(RADIO STATIC) (INDISTINCT CHATTER ON RADIO)
MALE ANCHOR: (OVER RADIO) Good morning. It's 52 degrees
at nine o'clock this Tuesday, June 23rd,
and here is our top story.
Tragedy in Knoxville.
Two days ago, Sunday morning, June 21st,
a lone gunman entered
the Knoxville Baptist University campus
with rifle in hand.
There, he climbed the clock tower
and began firing into the crowds below.
Thirteen are reported dead, with 26 critically injured.
President Reagan and the First Lady arrived
in Knoxville this afternoon
to console the grieving families of the fallen.
Police have yet to release the identity of the shooter,
but an anonymous source is reporting
that the suspect in custody is
a 17 year-old boy.
We continue our coverage on the Knoxville killings
with our very own Frank Hutchinson,
who is live on the scene.
(KEYS JINGLE)
(CAR DOOR OPENS AND CLOSES) (BIRD CHIRPING)
(PAPER RUSTLES)
(TELEPHONE DIAL TONE PLAYING) (COIN CLANKING)
(TELEPHONE BUTTONS CLANKING)
(TELEPHONE RINGING)
(TELEPHONE SLAMS) (COIN CLANKING)
(SIGHS)
(COINS CLANK)
(COIN CLANKS) (TELEPHONE DIAL TONE PLAYING)
(TELEPHONE BUTTONS CLANK)
(TELEPHONE RINGING)
(TELEPHONE BEEPS) (COINS CLINK)
Uh, this is a message for William DuKent.
Mr. DuKent. Um...
This is Bruce Cogburn.
I'm calling in response to the letters
I've received from you.
I'm not sure how you... you found me.
Perhaps you... you got my PO box from an old agent or summit.
If so, that information was never meant to be shared.
Nevertheless, it seems from your letters, Mr. DuKent,
you know quite a bit about me.
So I can only assume
you're aware of my sentiment when it comes to
discussing my work.
I don't do interviews. Never have.
And I never will.
Anyway, I...
I want to wish you all the best with your book.
The blank page can be a terrifying prospect at times,
so good luck. (TELEPHONE SLAMS)
(INSECTS CHIRPING)
(LIGHTER CLICKS)
(TRUCK ENGINE REVS)
(JEEP ENGINE REVS)
(NEWTON'S CRADLE CLICKING)
(KEY CLICKING) (PO BOX CREAKING)
(PO BOX SLAMS)
(CAR HONKING)
(TELEPHONE RINGING, BEEPING)
Mr. DuKent,
this is Bruce Cogburn calling you again.
Every time I make one of these calls,
I have to travel 14 miles to the nearest phone booth.
Now, I feel I've been nothing but courteous
when it comes to your book
and how I have no interest in helping you with it.
But it seems I'm not making myself clear.
So, piss off.
Your letters are unsolicited and constitute harassment,
so please, stop sending them.
In the meantime, I'm going to get rid of my PO box
so you can save yourself the bother.
And one more thing.
You keep asking me, why I never wrote a second book.
21st June. 1981. Knoxville.
But you know that.
(INSECTS CHIRPING) (BIRD CHIRPING)
(PHOENIX SHRIEKS) (PANTS)
(LIGHTER CLICKS)
(LETTERS RUSTLE, SLAM)
(GLASS CLATTERING)
(CABINET CLANKS)
(GLASS CLANKS)
(CABINET CLANKING) BRUCE: Fuck.
(CABINET CLANKS)
(PANTS)
(DOOR CREAKING)
(DOOR CREAKS, SHUTS)
(insect chirping intensifies)
(CAR ENGINE REVS)
(TELEPHONE BEEPING)
BRUCE: (OVER RECORDING) A few days ago,
I received a package on my doorstep.
It was a box of ink ribbons
for a very specific typewriter.
The one I used when I wrote my book.
I should tell you that some of the things
that have been said about me are true.
(GUNSHOT) (GLASS SHATTERS)
BRUCE: (OVER RECORDING) For instance, if I find anyone
trespassing on my land...
(GUNSHOT) (GLASS SHATTERS)
BRUCE: (OVER RECORDING) that person will be shot on sight.
That's not a threat. That's just a fact.
(GUNSHOT) (GLASS SHATTERS)
So, stay away from me and my home
and do not test the sincerity of my resolve.
God bless America.
(GUITAR PLAYING)
STORE OWNER: Hello. How are you?
I'll take two of those small bottles as well, thanks.
Yeah.
(HARMONICA MUSIC PLAYING OVER RADIO)
(RADIO FREQUENCY STATIC)
GERMAN FEMALE: (OVER RADIO) Zwei, funf, sechs,
sechs, zwei, neun.
Eins, eins, funf, eins.
(RADIO FREQUENCY STATIC) (HARMONICA MUSIC PLAYING OVER RADIO)
(CAR REVS)
(MEN CHEER)
(CAR SCREECHING)
(HARMONICA MUSIC PLAYING OVER RADIO) (PANTS)
(DOGS BARKING)
Saul.
According to the Hebrew Bible,
Saul was the first king of Israel.
I bet you didn't know that.
And then during the battle with the Philistines,
King Saul threw himself on his own sword
to avoid being captured.
Hell of a way to go, if you ask me.
(BIRDS CHIRPING)
(SAUL BARKING)
(SAUL WHINING)
(SAUL BARKING)
(CAR REVVING) (SAUL BARKING)
(CAR HORN BEEPS)
(SAUL GROWLS, BARKS)
Saul. Saul!
(CAR DOOR OPENS)
(CAR DOOR SHUTS)
Are you Bruce Cogburn?
Maybe. Who's that letter from?
Uh... William DuKent.
(SIGHS)
What if I don't want it?
You could stop by the office, fill out a few forms?
But I don't have any on me, so...
Will you put it in that barrel?
You can put them all in there.
All of them?
There'll be more.
(CAR DOOR OPENING, SHUTTING)
JERRY: Bruce? Is that you? Jerry?
JERRY: (LAUGHING) How long has it been?
Listen, who have you been talking to?
JERRY: (SCOFFING) Sorry?
Who else knows where I live?
JERRY: (SPLUTTERS) What are you talking about?
Your accountant, your secretary.
