, we're making music and we're breaking music today. 534 00:32:55,840 --> 00:32:59,720 [SIMON] Recent BIFFY records electronics play a much bigger part you know. 535 00:32:59,880 --> 00:33:03,240 For years I would just put loads of guitars on the record and actually 536 00:33:03,400 --> 00:33:07,000 sometimes I find that putting a weird electronic sound or something can actually 537 00:33:07,160 --> 00:33:11,840 make a song heavier. It can just take your mind somewhere else dynamically. 538 00:33:12,000 --> 00:33:15,520 ♪♪♪ 539 00:33:15,680 --> 00:33:19,000 It's really opened up the sonics of where the songs end up. 540 00:33:19,160 --> 00:33:22,560 ♪ You never diminish any more ♪ 541 00:33:26,120 --> 00:33:28,520 I think that's just what it needs, I swear! 542 00:33:28,680 --> 00:33:30,960 It's always gonna have the identity of who we are. 543 00:33:31,120 --> 00:33:35,080 I think as soon as Ben plays drums, James plays bass and I sing on it you know, 544 00:33:35,240 --> 00:33:38,000 then it's gonna sound like our band. But we wanna kind of present it in like 545 00:33:38,160 --> 00:33:41,600 almost a different part of the world each time. Like a different geography. 546 00:33:41,760 --> 00:33:44,280 Terrain's probably the best way to do it, a different terrain. 547 00:33:44,440 --> 00:33:49,480 [REPEATING ONE SYNTH NOTE] [LAUGHING] 548 00:33:49,640 --> 00:33:52,840 Yeah, you'll hear some funny sounds on this record, that's for sure. 549 00:33:53,000 --> 00:33:58,240 [LAUGHING] [BENDING SYNTH NOTE OUT OF KEY] We can do that! 550 00:34:01,960 --> 00:34:06,280 ♪♪♪ 551 00:34:06,440 --> 00:34:08,920 ♪ We are trolls ♪ 552 00:34:10,200 --> 00:34:13,640 ♪ In this universe we're trolls ♪ 553 00:34:15,840 --> 00:34:18,560 ♪ Happy just to torch shit ♪ 554 00:34:19,840 --> 00:34:23,760 There's a real vibe to it you know there's something about this. It's kind of quite cocky. 555 00:34:23,920 --> 00:34:25,800 Or gallus as we'd say in Scotland. 556 00:34:25,960 --> 00:34:28,800 ♪ That's now why we came here ♪ 557 00:34:30,520 --> 00:34:33,400 ♪ That's not what this is for ♪ 558 00:34:33,560 --> 00:34:36,720 It just immediately makes you feel a bit seasick, that song. 559 00:34:36,880 --> 00:34:38,800 ♪ ...find an answer ♪ 560 00:34:40,440 --> 00:34:43,920 I just love it. I love the feeling of, "Woah, I feel a bit woozy here." 561 00:34:44,080 --> 00:34:47,160 I think this song just feels beautifully woozy. 562 00:34:50,520 --> 00:34:53,240 ♪ In the symphony of God ♪ 563 00:34:53,400 --> 00:34:56,720 Trying to get that balance of something that's really quite oppressively dark 564 00:34:56,880 --> 00:35:00,280 the thought behind that humans are errors in the history of God. 565 00:35:01,720 --> 00:35:06,280 We often do that when the songs have the darkest lyrics, the actual melodies are quite light. 566 00:35:06,440 --> 00:35:08,920 ♪ ...Eager to explore ♪ 567 00:35:09,880 --> 00:35:13,360 ♪ Even if I dream a little dream ♪ 568 00:35:15,960 --> 00:35:19,640 That's an important part of what we do I think is that Yin and Yang and really kind of 569 00:35:19,800 --> 00:35:22,880 make people go "oh that's an upbeat song" oh no it's actually not 570 00:35:23,040 --> 00:35:24,920 it's really dark or vice versa you know I love it. 571 00:35:25,080 --> 00:35:28,840 ♪ Errors in the history of God ♪ 572 00:35:37,040 --> 00:35:46,520 ♪♪♪ 573 00:35:46,680 --> 00:35:50,880 [SIMON] It took me longer to miss the gigs than I thought it would during lockdown. 574 00:35:51,040 --> 00:35:53,360 We tour, we play well over 100 shows every year, 575 00:35:53,520 --> 00:35:56,800 so sometimes the last thing you wanna do is go to a venue. 576 00:35:56,960 --> 00:35:59,480 But when you do go to a venue and those lights go down before 577 00:35:59,640 --> 00:36:01,440 the band comes on that's what I live for. 578 00:36:01,600 --> 00:36:05,040 And I try and remember that when we're prepping for a gig. 579 00:36:05,200 --> 00:36:09,400 That moment of "this is about to happen" that's the magic. 580 00:36:09,560 --> 00:36:14,440 ♪♪♪ [UNINTELLIGABLE] 581 00:36:19,680 --> 00:36:22,400 "What's tonight gonna hold?" You know and the band has that as well I think. 582 00:36:22,560 --> 00:36:25,760 Even as a fan when you're there you do wonder... 583 00:36:25,920 --> 00:36:28,440 "How good's this gonna be?" But your excitement level soars. 584 00:36:28,600 --> 00:36:30,760 And that's how I feel when we're about to play it's like you wanna 585 00:36:30,920 --> 00:36:33,200 reach the stars you wanna reach the sky. 586 00:36:33,360 --> 00:36:37,480 But the bands I like, and the music that we make, I just want people to care. 587 00:36:38,880 --> 00:36:43,240 [JAMES] Being one person's favorite band as opposed to 10 peoples' fifth favorite band. 588 00:36:43,400 --> 00:36:45,480 That was the mantra early on. 589 00:36:45,640 --> 00:36:47,960 [BEN] We were just young kids we were in hoodies and just 590 00:36:48,120 --> 00:36:51,400 playing some really abrasive music. Just wanted to make a racket. 591 00:36:51,560 --> 00:36:53,480 And ruffle some feathers I guess. 