1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:07,974 --> 00:00:16,249 ♪ ♪ 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:16,316 --> 00:00:22,789 ♪ ♪ 5 00:00:22,856 --> 00:00:41,374 ♪ ♪ 6 00:00:41,441 --> 00:00:46,112 ♪ ♪ 7 00:00:46,179 --> 00:00:52,419 ♪ ♪ 8 00:00:52,485 --> 00:01:04,063 ♪ ♪ 9 00:01:04,130 --> 00:01:14,207 ♪ ♪ 10 00:01:14,274 --> 00:01:27,854 ♪ ♪ 11 00:01:27,921 --> 00:01:28,755 [CHEERS AND APPLAUSE] 12 00:01:28,822 --> 00:01:30,190 >> Announcer: TO INDUCT 13 00:01:30,256 --> 00:01:31,124 DURAN DURAN INTO THE ROCK & ROLL 14 00:01:31,191 --> 00:01:37,831 HALL OF FAME, ROBERT DOWNEY JR. 15 00:01:37,897 --> 00:01:39,532 ♪ ♪ 16 00:01:39,599 --> 00:01:42,235 >> I AM SO PSYCHED. 17 00:01:42,302 --> 00:01:43,336 ♪ CALIFORNIA, UGH! 18 00:01:43,403 --> 00:01:48,074 KNOWS HOW TO PARTY ♪ 19 00:01:48,141 --> 00:01:49,242 [APPLAUSE] 20 00:01:49,309 --> 00:01:51,544 UM, WOW. 21 00:01:51,611 --> 00:01:53,112 THIS IS ELECTRIC. 22 00:01:53,179 --> 00:01:57,951 LET'S KICK IT OFF. 23 00:01:58,017 --> 00:01:59,352 [CHEERS AND APPLAUSE] 24 00:01:59,419 --> 00:02:01,321 I GOT A QUESTION. 25 00:02:01,387 --> 00:02:02,722 WHAT MAKES FOR LONGEVITY IN 26 00:02:02,789 --> 00:02:03,723 ARGUABLY THE MOST CUTTHROAT 27 00:02:03,790 --> 00:02:10,563 BUSINESS ON EARTH? 28 00:02:10,630 --> 00:02:11,731 [AUDIENCE SHOUTING RESPONSES] 29 00:02:11,798 --> 00:02:12,465 YES. 30 00:02:12,532 --> 00:02:14,834 I SAY CONSISTENT QUALITY 31 00:02:14,901 --> 00:02:19,973 OVER TIME, PLUS HEADBANDS. 32 00:02:20,039 --> 00:02:22,475 BY WHICH I MEAN: ICONIC, 33 00:02:22,542 --> 00:02:24,644 ERA-DEFINING FASHION, HIGH-LEVEL 34 00:02:24,711 --> 00:02:27,514 MUSICIANSHIP, PLUS HITS, RIGHT? 35 00:02:27,580 --> 00:02:30,416 DOZENS OF 'EM, ALBUMS SOLD, 36 00:02:30,483 --> 00:02:32,185 HUNDREDS AND MILLIONS OF THEM IF 37 00:02:32,252 --> 00:02:34,854 YOU CAN, BUT MORE IMPORTANT THAN 38 00:02:34,921 --> 00:02:36,789 ALL OF THOSE ELEMENTS, YOU NEED 39 00:02:36,856 --> 00:02:38,791 A SENSE OF WHAT I LIKE TO CALL 40 00:02:38,858 --> 00:02:40,527 THE "CSF" -- COOL, SOPHISTICATED 41 00:02:40,593 --> 00:02:43,429 FUN. 42 00:02:43,496 --> 00:02:45,665 [CHEERS AND APPLAUSE] 43 00:02:45,732 --> 00:02:46,399 YOU KNOW WHO'S GOT THAT IN 44 00:02:46,466 --> 00:02:47,233 SPADES? 45 00:02:47,300 --> 00:02:51,971 DURAN DURAN. 46 00:02:52,038 --> 00:02:53,206 [CHEERS AND APPLAUSE] 47 00:02:53,273 --> 00:02:54,340 YEAH. 48 00:02:54,407 --> 00:03:00,079 YEAH! 49 00:03:00,146 --> 00:03:03,249 DURAN DURAN, THEY OWN THAT 50 00:03:03,316 --> 00:03:05,285 SPACE, AND THEY HAVE FOR OVER 40 51 00:03:05,351 --> 00:03:08,421 YEARS. 52 00:03:08,488 --> 00:03:10,924 I MEAN, READ THE LYRICS TO 53 00:03:10,990 --> 00:03:12,659 "PAPER GODS," WATCH THE VIDEO 54 00:03:12,725 --> 00:03:16,296 FOR "CELEBRATION." 55 00:03:16,362 --> 00:03:18,431 CRY IN THE MIRROR AS YOU 56 00:03:18,498 --> 00:03:23,736 LIP-SYNC TO "ORDINARY WORLD." 57 00:03:23,803 --> 00:03:24,904 WATCH THE SEVEN-YEAR-OLDS OR THE 58 00:03:24,971 --> 00:03:25,972 TWENTY-SOMETHINGS' FACES WHEN 59 00:03:26,039 --> 00:03:28,374 THEY HEAR "GIRLS ON FILM," 60 00:03:28,441 --> 00:03:29,342 "HUNGRY LIKE THE WOLF," 61 00:03:29,409 --> 00:03:31,477 "SAVE A PRAYER," OR "WILD BOYS" 62 00:03:31,544 --> 00:03:33,179 FOR THE FIRST TIME, AND THEN 63 00:03:33,246 --> 00:03:35,081 PRETEND YOU'RE SURPRISED WHEN 64 00:03:35,148 --> 00:03:36,950 THEY HIP YOU TO THE OTHER 79 65 00:03:37,016 --> 00:03:38,551 HITS THEY WROTE THAT YOU MISSED 66 00:03:38,618 --> 00:03:44,958 THAT ARE JUST AS GOOD. 67 00:03:45,024 --> 00:03:45,425 [CHEERS AND APPLAUSE] 68 00:03:45,491 --> 00:03:46,326 MIND-BLOWING. 69 00:03:46,392 --> 00:03:47,360 I'M A LUCKY DUDE TO BE HERE 70 00:03:47,427 --> 00:03:52,899 TONIGHT. 71 00:03:52,966 --> 00:03:56,035 THE ORIGIN STORY OF THIS ICONIC 72 00:03:56,102 --> 00:03:57,003 BAND COMES DOWN TO TWO WORDS: 73 00:03:57,070 --> 00:04:02,241 CONFIDENCE AND FAITH. 74 00:04:02,308 --> 00:04:03,977 NICK AND JOHN PUT A CHEEKY 75 00:04:04,043 --> 00:04:07,013 LITTLE AD IN "MELODY MAKER." 76 00:04:07,080 --> 00:04:08,581 ROGER ANSWERED THE CALL ONCE 77 00:04:08,648 --> 00:04:09,882 THAT POWER TRIO CHOSE A POET IN 78 00:04:09,949 --> 00:04:11,417 A PAIR OF PINK LEOPARD PRINT 79 00:04:11,484 --> 00:04:16,155 PANTS NAMED SIMON. 80 00:04:16,222 --> 00:04:20,326 AND THEN, ANDY SIGNED ALONG WITH 81 00:04:20,393 --> 00:04:21,594 THEM A BIT AFTER THAT. 82 00:04:21,661 --> 00:04:22,929 THE REST WOULD BECOME HISTORY. 83 00:04:22,996 --> 00:04:23,596 A HISTORY OF FAITH IN EACH 84 00:04:23,663 --> 00:04:24,764 OTHER, THEMSELVES, AND, 85 00:04:24,831 --> 00:04:25,431 HONESTLY, IN US, IN THE AUDIENCE 86 00:04:25,498 --> 00:04:26,332 THAT THEY HAVE NEVER TAKEN FOR 87 00:04:26,399 --> 00:04:28,368 GRANTED. 88 00:04:28,434 --> 00:04:29,802 AND THE FACT THAT THEY'VE ALWAYS 89 00:04:29,869 --> 00:04:30,937 BEEN TRANSPARENT ABOUT BEING A 90 00:04:31,004 --> 00:04:32,338 WORK IN PROGRESS, LIKE WE ALL 91 00:04:32,405 --> 00:04:34,107 ARE, I FEEL IT'S WHY I ADORE 92 00:04:34,173 --> 00:04:35,575 THESE MEN. 93 00:04:35,642 --> 00:04:37,243 THAT'S THE GIFT THEY'VE GIVEN 94 00:04:37,310 --> 00:04:41,347 US. 95 00:04:41,414 --> 00:04:44,951 THEY BESTOWED THAT ON THEIR 96 00:04:45,018 --> 00:04:46,719 FANS, PERMISSION TO GROW AND 97 00:04:46,786 --> 00:04:47,787 CHANGE, AND AGE OUT OF ONE MODE 98 00:04:47,854 --> 00:04:49,489 AND EMBRACE THE NEXT. 99 00:04:49,555 --> 00:04:51,924 ALL RIGHT. 100 00:04:51,991 --> 00:04:52,759 HIGH AMONG THE MANY 101 00:04:52,825 --> 00:04:54,894 SURREAL MOMENTS I'VE WITNESSED 102 00:04:54,961 --> 00:04:57,930 IN MY LIFE SHALL FOREVER REMAIN. 103 00:04:57,997 --> 00:04:59,699 MY 50TH BIRTHDAY PARTY, THEY 104 00:04:59,766 --> 00:05:01,434 PLAYED A SHORT SET, AND I SHIT 105 00:05:01,501 --> 00:05:03,369 YOU NOT, HALFWAY THROUGH "RIO," 106 00:05:03,436 --> 00:05:05,805 A PROMINENT HOLLYWOOD DIRECTOR, 107 00:05:05,872 --> 00:05:07,440 HIS WIFE TORE OFF HER BRA AND 108 00:05:07,507 --> 00:05:12,045 TOSSED IT ON STAGE. 109 00:05:12,111 --> 00:05:13,546 [LAUGHTER] 110 00:05:13,613 --> 00:05:15,481 I THINK THEY STILL GOT IT. 111 00:05:15,548 --> 00:05:17,116 IT'S INFECTIOUS. 112 00:05:17,183 --> 00:05:22,922 DURAN DURAN INVITES US ALL TO 113 00:05:22,989 --> 00:05:24,991 PUT OUR BEST DAYS HERE, NOW, AND 114 00:05:25,058 --> 00:05:25,458 STILL IN FRONT OF US. 115 00:05:25,525 --> 00:05:26,693 AND SO, AS A FAN, I'M AMAZED. 116 00:05:26,759 --> 00:05:27,894 I'M HONORED TO BE HERE FOR THEIR 117 00:05:27,960 --> 00:05:31,464 INDUCTION INTO THE 118 00:05:31,531 --> 00:05:37,136 ROCK & ROLL HALL OF FAME, BUT AS 119 00:05:37,203 --> 00:05:38,838 A HUMAN, I'M GRATEFUL THAT THESE 120 00:05:38,905 --> 00:05:40,473 GIFTED SOULS ARE FINALLY 121 00:05:40,540 --> 00:05:43,109 RECEIVING THE LONG-DESERVED 122 00:05:43,176 --> 00:05:45,111 CEMENTING OF THEIR LEGACY. 123 00:05:45,178 --> 00:05:46,112 LET'S GO TO THE TAPE! 124 00:05:46,179 --> 00:05:49,282 [CHEERS AND APPLAUSE] 125 00:05:49,348 --> 00:05:50,316 >> HAVE YOU EVER HEARD OF THE 126 00:05:50,383 --> 00:05:52,452 NAME "DURAN DURAN?" 127 00:05:52,518 --> 00:05:56,656 >> "DURAN DURAN?" 128 00:05:56,723 --> 00:05:58,157 >> YES, DURAN DURAN, FROM THE 129 00:05:58,224 --> 00:05:59,192 PLANET EARTH. 130 00:05:59,258 --> 00:06:01,494 ♪ PLEASE, PLEASE TELL ME NOW ♪ 131 00:06:01,561 --> 00:06:02,962 ♪ I MADE A BREAK, I RUN OUT 132 00:06:03,029 --> 00:06:05,098 YESTERDAY ♪ 133 00:06:05,164 --> 00:06:06,733 ♪ TRIED TO FIND MY MOUNTAIN 134 00:06:06,799 --> 00:06:09,669 HIDEAWAY ♪ 135 00:06:09,736 --> 00:06:11,370 >> I WAS CONVINCED THAT I WOULD 136 00:06:11,437 --> 00:06:12,305 MARRY ONE MEMBER OF DURAN DURAN, 137 00:06:12,371 --> 00:06:13,506 IF NOT ALL FIVE OF THEM. 138 00:06:13,573 --> 00:06:15,341 I MEAN, I WAS SO IN LOVE WITH 139 00:06:15,408 --> 00:06:18,711 DURAN DURAN, IT HURT. 140 00:06:18,778 --> 00:06:21,247 >> DURAN DURAN IS MY LIFE. 141 00:06:21,314 --> 00:06:22,448 AND I GREW UP DANCING TO 142 00:06:22,515 --> 00:06:24,417 DURAN DURAN. 143 00:06:24,484 --> 00:06:25,918 ♪ PLEASE, PLEASE TELL ME NOW ♪ 144 00:06:25,985 --> 00:06:26,919 >> JOHN! 145 00:06:26,986 --> 00:06:27,987 JOHN! 146 00:06:28,054 --> 00:06:33,292 [CHEERS AND APPLAUSE] 147 00:06:33,359 --> 00:06:35,895 >> WHEN WE STARTED DURAN DURAN 148 00:06:35,962 --> 00:06:37,597 IN 1979, WE HAD A VERY VIVID 149 00:06:37,663 --> 00:06:42,001 VISION OF WHAT WE WANTED TO 150 00:06:42,068 --> 00:06:42,301 SOUND LIKE. 151 00:06:42,368 --> 00:06:43,336 WE HAD TO FIND THE RIGHT PEOPLE. 152 00:06:43,402 --> 00:06:44,303 IT WAS JOHN AND I, AND THEN WE 153 00:06:44,370 --> 00:06:45,438 ADDED ROGER. 154 00:06:45,505 --> 00:06:46,672 AND THEN ANDY, AND SIMON WAS THE 155 00:06:46,739 --> 00:06:47,940 LAST PIECE TO THE JIGSAW. 156 00:06:48,007 --> 00:06:51,711 >> SIMON CAME DOWN TO ONE OF 157 00:06:51,778 --> 00:06:53,279 OUR REHEARSALS AND HE HAD THE 158 00:06:53,346 --> 00:06:54,347 LYRICS. 159 00:06:54,413 --> 00:06:55,281 THESE ARE SONGS IN HERE. 160 00:06:55,348 --> 00:06:56,549 AND, YOU KNOW, WE JUST GOT TO 161 00:06:56,616 --> 00:06:57,350 PUT SOME MUSIC TO THESE. 162 00:06:57,416 --> 00:07:01,320 ♪ CAN YOU HEAR ME NOW? ♪ 163 00:07:01,387 --> 00:07:04,390 ♪ LOOKING AT PLANET EARTH ♪ 164 00:07:04,457 --> 00:07:05,525 >> HELLO, GOOD EVENING. 165 00:07:05,591 --> 00:07:07,560 AND WELCOME TO OUR SHOW. 166 00:07:07,627 --> 00:07:11,731 ♪ GIRLS ON FILM ♪ 167 00:07:11,798 --> 00:07:13,666 >> FOR A BAND, IT'S -- WE'VE 168 00:07:13,733 --> 00:07:14,867 GOT, LIKE, RECORDS, WE'VE GOT 169 00:07:14,934 --> 00:07:16,536 THE LIVE PERFORMANCE. 170 00:07:16,602 --> 00:07:17,770 AND NOW, YOU'VE GOT VIDEOS, 171 00:07:17,837 --> 00:07:19,238 SOMETHING REALLY NEW AND REALLY 172 00:07:19,305 --> 00:07:21,073 EXCITING. 173 00:07:21,140 --> 00:07:22,441 >> THE FIRST TIME I SAW 174 00:07:22,508 --> 00:07:23,276 "GIRLS ON FILM," WE WERE JUST 175 00:07:23,342 --> 00:07:23,876 KIND OF LIKE, "WHAT IS THIS?" 176 00:07:23,943 --> 00:07:25,278 LIKE, "WHAT'S HAPPENING?" 177 00:07:25,344 --> 00:07:27,146 IT WAS JUST SO ARTY, AND THEY 178 00:07:27,213 --> 00:07:28,714 HAD THESE DIFFERENT KINDS OF 179 00:07:28,781 --> 00:07:29,549 OUTFITS, AND HAIRDOS, AND 180 00:07:29,615 --> 00:07:31,250 MAKEUP, THAT YOU COULDN'T HELP 181 00:07:31,317 --> 00:07:34,921 BUT JUST BE FASCINATED. 182 00:07:34,987 --> 00:07:35,955 ♪ ♪ 183 00:07:36,022 --> 00:07:36,989 >> WE BROKE IN A LOT OF OTHER 184 00:07:37,056 --> 00:07:39,692 COUNTRIES IN THE WORLD, BUT WE 185 00:07:39,759 --> 00:07:40,560 HADN'T BROKE THROUGH IN 186 00:07:40,626 --> 00:07:43,029 AMERICA. 187 00:07:43,095 --> 00:07:44,263 WE COULDN'T GET THROUGH TO 188 00:07:44,330 --> 00:07:44,564 ANYBODY. 189 00:07:44,630 --> 00:07:45,598 BUT FORTUNATELY, IT WAS THE 190 00:07:45,665 --> 00:07:46,299 ADVENT OF MTV. 191 00:07:46,365 --> 00:07:47,633 THEY WANTED TO SHOW NEW BANDS. 192 00:07:47,700 --> 00:07:48,501 AND WHEN THEY DID, THE RADIO 193 00:07:48,568 --> 00:07:49,268 STATIONS PICKED UP ON US AND 194 00:07:49,335 --> 00:07:50,736 "HUNGRY LIKE THE WOLF" BROKE 195 00:07:50,803 --> 00:07:51,904 THROUGH. 196 00:07:51,971 --> 00:07:52,605 ♪ I'M ON THE HUNT 197 00:07:52,672 --> 00:07:53,573 I'M AFTER YOU ♪ 198 00:07:53,639 --> 00:07:54,307 ♪ SMELL LIKE I SOUND, 199 00:07:54,373 --> 00:07:55,274 I'M LOST IN A CROWD ♪ 200 00:07:55,341 --> 00:07:56,375 ♪ AND I'M HUNGRY LIKE 201 00:07:56,442 --> 00:07:58,477 THE WOLF ♪ 202 00:07:58,544 --> 00:07:59,445 ♪ HER NAME IS RIO AND SHE 203 00:07:59,512 --> 00:08:00,847 DANCES ON THE SAND ♪ 204 00:08:00,913 --> 00:08:06,819 >> NOBODY KNEW THAT BECAUSE OF 205 00:08:06,886 --> 00:08:07,553 THE EXPOSURE LEVEL OF IT IN THIS 206 00:08:07,620 --> 00:08:08,454 COUNTRY, 24 HOURS A DAY, THE 207 00:08:08,521 --> 00:08:09,121 PEOPLE WERE GONNA START KNOWING 208 00:08:09,188 --> 00:08:10,156 MORE ABOUT THE WAY OUR GROUP 209 00:08:10,223 --> 00:08:13,960 LOOKED. 210 00:08:14,026 --> 00:08:14,994 >> RIGHT NOW, DIRECT FROM 211 00:08:15,061 --> 00:08:15,661 LONDON, DURAN DURAN. 212 00:08:15,728 --> 00:08:16,529 ♪ AND WHEN SHE SHINES, SHE 213 00:08:16,596 --> 00:08:18,831 REALLY SHOWS YOU ALL SHE CAN ♪ 214 00:08:18,898 --> 00:08:19,699 ♪ OH RIO, RIO, DANCE ACROSS THE 215 00:08:19,765 --> 00:08:20,800 RIO GRANDE ♪ 216 00:08:20,867 --> 00:08:22,168 >> EVERYWHERE YOU LOOKED, IT 217 00:08:22,235 --> 00:08:22,969 WAS, LIKE, YOU COULD SEE 218 00:08:23,035 --> 00:08:23,769 DURAN DURAN IN EVERY MALL ON 219 00:08:23,836 --> 00:08:24,770 EVERYBODY'S OUTFIT. 220 00:08:24,837 --> 00:08:26,572 THEIR STYLE, THEIR MUSIC, 221 00:08:26,639 --> 00:08:27,373 EVERYTHING THAT THEY DID JUST 222 00:08:27,440 --> 00:08:36,349 BECAME HUGE. 223 00:08:36,415 --> 00:08:37,283 >> WE'VE ALWAYS SORT OF WRITTEN 224 00:08:37,350 --> 00:08:38,150 SONGS TOGETHER, THE FIVE OF US. 225 00:08:38,217 --> 00:08:39,485 JUST BASHING THINGS OUT UNTIL WE 226 00:08:39,552 --> 00:08:40,519 AGREED TO SOME POINT AND SAY, 227 00:08:40,586 --> 00:08:41,187 "OKAY. 228 00:08:41,254 --> 00:08:42,321 NOW, WE'VE GOT SOMETHING. 229 00:08:42,388 --> 00:08:43,289 WE'LL BUILD ON THAT." 230 00:08:43,356 --> 00:08:44,924 ♪ THE UNION OF THE SNAKE IS ON 231 00:08:44,991 --> 00:08:47,994 THE CLIMB ♪ 232 00:08:48,060 --> 00:08:51,797 >> WHILE NICK RHODES IS SAVING 233 00:08:51,864 --> 00:08:52,798 THE PLANET, WE'VE GOT MORE MUSIC 234 00:08:52,865 --> 00:08:54,600 VIDEOS ON MTV MUSIC TELEVISION. 235 00:08:54,667 --> 00:08:55,534 ♪ UNTIL WE DANCE INTO 236 00:08:55,601 --> 00:09:04,210 THE FIRE ♪ 237 00:09:04,277 --> 00:09:05,511 ♪ THAT FATAL KISS ♪ 238 00:09:05,578 --> 00:09:06,178 >> THE SONGWRITING WAS SO 239 00:09:06,245 --> 00:09:07,179 WELL-CRAFTED AS POP SONGS, AND 240 00:09:07,246 --> 00:09:08,247 SO ADDICTIVE THAT YOU JUST CAN'T 241 00:09:08,314 --> 00:09:14,754 GET THEM OUT OF YOUR HEAD. 242 00:09:14,820 --> 00:09:15,721 ♪ WHEN ALL WE SEE IS THE VIEW 243 00:09:15,788 --> 00:09:16,355 TO A KILL ♪ 244 00:09:16,422 --> 00:09:17,123 >> EXCUSE ME, AREN'T YOU -- 245 00:09:17,189 --> 00:09:22,194 >> BOND. 246 00:09:22,261 --> 00:09:22,528 SIMON LE BONS. 247 00:09:22,595 --> 00:09:23,296 ♪ THE REFLEX IS A 248 00:09:23,362 --> 00:09:23,729 LONELY CHILD ♪ 249 00:09:23,796 --> 00:09:24,397 >> "THE REFLEX," WE ALL FELT IT 250 00:09:24,463 --> 00:09:25,031 WAS A COMMERCIAL-SOUNDING SONG, 251 00:09:25,097 --> 00:09:25,665 BUT IT JUST DIDN'T HAVE IT QUITE 252 00:09:25,731 --> 00:09:26,332 RIGHT. 253 00:09:26,399 --> 00:09:27,099 AND THAT'S WHEN WE THOUGHT, 254 00:09:27,166 --> 00:09:28,134 "NILE MIGHT BE THE MAN." 255 00:09:28,200 --> 00:09:28,935 >> THEY CALLED ME UP AND THEY 256 00:09:29,001 --> 00:09:29,702 SAID, "HEY, NILE, COULD YOU 257 00:09:29,769 --> 00:09:30,803 REMIX THIS FOR US?" 258 00:09:30,870 --> 00:09:31,637 SO I SAID, "I'M GONNA DO WHAT I 259 00:09:31,704 --> 00:09:32,605 WOULD'VE DONE, HAD I BEEN WITH 260 00:09:32,672 --> 00:09:33,205 YOU GUYS WHEN YOU FIRST WROTE 261 00:09:33,272 --> 00:09:34,540 THIS." 262 00:09:34,607 --> 00:09:35,441 ♪ THE REFLEX IS ALONE, THE 263 00:09:35,508 --> 00:09:36,609 REFLEX ♪ 264 00:09:36,676 --> 00:09:37,910 ♪ FLEX, FLEX, FLEX, 265 00:09:37,977 --> 00:09:38,744 FLEX, FLEX ♪ 266 00:09:38,811 --> 00:09:39,879 ♪ YOU'VE GONE TOO FAR 267 00:09:39,946 --> 00:09:41,480 THIS TIME ♪ 268 00:09:41,547 --> 00:09:42,515 ♪ AND I'M DANCING ON THE 269 00:09:42,581 --> 00:09:44,350 VALENTINE ♪ 270 00:09:44,417 --> 00:09:45,718 ♪ OH, I, I, I ♪ 271 00:09:45,785 --> 00:09:46,819 ♪ OH, WHOA, WHOA ♪ 272 00:09:46,886 --> 00:09:51,590 ♪ WHY, AY, AY? ♪ 273 00:09:51,657 --> 00:09:52,992 >> "ORDINARY WORLD" IS A SONG 274 00:09:53,059 --> 00:09:55,795 ABOUT TRYING TO GET OVER THE 275 00:09:55,861 --> 00:09:58,798 DEATH OF A BEST FRIEND. 276 00:09:58,864 --> 00:10:00,266 IT BECAME SUCH AN IMPORTANT SONG 277 00:10:00,333 --> 00:10:01,867 FOR US, AND I THINK IT ONLY HAD 278 00:10:01,934 --> 00:10:03,269 THAT POWER TO TOUCH PEOPLE 279 00:10:03,336 --> 00:10:06,072 BECAUSE IT MEANT SO MUCH TO ME. 280 00:10:06,138 --> 00:10:07,106 ♪ BUT I WON'T CRY FOR 281 00:10:07,173 --> 00:10:09,342 YESTERDAY ♪ 282 00:10:09,408 --> 00:10:12,345 ♪ THERE'S AN ORDINARY WORLD ♪ 283 00:10:12,411 --> 00:10:15,414 ♪ SOMEHOW I HAVE TO FIND ♪ 284 00:10:15,481 --> 00:10:16,582 >> WE HAVE THIS SENSE THAT 285 00:10:16,649 --> 00:10:17,817 THERE'S SOMETHING THAT WE HAVE 286 00:10:17,883 --> 00:10:18,684 WHEN WE'RE TOGETHER THAT'S WORTH 287 00:10:18,751 --> 00:10:20,252 SHOWING UP FOR. 288 00:10:20,319 --> 00:10:21,954 WE GO OUT AND WE PLAY AND WE 289 00:10:22,021 --> 00:10:24,256 REMIND EACH OTHER, "WHEN WE DO 290 00:10:24,323 --> 00:10:24,857 THIS TOGETHER, THIS IS WHAT WE 291 00:10:24,924 --> 00:10:25,958 GET." 292 00:10:26,025 --> 00:10:28,861 ♪ REACH UP FOR THE SUNRISE ♪ 293 00:10:28,928 --> 00:10:30,529 ♪ FEEL THE NEW DAY ENTER 294 00:10:30,596 --> 00:10:31,864 YOUR LIFE ♪ 295 00:10:31,931 --> 00:10:33,766 >> THEY ARE LEGENDS. 296 00:10:33,833 --> 00:10:36,302 THEY ARE ICONS. 297 00:10:36,369 --> 00:10:37,336 THEY'RE STILL SELLING OUT 298 00:10:37,403 --> 00:10:38,838 MASSIVE SHOWS AND CONTINUE TO BE 299 00:10:38,904 --> 00:10:40,306 AN INSPIRATION TO SO MANY 300 00:10:40,373 --> 00:10:42,308 PEOPLE. 301 00:10:42,375 --> 00:10:43,342 ♪ DON'T SAY A PRAYER FOR ME 302 00:10:43,409 --> 00:10:46,545 NOW ♪ 303 00:10:46,612 --> 00:10:47,813 ♪ SAVE IT TILL THE MORNING 304 00:10:47,880 --> 00:10:50,316 AFTER ♪ 305 00:10:50,383 --> 00:10:51,550 ♪ NO, DON'T SAY A PRAYER FOR ME 306 00:10:51,617 --> 00:10:54,020 NOW ♪ 307 00:10:54,086 --> 00:10:55,588 ♪ SAVE IT TILL THE MORNING 308 00:10:55,654 --> 00:10:57,423 AFTER ♪ 309 00:10:57,490 --> 00:11:03,062 ♪ ♪ 310 00:11:03,129 --> 00:11:04,897 [CHEERS AND APPLAUSE] 311 00:11:04,964 --> 00:11:06,832 >> NICK RHODES, JOHN TAYLOR, 312 00:11:06,899 --> 00:11:09,502 ROGER TAYLOR, SIMON LE BON. 313 00:11:09,568 --> 00:11:11,003 I'LL TAKE A KNEE WHILE YOU GET 314 00:11:11,070 --> 00:11:12,671 ON YOUR FEET FOR DURAN DURAN! 315 00:11:12,738 --> 00:11:22,948 [CHEERS AND APPLAUSE] 316 00:11:23,015 --> 00:11:29,822 ♪ ♪ 317 00:11:29,889 --> 00:11:30,589 ♪ SEE THEM WALKING 318 00:11:30,656 --> 00:11:31,724 HAND IN HAND ♪ 319 00:11:31,791 --> 00:11:32,725 ♪ ACROSS THE BRIDGE AT 320 00:11:32,792 --> 00:11:37,129 MIDNIGHT ♪ 321 00:11:37,196 --> 00:11:39,198 ♪ HEADS TURNING AS THE LIGHTS 322 00:11:39,265 --> 00:11:40,099 FLASHING OUT ♪ 323 00:11:40,166 --> 00:11:43,636 ♪ ARE SO BRIGHT ♪ 324 00:11:43,702 --> 00:11:44,470 ♪ AND WALK RIGHT OUT TO THE 325 00:11:44,537 --> 00:11:45,337 FOUR LINE TRACK ♪ 326 00:11:45,404 --> 00:11:47,373 ♪ THERE'S A CAMERA ROLLING 327 00:11:47,440 --> 00:11:47,740 ON HER BACK ♪ 328 00:11:47,807 --> 00:11:50,943 ♪ ON HER BACK ♪ 329 00:11:51,010 --> 00:11:52,778 ♪ AND I SENSE A RHYTHM HUMMING 330 00:11:52,845 --> 00:11:53,679 IN A FRENZY ♪ 331 00:11:53,746 --> 00:11:56,982 ♪ ALL THE WAY DOWN HER SPINE ♪ 332 00:11:57,049 --> 00:12:00,252 ♪ GIRLS ON FILM ♪ 333 00:12:00,319 --> 00:12:05,624 ♪ GIRLS ON FILM ♪ 334 00:12:05,691 --> 00:12:09,995 ♪ GIRLS ON FILM ♪ 335 00:12:10,062 --> 00:12:18,971 ♪ GIRLS ON FILM ♪ 336 00:12:19,038 --> 00:12:23,676 ♪ ♪ 337 00:12:23,742 --> 00:12:25,144 ♪ LIPSTICK CHERRY ALL OVER THE 338 00:12:25,211 --> 00:12:31,417 LENS AS SHE'S FALLING ♪ 339 00:12:31,484 --> 00:12:32,451 ♪ AND MILES OF SHARP BLUE WATER 340 00:12:32,518 --> 00:12:33,085 COMING IN ♪ 341 00:12:33,152 --> 00:12:37,556 ♪ WHERE SHE LIES ♪ 342 00:12:37,623 --> 00:12:38,557 ♪ THE DIVING MAN'S COMING UP 343 00:12:38,624 --> 00:12:39,458 FOR AIR ♪ 344 00:12:39,525 --> 00:12:40,759 ♪ 'CAUSE THE CROWD ALL LOVE 345 00:12:40,826 --> 00:12:42,661 PULLING DOLLY BY THE HAIR ♪ 346 00:12:42,728 --> 00:12:45,064 ♪ BY THE HAIR ♪ 347 00:12:45,131 --> 00:12:46,098 ♪ AND SHE WONDERS HOW SHE EVER 348 00:12:46,165 --> 00:12:47,500 GOT HERE ♪ 349 00:12:47,566 --> 00:12:53,939 ♪ AS SHE GOES UNDER AGAIN ♪ 350 00:12:54,006 --> 00:12:54,140 ♪ ♪ 351 00:12:54,206 --> 00:12:56,275 ♪ GIRLS ON FILM ♪ 352 00:12:56,342 --> 00:12:57,710 ♪ TWO MINUTES LATER ♪ 353 00:12:57,776 --> 00:13:01,147 ♪ GIRLS ON FILM ♪ 354 00:13:01,213 --> 00:13:02,948 ♪ GIRLS ON FILM ♪ 355 00:13:03,015 --> 00:13:04,650 ♪ GOT YOUR PICTURE ♪ 356 00:13:04,717 --> 00:13:11,690 ♪ GIRLS ON FILM ♪ 357 00:13:11,757 --> 00:13:26,739 ♪ ♪ 358 00:13:26,805 --> 00:13:30,342 ♪ ♪ 359 00:13:30,409 --> 00:13:31,210 ♪ DARKEN THE CITY, 360 00:13:31,277 --> 00:13:33,846 NIGHT IS A WIRE ♪ 361 00:13:33,913 --> 00:13:35,281 ♪ STEAM IN THE SUBWAY, 362 00:13:35,347 --> 00:13:36,682 EARTH IS A AFIRE ♪ 363 00:13:36,749 --> 00:13:38,751 ♪ DO DO DO DO DO DO DO DO-DO 364 00:13:38,817 --> 00:13:44,590 DO-DO-DO DO-DO ♪ 365 00:13:44,657 --> 00:13:45,958 ♪ WOMAN, YOU WANT ME, 366 00:13:46,025 --> 00:13:48,294 GIVE ME A SIGN ♪ 367 00:13:48,360 --> 00:13:49,395 ♪ AND CATCH MY BREATHING 368 00:13:49,461 --> 00:13:51,664 EVEN CLOSER BEHIND ♪ 369 00:13:51,730 --> 00:13:55,267 ♪ DO DO DO DO DO DO DO DO-DO 370 00:13:55,334 --> 00:13:59,171 DO-DO-DO DO-DO ♪ 371 00:13:59,238 --> 00:14:01,574 ♪ IN TOUCH WITH THE GROUND ♪ 372 00:14:01,640 --> 00:14:03,042 ♪ I'M ON THE HUNT 373 00:14:03,108 --> 00:14:05,644 I'M AFTER YOU ♪ 374 00:14:05,711 --> 00:14:07,780 ♪ SMELL LIKE I SOUND, 375 00:14:07,846 --> 00:14:10,583 I'M LOST IN A CROWD ♪ 376 00:14:10,649 --> 00:14:13,552 ♪ AND I'M HUNGRY LIKE THE WOLF ♪ 377 00:14:13,619 --> 00:14:16,922 ♪ STRADDLE THE LINE 378 00:14:16,989 --> 00:14:20,192 IN DISCORD AND RHYME ♪ 379 00:14:20,259 --> 00:14:21,126 ♪ I'M ON THE HUNT 380 00:14:21,193 --> 00:14:22,661 I'M AFTER YOU ♪ 381 00:14:22,728 --> 00:14:24,163 ♪ MOUTH IS ALIVE, WITH JUICES 382 00:14:24,230 --> 00:14:25,464 LIKE WINE ♪ 383 00:14:25,531 --> 00:14:36,675 ♪ AND I'M HUNGRY LIKE THE WOLF ♪ 384 00:14:36,742 --> 00:14:37,409 ♪ STALKED IN THE FOREST, 385 00:14:37,476 --> 00:14:38,877 TOO CLOSE TO HIDE ♪ 386 00:14:38,944 --> 00:14:40,246 ♪ I'LL BE UPON YOU BY THE 387 00:14:40,312 --> 00:14:41,580 MOONLIGHT SIDE ♪ 388 00:14:41,647 --> 00:14:43,082 ♪ DO DO DO DO DO DO DO DO-DO 389 00:14:43,148 --> 00:14:50,256 DO-DO-DO DO-DO ♪ 390 00:14:50,322 --> 00:14:51,590 ♪ HIGH BLOOD DRUMMING ON YOUR 391 00:14:51,657 --> 00:14:52,791 SKIN, IT'S SO TIGHT ♪ 392 00:14:52,858 --> 00:14:54,393 ♪ YOU FEEL MY HEAT, 393 00:14:54,460 --> 00:14:56,996 I'M JUST A MOMENT BEHIND ♪ 394 00:14:57,062 --> 00:14:59,198 ♪ DO DO DO DO DO DO DO DO-DO 395 00:14:59,265 --> 00:15:04,670 DO-DO-DO DO-DO ♪ 396 00:15:04,737 --> 00:15:06,338 ♪ IN TOUCH WITH THE GROUND ♪ 397 00:15:06,405 --> 00:15:08,007 ♪ I'M ON THE HUNT 398 00:15:08,073 --> 00:15:14,613 I'M AFTER YOU ♪ 399 00:15:14,680 --> 00:15:15,814 ♪ I SMELL LIKE I SOUND, 400 00:15:15,881 --> 00:15:17,016 I'M LOST AND I'M FOUND ♪ 401 00:15:17,082 --> 00:15:18,784 ♪ AND I'M HUNGRY LIKE THE WOLF ♪ 402 00:15:18,851 --> 00:15:19,918 ♪ STRUT ON A LINE, 403 00:15:19,985 --> 00:15:21,687 IT'S DISCORD AND RHYME ♪ 404 00:15:21,754 --> 00:15:22,955 ♪ I HOWL AND I WHINE, 405 00:15:23,022 --> 00:15:32,998 I'M AFTER YOU ♪ 406 00:15:33,065 --> 00:15:34,133 ♪ MOUTH IS ALIVE, WITH JUICES 407 00:15:34,199 --> 00:15:35,401 LIKE WINE ♪ 408 00:15:35,467 --> 00:15:39,071 ♪ AND I'M HUNGRY LIKE THE WOLF ♪ 409 00:15:39,138 --> 00:15:46,378 IS A GOOD MUSICAL 410 00:15:46,445 --> 00:15:58,524 ♪ ♪ 411 00:15:58,590 --> 00:16:03,128 ♪ ♪ 412 00:16:03,195 --> 00:16:04,763 ♪ CAME IN FROM A RAINY THURSDAY 413 00:16:04,830 --> 00:16:08,634 ON THE AVENUE ♪ 414 00:16:08,701 --> 00:16:09,768 ♪ THOUGHT I HEARD YOU TALKING 415 00:16:09,835 --> 00:16:16,442 SOFTLY ♪ 416 00:16:16,508 --> 00:16:18,110 ♪ I TURNED ON THE LIGHTS, THE 417 00:16:18,177 --> 00:16:22,448 TV, AND THE RADIO ♪ 418 00:16:22,514 --> 00:16:23,382 ♪ STILL I CAN'T ESCAPE THE GHOST 419 00:16:23,449 --> 00:16:29,121 OF YOU ♪ 420 00:16:29,188 --> 00:16:32,725 ♪ WHAT HAS HAPPENED TO IT ALL? ♪ 421 00:16:32,791 --> 00:16:36,261 ♪ CRAZY, SOME'D SAY ♪ 422 00:16:36,328 --> 00:16:40,265 ♪ WHERE IS THE LIFE THAT I 423 00:16:40,332 --> 00:16:42,301 RECOGNIZE? ♪ 424 00:16:42,368 --> 00:16:43,902 ♪ GONE AWAY ♪ 425 00:16:43,969 --> 00:16:45,304 ♪ BUT I WON'T CRY FOR 426 00:16:45,371 --> 00:16:46,672 YESTERDAY ♪ 427 00:16:46,739 --> 00:16:49,508 ♪ THERE'S AN ORDINARY WORLD ♪ 428 00:16:49,575 --> 00:16:55,481 ♪ SOMEHOW I HAVE TO FIND ♪ 429 00:16:55,547 --> 00:16:59,351 ♪ AND AS I TRY TO MAKE MY WAY ♪ 430 00:16:59,418 --> 00:17:03,555 ♪ TO THE ORDINARY WORLD ♪ 431 00:17:03,622 --> 00:17:12,531 ♪ I WILL LEARN TO SURVIVE ♪ 432 00:17:12,598 --> 00:17:18,637 ♪ ♪ 433 00:17:18,704 --> 00:17:21,306 ♪ PASSION OR COINCIDENCE ♪ 434 00:17:21,373 --> 00:17:24,109 ♪ ONCE PROMPTED YOU TO SAY ♪ 435 00:17:24,176 --> 00:17:24,910 ♪ "PRIDE WILL TEAR US 436 00:17:24,977 --> 00:17:30,649 BOTH APART" ♪ 437 00:17:30,716 --> 00:17:31,884 ♪ WELL, NOW PRIDE'S GONE OUT 438 00:17:31,950 --> 00:17:33,419 THE WINDOW ♪ 439 00:17:33,485 --> 00:17:35,254 ♪ CROSS THE ROOFTOPS ♪ 440 00:17:35,320 --> 00:17:37,322 ♪ RUN AWAY ♪ 441 00:17:37,389 --> 00:17:38,590 ♪ LEFT ME IN THE VACUUM OF MY 442 00:17:38,657 --> 00:17:44,329 HEART ♪ 443 00:17:44,396 --> 00:17:46,899 ♪ WHAT IS HAPPENING TO ME? ♪ 444 00:17:46,965 --> 00:17:50,803 ♪ CRAZY, SOME'D SAY ♪ 445 00:17:50,869 --> 00:17:53,172 ♪ WHERE IS MY FRIEND WHEN I NEED 446 00:17:53,238 --> 00:17:57,242 YOU MOST? ♪ 447 00:17:57,309 --> 00:17:58,277 ♪ GONE AWAY ♪ 448 00:17:58,343 --> 00:17:59,678 ♪ BUT I WON'T CRY FOR 449 00:17:59,745 --> 00:18:01,213 YESTERDAY ♪ 450 00:18:01,280 --> 00:18:04,383 ♪ THERE'S AN ORDINARY WORLD ♪ 451 00:18:04,450 --> 00:18:10,556 ♪ SOMEHOW I HAVE TO FIND ♪ 452 00:18:10,622 --> 00:18:14,226 ♪ AND AS I TRY TO MAKE MY WAY ♪ 453 00:18:14,293 --> 00:18:18,897 ♪ TO THE ORDINARY WORLD ♪ 454 00:18:18,964 --> 00:18:28,207 ♪ I WILL LEARN TO SURVIVE ♪ 455 00:18:28,273 --> 00:18:34,313 ♪ ♪ 456 00:18:34,379 --> 00:18:42,955 ♪ ♪ 457 00:18:43,021 --> 00:18:43,922 ♪ BUT I WON'T CRY FOR 458 00:18:43,989 --> 00:18:45,290 YESTERDAY ♪ 459 00:18:45,357 --> 00:18:47,826 ♪ THERE'S AN ORDINARY WORLD ♪ 460 00:18:47,893 --> 00:18:54,967 ♪ SOMEHOW I HAVE TO FIND ♪ 461 00:18:55,033 --> 00:18:56,702 ♪ AND AS I TRY TO MAKE MY WAY ♪ 462 00:18:56,768 --> 00:19:00,706 ♪ TO THE ORDINARY WORLD ♪ 463 00:19:00,772 --> 00:19:06,144 ♪ I WILL LEARN TO SURVIVE ♪ 464 00:19:06,211 --> 00:19:14,319 ♪ EVERY ONE ♪ 465 00:19:14,386 --> 00:19:19,491 ♪ IS MY WORLD ♪ 466 00:19:19,558 --> 00:19:30,435 ♪ ANY ONE ♪ 467 00:19:30,502 --> 00:19:40,078 ♪ IS MY WORLD ♪ 468 00:19:40,145 --> 00:19:46,451 ♪ YEAH ♪ 469 00:19:46,518 --> 00:19:51,857 ♪ ♪ 470 00:19:51,924 --> 00:19:52,324 [CHEERS AND APPLAUSE] 471 00:19:52,391 --> 00:20:07,039 >> THANK YOU. 472 00:20:07,105 --> 00:20:10,108 >> FIRSTLY, THERE ARE TWO OF OUR 473 00:20:10,175 --> 00:20:11,443 BAND MEMBERS BEING INDUCTED WHO 474 00:20:11,510 --> 00:20:14,813 SADLY CANNOT BE HERE. 475 00:20:14,880 --> 00:20:15,948 WARREN CUCCURULLO, EXTRAORDINARY 476 00:20:16,014 --> 00:20:17,549 GUITAR PLAYER. 477 00:20:17,616 --> 00:20:19,318 HE MADE A MASSIVE CONTRIBUTION 478 00:20:19,384 --> 00:20:21,587 TO DURAN DURAN. 479 00:20:21,653 --> 00:20:23,255 AND THEN THERE'S ANDY TAYLOR, 480 00:20:23,322 --> 00:20:27,326 OUR ORIGINAL GUITARIST. 481 00:20:27,392 --> 00:20:30,462 [APPLAUSE] 482 00:20:30,529 --> 00:20:31,330 ANDY HAS WRITTEN AN OPEN 483 00:20:31,396 --> 00:20:33,565 LETTER TO US. 484 00:20:33,632 --> 00:20:35,300 I'M GONNA READ SOME OF IT NOW. 485 00:20:35,367 --> 00:20:36,969 "WHAT AN ABSOLUTE HONOR IT IS TO 486 00:20:37,035 --> 00:20:38,170 BE NOMINATED, LET ALONE BE 487 00:20:38,236 --> 00:20:40,038 INDUCTED INTO THE 488 00:20:40,105 --> 00:20:42,908 ROCK & ROLL HALL OF FAME. 489 00:20:42,975 --> 00:20:43,542 THERE'S NOTHING THAT COMES CLOSE 490 00:20:43,609 --> 00:20:46,144 TO SUCH RECOGNITION. 491 00:20:46,211 --> 00:20:48,313 JUST OVER FOUR YEARS AGO, I WAS 492 00:20:48,380 --> 00:20:49,448 DIAGNOSED WITH STAGE FOUR 493 00:20:49,514 --> 00:20:52,618 METASTATIC PROSTATE CANCER. 494 00:20:52,684 --> 00:20:55,387 MANY FAMILIES HAVE EXPERIENCED 495 00:20:55,454 --> 00:20:56,421 THE SLOW BURN OF THIS DISEASE 496 00:20:56,488 --> 00:20:57,456 AND, OF COURSE, WE ARE NO 497 00:20:57,522 --> 00:20:58,890 DIFFERENT. 498 00:20:58,957 --> 00:21:00,993 SO I SPEAK FROM THE PERSPECTIVE 499 00:21:01,059 --> 00:21:02,628 OF A FAMILY MAN, BUT WITH 500 00:21:02,694 --> 00:21:06,231 PROFOUND HUMILITY TO THE BAND, 501 00:21:06,298 --> 00:21:08,233 THE GREATEST FANS A GROUP COULD 502 00:21:08,300 --> 00:21:09,301 HAVE, AND THIS EXCEPTIONAL 503 00:21:09,368 --> 00:21:12,471 ACCOLADE. 504 00:21:12,537 --> 00:21:13,505 [APPLAUSE] 505 00:21:13,572 --> 00:21:15,440 I'M TRULY SORRY. 506 00:21:15,507 --> 00:21:16,642 I'M MASSIVELY DISAPPOINTED I 507 00:21:16,708 --> 00:21:18,310 COULDN'T MAKE IT. 508 00:21:18,377 --> 00:21:19,344 LET THERE BE NO DOUBT I WAS 509 00:21:19,411 --> 00:21:20,612 STOKED ABOUT THE WHOLE THING, 510 00:21:20,679 --> 00:21:21,880 EVEN BOUGHT A NEW GUITAR WITH 511 00:21:21,947 --> 00:21:24,816 THE ESSENTIAL WHAMMY. 512 00:21:24,883 --> 00:21:26,051 I AM SO VERY PROUD OF THESE FOUR 513 00:21:26,118 --> 00:21:28,720 BROTHERS. 514 00:21:28,787 --> 00:21:30,989 I'M AMAZED AT THEIR DURABILITY 515 00:21:31,056 --> 00:21:31,690 AND I'M OVERJOYED AT ACCEPTING 516 00:21:31,757 --> 00:21:34,526 THIS AWARD. 517 00:21:34,593 --> 00:21:36,161 I'M SURE AS HELL GLAD I'M AROUND 518 00:21:36,228 --> 00:21:39,464 TO SEE THE DAY. 519 00:21:39,531 --> 00:21:40,632 ALL MY LOVE, ANDY TAYLOR." 520 00:21:40,699 --> 00:21:48,106 [CHEERS AND APPLAUSE] 521 00:21:48,173 --> 00:21:49,374 >> A SUCCESSFUL CAREER IN MUSIC 522 00:21:49,441 --> 00:21:52,611 IS IN ITSELF AN HONOR. 523 00:21:52,678 --> 00:21:53,478 OVER THE 40 YEARS I'VE BEEN 524 00:21:53,545 --> 00:21:54,680 WORKING, I'VE COME TO BELIEVE 525 00:21:54,746 --> 00:21:58,250 THAT THE ESSENCE OF OUR JOB IS 526 00:21:58,316 --> 00:21:58,450 THIS: 527 00:21:58,517 --> 00:21:59,718 WE GET TO MAKE PEOPLE FEEL 528 00:21:59,785 --> 00:22:07,259 BETTER ABOUT THEMSELVES. 529 00:22:07,325 --> 00:22:08,393 [CHEERS AND APPLAUSE] 530 00:22:08,460 --> 00:22:09,361 THIS IS AN INDUSTRY THAT I AM 531 00:22:09,428 --> 00:22:10,462 PROUD TO BE A PART OF. 532 00:22:10,529 --> 00:22:17,703 THANK YOU. 533 00:22:17,769 --> 00:22:21,073 [CHEERS AND APPLAUSE] 534 00:22:21,139 --> 00:22:22,774 >> WE ARE SO, SO VERY HAPPY TO 535 00:22:22,841 --> 00:22:24,910 BE HERE TONIGHT, YOU GUYS. 536 00:22:24,976 --> 00:22:26,211 YOU KNOW, MUSIC NOURISHED US AND 537 00:22:26,278 --> 00:22:28,814 GAVE US IDENTITIES. 538 00:22:28,880 --> 00:22:30,515 WE WOULD NOT BE HERE WITHOUT THE 539 00:22:30,582 --> 00:22:34,152 INFLUENCE OF THE BEATLES, 540 00:22:34,219 --> 00:22:37,022 DAVID BOWIE AND MICK RONSON, 541 00:22:37,089 --> 00:22:38,523 SIOUXSIE SIOUX AND PATTI SMITH. 542 00:22:38,590 --> 00:22:39,758 NILE RODGERS AND 543 00:22:39,825 --> 00:22:42,627 BERNARD EDWARDS. 544 00:22:42,694 --> 00:22:44,796 THESE ARTISTS AND SO MANY OTHERS 545 00:22:44,863 --> 00:22:47,232 WERE ALL AT ONE TIME PARENTS, 546 00:22:47,299 --> 00:22:49,534 MENTORS, AND SPIRIT GUIDES. 547 00:22:49,601 --> 00:22:51,069 WITHOUT THEM AND THEIR MUSIC, WE 548 00:22:51,136 --> 00:22:52,070 MIGHT NEVER HAVE FOUND EACH 549 00:22:52,137 --> 00:22:55,540 OTHER. 550 00:22:55,607 --> 00:22:56,975 [APPLAUSE] 551 00:22:57,042 --> 00:22:58,477 >> HELLO. 552 00:22:58,543 --> 00:23:00,045 THANK YOU. 553 00:23:00,112 --> 00:23:01,213 I'M USED TO BEING IN THE BACK, 554 00:23:01,279 --> 00:23:05,517 SO I'M NOT GONNA SAY A LOT. 555 00:23:05,584 --> 00:23:06,318 I'D JUST LIKE TO THANK THE 556 00:23:06,384 --> 00:23:07,552 HALL OF FAME. 557 00:23:07,619 --> 00:23:12,290 WE FINALLY GOT HERE. 558 00:23:12,357 --> 00:23:12,758 [CHEERS AND APPLAUSE] 559 00:23:12,824 --> 00:23:15,894 IT'S A LONG WAY FROM BIRMINGHAM. 560 00:23:15,961 --> 00:23:17,696 AND I'D JUST LIKE TO THANK MY 561 00:23:17,763 --> 00:23:18,964 BAND MATES FOR THIS INCREDIBLE 562 00:23:19,030 --> 00:23:21,500 JOURNEY THAT WE'VE BEEN ON FOR 563 00:23:21,566 --> 00:23:23,068 40 YEARS, AND IS STILL, STILL 564 00:23:23,135 --> 00:23:24,536 GOING ON. 565 00:23:24,603 --> 00:23:28,473 AND I'D LIKE TO THANK EVERYONE 566 00:23:28,540 --> 00:23:29,808 THAT'S WORKED WITH DURAN DURAN 567 00:23:29,875 --> 00:23:30,809 OVER THE PAST 40 YEARS. 568 00:23:30,876 --> 00:23:31,576 AND THAT'S THE MUSICIANS, THE 569 00:23:31,643 --> 00:23:33,044 PRODUCERS, THE MANAGERS, THE 570 00:23:33,111 --> 00:23:34,980 AGENTS, THE RECORD COMPANIES, 571 00:23:35,046 --> 00:23:36,481 THE TECHNICIANS, THE STYLISTS, 572 00:23:36,548 --> 00:23:39,618 THE FILMMAKERS. 573 00:23:39,684 --> 00:23:42,120 AND I'D JUST LIKE TO THANK OUR 574 00:23:42,187 --> 00:23:43,321 FAMILIES FOR BEING WITH US FOR 575 00:23:43,388 --> 00:23:44,556 THE WHOLE JOURNEY THROUGH THICK 576 00:23:44,623 --> 00:23:45,724 AND THIN. 577 00:23:45,791 --> 00:23:47,025 SO THANK YOU. 578 00:23:47,092 --> 00:23:48,827 THANKS A LOT. 579 00:23:48,894 --> 00:23:55,133 [CHEERS AND APPLAUSE] 580 00:23:55,200 --> 00:23:57,769 >> WOW. 581 00:23:57,836 --> 00:23:59,004 IT'S GREAT TO BE IN A ROOM 582 00:23:59,070 --> 00:24:00,205 FILLED WITH PEOPLE THAT LOVE 583 00:24:00,272 --> 00:24:01,973 MUSIC. 584 00:24:02,040 --> 00:24:03,542 YOU KNOW, EVERY SINGLE PERSON IN 585 00:24:03,608 --> 00:24:04,509 THIS ROOM IS HERE ONE WAY OR 586 00:24:04,576 --> 00:24:07,345 ANOTHER BECAUSE YOU LOVE MUSIC. 587 00:24:07,412 --> 00:24:09,648 WHEN I WAS 10 YEARS OLD, I MET 588 00:24:09,714 --> 00:24:12,617 JOHN, AND WE BONDED OVER OUR 589 00:24:12,684 --> 00:24:14,085 LOVE FOR MUSIC THEN. 590 00:24:14,152 --> 00:24:15,353 AND, JUST A FEW YEARS LATER, 591 00:24:15,420 --> 00:24:16,922 WE'RE STILL TOGETHER. 592 00:24:16,988 --> 00:24:17,756 BUT ACTUALLY IT'S BEEN QUITE A 593 00:24:17,823 --> 00:24:19,191 LONG MARRIAGE, I GUESS. 594 00:24:19,257 --> 00:24:19,991 I'M SORT OF MARRIED TO THREE 595 00:24:20,058 --> 00:24:21,293 PEOPLE. 596 00:24:21,359 --> 00:24:22,294 SOME PEOPLE CALL IT POLYGAMY, 597 00:24:22,360 --> 00:24:23,595 BUT, YOU KNOW, FOR US IT'S JUST 598 00:24:23,662 --> 00:24:26,164 A BAND. 599 00:24:26,231 --> 00:24:26,431 [LAUGHTER] 600 00:24:26,498 --> 00:24:27,432 YOU KNOW, WE'RE ALL DRIVEN BY 601 00:24:27,499 --> 00:24:30,702 FANS. 602 00:24:30,769 --> 00:24:31,169 [CHEERS AND APPLAUSE] 603 00:24:31,236 --> 00:24:32,070 WE WERE FANS. 604 00:24:32,137 --> 00:24:33,371 JOHN READ OUT A LIST OF A LOT OF 605 00:24:33,438 --> 00:24:35,040 THE BANDS THAT INFLUENCED US. 606 00:24:35,106 --> 00:24:36,675 ANOTHER ONE I'D LIKE TO MENTION 607 00:24:36,741 --> 00:24:37,976 IS THE NEW YORK DOLLS, WHO WERE 608 00:24:38,043 --> 00:24:39,044 SUPER IMPORTANT, AND THEY WERE 609 00:24:39,110 --> 00:24:40,111 ON THE BALLOT THIS YEAR. 610 00:24:40,178 --> 00:24:41,146 THEY DIDN'T MAKE IT IN, BUT I 611 00:24:41,213 --> 00:24:43,215 REALLY HOPE THEY DO. 612 00:24:43,281 --> 00:24:44,316 AND ALL I REALLY WANNA SAY IS 613 00:24:44,382 --> 00:24:45,784 THANK YOU TO ALL THE FANS. 614 00:24:45,851 --> 00:24:47,219 WE KNOW WHAT IT'S LIKE BEING A 615 00:24:47,285 --> 00:24:48,687 FAN. 616 00:24:48,753 --> 00:24:49,788 WE WON THE FAN VOTE. 617 00:24:49,855 --> 00:24:51,189 THANK YOU FOR THAT. 618 00:24:51,256 --> 00:24:54,759 THAT REALLY MEANT A LOT TO US. 619 00:24:54,826 --> 00:24:55,327 THAT'S WHAT KEEPS US GOING. 620 00:24:55,393 --> 00:24:55,861 THAT'S WHY WE'RE HERE. 621 00:24:55,927 --> 00:24:57,195 THANK YOU. 622 00:24:57,262 --> 00:24:58,496 WE SHARE THESE AWARDS WITH YOU. 623 00:24:58,563 --> 00:24:59,497 THANK YOU. 624 00:24:59,564 --> 00:25:06,071 [CHEERS AND APPLAUSE] 625 00:25:06,137 --> 00:25:07,038 ♪ ♪ 626 00:25:07,105 --> 00:25:07,873 ♪ FIVE, FOUR, THREE, 627 00:25:07,939 --> 00:25:09,407 TWO, ONE ♪ 628 00:25:09,474 --> 00:25:11,042 ♪ ♪ 629 00:25:11,109 --> 00:25:12,611 >> GROWING UP, EVERY SONG THAT 630 00:25:12,677 --> 00:25:13,211 CAME ON THE RADIO WAS A 631 00:25:13,278 --> 00:25:14,212 JIMMY JAM AND TERRY LEWIS 632 00:25:14,279 --> 00:25:15,947 PRODUCTION. 633 00:25:16,014 --> 00:25:16,715 SO THEIR SOUND WAS JUST ANYTHING 634 00:25:16,781 --> 00:25:19,985 THAT WAS HOT. 635 00:25:20,051 --> 00:25:21,119 ♪ ♪ 636 00:25:21,186 --> 00:25:22,387 >> WHEN I MET JIMMY AND TERRY, 637 00:25:22,454 --> 00:25:23,922 WE CLICKED INSTANTLY. 638 00:25:23,989 --> 00:25:24,623 THEY UNDERSTOOD ME, AND THEY 639 00:25:24,689 --> 00:25:25,457 WERE ABLE TO HELP ME FIND MY 640 00:25:25,523 --> 00:25:27,325 VOICE. 641 00:25:27,392 --> 00:25:28,793 >> AND I'VE BEEN TOTALLY 642 00:25:28,860 --> 00:25:29,861 INFLUENCED BY JIMMY AND TERRY 643 00:25:29,928 --> 00:25:31,296 AND THE RECORDS THEY'VE DONE 644 00:25:31,363 --> 00:25:33,431 SINCE FOREVER. 645 00:25:33,498 --> 00:25:34,366 IT'S LIKE THEIR SONGS WERE THE 646 00:25:34,432 --> 00:25:40,939 SOUNDTRACK TO MY LIFE. 647 00:25:41,006 --> 00:25:43,241 ♪ ♪ 648 00:25:43,308 --> 00:25:44,976 ♪ WHAT TIME IS IT? ♪ 649 00:25:45,043 --> 00:25:45,977 >> BACK WHEN WE STARTED AND WE 650 00:25:46,044 --> 00:25:47,012 TOLD EVERYBODY WE WANTED TO BE 651 00:25:47,078 --> 00:25:47,679 PRODUCERS, EVERYBODY SAID, 652 00:25:47,746 --> 00:25:48,847 "WHY? 653 00:25:48,914 --> 00:25:49,848 YOU GUYS ARE IN A BAND, 654 00:25:49,915 --> 00:25:50,916 THE TIME. 655 00:25:50,982 --> 00:25:51,983 YOU GUYS ARE FAMOUS." 