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Jesus died for somebody's sins but not mine

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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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Freedom is inside of me,
it means that I'm not hung

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up with like anybody's
idea of how I should be.

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I'm outside of society, I'm
an artist, rock and roll is my art

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and I'm free because I can leap up and
scream, I can put my fist up in the air.

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I don't give a shit.

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In 1975, the rock scene was completely
shaken up by an extraordinary woman,

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unlike any other.

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Personifying the '70s New
York underground scene,

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Patti Smith revolutionized rock
through her poetry as well as her style.

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If you have the balls or the
conceit to call yourself a poet,

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then you should only want
to be as great as the greats.

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Punk in her soul, she blurred the
boundaries of the genre, wielding art

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as a political weapon.

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Patti Smith according to a
lot of rock critics is unique

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among female rockers
for an awful lot of reasons.

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One of them is that, unlike
most female rock singers,

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she doesn't play the vamp
and she doesn't play the victim.

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Take me now, baby, here as I am,

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pull me close try and understand.

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During her fifty-year career,
with only one commercial hit,

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Patti Smith managed to
become a living legend

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without ever minimizing her fringe spirit.

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On which we feed.

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Because the night belongs to lovers,

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Because the night belongs to lust.

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A complex, introverted, electrifying personality,
she represents the ultimate essence of the artist.

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It's the story of a free woman who
shaped her life into how she'd dreamed it.

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Kids Are People Too
MPC - ABC, 1979

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What did you want to
be when you were a kid?

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I always wanted to be something
special most, most of all.

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I just generally felt estranged,

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but not only from the other kids,
I felt estranged from the planet.

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Well, I felt sort of like an ugly duckling,

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I spent most of my childhood
believing that I was an alien.

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I used to walk through
forests and feel completely free.

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It's like a pony would walk up
out of, out of a field and talk to me.

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I just felt telepathic with everything.

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I felt like in tune with the universe.

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All my life, I've been trying to
like, get back to that freedom.

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PATTI SMITH
ELECTRIC POET

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Summer 1967: That year, it was all
happening on the American West Coast.

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Flower power overran San Francisco.

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The musical cream of the crop
flocked to the Monterey Pop Festival,

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which epitomized the values
of the growing counterculture.

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While the young generation
dreamed of peace and love,

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the government escalated
its presence in Vietnam,

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and capital cities erupted in race riots.

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{\an8}The incandescent Jim Morrison turned
the heat up a notch with “Light My Fire,”

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{\an8}The Ed Sullivan Show
Sullivan Productions - CBS, 1967

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the perfect soundtrack for a
country on the verge of imploding.

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Come on baby light my fire.

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Try to set the night on fire.

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Landing in Manhattan,
20-year-old Patricia Lee Smith

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was about to experience
another Summer of Love.

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Having left rural New Jersey
with only a few bucks in her pocket,

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she'd packed up her
most precious possessions:

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a copy of Rimbaud's Illuminations,

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a few colored pencils and a notebook.

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I had no money, no friends.

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I slept in sidewalks, I
slept on the subways.

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The cops beat me up. I had no food, but
like, I was so happy, you know, because like,

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well, I guess I was romantic,
but I read all these books

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about Brancusi, Modigliani,

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Rimbaud, all of them. None
of them had money, all poor.

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In 1964, I found a book of
Illum inations, and I opened it up.

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The beautiful face of Rimbaud, the
language in it just totally seduced me and

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I fell in love.

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Relationship stuff was in your head anyway

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so what was the difference
whether I had a crush on some boy

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in class who ignored me or Rimbaud, who,

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so that I could pretend
he didn't ignore me?

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With its oppressive heat and
through-the-roof crime rates,

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families were fleeing
drug-riddled New York City as,

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for many, the metropolis
resembled a kind of hell.

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They robbed me, they robbed me
and if you don't think I'm gonna do it,

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I'm gonna kill them up my fist.

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In that setting of chaos and grime,

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Patti-by contrast-was in heaven.

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I didn't have any dough.
Maybe I'd have 50 cents,

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so 50 cents on 42nd Street,
you can be there all day.

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You can hang out and play land,
watch the real slick dudes shoot pinball.

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When you have trouble with
your bosses, remember one thing:

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there's one big boss
for all of us, oh my god,

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Squalid slum or realm of all possibilities,

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New York was the perfect
place for reinvention.

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The first time I came to
New York, he camerized me.

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Filmed me with nothing.

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''I'm going to put you in my Rip
Van Winkle movie'', and I went,

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''Oh, rocket to stardom.''

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It was here, amidst this backdrop,
that Patti felt she could transform.

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Empowered by poetry and words,
she dreamed of becoming an artist.

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I was very poor when I was young,

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and what always concerned me was like

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the richness of my imagination.

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I mean, material things,
they just didn't matter.

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What mattered to me was developing my mind.

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She'd no sooner arrived when an
encounter changed the course of her life.

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His name was Robert Mapplethorpe:
he was devilishly handsome

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and exuded bad-boy allure.

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An arts school graduate, he'd cut ties with
his family and was hanging out in Brooklyn.

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They became lovers, and were inseparable.

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We were both 20 years old

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and we were both struggling,
idealistic, somewhat misfit.

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She could tell him anything,
even the toughest confessions.

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Like how she'd gotten pregnant and
had a baby just three months earlier;

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and had given the child up for adoption.

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I just wasn't ready as a human being,

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and that although I knew that I
would be responsible and loving,

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that I just was not equipped
to embark on that path.

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It would have been
difficult for everyone, I think.

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This was a widespread phenomenon
amongst young women in the '60s.

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Consequently, Patti
made a promise to herself:

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she'd make her dreams
come true, without regrets.

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In just the same story
that could be in any country.

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But I never stopped believing.

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I felt the desire to
live. And like, I rose up.

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This secret sealed the intimacy
of her relationship with Robert.

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When he later came out
regarding his attraction to men,

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their romance evolved into
an indestructible friendship.

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We both felt we had a calling.

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And both of us magnified one another.

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In 1969, they decided to share
a room at the Chelsea Hotel,

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the den of counterculture.

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It was both an artistic
residency and utopian nest.

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Here, you could spend
one night or several years.

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It was a very heightened
time at the Chelsea.

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If one was sitting in the lobby of
the Chelsea, one might encounter

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in one evening, Janis Joplin,

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Jimi Hendrix, William
Burroughs, Allen Ginsberg.

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All of these people were trying to

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make enough money to pay
their bill at the Chelsea Hotel.

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A lot of people think that the Chelsea is
full of freaks mixed with the bohemian, -

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STANLEY BARD
MANAGER OF THE CHELSEA HOTEL

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It was the avant garde, the Chelsea was the avant
garde, the forefront of every, every kind of creative.

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Why do you think it all took place?
Because the cheap rooms, no?

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Cheap rooms, fun people.

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In Room 1017, the hotel's
smallest living quarters,

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Patti spent hours writing.

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She pinned up sources of
inspiration onto the walls:

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Jean Genet alongside James Dean,

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Albert Camus, Brian Jones,
Vladimir Mayakovsky, Bob Dylan...

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Whether high culture or pop culture,

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they all had pride of place
on Patti's personal altar.

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She added a drawing
practice to her writing practice,

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but her poetry quickly took precedence.

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New York is the thing that seduced me.

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New York is the thing that formed me.
New York is the thing that deformed me.

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New York is the thing that perverted me.

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New York is the thing that converted me.

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And New York is the thing I love too.

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Living here brought Patti and Robert
closer to the artistic avant-garde.

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To partake in it, this was where
you had to be, which is to say:

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downtown, where the rebellious
heart of the metropolis beat,

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ever since the maestro of Pop Art and
his Factory had moved in a few black away.

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A hybrid establishment-part
gallery, film studio and concert hall...

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Andy Warhol's Factory gathered together

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New York's artists, eccentrics,
druggies and jet-setters.