592 00:36:57,440 --> 00:37:01,200 [SIMON] We're now at James' house. We're gonna show you a version of the van 593 00:37:01,360 --> 00:37:04,720 we used to tour in back in the day. For like 5 or 6 years James and Ben 594 00:37:04,880 --> 00:37:06,840 used to drive us around in a camper van. 595 00:37:07,000 --> 00:37:10,360 James bought like a replica of it, but this is rock and roll. 596 00:37:10,520 --> 00:37:13,840 If you can spend four weeks in a van with your two best friends 597 00:37:14,000 --> 00:37:17,840 and have the time of your life stay in that band! Stay in that van! 598 00:37:18,000 --> 00:37:19,840 And keep fucking doing it! 599 00:37:20,000 --> 00:37:22,920 -Back to early 2000's over here with this bad boy! -I know! 600 00:37:23,080 --> 00:37:24,960 -How are ya man? Feeling alright? -How ya doin? Yeah, 601 00:37:25,120 --> 00:37:26,920 -feeling alright thanks man. -Good to see you man. 602 00:37:27,080 --> 00:37:30,120 -Is it weird? Is it nice being in there? -It is nice. 603 00:37:30,280 --> 00:37:33,240 -Hey if we tour this van would be alright! -Ha, I know! 604 00:37:33,400 --> 00:37:35,520 -Cup of tea sir? -[OVERLAPPING TALKING] 605 00:37:35,680 --> 00:37:37,840 Hey, cup of coffee sir? 606 00:37:38,000 --> 00:37:40,600 [BEN] I still don't know where all the people went and all the gear went. 607 00:37:40,760 --> 00:37:42,840 I guess we were a little bit smaller then? 608 00:37:43,000 --> 00:37:45,480 [SIMON] For us it was always like having a great time in the moment. 609 00:37:45,640 --> 00:37:49,440 'Cause it just felt like we were a gang from this part of the world exploring the UK. 610 00:37:49,600 --> 00:37:53,480 Turning up, 3 normal folk, and we'd go in and try to make as big of a fuckin' impact 611 00:37:53,640 --> 00:37:57,200 and splash as possible, and there's such an innocence and a purity to that I think. 612 00:37:57,360 --> 00:37:59,200 -And I don't think we've ever lost that. -If it came down to 613 00:37:59,360 --> 00:38:01,240 it now, and we had to get into the van, the three of us 614 00:38:01,400 --> 00:38:03,480 and bunch of gear I would-- I'd carry the gear, 615 00:38:03,640 --> 00:38:05,880 and I know the boys feel the same way and it's a really nice 616 00:38:06,040 --> 00:38:08,240 -place to be. -We'll be happy for James to carry the gear. 617 00:38:08,400 --> 00:38:12,400 -[OVERLAPPING TALKKING] -Definitely be alright with James carrying the gear. 618 00:38:12,560 --> 00:38:15,960 [SIMON] They're the moments when you realize if you really wanna be doing what you're doing 619 00:38:16,120 --> 00:38:18,640 -and you're surrounded by people you like, because -Yeah. 620 00:38:18,800 --> 00:38:20,680 if it means spending 20 hours in a van 621 00:38:20,840 --> 00:38:22,360 -to play that show we'll fuckin do it. -Absolutely. 622 00:38:22,520 --> 00:38:23,920 And if it's not worth it to you then 623 00:38:24,080 --> 00:38:25,560 hang up your guitar or your laptop 624 00:38:25,720 --> 00:38:28,240 or your fuckin USB key. [LAUGHING] 625 00:38:28,400 --> 00:38:31,560 Or log out of fuckin' tech talk. 626 00:38:32,360 --> 00:38:35,840 [JAMES] It's a reminder to keep things kind of simple. 627 00:38:36,000 --> 00:38:38,840 Because it's not much different to what we were doing then to now. 628 00:38:39,000 --> 00:38:43,120 It's still getting together to play music in front of strangers. 629 00:38:43,280 --> 00:38:46,600 You're with your best mate and your brother and you're kicking ass. 630 00:38:46,760 --> 00:38:49,280 Your in the country and scaring folk. 631 00:38:49,440 --> 00:38:55,280 [SCREAMING] Thank you. 632 00:38:55,440 --> 00:38:58,200 [SIMON] In early tours we didn't always play with our shirts off. 633 00:38:58,360 --> 00:39:01,880 Now after each show, you did maybe 29 shows in 30 days, so our- 634 00:39:02,040 --> 00:39:04,080 we would just fling our gig shows out the back of the van 635 00:39:04,240 --> 00:39:07,640 and literally after like a week we had like a chewing gum... 636 00:39:07,800 --> 00:39:12,600 Massive chewing gum ball of t-shirts that were just salty and horrible discolored. 637 00:39:12,760 --> 00:39:14,920 -It's your favorite t-shirt as well 'cause you've been onstage. -You think 638 00:39:15,080 --> 00:39:17,160 -"I'm wearing my cool t-shirt!" -Yeah, I wear my cool t-shirt and then 639 00:39:17,320 --> 00:39:19,440 -you go home and you've got no bloody clothes left. -So that's why 640 00:39:19,600 --> 00:39:21,720 -we started... -We started playing with our shirts off. 641 00:39:21,880 --> 00:39:26,280 It's a bit ridiculous going on stage in front of 10,000 people anyway. 642 00:39:26,440 --> 00:39:30,240 And I think stripping away any kind of armor that you use in everyday life 643 00:39:30,400 --> 00:39:33,840 is, it's just you're totally free, you've got nothing else to hide behind. 644 00:39:34,000 --> 00:39:37,400 -It's just you and your fucking mind and your brothers -Yeah. 645 00:39:37,560 --> 00:39:41,240 And we've ended up playing some sh- we've played gigs in the Arctic Circle. 646 00:39:41,400 --> 00:39:43,680 Up in northern Norway, up in Tromsoø. 647 00:39:43,840 --> 00:39:47,680 It was minus four degrees and we were like, "Why did we decide to do this again?" 648 00:39:47,840 --> 00:39:51,720 But see once you start playing it doesn't fuckin matter so you get in that headspace. 