656 00:25:52,050 --> 00:25:53,518 "WHAT TIME IS IT?" 657 00:25:53,585 --> 00:25:55,120 MORE SO THAN BEING FANS OF 658 00:25:55,186 --> 00:25:56,054 CERTAIN ARTISTS, WE WERE FANS OF 659 00:25:56,121 --> 00:25:57,555 CERTAIN WRITERS AND PRODUCERS, 660 00:25:57,622 --> 00:25:58,189 SO WE SAID, "IF WE EVER HAD A 661 00:25:58,256 --> 00:25:59,224 CHANCE TO DO THAT, THAT'S THE 662 00:25:59,291 --> 00:26:02,193 END OF IT. 663 00:26:02,260 --> 00:26:03,762 WE'D LIKE TO BE IN." 664 00:26:03,828 --> 00:26:04,729 ♪ HONEY, BABY, CAN'T YOU SEE? ♪ 665 00:26:04,796 --> 00:26:05,697 ♪ GIRL, I'M SO COOL ♪ 666 00:26:05,764 --> 00:26:06,865 >> OKAY. 667 00:26:06,932 --> 00:26:07,799 THIS IS LIKE OUR HALL OF FAME. 668 00:26:07,866 --> 00:26:09,634 WE START WITH THE ORIGINS, OF 669 00:26:09,701 --> 00:26:10,969 COURSE, THE TIME TO THE -- 670 00:26:11,036 --> 00:26:12,103 OUR NEWER STUFF WITH 671 00:26:12,170 --> 00:26:13,138 PATTI AUSTIN, ROBERT PALMER, SO 672 00:26:13,204 --> 00:26:14,606 ON AND SO FORTH. 673 00:26:14,673 --> 00:26:15,807 THE LIST GOES ON AND ON. 674 00:26:15,874 --> 00:26:18,510 AND, OF COURSE, JANET JACKSON. 675 00:26:18,576 --> 00:26:21,212 ♪ NOW CONTROL THIS ♪ 676 00:26:21,279 --> 00:26:22,681 ♪ WHEN I WAS 17, I DID WHAT 677 00:26:22,747 --> 00:26:28,053 PEOPLE TOLD ME ♪ 678 00:26:28,119 --> 00:26:29,020 ♪ BUT THAT WAS LONG AGO ♪ 679 00:26:29,087 --> 00:26:30,422 ♪ I'M IN ♪ 680 00:26:30,488 --> 00:26:31,356 >> WE HAD AN IDEA THAT WE COULD 681 00:26:31,423 --> 00:26:34,592 PRODUCE JANET IN A WAY THAT SHE 682 00:26:34,659 --> 00:26:35,794 HADN'T BEEN PRODUCED BEFORE. 683 00:26:35,860 --> 00:26:36,828 JANET HAD WAY MORE ATTITUDE THAN 684 00:26:36,895 --> 00:26:37,929 WHAT WE HAD PREVIOUSLY HEARD. 685 00:26:37,996 --> 00:26:38,997 >> IT WAS APPARENT THAT NOBODY 686 00:26:39,064 --> 00:26:40,031 HAD REALLY ASKED HER OPINION 687 00:26:40,098 --> 00:26:40,832 ABOUT WHAT SHE WANTED TO SING 688 00:26:40,899 --> 00:26:41,900 ABOUT. 689 00:26:41,967 --> 00:26:42,867 WE WANTED HER TO MAKE HER 690 00:26:42,934 --> 00:26:44,069 RECORD. 691 00:26:44,135 --> 00:26:49,007 IT WAS LIKE A REVELATION TO HER. 692 00:26:49,074 --> 00:26:51,042 >> JIMMY JAM! 693 00:26:51,109 --> 00:26:52,310 >> THERE'S A MAGIC THAT I FEEL 694 00:26:52,377 --> 00:26:53,211 THAT THE THREE OF US HAVE 695 00:26:53,278 --> 00:26:54,312 TOGETHER, AND IT JUST COMES 696 00:26:54,379 --> 00:26:55,146 THROUGH -- 697 00:26:55,213 --> 00:26:57,916 [LAUGHS] 698 00:26:57,983 --> 00:26:59,484 >> I THINK THE JAM AND LEWIS IS 699 00:26:59,551 --> 00:27:00,118 THE SOUND OF THE ARTISTS 700 00:27:00,185 --> 00:27:01,353 SOUNDING THEIR BEST. 701 00:27:01,419 --> 00:27:02,320 WE ALWAYS LOOKED AT IT LIKE WE 702 00:27:02,387 --> 00:27:03,521 WERE TAILORS MAKING A SUIT FOR 703 00:27:03,588 --> 00:27:04,756 SOMEBODY. 704 00:27:04,823 --> 00:27:07,192 ♪ I'M ONLY HUMAN ♪ 705 00:27:07,258 --> 00:27:08,927 >> WE'RE DESPERATELY TRYING TO 706 00:27:08,994 --> 00:27:10,729 GET AN ALBUM TOGETHER, SO WE'VE 707 00:27:10,795 --> 00:27:12,397 WRITTEN, SAY, ABOUT 13 TRACKS. 708 00:27:12,464 --> 00:27:13,331 >> AND THE STUFF WE WERE DOING 709 00:27:13,398 --> 00:27:15,066 JUST WASN'T QUITE MAKING IT. 710 00:27:15,133 --> 00:27:15,734 IT WASN'T BAD, BUT IT WASN'T AS 711 00:27:15,800 --> 00:27:16,568 GOOD AS JIMMY AND TERRY COULD 712 00:27:16,634 --> 00:27:17,802 MAKE IT. 713 00:27:17,869 --> 00:27:18,903 SO I THOUGHT, "WE'RE GONNA DO IT 714 00:27:18,970 --> 00:27:20,005 AGAIN IN MINNEAPOLIS." 715 00:27:20,071 --> 00:27:21,172 >> THE GENIUS THING IN THAT WAS 716 00:27:21,239 --> 00:27:22,974 TERRY WROTE THE LINE AND HAD THE 717 00:27:23,041 --> 00:27:24,075 GIRLS SAY, "WHILE WE WERE APART, 718 00:27:24,142 --> 00:27:24,909 I WAS HUMAN, TOO." 719 00:27:24,976 --> 00:27:25,777 AND THAT WAS THE LINE THAT 720 00:27:25,844 --> 00:27:29,814 SEALED THE DEAL. 721 00:27:29,881 --> 00:27:30,749 >> "WHEN WE WERE APART, I WAS 722 00:27:30,815 --> 00:27:31,549 HUMAN, TOO." 723 00:27:31,616 --> 00:27:32,751 >> THE HUMAN LEAGUE, NUMBER ONE. 724 00:27:32,817 --> 00:27:33,952 AND JANET JACKSON, NUMBER ONE. 725 00:27:34,019 --> 00:27:34,886 WHAT'S THE JAM AND LEWIS SECRET? 726 00:27:34,953 --> 00:27:35,887 >> IT'S NOT REALLY A SECRET. 727 00:27:35,954 --> 00:27:36,821 I THINK THE PEOPLE THAT WE WORK 728 00:27:36,888 --> 00:27:38,056 WITH HAVE DONE JUSTICE TO WHAT 729 00:27:38,123 --> 00:27:41,292 WE DO. 730 00:27:41,359 --> 00:27:42,494 ♪ WHY CAN'T YOU DO IT? ♪ 731 00:27:42,560 --> 00:27:43,695 ♪ WHY CAN'T YOU SET YOUR 732 00:27:43,762 --> 00:27:45,497 MONKEY FREE? ♪ 733 00:27:45,563 --> 00:27:48,566 >> THERE IS NOTHING IN MY ENTIRE 734 00:27:48,633 --> 00:27:51,302 CAREER, REALLY, IN TERMS OF 735 00:27:51,369 --> 00:27:52,937 ANYTHING CREATIVE, ANYWAY, THAT 736 00:27:53,004 --> 00:27:54,339 I EVER DELEGATE, AND WORKING 737 00:27:54,406 --> 00:27:55,373 WITH JIMMY AND TERRY, I 738 00:27:55,440 --> 00:27:58,710 BASICALLY JUST LET THEM TAKE MY 739 00:27:58,777 --> 00:27:59,277 VOCAL AND REMAKE THE TRACK. 740 00:27:59,344 --> 00:27:59,978 >> THEY ONLY WANT FROM YOU YOUR 741 00:28:00,045 --> 00:28:00,912 TRUTH, YOUR STORY. 742 00:28:00,979 --> 00:28:03,148 AND WHAT DO YOU HAVE TO SAY? 743 00:28:03,214 --> 00:28:04,816 >> ONE DAY I WOKE UP, IT WAS 744 00:28:04,883 --> 00:28:06,084 LIKE, "OKAY, I'MA GET MY LIFE 745 00:28:06,151 --> 00:28:06,551 TOGETHER." 746 00:28:06,618 --> 00:28:07,419 AND BY THE GRACE OF GOD, JIMMY 747 00:28:07,485 --> 00:28:08,520 JAM AND TERRY LEWIS WROTE ME 748 00:28:08,586 --> 00:28:09,254 THIS RECORD. 749 00:28:09,320 --> 00:28:10,255 IT WAS LIKE THEY WAS LOOKING 750 00:28:10,321 --> 00:28:11,956 INTO MY LIFE. 751 00:28:12,023 --> 00:28:12,957 ♪ I DON'T WANNA CRY NO MORE ♪ 752 00:28:13,024 --> 00:28:15,393 ♪ NO MORE PAIN, NO MORE PAIN ♪ 753 00:28:15,460 --> 00:28:17,062 ♪ NO MORE GAME ♪ 754 00:28:17,128 --> 00:28:18,863 ♪ TIRED OF YOU PLAYING GAMES ALL 755 00:28:18,930 --> 00:28:20,999 THE TIME WITH MY MIND ♪ 756 00:28:21,066 --> 00:28:24,436 NO MORE, NO MORE, NO MORE ♪ 757 00:28:24,502 --> 00:28:25,403 >> THE GREATEST PART ABOUT THE 758 00:28:25,470 --> 00:28:29,340 JOURNEY IS JUST THE LIFE THAT 759 00:28:29,407 --> 00:28:30,508 YOU LIVE IN BETWEEN, AND THE 760 00:28:30,575 --> 00:28:31,476 PEOPLE THAT YOU MEET ALONG THE 761 00:28:31,543 --> 00:28:32,043 WAY. 762 00:28:32,110 --> 00:28:34,446 [CHEERS AND APPLAUSE] 763 00:28:34,512 --> 00:28:37,882 ♪ ♪ 764 00:28:37,949 --> 00:28:39,084 >> Announcer: TO INDUCT 765 00:28:39,150 --> 00:28:40,852 JIMMY JAM AND TERRY LEWIS, 766 00:28:40,919 --> 00:28:41,986 ROCK & ROLL HALL OF FAMER, 767 00:28:42,053 --> 00:28:46,958 JANET JACKSON. 768 00:28:47,025 --> 00:28:49,561 ♪ ♪ 769 00:28:49,627 --> 00:28:54,365 [CHEERS AND APPLAUSE] 770 00:28:54,432 --> 00:28:56,334 >> AS EVERYBODY KNOWS, I GREW UP 771 00:28:56,401 --> 00:28:58,536 WITH NO SHORTAGE OF BIG BROTHERS 772 00:28:58,603 --> 00:28:59,637 TO LOOK UP TO, AND I HAD A 773 00:28:59,704 --> 00:29:00,772 FATHER WHO INSPIRED AND 774 00:29:00,839 --> 00:29:03,141 ENCOURAGED ME. 775 00:29:03,208 --> 00:29:04,709 BUT MY EXTENDED BROTHERS AND 776 00:29:04,776 --> 00:29:07,378 CLOSEST ARTISTIC COLLABORATORS 777 00:29:07,445 --> 00:29:10,682 ARE JIMMY JAM AND TERRY LEWIS. 778 00:29:10,748 --> 00:29:15,386 [APPLAUSE] 779 00:29:15,453 --> 00:29:17,322 I REMEMBER THE FIRST TIME WE 780 00:29:17,388 --> 00:29:20,492 MET, THEY WERE MEMBERS OF ONE OF 781 00:29:20,558 --> 00:29:21,626 MY ALL-TIME FAVORITE BANDS, 782 00:29:21,693 --> 00:29:25,430 THE TIME. 783 00:29:25,497 --> 00:29:25,930 [APPLAUSE] 784 00:29:25,997 --> 00:29:27,365 YEAH. 785 00:29:27,432 --> 00:29:28,500 IT WAS LOVE AT FIRST SIGHT. 786 00:29:28,566 --> 00:29:29,834 AND I FEEL LIKE WE BROKE THROUGH 787 00:29:29,901 --> 00:29:32,937 THE MUSIC INDUSTRY TOGETHER. 788 00:29:33,004 --> 00:29:34,038 THEY TAUGHT ME SO MUCH, AND I 789 00:29:34,105 --> 00:29:35,273 LEARNED THEIR LESSONS WELL. 790 00:29:35,340 --> 00:29:36,274 WHEN I WENT TO WORK ON WHAT 791 00:29:36,341 --> 00:29:38,143 BECAME "CONTROL" WITH JIMMY AND 792 00:29:38,209 --> 00:29:41,546 TERRY, IN THEIR HOMETOWN OF 793 00:29:41,613 --> 00:29:44,315 MINNEAPOLIS, THERE WAS NO 794 00:29:44,382 --> 00:29:47,252 PRESSURE, AND WE FELT LIKE WE 795 00:29:47,318 --> 00:29:49,320 WERE KIDS IN A SANDBOX. 796 00:29:49,387 --> 00:29:50,555 I WAS JUST, WHAT? 797 00:29:50,622 --> 00:29:51,756 EIGHTEEN, NINETEEN YEARS OLD? 798 00:29:51,823 --> 00:29:52,724 AND NO ONE WAS PAYING ATTENTION 799 00:29:52,790 --> 00:29:53,858 TO US. 800 00:29:53,925 --> 00:29:55,293 NO RECORD COMPANY EXECUTIVES 801 00:29:55,360 --> 00:29:57,328 WERE AT THE STUDIO. 802 00:29:57,395 --> 00:29:59,164 WE TALKED AND LAUGHED SO MUCH 803 00:29:59,230 --> 00:30:00,064 THAT SOMETIMES IT FELT LIKE WE 804 00:30:00,131 --> 00:30:03,067 WEREN'T EVEN MAKING A RECORD, 805 00:30:03,134 --> 00:30:04,369 UNTIL THEY SHOWED ME A LYRIC 806 00:30:04,435 --> 00:30:07,472 IDEA THEY HAD STARTED. 807 00:30:07,539 --> 00:30:08,640 "WHEN I WAS 17, I DID WHAT 808 00:30:08,706 --> 00:30:12,844 PEOPLE TOLD ME. 809 00:30:12,911 --> 00:30:18,650 DID WHAT MY FATHER SAID AND WHAT 810 00:30:18,716 --> 00:30:20,652 LET MY MOTHER MOLD ME." 811 00:30:20,718 --> 00:30:22,253 I REALIZED THAT THOSE LYRICS 812 00:30:22,320 --> 00:30:23,188 CAME DIRECTLY FROM OUR 813 00:30:23,254 --> 00:30:27,592 CONVERSATIONS, WHICH EXCITED ME, 814 00:30:27,659 --> 00:30:28,726 BECAUSE NO ONE HAD EVER ASKED ME 815 00:30:28,793 --> 00:30:30,695 WHAT I WANTED TO TALK ABOUT. 816 00:30:30,762 --> 00:30:31,496 I HAD A MILLION IDEAS, AND JIMMY 817 00:30:31,563 --> 00:30:32,764 AND TERRY ENCOURAGED ME TO WRITE 818 00:30:32,830 --> 00:30:38,403 THEM DOWN. 819 00:30:38,469 --> 00:30:43,908 [CHEERS AND APPLAUSE] 820 00:30:43,975 --> 00:30:45,710 I WAS A SONGWRITER. 821 00:30:45,777 --> 00:30:47,178 I WAS A PERFORMER. 822 00:30:47,245 --> 00:30:48,179 I WAS A YOUNG WOMAN AND AN 823 00:30:48,246 --> 00:30:50,315 ARTIST WITH A STORY TO TELL. 824 00:30:50,381 --> 00:30:51,616 AND THAT'S WHY WE HAVE CONTINUED 825 00:30:51,683 --> 00:30:52,550 TO WORK TOGETHER TO THIS DAY, 826 00:30:52,617 --> 00:30:59,857 ALMOST 40 YEARS LATER. 827 00:30:59,924 --> 00:31:01,526 THAT'S A LONG TIME. 828 00:31:01,593 --> 00:31:03,027 WHAT I LIKE MOST ABOUT THEM IS 829 00:31:03,094 --> 00:31:04,462 THEY UNDERSTAND THAT MAKING 830 00:31:04,529 --> 00:31:06,030 MUSIC IS NOT JUST ABOUT 831 00:31:06,097 --> 00:31:07,365 FOLLOWING THE TRENDS, OR CHASING 832 00:31:07,432 --> 00:31:08,466 THE LATEST SOUND, OR WATCHING 833 00:31:08,533 --> 00:31:11,336 THE CHARTS. 834 00:31:11,402 --> 00:31:13,104 IT'S ABOUT SAYING WHAT YOU TRULY 835 00:31:13,171 --> 00:31:14,839 FEEL, AND EXPRESSING IT IN A WAY 836 00:31:14,906 --> 00:31:15,873 THAT FANS CAN ENJOY AND 837 00:31:15,940 --> 00:31:18,643 APPRECIATE. 838 00:31:18,710 --> 00:31:19,944 I'M NOT THE ONLY ARTIST THAT 839 00:31:20,011 --> 00:31:20,912 JIMMY AND TERRY HAVE WORKED 840 00:31:20,979 --> 00:31:24,215 WITH. 841 00:31:24,282 --> 00:31:28,253 I'M JUST THEIR FAVORITE. 842 00:31:28,319 --> 00:31:30,488 [LAUGHS] 843 00:31:30,555 --> 00:31:35,293 [CHEERS AND APPLAUSE] 844 00:31:35,360 --> 00:31:37,195 THE LIST OF ARTISTS THEY'VE 845 00:31:37,262 --> 00:31:38,229 COLLABORATED WITH READS LIKE A 846 00:31:38,296 --> 00:31:40,231 WHO'S WHO OF THE POPULAR MUSIC 847 00:31:40,298 --> 00:31:44,936 OVER THE LAST FOUR DECADES. 848 00:31:45,003 --> 00:31:46,738 UH, LET'S SEE... 849 00:31:46,804 --> 00:31:51,709 MARY J. BLIGE, ARETHA FRANKLIN, 850 00:31:51,776 --> 00:31:56,848 MARIAH CAREY, LIONEL RICHIE, 851 00:31:56,914 --> 00:32:01,419 GEORGE MICHAEL, BOYZ II MEN, 852 00:32:01,486 --> 00:32:09,327 USHER, MY BROTHER MICHAEL. 853 00:32:09,394 --> 00:32:09,794 [CHEERS AND APPLAUSE] 854 00:32:09,861 --> 00:32:11,095 TO JIMMY AND TERRY, PRODUCTION 855 00:32:11,162 --> 00:32:12,764 IS ULTIMATELY AN ACT OF LOVE. 856 00:32:12,830 --> 00:32:14,932 AND AS YOU CONTINUE TO WORK WITH 857 00:32:14,999 --> 00:32:18,970 THEM, THAT LOVE GROWS. 858 00:32:19,037 --> 00:32:20,805 SO I COULDN'T BE PROUDER AND 859 00:32:20,872 --> 00:32:27,312 MORE EXCITED TO BE THE PERSON 860 00:32:27,378 --> 00:32:29,314 PRIVILEGED TO SAY TONIGHT, 861 00:32:29,380 --> 00:32:31,416 JIMMY AND TERRY, I LOVE YOU SO 862 00:32:31,482 --> 00:32:33,051 MUCH, AND I WANT TO WELCOME YOU 863 00:32:33,117 --> 00:32:35,420 TO THE ROCK & ROLL HALL OF FAME. 864 00:32:35,486 --> 00:32:36,587 [CHEERS AND APPLAUSE] 865 00:32:36,654 --> 00:32:46,831 ♪ ♪ 866 00:32:46,898 --> 00:32:54,572 ♪ ♪ 867 00:32:54,639 --> 00:32:55,440 >> THIS IS HEAVY. 868 00:32:55,506 --> 00:32:56,841 >> THIS IS HEAVY. 869 00:32:56,908 --> 00:33:00,611 OH, MY GOD. 870 00:33:00,678 --> 00:33:01,379 >> WELL, I GUESS I'D GET THE 871 00:33:01,446 --> 00:33:02,280 PARTY STARTED, BECAUSE -- 872 00:33:02,347 --> 00:33:03,348 >> GET THE PARTY STARTED, 873 00:33:03,414 --> 00:33:04,148 TERRY LEWIS. 874 00:33:04,215 --> 00:33:05,183 >> JUST STANDING HERE, MAN, I 875 00:33:05,249 --> 00:33:06,918 GOT TO BE THE LUCKIEST GUY IN 876 00:33:06,984 --> 00:33:07,618 THE WHOLE WIDE WORLD. 877 00:33:07,685 --> 00:33:10,154 >> YEAH. 878 00:33:10,221 --> 00:33:13,324 >> BECAUSE I JUST HAD 879 00:33:13,391 --> 00:33:15,093 JANET JACKSON INDUCT ME INTO THE 880 00:33:15,159 --> 00:33:17,628 ROCK & ROLL HALL OF FAME. 881 00:33:17,695 --> 00:33:21,099 HOW ABOUT THAT? 882 00:33:21,165 --> 00:33:22,433 [APPLAUSE] 883 00:33:22,500 --> 00:33:24,736 CAN'T DO NO MORE. 884 00:33:24,802 --> 00:33:25,103 >> THAT'S RIGHT. 885 00:33:25,169 --> 00:33:25,703 >> LOOK, MAN, THERE'S SO MANY 886 00:33:25,770 --> 00:33:27,071 THANK YOUS TO BE HAD HERE. 887 00:33:27,138 --> 00:33:27,638 >> YEAH. 888 00:33:27,705 --> 00:33:28,539 >> I HAVE MY MOTHER HERE 889 00:33:28,606 --> 00:33:29,974 TONIGHT. 890 00:33:30,041 --> 00:33:31,275 MOM, THIS ALL STARTED OUT IN THE 891 00:33:31,342 --> 00:33:32,176 BASEMENT FOR US. 892 00:33:32,243 --> 00:33:34,045 >> YEAH. 893 00:33:34,112 --> 00:33:34,846 >> AND WE WERE MAKING NOISE, 894 00:33:34,912 --> 00:33:36,147 BOY. 895 00:33:36,214 --> 00:33:37,382 I DON'T KNOW HOW SHE TOLERATED 896 00:33:37,448 --> 00:33:38,683 THAT. 897 00:33:38,750 --> 00:33:39,650 AND WE USED TO HEAR EVERY DAY -- 898 00:33:39,717 --> 00:33:41,285 [STOMPING FEET] 899 00:33:41,352 --> 00:33:46,224 "TURN THAT SHIT DOWN!" 900 00:33:46,290 --> 00:33:46,491 [LAUGHTER] 901 00:33:46,557 --> 00:33:47,658 SO I THANK YOU, MOM, FOR 902 00:33:47,725 --> 00:33:48,659 TOLERATING ALL OF THAT NOISE. 903 00:33:48,726 --> 00:33:50,161 [LAUGHS] 904 00:33:50,228 --> 00:33:54,265 I LOVE YOU. 905 00:33:54,332 --> 00:33:55,366 I WANT TO THANK MY BROTHERS IN 906 00:33:55,433 --> 00:33:56,267 THE TIME. 907 00:33:56,334 --> 00:33:58,369 >> YES. 908 00:33:58,436 --> 00:34:01,939 [APPLAUSE] 909 00:34:02,006 --> 00:34:04,242 >> THERE'S MORRIS, JESSE, 910 00:34:04,308 --> 00:34:05,643 JELLYBEAN, MONTY, JIMMY JAM, 911 00:34:05,710 --> 00:34:07,345 MYSELF, AND JEROME. 912 00:34:07,412 --> 00:34:08,546 >> YEAH. 913 00:34:08,613 --> 00:34:10,148 >> BECAUSE AIN'T NOBODY BAD LIKE 914 00:34:10,214 --> 00:34:10,948 THE TIME. 915 00:34:11,015 --> 00:34:13,751 >> THAT'S RIGHT. 916 00:34:13,818 --> 00:34:15,086 [APPLAUSE] 917 00:34:15,153 --> 00:34:16,554 >> BUT THERE'S NO TIME WITHOUT 918 00:34:16,621 --> 00:34:18,589 THE PURPLE MAN. 919 00:34:18,656 --> 00:34:19,891 AND WE ALL HAVE TO BOW DOWN WHEN 920 00:34:19,957 --> 00:34:24,896 WE SAY THE WORD "PRINCE." 921 00:34:24,962 --> 00:34:25,696 [CHEERS AND APPLAUSE] 922 00:34:25,763 --> 00:34:27,098 AND WE HAVE TO THANK 923 00:34:27,165 --> 00:34:28,266 CLARENCE AVANT. 924 00:34:28,332 --> 00:34:30,101 >> THE BLACK GODFATHER. 925 00:34:30,168 --> 00:34:32,804 >> THE BLACK GODFATHER, WHO GAVE 926 00:34:32,870 --> 00:34:35,773 US A GREAT OPPORTUNITY AND 927 00:34:35,840 --> 00:34:36,841 ACTUALLY GAVE US THE AUTONOMY TO 928 00:34:36,908 --> 00:34:38,042 JUST MAKE MUSIC. 929 00:34:38,109 --> 00:34:39,177 HE DIDN'T CHASE US AND TELL US 930 00:34:39,243 --> 00:34:40,578 WHAT TO DO. 931 00:34:40,645 --> 00:34:41,512 HE JUST SAID, "BRING IT TO ME 932 00:34:41,579 --> 00:34:42,547 WHEN YOU'RE DONE." 933 00:34:42,613 --> 00:34:43,748 >> YEAH. 934 00:34:43,815 --> 00:34:45,049 >> AND THAT HELPED US FORM OUR 935 00:34:45,116 --> 00:34:47,418 ABILITY TO CREATE. 936 00:34:47,485 --> 00:34:48,920 AND I'D LIKE TO THANK MY LOVELY 937 00:34:48,986 --> 00:34:50,254 WIFE WHO HOLDS ME DOWN. 938 00:34:50,321 --> 00:34:59,997 AND SHE IS SO AWESOME. 939 00:35:00,064 --> 00:35:00,865 AND DEAR, THANK YOU SO MUCH. 940 00:35:00,932 --> 00:35:01,966 I LOVE YOU, BABY. 941 00:35:02,033 --> 00:35:02,800 AND I'MMA LET JIMMY JAM SPEAK, 942 00:35:02,867 --> 00:35:03,501 'CAUSE I CAN'T DO NO MORE. 943 00:35:03,568 --> 00:35:04,368 I'M TOO HIGH. 944 00:35:04,435 --> 00:35:07,505 GO. 945 00:35:07,572 --> 00:35:08,439 >> LET ME FIX YOUR COLLAR. 946 00:35:08,506 --> 00:35:09,740 >> FIX ME UP, GIRL. 947 00:35:09,807 --> 00:35:10,274 MY STYLIST. 948 00:35:10,341 --> 00:35:11,042 JANET JACKSON, MY STYLIST, 949 00:35:11,108 --> 00:35:11,676 Y'ALL. 950 00:35:11,742 --> 00:35:12,844 YOU KNOW THAT, RIGHT? 951 00:35:12,910 --> 00:35:14,345 FIRST OF ALL, THAT'S THE MOST 952 00:35:14,412 --> 00:35:15,513 I'VE EVER HEARD TERRY LEWIS 953 00:35:15,580 --> 00:35:16,781 TALK IN MY WHOLE LIFE, OKAY? 954 00:35:16,848 --> 00:35:20,885 CAN WE JUST SAY THAT? 955 00:35:20,952 --> 00:35:22,286 NOW, "HALL OF FAME" TO ME MEANS 956 00:35:22,353 --> 00:35:23,254 THAT IT'S EXCELLENCE AT 957 00:35:23,321 --> 00:35:23,988 SOMETHING, RIGHT? 958 00:35:24,055 --> 00:35:24,856 IT COULD BE A SPORTS HALL OF 959 00:35:24,922 --> 00:35:25,923 FAME, OR IT COULD BE WHATEVER. 960 00:35:25,990 --> 00:35:27,058 AND EVEN IF YOU HAVEN'T PLAYED 961 00:35:27,125 --> 00:35:28,059 THE SPORT OR HAVEN'T WATCHED IT, 962 00:35:28,125 --> 00:35:30,628 IF YOU DON'T KNOW THE SONGS, 963 00:35:30,695 --> 00:35:31,929 WHEN YOU PUT "HALL OF FAME" 964 00:35:31,996 --> 00:35:33,231 BEFORE IT, ALL OF THE SUDDEN IT 965 00:35:33,297 --> 00:35:35,166 MEANS SOMETHING TO PEOPLE. 966 00:35:35,233 --> 00:35:36,200 SO, WE THANK THE HALL OF FAME 967 00:35:36,267 --> 00:35:36,834 FOR ALLOWING US TO BE IN. 968 00:35:36,901 --> 00:35:38,169 AND THEN, THE NICEST THING ABOUT 969 00:35:38,236 --> 00:35:39,871 IT TO ME IS THAT, IN SPORTS, YOU 970 00:35:39,937 --> 00:35:41,038 HAVE TO BE RETIRED TO GET IN, 971 00:35:41,105 --> 00:35:42,807 OKAY? 972 00:35:42,874 --> 00:35:43,674 NOW, I DON'T SEE A GOLD WATCH 973 00:35:43,741 --> 00:35:45,910 QUITE YET. 974 00:35:45,977 --> 00:35:47,311 SO I THINK WE STILL GOT SOME 975 00:35:47,378 --> 00:35:48,946 TIME TO GET SOME THINGS DONE, 976 00:35:49,013 --> 00:35:53,684 OKAY? 977 00:35:53,751 --> 00:35:54,252 [CHEERS AND APPLAUSE] 978 00:35:54,318 --> 00:35:55,553 THE LAST THING I'LL SAY IS, 979 00:35:55,620 --> 00:35:58,022 MUSIC, I CALL IT THE DIVINE ART. 980 00:35:58,089 --> 00:35:59,657 AND I SAY THAT BECAUSE IF I SAID 981 00:35:59,724 --> 00:36:00,691 TO YOU, "WHAT WERE YOU DOING 20 982 00:36:00,758 --> 00:36:02,860 YEARS AGO?" 983 00:36:02,927 --> 00:36:04,362 LIKE, YOU MIGHT BE ABLE TO PIECE 984 00:36:04,428 --> 00:36:06,264 IT TOGETHER IN SOME SORT OF WAY. 985 00:36:06,330 --> 00:36:07,598 BUT IF I PLAY YOU A SONG FROM 20 986 00:36:07,665 --> 00:36:08,666 YEARS AGO, EVERY MEMORY COMES 987 00:36:08,733 --> 00:36:09,734 BACK. 988 00:36:09,800 --> 00:36:10,935 IT'S THE KEY THAT UNLOCKS 989 00:36:11,002 --> 00:36:12,904 EVERYTHING. 990 00:36:12,970 --> 00:36:14,038 [APPLAUSE] 991 00:36:14,105 --> 00:36:15,740 SO, WHEN PEOPLE SAY, "WE'RE 992 00:36:15,806 --> 00:36:16,874 GONNA CUT THE BUDGETS IN 993 00:36:16,941 --> 00:36:18,109 SCHOOLS, AND HOW ARE WE GOING TO 994 00:36:18,175 --> 00:36:18,809 CUT THE BUDGET? 995 00:36:18,876 --> 00:36:19,577 WE'RE GONNA TAKE MUSIC OUT OF 996 00:36:19,644 --> 00:36:20,645 SCHOOLS." 997 00:36:20,711 --> 00:36:22,713 ARE YOU KIDDING ME? 998 00:36:22,780 --> 00:36:25,883 HOW DO WE LEARN OUR ALPHABET? 999 00:36:25,950 --> 00:36:28,119 WE DON'T GO: "A, B, UM, C." 1000 00:36:28,185 --> 00:36:28,586 NO. 1001 00:36:28,653 --> 00:36:29,654 WE GO: 1002 00:36:29,720 --> 00:36:31,055 ♪ A, B, C, D, E, F, G, ♪ 1003 00:36:31,122 --> 00:36:32,123 WHAT'S NEXT? 1004 00:36:32,189 --> 00:36:34,292 ♪ H, I, J, K, L, M, N, O, P ♪ 1005 00:36:34,358 --> 00:36:39,130 RIGHT. 1006 00:36:39,196 --> 00:36:40,031 NO, WE DON'T NEED THE LONG 1007 00:36:40,097 --> 00:36:40,998 VERSION. 1008 00:36:41,065 --> 00:36:41,832 WE DO THE SINGLE VERSION, SINGLE 1009 00:36:41,899 --> 00:36:44,835 EDIT. 1010 00:36:44,902 --> 00:36:45,102 [LAUGHTER] 1011 00:36:45,169 --> 00:36:45,903 OUR GOAL IS TO LEAVE MUSIC IN A 1012 00:36:45,970 --> 00:36:46,904 BETTER PLACE. 1013 00:36:46,971 --> 00:36:47,672 THAT'S ME AND TERRY'S GOAL AT 1014 00:36:47,738 --> 00:36:48,839 THIS POINT. 1015 00:36:48,906 --> 00:36:52,977 WE ARE CELEBRATING 40 YEARS. 1016 00:36:53,044 --> 00:36:54,412 WE DID THIS, AND WE SAID 50/50. 1017 00:36:54,478 --> 00:36:55,212 THAT'S OUR CONTRACT. 1018 00:36:55,279 --> 00:36:56,681 40 YEARS ON THAT CONTRACT, WE'VE 1019 00:36:56,747 --> 00:36:58,449 BEEN TOGETHER. 1020 00:36:58,516 --> 00:37:00,084 AND NEXT YEAR, WE WILL BE 1021 00:37:00,151 --> 00:37:00,851 CELEBRATING OUR 50TH YEAR AS 1022 00:37:00,918 --> 00:37:03,187 FRIENDS. 1023 00:37:03,254 --> 00:37:06,824 1973, WE MET. 1024 00:37:06,891 --> 00:37:08,259 [APPLAUSE] 1025 00:37:08,326 --> 00:37:11,929 WE'VE NEVER HAD AN ARGUMENT. 1026 00:37:11,996 --> 00:37:12,997 WE'VE HAD DISAGREEMENTS. 1027 00:37:13,064 --> 00:37:14,365 BUT A DISAGREEMENT, YOU'RE 1028 00:37:14,432 --> 00:37:14,732 TRYING TO SOLVE. 1029 00:37:14,799 --> 00:37:15,433 AN ARGUMENT, YOU'RE TRYING TO 1030 00:37:15,499 --> 00:37:16,200 WIN. 1031 00:37:16,267 --> 00:37:17,301 I DON'T WANNA WIN ANYTHING THAT 1032 00:37:17,368 --> 00:37:18,202 HE LOSES, AND HE FEELS THE SAME 1033 00:37:18,269 --> 00:37:20,137 WAY ABOUT ME. 1034 00:37:20,204 --> 00:37:20,805 [APPLAUSE] 1035 00:37:20,871 --> 00:37:22,340 SO, WE'RE GONNA TAKE THIS 1036 00:37:22,406 --> 00:37:23,374 HEAVY-ASS AWARD AND WE'RE GONNA 1037 00:37:23,441 --> 00:37:24,475 ENJOY IT. 1038 00:37:24,542 --> 00:37:25,943 WE WANNA THANK YOU GUYS SO MUCH. 1039 00:37:26,010 --> 00:37:27,745 THANK YOU, EVERYBODY. 1040 00:37:27,812 --> 00:37:30,548 ROCK AND ROLL, BABY. 1041 00:37:30,615 --> 00:37:33,551 ♪ ♪ 1042 00:37:33,618 --> 00:37:35,252 >> Announcer: TO INDUCT 1043 00:37:35,319 --> 00:37:36,354 PAT BENATAR AND NEIL GIRALDO 1044 00:37:36,420 --> 00:37:36,821 INTO THE 1045 00:37:36,887 --> 00:37:37,955 ROCK & ROLL HALL OF FAME, 1046 00:37:38,022 --> 00:37:41,692 SHERYL CROW. 1047 00:37:41,759 --> 00:37:42,627 ♪ ♪ 1048 00:37:42,693 --> 00:37:43,828 >> ISN'T THIS COOL? 1049 00:37:43,894 --> 00:37:47,031 AREN'T YOU GLAD YOU'RE HERE? 1050 00:37:47,098 --> 00:37:49,734 I WAS 18 YEARS OLD WHEN THIS 1051 00:37:49,800 --> 00:37:51,335 "ROLLING STONE" MAGAZINE CAME 1052 00:37:51,402 --> 00:37:52,203 OUT. 1053 00:37:52,269 --> 00:37:54,572 YES, I WAS. 1054 00:37:54,639 --> 00:37:56,240 I HAD JUST GRADUATED HIGH SCHOOL 1055 00:37:56,307 --> 00:37:57,842 IN MY TINY LITTLE TOWN OF 1056 00:37:57,908 --> 00:38:00,411 KENNETT, MISSOURI. 1057 00:38:00,478 --> 00:38:02,113 I HAD HEADED TO COLLEGE TO STUDY 1058 00:38:02,179 --> 00:38:04,148 CLASSICAL PIANO AND VOICE. 1059 00:38:04,215 --> 00:38:06,017 BUT WHAT I REALLY WANTED TO BE 1060 00:38:06,083 --> 00:38:12,189 WAS PAT BENATAR. 1061 00:38:12,256 --> 00:38:13,257 [CHEERS AND APPLAUSE] 1062 00:38:13,324 --> 00:38:14,992 I HAD ALWAYS HEARD THAT 1063 00:38:15,059 --> 00:38:16,227 PAT BENATAR WAS CLASSICALLY 1064 00:38:16,293 --> 00:38:17,194 TRAINED, SO I IDENTIFIED WITH 1065 00:38:17,261 --> 00:38:19,463 HER AS A YOUNG MUSIC MAJOR. 1066 00:38:19,530 --> 00:38:21,265 BUT WHEN I GOT INTO A COVER BAND 1067 00:38:21,332 --> 00:38:25,302 AND BEGAN ATTEMPTING TO SING HER 1068 00:38:25,369 --> 00:38:26,470 SONGS, I REALIZED THAT PAT'S 1069 00:38:26,537 --> 00:38:27,872 VOICE WAS NOT JUST CLASSICALLY 1070 00:38:27,938 --> 00:38:30,241 TRAINED, OKAY? 1071 00:38:30,307 --> 00:38:32,176 SHE HAD A POWER TO HER VOICE 1072 00:38:32,243 --> 00:38:34,945 THAT WAS LIKE NO OTHER FEMALE. 1073 00:38:35,012 --> 00:38:36,947 THIS YOUNG, TOUGH CHICK WAS 1074 00:38:37,014 --> 00:38:38,549 ROCK 'N' ROLL PERSONIFIED, AND 1075 00:38:38,616 --> 00:38:39,884 SHE COULD HOLD HER OWN IN A 1076 00:38:39,950 --> 00:38:43,020 ROCKING BAND. 1077 00:38:43,087 --> 00:38:44,522 HER FIRST ALBUM, 1078 00:38:44,588 --> 00:38:46,657 "IN THE HEAT OF THE NIGHT," WAS 1079 00:38:46,724 --> 00:38:47,525 MANY TIMES CERTIFIED PLATINUM 1080 00:38:47,591 --> 00:38:49,093 WITH HITS LIKE "HEARTBREAKER" 1081 00:38:49,160 --> 00:38:51,629 AND "I NEED A LOVER." 1082 00:38:51,696 --> 00:38:53,698 BUT IT WAS THE SONG 1083 00:38:53,764 --> 00:38:55,399 "WE LIVE FOR LOVE," PENNED BY 1084 00:38:55,466 --> 00:38:57,968 HER GUITAR PLAYER AND FUTURE 1085 00:38:58,035 --> 00:39:02,673 HUSBAND, NEIL GIRALDO, THAT 1086 00:39:02,740 --> 00:39:05,042 REALLY PUT BOTH OF THEM ON THE 1087 00:39:05,109 --> 00:39:08,913 MAP BY REACHING THE TOP 10. 1088 00:39:08,979 --> 00:39:10,481 THIS WOULD BE THE FIRST OF MANY 1089 00:39:10,548 --> 00:39:12,183 TOP 10 HITS THEY WOULD CREATE 1090 00:39:12,249 --> 00:39:13,951 OVER THE YEARS TO COME. 1091 00:39:14,018 --> 00:39:16,087 IN 1980, PAT AND NEIL RELEASED 1092 00:39:16,153 --> 00:39:19,056 "CRIMES OF PASSION," WHICH 1093 00:39:19,123 --> 00:39:20,091 RENDERED 1094 00:39:20,157 --> 00:39:21,025 "HIT ME WITH YOUR BEST SHOT," 1095 00:39:21,092 --> 00:39:23,160 WHICH I BUTCHERED. 1096 00:39:23,227 --> 00:39:24,462 THE VERY CONTROVERSIAL BUT 1097 00:39:24,528 --> 00:39:25,496 MESSAGE EMPOWERED 1098 00:39:25,563 --> 00:39:27,164 "HELL IS FOR CHILDREN," 1099 00:39:27,231 --> 00:39:28,432 "TREAT ME RIGHT," AND 1100 00:39:28,499 --> 00:39:32,336 "YOU BETTER RUN." 1101 00:39:32,403 --> 00:39:34,371 HER VOICE AND THE SOUND THAT SHE 1102 00:39:34,438 --> 00:39:35,506 AND NEIL CREATED WAS TOTALLY 1103 00:39:35,573 --> 00:39:36,607 INDIVIDUAL AND IMMEDIATELY 1104 00:39:36,674 --> 00:39:39,376 RECOGNIZABLE. 1105 00:39:39,443 --> 00:39:40,945 AND HOW THAT POWERHOUSE OF A 1106 00:39:41,011 --> 00:39:43,147 VOICE WOULD COME FROM HER TINY 1107 00:39:43,214 --> 00:39:45,316 FRAME WAS REMARKABLE. 1108 00:39:45,382 --> 00:39:47,852 PAT'S CLOSE PARTNERSHIP WITH HER 1109 00:39:47,918 --> 00:39:48,619 HUSBAND, NEIL GIRALDO, WHO HAD 1110 00:39:48,686 --> 00:39:50,254 BEEN HER PRODUCER, GUITARIST, 1111 00:39:50,321 --> 00:39:51,756 AND CO-WRITER FOR MORE THAN FOUR 1112 00:39:51,822 --> 00:39:53,424 DECADES, CREATED A SOUND THAT IS 1113 00:39:53,491 --> 00:39:56,327 SIMPLY IMPOSSIBLE TO REPLICATE. 1114 00:39:56,393 --> 00:39:58,829 BUT ONE OF THE MANY THINGS THAT 1115 00:39:58,896 --> 00:40:00,164 I LOVE ABOUT PAT AND NEIL IS 1116 00:40:00,231 --> 00:40:01,332 THEIR LOVE FOR WHAT THEY DO AND 1117 00:40:01,398 --> 00:40:05,736 FOR EACH OTHER. 1118 00:40:05,803 --> 00:40:10,441 [APPLAUSE] 1119 00:40:10,508 --> 00:40:11,976 NEIL HAS SAID THAT HE COMPARES 1120 00:40:12,042 --> 00:40:13,277 HE AND PAT TO JOHNNY AND JUNE. 1121 00:40:13,344 --> 00:40:16,547 I CAN SEE THAT. 1122 00:40:16,614 --> 00:40:18,582 SPIDER, AS PAT CALLS NEIL, AND 1123 00:40:18,649 --> 00:40:21,152 PATRICIA, AS NEIL CALLS PAT, 1124 00:40:21,218 --> 00:40:22,953 HAVE A LIFE THAT IS ALL ABOUT 1125 00:40:23,020 --> 00:40:26,590 FAMILY, AND LOVE, AND MUSIC. 1126 00:40:26,657 --> 00:40:28,559 AS A WOMAN IN THIS BUSINESS AND 1127 00:40:28,626 --> 00:40:30,161 AS A YOUNG WOMAN STARTING OUT 1128 00:40:30,227 --> 00:40:31,328 PLAYING IN CLUBS WHO WEATHERED 1129 00:40:31,395 --> 00:40:32,963 SOME VERY CHALLENGING MOMENTS 1130 00:40:33,030 --> 00:40:34,632 ALONG THE WAY OF MY OWN, PAT WAS 1131 00:40:34,698 --> 00:40:37,434 AN INCREDIBLE EXAMPLE. 1132 00:40:37,501 --> 00:40:40,104 SHE EXEMPLIFIED TRUE FEMINISM. 1133 00:40:40,171 --> 00:40:41,438 SHE KNEW WHO SHE WAS AND WHAT 1134 00:40:41,505 --> 00:40:43,941 SHE DESERVED. 1135 00:40:44,008 --> 00:40:45,843 I'M GRATEFUL FOR PAT, FOR MAKING 1136 00:40:45,910 --> 00:40:47,344 MY AND SO MANY OTHER FEMALE 1137 00:40:47,411 --> 00:40:48,512 ARTISTS' PATHS A LITTLE BIT 1138 00:40:48,579 --> 00:40:51,382 EASIER ALONG THE WAY. 1139 00:40:51,448 --> 00:40:53,551 PROPELLED BY NEIL'S ROCK AND 1140 00:40:53,617 --> 00:40:55,319 ROLL MUSCLE, PAT ALWAYS REACHED 1141 00:40:55,386 --> 00:40:56,854 FOR THE DEEPEST PLACES WITHIN 1142 00:40:56,921 --> 00:40:58,722 HERSELF AND CAME ROARING OUT OF 1143 00:40:58,789 --> 00:41:00,324 THE SPEAKERS TO CONFIDE HER 1144 00:41:00,391 --> 00:41:02,960 TRUTHS DIRECTLY TO YOU. 1145 00:41:03,027 --> 00:41:04,195 YOU COULD LOOK AT HER WHEN YOU 1146 00:41:04,261 --> 00:41:05,329 WERE A YOUNG GIRL AND SOMEHOW 1147 00:41:05,396 --> 00:41:07,198 SEE YOURSELF. 1148 00:41:07,264 --> 00:41:08,165 SHE WAS FEARLESS IN WHAT SHE 1149 00:41:08,232 --> 00:41:09,767 CHOSE TO SING ABOUT. 1150 00:41:09,834 --> 00:41:11,468 SONGS LIKE 1151 00:41:11,535 --> 00:41:12,870 "LOVE IS A BATTLEFIELD" TOOK ON 1152 00:41:12,937 --> 00:41:13,838 CHARGED ISSUES AND PUSHED THE 1153 00:41:13,904 --> 00:41:15,739 BOUNDARIES OF WHAT ROCK SONGS 1154 00:41:15,806 --> 00:41:16,807 AND VIDEOS COULD PORTRAY. 1155 00:41:16,874 --> 00:41:18,209 SHE MADE HIT SONGS THAT SAID 1156 00:41:18,275 --> 00:41:19,610 SOMETHING. 1157 00:41:19,677 --> 00:41:20,945 PAT BENATAR AND NEIL GIRALDO 1158 00:41:21,011 --> 00:41:22,980 WERE UNSTOPPABLE. 1159 00:41:23,047 --> 00:41:24,181 IN BOTH THEIR PERSONAL AND 1160 00:41:24,248 --> 00:41:25,249 CREATIVE LIVES, THEY ARE A 1161 00:41:25,316 --> 00:41:27,051 PERFECT MATCH. 1162 00:41:27,117 --> 00:41:28,319 THEY'RE SOULMATES AND ROCK AND 1163 00:41:28,385 --> 00:41:30,120 ROLL ICONS. 1164 00:41:30,187 --> 00:41:31,488 LET'S CHECK THIS FILM OUT. 1165 00:41:31,555 --> 00:41:33,557 ♪ ♪ 1166 00:41:33,624 --> 00:41:34,892 >> THE MOST IMPORTANT THING IS 1167 00:41:34,959 --> 00:41:36,527 ABOUT FEELING. 1168 00:41:36,594 --> 00:41:37,328 YOU KNOW, YOU CAN BE THE 1169 00:41:37,394 --> 00:41:38,429 GREATEST SINGER ON THE PLANET. 1170 00:41:38,495 --> 00:41:39,430 IF YOU HAVE NO SOUL, YOU'RE 1171 00:41:39,496 --> 00:41:40,397 WORTH NOTHING. 1172 00:41:40,464 --> 00:41:42,299 I MEAN, I'D RATHER SING BAD 1173 00:41:42,366 --> 00:41:43,567 NOTES WITH A LOT OF FEELINGS 1174 00:41:43,634 --> 00:41:44,568 THAN SING GOOD ONES WITH 1175 00:41:44,635 --> 00:41:46,003 NOTHING. 1176 00:41:46,070 --> 00:41:47,972 ♪ WE ARE YOUNG ♪ 1177 00:41:48,038 --> 00:41:49,440 ♪ HEARTACHE TO HEARTACHE ♪ 1178 00:41:49,506 --> 00:41:52,343 ♪ WE STAND ♪ 1179 00:41:52,409 --> 00:41:53,844 >> THE FIRST CONCERT I EVER WENT 1180 00:41:53,911 --> 00:41:56,313 TO WAS A PAT BENATAR CONCERT. 1181 00:41:56,380 --> 00:41:57,882 SHE'S AN INSPIRATION FOR A LOT 1182 00:41:57,948 --> 00:42:02,319 OF PEOPLE. 1183 00:42:02,386 --> 00:42:03,687 ♪ LOVE IS A BATTLEFIELD ♪ 1184 00:42:03,754 --> 00:42:05,022 >> SHE'S THE EPITOME OF COOL. 1185 00:42:05,089 --> 00:42:05,990 SHE'S SUPER TALENTED. 1186 00:42:06,056 --> 00:42:07,324 HER VOICE IS JUST COMPLETELY 1187 00:42:07,391 --> 00:42:08,492 UNMISTAKABLE. 1188 00:42:08,559 --> 00:42:10,628 AND NO MATTER WHAT STYLE SHE'S 1189 00:42:10,694 --> 00:42:13,097 SINGING, AS SOON AS THAT SONG 1190 00:42:13,163 --> 00:42:14,031 COMES ON, YOU KNOW IT'S 1191 00:42:14,098 --> 00:42:17,935 PAT BENATAR. 1192 00:42:18,002 --> 00:42:19,336 ♪ ♪ 1193 00:42:19,403 --> 00:42:20,437 >> I CAME FROM A TOTALLY 1194 00:42:20,504 --> 00:42:21,538 DIFFERENT BACKGROUND. 1195 00:42:21,605 --> 00:42:23,374 MY BACKGROUND WAS IN MUSICAL 1196 00:42:23,440 --> 00:42:26,644 THEATER AND CLASSICAL MUSIC. 1197 00:42:26,710 --> 00:42:28,312 IN 1975, I AUDITIONED TO 1198 00:42:28,379 --> 00:42:29,713 "CATCH A RISING STAR." 1199 00:42:29,780 --> 00:42:30,681 GREAT STUFF WAS HAPPENING THERE, 1200 00:42:30,748 --> 00:42:31,815 LOTS OF EXCITEMENT. 1201 00:42:31,882 --> 00:42:34,351 EVERYBODY WAS THERE. 1202 00:42:34,418 --> 00:42:35,386 CHEVY CHASE WAS WORKING OUT, AND 1203 00:42:35,452 --> 00:42:35,886 JOHN BELUSHI, AND 1204 00:42:35,953 --> 00:42:36,921 ROBIN WILLIAMS. 1205 00:42:36,987 --> 00:42:37,888 IT WAS A COMEDY CLUB, BUT I KNEW 1206 00:42:37,955 --> 00:42:41,191 THEY HAD SINGERS IN THERE FOR 1207 00:42:41,258 --> 00:42:43,360 FILLER. 1208 00:42:43,427 --> 00:42:44,228 ♪ OH, IT'S A LITTLE 1209 00:42:44,295 --> 00:42:45,229 TOO LITTLE ♪ 1210 00:42:45,296 --> 00:42:47,631 ♪ IT'S A LITTLE TOO LATE ♪ 1211 00:42:47,698 --> 00:42:48,465 THAT'S WHERE I MET RICK NEWMAN, 1212 00:42:48,532 --> 00:42:49,433 AND HE BECAME MY MANAGER. 1213 00:42:49,500 --> 00:42:50,701 >> YOU HAVE TO HAVE THAT X 1214 00:42:50,768 --> 00:42:51,568 FACTOR, AND YOU HAVE TO BE 1215 00:42:51,635 --> 00:42:52,870 COMPELLING. 1216 00:42:52,937 --> 00:42:55,572 AND PATTI SURE WAS COMPELLING. 1217 00:42:55,639 --> 00:42:57,274 >> ONE NIGHT, IT WAS ON 1218 00:42:57,341 --> 00:42:58,809 HALLOWEEN, WE ALL DRESSED UP. 1219 00:42:58,876 --> 00:42:59,643 THERE WAS AN OLD SCIENCE FICTION 1220 00:42:59,710 --> 00:43:00,678 MOVIE CALLED 1221 00:43:00,744 --> 00:43:02,546 "CAT-WOMEN OF THE MOON." 1222 00:43:02,613 --> 00:43:03,681 THEY HAD THIS, LIKE, REALLY COOL 1223 00:43:03,747 --> 00:43:08,285 OUTFIT THAT I ALWAYS LOVED, AND 1224 00:43:08,352 --> 00:43:09,787 THEY WORE THESE BLACK TIGHTS. 1225 00:43:09,853 --> 00:43:10,521 WE WENT UP AND I GOT ON STAGE TO 1226 00:43:10,587 --> 00:43:11,255 PLAY. 1227 00:43:11,322 --> 00:43:12,856 ♪ HELL, HELL IS FOR ♪ 1228 00:43:12,923 --> 00:43:14,858 ♪ HELL, HELL IS FOR ♪ 1229 00:43:14,925 --> 00:43:20,431 ♪ HELL, HELL IS FOR CHILDREN ♪ 1230 00:43:20,497 --> 00:43:21,999 NOT ONLY DID IT CHANGE THE WAY 1231 00:43:22,066 --> 00:43:22,700 THAT I LOOK, BUT MY ATTITUDE 1232 00:43:22,766 --> 00:43:23,767 CHANGED. 1233 00:43:23,834 --> 00:43:25,569 I BECAME REALLY AGGRESSIVE. 1234 00:43:25,636 --> 00:43:26,804 IT FELT VERY POWERFUL TO BE LIKE 1235 00:43:26,870 --> 00:43:32,276 THAT. 1236 00:43:32,343 --> 00:43:33,377 ♪ ♪ 1237 00:43:33,444 --> 00:43:34,845 I DIDN'T WANNA BE LIKE A SOLO 1238 00:43:34,912 --> 00:43:36,046 ARTIST, GIRL SINGER WITH AN 1239 00:43:36,113 --> 00:43:37,181 INNOCUOUS BAND BEHIND ME. 1240 00:43:37,247 --> 00:43:38,248 I WANTED A PARTNER. 1241 00:43:38,315 --> 00:43:39,650 I WANTED IT TO BE LIKE 1242 00:43:39,717 --> 00:43:41,819 ROBERT PLANT AND JIMMY PAGE, OR, 1243 00:43:41,885 --> 00:43:43,354 YOU KNOW, KEITH AND MICK. 1244 00:43:43,420 --> 00:43:44,621 AND MIKE CHAPMAN SAID, "I GOT 1245 00:43:44,688 --> 00:43:48,659 THIS KID." 1246 00:43:48,726 --> 00:43:53,030 >> I GET A PHONE CALL FROM 1247 00:43:53,097 --> 00:43:55,199 CHRYSALIS, "WE SIGNED THIS GIRL. 1248 00:43:55,265 --> 00:43:55,799 SHE'S LOOKING FOR A PARTNER." 1249 00:43:55,866 --> 00:43:56,467 >> IT WAS INSTANTANEOUS. 1250 00:43:56,533 --> 00:43:57,034 IT WAS EXACTLY WHAT I WAS 1251 00:43:57,101 --> 00:43:58,068 TALKING ABOUT. 1252 00:43:58,135 --> 00:43:59,103 >> SHE GOT EXACTLY WHAT SHE 1253 00:43:59,169 --> 00:43:59,703 WANTED. 1254 00:43:59,770 --> 00:44:00,571 I GOT EXACTLY WHAT I NEEDED. 1255 00:44:00,637 --> 00:44:02,940 IT WAS A PERFECT FIT. 1256 00:44:03,007 --> 00:44:03,774 ♪ YOU'RE A HEARTBREAKER ♪ 1257 00:44:03,841 --> 00:44:04,641 ♪ DREAM MAKER, LOVE TAKER ♪ 1258 00:44:04,708 --> 00:44:06,276 ♪ DON'T YOU MESS AROUND 1259 00:44:06,343 --> 00:44:07,111 WITH ME ♪ 1260 00:44:07,177 --> 00:44:07,978 ♪ YOU'RE A HEARTBREAKER ♪ 1261 00:44:08,045 --> 00:44:09,213 ♪ DREAM MAKER ♪ 1262 00:44:09,279 --> 00:44:10,914 >> NEIL CAME INTO THE BAND AFTER 1263 00:44:10,981 --> 00:44:12,082 I WAS SIGNED AS A SOLO ARTIST. 1264 00:44:12,149 --> 00:44:13,450 HAD I KNOWN HIM BEFORE THAT 1265 00:44:13,517 --> 00:44:15,085 HAPPENED, I WOULD NEVER HAVE 1266 00:44:15,152 --> 00:44:16,086 BEEN A SOLO ARTIST, BECAUSE THIS 1267 00:44:16,153 --> 00:44:17,521 BAND IS NOT ABOUT ME. 1268 00:44:17,588 --> 00:44:18,956 THIS BAND IS ABOUT US. 1269 00:44:19,023 --> 00:44:26,430 ♪ ♪ 1270 00:44:26,497 --> 00:44:28,465 >> I CAME FROM CLEVELAND, OHIO, 1271 00:44:28,532 --> 00:44:29,767 AND I STARTED PLAYING GUITAR 1272 00:44:29,833 --> 00:44:31,602 WHEN I WAS SEVEN YEARS OLD. 1273 00:44:31,668 --> 00:44:32,603 WHEN I SAW WHAT YOU CAN DO WHEN 1274 00:44:32,669 --> 00:44:33,137 YOU TURN A GUITAR AMP UP, 1275 00:44:33,203 --> 00:44:36,106 CHANGED MY LIFE. 1276 00:44:36,173 --> 00:44:39,543 ♪ ♪ 1277 00:44:39,610 --> 00:44:41,779 >> IT'S REALLY HARD TO SAY WHO 1278 00:44:41,845 --> 00:44:45,549 DOES WHAT, BECAUSE ALL OF US, 1279 00:44:45,616 --> 00:44:46,283 YOU KNOW, CHARLIE, ROGER, 1280 00:44:46,350 --> 00:44:47,351 EVERYBODY'S IN THERE, ALWAYS 1281 00:44:47,418 --> 00:44:48,352 PUTTING IN THEIR LITTLE OPINIONS 1282 00:44:48,419 --> 00:44:49,119 AND STUFF. 1283 00:44:49,186 --> 00:44:50,387 >> WHEN YOU GO TO SEE US LIVE, 1284 00:44:50,454 --> 00:44:54,591 YOU'RE SEEING THE WHOLE BAND. 1285 00:44:54,658 --> 00:44:55,893 >> [VOCALIZING] 1286 00:44:55,959 --> 00:44:56,760 >> SHE PROVED THAT WOMEN CAN 1287 00:44:56,827 --> 00:44:57,795 FRONT ROCK AND ROLL BANDS. 1288 00:44:57,861 --> 00:44:59,396 WE CAN SING OVER LOUD GUITARS, 1289 00:44:59,463 --> 00:45:00,931 AND WE CAN COMPETE IN THE BOYS 1290 00:45:00,998 --> 00:45:03,300 CLUB, AND STILL DO OUR OWN THING 1291 00:45:03,367 --> 00:45:04,468 THAT MAKES US ARGUABLY BETTER AT 1292 00:45:04,535 --> 00:45:06,236 SOME THINGS. 