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(HELICOPTER BLADES WHIRRING)
TED KOPPEL: Yesterday, it was a disaster.
Today, catastrophe.
Our beloved New Orleans, where Katrina hit hardest.
Two of the levees that held back
the waters of Lake Pontchartrain have cracked.
And as the water rises in the city,
there are no immediate answers
as to how and when it will be pumped out again,
or what will remain.
Everything that New Orleans ever was,
in danger of drowning tonight.
(HELICOPTER BLADES WHIRRING)
♪ (INSTRUMENTAL MUSIC PLAYING) ♪
♪ ("NOBODY KNOWS" BY PASTOR T.L. BARRETT PLAYING) ♪
-♪ Nobody knows ♪ -♪ Mm-mm-hmm ♪
♪ All the trouble I've seen ♪
-♪ Nobody knows ♪ -♪ Mm-mm-hmm ♪
♪ All my sorrow ♪
-♪ Glory, glory ♪ -♪ Mm-mm-hmm ♪
-♪ Glory, hallelujah, glory ♪ -♪ Mm ♪
-♪ Glory ♪ -♪ Let me hear you ♪
♪ Glory, hallelujah ♪
-♪ Nobody knows ♪ -♪ Nobody knows ♪
♪ Mm, oh, no, no ♪
♪ All the trouble I've seen ♪
-♪ Nobody knows ♪ -♪ Nobody knows ♪
-♪ Oh, no ♪ -♪ All the sorrows ♪
-♪ Glory ♪ -♪ Glory ♪
♪ Glory ♪ ♪ Glory, Hallelujah ♪
♪ (SONG CONCLUDES) ♪
-♪ (SOMBER MUSIC PLAYING) ♪ -(WIND RUSHING)
♪ ("DA BUTT" by E.U. PLAYING) ♪
Congratulations, Naquanta.
EDWARD BUCKLES: (CHUCKLES) That's me.
♪ (R&B MUSIC PLAYING) ♪
EDWARD: Before the storm,
there was nothing like being around my family.
Especially my cousins.
I still remember the last time.
It's August 2005, and summer was coming to an end,
-so that meant one thing. -(DOORBELL RINGING)
EDWARD: A back-to-school celebration
at Tina's with all of my cousins.
You see, Tina's house was the hangout spot
for all of the children in my family,
mainly because she had four kids herself
who all were my best friends.
(BICYCLE BELL RINGS)
EDWARD: I still remember that weekend like yesterday,
me and all my cousins just outside, playing,
joking,
and laughing without a care in the world.
Tina made her signature meal, gravy and rice.
I can still remember what it smelled like.
(SNIFFS, SIGHS)
EDWARD: We must have played outside
for hours until the streetlights came on.
(CHILDREN CLAMOR)
(METAL CLANGS)
EDWARD: Once we got inside and ate,
we just all piled up in one room
to enjoy each other's presence
before our parents came to pick us up.
SPEAKER: (OVER TV) It's your boy!
(INDISTINCT CHATTER OVER TV)
TINA: All right now, I'mma see y'all later.
EDWARD: I never would've thought
that would be our last time together
-in that house. -(ENGINE STARTS)
(THUNDER RUMBLING)
EDWARD: All right.
Since the storm...
it seems like everybody just moved on.
In America, especially during disaster,
Black children are not even a thought.
Hurricane Katrina was no different.
-(INDISTINCT CHATTER) -(HELICOPTER BLADES WHIRRING)
SURVIVOR: See, it's already got a call...
EDWARD: After losing so much,
why wouldn't anyone ask if we were okay?
(INDISTINCT CHATTER)
(SINGER HUMMING)
EDWARD: Nobody ever asked the children
how they were doing.
(SINGER HUMMING)
EDWARD: So, I am.
(SINGER HUMMING)
EDWARD: All right? Cierra,
Katrina Babies, take one.
EDWARD: Rally, Katrina Babies, interview, take one.
I was 11 years old,
and, uh, the first thing I can remember,
I was knocked out of sleep, man. The first thing I could remember
was just feet running down the hallway.
(IMITATES FOOTSTEPS)
And my mama was like, "Get up, get up, get up."
"We got to go, we got to go, we got to go"
Something like that, it's really hard
for you to forget.
Friday, I was at school,
walking the hallways with my friends.
By Monday, I was on top of the fucking roof.
My mom's home crying. My grandmother's home crying.
Our house is destroyed.
Like, it was just too much. Even though I'm young
and, you know,
it's not like I'm stressing how my parents were stressing,
but...
I just was-- I just wasn't comfortable.
I couldn't... I couldn't... I couldn't think properly.
EDWARD:
No.
EDWARD: I started interviewing people,
and I didn't know what I was doing,
but I was just like,
"This is a story that needs to be told."
All right. We rolling?
-SPEAKER 1: Yeah. -SPEAKER 2: Mm-hmm.
EDWARD: All right. Katrina Babies,
Betty Buckles,
Betty "Stay Ready" Buckles, take one.
(CHUCKLES) Why you look so scared and serious?
I don't know. I mean, I'm just--
EDWARD: It don't got to be scary.
I ain't scared.
EDWARD: All right. So, just... just introduce yourself, um...
your-- your name,
uh, your name and who you are.
Oh, okay.
-What you mean who I am? -EDWARD: Yeah.
-Like your... your mama? -EDWARD: Yeah.
(BOTH LAUGHING)
EDWARD: Dad, as a parent, what you remember going through
as Hurricane Katrina was approaching,
just like the whole process of Hurricane Katrina?
EDWARD BUCKLES SR: Good question, good question.
'Cause, like, me and my wife and family,
we had decided at first that we was gonna all stay.
You know, we're-- we're just gonna
ride this out.
But that morning, the last day of,
our last day to get out,
my wife had a change of mind, and she said,
"I think we better leave." So, I wasn't in no...
argument mood. I say, "Well, okay. Let's pack up,
and-- and let's leave."
BETTY BUCKLES: Oh, I had been hearing
about the storm for, like, about a whole week or two.
Then, Ray Nagin came on, and Ray Nagin say
to don't play with the storm,
to please get your family and get out of here.
So, I told your daddy,
"We got to leave. We got to leave."
Ladies and gentlemen, I wish I had better news for you
but we are facing a storm, uh, that most of us have feared.
I do not want to create panic,
but I do want the citizens to understand
that this is very serious, and it's of the highest nature,
and it's-- that's why we've taken
this unprecedented move.
SURVIVOR: We're not able to get up and just go.
We don't have transportation.
I mean, we living paycheck to paycheck.