649 00:39:51,880 --> 00:39:54,520 But there has been a few times where we've been like "This is a really bad idea." 650 00:39:54,680 --> 00:39:57,800 Just a terrible one. [LAUGHING] 651 00:39:58,200 --> 00:40:06,040 ♪♪♪ 652 00:40:06,200 --> 00:40:09,120 Basically we're on the road 653 00:40:09,280 --> 00:40:11,720 and you're going off the road like "this is not too bad" and then suddenly 654 00:40:11,880 --> 00:40:13,680 [VOCALISING] [BEN] Oh my God! 655 00:40:13,840 --> 00:40:16,200 -And then at the end you're like "turn turn turn!" -Turn! Turn! 656 00:40:16,360 --> 00:40:18,800 -And you fly off like Fast and the Furious and land like-- -Boom. 657 00:40:18,960 --> 00:40:21,560 ♪ Listen to the sound ♪ back on. -Land on in the back of the plane! 658 00:40:21,720 --> 00:40:24,160 -Exactly! You've seen the movie I'm talking about! -Like "woah!" 659 00:40:24,320 --> 00:40:25,880 And they just land! 660 00:40:26,040 --> 00:40:32,840 Yeah! [METRONOME CLICKING] 661 00:41:02,800 --> 00:41:04,400 Yeah okay. 662 00:41:04,560 --> 00:41:08,440 Yeah that makes sense but without the [SNARE HITS] yeah. 663 00:41:20,640 --> 00:41:21,920 Yeah! 664 00:41:22,080 --> 00:41:23,800 Great. Well done. 665 00:41:23,960 --> 00:41:25,440 Alright. 666 00:41:26,720 --> 00:41:34,440 [PLAYING SYNTH] 667 00:41:34,600 --> 00:41:36,720 [SIMON] I really wanted to have a big long intro and I thought... 668 00:41:36,880 --> 00:41:39,800 'Separate Missions'? This is the song for it. 669 00:41:41,200 --> 00:41:42,840 [JAMES] It's another flavor for the band. 670 00:41:43,000 --> 00:41:45,320 The Cure were a band that we all referenced. 671 00:41:45,480 --> 00:41:50,720 They just start and they motor along or gallop and they're setting a scene for ages. 672 00:41:50,880 --> 00:41:55,400 ♪♪♪ 673 00:41:55,560 --> 00:41:59,240 [SIMON] This one's a lot closer lyrically to what 'Celebration of Endings' was about. 674 00:41:59,400 --> 00:42:02,600 Ironically even though the music is all new it's kind of about those 675 00:42:02,760 --> 00:42:05,160 deteriorating relationships and how we've ended up 676 00:42:05,320 --> 00:42:07,160 on separate paths and separate missions. 677 00:42:07,320 --> 00:42:13,080 ♪♪♪ 678 00:42:13,240 --> 00:42:17,480 ♪ Well you kept your word but you lost every part of me ♪ 679 00:42:17,640 --> 00:42:21,560 [BEN] We just sit on a groove for ages and it's kind of keyboard driven as well. 680 00:42:21,720 --> 00:42:24,280 We just sit on this beautiful riff. 681 00:42:25,880 --> 00:42:29,360 [JAMES] I love the sound of this, I think it's such a new sound for the band. 682 00:42:32,000 --> 00:42:34,360 When you're in the studio it's like for a week you'll be like 683 00:42:34,520 --> 00:42:36,800 "this isn't workin this isn't workin!" and then you make one change 684 00:42:36,960 --> 00:42:39,200 and you're like "it's workin!" 685 00:42:39,360 --> 00:42:42,120 And that's the beautiy of music 'cause I was so excited with the whole song 686 00:42:42,280 --> 00:42:43,960 and then this bridge sucks and I'm like. 687 00:42:48,160 --> 00:42:52,520 You're like "no it can be perfect it can be perfect" and then it just happens one day. 688 00:42:52,680 --> 00:42:54,600 "That's it! It was always meant to be like that!" 689 00:42:54,760 --> 00:42:57,640 ♪ Listen to the sound of the promises broken ♪ 690 00:42:57,800 --> 00:43:00,360 ♪ Silence comes around 'cause you reap what you sow ♪ 691 00:43:00,520 --> 00:43:04,640 We're still trying to peel back the layers of the onion and find some new fruit. 692 00:43:04,800 --> 00:43:07,560 ♪ You won't diminish anymore ♪ 693 00:43:11,200 --> 00:43:15,840 ♪♪♪ 694 00:43:19,000 --> 00:43:22,600 Just- don't wanna talk about it. Don't wanna talk about it. [LAUGHING] 695 00:43:22,760 --> 00:43:24,600 [OVERLAPPING TALKING] 696 00:43:24,760 --> 00:43:27,320 All these golden, double gold record and platinum- like honestly 697 00:43:27,480 --> 00:43:29,160 just not talk about that. 698 00:43:29,320 --> 00:43:32,160 -It's a musical reflection- -[SIMON] It's an eagle room! 699 00:43:32,320 --> 00:43:34,720 -It's an eagle room, let's- -It's an eagle room! It's an eagle room! 700 00:43:35,520 --> 00:43:37,480 Yeah I mean that's what I've been calling it is the eagle room 701 00:43:37,640 --> 00:43:39,400 and that's why the blinds stay down. 702 00:43:39,560 --> 00:43:42,200 Just displaying them all in a-- It's just a bit of a hangup. 703 00:43:42,360 --> 00:43:44,000 -And they end up stuck in a cupboard. -The sheer amount of 704 00:43:44,160 --> 00:43:46,000 them isn't it? That's why. 705 00:43:46,160 --> 00:43:48,160 It's almost like it's a nice memory run 706 00:43:48,320 --> 00:43:50,280 to go "look at how amazing we are!" 707 00:43:50,440 --> 00:43:53,600 It's almost like motivation to move forward. 708 00:43:53,760 --> 00:43:56,680 And we take great pride in the art that we choose you know. 709 00:43:56,840 --> 00:44:01,440 And for us it always has to just be- harmonize with the music inside. 710 00:44:01,600 --> 00:44:05,000 If there is no correlation then you're missing a trick. 711 00:44:05,160 --> 00:44:09,520 Artwork should be not even an extension of it, it should be part of it. 712 00:44:09,680 --> 00:44:12,200 [JAMES] Songs are always about a time and a place. 