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We're sponsoring a new band,
it's called The Velvet Underground,

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and we have this chance
to combine music and art

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and films all together.

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Acting as a benefactor,

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Warhol also produced the soundtrack that
accompanied this subversive subculture.

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The Velvet Underground
crystallized a dissonant, dark sound:

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one of heroin and amphetamines,

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an urban reality in which
one longed for their drug dealer

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as one would a lover.

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This fascinating, intimidating
world was walled off from the rest;

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Robert and Patti were
determined to vanquish it.

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The first place they conquered
was Max's Kansas City.

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Max's Kansas City, a
restaurant near the factory,

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is the gathering place for
New York's underground.

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Almost every evening,
Warhol's clan can be found here.

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Kansas City functions as both
an unofficial casting agency

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and a public playground.

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It's here that Warhol's
films continue on in real life.

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While they weren't in the foreground
yet, it wouldn't be long before they were.

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Robert and I, we were both outsiders,

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kind of wallflowers.

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But it was a very creative atmosphere,

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everyone exchanging ideas
and very competitive atmosphere.

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And, I found it very inspiring.

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That night, back at the Chelsea Hotel,

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Patti made a radical decision.

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She vowed to stop being a wallflower.

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She grabbed a pair of scissors,

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and an hour later, Keith
Richards' little sister materialized.

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Patti decided to embraced her
androgynous side, and it worked for her.

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She was cast in Femme Fatale,

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a play written by and
starring Jackie Curtis,

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Andy Warhol's transgender leading lady.

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I carried his baby.

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And then I ditched him.

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In a church in the Bowery.

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No!

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I hate him!

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Oh oh, here she comes!

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Hey Cabrini, any mail today?

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At experimental theater La Mama,

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Patti replaced a male actor at
last minute, in the role of a junkie.

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Boy or girl, it didn't matter; in this
queer scene where trash mixed with glamor,

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one thing was certain: everyone
was free to be who they wanted.

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The excitement of waiting
for the curtain to open,

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00:14:06,840 --> 00:14:08,421
when you're in front of the curtain,

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it's like a surge power you feel
when people are applauding for you.

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Man, what a great feeling.

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I have to admit it's even
better than being with a man,

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it's almost better than that.

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A man: Patti was madly in love with one,

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actor/playwright Sam Shepard,

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with whom she continued her
foray into the world of theater.

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Together, they wrote and
performed Cowboy Mouth.

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I was still a fledgling writer.

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He encouraged me and
was one of the people that

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got me in motion to perform.

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It was a meta-play featuring their passion.

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But at the third performance,

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Sam took off to rejoin the wife
and child he'd left behind in Canada.

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The play was canceled.
Patti didn't let it break her;

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she was undeterred in
pursuing her artistic future.

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I found a fairy land
right inside myself here,

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because when I lived in South Jersey
or whatever, life was simpler there.

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Life was simpler because,
you know, we worked,

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we slopped the hogs, you know, we
picked the peaches and all that stuff.

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And then you came in and you ate your supper, and
you thanked the Lord, and then you went to bed.

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But that's all there was. There
was no chance for extension.

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There was no chance to be
destroyed or really be creative there.

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You just lived.

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And that's OK for some people, but I always
felt something different stirring in me.

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Ever since she'd met William
Burroughs, Allen Ginsberg

233
00:15:40,974 --> 00:15:45,203
and Gregory Corso-the giants of the
Beat Generation at the Chelsea Hotel.

234
00:15:45,323 --> 00:15:48,088
Patti no longer had
doubts about her calling.

235
00:15:48,401 --> 00:15:53,052
She too wanted to update poetry,
make it less snobby and refined.

236
00:15:53,413 --> 00:15:55,213
Brilliant and provocative,

237
00:15:55,266 --> 00:15:57,599
the Beats were literary bad boys

238
00:15:57,651 --> 00:15:59,906
who spurred the protest
movements of the '60s,

239
00:16:00,016 --> 00:16:02,495
with their rejection of
the American way of life

240
00:16:02,520 --> 00:16:04,653
and politically-fueled writings.

241
00:16:05,094 --> 00:16:07,885
The young poets rise

242
00:16:07,910 --> 00:16:11,349
to kiss the soul of the revolution

243
00:16:11,829 --> 00:16:15,812
in Vietnam the body is burned

244
00:16:15,841 --> 00:16:19,677
to show the truth of only the body...

245
00:16:20,063 --> 00:16:24,807
In my train seat I renounce

246
00:16:24,832 --> 00:16:28,807
my power, so that I do

247
00:16:28,832 --> 00:16:32,151
live I will die.

248
00:16:36,278 --> 00:16:39,658
Ex-cons, druggies, broke or gay,

249
00:16:39,820 --> 00:16:41,945
Patti loved everything about them;

250
00:16:42,086 --> 00:16:44,486
they would soon serve as her guides.

251
00:16:46,752 --> 00:16:51,168
On February 10, 1971,
Patti turned a corner.

252
00:16:51,357 --> 00:16:53,997
At the Holy of Holies
of avant-garde poetry,

253
00:16:54,044 --> 00:16:57,075
namely the Poetry Project
at St. Mark's Church,

254
00:16:57,180 --> 00:16:59,257
she opened for Gerard Malanga,

255
00:16:59,282 --> 00:17:02,226
an artist and Warhol's personal assistant.

256
00:17:02,492 --> 00:17:05,570
It was the first time she'd
performed under her own name.

257
00:17:08,799 --> 00:17:12,511
Tonight, Patti Smith,
she's a terrific poet.

258
00:17:13,206 --> 00:17:14,559
Patti Smith.

259
00:17:17,060 --> 00:17:19,059
She felt enormous pressure.

260
00:17:19,107 --> 00:17:23,361
Every Factory hipster and Beat
Generation luminary was in attendance.

261
00:17:23,456 --> 00:17:26,963
The murdered boy, the
murdered boy. Oh I was bad.

262
00:17:26,987 --> 00:17:30,262
I got to do something special
because if I don't do something special,

263
00:17:30,305 --> 00:17:34,762
Gregory Corso, who was
mentoring me not to be a boring poet,

264
00:17:34,820 --> 00:17:37,971
is gonna, you know, throw
tomatoes at me or something.

265
00:17:37,996 --> 00:17:39,676
She shoved me in a hole.

266
00:17:42,763 --> 00:17:46,726
With a small lamp, a humble little set-up,

267
00:17:46,779 --> 00:17:49,955
I wanted to perform my poetry.

268
00:17:51,086 --> 00:17:56,184
I had just met Lenny and I asked
him if he would do some electric guitar

269
00:17:56,398 --> 00:17:59,028
in a poem about a car crash.

270
00:18:07,543 --> 00:18:09,556
No one had ever done that.

271
00:18:09,635 --> 00:18:12,753
No one had brought an electric
guitar in the church before.

272
00:18:12,796 --> 00:18:14,476
Certainly not a girl.

273
00:18:18,847 --> 00:18:20,938
The audience was wowed by her writings,

274
00:18:20,987 --> 00:18:24,187
which she performed with
the fervor of a preacher.

275
00:18:24,448 --> 00:18:28,691
I've been reading the
bible since I was a child and

276
00:18:28,716 --> 00:18:34,730
always found it inspiring, not
only spiritually but poetically.

277
00:18:35,577 --> 00:18:39,081
I was a Jehovah witness, and in those days,

278
00:18:39,394 --> 00:18:42,278
Jehovah witnesses were stricter

279
00:18:42,441 --> 00:18:46,690
about one's pursuits outside of...

280
00:18:48,036 --> 00:18:49,851
being a witness.

281
00:18:51,482 --> 00:18:57,010
I was about 12, I went to the Philadelphia
Museum of Art with my father and

282
00:18:57,113 --> 00:19:01,854
saw art in person and immediately
wanted to become an artist.

283
00:19:04,060 --> 00:19:07,551
My desires sort of
collided with their teachings,

284
00:19:07,588 --> 00:19:11,109
so I left the witnesses
to become an artist.

