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(RADIO STATIC)
(INDISTINCT CHATTER ON RADIO)

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MALE ANCHOR: (OVER RADIO)
<i>Good morning. It's 52 degrees</i>

3
00:00:23,693 --> 00:00:26,023
<i>at nine o'clock</i>
<i>this Tuesday, June 23rd,</i>

4
00:00:26,258 --> 00:00:27,629
<i>and here is our top story.</i>

5
00:00:29,094 --> 00:00:31,028
<i>Tragedy in Knoxville.</i>

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<i>Two days ago,</i>
<i>Sunday morning, June 21st,</i>

7
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<i>a lone gunman entered</i>

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<i>the Knoxville Baptist</i>
<i>University campus</i>

9
00:00:39,106 --> 00:00:40,246
<i>with rifle in hand.</i>

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<i>There, he climbed</i>
<i>the clock tower</i>

11
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<i>and began firing</i>
<i>into the crowds below.</i>

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<i>Thirteen are reported dead,</i>
<i>with 26 critically injured.</i>

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<i>President Reagan</i>
<i>and the First Lady arrived</i>

14
00:00:52,161 --> 00:00:53,688
<i>in Knoxville this afternoon</i>

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<i>to console the grieving families</i>
<i>of the fallen.</i>

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<i>Police have yet to release</i>
<i>the identity of the shooter,</i>

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<i>but an anonymous source</i>
<i>is reporting</i>

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<i>that the suspect in custody is</i>

19
00:01:04,096 --> 00:01:05,667
<i>a 17 year-old boy.</i>

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00:01:06,603 --> 00:01:08,769
<i>We continue our coverage</i>
<i>on the Knoxville killings</i>

21
00:01:08,804 --> 00:01:10,276
<i>with our very own</i>
<i>Frank Hutchinson,</i>

22
00:01:10,311 --> 00:01:11,772
<i>who is live on the scene.</i>

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(KEYS JINGLE)

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(CAR DOOR OPENS AND CLOSES)
(BIRD CHIRPING)

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(PAPER RUSTLES)

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(TELEPHONE DIAL TONE PLAYING)
(COIN CLANKING)

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(TELEPHONE BUTTONS CLANKING)

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(TELEPHONE RINGING)

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(TELEPHONE SLAMS)
(COIN CLANKING)

30
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(SIGHS)

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(COINS CLANK)

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(COIN CLANKS)
(TELEPHONE DIAL TONE PLAYING)

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(TELEPHONE BUTTONS CLANK)

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(TELEPHONE RINGING)

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00:02:50,807 --> 00:02:52,939
(TELEPHONE BEEPS)
(COINS CLINK)

36
00:02:52,974 --> 00:02:56,041
Uh, this is a message
for William DuKent.

37
00:02:57,649 --> 00:02:59,143
Mr. DuKent. Um...

38
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This is Bruce Cogburn.

39
00:03:04,458 --> 00:03:05,886
I'm calling in response
to the letters

40
00:03:05,921 --> 00:03:07,019
I've received from you.

41
00:03:08,187 --> 00:03:09,923
I'm not sure how you...
you found me.

42
00:03:10,859 --> 00:03:14,400
Perhaps you... you got my PO box
from an old agent or summit.

43
00:03:15,931 --> 00:03:18,338
If so, that information
was never meant to be shared.

44
00:03:19,074 --> 00:03:23,475
Nevertheless, it seems
from your letters, Mr. DuKent,

45
00:03:23,510 --> 00:03:24,740
you know quite a bit about me.

46
00:03:25,710 --> 00:03:26,940
So I can only assume

47
00:03:27,475 --> 00:03:29,514
you're aware of my sentiment
when it comes to

48
00:03:29,549 --> 00:03:30,680
discussing my work.

49
00:03:30,982 --> 00:03:32,715
I don't do interviews.
Never have.

50
00:03:33,751 --> 00:03:34,816
And I never will.

51
00:03:39,889 --> 00:03:40,987
Anyway, I...

52
00:03:41,923 --> 00:03:43,495
I want to wish you
all the best with your book.

53
00:03:44,894 --> 00:03:47,598
The blank page can be
a terrifying prospect at times,

54
00:03:47,900 --> 00:03:49,127
so good luck.
(TELEPHONE SLAMS)

55
00:03:51,967 --> 00:03:56,068
(INSECTS CHIRPING)

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(LIGHTER CLICKS)

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(TRUCK ENGINE REVS)

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(JEEP ENGINE REVS)

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(NEWTON'S CRADLE CLICKING)

60
00:06:33,392 --> 00:06:35,931
(KEY CLICKING)
(PO BOX CREAKING)

61
00:06:41,433 --> 00:06:42,575
(PO BOX SLAMS)

62
00:06:43,611 --> 00:06:45,006
(CAR HONKING)

63
00:07:01,827 --> 00:07:04,795
(TELEPHONE RINGING, BEEPING)

64
00:07:04,830 --> 00:07:06,093
Mr. DuKent,

65
00:07:06,128 --> 00:07:07,963
this is Bruce Cogburn
calling you again.

66
00:07:08,498 --> 00:07:09,998
Every time I make
one of these calls,

67
00:07:10,033 --> 00:07:12,165
I have to travel 14 miles
to the nearest phone booth.

68
00:07:12,433 --> 00:07:14,838
Now, I feel I've been
nothing but courteous

69
00:07:14,873 --> 00:07:15,905
when it comes to your book

70
00:07:16,274 --> 00:07:17,511
and how I have no interest
in helping you with it.

71
00:07:18,013 --> 00:07:19,843
But it seems I'm not
making myself clear.

72
00:07:20,111 --> 00:07:21,339
So, piss off.

73
00:07:21,674 --> 00:07:24,408
Your letters are unsolicited
and constitute harassment,

74
00:07:24,443 --> 00:07:25,981
so please, stop sending them.

75
00:07:26,016 --> 00:07:28,148
In the meantime, I'm going
to get rid of my PO box

76
00:07:28,183 --> 00:07:29,380
so you can save yourself
the bother.

77
00:07:31,351 --> 00:07:32,449
And one more thing.

78
00:07:33,318 --> 00:07:36,662
You keep asking me,
why I never wrote a second book.

79
00:07:37,423 --> 00:07:40,666
21st June. 1981. Knoxville.

80
00:07:41,295 --> 00:07:42,360
But you know that.

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(INSECTS CHIRPING)
(BIRD CHIRPING)

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(PHOENIX SHRIEKS)
(PANTS)

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(PANTS)

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(LIGHTER CLICKS)

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(LIGHTER CLICKS)

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(LETTERS RUSTLE, SLAM)

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(GLASS CLATTERING)

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(CABINET CLANKS)

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(CABINET CLANKS)

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00:09:02,112 --> 00:09:03,342
(CABINET CLANKS)

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00:09:07,480 --> 00:09:08,545
(GLASS CLANKS)

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00:09:12,793 --> 00:09:14,694
(CABINET CLANKING)
BRUCE: Fuck.

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00:09:16,390 --> 00:09:18,632
(CABINET CLANKS)

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00:09:23,870 --> 00:09:26,134
(PANTS)

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(DOOR CREAKING)

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00:09:46,893 --> 00:09:48,629
(DOOR CREAKS, SHUTS)

97
00:10:00,808 --> 00:10:02,566
(insect chirping intensifies)

98
00:10:10,147 --> 00:10:14,721
(CAR ENGINE REVS)

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00:10:51,320 --> 00:10:52,451
(TELEPHONE BEEPING)

100
00:10:53,685 --> 00:10:54,827
BRUCE: (OVER RECORDING)
<i>A few days ago,</i>

101
00:10:55,062 --> 00:10:56,653
<i>I received a package</i>
<i>on my doorstep.</i>

102
00:10:58,063 --> 00:10:59,623
<i>It was a box of ink ribbons</i>

103
00:10:59,658 --> 00:11:01,196
<i>for a very specific typewriter.</i>

104
00:11:02,133 --> 00:11:03,836
<i>The one I used</i>
<i>when I wrote my book.</i>

105
00:11:04,238 --> 00:11:06,036
<i>I should tell you that</i>
<i>some of the things</i>

106
00:11:06,071 --> 00:11:07,466
<i>that have been said</i>
<i>about me are true.</i>

107
00:11:07,501 --> 00:11:09,171
(GUNSHOT)
(GLASS SHATTERS)

108
00:11:09,907 --> 00:11:11,371
BRUCE: (OVER RECORDING)
<i>For instance, if I find anyone</i>

109
00:11:11,406 --> 00:11:12,878
<i>trespassing on my land...</i>

110
00:11:12,913 --> 00:11:14,176
(GUNSHOT)
(GLASS SHATTERS)

111
00:11:14,511 --> 00:11:16,013
BRUCE: (OVER RECORDING)<i> that</i>
<i>person will be shot on sight.</i>

112
00:11:17,016 --> 00:11:19,709
<i>That's not a threat.</i>
<i>That's just a fact.</i>

113
00:11:19,744 --> 00:11:20,853
(GUNSHOT)
(GLASS SHATTERS)

114
00:11:21,422 --> 00:11:24,054
So, stay away from me
and my home

115
00:11:24,389 --> 00:11:26,925
and do not test
the sincerity of my resolve.

116
00:11:28,192 --> 00:11:29,224
God bless America.

117
00:11:37,267 --> 00:11:39,971
(GUITAR PLAYING)

118
00:11:40,006 --> 00:11:41,302
STORE OWNER:
Hello. How are you?

119
00:11:42,204 --> 00:11:44,745
I'll take two of those
small bottles as well, thanks.

120
00:11:46,309 --> 00:11:47,407
Yeah.

121
00:11:51,545 --> 00:11:54,117
(HARMONICA MUSIC PLAYING
OVER RADIO)

122
00:12:00,752 --> 00:12:02,686
(RADIO FREQUENCY STATIC)

123
00:12:07,902 --> 00:12:11,497
GERMAN FEMALE: (OVER RADIO)
<i>Zwei, funf, sechs,</i>

124
00:12:12,071 --> 00:12:15,908
<i>sechs, zwei, neun.</i>

125
00:12:18,473 --> 00:12:23,278
<i>Eins, eins, funf, eins.</i>

126
00:12:23,647 --> 00:12:28,547
(RADIO FREQUENCY STATIC)
(HARMONICA MUSIC PLAYING
OVER RADIO)

127
00:13:00,482 --> 00:13:06,420
(CAR REVS)

128
00:13:32,514 --> 00:13:36,351
(CAR REVS)
(MEN CHEER)

129
00:13:37,090 --> 00:13:39,992
(CAR SCREECHING)

130
00:13:40,728 --> 00:13:43,754
(HARMONICA MUSIC PLAYING
OVER RADIO)
(PANTS)

131
00:13:51,137 --> 00:13:56,877
(DOGS BARKING)

132
00:14:23,697 --> 00:14:24,762
Saul.

133
00:14:26,568 --> 00:14:28,040
According to the Hebrew Bible,

134
00:14:28,275 --> 00:14:29,734
Saul was the first
king of Israel.

135
00:14:30,770 --> 00:14:31,912
I bet you didn't know that.

136
00:14:37,744 --> 00:14:40,250
And then during the battle
with the Philistines,

137
00:14:40,285 --> 00:14:42,483
King Saul threw himself
on his own sword

138
00:14:42,518 --> 00:14:43,517
to avoid being captured.

139
00:14:49,129 --> 00:14:50,656
Hell of a way to go,
if you ask me.

140
00:15:00,239 --> 00:15:03,372
(BIRDS CHIRPING)

141
00:15:06,575 --> 00:15:07,772
(SAUL BARKING)

142
00:15:09,842 --> 00:15:11,017
(SAUL WHINING)

143
00:15:13,054 --> 00:15:15,021
(SAUL BARKING)

144
00:15:19,522 --> 00:15:23,227
(CAR REVVING)
(SAUL BARKING)

145
00:15:34,273 --> 00:15:35,569
(CAR HORN BEEPS)

146
00:15:36,968 --> 00:15:40,409
(SAUL GROWLS, BARKS)

147
00:15:42,941 --> 00:15:44,644
Saul. Saul!

148
00:15:50,916 --> 00:15:51,948
(CAR DOOR OPENS)

149
00:15:55,459 --> 00:15:56,755
(CAR DOOR SHUTS)

150
00:15:57,725 --> 00:15:58,823
Are you Bruce Cogburn?

151
00:16:01,102 --> 00:16:03,201
Maybe. Who's that letter from?

152
00:16:05,172 --> 00:16:07,205
Uh... William DuKent.

153
00:16:09,440 --> 00:16:10,637
(SIGHS)

154
00:16:13,246 --> 00:16:14,311
What if I don't want it?

155
00:16:16,381 --> 00:16:20,548
You could stop by the office,
fill out a few forms?

156
00:16:21,217 --> 00:16:22,649
But I don't have
any on me, so...

157
00:16:22,684 --> 00:16:23,683
Will you put it in that barrel?

158
00:16:27,260 --> 00:16:28,325
You can put them all in there.

159
00:16:30,230 --> 00:16:31,262
All of them?

160
00:16:31,858 --> 00:16:32,857
There'll be more.

161
00:16:36,599 --> 00:16:38,665
(CAR DOOR OPENING, SHUTTING)

162
00:16:38,967 --> 00:16:41,173
JERRY:<i> Bruce? Is that you?</i>
Jerry?

163
00:16:41,208 --> 00:16:44,000
JERRY: (LAUGHING)
<i>How long has it been?</i>

164
00:16:44,035 --> 00:16:45,309
Listen, who have you
been talking to?

165
00:16:45,611 --> 00:16:46,937
JERRY: (SCOFFING)<i> Sorry?</i>

166
00:16:47,339 --> 00:16:48,642
Who else knows where I live?

167
00:16:48,910 --> 00:16:50,842
JERRY: (SPLUTTERS)
<i>What are you talking about?</i>

168
00:16:50,877 --> 00:16:52,514
Your accountant, your secretary.

169
00:16:52,983 --> 00:16:54,714
JERRY:<i> Bruce, I'm the only one</i>

170
00:16:54,749 --> 00:16:56,947
<i>who knows anything</i>
<i>about you, okay?</i>

171
00:16:57,249 --> 00:16:58,520
<i>Like we agreed.</i>

172
00:17:00,227 --> 00:17:01,292
<i>Is everything all right?</i>

173
00:17:01,855 --> 00:17:02,920
Yeah.

174
00:17:04,055 --> 00:17:06,231
Bloody dandy.
JERRY:<i> Okay, good.</i>

175
00:17:06,533 --> 00:17:07,727
<i>Now, I know what</i>
<i>you're going to say,</i>

176
00:17:07,762 --> 00:17:09,135
<i>but just hear me out.</i>

177
00:17:09,971 --> 00:17:11,962
<i>The publishers want</i>
<i>to do a re-release.</i>

178
00:17:12,531 --> 00:17:14,305
<i>A special anniversary edition.</i>

179
00:17:14,774 --> 00:17:16,868
<i>And they're wondering</i>
<i>if you would write a foreword.</i>

180
00:17:17,136 --> 00:17:18,441
<i>Just a few words.</i>

181
00:17:18,810 --> 00:17:21,378
<i>Enough to remind the world</i>
<i>that you still exist.</i>

182
00:17:21,713 --> 00:17:23,941
How many words? For the book.
How many do you need?

183
00:17:24,476 --> 00:17:25,910
JERRY:
<i>Enough to fill a few pages.</i>

184
00:17:26,880 --> 00:17:28,814
I'll think about it.
(TELEPHONE SLAMS)

185
00:17:36,494 --> 00:17:39,297
(CAR ENGINE REVVING)

186
00:17:52,477 --> 00:17:53,971
(CAR HORN BLARING)
(CAR REVS)

187
00:17:59,814 --> 00:18:01,121
(SIGHS)

188
00:18:11,826 --> 00:18:17,203
(CAR REVVING)

189
00:18:18,668 --> 00:18:21,504
(CAR HORN BLARING)
(SIGHS)

190
00:18:50,733 --> 00:18:53,129
(STAMPING)

191
00:19:08,619 --> 00:19:11,686
(TELEPHONE BEEPS)

192
00:19:12,221 --> 00:19:13,259
BRUCE: (RECORDING)<i> You might be</i>

193
00:19:14,161 --> 00:19:16,460
<i>the most persistent</i>
<i>fucking person</i>

194
00:19:16,495 --> 00:19:17,824
<i>I've never even met.</i>

195
00:19:20,092 --> 00:19:22,301
<i>Ninety handwritten letters</i>

196
00:19:23,337 --> 00:19:26,129
<i>in this day and age</i>
<i>is no small task.</i>

197
00:19:27,033 --> 00:19:29,374
<i>However, it has to stop.</i>

198
00:19:30,542 --> 00:19:32,036
BRUCE:
I was someone important once.