713 00:44:12,360 --> 00:44:15,240 You know, mentally what you're going through, what we're going through. 714 00:44:15,400 --> 00:44:19,480 And I think that's why it's important that you join those thoughts up. 715 00:44:19,640 --> 00:44:23,720 [SIMON] That's a picture from our old practice room, and the 3 fuckin gumballs right there. 716 00:44:23,880 --> 00:44:27,000 -They were the pictures we approved. -I know! Third album! 717 00:44:27,160 --> 00:44:29,960 [SIMON] There were 6,000 limited edition copies of this. 718 00:44:30,120 --> 00:44:32,560 So I decided like a pure fool. 719 00:44:32,720 --> 00:44:36,600 That I was gonna personally write a line of lyrics for every single one. 720 00:44:36,760 --> 00:44:40,880 So I wrote 6,000 lines of lyrics while making this record and it was... 721 00:44:42,000 --> 00:44:45,040 It was a pleasure to do. 722 00:44:47,160 --> 00:44:49,320 ♪ Ahhhh ♪ 723 00:44:49,960 --> 00:44:52,040 ♪ Ahhhh ♪ 724 00:44:52,720 --> 00:44:55,800 ♪ Waaahhh ♪ 725 00:44:57,120 --> 00:44:59,480 ♪ Waaahhh ♪ 726 00:44:59,640 --> 00:45:01,480 [SIMON] For the first 10 years of being in this band 727 00:45:01,640 --> 00:45:04,200 I didn't really appreciate that the voice was a muscle. 728 00:45:04,600 --> 00:45:06,880 You know when I was in my teens and early 20s, 729 00:45:07,040 --> 00:45:08,600 my voice would recover like that you know. 730 00:45:08,760 --> 00:45:10,880 I could scream myself all night, wake up the next day 731 00:45:11,040 --> 00:45:13,520 and sing like an angel still, or my version of an angel. 732 00:45:13,680 --> 00:45:15,560 ♪ I bet you didn't know ♪ 733 00:45:15,720 --> 00:45:17,720 ♪ I bet you didn't care ♪ 734 00:45:17,880 --> 00:45:22,400 ♪ Denial ain't forever but the truth's hidden there somewhere ♪ 735 00:45:22,560 --> 00:45:24,080 Mentally, it helps me get in the mode. 736 00:45:24,240 --> 00:45:27,000 This is part of my process now. It helps me gear up, 737 00:45:27,160 --> 00:45:29,800 helps my adrenaline start to pump and my blood kinda flows 738 00:45:29,960 --> 00:45:31,560 in the right way to my throat. 739 00:45:31,720 --> 00:45:34,320 This is my ideal if I could do my vocal warmup like this 740 00:45:34,480 --> 00:45:37,440 every single day I would be as happy as a pig in shit. 741 00:45:37,600 --> 00:45:41,000 [VOCALISING] 742 00:45:41,160 --> 00:45:44,400 I think I was on LSD state of mind man. 743 00:45:44,560 --> 00:45:49,120 The slow-mo chorus and here messing like this is a good chorus. 744 00:45:50,720 --> 00:45:53,080 ♪ I could hardly believe in ♪ 745 00:45:53,760 --> 00:45:56,440 ♪ When he didn't hit the ground ♪ 746 00:45:56,840 --> 00:45:59,160 ♪ The fatigue started showing ♪ 747 00:45:59,920 --> 00:46:02,080 ♪ And the doubt could be heard ♪ 748 00:46:03,480 --> 00:46:08,200 ♪ But he had no fear, he was best of the worst ♪ 749 00:46:10,480 --> 00:46:13,280 Let me, let me do that last line. 750 00:46:15,520 --> 00:46:18,080 Yep. Yep. Let me do that last line brother. 751 00:46:18,240 --> 00:46:21,160 ♪ And the doubt could be heard ♪ 752 00:46:22,600 --> 00:46:28,200 ♪ But he rode into eternity, forever the best of the worst ♪ 753 00:46:28,360 --> 00:46:31,160 ♪ We rise ♪ Yeah. 754 00:46:31,760 --> 00:46:35,240 Thanks. Good. 755 00:46:35,400 --> 00:46:44,080 ♪♪♪ 756 00:46:56,640 --> 00:47:00,040 [SIMON] This album is like defined by the fact that we made it in a farm 757 00:47:00,200 --> 00:47:02,760 you know and it's sonically, you can hear the farm. 758 00:47:02,920 --> 00:47:05,440 Clear that the big fucking bit. 759 00:47:06,680 --> 00:47:11,760 [BEN] I just went 'round the farm smashing things with sticks and sampling cows making noises. 760 00:47:12,680 --> 00:47:15,000 What do you do with the drum sticks? 761 00:47:16,680 --> 00:47:20,160 Yeah! [UNINTELLIGABLE] 762 00:47:20,320 --> 00:47:24,480 And then I take all the samples back, put them into our drum machine and make a loop. 763 00:47:25,920 --> 00:47:29,320 I think that'll be good. We'll make it a subscription 764 00:47:29,480 --> 00:47:32,600 service so you get new farm sounds every month. 765 00:47:32,760 --> 00:47:35,280 Fucking brilliant. 766 00:47:35,440 --> 00:47:37,960 I think being as well, you can spend a day 767 00:47:38,120 --> 00:47:40,240 experimenting and it maybe doesn't lead somewhere 768 00:47:40,400 --> 00:47:43,480 but you don't feel that you've lost a day just quite so much. 769 00:47:43,640 --> 00:47:48,200 ♪ All electrical ♪ 770 00:47:48,360 --> 00:47:51,640 That's why I say when people start a band, it's so important that you get on 771 00:47:51,800 --> 00:47:53,880 because technical proficiency you can make up for 772 00:47:54,040 --> 00:47:55,760 but you can't learn to always get on 773 00:47:55,920 --> 00:47:58,760 and you can't learn to have fun. That's a chemistry thing. 774 00:48:01,400 --> 00:48:05,200 That is some of the best music we have ever fucking made. 775 00:48:05,360 --> 00:48:07,560 [LAUGHTER] 776 00:48:09,440 --> 00:48:12,480 [BEN] Today we're getting our traditional album band tattoos, 777 00:48:12,640 --> 00:48:15,640 which we've been gettin' since 778 00:48:15,800 --> 00:48:19,160 2001 I think was the first time we got one. This guy here. Hands on the wheel. 