285
00:19:13,092 --> 00:19:16,818
At age 25, enriched by various influences,

286
00:19:16,854 --> 00:19:21,355
Patti was honing her own voice,
somewhere between poetry and song.

287
00:19:21,572 --> 00:19:25,844
With the musical touch of Lenny
Kaye to boot, she had something unique.

288
00:19:25,869 --> 00:19:28,621
The hype that surrounded
Patti from that point on

289
00:19:28,699 --> 00:19:30,604
opened new doors for her.

290
00:19:30,683 --> 00:19:32,966
She published her
first collection of poems,

291
00:19:33,026 --> 00:19:37,094
Seventh Heaven, immediately
followed by Kodak, then Witt.

292
00:19:38,519 --> 00:19:42,407
When I started writing the poems,
I used to put the Rolling Stones on,

293
00:19:42,576 --> 00:19:47,858
to be able to get me into a rhythm
where my word and my body connected.

294
00:19:48,038 --> 00:19:50,111
And I was writing poetry.

295
00:19:51,187 --> 00:19:54,426
Get in my typewriter, get into a rhythm,

296
00:19:54,607 --> 00:19:56,547
you know, and start writing, you know,

297
00:19:56,686 --> 00:20:00,646
start writing in the rhythm of the Rolling
Stones, but I'd write my own language.

298
00:20:00,844 --> 00:20:05,352
Poetry was the most releasing drug for me.

299
00:20:10,135 --> 00:20:14,865
More and more convinced that the rhythm of
her writing would be sublimated through music,

300
00:20:14,961 --> 00:20:20,796
she decided to record two songs at Jimi
Hendrix's famous Electric Lady Studios.

301
00:20:20,863 --> 00:20:24,474
Thanks to money from Robert,
the single was an immediate hit.

302
00:20:24,559 --> 00:20:29,576
In the wake of this, she did a series of
live performances with her fledgling group.

303
00:20:32,347 --> 00:20:35,376
Alright, this is my guys:
Richard Sohl on piano,

304
00:20:35,436 --> 00:20:41,271
Lenny Kaye on guitar, and me Patti, this
is our single, it's called Piss Factory.

305
00:20:42,804 --> 00:20:46,259
She took her androgynous look
up a notch with a shirt and tie,

306
00:20:46,320 --> 00:20:50,171
borrowing a boyish wardrobe-and attitude.

307
00:20:50,532 --> 00:20:53,038
Sixteen and time to pay off

308
00:20:53,063 --> 00:20:56,199
I got this job in a piss
factory inspecting pipe

309
00:20:56,279 --> 00:20:59,240
Forty hours a week,
thirty-six bucks it's real bullshit

310
00:20:59,265 --> 00:21:01,031
But you know it's a paycheck, Jack.

311
00:21:01,056 --> 00:21:03,956
It's really hot in here
too, hot like Sahara

312
00:21:03,981 --> 00:21:06,836
But all these bitches are
just too lame to understand

313
00:21:06,861 --> 00:21:09,026
They're just too grateful
to get this job to realize

314
00:21:09,051 --> 00:21:11,171
they're getting screwed up the ass

315
00:21:11,512 --> 00:21:13,749
Through both her body and her lyrics,

316
00:21:13,816 --> 00:21:15,558
Patti firmed up her style.

317
00:21:15,619 --> 00:21:18,966
With “Piss Factory” she
exorcized her demons,

318
00:21:19,110 --> 00:21:23,341
recounting the ordeal of working a summer
job in a factory in her native New Jersey.

319
00:21:23,413 --> 00:21:25,504
Floor boss comes up to me and he says

320
00:21:25,529 --> 00:21:27,209
''Hey Smith, come here

321
00:21:27,234 --> 00:21:29,951
You know you're doin'
your piece work too fast,

322
00:21:29,976 --> 00:21:31,580
You screwin' up the quota,

323
00:21:31,605 --> 00:21:33,672
You get off your mustang sally

324
00:21:33,697 --> 00:21:37,902
''Cause you ain't goin' nowhere,
you ain't goin' nowhere.''

325
00:21:38,209 --> 00:21:40,676
I lay back. I take a swig of Romilar

326
00:21:40,727 --> 00:21:44,110
Patti's juxtaposition of poetry
and music were working,

327
00:21:44,303 --> 00:21:47,887
all that she was missing was
a place she'd feel at home.

328
00:21:48,419 --> 00:21:52,181
CBGB's was a little bar down in the Bowery,

329
00:21:52,241 --> 00:21:55,047
right near where William Burroughs lived,

330
00:21:55,096 --> 00:21:58,539
where the winos and the
bums slept on the streets,

331
00:21:58,594 --> 00:22:01,712
you know, were dogs peed in front of and

332
00:22:02,385 --> 00:22:06,328
it was just a little bar
that nobody cared about.

333
00:22:08,565 --> 00:22:11,349
In this seedy setting, the band Television

334
00:22:11,377 --> 00:22:14,219
was experimenting with
songs several nights a week.

335
00:22:14,243 --> 00:22:19,299
The emerging group played experimental
rock, without compromising or posturing.

336
00:22:20,108 --> 00:22:22,986
I was so excited to see this band.

337
00:22:23,065 --> 00:22:25,793
Tom Verlaine and Richard
Hell, both being poets,

338
00:22:25,876 --> 00:22:29,266
they were doing a lot
of what we were doing.

339
00:22:30,312 --> 00:22:34,044
A little wild raggedy, like ourselves.

340
00:22:34,597 --> 00:22:38,501
And I saw a real future, I felt
a real brotherhood with them.

341
00:22:42,428 --> 00:22:44,141
The attraction was mutual. Television's band members recognized within Patti's masculine, experimental
vibe a bit of their own intellectual rage and deconstructive spirit. They soon suggested sharing a bill.

342
00:22:44,165 --> 00:22:48,707
Television's band members recognized
within Patti's masculine, experimental vibe

343
00:22:48,798 --> 00:22:52,229
a bit of their own intellectual
rage and deconstructive spirit.

344
00:22:52,320 --> 00:22:54,243
They soon suggested sharing a bill.

345
00:22:54,369 --> 00:22:56,863
Crashing his head against the locker

346
00:22:57,705 --> 00:23:00,631
It was an opportunity for Patti
and her band to test their songs

347
00:23:00,674 --> 00:23:02,614
in front of a young, cynical audience

348
00:23:02,681 --> 00:23:04,814
who rejected established values.

349
00:23:04,877 --> 00:23:10,165
When suddenly Johnny gets the
feeling he's being surrounded by

350
00:23:11,001 --> 00:23:14,678
We played there for weeks and weeks and months, and young people started
coming from all over to come to CBGB's because at last we had a place.

351
00:23:14,702 --> 00:23:17,737
And young people started coming from all over to
come to CBGB's because at last we had a place.

352
00:23:17,761 --> 00:23:21,205
To come to CBGB's
because at last we had a place.

353
00:23:22,203 --> 00:23:25,586
I think what's happening, we're at a big transitional period. I think that rock'n'roll was down and was
sleeping, and I feel that all these new bands and my band saw this, we're doing our best to say 'wake up'.

354
00:23:25,610 --> 00:23:30,665
I think that rock'n'roll was down
and was sleeping, and I feel that

355
00:23:30,895 --> 00:23:36,971
all these new bands and my band saw this,
we're doing our best to say 'wake up'.

356
00:23:39,566 --> 00:23:43,528
The wake-up call was intense,
electric and highly charged.

357
00:23:43,746 --> 00:23:48,628
Within a few months, CBGB became an
incubator of the New York punk movement.

358
00:23:48,653 --> 00:23:51,391
It encompassed not only
the birth of a music scene,

359
00:23:51,475 --> 00:23:54,008
but also a state of mind, a community.

360
00:23:54,805 --> 00:23:57,657
You call them punk because you
got nothing else to say about them.

361
00:23:57,836 --> 00:23:59,319
No other way to link them.