JERRY: Bruce, I'm the only one
who knows anything about you, okay?
Like we agreed.
Is everything all right?
Yeah.
Bloody dandy. JERRY: Okay, good.
Now, I know what you're going to say,
but just hear me out.
The publishers want to do a re-release.
A special anniversary edition.
And they're wondering if you would write a foreword.
Just a few words.
Enough to remind the world that you still exist.
How many words? For the book. How many do you need?
JERRY: Enough to fill a few pages.
I'll think about it. (TELEPHONE SLAMS)
(CAR ENGINE REVVING)
(CAR HORN BLARING) (CAR REVS)
(SIGHS)
(CAR REVVING)
(CAR HORN BLARING) (SIGHS)
(STAMPING)
(TELEPHONE BEEPS)
BRUCE: (RECORDING) You might be
the most persistent fucking person
I've never even met.
Ninety handwritten letters
in this day and age is no small task.
However, it has to stop.
BRUCE: I was someone important once.
But that seems to tell a lot of people
that I am supposed to represent
whatever their particular fantasy
of a hero is supposed to be.
But, Mr. DuKent?
My opinions...
are my own. Okay?
So, I suggest you go out into the world...
and you discover for yourself and you trust your own senses
'cause I'm not here to be someone's fucking inspiration.
Someone's fucking muse.
(TELEPHONE BEEPING)
Fuck.
(COIN CLANKS)
(BUTTONS CLICKING)
(TELEPHONE RINGING)
(TELEPHONE BEEPING)
What do you suppose...
might be the...
the outstanding characteristic of humanity?
A, language?
B, tool-making?
Or C, obedience?
'Cause I think it might be obedience.
We're a fucking social animal, don't you agree?
We've evolved to get on with each other.
To agree with each other, for the most part.
However, we're the only fucking creature
who displays arrogance
when it comes to our obedience.
Don't you agree? Don't you agree?
(COIN CLANKS) (TELEPHONE BEEPING)
Here's one for you. To agree with the flat-Earthers.
The Flat Earth Society.
Straight off the top of my head. Evidence might point to the fact
of a spherical Earth.
But.... but, that doesn't fucking mean
the Earth is round. Right?
I mean if you think about it, most people
have only ever seen the Earth round in a photograph.
Okay? You, me,
experiences our Earth every day as flat.
Flat. Flat.
Well, actually it's a bit hilly.
So, maybe I need to stand for the Hilly Earth Society.
I don't think those flat-Earthers
have taken it far enough if you ask me.
(CHUCKLES) Clearly it's flat and round and hilly
and all the other shapes as well.
(COIN CLANKS) (TELEPHONE BEEPING)
This is Bruce Cogburn
calling again about the last call.
You need to stop writing...
You need to stop writing to me, okay?
(BRUCE THUDDING)
(TELEPHONE BEEPING)
(CAR DOOR OPENS)
(FOOTSTEPS APPROACHING)
(SIGHS)
LAURA: Morning.
(SIGHS)
("DRINKING AGAIN" BY HALEY MCCALLUM PLAYING)
♪ My old friend, he don't Think or feel a thing ♪
♪ He asks me To wear his ring... ♪
There's a few meetings in town I could point you towards,
Mr. Cogburn, if you're interested.
No? Okay.
Okay.
I don't have to bring you home, you do realize that?
We can just as easy go down to the station
and straighten this out.
What would I be charged with?
Public intoxication.
I was in the telephone box.
On public property you were.
I've heard your name somewhere before, Mr. Cogburn.
Are you famous?
You're that writer of The Infernal Machine.
'Cause I remember in high school them pulling it off the shelves
'cause of Knoxville.
That's you, huh? Cogburn. (LAURA TAPS STEERING WHEEL)
In my car. In my car. (CHUCKLES)
That's cool.
Didn't Manson blame all his murders
on the Rolling Stones?
The Beatles. LAURA: What?
It wasn't the Rolling Stones. It was the Beatles.
LAURA: Right, right. "Helter Skelter."
Fucking nutjob. That guy's a fucking nutjob.
Crazy's always looking for an excuse
to be crazy I guess, you know?
If it's like a... a song, a talking dog, you know?
A book.
GERMAN WOMAN: (OVER RADIO) Funf, vier, eins, eins.
Sechs, eins, zehn.
Zwei, eins, eins, eins.
LAURA: You like stock car racing?
Not particularly, no.
LAURA: Same, same.
My brother? He's hardcore.
Ten years back, he had a job cutting tires
for a race team outside Carson City.
You know? They called him the Dirt Whisperer
'cause, you know, he could just look at a track
and know exactly how to set those tires up.
Last race of the season, you know,
championship points on the line,
the track is just beyond muddy.
Cars are sliding all over the place,
and my brother calls his
driver in to switch out the tires.
And like a dozen laps later, the back tire blows.
Driver loses control, that's it.
Hits a car, that car hits another car. So on, so on.
Next thing you know, four drivers, dead.
So, you know, they do their investigation,
and they find nothing wrong with that tire.
It just blew.
Sometimes that just happens in racing.
What happened to your brother? LAURA: He quit racing.
Spent a few years bouncing from rehab to rehab.
Now, he's a night manager at Walmart.
Which is a shame 'cause...
he loved racing.
(BOX CREAKS)
(BOX THUDS)
(TYPEWRITER CLICKS)
(DRAWER CRANKING)
(PLASTIC BAG RUSTLES)
(TYPEWRITER CLICKS) (PAPER RUSTLES)
(BELLS CHIMING)
Who...
am I?
Who am I, really?
(TYPEWRITER CLICKING)
That's the question that every protagonist needs to answer
by the end of their story. (TYPEWRITER CLICKS)
If your hero hasn't reached
some sort of cathartic realization about who they are
or what they believe in by the last page... (TYPEWRITER CLICKING)
...then I'm sorry to inform you, ladies and gents,
you have failed your reader.
YOUNG MAN: What if I don't have anything to say?
Then you're not digging deep enough.
BRUCE: Dig deep.
The road you construct
for your characters to travel along,
it shouldn't be paved, shouldn't be easy.
Because finding out who you are
never is.
(TELEPHONE BEEPS) BRUCE: I'm of two minds
when it comes to apologizing.