199
00:19:32,471 --> 00:19:34,874
But that seems to tell
a lot of people

200
00:19:35,142 --> 00:19:36,876
that I am supposed to represent

201
00:19:36,911 --> 00:19:38,548
whatever their
particular fantasy

202
00:19:38,583 --> 00:19:40,044
of a hero is supposed to be.

203
00:19:40,379 --> 00:19:41,650
But, Mr. DuKent?

204
00:19:45,524 --> 00:19:46,853
My opinions...

205
00:19:48,120 --> 00:19:50,989
are my own. Okay?

206
00:19:51,024 --> 00:19:54,399
So, I suggest
you go out into the world...

207
00:19:57,228 --> 00:20:03,067
and you discover for yourself
and you trust your own senses

208
00:20:03,369 --> 00:20:06,378
'cause I'm not here to be
someone's fucking inspiration.

209
00:20:08,448 --> 00:20:09,876
Someone's fucking muse.

210
00:20:09,911 --> 00:20:11,042
(TELEPHONE BEEPING)

211
00:20:13,750 --> 00:20:15,178
(TELEPHONE BEEPING)

212
00:20:17,017 --> 00:20:18,082
Fuck.

213
00:20:19,789 --> 00:20:21,426
(COIN CLANKS)

214
00:20:21,461 --> 00:20:25,727
(BUTTONS CLICKING)

215
00:20:26,262 --> 00:20:27,795
(TELEPHONE RINGING)

216
00:20:30,096 --> 00:20:31,700
(TELEPHONE BEEPING)

217
00:20:31,735 --> 00:20:33,438
What do you suppose...

218
00:20:34,738 --> 00:20:35,836
might be the...

219
00:20:38,544 --> 00:20:41,578
the outstanding characteristic
of humanity?

220
00:20:42,009 --> 00:20:44,042
A, language?

221
00:20:44,649 --> 00:20:46,715
B, tool-making?

222
00:20:47,245 --> 00:20:49,586
Or C, obedience?

223
00:20:51,084 --> 00:20:53,722
'Cause I think
it might be obedience.

224
00:20:53,757 --> 00:20:56,252
We're a fucking social animal,
don't you agree?

225
00:20:56,287 --> 00:20:58,122
We've evolved to get on
with each other.

226
00:20:58,157 --> 00:21:00,333
To agree with each other,
for the most part.

227
00:21:00,368 --> 00:21:02,962
However, we're the only
fucking creature

228
00:21:02,997 --> 00:21:04,634
who displays arrogance

229
00:21:04,669 --> 00:21:07,769
when it comes to our obedience.

230
00:21:08,004 --> 00:21:09,639
Don't you agree?
Don't you agree?

231
00:21:09,674 --> 00:21:11,905
(COIN CLANKS)
(TELEPHONE BEEPING)

232
00:21:11,940 --> 00:21:14,743
Here's one for you.
To agree with the flat-Earthers.

233
00:21:14,778 --> 00:21:16,107
The Flat Earth Society.

234
00:21:16,342 --> 00:21:20,485
Straight off the top of my head.
Evidence might point to the fact

235
00:21:20,520 --> 00:21:21,981
of a spherical Earth.

236
00:21:22,016 --> 00:21:24,489
But.... but,
that doesn't fucking mean

237
00:21:24,524 --> 00:21:26,216
the Earth is round. Right?

238
00:21:26,484 --> 00:21:28,922
I mean if you think about it,
most people

239
00:21:28,957 --> 00:21:32,827
have only ever seen the Earth
round in a photograph.

240
00:21:32,862 --> 00:21:34,730
Okay? You, me,

241
00:21:34,765 --> 00:21:38,833
experiences our Earth
every day as flat.

242
00:21:38,868 --> 00:21:39,966
Flat. Flat.

243
00:21:40,535 --> 00:21:42,265
Well, actually it's a bit hilly.

244
00:21:43,034 --> 00:21:45,774
So, maybe I need to stand
for the Hilly Earth Society.

245
00:21:48,482 --> 00:21:50,306
I don't think
those flat-Earthers

246
00:21:50,341 --> 00:21:52,550
have taken it far enough
if you ask me.

247
00:21:52,585 --> 00:21:59,348
(CHUCKLES) Clearly it's flat
and round and hilly

248
00:21:59,383 --> 00:22:01,152
and all the other shapes
as well.

249
00:22:09,998 --> 00:22:11,635
(COIN CLANKS)
(TELEPHONE BEEPING)

250
00:22:11,670 --> 00:22:12,867
This is Bruce Cogburn

251
00:22:12,902 --> 00:22:14,836
calling again
about the last call.

252
00:22:15,641 --> 00:22:17,201
You need to stop writing...

253
00:22:17,436 --> 00:22:19,379
You need to stop
writing to me, okay?

254
00:22:22,406 --> 00:22:23,713
(BRUCE THUDDING)

255
00:22:27,345 --> 00:22:31,424
(TELEPHONE BEEPING)

256
00:22:37,355 --> 00:22:38,464
(CAR DOOR OPENS)

257
00:22:41,634 --> 00:22:47,198
(FOOTSTEPS APPROACHING)

258
00:22:47,904 --> 00:22:49,035
(SIGHS)

259
00:22:51,402 --> 00:22:52,445
LAURA: Morning.

260
00:22:54,713 --> 00:22:55,712
(SIGHS)

261
00:22:55,947 --> 00:22:58,209
("DRINKING AGAIN"
BY HALEY MCCALLUM PLAYING)

262
00:22:59,685 --> 00:23:04,457
<i>♪ My old friend, he don't</i>
<i>Think or feel a thing ♪</i>

263
00:23:05,126 --> 00:23:07,955
<i>♪ He asks me</i>
<i>To wear his ring... ♪</i>

264
00:23:08,891 --> 00:23:11,156
There's a few meetings in town
I could point you towards,

265
00:23:11,191 --> 00:23:12,663
Mr. Cogburn,
if you're interested.

266
00:23:16,702 --> 00:23:17,800
No? Okay.

267
00:23:19,364 --> 00:23:20,440
Okay.

268
00:23:26,943 --> 00:23:29,174
I don't have to bring you home,
you do realize that?

269
00:23:29,209 --> 00:23:31,176
We can just as easy
go down to the station

270
00:23:31,211 --> 00:23:32,309
and straighten this out.

271
00:23:33,246 --> 00:23:34,278
What would I be charged with?

272
00:23:34,313 --> 00:23:35,411
Public intoxication.

273
00:23:36,282 --> 00:23:37,556
I was in the telephone box.

274
00:23:37,591 --> 00:23:38,920
On public property you were.

275
00:23:42,827 --> 00:23:45,795
I've heard your name somewhere
before, Mr. Cogburn.

276
00:23:47,733 --> 00:23:48,831
Are you famous?

277
00:23:49,600 --> 00:23:52,296
You're that writer
of<i> The Infernal Machine.</i>

278
00:23:52,731 --> 00:23:55,332
'Cause I remember in high school
them pulling it off the shelves

279
00:23:55,634 --> 00:23:56,773
'cause of Knoxville.

280
00:23:57,609 --> 00:24:00,678
That's you, huh? Cogburn.
(LAURA TAPS STEERING WHEEL)

281
00:24:00,713 --> 00:24:04,110
In my car. In my car. (CHUCKLES)

282
00:24:05,146 --> 00:24:06,178
That's cool.

283
00:24:08,479 --> 00:24:09,588
That's cool.

284
00:24:12,087 --> 00:24:13,526
Didn't Manson
blame all his murders

285
00:24:13,561 --> 00:24:14,791
on the Rolling Stones?

286
00:24:14,826 --> 00:24:16,320
The Beatles.
LAURA: What?

287
00:24:17,289 --> 00:24:19,158
It wasn't the Rolling Stones.
It was the Beatles.

288
00:24:19,193 --> 00:24:20,929
LAURA: Right, right.
"Helter Skelter."

289
00:24:20,964 --> 00:24:24,460
Fucking nutjob.
That guy's a fucking nutjob.

290
00:24:24,762 --> 00:24:26,132
Crazy's always looking
for an excuse

291
00:24:26,167 --> 00:24:27,331
to be crazy I guess, you know?

292
00:24:27,666 --> 00:24:31,940
If it's like a... a song,
a talking dog, you know?

293
00:24:32,437 --> 00:24:33,513
A book.

294
00:24:34,780 --> 00:24:40,652
GERMAN WOMAN: (OVER RADIO)
<i>Funf, vier, eins, eins.</i>

295
00:24:40,687 --> 00:24:43,919
<i>Sechs, eins, zehn.</i>

296
00:24:46,286 --> 00:24:51,289
<i>Zwei, eins, eins, eins.</i>

297
00:24:55,493 --> 00:24:56,734
LAURA: You like
stock car racing?

298
00:24:58,166 --> 00:24:59,495
Not particularly, no.

299
00:24:59,530 --> 00:25:00,639
LAURA: Same, same.

300
00:25:00,874 --> 00:25:03,873
My brother? He's hardcore.

301
00:25:05,569 --> 00:25:07,976
Ten years back,
he had a job cutting tires

302
00:25:08,011 --> 00:25:09,813
for a race team
outside Carson City.

303
00:25:09,848 --> 00:25:11,540
You know? They called
him the Dirt Whisperer

304
00:25:11,575 --> 00:25:12,981
'cause, you know, he could
just look at a track

305
00:25:13,016 --> 00:25:14,719
and know exactly how
to set those tires up.

306
00:25:16,019 --> 00:25:17,183
Last race of the season,
you know,

307
00:25:17,218 --> 00:25:18,657
championship points on the line,

308
00:25:19,259 --> 00:25:20,692
the track is just beyond muddy.

309
00:25:21,394 --> 00:25:23,057
Cars are sliding
all over the place,

310
00:25:23,092 --> 00:25:24,421
and my brother calls his

311
00:25:25,090 --> 00:25:26,863
driver in
to switch out the tires.

312
00:25:27,432 --> 00:25:32,099
And like a dozen laps later,
the back tire blows.

313
00:25:32,701 --> 00:25:34,332
Driver loses control, that's it.

314
00:25:34,367 --> 00:25:37,071
Hits a car, that car hits
another car. So on, so on.

315
00:25:37,106 --> 00:25:39,238
Next thing you know,
four drivers, dead.

316
00:25:40,604 --> 00:25:42,010
So, you know,
they do their investigation,

317
00:25:42,045 --> 00:25:44,342
and they find nothing wrong
with that tire.

318
00:25:44,677 --> 00:25:45,783
It just blew.

319
00:25:48,722 --> 00:25:50,315
Sometimes that just happens
in racing.

320
00:25:52,055 --> 00:25:54,550
What happened to your brother?
LAURA: He quit racing.

321
00:25:55,352 --> 00:25:57,828
Spent a few years bouncing
from rehab to rehab.

322
00:25:59,590 --> 00:26:00,996
Now, he's a night manager
at Walmart.

323
00:26:02,769 --> 00:26:03,966
Which is a shame 'cause...

324
00:26:05,431 --> 00:26:06,562
he loved racing.

325
00:26:27,827 --> 00:26:28,892
(BOX CREAKS)

326
00:26:30,621 --> 00:26:31,664
(BOX THUDS)

327
00:26:40,906 --> 00:26:44,006
(TYPEWRITER CLICKS)

328
00:26:47,946 --> 00:26:49,011
(DRAWER CRANKING)

329
00:26:49,673 --> 00:26:56,579
(PLASTIC BAG RUSTLES)

330
00:27:08,527 --> 00:27:10,296
(TYPEWRITER CLICKS)
(PAPER RUSTLES)

331
00:27:18,878 --> 00:27:22,880
(BELLS CHIMING)

332
00:27:23,707 --> 00:27:24,717
Who...

333
00:27:25,951 --> 00:27:27,951
am I?

334
00:27:28,954 --> 00:27:30,151
Who am I, really?

335
00:27:33,024 --> 00:27:35,123
(TYPEWRITER CLICKING)

336
00:27:35,458 --> 00:27:38,192
That's the question that every
protagonist needs to answer

337
00:27:38,227 --> 00:27:42,625
by the end of their story.
(TYPEWRITER CLICKS)

338
00:27:42,660 --> 00:27:44,330
If your hero hasn't reached

339
00:27:44,365 --> 00:27:47,839
some sort of cathartic
realization about who they are

340
00:27:47,874 --> 00:27:50,072
or what they believe in
by the last page...
(TYPEWRITER CLICKING)

341
00:27:50,607 --> 00:27:52,877
...then I'm sorry to inform you,
ladies and gents,

342
00:27:53,212 --> 00:27:54,340
you have failed your reader.

343
00:28:02,548 --> 00:28:04,581
YOUNG MAN:<i> What if I don't</i>
<i>have anything to say?</i>

344
00:28:06,222 --> 00:28:08,090
Then you're not
digging deep enough.

345
00:28:13,031 --> 00:28:14,096
BRUCE:<i> Dig deep.</i>

346
00:28:15,759 --> 00:28:17,429
<i>The road you construct</i>

347
00:28:17,464 --> 00:28:19,398
<i>for your characters</i>
<i>to travel along,</i>

348
00:28:20,033 --> 00:28:21,939
it shouldn't be paved,
shouldn't be easy.

349
00:28:23,602 --> 00:28:25,206
Because finding out who you are

350
00:28:27,012 --> 00:28:28,077
<i>never is.</i>

351
00:28:30,246 --> 00:28:32,576
(TELEPHONE BEEPS)
BRUCE:<i> I'm of two minds</i>

352
00:28:32,611 --> 00:28:34,050
<i>when it comes to apologizing.</i>

353
00:28:35,020 --> 00:28:36,118
On the one hand,

354
00:28:36,153 --> 00:28:37,922
life's best lived
looking forward

355
00:28:37,957 --> 00:28:39,616
and not crying
over spilled milk.

356
00:28:41,323 --> 00:28:44,126
And on the other hand,
it does strengthen

357
00:28:44,161 --> 00:28:46,964
a certain kind of integrity
to own up to one's mistakes.

358
00:28:47,967 --> 00:28:51,298
So, on that note, I'm sorry
I told you I'd kill you.

359
00:28:51,800 --> 00:28:53,531
Now, I know I didn't use
those words exactly,

360
00:28:53,566 --> 00:28:55,302
but the insinuation
was certainly there, so.

361
00:28:57,108 --> 00:28:58,206
That being said,

362
00:28:58,808 --> 00:29:01,781
I'd like to offer this gift
in the spirit of contrition.

363
00:29:02,982 --> 00:29:04,641
It's a little blurb
for your book.

364
00:29:05,644 --> 00:29:06,709
Quote.

365
00:29:07,244 --> 00:29:10,086
"William DuKent is a right
royal pain in the ass.

366
00:29:11,683 --> 00:29:13,188
But he does have
a lot of backbone,

367
00:29:14,324 --> 00:29:16,323
which is more than I can say
for the rest of the world.

368
00:29:18,426 --> 00:29:19,458
Bruce Cogburn."

369
00:29:20,164 --> 00:29:21,262
End quote.

370
00:29:23,937 --> 00:29:25,167
And merry Christmas too
if you...

371
00:29:25,769 --> 00:29:27,004
if you believe in
that sort of thing.

372
00:29:29,437 --> 00:29:31,437
Listen, if you fancy a drive,

373
00:29:32,836 --> 00:29:35,804
there's a small café around here
called the Casa Segura.

374
00:29:35,839 --> 00:29:37,113
It's just off the 62.

375
00:29:38,512 --> 00:29:40,281
<i>If you happen to be there</i>
<i>on Friday morning,</i>

376
00:29:40,316 --> 00:29:42,118
<i>say eleven o'clock,</i>

377
00:29:42,687 --> 00:29:43,856
<i>I might just be there too.</i>

378
00:29:44,892 --> 00:29:45,957
<i>Okay.</i>

379
00:29:51,360 --> 00:29:53,833
MALE: (RECORDING)
<i>To save this message, press one.</i>

380
00:29:55,463 --> 00:29:56,627
(RECORDER BEEPS)

381
00:29:57,938 --> 00:29:59,267
MALE: (RECORDING)<i> Message saved.</i>

382
00:30:05,638 --> 00:30:08,540
(INDISTINCT CHATTER)

383
00:30:14,878 --> 00:30:15,954
Refill?