362
00:23:59,343 --> 00:24:02,847
But it's like the heartbeat that
links them. You know, the beat.

363
00:24:04,773 --> 00:24:09,326
With her weekly appearances, Patti
quickly became the club's figurehead.

364
00:24:09,996 --> 00:24:12,713
She was soon joined by the Ramones;

365
00:24:13,104 --> 00:24:16,463
Blondie and the band's alluring
lead singer, Debbie Harry,

366
00:24:16,642 --> 00:24:18,388
and the Talking Heads.

367
00:24:18,573 --> 00:24:20,766
It didn't matter if you
knew how to play well;

368
00:24:20,855 --> 00:24:24,136
energy and attitude
mattered above all else.

369
00:24:26,101 --> 00:24:28,723
The buzz around Patti continued to grow.

370
00:24:28,752 --> 00:24:33,076
Her unconventional magnetism
drew people from all corners of the city.

371
00:24:34,522 --> 00:24:38,534
It took only one night for Clive
Davis, who had discovered Janis Joplin,

372
00:24:38,646 --> 00:24:41,653
to sign her to his new label, Arista.

373
00:24:45,549 --> 00:24:48,149
With a contract worth
several thousand dollars,

374
00:24:48,249 --> 00:24:50,303
Patti was now in the big leagues.

375
00:24:50,348 --> 00:24:52,914
She could afford a studio
session with John Cale,

376
00:24:52,987 --> 00:24:56,571
the genius producer once
part of the Velvet Underground.

377
00:25:00,353 --> 00:25:04,214
That collaboration led to the
creation of a unique album.

378
00:25:04,332 --> 00:25:08,913
Rimbaud's self-appointed kid
sister turned every code upside down.

379
00:25:09,036 --> 00:25:11,988
The standard verse/chorus
template was knocked aside,

380
00:25:12,105 --> 00:25:17,094
singing and sermon coexisted, the
urban and the mystical intertwined.

381
00:25:17,212 --> 00:25:21,692
The lyrics were intimate, political
manifestos. It was groundbreaking.

382
00:25:21,877 --> 00:25:25,297
I was consciously trying to make a record

383
00:25:25,398 --> 00:25:29,371
that would make a certain
type of person not feel alone.

384
00:25:29,857 --> 00:25:33,986
People like me, different
since they were a kid.

385
00:25:34,527 --> 00:25:38,506
I wasn't targeting the whole world,
I wasn't trying to make a hit record,

386
00:25:38,531 --> 00:25:42,172
but I thought if a hundred
people liked it, that would be great.

387
00:25:43,778 --> 00:25:45,118
{\an8}Saturday Night Live NBC, 1976

388
00:25:45,143 --> 00:25:46,787
On November 10, 1975,

389
00:25:46,820 --> 00:25:48,991
the album Horses was released.

390
00:25:49,064 --> 00:25:52,914
The very first track, “Gloria,”
set the tone right away.

391
00:25:53,350 --> 00:26:00,480
Jesus died for somebody's
sins, but not mine.

392
00:26:04,235 --> 00:26:08,767
Meltin' in a pot of thieves

393
00:26:10,002 --> 00:26:13,644
Wild card up my sleeve

394
00:26:15,696 --> 00:26:19,168
Thick heart of stone

395
00:26:19,263 --> 00:26:21,758
My sins my own

396
00:26:21,783 --> 00:26:27,344
They belong to me, me

397
00:26:27,461 --> 00:26:29,263
I ain't afraid to say anything like that,

398
00:26:29,303 --> 00:26:31,512
I'm not afraid of being
struck down by lightning,

399
00:26:31,574 --> 00:26:34,436
and if I do, I know it'll
be an ecstatic experience.

400
00:26:34,461 --> 00:26:36,598
So maybe some people can alleviate

401
00:26:36,853 --> 00:26:40,117
guilt through me, you
know, let me be bad for them.

402
00:26:41,317 --> 00:26:43,482
In addition to competing with God,

403
00:26:43,507 --> 00:26:46,853
she took up Van Morrison's
song and his masculine refrain,

404
00:26:46,897 --> 00:26:48,848
addressed to the titular Gloria.

405
00:26:48,873 --> 00:26:53,033
Patti took his place, bellowing
out her desire for another woman.

406
00:26:53,940 --> 00:26:56,691
When you came to my room

407
00:26:57,235 --> 00:27:00,850
And you whispered to me
and I took the big plunge

408
00:27:00,875 --> 00:27:06,457
And oh, you were so
good, oh, you were so fine

409
00:27:06,482 --> 00:27:08,891
And I gotta tell the world

410
00:27:09,702 --> 00:27:14,353
that I make her mine, make
her mine, make her mine...

411
00:27:14,408 --> 00:27:18,674
G-L-O-R-I-A Gloria G-L-O-R-I-A

412
00:27:18,699 --> 00:27:21,232
NOT EVERY BOY DREAMS
OF BEING A MARINE

413
00:27:21,686 --> 00:27:24,606
Providing a platform for
marginalized communities,

414
00:27:24,631 --> 00:27:26,938
Patti echoed the demands
of the gay community,

415
00:27:26,986 --> 00:27:29,450
which was mobilizing and becoming visible.

416
00:27:29,528 --> 00:27:32,665
She pushed back against
voices of the conservative majority,

417
00:27:32,731 --> 00:27:34,865
which dominated television sets.

418
00:27:37,088 --> 00:27:41,499
If we were going to go on a crusade across the
nation and try to do away with the homosexuals...

419
00:27:42,599 --> 00:27:44,660
Let's pray for him right now, Anita.

420
00:27:44,685 --> 00:27:47,490
Father, we wanted to
ask that you forgive him

421
00:27:47,515 --> 00:27:50,760
and that we're praying
for him, and I just...

422
00:27:52,701 --> 00:27:57,809
If you are male and
choose other than female,

423
00:27:58,338 --> 00:28:06,338
you must take the responsibility
of holding the key to freedom

424
00:28:14,588 --> 00:28:16,962
Equally disturbing and fascinating,

425
00:28:16,986 --> 00:28:20,459
the album received both
critical and popular success.

426
00:28:21,295 --> 00:28:25,531
It sold 200,000 copies and
placed at the top of the charts.

427
00:28:27,864 --> 00:28:31,415
The impact was both musical and visual.

428
00:28:32,442 --> 00:28:38,386
Photographed by her best friend Robert Mapplethorpe,
the album cover blurred the boundaries of gender.

429
00:28:38,519 --> 00:28:42,424
Patti posed in a man's shirt and
tie, a blazer flung over her shoulder.

430
00:28:42,491 --> 00:28:46,829
No makeup, no hairstyling, and
a clearly visible downy mustache:

431
00:28:46,854 --> 00:28:51,607
She looked like no one else, and certainly
not what anyone expected of a woman.

432
00:28:52,527 --> 00:28:56,715
My record company, they
wanted to doctor the picture,

433
00:28:56,740 --> 00:29:00,189
hairbrush my hair to
make it look a little better,

434
00:29:00,382 --> 00:29:03,771
and they were trying to improve
me. But that wasn't what I wanted.

435
00:29:03,795 --> 00:29:06,841
So the shot stands as it was shot.

436
00:29:10,009 --> 00:29:14,017
Patti had no interest whatsoever
in performing the female gender.

437
00:29:14,113 --> 00:29:16,950
She'd been unclassifiable for a long time.

438
00:29:17,130 --> 00:29:21,162
So when it came to finding role
models, she followed her heart.

439
00:29:23,807 --> 00:29:30,310
I think that all the performers that affected
me have basically, all they've been male.

440
00:29:32,496 --> 00:29:36,271
I loved Rimbaud so much,
but Bob Dylan was alive.

441
00:29:37,641 --> 00:29:41,620
I was so smitten with him aesthetically,

442
00:29:42,606 --> 00:29:44,967
he influenced me in the way I walk,

443
00:29:45,100 --> 00:29:50,382
sometimes the way I dress or
the way I wear pants, you know,

444
00:29:50,406 --> 00:29:53,278
it's just, I adored him.