1293 00:45:06,303 --> 00:45:08,005 ♪ HIT ME WITH YOUR BEST SHOT ♪ 1294 00:45:08,072 --> 00:45:09,339 ♪ WHY DON'T YOU HIT ME WITH YOUR 1295 00:45:09,406 --> 00:45:11,508 BEST SHOT ♪ 1296 00:45:11,575 --> 00:45:14,812 >> YOU KNOW, I ALWAYS THINK OF 1297 00:45:14,878 --> 00:45:16,713 THOSE EARLY YEARS AS THIS, ALL 1298 00:45:16,780 --> 00:45:16,980 THE TIME. 1299 00:45:17,047 --> 00:45:18,282 I THINK THAT THAT AGGRESSIVE 1300 00:45:18,348 --> 00:45:19,283 BEHAVIOR WAS ATTRACTIVE TO A LOT 1301 00:45:19,349 --> 00:45:20,384 OF PEOPLE, AND THAT MADE IT WHAT 1302 00:45:20,451 --> 00:45:23,253 IT WAS. 1303 00:45:23,320 --> 00:45:24,288 >> IT GOT SO CRAZY AND SO FAST. 1304 00:45:24,354 --> 00:45:26,023 >> IT JUST EXPLODED. 1305 00:45:26,090 --> 00:45:29,793 [ROCKET LAUNCHING] 1306 00:45:29,860 --> 00:45:31,061 >> SOMEBODY CAME AND SAID THEY 1307 00:45:31,128 --> 00:45:32,062 WERE GONNA START THIS THING. 1308 00:45:32,129 --> 00:45:33,630 "WE WANNA MAKE THESE MOVIES OF 1309 00:45:33,697 --> 00:45:37,401 SONGS. 1310 00:45:37,468 --> 00:45:38,569 ARE YOU WILLING TO TRY THIS? 1311 00:45:38,635 --> 00:45:40,037 DO YOU WANNA DO THIS?" 1312 00:45:40,104 --> 00:45:41,071 AND WE SAID, "YEAH. 1313 00:45:41,138 --> 00:45:42,005 YOU KNOW, WHY NOT? 1314 00:45:42,072 --> 00:45:43,240 SURE." 1315 00:45:43,307 --> 00:45:44,708 ♪ WHAT ARE YOU TRYING TO DO TO 1316 00:45:44,775 --> 00:45:46,176 MY HEART? ♪ 1317 00:45:46,243 --> 00:45:48,779 >> "YOU BETTER RUN" BECAME THE 1318 00:45:48,846 --> 00:45:49,913 SECOND VIDEO THAT WAS EVER AIRED 1319 00:45:49,980 --> 00:45:54,351 ON MTV. 1320 00:45:54,418 --> 00:45:55,385 >> ALL OF A SUDDEN NOW YOU WERE 1321 00:45:55,452 --> 00:45:56,787 IN EVERYONE'S HOME ALL DAY, ALL 1322 00:45:56,854 --> 00:45:57,521 NIGHT. 1323 00:45:57,588 --> 00:45:58,789 ♪ YOU BETTER RUN ♪ 1324 00:45:58,856 --> 00:46:00,791 ♪ YOU BETTER HIDE ♪ 1325 00:46:00,858 --> 00:46:03,861 ♪ YOU BETTER LEAVE ♪ 1326 00:46:03,927 --> 00:46:04,962 OUR LIVES CHANGED, AND IT NEVER 1327 00:46:05,028 --> 00:46:07,464 WAS THE SAME AGAIN, EVER. 1328 00:46:07,531 --> 00:46:08,132 ♪ I NEED A LOVER THAT WON'T 1329 00:46:08,198 --> 00:46:10,434 DRIVE ME CRAZY ♪ 1330 00:46:10,501 --> 00:46:12,136 >> WE KNEW THAT WE WERE MEANT TO 1331 00:46:12,202 --> 00:46:13,971 BE TOGETHER ALL THE TIME ANYWAY, 1332 00:46:14,037 --> 00:46:15,272 SO WE MIGHT AS WELL JUST GET 1333 00:46:15,339 --> 00:46:16,707 MARRIED AND HAVE CHILDREN. 1334 00:46:16,773 --> 00:46:19,209 >> AND WE GOT ENGAGED ON 1335 00:46:19,276 --> 00:46:23,347 VALENTINE'S DAY, AND SIX DAYS 1336 00:46:23,413 --> 00:46:24,414 LATER, WE WERE MARRIED IN HAWAII 1337 00:46:24,481 --> 00:46:25,149 AND THAT WAS IT. 1338 00:46:25,215 --> 00:46:25,949 ♪ WE BELONG TO THE LIGHT, WE 1339 00:46:26,016 --> 00:46:28,152 BELONG TO THE THUNDER ♪ 1340 00:46:28,218 --> 00:46:29,219 ♪ WE BELONG TO THE SOUND OF THE 1341 00:46:29,286 --> 00:46:30,420 WORDS ♪ 1342 00:46:30,487 --> 00:46:33,290 ♪ WE'VE BOTH FALLEN UNDER ♪ 1343 00:46:33,357 --> 00:46:35,125 >> SHE'S ONE OF THE TRAILBLAZERS 1344 00:46:35,192 --> 00:46:36,560 THAT PROVED TO ME AS A YOUNG 1345 00:46:36,627 --> 00:46:37,561 GIRL THAT I CAN BE IN A ROCK AND 1346 00:46:37,628 --> 00:46:39,429 ROLL BAND. 1347 00:46:39,496 --> 00:46:41,398 THERE'S ONLY A HANDFUL OF EPIC 1348 00:46:41,465 --> 00:46:42,766 FEMALE ROCK SINGERS, AND PAT IS 1349 00:46:42,833 --> 00:46:45,435 ONE OF THE GREATS. 1350 00:46:45,502 --> 00:46:46,803 ♪ WE'RE RUNNING WITH THE 1351 00:46:46,870 --> 00:46:49,173 SHADOWS OF THE NIGHT ♪ 1352 00:46:49,239 --> 00:46:50,641 ♪ SO BABY, TAKE MY HAND, YOU'LL 1353 00:46:50,707 --> 00:46:52,543 BE ALRIGHT ♪ 1354 00:46:52,609 --> 00:46:54,278 >> YOU GET TO SEE THEIR REACTION 1355 00:46:54,344 --> 00:46:55,479 AND YOU SEE THEM RELIVING 1356 00:46:55,546 --> 00:46:57,748 MEMORIES. 1357 00:46:57,814 --> 00:46:59,149 ♪ YOU CAN'T AFFORD TO BE 1358 00:46:59,216 --> 00:47:00,951 INNOCENT ♪ 1359 00:47:01,018 --> 00:47:02,219 I'M GRATEFUL AND HAPPY FOR 1360 00:47:02,286 --> 00:47:03,620 EVERYTHING THAT WENT DOWN THE 1361 00:47:03,687 --> 00:47:05,589 WAY IT DID. 1362 00:47:05,656 --> 00:47:10,627 IT WAS REALLY, REALLY FUN. 1363 00:47:10,694 --> 00:47:15,332 ♪ ♪ 1364 00:47:15,399 --> 00:47:18,502 [CHEERS AND APPLAUSE] 1365 00:47:18,569 --> 00:47:20,470 >> I'M SO PROUD TO BE ABLE TO 1366 00:47:20,537 --> 00:47:22,072 SAY: PAT BENATAR AND 1367 00:47:22,139 --> 00:47:26,443 NEIL GIRALDO, WELCOME TO THE 1368 00:47:26,510 --> 00:47:27,477 ROCK & ROLL HALL OF FAME! 1369 00:47:27,544 --> 00:47:33,650 I LOVE YOU. 1370 00:47:33,717 --> 00:47:34,585 ♪ ♪ 1371 00:47:34,651 --> 00:47:35,519 ♪ WE ARE YOUNG ♪ 1372 00:47:35,586 --> 00:47:36,687 ♪ HEARTACHE TO HEARTACHE ♪ 1373 00:47:36,753 --> 00:47:38,655 ♪ WE STAND ♪ 1374 00:47:38,722 --> 00:47:40,591 ♪ NO PROMISES ♪ 1375 00:47:40,657 --> 00:47:44,161 ♪ NO DEMANDS ♪ 1376 00:47:44,228 --> 00:47:46,964 ♪ LOVE IS A BATTLEFIELD ♪ 1377 00:47:47,030 --> 00:47:48,465 ♪ WHOA, WHOA, WHOA, WHOA, WHOA, 1378 00:47:48,532 --> 00:47:51,235 WHOA, WHOA, WHOA, WHOA ♪ 1379 00:47:51,301 --> 00:47:54,538 ♪ WE ARE STRONG ♪ 1380 00:47:54,605 --> 00:47:55,439 ♪ NO ONE CAN TELL US 1381 00:47:55,505 --> 00:47:59,409 WE'RE WRONG ♪ 1382 00:47:59,476 --> 00:48:01,511 ♪ SEARCHING OUR HEARTS 1383 00:48:01,578 --> 00:48:04,514 FOR SO LONG ♪ 1384 00:48:04,581 --> 00:48:10,320 ♪ BOTH OF US KNOWING ♪ 1385 00:48:10,387 --> 00:48:22,099 ♪ LOVE IS A BATTLEFIELD ♪ 1386 00:48:22,165 --> 00:48:23,467 ♪ YOU'RE MAKING ME GO ♪ 1387 00:48:23,533 --> 00:48:25,535 ♪ THEN MAKING ME STAY ♪ 1388 00:48:25,602 --> 00:48:28,672 ♪ WHY DO YOU HURT ME SO BAD? ♪ 1389 00:48:28,739 --> 00:48:31,675 ♪ IT WOULD HELP ME TO KNOW ♪ 1390 00:48:31,742 --> 00:48:35,679 ♪ DO I STAND IN YOUR WAY ♪ 1391 00:48:35,746 --> 00:48:36,647 ♪ OR AM I THE BEST THING 1392 00:48:36,713 --> 00:48:39,883 YOU'VE HAD? ♪ 1393 00:48:39,950 --> 00:48:41,718 ♪ BELIEVE ME, BELIEVE ME ♪ 1394 00:48:41,785 --> 00:48:44,388 ♪ I CAN'T TELL YOU WHY ♪ 1395 00:48:44,454 --> 00:48:47,224 ♪ BUT I'M TRAPPED BY YOUR LOVE ♪ 1396 00:48:47,291 --> 00:48:53,530 ♪ AND I'M CHAINED TO YOUR SIDE ♪ 1397 00:48:53,597 --> 00:48:57,000 ♪ WE ARE YOUNG ♪ 1398 00:48:57,067 --> 00:48:59,102 ♪ HEARTACHE TO HEARTACHE ♪ 1399 00:48:59,169 --> 00:49:02,339 ♪ WE STAND ♪ 1400 00:49:02,406 --> 00:49:04,074 ♪ NO PROMISES ♪ 1401 00:49:04,141 --> 00:49:07,377 ♪ NO DEMANDS ♪ 1402 00:49:07,444 --> 00:49:15,952 ♪ LOVE IS A BATTLEFIELD ♪ 1403 00:49:16,019 --> 00:49:18,522 ♪ WE ARE STRONG ♪ 1404 00:49:18,588 --> 00:49:19,923 ♪ NO ONE CAN TELL US 1405 00:49:19,990 --> 00:49:24,594 WE'RE WRONG ♪ 1406 00:49:24,661 --> 00:49:25,829 ♪ SEARCHING OUR HEARTS 1407 00:49:25,896 --> 00:49:29,366 FOR SO LONG ♪ 1408 00:49:29,433 --> 00:49:40,077 ♪ BOTH OF US KNOWING ♪ 1409 00:49:40,143 --> 00:49:47,484 ♪ LOVE IS A BATTLEFIELD ♪ 1410 00:49:47,551 --> 00:49:48,618 >> THANK YOU SO MUCH. 1411 00:49:48,685 --> 00:49:50,053 PLEASE SAY GOODBYE TO 1412 00:49:50,120 --> 00:49:51,588 MR. CHRIS RALLES. 1413 00:49:51,655 --> 00:49:53,323 AND PLEASE WELCOME THE ONE AND 1414 00:49:53,390 --> 00:49:56,693 ONLY MR. MYRON GROMBACHER. 1415 00:49:56,760 --> 00:49:57,794 ALL RIGHT. 1416 00:49:57,861 --> 00:49:59,896 THIS IS THE ONE THAT STARTED IT. 1417 00:49:59,963 --> 00:50:11,508 ♪ ♪ 1418 00:50:11,575 --> 00:50:13,009 ♪ YOUR LOVE IS LIKE A TIDAL 1419 00:50:13,076 --> 00:50:16,947 WAVE, SPINNING OVER MY HEAD ♪ 1420 00:50:17,013 --> 00:50:19,683 ♪ DROWNIN' ME IN YOUR PROMISES, 1421 00:50:19,750 --> 00:50:22,619 BETTER LEFT UNSAID ♪ 1422 00:50:22,686 --> 00:50:24,287 ♪ YOU'RE THE RIGHT KIND OF 1423 00:50:24,354 --> 00:50:25,522 SINNER 1424 00:50:25,589 --> 00:50:34,197 ♪ TO RELEASE MY INNER FANTASY ♪ 1425 00:50:34,264 --> 00:50:35,532 ♪ THE INVINCIBLE WINNER ♪ 1426 00:50:35,599 --> 00:50:36,233 ♪ AND YOU KNOW THAT YOU WERE 1427 00:50:36,299 --> 00:50:37,467 BORN TO BE ♪ 1428 00:50:37,534 --> 00:50:39,936 ♪ YOU'RE A HEARTBREAKER ♪ 1429 00:50:40,003 --> 00:50:41,037 ♪ DREAM MAKER, LOVE TAKER ♪ 1430 00:50:41,104 --> 00:50:42,339 ♪ DON'T YOU MESS AROUND 1431 00:50:42,406 --> 00:50:43,373 WITH ME ♪ 1432 00:50:43,440 --> 00:50:45,509 ♪ YOU'RE A HEARTBREAKER ♪ 1433 00:50:45,575 --> 00:50:47,277 ♪ DREAM MAKER, LOVE TAKER ♪ 1434 00:50:47,344 --> 00:50:48,145 ♪ DON'T YOU MESS AROUND, 1435 00:50:48,211 --> 00:50:52,416 NO, NO, NO ♪ 1436 00:50:52,482 --> 00:50:56,420 ♪ ♪ 1437 00:50:56,486 --> 00:50:58,021 ♪ YOUR LOVE HAS SET MY SOUL ON 1438 00:50:58,088 --> 00:51:01,124 FIRE, BURNIN' OUT OF CONTROL ♪ 1439 00:51:01,191 --> 00:51:02,359 ♪ YOU TAUGHT ME THE WAYS OF 1440 00:51:02,426 --> 00:51:04,694 DESIRE ♪ 1441 00:51:04,761 --> 00:51:08,365 ♪ NOW IT'S TAKIN' ITS TOLL ♪ 1442 00:51:08,432 --> 00:51:11,368 ♪ YOU'RE THE RIGHT KIND OF 1443 00:51:11,435 --> 00:51:12,068 SINNER, TO RELEASE MY INNER 1444 00:51:12,135 --> 00:51:14,371 FANTASY ♪ 1445 00:51:14,438 --> 00:51:16,673 ♪ THE INVINCIBLE WINNER 1446 00:51:16,740 --> 00:51:18,008 ♪ AND YOU KNOW THAT YOU WERE 1447 00:51:18,074 --> 00:51:20,644 BORN TO BE ♪ 1448 00:51:20,710 --> 00:51:22,979 ♪ YOU'RE A HEARTBREAKER ♪ 1449 00:51:23,046 --> 00:51:24,881 ♪ DREAM MAKER, LOVE TAKER ♪ 1450 00:51:24,948 --> 00:51:25,682 ♪ DON'T YOU MESS AROUND 1451 00:51:25,749 --> 00:51:27,184 WITH ME ♪ 1452 00:51:27,250 --> 00:51:29,252 ♪ YOU'RE A HEARTBREAKER ♪ 1453 00:51:29,319 --> 00:51:31,555 ♪ DREAM MAKER, LOVE TAKER ♪ 1454 00:51:31,621 --> 00:51:32,255 ♪ DON'T YOU MESS AROUND, 1455 00:51:32,322 --> 00:51:37,828 NO, NO, NO ♪ 1456 00:51:37,894 --> 00:51:47,037 ♪ ♪ 1457 00:51:47,103 --> 00:51:56,880 ♪ ♪ 1458 00:51:56,947 --> 00:51:58,148 ♪ ♪ 1459 00:51:58,215 --> 00:51:59,115 ♪ YOU'RE THE RIGHT KIND OF 1460 00:51:59,182 --> 00:52:01,218 SINNER ♪ 1461 00:52:01,284 --> 00:52:04,688 ♪ TO RELEASE MY INNER FANTASY ♪ 1462 00:52:04,754 --> 00:52:07,657 ♪ THE INVINCIBLE WINNER ♪ 1463 00:52:07,724 --> 00:52:09,025 ♪ AND YOU KNOW THAT YOU WERE 1464 00:52:09,092 --> 00:52:11,761 BORN TO BE ♪ 1465 00:52:11,828 --> 00:52:13,597 ♪ YOU'RE A HEARTBREAKER ♪ 1466 00:52:13,663 --> 00:52:15,265 ♪ DREAM MAKER, LOVE TAKER ♪ 1467 00:52:15,332 --> 00:52:16,333 ♪ DON'T YOU MESS AROUND 1468 00:52:16,399 --> 00:52:17,501 WITH ME ♪ 1469 00:52:17,567 --> 00:52:19,636 ♪ YOU'RE A HEARTBREAKER ♪ 1470 00:52:19,703 --> 00:52:21,838 ♪ DREAM MAKER, LOVE TAKER ♪ 1471 00:52:21,905 --> 00:52:22,806 ♪ DON'T YOU MESS AROUND 1472 00:52:22,873 --> 00:52:24,040 WITH ME ♪ 1473 00:52:24,107 --> 00:52:25,709 ♪ YOU'RE A HEARTBREAKER ♪ 1474 00:52:25,775 --> 00:52:28,178 ♪ DREAM MAKER, LOVE TAKER ♪ 1475 00:52:28,245 --> 00:52:28,979 ♪ DON'T YOU MESS AROUND 1476 00:52:29,045 --> 00:52:30,380 WITH ME ♪ 1477 00:52:30,447 --> 00:52:32,482 ♪ YOU'RE A HEARTBREAKER ♪ 1478 00:52:32,549 --> 00:52:35,218 ♪ DREAM MAKER, LOVE TAKER ♪ 1479 00:52:35,285 --> 00:52:40,056 ♪ HEARTBREAKER ♪ 1480 00:52:40,123 --> 00:52:46,196 ♪ ♪ 1481 00:52:46,263 --> 00:52:55,338 ♪ ♪ 1482 00:52:55,405 --> 00:53:00,477 [GUITAR SOLO] 1483 00:53:00,544 --> 00:53:12,455 ♪ ♪ 1484 00:53:12,522 --> 00:53:36,646 ♪ ♪ 1485 00:53:36,713 --> 00:53:50,627 ♪ ♪ 1486 00:53:50,694 --> 00:54:09,813 ♪ ♪ 1487 00:54:09,879 --> 00:54:12,148 ♪ ♪ 1488 00:54:12,215 --> 00:54:28,231 [CHEERS AND APPLAUSE] 1489 00:54:28,298 --> 00:54:29,633 >> ALL RIGHT. 1490 00:54:29,699 --> 00:54:31,968 >> I JUST WANNA SAY ONE THING, 1491 00:54:32,035 --> 00:54:32,702 THAT THAT GIRL CAN SING HER ASS 1492 00:54:32,769 --> 00:54:38,541 OFF. 1493 00:54:38,608 --> 00:54:38,742 OKAY? 1494 00:54:38,808 --> 00:54:41,411 [APPLAUSE] 1495 00:54:41,478 --> 00:54:42,746 >> FIRST OFF, I WANNA THANK A 1496 00:54:42,812 --> 00:54:43,813 GUITAR HERO OF MINE, 1497 00:54:43,880 --> 00:54:45,348 RICK DERRINGER, FOR GIVING ME 1498 00:54:45,415 --> 00:54:46,449 THE OPPORTUNITY. 1499 00:54:46,516 --> 00:54:47,917 YEAH, HE GAVE ME THE OPPORTUNITY 1500 00:54:47,984 --> 00:54:49,953 TO JOIN HIS BAND IN 1978. 1501 00:54:50,020 --> 00:54:51,154 IT REALLY PREPARED ME FOR WHAT 1502 00:54:51,221 --> 00:54:53,523 WAS GONNA HAPPEN NEXT. 1503 00:54:53,590 --> 00:54:55,592 I WANNA THANK A RECORD 1504 00:54:55,659 --> 00:54:57,127 EXECUTIVE, JEFF ALDRIDGE. 1505 00:54:57,193 --> 00:55:00,296 JEFF ALDRIDGE, IN THE SPRING OF 1506 00:55:00,363 --> 00:55:02,966 1979, HE INSISTED I MEET A 1507 00:55:03,033 --> 00:55:04,501 YOUNG, CLASSICALLY-TRAINED 1508 00:55:04,567 --> 00:55:05,635 SINGER FROM LONG ISLAND, 1509 00:55:05,702 --> 00:55:06,870 NEW YORK, WHO WAS LOOKING FOR A 1510 00:55:06,936 --> 00:55:07,570 MUSICAL PARTNER TO PUT A BAND 1511 00:55:07,637 --> 00:55:09,039 TOGETHER. 1512 00:55:09,105 --> 00:55:10,407 I TOLD HIM, "IF IT DOESN'T WORK 1513 00:55:10,473 --> 00:55:11,541 OUT, CAN YOU GET ME A PLANE 1514 00:55:11,608 --> 00:55:13,176 TICKET BACK TO MY HOMETOWN, 1515 00:55:13,243 --> 00:55:17,681 CLEVELAND, OHIO?" 1516 00:55:17,747 --> 00:55:18,148 [CHEERS AND APPLAUSE] 1517 00:55:18,214 --> 00:55:19,282 YEAH. 1518 00:55:19,349 --> 00:55:20,784 HE SAID, "SURE." 1519 00:55:20,850 --> 00:55:25,388 I NEVER LEFT NEW YORK. 1520 00:55:25,455 --> 00:55:26,990 ALL I EVER WANTED WAS A GREAT 1521 00:55:27,057 --> 00:55:27,891 SINGER, AND WHAT I GOT WAS AN 1522 00:55:27,957 --> 00:55:29,192 EXCEPTIONAL VOCALIST. 1523 00:55:29,259 --> 00:55:31,428 YEAH. 1524 00:55:31,494 --> 00:55:33,496 FIRST TIME I HEARD PATRICIA 1525 00:55:33,563 --> 00:55:35,532 SING, I SAID, "MY GOD, ARE YOU 1526 00:55:35,598 --> 00:55:36,633 SURE YOU REALLY WANNA DO THIS? 1527 00:55:36,700 --> 00:55:38,034 BECAUSE I WOULD HATE TO BE THE 1528 00:55:38,101 --> 00:55:39,769 ONE RESPONSIBLE FOR RUINING THAT 1529 00:55:39,836 --> 00:55:40,570 BEAUTIFUL VOICE, I'M JUST 1530 00:55:40,637 --> 00:55:43,406 TELLING YOU THAT." 1531 00:55:43,473 --> 00:55:44,841 I DO WANT TO SHARE THIS HONOR 1532 00:55:44,908 --> 00:55:46,176 WITH ALL THE MUSICIANS THAT HAVE 1533 00:55:46,242 --> 00:55:47,343 SHARED THE STAGE AND STUDIO WITH 1534 00:55:47,410 --> 00:55:48,812 US FROM THE VERY BEGINNING, AND 1535 00:55:48,878 --> 00:55:49,646 THERE WAS QUITE A FEW. 1536 00:55:49,713 --> 00:55:51,514 I THANK ALL OF THEM. 1537 00:55:51,581 --> 00:55:52,348 AND I ESPECIALLY WANT TO THANK 1538 00:55:52,415 --> 00:55:54,317 PATRICIA. 1539 00:55:54,384 --> 00:55:55,652 YOU COULD HAVE CHOSE ANYBODY. 1540 00:55:55,719 --> 00:55:56,786 YOU KNOW THAT. 1541 00:55:56,853 --> 00:55:58,621 OKAY. 1542 00:55:58,688 --> 00:56:01,257 I WILL ALWAYS BE GRATEFUL. 1543 00:56:01,324 --> 00:56:03,393 SO THANKS FOR HAVING FAITH IN 1544 00:56:03,460 --> 00:56:04,961 ME, TRUSTING ME, AND LISTENING 1545 00:56:05,028 --> 00:56:07,564 TO MY SOMETIMES UNORTHODOX, 1546 00:56:07,630 --> 00:56:14,971 WACKY MUSICAL IDEAS. 1547 00:56:15,038 --> 00:56:15,972 AND BEING UNAFRAID TO 1548 00:56:16,039 --> 00:56:16,973 TAKE THE CHANCES. 1549 00:56:17,040 --> 00:56:17,741 WHAT ARE YOU TALKING ABOUT? 1550 00:56:17,807 --> 00:56:18,775 YEAH. 1551 00:56:18,842 --> 00:56:19,743 IN CLOSING, I'M EXCITED AND LOOK 1552 00:56:19,809 --> 00:56:20,744 FORWARD TO WORKING WITH THE ROCK 1553 00:56:20,810 --> 00:56:21,978 HALL, THEIR NONPROFIT SCHOOL 1554 00:56:22,045 --> 00:56:23,213 PROGRAMS THAT KEEP MUSIC AND ART 1555 00:56:23,279 --> 00:56:25,715 EDUCATION IN CLASSROOMS. 1556 00:56:25,782 --> 00:56:26,483 [APPLAUSE] 1557 00:56:26,549 --> 00:56:27,884 YEAH. 1558 00:56:27,951 --> 00:56:29,319 AND ONE LAST THING, IF YOU ARE 1559 00:56:29,385 --> 00:56:31,588 SHUT DOWN, STRUGGLING 1560 00:56:31,654 --> 00:56:32,889 EMOTIONALLY OR PHYSICALLY, AND 1561 00:56:32,956 --> 00:56:36,459 IF YOU'RE AFRAID TO LEAVE YOUR 1562 00:56:36,526 --> 00:56:37,560 BEDROOM, OR YOU'RE BULLIED, 1563 00:56:37,627 --> 00:56:40,263 START PLAYING AN INSTRUMENT AND 1564 00:56:40,330 --> 00:56:40,630 START DREAMING. 1565 00:56:40,697 --> 00:56:41,364 REALLY. 1566 00:56:41,431 --> 00:56:43,199 START DREAMING. 1567 00:56:43,266 --> 00:56:44,167 [APPLAUSE] 1568 00:56:44,234 --> 00:56:45,301 LISTEN TO THE PIONEERS AS YOU 1569 00:56:45,368 --> 00:56:46,269 WORK AS HARD AS YOU CAN. 1570 00:56:46,336 --> 00:56:47,203 OKAY? 1571 00:56:47,270 --> 00:56:48,772 YOU WANNA BE A SONGWRITER? 1572 00:56:48,838 --> 00:56:49,773 READ BOOKS, AND READ A LOT OF 1573 00:56:49,839 --> 00:56:51,007 THEM. 1574 00:56:51,074 --> 00:56:52,642 AND DON'T LET OUTSIDE NEGATIVE 1575 00:56:52,709 --> 00:56:54,577 NOISE LIVE RENT-FREE IN YOUR 1576 00:56:54,644 --> 00:56:58,047 MIND, EVER, EVER, EVER, EVER. 1577 00:56:58,114 --> 00:56:59,382 [APPLAUSE] 1578 00:56:59,449 --> 00:57:01,651 PATRICIA AND I ARE HONORED TO BE 1579 00:57:01,718 --> 00:57:03,486 PART OF THIS EXCEPTIONAL 2022 1580 00:57:03,553 --> 00:57:04,387 CLASS OF THE 1581 00:57:04,454 --> 00:57:05,355 ROCK & ROLL HALL OF FAME. 1582 00:57:05,421 --> 00:57:06,623 THANK YOU ALL VERY MUCH. 1583 00:57:06,689 --> 00:57:07,724 THANK YOU. 1584 00:57:07,791 --> 00:57:13,096 [CHEERS AND APPLAUSE] 1585 00:57:13,163 --> 00:57:14,531 >> THANK YOU ALL SO MUCH. 1586 00:57:14,597 --> 00:57:16,866 AND I'M NOT GONNA BORE YOU WITH 1587 00:57:16,933 --> 00:57:18,334 MY INCREDIBLY LONG LIST OF ALL 1588 00:57:18,401 --> 00:57:19,636 THE WONDERFUL PEOPLE THAT WE 1589 00:57:19,702 --> 00:57:21,304 LOVE, WHO WORKED SO HARD AND 1590 00:57:21,371 --> 00:57:22,438 GAVE UP SO MANY SACRIFICES TO 1591 00:57:22,505 --> 00:57:24,407 GET US HERE TONIGHT. 1592 00:57:24,474 --> 00:57:27,777 YOU KNOW WHO YOU ARE. 1593 00:57:27,844 --> 00:57:33,149 I WILL THANK ALL OF YOU, OUR 1594 00:57:33,216 --> 00:57:35,785 AMAZING FANS, WHO GRACIOUSLY 1595 00:57:35,852 --> 00:57:36,486 JOINED US ON THIS 43-YEAR 1596 00:57:36,553 --> 00:57:38,354 JOURNEY. 1597 00:57:38,421 --> 00:57:39,556 IT HAS BEEN AN INCREDIBLE RIDE 1598 00:57:39,622 --> 00:57:40,623 AND WE COULD NOT HAVE DONE IT 1599 00:57:40,690 --> 00:57:44,627 WITHOUT YOU. 1600 00:57:44,694 --> 00:57:46,863 THANK YOU TO OUR FAMILIES AND 1601 00:57:46,930 --> 00:57:48,832 OUR FRIENDS, ESPECIALLY OUR TWO 1602 00:57:48,898 --> 00:57:49,966 BEAUTIFUL DAUGHTERS, HALEY AND 1603 00:57:50,033 --> 00:57:51,501 HANA, WHO GENEROUSLY SHARED 1604 00:57:51,568 --> 00:57:53,303 THEIR LIVES AND SHARED THEIR 1605 00:57:53,369 --> 00:57:54,404 PARENTS WITH THE WORLD AS THEY 1606 00:57:54,470 --> 00:57:56,739 WERE GROWING UP. 1607 00:57:56,806 --> 00:57:58,808 OUR THREE DARLING GRANDBABIES, 1608 00:57:58,875 --> 00:58:00,176 STEVIE, LOLA, AND LITTLE CASH. 1609 00:58:00,243 --> 00:58:01,411 GRANDMA AND PAPA LOVE YOU AND 1610 00:58:01,477 --> 00:58:07,116 ADORE YOU. 1611 00:58:07,183 --> 00:58:13,756 AND YOU, MY PARTNER, MY LOVE. 1612 00:58:13,823 --> 00:58:15,425 43 YEARS AGO IN A REHEARSAL 1613 00:58:15,491 --> 00:58:16,526 STUDIO IN NEW YORK, COULD YOU 1614 00:58:16,593 --> 00:58:17,360 EVER HAVE IMAGINED THIS NIGHT 1615 00:58:17,427 --> 00:58:18,127 TONIGHT? 1616 00:58:18,194 --> 00:58:19,128 >> HMM, NOT REALLY. 1617 00:58:19,195 --> 00:58:25,668 [CHEERS AND APPLAUSE] 1618 00:58:25,735 --> 00:58:27,270 >> SO, I'M GUESSING WE COULD 1619 00:58:27,337 --> 00:58:28,404 HAVE PROBABLY DONE THIS 1620 00:58:28,471 --> 00:58:29,806 SEPARATELY ON OUR OWN, IN OUR 1621 00:58:29,873 --> 00:58:31,074 OWN WAY, BUT IT NEVER WOULD HAVE 1622 00:58:31,140 --> 00:58:32,375 BEEN THIS MUCH FUN. 1623 00:58:32,442 --> 00:58:33,209 >> YEAH, ABSOLUTELY. 1624 00:58:33,276 --> 00:58:35,645 YEAH. 1625 00:58:35,712 --> 00:58:39,482 [APPLAUSE] 1626 00:58:39,549 --> 00:58:40,583 >> THANK YOU ALL SO VERY MUCH. 1627 00:58:40,650 --> 00:58:41,718 GOOD NIGHT. 1628 00:58:41,784 --> 00:58:55,331 [CHEERS AND APPLAUSE] 1629 00:58:55,398 --> 00:58:59,002 >> I WALKED INTO THE RECORD 1630 00:58:59,068 --> 00:59:00,370 PLANT, THIS SKINNY, LITTLE 1631 00:59:00,436 --> 00:59:01,804 ITALIAN KID SITTING AT THE TAPE 1632 00:59:01,871 --> 00:59:05,241 MACHINE. 1633 00:59:05,308 --> 00:59:08,678 BASIC JOB WAS TO TAKE THE TAPE 1634 00:59:08,745 --> 00:59:09,479 ON AND OFF, PUSH THE STOP AND 1635 00:59:09,545 --> 00:59:10,780 START BUTTON. 1636 00:59:10,847 --> 00:59:11,481 THAT WAS JIMMY IOVINE. 1637 00:59:11,547 --> 00:59:12,715 HE CAME WITH THE FURNITURE. 1638 00:59:12,782 --> 00:59:14,083 >> I DID COME WITH THE 1639 00:59:14,150 --> 00:59:15,118 FURNITURE. 1640 00:59:15,184 --> 00:59:16,552 >> JIMMY IS ONE OF THOSE PEOPLE 1641 00:59:16,619 --> 00:59:18,721 WHO HAS NOT ONLY SUCCEEDED, BUT 1642 00:59:18,788 --> 00:59:21,624 HAS BECOME A BETTER PERSON IN 1643 00:59:21,691 --> 00:59:23,192 THE PROCESS. 1644 00:59:23,259 --> 00:59:24,527 >> YOU ALWAYS FELT THAT HIS 1645 00:59:24,594 --> 00:59:27,830 WHOLE GOAL WAS FOR THE WORLD TO 1646 00:59:27,897 --> 00:59:28,831 SEE WHAT HE WAS SEEING. 1647 00:59:28,898 --> 00:59:30,033 >> AND JIMMY HAS THIS BRUTAL 1648 00:59:30,099 --> 00:59:30,934 HONESTY. 1649 00:59:31,000 --> 00:59:31,935 BUT BRUTAL HONESTY IS WHY YOU 1650 00:59:32,001 --> 00:59:33,503 WANT HIM IN THE ROOM. 1651 00:59:33,569 --> 00:59:36,239 >> OF COURSE, IT'S ALL DRIVEN BY 1652 00:59:36,306 --> 00:59:37,106 HIS LOW SELF-ESTEEM, I MEAN, 1653 00:59:37,173 --> 00:59:38,374 BUT SO ARE WE ALL. 1654 00:59:38,441 --> 00:59:40,810 >> IN MY PARTICULAR CASE, IT'S 1655 00:59:40,877 --> 00:59:42,712 PURELY ONE THING: I LEARNED IT. 1656 00:59:42,779 --> 00:59:43,646 I MET A GUY NAMED ROY CICALA, 1657 00:59:43,713 --> 00:59:45,014 WHO WAS THE HEAD OF THE STUDIO. 1658 00:59:45,081 --> 00:59:47,684 HE WAS THE CHIEF ENGINEER. 1659 00:59:47,750 --> 00:59:49,285 AND I WENT FOR THE NEXT FOUR 1660 00:59:49,352 --> 00:59:51,087 YEARS, AND IN SIX ALBUMS, THREE 1661 00:59:51,154 --> 00:59:52,188 WITH JOHN LENNON, TWO WITH 1662 00:59:52,255 --> 00:59:53,623 BRUCE SPRINGSTEEN, AND ONE WITH 1663 00:59:53,690 --> 00:59:55,358 PATTI SMITH. 1664 00:59:55,425 --> 00:59:56,859 ♪ BECAUSE THE NIGHT BELONGS TO 1665 00:59:56,926 --> 01:00:01,431 LOVERS ♪ 1666 01:00:01,497 --> 01:00:02,498 >> AND EVERYTHING THAT I KNOW 1667 01:00:02,565 --> 01:00:03,833 ABOUT TASTE TODAY, I LEARNED IN 1668 01:00:03,900 --> 01:00:04,834 THAT PERIOD OF TIME. 1669 01:00:04,901 --> 01:00:06,836 ♪ HEY! ♪ 1670 01:00:06,903 --> 01:00:08,504 ♪ HERE COMES MY GIRL ♪ 1671 01:00:08,571 --> 01:00:09,706 >> WHEN WE FIRST MET 1672 01:00:09,772 --> 01:00:10,940 JIMMY IOVINE, HE TAUGHT US A LOT 1673 01:00:11,007 --> 01:00:12,041 ABOUT MAKING THE RECORD SOUND 1674 01:00:12,108 --> 01:00:13,242 BIGGER, AND HOW IMPORTANT THE 1675 01:00:13,309 --> 01:00:14,911 ARRANGEMENT WAS. 1676 01:00:14,978 --> 01:00:16,679 ♪ STOP DRAGGIN' MY ♪ 1677 01:00:16,746 --> 01:00:18,181 ♪ STOP DRAGGIN' MY HEART 1678 01:00:18,247 --> 01:00:20,817 AROUND ♪ 1679 01:00:20,883 --> 01:00:23,119 >> THIS GUY GAVE ME MY SOLO 1680 01:00:23,186 --> 01:00:23,987 CAREER ON A PLATTER WITH A 1681 01:00:24,053 --> 01:00:25,154 SINGLE FROM TOM PETTY. 1682 01:00:25,221 --> 01:00:27,390 ♪ ♪ 1683 01:00:27,457 --> 01:00:28,791 >> HE HAPPENS TO -- HE'S LIKE A 1684 01:00:28,858 --> 01:00:29,993 VIRUS THAT ENTERS THE SYSTEM 1685 01:00:30,059 --> 01:00:33,229 UNINVITED. 1686 01:00:33,296 --> 01:00:34,364 IT'S LIKE HE KNOWS THIS IS GOING 1687 01:00:34,430 --> 01:00:35,298 TO WORK OUT WELL FOR BOTH OF 1688 01:00:35,365 --> 01:00:37,166 YOU. 1689 01:00:37,233 --> 01:00:38,668 ♪ I WANNA RUN ♪ 1690 01:00:38,735 --> 01:00:40,603 >> WE DID TWO ALBUMS, AND A 1691 01:00:40,670 --> 01:00:43,473 MOVIE, AND WENT ON THE ROAD AND 1692 01:00:43,539 --> 01:00:45,174 RECORDED 18 SHOWS. 1693 01:00:45,241 --> 01:00:47,043 >> I THINK "RATTLE AND HUM" WAS 1694 01:00:47,110 --> 01:00:48,478 JIMMY'S LAST STAND. 1695 01:00:48,544 --> 01:00:50,646 >> I JUST NEEDED TO STOP. 1696 01:00:50,713 --> 01:00:51,814 I DIDN'T WANNA SEE A STUDIO. 1697 01:00:51,881 --> 01:00:55,918 I WAS DONE. 1698 01:00:55,985 --> 01:00:57,420 >> THE THINGS THAT MIGHT HAVE 1699 01:00:57,487 --> 01:00:59,022 MADE HIM A SUCCESS TO THIS 1700 01:00:59,088 --> 01:01:00,723 POINT, HE'S WILLING TO SHED THAT 1701 01:01:00,790 --> 01:01:02,025 AND GO FOR SOMETHING COMPLETELY 1702 01:01:02,091 --> 01:01:03,292 ELSE. 1703 01:01:03,359 --> 01:01:04,660 >> AND THAT'S HOW INTERSCOPE 1704 01:01:04,727 --> 01:01:05,862 CAME ABOUT. 1705 01:01:05,928 --> 01:01:07,063 ♪ RICO ♪ 1706 01:01:07,130 --> 01:01:07,897 >> I SAID, "MAN, FUCK IT. 1707 01:01:07,964 --> 01:01:08,564 WE'RE GONNA SIGN THIS." 1708 01:01:08,631 --> 01:01:09,399 >> WHAT? 1709 01:01:09,465 --> 01:01:10,500 THIS IS GONNA BE OUR FIRST 1710 01:01:10,566 --> 01:01:11,200 SIGNING? 1711 01:01:11,267 --> 01:01:12,769 ♪ SUAVE ♪ 1712 01:01:12,835 --> 01:01:14,604 >> 'CAUSE I DON'T CARE. WE'RE 1713 01:01:14,670 --> 01:01:18,608 JUST SIGNING. 1714 01:01:18,674 --> 01:01:19,675 HUGE HIT, PUT US ON THE MAP. 1715 01:01:19,742 --> 01:01:20,710 >> PRIMUS, HELMET, 1716 01:01:20,777 --> 01:01:21,644 4 NON BLONDES, MARK WAHLBERG WHO 1717 01:01:21,711 --> 01:01:22,512 WE KNOW AS MARKY MARK. 1718 01:01:22,578 --> 01:01:23,279 TUPAC WAS SIGNED BY TOM WHALLEY. 1719 01:01:23,346 --> 01:01:24,313 AND NO DOUBT. 1720 01:01:24,380 --> 01:01:24,814 >> WHAT'S YOUR NAME? 1721 01:01:24,881 --> 01:01:25,748 >> I'M GWEN. 1722 01:01:25,815 --> 01:01:26,783 >> I HAD NO IDEA WHAT 1723 01:01:26,849 --> 01:01:27,617 INTERSCOPE RECORDS WAS. 1724 01:01:27,683 --> 01:01:28,985 I DIDN'T KNOW WHO JIMMY IOVINE 1725 01:01:29,052 --> 01:01:30,286 WAS, AND HE SAID TO ME, "YOU'RE 1726 01:01:30,353 --> 01:01:31,554 GONNA BE A STAR IN SIX YEARS." 1727 01:01:31,621 --> 01:01:32,188 OKAY, FIRST OF ALL, UM, WHO ARE 1728 01:01:32,255 --> 01:01:34,690 YOU? 1729 01:01:34,757 --> 01:01:35,691 ♪ DON'T SPEAK, I KNOW JUST WHAT 1730 01:01:35,758 --> 01:01:36,759 YOU'RE SAYIN' ♪ 1731 01:01:36,826 --> 01:01:37,960 >> AND THEN I FOUND MY NICHE AND 1732 01:01:38,027 --> 01:01:39,195 SAID, "OKAY, I GOTTA FIND GREAT 1733 01:01:39,262 --> 01:01:40,196 PRODUCERS." 1734 01:01:40,263 --> 01:01:48,571 AND I PRODUCED THEM. 1735 01:01:48,638 --> 01:01:49,605 >> THIS IS WHAT I'M LOOKING FOR. 1736 01:01:49,672 --> 01:01:53,709 HE HAD THE STAGE PRESENCE, HE 1737 01:01:53,776 --> 01:01:54,977 PRODUCED THOSE RECORDS HIMSELF. 1738 01:01:55,044 --> 01:01:55,745 TRENT GOT EVERY OUNCE OF IT. 1739 01:01:55,812 --> 01:01:56,412 >> YEAH, HE KINDA SAID, "WHAT DO 1740 01:01:56,479 --> 01:01:57,046 YOU WANT?" 1741 01:01:57,113 --> 01:01:58,347 AND I SAID, "WELL, I'D LIKE YOU 1742 01:01:58,414 --> 01:01:59,315 TO GIVE ME AN ADVANCE FOR AN 1743 01:01:59,382 --> 01:01:59,882 ALBUM AND THEN JUST LEAVE ME 1744 01:01:59,949 --> 01:02:00,550 ALONE. 1745 01:02:00,616 --> 01:02:01,517 ♪ ONE, TWO, THREE AND TO THE 1746 01:02:01,584 --> 01:02:02,018 FOUR ♪ 1747 01:02:02,085 --> 01:02:03,152 ♪ SNOOP DOGGY DOGG AND DR. DRE 1748 01:02:03,219 --> 01:02:04,287 IS AT THE DOOR ♪ 1749 01:02:04,353 --> 01:02:08,191 >> DRE AND SUGE CAME IN TO PLAY 1750 01:02:08,257 --> 01:02:09,058 US "THE CHRONIC." 1751 01:02:09,125 --> 01:02:10,393 I SAID, "DRE, WHO RECORDED THIS 1752 01:02:10,460 --> 01:02:10,927 FOR YOU?" 1753 01:02:10,993 --> 01:02:12,028 AND HE SAID, "ME." 1754 01:02:12,095 --> 01:02:12,695 I SAID, "WOW, THIS GUY WILL 1755 01:02:12,762 --> 01:02:13,596 DEFINE INTERSCOPE." 1756 01:02:13,663 --> 01:02:14,697 GREAT CAN COME FROM ANYWHERE. 1757 01:02:14,764 --> 01:02:15,765 >> HOLY SHIT. 1758 01:02:15,832 --> 01:02:17,266 I'M IN THE INTERSCOPE OFFICE. 1759 01:02:17,333 --> 01:02:18,801 >> EMINEM WAS THE MOST 1760 01:02:18,868 --> 01:02:20,736 CONTROVERSIAL THING WE'D EVER 1761 01:02:20,803 --> 01:02:22,538 BEEN INVOLVED IN. 1762 01:02:22,605 --> 01:02:23,873 >> JIMMY IOVINE, HE'S BEEN THAT 1763 01:02:23,940 --> 01:02:25,074 LITTLE VOICE INSIDE MY HEAD. 1764 01:02:25,141 --> 01:02:26,375 >> WHEN YOU TAKE THOSE EXTREMES 1765 01:02:26,442 --> 01:02:27,610 AND YOU NURTURE THEM, AND NOT 1766 01:02:27,677 --> 01:02:29,112 INTERFERE WITH WHAT THEY'RE 1767 01:02:29,178 --> 01:02:29,946 DOING, THE POTENTIAL IS 1768 01:02:30,012 --> 01:02:31,147 LIMITLESS. 1769 01:02:31,214 --> 01:02:32,115 AND THAT'S WHAT INTERSCOPE WAS 1770 01:02:32,181 --> 01:02:33,316 ABOUT. 1771 01:02:33,382 --> 01:02:35,251 EMPOWERING THOSE ARTISTS. 1772 01:02:35,318 --> 01:02:36,452 >> COMPLETELY REMOVE THE 1773 01:02:36,519 --> 01:02:37,386 MOTHERFUCKING EGO, JIMMY TOLD ME 1774 01:02:37,453 --> 01:02:38,554 THAT. 1775 01:02:38,621 --> 01:02:40,189 "REMOVE THE EGO." 1776 01:02:40,256 --> 01:02:41,290 >> DRE AND I, WE SHARED 1777 01:02:41,357 --> 01:02:43,025 SOMETHING, AND IT WASN'T MUSIC. 1778 01:02:43,092 --> 01:02:44,460 IT WAS THE DREAM OF MUSIC. 1779 01:02:44,527 --> 01:02:46,028 WE SAID, "OKAY, THIS IS GONNA 1780 01:02:46,095 --> 01:02:47,230 CHANGE OUR LIVES. 1781 01:02:47,296 --> 01:02:48,097 WE CAN GET OUT OF THIS 1782 01:02:48,164 --> 01:02:49,765 NEIGHBORHOOD, AND GO DO 1783 01:02:49,832 --> 01:02:50,967 SOMETHING, AND MAKE SOME MONEY, 1784 01:02:51,033 --> 01:02:52,068 AND LIVE A BETTER LIFE." 1785 01:02:52,135 --> 01:02:53,503 SO, WE BUILT BEATS. 1786 01:02:53,569 --> 01:02:54,971 WE BUILT BEATS MUSIC, AND WE GOT 1787 01:02:55,037 --> 01:02:58,241 LUCKY. 1788 01:02:58,307 --> 01:02:59,642 ♪ ♪ 1789 01:02:59,709 --> 01:03:00,877 >> JIMMY IS ONE OF THE TWO OR 1790 01:03:00,943 --> 01:03:03,379 THREE GREATEST INVENTORS. 1791 01:03:03,446 --> 01:03:07,683 HIS INVENTION WAS JIMMY IOVINE. 1792 01:03:07,750 --> 01:03:11,254 AND THERE'S ONLY ONE OF THEM. 1793 01:03:11,320 --> 01:03:16,092 [CHEERS AND APPLAUSE] 1794 01:03:16,159 --> 01:03:17,126 >> Announcer: TO HONOR 1795 01:03:17,193 --> 01:03:17,860 JIMMY IOVINE WITH THE 1796 01:03:17,927 --> 01:03:18,828 AHMET ERTEGUN AWARD, 1797 01:03:18,895 --> 01:03:19,829 ROCK AND ROLL HALL OF FAMER, 1798 01:03:19,896 --> 01:03:21,030 BRUCE SPRINGSTEEN. 1799 01:03:21,097 --> 01:03:30,973 [CHEERS AND APPLAUSE] 1800 01:03:31,040 --> 01:03:35,778 >> HI. 1801 01:03:35,845 --> 01:03:38,447 IT'S 1978, JIMMY IOVINE HAS 1802 01:03:38,514 --> 01:03:40,449 GRADUATED FROM BEING THIS SKINNY 1803 01:03:40,516 --> 01:03:43,419 ITALIAN KID WHO CHANGES THE TAPE 1804 01:03:43,486 --> 01:03:45,388 AND HITS THE START AND STOP 1805 01:03:45,454 --> 01:03:47,089 BUTTONS ON THE RECORDING 1806 01:03:47,156 --> 01:03:49,892 MACHINE, TO THE SKINNY ITALIAN 1807 01:03:49,959 --> 01:03:51,861 KID AT THE CONSOLE, ENGINEERING 1808 01:03:51,928 --> 01:03:53,396 "BORN TO RUN" AND 1809 01:03:53,462 --> 01:03:56,933 "DARKNESS ON THE EDGE OF TOWN." 1810 01:03:56,999 --> 01:04:01,337 [APPLAUSE] 1811 01:04:01,404 --> 01:04:03,172 SO, I WALK IN THE STUDIO AND 1812 01:04:03,239 --> 01:04:04,340 JON JUST SAYS TO ME, "HE TOLD 1813 01:04:04,407 --> 01:04:05,641 ME HE COULD DO IT. 1814 01:04:05,708 --> 01:04:06,542 HE JUST --" 1815 01:04:06,609 --> 01:04:08,311 WHEN I ASKED HIM, "WHAT'S THIS 1816 01:04:08,377 --> 01:04:08,911 KID DOING AT OUR MIXING 1817 01:04:08,978 --> 01:04:10,713 CONSOLE?" 1818 01:04:10,780 --> 01:04:14,884 BUT SOMEHOW, HE DID IT. 1819 01:04:14,951 --> 01:04:16,018 AND ON AN ENGINEER'S SALARY, HE 1820 01:04:16,085 --> 01:04:17,687 HAD PARKED OUTSIDE OF THE RECORD 1821 01:04:17,753 --> 01:04:20,623 PLANT AN ORANGE MERCEDES-BENZ. 1822 01:04:20,690 --> 01:04:23,392 ONE AFTERNOON, HE GETS ME IN THE 1823 01:04:23,459 --> 01:04:24,026 ORANGE MERCEDES-BENZ, TAKES ME 1824 01:04:24,093 --> 01:04:25,261 ON A LITTLE DRIVE TO 1825 01:04:25,328 --> 01:04:27,296 CONEY ISLAND. 1826 01:04:27,363 --> 01:04:29,732 ALONG THE WAY, HE CASUALLY 1827 01:04:29,799 --> 01:04:32,935 DROPS, "HEY, BRUCE, WHAT ARE YOU 1828 01:04:33,002 --> 01:04:34,837 DOING WITH THAT SONG, 1829 01:04:34,904 --> 01:04:36,572 'BECAUSE THE NIGHT'?" 1830 01:04:36,639 --> 01:04:37,807 I SAID, "WHAT DO YOU MEAN? 1831 01:04:37,873 --> 01:04:38,975 IT'S AN OUTTAKE. 1832 01:04:39,041 --> 01:04:40,543 IT'S UNFINISHED." 1833 01:04:40,610 --> 01:04:42,678 "UH, THAT'S WHAT I MEAN. 1834 01:04:42,745 --> 01:04:43,679 IF YOU'RE NOT GONNA FINISH IT, 1835 01:04:43,746 --> 01:04:44,914 CAN I HAVE IT?" 1836 01:04:44,981 --> 01:04:46,983 [LAUGHTER] 1837 01:04:47,049 --> 01:04:48,117 I SAID, "WHAT ARE YOU GONNA DO 1838 01:04:48,184 --> 01:04:49,852 WITH IT?" 1839 01:04:49,919 --> 01:04:51,187 "I WANNA GET PATTI SMITH TO SING 1840 01:04:51,254 --> 01:04:55,558 IT." 1841 01:04:55,625 --> 01:04:57,026 [APPLAUSE] 1842 01:04:57,093 --> 01:04:58,160 SO WE'RE IN THE MERCEDES. 1843 01:04:58,227 --> 01:04:59,428 IT'S A SUNNY DAY. 1844 01:04:59,495 --> 01:05:00,296 I'M WITH MY PAL. 1845 01:05:00,363 --> 01:05:02,898 I LOVE PATTI. 1846 01:05:02,965 --> 01:05:04,233 IT'S A GREAT CHORUS. 1847 01:05:04,300 --> 01:05:05,801 "SURE, WHY NOT?" 1848 01:05:05,868 --> 01:05:07,370 OF COURSE, WITH JIMMY'S 1849 01:05:07,436 --> 01:05:08,471 GUIDANCE, PATTI TURNS 1850 01:05:08,537 --> 01:05:10,206 "BECAUSE THE NIGHT" INTO A HUGE 1851 01:05:10,273 --> 01:05:12,842 TOP FIVE HIT RECORD. 1852 01:05:12,908 --> 01:05:15,611 YUP. 1853 01:05:15,678 --> 01:05:19,081 [APPLAUSE] 1854 01:05:19,148 --> 01:05:19,849 IT WAS SOMETHING THAT I COULD 1855 01:05:19,915 --> 01:05:20,883 NEVER HAVE DONE, BECAUSE I 1856 01:05:20,950 --> 01:05:21,784 DIDN'T HAVE THE GUTS TO TURN IT 1857 01:05:21,851 --> 01:05:22,818 INTO A LOVE SONG, AS JIMMY KNEW 1858 01:05:22,885 --> 01:05:23,786 THAT PATTI WOULD. 1859 01:05:23,853 --> 01:05:25,321 SO JIMMY KNOWS GREAT SONGS AND 1860 01:05:25,388 --> 01:05:27,056 HE KNOWS WHO CAN SING THEM. 1861 01:05:27,123 --> 01:05:28,357 HE HAS ONE OF THE GREATEST GUTS 1862 01:05:28,424 --> 01:05:30,793 FOR TALENT. 1863 01:05:30,860 --> 01:05:32,461 HE'S ONE OF THE GREATEST SPONGES 1864 01:05:32,528 --> 01:05:35,331 FOR LEARNING I'VE EVER MET. 1865 01:05:35,398 --> 01:05:36,932 IN THE ROOM WITH MYSELF AND 1866 01:05:36,999 --> 01:05:38,334 JON LANDAU, JIMMY MISSES 1867 01:05:38,401 --> 01:05:41,570 NOTHING. 1868 01:05:41,637 --> 01:05:42,838 HE LEARNS, TRUST YOUR ARTISTS. 1869 01:05:42,905 --> 01:05:44,006 LET THEM KNOW IT. 1870 01:05:44,073 --> 01:05:45,374 HIRE THE BEST PEOPLE. 1871 01:05:45,441 --> 01:05:47,310 GIVE THEM THE REINS. 1872 01:05:47,376 --> 01:05:49,445 DON'T BE INTIMIDATED BY TALENT. 1873 01:05:49,512 --> 01:05:50,646 RECOGNIZING THEIR TALENT IS YOUR 1874 01:05:50,713 --> 01:05:52,682 TALENT. 1875 01:05:52,748 --> 01:05:55,451 JIMMY IS BRAVE AND SMART. 1876 01:05:55,518 --> 01:05:57,086 HIS RELATIONSHIP WITH THE GREAT 1877 01:05:57,153 --> 01:05:58,854 DR. DRE IS ONE OF THE GREATEST 1878 01:05:58,921 --> 01:06:00,289 AND VALUED PARTNERSHIPS IN THE 1879 01:06:00,356 --> 01:06:01,157 MUSIC BUSINESS. 1880 01:06:01,223 --> 01:06:05,227 [CHEERS AND APPLAUSE] 1881 01:06:05,294 --> 01:06:06,629 HE TRUSTED DRE, AND HE TRUSTED 1882 01:06:06,696 --> 01:06:09,899 DRE'S VISION, AND HE RECOGNIZED 1883 01:06:09,965 --> 01:06:12,435 THE POWER OF HIP HOP, AND ITS 1884 01:06:12,501 --> 01:06:14,370 ABILITY TO CONQUER A CULTURE. 1885 01:06:14,437 --> 01:06:17,306 OF COURSE, AS AN ENTREPRENEUR, 1886 01:06:17,373 --> 01:06:20,076 BEATS. 1887 01:06:20,142 --> 01:06:21,544 HE KNEW THAT -- HE TELLS ME HE 1888 01:06:21,610 --> 01:06:22,978 TOLD DRE, "WE SHOULDN'T MAKE 1889 01:06:23,045 --> 01:06:23,546 SNEAKERS. 1890 01:06:23,612 --> 01:06:26,549 WE SHOULD MAKE SPEAKERS." 1891 01:06:26,615 --> 01:06:26,816 [LAUGHTER] 1892 01:06:26,882 --> 01:06:28,284 AND SO THEY DID. 1893 01:06:28,351 --> 01:06:31,320 THEY MADE MILLIONS OF THEM. 1894 01:06:31,387 --> 01:06:31,554 [LAUGHS] 1895 01:06:31,620 --> 01:06:32,922 AND JIMMY HAD THE INTELLIGENCE, 1896 01:06:32,988 --> 01:06:34,490 THE HEART, AND THE SOUL TO 1897 01:06:34,557 --> 01:06:36,592 TRUST, UNDERSTAND HIS ARTISTS, 1898 01:06:36,659 --> 01:06:43,332 PUT THEM FIRST, AND PUT THE 1899 01:06:43,399 --> 01:06:44,233 BUSINESS OF MUSIC IN ITS PROPER 1900 01:06:44,300 --> 01:06:45,034 PERSPECTIVE. 1901 01:06:45,101 --> 01:06:46,702 HE'S AN INCREDIBLY WELL-ROUNDED 1902 01:06:46,769 --> 01:06:48,437 VISIONARY EXECUTIVE. 1903 01:06:48,504 --> 01:06:49,372 JIMMY NEVER TOOK OFF HIS FANS' 1904 01:06:49,438 --> 01:06:50,506 SHOES. 1905 01:06:50,573 --> 01:06:53,376 HE KNEW TO KEEP THEM ON. 1906 01:06:53,442 --> 01:06:57,413 I STILL GET MESSAGES FROM HIM. 1907 01:06:57,480 --> 01:06:59,048 WITH "BORN TO RUN" BLASTING THE 1908 01:06:59,115 --> 01:07:00,116 BACKGROUND, AND, UH, JIMMY KNEW 1909 01:07:00,182 --> 01:07:00,983 AND RECOGNIZED THAT THE 1910 01:07:01,050 --> 01:07:02,118 CHEMISTRY, THAT JON AND MINE'S 1911 01:07:02,184 --> 01:07:02,985 RELATIONSHIP WAS THE SECRET 1912 01:07:03,052 --> 01:07:04,553 FORMULA, NOT JUST FOR ROCK AND 1913 01:07:04,620 --> 01:07:05,154 ROLL MAGIC, BUT FOR ROCK AND 1914 01:07:05,221 --> 01:07:06,355 ROLL SUCCESS. 1915 01:07:06,422 --> 01:07:07,790 SO, WHAT DOES JIMMY KNOW? 1916 01:07:07,857 --> 01:07:10,593 JIMMY KNEW EVERYTHING IMPORTANT. 1917 01:07:10,659 --> 01:07:12,795 SO, JIM, ALL I CAN SAY IS 1918 01:07:12,862 --> 01:07:14,096 "RICO SUAVE." 1919 01:07:14,163 --> 01:07:16,966 [LAUGHTER] 1920 01:07:17,032 --> 01:07:18,434 CONGRATULATIONS, LITTLE BROTHER. 1921 01:07:18,501 --> 01:07:19,435 COME ON UP AND GET IT. 1922 01:07:19,502 --> 01:07:23,038 WELCOME TO THE HALL OF FAME. 1923 01:07:23,105 --> 01:07:23,606 ♪ ♪ 1924 01:07:23,672 --> 01:07:24,874 ♪ BECAUSE THE NIGHT BELONGS 1925 01:07:24,940 --> 01:07:26,842 TO LOVERS ♪ 1926 01:07:26,909 --> 01:07:28,110 ♪ BECAUSE THE NIGHT BELONGS 1927 01:07:28,177 --> 01:07:29,612 TO LUST ♪ 1928 01:07:29,678 --> 01:07:31,680 BECAUSE THE NIGHT BELONGS 1929 01:07:31,747 --> 01:07:32,948 TO LOVERS ♪ 1930 01:07:33,015 --> 01:07:34,049 ♪ BECAUSE THE NIGHT BELONGS 1931 01:07:34,116 --> 01:07:39,855 TO US ♪ 1932 01:07:39,922 --> 01:07:42,491 >> THANK YOU. 1933 01:07:42,558 --> 01:07:43,726 HE'S THAT ANNOYING OLDER BROTHER 1934 01:07:43,793 --> 01:07:45,594 THAT DOES EVERYTHING BETTER THAN 1935 01:07:45,661 --> 01:07:48,864 YOU, INCLUDING GIVING A SPEECH. 