On the one hand,
life's best lived looking forward
and not crying over spilled milk.
And on the other hand, it does strengthen
a certain kind of integrity to own up to one's mistakes.
So, on that note, I'm sorry I told you I'd kill you.
Now, I know I didn't use those words exactly,
but the insinuation was certainly there, so.
That being said,
I'd like to offer this gift in the spirit of contrition.
It's a little blurb for your book.
Quote.
"William DuKent is a right royal pain in the ass.
But he does have a lot of backbone,
which is more than I can say for the rest of the world.
Bruce Cogburn."
End quote.
And merry Christmas too if you...
if you believe in that sort of thing.
Listen, if you fancy a drive,
there's a small café around here called the Casa Segura.
It's just off the 62.
If you happen to be there on Friday morning,
say eleven o'clock,
I might just be there too.
Okay.
MALE: (RECORDING) To save this message, press one.
(RECORDER BEEPS)
MALE: (RECORDING) Message saved.
(INDISTINCT CHATTER)
Refill?
Yeah, thanks.
(INDISTINCT CHATTER)
(CAR ENGINE REVS)
(INDISTINCT CHATTER)
There you are.
Sorry, I'm late.
(TELEPHONE BEEPING) BRUCE: I won't lie to you.
I had every intention of standing you up.
And then, of course, the day rolls around and I thought,
sod it, I may as well get this over and done with.
So, you can imagine my surprise
when you were the one who stood me up.
I've not received any letters from you in this past week,
so I'm glad my messages have got through.
Time for you to start pestering another victim, eh?
Oh, and you can keep the blurb for your book.
You earned that.
Well, I guess this is goodbye, Mr. DuKent.
Goodbye. (CAR DOOR SHUTS)
(CAR ENGINE REVS)
(GRINDER WHIRRS)
MAN: Like I was telling you, sir,
we pick up and deliver same day.
You need a package delivered to San Diego by day's end...
MAN 2: Thank you, Corina. Well, we can do that.
So, you do pickup then?
It's more convenient for our customers that way.
Because I need to know where this envelope
has been picked up from.
Well, you have used us before. How was the service?
When you're done. Relentless.
Yeah? Well, what's the return address?
It's Aspen, Colorado.
Aspen, Colorado?
Well, we definitely don't go out that far.
Well, it's obviously being picked up from somewhere.
Yeah, that's usually how it works, sir.
There must be some address that you can give to me.
With all due respect, sir,
we are very protective of our clientele's privacy.
Company policy. I'm sure you can understand.
No way, dude.
Correct, but don't forget about the invoice.
Okay? Thank you.
I understand.
But I need that address.
(SIGHS)
(BEEPS) (BEEPS)
MAN 1: I'm not finding anything.
No pickups, no deliveries, nothing.
There must be some kind of mistake.
MAN 1: Where did you get this from again?
From your driver. I have 100 of these at my house.
MAN 1: One of our drivers delivered this to you?
Yes. He drives a red hatchback.
Like I was telling you, sir,
these are the only vehicles our drivers use.
(SIREN BLARING)
Whole time? Fucking asshole! Uninvited!
(GRUNTS) Bloody car!
(PANTS)
Mr. Cogburn?
Are you all right?
And did you catch the plates at all?
No.
You know, Colorado, Nevada, Texas, they all look different.
I didn't see them.
And was he a big guy? Skinny? Short? Tall? I don't know.
Oh, come on. You gotta remember something. Well, I fucking don't, okay?
I didn't get a good enough look at him, so...
Okay, so I don't need this shit today.
This is actually my day off.
So why don't you just come by the station.
I... I think he had long hair. Like...
a sort of mousy color, I think.
What about these letters? What do they say?
BRUCE: Nothing. It's just a wannabe writer.
Oh, okay. So, they're more fan mail-ish than death threats?
He's bloody well been to my house.
You know, how about the guy who read your book?
The shooter from Knoxville. No, it's not him.
LAURA: Are you sure about that?
He's rotting away in... in a supermax prison
somewhere in New Mexico for a long time, it's not him.
GIRL: Can we go home now? LAURA: We can.
I'm gonna stop by the station and run this Colorado address.
I'm also going to go by some motor lodges
and just see if anyone's checked in with a red hatchback.
Okay.
LAURA: Can I ask you a question?
Is there anybody out there who might have
a score to settle with you?
No. Okay. All right. Okay, let's do it.
You call me if anything changes.
Take it easy, Mr. Cogburn.
GIRL: Are we still getting ice cream? LAURA: No.
We're going to get some fish, uncooked.
Like, raw fish.
GIRL: Ew. No. I want ice cream.
(KEYBOARD CLICKING)
(BRUCE SIGHING)
(RADIO PLAYING)
(KEYBOARD CLICKS)
(MOUSE CLICKING)
FEMALE REPORTER: (OVER COMPUTER) That's right, the fire marshal
revealed there is evidence that someone intentionally set
this suburban Aspen home on fire.
Neighbors tell me the home has been abandoned for decades,
but the evil, as they call it, that once lived here
at 53 Highland Avenue
was once the center of a national tragedy.
In June of 1981, 17-year-old Dwight Tufford
left his Aspen home
to drive 23 hours to Knoxville, Tennessee.
Once there, he did the unthinkable,
killing 13 people and injuring nearly two dozen more
in just a matter of minutes.
From the top of the tower in the middle of campus,
Tufford took aim at the crowd below
with a high-powered rifle.
During the trial, Tufford told the judge
he was innocent, and testified
he was brainwashed into committing the killings
after reading the controversial novel,
The Infernal Mach-- (COMPUTER CLICKS)
(CAR ENGINE REVS)
(PAPER RUSTLES)
(FLUID SLASHING) (CAN CLATTERING)
(FIRE CRACKLES)
(SIGHS)
(FIRE CRACKLES)
(CAR ENGINE REVVING)
(CAR DOOR OPENING)
(KEYS JINGLING)
You're a fucking coward. You hear me? A fucking coward.
I know what you look like, DuKent.
And if I find you, I'm gonna fucking kill you.
You understand? I'm gonna fucking kill you!
(GRUNTS) (CLANGS)
Fuck!