384
00:30:16,550 --> 00:30:17,714
Yeah, thanks.

385
00:30:58,559 --> 00:31:00,933
(INDISTINCT CHATTER)

386
00:31:05,269 --> 00:31:10,404
(CAR ENGINE REVS)

387
00:31:15,444 --> 00:31:18,016
(INDISTINCT CHATTER)

388
00:31:40,205 --> 00:31:41,237
There you are.

389
00:31:42,372 --> 00:31:43,437
Sorry, I'm late.

390
00:31:52,613 --> 00:31:55,086
(TELEPHONE BEEPING)
BRUCE:<i> I won't lie to you.</i>

391
00:31:55,121 --> 00:31:57,154
I had every intention
of standing you up.

392
00:31:57,689 --> 00:31:59,684
And then, of course, the day
rolls around and I thought,

393
00:32:00,219 --> 00:32:02,027
sod it, I may as well get this
over and done with.

394
00:32:02,062 --> 00:32:03,259
So, you can imagine my surprise

395
00:32:03,294 --> 00:32:04,491
when you were the one
who stood me up.

396
00:32:05,956 --> 00:32:07,956
<i>I've not received any letters</i>
<i>from you in this past week,</i>

397
00:32:07,991 --> 00:32:09,628
<i>so I'm glad my messages</i>
<i>have got through.</i>

398
00:32:11,401 --> 00:32:13,269
<i>Time for you to start pestering</i>
<i>another victim, eh?</i>

399
00:32:13,838 --> 00:32:15,865
<i>Oh, and you can keep</i>
<i>the blurb for your book.</i>

400
00:32:16,670 --> 00:32:17,702
You earned that.

401
00:32:21,213 --> 00:32:23,180
Well, I guess this is
goodbye, Mr. DuKent.

402
00:32:25,316 --> 00:32:27,481
Goodbye.
(CAR DOOR SHUTS)

403
00:32:45,028 --> 00:32:50,174
(CAR ENGINE REVS)

404
00:33:01,814 --> 00:33:03,385
(GRINDER WHIRRS)

405
00:33:04,553 --> 00:33:05,750
MAN: Like I was
telling you, sir,

406
00:33:06,152 --> 00:33:07,851
we pick up and deliver same day.

407
00:33:08,653 --> 00:33:11,459
You need a package delivered
to San Diego by day's end...

408
00:33:11,494 --> 00:33:13,527
MAN 2: Thank you, Corina.
Well, we can do that.

409
00:33:13,795 --> 00:33:15,067
So, you do pickup then?

410
00:33:15,102 --> 00:33:16,959
It's more convenient
for our customers that way.

411
00:33:16,994 --> 00:33:18,532
Because I need to know
where this envelope

412
00:33:18,567 --> 00:33:19,599
has been picked up from.

413
00:33:20,034 --> 00:33:22,437
Well, you have used us before.
How was the service?

414
00:33:22,472 --> 00:33:24,076
When you're done.
Relentless.

415
00:33:24,111 --> 00:33:26,606
Yeah? Well, what's
the return address?

416
00:33:26,641 --> 00:33:28,542
It's Aspen, Colorado.

417
00:33:28,844 --> 00:33:30,181
Aspen, Colorado?

418
00:33:30,216 --> 00:33:32,051
Well, we definitely
don't go out that far.

419
00:33:33,252 --> 00:33:34,845
Well, it's obviously being
picked up from somewhere.

420
00:33:34,880 --> 00:33:36,748
Yeah, that's usually
how it works, sir.

421
00:33:37,717 --> 00:33:39,619
There must be some address
that you can give to me.

422
00:33:41,491 --> 00:33:42,886
With all due respect, sir,

423
00:33:43,555 --> 00:33:46,362
we are very protective
of our clientele's privacy.

424
00:33:46,797 --> 00:33:48,925
Company policy.
I'm sure you can understand.

425
00:33:49,763 --> 00:33:50,894
No way, dude.

426
00:33:53,239 --> 00:33:55,272
Correct, but don't
forget about the invoice.

427
00:33:55,707 --> 00:33:57,032
Okay? Thank you.

428
00:33:58,640 --> 00:33:59,738
I understand.

429
00:34:02,248 --> 00:34:03,379
But I need that address.

430
00:34:05,779 --> 00:34:07,009
(SIGHS)

431
00:34:13,787 --> 00:34:16,392
(BEEPS)
(BEEPS)

432
00:34:20,233 --> 00:34:22,101
(BEEPS)
(BEEPS)

433
00:34:26,239 --> 00:34:27,304
MAN 1: I'm not finding anything.

434
00:34:28,406 --> 00:34:30,439
No pickups,
no deliveries, nothing.

435
00:34:30,474 --> 00:34:31,968
There must be
some kind of mistake.

436
00:34:33,741 --> 00:34:34,905
MAN 1: Where did you
get this from again?

437
00:34:35,641 --> 00:34:38,414
From your driver.
I have 100 of these at my house.

438
00:34:39,648 --> 00:34:41,450
MAN 1: One of our drivers
delivered this to you?

439
00:34:41,485 --> 00:34:43,485
Yes. He drives a red hatchback.

440
00:34:44,785 --> 00:34:46,015
Like I was telling you, sir,

441
00:34:47,821 --> 00:34:50,085
these are the only vehicles
our drivers use.

442
00:34:57,765 --> 00:34:59,127
(SIREN BLARING)

443
00:34:59,162 --> 00:35:02,064
Whole time? Fucking
asshole! Uninvited!

444
00:35:02,099 --> 00:35:03,769
(GRUNTS) Bloody car!

445
00:35:09,073 --> 00:35:12,613
(PANTS)

446
00:35:14,716 --> 00:35:15,979
Mr. Cogburn?

447
00:35:18,390 --> 00:35:19,455
Are you all right?

448
00:35:22,394 --> 00:35:23,954
And did you catch
the plates at all?

449
00:35:24,726 --> 00:35:25,791
No.

450
00:35:26,794 --> 00:35:29,597
You know, Colorado, Nevada,
Texas, they all look different.

451
00:35:29,632 --> 00:35:30,664
I didn't see them.

452
00:35:31,900 --> 00:35:34,965
And was he a big guy?
Skinny? Short? Tall?
I don't know.

453
00:35:35,000 --> 00:35:37,308
Oh, come on.
You gotta remember something.
Well, I fucking don't, okay?

454
00:35:37,343 --> 00:35:38,837
I didn't get a good
enough look at him, so...

455
00:35:40,643 --> 00:35:42,478
Okay, so I don't need
this shit today.

456
00:35:42,513 --> 00:35:43,908
This is actually my day off.

457
00:35:43,943 --> 00:35:45,382
So why don't you just
come by the station.

458
00:35:45,417 --> 00:35:47,186
I... I think
he had long hair. Like...

459
00:35:47,888 --> 00:35:49,815
a sort of mousy color, I think.

460
00:35:50,217 --> 00:35:52,015
What about these letters?
What do they say?

461
00:35:52,050 --> 00:35:53,654
BRUCE: Nothing.
It's just a wannabe writer.

462
00:35:53,689 --> 00:35:57,119
Oh, okay. So, they're more
fan mail-ish than death threats?

463
00:35:57,154 --> 00:35:58,791
He's bloody well been
to my house.

464
00:35:59,193 --> 00:36:02,157
You know, how about
the guy who read your book?

465
00:36:02,626 --> 00:36:04,335
The shooter from Knoxville.
No, it's not him.

466
00:36:04,904 --> 00:36:06,194
LAURA:
Are you sure about that?

467
00:36:06,229 --> 00:36:08,537
He's rotting away
in... in a supermax prison

468
00:36:08,572 --> 00:36:10,704
somewhere in New Mexico
for a long time, it's not him.

469
00:36:10,972 --> 00:36:12,508
GIRL: Can we go home now?
LAURA: We can.

470
00:36:13,277 --> 00:36:15,874
I'm gonna stop by the station
and run this Colorado address.

471
00:36:15,909 --> 00:36:17,678
I'm also going to go by
some motor lodges

472
00:36:17,713 --> 00:36:20,384
and just see if anyone's
checked in with a red hatchback.

473
00:36:20,815 --> 00:36:21,847
Okay.

474
00:36:22,416 --> 00:36:23,585
LAURA:
Can I ask you a question?

475
00:36:24,489 --> 00:36:26,082
Is there anybody out there
who might have

476
00:36:26,117 --> 00:36:27,490
a score to settle with you?

477
00:36:30,759 --> 00:36:34,024
No.
Okay. All right.
Okay, let's do it.

478
00:36:36,534 --> 00:36:38,193
You call me if anything changes.

479
00:36:39,130 --> 00:36:40,833
Take it easy, Mr. Cogburn.

480
00:36:42,903 --> 00:36:44,199
GIRL: Are we still
getting ice cream?
LAURA: No.

481
00:36:44,234 --> 00:36:46,575
We're going to get
some fish, uncooked.

482
00:36:46,610 --> 00:36:47,807
Like, raw fish.

483
00:36:47,842 --> 00:36:49,710
GIRL: Ew. No. I want ice cream.

484
00:36:51,241 --> 00:36:55,419
(KEYBOARD CLICKING)

485
00:36:57,049 --> 00:36:58,114
(BRUCE SIGHING)

486
00:37:02,725 --> 00:37:06,529
(RADIO PLAYING)

487
00:37:12,130 --> 00:37:16,704
(KEYBOARD CLICKS)

488
00:37:22,140 --> 00:37:23,205
(MOUSE CLICKING)

489
00:37:23,874 --> 00:37:24,943
FEMALE REPORTER: (OVER COMPUTER)
<i>That's right, the fire marshal</i>

490
00:37:25,278 --> 00:37:27,913
<i>revealed there is evidence</i>
<i>that someone intentionally set</i>

491
00:37:27,948 --> 00:37:29,882
<i>this suburban Aspen home</i>
<i>on fire.</i>

492
00:37:29,917 --> 00:37:32,885
<i>Neighbors tell me the home</i>
<i>has been abandoned for decades,</i>

493
00:37:32,920 --> 00:37:35,690
<i>but the evil, as they call it,</i>
<i>that once lived here</i>

494
00:37:35,725 --> 00:37:37,054
<i>at 53 Highland Avenue</i>

495
00:37:37,089 --> 00:37:39,254
<i>was once the center</i>
<i>of a national tragedy.</i>

496
00:37:40,730 --> 00:37:43,797
<i>In June of 1981,</i>
<i>17-year-old Dwight Tufford</i>

497
00:37:43,832 --> 00:37:44,831
<i>left his Aspen home</i>

498
00:37:45,133 --> 00:37:47,603
<i>to drive 23 hours</i>
<i>to Knoxville, Tennessee.</i>

499
00:37:47,972 --> 00:37:50,166
<i>Once there,</i>
<i>he did the unthinkable,</i>

500
00:37:50,201 --> 00:37:53,906
<i>killing 13 people and injuring</i>
<i>nearly two dozen more</i>

501
00:37:53,941 --> 00:37:55,270
<i>in just a matter of minutes.</i>

502
00:37:55,805 --> 00:37:58,317
<i>From the top of the tower</i>
<i>in the middle of campus,</i>

503
00:37:58,752 --> 00:38:00,649
<i>Tufford took aim</i>
<i>at the crowd below</i>

504
00:38:00,684 --> 00:38:01,980
<i>with a high-powered rifle.</i>

505
00:38:02,582 --> 00:38:04,554
<i>During the trial,</i>
<i>Tufford told the judge</i>

506
00:38:04,589 --> 00:38:06,457
<i>he was innocent,</i>
<i>and testified</i>

507
00:38:06,492 --> 00:38:08,822
<i>he was brainwashed into</i>
<i>committing the killings</i>

508
00:38:08,857 --> 00:38:11,055
<i>after reading</i>
<i>the controversial novel,</i>

509
00:38:11,090 --> 00:38:12,287
<i>The Infernal Mach--</i>
(COMPUTER CLICKS)

510
00:38:17,899 --> 00:38:22,869
(CAR ENGINE REVS)

511
00:38:25,269 --> 00:38:26,345
(PAPER RUSTLES)

512
00:38:27,205 --> 00:38:29,678
(FLUID SLASHING)
(CAN CLATTERING)

513
00:38:29,713 --> 00:38:31,713
(FIRE CRACKLES)

514
00:38:32,848 --> 00:38:36,146
(FIRE CRACKLES)

515
00:38:36,181 --> 00:38:37,246
(SIGHS)

516
00:38:41,857 --> 00:38:46,497
(FIRE CRACKLES)

517
00:38:54,804 --> 00:38:56,133
(CAR ENGINE REVVING)

518
00:38:57,070 --> 00:38:59,334
(CAR ENGINE REVVING)
(CAR DOOR OPENING)

519
00:39:02,812 --> 00:39:03,844
(KEYS JINGLING)

520
00:39:10,413 --> 00:39:13,150
You're a fucking coward.
You hear me? A fucking coward.

521
00:39:13,385 --> 00:39:14,855
I know what
you look like, DuKent.

522
00:39:14,890 --> 00:39:16,593
And if I find you,
I'm gonna fucking kill you.

523
00:39:16,861 --> 00:39:18,694
You understand?
I'm gonna fucking kill you!

524
00:39:19,096 --> 00:39:22,159
(GRUNTS)
(CLANGS)

525
00:39:22,865 --> 00:39:23,930
Fuck!

526
00:39:29,938 --> 00:39:31,069
(SIGHS)

527
00:39:39,717 --> 00:39:40,716
(SAUL BARKING)

528
00:39:42,181 --> 00:39:43,246
(SAUL BARKING)

529
00:40:04,643 --> 00:40:06,445
Hey. Saul?

530
00:40:51,085 --> 00:40:52,117
What the fuck?

531
00:40:53,086 --> 00:40:55,087
MALE: (RECORDING)
<i>You have one new message.</i>

532
00:40:55,122 --> 00:40:56,660
(RECEIVER BEEPING)
(METAL CLANGS)

533
00:40:59,522 --> 00:41:02,666
MALE: (RECORDING)<i> To listen</i>
<i>to your messages, press one.</i>

534
00:41:03,328 --> 00:41:04,327
(RECEIVER BEEPING)

535
00:41:07,574 --> 00:41:08,705
BRUCE: (VOICEMAIL)
<i>You're a fucking coward.</i>

536
00:41:09,174 --> 00:41:10,333
<i>Hear me? A fucking coward.</i>

537
00:41:10,635 --> 00:41:12,005
<i>I know what</i>
<i>you look like, DuKent.</i>

538
00:41:12,040 --> 00:41:13,776
<i>And if I find you,</i>
<i>I'm gonna fucking kill you.</i>

539
00:41:14,011 --> 00:41:15,976
<i>You understand?</i>
<i>I'm gonna fucking kill you!</i>

540
00:41:23,084 --> 00:41:25,689
MALE: (RECORDING)<i> To save</i>
<i>this message, press one.</i>

541
00:41:43,808 --> 00:41:46,204
MALE: (RECORDING)<i> To save</i>
<i>this message, press one.</i>

542
00:41:56,689 --> 00:41:59,019
MALE: (RECORDING)<i> To save</i>
<i>this message, press one.</i>

543
00:42:11,429 --> 00:42:12,527
(BEEPS)

544
00:42:13,563 --> 00:42:14,837
<i>Message saved.</i>

545
00:42:26,884 --> 00:42:28,752
This is the model
of the shooting.

546
00:42:29,612 --> 00:42:30,622
Knoxville.

547
00:42:30,890 --> 00:42:32,085
BRUCE: Yeah.

548
00:42:32,554 --> 00:42:33,889
That's it.
So what will you do now?

549
00:42:35,092 --> 00:42:37,552
Well, nothing, really. I mean,
technically, we're trespassing.

550
00:42:38,121 --> 00:42:40,962
Trespassing? Fuck off.
LAURA: Relax, I'm on your side.

551
00:42:42,262 --> 00:42:43,459
What's on that tape?

552
00:42:45,496 --> 00:42:46,605
I don't know.