I mean, it ain't like we're just able to
get up or just leave.
SPEAKER: Waiting on the storm, huh?
You going to set up for the storm?
Hurricane.
CHILD: What's up? People getting ready
for the hurricane like it's nothing.
(ALL LAUGHING)
My mindset on hurricanes, my thoughts toward them
were they were always gonna come.
Like, seemed like they were gonna come
for New Orleans, and then turn at the last second.
Well, my grandma always say,
like, the Lower Ninth Ward is, like, below sea level.
Like, we can't stay here.
We-- we packed, and I just remember
there was, like, something different,
even though we didn't know it then.
I remember packing my bag
and putting in some, like, pictures
that I had hanging up in my bedroom,
which is not something that you would normally do
when you think you're coming right back.
You know, we didn't even take them serious.
I remember one time,
I was in the Lafitte Projects for a hurricane,
and they had a hurricane block party.
Like, they really had a DJ. Everybody in the project
was right there, dancing and whatnot, eating.
And, like, yeah, the hurricane come tomorrow,
so, we gonna, you know... we're gonna cut up right now,
you know, just in case something happened.
But we always knew it wasn't gonna happen.
Nothing was gonna happen at all.
-We was gonna be good. -You know, my grandma was like,
"Pack up some clothes. Just pack up some clothes.
Get everything you need, pack up some clothes."
I definitely think that me and, like, my friends,
we were just, again,
thinking that this was like a quick one-two,
gone for two or three days, and you come right back.
So, it was still that-- that innocence there
and that sense of, like,
not really thinking
that this was gonna be a big deal.
We was, um, in the Lafitte Projects,
and me and my brothers was playing outside
with the other kids.
And all I could feel was, like, this real cold wind.
It was so windy. So, so windy.
And it was, like, real, real cold.
I went to church that Sunday,
the day before the storm, you know?
And the priest was like, uh, I'll never forget this.
The priest looked my dad in the eye.
He was like, "Yeah, y'all evacuating today, huh?"
He said, "Nah." And the priest just looked.
He just had this look in his eye,
and we was walking off. I looked back,
and the priest was just looking like,
you know, like he was confused.
And I will never forget that day in my life, dude.
That Sunday, we woke up,
and my mama was all over the place,
like, "Yo, we leaving."
Like, "Yo, like, I'm not asking you.
I'm telling you. We're leaving.
We're getting the fuck out of here,
and we're going somewhere." My mom is that person that,
like, she has dreams,
and then sometimes those dreams, like,
manifest into something
like, you know, within the family.
Like, she's real spiritual.
So, when she said that,
when-- when like she's like, "God is telling us to leave,"
nobody questioned it. It's like, "Yo, we got to go."
"We getting out of here.
Y'all start getting ready. We got to go."
And then everybody just started getting up.
The children didn't seem to be worried about the storm
'cause I guess they didn't really realize
how serious the storm was.
EDWARD: We got rushed into the car,
and we only took like a weekend's worth of clothes.
(INSECTS CHIRPING)
EDWARD: We had evacuated before,
but there was something surreal about this time.
REPORTER: The city of New Orleans needs
to be prepared for what could be as high
and is right now as high as a 175-mile-an-hour hurricane.
There can be no doubt now that we're talking about...
-levees that will overflow. -Right.
EDWARD: The city seemed to be in, like, a frantic state.
People at the gas station for hours.
The gas stations are jam-packed.
People are cursing, people are yelling,
and everybody just has a look of uncertainty
and fear on their faces.
(RAIN TRICKLING)
(THUNDER RUMBLING)
MIDCITY AB : You know, it sounded like the apocalypse was outside,
but I still was ignoring it.
And then the electricity went out.
So, I'm just sitting there, listening to all this rain.
I hear, like, um,
all type of animals outside, crying, too.
Rain, wind, and all that.
So, I go into bed with my dad 'cause, you know, I'm scared.
But I remember you can see out...
see out the house
'cause we had a-- a screen door on the side of the house.
And I'm just looking at all these things fly by,
and, uh, trees looking like
they about to come out of the ground.
And that's when I really realized,
"Oh, this ain't a game," you know?
I remember it was real, real late.
Like, it had to be, like, almost midnight.
And I was up with my mom and, like, my brothers,
and we heard
a loud, loud noise, like a boom,
like a bang, something like that.
-It was loud. -EDWARD: What was it?
Um. It was the levees. They broke.
And...
I don't know. Like, then it just got all calm,
and like, I just went to sleep. And then, I woke up
to one of my uncle's friends banging on my mom's door.
And like she walked outside, and it was like...
-flooded. -(THUNDER RUMBLES)
(WIND GUSHING)
EDWARD: As the storm was approaching New Orleans...
my family and I were on the road.
What should have been a two-hour drive
turned into 13 hours...
because of the insane traffic.
My parents were just so anxious and tense.
We were hot, and it was dark as hell.
(RAIN TRICKLING)
I remember us stopping in this really, really rural,
creepy southern Louisiana town.
They had opened up the flea market to be shelter
for people that were coming from New Orleans.
I don't know if it was because of how exhausted I was
or maybe I was a little bit scared-- scared at the time.
I don't know, but it's like a blur.
I just remember us going to a corner,
and all the kids laid down on this hard-ass floor.
And the whole time,
I was thinking about Tina and my cousins.
They had stayed in New Orleans.
(WIND WHOOSHING)
EDWARD: My dreams must have been so crazy that night.
(WATER BURBLING)
(THUNDER RUMBLING)
♪ (SOMBER MUSIC PLAYING) ♪
(THUNDER RUMBLING)
I remember we woke up...
and like the press was there.
Like, you know, the local news station was there.
And I remember they pulled out
a television, almost like, you know like,
almost like in like the '90s,
when you were in school and, like, it was a free day,
you know, and the teacher rolled the television out.
They, like, rolled the television out
for us to see, like the news.
And I remember
seeing...
like, New Orleans underwater.
♪ (SOMBER MUSIC PLAYING) ♪
EDWARD: And... and then I saw
that Circle Food Store was underwater.
That was Tina's neighborhood.
That was my cousin's neighborhood.
As a child, I'm just like,
"This neighborhood is underwater,
so are my cousins."
(BIRDS CHIRPING)
♪ (SOMBER MUSIC PLAYING) ♪
I remember, I asked one of the adults,
"Wait. Like, if all of this is underwater,
what happened to the people who stayed behind?
Like... like where are they?"
And, like, you know, she was like... (CHUCKLES)
...like, looked me dead in my eye as a kid and said,
"Everybody who stayed in New Orleans is dead!"