779 00:48:19,320 --> 00:48:23,920 And we've been getting tattoos pretty much every album ever since. 780 00:48:24,080 --> 00:48:27,080 I kind fo think of it as you know people get tattoos of loved ones 781 00:48:27,240 --> 00:48:29,960 names on them. I guess that's to signify that 782 00:48:30,120 --> 00:48:32,200 you're going to love them until the end of your life. 783 00:48:32,360 --> 00:48:34,160 That's how important this band is to us. 784 00:48:39,840 --> 00:48:43,800 -Yo yo. How we doing? Good, good. -Good. 785 00:48:43,960 --> 00:48:47,040 These paperclips are from an artist called Richard McGuire. 786 00:48:47,200 --> 00:48:50,360 I just love this because it kinda describes myself, Ben and James. 787 00:48:50,520 --> 00:48:53,320 These are paperclips keepin' everything together 788 00:48:53,480 --> 00:48:55,680 and, yeah, this long as being a band 789 00:48:55,840 --> 00:48:59,600 I think it's important to celebrate the fact that we do keep things together. 790 00:49:05,480 --> 00:49:07,960 Yeah. Sure. 791 00:49:08,120 --> 00:49:10,000 Who's next? Who's brave? 792 00:49:11,880 --> 00:49:14,120 Okay. 793 00:49:17,720 --> 00:49:20,560 That was really quick. 794 00:49:20,720 --> 00:49:22,520 It's always a realyl nice way to comemerate 795 00:49:22,680 --> 00:49:25,000 such an important part of our lives. 796 00:49:25,160 --> 00:49:28,240 Just to have it there forever. There's just no better feeling. 797 00:49:31,720 --> 00:49:35,440 One. Two. One, two, three, four. 798 00:49:35,600 --> 00:49:39,400 ♪♪♪ 799 00:49:39,560 --> 00:49:42,840 [SIMON] Brings me joy. It brings me joy as soon as I hear that song start. 800 00:49:44,480 --> 00:49:47,360 Witch's Cup is almost like a showtune or 801 00:49:47,520 --> 00:49:50,360 somethin' from a movie soundtrack. 802 00:49:50,520 --> 00:49:53,280 I still can't put my finger on what it is. 803 00:49:55,720 --> 00:49:59,120 ♪ We're drinking from the witch's cup ♪ 804 00:49:59,520 --> 00:50:02,280 [BEN] This is like a crazy carnival song. It really is. 805 00:50:02,440 --> 00:50:05,600 It's like you've taken acid at a carnival, 806 00:50:05,760 --> 00:50:07,560 but it's mixed with a lullaby. 807 00:50:07,720 --> 00:50:09,320 That's the thing. It also sounds a bit like a lullaby, 808 00:50:09,480 --> 00:50:11,080 which I think is beautiful. 809 00:50:11,240 --> 00:50:14,040 ♪ Death of an original ♪ 810 00:50:14,200 --> 00:50:19,040 Shows the genius of Simon because to write a lullaby is a fucking difficult thing to do. 811 00:50:19,200 --> 00:50:26,240 ♪ To all the adorded, there's just before and after ♪ 812 00:50:26,400 --> 00:50:29,240 It makes me feel good to hear it and play it 813 00:50:29,400 --> 00:50:31,640 and I don't know if I would've been brave enough 814 00:50:31,800 --> 00:50:35,480 to work in this song again if I was thinking about how we would present it live. 815 00:50:35,640 --> 00:50:37,720 ♪ Give this up ♪ 816 00:50:37,880 --> 00:50:40,680 ♪ If I can even see it or feel it ♪ 817 00:50:40,840 --> 00:50:45,320 ♪ 'Cause oh, I just hope when we go ♪ 818 00:50:45,480 --> 00:50:48,000 One of the songs where if we could've we would have had a massive 819 00:50:48,160 --> 00:50:51,480 brass band but we ended up having to sort of do synth brass, 820 00:50:51,640 --> 00:50:54,360 but musically it does make you feel good. 821 00:50:54,520 --> 00:50:56,800 ♪ I won't deceive at all ♪ 822 00:50:56,960 --> 00:51:00,880 ♪ Woah-oh-oh-oh-oh-oh-oh, where to begin? ♪ 823 00:51:01,040 --> 00:51:04,080 ♪ 'Cause I'm scared to believe it ♪ 824 00:51:04,240 --> 00:51:11,440 ♪ Woah-oh-oh-oh-oh-oh-oh, can you dare believe it all ♪ 825 00:51:11,600 --> 00:51:14,440 We journey through this big great day where the song completely changes again 826 00:51:14,600 --> 00:51:17,680 and the rocks pool and is this the same song? 827 00:51:33,600 --> 00:51:36,240 Not necissarily a lot of Biffy songs make me wanna smile 828 00:51:36,400 --> 00:51:39,320 and that one does, so I hope it does for people when they listen to it too. 829 00:51:41,200 --> 00:51:42,840 ♪ Believe it ♪ 830 00:51:44,960 --> 00:51:51,000 -Do gangs. We're doing-- -Gangalang. -The baddest gang in town. 831 00:51:51,160 --> 00:51:53,880 We're near the end of the record and we start ganging. 832 00:51:54,040 --> 00:51:58,240 -Ganging style. -Wish you were here. Sort of wish you were here isn't it. 833 00:51:58,400 --> 00:52:00,120 Wish we had a bigger gang. 834 00:52:02,400 --> 00:52:04,720 I wish we had a smaller gang. 835 00:52:06,440 --> 00:52:09,880 ♪ Smmooooahhh ♪ 836 00:52:11,680 --> 00:52:15,360 ♪ Smmooooahhh ♪ 837 00:52:15,520 --> 00:52:17,440 I think ben and I being twins, 838 00:52:17,600 --> 00:52:21,560 we have to in some ways extend the same courtesy to Simon. 839 00:52:21,720 --> 00:52:23,560 It has to be a brotherhood. The three of us. 840 00:52:23,720 --> 00:52:27,440 ♪ Woahhhhh ♪ 841 00:52:27,600 --> 00:52:29,600 I've known the boys from when they were 7 and they're twins 842 00:52:29,760 --> 00:52:31,680 so we're almost like a 2 piece in that regaurd because 843 00:52:31,840 --> 00:52:33,240 Ben and James and are so close. 