(SIGHS)
(SAUL BARKING)
Hey. Saul?
What the fuck?
MALE: (RECORDING) You have one new message.
(RECEIVER BEEPING) (METAL CLANGS)
MALE: (RECORDING) To listen to your messages, press one.
(RECEIVER BEEPING)
BRUCE: (VOICEMAIL) You're a fucking coward.
Hear me? A fucking coward.
I know what you look like, DuKent.
And if I find you, I'm gonna fucking kill you.
You understand? I'm gonna fucking kill you!
MALE: (RECORDING) To save this message, press one.
(BEEPS)
Message saved.
This is the model of the shooting.
Knoxville.
BRUCE: Yeah.
That's it. So what will you do now?
Well, nothing, really. I mean, technically, we're trespassing.
Trespassing? Fuck off. LAURA: Relax, I'm on your side.
What's on that tape?
I don't know.
(STATIC FREQUENCY ON TV)
DETECTIVE 1: We've got a credit card receipt
for a high-powered rifle with your name on it.
Dozens of witnesses place you at the scene.
DWIGHT: I didn't do it.
DETECTIVE 2: Didn't do what, Mr. Tufford?
DWIGHT: I didn't do those things.
DETECTIVE 2: Dwight. Can I call you Dwight?
Listen. We can't help you
unless you help us, you understand?
The rifle. The one that we found in your car, is that yours?
DWIGHT: Yes.
DETECTIVE 2: Did you go up into the bell tower
with that rifle?
DWIGHT: Yes.
DETECTIVE 2: I know the next part isn't going to be easy,
but I need to hear you say it, all right?
DWIGHT: I... (BREATHING HEAVILY)
I, uh... (BREATHES HEAVILY)
I didn't have a choice.
He had to be punished.
DETECTIVE 2: Who had to be punished, Dwight?
God.
You see, we're just a row of dominos to Him.
And once you and I tip over, we're no longer relevant.
That's why he made us mortal, you know?
So we can fade to dust. Disappear.
But if we can find the dominos,
the ones that haven't tipped over yet...
well maybe there's a chance to stop this.
DETECTIVE 2: Stop what?
DWIGHT: His plan.
I didn't kill anyone this morning.
I just stole a few of God's dominos.
And maybe, if I'm lucky,
maybe they haven't tipped over just yet.
DETECTIVE 1: You a religious man?
A member of some sort of cult? No.
DETECTIVE 1: Then where the hell did an idea
like this come from?
DWIGHT: The Infernal Machine.
You should read it.
You should all read it.
Then you'll understand how insignificant
we all are to Him.
I'm not afraid of you anymore.
You hear me?
(CHAIR DRAGGING IN VIDEO) You hear me?
You can't stop it now, you sick fuck!
DETECTIVE 2: Sit down. I know my purpose!
DETECTIVE 1: Get back in the chair. I know my purpose!
(SIGHS) I'm just going to have a smoke.
(SIGHS)
LAURA: You mind telling me what that book of yours
is all about?
Uh, it's about a priest who finds God.
Metaphorically, or?
No, no. Uh, actually.
LAURA: What do they talk about?
Um... the... the priest wants to know
what his purpose is in life, so God...
tells him, explains to him, that when he was 12,
he... he got him to walk across the road to...
slow down a car.
LAURA: So, who was in the car?
It's not... it's not relevant who was in the car.
He just needed it to be slowed down.
LAURA: That's it?
Yeah. That's it.
And then, in the end, the priest gets his revenge.
What, on God?
O... on everybody.
(SHOE TAPPING THE GROUND)
I'm going to go home.
There's just this one thing I want you to see inside.
BRUCE: (VOICEMAIL) Every time I make one of these calls,
I have to travel 14 miles to the nearest phone booth.
I don't need to listen to these. I know what I said.
It's not yours you need to listen to.
FEMALE: (RECORDING) This call will be recorded and monitored.
You have a collect call from...
DWIGHT: (OVER RECORDING) Dwight Tufford.
FEMALE: (RECORDING) ..an inmate at
the Federal Penitentiary of New Mexico.
To accept this call, press one.
(RECEIVER BEEPS)
MALE: (RECORDING) Message saved. Next message.
FEMALE: (RECORDING) This call will be recorded and monitored.
You have a collect call from... BRUCE: Elijah?
Are you here?
You all right?
(PHOENIX SCREAMING) (PANTS)
(TELEPHONE RINGING)
LAURA: (OVER PHONE) Officer Higgins. BRUCE: (OVER PHONE) It's Bruce.
Uh... listen.
You wouldn't know anyone over at the supermax
in New Mexico, would you?
LAURA: (OVER PHONE) I know a few guards there. Why?
BRUCE: (OVER PHONE) I think I might need a favor.
(BELL BUZZING) (METAL CLANGS)
(CHAIN CLANKING)
(BELL BUZZING)
MALE OPERATOR: (OVER INTERCOM) You've got ten minutes.
I don't smoke.
Do I know you?
BRUCE: No.
You don't look like a "Smith."
I would have gone with an O'Hara
or a Campbell, personally, but
hey, it's a free country, right?
You a writer?
Why do you ask that? Folks coming here are either
A, writers, or B, shrinks.
I'm neither.
Good.
Then we're off to a great start.
So just who the fuck are you then?
Nobody important.
I... I'm just here to talk.
Okay.
About William DuKent.
You a cop? No.
Hey, fellas? You know the rules.
My lawyer has gotta be present if this guy is a cop.
I'm not a cop.
But I know that you've spoken with DuKent recently.
You're not very good at poker, are you?
That question, right out the gate.
Way too specific.
There's no gray area to work with.
Now, if you had replaced the word "spoken"
with "communicated,"...
then I wouldn't have known what you know, you know?
But you said "spoken,"
which tells me that...
you don't know shit.
Words, if you don't know how to play them,
they'll sure as hell play you.
So, what do you want with William DuKent?
I'll answer that after you tell me what he wanted from you.
My opinion. Your opinion about what?
A book. The Infernal Machine. You ever read it?
No. Good. Don't. That book will fuck you up.
The right combination of words will make a man do...
just about anything.
MALE OPERATOR: (OVER INTERCOM) Five minutes.
You ever heard of number stations before?