553
00:43:01,281 --> 00:43:04,282
(STATIC FREQUENCY ON TV)

554
00:43:04,584 --> 00:43:05,987
DETECTIVE 1:<i> We've got</i>
<i>a credit card receipt</i>

555
00:43:06,255 --> 00:43:08,088
<i>for a high-powered rifle</i>
<i>with your name on it.</i>

556
00:43:08,390 --> 00:43:10,321
<i>Dozens of witnesses</i>
<i>place you at the scene.</i>

557
00:43:11,995 --> 00:43:13,093
DWIGHT:<i> I didn't do it.</i>

558
00:43:14,327 --> 00:43:16,261
DETECTIVE 2:
<i>Didn't do what, Mr. Tufford?</i>

559
00:43:18,595 --> 00:43:20,133
DWIGHT:
<i>I didn't do those things.</i>

560
00:43:21,268 --> 00:43:23,906
DETECTIVE 2:<i> Dwight.</i>
<i>Can I call you Dwight?</i>

561
00:43:25,437 --> 00:43:27,602
<i>Listen. We can't help you</i>

562
00:43:28,104 --> 00:43:30,275
<i>unless you help us,</i>
<i>you understand?</i>

563
00:43:31,850 --> 00:43:36,182
<i>The rifle. The one that we found</i>
<i>in your car, is that yours?</i>

564
00:43:38,285 --> 00:43:39,284
DWIGHT:<i> Yes.</i>

565
00:43:40,153 --> 00:43:42,650
DETECTIVE 2:<i> Did you</i>
<i>go up into the bell tower</i>

566
00:43:42,685 --> 00:43:43,728
<i>with that rifle?</i>

567
00:43:44,863 --> 00:43:45,862
DWIGHT:<i> Yes.</i>

568
00:43:46,631 --> 00:43:48,392
DETECTIVE 2:<i> I know the next</i>
<i>part isn't going to be easy,</i>

569
00:43:48,427 --> 00:43:50,196
<i>but I need to hear you</i>
<i>say it, all right?</i>

570
00:43:51,804 --> 00:43:54,497
DWIGHT:<i> I...</i> (BREATHING HEAVILY)

571
00:43:56,204 --> 00:43:58,776
<i>I, uh...</i> (BREATHES HEAVILY)

572
00:44:03,442 --> 00:44:04,881
<i>I didn't have a choice.</i>

573
00:44:07,545 --> 00:44:08,951
<i>He had to be punished.</i>

574
00:44:10,054 --> 00:44:11,382
DETECTIVE 2:<i> Who had</i>
<i>to be punished, Dwight?</i>

575
00:44:12,957 --> 00:44:13,989
<i>God.</i>

576
00:44:15,487 --> 00:44:19,060
<i>You see, we're just a row</i>
<i>of dominos to Him.</i>

577
00:44:20,296 --> 00:44:24,703
<i>And once you and I tip over,</i>
<i>we're no longer relevant.</i>

578
00:44:25,172 --> 00:44:27,200
<i>That's why he made us</i>
<i>mortal, you know?</i>

579
00:44:28,069 --> 00:44:30,874
<i>So we can fade to dust.</i>
<i>Disappear.</i>

580
00:44:32,075 --> 00:44:34,042
<i>But if we can find the dominos,</i>

581
00:44:34,077 --> 00:44:35,945
<i>the ones that haven't</i>
<i>tipped over yet...</i>

582
00:44:37,476 --> 00:44:39,542
<i>well maybe there's a chance</i>
<i>to stop this.</i>

583
00:44:41,513 --> 00:44:42,578
DETECTIVE 2:<i> Stop what?</i>

584
00:44:43,350 --> 00:44:44,415
DWIGHT:<i> His plan.</i>

585
00:44:46,518 --> 00:44:48,023
<i>I didn't kill anyone</i>
<i>this morning.</i>

586
00:44:49,653 --> 00:44:51,895
<i>I just stole a few</i>
<i>of God's dominos.</i>

587
00:44:53,195 --> 00:44:54,524
<i>And maybe, if I'm lucky,</i>

588
00:44:55,226 --> 00:44:57,032
<i>maybe they haven't</i>
<i>tipped over just yet.</i>

589
00:44:58,233 --> 00:44:59,496
DETECTIVE 1:
<i>You a religious man?</i>

590
00:45:00,065 --> 00:45:02,697
<i>A member of some sort of cult?</i>
<i>No.</i>

591
00:45:03,066 --> 00:45:04,204
DETECTIVE 1:<i> Then where</i>
<i>the hell did an idea</i>

592
00:45:04,239 --> 00:45:05,271
<i>like this come from?</i>

593
00:45:06,604 --> 00:45:07,845
DWIGHT: The Infernal Machine.

594
00:45:08,771 --> 00:45:09,913
<i>You should read it.</i>

595
00:45:11,081 --> 00:45:12,377
<i>You should all read it.</i>

596
00:45:13,213 --> 00:45:15,512
<i>Then you'll understand</i>
<i>how insignificant</i>

597
00:45:15,747 --> 00:45:16,854
<i>we all are to Him.</i>

598
00:45:22,290 --> 00:45:23,927
<i>I'm not afraid of you anymore.</i>

599
00:45:25,095 --> 00:45:26,127
<i>You hear me?</i>

600
00:45:30,232 --> 00:45:31,770
(CHAIR DRAGGING IN VIDEO)
<i>You hear me?</i>

601
00:45:32,139 --> 00:45:34,333
<i>You can't stop it now,</i>
<i>you sick fuck!</i>

602
00:45:34,368 --> 00:45:36,104
DETECTIVE 2:<i> Sit down.</i>
<i>I know my purpose!</i>

603
00:45:36,439 --> 00:45:37,776
DETECTIVE 1:
<i>Get back in the chair.</i>
<i>I know my purpose!</i>

604
00:45:38,405 --> 00:45:40,306
<i>I know my purpose!</i>

605
00:45:41,375 --> 00:45:42,737
(SIGHS)
I'm just going to have a smoke.

606
00:45:49,779 --> 00:45:50,921
(SIGHS)

607
00:46:29,390 --> 00:46:31,093
LAURA: You mind telling me
what that book of yours

608
00:46:31,128 --> 00:46:32,127
is all about?

609
00:46:33,625 --> 00:46:35,427
Uh, it's about a priest
who finds God.

610
00:46:37,233 --> 00:46:38,397
Metaphorically, or?

611
00:46:38,971 --> 00:46:41,466
No, no. Uh, actually.

612
00:46:42,799 --> 00:46:43,941
LAURA: What do they talk about?

613
00:46:45,340 --> 00:46:47,912
Um... the...
the priest wants to know

614
00:46:47,947 --> 00:46:49,606
what his purpose is in life,
so God...

615
00:46:51,115 --> 00:46:53,280
tells him, explains to him,
that when he was 12,

616
00:46:53,315 --> 00:46:55,381
he... he got him
to walk across the road to...

617
00:46:58,386 --> 00:46:59,385
slow down a car.

618
00:47:01,686 --> 00:47:02,993
LAURA: So, who was in the car?

619
00:47:05,162 --> 00:47:06,854
It's not... it's not relevant
who was in the car.

620
00:47:06,889 --> 00:47:08,295
He just needed it
to be slowed down.

621
00:47:11,135 --> 00:47:12,101
LAURA: That's it?

622
00:47:17,108 --> 00:47:18,910
Yeah. That's it.

623
00:47:24,214 --> 00:47:26,082
And then, in the end,
the priest gets his revenge.

624
00:47:28,515 --> 00:47:29,745
What, on God?

625
00:47:32,552 --> 00:47:33,749
O... on everybody.

626
00:47:34,351 --> 00:47:36,026
(SHOE TAPPING THE GROUND)

627
00:47:36,061 --> 00:47:37,060
I'm going to go home.

628
00:47:37,495 --> 00:47:39,590
There's just this one thing
I want you to see inside.

629
00:47:45,466 --> 00:47:47,136
BRUCE: (VOICEMAIL)<i> Every time</i>
<i>I make one of these calls,</i>

630
00:47:47,171 --> 00:47:49,501
<i>I have to travel 14 miles</i>
<i>to the nearest phone booth.</i>

631
00:47:49,536 --> 00:47:51,635
I don't need to listen to these.
I know what I said.

632
00:47:51,670 --> 00:47:53,010
It's not yours
you need to listen to.

633
00:47:54,739 --> 00:47:57,113
FEMALE: (RECORDING)<i> This call</i>
<i>will be recorded and monitored.</i>

634
00:47:58,083 --> 00:47:59,709
<i>You have a collect call from...</i>

635
00:48:00,311 --> 00:48:01,986
DWIGHT: (OVER RECORDING)
<i>Dwight Tufford.</i>

636
00:48:02,021 --> 00:48:03,317
FEMALE: (RECORDING)
<i>..an inmate at</i>

637
00:48:03,352 --> 00:48:05,352
<i>the Federal Penitentiary</i>
<i>of New Mexico.</i>

638
00:48:05,921 --> 00:48:08,091
<i>To accept this call, press one.</i>

639
00:48:09,325 --> 00:48:10,753
(RECEIVER BEEPS)

640
00:48:11,188 --> 00:48:14,097
MALE: (RECORDING)
<i>Message saved. Next message.</i>

641
00:48:14,499 --> 00:48:17,298
FEMALE: (RECORDING)<i> This call</i>
<i>will be recorded and monitored.</i>

642
00:48:17,833 --> 00:48:20,433
<i>You have a collect call from...</i>
BRUCE: Elijah?

643
00:48:21,766 --> 00:48:22,897
Are you here?

644
00:48:24,967 --> 00:48:26,043
You all right?

645
00:48:26,771 --> 00:48:32,016
(PHOENIX SCREAMING)
(PANTS)

646
00:48:42,424 --> 00:48:44,787
(TELEPHONE RINGING)

647
00:48:45,289 --> 00:48:47,592
LAURA: (OVER PHONE)
<i>Officer Higgins.</i>
BRUCE: (OVER PHONE)<i> It's Bruce.</i>

648
00:48:47,994 --> 00:48:49,165
<i>Uh... listen.</i>

649
00:48:49,734 --> 00:48:51,530
<i>You wouldn't know anyone</i>
<i>over at the supermax</i>

650
00:48:51,565 --> 00:48:53,103
<i>in New Mexico, would you?</i>

651
00:48:54,601 --> 00:48:57,107
LAURA: (OVER PHONE)<i> I know</i>
<i>a few guards there. Why?</i>

652
00:48:57,709 --> 00:48:59,637
BRUCE: (OVER PHONE)<i> I think</i>
<i>I might need a favor.</i>

653
00:48:59,672 --> 00:49:02,343
(BELL BUZZING)
(METAL CLANGS)

654
00:49:04,347 --> 00:49:06,215
(CHAIN CLANKING)

655
00:49:14,258 --> 00:49:15,290
(BELL BUZZING)

656
00:49:31,308 --> 00:49:32,670
MALE OPERATOR: (OVER INTERCOM)
<i>You've got ten minutes.</i>

657
00:49:48,325 --> 00:49:49,423
I don't smoke.

658
00:49:55,563 --> 00:49:56,595
Do I know you?

659
00:49:57,532 --> 00:49:58,564
BRUCE: No.

660
00:50:00,799 --> 00:50:02,370
You don't look like a "Smith."

661
00:50:04,209 --> 00:50:05,802
I would have gone with an O'Hara

662
00:50:05,837 --> 00:50:07,672
or a Campbell, personally, but

663
00:50:08,411 --> 00:50:09,872
hey, it's a free country, right?

664
00:50:12,415 --> 00:50:13,513
You a writer?

665
00:50:14,582 --> 00:50:17,319
Why do you ask that?
Folks coming here are either

666
00:50:17,721 --> 00:50:20,058
A, writers, or B, shrinks.

667
00:50:21,622 --> 00:50:22,720
I'm neither.

668
00:50:24,691 --> 00:50:25,756
Good.

669
00:50:26,425 --> 00:50:27,857
Then we're off to a great start.

670
00:50:28,526 --> 00:50:31,168
So just who the fuck
are you then?

671
00:50:33,865 --> 00:50:34,996
Nobody important.

672
00:50:38,672 --> 00:50:40,078
I... I'm just here to talk.

673
00:50:41,741 --> 00:50:42,740
Okay.

674
00:50:45,712 --> 00:50:46,942
About William DuKent.

675
00:50:50,618 --> 00:50:52,189
You a cop?
No.

676
00:50:53,225 --> 00:50:55,082
Hey, fellas?
You know the rules.

677
00:50:55,117 --> 00:50:57,689
My lawyer has gotta be present
if this guy is a cop.

678
00:50:57,724 --> 00:50:58,756
I'm not a cop.

679
00:51:00,298 --> 00:51:04,399
But I know that you've spoken
with DuKent recently.

680
00:51:06,403 --> 00:51:07,996
You're not very good
at poker, are you?

681
00:51:09,208 --> 00:51:11,142
That question,
right out the gate.

682
00:51:12,640 --> 00:51:13,936
Way too specific.

683
00:51:14,741 --> 00:51:16,444
There's no gray area
to work with.

684
00:51:16,946 --> 00:51:19,414
Now, if you had replaced
the word "spoken"

685
00:51:19,449 --> 00:51:20,712
with "communicated,"...

686
00:51:22,045 --> 00:51:24,617
then I wouldn't have known
what you know, you know?

687
00:51:25,884 --> 00:51:27,785
But you said "spoken,"

688
00:51:27,820 --> 00:51:29,325
which tells me that...

689
00:51:30,427 --> 00:51:33,131
you don't know shit.

690
00:51:34,596 --> 00:51:37,630
Words, if you don't know
how to play them,

691
00:51:38,798 --> 00:51:40,270
they'll sure as hell play you.

692
00:51:41,669 --> 00:51:43,405
So, what do you want
with William DuKent?

693
00:51:44,738 --> 00:51:47,772
I'll answer that after you tell
me what he wanted from you.

694
00:51:48,441 --> 00:51:50,577
My opinion.
Your opinion about what?

695
00:51:51,778 --> 00:51:55,186
A book.<i> The Infernal Machine.</i>
You ever read it?

696
00:51:55,988 --> 00:51:59,916
No.
Good. Don't.
That book will fuck you up.

697
00:52:01,689 --> 00:52:04,228
The right combination of words
will make a man do...

698
00:52:06,430 --> 00:52:07,561
just about anything.

699
00:52:09,664 --> 00:52:10,828
MALE OPERATOR: (OVER INTERCOM)
<i>Five minutes.</i>

700
00:52:13,096 --> 00:52:14,799
You ever heard
of number stations before?

701
00:52:17,672 --> 00:52:19,639
During the Cold War,
there was these

702
00:52:20,008 --> 00:52:21,806
short-wave radio broadcasts

703
00:52:21,841 --> 00:52:24,875
that sent out these cryptic
messages across the airwaves.

704
00:52:25,812 --> 00:52:27,108
Usually, a woman's voice

705
00:52:27,143 --> 00:52:29,044
spouting out numbers
and shit in German.

706
00:52:30,883 --> 00:52:32,520
And to the general public,
it sounded like

707
00:52:32,555 --> 00:52:34,654
a bunch of nonsense,
when in actual fact,

708
00:52:34,689 --> 00:52:37,019
it was a complex cipher.

709
00:52:37,554 --> 00:52:40,990
The beauty of this was,
instead of marking X on a window

710
00:52:41,025 --> 00:52:43,729
or hiding microfilm
in a hollow tooth,

711
00:52:44,098 --> 00:52:46,193
these sons of bitches
had the audacity

712
00:52:46,228 --> 00:52:48,371
to send their top-secret
transmission

713
00:52:49,040 --> 00:52:52,309
right out into the open
for the whole world to hear.

714
00:52:52,544 --> 00:52:54,542
What, are you saying there's
a hidden message in that book?

715
00:52:54,977 --> 00:52:56,005
DWIGHT: Something like that.

716
00:52:58,581 --> 00:53:01,219
And what is it?
Well, you didn't read it,
now did you?

717
00:53:01,721 --> 00:53:03,287
So it would be like
trying to describe

718
00:53:03,322 --> 00:53:05,146
the color turquoise
to a blind man.

719
00:53:05,918 --> 00:53:07,082
So, I'm a blind man now?

720
00:53:07,854 --> 00:53:08,886
You all are.

721
00:53:10,923 --> 00:53:12,593
That's funny. I thought
we were all dominos.

722
00:53:16,335 --> 00:53:17,928
I'm done talking here.
Hold on.

723
00:53:18,430 --> 00:53:21,701
It's so easy to sit on
that side of the world

724
00:53:21,736 --> 00:53:23,197
and judge me, isn't it?

725
00:53:23,232 --> 00:53:24,836
Why did DuKent want
your opinion?

726
00:53:24,871 --> 00:53:25,870
Ask him yourself.