844 00:52:33,400 --> 00:52:36,080 Being twins in the band has kind of forced 845 00:52:36,240 --> 00:52:38,000 us and Simon to get closer as well. 846 00:52:38,160 --> 00:52:40,480 I think it would be weird if you had such a tight connection 847 00:52:40,640 --> 00:52:43,160 between just 2 and there's 1 person who's not involved in that. 848 00:52:43,320 --> 00:52:47,120 ♪ Brace yourself, here's a slap across the jaw ♪ 849 00:52:47,280 --> 00:52:52,120 ♪ Can you find any hunger in your haunt ♪ 850 00:52:53,040 --> 00:52:56,160 ♪ A hunger in your haunt ♪ [LAUGHING] 851 00:52:56,320 --> 00:52:58,720 We've been through our toughest moments in life together. 852 00:52:58,880 --> 00:53:01,920 There's just no doubt about it. The things happened in the past 853 00:53:02,080 --> 00:53:05,560 we never ran away from. You know, we never ran away from each other. 854 00:53:05,720 --> 00:53:08,800 -Get in here boys. -Get down! 855 00:53:08,960 --> 00:53:12,160 -We're nearly there. -Last couple days getting these vocals. 856 00:53:12,320 --> 00:53:16,200 The cherry on top of the ice cream on top. 857 00:53:16,360 --> 00:53:18,760 This is the shit on top of the cherry. 858 00:53:18,920 --> 00:53:22,280 If you don't like each other, respect each other, that ain't going to last, you know. 859 00:53:22,440 --> 00:53:25,960 [JAMES] Everyone should join a band. See if you get a chance to go and join a band 860 00:53:26,120 --> 00:53:27,920 with your brothers or your sisters. 861 00:53:28,080 --> 00:53:30,680 People who you consider to be a brother or a sister. 862 00:53:30,840 --> 00:53:33,360 That's probably the best years you'll ever have in your life. 863 00:53:33,520 --> 00:53:37,680 ♪♪♪ 864 00:53:37,840 --> 00:53:40,000 Denier, yeah this song actually started as a bit of a 865 00:53:40,160 --> 00:53:41,760 folk song. It was a bit of an acoustic song 866 00:53:41,920 --> 00:53:43,600 [BEN] And then Si he was like, right, 867 00:53:43,760 --> 00:53:46,240 let's rip up the notebook on this one. Let's change this song 868 00:53:46,400 --> 00:53:48,680 and it's just become this fucking juggernaut. 869 00:53:51,200 --> 00:53:54,840 Ben's drumming on it is, it's so dynamite. It's so relentless. 870 00:53:58,320 --> 00:54:03,120 ♪ Draped like her dress on the floor a different shade of blue♪ 871 00:54:06,640 --> 00:54:09,640 ♪ I hope you don't choke ♪ 872 00:54:09,800 --> 00:54:11,280 It's a hell of a lot of fun to play. 873 00:54:11,440 --> 00:54:13,320 I can't wait to get that one on the stage. 874 00:54:13,480 --> 00:54:15,000 It's going to be a great one live. 875 00:54:15,160 --> 00:54:18,320 ♪ You broke your own rules ♪ 876 00:54:18,480 --> 00:54:21,360 Watchign Ben like and animal and watchign Simon singing 877 00:54:21,520 --> 00:54:23,760 I'm like they're my fucking boys. 878 00:54:23,920 --> 00:54:26,520 ♪ I need somebody to love ♪ 879 00:54:27,840 --> 00:54:32,800 ♪ I need somebody to care for and it's you ♪ 880 00:54:34,600 --> 00:54:37,280 ♪ It's always been you ♪ 881 00:54:39,200 --> 00:54:42,880 It's like a slab of guitars and keyboards and bass and drums. 882 00:54:43,040 --> 00:54:45,440 It's probably the least subtle song on the record. 883 00:54:52,520 --> 00:54:56,760 ♪ Of course, you didn't know, of course, you didn't care ♪ 884 00:54:56,920 --> 00:55:02,040 ♪ Denial ain't forever 'cause the truth's hidden there somewhere ♪ 885 00:55:15,800 --> 00:55:24,600 ♪♪♪ 886 00:55:27,600 --> 00:55:30,360 [SIMON] You don't get this at a normal studio. 887 00:55:30,520 --> 00:55:33,320 Fucking delivery blocked the way in. 888 00:55:42,400 --> 00:55:47,040 Two can play that game Jack. Final day. Turning the cameras on you. 889 00:55:47,200 --> 00:55:49,280 Are you feeling positive? Feeling good? 890 00:55:49,440 --> 00:55:53,520 It's always weird. It's a weird sensation, um, happy 891 00:55:53,680 --> 00:55:57,080 that we're almost there. I'm terrified that we're almost there. 892 00:55:57,240 --> 00:56:00,840 There's always a big gaping chasm, chasm 893 00:56:01,000 --> 00:56:05,080 in my life once we finish a record, so I'm anticipating that a little bit. 894 00:56:05,240 --> 00:56:07,160 But I'm really proud of what we've made. 895 00:56:07,320 --> 00:56:10,360 You know, I think, I don't think any other place in the world 896 00:56:10,520 --> 00:56:13,280 at any other time in our lives we couldn't have made this record 897 00:56:13,440 --> 00:56:15,520 so it feels very much now and I just can't wait for everybody 898 00:56:15,680 --> 00:56:17,920 to hear it but yeah I'm fucking charred. 899 00:56:18,080 --> 00:56:20,080 Ready for a week off mother fucker. 900 00:56:21,560 --> 00:56:23,320 Hey. Hi! 901 00:56:23,480 --> 00:56:27,640 Roads were busy. Everybody in the world is out of the house. 902 00:56:27,800 --> 00:56:31,640 Enjoying the sunshine. What a day! What a day! 903 00:56:32,600 --> 00:56:35,440 It's become as important as 'A Celebration of Endings', 904 00:56:35,600 --> 00:56:38,400 but yet couldnt have existed without 'A Celebration of Endings'. 905 00:56:38,560 --> 00:56:40,360 To be making that record at home, 906 00:56:40,520 --> 00:56:42,840 one of the best times we've ever had as a band. 907 00:56:43,000 --> 00:56:45,760 I feel slightly tearful even thinking about it. 908 00:56:45,920 --> 00:56:47,880 I think being forced to stay at home 909 00:56:48,040 --> 00:56:50,480 gave us this kind of new love for it. 910 00:56:50,640 --> 00:56:52,320 It's a beautiful thing. 