And, like I just started crying,
like instantly. I just started crying.
Looking at the TV screen and her saying that,
it seemed like it was true.
(PHONE RINGING)
POLICE OPERATOR: Police operator, one-six...
SURVIVOR 1: I need someone out here, ma'am.
I'm gonna die in this attic.
The water's started rising in the attic, ma'am,
and I'mma drown in the attic.
POLICE OPERATOR: Is there any way you can get
to the roof if need be?
SURVIVOR 2: I'm stuck in the attic,
me and my little sister here, and my mama,
and we got water in our whole house.
SURVIVOR 3: We're, like, under nine feet of water here,
and we're trying to get out.
We have a baby. There's five of us. We're very frightened.
We opened the attic. We punched a hole in the attic.
But the helicopter keeps passing us.
SURVIVOR 4: The helicopters, they'll pass over us,
but they won't stop.
SURVIVOR 5: We sitting on the porch,
looking at the water rising up,
and we don't have no way to get out
or nothing. It's just coming up.
♪ (INSTRUMENTAL MUSIC PLAYING) ♪
EDWARD: In New Orleans,
I think that one thing that we had
to our advantage
is family...
and the warmth of like, you know, like, of like a home.
Our houses are very cozy. Our hospitality is very good.
The houses smell like good food.
I know what Tina's house was for me.
Um... and like, I knew how comfortable
and like how warm it was. You know what I'm saying?
This is one of my favorite ones.
And that's me, Quentin, Kiyara,
Shirley, and that's my mom in the back.
And this is at the house.
Uh... this is at one of the houses
that Tina stayed in before Katrina.
Like as you can see, they got the wood panels,
-like, just... (CHUCKLES) -(PHONE RINGING)
(CAMERA CLICKS)
-TINA: Hello? -EDWARD: What's up, Tina?
-(CAMERA CLICKS) -TINA: Hey, man.
What's going on?
EDWARD: I hadn't seen Tina and my cousins in years.
♪ (INSTRUMENTAL MUSIC PLAYING) ♪
EDWARD: I could smell Tina's gravy and rice
all the way to Shreveport.
-What's happening? -TINA: Hey, baby.
-What's up? -TINA: I said, Lord,
I hope-- I sure hope...
Boy, I ain't camera ready.
-You got me on the camera. -(CHUCKLES)
-New Orleans classic. Big Shots. -Oh, my God.
-You know what I'm saying? -Yes. Check it.
Come on, now. Come on with it.
-Y'all didn't know. (CHUCKLES) -I'll drink it hot.
It don't even have to be cold. I'll drink it hot, I swear.
TINA: So, yeah, like I was saying, it was, um...
it was part of my depression, where I
was so lonesome and homesick,
I stopped combing my hair,
like, literally. And, uh...
it had got so thick and full, and,
so, I said, "Well...
I don't know nobody up here.
I don't need to
put all that maintenance and stuff like that in my hair."
Just kind of became a hermit in the house.
You know what I'm saying?
I said, "Well, I'mma just wear my hair natural."
EDWARD: It looks good.
(CAMERA SHUTTER CLICKS)
TINA: When the storm actually hit
everybody I think was still kind of asleep
or just waking up.
But all of a sudden, we felt the house just...
it almost sounded like a train.
It was shaking, wobbling, you know?
My husband told me to look out of the window.
The water was at the window, so we were surrounded by water.
We-- we were surrounded by water.
SHIRLEY: When the water was rushing in,
I think the only thing I was thinking
was, like, I was like in a-- mesmerized by, I guess,
kind of, by how it was like...
you know, that-- that shit was like a movie, like...
it was like rushing in,
and then we was trying to get off.
We ran to the back.
But literally, we sitting on the bed,
literally, and the water just like this,
-as we're sitting on the bed. -EDWARD: Damn.
The people's dog and this dude was floating.
Their dog was dead, just floating on the water.
-EDWARD: Damn. -Floating about
like around our house, or whatever.
TINA: I think everybody was just trying to find
their mental comfort
of how to handle what was going on.
-EDWARD: Right. -And, uh, so I had said,
"Well, okay. Let's sing."
And that's what we did. We-- we sung hymns.
We sung,
you know, R&B.
Like, we just formed our own little choir,
so we was just in there singing.
And for two days when the world was thinking
that no one was left in New Orleans or in Katrina,
we were still in our attic.
TINA: The boat pulled up into the living room...
because the whole front of the house,
the water had collapsed it, or whatever.
-(BABY CRYING) -TINA: And we got out of there.
There was really a eerie silence...
(BOAT ENGINE WHIRRING)
TINA: ...and I think everybody
was so overwhelmed and taken by
how the city, their neighborhoods,
was underwater.
The water was so deep,
you saw just that very low point of the stop sign.
It was just-- just like a dead calm.
You didn't even hear birds or anything.
It's almost like what you read in the Bible
about the great flood, and it was just...
water. You're surrounded by water,
you know? And you're looking for that dove
to come back and say it's dry land,
but there was no bird in sight.
♪ (SOMBER GOSPEL MUSIC PLAYING) ♪
TINA: And I looked back, and I saw
that my house was the only house
still standing.
Me personally, I thought we was gonna die.
Like, you know,
the furniture is floating in here.
Like, you know, if you look outside,
you don't see nothing.
Like, we finna die. Like, we gonna die here.
Like, that's just what it is, you know? So...
and we stranded.
We aint-- This not-- We wasn't here for one day,
or we wasn't in here for 12 hours.
We was in here three days. We were up here three days.
Then we go...
to, uh, we go... from here, we get rescued
and go get shipped into a concentration-camp structure.
Like, you know what I'm saying? Like,
I'd never fight for this country.
I don't depend on it. I can't depend on it.
Like, I'd never fight for it,
just on the strength of Hurricane Katrina.
And I was 11 years old when I made that decision.
(BOAT ENGINE WHIRRING)
(SIGHS) With the water, like, it's like the water's there.
And I go outside, and I'm just like, "What?"
I'm just looking around, like, "What?"
I hear a lot of screams.
And the guy next door, he had a boat.
I don't know where this boat came from,
but he had a boat, and he was like,
"I'm bringing y'all-- I'm bringing y'all
to the bridge."
"I'm bringing y'all to the bridge.
♪ (SOFT MUSIC PLAYING) ♪
(CAMERA SHUTTER CLICKS)
♪ (SOMBER MUSIC PLAYING) ♪
(HELICOPTER BLADES WHIRRING)
MIESHA WILLIAMS: We went to the convention center...
and...
it was-- it was weird.