445
00:30:04,854 --> 00:30:09,447
She was sixteen when Bob
Dylan participated, in August 1963,

446
00:30:09,510 --> 00:30:11,345
in the March on Washington.

447
00:30:12,252 --> 00:30:15,259
The '60s spawned
the fight for civil rights.

448
00:30:15,519 --> 00:30:16,906
I have a dream.

449
00:30:16,931 --> 00:30:19,798
There was opposition to the
Vietnam War and, more broadly,

450
00:30:19,869 --> 00:30:22,337
a demand for a new social order.

451
00:30:27,643 --> 00:30:30,252
Criticism is very patriotic.

452
00:30:31,847 --> 00:30:37,510
It is this our duty to protest if
we think that things are unjust.

453
00:30:37,535 --> 00:30:39,535
It's part of the American way.

454
00:30:40,617 --> 00:30:44,075
A tree in paradise

455
00:30:45,911 --> 00:30:49,200
Major figures of protest
music, like Joan Baez,

456
00:30:49,278 --> 00:30:52,239
set the tempo for those activist years.

457
00:30:54,129 --> 00:30:57,856
I think that, you know, someone's
going to sell five million records,

458
00:30:57,950 --> 00:31:01,114
they should be saying something
within those five million records.

459
00:31:01,139 --> 00:31:06,739
They should be communicating
something than just, dull wiretap.

460
00:31:06,848 --> 00:31:10,645
I mean, to me, most people that
are selling that many records right now

461
00:31:10,670 --> 00:31:13,215
aren't doing anything
really to communicate.

462
00:31:13,364 --> 00:31:15,840
They're just, they're just
taking people's money

463
00:31:15,864 --> 00:31:19,640
and giving them sort of mediocre
entertainment in exchange.

464
00:31:26,115 --> 00:31:29,255
We today have concluded an agreement

465
00:31:29,560 --> 00:31:33,382
to end the war and bring
peace with honor in Vietnam.

466
00:31:33,539 --> 00:31:34,819
THE WAR IS OVER!

467
00:31:34,982 --> 00:31:37,318
Within that socio-political context,

468
00:31:37,388 --> 00:31:39,521
Patti's activism grew.

469
00:31:40,177 --> 00:31:44,988
When the end of the Vietnam War was
celebrated in Central Park, in May 1975,

470
00:31:45,240 --> 00:31:47,950
she was only just becoming a public figure.

471
00:31:48,412 --> 00:31:51,419
But it felt self-evident for
her to partake in the event,

472
00:31:51,544 --> 00:31:55,448
and she took the stage alongside
her teenage idol, Joan Baez.

473
00:31:57,779 --> 00:32:01,435
We're really opting for peace,
especially our generation, which really

474
00:32:01,560 --> 00:32:04,165
worked really hard to stop war.

475
00:32:04,408 --> 00:32:05,977
But we come from

476
00:32:06,165 --> 00:32:08,696
from centuries and
centuries of being warriors,

477
00:32:08,721 --> 00:32:12,433
we have to do something
with that physical kind of energy.

478
00:32:13,280 --> 00:32:15,405
This is our instrument of war,

479
00:32:15,678 --> 00:32:19,319
and for my generation, this
is our instrument of battle.

480
00:32:19,436 --> 00:32:22,358
This is the only instrument
of battle that we want left.

481
00:32:22,468 --> 00:32:24,795
We want to get rid of all machine guns

482
00:32:24,848 --> 00:32:26,942
and all the bombs and all that shit,

483
00:32:26,975 --> 00:32:29,795
and we just want to fight
each other out with sound.

484
00:32:32,311 --> 00:32:37,326
With this new weapon in hand, Patti was
determined to spread the good word of rock.

485
00:32:38,751 --> 00:32:40,625
My band and myself,

486
00:32:40,876 --> 00:32:43,539
we are not a career driven band.

487
00:32:43,687 --> 00:32:49,804
We have always been driven by
political, revolutionary spiritual ideas.

488
00:32:51,241 --> 00:32:55,655
The whole idea of rock and roll
was that it was a revolutionary art

489
00:32:55,742 --> 00:33:01,273
and that people had a grassroots
way of expressing themselves.

490
00:33:02,739 --> 00:33:07,692
Move!

491
00:33:10,239 --> 00:33:13,473
Ask the angels who they're calling,

492
00:33:13,594 --> 00:33:16,494
Go ask the angels if
they're calling to thee

493
00:33:17,166 --> 00:33:20,262
Ask the angels while they're falling

494
00:33:20,602 --> 00:33:23,746
Who that person could possibly be

495
00:33:24,221 --> 00:33:27,739
And I know it's hard sometimes,

496
00:33:27,764 --> 00:33:30,965
You got accuse accuse across the floor?

497
00:33:31,112 --> 00:33:33,903
And I know it's hard sometimes

498
00:33:33,934 --> 00:33:36,246
Committed to this mission,
the workaholic musician

499
00:33:36,271 --> 00:33:39,121
released a new opus less
than a year after Horses,

500
00:33:39,146 --> 00:33:43,504
filled with references to Rimbaud's
exile and to Rastafarianism.

501
00:33:43,825 --> 00:33:47,192
Radio Ethiopia is the
name of our new record,

502
00:33:47,278 --> 00:33:49,379
and it represents to us

503
00:33:49,610 --> 00:33:52,586
a naked field where in

504
00:33:52,719 --> 00:33:56,719
anyone can express
themselves, it's a free radio.

505
00:33:56,922 --> 00:33:59,094
The more people submit

506
00:33:59,359 --> 00:34:02,835
and the more I submit, the
greater show it's going to be,

507
00:34:02,860 --> 00:34:04,860
the greater we're going to be.

508
00:34:05,297 --> 00:34:09,304
Do you not go to the palace
of answers with me Marie?

509
00:34:09,329 --> 00:34:12,258
Backed by electric guitars
and shamanic drums,

510
00:34:12,328 --> 00:34:16,015
Patti performed before audiences
who awaited her like the messiah.

511
00:34:16,101 --> 00:34:19,819
On stage, she sang-screamed-in
what seemed, at times,

512
00:34:19,907 --> 00:34:22,040
like a nearly trance-like state.

513
00:34:38,482 --> 00:34:41,153
Her concerts were
unforgettable performances.

514
00:34:41,302 --> 00:34:43,997
She might extend a
song for over 20 minutes,

515
00:34:44,022 --> 00:34:46,310
and she required her band to improvise,

516
00:34:46,335 --> 00:34:49,343
never letting them repeat
their approach twice.

517
00:34:52,863 --> 00:34:55,488
Every day I want to feel some sensation,

518
00:34:55,548 --> 00:34:58,992
every day I want to create, every
day I want to know that I'm alive,

519
00:34:59,024 --> 00:35:01,557
I want to know that I'm on the Planet.

520
00:35:03,287 --> 00:35:06,187
And when I'm on the
stage, my time of the day

521
00:35:06,211 --> 00:35:09,111
to like go through
every sensation possible.

522
00:35:09,255 --> 00:35:14,161
Performing involves so much
of your, of your physical brainiac,

523
00:35:14,278 --> 00:35:19,723
moral energy, all your energies into one and
you extend and expend so much of yourself

524
00:35:19,748 --> 00:35:22,364
that the idea of saving up life, you know

525
00:35:22,389 --> 00:35:26,692
for later just seems
to me totally pointless.

526
00:35:26,895 --> 00:35:33,442
And it has totally made me
not afraid of dying anymore.

527
00:35:45,013 --> 00:35:47,341
With their succession
of promotional tour dates,

528
00:35:47,373 --> 00:35:49,435
covering the United States and Europe,

529
00:35:49,460 --> 00:35:51,140
It's Radio Ethiopia!