911 00:56:54,400 --> 00:56:56,880 [BEN] The three of us in this dairy farm. 912 00:56:57,040 --> 00:57:00,440 It's remarkable that we've made this record in these circumstances. 913 00:57:00,600 --> 00:57:03,840 I'm just, I'm really full of pride. 914 00:57:04,720 --> 00:57:08,680 ♪ Together into the unknown ♪ 915 00:57:17,040 --> 00:57:23,320 [OVERTAKING] 916 00:57:23,480 --> 00:57:25,480 Yeah, that's dynamite! 917 00:57:25,640 --> 00:57:27,840 [SIMON] If I bring in a tune and the boys smile or the boys love it, 918 00:57:28,000 --> 00:57:30,520 that's where my joy comes from you know. 919 00:57:30,680 --> 00:57:33,160 It comes from us creating things together. 920 00:57:33,320 --> 00:57:35,040 We don't need all the bells and whistles 921 00:57:35,200 --> 00:57:37,200 for us to be fullfilled and happy. 922 00:57:37,360 --> 00:57:41,000 We just have to be making music together and have that vibe in a room 923 00:57:41,160 --> 00:57:43,280 and that's what keeps our hearts beating. 924 00:57:43,440 --> 00:57:45,200 It was litrally making music for 925 00:57:45,360 --> 00:57:47,560 for the sake of making music cause we love it. 926 00:57:48,360 --> 00:57:51,640 It really felt pure. It felt like we were kids again. 927 00:57:51,920 --> 00:57:53,600 Ba ba ba bom. 928 00:58:03,000 --> 00:58:05,360 [SIMON] Barbecue in the Scottish sun. 929 00:58:05,520 --> 00:58:09,760 Just the right amount of great and just a lovely way to end a record. 930 00:58:09,920 --> 00:58:11,520 It's Ben and James' birthday in a couple of days 931 00:58:11,680 --> 00:58:13,680 so I got them a couple of cool presents. 932 00:58:13,840 --> 00:58:15,320 Finally we can celebrate. 933 00:58:15,880 --> 00:58:18,680 -Big boys. -Oh my God. 934 00:58:18,840 --> 00:58:23,080 ♪ Happy birthday to you ♪ 935 00:58:23,240 --> 00:58:26,680 ♪ Happy birthday to you ♪ 936 00:58:26,840 --> 00:58:30,640 ♪ Happy birthday Ben and James ♪ -Yo! 937 00:58:30,800 --> 00:58:35,560 ♪ Happy birthday to you ♪ 938 00:58:35,720 --> 00:58:38,960 -Woo! Woo! -Make a wish! 939 00:58:40,000 --> 00:58:42,400 -Yeah! -Hip hip, hurray! 940 00:58:42,560 --> 00:58:44,640 Hip hip, hurray! Hip hip, hurray! 941 00:58:44,800 --> 00:58:49,000 -Get in folks. Step back. -Woah! 942 00:58:49,160 --> 00:58:52,080 -I gotta clean something! -That is so beautiful! 943 00:58:52,240 --> 00:58:54,240 -Woah! -Look at that! 944 00:58:54,400 --> 00:58:56,920 -Oh Simon, thanks so much. A work of art man. -Pleasure! 945 00:58:57,080 --> 00:58:59,480 Fucking brilliant! 946 00:58:59,640 --> 00:59:02,680 -Thanks so much for ... -Happy birthday boys. 947 00:59:02,840 --> 00:59:07,120 -Well done. Well done. -Cheers! Cheers! 948 00:59:07,280 --> 00:59:10,920 [BIRDS CHIRPING] 949 00:59:21,720 --> 00:59:25,480 [SIMON] Everything we normally do points towards a live show you know. 950 00:59:25,640 --> 00:59:28,680 One satisfying aspect is always when I first hear the songs 951 00:59:28,840 --> 00:59:32,720 come together like wow I still can't believe it when I hear things happen like wow! 952 00:59:32,880 --> 00:59:36,400 The conclusion of that is when we play on the stage. 953 00:59:37,600 --> 00:59:41,560 [JAMES] Just about the most important, the highest moment you get. 954 00:59:41,720 --> 00:59:45,600 The most out of body experience you feel you're elevating. 955 00:59:45,760 --> 00:59:49,120 not much else in life can get you to that place. 956 00:59:49,760 --> 00:59:54,000 [BEN] Ther'es certainly no better place than Glasgow to be getting back at it. 957 00:59:54,160 --> 00:59:56,640 So many lovely memories from playing there before. 958 00:59:56,800 --> 01:00:02,120 Even as kids kinda kickin' about because the love is real and it's going to be loud. 959 01:00:02,280 --> 01:00:04,200 I just can't wait. I cannot wait for that. 960 01:00:04,360 --> 01:00:07,680 ♪ Step out to the unknown ♪ 961 01:00:08,120 --> 01:00:11,200 ♪ I'll catch you on the way down ♪ 962 01:00:11,760 --> 01:00:14,960 ♪ Aim high, look out below ♪ 963 01:00:15,680 --> 01:00:19,920 ♪ We're on our way together into the unknown ♪ 964 01:00:20,080 --> 01:00:22,480 [JAMES] I believe it's going to be the first show in Glasgow. 965 01:00:22,640 --> 01:00:26,840 The first outdoor show, so it feels like quite a lot of responsibility. 966 01:00:27,680 --> 01:00:30,760 [SIMON] We're less than 20 minutes away from where we'll play to 35,000 people. 967 01:00:30,920 --> 01:00:33,600 This is where we made our new record, 10 miles away. 968 01:00:33,760 --> 01:00:36,560 It's where we live, where we grew up, there's something really beautiful 969 01:00:36,720 --> 01:00:40,320 in this moment in time. It's such a questioning period of time for everyone. 970 01:00:40,480 --> 01:00:42,800 It's happening in our part of the world. 971 01:00:43,480 --> 01:00:46,320 [BEN] It's not just going to be emotional for us, but for the fans as well you know 972 01:00:46,480 --> 01:00:49,400 that everyone's been cooped up. Just to get to put a smile on their faces 973 01:00:49,560 --> 01:00:51,240 is going to mean the world to us. 974 01:01:00,720 --> 01:01:04,600 [SIMON] I can't wait to feel that sense of joy 975 01:01:04,760 --> 01:01:08,480 and that sense of we're back. You know we've made it back here together. 