I saw a dead man on the street.
It was scary.
Like, "What?" Like, "Am I gonna die?"
Like, I started questioning things now.
I-- I just smell like-- like feces,
just lingering from the bathroom,
and just people just looked like...
just-- just sad, just real sad.
I don't know. I just was like, "I'm not supposed to be here."
That's how I felt.
Like, "What? Like, this is not real."
(INDISTINCT CHATTER)
I don't want to cry. (SOBS)
-(SOBS) Sorry. -EDWARD: It's okay.
Just take your time.
It's okay. Like, wait. So, um, wait.
So, like, have you ever talked about this before?
No, I haven't.
EDWARD: Why is that?
I don't know. Nobody never asked me.
EDWARD: Can we take five?
SPEAKER: Hey, buddy, are you good?
Hey, I'm tired, man.
(INDISTINCT CHATTER)
Hey, put me on here. They got us living up in here,
bad! They got babies up in here, and it's unsanitized up in here!
It is bad up in here!
Children burning up and everything!
Get us out of this place!
We had several people died out here
and, you know, I don't want to become one of them.
They say what they're gonna do,
but they're not doing anything for us
to try to help us survive and live, you know?
(VIDEO REWINDING)
We just need some help out here. It is so pitiful.
Pitiful and shame that all these people out here,
they have over 3,000 people out here
with no home, no shelter.
-What are they gonna do? -ARIANNA: I don't even think I honestly thought...
-What are we gonna do? -...twice about it.
I saw a camera guy,
and I just walked up to them, and I basically just...
kind of pulled my face
really closely towards the camera,
and I spoke eloquently. Like, I spoke.
Um. And I was basically, back then,
I was the voice for many people that couldn't actually,
couldn't or wouldn't speak for themselves.
I felt that there were certain circumstances
that were totally unacceptable, that were not cool. Um...
My grandmother had like, actually, literally,
ran out of her insulin,
and my grandmother was a diabetic.
But I didn't realize that, that was something
that she could go without.
I felt as though during that time
that it was a necessity,
that this was something that she needed.
And during that time,
my grandmother was everything to me,
and I was really afraid, um, and petrified,
and really afraid the most that I would possibly lose her.
My grandmother is a diabetic. She's 76 years old.
She's out of her insulin. What's she gonna do?
She don't know if she gonna live or die.
We all don't know what we gonna do.
So, we just need some help and support.
♪ (DRAMATIC MUSIC PLAYING) ♪
(CROWD CLAMORING)
EDWARD: People lost their homes.
People didn't have food, water. It was hot as hell out there.
People were doing what they had to do.
KANYE WEST: I hate the way they portray us in the media.
If we see a Black family, it says they're looting.
If you see a White family,
it says they're looking for food.
REPORTER: The things that I witnessed today,
Ted, I-- I-- I will never forget.
Looting on a scale
that was just so staggering, so overwhelming.
The city has been ravaged by the hurricane.
And now, it's being ravaged by some of its citizens.
CROWD: We want help! We want help! We want help!
We can't make it. You said if we need You, to call You.
And we are asking You in the mighty name of Jesus,
there is none like You.
KANYE: And you know it's been five days
because most of the people are Black,
and the way America is set up to help the poor,
the-- the Black people,
the less well-off as slow as possible.
Praise the Lord! Merciful and strong you are, Lord.
Lord, we know you're gonna make a way, Lord.
(MONITOR STATIC)
SURVIVOR: Power belongs to God.
It's just racist.
George Bush doesn't care about Black people.
♪ (SOFT MUSIC PLAYING) ♪
EDWARD: You don't know where you're going.
You don't know what's next.
Kids were separated from their families.
Families were separated, just sent into random places.
(HELICOPTER BLADES WHIRRING)
EDWARD: My cousins were displaced
because their home was destroyed.
Hurricane Katrina caused one of the biggest dispersements
of Black people in history.
You know, that shit happened during slavery, and, like,
it also happened in 2005.
I remember sitting in a room with my mom
and my dad in an open motel and just wondering
when I was gonna go back home and...
and it turned into one week
to two weeks to three weeks to a month.
And next thing you know,
we-- I was living in Mississippi.
DANIEL: I ended up going to Houston.
Um, we was in a hotel.
We can't stay in this expensive-ass hotel anymore,
so what's gonna have to happen?
Where are we gonna go? We can't go back to the city.
A lot of people, for Katrina,
that was their first time ever leaving New Orleans.
Like, people never left.
I was a senior in high school
and once we came to the realization
that we couldn't go back home,
we moved to Dallas.
DAMARIS CALLIET: We were there ultimately for a year
because we ended up just relocating,
not really by choice, but we didn't really have--
like, we lost everything in Katrina.
That was the first time I ever got called a refugee.
I'm from America. You know what I mean?
I'm from-- this is my land, but I'm being called a refugee.
Kids at the schools would be like,
"Uh, he's a refugee. That's what they're--"
"Yeah? What you loot? Did you loot?
Did you..." (CHUCKLES) "...did you loots?"
The principal was like,
"Do you think you'll fit in here?"
What kind of question is that to ask
a girl that just, like, just came from,
you know, her house being under eight feet of water?
"Do you think you'll fit in here?"
Hell the fuck no, I'm not gonna fit in here.
I don't want to fit in here.
REPORTER: The tension has been slowly escalating here.
Fights have broken out in schools between
New Orleans evacuees and Houston students.
And now, Houston police say
Katrina evacuees have been the victims
or suspects in about 20 percent of the city's homicides,
more than double their percentage
in the population.
EDWARD: It was two weeks after we had evacuated
to Lafayette, and it was not easy
to adjust to this new place.
I think that, like, you know...
Like, I don't know. Like,
we definitely went to school too soon.
EDWARD: I didn't retain anything
that they were teaching us.
We stayed in Lafayette for about eight months,
and it felt like two years.
(SIZZLING)
EDWARD SR: The people in Lafayette
knew we couldn't go back to New Orleans,
so they tried to make it as easy as possible
for us to make that transition with the kids.
As far as you were concerned,
when you started playing football
and getting into activities
in-- in the school that you was in,
you-- you were fine then. Matter of fact,
you didn't even want to leave there.
The people that we were staying with
didn't want you to leave there.
Your coach didn't want you to leave there.
He wanted you to continue playing ball there.
So, that was good therapy for you.
My kids...
they-- they came out of it pretty good, I think.