During the Cold War, there was these
short-wave radio broadcasts
that sent out these cryptic messages across the airwaves.
Usually, a woman's voice
spouting out numbers and shit in German.
And to the general public, it sounded like
a bunch of nonsense, when in actual fact,
it was a complex cipher.
The beauty of this was, instead of marking X on a window
or hiding microfilm in a hollow tooth,
these sons of bitches had the audacity
to send their top-secret transmission
right out into the open for the whole world to hear.
What, are you saying there's a hidden message in that book?
DWIGHT: Something like that.
And what is it? Well, you didn't read it, now did you?
So it would be like trying to describe
the color turquoise to a blind man.
So, I'm a blind man now?
You all are.
That's funny. I thought we were all dominos.
I'm done talking here. Hold on.
It's so easy to sit on that side of the world
and judge me, isn't it?
Why did DuKent want your opinion?
Ask him yourself.
Guard.
Please, just tell me now. (BELL BUZZING)
He wanted to know if I saw
the same things in the book as he did.
But in the end, he turned out to be
just a fucking liar, like everyone else.
Why? What did he lie about?
He told me that if I was honest with him,
then he'd show up. That he would? DuKent?
No. The motherfucker that put me in here.
Bruce Cogburn.
GERMAN WOMAN: (OVER RADIO) Sechs, zwei, neun.
(DWIGHT BREATHES DEEPLY) (GRUNTS)
(COINS JINGLING) (TELEPHONE CLANKS)
(COIN CLANKING) (TELEPHONE BUTTONS CLICKING)
(TELEPHONE RINGING)
(TELEPHONE BEEPING) FEMALE: (OVER RECORDING) We're sorry.
Your call cannot be completed and dialed.
Please, check the number and dial again.
(TELEPHONE BEEPING) FEMALE: (OVER RECORDING) We're sorry.
Your call cannot be completed and dialed.
Please, check the number and dial again.
(TELEPHONE BEEPING) FEMALE: (OVER RECORDING) We're sorry.
Your call cannot be completed and dialed.
Please, check the number and dial again.
(TELEPHONE BEEPING) FEMALE: (OVER RECORDING) We're sorry.
Your call cannot be completed and dialed...
(CAR ENGINE REVVING)
(CAR DOOR OPENS, SHUTS)
(BOX RUSTLING)
(CELLPHONE RINGING)
(PANTS)
JERRY: Bruce. Jerry.
I'm not sure what you've been told,
or who you've been talking to...
JERRY: We got the manuscript. It's brilliant.
What? JERRY: Anonymous? Oh, come on.
There's nobody that writes like you.
I'm not sure how we're going to spin
this whole subject matter and all.
Makes perfect sense why you're going
with the whole "anonymous" angle.
What are you talking about?
JERRY: It's just, your protagonist
sounds a lot like you.
But I gotta tell ya, this William DuKent,
he is something else.
What did you say?
William DuKent. Am I saying it right?
When can we get the rest of the manuscript?
Send it! Send it to me! JERRY: What?
Bruce, what the hell are you talking about?
Send me the fucking manuscript, Jerry!
(KEYS JINGLING) (CAR ENGINE REVVING)
(FAX MACHINE BEEPING)
(FAX MACHINE WHIRRS)
(CAR HORN BLARING)
(COIN CLANKING)
(TELEPHONE DIAL TONE)
(TELEPHONE BEEPING)
BRUCE: I'm calling in response to the letters
I've received from you.
I'm not sure how you found me.
Maybe you got my PO box from an old agent or summit.
Saul. According to the Hebrew Bible,
Saul was the first king of Israel.
I bet you didn't know that.
(TELEPHONE BEEPING) (PAPER RUSTLING)
BRUCE: Your letters are unsolicited
and constitute harassment,
so please, stop sending them. You hear me?
'Cause I'm not here to be someone's fucking inspiration.
Someone's fucking muse.
LAURA: I 've heard your name somewhere. Are you famous?
DWIGHT: Who the fuck are you? BRUCE: Nobody important.
LAURA: You're that writer. BRUCE: 21st June. 1981.
Knoxville. That book will fuck you up.
JERRY: Crazy's always looking for an excuse to be crazy,
I guess, you know? DWIGHT: He had to be punished.
DETECTIVE 2: Who had to be punished? DWIGHT: God.
BRUCE: It's about a priest who finds God.
LAURA: Metaphorically? BRUCE: No, actually.
The right combination of words will make a man do...
DWIGHT: We're just a row of dominoes to him. BRUCE: ...just about anything.
BRUCE: You saying there's a hidden message in that book?
LAURA: Fucking nutjob. That guy's a fucking...
BRUCE: I don't need to listen to these. I know what I said.
DWIGHT: Fade to dust. Disappear.
LAURA: You gotta remember...
(INDISTINCT CHATTER) DWIGHT: You don't know shit.
BRUCE: Stop writing to me, okay?
LAURA: What do they say? BRUCE: Nothing.
DWIGHT: Words...
if you don't know how to play them...
BRUCE: If I find you... DWIGHT: ...they'll sure as hell
play you. BRUCE: You understand?
I'm gonna fucking kill you! WOMAN: Mr. Cogburn?
(PANTS)
These just came in for you.
(PANTS)
(PAPER RUSTLES)
JERRY: We got the manuscript.
MALE VOICE: It's brilliant.
JERRY: Anonymous? Oh, come on.
There's nobody that writes like you.
(THINGS CLATTERING)
(WHINES)
(CELLPHONE DIALING)
(CELLPHONE RINGING)
(TELEPHONE RINGING)
(CELLPHONE RINGING)
(PHONE CLICKS)
(HEAVY BREATHING OVER PHONE)
I know where we are, Mr. DuKent. I know exactly where we are.
We're at the end of act two, aren't we?
That's where the protagonist reaches their limits.
Questions their worth.
Their sanity. Everything.
Because they know the path traveled
pales in comparison to what lies ahead.
And it's in this moment, Mr. DuKent,
that a decision must be made.
Do they carry on,
or do they stop and go back?
But only they can make that choice.
And that, Mr. DuKent, is where you fucked up.
Because your protagonist
is too aware of your narrative now,
and to make matters worse, he's also a writer.