1936 01:07:48,931 --> 01:07:50,766 FIRST, I WANNA THANK JON LANDAU 1937 01:07:50,833 --> 01:07:51,834 AND BRUCE SPRINGSTEEN. 1938 01:07:51,901 --> 01:07:56,105 [APPLAUSE] 1939 01:07:56,172 --> 01:07:58,040 I WALKED INTO THE SESSIONS FOR 1940 01:07:58,107 --> 01:07:59,909 "BORN TO RUN," THERE WAS AN 1941 01:07:59,975 --> 01:08:01,043 ENGINEER THERE, BUT FOR WHATEVER 1942 01:08:01,110 --> 01:08:02,511 REASON, THAT ENGINEER WAS 1943 01:08:02,578 --> 01:08:03,379 LEAVING. 1944 01:08:03,446 --> 01:08:04,246 JON LOOKED AT ME AND SAID, 1945 01:08:04,313 --> 01:08:07,483 "CAN YOU DO THIS?" 1946 01:08:07,550 --> 01:08:08,651 I'D LIKE TO THANK MYSELF FOR 1947 01:08:08,717 --> 01:08:09,752 HAVING THE BALLS TO SAY YES. 1948 01:08:09,819 --> 01:08:15,558 [LAUGHTER] 1949 01:08:15,624 --> 01:08:16,025 [CHEERS AND APPLAUSE] 1950 01:08:16,091 --> 01:08:17,426 TWO YEARS LATER, PATTI SMITH 1951 01:08:17,493 --> 01:08:18,561 TOOK A CHANCE ON ME PRODUCING 1952 01:08:18,627 --> 01:08:21,831 HER ALBUM, "EASTER." 1953 01:08:21,897 --> 01:08:23,332 IT COMPLETELY REARRANGED MY 1954 01:08:23,399 --> 01:08:25,100 BRAIN ABOUT WHAT ART IS, AND HOW 1955 01:08:25,167 --> 01:08:26,268 IMPORTANT THE OTHER SIDE OF THE 1956 01:08:26,335 --> 01:08:29,872 GLASS CAN BE. 1957 01:08:29,939 --> 01:08:30,639 [APPLAUSE] 1958 01:08:30,706 --> 01:08:31,674 THEN, I GOT TO WORK WITH 1959 01:08:31,740 --> 01:08:33,175 TOM PETTY AND THE HEARTBREAKERS 1960 01:08:33,242 --> 01:08:34,610 ON "DAMN THE TORPEDOES." 1961 01:08:34,677 --> 01:08:39,415 [CHEERS AND APPLAUSE] 1962 01:08:39,482 --> 01:08:40,783 TOM TAUGHT ME THAT, IN THE 1963 01:08:40,850 --> 01:08:41,884 SERVICE OF GREAT ART, TAKE NO 1964 01:08:41,951 --> 01:08:43,719 PRISONERS. 1965 01:08:43,786 --> 01:08:44,820 I THANK YOU AND I MISS YOU 1966 01:08:44,887 --> 01:08:47,590 DEARLY. 1967 01:08:47,656 --> 01:08:50,860 [APPLAUSE] 1968 01:08:50,926 --> 01:08:52,628 THEN, STEVIE NICKS DECIDED, STEP 1969 01:08:52,695 --> 01:08:53,629 OUT FROM THE BIGGEST ROCK AND 1970 01:08:53,696 --> 01:08:54,964 ROLL BAND AROUND AND MAKE A SOLO 1971 01:08:55,030 --> 01:08:56,332 ALBUM. 1972 01:08:56,398 --> 01:09:00,336 A BRAVE AND RISKY DECISION. 1973 01:09:00,402 --> 01:09:01,770 THANK YOU, STEVIE, FOR BEING ONE 1974 01:09:01,837 --> 01:09:02,771 OF THE GREAT, GREAT VOICES OF 1975 01:09:02,838 --> 01:09:04,073 ROCK AND ROLL. 1976 01:09:04,139 --> 01:09:09,211 [CHEERS AND APPLAUSE] 1977 01:09:09,278 --> 01:09:10,679 FAST FORWARD TO 1983, NOW I'M 30 1978 01:09:10,746 --> 01:09:12,815 YEARS OLD. 1979 01:09:12,882 --> 01:09:14,316 THANKFULLY, AT THAT MOMENT, I 1980 01:09:14,383 --> 01:09:19,455 MET BONO, EDGE, LARRY, AND ADAM. 1981 01:09:19,522 --> 01:09:19,922 [CHEERS AND APPLAUSE] 1982 01:09:19,989 --> 01:09:20,956 BONO TAUGHT ME THAT THERE WERE 1983 01:09:21,023 --> 01:09:24,426 THINGS TO ACCOMPLISH INSIDE OF 1984 01:09:24,493 --> 01:09:25,895 MUSIC, AND BEYOND. 1985 01:09:25,961 --> 01:09:26,929 HE ALSO TAUGHT ME HOW TO DRINK 1986 01:09:26,996 --> 01:09:27,930 CRANBERRY AND VODKA. 1987 01:09:27,997 --> 01:09:29,532 [LAUGHTER] 1988 01:09:29,598 --> 01:09:30,766 WHEN I DECIDED TO TRY TO START A 1989 01:09:30,833 --> 01:09:32,535 RECORD COMPANY, I WENT TO 1990 01:09:32,601 --> 01:09:33,969 DAVID GEFFEN, AND HE TOLD ME, 1991 01:09:34,036 --> 01:09:35,538 "YOU CAN DO THIS. 1992 01:09:35,604 --> 01:09:37,106 THERE ARE A LOT OF PEOPLE IN THE 1993 01:09:37,172 --> 01:09:38,173 RECORD BUSINESS A LOT DUMBER 1994 01:09:38,240 --> 01:09:39,408 THAN YOU." 1995 01:09:39,475 --> 01:09:40,676 [LAUGHTER] 1996 01:09:40,743 --> 01:09:42,311 I SAID, "OKAY." 1997 01:09:42,378 --> 01:09:45,648 THANK YOU, DAVID. 1998 01:09:45,714 --> 01:09:47,850 I CAN NEVER REPAY YOU FOR 1999 01:09:47,917 --> 01:09:49,051 40 YEARS OF CLARITY, GUIDANCE, 2000 01:09:49,118 --> 01:09:51,754 AND FRIENDSHIP. 2001 01:09:51,820 --> 01:09:53,889 [APPLAUSE] 2002 01:09:53,956 --> 01:09:58,093 BACK IN 1990, DR. DRE CHANGED 2003 01:09:58,160 --> 01:09:59,161 THE FATE OF MUSIC FOR INTERSCOPE 2004 01:09:59,228 --> 01:10:00,663 OVERNIGHT. 2005 01:10:00,729 --> 01:10:02,932 [CHEERS AND APPLAUSE] 2006 01:10:02,998 --> 01:10:04,500 THANK YOU, DRE, FOR BRINGING 2007 01:10:04,567 --> 01:10:06,201 SNOOP AND EMINEM INTO MY LIFE. 2008 01:10:06,268 --> 01:10:07,603 [CHEERS AND APPLAUSE] 2009 01:10:07,670 --> 01:10:10,973 FIFTEEN YEARS LATER, DRE AND I 2010 01:10:11,040 --> 01:10:12,741 STARTED "BEATS BY DRE." 2011 01:10:12,808 --> 01:10:15,077 AND WHERE WE WENT ON A JOURNEY 2012 01:10:15,144 --> 01:10:15,978 TOGETHER, ALL I CAN TELL YOU IS, 2013 01:10:16,045 --> 01:10:17,479 NO GREATER PERSON YOU COULD HAVE 2014 01:10:17,546 --> 01:10:19,248 AS A PARTNER THAN 2015 01:10:19,315 --> 01:10:22,785 DR. ANDRE YOUNG. 2016 01:10:22,851 --> 01:10:23,352 [APPLAUSE] 2017 01:10:23,419 --> 01:10:24,787 I WOULD LIKE TO THANK 2018 01:10:24,853 --> 01:10:27,256 MARY J. BLIGE AND GWEN STEFANI. 2019 01:10:27,323 --> 01:10:34,063 [CHEERS AND APPLAUSE] 2020 01:10:34,129 --> 01:10:38,000 TWO VERY, VERY POWERFUL WOMEN 2021 01:10:38,067 --> 01:10:40,002 WHO CAME TO OUR FAMILY, BOTH IN 2022 01:10:40,069 --> 01:10:41,136 MUSIC AND IN LOVE, AND WE 2023 01:10:41,203 --> 01:10:45,407 APPRECIATE AND LOVE YOU SO MUCH. 2024 01:10:45,474 --> 01:10:48,444 [APPLAUSE] 2025 01:10:48,510 --> 01:10:49,945 WHEN I MET LIBERTY ROSS, SHE 2026 01:10:50,012 --> 01:10:51,447 GAVE ME THE LOVE AND STRENGTH TO 2027 01:10:51,513 --> 01:10:52,381 SEE LIFE THROUGH A 2028 01:10:52,448 --> 01:10:53,716 MULTI-DIMENSIONAL LENS. 2029 01:10:53,782 --> 01:10:55,718 LIBERTY, THANK YOU FOR 2030 01:10:55,784 --> 01:10:59,521 COMPLETING ME. 2031 01:10:59,588 --> 01:11:01,123 AND BRINGING THE WONDERFUL SKYLA 2032 01:11:01,190 --> 01:11:03,058 AND SONNY INTO OUR LIVES. 2033 01:11:03,125 --> 01:11:04,259 AND OF COURSE, WITH ALL MY 2034 01:11:04,326 --> 01:11:06,595 HEART, I WANNA THANK JAMIE, 2035 01:11:06,662 --> 01:11:08,731 JESSICA, JEREMY, AND JADE IOVINE 2036 01:11:08,797 --> 01:11:10,032 FORSUPPORTING YOUR DAD AND 2037 01:11:10,099 --> 01:11:11,600 MAKING HIM FEEL SPECIAL FROM THE 2038 01:11:11,667 --> 01:11:13,102 DAY YOU WERE BORN. 2039 01:11:13,168 --> 01:11:14,770 YOU ARE MY GREATEST 2040 01:11:14,837 --> 01:11:18,207 ACCOMPLISHMENTS. 2041 01:11:18,273 --> 01:11:19,642 [APPLAUSE] 2042 01:11:19,708 --> 01:11:20,943 MY MESSAGE TONIGHT IS THIS: 2043 01:11:21,010 --> 01:11:24,513 REMEMBER, THANK THE PEOPLE WHO 2044 01:11:24,580 --> 01:11:26,181 MENTORED YOU, AND TRY TO RETURN 2045 01:11:26,248 --> 01:11:27,750 ALL THOSE FAVORS BY BEING SOME 2046 01:11:27,816 --> 01:11:28,550 KIND OF MENTOR FOR SOMEBODY ELSE 2047 01:11:28,617 --> 01:11:32,921 WHENEVER YOU CAN. 2048 01:11:32,988 --> 01:11:34,089 BECAUSE THE TRUTH IS, NO ONE 2049 01:11:34,156 --> 01:11:35,190 GETS TO A MOMENT LIKE THIS 2050 01:11:35,257 --> 01:11:37,493 ALONE. 2051 01:11:37,559 --> 01:11:39,094 SO TO ALL WHO MADE MY LIFE STORY 2052 01:11:39,161 --> 01:11:42,064 POSSIBLE, I WANNA SAY ONE MORE 2053 01:11:42,131 --> 01:11:43,399 TIME: THANKS. 2054 01:11:43,465 --> 01:11:51,440 [CHEERS AND APPLAUSE] 2055 01:11:51,507 --> 01:11:57,079 ♪ ♪ 2056 01:11:57,146 --> 01:12:00,315 ♪ ♪ 2057 01:12:00,382 --> 01:12:02,551 >> I'M GOING TO INTRODUCE YOU TO 2058 01:12:02,618 --> 01:12:06,622 MRS. ELIZABETH COTTEN, AN OLD, 2059 01:12:06,689 --> 01:12:08,624 OLD FRIEND, I'VE KNOWN HER ABOUT 2060 01:12:08,691 --> 01:12:09,591 20 YEARS, FRIEND OF MY FAMILY AS 2061 01:12:09,658 --> 01:12:10,659 WELL, AND THE WOMAN WHO WROTE 2062 01:12:10,726 --> 01:12:11,827 THAT SONG, "FREIGHT TRAIN, 2063 01:12:11,894 --> 01:12:14,329 FREIGHT TRAIN, RUN SO FAST." 2064 01:12:14,396 --> 01:12:15,931 ♪ FREIGHT TRAIN, FREIGHT TRAIN, 2065 01:12:15,998 --> 01:12:18,567 RUN SO FAST ♪ 2066 01:12:18,634 --> 01:12:20,269 ♪ FREIGHT TRAIN, FREIGHT TRAIN, 2067 01:12:20,335 --> 01:12:23,238 RUN SO FAST ♪ 2068 01:12:23,305 --> 01:12:27,009 >> YOU GOT TO REALIZE THAT THIS 2069 01:12:27,076 --> 01:12:27,776 IS ONE PERSON, WHEN YOU HEAR 2070 01:12:27,843 --> 01:12:28,944 THESE RECORDS. 2071 01:12:29,011 --> 01:12:30,512 SHE'S PLAYING BASS LINE, SHE'S 2072 01:12:30,579 --> 01:12:33,082 PLAYING RHYTHM, SHE'S PLAYING 2073 01:12:33,148 --> 01:12:34,550 LEADS, ALL AT THE SAME TIME, AND 2074 01:12:34,616 --> 01:12:35,784 DIFFERENT STYLES, TOO, THAT ARE 2075 01:12:35,851 --> 01:12:36,785 THE FOUNDATION FOR AMERICAN 2076 01:12:36,852 --> 01:12:37,953 MUSIC. 2077 01:12:38,020 --> 01:12:42,624 ♪ ♪ 2078 01:12:42,691 --> 01:12:50,833 ♪ ♪ 2079 01:12:50,899 --> 01:12:52,735 >> WHEN I WAS GROWING UP, I TELL 2080 01:12:52,801 --> 01:12:55,504 YOU WHAT I DID. 2081 01:12:55,571 --> 01:13:00,509 I COOKED AND CLEANED PEOPLE'S 2082 01:13:00,576 --> 01:13:05,948 HOUSES, BECAUSE I DIDN'T HAVE 2083 01:13:06,014 --> 01:13:08,784 ENOUGH EDUCATION TO DO ANYTHING 2084 01:13:08,851 --> 01:13:09,618 ELSE, SO THAT WAS MY LINE OF 2085 01:13:09,685 --> 01:13:10,819 WORK. 2086 01:13:10,886 --> 01:13:14,156 ♪ ♪ 2087 01:13:14,223 --> 01:13:15,591 >> SHE'S REALLY KIND OF A GENIUS 2088 01:13:15,657 --> 01:13:16,959 GUITAR PLAYER, PLAYED 2089 01:13:17,025 --> 01:13:19,528 LEFT-HANDED, UPSIDE DOWN GUITAR. 2090 01:13:19,595 --> 01:13:20,629 AND I LOVE THE SEEGER FAMILY AND 2091 01:13:20,696 --> 01:13:22,297 I'VE STUDIED WITH TWO OF THEM, 2092 01:13:22,364 --> 01:13:23,899 MIKE AND PEGGY SEEGER. 2093 01:13:23,966 --> 01:13:26,201 MIKE, WHO'S PASSED ON NOW. 2094 01:13:26,268 --> 01:13:26,735 AND SHE USED TO WORK AS A 2095 01:13:26,802 --> 01:13:29,004 DOMESTIC IN THEIR HOUSEHOLD. 2096 01:13:29,071 --> 01:13:30,272 AND THEY FOUND OUT THAT SHE 2097 01:13:30,339 --> 01:13:31,106 PLAYED GUITAR AND THEY SAID, 2098 01:13:31,173 --> 01:13:32,775 "OH, NO, PUT THE BROOM DOWN, YOU 2099 01:13:32,841 --> 01:13:33,108 GO AND PLAY." 2100 01:13:33,175 --> 01:13:33,776 AND SO SHE GOT TO PERFORM IN HER 2101 01:13:33,842 --> 01:13:37,813 LATER YEARS. 2102 01:13:37,880 --> 01:13:41,750 ♪ OH, BABE IT AIN'T NO LIE ♪ 2103 01:13:41,817 --> 01:13:44,419 ♪ OH, BABE IT AIN'T NO LIE ♪ 2104 01:13:44,486 --> 01:13:49,024 ♪ OH, BABE IT AIN'T NO LIE ♪ 2105 01:13:49,091 --> 01:13:50,826 ♪ I KNOW THIS LIFE I'M LIVING IS 2106 01:13:50,893 --> 01:13:53,262 VERY HIGH ♪ 2107 01:13:53,328 --> 01:13:57,099 [APPLAUSE] 2108 01:13:57,166 --> 01:13:58,534 ♪ OH, LORDY ME, DIDN'T I SHAKE 2109 01:13:58,600 --> 01:14:01,837 SUGAREE ♪ 2110 01:14:01,904 --> 01:14:03,205 ♪ EVERYTHING I GOT IS DONE AND 2111 01:14:03,272 --> 01:14:04,606 PAWNED ♪ 2112 01:14:04,673 --> 01:14:11,046 [GUITAR STRUMMING] 2113 01:14:11,113 --> 01:14:12,214 >> HER PLAYING BANJO MAKES A LOT 2114 01:14:12,281 --> 01:14:15,918 MORE SENSE OF WHERE HER RHYTHM 2115 01:14:15,984 --> 01:14:16,752 KINDA COMES FROM, HER KINDA 2116 01:14:16,819 --> 01:14:23,392 PLUCKING, PICKING TECHNIQUE. 2117 01:14:23,458 --> 01:14:24,226 >> MY OLDEST BROTHER OWNED A 2118 01:14:24,293 --> 01:14:25,027 BANJO, AND WHEN HE'D GO TO WORK, 2119 01:14:25,093 --> 01:14:26,028 I'D SNEAK IN AND GET HIS BANJO 2120 01:14:26,094 --> 01:14:26,795 DOWN, TRYING TO LEARN HOW TO 2121 01:14:26,862 --> 01:14:27,796 PLAY. 2122 01:14:27,863 --> 01:14:28,897 I WOULDN'T KNOW WHETHER IT WAS 2123 01:14:28,964 --> 01:14:30,265 TUNED OR NOT TUNED. 2124 01:14:30,332 --> 01:14:32,534 >> IT WAS INCREDIBLE. 2125 01:14:32,601 --> 01:14:33,235 ♪ PLEASE DON'T TELL WHAT TRAIN 2126 01:14:33,302 --> 01:14:38,373 I'M ON ♪ 2127 01:14:38,440 --> 01:14:41,510 ♪ SO THEY WON'T KNOW WHAT ROUTE 2128 01:14:41,577 --> 01:14:43,045 I'M GOIN'♪ 2129 01:14:43,111 --> 01:14:43,812 ♪ PLEASE DON'T TELL WHAT TRAIN 2130 01:14:43,879 --> 01:14:47,049 I'M ON ♪ 2131 01:14:47,115 --> 01:14:51,286 ♪ SO THEY WON'T KNOW WHAT ROUTE 2132 01:14:51,353 --> 01:14:52,387 I'M GOIN' ♪ 2133 01:14:52,454 --> 01:14:54,256 ♪ FREIGHT TRAIN, FREIGHT TRAIN, 2134 01:14:54,323 --> 01:14:55,390 RUN SO FAST ♪ 2135 01:14:55,457 --> 01:14:56,558 ♪ FREIGHT TRAIN, FREIGHT TRAIN, 2136 01:14:56,625 --> 01:14:58,126 RUN SO FAST ♪ 2137 01:14:58,193 --> 01:14:59,795 ♪ PLEASE DON'T TELL WHAT TRAIN 2138 01:14:59,862 --> 01:15:03,932 I'M ON ♪ 2139 01:15:03,999 --> 01:15:07,169 ♪ THEY WON'T KNOW WHICH ROUTE 2140 01:15:07,236 --> 01:15:07,903 I'M GOIN' ♪ 2141 01:15:07,970 --> 01:15:08,804 >> THE WAY SHE PLAYS THAT 2142 01:15:08,871 --> 01:15:10,239 GUITAR, IT'S LIKE SHE WAS BORN 2143 01:15:10,305 --> 01:15:11,607 WITH IT. 2144 01:15:11,673 --> 01:15:19,147 [GUITAR STRUMMING] 2145 01:15:19,214 --> 01:15:22,217 [CHEERS AND APPLAUSE] 2146 01:15:22,284 --> 01:15:28,257 ♪ ♪ 2147 01:15:28,323 --> 01:15:29,625 >> Announcer: TO INDUCT 2148 01:15:29,691 --> 01:15:30,525 JUDAS PRIEST, 2149 01:15:30,592 --> 01:15:31,460 ROCK AND ROLL HALL OF FAMER 2150 01:15:31,526 --> 01:15:32,828 ALICE COOPER. 2151 01:15:32,895 --> 01:15:35,731 [CHEERS AND APPLAUSE] 2152 01:15:35,797 --> 01:15:36,632 ♪ ♪ 2153 01:15:36,698 --> 01:15:38,634 >> THANK YOU. 2154 01:15:38,700 --> 01:15:41,303 WELL, WHAT A GREAT ROOM THIS IS. 2155 01:15:41,370 --> 01:15:42,571 EVERY TABLE I LOOK AT HAS GOT AN 2156 01:15:42,638 --> 01:15:46,575 OLD FRIEND ON IT. 2157 01:15:46,642 --> 01:15:49,211 AND DURING THAT 18 MONTHS, WHERE 2158 01:15:49,278 --> 01:15:50,679 NONE OF US COULD TOUR, EVERY 2159 01:15:50,746 --> 01:15:51,780 BAND, EVERY ARTIST I TALKED TO 2160 01:15:51,847 --> 01:15:52,414 SAID, "I CAN'T WAIT TO GET BACK 2161 01:15:52,481 --> 01:15:54,483 ON STAGE." 2162 01:15:54,549 --> 01:15:55,317 SO I DON'T WANNA HEAR ROCK IS 2163 01:15:55,384 --> 01:15:56,118 DEAD. 2164 01:15:56,184 --> 01:15:57,686 OKAY? 2165 01:15:57,753 --> 01:16:02,291 BECAUSE IT ISN'T. 2166 01:16:02,357 --> 01:16:02,758 [CHEERS AND APPLAUSE] 2167 01:16:02,824 --> 01:16:03,659 AND WE'RE GONNA TALK ABOUT ONE 2168 01:16:03,725 --> 01:16:04,726 OF THOSE BANDS RIGHT NOW. 2169 01:16:04,793 --> 01:16:05,928 OF COURSE, I KNEW THEIR MUSIC 2170 01:16:05,994 --> 01:16:07,562 BEFORE I EVEN MET THEM. 2171 01:16:07,629 --> 01:16:08,864 EVERYONE KNEW THEIR MUSIC. 2172 01:16:08,931 --> 01:16:11,633 EVERYONE STILL DOES. 2173 01:16:11,700 --> 01:16:12,768 NEEDLESS TO SAY, IT'S THE REASON 2174 01:16:12,834 --> 01:16:16,004 WHY THEY'RE HERE TONIGHT. 2175 01:16:16,071 --> 01:16:17,105 JUDAS PRIEST ARE TRULY THE 2176 01:16:17,172 --> 01:16:18,373 DEFINITIVE METAL BAND. 2177 01:16:18,440 --> 01:16:25,180 [CHEERS AND APPLAUSE] 2178 01:16:25,247 --> 01:16:27,950 THEY DEFINED THE SOUND WE CALL 2179 01:16:28,016 --> 01:16:30,218 "HEAVY METAL." 2180 01:16:30,285 --> 01:16:32,020 AND THEIR SOUND IS UNMISTAKABLE. 2181 01:16:32,087 --> 01:16:34,790 THEIR EXPLOSIVE DUAL LEAD GUITAR 2182 01:16:34,856 --> 01:16:36,024 ATTACK UNLEASHES A ROAR THAT HAS 2183 01:16:36,091 --> 01:16:37,626 INSPIRED THOUSANDS OF BANDS IN 2184 01:16:37,693 --> 01:16:38,827 THEIR GARAGES. 2185 01:16:38,894 --> 01:16:40,662 AND WHAT CAN YOU SAY ABOUT 2186 01:16:40,729 --> 01:16:42,130 ROB HALFORD'S VOICE? 2187 01:16:42,197 --> 01:16:45,033 [CHEERS AND APPLAUSE] 2188 01:16:45,100 --> 01:16:47,436 IS THERE ANY EMOTION THAT HE 2189 01:16:47,502 --> 01:16:49,271 CAN'T EXPRESS, A NOTE THAT HE 2190 01:16:49,338 --> 01:16:50,906 CAN'T HIT, OR ONE THAT HE CAN'T 2191 01:16:50,973 --> 01:16:54,676 HOLD SEEMINGLY FOREVER? 2192 01:16:54,743 --> 01:16:56,311 HE IS SIMPLY ONE OF THE GREATEST 2193 01:16:56,378 --> 01:16:57,879 SINGERS IN HEAVY METAL HISTORY. 2194 01:16:57,946 --> 01:17:02,818 [CHEERS AND APPLAUSE] 2195 01:17:02,884 --> 01:17:03,919 AND IT'S NOT JUST ABOUT THEIR 2196 01:17:03,986 --> 01:17:05,620 MUSIC. 2197 01:17:05,687 --> 01:17:07,155 JUDAS PRIEST ALSO DEFINED THE 2198 01:17:07,222 --> 01:17:09,091 LOOK THAT DEFINES HEAVY METAL. 2199 01:17:09,157 --> 01:17:10,392 THE BLACK LEATHER, THE METAL 2200 01:17:10,459 --> 01:17:11,827 STUDS, THE CHAINS, THE 2201 01:17:11,893 --> 01:17:14,262 MOTORCYCLE. 2202 01:17:14,329 --> 01:17:15,897 IT SOMETIMES FEELS LIKE THOSE 2203 01:17:15,964 --> 01:17:17,366 WERE ALWAYS ELEMENTS OF WHAT 2204 01:17:17,432 --> 01:17:18,934 HEAVY METAL LOOKED LIKE, BUT 2205 01:17:19,001 --> 01:17:20,302 THEY WEREN'T. 2206 01:17:20,369 --> 01:17:21,436 HEAVY METAL DIDN'T HAVE THAT 2207 01:17:21,503 --> 01:17:25,173 LOOK UNTIL JUDAS PRIEST. 2208 01:17:25,240 --> 01:17:26,041 THEY HAVE ATTITUDE, DESPAIR. 2209 01:17:26,108 --> 01:17:27,342 JUST LOOK AT THEM. 2210 01:17:27,409 --> 01:17:28,610 [LAUGHTER] 2211 01:17:28,677 --> 01:17:34,850 [CHEERS AND APPLAUSE] 2212 01:17:34,916 --> 01:17:36,118 THEY WERE ALWAYS ROUGH AROUND 2213 01:17:36,184 --> 01:17:37,886 THE EDGES, COMING STRAIGHT OUT 2214 01:17:37,953 --> 01:17:39,888 OF BIRMINGHAM, WHICH IS KIND OF 2215 01:17:39,955 --> 01:17:42,357 LIKE ENGLAND'S DETROIT. 2216 01:17:42,424 --> 01:17:45,827 [LAUGHTER] 2217 01:17:45,894 --> 01:17:46,895 AN INDUSTRIAL WORKING-CLASS TOWN 2218 01:17:46,962 --> 01:17:48,497 THAT, LIKE DETROIT, HAS LAUNCHED 2219 01:17:48,563 --> 01:17:50,732 SO MANY GREAT HARD ROCK BANDS, 2220 01:17:50,799 --> 01:17:51,800 PRIEST BEING ONE OF THE VERY 2221 01:17:51,867 --> 01:17:54,436 BEST. 2222 01:17:54,503 --> 01:17:55,704 THE BAND DIDN'T JUST HAVE A 2223 01:17:55,771 --> 01:17:56,905 GREAT SOUND, THEY ALSO WROTE 2224 01:17:56,972 --> 01:17:58,340 GREAT SONGS. 2225 01:17:58,407 --> 01:17:59,841 PRIEST'S GROUNDBREAKING 2226 01:17:59,908 --> 01:18:01,410 "BRITISH STEEL" ALBUM... 2227 01:18:01,476 --> 01:18:05,647 [CHEERS AND APPLAUSE] 2228 01:18:05,714 --> 01:18:08,483 WITH "LIVING AFTER MIDNIGHT" AND 2229 01:18:08,550 --> 01:18:09,751 "BREAKING THE LAW," TOTALLY PUT 2230 01:18:09,818 --> 01:18:11,553 THEM ON THE MAP. 2231 01:18:11,620 --> 01:18:13,355 AND THERE WAS NO LOOKING BACK 2232 01:18:13,422 --> 01:18:16,124 FOR THEM AFTER THAT. 2233 01:18:16,191 --> 01:18:17,492 THE TENS OF MILLIONS OF RECORDS 2234 01:18:17,559 --> 01:18:19,394 THEY'VE SOLD SAYS IT ALL. 2235 01:18:19,461 --> 01:18:21,530 NOW, I'VE DONE MANY SHOWS WITH 2236 01:18:21,596 --> 01:18:23,398 JUDAS PRIEST OVER THE YEARS, AND 2237 01:18:23,465 --> 01:18:24,766 THEY NEVER FAILED TO DELIVER, 2238 01:18:24,833 --> 01:18:26,201 AND THEN SOME. 2239 01:18:26,268 --> 01:18:27,702 BELIEVE ME, I KNOW HOW IMPORTANT 2240 01:18:27,769 --> 01:18:28,904 IT IS TO CREATE A LIVE SHOW THAT 2241 01:18:28,970 --> 01:18:30,639 PEOPLE NEVER FORGET. 2242 01:18:30,705 --> 01:18:34,242 [CHEERS AND APPLAUSE] 2243 01:18:34,309 --> 01:18:35,644 PRIEST HAS ALWAYS UNDERSTOOD 2244 01:18:35,710 --> 01:18:39,581 THAT, TOO. 2245 01:18:39,648 --> 01:18:40,649 THEY ARE ELECTRIFYING ON STAGE, 2246 01:18:40,715 --> 01:18:41,583 ONE OF THE HARDEST-HITTING LIVE 2247 01:18:41,650 --> 01:18:42,818 BANDS IN THE HISTORY OF ROCK AND 2248 01:18:42,884 --> 01:18:43,618 ROLL. 2249 01:18:43,685 --> 01:18:44,853 PRIEST HAS CARRIED THE FLAG OF 2250 01:18:44,920 --> 01:18:46,221 HARD ROCK AND HEAVY METAL 2251 01:18:46,288 --> 01:18:48,790 PROUDLY FOR SOMETHING LIKE 2252 01:18:48,857 --> 01:18:50,325 50 YEARS, NEVER WAVERING, OR 2253 01:18:50,392 --> 01:18:51,259 FOLLOWING TRENDS, OR PRETENDING 2254 01:18:51,326 --> 01:18:52,127 TO BE ANYTHING BUT EXACTLY WHAT 2255 01:18:52,194 --> 01:18:53,628 THEY ARE. 2256 01:18:53,695 --> 01:18:55,063 [CHEERS AND APPLAUSE] 2257 01:18:55,130 --> 01:18:58,633 ♪ ♪ 2258 01:18:58,700 --> 01:19:11,379 ♪ ♪ 2259 01:19:11,446 --> 01:19:12,747 >> WHO ARE YOU HERE TO SEE 2260 01:19:12,814 --> 01:19:13,715 TONIGHT? 2261 01:19:13,782 --> 01:19:14,883 >> JUDAS PRIEST! 2262 01:19:14,950 --> 01:19:17,786 ♪ ♪ 2263 01:19:17,853 --> 01:19:18,687 ♪ LIVING AFTER MIDNIGHT ♪ 2264 01:19:18,753 --> 01:19:21,056 ♪ ROCKING TO THE DAWN ♪ 2265 01:19:21,123 --> 01:19:21,656 ♪ LOVING 'TIL THE MORNING ♪ 2266 01:19:21,723 --> 01:19:24,359 ♪ THEN I'M GONE, I'M GONE ♪ 2267 01:19:24,426 --> 01:19:25,927 ♪ I TOOK THE CITY 'BOUT 2268 01:19:25,994 --> 01:19:29,431 1:00 A.M. ♪ 2269 01:19:29,498 --> 01:19:30,365 ♪ LOADED, LOADED ♪ 2270 01:19:30,432 --> 01:19:31,299 >> HI. 2271 01:19:31,366 --> 01:19:32,767 THIS IS ROB FROM JUDAS PRIEST. 2272 01:19:32,834 --> 01:19:34,402 WHAT? 2273 01:19:34,469 --> 01:19:36,104 ♪ ♪ 2274 01:19:36,171 --> 01:19:37,205 ♪ RACING 'CROSS THE HEAVENS ♪ 2275 01:19:37,272 --> 01:19:38,640 ♪ STRAIGHT INTO THE DAWN ♪ 2276 01:19:38,707 --> 01:19:40,308 ♪ LOOKING LIKE A COMET ♪ 2277 01:19:40,375 --> 01:19:42,777 >> IN THE EARLY DAYS OF PRIEST, 2278 01:19:42,844 --> 01:19:43,945 THERE WAS NO REAL SPECIFIC LOOK 2279 01:19:44,012 --> 01:19:45,480 OR IMAGE FOR HEAVY METAL. 2280 01:19:45,547 --> 01:19:52,387 ♪ ♪ 2281 01:19:52,454 --> 01:19:53,588 >> I THINK ROB WAS THE FIRST WHO 2282 01:19:53,655 --> 01:19:54,656 STARTED TO WEAR THE LEATHER. 2283 01:19:54,723 --> 01:19:55,290 >> I WEAR ALL THESE BECAUSE THIS 2284 01:19:55,357 --> 01:19:56,391 IS ME ANYWAY. 2285 01:19:56,458 --> 01:19:58,093 BUT THIS IS A SECOND SKIN. 2286 01:19:58,160 --> 01:19:59,528 >> AND WE WROTE A FEW TRACKS FOR 2287 01:19:59,594 --> 01:20:00,662 "HELL BENT FOR LEATHER." 2288 01:20:00,729 --> 01:20:02,130 AND IT SUDDENLY ALL FELL INTO 2289 01:20:02,197 --> 01:20:02,831 PLACE. 2290 01:20:02,898 --> 01:20:03,965 ♪ ♪ 2291 01:20:04,032 --> 01:20:04,966 ♪ SEEK HIM HERE, SEEK HIM ON 2292 01:20:05,033 --> 01:20:06,034 THE HIGHWAY ♪ 2293 01:20:06,101 --> 01:20:07,169 ♪ NEVER KNOWING WHEN HE'LL 2294 01:20:07,235 --> 01:20:08,136 APPEAR ♪ 2295 01:20:08,203 --> 01:20:08,937 ♪ ALL AWAIT, ENGINE IS TICKING 2296 01:20:09,004 --> 01:20:10,005 OVER ♪ 2297 01:20:10,071 --> 01:20:10,772 ♪ HEAR THE ROAR AS THEY SENSE 2298 01:20:10,839 --> 01:20:11,606 THE FEAR ♪ 2299 01:20:11,673 --> 01:20:12,908 ♪ WHEELS! ♪ 2300 01:20:12,974 --> 01:20:14,009 >> I HAVE BEEN KNOWN TO GO INTO 2301 01:20:14,075 --> 01:20:15,443 ONE OR TWO S&M SHOPS. 2302 01:20:15,510 --> 01:20:16,511 ♪ A GLINT OF STEEL AND A FLASH 2303 01:20:16,578 --> 01:20:20,949 OF LIGHT! ♪ 2304 01:20:21,016 --> 01:20:21,850 >> I'VE ALWAYS FELT THAT THE 2305 01:20:21,917 --> 01:20:22,617 HARLEY-DAVIDSON, IT'S 2306 01:20:22,684 --> 01:20:23,652 EVERYTHING ABOUT METAL, YOU 2307 01:20:23,718 --> 01:20:25,053 KNOW, BECAUSE IT'S BIG, IT'S 2308 01:20:25,120 --> 01:20:26,154 LOUD, IT SMELLS, AND IT PISSES 2309 01:20:26,221 --> 01:20:29,090 OFF SOME PEOPLE. 2310 01:20:29,157 --> 01:20:31,426 [CHEERS AND APPLAUSE] 2311 01:20:31,493 --> 01:20:35,297 ♪ ♪ 2312 01:20:35,363 --> 01:20:36,865 >> IN EVERY CONVERSATION ABOUT 2313 01:20:36,932 --> 01:20:38,166 HEAVY METAL, IT HAS TO HAVE 2314 01:20:38,233 --> 01:20:40,001 JUDAS PRIEST IN IT. 2315 01:20:40,068 --> 01:20:41,736 ♪ ♪ 2316 01:20:41,803 --> 01:20:43,071 THEY SOLIDIFIED THE TWO-GUITAR 2317 01:20:43,138 --> 01:20:47,309 ATTACK BEFORE ANYONE. 2318 01:20:47,375 --> 01:20:52,247 ♪ ♪ 2319 01:20:52,314 --> 01:20:54,049 >> THE TWO-GUITAR SOUND, YOU 2320 01:20:54,115 --> 01:20:55,016 KNOW, IT WAS ALMOST LIKE A 2321 01:20:55,083 --> 01:20:56,551 STEREO EFFECT. 2322 01:20:56,618 --> 01:21:02,057 ♪ ♪ 2323 01:21:02,123 --> 01:21:03,391 >> THERE'S THE RIFFS. 2324 01:21:03,458 --> 01:21:04,759 THERE'S THE TWIN AX ATTACK. 2325 01:21:04,826 --> 01:21:05,894 ROB HALFORD'S VOICE, YOU KNOW, 2326 01:21:05,961 --> 01:21:07,762 THE GREATEST HEAVY METAL SINGER 2327 01:21:07,829 --> 01:21:10,665 OF ALL TIME. 2328 01:21:10,732 --> 01:21:12,601 ♪ ♪ 2329 01:21:12,667 --> 01:21:15,337 >> AND HE CAN STILL HIT THEM 2330 01:21:15,403 --> 01:21:15,870 FUCKING NOTES, WHICH IS 2331 01:21:15,937 --> 01:21:16,671 MIND-BLOWING TO ME. 2332 01:21:16,738 --> 01:21:17,973 AND HE'S ONE OF MY FAVORITE 2333 01:21:18,039 --> 01:21:19,407 FUCKING SINGERS. 2334 01:21:19,474 --> 01:21:20,408 ♪ WHISKEY WOMAN, DON'T YOU 2335 01:21:20,475 --> 01:21:21,176 KNOW ♪ 2336 01:21:21,243 --> 01:21:22,644 ♪ THAT YOU ARE DRIVIN' ME 2337 01:21:22,711 --> 01:21:24,346 INSANE? ♪ 2338 01:21:24,412 --> 01:21:25,714 >> I HAVE NO IDEA HOW MANY 2339 01:21:25,780 --> 01:21:28,883 OCTAVES ROB HAS. 2340 01:21:28,950 --> 01:21:29,818 WHAT DOES HE HAVE, LIKE, FUCKING 2341 01:21:29,884 --> 01:21:30,552 500? 2342 01:21:30,619 --> 01:21:31,686 [LAUGHS] 2343 01:21:31,753 --> 01:21:32,654 ♪ THE LIQUOR YOU GIVE STEMS 2344 01:21:32,721 --> 01:21:33,755 YOUR WILL TO LIVE ♪ 2345 01:21:33,822 --> 01:21:35,690 ♪ AND GETS RIGHT TO MY BRAIN ♪ 2346 01:21:35,757 --> 01:21:39,461 >> HE HOLDS THE MIC TO HERE. 2347 01:21:39,527 --> 01:21:45,133 ♪ ♪ 2348 01:21:45,200 --> 01:21:47,235 AND THE WHOLE P.A. JUST GOES -- 2349 01:21:47,302 --> 01:21:48,303 ♪ ♪ 2350 01:21:48,370 --> 01:21:49,504 >> WHAT IS THIS? 2351 01:21:49,571 --> 01:21:51,606 >> YEAH, WHAT IS THIS? 2352 01:21:51,673 --> 01:21:52,674 ♪ THERE I WAS COMPLETELY 2353 01:21:52,741 --> 01:21:53,508 WASTING ♪ 2354 01:21:53,575 --> 01:21:54,643 ♪ OUT OF WORK AND DOWN ♪ 2355 01:21:54,709 --> 01:21:55,710 >> YEAH, THIS IS JUDAS PRIEST. 2356 01:21:55,777 --> 01:21:56,544 >> YES! 2357 01:21:56,611 --> 01:21:57,812 >> THIS IS GONNA BE COOL. 2358 01:21:57,879 --> 01:21:59,147 >> YEAH. 2359 01:21:59,214 --> 01:22:00,582 ♪ ALL INSIDE IT'S SO FRUSTRATING 2360 01:22:00,649 --> 01:22:01,950 AS I DRIFT FROM TOWN TO TOWN ♪ 2361 01:22:02,017 --> 01:22:03,585 >> YOU KNOW, WHEN THEY CAME OUT 2362 01:22:03,652 --> 01:22:04,386 WITH "BRITISH STEEL," IT JUST 2363 01:22:04,452 --> 01:22:04,786 MADE SENSE. 2364 01:22:04,853 --> 01:22:06,288 YOU KNOW, AND THERE'S A RAZOR 2365 01:22:06,354 --> 01:22:07,689 BLADE ON THE COVER BECAUSE 2366 01:22:07,756 --> 01:22:09,057 SABBATH IS SABBATH, BUT PRIEST 2367 01:22:09,124 --> 01:22:12,360 STREAMLINED IT AND MADE IT 2368 01:22:12,427 --> 01:22:13,728 "CUTTING EDGE," SO TO SPEAK. 2369 01:22:13,795 --> 01:22:14,663 ♪ BREAKING THE LAW, 2370 01:22:14,729 --> 01:22:15,697 BREAKING THE LAW ♪ 2371 01:22:15,764 --> 01:22:16,531 ♪ BREAKING THE LAW, 2372 01:22:16,598 --> 01:22:17,799 BREAKING THE LAW ♪ 2373 01:22:17,866 --> 01:22:19,100 >> YOU KNOW, THIS IS THE SHIT AS 2374 01:22:19,167 --> 01:22:20,035 A KID THAT -- LIKE, I HAD NEVER 2375 01:22:20,101 --> 01:22:21,002 HEARD BEFORE, AND IT JUST BLEW 2376 01:22:21,069 --> 01:22:22,370 MY MIND. 2377 01:22:22,437 --> 01:22:23,271 >> FROM "BRITISH STEEL" ONWARDS, 2378 01:22:23,338 --> 01:22:24,472 THE BAND JUST EXPLODED 2379 01:22:24,539 --> 01:22:25,974 INTERNATIONALLY. 2380 01:22:26,041 --> 01:22:27,442 ♪ IF YOU THINK I'LL SIT AROUND 2381 01:22:27,509 --> 01:22:32,213 AS THE WORLD GOES BY ♪ 2382 01:22:32,280 --> 01:22:33,014 >> NOT ONLY WERE PRIEST 2383 01:22:33,081 --> 01:22:33,982 PIONEERS, BUT THEY ALSO SOLD 2384 01:22:34,049 --> 01:22:35,016 50 MILLION RECORDS AND HAD HUGE 2385 01:22:35,083 --> 01:22:36,518 RADIO HITS ACROSS DECADES. 2386 01:22:36,584 --> 01:22:37,352 ♪ YOU THINK I'LL LET IT GO, 2387 01:22:37,419 --> 01:22:38,486 YOU'RE MAD ♪ 2388 01:22:38,553 --> 01:22:39,554 ♪ YOU'VE GOT ANOTHER THING 2389 01:22:39,621 --> 01:22:40,622 COMIN' ♪ 2390 01:22:40,689 --> 01:22:42,290 ♪ ♪ 2391 01:22:42,357 --> 01:22:47,395 >> SOMEBODY SAID THE OTHER NIGHT 2392 01:22:47,462 --> 01:22:53,101 ACTUALLY THAT SABBATH WERE 2393 01:22:53,168 --> 01:22:54,336 HEAVY, BUT PRIEST WERE METAL. 2394 01:22:54,402 --> 01:22:55,036 I KIND OF LIKE THAT. 2395 01:22:55,103 --> 01:22:56,171 >> PRIEST! 2396 01:22:56,237 --> 01:22:57,238 >> A LOT OF THE STUFF THAT 2397 01:22:57,305 --> 01:22:58,540 BECAME THE ARCHETYPICAL PARTS OF 2398 01:22:58,606 --> 01:23:00,375 HEAVY METAL WERE INVENTED BY 2399 01:23:00,442 --> 01:23:01,776 JUDAS PRIEST -- THE LEATHER, THE 2400 01:23:01,843 --> 01:23:02,544 MOTORCYCLE, THE ATTITUDE. 2401 01:23:02,610 --> 01:23:03,578 AND WE'RE NOT GONNA APOLOGIZE 2402 01:23:03,645 --> 01:23:04,112 FOR IT. 2403 01:23:04,179 --> 01:23:05,046 WE'RE GONNA EMBRACE IT WITH BOTH 2404 01:23:05,113 --> 01:23:06,781 LEATHER CLAD ARMS, AND I'M GONNA 2405 01:23:06,848 --> 01:23:07,482 HARLEY-RIDE THAT METAL INTO THE 2406 01:23:07,549 --> 01:23:08,183 SUNSET TOGETHER. 2407 01:23:08,249 --> 01:23:11,720 ♪ ♪ 2408 01:23:11,786 --> 01:23:12,754 >> BY DEFINITION, ROCK AND 2409 01:23:12,821 --> 01:23:13,688 ROLL SHOULD STILL BE PISSING 2410 01:23:13,755 --> 01:23:14,656 PEOPLE OFF. 2411 01:23:14,723 --> 01:23:16,124 ♪ I'M MADE OF METAL ♪ 2412 01:23:16,191 --> 01:23:17,659 MY CIRCUITS GLEAM ♪ 2413 01:23:17,726 --> 01:23:18,493 AND SO YOU PUNCH BACK, YOU FIGHT 2414 01:23:18,560 --> 01:23:19,994 BACK, YOU CLAW BACK, YOU SCREAM 2415 01:23:20,061 --> 01:23:21,363 BACK WITH HEAVY METAL. 2416 01:23:21,429 --> 01:23:24,899 ♪ I'M ELECTED, ELECTRIC SPY 2417 01:23:24,966 --> 01:23:38,947 I'M PROTECTED ELECTRIC EYE ♪ 2418 01:23:39,013 --> 01:23:40,248 [CHEERS AND APPLAUSE] 2419 01:23:40,315 --> 01:23:40,782 >> ROB HALFORD, IAN HILL, 2420 01:23:40,849 --> 01:23:41,950 GLENN TIPTON, DAVE HOLLAND, 2421 01:23:42,016 --> 01:23:42,884 SCOTT TRAVIS, K.K. DOWNING, AND 2422 01:23:42,951 --> 01:23:45,387 LES BINKS, I AM HONORED TO SAY 2423 01:23:45,453 --> 01:23:46,488 TO YOU: WELCOME TO THE 2424 01:23:46,554 --> 01:23:47,389 ROCK AND ROLL HALL OF FAME. 2425 01:23:47,455 --> 01:23:48,423 [CHEERS AND APPLAUSE] 2426 01:23:48,490 --> 01:23:55,196 ♪ ♪ 2427 01:23:55,263 --> 01:23:57,699 ♪ ♪ 2428 01:23:57,766 --> 01:24:00,101 ♪ THERE I WAS COMPLETELY 2429 01:24:00,168 --> 01:24:03,671 WASTING, OUT OF WORK AND DOWN ♪ 2430 01:24:03,738 --> 01:24:05,206 ♪ ALL INSIDE IT'S SO FRUSTRATING 2431 01:24:05,273 --> 01:24:08,443 AS I DRIFT FROM TOWN TO TOWN ♪ 2432 01:24:08,510 --> 01:24:10,478 ♪ FEEL AS THOUGH NOBODY CARES 2433 01:24:10,545 --> 01:24:16,117 IF I LIVE OR DIE ♪ 2434 01:24:16,184 --> 01:24:16,718 ♪ SO I MIGHT AS WELL BEGIN TO 2435 01:24:16,785 --> 01:24:18,787 PUT SOME ACTION IN MY LIFE ♪ 2436 01:24:18,853 --> 01:24:20,021 ♪ YOU KNOW WHAT IT'S CALLED ♪ 2437 01:24:20,088 --> 01:24:20,555 ♪ BREAKING THE LAW, 2438 01:24:20,622 --> 01:24:21,790 BREAKING THE LAW ♪ 2439 01:24:21,856 --> 01:24:23,091 ♪ BREAKING THE LAW, 2440 01:24:23,158 --> 01:24:24,159 BREAKING THE LAW ♪ 2441 01:24:24,225 --> 01:24:25,326 ♪ BREAKING THE LAW, 2442 01:24:25,393 --> 01:24:26,728 BREAKING THE LAW ♪ 2443 01:24:26,795 --> 01:24:28,029 ♪ BREAKING THE LAW, 2444 01:24:28,096 --> 01:24:29,130 BREAKING THE LAW ♪ 2445 01:24:29,197 --> 01:24:30,498 ♪ SO MUCH FOR THE GOLDEN FUTURE, 2446 01:24:30,565 --> 01:24:32,867 I CAN'T EVEN START ♪ 2447 01:24:32,934 --> 01:24:35,537 ♪ I'VE HAD EVERY PROMISE BROKEN, 2448 01:24:35,603 --> 01:24:38,440 THERE'S ANGER IN MY HEART ♪ 2449 01:24:38,506 --> 01:24:41,075 ♪ YOU DON'T KNOW WHAT IT'S LIKE, 2450 01:24:41,142 --> 01:24:47,882 YOU DON'T HAVE A CLUE ♪ 2451 01:24:47,949 --> 01:24:51,386 ♪ IF YOU DID 2452 01:24:51,453 --> 01:24:53,021 YOU'D FIND YOURSELVES 2453 01:24:53,087 --> 01:24:56,191 DOING THE SAME THING ♪ 2454 01:24:56,257 --> 01:24:56,825 ♪ YOU'RE DOING TO ME NOW ♪ 2455 01:24:56,891 --> 01:24:57,592 ♪ BREAKING THE LAW, 2456 01:24:57,659 --> 01:24:58,359 BREAKING THE LAW ♪ 2457 01:24:58,426 --> 01:24:59,160 ♪ BREAKING THE LAW, 2458 01:24:59,227 --> 01:24:59,894 BREAKING THE LAW ♪ 2459 01:24:59,961 --> 01:25:00,995 ♪ BREAKING THE LAW, 2460 01:25:01,062 --> 01:25:02,230 BREAKING THE LAW ♪ 2461 01:25:02,297 --> 01:25:03,364 ♪ BREAKING THE LAW, 2462 01:25:03,431 --> 01:25:06,468 BREAKING THE LAW ♪ 2463 01:25:06,534 --> 01:25:20,882 ♪ ♪ 2464 01:25:20,949 --> 01:25:29,290 ♪ ♪ 2465 01:25:29,357 --> 01:25:41,536 ♪ ♪ 2466 01:25:41,603 --> 01:25:42,403 ♪ BREAKING THE LAW, 2467 01:25:42,470 --> 01:25:43,805 BREAKING THE LAW ♪ 2468 01:25:43,872 --> 01:25:44,873 ♪ BREAKING THE LAW, 2469 01:25:44,939 --> 01:25:45,940 BREAKING THE LAW ♪ 2470 01:25:46,007 --> 01:25:47,008 ♪ BREAKING THE LAW, 2471 01:25:47,075 --> 01:25:48,910 BREAKING THE LAW ♪ 2472 01:25:48,977 --> 01:25:50,445 ♪ BREAKING THE LAW, 2473 01:25:50,512 --> 01:25:51,479 BREAKING THE LAW ♪ 2474 01:25:51,546 --> 01:25:52,647 ♪ BREAKING THE LAW, 2475 01:25:52,714 --> 01:25:54,115 BREAKING THE LAW ♪ 2476 01:25:54,182 --> 01:25:55,483 ♪ BREAKING THE LAW, 2477 01:25:55,550 --> 01:25:56,484 BREAKING THE LAW ♪ 2478 01:25:56,551 --> 01:25:57,352 ♪ BREAKING THE LAW, 2479 01:25:57,418 --> 01:25:59,254 BREAKING THE LAW ♪ 2480 01:25:59,320 --> 01:26:01,723 ♪ BREAKING THE LAW, 2481 01:26:01,789 --> 01:26:06,661 BREAKING THE LAW ♪ 2482 01:26:06,728 --> 01:26:14,369 ♪ ♪ 2483 01:26:14,435 --> 01:26:23,278 ♪ ♪ 2484 01:26:23,344 --> 01:26:27,549 ♪ LIVING AFTER MIDNIGHT ♪ 2485 01:26:27,615 --> 01:26:32,353 ♪ ROCKING TO THE DAWN ♪ 2486 01:26:32,420 --> 01:26:35,456 ♪ LOVING 'TIL THE MORNING ♪ 2487 01:26:35,523 --> 01:26:41,763 ♪ THEN I'M GONE, I'M GONE ♪ 2488 01:26:41,829 --> 01:26:42,830 ♪ I HIT THE CITY 'BOUT 2489 01:26:42,897 --> 01:26:43,831 1:00 A.M. ♪ 2490 01:26:43,898 --> 01:26:45,967 ♪ LOADED, LOADED ♪ 2491 01:26:46,034 --> 01:26:47,135 ♪ I'M ALL GEARED UP TO SCORE 2492 01:26:47,201 --> 01:26:48,236 AGAIN ♪ 2493 01:26:48,303 --> 01:26:51,906 ♪ LOADED, LOADED ♪ 2494 01:26:51,973 --> 01:26:52,574 ♪ I COME ALIVE IN THE NEON 2495 01:26:52,640 --> 01:26:55,510 LIGHT ♪ 2496 01:26:55,577 --> 01:26:56,978 ♪ THAT'S WHEN I MAKE MY 2497 01:26:57,045 --> 01:26:59,113 MOVES RIGHT ♪ 2498 01:26:59,180 --> 01:27:02,083 ♪ LIVING AFTER MIDNIGHT ♪ 2499 01:27:02,150 --> 01:27:04,586 ♪ ROCKING TO THE DAWN ♪ 2500 01:27:04,652 --> 01:27:09,557 ♪ LOVING 'TIL THE MORNING ♪ 2501 01:27:09,624 --> 01:27:12,927 ♪ THEN I'M GONE, I'M GONE ♪ 2502 01:27:12,994 --> 01:27:15,196 ♪ GOT GLEAMING CHROME, 2503 01:27:15,263 --> 01:27:15,863 REFLECTING STEEL ♪ 2504 01:27:15,930 --> 01:27:20,535 ♪ LOADED, LOADED ♪ 2505 01:27:20,602 --> 01:27:23,004 ♪ READY TO TAKE ON EVERY DEAL ♪ 2506 01:27:23,071 --> 01:27:26,608 ♪ LOADED, LOADED ♪ 2507 01:27:26,674 --> 01:27:28,610 ♪ MY PULSE IS RACING, HOT TO 2508 01:27:28,676 --> 01:27:30,845 TAKE ♪ 2509 01:27:30,912 --> 01:27:32,614 ♪ AND THIS MOTOR'S REVVED UP, 2510 01:27:32,680 --> 01:27:34,983 FIT TO BREAK ♪ 2511 01:27:35,049 --> 01:27:38,586 ♪ LIVING AFTER MIDNIGHT ♪ 2512 01:27:38,653 --> 01:27:41,522 ♪ ROCKING TO THE DAWN ♪ 2513 01:27:41,589 --> 01:27:45,126 ♪ LOVING 'TIL THE MORNING ♪ 2514 01:27:45,193 --> 01:27:52,066 ♪ THEN I'M GONE, I'M GONE ♪ 2515 01:27:52,133 --> 01:27:53,568 ♪ ♪ 2516 01:27:53,635 --> 01:27:57,138 ♪ I'M AIMING FOR YA ♪ 2517 01:27:57,205 --> 01:28:00,074 ♪ ♪ 2518 01:28:00,141 --> 01:28:05,013 ♪ I'M GONNA FLOOR YA ♪ 2519 01:28:05,079 --> 01:28:10,952 ♪ MY BODY'S COMING ♪ 2520 01:28:11,019 --> 01:28:13,788 ♪ ♪ 2521 01:28:13,855 --> 01:28:22,964 ♪ ALL NIGHT LONG ♪ 2522 01:28:23,031 --> 01:28:31,406 ♪ ♪ 2523 01:28:31,472 --> 01:28:32,473 ♪ THE AIR'S ELECTRIC, 2524 01:28:32,540 --> 01:28:34,342 SPARKIN' POWER ♪ 2525 01:28:34,409 --> 01:28:38,279 ♪ LOADED, LOADED ♪ 2526 01:28:38,346 --> 01:28:39,447 ♪ I'M GETTING HOTTER 2527 01:28:39,514 --> 01:28:41,149 BY THE HOUR ♪ 2528 01:28:41,215 --> 01:28:45,787 ♪ LOADED, LOADED ♪ 2529 01:28:45,853 --> 01:28:47,355 ♪ I SET MY SIGHTS AND THEN 2530 01:28:47,422 --> 01:28:49,424 HOME IN ♪ 2531 01:28:49,490 --> 01:28:50,558 ♪ THE JOINT STARTS FLYING 2532 01:28:50,625 --> 01:28:52,493 WHEN I BEGIN ♪ 2533 01:28:52,560 --> 01:28:56,464 ♪ LIVING AFTER MIDNIGHT ♪ 2534 01:28:56,531 --> 01:28:59,500 ♪ ROCKING TO THE DAWN ♪ 2535 01:28:59,567 --> 01:29:03,871 ♪ LOVING 'TIL THE MORNING ♪ 2536 01:29:03,938 --> 01:29:07,075 ♪ THEN I'M GONE, I'M GONE ♪ 2537 01:29:07,141 --> 01:29:11,012 ♪ LIVING AFTER MIDNIGHT ♪ 2538 01:29:11,079 --> 01:29:12,647 ♪ ROCKING TO THE DAWN ♪ 2539 01:29:12,714 --> 01:29:17,351 ♪ LOVING 'TIL THE MORNING ♪ 2540 01:29:17,418 --> 01:29:22,523 ♪ THEN I'M GONE, I'M GONE ♪ 2541 01:29:22,590 --> 01:29:29,030 ♪ THEN I'M GONE ♪ 2542 01:29:29,097 --> 01:29:39,507 ♪ ♪ 2543 01:29:39,574 --> 01:29:50,885 ♪ ♪ 2544 01:29:50,952 --> 01:30:13,641 [CROWD CHANTING] 2545 01:30:13,708 --> 01:30:14,876 >> JUDAS PRIEST! 2546 01:30:14,942 --> 01:30:20,615 JUDAS PRIEST! 2547 01:30:20,681 --> 01:30:21,949 >> I'D LIKE TO THANK THE BAND 2548 01:30:22,016 --> 01:30:22,617 AND OBVIOUSLY ALL OF OUR SUPER, 2549 01:30:22,683 --> 01:30:23,451 SUPER FANS ALL AROUND THE WORLD. 2550 01:30:23,518 --> 01:30:24,519 AND THE BIGGEST SHOUT-OUT GOES 2551 01:30:24,585 --> 01:30:27,655 TO TWO PEOPLE WHO COULDN'T BE 2552 01:30:27,722 --> 01:30:28,790 HERE TONIGHT, MY MOTHER, DORIS, 2553 01:30:28,856 --> 01:30:29,457 AND MY BROTHER, GREG. 2554 01:30:29,524 --> 01:30:30,958 I KNOW THEY'RE WATCHING. 2555 01:30:31,025 --> 01:30:32,493 AND WITHOUT THEM, THEY NEVER 2556 01:30:32,560 --> 01:30:33,628 WOULD HAVE INTRODUCED ME TO THE 2557 01:30:33,694 --> 01:30:36,264 IMMOVABLE OBJECT THAT IS ROCK 2558 01:30:36,330 --> 01:30:37,431 AND ROLL! 2559 01:30:37,498 --> 01:30:42,603 [CHEERS AND APPLAUSE] 2560 01:30:42,670 --> 01:30:44,005 >> HI, EVERYONE. 2561 01:30:44,071 --> 01:30:44,939 [CHEERS AND APPLAUSE] 2562 01:30:45,006 --> 01:30:46,974 WHOA. 2563 01:30:47,041 --> 01:30:47,809 WELL, I'D LIKE TO SAY I HAVE A 2564 01:30:47,875 --> 01:30:48,643 VERY, VERY BIG HUMONGOUS THANK 2565 01:30:48,709 --> 01:30:49,944 YOU TO ALL OF THE FANS, AND 2566 01:30:50,011 --> 01:30:51,379 EVERYBODY ELSE, OF COURSE, BUT 2567 01:30:51,445 --> 01:30:53,347 THE FANS IN PARTICULAR, 2568 01:30:53,414 --> 01:30:55,416 FOR STAYING THE TEST OF TIME 2569 01:30:55,483 --> 01:30:57,185 WITH US, MANY DECADES, 2570 01:30:57,251 --> 01:30:58,119 SUPPORTING THE METAL AND THE 2571 01:30:58,186 --> 01:30:59,153 BAND. 2572 01:30:59,220 --> 01:31:00,288 IT'S FANTASTIC. 2573 01:31:00,354 --> 01:31:02,023 THANK YOU, EVERYONE. 2574 01:31:02,089 --> 01:31:13,067 [CHEERS AND APPLAUSE] 2575 01:31:13,134 --> 01:31:15,069 >> I'D JUST LIKE TO SAY A BIG 2576 01:31:15,136 --> 01:31:15,970 THANK YOU TO JUDAS PRIEST FANS 2577 01:31:16,037 --> 01:31:22,343 ALL OVER THE WORLD. 