Um. How do you think overall, Hurricane Katrina impacted,
like, you know, like the family or, like-- like-- like the kids?
Oh, how do I think they were impacted?
Um...
I really don't know how it impacted the kids,
'cause the kids wasn't saying anything.
They wasn't telling us nothing.
So, it was like a normal, everyday life.
So, that's how I looked at it,
as normal, everyday life. I mean...
we actually-- I used to constantly ask you
how you were doing and how Kiyara and them,
how they doing, and y'all just say, "We okay."
And especially you, 'cause you used to go in a room
and lock up in a room,
and I used to say, "You all right, you all right?"
But didn't seem like nothing was wrong with you.
If it was, you didn't say anything.
(INDISTINCT CHATTER)
It was a big day in New Orleans. A month after Hurricane Katrina,
officials began letting people back
into three large neighborhoods.
It's been clear for some time
that the city would never be the same
but just how it could change is just now becoming clear.
♪ (JAZZ MUSIC PLAYING) ♪
New Orleans and the French Quarter...
will continue on, no matter what.
I mean, it's gonna be a different city,
but there's gonna be a lot of things that ain't gonna change.
And I think the things that don't change will be...
for the better, places like Cafe Du Monde
and Jackson Square. And...
I mean, it's just a whole list of institutions
that have been here forever.
♪ (DRAMATIC MUSIC PLAYING) ♪
EDWARD: The city was not ready
to receive all of us.
But of course, they needed their workers to come back,
you know, to get that tourism industry
pumping again.
SURVIVOR: This is Granny's house.
(INDISTINCT CHATTER)
SURVIVOR 1: Being honest with y'all,
I would rather... the whole house.
It got-- it got to everything.
SURVIVOR 2: How long all this gonna be?
Lord have mercy, Jesus Christ.
(SIGHS) Oh, God.
EDWARD: When did you get back to New Orleans?
When did I get back to New Orleans?
As soon as they opened the state back up,
my great-grandmother was like,
"Okay, it's time to go home. I want to go back to my house."
You know what I mean?
And so, we packed up, and we went back home.
-EDWARD: What did you see? -Ghosts.
Nobody around here,
it was just a ghost town. Debris everywhere.
Dead animals. I actually came back
and saw my dog because I couldn't take him.
You know what I mean? It was just a whole lot of--
a whole lot of hurt.
I seen people that was just hurting,
head down. Didn't know what they was gonna do.
Didn't know if a better day was gonna come.
It was just gloom everywhere.
And, uh, as far as I can remember,
that's-- that's what it was every day for a long time.
DAMARIS: I was ready to get back to school,
so we ended up coming back down to New Orleans.
And I stayed in a FEMA trailer
that I later found out was filled with formaldehyde.
EDWARD: Okay, so...
Yeah, basically, because they were--
they were cheap.
So, they bought all these trailers
that were actually not in use
because they were filled with formaldehyde.
REPORTER: It's another blow for victims
of Hurricane Katrina.
Tests found toxic levels of formaldehyde fumes.
More than 500 trailers in Louisiana and Mississippi,
some had 40 times the fumes found in most modern homes.
Two years later,
when I would actually lay on my back, I would notice
a ball sticking out of my stomach
that just came from nowhere.
So, I kind of ignored it for a while
until I started having, like, all kind of issues,
health issues. So, then I went to the doctor to find out
that it was a tumor that had grown
because of staying in the trailer.
CHASE N. DASHE: You could smell death.
You had bodies laying on the side of the road still,
lifting-up trees, and dead dogs, and dead birds underneath,
maggots everywhere, all type in the garbage everywhere.
So, you know, it was just a smell
that I'll never forget.
CIERRA CHENIER: My people went to go check on the house,
and I still just remember being, like, giddy, like,
"Cool. My-- my toy that I left on my dresser," like
"They bringing all of that," type of thing.
And I just remember, like, when they got out the car,
and it was just a trash bag that wasn't even filled,
and it was like, "This is it from the whole house."
I'm thinking that's just my room.
So that, I think, was the first time
it actually hit of, like...
what we knew to be true is gone. (SNIFFLES)
This is what it means when they say nobody asked you.
(LAUGHS) 'Cause it's the first time
I said that out loud.
(INDISTINCT CHATTER)
CIERRA: Everything you consider
as part of who you are
was reduced to a trash bag, you know?
But the magnitude of that
just became so much worse when you start to realize,
"Oh, not just the house, the whole neighborhood."
Like, "Ms. So-and-So doesn't live here anymore."
Or when you start to really see the loss of life,
that's-- that's on a completely different level.
And when so much of your identity
is where you're from,
specifically what neighborhood you're from,
and that neighborhood isn't the same anymore,
that house isn't there anymore,
what does that do to your identity?
Like, sometimes, after the storm,
I'd just go back to my old neighborhood
and just sit on a porch.
Like, the house was all boarded up and stuff,
but I still just wanted to be there, you know?
Like, I'd just sit there for hours, you know?
♪ (SOMBER MUSIC PLAYING) ♪
EDWARD: My parents had finally decided
that it was time to go back home...
so we got on the road.
(INSECTS CHIRPING)
BETTY: This is the shed, everything that was in it,
the bicycles and...
EDWARD: Although my house was still standing,
the New Orleans that we knew was gone.
Boy, what a thing to lose.
♪ ("3RD WARD SOLJA" BY JUVENILE PLAYING) ♪
♪ ...And Holly Grove can't fuck With the Melph and the Calio ♪
♪ I told ya, I told ya ♪
♪ Them boys don't want beef With the Nolia ♪
♪ And I warned ya And I warned ya ♪
♪ Can't fuck With that 10th Ward ♪
♪ St. Thomas And on the V.L, and on the V.L ♪
♪ Can't fuck with them boys On V.L ♪
MIESHA: Before Katrina,
I remember everybody in the neighborhood,
all of us together.
CIERRA: Your neighborhood was crucial
to who you were.
At the least, you had your-- your family.
You had your community. You had your-- your people,
-so to speak. -Everybody on the block
watched out for my kids.
We watched out for each other's kids.
Before Katrina, like, you had no reason to leave your hood
because your hood had everything in it.
Kids was outside, playing in the street.
You know, it was amazing.
Like, thinking about it, it really was--
it was African in the essence. It was just Black people.
That's all you saw,
and that's all you really thought about.
EDWARD: It was really the Big Easy. Like,
generation after generation, we lived the same way.
Nothing ever changed.
(RAPPING INDISTINCTLY)
EDWARD: But after Katrina...