727
00:53:27,071 --> 00:53:28,070
Guard.

728
00:53:28,439 --> 00:53:29,907
Please, just tell me now.
(BELL BUZZING)

729
00:53:30,877 --> 00:53:32,239
He wanted to know if I saw

730
00:53:32,274 --> 00:53:33,878
the same things in the book
as he did.

731
00:53:35,079 --> 00:53:37,684
But in the end,
he turned out to be

732
00:53:37,719 --> 00:53:39,620
just a fucking liar,
like everyone else.

733
00:53:39,655 --> 00:53:41,116
Why? What did he lie about?

734
00:53:42,152 --> 00:53:45,362
He told me
that if I was honest with him,

735
00:53:46,728 --> 00:53:49,267
then he'd show up.
That he would? DuKent?

736
00:53:49,602 --> 00:53:51,896
No. The motherfucker
that put me in here.

737
00:53:53,064 --> 00:53:54,096
Bruce Cogburn.

738
00:53:58,102 --> 00:54:00,740
GERMAN WOMAN: (OVER RADIO)
<i>Sechs, zwei, neun.</i>

739
00:54:06,814 --> 00:54:09,144
(DWIGHT BREATHES DEEPLY)
(GRUNTS)

740
00:55:42,547 --> 00:55:44,646
(COINS JINGLING)
(TELEPHONE CLANKS)

741
00:55:44,681 --> 00:55:49,816
(COIN CLANKING)
(TELEPHONE BUTTONS CLICKING)

742
00:55:50,753 --> 00:55:52,621
(TELEPHONE RINGING)

743
00:55:58,464 --> 00:56:00,387
(TELEPHONE BEEPING)
FEMALE: (OVER RECORDING)
<i>We're sorry.</i>

744
00:56:00,422 --> 00:56:02,224
<i>Your call cannot</i>
<i>be completed and dialed.</i>

745
00:56:02,492 --> 00:56:04,226
<i>Please, check the number</i>
<i>and dial again.</i>

746
00:56:04,595 --> 00:56:06,327
(TELEPHONE BEEPING)
FEMALE: (OVER RECORDING)
<i>We're sorry.</i>

747
00:56:06,562 --> 00:56:08,230
<i>Your call cannot</i>
<i>be completed and dialed.</i>

748
00:56:08,632 --> 00:56:10,441
<i>Please, check the number</i>
<i>and dial again.</i>

749
00:56:10,709 --> 00:56:12,542
(TELEPHONE BEEPING)
FEMALE: (OVER RECORDING)
<i>We're sorry.</i>

750
00:56:12,577 --> 00:56:14,577
<i>Your call cannot be</i>
<i>completed and dialed.</i>

751
00:56:14,612 --> 00:56:16,678
<i>Please, check the number</i>
<i>and dial again.</i>

752
00:56:16,713 --> 00:56:18,449
(TELEPHONE BEEPING)
FEMALE: (OVER RECORDING)
<i>We're sorry.</i>

753
00:56:18,484 --> 00:56:20,275
<i>Your call cannot</i>
<i>be completed and dialed...</i>

754
00:56:22,719 --> 00:56:26,754
(CAR ENGINE REVVING)

755
00:56:33,598 --> 00:56:35,763
(CAR DOOR OPENS, SHUTS)

756
00:56:49,581 --> 00:56:52,483
(BOX RUSTLING)

757
00:56:58,623 --> 00:57:00,722
(CELLPHONE RINGING)

758
00:57:02,253 --> 00:57:04,385
(PANTS)

759
00:57:04,620 --> 00:57:05,661
JERRY:<i> Bruce.</i>
Jerry.

760
00:57:06,030 --> 00:57:07,355
I'm not sure what
you've been told,

761
00:57:07,657 --> 00:57:08,928
or who you've been
talking to...

762
00:57:08,963 --> 00:57:11,601
JERRY:<i> We got the manuscript.</i>
<i>It's brilliant.</i>

763
00:57:11,936 --> 00:57:14,571
What?
JERRY:<i> Anonymous? Oh, come on.</i>

764
00:57:14,606 --> 00:57:16,364
<i>There's nobody</i>
<i>that writes like you.</i>

765
00:57:17,133 --> 00:57:18,333
<i>I'm not sure</i>
<i>how we're going to spin</i>

766
00:57:18,368 --> 00:57:20,511
<i>this whole subject matter</i>
<i>and all.</i>

767
00:57:20,813 --> 00:57:22,139
<i>Makes perfect sense</i>
<i>why you're going</i>

768
00:57:22,174 --> 00:57:23,646
<i>with the whole</i>
<i>"anonymous" angle.</i>

769
00:57:23,681 --> 00:57:24,779
What are you talking about?

770
00:57:25,181 --> 00:57:26,473
JERRY:<i> It's just,</i>
<i>your protagonist</i>

771
00:57:26,508 --> 00:57:27,551
<i>sounds a lot like you.</i>

772
00:57:27,920 --> 00:57:30,246
<i>But I gotta tell ya,</i>
<i>this William DuKent,</i>

773
00:57:30,281 --> 00:57:31,588
<i>he is something else.</i>

774
00:57:32,151 --> 00:57:33,282
What did you say?

775
00:57:33,317 --> 00:57:35,317
<i>William DuKent.</i>
<i>Am I saying it right?</i>

776
00:57:36,386 --> 00:57:37,561
<i>When can we get the rest</i>
<i>of the manuscript?</i>

777
00:57:37,596 --> 00:57:39,387
Send it! Send it to me!
JERRY:<i> What?</i>

778
00:57:39,422 --> 00:57:40,564
<i>Bruce, what the hell</i>
<i>are you talking about?</i>

779
00:57:40,599 --> 00:57:42,093
Send me the fucking
manuscript, Jerry!

780
00:57:43,426 --> 00:57:45,668
(KEYS JINGLING)
(CAR ENGINE REVVING)

781
00:57:46,462 --> 00:57:47,769
(FAX MACHINE BEEPING)

782
00:57:48,706 --> 00:57:50,134
(FAX MACHINE WHIRRS)

783
00:57:54,877 --> 00:57:56,107
(CAR HORN BLARING)

784
00:58:13,093 --> 00:58:14,290
(COIN CLANKING)

785
00:58:17,669 --> 00:58:19,900
(TELEPHONE DIAL TONE)

786
00:58:21,838 --> 00:58:23,035
(TELEPHONE BEEPING)

787
00:58:24,335 --> 00:58:25,840
BRUCE:<i> I'm calling</i>
<i>in response to the letters</i>

788
00:58:25,875 --> 00:58:26,874
<i>I've received from you.</i>

789
00:58:27,276 --> 00:58:29,239
<i>I'm not sure how you found me.</i>

790
00:58:29,541 --> 00:58:32,550
<i>Maybe you got my PO box</i>
<i>from an old agent or summit.</i>

791
00:58:33,883 --> 00:58:36,510
<i>Saul. According</i>
<i>to the Hebrew Bible,</i>

792
00:58:36,545 --> 00:58:38,248
<i>Saul was the first</i>
<i>king of Israel.</i>

793
00:58:39,581 --> 00:58:40,756
<i>I bet you didn't know that.</i>

794
00:58:41,990 --> 00:58:43,550
(TELEPHONE BEEPING)
(PAPER RUSTLING)

795
00:58:43,585 --> 00:58:45,156
BRUCE:<i> Your letters</i>
<i>are unsolicited</i>

796
00:58:45,191 --> 00:58:46,454
and constitute harassment,

797
00:58:46,489 --> 00:58:48,962
<i>so please, stop sending them.</i>
<i>You hear me?</i>

798
00:58:48,997 --> 00:58:51,833
<i>'Cause I'm not here to be</i>
<i>someone's fucking inspiration.</i>

799
00:58:51,868 --> 00:58:53,098
<i>Someone's fucking muse.</i>

800
00:58:53,366 --> 00:58:55,496
LAURA:<i> I 've heard your name</i>
<i>somewhere. Are you famous?</i>

801
00:58:55,531 --> 00:58:57,036
DWIGHT:<i> Who the fuck are you?</i>
BRUCE:<i> Nobody important.</i>

802
00:58:57,071 --> 00:58:59,742
LAURA:<i> You're that writer.</i>
BRUCE:<i> 21st June. 1981.</i>

803
00:58:59,777 --> 00:59:01,502
<i>Knoxville.</i>
<i>That book will fuck you up.</i>

804
00:59:01,537 --> 00:59:03,339
JERRY:<i> Crazy's always looking</i>
<i>for an excuse to be crazy,</i>

805
00:59:03,374 --> 00:59:05,044
<i>I guess, you know?</i>
DWIGHT:<i> He had to be punished.</i>

806
00:59:05,079 --> 00:59:06,782
DETECTIVE 2:
<i>Who had to be punished?</i>
DWIGHT:<i> God.</i>

807
00:59:06,817 --> 00:59:08,212
BRUCE:<i> It's about a priest</i>
<i>who finds God.</i>

808
00:59:08,247 --> 00:59:10,214
LAURA:<i> Metaphorically?</i>
BRUCE:<i> No, actually.</i>

809
00:59:10,249 --> 00:59:12,381
<i>The right combination</i>
<i>of words will make a man do...</i>

810
00:59:12,416 --> 00:59:14,988
DWIGHT:<i> We're just</i>
<i>a row of dominoes to him.</i>
BRUCE:<i> ...just about anything.</i>

811
00:59:15,023 --> 00:59:17,551
BRUCE:<i> You saying there's a</i>
<i>hidden message in that book?</i>

812
00:59:18,053 --> 00:59:19,861
LAURA:<i> Fucking nutjob.</i>
<i>That guy's a fucking...</i>

813
00:59:19,896 --> 00:59:21,588
BRUCE:<i> I don't need to listen</i>
<i>to these. I know what I said.</i>

814
00:59:21,623 --> 00:59:22,963
DWIGHT:<i> Fade to dust. Disappear.</i>

815
00:59:22,998 --> 00:59:24,360
LAURA:<i> You gotta remember...</i>

816
00:59:24,395 --> 00:59:25,933
(INDISTINCT CHATTER)
DWIGHT:<i> You don't know shit.</i>

817
00:59:25,968 --> 00:59:27,363
BRUCE:<i> Stop writing to me, okay?</i>

818
00:59:27,398 --> 00:59:28,738
LAURA:<i> What do they say?</i>
BRUCE:<i> Nothing.</i>

819
00:59:29,334 --> 00:59:30,740
DWIGHT:<i> Words...</i>

820
00:59:30,975 --> 00:59:32,104
<i>if you don't</i>
<i>know how to play them...</i>

821
00:59:33,470 --> 00:59:35,371
BRUCE:<i> If I find you...</i>
DWIGHT:<i> ...they'll sure as hell</i>

822
00:59:35,406 --> 00:59:37,538
<i>play you.</i>
BRUCE:<i> You understand?</i>

823
00:59:37,573 --> 00:59:39,078
<i>I'm gonna fucking kill you!</i>
WOMAN: Mr. Cogburn?

824
00:59:39,916 --> 00:59:41,113
(PANTS)

825
00:59:43,018 --> 00:59:44,116
These just came in for you.

826
00:59:46,252 --> 00:59:47,889
(PANTS)

827
00:59:54,766 --> 00:59:55,963
(PAPER RUSTLES)

828
01:00:07,339 --> 01:00:08,910
JERRY:<i> We got the manuscript.</i>

829
01:00:08,945 --> 01:00:10,439
MALE VOICE:<i> It's brilliant.</i>

830
01:00:11,277 --> 01:00:12,848
JERRY:<i> Anonymous? Oh, come on.</i>

831
01:00:13,584 --> 01:00:15,312
<i>There's nobody</i>
<i>that writes like you.</i>

832
01:00:17,855 --> 01:00:20,482
(THINGS CLATTERING)

833
01:00:31,902 --> 01:00:33,363
(WHINES)

834
01:01:40,762 --> 01:01:42,399
(CELLPHONE DIALING)

835
01:01:45,371 --> 01:01:47,206
(CELLPHONE RINGING)

836
01:01:50,409 --> 01:01:52,607
(TELEPHONE RINGING)

837
01:01:56,019 --> 01:01:57,513
(CELLPHONE RINGING)

838
01:02:00,991 --> 01:02:02,551
(PHONE CLICKS)

839
01:02:06,788 --> 01:02:08,623
(HEAVY BREATHING OVER PHONE)

840
01:02:12,937 --> 01:02:16,598
I know where we are, Mr. DuKent.
I know exactly where we are.

841
01:02:16,633 --> 01:02:18,270
We're at the end
of act two, aren't we?

842
01:02:19,570 --> 01:02:21,779
That's where the protagonist
reaches their limits.

843
01:02:22,804 --> 01:02:23,979
Questions their worth.

844
01:02:24,448 --> 01:02:25,981
Their sanity. Everything.

845
01:02:26,683 --> 01:02:29,017
Because they know
the path traveled

846
01:02:29,052 --> 01:02:30,920
pales in comparison
to what lies ahead.

847
01:02:31,656 --> 01:02:33,791
And it's in this moment,
Mr. DuKent,

848
01:02:34,750 --> 01:02:36,255
that a decision must be made.

849
01:02:37,654 --> 01:02:38,796
<i>Do they carry on,</i>

850
01:02:39,623 --> 01:02:41,689
<i>or do they stop and go back?</i>

851
01:02:42,967 --> 01:02:45,396
But only they
can make that choice.

852
01:02:45,431 --> 01:02:48,432
And that, Mr. DuKent,
is where you fucked up.

853
01:02:49,468 --> 01:02:51,237
Because your protagonist

854
01:02:51,272 --> 01:02:53,503
is too aware
of your narrative now,

855
01:02:53,872 --> 01:02:56,473
and to make matters worse,
he's also a writer.

856
01:02:56,508 --> 01:02:58,640
So he knows exactly
what a good story needs,

857
01:02:58,675 --> 01:03:00,378
and also how to sabotage one.

858
01:03:02,316 --> 01:03:05,449
What's the greatest sin
a writer can commit?

859
01:03:10,027 --> 01:03:11,191
<i>Do you know?</i>

860
01:03:12,821 --> 01:03:13,963
<i>Being dull.</i>

861
01:03:15,296 --> 01:03:16,790
And that's exactly
what I'm going to give you,

862
01:03:16,825 --> 01:03:18,198
you stupid fucking cunt.

863
01:03:18,600 --> 01:03:22,466
A long, drawn-out,
uneventful, boring ending.

864
01:03:23,942 --> 01:03:27,108
Because nobody gives a damn
about an inspired second act

865
01:03:27,143 --> 01:03:29,143
if your finale
is a big pile of shit.

866
01:03:32,478 --> 01:03:33,642
Wouldn't you agree?

867
01:03:33,677 --> 01:03:34,984
(CELLPHONE LINE CLICKS)

868
01:03:35,853 --> 01:03:40,517
GERMAN WOMAN: (OVER RADIO)
<i>Zwei, sechs, sechs, zwei.</i>

869
01:03:41,718 --> 01:03:46,721
(BELLS CHIMING)

870
01:03:49,627 --> 01:03:51,330
MAN:<i> Without a doubt.</i>

871
01:03:55,699 --> 01:03:57,006
(SIGHS)

872
01:04:06,875 --> 01:04:09,920
(BIRDS CHIRPING)
(CAR ENGINE REVVING)

873
01:04:13,882 --> 01:04:15,123
(CAR DOOR OPENING, CLOSING)

874
01:04:17,721 --> 01:04:19,028
(GUN CLICKS)

875
01:04:25,894 --> 01:04:27,399
(KNOCKING ON DOOR)

876
01:04:29,975 --> 01:04:31,007
Who is it?

877
01:04:31,409 --> 01:04:33,306
WOMAN:<i> United States federal</i>
<i>marshals, Mr. Cogburn.</i>

878
01:04:34,210 --> 01:04:35,803
Ah, we've gone
federal now, have we?

879
01:04:36,872 --> 01:04:37,915
WOMAN:<i> Can you step</i>
<i>outside, please?</i>

880
01:04:40,084 --> 01:04:42,810
I suppose you've got
some convincing ID printed up?

881
01:04:50,853 --> 01:04:52,424
Everything all right there,
Mr. Cogburn?

882
01:04:53,130 --> 01:04:54,228
Everything all right with you?

883
01:04:55,561 --> 01:04:57,099
Were you in New Mexico
a few days back?

884
01:04:57,794 --> 01:04:58,936
I don't know, you tell me.

885
01:05:00,137 --> 01:05:01,664
Mind telling us
the reason for the trip?