2578 01:31:22,410 --> 01:31:24,011 WE PLAYED IN SMALL PLACES IN THE 2579 01:31:24,078 --> 01:31:24,879 MIDDLE OF NOWHERE, AND 15,000 2580 01:31:24,946 --> 01:31:26,280 PEOPLE HAVE TURNED UP. 2581 01:31:26,347 --> 01:31:27,615 AND ALL THROUGH THE YEARS WHEN 2582 01:31:27,682 --> 01:31:34,021 OTHER BANDS HAVE SHUNNED THE 2583 01:31:34,088 --> 01:31:35,356 TITLE "HEAVY METAL," WE'VE FLOWN 2584 01:31:35,423 --> 01:31:36,490 THE FLAG FOR METAL, BECAUSE IT'S 2585 01:31:36,557 --> 01:31:37,124 SOMETHING THAT EVERYBODY IN THIS 2586 01:31:37,191 --> 01:31:37,925 BAND LOVES. 2587 01:31:37,992 --> 01:31:38,926 AND WE'VE GOT A GENUINE LOVE OF 2588 01:31:38,993 --> 01:31:40,261 THE MUSIC, AND WE EMBRACE IT, 2589 01:31:40,328 --> 01:31:40,895 AND ALWAYS HAVE, AND ALWAYS BEEN 2590 01:31:40,962 --> 01:31:42,663 PROUD TO PLAY HEAVY METAL. 2591 01:31:42,730 --> 01:31:44,065 SO, ONCE AGAIN, THANKS TO 2592 01:31:44,131 --> 01:31:44,732 EVERYBODY HERE TONIGHT. 2593 01:31:44,799 --> 01:31:45,967 THANK YOU. 2594 01:31:46,033 --> 01:31:47,101 THANK YOU VERY MUCH. 2595 01:31:47,168 --> 01:31:49,971 [CHEERS AND APPLAUSE] 2596 01:31:50,037 --> 01:31:52,006 >> HI, THERE. 2597 01:31:52,073 --> 01:31:52,640 WELL, I'M GONNA KEEP THIS SHORT 2598 01:31:52,707 --> 01:31:54,508 AND SWEET. 2599 01:31:54,575 --> 01:31:55,610 AS YOU KNOW, DRUMMERS ARE ALWAYS 2600 01:31:55,676 --> 01:31:57,411 THE QUIET ONES IN BANDS. 2601 01:31:57,478 --> 01:31:58,980 UNLESS, OF COURSE, YOU HAPPEN TO 2602 01:31:59,046 --> 01:32:03,150 BE KEITH MOON. 2603 01:32:03,217 --> 01:32:04,285 VERY, VERY HONORED TO HAVE THIS 2604 01:32:04,352 --> 01:32:05,653 AWARD TONIGHT. 2605 01:32:05,720 --> 01:32:08,356 I WANNA THANK THE ROCK AND ROLL 2606 01:32:08,422 --> 01:32:09,690 HALL OF FAME VERY MUCH, RIGHT 2607 01:32:09,757 --> 01:32:10,591 FROM THE BOTTOM OF MY HEART. 2608 01:32:10,658 --> 01:32:13,060 THANK YOU SO MUCH. 2609 01:32:13,127 --> 01:32:15,730 [APPLAUSE] 2610 01:32:15,796 --> 01:32:17,531 >> HELLO. 2611 01:32:17,598 --> 01:32:20,067 YOU KNOW, YOU START OFF ALL 2612 01:32:20,134 --> 01:32:24,438 THOSE YEARS AGO, AND YOU 2613 01:32:24,505 --> 01:32:26,173 REBEL AGAINST THE ESTABLISHMENT. 2614 01:32:26,240 --> 01:32:27,208 YOU WANNA DO IT YOUR WAY. 2615 01:32:27,275 --> 01:32:28,309 YOU WANNA BE DIFFERENT AND TRY 2616 01:32:28,376 --> 01:32:29,110 TO BE UNIQUE. 2617 01:32:29,176 --> 01:32:30,144 AND YOU CARRY THAT THROUGH WITH 2618 01:32:30,211 --> 01:32:31,579 YOU OVER THE YEARS, UNTIL 2619 01:32:31,646 --> 01:32:33,481 SUDDENLY YOU REALIZE THAT YOU'VE 2620 01:32:33,547 --> 01:32:34,515 BECOME THE ESTABLISHMENT, AND 2621 01:32:34,582 --> 01:32:35,616 PEOPLE ARE REBELLING AGAINST 2622 01:32:35,683 --> 01:32:36,450 YOU. 2623 01:32:36,517 --> 01:32:37,518 [LAUGHTER] 2624 01:32:37,585 --> 01:32:38,619 AND HERE WE ARE. 2625 01:32:38,686 --> 01:32:39,921 THE ROCK AND ROLL HALL OF FAME. 2626 01:32:39,987 --> 01:32:42,089 [CHEERS AND APPLAUSE] 2627 01:32:42,156 --> 01:32:42,990 I MEAN, THAT'S THE ULTIMATE 2628 01:32:43,057 --> 01:32:48,663 ESTABLISHMENT. 2629 01:32:48,729 --> 01:32:49,897 AND SO NOW I AM PROUD AND 2630 01:32:49,964 --> 01:32:51,165 HONORED TO BE A PART OF THAT. 2631 01:32:51,232 --> 01:32:54,135 THANK YOU. 2632 01:32:54,201 --> 01:32:57,872 [APPLAUSE] 2633 01:32:57,939 --> 01:32:59,607 [CHEERS AND APPLAUSE] 2634 01:32:59,674 --> 01:33:01,709 >> HELLO. 2635 01:33:01,776 --> 01:33:04,278 I'M THE GAY GUY IN THE BAND. 2636 01:33:04,345 --> 01:33:13,454 [CHEERS AND APPLAUSE] 2637 01:33:13,521 --> 01:33:14,989 YOU SEE, THAT THERE IS WHAT 2638 01:33:15,056 --> 01:33:16,490 HEAVY METAL IS ALL ABOUT. 2639 01:33:16,557 --> 01:33:18,759 WE CALL OURSELVES THE 2640 01:33:18,826 --> 01:33:20,695 HEAVY METAL COMMUNITY, WHICH IS 2641 01:33:20,761 --> 01:33:22,596 ALL-INCLUSIVE, DOESN'T MATTER 2642 01:33:22,663 --> 01:33:24,565 WHAT YOUR SEXUAL IDENTITY IS, 2643 01:33:24,632 --> 01:33:26,334 WHAT YOU LOOK LIKE, COLOR OF 2644 01:33:26,400 --> 01:33:27,735 YOUR SKIN, THE FAITH THAT YOU 2645 01:33:27,802 --> 01:33:29,203 BELIEVE IN OR DON'T BELIEVE IN. 2646 01:33:29,270 --> 01:33:31,339 EVERYBODY'S WELCOME. 2647 01:33:31,405 --> 01:33:33,307 PEOPLE ON THE OUTSIDE LOOKING IN 2648 01:33:33,374 --> 01:33:37,778 TO HEAVY METAL KIND OF LOOK AT 2649 01:33:37,845 --> 01:33:39,780 US AND, YOU KNOW, ARE A LITTLE 2650 01:33:39,847 --> 01:33:40,448 BIT SCARED. 2651 01:33:40,514 --> 01:33:41,549 BUT PLEASE, YOU'VE SEEN IT HERE 2652 01:33:41,615 --> 01:33:42,383 TONIGHT. 2653 01:33:42,450 --> 01:33:43,684 WE'RE ALL ABOUT THE POWER, AND 2654 01:33:43,751 --> 01:33:45,219 THE EMOTION, AND THE DEDICATION, 2655 01:33:45,286 --> 01:33:47,221 AND THE LOVE OF HEAVY METAL THAT 2656 01:33:47,288 --> 01:33:49,790 WE'VE BEEN CARRYING FOR 2657 01:33:49,857 --> 01:33:51,625 50 HEAVY METAL YEARS! 2658 01:33:51,692 --> 01:33:52,626 [CHEERS AND APPLAUSE] 2659 01:33:52,693 --> 01:33:53,561 WITHOUT OUR FANS, WE HAVE 2660 01:33:53,627 --> 01:33:54,729 NOTHING. 2661 01:33:54,795 --> 01:33:56,063 WE ARE NOTHING WITHOUT OUR FANS. 2662 01:33:56,130 --> 01:33:57,765 SO WE THANK EACH AND EVERY ONE 2663 01:33:57,832 --> 01:34:00,334 OF YOU HERE IN THIS BUILDING, 2664 01:34:00,401 --> 01:34:02,103 AND AROUND THE WORLD, FOR YOUR 2665 01:34:02,169 --> 01:34:03,704 LOVE AND SUPPORT AND DEDICATION, 2666 01:34:03,771 --> 01:34:05,139 FOR WHAT WE DO. 2667 01:34:05,206 --> 01:34:08,275 WHEN PRIEST FIRST CAME OUT HERE 2668 01:34:08,342 --> 01:34:10,378 IN THE '70s, AND WE OPENED UP 2669 01:34:10,444 --> 01:34:12,913 FOR BANDS LIKE MOLLY HATCHET AND 2670 01:34:12,980 --> 01:34:14,949 REO SPEEDWAGON, WE WENT ON, AND 2671 01:34:15,016 --> 01:34:15,616 PEOPLE WERE LIKE, "WHAT THE HELL 2672 01:34:15,683 --> 01:34:18,219 IS THIS?" 2673 01:34:18,285 --> 01:34:18,486 [LAUGHTER] 2674 01:34:18,552 --> 01:34:20,755 AND 20 MINUTES LATER, WE HAD 2675 01:34:20,821 --> 01:34:22,089 THEM STAMPING THEIR FEET AND 2676 01:34:22,156 --> 01:34:23,391 THROWING UP THE HORNS OF HEAVY 2677 01:34:23,457 --> 01:34:24,125 METAL. 2678 01:34:24,191 --> 01:34:25,059 SO THAT'S WHAT WE'VE LOVED DOING 2679 01:34:25,126 --> 01:34:26,127 FOR 50 YEARS, AND WE WISH WE 2680 01:34:26,193 --> 01:34:27,461 COULD HAVE ANOTHER 50 YEARS. 2681 01:34:27,528 --> 01:34:31,198 BUT THE JOY ABOUT MUSIC IS THAT 2682 01:34:31,265 --> 01:34:32,033 IT LIVES FOREVER. 2683 01:34:32,099 --> 01:34:33,300 AND THAT'S THE REASON THAT WE'RE 2684 01:34:33,367 --> 01:34:34,068 HERE. 2685 01:34:34,135 --> 01:34:35,503 WE LIVE FOR HEAVY METAL. 2686 01:34:35,569 --> 01:34:36,237 WE LIVE FOR MUSIC. 2687 01:34:36,303 --> 01:34:37,138 AND WE LIVE FOR THE 2688 01:34:37,204 --> 01:34:38,339 ROCK AND ROLL HALL OF FAME. 2689 01:34:38,406 --> 01:34:39,840 THANK YOU SO MUCH. 2690 01:34:39,907 --> 01:34:47,815 [CHEERS AND APPLAUSE] 2691 01:34:47,882 --> 01:34:48,983 >> I NEVER KNEW ANYTHING ABOUT 2692 01:34:49,050 --> 01:34:50,317 RAP. 2693 01:34:50,384 --> 01:34:54,188 AND I SAW THIS DJ PLAYING MUSIC, 2694 01:34:54,255 --> 01:34:55,656 AND HE WAS SAYING THINGS TO THE 2695 01:34:55,723 --> 01:34:56,424 KIDS, AND THEY WOULD ANSWER HIM 2696 01:34:56,490 --> 01:34:59,293 BACK. 2697 01:34:59,360 --> 01:35:01,829 YOU PUT A CONCEPT LIKE THAT ON 2698 01:35:01,896 --> 01:35:07,635 RECORD, AND YOU GO TO THE MOON. 2699 01:35:07,701 --> 01:35:09,270 [RECORD SCRATCHING] 2700 01:35:09,336 --> 01:35:10,871 >> EARLY HIP HOP WAS A MACHINE 2701 01:35:10,938 --> 01:35:11,739 THAT REQUIRED DJS, REQUIRED 2702 01:35:11,806 --> 01:35:13,974 DANCERS, REQUIRED RAPPERS. 2703 01:35:14,041 --> 01:35:15,476 WHEN SYLVIA ROBINSON WENT OUT 2704 01:35:15,543 --> 01:35:16,110 AND SAID, "YOU CAN MAKE A RECORD 2705 01:35:16,177 --> 01:35:17,244 OF THIS STUFF," THE KIDS WEREN'T 2706 01:35:17,311 --> 01:35:19,180 THINKING ABOUT THAT. 2707 01:35:19,246 --> 01:35:20,714 >> RAP ON RECORD WAS COMPLETELY 2708 01:35:20,781 --> 01:35:22,950 REVOLUTIONARY. 2709 01:35:23,017 --> 01:35:23,851 IT TOOK SYLVIA ROBINSON TO MAKE 2710 01:35:23,918 --> 01:35:24,885 IT HAPPEN. 2711 01:35:24,952 --> 01:35:27,455 ♪ ♪ 2712 01:35:27,521 --> 01:35:29,657 NOT ONLY DID SHE CONCEIVE OF 2713 01:35:29,723 --> 01:35:31,058 MAKING A RAP RECORD, BUT SHE 2714 01:35:31,125 --> 01:35:32,059 ALSO ASSEMBLED HER OWN RAP 2715 01:35:32,126 --> 01:35:36,330 GROUP. 2716 01:35:36,397 --> 01:35:37,364 >> I PUT SUGARHILL GANG 2717 01:35:37,431 --> 01:35:38,099 TOGETHER. 2718 01:35:38,165 --> 01:35:39,767 THEY DIDN'T KNOW EACH OTHER. 2719 01:35:39,834 --> 01:35:40,568 ♪ I SAID A HIP, HOP, THE 2720 01:35:40,634 --> 01:35:41,068 HIPPIE, THE HIPPIE ♪ 2721 01:35:41,135 --> 01:35:42,103 ♪ TO THE HIP HIP HOP AND YOU 2722 01:35:42,169 --> 01:35:43,637 DON'T STOP THE ROCK ♪ 2723 01:35:43,704 --> 01:35:47,508 >> SYLVIA ROBINSON AND RAPPERS 2724 01:35:47,575 --> 01:35:49,043 DELIGHT CAPTURED 1979 LIKE NO 2725 01:35:49,110 --> 01:35:50,711 OTHER. 2726 01:35:50,778 --> 01:35:51,679 ♪ NOW, WHAT YOU HEAR IS 2727 01:35:51,745 --> 01:35:52,379 NOT A TEST ♪ 2728 01:35:52,446 --> 01:35:53,781 ♪ I'M RAPPIN' TO THE BEAT ♪ 2729 01:35:53,848 --> 01:35:54,348 >> THIS CHANGED THE GAME OF 2730 01:35:54,415 --> 01:35:55,316 HIP HOP. 2731 01:35:55,382 --> 01:35:57,651 THIS RECORD JUST SET THE GOAL TO 2732 01:35:57,718 --> 01:35:58,886 A WHOLE 'NOTHER LEVEL NOW. 2733 01:35:58,953 --> 01:35:59,620 IT WASN'T RULE THE BRONX OR RULE 2734 01:35:59,687 --> 01:36:00,821 MANHATTAN. 2735 01:36:00,888 --> 01:36:03,224 IT WAS NOW, HOW SOON CAN YOU 2736 01:36:03,290 --> 01:36:03,557 MAKE A RECORD? 2737 01:36:03,624 --> 01:36:05,025 ♪ ♪ 2738 01:36:05,092 --> 01:36:06,594 >> IT'S THE JOINT! 2739 01:36:06,660 --> 01:36:07,561 >> SHE GOT THESE OTHER GROUPS, 2740 01:36:07,628 --> 01:36:09,830 BECAUSE SHE FELT THAT RAP WAS 2741 01:36:09,897 --> 01:36:10,965 HERE TO STAY. 2742 01:36:11,031 --> 01:36:11,599 >> THE SUGARHILL RECORD COMPANY 2743 01:36:11,665 --> 01:36:13,300 IS A FAMILY-OWNED BUSINESS. 2744 01:36:13,367 --> 01:36:14,201 JOE ROBINSON, SR. IS THE 2745 01:36:14,268 --> 01:36:15,703 PRESIDENT OF THE COMPANY. 2746 01:36:15,769 --> 01:36:17,404 HIS WIFE, SYLVIA ROBINSON, IS 2747 01:36:17,471 --> 01:36:18,839 ONE OF THE MOST SOUGHT-AFTER, 2748 01:36:18,906 --> 01:36:19,640 RESPECTED PRODUCERS IN THE 2749 01:36:19,707 --> 01:36:20,474 INDUSTRY. 2750 01:36:20,541 --> 01:36:25,179 ♪ ♪ 2751 01:36:25,246 --> 01:36:27,047 >> I HAD THE MESSAGE TWO YEARS 2752 01:36:27,114 --> 01:36:28,682 BEFORE I EVER MET THEM, AND I 2753 01:36:28,749 --> 01:36:29,750 SAID, "I HAVE A SONG HERE. 2754 01:36:29,817 --> 01:36:31,051 IF YOU DO THIS, IT WILL MAKE YOU 2755 01:36:31,118 --> 01:36:32,953 BIGGER THAN YOU'VE EVER BEEN." 2756 01:36:33,020 --> 01:36:33,787 >> SHE WOULD PLAY THIS TAPE FOR 2757 01:36:33,854 --> 01:36:41,428 US. 2758 01:36:41,495 --> 01:36:43,430 "IT'S LIKE A JUNGLE SOMETIMES, 2759 01:36:43,497 --> 01:36:45,399 IT MAKES ME WONDER HOW I KEEP 2760 01:36:45,466 --> 01:36:46,267 FROM GOING UNDER." 2761 01:36:46,333 --> 01:36:47,301 ♪ BROKEN GLASS EVERYWHERE ♪ 2762 01:36:47,368 --> 01:36:48,002 ♪ PEOPLE PISSIN' ON THE STAIRS ♪ 2763 01:36:48,068 --> 01:36:48,769 ♪ YOU KNOW THEY JUST 2764 01:36:48,836 --> 01:36:49,637 DON'T CARE ♪ 2765 01:36:49,703 --> 01:36:50,638 ♪ I CAN'T TAKE THE SMELL, CAN'T 2766 01:36:50,704 --> 01:36:51,539 TAKE THE NOISE ♪ 2767 01:36:51,605 --> 01:36:55,376 >> THE LYRICS WERE DARK. 2768 01:36:55,442 --> 01:36:56,110 ♪ GOT NO MONEY TO MOVE OUT, 2769 01:36:56,177 --> 01:36:57,244 I GUESS I GOT NO CHOICE ♪ 2770 01:36:57,311 --> 01:36:58,078 >> 'CAUSE, LIKE, FINALLY 2771 01:36:58,145 --> 01:36:59,013 SOMEBODY'S TELLING THE WORLD HOW 2772 01:36:59,079 --> 01:36:59,713 WE LIVE AND WHAT WE'RE GOING 2773 01:36:59,780 --> 01:37:03,184 THROUGH. 2774 01:37:03,250 --> 01:37:04,552 >> I KNEW "THE MESSAGE" WOULD 2775 01:37:04,618 --> 01:37:05,553 WORK BECAUSE OF THE STORY. 2776 01:37:05,619 --> 01:37:06,086 MOST PEOPLE LIVING IN THE 2777 01:37:06,153 --> 01:37:06,921 GHETTO, THAT'S THE STORY OF 2778 01:37:06,987 --> 01:37:08,088 THEIR LIFE. 2779 01:37:08,155 --> 01:37:09,023 >> THE CONCEPT SHIFTED THE 2780 01:37:09,089 --> 01:37:09,990 PARADIGM OF WHAT TYPES OF 2781 01:37:10,057 --> 01:37:14,728 RECORDS WOULD BE MADE AND WHAT 2782 01:37:14,795 --> 01:37:16,931 KINDS OF THEMES COULD BE TALKED 2783 01:37:16,997 --> 01:37:17,965 ABOUT. 2784 01:37:18,032 --> 01:37:19,300 ♪ WHITE LINES ♪ 2785 01:37:19,366 --> 01:37:20,201 ♪ VISION DREAMS OF PASSION ♪ 2786 01:37:20,267 --> 01:37:21,335 >> IT WAS LIKE A REAL BOLD STEP 2787 01:37:21,402 --> 01:37:22,436 INTO TAKING THIS MUSIC AND 2788 01:37:22,503 --> 01:37:23,370 MAKING IT LEGITIMATE. 2789 01:37:23,437 --> 01:37:24,104 >> SHE PIONEERED SOMETHING THAT 2790 01:37:24,171 --> 01:37:26,040 WAS DEEMED IMPOSSIBLE. 2791 01:37:26,106 --> 01:37:27,474 SHE KNEW IT ALL. 2792 01:37:27,541 --> 01:37:34,515 AND WHY NOT DO IT ALL? 2793 01:37:34,582 --> 01:37:37,318 >> THEY WOULD COME UP WITH A 2794 01:37:37,384 --> 01:37:38,352 CONCEPT THEMSELVES, AND YOU KNOW 2795 01:37:38,419 --> 01:37:39,553 YOU HAVE A GREAT PIECE OF 2796 01:37:39,620 --> 01:37:39,987 PRODUCT. 2797 01:37:40,054 --> 01:37:41,388 ♪ I'M SYLVIA ON THE SCENE ♪ 2798 01:37:41,455 --> 01:37:42,856 ♪ BETTER KNOWN AS THE RAPPING 2799 01:37:42,923 --> 01:37:45,993 QUEEN ♪ 2800 01:37:46,060 --> 01:37:47,161 ♪ THE QUEEN SUGAR'S HERE ♪ 2801 01:37:47,228 --> 01:37:47,628 [CHEERS AND APPLAUSE] 2802 01:37:47,695 --> 01:37:48,629 ♪ ♪ 2803 01:37:48,696 --> 01:37:49,763 >> Announcer: TO INDUCT 2804 01:37:49,830 --> 01:37:50,531 CARLY SIMON INTO THE 2805 01:37:50,598 --> 01:37:51,599 ROCK AND ROLL HALL OF FAME, 2806 01:37:51,665 --> 01:37:52,566 SARA BAREILLES. 2807 01:37:52,633 --> 01:37:53,867 [CHEERS AND APPLAUSE] 2808 01:37:53,934 --> 01:37:54,802 >> LIKE SO MANY 2809 01:37:54,868 --> 01:37:56,170 SINGER-SONGWRITERS WHO HAVE COME 2810 01:37:56,237 --> 01:37:57,338 AFTER HER, I, TOO, HAVE FELT THE 2811 01:37:57,404 --> 01:37:59,039 POWERFUL IMPACT OF CARLY SIMON 2812 01:37:59,106 --> 01:38:00,608 AND BEEN MADE BETTER FOR IT. 2813 01:38:00,674 --> 01:38:02,643 WEAVING TOGETHER FIERCE 2814 01:38:02,710 --> 01:38:04,144 INTELLIGENCE, SOULFUL HONESTY, 2815 01:38:04,211 --> 01:38:06,614 AND VULNERABILITY, CARLY MADE 2816 01:38:06,680 --> 01:38:10,884 SONG AFTER SONG, RECORD AFTER 2817 01:38:10,951 --> 01:38:11,919 RECORD, THAT TRANSCENDED ANY ONE 2818 01:38:11,986 --> 01:38:13,053 GENRE OR ANY ONE GENERATION OF 2819 01:38:13,120 --> 01:38:14,521 STORYTELLERS. 2820 01:38:14,588 --> 01:38:16,457 THE ELEGANCE OF HER MELODIES 2821 01:38:16,523 --> 01:38:17,825 SPEAK TO THE COMPLEXITY OF THE 2822 01:38:17,891 --> 01:38:19,260 EMOTIONS AND THE EXPERIENCES SHE 2823 01:38:19,326 --> 01:38:21,195 WRITES ABOUT. 2824 01:38:21,262 --> 01:38:26,400 AND HER SINGULAR, UNFORGETTABLE 2825 01:38:26,467 --> 01:38:27,735 VOICE, AN ARROW OF TRUTH, TELLS 2826 01:38:27,801 --> 01:38:28,636 IT LIKE IT REALLY IS. 2827 01:38:28,702 --> 01:38:29,670 SHE NEVER CHASED FAME OR 2828 01:38:29,737 --> 01:38:31,405 SUCCESS. 2829 01:38:31,472 --> 01:38:32,606 THEY CAME TO HER, BECAUSE OF THE 2830 01:38:32,673 --> 01:38:35,075 UNDENIABLE ESSENCE OF HER WORK. 2831 01:38:35,142 --> 01:38:37,011 SHE IS A ONE OF A KIND ARTIST, A 2832 01:38:37,077 --> 01:38:38,679 UNIQUE VISIONARY WHO REMAINS A 2833 01:38:38,746 --> 01:38:39,780 MODEL, A TRAILBLAZER, AND AN 2834 01:38:39,847 --> 01:38:42,216 INSPIRATION. 2835 01:38:42,283 --> 01:38:44,184 RAISED IN A HOUSEHOLD RICH WITH 2836 01:38:44,251 --> 01:38:45,219 MUSIC AND LITERATURE, CARLY 2837 01:38:45,286 --> 01:38:47,554 LAUNCHED HER CAREER AS ONE HALF 2838 01:38:47,621 --> 01:38:48,789 OF THE SIMON SISTERS, A DUO SHE 2839 01:38:48,856 --> 01:38:50,190 FORMED WITH HER OLDER SISTER, 2840 01:38:50,257 --> 01:38:52,326 LUCY. 2841 01:38:52,393 --> 01:38:53,627 WHEN SHE LATER SET OUT ON HER 2842 01:38:53,694 --> 01:38:55,462 OWN, SHE IMMEDIATELY MADE AN 2843 01:38:55,529 --> 01:38:56,430 INDELIBLE IMPRESSION WITH HER 2844 01:38:56,497 --> 01:38:57,698 VERY FIRST SINGLE, 2845 01:38:57,765 --> 01:38:58,832 "THAT'S THE WAY I'VE ALWAYS 2846 01:38:58,899 --> 01:39:00,134 HEARD IT SHOULD BE," WHICH SHE 2847 01:39:00,200 --> 01:39:01,068 CO-WROTE. 2848 01:39:01,135 --> 01:39:02,169 THAT'S RIGHT. 2849 01:39:02,236 --> 01:39:04,471 [CHEERS AND APPLAUSE] 2850 01:39:04,538 --> 01:39:05,339 WHICH SHE CO-WROTE WITH HER 2851 01:39:05,406 --> 01:39:06,874 FREQUENT COLLABORATOR AND 2852 01:39:06,940 --> 01:39:09,009 FRIEND, JACOB BRACKMAN. 2853 01:39:09,076 --> 01:39:10,744 THAT SONG SET THE TONE FOR THE 2854 01:39:10,811 --> 01:39:12,980 REST OF CARLY'S CAREER. 2855 01:39:13,047 --> 01:39:15,783 COMPLEX IN BOTH MUSIC AND 2856 01:39:15,849 --> 01:39:16,750 LYRICS, IT EXPLORED THE TANGLE 2857 01:39:16,817 --> 01:39:17,985 OF DESIRES AT THE HEART OF THE 2858 01:39:18,052 --> 01:39:20,387 LIVES OF MANY WOMEN IN THE EARLY 2859 01:39:20,454 --> 01:39:21,655 '70S, QUESTIONING SOCIAL NORMS, 2860 01:39:21,722 --> 01:39:23,123 AND PUSHING BACK ON GENDER 2861 01:39:23,190 --> 01:39:25,192 STEREOTYPES. 2862 01:39:25,259 --> 01:39:27,394 IT REFLECTED THE FEMINIST 2863 01:39:27,461 --> 01:39:28,529 MOVEMENT RISING UP AT THE TIME. 2864 01:39:28,595 --> 01:39:32,032 [CHEERS AND APPLAUSE] 2865 01:39:32,099 --> 01:39:34,134 THAT CONTINUES TODAY, BUT IT 2866 01:39:34,201 --> 01:39:38,605 OFFERED NO EASY ANSWERS. 2867 01:39:38,672 --> 01:39:39,773 IT ACCOMPLISHED ALL THAT, AND IT 2868 01:39:39,840 --> 01:39:41,508 WAS A TOP 10 HIT. 2869 01:39:41,575 --> 01:39:43,344 THE LIST OF BRILLIANT SONGS THAT 2870 01:39:43,410 --> 01:39:45,813 FOLLOWED IS SIMPLY SPECTACULAR: 2871 01:39:45,879 --> 01:39:47,848 "ANTICIPATION," "LEGEND IN YOUR 2872 01:39:47,915 --> 01:39:49,950 OWN TIME," "YOU'RE SO VAIN." 2873 01:39:50,017 --> 01:39:52,419 [CHEERS AND APPLAUSE] 2874 01:39:52,486 --> 01:39:53,721 HER BIGGEST HIT THAT HAS KEPT 2875 01:39:53,787 --> 01:39:54,955 EVERYONE GUESSING ABOUT ITS 2876 01:39:55,022 --> 01:39:58,826 SUBJECT FOR 50 YEARS. 2877 01:39:58,892 --> 01:40:00,260 "THE RIGHT THING TO DO," 2878 01:40:00,327 --> 01:40:01,729 "HAVEN'T GOT TIME FOR THE PAIN," 2879 01:40:01,795 --> 01:40:03,997 "NOBODY DOES IT BETTER," 2880 01:40:04,064 --> 01:40:05,666 "YOU BELONG TO ME," "JESSE," 2881 01:40:05,733 --> 01:40:07,534 "COMING AROUND AGAIN," 2882 01:40:07,601 --> 01:40:11,438 "LET THE RIVER RUN." 2883 01:40:11,505 --> 01:40:12,873 CARLY'S RANGE AND SOPHISTICATION 2884 01:40:12,940 --> 01:40:15,576 ARE PEERLESS. 2885 01:40:15,642 --> 01:40:17,978 HER SONGS ARE LIKE A GREAT 2886 01:40:18,045 --> 01:40:20,180 COLLECTION OF SHORT STORIES, THE 2887 01:40:20,247 --> 01:40:20,981 KIND YOU READ OVER AND OVER 2888 01:40:21,048 --> 01:40:22,149 AGAIN AS THEY CONTINUE TO REVEAL 2889 01:40:22,216 --> 01:40:23,350 NEW TRUTHS EVERY TIME YOU 2890 01:40:23,417 --> 01:40:25,686 ENCOUNTER THEM. 2891 01:40:25,753 --> 01:40:26,887 SHE IS GENRE-BENDING AND 2892 01:40:26,954 --> 01:40:28,455 BOUNDARY-BREAKING. 2893 01:40:28,522 --> 01:40:30,391 ADORED AND ADMIRED BY THE TITANS 2894 01:40:30,457 --> 01:40:32,760 OF HER INDUSTRY, AND YOUNG 2895 01:40:32,826 --> 01:40:34,194 ARTISTS ALIKE, WHO LOOK TO HER 2896 01:40:34,261 --> 01:40:35,362 FOR THE TRUTH AND BRAVERY SHE 2897 01:40:35,429 --> 01:40:37,331 OFFERS. 2898 01:40:37,398 --> 01:40:38,665 HER WELL-KNOWN STAGE FRIGHT HAS 2899 01:40:38,732 --> 01:40:40,601 ONLY MADE THE PERFORMANCES SHE'S 2900 01:40:40,667 --> 01:40:41,668 GIVEN MORE PRECIOUS AND MORE 2901 01:40:41,735 --> 01:40:43,570 COMPELLING. 2902 01:40:43,637 --> 01:40:44,772 CARLY SIMON HAS NEVER BEEN 2903 01:40:44,838 --> 01:40:46,874 AFRAID TO REVEAL HER PERSONAL 2904 01:40:46,940 --> 01:40:48,342 FEARS, OR TO BRAVELY TRAVEL HER 2905 01:40:48,409 --> 01:40:51,011 OWN CREATIVE PATH DESPITE THEM. 2906 01:40:51,078 --> 01:40:52,679 AND TONIGHT, THAT PATH HAS LED 2907 01:40:52,746 --> 01:40:54,848 HER HERE, MOST DESERVEDLY TO THE 2908 01:40:54,915 --> 01:40:56,583 ROCK AND ROLL HALL OF FAME. 2909 01:40:56,650 --> 01:40:59,653 [CHEERS AND APPLAUSE] 2910 01:40:59,720 --> 01:41:06,660 ♪ ♪ 2911 01:41:06,727 --> 01:41:12,065 ♪ ANTICIPATION, ANTICIPATION ♪ 2912 01:41:12,132 --> 01:41:15,936 ♪ IS MAKIN' ME LATE ♪ 2913 01:41:16,003 --> 01:41:19,206 >> I WAS SITTING ON THE END OF 2914 01:41:19,273 --> 01:41:19,840 MY BED, AND I WAS PLAYING THE 2915 01:41:19,907 --> 01:41:21,074 GUITAR. 2916 01:41:21,141 --> 01:41:22,209 I WAS VERY NERVOUS ABOUT MY 2917 01:41:22,276 --> 01:41:23,410 FORTHCOMING DATE WITH 2918 01:41:23,477 --> 01:41:28,682 CAT STEVENS. 2919 01:41:28,749 --> 01:41:29,917 AND I THOUGHT, "LET'S SEE, IF I 2920 01:41:29,983 --> 01:41:36,123 CAN WRITE A FULL SONG BEFORE THE 2921 01:41:36,190 --> 01:41:37,424 DOORBELL RINGS, I WOULD HAVE AT 2922 01:41:37,491 --> 01:41:38,859 LEAST SPENT THIS TIME NOT IN A 2923 01:41:38,926 --> 01:41:42,029 MODE OF ANXIETY, BUT I WILL HAVE 2924 01:41:42,095 --> 01:41:43,263 CREATED SOMETHING." 2925 01:41:43,330 --> 01:41:44,298 AND I FINISHED "ANTICIPATION" 2926 01:41:44,364 --> 01:41:44,898 BEFORE HE ARRIVED, BEFORE THE 2927 01:41:44,965 --> 01:41:45,966 DOORBELL RANG. 2928 01:41:46,033 --> 01:41:46,834 ♪ THESE ARE THE GOOD OLD 2929 01:41:46,900 --> 01:41:47,634 DAYS ♪ 2930 01:41:47,701 --> 01:41:49,736 >> SHE WRITES THINGS IN HER OWN 2931 01:41:49,803 --> 01:41:50,604 SONGS. 2932 01:41:50,671 --> 01:41:51,371 SHE RECENTLY WON A GRAMMY FOR 2933 01:41:51,438 --> 01:41:52,539 THE BEST NEW ARTIST OF THE YEAR. 2934 01:41:52,606 --> 01:41:53,607 WILL YOU WELCOME, PLEASE, 2935 01:41:53,674 --> 01:41:55,075 MS. CARLY SIMON? 2936 01:41:55,142 --> 01:41:56,343 ♪ THEN YOU'D TURN ON THE 2937 01:41:56,410 --> 01:41:57,544 RADIO ♪ 2938 01:41:57,611 --> 01:41:58,979 ♪ AND SING WITH THE SINGER IN 2939 01:41:59,046 --> 01:42:01,448 THE BAND ♪ 2940 01:42:01,515 --> 01:42:02,916 >> I WAS BORN VERY SHY, WITHOUT 2941 01:42:02,983 --> 01:42:04,651 THE DESIRE TO BE IN FRONT OF 2942 01:42:04,718 --> 01:42:07,287 ANYBODY OR TO SHOW OFF. 2943 01:42:07,354 --> 01:42:09,356 AND, PARADOXICALLY, THERE WAS A 2944 01:42:09,423 --> 01:42:10,390 PART OF ME THAT SAID, 2945 01:42:10,457 --> 01:42:11,492 "ME, ME, ME." 2946 01:42:11,558 --> 01:42:12,493 >> DO YOU COME FROM A MUSICAL 2947 01:42:12,559 --> 01:42:12,993 FAMILY? 2948 01:42:13,060 --> 01:42:13,927 YOU DO, DON'T YOU? 2949 01:42:13,994 --> 01:42:14,895 >> YES. 2950 01:42:14,962 --> 01:42:16,697 MY SISTER, SHE'S AN OPERA 2951 01:42:16,763 --> 01:42:18,031 SINGER. 2952 01:42:18,098 --> 01:42:19,299 AND THE OTHER SISTER, LUCY, AND 2953 01:42:19,366 --> 01:42:20,234 I USED TO SING TOGETHER WHEN WE 2954 01:42:20,300 --> 01:42:22,469 WERE MUCH, MUCH YOUNGER. 2955 01:42:22,536 --> 01:42:23,270 ♪ WYNKEN AND BLYNKEN AND NOD 2956 01:42:23,337 --> 01:42:24,171 ONE NIGHT ♪ 2957 01:42:24,238 --> 01:42:25,239 ♪ SAILED OFF ON A WOODEN SHOE ♪ 2958 01:42:25,305 --> 01:42:26,573 ♪ SAILED DOWN A RIVER OF 2959 01:42:26,640 --> 01:42:28,308 CRYSTAL LIGHT ♪ 2960 01:42:28,375 --> 01:42:30,043 ♪ INTO A SEA OF DEW ♪ 2961 01:42:30,110 --> 01:42:34,481 ♪ ♪ 2962 01:42:34,548 --> 01:42:36,116 ♪ ♪ 2963 01:42:36,183 --> 01:42:37,684 ♪ WELL, HEY, IT'S TIME WE MOVED 2964 01:42:37,751 --> 01:42:41,922 IN TOGETHER ♪ 2965 01:42:41,989 --> 01:42:43,490 ♪ AND RAISED A FAMILY OF OUR 2966 01:42:43,557 --> 01:42:48,462 OWN, YOU AND ME ♪ 2967 01:42:48,529 --> 01:42:49,763 >> THE MORE WELL-KNOWN I BECOME, 2968 01:42:49,830 --> 01:42:51,465 I FIND IT MORE AND MORE 2969 01:42:51,532 --> 01:42:52,866 DIFFICULT TO DO LIVE CONCERTS. 2970 01:42:52,933 --> 01:42:56,303 IN THE TIME WHEN I STARTED OUT, 2971 01:42:56,370 --> 01:42:57,638 NOBODY HAD REALLY PAID TO COME 2972 01:42:57,704 --> 01:42:58,872 AND SEE ME, AND THEREFORE, I 2973 01:42:58,939 --> 01:42:59,506 DIDN'T FEEL THE SENSE OF 2974 01:42:59,573 --> 01:43:00,574 RESPONSIBILITY TO THE AUDIENCE. 2975 01:43:00,641 --> 01:43:01,909 AND NOW IT'S DIFFERENT. 2976 01:43:01,975 --> 01:43:03,110 NOW I FEEL TRAPPED BY THE LIGHTS 2977 01:43:03,176 --> 01:43:03,944 AND, YOU KNOW, TRAPPED BY THE 2978 01:43:04,011 --> 01:43:05,279 PEOPLE THAT COME TO SEE ME. 2979 01:43:05,345 --> 01:43:08,382 ♪ SON OF A GUN ♪ 2980 01:43:08,448 --> 01:43:10,217 >> PEOPLE HAVE BEEN QUESTIONING 2981 01:43:10,284 --> 01:43:11,652 FOR A LONG TIME WHO IT'S ABOUT. 2982 01:43:11,718 --> 01:43:12,519 THAT'S THE GREATEST EGO TRIP 2983 01:43:12,586 --> 01:43:15,989 ANYBODY CAN HAVE. 2984 01:43:16,056 --> 01:43:20,227 THAT PEOPLE WOULD BE THAT 2985 01:43:20,294 --> 01:43:21,762 INTERESTED IN WHAT YOU WERE 2986 01:43:21,828 --> 01:43:24,364 THINKING ABOUT WHEN YOU WROTE 2987 01:43:24,431 --> 01:43:25,566 A SONG. 2988 01:43:25,632 --> 01:43:26,233 ♪ YOU WALKED INTO THE PARTY ♪ 2989 01:43:26,300 --> 01:43:27,367 ♪ LIKE YOU WERE WALKING ONTO 2990 01:43:27,434 --> 01:43:28,335 A YACHT ♪ 2991 01:43:28,402 --> 01:43:29,036 >> WHEN I HEARD 2992 01:43:29,102 --> 01:43:30,003 "YOU'RE SO VAIN," I JUST THOUGHT 2993 01:43:30,070 --> 01:43:31,405 THAT IT'S THE BEST SONG THAT HAS 2994 01:43:31,471 --> 01:43:32,306 EVER BEEN WRITTEN. 2995 01:43:32,372 --> 01:43:35,008 THAT IS THE MOST DIRECT WAY 2996 01:43:35,075 --> 01:43:35,842 ANYONE HAS EVER ADDRESSED A 2997 01:43:35,909 --> 01:43:36,643 BREAKUP. 2998 01:43:36,710 --> 01:43:45,352 IT'S AMAZING. 2999 01:43:45,419 --> 01:43:46,320 ♪ YOU HAD ONE EYE IN 3000 01:43:46,386 --> 01:43:47,020 THE MIRROR ♪ 3001 01:43:47,087 --> 01:43:47,988 ♪ AS YOU WATCHED YOURSELF 3002 01:43:48,055 --> 01:43:48,755 GAVOTTE ♪ 3003 01:43:48,822 --> 01:43:49,556 >> I MET MICK JAGGER AT A PARTY. 3004 01:43:49,623 --> 01:43:50,757 NO, THE SONG IS NOT ABOUT HIM. 3005 01:43:50,824 --> 01:43:52,092 HE HAPPENED TO CALL AT THE 3006 01:43:52,159 --> 01:43:53,226 STUDIO WHILE I WAS DOING THE 3007 01:43:53,293 --> 01:43:54,161 BACKGROUND VOCALS WITH 3008 01:43:54,227 --> 01:43:55,028 HARRY NILSSON. 3009 01:43:55,095 --> 01:43:56,196 "WHY DON'T YOU COME DOWN AND 3010 01:43:56,263 --> 01:43:58,131 SING WITH US?" 3011 01:43:58,198 --> 01:43:59,166 ♪ YOU PROBABLY THINK THIS SONG 3012 01:43:59,232 --> 01:44:00,400 IS ABOUT YOU ♪ 3013 01:44:00,467 --> 01:44:02,536 ♪ YOU'RE SO VAIN ♪ 3014 01:44:02,603 --> 01:44:03,604 ♪ I BET YOU THINK THIS SONG IS 3015 01:44:03,670 --> 01:44:05,072 ABOUT YOU ♪ 3016 01:44:05,138 --> 01:44:09,776 ♪ DON'T YOU, DON'T YOU? ♪ 3017 01:44:09,843 --> 01:44:10,744 SO MICK, HARRY AND I STOOD 3018 01:44:10,811 --> 01:44:11,378 AROUND THE MIC SINGING, "YOU'RE 3019 01:44:11,445 --> 01:44:12,112 SO VAIN. 3020 01:44:12,179 --> 01:44:12,846 YOU PROBABLY THINK THIS SONG IS 3021 01:44:12,913 --> 01:44:13,880 ABOUT YOU." 3022 01:44:13,947 --> 01:44:16,750 AND HARRY WAS SUCH A GENTLEMAN. 3023 01:44:16,817 --> 01:44:18,552 HE KNEW THAT THE CHEMISTRY WAS 3024 01:44:18,619 --> 01:44:19,453 BETWEEN ME AND MICK, IN TERMS OF 3025 01:44:19,519 --> 01:44:21,688 THE SINGING. 3026 01:44:21,755 --> 01:44:22,723 AND SO HE SORT OF BOWED OUT AND 3027 01:44:22,789 --> 01:44:23,557 SAID, "YOU KNOW, THE TWO OF YOU 3028 01:44:23,624 --> 01:44:27,027 HAVE A REAL BLEND. 3029 01:44:27,094 --> 01:44:28,495 YOU SHOULD DO IT YOURSELVES." 3030 01:44:28,562 --> 01:44:30,030 AND THAT'S HOW IT HAPPENED. 3031 01:44:30,097 --> 01:44:30,664 ♪ NO, NO, NO, NO, NO, NO, NO, 3032 01:44:30,731 --> 01:44:31,698 NO, NO, NO, NO ♪ 3033 01:44:31,765 --> 01:44:32,733 ♪ LISTEN AND UNDERSTAND ♪ 3034 01:44:32,799 --> 01:44:34,101 ♪ LISTEN NOW, UNDERSTAND ♪ 3035 01:44:34,167 --> 01:44:35,035 >> YOU'RE PROBABLY KNOWN IN THE 3036 01:44:35,102 --> 01:44:36,136 BUSINESS AS THE QUEEN OF STAGE 3037 01:44:36,203 --> 01:44:37,304 FRIGHT. 3038 01:44:37,371 --> 01:44:39,339 HAVE YOU EVER TRIED TO THINK WHY 3039 01:44:39,406 --> 01:44:42,175 YOU'RE NERVOUS AND THEN HAD IT 3040 01:44:42,242 --> 01:44:44,211 DISSOLVE? 3041 01:44:44,277 --> 01:44:45,345 >> I'VE NEVER HAD IT DISSOLVE, 3042 01:44:45,412 --> 01:44:45,912 BUT I'VE THOUGHT A GOOD DEAL 3043 01:44:45,979 --> 01:44:46,913 ABOUT WHY IT EXISTS. 3044 01:44:46,980 --> 01:44:47,614 >> OH. 3045 01:44:47,681 --> 01:44:48,482 >> IT'S GOTTEN SOFT A COUPLE OF 3046 01:44:48,548 --> 01:44:49,816 TIMES. 3047 01:44:49,883 --> 01:44:51,018 ♪ AND NO ONE'S GONNA TAKE THAT 3048 01:44:51,084 --> 01:44:52,185 TIME AWAY ♪ 3049 01:44:52,252 --> 01:44:53,020 >> I REMEMBER SEEING A PICTURE 3050 01:44:53,086 --> 01:44:54,087 OF HIM. 3051 01:44:54,154 --> 01:44:54,988 HE WAS ON THE COVER OF 3052 01:44:55,055 --> 01:44:56,023 "TIME MAGAZINE" AND I SAID, 3053 01:44:56,089 --> 01:44:57,958 "I'M GOING TO MARRY HIM." 3054 01:44:58,025 --> 01:44:59,593 THIS WAS A GOOD NINE MONTHS 3055 01:44:59,660 --> 01:45:01,428 BEFORE WE ACTUALLY HAD A DATE. 3056 01:45:01,495 --> 01:45:04,564 ♪ SO CLOSE YOUR EYES ♪ 3057 01:45:04,631 --> 01:45:06,333 ♪ YOU CAN CLOSE YOUR EYES ♪ 3058 01:45:06,400 --> 01:45:10,070 ♪ IT'S ALL RIGHT ♪ 3059 01:45:10,137 --> 01:45:11,505 ♪ 'CAUSE I HAVEN'T GOT TIME FOR 3060 01:45:11,571 --> 01:45:13,173 THE PAIN ♪ 3061 01:45:13,240 --> 01:45:14,608 ♪ I HAVEN'T GOT ROOM FOR 3062 01:45:14,675 --> 01:45:16,643 THE PAIN ♪ 3063 01:45:16,710 --> 01:45:17,878 >> I'M VERY MESSY. 3064 01:45:17,944 --> 01:45:19,713 I'M NOT ORGANIZED. 3065 01:45:19,780 --> 01:45:20,814 I COULD ONLY WRITE IF THERE 3066 01:45:20,881 --> 01:45:22,015 WAS CHAOS AROUND ME, BECAUSE I 3067 01:45:22,082 --> 01:45:23,450 WOULD GET THE ENERGY FROM THE 3068 01:45:23,517 --> 01:45:24,851 CHAOS, AND FOCUS IT IN ON A 3069 01:45:24,918 --> 01:45:28,855 PARTICULAR SUBJECT MATTER. 3070 01:45:28,922 --> 01:45:33,560 ♪ LET THE RIVER RUN ♪ 3071 01:45:33,627 --> 01:45:35,462 >> AND THE OSCAR GOES TO 3072 01:45:35,529 --> 01:45:36,830 CARLY SIMON FOR 3073 01:45:36,897 --> 01:45:37,731 "LET THE RIVER RUN" FROM 3074 01:45:37,798 --> 01:45:39,800 "WORKING GIRL." 3075 01:45:39,866 --> 01:45:41,601 [APPLAUSE] 3076 01:45:41,668 --> 01:45:46,807 ♪ COME, THE NEW JERUSALEM ♪ 3077 01:45:46,873 --> 01:45:48,008 ♪ NOBODY DOES IT QUITE THE WAY 3078 01:45:48,075 --> 01:45:53,914 YOU DO ♪ 3079 01:45:53,980 --> 01:45:54,915 ♪ WHY'D YOU HAVE TO BE 3080 01:45:54,981 --> 01:45:56,516 SO GOOD? ♪ 3081 01:45:56,583 --> 01:45:58,251 >> CARLY SIMON'S WORK, 3082 01:45:58,318 --> 01:45:58,652 "YOU'RE SO VAIN," 3083 01:45:58,719 --> 01:45:59,286 "THAT'S THE WAY I'VE ALWAYS 3084 01:45:59,352 --> 01:45:59,920 HEARD IT SHOULD BE," 3085 01:45:59,986 --> 01:46:00,887 "ANTICIPATION." 3086 01:46:00,954 --> 01:46:01,988 SHE WAS A SONGWRITER IN THAT 3087 01:46:02,055 --> 01:46:03,190 GOLDEN ERA OF ROCK AND ROLL 3088 01:46:03,256 --> 01:46:06,526 SONGWRITING. 3089 01:46:06,593 --> 01:46:08,295 SHE WAS A WOMAN THAT STOOD OUT. 3090 01:46:08,361 --> 01:46:11,264 ♪ I'M NOT NECESSARILY ♪ 3091 01:46:11,331 --> 01:46:13,300 ♪ THE GIRL YOU THINK YOU SEE ♪ 3092 01:46:13,366 --> 01:46:14,434 ♪ WHOEVER YOU WANT IS EXACTLY 3093 01:46:14,501 --> 01:46:17,204 WHO ♪ 3094 01:46:17,270 --> 01:46:19,439 ♪ I'M MORE THAN WILLING TO BE ♪ 3095 01:46:19,506 --> 01:46:20,774 >> SO MANY PEOPLE SAID, 3096 01:46:20,841 --> 01:46:21,842 "YOU KNOW, YOU'VE JUST MEANT SO 3097 01:46:21,908 --> 01:46:23,176 MUCH TO ME OVER THE YEARS, AND 3098 01:46:23,243 --> 01:46:24,478 I'VE BEEN LISTENING TO YOU SINCE 3099 01:46:24,544 --> 01:46:25,545 I'VE EEN SEVEN YEARS OLD. 3100 01:46:25,612 --> 01:46:26,680 AND NOW I'VE NAMED MY DAUGHTER 3101 01:46:26,747 --> 01:46:28,048 AFTER YOU." 3102 01:46:28,115 --> 01:46:29,082 IT'S VERY MOVING TO ME THAT I 3103 01:46:29,149 --> 01:46:30,183 HAVE HAD THAT EFFECT. 3104 01:46:30,250 --> 01:46:31,384 I THINK IT'S BECAUSE MY SONGS 3105 01:46:31,451 --> 01:46:36,923 ARE AS PERSONAL AS THEY ARE. 3106 01:46:36,990 --> 01:46:45,999 [CHEERS AND APPLAUSE] 3107 01:46:46,066 --> 01:46:47,501 >> DUE TO PERSONAL TRAGEDY, 3108 01:46:47,567 --> 01:46:48,335 CARLY IS TREMENDOUSLY SORRY NOT 3109 01:46:48,401 --> 01:46:49,936 TO BE HERE TONIGHT. 3110 01:46:50,003 --> 01:46:52,973 SHE ASKED ME TO PASS ALONG THE 3111 01:46:53,039 --> 01:46:55,509 FOLLOWING MESSAGE: 3112 01:46:55,575 --> 01:46:58,812 "I AM HUMBLED, SHOCKED, PROUD, 3113 01:46:58,879 --> 01:47:01,481 OVERACHIEVED, UNDERQUALIFIED, 3114 01:47:01,548 --> 01:47:03,383 AND SINGULARLY GRATEFUL TO 3115 01:47:03,450 --> 01:47:06,119 EVERYONE WITHOUT WHOM I REALLY 3116 01:47:06,186 --> 01:47:07,487 COULDN'T BE HERE. 3117 01:47:07,554 --> 01:47:08,922 ONE OF THE GREATEST THINGS ABOUT 3118 01:47:08,989 --> 01:47:10,824 MUSIC IS ITS UNCANNY KNACK FOR 3119 01:47:10,891 --> 01:47:11,792 MAKING PHYSICAL ART OUT OF 3120 01:47:11,858 --> 01:47:13,560 FORMLESS EMOTIONS LIKE JOY AND 3121 01:47:13,627 --> 01:47:14,961 PAIN, JUST THROUGH THE STRENGTH 3122 01:47:15,028 --> 01:47:16,363 OF OUR FEELINGS. 3123 01:47:16,429 --> 01:47:18,265 WHEN WE CANNOT SHARE OUR GRIEF, 3124 01:47:18,331 --> 01:47:20,801 WE ARE AWFULLY LONELY CREATURES. 3125 01:47:20,867 --> 01:47:23,069 MOSTLY, I WANT TO THANK THE 3126 01:47:23,136 --> 01:47:24,004 ROCK AND ROLL HALL OF FAME FOR 3127 01:47:24,070 --> 01:47:25,539 RECOGNIZING ME, AND FOR MAKING 3128 01:47:25,605 --> 01:47:26,773 SURE DISTINCTION AND ACHIEVEMENT 3129 01:47:26,840 --> 01:47:28,041 WILL ALWAYS HAVE AN EDGE. 3130 01:47:28,108 --> 01:47:30,076 THANK YOU." 3131 01:47:30,143 --> 01:47:34,748 [CHEERS AND APPLAUSE] 3132 01:47:34,815 --> 01:47:36,917 ♪ ♪ 3133 01:47:36,983 --> 01:47:43,056 ♪ ♪ 3134 01:47:43,123 --> 01:47:47,527 ♪ NOBODY DOES IT BETTER ♪ 3135 01:47:47,594 --> 01:47:48,728 ♪ MAKES ME FEEL SAD FOR 3136 01:47:48,795 --> 01:47:55,802 THE REST ♪ 3137 01:47:55,869 --> 01:47:57,437 ♪ NOBODY DOES IT HALF AS GOOD 3138 01:47:57,504 --> 01:48:03,343 AS YOU ♪ 3139 01:48:03,410 --> 01:48:09,749 ♪ BABY, YOU'RE THE BEST ♪ 3140 01:48:09,816 --> 01:48:11,084 ♪ I WASN'T LOOKIN' BUT SOMEHOW 3141 01:48:11,151 --> 01:48:21,061 YOU FOUND ME ♪ 3142 01:48:21,127 --> 01:48:22,262 ♪ I TRIED TO HIDE FROM YOUR 3143 01:48:22,329 --> 01:48:23,964 LOVE LIGHT ♪ 3144 01:48:24,030 --> 01:48:26,266 ♪ BUT LIKE HEAVEN ABOVE ME ♪ 3145 01:48:26,333 --> 01:48:30,871 ♪ THE SPY WHO LOVED ME ♪ 3146 01:48:30,937 --> 01:48:32,372 ♪ IS KEEPIN' ALL MY SECRETS 3147 01:48:32,439 --> 01:48:39,312 SAFE TONIGHT ♪ 3148 01:48:39,379 --> 01:48:47,754 ♪ AND NOBODY DOES IT BETTER ♪ 3149 01:48:47,821 --> 01:48:48,788 ♪ MAKES ME FEEL SAD FOR 3150 01:48:48,855 --> 01:48:52,926 THE REST ♪ 3151 01:48:52,993 --> 01:48:54,928 ♪ NOBODY DOES IT HALF AS GOOD 3152 01:48:54,995 --> 01:48:58,832 AS YOU ♪ 3153 01:48:58,899 --> 01:49:03,603 ♪ BABY, BABY ♪ 3154 01:49:03,670 --> 01:49:09,943 ♪ DARLIN', YOU'RE THE BEST ♪ 3155 01:49:10,010 --> 01:49:16,750 ♪ BABY, YOU'RE THE BEST ♪ 3156 01:49:16,816 --> 01:49:26,559 ♪ BABY, YOU'RE THE BEST ♪ 3157 01:49:26,626 --> 01:49:31,531 ♪ BABY, YOU'RE THE BEST ♪ 3158 01:49:31,598 --> 01:49:39,940 ♪ BABY, YOU'RE THE BEST ♪ 3159 01:49:40,006 --> 01:49:46,479 [CHEERS AND APPLAUSE] 3160 01:49:46,546 --> 01:49:48,081 >> AND NOW, PLEASE WELCOME 3161 01:49:48,148 --> 01:49:50,283 OLIVIA RODRIGO. 3162 01:49:50,350 --> 01:50:00,393 [CHEERS AND APPLAUSE] 3163 01:50:00,460 --> 01:50:06,666 ♪ ♪ 3164 01:50:06,733 --> 01:50:13,173 ♪ ♪ 3165 01:50:13,239 --> 01:50:16,309 ♪ YOU WALKED INTO THE PARTY ♪ 3166 01:50:16,376 --> 01:50:17,877 ♪ LIKE YOU WERE WALKING ONTO A 3167 01:50:17,944 --> 01:50:19,913 YACHT ♪ 3168 01:50:19,980 --> 01:50:21,481 ♪ YOUR HAT STRATEGICALLY DIPPED 3169 01:50:21,548 --> 01:50:24,084 BELOW ONE EYE ♪ 3170 01:50:24,150 --> 01:50:28,121 ♪ YOUR SCARF IT WAS APRICOT ♪ 3171 01:50:28,188 --> 01:50:29,456 ♪ YOU HAD ONE EYE IN 3172 01:50:29,522 --> 01:50:31,558 THE MIRROR ♪ 3173 01:50:31,624 --> 01:50:33,460 ♪ AS YOU WATCHED YOURSELF 3174 01:50:33,526 --> 01:50:35,829 GAVOTTE ♪ 3175 01:50:35,895 --> 01:50:37,597 ♪ AND ALL THE GIRLS DREAMED THAT 3176 01:50:37,664 --> 01:50:40,333 THEY'D BE YOUR PARTNER ♪ 3177 01:50:40,400 --> 01:50:43,003 ♪ THEY'D BE YOUR PARTNER AND ♪ 3178 01:50:43,069 --> 01:50:46,706 ♪ YOU'RE SO VAIN ♪ 3179 01:50:46,773 --> 01:50:48,174 ♪ YOU PROBABLY THINK THIS SONG 3180 01:50:48,241 --> 01:50:49,709 IS ABOUT YOU ♪ 3181 01:50:49,776 --> 01:50:53,113 ♪ YOU'RE SO VAIN ♪ 3182 01:50:53,179 --> 01:50:54,547 ♪ I BET YOU THINK THIS SONG IS 3183 01:50:54,614 --> 01:50:56,649 ABOUT YOU ♪ 3184 01:50:56,716 --> 01:51:02,822 ♪ DON'T YOU, DON'T YOU? ♪ 3185 01:51:02,889 --> 01:51:08,294 ♪ WELL, YOU HAD ME SEVERAL YEARS 3186 01:51:08,361 --> 01:51:10,296 AGO ♪ 3187 01:51:10,363 --> 01:51:14,134 ♪ WHEN I WAS STILL QUITE NAIVE ♪ 3188 01:51:14,200 --> 01:51:16,503 ♪ WELL, YOU SAID THAT WE MADE 3189 01:51:16,569 --> 01:51:18,004 SUCH A PRETTY PAIR ♪ 3190 01:51:18,071 --> 01:51:19,139 ♪ AND THAT YOU WOULD NEVER 3191 01:51:19,205 --> 01:51:20,340 LEAVE ♪ 3192 01:51:20,407 --> 01:51:21,975 ♪ BUT YOU GAVE AWAY THE THINGS 3193 01:51:22,042 --> 01:51:24,878 YOU LOVED ♪ 3194 01:51:24,944 --> 01:51:28,548 ♪ AND ONE OF THEM WAS ME ♪ 3195 01:51:28,615 --> 01:51:30,016 ♪ I HAD SOME DREAMS ♪ 3196 01:51:30,083 --> 01:51:30,950 ♪ THEY WERE CLOUDS IN 3197 01:51:31,017 --> 01:51:31,885 MY COFFEE ♪ 3198 01:51:31,951 --> 01:51:34,354 ♪ CLOUDS IN MY COFFEE AND ♪ 3199 01:51:34,421 --> 01:51:38,324 ♪ YOU'RE SO VAIN ♪ 3200 01:51:38,391 --> 01:51:39,859 ♪ YOU PROBABLY THINK THIS SONG 3201 01:51:39,926 --> 01:51:41,995 IS ABOUT YOU ♪ 3202 01:51:42,062 --> 01:51:45,765 ♪ YOU'RE SO VAIN ♪ 3203 01:51:45,832 --> 01:51:46,866 ♪ I BET YOU THINK THIS SONG IS 3204 01:51:46,933 --> 01:51:49,302 ABOUT YOU ♪ 3205 01:51:49,369 --> 01:51:52,605 ♪ DON'T YOU, DON'T YOU, 3206 01:51:52,672 --> 01:51:57,077 DON'T YOU? ♪ 3207 01:51:57,143 --> 01:52:04,084 >> JIMMY RYAN, EVERYONE! 