CIERRA: The displacing of Black communities
all over the city
started to cause, like,
this trickle-down effect of, you know,
you are no longer in the community
you came up in.
You are now being put in, like, concentrated areas or, like,
pockets to where...
people that are territorial
and are super, you know, hard up about where they're from
now being placed in certain parts of the city
because they were displaced or they lost their homes.
And, you know, now, the rent for the whole street
has gone up and new people have moved in.
Think about what that does to, um, a community.
It destabilizes it.
♪ (HIP-HOP MUSIC PLAYING) ♪
RADIO ANNOUNCER: Q93, WQUE-FM New Orleans.
Less talk, more jams.
Q93.
MIESHA: I just remember going, um, like, back.
And they had the weird houses.
I thought it was so weird.
And they had, like, solar panels on them,
and I did not know what that was...
(LAUGHS) ...at that time.
I just feel like they're trying to make it into, like,
a new community, like, full of White people.
(LAUGHS)
We see all these White people coming out of houses
across the street from the projects,
and we're just looking like, "What is going on," you know?
The White people and stuff taking over
'cause the rent getting high and stuff,
so the neighborhoods is totally different now.
MIDCITY AB: I think gentrification
was happening before the storm, but Katrina sped it up.
♪ (DRAMATIC MUSIC PLAYING) ♪
The feel of community in New Orleans is different now,
'cause people are moving around so much, you know?
Like I was saying, you can live in the 8th Ward one year,
then move uptown to the 13th the next year.
And, so, you don't really get to know nobody.
You might speak to your neighbor,
but it's not like it used to be.
You're not rooted.
The children aren't as rooted as they used to be
before the storm, you know?
(EDWARD SIGHS)
When I got back after Katrina,
I naively thought that everything
was gonna be normal again.
But in actuality...
with my cousins not being able to come back...
I felt alone and bored.
(PROJECTOR CLICKS)
EDWARD: I would just roam around New Orleans, going to places
that my parents had sheltered me from as a child.
My mama disliked a lot of the neighborhood kids
that I started to hang out with.
But then I met this one kid, Jacquez.
We called him Jac for short.
(CHUCKLES) I remember one day,
me and this other kid
were gonna fight at the bus stop.
I guarantee you that it was for no good reason.
And right when we were about to go at it,
Jacquez, simply 'cause I was from his hood
and he knew my parents...
stepped right in front of me,
and he defused the whole situation.
(BIRDS CHIRPING)
EDWARD: Afterwards, he became like a big bro.
He was one of the only kids I ever heard
talk about the future or going to college.
My mama always had this Hi8 camera in the house,
so I picked that up one day
and started filming things in my neighborhood.
-YOUNG EDWARD: Ma, I love you. -I love you, too.
♪ (DRAMATIC MUSIC PLAYING) ♪
YOUNG EDWARD: That shit's crazy, man.
That be nice. That be just icy.
Yes, sir, what's happening with it?
-What is it? -BETTY: Crawfish, crabs, and shrimp.
EDWARD: Jac always made me feel like
I could do anything I put my heart into.
When I graduated college...
Jacquez was so proud.
ANNOUNCER: Which is...
(CROWD CHEERS AND APPLAUDS)
SPEAKER: Look, everyone's just graduated.
Wayne, Tom, Clack, all the family. Shaq.
He and Tom brought a leotard one time. And Jac!
(PROJECTOR ROLLS)
EDWARD: The violence in New Orleans...
still touched everything.
You had people from different neighborhoods
just all combined together,
which means that you got new people back there
trying to make a name for theyself,
trying to claim territory, but then you got the people
that already had that territory, like,
"Nah, bro. This is my shit."
So, it was just, like, a lot of gunplay.
It was, like, a lot of gun violence,
a lot of fights.
Little kids, they want to be killers
when they grow up. Like, they see
their little partners with a gun, "Oh, yeah."
Like, little kids now,
they really just want to be real.
Like, that's what it really is. Like, they want to be gangster.
They ain't really like,
"Oh, I want to be this when I grow up."
It's really like, "Oh, yeah. I'm about that life, yeah.
Let me put on my Dickie fit. Yeah, I'm hood now."
But now, after the storm, it's like, uh,
you don't even have to be living that life in that world.
You don't have to be living in the "hood," per se.
But you could be affected by violence in New Orleans,
'cause it's so scattered. It's so random, you know?
It could pop off at any time of the day, anywhere.
(PRINTER WHIRRING)
EDWARD: Mm-mm-mm.
REPORTER: Deputies were called to the corner of Whitney Avenue
and Landry Street around noon yesterday.
There they found 23-year-old Jacquez Young
dead inside of a car.
Another 20-year-old man was taken to the hospital.
Both of them had been shot several times.
Witnesses told investigators they saw several people
inside of a white, four-door F-150 pull up
to the car and open fire.
-♪ (SOFT MUSIC PLAYING) ♪ -(EDWARD SIGHS)
And that fucked me up, like, bad.
Really, really bad.
Like...
Yeah, like, I don't know. Um, I think that...
you know, like, where I'm from, we know.
Like, we know that somebody isn't gonna grow old with us.
We know that somebody is gonna either be a victim of,
you know,
the mass-incarceration system or violence,
you know, um, or drugs. We know it.
But I didn't think that it would be Jacquez...
you know?
Uh...
It was just like, "Man, if that can happen
to, like, Jacquez, that shit can happen to me,"
you know? And, like,
I was sad, but I was more pissed than anything
that we had, like, allowed that to happen to him.
And, like, when I say we, I mean, like, my neighborhood.
I mean, like, you know, society, like, America. It's just like...
It just, like, really pissed me off
and, like, made me angry, you know?
Like, these are the conditions that we live in.
And, like, we live in the conditions where
somebody as good as Jac,
you know, can be shot dead in the street.
Buckles!
-What's up, Buckles? -Hey, Snapchat!
-YOUNG EDWARD: It's not Snapchat here. -Buckles!
You look tired behind the camera, dawg.
Put the camera on y'all. Let me see it?
I'm gonna put the camera on y'all
because y'all look tired, son.
EDWARD: Three months after Jacquez passed...
I was offered a job as a high school media teacher.
What's up, students?
(INDISTINCT CHATTER)
EDWARD: Being around those kids was therapeutic.
They were so energetic,
and I just saw so much hope in them.
Intro videos, take one.
STUDENT 1: Wait, wait, wait. You l'il player.
EDWARD: Uh, not yet.
As soon as they started filming each other,
they went deep real fast.
-Let's do a session. -STUDENT 2: Quiet on the set.