530
00:35:51,165 --> 00:35:54,255
Patti and her band were
on the road for an entire year.

531
00:35:55,099 --> 00:35:57,685
Radio Ethiopia got mixed reviews,

532
00:35:57,724 --> 00:36:00,786
and Patti's theatrical
meanderings cost her with critics,

533
00:36:00,865 --> 00:36:02,665
who didn't understand them.

534
00:36:04,560 --> 00:36:07,622
She is socially approved
how the loony of rock and roll.

535
00:36:07,701 --> 00:36:12,106
She is good at times and
excessive at other times.

536
00:36:13,005 --> 00:36:14,332
The pressure mounted.

537
00:36:14,357 --> 00:36:18,130
During a live radio show, Patti
got carried away and said “fuck” live.

538
00:36:18,247 --> 00:36:20,466
Officially prohibited by federal law,

539
00:36:20,490 --> 00:36:23,316
this cost her an on-air
ban for the rest of the tour.

540
00:36:23,341 --> 00:36:28,294
Scandalized, she published an article in
which she decried this act of censorship.

541
00:36:28,410 --> 00:36:30,660
You Can't Say Fuck in Radio Free America

542
00:36:30,770 --> 00:36:33,169
They don't like me to
come on the station live

543
00:36:33,380 --> 00:36:36,028
because they're afraid of what
I'll say, because I talk about

544
00:36:36,076 --> 00:36:39,660
too many things that disturb
the middle class, you know?

545
00:36:46,232 --> 00:36:50,497
At a press conference in London, a
journalist criticized her lengthy songs.

546
00:36:50,576 --> 00:36:53,177
Enraged, she threw sandwiches at him.

547
00:36:53,575 --> 00:36:55,161
The tide was turning.

548
00:36:55,341 --> 00:36:59,114
She was now being reproached for
everything people had loved about her.

549
00:36:59,139 --> 00:37:00,958
They even made fun of her look on TV.

550
00:37:00,983 --> 00:37:02,975
THE MIKE DOUGLAS SHOW
Westinghouse Broadcasting Company, 1978

551
00:37:02,999 --> 00:37:05,224
You're wearing some of the
strangest outfits on our show.

552
00:37:05,248 --> 00:37:07,458
What do you mean strange,
this stuff cost a fortune.

553
00:37:07,483 --> 00:37:08,880
What are you talking about?

554
00:37:08,904 --> 00:37:10,005
Nothing matches Patti.

555
00:37:10,030 --> 00:37:11,091
Matches?

556
00:37:11,248 --> 00:37:13,950
They're all striped. Everything.

557
00:37:14,044 --> 00:37:15,888
The jacket isn't striped.

558
00:37:15,927 --> 00:37:18,419
It's like a... Well, it's all silk.

559
00:37:20,278 --> 00:37:22,192
I don't know, already I'm insulted.

560
00:37:22,216 --> 00:37:26,060
I've been on here a little three and a
half minutes, I've been insulted 14 times.

561
00:37:26,669 --> 00:37:29,185
It was all happening fast-too fast.

562
00:37:29,279 --> 00:37:31,966
On January 23rd, 1977,

563
00:37:31,997 --> 00:37:35,716
dancing like a whirling
dervish, Patti fell.

564
00:37:38,029 --> 00:37:42,614
Skirting a true catastrophe, she got
away with just two broken vertebrae.

565
00:37:42,926 --> 00:37:45,216
Bedridden and under sedation for weeks,

566
00:37:45,241 --> 00:37:49,052
she was thrown back into a state
she had known well in childhood.

567
00:37:50,425 --> 00:37:52,870
I was very sickly most of my childhood.

568
00:37:52,933 --> 00:37:56,073
I was like seven years old
and I had scarlet fever and

569
00:37:56,151 --> 00:38:00,690
it stuck me in such a state like
where I'd start hallucinating really early.

570
00:38:03,261 --> 00:38:05,705
I slept right next to a coal stove,

571
00:38:05,730 --> 00:38:08,471
and I was watching this
blue flame and it just felt like

572
00:38:08,534 --> 00:38:12,745
I was being suffocated by comets, skulls

573
00:38:12,792 --> 00:38:17,651
and animals like foxes with like
human faces coming at me real fast

574
00:38:17,909 --> 00:38:21,127
and all that kind of stuff,
and it sort of never went away

575
00:38:22,041 --> 00:38:25,080
and it just made me feel alien

576
00:38:25,112 --> 00:38:28,041
from everybody because I
couldn't really express it, you know?

577
00:38:29,510 --> 00:38:33,674
This reconnection with her
imagination enabled her to write Babel.

578
00:38:33,729 --> 00:38:38,041
The collection of poems contained a
tidal wave of hallucinations and ecstasies.

579
00:38:38,112 --> 00:38:40,565
She is unique in the rock and roll world,

580
00:38:40,589 --> 00:38:42,307
she is also a serious poet.

581
00:38:42,332 --> 00:38:45,799
Literary critics do take her
very seriously and say she is a

582
00:38:45,824 --> 00:38:48,198
creative woman to be reckoned with.

583
00:38:48,229 --> 00:38:50,126
And her latest book, Babel,

584
00:38:50,151 --> 00:38:52,854
was lengthily reviewed
by no lesser a publication

585
00:38:52,879 --> 00:38:55,555
than the New York
Times review of books.

586
00:38:58,917 --> 00:39:03,386
The high priestess of rock made
her comeback by way of literature.

587
00:39:03,411 --> 00:39:07,205
She even shared a book-signing,
surrounded by her heroes.

588
00:39:10,862 --> 00:39:16,565
For an artist so fond of symbolism, a
brush with death inevitably had meaning.

589
00:39:17,409 --> 00:39:20,313
I continually want to communicate with God,

590
00:39:20,337 --> 00:39:23,032
even though I know it's
very dangerous territory,

591
00:39:23,079 --> 00:39:26,000
which is one of the reasons
why I had my accident,

592
00:39:26,117 --> 00:39:30,093
but I don't want to die. This
is my chance on the world.

593
00:39:30,118 --> 00:39:33,969
I'm here right now and I want
right now to be the greatest time.

594
00:39:34,008 --> 00:39:36,961
This is my golden age,
this is our golden age.

595
00:39:37,001 --> 00:39:41,484
I'm not there in the past, I'm not
there in the future, I'm right here.

596
00:39:42,524 --> 00:39:45,532
You see what I mean?
The time to flower is now.

597
00:39:45,734 --> 00:39:48,500
Be it divine will or fate's helping hand,

598
00:39:48,525 --> 00:39:51,820
Patti retrieved a melody
sketched out by Bruce Springsteen,

599
00:39:51,845 --> 00:39:55,859
which would propel her next
album, Easter, to the top of the charts.

600
00:39:55,891 --> 00:39:58,547
Take me now, baby, here as I am

601
00:39:58,629 --> 00:40:02,602
Pull me close, try and understand

602
00:40:05,376 --> 00:40:08,492
“Because the Night” became
her first mainstream hit,

603
00:40:08,541 --> 00:40:11,299
released in the spring of 1978.

604
00:40:11,760 --> 00:40:15,752
Because the night belongs to lovers

605
00:40:15,777 --> 00:40:19,619
Because the night belongs to lust

606
00:40:19,644 --> 00:40:23,541
Because the night belongs to lovers

607
00:40:23,588 --> 00:40:27,634
Because the night belongs to us

608
00:40:27,658 --> 00:40:31,549
Have I doubt when I'm alone

609
00:40:31,659 --> 00:40:35,549
Love is a ring, the telephone

610
00:40:35,574 --> 00:40:37,841
Love is an angel disguised as lust

611
00:40:37,866 --> 00:40:40,291
The song rang so true
because Patti was in love.

612
00:40:40,316 --> 00:40:41,791
At a concert in Detroit,

613
00:40:41,816 --> 00:40:45,150
she met the legendary
Fred “Sonic” Smith of MC5,

614
00:40:45,197 --> 00:40:48,525
one of the wildest bands
on the American rock scene.