So he knows exactly what a good story needs,
and also how to sabotage one.
What's the greatest sin a writer can commit?
Do you know?
Being dull.
And that's exactly what I'm going to give you,
you stupid fucking cunt.
A long, drawn-out, uneventful, boring ending.
Because nobody gives a damn about an inspired second act
if your finale is a big pile of shit.
Wouldn't you agree?
(CELLPHONE LINE CLICKS)
GERMAN WOMAN: (OVER RADIO) Zwei, sechs, sechs, zwei.
(BELLS CHIMING)
MAN: Without a doubt.
(SIGHS)
(BIRDS CHIRPING) (CAR ENGINE REVVING)
(CAR DOOR OPENING, CLOSING)
(GUN CLICKS)
(KNOCKING ON DOOR)
Who is it?
WOMAN: United States federal marshals, Mr. Cogburn.
Ah, we've gone federal now, have we?
WOMAN: Can you step outside, please?
I suppose you've got some convincing ID printed up?
Everything all right there, Mr. Cogburn?
Everything all right with you?
Were you in New Mexico a few days back?
I don't know, you tell me.
Mind telling us the reason for the trip?
BRUCE: I was visiting someone.
WOMAN: Was that someone Dwight Tufford?
Well, that's not a crime, is it?
That's not a crime, sir, but signing in as Richard Smith
at the front desk, that's a crime.
Where'd you get this from?
We're aware of the history between you two, all right?
We're just trying to figure out
why you would want to go and see him now.
Closure, I guess.
Has Dwight Tufford contacted you in the last 24 hours?
No. Why would he do that?
WOMAN: You been watching TV this morning?
I don't have a television. I'm not that kind of person.
Why?
MALE NEWS ANCHOR: (OVER TV) The FBI's manhunt is focusing
its search on Dwight Tufford in the Los Alamos area
of New Mexico.
Despite being held in a maximum-security prison,
Tufford somehow slipped past the guards last night,
sparking a nationwide panic.
In 1981, Tufford arrived
at the Knoxville Baptist University campus with a rifle.
Taking aim, he pointed his gun at the crowd below
and he shot dozens.
Thirteen students and faculty members died.
He is responsible for the deadliest shooting
in Tennessee history.
One witness described it as mass chaos.
No one knew where the bullets were coming from,
or where to run.
(BREATHES HEAVILY)
FEMALE: (OVER TV) But so was Orwell's 1984
or Joyce's Ulysses when first published.
The only crime Mr. Cogburn ever committed
was writing one book.
MALE INTERVIEWER: So it begins with the author's intent?
FEMALE: That's fair to say. MALE INTERVIEWER: So, what is the intent
of The Infernal machine?
FEMALE: I believe only Mr. Cogburn
can answer that question.
(SCHOOL BEL RINGING)
INDISTINCT CHATTER)
LAURA: Take it easy, Mr. Cogburn.
GIRL: Are we still getting ice cream?
LAURA: No. We're going to get some fish, uncooked.
Like, raw fish.
GIRL: Ew. No. I want ice cream.
(SINGING "MISERERE MEI, DUES" IN LATIN)
♪ Miserere Mei ♪
♪ Deus ♪
♪ Secundum magnam ♪
♪ Misericordiam ♪
♪ Tuam ♪
♪ Miserere mei ♪
♪ Deus ♪
Just give her five minutes, then the stage is yours.
Show's not till 7 tomorrow,
so I assume you should have plenty of time to set up?
Okay, sure.
♪ Misericordiam... ♪
A year ago, I couldn't even get her to sing in the car.
She's your daughter?
Yeah.
She booked her first TV job last week.
I mean, nothing much.
A walk-on on one of those hidden camera shows? But she loved it.
What was the show?
They never tell you that.
They had her playing in the park or something?
The casting director, she was lovely.
She was great, great with kids.
Do you have kids? Should take them there.
Bishop and Rook. I mean, amazing.
It's so good. Bishop and Rook?
WOMAN: Yeah, she's great with kids, yeah.
Can't wait for her to book another job.
("MISERERE MEI DEUS" BY THE NORTHWESTERN COLLEGE CHOIR)
♪ Miserere mei... ♪
(GLASS SHATTERING)
♪ Deus ♪
♪ Secundum magnam ♪
♪ Misericordiam... ♪
♪ Tuam ♪
(LOCK CLICKS)
(INDISTINCT CHATTER)
Reservation?
(PLATED CLATTERING)
(CROWD APPLAUD)
WAITRESS: Mister? You forgot something.
(FIRE CRACKLES) Oh!
(INDISTINCT CHATTER)
Don't fucking move.
Umm... I'll have another vodka tonic, actually.
And my associate here, a whiskey, I believe?
Stand up. We're not doing this here.
Well, I believe we are. What, you think
that revolver is going to convince me otherwise?
Why don't you give it a go?
I'm not sure you'll have much luck, though,
considering we took all the bullets out of the gun.
Bullshit.
Well, there's only one way to find out.
Right. So, I think we are going to do this,
so why don't you take a seat?
What do you want? From you? Nothing.
Then who are you?
Say a young couple wants to get married.
They find themselves a wedding planner.
Or if you want to host a fancy dinner party,
you hire a chef.
But if you need to turn someone's world upside down,
then you hire me.
And that's what you think you're doing?
No, it's what I've done. The proof of that is you
sitting right opposite me. Thank you.
The reason I'm sitting opposite you is
because I found your fake daughter.
You're a sicko, endangering a kid like that.
Endangered? (CHUCKLES) That's a bit dramatic, isn't it?
That little angel went home with 300 dollars in her pocket.
All she had to do was pretend to be
someone else for a few hours.
Isn't that what you've been doing the last 25 years?
Do you know, the difference between you and I
is that I know what I am.
I'm a liar. And I'm fucking good at it.
I can be anything you want me to be.
Could be a person, a company, a scenario.
Usually, the marks are sort of politicians and CEOs.
They're always boring. They're always forgettable.
And that's what separates you from them.
What, because I'm not boring? Oh no, you're very boring.
But you're not forgettable.
And that's why I took this assignment.
Because history is going to remember you, Bruce.
And that really bothers me.