INTERVIEWER: What's the worst thing
you experienced in life?
I guess...
I don't know. I guess, it was, like, Katrina.
I guess that would be the worst, I guess.
I was scared a little 'cause, like,
'cause I ain't know that we was gonna make it or not.
I get nervous and scared and paranoid.
(EXHALES)
All right. Now it is rolling.
-Who's that, now? Tell me when. -(INDISTINCT CHATTER)
EDWARD: It was so clear that these students
were dealing with a lot, especially outside of school.
EDWARD: World Issue, Calvin, take one.
EDWARD: Action.
Hi. My name's Calvin Baxter,
and I attend Edna Karr High School.
(INDISTINCT CHATTER)
EDWARD: Take me back to that night.
Like, like, like, you know, what was going on?
What was happening?
I went to the store. I had bought me some gauze.
And fuck, I'm walking out. I'm on the avenue, and, fuck,
a cop... just started shooting at me.
You see my heart right here,
you know, in that area right there.
That's about three inches away, you know?
I could have got hit in the heart.
And, fuck, I had-- I had made it to the hospital on my own.
EDWARD: How many times they shot?
They shot at me about 17 times.
EDWARD: And they hit you how many times?
-One time. -EDWARD: You blessed.
Oh, yeah. It made me carry a gun
because I feel like I've got to protect myself.
Like, I'm-- shit, I don't know when something gonna happen,
so I got to keep it on me.
-EDWARD: Even at 15? -Even at 15.
Mm-mm, it don't matter.
All the shit you've been through,
like, you numb to the pain. Really, like, it's numb to you.
Like, you're so used to it happening,
you're like, "Fuck it." Like, so,
you're numb to the feeling.
You're coldhearted. You don't give a fuck.
EDWARD: What does that do to a kid?
That make them traumatized. Like...
like... like coldhearted.
I feel like everything changed after Katrina.
Like, you know, they had to rebuild everything.
And a lot of buildings,
like, you know, they had a lot of youth centers
before Katrina and all that.
They don't got a lot of them now.
EDWARD: Okay, and what does that mean?
CALVIN BAXTER: A lot of children,
they don't really got no guidance out here.
They don't got no place where they can go after school
to keep their mind occupied.
The high school dropout rate, the jail rate increasing.
They'd just build a whole new jail.
Kids gangbanging.
Man, I seen a nine-year-old smoking weed. Like...
they need more jobs,
more youth programs, more mentors,
more counseling, more guidance period.
(INDISTINCT CHATTER)
STUDENT: Cut.
EDWARD: Okay. Um...
You know, um, what is--
OFFICER OVER RADIO: Calling Officer Blaine,
come in, Tyson.
Go ahead.
OFFICER OVER RADIO: Come outside the back.
-There's something going on. -EDWARD: Let's cut, let's cut.
Come on, Rodney. Let's go, let's go.
TEACHER: I just went and stopped them two
just fighting out here.
STUDENT: Move! Move! Leave me the fuck alone! Move!
-Come over here. -No! Leave me alone!
EDWARD: I didn't recognize my trauma
and my peers' trauma when I was in school.
When I saw it as a teacher, it was obvious that these kids
are experiencing some of the same things that me
and my peers experienced when we were in school.
These kids' realities was only getting worse,
and it blew my mind that nothing was in place to help them.
Carol Carter, Katrina Babies, take one.
We always have the perspective,
which is very annoying to me... (CHUCKLES)
...is that somehow, we need to fix the children.
We don't need to fix the children.
There is nothing wrong with the children.
♪ (DRAMATIC MUSIC PLAYING) ♪
CAROLYN WAITERS CARTER: How do you make someone
feel safe? To feel safe is fundamental.
They're in home environments where they don't feel safe.
They go to school, and they don't feel safe.
What does that do to our children?
It wreaks havoc on their mental health,
their physical health, their well-being.
And, so, they're, you know,
how do you... how do you learn when you're in trauma state,
when you're in fight-and-flight state?
Your body is producing
all of these chemicals constantly.
That's your stasis mode.
Your homeostasis is that trauma, is that fight-or-flight mode.
Your... your limbic system is there,
which is what causes diabetes, which causes heart disease,
which causes high blood pressure and kidney failure,
and all kinds of other issues
that our children are dealing with.
And, so, when we talk about their-- their behavior,
their behavior is attributed to that state.
Anybody in that state
for as long as our children have been in that state
would be angry, would have behavioral problems,
would be responding exactly the same way
that they are responding. They're not different.
There's not something wrong with them.
They're doing what their bodies
are telling them to do
because that's what trauma does to people.
EDWARD: I feel like that.
♪ (DRAMATIC MUSIC CONCLUDING) ♪
EDWARD: That's... like,
I can't never really put it... put it into words,
but like, that's... that's exactly how I feel.
This is my fourth period.
They're doing it, you know, right now.
This is Kwani. Say hey, Kwani.
-Hey. -STUDENT: Hey.
EDWARD: This is my class. This is Kayla.
Everybody's doing their work. Kayla, what are you doing?
EDWARD: In order just to get through my days,
I've, um...
I've been pushing that---
that stuff down, though, you know?
(SPEAKING INDISTINCTLY)
EDWARD: And it's taken, you know,
seeing my students deal with this
for me to even realize it.
When I look at them, and...
what they're up against...
-it just breaks my heart. -(LAUGHS)
My name is Shantrell Parker, and I'm 16,
and I'm from the Fischer Projects.
REPORTER 1: Barely out of their teens,
the family of 20-year-old Shantrell Parker
and 20-year-old Gavonte Lampkin
are trying to come to terms with their deaths,
both of them shot and killed,
their bodies burned beyond recognition in Algiers.
KEWONE CARTO: So, I'm still thinking
it was a dream, like,
we're gonna wake up from it or something.
REPORTER 2: Kewone Carto says she grew up
with 18-year-old Shantrell Parker,
who was killed alongside 20-year-old
Gavonte Lampkin, July 29th.
She says Lampkin was the father of Parker's two children.
STUDENT: What is it like being an only child?
What it's like being an only child is
I get anything I want, and I sleep peacefully.
I want to go to school to major in counseling.
STUDENT: Why do you want to go to school to be a counselor?
I want to go to school and be a counselor
because I want to help people
'cause I have been through a lot in my life,
and I know what it feels like to not have,
and I know what it feels like to feel
that no one is here for you.
STUDENT: What does it feel like to have no one here for you?
It feels like,
you won't, like-- no one's here for you.
Like, it's no love. Like, nobody don't love you,
and you always need that extra shoulder
to lean on when you're down.