3208 01:52:04,150 --> 01:52:08,221 [GUITAR SOLO] 3209 01:52:08,288 --> 01:52:24,771 ♪ ♪ 3210 01:52:24,838 --> 01:52:25,672 ♪ I HAD SOME DREAMS ♪ 3211 01:52:25,738 --> 01:52:26,840 ♪ THEY WERE CLOUDS IN 3212 01:52:26,906 --> 01:52:27,607 MY COFFEE ♪ 3213 01:52:27,674 --> 01:52:29,476 ♪ CLOUDS IN MY COFFEE AND ♪ 3214 01:52:29,542 --> 01:52:30,944 ♪ YOU'RE SO VAIN ♪ 3215 01:52:31,010 --> 01:52:31,945 ♪ YOU PROBABLY THINK THIS SONG 3216 01:52:32,011 --> 01:52:33,813 IS ABOUT YOU ♪ 3217 01:52:33,880 --> 01:52:38,251 ♪ YOU'RE SO VAIN ♪ 3218 01:52:38,318 --> 01:52:39,185 ♪ I BET YOU THINK THIS SONG IS 3219 01:52:39,252 --> 01:52:41,855 ABOUT YOU ♪ 3220 01:52:41,921 --> 01:52:46,726 ♪ DON'T YOU, DON'T YOU? ♪ 3221 01:52:46,793 --> 01:52:47,827 ♪ WELL I HEAR YOU WENT UP TO 3222 01:52:47,894 --> 01:52:49,662 SARATOGA ♪ 3223 01:52:49,729 --> 01:52:53,633 ♪ AND YOUR HORSE NATURALLY WON ♪ 3224 01:52:53,700 --> 01:52:55,468 ♪ THEN YOU FLEW YOUR LEAR JET UP 3225 01:52:55,535 --> 01:52:57,303 TO NOVA SCOTIA ♪ 3226 01:52:57,370 --> 01:52:59,105 ♪ TO SEE THE TOTAL ECLIPSE OF 3227 01:52:59,172 --> 01:53:02,876 THE SUN ♪ 3228 01:53:02,942 --> 01:53:04,477 ♪ WELL, YOU'RE WHERE YOU SHOULD 3229 01:53:04,544 --> 01:53:08,014 BE ALL THE TIME ♪ 3230 01:53:08,081 --> 01:53:10,617 ♪ AND WHEN YOU'RE NOT, YOU'RE 3231 01:53:10,683 --> 01:53:11,718 WITH SOME UNDERWORLD SPY ♪ 3232 01:53:11,784 --> 01:53:12,986 ♪ OR THE WIFE OF A 3233 01:53:13,052 --> 01:53:14,921 CLOSE FRIEND ♪ 3234 01:53:14,988 --> 01:53:16,856 ♪ WIFE OF A CLOSE FRIEND AND ♪ 3235 01:53:16,923 --> 01:53:21,694 ♪ YOU'RE SO VAIN ♪ 3236 01:53:21,761 --> 01:53:23,129 ♪ YOU PROBABLY THINK THIS SONG 3237 01:53:23,196 --> 01:53:25,265 IS ABOUT YOU ♪ 3238 01:53:25,331 --> 01:53:28,935 ♪ YOU'RE SO VAIN ♪ 3239 01:53:29,002 --> 01:53:30,203 ♪ I BET YOU THINK THIS SONG IS 3240 01:53:30,270 --> 01:53:35,141 ABOUT YOU ♪ 3241 01:53:35,208 --> 01:53:41,047 ♪ DON'T YOU, DON'T YOU, DON'T 3242 01:53:41,114 --> 01:53:42,315 YOU, NOW? ♪ 3243 01:53:42,382 --> 01:53:44,184 ♪ YOU'RE SO VAIN ♪ 3244 01:53:44,250 --> 01:53:45,485 ♪ YOU PROBABLY THINK THIS SONG 3245 01:53:45,552 --> 01:53:49,389 IS ABOUT YOU ♪ 3246 01:53:49,455 --> 01:53:51,858 ♪ YOU'RE SO VAIN ♪ 3247 01:53:51,925 --> 01:53:52,792 ♪ YOU PROBABLY THINK THIS SONG 3248 01:53:52,859 --> 01:53:55,895 ABOUT YOU ♪ 3249 01:53:55,962 --> 01:53:58,264 ♪ YOU'RE SO VAIN ♪ 3250 01:53:58,331 --> 01:53:59,098 ♪ I BET YOU THINK THIS SONG IS 3251 01:53:59,165 --> 01:54:05,038 ABOUT YOU ♪ 3252 01:54:05,104 --> 01:54:06,239 ♪ DON'T YOU, DON'T YOU, DON'T 3253 01:54:06,306 --> 01:54:10,677 YOU? ♪ 3254 01:54:10,743 --> 01:54:13,313 ♪ ♪ 3255 01:54:13,379 --> 01:54:23,389 [CHEERS AND APPLAUSE] 3256 01:54:23,456 --> 01:54:27,527 ♪ ♪ 3257 01:54:27,594 --> 01:54:29,529 >> MY FIRST MAJOR IMPRESSION OF 3258 01:54:29,596 --> 01:54:32,599 ALLEN WAS BEING IN 3259 01:54:32,665 --> 01:54:34,567 WALTER YETNIKOFF'S OFFICE AS WE 3260 01:54:34,634 --> 01:54:37,403 CONCLUDED A MAGNIFICENT DEAL, 3261 01:54:37,470 --> 01:54:38,671 AND WALTER TORE ALLEN'S SHIRT 3262 01:54:38,738 --> 01:54:48,581 FROM HIS BODY. 3263 01:54:48,648 --> 01:54:49,682 >> WE'RE NOT TALKING ABOUT, 3264 01:54:49,749 --> 01:54:50,483 LIKE, THE COWARDLY LION HERE, 3265 01:54:50,550 --> 01:54:51,384 LIKE, IT'S ALLEN GRUBMAN. 3266 01:54:51,451 --> 01:54:52,719 >> BY THE TIME I MET HIM, I'D, 3267 01:54:52,785 --> 01:54:53,586 I'D NEVER MET A LAWYER BEFORE, 3268 01:54:53,653 --> 01:54:54,587 SO I HAD NOTHING TO COMPARE HIM 3269 01:54:54,654 --> 01:54:55,855 WITH, APART FROM THE CHARACTER 3270 01:54:55,922 --> 01:54:57,056 OF ROBERT DUVALL IN THE 3271 01:54:57,123 --> 01:54:58,291 GODFATHER. 3272 01:54:58,358 --> 01:54:59,492 SO I HAD NO IDEA WHAT OTHER 3273 01:54:59,559 --> 01:55:00,260 LAWYERS WERE LIKE, AND I STILL 3274 01:55:00,326 --> 01:55:04,664 DON'T. 3275 01:55:04,731 --> 01:55:06,366 >> "BONO, EDGE, ADAM, LARRY, 3276 01:55:06,432 --> 01:55:08,701 YOU'RE NOT LISTENING TO ME. 3277 01:55:08,768 --> 01:55:10,370 YOU'RE NOT LISTENING TO ME. 3278 01:55:10,436 --> 01:55:11,504 AREN'T MUSICIANS SUPPOSED TO 3279 01:55:11,571 --> 01:55:14,474 HAVE EARS?" 3280 01:55:14,540 --> 01:55:19,279 >> HE HAS AN IDEA OF WHAT THE 3281 01:55:19,345 --> 01:55:23,116 STAKES -- THE TRUE STAKES, NOT 3282 01:55:23,182 --> 01:55:24,484 JUST THE FINANCIAL STAKES -- BUT 3283 01:55:24,550 --> 01:55:25,718 WHAT THE EMOTIONAL STAKES OF 3284 01:55:25,785 --> 01:55:26,552 YOUR NEGOTIATION IS. 3285 01:55:26,619 --> 01:55:29,756 >> ALLEN ONCE SAID TO ME, 3286 01:55:29,822 --> 01:55:31,190 "FRIENDS? 3287 01:55:31,257 --> 01:55:32,392 I'VE GOT FRIENDS I HAVEN'T EVEN 3288 01:55:32,458 --> 01:55:33,393 USED YET." 3289 01:55:33,459 --> 01:55:35,395 >> HIS GREATEST GIFT IS CLARITY. 3290 01:55:35,461 --> 01:55:36,229 >> HE'S IRREVERENT. 3291 01:55:36,296 --> 01:55:37,363 >> SOULFUL. 3292 01:55:37,430 --> 01:55:38,498 >> THOROUGH. 3293 01:55:38,564 --> 01:55:39,465 >> HE'S LIKE A TEDDY BEAR. 3294 01:55:39,532 --> 01:55:40,533 >> HE'S A CLAIRVOYANT. 3295 01:55:40,600 --> 01:55:41,668 >> HE'S FUNNY. 3296 01:55:41,734 --> 01:55:42,935 >> LOVING. 3297 01:55:43,002 --> 01:55:44,470 >> CUT TO THE CHASE. 3298 01:55:44,537 --> 01:55:47,307 >> HE'S A POP SONG IN A WORLD OF 3299 01:55:47,373 --> 01:55:49,442 MEANDERING INSTRUMENTAL MUSIC. 3300 01:55:49,509 --> 01:55:52,078 >> ALLEN WAS INSTRUMENTAL IN 3301 01:55:52,145 --> 01:55:55,448 REBALANCING THE SCALES IN FAVOR 3302 01:55:55,515 --> 01:55:57,950 OF THE ARTIST, WHILE THEY CALL 3303 01:55:58,017 --> 01:55:59,552 IT THE MUSIC BUSINESS, THE 3304 01:55:59,619 --> 01:56:00,720 BUSINESS ALWAYS HELD THE UPPER 3305 01:56:00,787 --> 01:56:02,055 HAND. 3306 01:56:02,121 --> 01:56:14,400 ALLEN TURNED THAT AROUND. 3307 01:56:14,467 --> 01:56:15,601 >> THAT MAKES HIM A GREAT LAWYER 3308 01:56:15,668 --> 01:56:16,736 THAT GOT A LOT OF PEOPLE, PRIOR 3309 01:56:16,803 --> 01:56:17,303 TO MY SIGNING, THEIR MASTERS 3310 01:56:17,370 --> 01:56:18,204 BACK ALREADY BY NOW. 3311 01:56:18,271 --> 01:56:19,372 >> GRATEFUL IS A GREAT PLACE TO 3312 01:56:19,439 --> 01:56:22,608 BE, AND THAT'S WHERE I AM. 3313 01:56:22,675 --> 01:56:23,676 THAT'S WHERE THE U2 GROUP ARE. 3314 01:56:23,743 --> 01:56:24,610 THANK YOU. 3315 01:56:24,677 --> 01:56:25,511 >> THAT I'M HERE TALKING TO YOU 3316 01:56:25,578 --> 01:56:27,213 AND ABLE TO THANK YOU IS PRETTY 3317 01:56:27,280 --> 01:56:28,147 COOL. 3318 01:56:28,214 --> 01:56:29,048 SO, THANK YOU FOR HELPING ME 3319 01:56:29,115 --> 01:56:30,283 WITHSTAND THE INDUSTRY. 3320 01:56:30,350 --> 01:56:31,818 >> ALLEN, I'M DELIGHTED THAT YOU 3321 01:56:31,884 --> 01:56:33,019 GOT THIS HONOR, AND, UH, THE 3322 01:56:33,086 --> 01:56:34,420 REST OF THE ROCK AND ROLL WORLD 3323 01:56:34,487 --> 01:56:36,022 CAN KISS YOUR ASS. 3324 01:56:36,089 --> 01:56:40,293 >> ALLEN, YOU ARE IN THE ROCK 3325 01:56:40,360 --> 01:56:41,594 AND ROLL HALL OF FAME. 3326 01:56:41,661 --> 01:56:45,098 HOLY SHIT. 3327 01:56:45,164 --> 01:56:45,331 [LAUGHS] 3328 01:56:45,398 --> 01:56:46,566 >> Announcer: TO HONOR 3329 01:56:46,632 --> 01:56:47,734 ALLEN GRUBMAN WITH THE 3330 01:56:47,800 --> 01:56:48,801 AHMET ERTEGUN AWARD, 3331 01:56:48,868 --> 01:56:50,136 ROCK AND ROLL HALL OF FAMER 3332 01:56:50,203 --> 01:56:52,905 JOHN MELLENCAMP. 3333 01:56:52,972 --> 01:56:54,173 [APPLAUSE] 3334 01:56:54,240 --> 01:56:55,875 >> ALLEN GRUBMAN IS ONE OF THE 3335 01:56:55,942 --> 01:56:58,177 MOST COLORFUL PEOPLE IN OUR 3336 01:56:58,244 --> 01:56:59,445 BUSINESS, WHO ISN'T AFRAID TO 3337 01:56:59,512 --> 01:57:04,951 TELL THE TRUTH. 3338 01:57:05,017 --> 01:57:10,656 OFTEN IN AN OFFENSIVE, 3339 01:57:10,723 --> 01:57:12,458 PROFANITY-MANNERED WAY. 3340 01:57:12,525 --> 01:57:15,261 HE'S ALWAYS BEEN TELLING ME THE 3341 01:57:15,328 --> 01:57:17,029 TRUTH, SINCE 1982 WHEN I BECAME 3342 01:57:17,096 --> 01:57:19,198 ONE OF HIS VERY FIRST CLIENTS, 3343 01:57:19,265 --> 01:57:22,001 AND HE'S BEEN DOING THE SAME FOR 3344 01:57:22,068 --> 01:57:27,039 COUNTLESS OTHERS FOR DECADES. 3345 01:57:27,106 --> 01:57:28,341 AND I WANNA SHARE WITH YOU ONE 3346 01:57:28,408 --> 01:57:29,609 OF THE FIRST THINGS ALLEN SAID 3347 01:57:29,675 --> 01:57:31,978 TO ME WHEN WE WERE BOTH KIDS. 3348 01:57:32,044 --> 01:57:34,447 HE SAID, "LOOK HERE, JOHN. 3349 01:57:34,514 --> 01:57:35,915 HERE'S THE WAY THE MUSIC 3350 01:57:35,982 --> 01:57:38,017 BUSINESS WORKS. 3351 01:57:38,084 --> 01:57:40,219 THERE'S A GREAT, BIG 3352 01:57:40,286 --> 01:57:42,121 MOTHERFUCKING TREE STANDING ON 3353 01:57:42,188 --> 01:57:47,427 TOP OF THE HILL. 3354 01:57:47,493 --> 01:57:49,195 THIS TREE IS MASSIVE, AND IT'LL 3355 01:57:49,262 --> 01:57:52,932 FIGURE OUT A WAY TO SURVIVE 3356 01:57:52,999 --> 01:57:54,333 ANYTHING, ANYTHING THAT THEY 3357 01:57:54,400 --> 01:57:57,437 CARE TO THROW AT IT. 3358 01:57:57,503 --> 01:57:58,971 AND ON THIS TREE ARE A BUNCH OF 3359 01:57:59,038 --> 01:58:01,574 APPLES. 3360 01:58:01,641 --> 01:58:04,310 THERE ARE A FEW APPLES THAT 3361 01:58:04,377 --> 01:58:07,013 STAY FIRMLY ATTACHED TO THE 3362 01:58:07,079 --> 01:58:09,916 TREE, AND THEY SEEM TO GROW 3363 01:58:09,982 --> 01:58:11,584 BIGGER, AND BETTER, EVERY TIME 3364 01:58:11,651 --> 01:58:13,553 YOU LOOK AT THE TREE. 3365 01:58:13,619 --> 01:58:15,955 BUT MOST OF THE APPLES, SORRY TO 3366 01:58:16,022 --> 01:58:21,194 SAY, THEY SHRIVEL UP AND DROP TO 3367 01:58:21,260 --> 01:58:25,531 THE GROUND, SADLY FORGOTTEN. 3368 01:58:25,598 --> 01:58:28,868 IT'S MY GOAL TO MAKE SURE THAT 3369 01:58:28,935 --> 01:58:31,671 ANYONE I REPRESENT NEVER FALLS 3370 01:58:31,737 --> 01:58:37,777 OFF THAT TREE." 3371 01:58:37,844 --> 01:58:42,849 [APPLAUSE] 3372 01:58:42,915 --> 01:58:45,751 THIS APPLE HAS MANAGED TO STAY 3373 01:58:45,818 --> 01:58:52,859 ON THAT TREE, IN NO SMALL PART 3374 01:58:52,925 --> 01:58:55,661 TO MY LAWYER, MY FRIEND, AND MY 3375 01:58:55,728 --> 01:59:02,034 RABBI, ALLEN GRUBMAN. 3376 01:59:02,101 --> 01:59:10,042 [APPLAUSE] 3377 01:59:10,109 --> 01:59:17,216 ALSO, ALLEN IS JEWISH. 3378 01:59:17,283 --> 01:59:19,852 I'M AN ARTIST, AND A GENTILE, 3379 01:59:19,919 --> 01:59:23,523 WHOSE LIFE HAS BEEN ENRICHED 3380 01:59:23,589 --> 01:59:24,924 GREATLY BY MY FRIENDSHIP AND 3381 01:59:24,991 --> 01:59:26,592 ASSOCIATION WITH COUNTLESS 3382 01:59:26,659 --> 01:59:27,927 JEWISH PEOPLE. 3383 01:59:27,994 --> 01:59:35,268 [CHEERS AND APPLAUSE] 3384 01:59:35,334 --> 01:59:37,770 GUYS, I CANNOT TELL YOU HOW 3385 01:59:37,837 --> 01:59:43,576 FUCKING IMPORTANT IT IS TO SPEAK 3386 01:59:43,643 --> 01:59:48,147 OUT IF YOU'RE AN ARTIST AGAINST 3387 01:59:48,214 --> 01:59:49,549 ANTI-SEMITISM, AGAINST ALL FORMS 3388 01:59:49,615 --> 01:59:55,621 OF HATRED. 3389 01:59:55,688 --> 01:59:56,656 [CHEERS AND APPLAUSE] 3390 01:59:56,722 --> 01:59:58,190 HERE'S THE TRICK: 3391 01:59:58,257 --> 01:59:59,992 SILENCE IS COMPLICITY. 3392 02:00:00,059 --> 02:00:04,764 [CHEERS AND APPLAUSE] 3393 02:00:04,830 --> 02:00:09,335 I WANNA SAY I'M STANDING HERE 3394 02:00:09,402 --> 02:00:12,438 TONIGHT LOUDLY AND PROUDLY AND 3395 02:00:12,505 --> 02:00:15,441 IN SOLIDARITY WITH ALLEN, HIS 3396 02:00:15,508 --> 02:00:18,744 FAMILY, AND ALL MY JEWISH 3397 02:00:18,811 --> 02:00:21,414 FRIENDS, AND ALL THE ENTIRE 3398 02:00:21,480 --> 02:00:24,150 JEWISH PEOPLE OF THE WORLD. 3399 02:00:24,216 --> 02:00:26,285 FUCK ANTI-SEMITISM. 3400 02:00:26,352 --> 02:00:37,463 [CHEERS AND APPLAUSE] 3401 02:00:37,530 --> 02:00:40,833 IT IS MY PROUD TIME HERE TO 3402 02:00:40,900 --> 02:00:42,702 HONOR MY FRIEND, ONE HELL OF AN 3403 02:00:42,768 --> 02:00:43,970 APPLE FARMER, INTO THE 3404 02:00:44,036 --> 02:00:44,904 ROCK AND ROLL HALL OF FAME, 3405 02:00:44,971 --> 02:00:48,240 MR. ALLEN GRUBMAN. 3406 02:00:48,307 --> 02:00:51,477 [CHEERS AND APPLAUSE] 3407 02:00:51,544 --> 02:00:58,684 ♪ ♪ 3408 02:00:58,751 --> 02:00:59,986 >> BEFORE HE MADE THAT SPEECH, 3409 02:01:00,052 --> 02:01:01,787 THAT I WILL NEVER FORGET FOR THE 3410 02:01:01,854 --> 02:01:04,457 REST OF MY LIFE, I WAS GONNA 3411 02:01:04,523 --> 02:01:06,125 SAY, LOOK AT ALL THE BRILLIANT 3412 02:01:06,192 --> 02:01:07,326 ENTERTAINMENT THAT WAS HERE 3413 02:01:07,393 --> 02:01:09,395 TONIGHT, ALL THE BRILLIANT 3414 02:01:09,462 --> 02:01:10,997 ARTISTS, AND THEIR CREATIVITY. 3415 02:01:11,063 --> 02:01:14,066 [APPLAUSE] 3416 02:01:14,133 --> 02:01:17,870 WHAT AM I GONNA TALK ABOUT? 3417 02:01:17,937 --> 02:01:20,673 I'M GONNA TALK ABOUT THE DEALS I 3418 02:01:20,740 --> 02:01:22,274 MADE OR THE ADVICE I'VE GIVEN? 3419 02:01:22,341 --> 02:01:23,509 IT'S ALL BULLSHIT. 3420 02:01:23,576 --> 02:01:25,711 [LAUGHTER] 3421 02:01:25,778 --> 02:01:27,146 I'M GONNA TELL YOU ALL HOW THE 3422 02:01:27,213 --> 02:01:31,250 ROCK AND ROLL HALL OF FAME WAS 3423 02:01:31,317 --> 02:01:32,118 CREATED. 3424 02:01:32,184 --> 02:01:36,288 IT WAS 1983, AND I GOT A CALL 3425 02:01:36,355 --> 02:01:38,057 FROM AHMET ERTEGUN, WHO WAS LIKE 3426 02:01:38,124 --> 02:01:42,261 THE MOST IMPORTANT MAN IN THE 3427 02:01:42,328 --> 02:01:43,229 RECORD BUSINESS. 3428 02:01:43,295 --> 02:01:44,497 HE WAS A GIANT. 3429 02:01:44,563 --> 02:01:45,965 AND HE SAYS, "ALLEN, I WANT YOU 3430 02:01:46,032 --> 02:01:47,199 TO COME TO LUNCH NEXT MONDAY AT 3431 02:01:47,266 --> 02:01:48,567 PEARL'S RESTAURANT." 3432 02:01:48,634 --> 02:01:50,436 I SAID, "WHO'S COMING?" 3433 02:01:50,503 --> 02:01:52,638 HE SAYS, "MYSELF, JANN WENNER, 3434 02:01:52,705 --> 02:01:54,507 SEYMOUR STEIN, AND YOURSELF. 3435 02:01:54,573 --> 02:01:55,574 AND WHEN YOU COME, WE'LL GET 3436 02:01:55,641 --> 02:01:58,010 INTO IT." 3437 02:01:58,077 --> 02:02:00,346 PEARL'S CHINESE RESTAURANT HAD 3438 02:02:00,413 --> 02:02:02,348 THE BEST FUCKING SPARE RIBS 3439 02:02:02,415 --> 02:02:03,783 YOU'VE EVER EATEN IN YOUR LIFE. 3440 02:02:03,849 --> 02:02:07,720 [LAUGHTER] 3441 02:02:07,787 --> 02:02:10,623 SO I GET THERE ON MONDAY, THE 3442 02:02:10,690 --> 02:02:12,491 FIRST THING I DO IS I ORDER A 3443 02:02:12,558 --> 02:02:16,462 HUGE PORTION OF SPARE RIBS. 3444 02:02:16,529 --> 02:02:17,997 AND I'M EATING AWAY, AND EATING 3445 02:02:18,064 --> 02:02:19,031 AWAY, AND AHMET IS STARTING TO 3446 02:02:19,098 --> 02:02:21,167 TALK. 3447 02:02:21,233 --> 02:02:22,601 AND I'M LISTENING WITH HALF AN 3448 02:02:22,668 --> 02:02:23,502 EAR, BECAUSE I'M EATING THE 3449 02:02:23,569 --> 02:02:27,907 GODDAMN SPARE RIBS. 3450 02:02:27,973 --> 02:02:30,843 [LAUGHTER] 3451 02:02:30,910 --> 02:02:32,078 AND THEN, ALL OF A SUDDEN I HEAR 3452 02:02:32,144 --> 02:02:33,512 HIM SAY, "YOU KNOW, THERE'S A 3453 02:02:33,579 --> 02:02:34,980 BASEBALL HALL OF FAME, THERE'S A 3454 02:02:35,047 --> 02:02:36,549 FOOTBALL HALL OF FAME, THERE'S A 3455 02:02:36,615 --> 02:02:39,318 BASKETBALL HALL OF FAME. 3456 02:02:39,385 --> 02:02:40,653 THERE'S NEVER BEEN A ROCK AND 3457 02:02:40,720 --> 02:02:44,123 ROLL HALL OF FAME." 3458 02:02:44,190 --> 02:02:45,958 THAT -- LISTEN VERY CAREFULLY. 3459 02:02:46,025 --> 02:02:47,626 AT THAT MOMENT, THE 3460 02:02:47,693 --> 02:02:49,228 ROCK AND ROLL HALL OF FAME WAS 3461 02:02:49,295 --> 02:02:51,931 CREATED. 3462 02:02:51,997 --> 02:02:53,899 AT PEARL'S CHINESE RESTAURANT, 3463 02:02:53,966 --> 02:02:55,401 WITH ME EATING SPARE RIBS. 3464 02:02:55,468 --> 02:02:57,369 AND NOW LOOK. 3465 02:02:57,436 --> 02:03:05,611 [APPLAUSE] 3466 02:03:05,678 --> 02:03:06,679 I'VE GOT TO TRY TO 3467 02:03:06,746 --> 02:03:08,013 NOT GET EMOTIONAL. 3468 02:03:08,080 --> 02:03:08,614 I'VE BEEN THE LUCKIEST GUY IN 3469 02:03:08,681 --> 02:03:09,715 THE WORLD. 3470 02:03:09,782 --> 02:03:11,016 I WAS NOT SUPPOSED TO HAVE THIS 3471 02:03:11,083 --> 02:03:12,118 CAREER. 3472 02:03:12,184 --> 02:03:13,185 I GREW UP IN BROOKLYN, I WENT TO 3473 02:03:13,252 --> 02:03:16,722 BROOKLYN LAW SCHOOL, I SHOULD'VE 3474 02:03:16,789 --> 02:03:17,256 BEEN A NEGLIGENCE LAWYER. 3475 02:03:17,323 --> 02:03:18,958 [LAUGHTER] 3476 02:03:19,024 --> 02:03:20,526 AND I WOULD'VE BEEN A SHITTY 3477 02:03:20,593 --> 02:03:21,594 NEGLIGENCE LAWYER, BECAUSE I 3478 02:03:21,660 --> 02:03:23,229 HATE ACCIDENTS. 3479 02:03:23,295 --> 02:03:26,699 [LAUGHTER] 3480 02:03:26,766 --> 02:03:29,535 BUT FOR SOMEHOW, I GOT INTO 3481 02:03:29,602 --> 02:03:31,470 BEING AN ENTERTAINMENT LAWYER, 3482 02:03:31,537 --> 02:03:33,272 AND IT HAS BEEN SO WONDERFUL FOR 3483 02:03:33,339 --> 02:03:34,807 DEBBIE AND I, WE'VE HAD THIS 3484 02:03:34,874 --> 02:03:36,142 GREAT LIFE, WE'VE MET THE MOST 3485 02:03:36,208 --> 02:03:37,777 FASCINATING PEOPLE. 3486 02:03:37,843 --> 02:03:40,813 AND WE'RE JUST LUCKY. 3487 02:03:40,880 --> 02:03:42,581 I WANT TO SAY IT IS MY HONOR TO 3488 02:03:42,648 --> 02:03:44,416 HAVE BROKEN THE GLASS CEILING 3489 02:03:44,483 --> 02:03:45,351 FOR LAWYERS. 3490 02:03:45,417 --> 02:03:47,353 [LAUGHTER] 3491 02:03:47,419 --> 02:03:51,490 I'M VERY PROUD OF THAT. 3492 02:03:51,557 --> 02:03:52,792 I HOPE THAT, IN THE FUTURE, MORE 3493 02:03:52,858 --> 02:03:54,860 LAWYERS, MANAGERS, AND AGENTS 3494 02:03:54,927 --> 02:03:56,328 WILL GET INTO THE HALL OF FAME. 3495 02:03:56,395 --> 02:04:01,600 I KNOW THAT'S GONNA HAPPEN. 3496 02:04:01,667 --> 02:04:03,202 AND MY FINAL WORDS ARE: "AND 3497 02:04:03,269 --> 02:04:03,869 REMEMBER, WE ALL SING IN OUR OWN 3498 02:04:03,936 --> 02:04:05,171 WAY." 3499 02:04:05,237 --> 02:04:06,806 THAT'S PRETTY GOOD, ISN'T IT? 3500 02:04:06,872 --> 02:04:08,707 [CHEERS AND APPLAUSE] 3501 02:04:08,774 --> 02:04:09,742 THANK YOU VERY MUCH! 3502 02:04:09,809 --> 02:04:11,510 THANK YOU! 3503 02:04:11,577 --> 02:04:13,145 [APPLAUSE] 3504 02:04:13,212 --> 02:04:18,751 ♪ ♪ 3505 02:04:18,818 --> 02:04:19,785 >> Announcer: TO INDUCT 3506 02:04:19,852 --> 02:04:20,452 LIONEL RICHIE INTO THE 3507 02:04:20,519 --> 02:04:21,420 ROCK AND ROLL HALL OF FAME, 3508 02:04:21,487 --> 02:04:22,888 LENNY KRAVITZ. 3509 02:04:22,955 --> 02:04:29,228 [CHEERS AND APPLAUSE] 3510 02:04:29,295 --> 02:04:32,031 >> FIRST OF ALL, I'D LIKE TO SAY 3511 02:04:32,097 --> 02:04:34,166 THAT IT IS A BLESSING THAT WE 3512 02:04:34,233 --> 02:04:37,236 CAN ALL BE HERE THIS EVENING, 3513 02:04:37,303 --> 02:04:39,271 CELEBRATING LIFE AND MUSIC 3514 02:04:39,338 --> 02:04:43,042 TOGETHER. 3515 02:04:43,108 --> 02:04:45,377 [APPLAUSE] 3516 02:04:45,444 --> 02:04:49,882 AND I AM HONORED TO BE HERE THIS 3517 02:04:49,949 --> 02:04:51,550 EVENING TO INDUCT LIONEL RICHIE. 3518 02:04:51,617 --> 02:05:02,528 [CHEERS AND APPLAUSE] 3519 02:05:02,595 --> 02:05:03,996 LIONEL RICHIE, INTO THE 3520 02:05:04,063 --> 02:05:05,431 ROCK AND ROLL HALL OF FAME. 3521 02:05:05,497 --> 02:05:10,002 OUTRAGEOUS! 3522 02:05:10,069 --> 02:05:11,871 [LAUGHTER AND APPLAUSE] 3523 02:05:11,937 --> 02:05:13,505 LIONEL AND I MET ABOUT 25 YEARS 3524 02:05:13,572 --> 02:05:14,807 AGO, AND HE'S BEEN LIKE A BIG 3525 02:05:14,874 --> 02:05:18,310 BROTHER TO ME EVER SINCE. 3526 02:05:18,377 --> 02:05:20,112 LIONEL AND I HAD BEEN WANTING TO 3527 02:05:20,179 --> 02:05:21,480 WRITE TOGETHER, SO WHEN HE WAS 3528 02:05:21,547 --> 02:05:22,681 IN MIAMI, WHERE I WAS LIVING AT 3529 02:05:22,748 --> 02:05:25,084 THE TIME, HE CAME BY THE HOUSE 3530 02:05:25,150 --> 02:05:25,417 FOR A SESSION. 3531 02:05:25,484 --> 02:05:29,188 I WAS COMPLETELY BLOWN AWAY. 3532 02:05:29,255 --> 02:05:30,522 I WAS GOING TO BE CREATING WITH 3533 02:05:30,589 --> 02:05:31,624 ONE OF MY MUSICAL HEROES. 3534 02:05:31,690 --> 02:05:32,524 I WANTED EVERYTHING TO BE 3535 02:05:32,591 --> 02:05:33,492 PERFECT. 3536 02:05:33,559 --> 02:05:36,695 I SET UP A PORTABLE STUDIO IN 3537 02:05:36,762 --> 02:05:37,296 THE KITCHEN, AND AS SOON AS HE 3538 02:05:37,363 --> 02:05:40,065 ARRIVED, WE STARTED JAMMING. 3539 02:05:40,132 --> 02:05:42,434 AS OUR IDEAS WERE STARTING TO 3540 02:05:42,501 --> 02:05:44,270 FLOW, MY 93-YEAR-OLD 3541 02:05:44,336 --> 02:05:46,405 GRANDFATHER, ALBERT ROKER, 3542 02:05:46,472 --> 02:05:48,307 WALKED IN AND TURNED ON THE TV 3543 02:05:48,374 --> 02:05:49,742 TO WATCH A HEAVYWEIGHT FIGHT 3544 02:05:49,808 --> 02:05:50,743 HE'D BEEN WAITING FOR. 3545 02:05:50,809 --> 02:05:55,681 [LAUGHTER] 3546 02:05:55,748 --> 02:05:57,616 JUST AS WE WERE FINDING THE 3547 02:05:57,683 --> 02:06:01,253 CHORUS, GRANDPA TURNED AROUND 3548 02:06:01,320 --> 02:06:02,221 AND SAID, "HEY, FELLAS, YOU MIND 3549 02:06:02,288 --> 02:06:04,256 TAKING THAT NOISE SOMEPLACE 3550 02:06:04,323 --> 02:06:04,556 ELSE?" 3551 02:06:04,623 --> 02:06:07,426 [LAUGHTER] 3552 02:06:07,493 --> 02:06:09,695 I FROZE. 3553 02:06:09,762 --> 02:06:12,564 I LOOKED AT LIONEL, LIONEL 3554 02:06:12,631 --> 02:06:15,267 LOOKED AT ME, AND THEN I LOOKED 3555 02:06:15,334 --> 02:06:16,936 AT MY GRANDFATHER, AND I WANTED 3556 02:06:17,002 --> 02:06:19,171 TO SAY, "GRANDPA, I'M WRITING 3557 02:06:19,238 --> 02:06:23,976 WITH LIONEL FUCKING RICHIE." 3558 02:06:24,043 --> 02:06:27,646 [LAUGHTER AND APPLAUSE] 3559 02:06:27,713 --> 02:06:29,048 OKAY, FIRST OF ALL, I WOULD 3560 02:06:29,114 --> 02:06:29,949 NEVER SPEAK TO MY GRANDFATHER 3561 02:06:30,015 --> 02:06:30,916 LIKE THAT. 3562 02:06:30,983 --> 02:06:32,484 [LAUGHTER] 3563 02:06:32,551 --> 02:06:34,186 AND SECONDLY, IF I HAD, HE 3564 02:06:34,253 --> 02:06:35,287 WOULD'VE WHUPPED MY ASS RIGHT IN 3565 02:06:35,354 --> 02:06:36,355 FRONT OF LIONEL. 3566 02:06:36,422 --> 02:06:38,924 [LAUGHTER] 3567 02:06:38,991 --> 02:06:40,893 SO THAT'S WHEN LIONEL JUMPED IN 3568 02:06:40,960 --> 02:06:42,828 AND SAID, "YES, SIR, MR. ROKER. 3569 02:06:42,895 --> 02:06:44,563 WE'LL BE RIGHT OUT OF YOUR WAY, 3570 02:06:44,630 --> 02:06:47,099 WE'LL MOVE TO ANOTHER ROOM." 3571 02:06:47,166 --> 02:06:49,268 THAT'S LIONEL RICHIE. 3572 02:06:49,335 --> 02:06:55,808 [CHEERS AND APPLAUSE] 3573 02:06:55,874 --> 02:06:56,942 RESPECTFUL, WARM, AND ABOVE ALL, 3574 02:06:57,009 --> 02:07:01,647 HUMBLE. 3575 02:07:01,714 --> 02:07:05,451 HE HAS REMAINED THAT DOWN-HOME 3576 02:07:05,517 --> 02:07:08,320 BROTHA FROM TUSKEGEE, ALABAMA. 3577 02:07:08,387 --> 02:07:09,822 AS A SINGER-SONGWRITER, 3578 02:07:09,888 --> 02:07:11,690 PRODUCER, AND PERFORMER, HE'S ON 3579 02:07:11,757 --> 02:07:13,192 THE MOUNTAINTOP OF MUSICAL 3580 02:07:13,258 --> 02:07:16,595 ICONS. 3581 02:07:16,662 --> 02:07:19,365 [APPLAUSE] 3582 02:07:19,431 --> 02:07:21,500 AS A COMMODORE... 3583 02:07:21,567 --> 02:07:26,271 [CHEERS AND APPLAUSE] 3584 02:07:26,338 --> 02:07:27,706 HE WAS SENSATIONAL, ONLY TO 3585 02:07:27,773 --> 02:07:31,877 OUTDO HIMSELF AS A SOLO ARTIST. 3586 02:07:31,944 --> 02:07:33,545 [APPLAUSE] 3587 02:07:33,612 --> 02:07:37,483 HIS MUSIC HAS BRIGHTENED THE 3588 02:07:37,549 --> 02:07:38,917 LIVES OF MILLIONS OF FANS, AND 3589 02:07:38,984 --> 02:07:43,455 HAS INFLUENCED ON ARTISTS LIKE 3590 02:07:43,522 --> 02:07:45,157 ME WHO HAVE FOLLOWED HIM IS 3591 02:07:45,224 --> 02:07:46,558 PERVASIVE AND PROFOUND. 3592 02:07:46,625 --> 02:07:47,626 LIONEL'S LEGACY IS ROCK-SOLID. 3593 02:07:47,693 --> 02:07:54,299 [CHEERS AND APPLAUSE] 3594 02:07:54,366 --> 02:07:55,801 HIS SONGS ARE THE SOUNDTRACK OF 3595 02:07:55,868 --> 02:07:56,735 MY LIFE, YOUR LIFE, AND 3596 02:07:56,802 --> 02:08:02,241 EVERYONE'S LIFE. 3597 02:08:02,307 --> 02:08:04,009 LIONEL'S SONGBOOK IS RICH AND 3598 02:08:04,076 --> 02:08:06,512 BEAUTIFULLY DIVERSE. 3599 02:08:06,578 --> 02:08:08,447 TO NAME ALL OF HIS BRILLIANT 3600 02:08:08,514 --> 02:08:09,548 SONGS WOULD TAKE, WELL, 3601 02:08:09,615 --> 02:08:17,523 "ALL NIGHT LONG." 3602 02:08:17,589 --> 02:08:18,524 [LAUGHTER AND APPLAUSE] 3603 02:08:18,590 --> 02:08:21,660 I HAD TO. 3604 02:08:21,727 --> 02:08:22,995 ANTHEM AFTER ANTHEM AFTER 3605 02:08:23,062 --> 02:08:27,266 ANTHEM. 3606 02:08:27,332 --> 02:08:29,501 I'M TELLING IT LIKE IT IS. 3607 02:08:29,568 --> 02:08:32,137 AND ALONG WITH MICHAEL JACKSON, 3608 02:08:32,204 --> 02:08:34,339 LIONEL COMPOSED ONE OF THE MOST 3609 02:08:34,406 --> 02:08:36,508 MONUMENTAL SONGS IN MUSICAL 3610 02:08:36,575 --> 02:08:39,078 HISTORY, "WE ARE THE WORLD." 3611 02:08:39,144 --> 02:08:45,884 [CHEERS AND APPLAUSE] 3612 02:08:45,951 --> 02:08:47,753 PRODUCED BY QUINCY JONES, WHICH 3613 02:08:47,820 --> 02:08:48,987 BROUGHT TOGETHER THE GREATEST 3614 02:08:49,054 --> 02:08:50,856 ARTISTS TO CONTRIBUTE TO THE 3615 02:08:50,923 --> 02:08:53,826 FIGHT AGAINST FAMINE IN AFRICA. 3616 02:08:53,892 --> 02:08:56,361 [APPLAUSE] 3617 02:08:56,428 --> 02:08:59,031 IT WAS AN EXTRAORDINARY ACT OF 3618 02:08:59,098 --> 02:09:00,399 LOVE, BUT OF COURSE, LIONEL 3619 02:09:00,466 --> 02:09:06,872 RICHIE IS LOVE. 3620 02:09:06,939 --> 02:09:08,807 LOVE PERSONIFIED, LOVE PROJECTED 3621 02:09:08,874 --> 02:09:09,908 TO EVERYONE AND EVERYTHING HE 3622 02:09:09,975 --> 02:09:13,178 TOUCHES. 3623 02:09:13,245 --> 02:09:16,115 LOVE INCORPORATED IN HIS ACTS OF 3624 02:09:16,181 --> 02:09:21,120 KINDNESS, COMPASSION, AND CARE. 3625 02:09:21,186 --> 02:09:22,721 [APPLAUSE] 3626 02:09:22,788 --> 02:09:24,022 ♪ ♪ 3627 02:09:24,089 --> 02:09:24,990 >> THERE'S A TIME IN YOUR 3628 02:09:25,057 --> 02:09:26,225 CREATIVE DISCOVERY WHERE YOU 3629 02:09:26,291 --> 02:09:27,426 HAVE TO ASK THE QUESTION, "WHERE 3630 02:09:27,493 --> 02:09:28,227 IS THIS COMING FROM?" 3631 02:09:28,293 --> 02:09:29,728 MARVIN GAYE WAS ONE OF MY 3632 02:09:29,795 --> 02:09:30,562 INSTRUCTORS AT THE UNIVERSITY OF 3633 02:09:30,629 --> 02:09:31,763 MOTOWN. 3634 02:09:31,830 --> 02:09:32,965 HE JUST SAID, "MAN, YOU NEVER 3635 02:09:33,031 --> 02:09:34,166 KNOW WHERE IT COMES FROM. 3636 02:09:34,233 --> 02:09:40,205 YOU JUST HAVE TO KEEP MOVING 3637 02:09:40,272 --> 02:09:41,206 FORWARD, WRITE AS FAST AS YOU 3638 02:09:41,273 --> 02:09:42,207 CAN." 3639 02:09:42,274 --> 02:09:43,108 SO AS I GOT MORE AND MORE 3640 02:09:43,175 --> 02:09:43,775 COMFORTABLE, ONE SONG TO THE 3641 02:09:43,842 --> 02:09:45,644 NEXT SONG, YOU START GOING, 3642 02:09:45,711 --> 02:09:45,911 "OH, OKAY. 3643 02:09:45,978 --> 02:09:48,547 I GOT THIS." 3644 02:09:48,614 --> 02:09:50,415 ♪ THAT'S WHY I'M EASY ♪ 3645 02:09:50,482 --> 02:09:51,350 ♪ I'M EASY LIKE SUNDAY 3646 02:09:51,416 --> 02:09:56,188 MORNING ♪ 3647 02:09:56,255 --> 02:09:56,855 [APPLAUSE] 3648 02:09:56,922 --> 02:09:58,190 >> STARTING OUT AT 3649 02:09:58,257 --> 02:10:02,094 TUSKEGEE INSTITUTE IN ALABAMA AS 3650 02:10:02,161 --> 02:10:05,397 CLASSMATES WHO JUST LIKE TO GET 3651 02:10:05,464 --> 02:10:06,765 TOGETHER AND PLAY MUSIC, 3652 02:10:06,832 --> 02:10:07,633 A GREAT WELCOME, GANG, FOR 3653 02:10:07,699 --> 02:10:08,400 THE COMMODORES. 3654 02:10:08,467 --> 02:10:09,101 ♪ LISTEN TO ME, BROTHERS, 3655 02:10:09,168 --> 02:10:10,135 LISTEN WELL ♪ 3656 02:10:10,202 --> 02:10:11,236 ♪ BROTHERS, WE GOT SOMETHING TO 3657 02:10:11,303 --> 02:10:12,070 TELL ♪ 3658 02:10:12,137 --> 02:10:13,138 >> AND THE GREATEST THING THAT 3659 02:10:13,205 --> 02:10:14,273 EVER HAPPENED WAS I MET 3660 02:10:14,339 --> 02:10:15,374 THOMAS McCLARY, THE GUITAR 3661 02:10:15,440 --> 02:10:16,575 PLAYER OF THE COMMODORES. 3662 02:10:16,642 --> 02:10:18,010 AND HE SAID, "I HEARD YOU 3663 02:10:18,076 --> 02:10:18,777 BROUGHT YOUR HORN TO SCHOOL?" 3664 02:10:18,844 --> 02:10:19,845 AND I SAID YES. 3665 02:10:19,912 --> 02:10:20,913 HE SAID, "THERE'S A TALENT SHOW, 3666 02:10:20,979 --> 02:10:22,714 WANNA JOIN THE BAND?" 3667 02:10:22,781 --> 02:10:24,349 I WALKED OUT ON STAGE THAT 3668 02:10:24,416 --> 02:10:27,553 FATEFUL NIGHT AND I DIDN'T 3669 02:10:27,619 --> 02:10:28,554 REALIZE IT WAS GONNA CHANGE MY 3670 02:10:28,620 --> 02:10:29,254 LIFE FOREVER. 3671 02:10:29,321 --> 02:10:30,222 ♪ IF YOU AIN'T TAKIN' CARE OF 3672 02:10:30,289 --> 02:10:31,190 BUSINESS ♪ 3673 02:10:31,256 --> 02:10:33,158 ♪ THIS YOU MUST EXPECT ♪ 3674 02:10:33,225 --> 02:10:34,826 ♪ LOVE GETS SLIPPERY ♪ 3675 02:10:34,893 --> 02:10:36,228 >> LIONEL RICHIE HAS BEEN A 3676 02:10:36,295 --> 02:10:38,463 STAPLE IN MY LIFE FROM THE 3677 02:10:38,530 --> 02:10:39,998 BEGINNING, WHEN I FIRST STARTED. 3678 02:10:40,065 --> 02:10:43,702 THE MANAGER OF MY GROUP WAS A 3679 02:10:43,769 --> 02:10:45,003 DIE-HARD FAN OF LIONEL RICHIE, 3680 02:10:45,070 --> 02:10:46,104 AND MADE US LISTEN TO EVERY SONG 3681 02:10:46,171 --> 02:10:48,507 THAT HE EVER MADE. 3682 02:10:48,574 --> 02:10:49,374 THE TEXTURE, AND THE WAY THAT HE 3683 02:10:49,441 --> 02:10:50,542 WOULD SING, LIKE, HE WAS THE 3684 02:10:50,609 --> 02:10:53,745 GREATEST STORYTELLER. 3685 02:10:53,812 --> 02:10:55,714 ♪ YOU'RE ONCE, TWICE, THREE 3686 02:10:55,781 --> 02:11:03,188 TIMES A LADY ♪ 3687 02:11:03,255 --> 02:11:04,590 >> I WRITE THIS SONG CALLED 3688 02:11:04,656 --> 02:11:06,925 "BABY" FOR THE COMMODORES. 3689 02:11:06,992 --> 02:11:07,893 AND THE FIRST THING THEY TELL ME 3690 02:11:07,960 --> 02:11:11,396 IS, "WE DON'T WANT A BALLAD." 3691 02:11:11,463 --> 02:11:12,264 NOW I GET A PHONE CALL FROM 3692 02:11:12,331 --> 02:11:15,801 KENNY ROGERS. 3693 02:11:15,867 --> 02:11:18,537 "DO YOU HAVE A SONG? 3694 02:11:18,604 --> 02:11:19,338 I WANT ONE OF THOSE 3695 02:11:19,404 --> 02:11:20,539 LIONEL RICHIE BALLADS." 3696 02:11:20,606 --> 02:11:21,740 SO I CHANGED IT FROM "BABY" TO 3697 02:11:21,807 --> 02:11:23,609 "LADY," AND THE REST IS HISTORY. 3698 02:11:23,675 --> 02:11:24,710 ♪ LADY, I'M YOUR KNIGHT IN 3699 02:11:24,776 --> 02:11:27,379 SHINING ARMOR AND I LOVE YOU ♪ 3700 02:11:27,446 --> 02:11:28,347 >> LIONEL WRITES SONGS THAT SAY 3701 02:11:28,413 --> 02:11:30,582 WHAT EVERY MAN WOULD LIKE TO BE 3702 02:11:30,649 --> 02:11:31,617 ABLE TO SAY, AND EVERY WOMAN 3703 02:11:31,683 --> 02:11:33,051 WOULD LIKE TO HEAR. 3704 02:11:33,118 --> 02:11:34,319 AND HE HAS A WAY OF WRITING 3705 02:11:34,386 --> 02:11:38,190 LYRICS THAT ALL OF US SPEAK. 3706 02:11:38,257 --> 02:11:39,992 ♪ GIRL, TELL ME ONLY THIS ♪ 3707 02:11:40,058 --> 02:11:44,396 ♪ THAT I'LL HAVE YOUR HEART ♪ 3708 02:11:44,463 --> 02:11:45,831 >> I HAD JUST FINISHED TWO 3709 02:11:45,897 --> 02:11:47,432 SUCCESSFUL PRODUCTIONS, "LADY" 3710 02:11:47,499 --> 02:11:48,600 WITH KENNY ROGERS, AND THEN 3711 02:11:48,667 --> 02:11:51,436 "ENDLESS LOVE" WITH DIANA ROSS. 3712 02:11:51,503 --> 02:11:52,838 I WASN'T THINKING OF SOLO, BUT 3713 02:11:52,904 --> 02:11:53,739 THAT WAS THE BEGINNING OF THAT 3714 02:11:53,805 --> 02:11:55,974 CHANGE. 3715 02:11:56,041 --> 02:12:00,579 ♪ BECAUSE I'M TRULY, TRULY IN 3716 02:12:00,646 --> 02:12:05,984 LOVE WITH YOU, GIRL ♪ 3717 02:12:06,051 --> 02:12:07,019 >> THE GRAMMY GOES TO "TRULY," 3718 02:12:07,085 --> 02:12:09,621 LIONEL RICHIE. 3719 02:12:09,688 --> 02:12:10,088 [CHEERS AND APPLAUSE] 3720 02:12:10,155 --> 02:12:10,922 >> WE FINALLY MADE IT. 3721 02:12:10,989 --> 02:12:12,124 THANK YOU. 3722 02:12:12,190 --> 02:12:13,158 >> WHEN I WAS WITH THE 3723 02:12:13,225 --> 02:12:14,192 COMMODORES, ALL I HAD TO DO WAS 3724 02:12:14,259 --> 02:12:15,460 WORRY ABOUT ONE SONG FOR AN 3725 02:12:15,527 --> 02:12:16,828 ALBUM. 3726 02:12:16,895 --> 02:12:19,298 NOW I HAVE TO WORRY ABOUT NINE. 3727 02:12:19,364 --> 02:12:20,732 >> WHEN I WALKED IN THE DOOR 3728 02:12:20,799 --> 02:12:22,000 AT MOTOWN RECORDS WITH 3729 02:12:22,067 --> 02:12:23,001 "ALL NIGHT LONG," 3730 02:12:23,068 --> 02:12:23,869 "WELL, MY FRIENDS, DE TIME 3731 02:12:23,935 --> 02:12:25,103 HAS COME" 3732 02:12:25,170 --> 02:12:26,805 I THOUGHT BERRY GORDY WAS GONNA 3733 02:12:26,872 --> 02:12:27,739 FALL BEHIND THE DESK. 3734 02:12:27,806 --> 02:12:28,807 I MEAN, WHAT DOES CALYPSO HAVE 3735 02:12:28,874 --> 02:12:29,841 TO DO AT ALL WITH MOTOWN? 3736 02:12:29,908 --> 02:12:31,076 ♪ TAM BO LI DE SAY DE MOI YA ♪ 3737 02:12:31,143 --> 02:12:32,210 ♪ YEAH ♪ 3738 02:12:32,277 --> 02:12:33,245 >> "ALL NIGHT LONG", MAN, FOR 3739 02:12:33,312 --> 02:12:34,546 ME, WAS JUST A CELEBRATION OF 3740 02:12:34,613 --> 02:12:37,015 LIFE. 3741 02:12:37,082 --> 02:12:38,216 I THINK IT WAS A RESPONSIBLE 3742 02:12:38,283 --> 02:12:39,618 MOMENT FOR LIONEL TO SHOW THAT 3743 02:12:39,685 --> 02:12:40,185 WE AS BLACK AMERICANS CAN GO 3744 02:12:40,252 --> 02:12:40,986 ANYWHERE. 3745 02:12:41,053 --> 02:12:42,154 HE JUST SHOWS YOU THAT THERE'S 3746 02:12:42,220 --> 02:12:46,725 NO LIMITS. 3747 02:12:46,792 --> 02:12:48,694 ♪ ♪ 3748 02:12:48,760 --> 02:12:49,594 >> WHEN "ALL NIGHT LONG" CAME 3749 02:12:49,661 --> 02:12:50,862 OUT, THE ROCKET TOOK OFF. 3750 02:12:50,929 --> 02:12:53,532 AND THE NEXT THING I KNOW, WE'RE 3751 02:12:53,598 --> 02:12:55,133 SINGING IT AT THE OLYMPICS. 3752 02:12:55,200 --> 02:13:02,574 ♪ ♪ 3753 02:13:02,641 --> 02:13:03,709 >> IT'S AMAZING HOW ONE PHONE 3754 02:13:03,775 --> 02:13:04,843 CALL WILL CHANGE YOUR LIFE AND 3755 02:13:04,910 --> 02:13:05,744 PROBABLY CHANGE THE LIVES OF 3756 02:13:05,811 --> 02:13:06,578 MILLIONS OF PEOPLE. 3757 02:13:06,645 --> 02:13:07,979 HARRY BELAFONTE CALLED AND SAID 3758 02:13:08,046 --> 02:13:08,647 THAT THE TIME FOR US AS ARTISTS 3759 02:13:08,714 --> 02:13:10,649 TO GET TOGETHER IS NOW. 3760 02:13:10,716 --> 02:13:12,718 ♪ THERE ARE PEOPLE DYING ♪ 3761 02:13:12,784 --> 02:13:13,885 >> SO MICHAEL AND I GOT TOGETHER 3762 02:13:13,952 --> 02:13:14,753 AND SAID, "LET'S WRITE A SONG." 3763 02:13:14,820 --> 02:13:16,254 QUINCY HAD SAID, "WELL, LIONEL, 3764 02:13:16,321 --> 02:13:17,089 WHATEVER YOU DECIDE TO DO, I'M 3765 02:13:17,155 --> 02:13:18,523 GONNA HELP YOU." 3766 02:13:18,590 --> 02:13:19,458 IT WAS JUST EVERYONE WORKING 3767 02:13:19,524 --> 02:13:21,526 TOGETHER. 3768 02:13:21,593 --> 02:13:23,962 ♪ WE ARE THE WORLD ♪ 3769 02:13:24,029 --> 02:13:25,063 >> THE FIRST TIME WE GOT DOWN TO 3770 02:13:25,130 --> 02:13:26,631 THE CHORUS, WHEN EVERYBODY SANG 3771 02:13:26,698 --> 02:13:27,632 IT TOGETHER, IT WAS DIVINE 3772 02:13:27,699 --> 02:13:29,735 GUIDANCE. 3773 02:13:29,801 --> 02:13:30,969 ♪ WE'LL MAKE A BETTER DAY, JUST 3774 02:13:31,036 --> 02:13:37,142 YOU AND ME ♪ 3775 02:13:37,209 --> 02:13:37,843 ♪ ♪ 3776 02:13:37,909 --> 02:13:38,910 >> THERE'S TWO PARTS OF THIS 3777 02:13:38,977 --> 02:13:39,945 BUSINESS. 3778 02:13:40,011 --> 02:13:41,012 HAVING THE SUCCESS IS HALF OF 3779 02:13:41,079 --> 02:13:42,581 IT. 3780 02:13:42,647 --> 02:13:43,682 SURVIVING THE SUCCESS IS THE 3781 02:13:43,749 --> 02:13:45,117 OTHER HALF. 3782 02:13:45,183 --> 02:13:46,385 THE TEST NOW IS JUST TO SURVIVE 3783 02:13:46,451 --> 02:13:47,285 IT. 3784 02:13:47,352 --> 02:13:48,520 AND AS LONG AS THE CROWD KNOWS 3785 02:13:48,587 --> 02:13:49,321 THE LYRICS, YOU COULD HAVE A 3786 02:13:49,388 --> 02:13:56,928 SHOW. 3787 02:13:56,995 --> 02:13:58,997 ♪ SAY YOU, SAY ME, SAY IT 3788 02:13:59,064 --> 02:14:01,967 TOGETHER ♪ 3789 02:14:02,033 --> 02:14:03,902 ♪ OH, WHAT A FEELING WHEN WE'RE 3790 02:14:03,969 --> 02:14:05,670 DANCING ON THE CEILING ♪ 3791 02:14:05,737 --> 02:14:06,838 >> WHEN YOU THINK ABOUT SOLO 3792 02:14:06,905 --> 02:14:08,273 ARTISTS THAT PLAY, THAT SING, 3793 02:14:08,340 --> 02:14:09,408 THEY WRITE, HE'S REALLY PAVED 3794 02:14:09,474 --> 02:14:11,076 THE WAY FOR ALL OF THEM. 3795 02:14:11,143 --> 02:14:11,843 AND HE'S PROBABLY THE LAST TO 3796 02:14:11,910 --> 02:14:13,879 EVEN SAY IT. 3797 02:14:13,945 --> 02:14:15,247 BUT I'M SAYING IT FOR YOU, YOU 3798 02:14:15,313 --> 02:14:16,314 A GOAT, YOU A G. 3799 02:14:16,381 --> 02:14:17,716 AND YOU'VE MADE IT CLEAR FOR US 3800 02:14:17,783 --> 02:14:20,118 WHAT IT IS TO BE GREAT AT WHAT 3801 02:14:20,185 --> 02:14:24,756 YOU DO, AND BE TIMELESS IN THE 3802 02:14:24,823 --> 02:14:26,291 MATTER IN WHICH YOU CREATE. 3803 02:14:26,358 --> 02:14:27,259 ♪ I'VE BEEN ALONE WITH YOU 3804 02:14:27,325 --> 02:14:29,227 INSIDE MY MIND ♪ 3805 02:14:29,294 --> 02:14:32,597 ♪ HELLO ♪ 3806 02:14:32,664 --> 02:14:33,899 ♪ IS IT ME YOU'RE LOOKING 3807 02:14:33,965 --> 02:14:40,372 FOR? ♪ 3808 02:14:40,439 --> 02:14:41,973 ♪ ♪ 3809 02:14:42,040 --> 02:14:43,642 >> IT'S REALLY THE BEST BLESSING 3810 02:14:43,708 --> 02:14:44,342 IN THE WORLD, IS TO BE ABLE TO 3811 02:14:44,409 --> 02:14:45,510 DO WHAT YOU LIKE TO DO. 3812 02:14:45,577 --> 02:14:46,244 WHAT WOULD I LIKE TO DO? 3813 02:14:46,311 --> 02:14:47,746 I'D LIKE TO DO THIS FOR ANOTHER 3814 02:14:47,813 --> 02:14:50,348 400 YEARS. 3815 02:14:50,415 --> 02:14:51,550 >> I LOVE YOU SO MUCH, 3816 02:14:51,616 --> 02:14:52,517 EVERYBODY! 3817 02:14:52,584 --> 02:15:00,258 [CHEERS AND APPLAUSE] 3818 02:15:00,325 --> 02:15:01,526 >> SO, IN THE NAME OF LOVE, I'M 3819 02:15:01,593 --> 02:15:03,261 HONORED TO INDUCT INTO THE 3820 02:15:03,328 --> 02:15:10,569 ROCK AND ROLL HALL OF FAME, A 3821 02:15:10,635 --> 02:15:12,037 MAN WITH AN EXTRAORDINARY GIFT 3822 02:15:12,103 --> 02:15:12,904 AND MAGNIFICENT HUMANITY, 3823 02:15:12,971 --> 02:15:15,040 MR. LIONEL RICHIE! 3824 02:15:15,106 --> 02:15:17,542 [CHEERS AND APPLAUSE] 3825 02:15:17,609 --> 02:15:20,912 ♪ ♪ 3826 02:15:20,979 --> 02:15:29,421 >> ALL RIGHT, GET READY. 