886
01:05:02,033 --> 01:05:03,270
BRUCE: I was visiting someone.

887
01:05:03,939 --> 01:05:05,272
WOMAN: Was that someone
Dwight Tufford?

888
01:05:06,440 --> 01:05:07,571
Well, that's not
a crime, is it?

889
01:05:08,173 --> 01:05:11,047
That's not a crime, sir,
but signing in as Richard Smith

890
01:05:11,082 --> 01:05:12,279
at the front desk,
that's a crime.

891
01:05:12,314 --> 01:05:13,445
Where'd you get this from?

892
01:05:16,648 --> 01:05:18,483
We're aware of the history
between you two, all right?

893
01:05:18,751 --> 01:05:19,847
We're just trying to figure out

894
01:05:19,882 --> 01:05:20,991
why you would want to go
and see him now.

895
01:05:21,950 --> 01:05:22,993
Closure, I guess.

896
01:05:24,425 --> 01:05:26,997
Has Dwight Tufford contacted
you in the last 24 hours?

897
01:05:27,499 --> 01:05:28,889
No. Why would he do that?

898
01:05:29,758 --> 01:05:31,199
WOMAN: You been
watching TV this morning?

899
01:05:31,634 --> 01:05:33,828
I don't have a television.
I'm not that kind of person.

900
01:05:36,074 --> 01:05:37,106
Why?

901
01:05:38,309 --> 01:05:39,735
MALE NEWS ANCHOR: (OVER TV)
<i>The FBI's manhunt is focusing</i>

902
01:05:39,770 --> 01:05:42,342
<i>its search on Dwight Tufford</i>
<i>in the Los Alamos area</i>

903
01:05:42,377 --> 01:05:43,607
<i>of New Mexico.</i>

904
01:05:44,109 --> 01:05:46,676
<i>Despite being held</i>
<i>in a maximum-security prison,</i>

905
01:05:46,711 --> 01:05:48,909
<i>Tufford somehow slipped</i>
<i>past the guards last night,</i>

906
01:05:49,278 --> 01:05:50,779
<i>sparking a nationwide panic.</i>

907
01:05:58,624 --> 01:06:00,195
<i>In 1981, Tufford arrived</i>

908
01:06:00,230 --> 01:06:03,033
<i>at the Knoxville Baptist</i>
<i>University campus with a rifle.</i>

909
01:06:03,668 --> 01:06:05,794
<i>Taking aim, he pointed his gun</i>
<i>at the crowd below</i>

910
01:06:05,829 --> 01:06:06,927
<i>and he shot dozens.</i>

911
01:06:08,337 --> 01:06:10,304
<i>Thirteen students</i>
<i>and faculty members died.</i>

912
01:06:11,373 --> 01:06:13,472
<i>He is responsible for</i>
<i>the deadliest shooting</i>

913
01:06:13,507 --> 01:06:14,539
<i>in Tennessee history.</i>

914
01:06:15,707 --> 01:06:18,312
<i>One witness described it</i>
<i>as mass chaos.</i>

915
01:06:19,281 --> 01:06:21,051
<i>No one knew where the bullets</i>
<i>were coming from,</i>

916
01:06:21,420 --> 01:06:22,481
<i>or where to run.</i>

917
01:07:10,091 --> 01:07:11,563
(BREATHES HEAVILY)

918
01:07:12,465 --> 01:07:15,105
FEMALE: (OVER TV)
<i>But so was Orwell's</i> 1984

919
01:07:15,140 --> 01:07:17,866
<i>or Joyce's</i> Ulysses
<i>when first published.</i>

920
01:07:18,802 --> 01:07:21,441
<i>The only crime</i>
<i>Mr. Cogburn ever committed</i>

921
01:07:21,743 --> 01:07:23,476
<i>was writing one book.</i>

922
01:07:23,945 --> 01:07:25,676
MALE INTERVIEWER:<i> So it begins</i>
<i>with the author's intent?</i>

923
01:07:26,045 --> 01:07:28,415
FEMALE:<i> That's fair to say.</i>
MALE INTERVIEWER:
<i>So, what is the intent</i>

924
01:07:28,450 --> 01:07:29,515
<i>of</i> The Infernal machine?

925
01:07:29,917 --> 01:07:31,484
FEMALE:<i> I believe</i>
<i>only Mr. Cogburn</i>

926
01:07:31,519 --> 01:07:32,551
can answer that question.

927
01:07:34,324 --> 01:07:36,555
(SCHOOL BEL RINGING)

928
01:07:39,395 --> 01:07:42,396
INDISTINCT CHATTER)

929
01:07:55,609 --> 01:07:56,971
LAURA:<i> Take it easy,</i>
<i>Mr. Cogburn.</i>

930
01:07:57,840 --> 01:07:58,841
GIRL:<i> Are we still</i>
<i>getting ice cream?</i>

931
01:07:59,276 --> 01:08:01,382
LAURA:<i> No. We're going</i>
<i>to get some fish, uncooked.</i>

932
01:08:01,684 --> 01:08:02,878
<i>Like, raw fish.</i>

933
01:08:02,913 --> 01:08:04,913
GIRL:<i> Ew. No. I want ice cream.</i>

934
01:08:04,948 --> 01:08:07,256
(SINGING "MISERERE MEI,
DUES" IN LATIN)

935
01:08:07,291 --> 01:08:09,555
<i>♪ Miserere Mei ♪</i>

936
01:08:10,228 --> 01:08:14,824
<i>♪ Deus ♪</i>

937
01:08:17,125 --> 01:08:20,929
<i>♪ Secundum magnam ♪</i>

938
01:08:21,833 --> 01:08:28,706
<i>♪ Misericordiam ♪</i>

939
01:08:29,346 --> 01:08:31,346
<i>♪ Tuam ♪</i>

940
01:08:32,514 --> 01:08:37,011
<i>♪ Miserere mei ♪</i>

941
01:08:38,146 --> 01:08:43,017
<i>♪ Deus ♪</i>

942
01:08:44,153 --> 01:08:46,119
Just give her five minutes,
then the stage is yours.

943
01:08:47,793 --> 01:08:49,364
Show's not till 7 tomorrow,

944
01:08:49,399 --> 01:08:50,860
so I assume you should have
plenty of time to set up?

945
01:08:52,028 --> 01:08:53,060
Okay, sure.

946
01:08:53,667 --> 01:08:56,030
<i>♪ Misericordiam... ♪</i>

947
01:08:56,065 --> 01:08:58,736
A year ago, I couldn't even
get her to sing in the car.

948
01:09:02,412 --> 01:09:03,477
She's your daughter?

949
01:09:04,348 --> 01:09:05,380
Yeah.

950
01:09:06,647 --> 01:09:08,713
She booked her first
TV job last week.

951
01:09:09,048 --> 01:09:10,187
I mean, nothing much.

952
01:09:11,190 --> 01:09:13,850
A walk-on on one of those hidden
camera shows? But she loved it.

953
01:09:13,885 --> 01:09:14,917
What was the show?

954
01:09:15,286 --> 01:09:16,424
They never tell you that.

955
01:09:17,360 --> 01:09:19,196
They had her playing
in the park or something?

956
01:09:19,598 --> 01:09:21,231
The casting director,
she was lovely.

957
01:09:22,058 --> 01:09:24,058
She was great, great with kids.

958
01:09:24,860 --> 01:09:26,236
Do you have kids?
Should take them there.

959
01:09:27,899 --> 01:09:30,064
Bishop and Rook.
I mean, amazing.

960
01:09:30,366 --> 01:09:31,835
It's so good.
Bishop and Rook?

961
01:09:31,870 --> 01:09:34,167
WOMAN: Yeah, she's great
with kids, yeah.

962
01:09:35,236 --> 01:09:37,005
Can't wait for her
to book another job.

963
01:09:38,349 --> 01:09:40,976
("MISERERE MEI DEUS" BY THE
NORTHWESTERN COLLEGE CHOIR)

964
01:09:41,011 --> 01:09:47,356
<i>♪ Miserere mei... ♪</i>

965
01:09:47,391 --> 01:09:48,522
(GLASS SHATTERING)

966
01:09:56,895 --> 01:10:00,193
<i>♪ Deus ♪</i>

967
01:10:00,932 --> 01:10:07,101
<i>♪ Secundum magnam ♪</i>

968
01:10:07,136 --> 01:10:13,580
<i>♪ Misericordiam... ♪</i>

969
01:10:27,464 --> 01:10:33,094
♪<i> Tuam ♪</i>

970
01:11:04,930 --> 01:11:06,259
(LOCK CLICKS)

971
01:11:06,294 --> 01:11:09,834
(INDISTINCT CHATTER)

972
01:11:20,484 --> 01:11:21,516
Reservation?

973
01:11:44,134 --> 01:11:45,507
(PLATED CLATTERING)

974
01:12:20,170 --> 01:12:26,878
(CROWD APPLAUD)

975
01:12:32,919 --> 01:12:35,282
WAITRESS: Mister?
You forgot something.

976
01:12:44,766 --> 01:12:45,765
(FIRE CRACKLES)
Oh!

977
01:12:46,100 --> 01:12:48,867
Oh!
(INDISTINCT CHATTER)

978
01:12:57,581 --> 01:12:58,745
Don't fucking move.

979
01:13:00,276 --> 01:13:02,408
Umm... I'll have another
vodka tonic, actually.

980
01:13:02,443 --> 01:13:05,620
And my associate here,
a whiskey, I believe?

981
01:13:09,417 --> 01:13:11,087
Stand up. We're not
doing this here.

982
01:13:11,122 --> 01:13:12,726
Well, I believe we are.
What, you think

983
01:13:12,761 --> 01:13:14,530
that revolver is going
to convince me otherwise?

984
01:13:15,258 --> 01:13:16,257
Why don't you give it a go?

985
01:13:16,959 --> 01:13:18,831
I'm not sure you'll have
much luck, though,

986
01:13:18,866 --> 01:13:20,569
considering we took all
the bullets out of the gun.

987
01:13:24,575 --> 01:13:25,706
Bullshit.

988
01:13:25,741 --> 01:13:27,301
Well, there's only one way
to find out.

989
01:13:30,911 --> 01:13:33,978
Right. So, I think
we are going to do this,

990
01:13:34,280 --> 01:13:35,309
so why don't you take a seat?

991
01:13:45,024 --> 01:13:47,992
What do you want?
From you? Nothing.

992
01:13:48,797 --> 01:13:49,895
Then who are you?

993
01:13:50,330 --> 01:13:51,897
Say a young couple
wants to get married.

994
01:13:51,932 --> 01:13:53,327
They find themselves
a wedding planner.

995
01:13:53,629 --> 01:13:55,505
Or if you want to host
a fancy dinner party,

996
01:13:55,874 --> 01:13:57,298
you hire a chef.

997
01:13:57,566 --> 01:13:59,806
But if you need to turn
someone's world upside down,

998
01:14:00,275 --> 01:14:01,335
then you hire me.

999
01:14:02,171 --> 01:14:03,436
And that's what
you think you're doing?

1000
01:14:03,471 --> 01:14:05,944
No, it's what I've done.
The proof of that is you

1001
01:14:06,646 --> 01:14:08,078
sitting right opposite me.
Thank you.

1002
01:14:09,345 --> 01:14:10,751
The reason I'm sitting
opposite you is

1003
01:14:10,786 --> 01:14:12,181
because I found
your fake daughter.

1004
01:14:13,349 --> 01:14:15,316
You're a sicko,
endangering a kid like that.

1005
01:14:15,351 --> 01:14:17,956
Endangered? (CHUCKLES)
That's a bit dramatic, isn't it?

1006
01:14:18,525 --> 01:14:20,761
That little angel went home
with 300 dollars in her pocket.

1007
01:14:21,029 --> 01:14:22,125
All she had to do was
pretend to be

1008
01:14:22,160 --> 01:14:23,324
someone else for a few hours.

1009
01:14:24,293 --> 01:14:27,097
Isn't that what you've been
doing the last 25 years?

1010
01:14:28,804 --> 01:14:31,464
Do you know, the difference
between you and I

1011
01:14:32,368 --> 01:14:33,543
is that I know what I am.

1012
01:14:34,777 --> 01:14:37,371
I'm a liar.
And I'm fucking good at it.

1013
01:14:38,473 --> 01:14:39,780
I can be anything
you want me to be.

1014
01:14:39,815 --> 01:14:41,980
Could be a person,
a company, a scenario.

1015
01:14:42,215 --> 01:14:44,510
Usually, the marks are
sort of politicians and CEOs.

1016
01:14:44,545 --> 01:14:46,655
They're always boring.
They're always forgettable.

1017
01:14:46,957 --> 01:14:48,382
And that's what separates
you from them.

1018
01:14:48,417 --> 01:14:50,890
What, because I'm not boring?
Oh no, you're very boring.

1019
01:14:51,292 --> 01:14:52,452
But you're not forgettable.

1020
01:14:52,854 --> 01:14:54,322
And that's why
I took this assignment.

1021
01:14:54,724 --> 01:14:57,930
Because history is going
to remember you, Bruce.

1022
01:14:58,669 --> 01:15:00,031
And that really bothers me.

1023
01:15:01,672 --> 01:15:04,673
Because you dress in your
sort of Sam Shepard clothes,

1024
01:15:04,908 --> 01:15:07,005
and you drink like Capote
and live like Thompson,

1025
01:15:07,474 --> 01:15:09,810
all so the world will know
there's artistic genius,

1026
01:15:09,845 --> 01:15:11,647
but you and I know
there's no artistic genius.

1027
01:15:11,682 --> 01:15:12,846
There's no mystique.
Shut it.

1028
01:15:12,881 --> 01:15:13,880
You got lucky.

1029
01:15:14,215 --> 01:15:16,212
You built your ivory tower
brick by brick with lies.

1030
01:15:16,247 --> 01:15:17,719
Shut your fucking mouth.
And I'm here

1031
01:15:18,121 --> 01:15:19,721
to make sure you burn in it.

1032
01:15:21,692 --> 01:15:24,055
'Cause you see, it's pride
that's the Achilles' heel

1033
01:15:24,323 --> 01:15:25,694
of mediocre men.

1034
01:15:25,729 --> 01:15:27,058
Shut it with
your fucking pride talk.

1035
01:15:27,093 --> 01:15:28,323
That's not the reason
why I'm here.

1036
01:15:28,358 --> 01:15:30,490
Right. Sorry. Yes, of course.
My bad. So...

1037
01:15:31,933 --> 01:15:34,032
that little girl,
I so carelessly endangered.

1038
01:15:34,901 --> 01:15:37,233
Okay, total hypothetical here,
what if, just what if,

1039
01:15:37,268 --> 01:15:40,203
I wanted you to find the girl,
her mother, my office,

1040
01:15:40,438 --> 01:15:41,611
the stack of receipts,
all of it?
Right.

1041
01:15:41,879 --> 01:15:43,877
Right, well, that would make
you a fucking genius,

1042
01:15:43,912 --> 01:15:45,945
and I don't think you are.
No.

1043
01:15:48,444 --> 01:15:49,509
Probably not.

1044
01:15:50,578 --> 01:15:52,545
(GLASS CLINKS)

1045
01:15:54,791 --> 01:15:58,056
(CROWD APPLAUD)

1046
01:16:07,672 --> 01:16:09,298
WAITRESS: Mister? Mister?

1047
01:16:10,466 --> 01:16:11,465
You forgot something.

1048
01:16:12,633 --> 01:16:16,140
WAITRESS: Mister? Mister?
You forgot something.

1049
01:16:16,978 --> 01:16:18,208
Wait...

1050
01:16:18,243 --> 01:16:19,539
(FIRE CRACKLES)
Oh!

1051
01:16:20,377 --> 01:16:21,409
Wait.

1052
01:16:22,078 --> 01:16:23,917
LAURA:<i> I'm not sure</i>
<i>you'll have much luck, though,</i>

1053
01:16:23,952 --> 01:16:25,622
<i>considering we took</i>
<i>all the bullets out of the gun.</i>

1054
01:16:27,120 --> 01:16:29,186
BRUCE:<i> Bullshit.</i>
LAURA:<i> There's only</i>
<i>one way to find out.</i>

1055
01:16:29,221 --> 01:16:30,319
<i>There's only</i>
<i>one way to find out.</i>

1056
01:16:30,827 --> 01:16:31,892
(GUN CROCS)

1057
01:16:33,588 --> 01:16:36,094
Wait. Hold on.

1058
01:16:37,295 --> 01:16:38,558
Listen, I don't know...