615
00:40:51,557 --> 00:40:56,994
For her longtime fans, the radio-friendly
romantic ballad didn't go down well.

616
00:40:57,362 --> 00:40:59,580
I was criticized, they said, ''Well'',

617
00:40:59,627 --> 00:41:03,502
you're supposed to be a punk rocker
and you have a popular song'', and I said:

618
00:41:03,527 --> 00:41:07,166
punk rock does not mean not
to be popular, it means freedom,

619
00:41:07,191 --> 00:41:09,220
and I'll do what I want.

620
00:41:10,901 --> 00:41:15,306
At age 31, Patti had managed
to climb to the top of the charts,

621
00:41:15,346 --> 00:41:17,377
without ever compromising.

622
00:41:17,479 --> 00:41:20,869
It took her less than five
years to become a rock icon,

623
00:41:20,894 --> 00:41:25,502
whose faithful following came in
droves to attend her high mass.

624
00:41:26,488 --> 00:41:29,206
Every time you do a
performance, you're trying to seduce

625
00:41:29,240 --> 00:41:32,535
anywhere from three hundred
to three thousand strangers

626
00:41:32,583 --> 00:41:36,707
and it becomes a very
intimate, you know, sexual thing,

627
00:41:36,732 --> 00:41:40,504
and not the only way to have
sex is to be in bed with each other.

628
00:41:41,950 --> 00:41:44,639
Patti was playing with
fire, giving everything to

629
00:41:44,663 --> 00:41:47,746
audiences who energized
her yet totally consumed her.

630
00:41:47,771 --> 00:41:51,543
People even talked about it on
TV, but she remained oblivious.

631
00:41:51,568 --> 00:41:54,364
THE MIDNIGHT SPECIAL. NBC, 1978 You
have some really maniac fans, why do you

632
00:41:54,388 --> 00:41:56,543
think the kids get so
crazy at your concerts?

633
00:41:56,600 --> 00:41:58,811
Well, I was pretty maniac kid myself.

634
00:41:58,882 --> 00:42:02,983
I mean, I still am. I
mean, I feel that a concert,

635
00:42:03,008 --> 00:42:07,397
you know, like, like Mick Jagger
said at Altamont is not just for people

636
00:42:07,475 --> 00:42:11,412
coming to see a performer,
but for a mutual experience.

637
00:42:15,999 --> 00:42:20,593
Moving from an underground scene
into the spotlight, Patti had her doubts.

638
00:42:20,765 --> 00:42:23,897
How do you stay true to yourself,
once you've become adored?

639
00:42:28,452 --> 00:42:32,069
Covering a song by the Byrds on
the emptiness of the star system,

640
00:42:32,124 --> 00:42:37,210
Patti sent out a thinly-veiled message
on the irony of her own condition.

641
00:42:37,281 --> 00:42:39,866
A little insane.

642
00:42:39,961 --> 00:42:42,772
You're a little insane,

643
00:42:43,118 --> 00:42:46,054
All the things that you gain

644
00:42:46,352 --> 00:42:48,991
Is the public acclaim

645
00:42:49,556 --> 00:42:52,819
Don't forget who you are,

646
00:42:52,961 --> 00:42:55,647
Don't forget who you are,

647
00:42:55,908 --> 00:42:58,811
Don't forget who you are,

648
00:42:59,136 --> 00:43:02,311
You're a rock and roll star

649
00:43:08,453 --> 00:43:10,757
In that song,

650
00:43:10,921 --> 00:43:15,155
there's a line that you sing ''Don't forget
who you are, you're a rock and roll star''.

651
00:43:15,180 --> 00:43:19,265
And I'd just like to know
what that means to you now.

652
00:43:19,290 --> 00:43:23,007
Mm-hmm. I don't like
how I look on that... thing.

653
00:43:29,851 --> 00:43:33,608
Her inner malaise grew in
tandem with stadium capacities.

654
00:43:33,827 --> 00:43:38,849
On September 10th, 1979, in Florence,
in front of more than 80,000 people,

655
00:43:39,054 --> 00:43:41,030
Patti made her decision.

656
00:43:41,249 --> 00:43:46,405
It was over. She was bowing
out at the height of her career.

657
00:43:51,232 --> 00:43:55,663
The following day it was straight
to the airport, destination Detroit.

658
00:43:55,906 --> 00:43:58,108
On March 1st 1980,

659
00:43:58,133 --> 00:44:02,796
Patti Smith married Fred Smith,
and went off the radar for nine years.

660
00:44:09,156 --> 00:44:11,663
In 1988, to everyone surprise,

661
00:44:11,733 --> 00:44:16,709
Patti return with a new album
''Dream of life'', co-written with Fred.

662
00:44:18,070 --> 00:44:21,311
One day I was in the kitchen, cooking,

663
00:44:21,336 --> 00:44:23,561
and he looked at me and he said:

664
00:44:23,670 --> 00:44:26,390
People have the power, write it.

665
00:44:26,898 --> 00:44:28,827
And I said, ok.

666
00:44:28,852 --> 00:44:32,179
{\an8}They made only a single
appearance, in March 1990,

667
00:44:32,204 --> 00:44:33,874
{\an8}for Arista's 15th anniversary.

668
00:44:33,899 --> 00:44:36,507
{\an8}That's What Friends Are For: Arista
Records 15th Anniversary Concert. CBS, 1990

669
00:44:36,531 --> 00:44:38,460
through our union

670
00:44:38,586 --> 00:44:41,686
We can turn the world around

671
00:44:41,711 --> 00:44:45,022
We can turn the earth's revolution

672
00:44:45,047 --> 00:44:47,116
We have the power

673
00:44:48,073 --> 00:44:51,179
People have the power

674
00:44:51,542 --> 00:44:54,515
The people have the power

675
00:44:55,143 --> 00:44:57,616
The people have the power

676
00:44:58,582 --> 00:45:00,819
The power to dream

677
00:45:01,647 --> 00:45:06,303
Although the song became an anthem, returning
to public life was out of the question.

678
00:45:06,453 --> 00:45:09,655
After that brief detour,
it was back to family life.

679
00:45:09,695 --> 00:45:10,920
People say to me,

680
00:45:10,945 --> 00:45:13,718
Gee, you didn't do any work
in the eighties and I want to like

681
00:45:13,743 --> 00:45:16,624
strangle them, you have no idea how hard,

682
00:45:16,649 --> 00:45:20,600
I mean, how hard, you know, a mother works.

683
00:45:20,625 --> 00:45:23,460
I mean, I was born an artist, you know,

684
00:45:23,515 --> 00:45:27,577
I believe that I have a
calling to be an artist and

685
00:45:27,609 --> 00:45:35,132
my gifts are God given.
But my domestic skills,

686
00:45:35,157 --> 00:45:37,936
I had to learn from scratch.

687
00:45:38,726 --> 00:45:43,304
On November 4, 1994, unimaginable sadness:

688
00:45:43,468 --> 00:45:48,265
Fred “Sonic” Smith died of a
heart attack, at the age of 46.

689
00:45:48,765 --> 00:45:52,960
After my husband died, I
didn't want to do anything,

690
00:45:52,985 --> 00:45:55,108
I didn't even want to get out of bed,

691
00:45:55,133 --> 00:45:58,749
but I had children and I have work to do

692
00:45:58,774 --> 00:46:03,772
and my brother really made
me get out of bed and said,

693
00:46:03,850 --> 00:46:06,397
well, instead of, you know,
mourning Fred and not

694
00:46:06,437 --> 00:46:09,186
getting up, you should
be writing songs for him.

695
00:46:09,421 --> 00:46:12,757
A year later, the album
Gone Again was released.

696
00:46:12,851 --> 00:46:14,741
Her life had fallen apart;

697
00:46:14,835 --> 00:46:18,132
Patti leaned on
self-expression to rebuild it.