3827 02:15:29,488 --> 02:15:30,589 ♪ I KNOW IT SOUNDS FUNNY ♪ 3828 02:15:30,655 --> 02:15:31,556 ♪ BUT I JUST CAN'T STAND THE 3829 02:15:31,623 --> 02:15:39,931 PAIN ♪ 3830 02:15:39,998 --> 02:15:40,932 ♪ GIRL, I'M LEAVING YOU 3831 02:15:40,999 --> 02:15:42,634 TOMORROW ♪ 3832 02:15:42,701 --> 02:15:44,402 ♪ SEEMS TO ME, GIRL ♪ 3833 02:15:44,469 --> 02:15:50,509 ♪ YOU KNOW I'VE DONE ALL I CAN ♪ 3834 02:15:50,575 --> 02:15:54,446 ♪ YOU SEE, I BEGGED, STOLE, AND 3835 02:15:54,513 --> 02:15:57,148 I BORROWED, YEAH, OOH ♪ 3836 02:15:57,215 --> 02:16:02,988 ♪ THAT'S WHY I'M EASY ♪ 3837 02:16:03,054 --> 02:16:04,322 ♪ BABY, I'M EASY LIKE SUNDAY 3838 02:16:04,389 --> 02:16:14,232 MORNING ♪ 3839 02:16:14,299 --> 02:16:16,001 ♪ YEAH, WELL, WELL, WELL, I FEEL 3840 02:16:16,067 --> 02:16:17,669 SO EASY ♪ 3841 02:16:17,736 --> 02:16:26,912 ♪ I'M EASY LIKE SUNDAY MORNING ♪ 3842 02:16:26,978 --> 02:16:30,215 >> HERE WE GO, NOW! 3843 02:16:30,282 --> 02:16:33,118 ♪ I WANNA BE HIGH, SO HIGH ♪ 3844 02:16:33,184 --> 02:16:36,421 ♪ I WANNA BE FREE TO KNOW THE 3845 02:16:36,488 --> 02:16:40,358 THINGS I DO ARE RIGHT ♪ 3846 02:16:40,425 --> 02:16:48,300 ♪ AH, I WANNA BE FREE ♪ 3847 02:16:48,366 --> 02:16:52,170 ♪ JUST ME, OH, BABY ♪ 3848 02:16:52,237 --> 02:16:59,544 ♪ OH, NO ♪ 3849 02:16:59,611 --> 02:17:01,279 >> COME ON, DAVE! 3850 02:17:01,346 --> 02:17:02,380 PLAY THAT UKULELE FOR THE FOLKS 3851 02:17:02,447 --> 02:17:05,584 OUT THERE! 3852 02:17:05,650 --> 02:17:07,752 ♪ ♪ 3853 02:17:07,819 --> 02:17:12,857 [GUITAR SOLO] 3854 02:17:12,924 --> 02:17:17,095 >> COME ON, MAN! 3855 02:17:17,162 --> 02:17:19,731 YOU ARE SOUNDING GOOD, MY 3856 02:17:19,798 --> 02:17:21,366 BROTHER. 3857 02:17:21,433 --> 02:17:25,003 ♪ ♪ 3858 02:17:25,070 --> 02:17:30,241 OH, YEAH! 3859 02:17:30,308 --> 02:17:35,313 ♪ THAT'S WHY I'M EASY ♪ 3860 02:17:35,380 --> 02:17:39,618 ♪ I'M EASY LIKE SUNDAY MORNING, 3861 02:17:39,684 --> 02:17:40,585 YEAH ♪ 3862 02:17:40,652 --> 02:17:46,992 ♪ THAT'S WHY I'M EASY ♪ 3863 02:17:47,058 --> 02:17:49,427 ♪ YEAH, YEAH, YEAH ♪ 3864 02:17:49,494 --> 02:17:50,528 ♪ EASY LIKE SUNDAY MORNING, 3865 02:17:50,595 --> 02:18:03,608 YEAH ♪ 3866 02:18:03,675 --> 02:18:05,443 ♪ EASY LIKE, EASY LIKE, EASY 3867 02:18:05,510 --> 02:18:09,814 LIKE ♪ 3868 02:18:09,881 --> 02:18:11,383 ♪ EASY ♪ 3869 02:18:11,449 --> 02:18:14,352 ♪ EASY ♪ 3870 02:18:14,419 --> 02:18:21,493 ♪ EASY ♪ 3871 02:18:21,559 --> 02:18:22,861 ♪ LIKE SUNDAY MORNING, YEAH, 3872 02:18:22,927 --> 02:18:24,996 YEAH ♪ 3873 02:18:25,063 --> 02:18:34,939 ♪ ♪ 3874 02:18:35,006 --> 02:18:36,174 >> ALL RIGHT, EVERYBODY. 3875 02:18:36,241 --> 02:18:37,242 THANKS, DAVE! 3876 02:18:37,308 --> 02:18:46,184 LET'S DO THIS! 3877 02:18:46,251 --> 02:18:47,919 ♪ DA DA, WHOA-OOH-OH, YEAH ♪ 3878 02:18:47,986 --> 02:18:48,853 ♪ WELL, MY FRIENDS, THE TIME HAS 3879 02:18:48,920 --> 02:18:49,487 COME ♪ 3880 02:18:49,554 --> 02:18:54,626 ♪ TO RAISE THE ROOF AND HAVE 3881 02:18:54,693 --> 02:18:56,261 SOME FUN, NOW ♪ 3882 02:18:56,327 --> 02:18:57,195 ♪ THROW AWAY THE WORK TO BE 3883 02:18:57,262 --> 02:18:58,763 DONE ♪ 3884 02:18:58,830 --> 02:19:02,233 ♪ LET THE MUSIC PLAY ON ♪ 3885 02:19:02,300 --> 02:19:03,802 ♪ EVERYBODY SING, 3886 02:19:03,868 --> 02:19:07,772 AND EVERYBODY DANCE ♪ 3887 02:19:07,839 --> 02:19:08,540 ♪ LOSE YOURSELVES IN 3888 02:19:08,606 --> 02:19:09,574 WILD ROMANCE ♪ 3889 02:19:09,641 --> 02:19:10,809 ♪ WE'RE GOING TO PARTY ♪ 3890 02:19:10,875 --> 02:19:14,913 ♪ KARAMU, FIESTA, FOREVER ♪ 3891 02:19:14,979 --> 02:19:16,548 ♪ COME ON AND SING ALONG! ♪ 3892 02:19:16,614 --> 02:19:18,416 ♪ WE'RE GOING TO PARTY ♪ 3893 02:19:18,483 --> 02:19:22,854 ♪ KARAMU, FIESTA, FOREVER ♪ 3894 02:19:22,921 --> 02:19:28,993 ♪ COME ON AND SING ALONG! ♪ 3895 02:19:29,060 --> 02:19:30,161 ♪ EVERYBODY, ALL NIGHT LONG ♪ 3896 02:19:30,228 --> 02:19:31,262 ♪ ALL NIGHT ♪ 3897 02:19:31,329 --> 02:19:32,497 ♪ ALL NIGHT LONG ♪ 3898 02:19:32,564 --> 02:19:34,132 ♪ ALL NIGHT ♪ 3899 02:19:34,199 --> 02:19:35,734 ♪ ALL NIGHT LONG ♪ 3900 02:19:35,800 --> 02:19:37,368 ♪ ALL NIGHT ♪ 3901 02:19:37,435 --> 02:19:40,405 ♪ ALL NIGHT LONG! ♪ 3902 02:19:40,472 --> 02:19:47,178 ♪ OOH, YEAH ♪ 3903 02:19:47,245 --> 02:19:48,279 ♪ WATCH ME NOW ♪ 3904 02:19:48,346 --> 02:19:49,147 ♪ PEOPLE DANCING ALL IN THE 3905 02:19:49,214 --> 02:19:49,814 STREET ♪ 3906 02:19:49,881 --> 02:19:53,451 ♪ SEE THE RHYTHM ALL IN THEIR 3907 02:19:53,518 --> 02:19:54,819 FEET, YEAH ♪ 3908 02:19:54,886 --> 02:20:02,827 ♪ LIFE IS GOOD, WILD AND SWEET ♪ 3909 02:20:02,894 --> 02:20:03,995 ♪ LET THE MUSIC PLAY ON ♪ 3910 02:20:04,062 --> 02:20:04,863 ♪ FEEL IT IN YOUR HEART AND FEEL 3911 02:20:04,929 --> 02:20:06,297 IT IN YOUR SOUL ♪ 3912 02:20:06,364 --> 02:20:08,333 ♪ LET THE MUSIC TAKE CONTROL ♪ 3913 02:20:08,399 --> 02:20:10,201 ♪ WE'RE GOING TO PARTY, LIMING, 3914 02:20:10,268 --> 02:20:13,071 FIESTA, FOREVER ♪ 3915 02:20:13,138 --> 02:20:15,273 ♪ COME ON AND SING ALONG ♪ 3916 02:20:15,340 --> 02:20:17,175 ♪ WE'RE GOING TO PARTY ♪ 3917 02:20:17,242 --> 02:20:21,713 ♪ LIMING, FIESTA, FOREVER ♪ 3918 02:20:21,780 --> 02:20:25,583 ♪ COME ON AND SING MY SONG! ♪ 3919 02:20:25,650 --> 02:20:29,387 ♪ EVERYBODY, ALL NIGHT LONG ♪ 3920 02:20:29,454 --> 02:20:32,891 ♪ ALL NIGHT, ALL NIGHT LONG ♪ 3921 02:20:32,957 --> 02:20:35,927 ♪ ALL NIGHT LONG ♪ 3922 02:20:35,994 --> 02:20:41,766 ♪ ALL NIGHT LONG ♪ 3923 02:20:41,833 --> 02:20:43,067 ♪ ALL NIGHT ♪ 3924 02:20:43,134 --> 02:20:44,202 ♪ YEAH, ONCE YOU GET STARTED YOU 3925 02:20:44,269 --> 02:20:48,306 CAN'T SIT DOWN ♪ 3926 02:20:48,373 --> 02:20:50,708 ♪ YEAH ♪ 3927 02:20:50,775 --> 02:20:52,143 ♪ COME JOIN THE FUN, IT'S A 3928 02:20:52,210 --> 02:20:58,149 MERRY-GO-ROUND ♪ 3929 02:20:58,216 --> 02:20:59,951 ♪ PEOPLE ARE DANCING THEIR 3930 02:21:00,018 --> 02:21:06,457 TROUBLES AWAY ♪ 3931 02:21:06,524 --> 02:21:07,258 ♪ COME JOIN OUR PARTY, SEE HOW 3932 02:21:07,325 --> 02:21:11,262 WE PLAY! ♪ 3933 02:21:11,329 --> 02:21:23,274 ♪ COME ON! COME ON! ♪ 3934 02:21:23,341 --> 02:21:29,848 ♪ TAM BO LI DE SAY DE MOI YA ♪ 3935 02:21:29,914 --> 02:21:30,982 YOUR TURN. 3936 02:21:31,049 --> 02:21:31,950 >> OH, JAMBALI. 3937 02:21:32,016 --> 02:21:32,851 >> SAY "TAM BO LI DE SAY DE MOI 3938 02:21:32,917 --> 02:21:33,718 YA." 3939 02:21:33,785 --> 02:21:41,292 YEAH, JAMBO, JUMBO. 3940 02:21:41,359 --> 02:21:47,031 ♪ TAM BO LI DE SAY DE MOI YA ♪ 3941 02:21:47,098 --> 02:21:48,433 ♪ HEY JAMBO JUMBO ♪ 3942 02:21:48,500 --> 02:21:52,003 ♪ WAY TO PARTI O WE GWAN ♪ 3943 02:21:52,070 --> 02:21:53,504 ♪ ALL NIGHT LONG ♪ 3944 02:21:53,571 --> 02:21:55,540 ♪ ALL NIGHT, ♪ 3945 02:21:55,607 --> 02:22:02,213 ♪ ALL NIGHT LONG ♪ 3946 02:22:02,280 --> 02:22:04,282 ♪ ALL NIGHT ♪ 3947 02:22:04,349 --> 02:22:06,284 ♪ ALL NIGHT LONG ♪ 3948 02:22:06,351 --> 02:22:07,752 ♪ ALL NIGHT ♪ 3949 02:22:07,819 --> 02:22:10,722 ♪ ALL NIGHT LONG ♪ 3950 02:22:10,788 --> 02:22:16,995 ♪ ALL NIGHT LONG ♪ 3951 02:22:17,061 --> 02:22:36,814 [CHEERS AND APPLAUSE] 3952 02:22:36,881 --> 02:22:38,416 >> OH, MY GOD. 3953 02:22:38,483 --> 02:22:40,151 THAT WAS -- 3954 02:22:40,218 --> 02:22:45,123 [CHEERS AND APPLAUSE] 3955 02:22:45,189 --> 02:22:49,460 IT HAS BEEN A VERY INTERESTING 3956 02:22:49,527 --> 02:22:52,063 ROAD FROM TUSKEGEE, ALABAMA, TO 3957 02:22:52,130 --> 02:22:56,167 THE ROCK AND ROLL HALL OF FAME. 3958 02:22:56,234 --> 02:22:57,302 WE ARE CELEBRATING TONIGHT 3959 02:22:57,368 --> 02:22:59,304 PROBABLY ONE OF THE FUNNIEST 3960 02:22:59,370 --> 02:23:02,674 THINGS, FUNNIEST JOKES IN MY 3961 02:23:02,740 --> 02:23:07,812 LIFE, BECAUSE ALL THE SONGS THAT 3962 02:23:07,879 --> 02:23:09,314 I WROTE AND RECORDED WERE TOLD 3963 02:23:09,380 --> 02:23:11,549 TO ME BY SO MANY PEOPLE, "THESE 3964 02:23:11,616 --> 02:23:12,517 ARE THE SONGS THAT WILL DESTROY 3965 02:23:12,583 --> 02:23:14,619 YOUR CAREER." 3966 02:23:14,686 --> 02:23:18,356 [LAUGHTER] 3967 02:23:18,423 --> 02:23:19,357 "WHAT IN THE HELL ARE YOU 3968 02:23:19,424 --> 02:23:23,194 THINKING ABOUT?" 3969 02:23:23,261 --> 02:23:24,429 FOR EXAMPLE, I HAD A GROUP OF 3970 02:23:24,495 --> 02:23:34,806 PEOPLE COME TO ME AND SAY, 3971 02:23:34,872 --> 02:23:36,074 "LIONEL, UH, THIS IS FUNK. 3972 02:23:36,140 --> 02:23:37,508 WHAT ARE YOU DOING WITH 3973 02:23:37,575 --> 02:23:38,876 'THREE TIMES A LADY,' A WALTZ? 3974 02:23:38,943 --> 02:23:40,912 WHAT ARE YOU DOING?" 3975 02:23:40,979 --> 02:23:42,013 AND IT WENT ON TO DO GREAT 3976 02:23:42,080 --> 02:23:42,714 THINGS. 3977 02:23:42,780 --> 02:23:44,148 AND THEN THEY SAID, 3978 02:23:44,215 --> 02:23:45,383 "CAN YOU GIVE US ANOTHER ONE OF 3979 02:23:45,450 --> 02:23:47,185 THOSE 'THREE TIMES A LADY?'" 3980 02:23:47,251 --> 02:23:52,023 [LAUGHTER] 3981 02:23:52,090 --> 02:23:54,926 AND I GAVE THEM "SAIL ON." 3982 02:23:54,993 --> 02:23:56,327 [CHEERS AND APPLAUSE] 3983 02:23:56,394 --> 02:23:57,895 AND THEN THEY SAID, "CAN YOU 3984 02:23:57,962 --> 02:23:59,230 GIVE US ANOTHER ONE OF THOSE 3985 02:23:59,297 --> 02:24:03,801 'SAIL ONS?'" 3986 02:24:03,868 --> 02:24:04,502 [LAUGHTER] 3987 02:24:04,569 --> 02:24:06,037 AND THAT'S WHEN I REALIZED THE 3988 02:24:06,104 --> 02:24:08,006 BUSINESS, THE BUSINESS, THE TRUE 3989 02:24:08,072 --> 02:24:09,841 BUSINESS WAS IN THE COPYING, NOT 3990 02:24:09,907 --> 02:24:13,678 BEING ORIGINAL. 3991 02:24:13,745 --> 02:24:16,447 SO THAT'S WHEN I REALIZED THERE 3992 02:24:16,514 --> 02:24:19,951 ARE TWO TYPES OF ARTISTS: 3993 02:24:20,018 --> 02:24:22,320 CREATIVE ARTISTS, AND CREATED 3994 02:24:22,387 --> 02:24:23,287 ARTISTS. 3995 02:24:23,354 --> 02:24:24,822 [CHEERS AND APPLAUSE] 3996 02:24:24,889 --> 02:24:27,025 AND FROM THAT POINT, I DECIDED I 3997 02:24:27,091 --> 02:24:28,026 WOULD BE IN THE CREATIVE ARTIST 3998 02:24:28,092 --> 02:24:31,095 CATEGORY. 3999 02:24:31,162 --> 02:24:33,031 SO WHEN SOMEONE SAID TO ME, 4000 02:24:33,097 --> 02:24:34,999 "OH, MY GOD, I WOULDN'T DO THAT 4001 02:24:35,066 --> 02:24:36,868 SONG IF I WERE YOU." 4002 02:24:36,934 --> 02:24:37,902 THAT'S THE EXACT SONG I'M 4003 02:24:37,969 --> 02:24:38,970 PUTTING OUT. 4004 02:24:39,037 --> 02:24:40,271 [LAUGHTER] 4005 02:24:40,338 --> 02:24:41,372 I'M GOING IN THE OPPOSITE 4006 02:24:41,439 --> 02:24:44,208 DIRECTION. 4007 02:24:44,275 --> 02:24:46,944 BECAUSE, AT THIS TIME, I NEEDED 4008 02:24:47,011 --> 02:24:47,678 TO UNDERSTAND, THERE ARE SOME 4009 02:24:47,745 --> 02:24:48,679 PEOPLE WHO SPECIALIZE IN THEIR 4010 02:24:48,746 --> 02:24:51,616 GENRE. 4011 02:24:51,682 --> 02:24:55,053 AND THEN THERE ARE SOME PEOPLE 4012 02:24:55,119 --> 02:24:56,721 WHO DON'T KNOW ANY BETTER, BUT 4013 02:24:56,788 --> 02:24:59,090 GOD'S GIFT WAS, "WHAT DO YOU 4014 02:24:59,157 --> 02:25:01,192 WANNA WRITE, WE CAN WRITE IT." 4015 02:25:01,259 --> 02:25:02,493 [APPLAUSE] 4016 02:25:02,560 --> 02:25:04,629 AND SO, TONIGHT... 4017 02:25:04,695 --> 02:25:05,997 I'M STANDING ON THIS STAGE 4018 02:25:06,064 --> 02:25:07,665 BECAUSE I WANT YOU TO UNDERSTAND 4019 02:25:07,732 --> 02:25:09,700 HOW IMPORTANT IT IS TO LET THE 4020 02:25:09,767 --> 02:25:12,303 CREATIVE FLOW. 4021 02:25:12,370 --> 02:25:14,138 IF YOU GET AN IDEA, THE LAST 4022 02:25:14,205 --> 02:25:15,173 THING YOU WANNA DO IS OPEN YOUR 4023 02:25:15,239 --> 02:25:16,741 MOUTH AND SAY SOMETHING STUPID 4024 02:25:16,808 --> 02:25:17,909 LIKE, "I WOULDN'T DO THAT IF I 4025 02:25:17,975 --> 02:25:20,445 WERE YOU." 4026 02:25:20,511 --> 02:25:22,947 ESPECIALLY IF YOU'RE TALKING TO 4027 02:25:23,014 --> 02:25:26,284 A CREATIVE ARTIST. 4028 02:25:26,350 --> 02:25:28,920 [APPLAUSE] 4029 02:25:28,986 --> 02:25:30,488 SO TONIGHT, IT'S VERY IMPORTANT, 4030 02:25:30,555 --> 02:25:31,389 LOOKING AT THIS CLASS TONIGHT 4031 02:25:31,456 --> 02:25:32,857 THAT I'M IN -- JUDAS PRIEST, 4032 02:25:32,924 --> 02:25:34,792 LIONEL RICHIE. 4033 02:25:34,859 --> 02:25:41,899 [CHEERS AND APPLAUSE] 4034 02:25:41,966 --> 02:25:44,368 BROUGHT ON BY LENNY KRAVITZ. 4035 02:25:44,435 --> 02:25:49,907 [CHEERS AND APPLAUSE] 4036 02:25:49,974 --> 02:25:52,410 I'M A BAD MAN. 4037 02:25:52,477 --> 02:25:53,978 [LAUGHTER] 4038 02:25:54,045 --> 02:25:56,280 YOU SEE, WHAT HAPPENS HERE IS, 4039 02:25:56,347 --> 02:25:58,649 ROCK AND ROLL IS NOT A COLOR. 4040 02:25:58,716 --> 02:25:59,984 IT IS A FEELING. 4041 02:26:00,051 --> 02:26:05,423 IT'S A VIBE. 4042 02:26:05,490 --> 02:26:06,524 [CHEERS AND APPLAUSE] 4043 02:26:06,591 --> 02:26:07,658 IT'S A VIBE! 4044 02:26:07,725 --> 02:26:11,262 AND IF WE LET THAT VIBE COME 4045 02:26:11,329 --> 02:26:12,864 THROUGH, THIS ROOM WILL GROW AND 4046 02:26:12,930 --> 02:26:15,867 GROW AND GROW. 4047 02:26:15,933 --> 02:26:19,871 [APPLAUSE] 4048 02:26:19,937 --> 02:26:21,272 I ACCEPT THIS TONIGHT, I CANNOT 4049 02:26:21,339 --> 02:26:23,241 AND I WILL NOT WALK OFF OF THIS 4050 02:26:23,307 --> 02:26:24,575 STAGE WITHOUT ACKNOWLEDGING MY 4051 02:26:24,642 --> 02:26:26,210 DEAR, DEAR, DEAR FRIENDS, 4052 02:26:26,277 --> 02:26:28,412 THE COMMODORES. 4053 02:26:28,479 --> 02:26:30,515 THANK GOD FOR THE COMMODORES, 4054 02:26:30,581 --> 02:26:31,282 BECAUSE THERE WOULD BE NO 4055 02:26:31,349 --> 02:26:32,750 LIONEL RICHIE. 4056 02:26:32,817 --> 02:26:35,353 [CHEERS AND APPLAUSE] 4057 02:26:35,419 --> 02:26:37,889 THEY GAVE ME THE BED. 4058 02:26:37,955 --> 02:26:41,425 THEY GAVE ME THE FOUNDATION, 4059 02:26:41,492 --> 02:26:42,760 THEY HELPED ME DISCOVER WHO THE 4060 02:26:42,827 --> 02:26:46,464 HELL I WAS. 4061 02:26:46,531 --> 02:26:48,599 BUT THE MOST IMPORTANT THING IS 4062 02:26:48,666 --> 02:26:50,101 I WANNA THANK ALL OF MY FRIENDS, 4063 02:26:50,168 --> 02:26:51,636 MY FAMILY. 4064 02:26:51,702 --> 02:26:52,803 MILES, SOPHIE, NICOLE. 4065 02:26:52,870 --> 02:26:56,040 THE GRANDKIDS. 4066 02:26:56,107 --> 02:26:59,977 LISA, MY HEART. 4067 02:27:00,044 --> 02:27:01,546 I WANNA THANK THEM FOR ACTUALLY 4068 02:27:01,612 --> 02:27:02,813 SITTING THROUGH MY MAGICAL 4069 02:27:02,880 --> 02:27:05,650 MYSTERY TOUR. 4070 02:27:05,716 --> 02:27:08,085 I'M IN LOVE WITH THIS BUSINESS. 4071 02:27:08,152 --> 02:27:09,387 I LOVE WHAT I DO. 4072 02:27:09,453 --> 02:27:13,591 [APPLAUSE] 4073 02:27:13,658 --> 02:27:14,592 THE ROCK AND ROLL HALL OF FAME, 4074 02:27:14,659 --> 02:27:18,896 THANK YOU VERY MUCH. 4075 02:27:18,963 --> 02:27:19,830 >> CONGRATULATIONS! 4076 02:27:19,897 --> 02:27:20,965 >> THANK YOU VERY MUCH! 4077 02:27:21,032 --> 02:27:22,767 [CHEERS AND APPLAUSE] 4078 02:27:22,833 --> 02:27:24,602 ♪ ♪ 4079 02:27:24,669 --> 02:27:26,103 >> Announcer: TO INDUCT 4080 02:27:26,170 --> 02:27:26,871 EURYTHMICS, 4081 02:27:26,938 --> 02:27:28,039 ROCK AND ROLL HALL OF FAMER, 4082 02:27:28,105 --> 02:27:32,310 THE EDGE. 4083 02:27:32,376 --> 02:27:33,611 ♪ ♪ 4084 02:27:33,678 --> 02:27:35,413 [CHEERS AND APPLAUSE] 4085 02:27:35,479 --> 02:27:41,285 >> GOOD EVENING. 4086 02:27:41,352 --> 02:27:43,854 THE SWEETER THE DREAM, THE 4087 02:27:43,921 --> 02:27:45,323 SWEETER THE REALITY, AND THE 4088 02:27:45,389 --> 02:27:51,963 MORE BITTER THE DISAPPOINTMENT. 4089 02:27:52,029 --> 02:27:53,431 IT TAKES COURAGE TO DREAM, AND 4090 02:27:53,497 --> 02:27:54,131 IT TAKES EVEN MORE COURAGE TO 4091 02:27:54,198 --> 02:27:55,199 CONTINUE DREAMING WHEN THE 4092 02:27:55,266 --> 02:27:56,601 INEVITABLE DISASTERS OF LIFE AND 4093 02:27:56,667 --> 02:27:58,002 ART SEEM TO CONSPIRE AGAINST 4094 02:27:58,069 --> 02:28:00,471 YOU. 4095 02:28:00,538 --> 02:28:02,273 THAT'S WHAT'S SO INSPIRING ABOUT 4096 02:28:02,340 --> 02:28:03,574 THE STORY OF EURYTHMICS TO ALL 4097 02:28:03,641 --> 02:28:07,478 OF US DREAMERS. 4098 02:28:07,545 --> 02:28:08,579 [APPLAUSE] 4099 02:28:08,646 --> 02:28:09,747 THEIR SWEET DREAMS WERE FORGED 4100 02:28:09,814 --> 02:28:11,048 IN THE FURNACE OF FAILURE AND 4101 02:28:11,115 --> 02:28:13,351 FAITH. 4102 02:28:13,417 --> 02:28:16,454 ANNIE LENNOX AND DAVE STEWART 4103 02:28:16,520 --> 02:28:17,622 MET IN 1975 WHEN THEY WERE BOTH 4104 02:28:17,688 --> 02:28:20,958 STRUGGLING MUSICIANS. 4105 02:28:21,025 --> 02:28:24,061 THEY BECAME LOVERS AND 4106 02:28:24,128 --> 02:28:25,997 CO-FOUNDERS OF THE TOURISTS, A 4107 02:28:26,063 --> 02:28:27,431 BAND THAT ENJOYED SOME SUCCESS 4108 02:28:27,498 --> 02:28:28,833 BUT ENDED DRAMATICALLY IN EARLY 4109 02:28:28,899 --> 02:28:31,469 1980. 4110 02:28:31,535 --> 02:28:33,170 REMARKABLY, THIS BREAKUP 4111 02:28:33,237 --> 02:28:35,406 MIRRORED THE END OF THEIR 4112 02:28:35,473 --> 02:28:36,374 ROMANTIC RELATIONSHIP, BUT DID 4113 02:28:36,440 --> 02:28:37,441 NOT END THEIR CREATIVE 4114 02:28:37,508 --> 02:28:39,076 PARTNERSHIP. 4115 02:28:39,143 --> 02:28:41,112 IT ACTUALLY KICK-STARTED IT. 4116 02:28:41,178 --> 02:28:42,813 THEY FORMED EURYTHMICS LATER 4117 02:28:42,880 --> 02:28:43,481 THAT YEAR, AND UP TO THAT POINT, 4118 02:28:43,547 --> 02:28:44,615 THEY HAD NEVER WRITTEN A SONG 4119 02:28:44,682 --> 02:28:46,751 TOGETHER. 4120 02:28:46,817 --> 02:28:49,153 I SO LOVE THE SONGS OF ANNIE AND 4121 02:28:49,220 --> 02:28:51,522 DAVE, BECAUSE THEY DARE TO TAKE 4122 02:28:51,589 --> 02:28:52,790 ON AND HAVE A HARD LOOK AT 4123 02:28:52,857 --> 02:28:54,992 DIFFICULT AND UNCOMFORTABLE 4124 02:28:55,059 --> 02:28:56,794 SUBJECTS, AND BRING THEM TO 4125 02:28:56,861 --> 02:29:02,366 GREAT POP SONGS. 4126 02:29:02,433 --> 02:29:03,534 FOR ME, THE BEST SONGS ARE 4127 02:29:03,601 --> 02:29:05,670 OFTEN DEADLY SERIOUS. 4128 02:29:05,736 --> 02:29:10,141 I FEEL I NEED COMPLEXITY TO KEEP 4129 02:29:10,207 --> 02:29:11,609 ME ENGAGED -- CONTRAST, TENSION, 4130 02:29:11,676 --> 02:29:12,943 DICHOTOMY BETWEEN LYRICS AND 4131 02:29:13,010 --> 02:29:14,011 MUSIC. 4132 02:29:14,078 --> 02:29:15,680 AND THIS IS THE KIND OF TENSION 4133 02:29:15,746 --> 02:29:18,983 THAT EURYTHMICS MAJORED IN. 4134 02:29:19,050 --> 02:29:20,117 WHEN "IN THE GARDEN" WAS 4135 02:29:20,184 --> 02:29:21,319 RELEASED IN 1981, THE TWO 4136 02:29:21,385 --> 02:29:22,687 VALIANTLY TOURED THE UK, TOWING 4137 02:29:22,753 --> 02:29:23,788 A HORSEBOX OF EQUIPMENT UP AND 4138 02:29:23,854 --> 02:29:25,122 DOWN THE M1, SETTING IT UP 4139 02:29:25,189 --> 02:29:28,159 THEMSELVES. 4140 02:29:28,225 --> 02:29:31,128 DAVE RECALLS ONE GIG WHERE ONLY 4141 02:29:31,195 --> 02:29:33,030 FOUR PEOPLE SHOWED UP. 4142 02:29:33,097 --> 02:29:35,700 BY THE WAY, IF YOU DON'T COUNT 4143 02:29:35,766 --> 02:29:40,571 THE BARMAN, THAT IS ACTUALLY ONE 4144 02:29:40,638 --> 02:29:41,672 MORE THAN CAME TO SEE U2 IN THE 4145 02:29:41,739 --> 02:29:42,206 HOPE AND ANCHOR TWO YEARS 4146 02:29:42,273 --> 02:29:45,242 EARLIER. 4147 02:29:45,309 --> 02:29:45,509 [LAUGHTER] 4148 02:29:45,576 --> 02:29:46,977 BY THE END OF THIS GRUELING 4149 02:29:47,044 --> 02:29:47,745 TOUR, ANNIE WAS CLOSE TO A 4150 02:29:47,812 --> 02:29:48,579 NERVOUS BREAKDOWN AND DAVE WAS 4151 02:29:48,646 --> 02:29:49,880 IN HOSPITAL WITH A COLLAPSED 4152 02:29:49,947 --> 02:29:51,916 LUNG, OR SO HE CLAIMS. 4153 02:29:51,982 --> 02:29:53,217 SO WHAT DID ANNIE AND DAVE DO AT 4154 02:29:53,284 --> 02:29:55,219 THIS MOMENT? 4155 02:29:55,286 --> 02:29:56,754 THEY DID WHAT ALL GREAT DREAMERS 4156 02:29:56,821 --> 02:29:59,690 DO. 4157 02:29:59,757 --> 02:30:01,125 THEY DOUBLED DOWN ON THEIR 4158 02:30:01,192 --> 02:30:03,160 VISION, RIGHT AT THAT MOMENT 4159 02:30:03,227 --> 02:30:04,362 WHEN THEY WERE BOTH OVERWHELMED 4160 02:30:04,428 --> 02:30:05,930 BY DESPONDENCY. 4161 02:30:05,996 --> 02:30:07,064 JUST WHEN THE WEIGHT OF 4162 02:30:07,131 --> 02:30:09,600 REJECTION WAS AT ITS MOST 4163 02:30:09,667 --> 02:30:11,235 UNBEARABLE, DAVE STARTS A NEW 4164 02:30:11,302 --> 02:30:14,472 SONG. 4165 02:30:14,538 --> 02:30:16,774 A SYNTHESIZER-BASS PART PLAYED 4166 02:30:16,841 --> 02:30:18,275 OVER AN ELECTRONIC DRUM USING 4167 02:30:18,342 --> 02:30:21,379 MACHINES THEY'D ONLY JUST 4168 02:30:21,445 --> 02:30:23,481 LEARNT HOW TO PROGRAM. 4169 02:30:23,547 --> 02:30:24,782 ANNIE INSTANTLY RECOGNIZED THAT 4170 02:30:24,849 --> 02:30:26,083 SOMETHING REALLY SPECIAL WAS 4171 02:30:26,150 --> 02:30:30,254 HAPPENING AND JOINED IN ON 4172 02:30:30,321 --> 02:30:31,622 KEYBOARDS, ADDING HER VOCAL. 4173 02:30:31,689 --> 02:30:33,090 IN A COLD AND BROKEN HALLELUJAH, 4174 02:30:33,157 --> 02:30:34,392 SHE SANG "SWEET DREAMS ARE MADE 4175 02:30:34,458 --> 02:30:36,360 OF THIS." 4176 02:30:36,427 --> 02:30:37,728 [CHEERS AND APPLAUSE] 4177 02:30:37,795 --> 02:30:41,932 "AND WHO AM I TO DISAGREE? 4178 02:30:41,999 --> 02:30:42,967 I TRAVEL THE WORLD AND THE 4179 02:30:43,033 --> 02:30:44,001 SEVEN SEAS. 4180 02:30:44,068 --> 02:30:45,336 EVERYBODY'S LOOKING FOR 4181 02:30:45,403 --> 02:30:47,338 SOMETHING. 4182 02:30:47,405 --> 02:30:48,973 SOME OF THEM WANT TO USE YOU, 4183 02:30:49,039 --> 02:30:50,908 SOME OF THEM WANT TO GET USED BY 4184 02:30:50,975 --> 02:30:52,109 YOU, SOME OF THEM WANT TO ABUSE 4185 02:30:52,176 --> 02:30:52,910 YOU, SOME OF THEM WANT TO BE 4186 02:30:52,977 --> 02:30:57,748 ABUSED." 4187 02:30:57,815 --> 02:30:58,883 AS IF IN A CONVERSATION, 4188 02:30:58,949 --> 02:31:00,451 DAVE'S REPLY WAS, 4189 02:31:00,518 --> 02:31:01,719 "HOLD YOUR HEAD UP. 4190 02:31:01,786 --> 02:31:03,320 KEEP YOUR HEAD UP. 4191 02:31:03,387 --> 02:31:07,458 KEEP IT MOVING ON." 4192 02:31:07,525 --> 02:31:08,926 IN SPITE OF THE FACT THAT 4193 02:31:08,993 --> 02:31:11,162 "SWEET DREAMS" WAS PASSED OVER 4194 02:31:11,228 --> 02:31:12,329 AS A SINGLE BECAUSE RCA DIDN'T 4195 02:31:12,396 --> 02:31:14,064 THINK IT HAD A CHORUS. 4196 02:31:14,131 --> 02:31:15,166 [LAUGHTER] 4197 02:31:15,232 --> 02:31:16,400 RIGHT? 4198 02:31:16,467 --> 02:31:18,002 THE TRACK GOT SO MUCH RADIO PLAY 4199 02:31:18,068 --> 02:31:19,837 THAT EVENTUALLY IT WAS RELEASED, 4200 02:31:19,904 --> 02:31:21,806 AIDED BY ONE OF THE MOST ICONIC 4201 02:31:21,872 --> 02:31:27,211 MUSIC VIDEOS OF THE MTV ERA. 4202 02:31:27,278 --> 02:31:28,345 AND IT WAS, OF COURSE, A SMASH 4203 02:31:28,412 --> 02:31:31,248 HIT ALL OVER THE WORLD. 4204 02:31:31,315 --> 02:31:32,550 THE ALBUM, TOO, BECAME A GLOBAL 4205 02:31:32,616 --> 02:31:34,585 SENSATION. 4206 02:31:34,652 --> 02:31:35,853 THEIR SWEET DREAMS FINALLY HAD 4207 02:31:35,920 --> 02:31:39,790 BECOME REALITY. 4208 02:31:39,857 --> 02:31:40,891 SO LET'S TAKE A LOOK AT THE 4209 02:31:40,958 --> 02:31:44,395 EURYTHMICS. 4210 02:31:44,462 --> 02:31:47,531 ♪ I WAS BORN AN ORIGINAL 4211 02:31:47,598 --> 02:31:51,435 SINNER ♪ 4212 02:31:51,502 --> 02:31:53,938 ♪ I WAS BORN FROM ORIGINAL SIN ♪ 4213 02:31:54,004 --> 02:31:59,210 ♪ IF I HAD A DOLLAR BILL FOR ALL 4214 02:31:59,276 --> 02:32:03,280 THE THINGS I'VE DONE ♪ 4215 02:32:03,347 --> 02:32:08,252 ♪ THERE'D BE A MOUNTAIN OF 4216 02:32:08,319 --> 02:32:09,653 MONEY PILED UP TO MY CHIN ♪ 4217 02:32:09,720 --> 02:32:10,321 HEY! 4218 02:32:10,387 --> 02:32:11,288 ♪ ♪ 4219 02:32:11,355 --> 02:32:12,423 >> WE BOTH GOT STARTED IN 4220 02:32:12,490 --> 02:32:12,890 DIFFERENT WAYS. 4221 02:32:12,957 --> 02:32:14,391 ANNIE IS A CLASSICALLY TRAINED 4222 02:32:14,458 --> 02:32:15,659 MUSICIAN, AND I STARTED OFF 4223 02:32:15,726 --> 02:32:16,293 CLIMBING IN THE BACK OF A 4224 02:32:16,360 --> 02:32:16,961 GROUP'S VAN AND RUNNING AWAY 4225 02:32:17,027 --> 02:32:18,195 WHEN I WAS ABOUT 14. 4226 02:32:18,262 --> 02:32:19,129 >> WE BECAME A COUPLE AND WE 4227 02:32:19,196 --> 02:32:20,130 WERE LIKE, "THAT'S IT, WE'RE 4228 02:32:20,197 --> 02:32:20,698 TOGETHER, WE'RE DOING THIS 4229 02:32:20,764 --> 02:32:23,067 THING." 4230 02:32:23,133 --> 02:32:30,040 ♪ ♪ 4231 02:32:30,107 --> 02:32:31,175 >> WHEN ANNIE AND I, WHEN WE 4232 02:32:31,242 --> 02:32:31,976 SPLIT FROM A GROUP CALLED 4233 02:32:32,042 --> 02:32:32,743 THE TOURISTS, OUR PERSONAL 4234 02:32:32,810 --> 02:32:33,844 RELATIONSHIP WAS, LIKE, BREAKING 4235 02:32:33,911 --> 02:32:34,745 DOWN, BUT WE STILL WANTED TO 4236 02:32:34,812 --> 02:32:36,213 CARRY ON WITH MUSIC. 4237 02:32:36,280 --> 02:32:37,348 >> WE WERE NEVER SATISFIED WITH 4238 02:32:37,414 --> 02:32:38,115 THE SOUND THAT OTHER PEOPLE 4239 02:32:38,182 --> 02:32:50,594 CREATED FOR US. 4240 02:32:50,661 --> 02:32:51,695 WE DECIDED THAT WE WOULD HAVE 4241 02:32:51,762 --> 02:32:52,796 THE CONTROL OF EVERYTHING THAT 4242 02:32:52,863 --> 02:32:53,931 WE DID. 4243 02:32:53,998 --> 02:32:55,900 WE JUST HAD TO PROVE IT. 4244 02:32:55,966 --> 02:32:56,767 AND THE PROGRESSION HAS BEEN 4245 02:32:56,834 --> 02:32:58,135 SOMETHING FANTASTIC. 4246 02:32:58,202 --> 02:33:02,740 ♪ ♪ 4247 02:33:02,806 --> 02:33:04,208 ♪ SWEET DREAMS ARE MADE 4248 02:33:04,275 --> 02:33:06,143 OF THIS ♪ 4249 02:33:06,210 --> 02:33:09,613 ♪ WHO AM I TO DISAGREE ♪ 4250 02:33:09,680 --> 02:33:10,814 >> FROM THE FIRST NOTE, YOU'RE 4251 02:33:10,881 --> 02:33:12,650 LIKE, "OH, I'M IN." 4252 02:33:12,716 --> 02:33:14,852 THE SONG IS SO COOL AND SO 4253 02:33:14,919 --> 02:33:16,353 ICONIC WITH SUCH MINIMAL 4254 02:33:16,420 --> 02:33:19,423 PRODUCTION. 4255 02:33:19,490 --> 02:33:21,926 >> WHAT WE WANT TO CAPTURE WAS 4256 02:33:21,992 --> 02:33:22,927 A EUROPEAN EMPTINESS AND AN 4257 02:33:22,993 --> 02:33:23,994 ICINESS, BUT WITH SOME SOUL 4258 02:33:24,061 --> 02:33:25,930 WITHIN IT. 4259 02:33:25,996 --> 02:33:31,101 WE HAD A MANIFESTO. 4260 02:33:31,168 --> 02:33:32,303 IT'S THINGS LIKE MOTOWN AND 4261 02:33:32,369 --> 02:33:33,504 IT'S THINGS LIKE KRAFTWERK. 4262 02:33:33,571 --> 02:33:34,572 AND IF YOU TRY TO PUT THE TWO 4263 02:33:34,638 --> 02:33:37,341 TOGETHER, YOU'D BE LIKE, OH. 4264 02:33:37,408 --> 02:33:38,642 BUT, IN A WAY, THAT'S WHAT 4265 02:33:38,709 --> 02:33:41,145 "SWEET DREAMS" DID. 4266 02:33:41,211 --> 02:33:42,046 ♪ HOLD YOUR HEAD UP, KEEP YOUR 4267 02:33:42,112 --> 02:33:43,314 HEAD UP, MOVIN' ON ♪ 4268 02:33:43,380 --> 02:33:48,285 >> THE WAY THAT EURYTHMICS, IN 4269 02:33:48,352 --> 02:33:49,086 THOSE DAYS, WERE PRESENTING 4270 02:33:49,153 --> 02:33:50,154 OURSELVES, I WANTED TO BE SEEN 4271 02:33:50,220 --> 02:33:51,522 AS AN EQUAL TO MY PARTNER. 4272 02:33:51,589 --> 02:33:54,024 I DIDN'T WANT TO BE PERCEIVED IN 4273 02:33:54,091 --> 02:33:54,658 A PARTICULARLY KIND OF SEXUAL 4274 02:33:54,725 --> 02:33:55,492 PASSIVE WAY. 4275 02:33:55,559 --> 02:33:56,560 >> WE UNDERSTOOD THAT WE WERE 4276 02:33:56,627 --> 02:33:57,494 IMAGE MAKERS, AS WELL AS MUSIC 4277 02:33:57,561 --> 02:34:01,865 MAKERS. 4278 02:34:01,932 --> 02:34:04,969 ♪ ♪ 4279 02:34:05,035 --> 02:34:13,243 >> IT WAS DAVE'S IDEAS MAINLY 4280 02:34:13,310 --> 02:34:14,178 IN MOST OF THE VIDEOS, HE'S 4281 02:34:14,244 --> 02:34:16,847 GIFTED. 4282 02:34:16,914 --> 02:34:18,082 ♪ HERE COMES THE RAIN AGAIN ♪ 4283 02:34:18,148 --> 02:34:19,350 ♪ FALLING ON MY HEAD LIKE A 4284 02:34:19,416 --> 02:34:20,250 MEMORY ♪ 4285 02:34:20,317 --> 02:34:21,685 >> WORKING WITH ANNIE IS HAVING 4286 02:34:21,752 --> 02:34:24,755 A GREAT THING UP YOUR SLEEVE 4287 02:34:24,822 --> 02:34:25,556 BECAUSE YOU CAN DO THE MOST 4288 02:34:25,623 --> 02:34:26,523 BIZARRE BACKING TRACK. 4289 02:34:26,590 --> 02:34:27,524 AND AS SOON AS ANNIE SINGS ON 4290 02:34:27,591 --> 02:34:28,325 IT, SHE CAN KIND OF MAKE IT 4291 02:34:28,392 --> 02:34:29,693 SOUND LIKE EURYTHMICS. 4292 02:34:29,760 --> 02:34:31,161 >> THE SOUND MADE ME WEEP. 4293 02:34:31,228 --> 02:34:33,230 I JUST FELT LIKE THE MUSIC WAS 4294 02:34:33,297 --> 02:34:35,699 SPEAKING DIRECTLY TO ME. 4295 02:34:35,766 --> 02:34:36,734 LIKE EVERY OTHER PERSON IN THE 4296 02:34:36,800 --> 02:34:53,450 UNIVERSE. 4297 02:34:53,517 --> 02:34:54,051 ♪ ♪ 4298 02:34:54,118 --> 02:34:55,085 >> SO WHAT, YOU START WITH A 4299 02:34:55,152 --> 02:34:55,486 RIFF OR A RHYTHM? 4300 02:34:55,552 --> 02:34:56,453 >> YES. 4301 02:34:56,520 --> 02:34:57,254 AND ANNIE WILL START SINGING 4302 02:34:57,321 --> 02:34:58,088 WORDS, LIKE, OFF THE TOP OF HER 4303 02:34:58,155 --> 02:34:59,223 HEAD. 4304 02:34:59,289 --> 02:35:00,190 ♪ ♪ 4305 02:35:00,257 --> 02:35:01,225 ♪ WELL, THE SOUND OF YOUR VOICE 4306 02:35:01,291 --> 02:35:02,292 ON THE TELEPHONE ♪ 4307 02:35:02,359 --> 02:35:03,460 ♪ MAKE ME FEEL DISTRESSED, MAKE 4308 02:35:03,527 --> 02:35:04,395 ME ALL ALONE ♪ 4309 02:35:04,461 --> 02:35:05,929 ♪ WHY DO I FEEL SO INCOMPLETE? ♪ 4310 02:35:05,996 --> 02:35:06,597 ♪ WHEN YOU'RE NOT THERE, I'M 4311 02:35:06,664 --> 02:35:08,565 JUST OBSOLETE ♪ 4312 02:35:08,632 --> 02:35:10,067 ♪ I LOVE YOU LIKE A BALL AND 4313 02:35:10,134 --> 02:35:11,935 CHAIN, CHAIN, CHAIN ♪ 4314 02:35:12,002 --> 02:35:13,270 >> YOU FEEL CONNECTED TO 4315 02:35:13,337 --> 02:35:14,338 SOMETHING, I THINK, WHEN YOU 4316 02:35:14,405 --> 02:35:15,873 HEAR ANNIE LENNOX SING. 4317 02:35:15,939 --> 02:35:16,940 SOMETHING DEEP AND SOMETHING 4318 02:35:17,007 --> 02:35:18,308 ETERNAL. 4319 02:35:18,375 --> 02:35:21,845 SHE'S SO FUCKING AWESOME. 4320 02:35:21,912 --> 02:35:25,849 ♪ MY FRIENDS, KNOW WHAT'S IN 4321 02:35:25,916 --> 02:35:27,918 STORE ♪ 4322 02:35:27,985 --> 02:35:29,053 >> WHETHER IT'S AN EMOTIONAL 4323 02:35:29,119 --> 02:35:30,120 STATEMENT, WHETHER IT'S A 4324 02:35:30,187 --> 02:35:31,155 POLITICAL STATEMENT, WHETHER 4325 02:35:31,221 --> 02:35:32,723 IT'S JUST SAYING I FEEL HAPPY. 4326 02:35:32,790 --> 02:35:34,758 EVERY SONG IS A STATEMENT. 4327 02:35:34,825 --> 02:35:37,728 ♪ SISTERS ARE DOIN' IT FOR 4328 02:35:37,795 --> 02:35:40,230 THEMSELVES ♪ 4329 02:35:40,297 --> 02:35:41,065 >> WE'RE A POP GROUP. 4330 02:35:41,131 --> 02:35:42,599 WE ENTERTAIN PEOPLE. 4331 02:35:42,666 --> 02:35:43,967 AND IF WE'RE LUCKY, WE MAYBE 4332 02:35:44,034 --> 02:35:46,603 MAKE PEOPLE A LITTLE BIT MORE 4333 02:35:46,670 --> 02:35:47,905 CONSCIOUS, A LITTLE BIT MORE 4334 02:35:47,971 --> 02:35:48,706 AWARE OF WHO THEY ARE, HOW THEY 4335 02:35:48,772 --> 02:35:49,640 FEEL, YOU KNOW. 4336 02:35:49,707 --> 02:35:50,574 AND MAYBE WE CAN SET A GOOD 4337 02:35:50,641 --> 02:35:51,575 EXAMPLE. 4338 02:35:51,642 --> 02:35:52,743 MAYBE I CAN SET A GOOD EXAMPLE 4339 02:35:52,810 --> 02:35:55,212 TO PEOPLE. 4340 02:35:55,279 --> 02:35:59,616 ♪ TAKE ME TO THE DESERT WHERE 4341 02:35:59,683 --> 02:36:05,389 THERE'S GOT TO BE ♪ 4342 02:36:05,456 --> 02:36:08,459 ♪ A WHOLE HEAP OF NOTHING FOR 4343 02:36:08,525 --> 02:36:10,294 YOU AND ME ♪ 4344 02:36:10,360 --> 02:36:11,495 >> THEY CHANGED THE GAME IN SO 4345 02:36:11,562 --> 02:36:12,029 MANY WAYS. 4346 02:36:12,096 --> 02:36:13,063 THE TWO OF THEM ARE JUST LARGER 4347 02:36:13,130 --> 02:36:14,064 THAN LIFE TOGETHER AND THEY HAVE 4348 02:36:14,131 --> 02:36:15,199 SONGS THAT ARE ABSOLUTELY 4349 02:36:15,265 --> 02:36:15,766 ETERNAL. 4350 02:36:15,833 --> 02:36:17,067 >> I DON'T KNOW ANYBODY ELSE WHO 4351 02:36:17,134 --> 02:36:17,868 BROKE UP FROM A RELATIONSHIP AND 4352 02:36:17,935 --> 02:36:19,103 FORMED A PARTNERSHIP, AND THEN 4353 02:36:19,169 --> 02:36:22,473 WENT ON TO BE HUGELY SUCCESSFUL. 4354 02:36:22,539 --> 02:36:28,145 ♪ ♪ 4355 02:36:28,212 --> 02:36:32,850 >> I JUST WANT TO BE SEEN AS A 4356 02:36:32,916 --> 02:36:33,617 GOOD SINGER, GOOD MUSICIAN, WHO 4357 02:36:33,684 --> 02:36:34,818 WRITES GOOD SONGS. 4358 02:36:34,885 --> 02:36:35,886 I'M LUCKY ENOUGH TO BE IN A 4359 02:36:35,953 --> 02:36:36,787 REALLY GOOD GROUP. 4360 02:36:36,854 --> 02:36:37,654 AND THAT'S WHAT WE'RE TRYING TO 4361 02:36:37,721 --> 02:36:39,022 WORK FOR. 4362 02:36:39,089 --> 02:36:47,431 ♪ ♪ 4363 02:36:47,498 --> 02:36:54,171 ♪ ♪ 4364 02:36:54,238 --> 02:36:55,806 >> IT IS MY ABSOLUTE HONOR AND 4365 02:36:55,873 --> 02:36:57,141 PLEASURE TO INDUCT ANNIE LENNOX 4366 02:36:57,207 --> 02:36:58,742 AND DAVE STEWART INTO THE 4367 02:36:58,809 --> 02:37:00,010 ROCK AND ROLL HALL OF FAME. 4368 02:37:00,077 --> 02:37:00,878 AND HERE THEY ARE, EURYTHMICS. 4369 02:37:00,944 --> 02:37:08,986 ♪ ♪ 4370 02:37:09,052 --> 02:37:17,995 ♪ ♪ 4371 02:37:18,061 --> 02:37:25,836 ♪ ♪ 4372 02:37:25,903 --> 02:37:30,240 ♪ WOULD I LIE TO YOU? ♪ 4373 02:37:30,307 --> 02:37:35,112 ♪ WOULD I LIE TO YOU, HONEY? ♪ 4374 02:37:35,179 --> 02:37:36,446 ♪ NOW, WOULD I SAY SOMETHING 4375 02:37:36,513 --> 02:37:39,950 THAT WASN'T TRUE? ♪ 4376 02:37:40,017 --> 02:37:41,485 ♪ I'M ASKING YOU, SUGAR ♪ 4377 02:37:41,552 --> 02:37:43,487 ♪ WOULD I LIE TO YOU? ♪ 4378 02:37:43,554 --> 02:37:44,388 ♪ MY FRIENDS KNOW WHAT'S IN 4379 02:37:44,454 --> 02:37:47,224 STORE ♪ 4380 02:37:47,291 --> 02:37:50,093 ♪ I WON'T BE HERE ANYMORE ♪ 4381 02:37:50,160 --> 02:37:52,296 ♪ I'VE PACKED MY BAGS ♪ 4382 02:37:52,362 --> 02:37:54,698 ♪ I'VE CLEANED THE FLOOR ♪ 4383 02:37:54,765 --> 02:37:56,667 ♪ WATCH ME WALKIN' ♪ 4384 02:37:56,733 --> 02:38:01,605 ♪ WALKIN' OUT THE DOOR! ♪ 4385 02:38:01,672 --> 02:38:02,739 ♪ BELIEVE ME ♪ 4386 02:38:02,806 --> 02:38:05,843 ♪ I'LL MAKE IT, MAKE IT ♪ 4387 02:38:05,909 --> 02:38:08,011 ♪ BELIEVE ME ♪ 4388 02:38:08,078 --> 02:38:11,515 ♪ I'LL MAKE IT, MAKE IT ♪ 4389 02:38:11,582 --> 02:38:14,218 ♪ WOULD I LIE TO YOU? ♪ 4390 02:38:14,284 --> 02:38:20,123 ♪ WOULD I LIE TO YOU, HONEY? ♪ 4391 02:38:20,190 --> 02:38:21,158 ♪ NOW, WOULD I SAY SOMETHING 4392 02:38:21,225 --> 02:38:23,427 THAT WASN'T TRUE? ♪ 4393 02:38:23,493 --> 02:38:25,429 ♪ I'M ASKING YOU, SUGAR ♪ 4394 02:38:25,495 --> 02:38:28,532 ♪ WOULD I LIE TO YOU? ♪ 4395 02:38:28,599 --> 02:38:31,001 ♪ TELL YOU STRAIGHT, NO 4396 02:38:31,068 --> 02:38:31,368 INTERVENTION ♪ 4397 02:38:31,435 --> 02:38:34,738 ♪ TO YOUR FACE, NO DECEPTION ♪ 4398 02:38:34,805 --> 02:38:36,373 ♪ YOU'RE THE BIGGEST FAKE ♪ 4399 02:38:36,440 --> 02:38:38,141 ♪ THAT MUCH IS TRUE ♪ 4400 02:38:38,208 --> 02:38:43,247 ♪ HAD ALL I CAN TAKE ♪ 4401 02:38:43,313 --> 02:38:51,989 ♪ NOW I'M LEAVING YOU ♪ 4402 02:38:52,055 --> 02:39:04,635 ♪ ♪ 4403 02:39:04,701 --> 02:39:06,336 >> COME ON, DAVE. 4404 02:39:06,403 --> 02:39:08,238 PLAY THAT GUITAR. 4405 02:39:08,305 --> 02:39:12,075 HIT IT. 4406 02:39:12,142 --> 02:39:16,914 ♪ ♪ 4407 02:39:16,980 --> 02:39:18,148 ♪ MY FRIENDS KNOW WHAT'S IN 4408 02:39:18,215 --> 02:39:19,316 STORE ♪ 4409 02:39:19,383 --> 02:39:20,617 ♪ I WON'T BE HERE ANYMORE ♪ 4410 02:39:20,684 --> 02:39:22,319 ♪ I'VE PACKED MY BAGS ♪ 4411 02:39:22,386 --> 02:39:25,389 ♪ I'VE CLEANED THE FLOOR ♪ 4412 02:39:25,455 --> 02:39:27,324 ♪ WATCH ME WALKIN' ♪ 4413 02:39:27,391 --> 02:39:35,866 ♪ WALKIN' OUT THERE NOW! ♪ 4414 02:39:35,933 --> 02:39:45,042 ♪ YEAH, YEAH, YEAH! ♪ 4415 02:39:45,108 --> 02:39:48,412 ♪ HERE WE GO ♪ 4416 02:39:48,478 --> 02:39:49,212 ♪ WELL I WAS BORN AN ORIGINAL 4417 02:39:49,279 --> 02:39:50,247 SINNER ♪ 4418 02:39:50,314 --> 02:39:50,847 ♪ I WAS BORNE FROM ORIGINAL 4419 02:39:50,914 --> 02:39:52,149 SIN ♪ 4420 02:39:52,215 --> 02:39:52,849 ♪ AND IF I HAD A DOLLAR BILL ♪ 4421 02:39:52,916 --> 02:39:54,217 ♪ FOR ALL THE THINGS I'VE DONE ♪ 4422 02:39:54,284 --> 02:39:54,885 ♪ THERE'D BE A MOUNTAIN 4423 02:39:54,952 --> 02:39:55,953 OF MONEY ♪ 4424 02:39:56,019 --> 02:40:04,861 ♪ PILED UP TO MY CHIN ♪ 4425 02:40:04,928 --> 02:40:06,029 ♪ ♪ 4426 02:40:06,096 --> 02:40:09,833 ♪ MY MOTHER TOLD ME GOOD ♪ 4427 02:40:09,900 --> 02:40:13,070 ♪ MY MOTHER TOLD ME STRONG ♪ 4428 02:40:13,136 --> 02:40:15,105 ♪ SHE SAID "BE TRUE TO 4429 02:40:15,172 --> 02:40:15,405 YOURSELF ♪ 4430 02:40:15,472 --> 02:40:16,173 ♪ AND YOU CAN'T GO WRONG ♪ 4431 02:40:16,239 --> 02:40:17,641 ♪ BUT THERE'S JUST ONE THING ♪ 4432 02:40:17,708 --> 02:40:18,342 ♪ THAT YOU MUST UNDERSTAND ♪ 4433 02:40:18,408 --> 02:40:19,476 ♪ YOU CAN FOOL WITH YOUR 4434 02:40:19,543 --> 02:40:20,610 BROTHER ♪ 4435 02:40:20,677 --> 02:40:21,511 ♪ BUT DON'T MESS WITH A 4436 02:40:21,578 --> 02:40:23,547 MISSIONARY MAN ♪ 4437 02:40:23,613 --> 02:40:24,781 ♪ DON'T MESS WITH A MISSIONARY 4438 02:40:24,848 --> 02:40:26,650 MAN ♪ 4439 02:40:26,717 --> 02:40:28,986 ♪ DON'T MESS WITH A MISSIONARY 4440 02:40:29,052 --> 02:40:34,958 MAN" ♪ 4441 02:40:35,025 --> 02:40:36,259 ♪ DON'T MESS WITH A MISSIONARY 4442 02:40:36,326 --> 02:40:43,233 MAN ♪ 4443 02:40:43,300 --> 02:40:45,769 ♪ WELL, THE MISSIONARY MAN ♪ 4444 02:40:45,836 --> 02:40:47,571 ♪ HE'S GOT GOD ON HIS SIDE ♪ 4445 02:40:47,637 --> 02:40:48,505 ♪ HE'S GOT THE SAINTS AND 4446 02:40:48,572 --> 02:40:49,506 APOSTLES ♪ 4447 02:40:49,573 --> 02:40:50,340 ♪ BACKIN' UP FROM BEHIND ♪ 4448 02:40:50,407 --> 02:40:51,575 ♪ BLACK EYED LOOKS FROM THOSE 4449 02:40:51,641 --> 02:40:52,409 BIBLE BOOKS ♪ 4450 02:40:52,476 --> 02:40:53,276 ♪ HE'S A MAN WITH A MISSION ♪ 4451 02:40:53,343 --> 02:40:54,711 ♪ GOT A SERIOUS MIND ♪ 4452 02:40:54,778 --> 02:40:55,679 ♪ THERE WAS A WOMAN IN THE 4453 02:40:55,746 --> 02:40:56,346 JUNGLE ♪ 4454 02:40:56,413 --> 02:40:57,614 ♪ AND A MONKEY ON A TREE ♪ 4455 02:40:57,681 --> 02:40:58,582 ♪ THE MISSIONARY MAN ♪ 4456 02:40:58,648 --> 02:40:59,683 ♪ HE WAS FOLLOWIN' ME ♪ 4457 02:40:59,750 --> 02:41:00,617 ♪ HE SAID "STOP WHAT YOU'RE 4458 02:41:00,684 --> 02:41:01,651 DOING ♪ 4459 02:41:01,718 --> 02:41:04,121 ♪ GET DOWN UPON YOUR KNEES ♪ 4460 02:41:04,187 --> 02:41:08,692 ♪ I'VE A MESSAGE FOR YOU THAT 4461 02:41:08,759 --> 02:41:17,634 YOU BETTER BELIEVE ♪ 4462 02:41:17,701 --> 02:41:21,438 ♪ BELIEVE, BELIEVE, BELIEVE ♪ 4463 02:41:21,505 --> 02:41:30,547 ♪ OH, YEAH ♪ 4464 02:41:30,614 --> 02:41:32,849 ♪ I WAS BORN AN ORIGINAL SINNER 4465 02:41:32,916 --> 02:41:33,617 ♪ I WAS BORNE FROM ORIGINAL 4466 02:41:33,683 --> 02:41:34,484 SIN ♪ 4467 02:41:34,551 --> 02:41:35,185 ♪ AND IF I HAD A DOLLAR BILL ♪ 4468 02:41:35,252 --> 02:41:36,053 ♪ FOR ALL THE THINGS I'VE DONE ♪ 4469 02:41:36,119 --> 02:41:37,120 ♪ THERE'D BE A MOUNTAIN 4470 02:41:37,187 --> 02:41:38,188 OF MONEY ♪ 4471 02:41:38,255 --> 02:41:48,598 ♪ PILED UP TO MY CHIN ♪ 4472 02:41:48,665 --> 02:42:06,516 ♪ OH, YEAH ♪ 4473 02:42:06,583 --> 02:42:07,150 ♪ DON'T MESS WITH A MISSIONARY 4474 02:42:07,217 --> 02:42:10,487 MAN ♪ 4475 02:42:10,554 --> 02:42:11,321 ♪ SWEET DREAMS ARE MADE 4476 02:42:11,388 --> 02:42:12,656 OF THIS ♪ 4477 02:42:12,722 --> 02:42:14,257 ♪ WHO AM I TO DISAGREE ♪ 4478 02:42:14,324 --> 02:42:15,625 ♪ I TRAVEL THE WORLD AND THE 4479 02:42:15,692 --> 02:42:17,227 SEVEN SEAS ♪ 4480 02:42:17,294 --> 02:42:18,562 ♪ EVERYBODY'S LOOKING FOR 4481 02:42:18,628 --> 02:42:23,266 SOMETHING ♪ 4482 02:42:23,333 --> 02:42:26,036 ♪ SOME OF THEM WANT TO USE YOU ♪ 4483 02:42:26,103 --> 02:42:27,237 ♪ SOME OF THEM WANT TO GET USED 4484 02:42:27,304 --> 02:42:29,406 BY YOU ♪ 4485 02:42:29,473 --> 02:42:30,607 ♪ SOME OF THEM WANT TO 4486 02:42:30,674 --> 02:42:32,809 ABUSE YOU ♪ 4487 02:42:32,876 --> 02:42:34,978 ♪ SOME OF THEM WANT TO 4488 02:42:35,045 --> 02:42:45,655 BE ABUSED ♪ 4489 02:42:45,722 --> 02:42:49,593 ♪ ♪ 4490 02:42:49,659 --> 02:42:50,861 ♪ SWEET DREAMS ARE MADE 4491 02:42:50,927 --> 02:42:53,830 OF THIS ♪ 4492 02:42:53,897 --> 02:42:57,167 ♪ WHO AM I TO DISAGREE ♪ 4493 02:42:57,234 --> 02:42:58,502 ♪ I TRAVEL THE WORLD AND THE 4494 02:42:58,568 --> 02:43:00,704 SEVEN SEAS ♪ 4495 02:43:00,770 --> 02:43:01,671 ♪ EVERYBODY'S LOOKING FOR 4496 02:43:01,738 --> 02:43:09,045 SOMETHING ♪ 4497 02:43:09,112 --> 02:43:15,752 ♪ ♪ 4498 02:43:15,819 --> 02:43:17,821 ♪ HOLD YOUR HEAD UP, KEEP YOUR 4499 02:43:17,888 --> 02:43:19,523 HEAD UP, MOVIN' ON ♪ 4500 02:43:19,589 --> 02:43:20,891 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4501 02:43:20,957 --> 02:43:23,059 KEEP YOUR HEAD UP, MOVIN' ON ♪ 4502 02:43:23,126 --> 02:43:24,327 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4503 02:43:24,394 --> 02:43:25,762 KEEP YOUR HEAD UP, MOVIN' ON ♪ 4504 02:43:25,829 --> 02:43:27,731 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4505 02:43:27,797 --> 02:43:33,870 KEEP YOUR HEAD UP ♪ 4506 02:43:33,937 --> 02:43:48,018 ♪ ♪ 4507 02:43:48,084 --> 02:43:50,954 ♪ SOME OF THEM WANT TO USE YOU ♪ 4508 02:43:51,021 --> 02:43:52,656 ♪ SOME OF THEM WANT TO GET USED 4509 02:43:52,722 --> 02:43:53,957 BY YOU ♪ 4510 02:43:54,024 --> 02:43:55,358 ♪ SOME OF THEM WANT TO 4511 02:43:55,425 --> 02:43:59,129 ABUSE YOU ♪ 4512 02:43:59,196 --> 02:44:01,765 ♪ SOME OF THEM WANT TO 4513 02:44:01,831 --> 02:44:04,834 BE ABUSED ♪ 4514 02:44:04,901 --> 02:44:13,176 ♪ SWEET DREAMS ARE MADE 4515 02:44:13,243 --> 02:44:18,415 OF THIS ♪ 4516 02:44:18,481 --> 02:44:19,382 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4517 02:44:19,449 --> 02:44:20,584 KEEP YOUR HEAD UP, MOVIN' ON ♪ 4518 02:44:20,650 --> 02:44:21,952 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4519 02:44:22,018 --> 02:44:23,720 KEEP YOUR HEAD UP, MOVIN' ON ♪ 4520 02:44:23,787 --> 02:44:25,822 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4521 02:44:25,889 --> 02:44:28,825 KEEP YOUR HEAD UP ♪ 4522 02:44:28,892 --> 02:44:30,260 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4523 02:44:30,327 --> 02:44:32,062 KEEP YOUR HEAD UP, MOVIN' ON ♪ 4524 02:44:32,128 --> 02:44:33,597 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4525 02:44:33,663 --> 02:44:35,932 KEEP YOUR HEAD UP ♪ 4526 02:44:35,999 --> 02:44:37,500 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4527 02:44:37,567 --> 02:44:39,703 KEEP YOUR HEAD UP, MOVIN' ON ♪ 4528 02:44:39,769 --> 02:44:46,376 ♪ HOLD YOUR HEAD UP, MOVIN' ON, 4529 02:44:46,443 --> 02:44:53,617 KEEP YOUR HEAD UP ♪ 4530 02:44:53,683 --> 02:44:54,084 [CHEERS AND APPLAUSE] 4531 02:44:54,150 --> 02:44:57,954 >> THANK YOU, EVERYBODY. 