1059
01:16:39,770 --> 01:16:42,496
(INDISTINCT CHATTER)

1060
01:16:50,143 --> 01:16:52,143
Who are you?
Oh, nobody important.

1061
01:16:52,915 --> 01:16:54,046
I'm just the messenger.

1062
01:16:56,413 --> 01:16:58,347
Then who's sending
the fucking messages?

1063
01:16:59,680 --> 01:17:02,285
Don't worry, Bruce.
You'll see him soon enough.

1064
01:17:21,911 --> 01:17:22,976
You all right?

1065
01:17:24,705 --> 01:17:26,144
I've got a steak
in the fridge if you like.

1066
01:17:27,213 --> 01:17:28,212
Come on.

1067
01:17:36,156 --> 01:17:38,519
(SAUL BARKS, GROWLS)
BRUCE: Saul?

1068
01:17:38,988 --> 01:17:40,290
Saul?
(SAUL BARKING)

1069
01:17:40,725 --> 01:17:42,655
Saul! Hey! Hey!
(SAUL HOWLING)

1070
01:17:43,097 --> 01:17:44,162
Saul!

1071
01:17:44,868 --> 01:17:47,330
(SAUL GROWLING)

1072
01:17:47,365 --> 01:17:48,628
Saul!

1073
01:17:48,663 --> 01:17:52,566
(SAUL BARKING, WHINING)

1074
01:18:00,818 --> 01:18:02,510
(SAUL WHINING)

1075
01:18:03,854 --> 01:18:04,853
Fuck.

1076
01:18:07,891 --> 01:18:08,923
Saul!

1077
01:18:13,897 --> 01:18:15,655
(GUNSHOT)

1078
01:18:16,361 --> 01:18:19,659
(GUNSHOTS)

1079
01:18:22,268 --> 01:18:23,333
(GRUNTS)

1080
01:18:26,503 --> 01:18:28,778
(PANTS)

1081
01:18:31,508 --> 01:18:33,343
(BULLETS CLINKING)

1082
01:18:33,611 --> 01:18:34,883
(GUNSHOT)

1083
01:18:36,612 --> 01:18:39,118
(PANTS)

1084
01:18:40,055 --> 01:18:42,121
(GUNSHOT)

1085
01:18:44,422 --> 01:18:49,766
(DOOR CREAKS, SLAMS)

1086
01:18:54,564 --> 01:18:55,761
Hello?

1087
01:18:55,796 --> 01:18:57,367
(PANTS)

1088
01:18:57,402 --> 01:18:58,434
DWIGHT: Bruce?

1089
01:18:59,140 --> 01:19:00,733
(GUN CROCS)

1090
01:19:05,410 --> 01:19:08,708
That dog of yours
has got a lot of spirit.

1091
01:19:11,955 --> 01:19:13,482
Do you want to come out
and talk about it?

1092
01:19:16,322 --> 01:19:17,453
No?

1093
01:19:21,591 --> 01:19:22,623
Okay.

1094
01:19:25,496 --> 01:19:27,628
Hell of a gun
you got yourself here, Bruce.

1095
01:19:29,170 --> 01:19:31,170
If I would have had
one of these on the day,

1096
01:19:33,273 --> 01:19:35,735
I would have gotten a lot more
than 13, I'll tell you that.

1097
01:19:37,343 --> 01:19:38,947
Like shooting fish in a barrel.

1098
01:19:41,248 --> 01:19:42,610
The first eight I killed,

1099
01:19:43,349 --> 01:19:44,447
they were easy.

1100
01:19:44,982 --> 01:19:46,086
They just stood there.

1101
01:19:47,023 --> 01:19:48,022
Emotionless.

1102
01:19:49,025 --> 01:19:50,123
Confused.

1103
01:19:51,390 --> 01:19:53,093
Like they couldn't make sense
of any of it.

1104
01:19:56,967 --> 01:19:58,065
(DOOR CREAKS)

1105
01:20:01,796 --> 01:20:03,796
'Cause you can't make sense
out of madness now...

1106
01:20:05,701 --> 01:20:06,700
can you, Bruce?

1107
01:20:09,111 --> 01:20:10,473
No. You can't.

1108
01:20:11,806 --> 01:20:13,377
But you killed 13, not eight.

1109
01:20:14,809 --> 01:20:16,182
What were the other five
guilty of?

1110
01:20:21,288 --> 01:20:22,683
Running in straight lines,
I guess.

1111
01:20:25,160 --> 01:20:26,159
Ah.

1112
01:20:26,427 --> 01:20:28,128
I really wish
that you and I had met

1113
01:20:28,163 --> 01:20:29,690
under different circumstances.

1114
01:20:30,693 --> 01:20:31,857
Because I've got
a lot of questions

1115
01:20:31,892 --> 01:20:33,100
about that book of yours.

1116
01:20:33,135 --> 01:20:34,101
(BANGS)

1117
01:20:36,699 --> 01:20:38,402
(GRUNTS)
(GRUNTS)

1118
01:20:42,672 --> 01:20:44,837
(CHOKES, WHEEZES)

1119
01:20:45,172 --> 01:20:47,840
Shh! Shh!

1120
01:20:49,415 --> 01:20:50,579
Don't worry, Bruce.

1121
01:20:52,418 --> 01:20:55,287
I ain't letting you die,
I'll make sure of that.

1122
01:20:56,125 --> 01:20:57,223
You see,

1123
01:20:57,925 --> 01:21:02,426
I gave 20 years of my fucking
life for that book of yours.

1124
01:21:04,265 --> 01:21:06,100
And now I'm going
to need some answers.

1125
01:21:07,730 --> 01:21:09,268
Eight hundred pages' worth.

1126
01:21:09,570 --> 01:21:13,008
And there is nothing,
and I mean nothing,

1127
01:21:13,043 --> 01:21:15,010
that I'm not willing to do.

1128
01:21:16,112 --> 01:21:18,112
(GRUNTS) "There they go.

1129
01:21:18,614 --> 01:21:20,917
One by one, two by two,

1130
01:21:22,316 --> 01:21:23,381
that long line

1131
01:21:23,783 --> 01:21:25,779
crawling its way
up the sidewalk.

1132
01:21:26,551 --> 01:21:27,583
Builders.

1133
01:21:28,388 --> 01:21:29,453
Doctors.

1134
01:21:29,988 --> 01:21:32,027
Farmers. Plumbers. Thieves.

1135
01:21:32,462 --> 01:21:35,063
All entering God's house
like ants

1136
01:21:35,432 --> 01:21:37,725
walking across
a picnic blanket."

1137
01:21:40,796 --> 01:21:42,697
God, you've got a way
with words, Bruce.

1138
01:21:43,832 --> 01:21:45,139
"Then the priest thought..."

1139
01:21:45,900 --> 01:21:47,108
(GRUNTS)

1140
01:21:47,577 --> 01:21:49,946
"...why don't they join me
out here on the grass?

1141
01:21:50,648 --> 01:21:53,477
That way, the ones
who want sun, get it,

1142
01:21:53,745 --> 01:21:56,150
and the ones that don't, don't.
(GRUNTS)

1143
01:21:56,652 --> 01:21:58,988
This way,
I can tell them the truth.

1144
01:21:59,584 --> 01:22:01,419
That it's 95 degrees.

1145
01:22:02,422 --> 01:22:03,784
That's all I know for certain.

1146
01:22:07,460 --> 01:22:10,362
The rest is up
for interpretation."

1147
01:22:12,102 --> 01:22:13,761
(GRUNTS)

1148
01:22:18,768 --> 01:22:20,603
(PANTS)

1149
01:22:30,153 --> 01:22:31,185
The book...

1150
01:22:33,288 --> 01:22:34,419
What does it all mean?

1151
01:22:34,454 --> 01:22:36,850
(CHOKING, SOBBING)

1152
01:22:38,920 --> 01:22:40,293
Pl... Please...

1153
01:22:44,926 --> 01:22:46,035
Well, I would
like to tell you...

1154
01:22:50,173 --> 01:22:51,370
but the truth is...

1155
01:22:55,035 --> 01:22:56,144
I didn't write it.

1156
01:22:57,378 --> 01:22:58,509
(GUNSHOT)

1157
01:23:00,381 --> 01:23:04,581
(DWIGHT THUDDING TO GROUND)
(PANTS)

1158
01:23:04,616 --> 01:23:05,747
(CAR ENGINE REVVING)

1159
01:23:08,290 --> 01:23:09,619
(CAR ENGINE REVVING)
(DOOR CREAKING)

1160
01:23:23,371 --> 01:23:24,502
(SAUL WHINING)

1161
01:24:14,158 --> 01:24:15,289
MAN: (OVER PHONE)<i> Professor.</i>

1162
01:24:16,292 --> 01:24:20,921
<i>Elijah's been on life support</i>
<i>for the past two weeks.</i>

1163
01:24:23,024 --> 01:24:26,135
<i>Even if he woke up,</i>
<i>he'd never be the same.</i>

1164
01:24:27,369 --> 01:24:29,600
<i>My wife and I agree that...</i>

1165
01:24:31,439 --> 01:24:33,868
<i>we need to end his suffering.</i>

1166
01:24:34,103 --> 01:24:35,606
(PHOENIX SCREAMING)

1167
01:24:37,544 --> 01:24:38,510
(SIGHS)

1168
01:25:23,623 --> 01:25:24,820
ELIJAH:
<i>What would I write about?</i>

1169
01:25:26,659 --> 01:25:29,198
BRUCE:<i> Anything.</i>
<i>Anything you want.</i>

1170
01:25:29,794 --> 01:25:30,991
It's about a priest.

1171
01:25:32,830 --> 01:25:33,961
BRUCE:<i> Does it have a title?</i>

1172
01:25:34,496 --> 01:25:36,029
ELIJAH:<i> No, not yet.</i>

1173
01:25:48,351 --> 01:25:50,450
(PEN LID CLICKING)
(PAPER RUSTLING)

1174
01:26:17,072 --> 01:26:19,875
(PAPER RUSTLING)

1175
01:26:29,590 --> 01:26:30,721
(SIGHS)

1176
01:26:39,897 --> 01:26:42,700
(MACHINE WHIRRING)

1177
01:27:08,827 --> 01:27:09,892
(EXHALES)

1178
01:27:15,064 --> 01:27:18,670
(RADIO BUTTON CLICKING)
(RADIO FREQUENCY STATIC)

1179
01:27:27,384 --> 01:27:32,387
GERMAN WOMAN: (OVER RADIO)
<i>Zwei, sechs, sechs, zwei.</i>

1180
01:27:32,889 --> 01:27:36,050
(RADIO FREQUENCY STATIC)

1181
01:27:36,285 --> 01:27:38,822
GERMAN WOMAN: (OVER RADIO)
<i>Zwei, zwei, sechs,</i>

1182
01:27:39,224 --> 01:27:41,627
<i>sechs, zwei, neun.</i>

1183
01:27:42,795 --> 01:27:47,996
<i>Eins, eins, funf,</i>
<i>eins, vier, neun.</i>

1184
01:27:49,098 --> 01:27:54,409
<i>Zwei, zwei, sechs,</i>
<i>sechs, zwei, neun.</i>

1185
01:27:58,338 --> 01:28:04,177
(JEEP ENGINE REVS)

1186
01:28:42,052 --> 01:28:44,690
GERMAN WOMAN: (OVER RADIO)
<i>Zwei, zwei, sechs,</i>

1187
01:28:45,159 --> 01:28:47,627
<i>sechs, zwei, neun.</i>

1188
01:28:52,227 --> 01:28:56,636
<i>Eins, eins, funf, eins, zehn.</i>

1189
01:29:13,314 --> 01:29:15,523
GERMAN WOMAN: (OVER RADIO)
<i>Zwei, zwei,</i>

1190
01:29:16,058 --> 01:29:21,023
<i>sechs, sechs, zwei, neun.</i>

1191
01:29:41,584 --> 01:29:42,748
GERMAN WOMAN: (OVER RADIO)<i> Eins.</i>

1192
01:29:44,279 --> 01:29:45,454
<i>Eins.</i>

1193
01:29:47,524 --> 01:29:48,721
<i>Sechs.</i>

1194
01:29:50,219 --> 01:29:51,251
<i>Eins.</i>

1195
01:29:53,024 --> 01:29:53,990
<i>Sieben.</i>

1196
01:29:55,763 --> 01:29:56,795
<i>Zwei.</i>

1197
01:29:58,634 --> 01:29:59,732
<i>Neun.</i>

1198
01:29:59,967 --> 01:30:06,607
(BELLS CHIMING IN RADIO)

1199
01:30:16,982 --> 01:30:21,380
BRUCE:<i> "There they go.</i>
<i>One by one, two by two,</i>

1200
01:30:21,415 --> 01:30:23,954
that long line crawling
its way up the sidewalk.

1201
01:30:24,957 --> 01:30:29,322
<i>Builders, doctors, teachers,</i>
<i>farmers, plumbers, thieves.</i>

1202
01:30:30,127 --> 01:30:32,600
All entering God's house
like ants

1203
01:30:33,603 --> 01:30:35,471
<i>marching across</i>
<i>a picnic blanket.</i>

1204
01:30:36,463 --> 01:30:37,572
(PAPER RUSTLES)

1205
01:30:39,972 --> 01:30:42,808
(PANTS)

1206
01:30:46,209 --> 01:30:47,274
Elijah?

1207
01:30:57,022 --> 01:30:58,120
How did you find me?

1208
01:31:02,390 --> 01:31:07,195
W... with lots and lots...

1209
01:31:08,803 --> 01:31:12,035
of patience.

1210
01:31:18,978 --> 01:31:20,175
(EXHALES)

1211
01:31:28,284 --> 01:31:29,415
How long have you been here?

1212
01:31:30,484 --> 01:31:33,892
Almost five years, Professor.

1213
01:31:35,225 --> 01:31:36,389
Oh, God.

1214
01:31:43,068 --> 01:31:46,938
(MACHINE BEEPING)
(METAL CLANGING)

1215
01:31:52,275 --> 01:31:54,583
Cause and effect.

1216
01:31:55,685 --> 01:31:57,751
Action and reaction.

1217
01:31:58,019 --> 01:32:01,590
If you know the physical
properties of something,

1218
01:32:02,359 --> 01:32:05,726
you can make it do
almost anything you...

1219
01:32:06,861 --> 01:32:07,893
want.

1220
01:32:09,358 --> 01:32:11,732
Human beings are no different.

1221
01:32:14,902 --> 01:32:16,033
(SIGHS)

1222
01:32:20,006 --> 01:32:21,137
So, you knew I was coming?

1223
01:32:21,439 --> 01:32:23,612
I was hoping for that

1224
01:32:24,505 --> 01:32:25,944
conclusion, yes.

1225
01:32:27,376 --> 01:32:29,915
I'm not a fortune teller,
I'm just a...

1226
01:32:31,347 --> 01:32:32,687
just a writer.

1227
01:32:34,581 --> 01:32:37,219
You see, all I did was

1228
01:32:37,254 --> 01:32:42,059
place a few obstacles
in your path, and then I...

1229
01:32:43,425 --> 01:32:46,261
waited to see
what you would do.

1230
01:32:47,737 --> 01:32:51,530
And I must confess
that the dog...

1231
01:32:55,943 --> 01:32:57,536
was a nice touch.

1232
01:32:59,408 --> 01:33:04,543
How is Saul doing
by the way, hm?

1233
01:33:05,953 --> 01:33:07,150
He'll live.

1234
01:33:09,088 --> 01:33:11,759
Will Mr. Tufford
be joining us today?

1235
01:33:14,489 --> 01:33:16,764
(SIGHS)
ELIJAH: I see.

1236
01:33:17,333 --> 01:33:20,526
That's good.
I never was very...

1237
01:33:20,928 --> 01:33:23,639
very fond
of that ending anyway.

1238
01:33:24,108 --> 01:33:25,168
What ending is that?

1239
01:33:27,337 --> 01:33:29,139
ELIJAH: Every story

1240
01:33:29,608 --> 01:33:32,175
ends in one of two ways.

1241
01:33:33,409 --> 01:33:37,686
Either the hero faces
his fears and is reborn,

1242
01:33:39,151 --> 01:33:40,854
or he is punished

1243
01:33:41,857 --> 01:33:44,154
for failing to change.

1244
01:33:44,789 --> 01:33:48,895
And I'm really
curious, Professor.

1245
01:33:50,866 --> 01:33:52,327
Which one are you?