Because you dress in your sort of Sam Shepard clothes,
and you drink like Capote and live like Thompson,
all so the world will know there's artistic genius,
but you and I know there's no artistic genius.
There's no mystique. Shut it.
You got lucky.
You built your ivory tower brick by brick with lies.
Shut your fucking mouth. And I'm here
to make sure you burn in it.
'Cause you see, it's pride that's the Achilles' heel
of mediocre men.
Shut it with your fucking pride talk.
That's not the reason why I'm here.
Right. Sorry. Yes, of course. My bad. So...
that little girl, I so carelessly endangered.
Okay, total hypothetical here, what if, just what if,
I wanted you to find the girl, her mother, my office,
the stack of receipts, all of it? Right.
Right, well, that would make you a fucking genius,
and I don't think you are. No.
Probably not.
(GLASS CLINKS)
(CROWD APPLAUD)
WAITRESS: Mister? Mister?
You forgot something.
WAITRESS: Mister? Mister? You forgot something.
Wait...
(FIRE CRACKLES) Oh!
Wait.
LAURA: I'm not sure you'll have much luck, though,
considering we took all the bullets out of the gun.
BRUCE: Bullshit. LAURA: There's only one way to find out.
There's only one way to find out.
(GUN CROCS)
Wait. Hold on.
Listen, I don't know...
(INDISTINCT CHATTER)
Who are you? Oh, nobody important.
I'm just the messenger.
Then who's sending the fucking messages?
Don't worry, Bruce. You'll see him soon enough.
You all right?
I've got a steak in the fridge if you like.
Come on.
(SAUL BARKS, GROWLS) BRUCE: Saul?
Saul? (SAUL BARKING)
Saul! Hey! Hey! (SAUL HOWLING)
Saul!
(SAUL GROWLING)
Saul!
(SAUL BARKING, WHINING)
(SAUL WHINING)
Fuck.
Saul!
(GUNSHOT)
(GUNSHOTS)
(GRUNTS)
(PANTS)
(BULLETS CLINKING)
(GUNSHOT)
(PANTS)
(GUNSHOT)
(DOOR CREAKS, SLAMS)
Hello?
(PANTS)
DWIGHT: Bruce?
(GUN CROCS)
That dog of yours has got a lot of spirit.
Do you want to come out and talk about it?
No?
Okay.
Hell of a gun you got yourself here, Bruce.
If I would have had one of these on the day,
I would have gotten a lot more than 13, I'll tell you that.
Like shooting fish in a barrel.
The first eight I killed,
they were easy.
They just stood there.
Emotionless.
Confused.
Like they couldn't make sense of any of it.
(DOOR CREAKS)
'Cause you can't make sense out of madness now...
can you, Bruce?
No. You can't.
But you killed 13, not eight.
What were the other five guilty of?
Running in straight lines, I guess.
Ah.
I really wish that you and I had met
under different circumstances.
Because I've got a lot of questions
about that book of yours.
(BANGS)
(GRUNTS) (GRUNTS)
(CHOKES, WHEEZES)
Shh! Shh!
Don't worry, Bruce.
I ain't letting you die, I'll make sure of that.
You see,
I gave 20 years of my fucking life for that book of yours.
And now I'm going to need some answers.
Eight hundred pages' worth.
And there is nothing, and I mean nothing,
that I'm not willing to do.
(GRUNTS) "There they go.
One by one, two by two,
that long line
crawling its way up the sidewalk.
Builders.
Doctors.
Farmers. Plumbers. Thieves.
All entering God's house like ants
walking across a picnic blanket."
God, you've got a way with words, Bruce.
"Then the priest thought..."
(GRUNTS)
"...why don't they join me out here on the grass?
That way, the ones who want sun, get it,
and the ones that don't, don't. (GRUNTS)
This way, I can tell them the truth.
That it's 95 degrees.
That's all I know for certain.
The rest is up for interpretation."
(GRUNTS)
(PANTS)
The book...
What does it all mean?
(CHOKING, SOBBING)
Pl... Please...
Well, I would like to tell you...
but the truth is...
I didn't write it.
(GUNSHOT)
(DWIGHT THUDDING TO GROUND) (PANTS)
(CAR ENGINE REVVING)
(DOOR CREAKING)
(SAUL WHINING)
MAN: (OVER PHONE) Professor.
Elijah's been on life support for the past two weeks.
Even if he woke up, he'd never be the same.
My wife and I agree that...
we need to end his suffering.
(PHOENIX SCREAMING)
(SIGHS)
ELIJAH: What would I write about?
BRUCE: Anything. Anything you want.
It's about a priest.
BRUCE: Does it have a title?
ELIJAH: No, not yet.
(PEN LID CLICKING) (PAPER RUSTLING)
(SIGHS)
(MACHINE WHIRRING)
(EXHALES)
(RADIO BUTTON CLICKING) (RADIO FREQUENCY STATIC)
GERMAN WOMAN: (OVER RADIO) Zwei, sechs, sechs, zwei.
(RADIO FREQUENCY STATIC)
GERMAN WOMAN: (OVER RADIO) Zwei, zwei, sechs,
sechs, zwei, neun.
Eins, eins, funf, eins, vier, neun.
Zwei, zwei, sechs, sechs, zwei, neun.
(JEEP ENGINE REVS)
GERMAN WOMAN: (OVER RADIO) Zwei, zwei, sechs,
sechs, zwei, neun.
Eins, eins, funf, eins, zehn.
GERMAN WOMAN: (OVER RADIO) Zwei, zwei,
sechs, sechs, zwei, neun.
GERMAN WOMAN: (OVER RADIO) Eins.
Eins.
Sechs.
Eins.
Sieben.
Zwei.
Neun.
(BELLS CHIMING IN RADIO)
BRUCE: "There they go. One by one, two by two,
that long line crawling its way up the sidewalk.
Builders, doctors, teachers, farmers, plumbers, thieves.
All entering God's house like ants
marching across a picnic blanket.
(PAPER RUSTLES)
(PANTS)
Elijah?
How did you find me?
W... with lots and lots...
of patience.
(EXHALES)
How long have you been here?
Almost five years, Professor.
Oh, God.
(MACHINE BEEPING) (METAL CLANGING)
Cause and effect.
Action and reaction.