698
00:46:18,328 --> 00:46:20,265
It's been a hard time

699
00:46:20,290 --> 00:46:22,156
And when it rains

700
00:46:22,181 --> 00:46:24,403
It rains on me

701
00:46:26,024 --> 00:46:28,155
The sky just opens

702
00:46:28,180 --> 00:46:29,928
And when it rains

703
00:46:29,953 --> 00:46:31,765
It pours

704
00:46:31,873 --> 00:46:35,451
It's like the checks and balances of life.

705
00:46:35,484 --> 00:46:40,288
We have beautiful things
happen. We have terrible things.

706
00:46:41,140 --> 00:46:43,382
Patti encountered yet more grief.

707
00:46:43,407 --> 00:46:48,944
In under five years, she lost her best friend
Robert Mapplethorpe, her husband Fred Smith,

708
00:46:48,969 --> 00:46:51,897
her pianist Richard Sohl,
and her brother Todd.

709
00:46:51,929 --> 00:46:54,850
Grieving is a very complex thing.

710
00:46:55,007 --> 00:46:57,632
Some of it is very draining,

711
00:46:57,765 --> 00:47:02,194
but sometimes in the middle of
grieving, for no apparent reason,

712
00:47:02,267 --> 00:47:07,470
one feels extreme joy,
I think just to be alive.

713
00:47:08,697 --> 00:47:12,921
At age 49, Patti got her group
back together and went on the road.

714
00:47:14,158 --> 00:47:17,294
Artists don't retire,
they just shift conditions.

715
00:47:18,447 --> 00:47:22,079
After a 17-year absence, the
public was still there for her.

716
00:47:22,181 --> 00:47:26,587
But there was no way Patti was going
to play the game for the mainstream.

717
00:47:27,142 --> 00:47:32,556
I was told just today that the
reason an artist such as myself

718
00:47:32,791 --> 00:47:36,571
can't get airplay is because
I'm too issue orientated.

719
00:47:36,596 --> 00:47:39,087
What better time to

720
00:47:39,134 --> 00:47:42,368
speak about issues than at a time when
people don't want to hear about them?

721
00:47:42,548 --> 00:47:46,087
And music is an excellent forum to

722
00:47:46,134 --> 00:47:51,189
talk about the things that we need to do.

723
00:47:51,392 --> 00:47:56,431
At the turn of the millennium, Patti Smith was
more connected than ever to the world around her.

724
00:47:56,617 --> 00:47:59,124
It is the people that must wake up

725
00:47:59,218 --> 00:48:04,108
and take more civic duties
and more responsibility.

726
00:48:04,867 --> 00:48:07,671
If you see things around you,

727
00:48:08,671 --> 00:48:12,655
unjust, unclean, that need change,

728
00:48:13,491 --> 00:48:17,600
don't seat on your ass, use your voice!

729
00:48:17,851 --> 00:48:19,975
Take it to the streets!

730
00:48:20,140 --> 00:48:27,030
And it's election year, use
your voice, use your voice!

731
00:48:28,617 --> 00:48:30,413
I still get enraged,

732
00:48:30,460 --> 00:48:35,960
I imagined that I was going to
return and be a little bit more stately

733
00:48:35,985 --> 00:48:43,108
and be a little, a little wiser, maybe
a little more, a little conservative,

734
00:48:43,437 --> 00:48:45,117
but it's not like that.

735
00:48:47,148 --> 00:48:49,936
Still consumed by that
same creative impulse,

736
00:48:50,015 --> 00:48:54,835
Patti added photography to her
music, poetry and drawing practices.

737
00:48:55,215 --> 00:48:58,049
Thanks to her Land 250
camera from the 1960s,

738
00:48:58,073 --> 00:49:01,359
she created sensitive,
vintage-looking Polaroids.

739
00:49:02,866 --> 00:49:07,714
Robert Mapplethorpe's
slippers, Virginia Woolf's bed,

740
00:49:07,957 --> 00:49:10,339
Arthur Rimbaud's tomb:

741
00:49:11,660 --> 00:49:16,441
Patti unveiled her relics, her memories,
and her wanderings to the public.

742
00:49:17,363 --> 00:49:19,519
She dialogued with the dead,

743
00:49:19,574 --> 00:49:23,949
with those who had inspired her as
well as those whose lives she'd shared.

744
00:49:24,042 --> 00:49:28,746
EXPOSITION LAND 250, 2008 She never created a
hierarchy, and always stayed true to herself.

745
00:49:29,020 --> 00:49:34,722
I started taking Polaroids very
seriously after the death of my husband

746
00:49:34,809 --> 00:49:40,818
because its simple, gave me
immediate response to a creative need.

747
00:49:41,888 --> 00:49:46,435
After words and music, she was
being recognized as a visual artist.

748
00:49:53,458 --> 00:49:56,513
In 2010, at the age of 64,

749
00:49:56,638 --> 00:50:00,294
Patti published Just Kids,
her first autobiography.

750
00:50:00,412 --> 00:50:04,465
Through this narrative, she made good on
her promise to Robert to tell their story.

751
00:50:04,789 --> 00:50:09,849
Digging through her memories, she conjured
up her move to New York and her beginnings.

752
00:50:10,204 --> 00:50:13,052
I accepted a date with an older man

753
00:50:13,147 --> 00:50:16,767
and he walked me down
to Tompkins Square Park

754
00:50:17,150 --> 00:50:23,624
and I was so nervous and we sat down. And then he said,
“Would you like to come up to my apartment for a cocktail?”

755
00:50:23,686 --> 00:50:28,738
And I thought, “Oh, I'm done”, I was
so scared, I didn't know what to do.

756
00:50:28,799 --> 00:50:33,191
And this boy appeared
as if the clouds parted.

757
00:50:33,226 --> 00:50:37,193
This boy that I had just
casually met once or twice,

758
00:50:37,948 --> 00:50:40,396
and I ran up to him and said,

759
00:50:40,873 --> 00:50:44,588
“Will you pretend you're my
boyfriend?” And he said, “Sure”.

760
00:50:45,110 --> 00:50:49,910
He rescued me and then we never separated.

761
00:50:51,178 --> 00:50:56,012
We were so in tune in kind that

762
00:50:56,273 --> 00:50:59,267
when we did a work, we
wanted the other to see it ;

763
00:50:59,407 --> 00:51:03,825
when we leapt to a new place, when we

764
00:51:03,903 --> 00:51:10,630
had an illumination, it felt truer,
more magnified in the eyes of the other.

765
00:51:11,386 --> 00:51:15,179
Now over 70 years old,
Patti has lived many lives.

766
00:51:15,335 --> 00:51:19,371
Always navigating the margins, she
represents-through her radical nature...

767
00:51:19,424 --> 00:51:21,351
The very essence of an artist.

768
00:51:21,464 --> 00:51:27,366
But above all, she personifies a
spirit of freedom, of fully being oneself.

769
00:51:27,912 --> 00:51:31,410
Once you finish a work,
it belongs to the people,

770
00:51:31,497 --> 00:51:35,316
but what belongs to the artist is the process.
But it's a struggle that I'm proud to have.

771
00:51:40,350 --> 00:51:43,105
It's decreed, the people rule.

772
00:51:43,129 --> 00:51:46,705
I've never been normal, but I'm
just a normal eccentric person.

773
00:51:46,775 --> 00:51:51,314
Vengeful aspects became
suspect, and bending low as if to hear

774
00:51:51,476 --> 00:51:57,868
My public life is something
I do to share my energy or

775
00:51:57,929 --> 00:52:01,010
ideas with the people.

776
00:52:01,306 --> 00:52:04,508
But when I finish my
concerts, I'm just myself,

777
00:52:04,735 --> 00:52:09,708
you know, I don't turn into
a rock star to to perform,

778
00:52:09,733 --> 00:52:14,014
I'm wearing the same
clothes I'm, I just go on stage,

779
00:52:14,118 --> 00:52:21,123
I spend two hours or so with the people,
and then, you know back on my way.