1246
01:33:54,936 --> 01:33:56,034
Don't you lecture me.

1247
01:33:57,807 --> 01:33:58,872
What was I supposed to do?

1248
01:34:00,172 --> 01:34:02,337
Your father told me,
he was gonna

1249
01:34:02,372 --> 01:34:03,844
turn your fucking machine off.

1250
01:34:04,546 --> 01:34:07,144
And that book was too important

1251
01:34:07,179 --> 01:34:08,816
to just sit
on the fucking shelf!

1252
01:34:09,351 --> 01:34:10,444
What do you want from me?

1253
01:34:10,679 --> 01:34:11,984
What do you want from me?

1254
01:34:12,019 --> 01:34:15,218
I only wish to take

1255
01:34:16,023 --> 01:34:17,726
what you're willing to give me.

1256
01:34:20,654 --> 01:34:22,225
(GAS HISSES)

1257
01:34:25,560 --> 01:34:26,834
(FIRE CRACKLES)

1258
01:34:29,168 --> 01:34:30,266
All right.

1259
01:34:31,368 --> 01:34:34,039
(SIGHS)
(FIRE CRACKLES)

1260
01:34:34,074 --> 01:34:37,746
(HISSES)
(SIGHS) Right.

1261
01:34:38,515 --> 01:34:40,012
And the point
to all of this is...

1262
01:34:40,509 --> 01:34:41,574
(EXHALES)

1263
01:34:42,313 --> 01:34:43,411
...is punishment?

1264
01:34:44,645 --> 01:34:47,250
Justice? Retribution?
Atonement?

1265
01:34:47,923 --> 01:34:50,220
That's the point, is it?

1266
01:34:50,255 --> 01:34:52,354
Writer's block.

1267
01:34:55,656 --> 01:34:57,799
(FIRE CRACKLES)
(ELIJAH SIGHING)

1268
01:34:58,395 --> 01:35:00,461
Since you stole...

1269
01:35:02,168 --> 01:35:04,267
my first book, Bruce, I...

1270
01:35:05,171 --> 01:35:06,170
I thought you...

1271
01:35:06,605 --> 01:35:10,878
you wouldn't mind helping me...

1272
01:35:12,948 --> 01:35:14,882
write my second book.

1273
01:35:19,515 --> 01:35:20,580
But then...

1274
01:35:21,649 --> 01:35:23,187
the more I wrote,

1275
01:35:24,828 --> 01:35:26,894
the more I realized,

1276
01:35:28,227 --> 01:35:30,425
"This is not my story."

1277
01:35:32,297 --> 01:35:34,066
(FIRE CRACKLES)

1278
01:35:34,101 --> 01:35:37,971
I know you... you
didn't write it.

1279
01:35:39,535 --> 01:35:43,669
(SIGHS) But you lived it.

1280
01:35:44,980 --> 01:35:48,949
Every page, every line,
every word.

1281
01:35:55,221 --> 01:35:57,188
Don't worry, Professor.

1282
01:35:58,620 --> 01:35:59,927
This is a...

1283
01:36:00,622 --> 01:36:01,896
a happy ending.

1284
01:36:14,339 --> 01:36:16,504
For 25 years,

1285
01:36:16,539 --> 01:36:20,475
the world has waited for

1286
01:36:21,010 --> 01:36:25,821
Bruce Cogburn's
next masterpiece.

1287
01:36:26,747 --> 01:36:27,955
And today,

1288
01:36:29,189 --> 01:36:31,288
today is the day

1289
01:36:31,657 --> 01:36:33,686
that we give it to them.

1290
01:36:33,988 --> 01:36:35,391
(FIRE CRACKLES)

1291
01:36:39,463 --> 01:36:40,495
Why are you doing this?

1292
01:36:41,828 --> 01:36:47,139
I need to know that I am more
than a book...

1293
01:36:50,045 --> 01:36:51,572
full of rage.

1294
01:36:53,840 --> 01:36:55,048
(BREATHES DEEPLY)

1295
01:36:57,712 --> 01:36:59,712
I truly believed
that you had died.

1296
01:37:03,025 --> 01:37:04,189
I was dead.

1297
01:37:06,886 --> 01:37:09,359
For 19 minutes.

1298
01:37:12,133 --> 01:37:15,937
Would you like to know
what I found on the other side?

1299
01:37:16,239 --> 01:37:18,467
(FIRE CRACKLES)

1300
01:37:18,502 --> 01:37:24,176
(CHUCKLES WEAKLY)
I... I found...

1301
01:37:26,411 --> 01:37:27,542
nothing.

1302
01:37:29,348 --> 01:37:31,711
My whole life, I...

1303
01:37:31,979 --> 01:37:36,386
I blamed God for everything
that was

1304
01:37:37,620 --> 01:37:39,290
wrong with me, and I...

1305
01:37:40,359 --> 01:37:43,063
wanted so much
for the world to...

1306
01:37:43,098 --> 01:37:46,759
to know Him the way
that I knew Him as a...

1307
01:37:49,632 --> 01:37:51,467
a child,

1308
01:37:53,207 --> 01:37:55,570
a cruel child with a...

1309
01:37:56,672 --> 01:37:58,837
with a magnifying glass.

1310
01:37:58,872 --> 01:38:02,379
And we are just the ants
that He plays with.

1311
01:38:05,780 --> 01:38:06,779
But then...

1312
01:38:08,519 --> 01:38:09,683
I died.

1313
01:38:12,094 --> 01:38:14,556
And I realized...

1314
01:38:18,232 --> 01:38:20,562
there is no child.

1315
01:38:22,302 --> 01:38:25,864
There is no magnifying glass.

1316
01:38:28,572 --> 01:38:30,902
There is only us ants.

1317
01:38:33,577 --> 01:38:36,380
And we are the ones who

1318
01:38:37,779 --> 01:38:39,119
started the fire.

1319
01:38:41,156 --> 01:38:44,256
All those misguided gods,

1320
01:38:44,291 --> 01:38:46,390
all those beliefs...

1321
01:38:46,425 --> 01:38:50,966
(FIRE CRACKLES)
...all bullshit.

1322
01:38:51,496 --> 01:38:52,759
(FIRE CRACKLES)

1323
01:39:04,608 --> 01:39:05,805
(SIGHS)

1324
01:39:09,481 --> 01:39:10,810
(INHALES DEEPLY)

1325
01:39:30,436 --> 01:39:31,765
Oh, what is that?

1326
01:39:34,869 --> 01:39:39,872
It's a letter.
Who is that

1327
01:39:43,647 --> 01:39:44,712
To my agent.

1328
01:39:47,255 --> 01:39:49,288
(FIRE CRACKLES)

1329
01:39:56,528 --> 01:39:58,495
I'm done playing this part.

1330
01:40:00,862 --> 01:40:04,171
What did you put in
that letter, Bruce?

1331
01:40:09,673 --> 01:40:10,738
Bruce?

1332
01:40:12,247 --> 01:40:13,246
Professor?

1333
01:40:14,480 --> 01:40:17,349
(SCREAMS) Professor!

1334
01:40:17,384 --> 01:40:19,318
(ALIJAH SOBBING)

1335
01:40:20,453 --> 01:40:22,288
What's in that letter?

1336
01:40:24,919 --> 01:40:26,985
The truth, Elijah.

1337
01:40:28,230 --> 01:40:29,262
It's the truth.

1338
01:40:30,859 --> 01:40:31,891
(TELEPHONE BEEPING)

1339
01:40:33,202 --> 01:40:35,202
(TELEPHONE DIALING)

1340
01:40:38,933 --> 01:40:43,540
(SOBS)
(MODEM BEEPS)

1341
01:40:56,588 --> 01:40:59,094
(HISSES)

1342
01:41:01,296 --> 01:41:02,922
(FIRE CRACKLES)

1343
01:41:07,060 --> 01:41:08,829
(SCREAMS)

1344
01:41:08,864 --> 01:41:11,931
(EXPLOSION)

1345
01:41:31,293 --> 01:41:35,922
(PAPER RUSTLING)

1346
01:42:04,293 --> 01:42:05,853
(CLANGS)

1347
01:42:10,695 --> 01:42:11,793
(SIGHS)

1348
01:42:17,966 --> 01:42:22,177
(WATER SPLASHES)
(GROANS)

1349
01:42:24,676 --> 01:42:25,675
Elijah?

1350
01:42:27,646 --> 01:42:30,515
(COUGHS)
This is incredible writing.

1351
01:42:31,518 --> 01:42:32,649
ELIJAH:<i> Thank you, Professor.</i>

1352
01:42:33,218 --> 01:42:34,618
BRUCE:<i> It's exquisite.</i>

1353
01:42:34,653 --> 01:42:37,192
Now, bugger off.
Yes. Thank you.

1354
01:42:40,560 --> 01:42:44,859
BRUCE:<i> I'm serious, Elijah.</i>
<i>Everything I read of yours,</i>

1355
01:42:45,161 --> 01:42:47,895
it's so surprising to me.
It's unpredictable.

1356
01:42:48,799 --> 01:42:51,338
<i>You need to be</i>
<i>a professional writer.</i>

1357
01:42:51,773 --> 01:42:54,770
What if I don't have
anything to say?

1358
01:42:56,807 --> 01:42:58,345
BRUCE:<i> Then you're</i>
<i>not digging deep enough.</i>

1359
01:43:00,041 --> 01:43:01,073
Dig deep.

1360
01:43:02,516 --> 01:43:03,515
<i>Elijah?</i>

1361
01:43:06,388 --> 01:43:08,179
What do you think, Professor?

1362
01:43:09,017 --> 01:43:10,225
I can't wait to read it.

1363
01:43:11,558 --> 01:43:14,526
ELIJAH: Dig deep.<i> Dig deep.</i>

1364
01:43:14,561 --> 01:43:17,562
BRUCE:<i> What's that?</i>
Dig deep.

1365
01:43:19,500 --> 01:43:23,095
<i>I don't think I could have dug</i>
<i>any deeper than this, Professor.</i>

1366
01:43:26,265 --> 01:43:28,133
He's gonna be so mad at me.

1367
01:43:28,401 --> 01:43:31,411
I'm... I'm supposed to wait.

1368
01:43:32,113 --> 01:43:34,744
I don't know if I can wait.
Wait for what?

1369
01:43:37,386 --> 01:43:38,418
<i>Wait for what, Elijah?</i>

1370
01:43:44,118 --> 01:43:46,294
To see the look
on God's face.

1371
01:43:50,927 --> 01:43:52,223
No!

1372
01:43:52,258 --> 01:43:53,796
(MUFFLED SCREAM ECHOING)

1373
01:43:54,865 --> 01:43:56,997
ELIJAH'S DAD: (OVER PHONE)
<i>My wife and I agree that</i>

1374
01:43:57,265 --> 01:43:59,736
<i>we need to end his suffering.</i>

1375
01:44:00,438 --> 01:44:03,641
<i>Thank you for everything</i>
<i>you've done for our boy.</i>

1376
01:44:04,479 --> 01:44:06,479
<i>I have to go.</i>
I'm so sorry.

1377
01:44:07,581 --> 01:44:09,174
<i>I appreciate you telling me.</i>

1378
01:44:46,488 --> 01:44:47,487
BRUCE:<i> Who...</i>

1379
01:44:48,523 --> 01:44:50,622
am I?

1380
01:44:54,496 --> 01:44:55,660
<i>Who am I, really?</i>

1381
01:45:00,700 --> 01:45:02,700
<i>That's the question</i>
<i>that every protagonist</i>

1382
01:45:02,735 --> 01:45:05,835
<i>needs to answer</i>
<i>by the end of their story.</i>

1383
01:45:07,641 --> 01:45:09,806
<i>If your hero hasn't reached</i>

1384
01:45:10,175 --> 01:45:13,304
<i>some sort of cathartic</i>
<i>realization about who they are</i>

1385
01:45:13,339 --> 01:45:16,681
<i>or what they believe in</i>
<i>by the last page,</i>

1386
01:45:17,183 --> 01:45:19,618
<i>then I'm sorry to inform you,</i>
<i>ladies and gents,</i>

1387
01:45:19,886 --> 01:45:21,081
you have failed your reader.

1388
01:45:23,822 --> 01:45:26,856
ELIJAH:<i> Professor.</i>
<i>Thank you for everything.</i>

1389
01:45:28,893 --> 01:45:32,026
<i>You are a really good teacher.</i>

1390
01:45:33,128 --> 01:45:34,160
<i>Did you know that?</i>

1391
01:45:37,473 --> 01:45:39,231
<i>You're the only person</i>
<i>that gets me.</i>

1392
01:45:42,071 --> 01:45:43,202
<i>You made me a...</i>

1393
01:45:45,074 --> 01:45:49,175
<i>a better writer. You made me...</i>
<i>you made me better.</i>

1394
01:45:52,213 --> 01:45:54,180
<i>I couldn't have done this</i>
<i>without you.</i>

1395
01:45:55,150 --> 01:45:57,348
BRUCE:<i> The road you construct</i>

1396
01:45:57,383 --> 01:45:59,526
<i>for your characters</i>
<i>to travel along,</i>

1397
01:46:00,295 --> 01:46:02,397
<i>it shouldn't be paved,</i>
<i>shouldn't be easy.</i>

1398
01:46:04,599 --> 01:46:06,126
<i>Because finding out who you are</i>

1399
01:46:09,032 --> 01:46:10,097
<i>never is.</i>

1400
01:46:17,205 --> 01:46:19,205
("SUN DON'T SHINE"
BY HALEY MCCALLUM PLAYING)

1401
01:46:19,240 --> 01:46:23,616
<i>♪ Before I lay my head to rest ♪</i>

1402
01:46:25,488 --> 01:46:31,723
<i>♪ Gonna get on a train</i>
<i>And head out west ♪</i>

1403
01:46:34,563 --> 01:46:40,699
<i>♪ Lose myself in the sand</i>
<i>And the wine ♪</i>

1404
01:46:43,000 --> 01:46:49,103
<i>♪ 'Cause God don't go</i>
<i>Where the sun don't shine ♪</i>

1405
01:46:50,678 --> 01:46:54,548
<i>♪ The sun don't shine ♪</i>

1406
01:47:08,795 --> 01:47:14,931
<i>♪ Lose myself on</i>
<i>The side of the road ♪</i>

1407
01:47:17,265 --> 01:47:23,643
<i>♪ Where the buzzards bleed</i>
<i>And the rain don't go ♪</i>

1408
01:47:25,713 --> 01:47:32,146
<i>♪ 'Cause the world is made</i>
<i>Of many things ♪</i>

1409
01:47:34,623 --> 01:47:41,661
<i>♪ God don't slow</i>
<i>On the angel wings ♪</i>

1410
01:47:41,696 --> 01:47:46,259
<i>♪ The angel wings ♪</i>

1411
01:47:59,912 --> 01:48:05,377
<i>♪ There's always someone</i>
<i>Waitin' at the gates ♪</i>

1412
01:48:08,052 --> 01:48:13,660
<i>♪ Gonna roll away to heaven</i>
<i>On a pair of roller skates ♪</i>

1413
01:48:16,896 --> 01:48:22,900
<i>♪ No more waitin' for</i>
<i>My time to pass ♪</i>

1414
01:48:25,234 --> 01:48:31,711
<i>♪ Life's too short</i>
<i>To make things last ♪</i>

1415
01:48:32,313 --> 01:48:37,717
<i>♪ To make things last ♪</i>

1416
01:49:00,808 --> 01:49:07,747
<i>♪ Says, "Ain't you tired</i>
<i>Of bein' so sad? ♪</i>

1417
01:49:10,609 --> 01:49:16,547
<i>♪ The bottle in your veins</i>
<i>Won't hurt so bad ♪</i>

1418
01:49:19,288 --> 01:49:25,292
<i>♪ You can run away with me</i>
<i>To a sunny sky ♪</i>

1419
01:49:29,001 --> 01:49:35,203
<i>♪ We'll both be older</i>
<i>When we die ♪</i>

1420
01:49:36,404 --> 01:49:41,308
<i>♪ When we die ♪</i>

1421
01:50:20,822 --> 01:50:26,023
<i>♪ Lose myself in the sand</i>
<i>And the wine ♪</i>

1422
01:50:29,490 --> 01:50:35,593
<i>♪ 'Cause God don't go</i>
<i>Where the sun don't shine ♪</i>

1423
01:50:36,838 --> 01:50:40,037
<i>♪ Sun don't ♪</i>

1424
01:50:42,910 --> 01:50:46,406
<i>♪ Shine ♪</i>