976 01:01:09,040 --> 01:01:11,200 [BEN] It's gonna be a seminal moment. 977 01:01:11,360 --> 01:01:14,640 It's a whole rebirth. It's starting again. 978 01:01:15,000 --> 01:01:17,160 I hope we can do it. 979 01:01:17,320 --> 01:01:20,320 [JAMES] We can power the country for a year off that one night 980 01:01:20,480 --> 01:01:23,560 casue there's going to be a lot of energy. I really can't wait to feel it. 981 01:01:24,280 --> 01:01:25,920 [BEN] I'm already nervous thinking about it. 982 01:01:26,080 --> 01:01:28,000 Without a doubt there's going to be a lot of nerves. 983 01:01:28,840 --> 01:01:32,040 I'll be lucky to have steady legs. I think I'll be like Bambi on ice. 984 01:01:32,760 --> 01:01:35,560 [SIMON] Taking my nerves, my anxiety and try to put it into 985 01:01:35,720 --> 01:01:38,520 the purpose and the power and the passion of the show, you know. 986 01:01:38,680 --> 01:01:40,960 [JAMES] Just try not to brakedown in the first 5 minutes. 987 01:01:41,120 --> 01:01:43,320 Just could be floods of emotion. 988 01:01:43,480 --> 01:01:45,960 -Woo! -Yeah, I love you boy. 989 01:01:46,120 --> 01:01:49,000 [BEN] It will be super emotional when we finally get on a stage. 990 01:01:49,160 --> 01:01:51,560 We've missed it so much. 991 01:01:51,720 --> 01:01:55,800 [CHEERING] 992 01:01:55,960 --> 01:01:58,200 That'll be the moment where it could go one of two ways. 993 01:01:58,360 --> 01:02:00,240 It'll either be really emotional 994 01:02:03,080 --> 01:02:05,040 or it will be like let's go. 995 01:02:05,200 --> 01:02:10,920 ♪♪♪ 996 01:02:20,280 --> 01:02:22,600 [BEN] We never had these massive ambitions when we started out at all. 997 01:02:22,760 --> 01:02:26,480 We were just this weird rock band tryin' to piss people off. 998 01:02:28,960 --> 01:02:31,720 There's a weird look Simon will give me sometimes that says all that. 999 01:02:31,880 --> 01:02:35,880 Just one look that says, "Yeah, we're doing this. This is actually happening." 1000 01:02:37,880 --> 01:02:41,160 You just about made me cry because I guess 1001 01:02:42,800 --> 01:02:46,920 it's everything. It's everything in our life. It's everything that we focused on. 1002 01:02:47,080 --> 01:02:50,800 Everything else in your life feels like its got to fit around this. 1003 01:02:50,960 --> 01:02:55,600 ♪ Don't you waste your life ♪ 1004 01:02:55,760 --> 01:02:58,080 [SIMON] It feels like it has kinda come full circle. 1005 01:02:58,960 --> 01:03:01,400 Its a shame it takes something so dramatic and tramatic 1006 01:03:01,560 --> 01:03:03,880 for it to happen but I'm really pleased 1007 01:03:04,040 --> 01:03:06,760 that we are reconnecting with where we started. 1008 01:03:08,200 --> 01:03:11,160 [JAMES] So much has changed, but yet so much hasn't. 1009 01:03:11,320 --> 01:03:14,640 It's still just us in a room tryin' to make each other deaf. 1010 01:03:14,800 --> 01:03:19,680 ♪♪♪ 1011 01:03:26,800 --> 01:03:29,840 This only further hit home how much we fucking love 1012 01:03:30,000 --> 01:03:31,840 and need to do what we do. 1013 01:03:33,640 --> 01:03:36,680 It couldn't mean more. Is that a good way to put it? 1014 01:03:36,840 --> 01:03:38,400 It couldn't mean more to me. 1015 01:03:38,560 --> 01:03:43,160 ♪♪♪ 1016 01:03:55,640 --> 01:03:58,560 [SIMON] In the same part the world is our home our very first song as we were making 1017 01:03:58,720 --> 01:04:00,880 this record and there's something really pure about that 1018 01:04:01,040 --> 01:04:04,000 and you know what, we're having as much fun as we ever have. 1019 01:04:04,160 --> 01:04:06,200 I think we're better than we ever have been so 1020 01:04:06,360 --> 01:04:07,960 long may it continue Jack. 1021 01:04:08,920 --> 01:04:14,320 We are Biffy fucking Clyro!! 1022 01:04:14,480 --> 01:04:18,880 ♪♪♪ 1023 01:04:20,200 --> 01:04:25,520 ♪ Creative burns, creative burns, creative burns in a dick show ♪ 1024 01:04:25,680 --> 01:04:30,720 ♪ Cultural sons, cultural sons, cultural sons of Scotland ♪ 1025 01:04:30,880 --> 01:04:37,000 ♪ Spread by a whirl, spread by a whirl, spread by a whirlygig so♪ 1026 01:04:37,160 --> 01:04:41,880 ♪ Goddamn you all, you bastard sons ♪ 1027 01:04:42,040 --> 01:04:47,560 ♪ Forgiveness is gone, you'’re hanging on ♪ 1028 01:04:47,720 --> 01:04:53,120 ♪ Cradled that heart, my sister'’s son ♪ 1029 01:04:53,280 --> 01:04:57,200 ♪ Forgive me father, I have sinned ♪ 1030 01:04:57,360 --> 01:05:02,560 ♪ Forgive me father cause I'’ve carried all these sins ♪ 1031 01:05:02,720 --> 01:05:08,000 ♪ Up hills and down in holes, it'’s where I'’ve always been ♪ 1032 01:05:08,160 --> 01:05:13,040 ♪ Business is done, our business is done ♪ 1033 01:05:13,200 --> 01:05:19,440 ♪ They ask, so I made them burn but I saw the sun ♪ 1034 01:05:40,480 --> 01:05:45,760 ♪ Forgive me father cause I'’ve carried all these sins ♪ 1035 01:05:45,920 --> 01:05:51,040 ♪ Up hills and down in holes, it'’s where I'’ve always been ♪ 1036 01:05:51,200 --> 01:05:56,080 ♪ Business is done, our business is done ♪ 1037 01:05:56,240 --> 01:06:02,080 ♪ They ask, so I made them burn but I saw the sun ♪ 1038 01:06:02,240 --> 01:06:10,360 ♪♪♪