Yeah.
Like, the anxi-- the anxiety in New Orleans
of just simply walking to your car,
you know, like, the anxiety in New Orleans
of just simply riding in the car,
just sleeping by a window or, like, you know, like...
like just... existing, just living...
you know? That shit is like-- That shit'll drive you crazy.
And then, you know, I go other places, and like,
I feel totally free of that, you know?
And like, I love my city, but I'm just saying that, like,
my anxiety is at the highest when I'm home.
♪ (SOFT MUSIC PLAYING) ♪
EDWARD: There's nothing that calms me
like being around my family.
GPS: The destination is on your right.
EDWARD: Tina told me that she missed everyone
on my last trip there.
GPS: Arrived.
We're back.
So, I decided to gather
all of my cousins together for a reunion.
Hey.
What's up, little one? We got everybody with us.
(INDISTINCT CHATTER)
Yeah. (CHUCKLES)
EDWARD: I figured we could use that.
(SPEAKS INDISTINCTLY)
EDWARD: Tina gonna be happy to see everybody.
-I know. -Erica.
-So, what's everybody name? -(ALL LAUGH)
I never met--
EDWARD: She said, "What's everybody name?"
Oh, yeah. There you are.
-RyRy, Kai. -SHIRLEY: Araya, and Kai.
What you sayin', boy?
What's up?
-(ALL LAUGH) -(SMOOCHES)
EDWARD: What's up?
(SMOOCHES)
TINA: Come on, boy. This party getting big.
♪ (INSPIRING MUSIC PLAYING) ♪
(BIRDS CHIRPING)
(CAMERA SHUTTER CLICKS)
CIERRA: I think it's hard to talk about Katrina,
because it takes having some form of vulnerability.
(CAMERA SHUTTER CLICKS)
CIERRA: You know
acknowledging that something happened to you
and that it wasn't okay.
If you're not able to be vulnerable,
how do you heal?
It's decades after Katrina hit.
So much becomes built up
in those decades where it was not talked about.
Being able to tell my Katrina story
has been, you know, part of my healing process,
healing something that you didn't even know
needed to be healed to begin with.
MIDCITY AB: New Orleans is an African city.
We're oral people...
sitting around a fire,
telling stories passed down through generations.
It's been therapeutic.
Katrina is becoming a folktale...
and we're the storytellers.
CALVIN: Telling my story,
it inspired, you know, a lot of others
that's going through the same thing.
It makes them just want to speak up more
'cause they know they're not by theyself.
(BELL CHIMING)
CALVIN: I feel like nobody should be that young
going through shit like that.
Really, I want-- I'm... I'm trying to change myself.
I want better in life than this. I want to raise a family.
SPEAKER: When I look at the videos...
CALVIN: Oh, no, man.
(CAMERA SHUTTER CLICKS)
MIESHA: You gonna get through it,
but you have to have faith that you would.
My journey right now is really to be the best that I can be.
I want to learn new things,
and that just, like, drives me to keep going.
I got things that I want to accomplish...
got places I want to go. I'm older now, and...
look at me. I made it. I made it out. (CHUCKLES)
DAMARIS: Every time they give me
a new health diagnosis, like diabetes formed after,
like, all these different things,
and I try not to think about it.
But it's like how would my life be now
if I'd never stayed in that trailer?
I really don't tell my story
because I don't want you to feel sorry for me.
I never wanted to be the so-called cancer patient.
Like, I want you to look at me,
and I want you to see the person that I am,
the person that I was before I even got sick.
Like, I just want to be me.
♪ (PENSIVE MUSIC PLAYING) ♪
EDWARD: When everything around you is set up
in a way that it's not meant for you to survive,
resilience is when you still find a way
to have your head up and help yourself.
But sometimes I feel like resilience is used as a tool
because they want people to think,
"Oh, no. Everything is okay.
These people are good, like, they're strong.
Look at how much they've overcome."
So, like, I feel like
it's for me to say when I'm resilient.
It's for me to say what is resilient.
It's not for you.
♪ (PENSIVE MUSIC CONCLUDING) ♪
EDWARD: You know, it's the whole idea of saying
that New Orleans is rebuilt.
It's not.
Even though we are resilient,
we can never get back what was lost.
♪ ("RUSHES TO" BY FRANK OCEAN PLAYING) ♪
♪ Saturdays involved Making our entrances ♪
♪ Into life outside, we've been In this room too long ♪
♪ Recreation is keeping us Self-contained and aware ♪
♪ Of each other's forms ♪
♪ Still and in Full strides just the same ♪
♪ Keeping us warm Walking in straight lines ♪
♪ Talking to sleep at night Coddled and pacified ♪
♪ By versions of mothers It's all new to me ♪
♪ It's all new to me Having you around ♪
♪ It's all new to me It's all new to me ♪
♪ Having you around the Higgs ♪
♪ What if we decide To live by choice? ♪
♪ All this time I knew That average was ♪
♪ Something to fall back on After genius ends ♪
♪ I watch video Only difference is ♪
♪ It's flattened and remiss ♪
♪ Sparks of lightning Storm behind wet faces ♪
♪ Slipped my pants back on And rewind it backward more ♪
♪ The tape stopped before I was back alone ♪
♪ I'll be back before The streetlight's on ♪
♪ Before the daylight's gone ♪
♪ I was spoiled By lavish thoughts ♪
♪ They don't compare, no Not at all ♪
♪ And had this been the past I might not know... ♪
TINA: Morning, Quentin.
-TINA: Y'all having fun? -Yeah.
Excuse me, but I'm too hot for TV.
TINA: Okay, baby. (LAUGHS)
♪ What you give My words can't hold ♪
♪ And if acts of God Breaks us apart ♪
♪ Least we did ours, turn back ♪
♪ Turn back, turn Back, turn back ♪
♪ Back, back, back, back ♪
♪ If you've never ♪
♪ Been in love ♪
♪ ("RUSHES TO" BY FRANK OCEAN CONCLUDING) ♪
♪ One can't explain Nor it can contain ♪
♪ The pouring rain The swarming pain ♪
♪ Try to escape. Damn Here it comes again ♪
♪ Old photos Of the kind of love ♪
♪ That just because The soul it was ♪
♪ Some light decay Like falling dust ♪
♪ And though I feel Like I'm broken ♪
♪ Silent sounds have me open ♪
♪ I can't breathe But I won't leave ♪
♪ Can't you feel the day? ♪
♪ Can you hear What I'm saying? ♪
♪ I can't breathe But I won't leave ♪