If you know the physical properties of something,
you can make it do almost anything you...
want.
Human beings are no different.
(SIGHS)
So, you knew I was coming?
I was hoping for that
conclusion, yes.
I'm not a fortune teller, I'm just a...
just a writer.
You see, all I did was
place a few obstacles in your path, and then I...
waited to see what you would do.
And I must confess that the dog...
was a nice touch.
How is Saul doing by the way, hm?
He'll live.
Will Mr. Tufford be joining us today?
(SIGHS) ELIJAH: I see.
That's good. I never was very...
very fond of that ending anyway.
What ending is that?
ELIJAH: Every story
ends in one of two ways.
Either the hero faces his fears and is reborn,
or he is punished
for failing to change.
And I'm really curious, Professor.
Which one are you?
Don't you lecture me.
What was I supposed to do?
Your father told me, he was gonna
turn your fucking machine off.
And that book was too important
to just sit on the fucking shelf!
What do you want from me?
I only wish to take
what you're willing to give me.
(GAS HISSES)
(FIRE CRACKLES)
All right.
(SIGHS) (FIRE CRACKLES)
(HISSES) (SIGHS) Right.
And the point to all of this is...
(EXHALES)
...is punishment?
Justice? Retribution? Atonement?
That's the point, is it?
Writer's block.
(FIRE CRACKLES) (ELIJAH SIGHING)
Since you stole...
my first book, Bruce, I...
I thought you...
you wouldn't mind helping me...
write my second book.
But then...
the more I wrote,
the more I realized,
"This is not my story."
(FIRE CRACKLES)
I know you... you didn't write it.
(SIGHS) But you lived it.
Every page, every line, every word.
Don't worry, Professor.
This is a...
a happy ending.
For 25 years,
the world has waited for
Bruce Cogburn's next masterpiece.
And today,
today is the day
that we give it to them.
(FIRE CRACKLES)
Why are you doing this?
I need to know that I am more than a book...
full of rage.
(BREATHES DEEPLY)
I truly believed that you had died.
I was dead.
For 19 minutes.
Would you like to know what I found on the other side?
(FIRE CRACKLES)
(CHUCKLES WEAKLY) I... I found...
nothing.
My whole life, I...
I blamed God for everything that was
wrong with me, and I...
wanted so much for the world to...
to know Him the way that I knew Him as a...
a child,
a cruel child with a...
with a magnifying glass.
And we are just the ants that He plays with.
But then...
I died.
And I realized...
there is no child.
There is no magnifying glass.
There is only us ants.
And we are the ones who
started the fire.
All those misguided gods,
all those beliefs...
(FIRE CRACKLES) ...all bullshit.
(FIRE CRACKLES)
(SIGHS)
(INHALES DEEPLY)
Oh, what is that?
It's a letter. Who is that
To my agent.
(FIRE CRACKLES)
I'm done playing this part.
What did you put in that letter, Bruce?
Bruce?
Professor?
(SCREAMS) Professor!
(ALIJAH SOBBING)
What's in that letter?
The truth, Elijah.
It's the truth.
(TELEPHONE BEEPING)
(TELEPHONE DIALING)
(SOBS) (MODEM BEEPS)
(HISSES)
(FIRE CRACKLES)
(SCREAMS)
(EXPLOSION)
(PAPER RUSTLING)
(CLANGS)
(SIGHS)
(WATER SPLASHES) (GROANS)
Elijah?
(COUGHS) This is incredible writing.
ELIJAH: Thank you, Professor.
BRUCE: It's exquisite.
Now, bugger off. Yes. Thank you.
BRUCE: I'm serious, Elijah. Everything I read of yours,
it's so surprising to me. It's unpredictable.
You need to be a professional writer.
What if I don't have anything to say?
BRUCE: Then you're not digging deep enough.
Dig deep.
Elijah?
What do you think, Professor?
I can't wait to read it.
ELIJAH: Dig deep. Dig deep.
BRUCE: What's that? Dig deep.
I don't think I could have dug any deeper than this, Professor.
He's gonna be so mad at me.
I'm... I'm supposed to wait.
I don't know if I can wait. Wait for what?
Wait for what, Elijah?
To see the look on God's face.
No!
(MUFFLED SCREAM ECHOING)
ELIJAH'S DAD: (OVER PHONE) My wife and I agree that
we need to end his suffering.
Thank you for everything you've done for our boy.
I have to go. I'm so sorry.
I appreciate you telling me.
BRUCE: Who...
am I?
Who am I, really?
That's the question that every protagonist
needs to answer by the end of their story.
If your hero hasn't reached
some sort of cathartic realization about who they are
or what they believe in by the last page,
then I'm sorry to inform you, ladies and gents,
you have failed your reader.
ELIJAH: Professor. Thank you for everything.
You are a really good teacher.
Did you know that?
You're the only person that gets me.
You made me a...
a better writer. You made me... you made me better.
I couldn't have done this without you.
BRUCE: The road you construct
for your characters to travel along,
it shouldn't be paved, shouldn't be easy.
Because finding out who you are
never is.
("SUN DON'T SHINE" BY HALEY MCCALLUM PLAYING)
♪ Before I lay my head to rest ♪
♪ Gonna get on a train And head out west ♪
♪ Lose myself in the sand And the wine ♪
♪ 'Cause God don't go Where the sun don't shine ♪
♪ The sun don't shine ♪
♪ Lose myself on The side of the road ♪
♪ Where the buzzards bleed And the rain don't go ♪
♪ 'Cause the world is made Of many things ♪
♪ God don't slow On the angel wings ♪
♪ The angel wings ♪
♪ There's always someone Waitin' at the gates ♪
♪ Gonna roll away to heaven On a pair of roller skates ♪
♪ No more waitin' for My time to pass ♪
♪ Life's too short To make things last ♪
♪ To make things last ♪
♪ Says, "Ain't you tired Of bein' so sad? ♪
♪ The bottle in your veins Won't hurt so bad ♪
♪ You can run away with me To a sunny sky ♪
♪ We'll both be older When we die ♪
♪ When we die ♪
♪ Lose myself in the sand And the wine ♪
♪ 'Cause God don't go Where the sun don't shine ♪
♪ Sun don't ♪
♪ Shine ♪