4532 02:44:58,021 --> 02:45:07,697 BIG LOVE. 4533 02:45:07,764 --> 02:45:09,065 [CHEERS AND APPLAUSE] 4534 02:45:09,132 --> 02:45:11,735 >> THANK YOU, THE EDGE. 4535 02:45:11,801 --> 02:45:13,203 I FIRST MET ANNIE WHEN SHE WAS 4536 02:45:13,270 --> 02:45:16,106 21 YEARS OLD AND I WAS 24. 4537 02:45:16,172 --> 02:45:17,540 AND, LIKE EVERY INDUCTEE 4538 02:45:17,607 --> 02:45:19,009 TONIGHT, WE HAVE WALKED A VERY 4539 02:45:19,075 --> 02:45:20,143 LONG AND SOMETIMES PERILOUS ROAD 4540 02:45:20,210 --> 02:45:25,048 TO BE STANDING HERE TONIGHT. 4541 02:45:25,115 --> 02:45:27,851 WE'VE HAD OUR SHARE OF GLORY, 4542 02:45:27,917 --> 02:45:30,887 GRIEF, LIVING ON LESS THAN $20 A 4543 02:45:30,954 --> 02:45:31,588 WEEK BETWEEN US, IN A DERELICT 4544 02:45:31,655 --> 02:45:33,023 SQUAT. 4545 02:45:33,089 --> 02:45:34,324 BY THE WAY, THOSE WERE SOME OF 4546 02:45:34,391 --> 02:45:35,125 THE BEST TIMES. 4547 02:45:35,191 --> 02:45:35,992 [LAUGHTER] 4548 02:45:36,059 --> 02:45:36,793 >> YEAH. 4549 02:45:36,860 --> 02:45:37,827 THEY WERE. 4550 02:45:37,894 --> 02:45:41,398 THEY WERE. 4551 02:45:41,464 --> 02:45:43,433 >> WE FOUGHT FIERCELY FOR OUR 4552 02:45:43,500 --> 02:45:45,335 ART, AND WE WOULD NOT LET ANY 4553 02:45:45,402 --> 02:45:46,603 INDIVIDUAL OR CORPORATE 4554 02:45:46,670 --> 02:45:47,537 COMPANY INTERFERE WITH OUR 4555 02:45:47,604 --> 02:45:48,505 CREATIVITY. 4556 02:45:48,571 --> 02:45:51,041 THAT WAS OURS AND OURS ALONE. 4557 02:45:51,107 --> 02:45:55,412 [APPLAUSE] 4558 02:45:55,478 --> 02:45:56,946 ANNIE AND I WROTE OVER A HUNDRED 4559 02:45:57,013 --> 02:45:59,015 AND TWENTY SONGS TOGETHER, AND 4560 02:45:59,082 --> 02:46:00,550 WHILST RECORDING THOSE SONGS, WE 4561 02:46:00,617 --> 02:46:02,952 FIXATED OVER EVERY NOTE. 4562 02:46:03,019 --> 02:46:04,988 ANNIE METICULOUSLY PROOFREADING 4563 02:46:05,055 --> 02:46:09,693 AND CORRECTING HER LYRICS UNTIL 4564 02:46:09,759 --> 02:46:11,628 SHE LAID DOWN HER LEAD VOCAL, 4565 02:46:11,695 --> 02:46:12,295 AND THAT WAS USUALLY IN ONE 4566 02:46:12,362 --> 02:46:14,397 TAKE. 4567 02:46:14,464 --> 02:46:17,100 [APPLAUSE] 4568 02:46:17,167 --> 02:46:19,836 SO WHAT AN HONOR TO BE STANDING 4569 02:46:19,903 --> 02:46:21,037 HERE NEXT TO MY PARTNER IN THIS 4570 02:46:21,104 --> 02:46:22,839 CRAZY COLLABORATION. 4571 02:46:22,906 --> 02:46:24,874 ANNIE, ONE OF THE GREATEST 4572 02:46:24,941 --> 02:46:25,875 PERFORMERS AND 4573 02:46:25,942 --> 02:46:27,143 SINGER-SONGWRITERS OF OUR TIME. 4574 02:46:27,210 --> 02:46:35,652 [CHEERS AND APPLAUSE] 4575 02:46:35,719 --> 02:46:36,653 >> THANK YOU, DAVE. 4576 02:46:36,720 --> 02:46:38,722 >> BEING IN A TINY ROOM WITH 4577 02:46:38,788 --> 02:46:39,556 ANNIE AND TALKING ABSTRACTLY FOR 4578 02:46:39,622 --> 02:46:40,590 HOURS ABOUT WHAT WE WERE TRYING 4579 02:46:40,657 --> 02:46:42,158 TO DO WITH OUR ART WERE SOME OF 4580 02:46:42,225 --> 02:46:42,959 THE MOST THRILLING TIMES IN MY 4581 02:46:43,026 --> 02:46:44,427 LIFE. 4582 02:46:44,494 --> 02:46:45,995 WE SAW INFINITE POSSIBILITIES 4583 02:46:46,062 --> 02:46:47,297 AND REFUSED TO BE CONSTRAINED BY 4584 02:46:47,364 --> 02:46:48,598 CONVENTION. 4585 02:46:48,665 --> 02:46:49,966 WE WERE LED BY THE HANDS OF 4586 02:46:50,033 --> 02:46:51,067 GRACE AND PROTECTED BY THE ARMOR 4587 02:46:51,134 --> 02:46:52,936 OF OUR ART. 4588 02:46:53,002 --> 02:46:55,105 OF COURSE, WE WOULDN'T BE 4589 02:46:55,171 --> 02:46:56,239 STANDING HERE WITHOUT THE GALAXY 4590 02:46:56,306 --> 02:46:57,707 OF HELPERS ALONG THE WAY, 4591 02:46:57,774 --> 02:47:00,076 INCREDIBLE MUSICIANS, ENGINEERS, 4592 02:47:00,143 --> 02:47:06,216 ROAD CREW, RECORD COMPANY, 4593 02:47:06,282 --> 02:47:08,551 BELIEVERS, AND RADIO DJs, AND 4594 02:47:08,618 --> 02:47:11,354 NOT FORGETTING, OF COURSE, MTV, 4595 02:47:11,421 --> 02:47:12,222 WHO LET THE WORLD WITNESS OUR 4596 02:47:12,288 --> 02:47:13,289 VISUAL ARTISTRY FOR THE FIRST 4597 02:47:13,356 --> 02:47:16,760 TIME. 4598 02:47:16,826 --> 02:47:20,964 AND A BIG SHOUT-OUT TO OUR FANS 4599 02:47:21,030 --> 02:47:25,769 FROM AROUND THE WORLD -- 4600 02:47:25,835 --> 02:47:26,436 [CHEERS AND APPLAUSE] 4601 02:47:26,503 --> 02:47:30,373 WHO, TO THIS DAY, REMAIN LOYAL, 4602 02:47:30,440 --> 02:47:33,076 WITHOUT A SINGLE ALBUM RELEASE 4603 02:47:33,143 --> 02:47:35,011 OR TOUR IN THE LAST 20 YEARS. 4604 02:47:35,078 --> 02:47:38,381 I'M HOPING OUR LEGACY WILL NOT 4605 02:47:38,448 --> 02:47:39,616 ONLY BE ABOUT OUR MUSIC, BUT 4606 02:47:39,682 --> 02:47:40,617 ALSO ABOUT THE RESPECT AND 4607 02:47:40,683 --> 02:47:41,584 UNDERSTANDING BETWEEN TWO PEOPLE 4608 02:47:41,651 --> 02:47:44,187 WHO HAVE BEEN TO THE MOON AND 4609 02:47:44,254 --> 02:47:45,588 BACK IN EVERY POSSIBLE WAY, AND 4610 02:47:45,655 --> 02:47:46,923 MADE IT HOME SAFELY HERE ON THE 4611 02:47:46,990 --> 02:47:47,457 STAGE OF THE 4612 02:47:47,524 --> 02:47:48,892 ROCK AND ROLL HALL OF FAME. 4613 02:47:48,958 --> 02:47:49,826 AND YOU KNOW WHAT, ANNIE? 4614 02:47:49,893 --> 02:47:51,194 AFTER 45 YEARS, WE STILL ROCK. 4615 02:47:51,261 --> 02:48:04,340 [CHEERS AND APPLAUSE] 4616 02:48:04,407 --> 02:48:06,476 >> THANK YOU, DAVE. 4617 02:48:06,543 --> 02:48:07,343 THAT WAS A VERY NICE THING TO 4618 02:48:07,410 --> 02:48:08,144 SAY. 4619 02:48:08,211 --> 02:48:09,179 THANK YOU. 4620 02:48:09,245 --> 02:48:11,147 [CHEERS AND APPLAUSE] 4621 02:48:11,214 --> 02:48:13,650 THANKS, GUYS. 4622 02:48:13,716 --> 02:48:15,351 YOU CAN SURELY RELAX. 4623 02:48:15,418 --> 02:48:18,121 TAKE THE WEIGHT OFF YOUR FEET. 4624 02:48:18,188 --> 02:48:19,489 I WANT TO THANK EDGE SO MUCH FOR 4625 02:48:19,556 --> 02:48:20,123 COMING ALL THE WAY TO INDUCT US 4626 02:48:20,190 --> 02:48:22,992 HERE. 4627 02:48:23,059 --> 02:48:24,494 WHAT A PRIVILEGE TO BE INDUCTED 4628 02:48:24,561 --> 02:48:26,629 BY THE WONDERFUL EDGE. 4629 02:48:26,696 --> 02:48:28,531 AND I'D LIKE TO SAY THANK YOU TO 4630 02:48:28,598 --> 02:48:30,133 EVERYONE WHO SUPPORTED US OVER 4631 02:48:30,200 --> 02:48:32,235 ALL THESE YEARS. 4632 02:48:32,302 --> 02:48:35,738 AND THERE ARE SO MANY PEOPLE. 4633 02:48:35,805 --> 02:48:37,106 THE LIST IS LIKE A CREDIT ROLL 4634 02:48:37,173 --> 02:48:37,740 AFTER A "LORD OF THE RINGS" 4635 02:48:37,807 --> 02:48:38,341 FILM. 4636 02:48:38,408 --> 02:48:39,209 IT REALLY IS THAT LONG. 4637 02:48:39,275 --> 02:48:40,343 LIKE THE TRILOGY. 4638 02:48:40,410 --> 02:48:44,113 [LAUGHS] 4639 02:48:44,180 --> 02:48:46,850 MORE THAN ANYTHING, WE HAVE TO 4640 02:48:46,916 --> 02:48:50,119 THANK EURYTHMICS FANS, 4641 02:48:50,186 --> 02:48:53,690 WITHOUT WHOM -- 4642 02:48:53,756 --> 02:48:54,157 [CHEERS AND APPLAUSE] 4643 02:48:54,224 --> 02:48:55,291 WE WOULDN'T BE STANDING HERE 4644 02:48:55,358 --> 02:48:56,059 WITHOUT YOU. 4645 02:48:56,125 --> 02:48:57,126 A FEW NIGHTS AGO, THE 4646 02:48:57,193 --> 02:48:59,162 ROCK AND ROLL HALL OF FAME 4647 02:48:59,229 --> 02:49:01,231 INVITED ALL THE INDUCTEES TO GET 4648 02:49:01,297 --> 02:49:04,234 TOGETHER FOR A SPECIAL DINNER. 4649 02:49:04,300 --> 02:49:05,568 THE ROOM WAS SO WARM AND FULL OF 4650 02:49:05,635 --> 02:49:08,705 LOVE FOR ONE ANOTHER. 4651 02:49:08,771 --> 02:49:10,507 AND IT WAS AN ABSOLUTE 4652 02:49:10,573 --> 02:49:12,775 INSPIRATION AND CELEBRATION, 4653 02:49:12,842 --> 02:49:13,676 BECAUSE, YOU SEE, MUSIC IS 4654 02:49:13,743 --> 02:49:16,379 HEALING. 4655 02:49:16,446 --> 02:49:17,747 IT BUILDS BRIDGES, NOT 4656 02:49:17,814 --> 02:49:22,785 BOUNDARIES. 4657 02:49:22,852 --> 02:49:23,920 WE MUSICIANS ARE A DIVERSE AND 4658 02:49:23,987 --> 02:49:26,356 PEACEFUL PEOPLE. 4659 02:49:26,422 --> 02:49:28,491 WE SPREAD LOVE AROUND THE WORLD, 4660 02:49:28,558 --> 02:49:34,097 NOT HATRED AND DIVISION. 4661 02:49:34,163 --> 02:49:41,838 [CHEERS AND APPLAUSE] 4662 02:49:41,905 --> 02:49:44,307 WE, MUSICIANS, BRING PEOPLE 4663 02:49:44,374 --> 02:49:45,475 TOGETHER, IN JOY, IN SADNESS, IN 4664 02:49:45,542 --> 02:49:47,243 MOVEMENT, BEAUTY, INSPIRATION, 4665 02:49:47,310 --> 02:49:50,613 AND REFLECTION. 4666 02:49:50,680 --> 02:49:53,283 MUSIC IS IN OUR BLOOD CELLS, IN 4667 02:49:53,349 --> 02:49:54,951 OUR HEARTS, AND IN THE DEEPEST 4668 02:49:55,018 --> 02:49:58,888 PARTS OF OUR SOULS. 4669 02:49:58,955 --> 02:50:00,456 WE ARE GRATEFUL BEYOND MEASURE 4670 02:50:00,523 --> 02:50:02,425 TO BE PART OF THIS EXTRAORDINARY 4671 02:50:02,492 --> 02:50:04,661 DIASPORA. 4672 02:50:04,727 --> 02:50:06,029 THANK YOU, DAVE, FOR THIS GREAT 4673 02:50:06,095 --> 02:50:08,097 ADVENTURE. 4674 02:50:08,164 --> 02:50:09,299 AND THANK YOU, EVERYBODY. 4675 02:50:09,365 --> 02:50:11,200 WE LOVE YOU VERY MUCH. 4676 02:50:11,267 --> 02:50:21,477 [CHEERS AND APPLAUSE] 4677 02:50:21,544 --> 02:50:24,280 ♪ ♪ 4678 02:50:24,347 --> 02:50:26,849 >> SOMETIMES THE GOOD LORD 4679 02:50:26,916 --> 02:50:28,785 ACCEPTS HIS OWN PERFECTION, 4680 02:50:28,851 --> 02:50:29,852 CLOSES HIS EYES AND GOES AHEAD 4681 02:50:29,919 --> 02:50:32,589 AND HE MAKES HIMSELF A MAN. 4682 02:50:32,655 --> 02:50:34,857 SOMETIMES THAT MAN GETS HOLD 4683 02:50:34,924 --> 02:50:37,627 OF THE IDEA OF WHAT IT IS 4684 02:50:37,694 --> 02:50:39,262 POSSIBLE FOR HIM TO DO. 4685 02:50:39,329 --> 02:50:43,232 SO YOU LOOK AT HIM AND BE 4686 02:50:43,299 --> 02:50:44,834 THANKFUL THE LORD LET SUCH A 4687 02:50:44,901 --> 02:50:46,035 MAN TOUCH OUR LIVES. 4688 02:50:46,102 --> 02:50:48,738 ♪ ♪ 4689 02:50:48,805 --> 02:50:50,239 ♪ SHAKE, SHAKE, SHAKE, SENORA ♪ 4690 02:50:50,306 --> 02:50:54,110 ♪ SHAKE YOUR BODY LINE ♪ 4691 02:50:54,177 --> 02:50:55,778 >> THIS BEAUTIFUL BLACK MAN, WHO 4692 02:50:55,845 --> 02:50:57,847 WAS NOT ONLY WARMING OUR HEARTS 4693 02:50:57,914 --> 02:50:59,949 WITH THE MUSIC BUT WARMING OUR 4694 02:51:00,016 --> 02:51:00,883 HEARTS WITH HIS PERSONA, WARMING 4695 02:51:00,950 --> 02:51:01,884 OUR HEARTS WITH HIS ELEGANCE, 4696 02:51:01,951 --> 02:51:03,219 SINGING THESE SONGS. 4697 02:51:03,286 --> 02:51:05,221 AND IT GAVE EVERYBODY SOMETHING 4698 02:51:05,288 --> 02:51:06,489 TO ASPIRE TO BE. 4699 02:51:06,556 --> 02:51:07,557 >> WHAT A LOT OF PEOPLE DON'T 4700 02:51:07,624 --> 02:51:08,992 KNOW IS THAT MUSIC IS REALLY AN 4701 02:51:09,058 --> 02:51:13,062 ACCIDENT IN MY LIFE. 4702 02:51:13,129 --> 02:51:14,497 WELL, I STARTED OFF AS A STUDENT 4703 02:51:14,564 --> 02:51:17,367 OF THE THEATER. 4704 02:51:17,433 --> 02:51:22,805 ♪ ♪ 4705 02:51:22,872 --> 02:51:24,007 THE FIRST TIME I EVER STARTED 4706 02:51:24,073 --> 02:51:24,874 SINGING FOR THE PUBLIC WAS IN A 4707 02:51:24,941 --> 02:51:30,179 PLAY. 4708 02:51:30,246 --> 02:51:32,548 ♪ ♪ 4709 02:51:32,615 --> 02:51:36,452 A LOT OF THE LITTLE NIGHT CLUBS 4710 02:51:36,519 --> 02:51:42,825 IN GREENWICH VILLAGE WAS AROUND 4711 02:51:42,892 --> 02:51:44,027 LIKE BILL BROONZY AND LEAD BELLY 4712 02:51:44,093 --> 02:51:45,395 AND THOSE THAT INHERITED DRAMA 4713 02:51:45,461 --> 02:51:46,562 TO THE MATERIAL. 4714 02:51:46,629 --> 02:51:47,830 I JUST FELT THAT THAT, THAT WAS 4715 02:51:47,897 --> 02:51:48,531 THE CHARACTER OF WHAT I SHOULD 4716 02:51:48,598 --> 02:51:48,965 BE DOING. 4717 02:51:49,032 --> 02:51:50,166 AND THEN I DEVELOPED THIS ACT. 4718 02:51:50,233 --> 02:51:57,473 ♪ DAY-O, DAY-O ♪ 4719 02:51:57,540 --> 02:51:58,675 ♪ DAYLIGHT COME AND ME WANNA GO 4720 02:51:58,741 --> 02:51:59,642 HOME ♪ 4721 02:51:59,709 --> 02:52:02,345 >> WHEN YOU HEAR THAT, ALL OVER 4722 02:52:02,412 --> 02:52:03,479 THE WORLD TO THIS DAY, IN 2022, 4723 02:52:03,546 --> 02:52:09,285 THE WHOLE WORLD SINGS THAT SONG. 4724 02:52:09,352 --> 02:52:10,420 ♪ DAYLIGHT COME AND WE WANNA GO 4725 02:52:10,486 --> 02:52:11,187 HOME ♪ 4726 02:52:11,254 --> 02:52:12,522 >> IT WAS A SONG ABOUT STRUGGLE, 4727 02:52:12,588 --> 02:52:13,122 ABOUT BLACK PEOPLE, AND DOING 4728 02:52:13,189 --> 02:52:14,791 THE MOST GRUELING WORK, AND I 4729 02:52:14,857 --> 02:52:16,059 TOOK THAT SONG AND HONED IT INTO 4730 02:52:16,125 --> 02:52:20,430 AN ANTHEM. 4731 02:52:20,496 --> 02:52:27,503 ♪ ♪ 4732 02:52:27,570 --> 02:52:29,038 >> WITH THE RCA VICTOR LONG PLAY 4733 02:52:29,105 --> 02:52:29,772 WORLD RECORD FOR BEING THE FIRST 4734 02:52:29,839 --> 02:52:30,773 PERFORMER TO SELL OVER A MILLION 4735 02:52:30,840 --> 02:52:33,443 COPIES OF A SINGLE ALBUM. 4736 02:52:33,509 --> 02:52:34,444 ♪ ♪ 4737 02:52:34,510 --> 02:52:35,645 >> HERE'S ONE OF THE GREAT 4738 02:52:35,712 --> 02:52:36,713 ARTIST OF THE WORLD, 4739 02:52:36,779 --> 02:52:38,448 HARRY BELAFONTE. 4740 02:52:38,514 --> 02:52:39,649 >> I DON'T UNDERSTAND HOW THEY 4741 02:52:39,716 --> 02:52:41,050 PURSUE ART AND NOT HAVE A SOCIAL 4742 02:52:41,117 --> 02:52:42,051 AND A HUMAN CONSCIOUSNESS. 4743 02:52:42,118 --> 02:52:45,388 FOR ME, ALL GREAT ART DOES THAT. 4744 02:52:45,455 --> 02:52:52,161 ♪ ♪ 4745 02:52:52,228 --> 02:52:55,665 THERE ARE OTHER DIMENSIONS TO ME 4746 02:52:55,732 --> 02:52:56,599 THAN WHAT I HAVE BEEN ABLE 4747 02:52:56,666 --> 02:52:58,267 TO CONTRIBUTE JUST MUSICALLY. 4748 02:52:58,334 --> 02:53:00,803 >> HE SPOKE TRUTH TO POWER. 4749 02:53:00,870 --> 02:53:02,238 HE WAS ABLE TO DO SOMETHING FOR 4750 02:53:02,305 --> 02:53:02,972 US THAT NOT ONLY OUR RACE 4751 02:53:03,039 --> 02:53:05,775 BENEFITED FROM, BUT THE WHOLE 4752 02:53:05,842 --> 02:53:07,009 WORLD BENEFITED FROM, AND 4753 02:53:07,076 --> 02:53:08,244 CONTINUES TO BENEFIT FROM TODAY. 4754 02:53:08,311 --> 02:53:09,645 >> PEACE! 4755 02:53:09,712 --> 02:53:11,681 PEACE! 4756 02:53:11,748 --> 02:53:19,889 PEACE! 4757 02:53:19,956 --> 02:53:20,890 >> ARTISTS ARE THE GATEKEEPERS 4758 02:53:20,957 --> 02:53:22,158 OF TRUTH. 4759 02:53:22,225 --> 02:53:23,693 THE PURPOSE OF ART IS TO SHOW 4760 02:53:23,760 --> 02:53:25,128 LIFE NOT AS IT IS BUT TO SHOW 4761 02:53:25,194 --> 02:53:31,000 LIFE AS IT SHOULD BE. 4762 02:53:31,067 --> 02:53:33,503 ♪ THERE'D BE PEACE ON EARTH ♪ 4763 02:53:33,569 --> 02:53:37,240 THANK YOU SO MUCH. 4764 02:53:37,306 --> 02:53:38,941 ♪ ♪ 4765 02:53:39,008 --> 02:53:40,143 >> Announcer: TO INDUCT EMINEM, 4766 02:53:40,209 --> 02:53:41,410 ROCK AND ROLL HALL OF FAMER, 4767 02:53:41,477 --> 02:53:42,712 DR. DRE. 4768 02:53:42,779 --> 02:53:47,216 [CHEERS AND APPLAUSE] 4769 02:53:47,283 --> 02:53:49,385 ♪ ♪ 4770 02:53:49,452 --> 02:53:53,756 >> YES, YES, YES. 4771 02:53:53,823 --> 02:53:55,458 WHEN I STARTED WORKING ON THIS 4772 02:53:55,525 --> 02:53:56,626 SPEECH, I ASKED EMINEM IF THERE 4773 02:53:56,692 --> 02:53:59,395 WAS ANYTHING SPECIFIC HE'D LIKE 4774 02:53:59,462 --> 02:54:00,930 ME TO SAY EVERYBODY, AND HE 4775 02:54:00,997 --> 02:54:02,732 SAID, "OKAY, NUMBER ONE, I WANT 4776 02:54:02,799 --> 02:54:04,100 YOU TO TELL EVERYBODY I HAVE A 4777 02:54:04,167 --> 02:54:10,173 HUGE PENIS." 4778 02:54:10,239 --> 02:54:11,073 [LAUGHTER AND APPLAUSE] 4779 02:54:11,140 --> 02:54:12,475 BUT WHEN HE STARTED COUNTING, I 4780 02:54:12,542 --> 02:54:13,776 WAS WONDERING WHY HE DECIDED TO 4781 02:54:13,843 --> 02:54:14,544 USE THIS FINGER. 4782 02:54:14,610 --> 02:54:19,348 [LAUGHTER] 4783 02:54:19,415 --> 02:54:20,183 ALL RIGHT. 4784 02:54:20,249 --> 02:54:21,050 LET ME GET SERIOUS. 4785 02:54:21,117 --> 02:54:22,718 OKAY. 4786 02:54:22,785 --> 02:54:26,022 OVER 20 YEARS AGO, JIMMY IOVINE 4787 02:54:26,088 --> 02:54:28,024 PLAYED A DEMO TAPE FOR ME, FROM 4788 02:54:28,090 --> 02:54:28,991 A GUY WHO CALLED HIMSELF EMINEM. 4789 02:54:29,058 --> 02:54:31,394 THE FIRST THING I SAID WHEN I 4790 02:54:31,460 --> 02:54:32,762 HEARD IT WAS, "WHAT THE FUCK DID 4791 02:54:32,829 --> 02:54:37,600 HE JUST SAY?" 4792 02:54:37,667 --> 02:54:37,834 [LAUGHS] 4793 02:54:37,900 --> 02:54:38,701 I LOVED IT SO MUCH THAT I 4794 02:54:38,768 --> 02:54:40,870 COULDN'T STOP LISTENING TO IT. 4795 02:54:40,937 --> 02:54:41,904 A FEW DAYS LATER, JIMMY 4796 02:54:41,971 --> 02:54:43,339 CALLED ME UP AND HE SAID, 4797 02:54:43,406 --> 02:54:44,240 "HEY, DRE, YOU KNOW HE'S A WHITE 4798 02:54:44,307 --> 02:54:48,411 GUY, RIGHT?" 4799 02:54:48,477 --> 02:54:48,678 [LAUGHTER] 4800 02:54:48,744 --> 02:54:51,314 COMPLETELY FUCKED ME UP. 4801 02:54:51,380 --> 02:54:57,587 IT NEVER EVEN CROSSED MY MIND. 4802 02:54:57,653 --> 02:54:58,955 BUT, LOOKING BACK, I DON'T KNOW 4803 02:54:59,021 --> 02:54:59,789 WHY IT DIDN'T CROSS MY MIND. 4804 02:54:59,856 --> 02:55:00,523 I GUESS IT WAS MY IGNORANCE AT 4805 02:55:00,590 --> 02:55:01,757 THE TIME, THINKING THAT, 4806 02:55:01,824 --> 02:55:02,925 "OKAY, IF YOU'RE A GOOD RAPPER, 4807 02:55:02,992 --> 02:55:05,728 YOU MUST BE BLACK," RIGHT? 4808 02:55:05,795 --> 02:55:07,296 NOT TOO LONG AFTER THAT, WE MET 4809 02:55:07,363 --> 02:55:08,631 FOR THE FIRST TIME. 4810 02:55:08,698 --> 02:55:10,166 WE HIT IT OFF, AND THE NEXT 4811 02:55:10,233 --> 02:55:11,167 THING YOU KNOW, WE'RE IN THE 4812 02:55:11,234 --> 02:55:12,835 STUDIO AT MY HOUSE, WORKING. 4813 02:55:12,902 --> 02:55:16,172 THE FIRST TIME I PUT ON A BEAT, 4814 02:55:16,239 --> 02:55:23,045 HE GOT ON THE MIC AND SAID 4815 02:55:23,112 --> 02:55:24,680 "HI, MY NAME IS -- 4816 02:55:24,747 --> 02:55:26,015 SLIM SHADY." 4817 02:55:26,082 --> 02:55:28,784 [CHEERS AND APPLAUSE] 4818 02:55:28,851 --> 02:55:31,487 BOOM. 4819 02:55:31,554 --> 02:55:33,289 THAT WAS IT. 4820 02:55:33,356 --> 02:55:34,724 AND THAT WAS THE BEGINNING OF 4821 02:55:34,790 --> 02:55:35,758 WHAT BECAME AN AMAZING CREATIVE 4822 02:55:35,825 --> 02:55:36,726 COLLABORATION. 4823 02:55:36,792 --> 02:55:38,628 THEN CAME THE BACKLASH. 4824 02:55:38,694 --> 02:55:40,563 "LOOK AT HIM, DRE. 4825 02:55:40,630 --> 02:55:42,231 THIS GUY HAS BLUE EYES. 4826 02:55:42,298 --> 02:55:44,567 YOU CAN'T SIGN HIM." 4827 02:55:44,634 --> 02:55:46,068 WHILE EVERYONE ELSE AROUND ME 4828 02:55:46,135 --> 02:55:47,270 HAD THEIR DOUBTS, I KNEW THAT 4829 02:55:47,336 --> 02:55:52,375 HIS GIFTS WERE UNDENIABLE. 4830 02:55:52,441 --> 02:55:53,843 [CHEERS AND APPLAUSE] 4831 02:55:53,910 --> 02:55:55,645 HIS RAW, DARK, HUMOROUS LYRICS 4832 02:55:55,711 --> 02:55:56,212 COUPLED WITH AN IMPECCABLE 4833 02:55:56,279 --> 02:55:57,046 CADENCE STOOD OUT FROM 4834 02:55:57,113 --> 02:55:58,180 EVERYTHING I HAD EVER HEARD 4835 02:55:58,247 --> 02:55:59,181 BEFORE. 4836 02:55:59,248 --> 02:56:00,483 AND HE WAS HUNGRY. 4837 02:56:00,549 --> 02:56:02,184 BOTH OF US WERE. 4838 02:56:02,251 --> 02:56:03,386 WE WERE TWO ARTISTS IN DO-OR-DIE 4839 02:56:03,452 --> 02:56:05,821 SITUATIONS. 4840 02:56:05,888 --> 02:56:07,356 EACH OF US WERE EXACTLY WHAT THE 4841 02:56:07,423 --> 02:56:08,257 OTHER ONE NEEDED. 4842 02:56:08,324 --> 02:56:09,659 AND I WAS WILLING TO BET MY 4843 02:56:09,725 --> 02:56:13,329 ENTIRE CAREER ON THAT. 4844 02:56:13,396 --> 02:56:14,463 [APPLAUSE] 4845 02:56:14,530 --> 02:56:18,200 MY REBUTTAL TO THOSE NAYSAYERS 4846 02:56:18,267 --> 02:56:18,701 WAS SOMETHING LIKE THIS: 4847 02:56:18,768 --> 02:56:19,869 "HE'S GONNA BE THE BEST-SELLING 4848 02:56:19,936 --> 02:56:24,907 ARTIST ON OUR LABEL." 4849 02:56:24,974 --> 02:56:26,309 LITTLE DID I KNOW, HE WAS GONNA 4850 02:56:26,375 --> 02:56:27,610 BE ONE OF THE BEST-SELLING 4851 02:56:27,677 --> 02:56:28,945 ARTISTS OF ALL TIME. 4852 02:56:29,011 --> 02:56:34,450 [CHEERS AND APPLAUSE] 4853 02:56:34,517 --> 02:56:35,685 FROM THE MOMENT HE INTRODUCED 4854 02:56:35,751 --> 02:56:37,186 HIMSELF TO THE WORLD WITH 4855 02:56:37,253 --> 02:56:38,654 "THE SLIM SHADY LP," HE 4856 02:56:38,721 --> 02:56:40,790 SKYROCKETED TO THE TOP OF THE 4857 02:56:40,856 --> 02:56:41,757 CHARTS AND STAYED THERE FOR 100 4858 02:56:41,824 --> 02:56:44,493 WEEKS. 4859 02:56:44,560 --> 02:56:45,861 AND, CAN YOU BELIEVE, AFTER 4860 02:56:45,928 --> 02:56:47,163 PROMOTING VIOLENCE TO LITTLE 4861 02:56:47,229 --> 02:56:53,169 CHILDREN, KILLING HIS DAUGHTER'S 4862 02:56:53,235 --> 02:56:54,170 MOTHER, THIS GUY STILL HAD MORE 4863 02:56:54,236 --> 02:56:55,338 SHIT TO GET OFF HIS CHEST? 4864 02:56:55,404 --> 02:56:58,107 [LAUGHTER] 4865 02:56:58,174 --> 02:57:06,382 "THE MARSHALL MATHERS LP" DROPS. 4866 02:57:06,449 --> 02:57:08,384 ON THAT ALBUM ALONE, HIS ALTER 4867 02:57:08,451 --> 02:57:12,054 EGO, SLIM SHADY, TIED ME UP IN A 4868 02:57:12,121 --> 02:57:12,922 BASEMENT, HE HAD SEX WITH HIS 4869 02:57:12,989 --> 02:57:19,161 MOTHER... 4870 02:57:19,228 --> 02:57:20,863 KILLED HIS DAUGHTER'S MOTHER, 4871 02:57:20,930 --> 02:57:23,399 AGAIN, WHILE PROCEEDING TO 4872 02:57:23,466 --> 02:57:25,301 OFFEND ABOUT EVERY SPECIAL 4873 02:57:25,368 --> 02:57:30,339 INTEREST GROUP WE HAVE. 4874 02:57:30,406 --> 02:57:31,574 [LAUGHS] 4875 02:57:31,640 --> 02:57:32,675 IT CLEARLY STRUCK A CHORD AND 4876 02:57:32,742 --> 02:57:34,043 BECAME ONE OF THE 4877 02:57:34,110 --> 02:57:34,910 FASTEST-SELLING ALBUMS IN 4878 02:57:34,977 --> 02:57:39,682 UNITED STATES HISTORY. 4879 02:57:39,749 --> 02:57:41,350 [CHEERS AND APPLAUSE] 4880 02:57:41,417 --> 02:57:42,518 BUT HERE'S EMINEM'S GENIUS: WITH 4881 02:57:42,585 --> 02:57:43,252 HIS INCREDIBLE WIT AND WILD 4882 02:57:43,319 --> 02:57:44,387 IMAGINATION, HE WAS ABLE TO HOLD 4883 02:57:44,453 --> 02:57:45,588 A MIRROR UP TO WHITE AMERICA 4884 02:57:45,654 --> 02:57:48,791 WHILE ALSO EXPRESSING PAIN 4885 02:57:48,858 --> 02:57:50,426 THROUGH POVERTY AND 4886 02:57:50,493 --> 02:57:51,260 DYSFUNCTIONAL FAMILIES DEVOID OF 4887 02:57:51,327 --> 02:57:54,764 HOPE. 4888 02:57:54,830 --> 02:57:56,265 EMINEM BROUGHT HIP-HOP TO MIDDLE 4889 02:57:56,332 --> 02:57:58,634 AMERICA AND OFFERED KIDS WHO 4890 02:57:58,701 --> 02:57:59,602 LOOKED LIKE HIM A WAY TO CONNECT 4891 02:57:59,668 --> 02:58:01,871 TO IT. 4892 02:58:01,937 --> 02:58:03,239 [APPLAUSE] 4893 02:58:03,305 --> 02:58:04,473 EMINEM WASN'T JUST THE UNDERDOG 4894 02:58:04,540 --> 02:58:06,175 WHO BROKE THROUGH THE GLASS 4895 02:58:06,242 --> 02:58:07,043 CEILING OF HIP-HOP, HE SHATTERED 4896 02:58:07,109 --> 02:58:16,619 THAT SHIT. 4897 02:58:16,685 --> 02:58:21,690 OVER 220 MILLION ALBUMS SOLD. 4898 02:58:21,757 --> 02:58:22,158 [CHEERS AND APPLAUSE] 4899 02:58:22,224 --> 02:58:25,961 THIRTEEN NUMBER ONE ALBUMS, 4900 02:58:26,028 --> 02:58:26,829 TEN OF WHICH ALL CONSECUTIVELY 4901 02:58:26,896 --> 02:58:28,030 DEBUTED AT NUMBER ONE, MAKING 4902 02:58:28,097 --> 02:58:29,131 HIM THE FIRST ARTIST TO EVER 4903 02:58:29,198 --> 02:58:33,936 ACHIEVE THIS SHIT. 4904 02:58:34,003 --> 02:58:39,975 [CHEERS AND APPLAUSE] 4905 02:58:40,042 --> 02:58:40,776 GRAMMY AWARDS, AN EMMY, AN 4906 02:58:40,843 --> 02:58:41,911 OSCAR, MAKING HIM THE 4907 02:58:41,977 --> 02:58:42,845 BEST-SELLING ARTIST OF THE 4908 02:58:42,912 --> 02:58:43,546 2000s. 4909 02:58:43,612 --> 02:58:44,580 BEST-SELLING HIP-HOP ARTIST 4910 02:58:44,647 --> 02:58:45,381 EVER. 4911 02:58:45,448 --> 02:58:46,449 LET ME REPEAT THAT. 4912 02:58:46,515 --> 02:58:47,249 THE BEST-SELLING HIP-HOP ARTIST 4913 02:58:47,316 --> 02:58:48,250 EVER. 4914 02:58:48,317 --> 02:58:49,051 [CHEERS AND APPLAUSE] 4915 02:58:49,118 --> 02:58:50,052 AND THE CRAZY PART ABOUT IT IS 4916 02:58:50,119 --> 02:58:51,153 HE DOESN'T EVEN REALLY CARE 4917 02:58:51,220 --> 02:58:52,188 ABOUT THAT. 4918 02:58:52,254 --> 02:58:53,322 I THINK I CARE ABOUT IT MORE 4919 02:58:53,389 --> 02:58:56,325 THAN HE DOES, YOU KNOW? 4920 02:58:56,392 --> 02:58:57,493 WHAT'S MOST IMPORTANT TO HIM IS 4921 02:58:57,560 --> 02:58:58,894 THAT HE'S EARNED THE RESPECT OF 4922 02:58:58,961 --> 02:59:01,097 HIS PEERS AS ONE OF THE BEST TO 4923 02:59:01,163 --> 02:59:04,600 EVER DO IT, POINT BLANK. 4924 02:59:04,667 --> 02:59:06,135 TURNS OUT, THIS UNASSUMING WHITE 4925 02:59:06,202 --> 02:59:09,672 GUY WITH BLUE EYES FROM DETROIT 4926 02:59:09,738 --> 02:59:12,007 BEING REPEATEDLY TURNED DOWN AND 4927 02:59:12,074 --> 02:59:15,344 TURNING EVERYTHING WE THOUGHT WE 4928 02:59:15,411 --> 02:59:16,712 KNEW ABOUT HIP HOP ON ITS HEAD 4929 02:59:16,779 --> 02:59:18,714 WHILE FORCING US TO CONFRONT OUR 4930 02:59:18,781 --> 02:59:19,648 OWN BIASES, GROWING NOT ONLY THE 4931 02:59:19,715 --> 02:59:20,716 GENRE BUT ALL OF US RIGHT ALONG 4932 02:59:20,783 --> 02:59:23,185 WITH IT. 4933 02:59:23,252 --> 02:59:24,653 [CHEERS AND APPLAUSE] 4934 02:59:24,720 --> 02:59:29,158 [CLOCK TICKS] 4935 02:59:29,225 --> 02:59:35,798 ♪ LOOK, IF YOU HAD ONE SHOT OR 4936 02:59:35,865 --> 02:59:39,668 ONE OPPORTUNITY ♪ 4937 02:59:39,735 --> 02:59:40,336 >> HERE I AM. 4938 02:59:40,402 --> 02:59:42,271 EVERYBODY EXCEPT ME. 4939 02:59:42,338 --> 02:59:43,806 ♪ TO SEIZE EVERYTHING YOU EVER 4940 02:59:43,873 --> 02:59:46,041 WANTED IN ONE MOMENT, WOULD YOU 4941 02:59:46,108 --> 02:59:47,176 CAPTURE IT OR JUST LET IT SLIP? 4942 02:59:47,243 --> 02:59:48,978 YO. 4943 02:59:49,044 --> 02:59:49,812 YOU BETTER LOSE YOURSELF IN THE 4944 02:59:49,879 --> 02:59:50,479 MUSIC, THE MOMENT. 4945 02:59:50,546 --> 02:59:52,047 YOU OWN IT. 4946 02:59:52,114 --> 02:59:53,549 YOU BETTER NEVER LET IT GO. 4947 02:59:53,616 --> 02:59:55,417 YOU ONLY GET ONE SHOT. 4948 02:59:55,484 --> 02:59:56,785 DO NOT MISS YOUR CHANCE TO BLOW. 4949 02:59:56,852 --> 03:00:00,322 THIS OPPORTUNITY COMES ONCE IN A 4950 03:00:00,389 --> 03:00:03,759 LIFETIME ♪ 4951 03:00:03,826 --> 03:00:07,196 ♪ ♪ 4952 03:00:07,263 --> 03:00:08,230 >> TOWARDS THE END OF '97, I WAS 4953 03:00:08,297 --> 03:00:10,199 IN THE RAP OLYMPICS. 4954 03:00:10,266 --> 03:00:14,103 KIDS FROM INTERSCOPE WERE THERE 4955 03:00:14,170 --> 03:00:15,171 AND THEY GOT THE TAPE. 4956 03:00:15,237 --> 03:00:17,306 AND JIMMY IOVINE, HE LIKED IT 4957 03:00:17,373 --> 03:00:21,710 AND HE PLAYED IT FOR DRE. 4958 03:00:21,777 --> 03:00:23,846 >> I LISTEN TO IT AND I WOULD 4959 03:00:23,913 --> 03:00:25,614 LIKE, I NEED TO LOOK AT HIM, 4960 03:00:25,681 --> 03:00:26,348 LIKE, YESTERDAY. 4961 03:00:26,415 --> 03:00:28,117 I HAD A STUDIO IN MY HOUSE AT 4962 03:00:28,184 --> 03:00:31,854 THE TIME AND I INVITED HIM OVER 4963 03:00:31,921 --> 03:00:33,189 AND I HIT THE DRUM MACHINE, AND 4964 03:00:33,255 --> 03:00:35,324 MAYBE TWO OR THREE SECONDS WENT 4965 03:00:35,391 --> 03:00:39,061 BY AND HE JUST WENT, "HI, MY 4966 03:00:39,128 --> 03:00:43,432 NAME IS -- MY NAME IS -- 4967 03:00:43,499 --> 03:00:46,135 >> SOP UP THE TAPE, THIS KID 4968 03:00:46,202 --> 03:00:47,736 NEEDS TO BE LOCKED AWAY! 4969 03:00:47,803 --> 03:00:50,940 DR. DRE, DON'T JUST STAND THERE, 4970 03:00:51,006 --> 03:00:51,173 OPERATE! 4971 03:00:51,240 --> 03:00:52,274 >> I'M ALL THEY CONFUSED. 4972 03:00:52,341 --> 03:00:54,443 BLACK PEOPLE DON'T TALK LIKE 4973 03:00:54,510 --> 03:00:55,144 THIS. 4974 03:00:55,211 --> 03:00:56,712 TIE A ROPE AROUND YOUR DECK AND 4975 03:00:56,779 --> 03:00:58,347 JUMP OFF A TREE? 4976 03:00:58,414 --> 03:01:00,115 >> HI, KIDS. 4977 03:01:00,182 --> 03:01:01,584 DO YOU LIKE VIOLENCE? 4978 03:01:01,650 --> 03:01:02,017 WANT TO SEE ME STICK 4979 03:01:02,084 --> 03:01:04,220 NINE INCH NAILS FOR EACH ONE OF 4980 03:01:04,286 --> 03:01:04,520 MY EYELIDS? 4981 03:01:04,587 --> 03:01:06,855 >> THIS GUY IS THE BIGGEST FREAK 4982 03:01:06,922 --> 03:01:07,957 I'VE WORKED WITH. 4983 03:01:08,023 --> 03:01:08,724 THAT'S RIGHT CLICKED, YOU KNOW 4984 03:01:08,791 --> 03:01:09,692 WHAT I MEAN? 4985 03:01:09,758 --> 03:01:12,094 >> WE WOULD LIKE, HE DUG UP. 4986 03:01:12,161 --> 03:01:13,829 BUT WHEN WE HEARD HIM AFTER 4987 03:01:13,896 --> 03:01:16,265 DR. DRE PRODUCED HIS ALBUM, WE 4988 03:01:16,332 --> 03:01:20,803 WERE LIKE, DANG, HE'S SUPER DOP 4989 03:01:20,869 --> 03:01:21,003 DOPE. 4990 03:01:21,070 --> 03:01:24,506 >> RAPPER EMINEM'S DEBUT ALBUM, 4991 03:01:24,573 --> 03:01:26,242 "SLIM SHADY," HAS ALREADY 4992 03:01:26,308 --> 03:01:27,009 SPARKED QUITE A CONTROVERSY IN 4993 03:01:27,076 --> 03:01:27,343 SOME QUARTERS. 4994 03:01:27,409 --> 03:01:29,745 >> IF YOU DON'T LIKE IT, DON'T 4995 03:01:29,812 --> 03:01:29,979 BUY IT. 4996 03:01:30,045 --> 03:01:31,747 >> IT WAS VERY VIOLENT AND VERY 4997 03:01:31,814 --> 03:01:34,149 SEXIST AND ALL THAT, HOMOPHOBIC, 4998 03:01:34,216 --> 03:01:35,150 BUT THAT RECORD WAS AMAZING. 4999 03:01:35,217 --> 03:01:36,518 >> THEY CAN'T TELL ME I CAN'T DO 5000 03:01:36,585 --> 03:01:39,054 THE MUSIC THAT I LOVE, THAT I 5001 03:01:39,121 --> 03:01:40,122 FLOODING SUPPORTED FROM SINCE I 5002 03:01:40,189 --> 03:01:41,490 WAS NINE YEARS OLD. 5003 03:01:41,557 --> 03:01:44,293 YOU KNOW WHAT I MEAN? 5004 03:01:44,360 --> 03:01:44,693 THAT'S RIDICULOUS. 5005 03:01:44,760 --> 03:01:50,833 ♪ ♪ 5006 03:01:50,899 --> 03:01:52,835 >> EMINEM. 5007 03:01:52,901 --> 03:01:53,102 >> EMINEM. 5008 03:01:53,168 --> 03:01:53,502 >> EMINEM! 5009 03:01:53,569 --> 03:01:57,539 >> WAS THIS SUPPOSED TO HAPPEN? 5010 03:01:57,606 --> 03:02:01,844 ♪ ♪ 5011 03:02:01,910 --> 03:02:04,480 >> I NEED TO WRITE ALL THE TIME. 5012 03:02:04,546 --> 03:02:05,981 I NEED TO BE WRITING EVERY DAY. 5013 03:02:06,048 --> 03:02:08,484 >> I WANT TO WRITE UNTIL MY SHIP 5014 03:02:08,550 --> 03:02:08,751 STANDS 5015 03:02:08,817 --> 03:02:11,353 OUT. 5016 03:02:11,420 --> 03:02:12,354 >> IF YOU'RE GOING TO PERFORM 5017 03:02:12,421 --> 03:02:13,756 AND GO OUT ON THE LIMB AND 5018 03:02:13,822 --> 03:02:14,890 DEFEND THEM, YOU'RE GOING TO 5019 03:02:14,957 --> 03:02:15,457 CRITICIZE. 5020 03:02:15,524 --> 03:02:18,260 BUT I DON'T GIVE A SHIT ABOUT 5021 03:02:18,327 --> 03:02:20,296 THAT, BECAUSE I THINK HE'S 5022 03:02:20,362 --> 03:02:20,696 REALLY BRILLIANT. 5023 03:02:20,763 --> 03:02:22,031 >> SOMEONE LIKE EMINEM, YOU JUST 5024 03:02:22,097 --> 03:02:29,104 HAVE A AMAZING CADENCE. 5025 03:02:29,171 --> 03:02:30,506 IT ALMOST BECOMES A PERCUSSION. 5026 03:02:30,572 --> 03:02:32,808 SOME PEOPLE JUST HAVE IT ALL. 5027 03:02:32,875 --> 03:02:38,180 ♪ ♪ 5028 03:02:38,247 --> 03:02:43,252 ♪ ♪ 5029 03:02:43,319 --> 03:02:45,521 >> THERE IS SOMETHING INSIDE ME 5030 03:02:45,587 --> 03:02:47,723 THAT IS A LITTLE MORE HAPPY WHEN 5031 03:02:47,790 --> 03:02:50,793 I'M ANGRY. 5032 03:02:50,859 --> 03:02:55,030 ♪ IT SO I AM. 5033 03:02:55,097 --> 03:03:01,070 I WANT TO KNOW HOW MANY MOTHER 5034 03:03:01,136 --> 03:03:04,406 FUCKERS GET SO FUCKING PISSED 5035 03:03:04,473 --> 03:03:06,875 OFF THEY COULD KILL SOMEBODY. 5036 03:03:06,942 --> 03:03:10,612 >> MY MOTTO. 5037 03:03:10,679 --> 03:03:12,715 FUCK LOTTO. 5038 03:03:12,781 --> 03:03:16,018 ♪ ♪ 5039 03:03:16,085 --> 03:03:18,087 >> HE'S DOING HIS THING, MAN. 5040 03:03:18,153 --> 03:03:20,189 HE SANG WHAT HE WANTS TO SAY, 5041 03:03:20,255 --> 03:03:22,825 AND AS AN ELEMENT OF 5042 03:03:22,891 --> 03:03:23,492 FEARLESSNESS IN THIS KID. 5043 03:03:23,559 --> 03:03:25,461 ♪ YOU'RE NOT ALONE. 5044 03:03:25,527 --> 03:03:27,429 HOLLER IF YOU FEEL LIKE YOU'VE 5045 03:03:27,496 --> 03:03:29,732 BEEN DOWN THE SAME ROAD ♪ 5046 03:03:29,798 --> 03:03:33,669 ♪ ♪ 5047 03:03:33,736 --> 03:03:35,437 >> I ALMOST FEEL LUCKY FOR HIM 5048 03:03:35,504 --> 03:03:36,438 THAT HE HAS MUSIC. 5049 03:03:36,505 --> 03:03:38,774 HE HAS SO MUCH IN HIS HEAD, THAT 5050 03:03:38,841 --> 03:03:39,942 MUSIC IS SUCH A GREAT RELEASE 5051 03:03:40,008 --> 03:03:40,676 FOR HIM. 5052 03:03:40,743 --> 03:03:43,846 ♪ I'M FRIENDS WITH THE MONSTER 5053 03:03:43,912 --> 03:03:46,014 THAT'S UNDER MY BED ♪ 5054 03:03:46,081 --> 03:03:49,518 ♪ AND YOU THINK I'M CRAZY, YEAH, 5055 03:03:49,585 --> 03:03:52,488 YOU THINK I'M CRAZY MAMA WELL, 5056 03:03:52,554 --> 03:03:53,155 THAT'S NOTHING ♪ 5057 03:03:53,222 --> 03:03:55,858 >> HE HAS SO MUCH IN HIS MIND. 5058 03:03:55,924 --> 03:03:58,227 SOMETHING IS WRONG WITH EMINEM. 5059 03:03:58,293 --> 03:04:00,929 >> I MARCEL CARE ABOUT WHAT I 5060 03:04:00,996 --> 03:04:03,298 BELIEVE AND THEN WHOEVER ELSE 5061 03:04:03,365 --> 03:04:03,799 GETS FUCKING PISSED OFF. 5062 03:04:03,866 --> 03:04:05,868 I DON'T GIVE A FUCK. 5063 03:04:05,934 --> 03:04:11,707 ♪ ♪ 5064 03:04:11,774 --> 03:04:12,107 ♪ ♪ 5065 03:04:12,174 --> 03:04:13,642 >> HIP-HOP WAS THE MOST 5066 03:04:13,709 --> 03:04:15,244 IMPORTANT THING THAT EMPOWERED 5067 03:04:15,310 --> 03:04:16,545 ME AS A KID. 5068 03:04:16,612 --> 03:04:18,080 GROWING UP ON 8-MILE, PUT 5069 03:04:18,147 --> 03:04:22,151 HEADPHONES ON, AND IT MADE ME 5070 03:04:22,217 --> 03:04:23,118 FEEL POWERFUL. 5071 03:04:23,185 --> 03:04:24,353 I'M SO IN LOVE WITH THIS ART 5072 03:04:24,420 --> 03:04:24,553 FORM. 5073 03:04:24,620 --> 03:04:25,921 IT'S REALLY THE ONLY THING THAT 5074 03:04:25,988 --> 03:04:27,756 I EVER WAS GOOD AT. 5075 03:04:27,823 --> 03:04:30,993 ♪ ♪ 5076 03:04:31,059 --> 03:04:35,330 ♪ ♪ 5077 03:04:35,397 --> 03:04:40,335 ♪ ♪ 5078 03:04:40,402 --> 03:04:42,638 ♪ TILL THE ROOF COMES OFF, TO 5079 03:04:42,704 --> 03:04:43,439 THE LIGHTS GO OUT ♪ 5080 03:04:43,505 --> 03:04:46,708 ♪ TILL MY LEGS GAVE OUT, CAN'T 5081 03:04:46,775 --> 03:04:47,176 SHUT MY MOUTH ♪ 5082 03:04:47,242 --> 03:04:50,045 ♪ TILL THE SMOKE CLEARS OUT, AND 5083 03:04:50,112 --> 03:04:52,714 MY HIGH, PERHAPS BECAUSE MAMA >> 5084 03:04:52,781 --> 03:04:53,382 IT'S HARD TO GET IT AND IT'S 5085 03:04:53,449 --> 03:04:55,551 EVEN HARDER TO MAINTAIN. 5086 03:04:55,617 --> 03:04:57,052 YOU'VE GOT TO BE WHAT YOU WANT 5087 03:04:57,119 --> 03:04:59,688 MORE THAN ANYTHING ELSE IN THIS 5088 03:04:59,755 --> 03:04:59,888 WORLD. 5089 03:04:59,955 --> 03:05:02,858 GIVE IT EVERYTHING. 5090 03:05:02,925 --> 03:05:06,094 >> THIS IS YOUR MOMENT. 5091 03:05:06,161 --> 03:05:11,900 [CHEERS AND APPLAUSE] 5092 03:05:11,967 --> 03:05:13,535 >> LADIES AND GENTLEMEN, IT'S MY 5093 03:05:13,602 --> 03:05:18,874 HONOR TO INDUCT MY FRIEND, 5094 03:05:18,941 --> 03:05:19,475 EMINEM, INTO THE ROCK & ROLL 5095 03:05:19,541 --> 03:05:21,310 HALL OF FAME. 5096 03:05:21,376 --> 03:05:21,777 [CHEERS AND APPLAUSE] 5097 03:05:21,844 --> 03:05:22,344 ♪ HI! ♪ 5098 03:05:22,411 --> 03:05:23,178 ♪ MY NAME IS ♪ 5099 03:05:23,245 --> 03:05:23,812 ♪ WHAT? ♪ 5100 03:05:23,879 --> 03:05:24,546 ♪ MY NAME IS ♪ 5101 03:05:24,613 --> 03:05:25,280 ♪ WHO? ♪ 5102 03:05:25,347 --> 03:05:26,715 ♪ MY NAME IS ♪ 5103 03:05:26,782 --> 03:05:27,349 ♪ CHIKA-CHIKA ♪ 5104 03:05:27,416 --> 03:05:28,317 ♪ SLIM SHADY ♪ 5105 03:05:28,383 --> 03:05:29,017 ♪ HI! ♪ 5106 03:05:29,084 --> 03:05:29,685 ♪ MY NAME IS ♪ 5107 03:05:29,751 --> 03:05:30,519 ♪ HUH? ♪ 5108 03:05:30,586 --> 03:05:30,953 ♪ MY NAME IS ♪ 5109 03:05:31,019 --> 03:05:32,120 ♪ WHAT? ♪ 5110 03:05:32,187 --> 03:05:32,855 ♪ MY NAME IS ♪ 5111 03:05:32,921 --> 03:05:33,755 ♪ CHIKA-CHIKA ♪ 5112 03:05:33,822 --> 03:05:34,790 ♪ SLIM SHADY ♪ 5113 03:05:34,857 --> 03:05:35,290 ♪ HI! ♪ 5114 03:05:35,357 --> 03:05:36,058 ♪ MY NAME IS ♪ 5115 03:05:36,124 --> 03:05:39,828 ♪ WHAT? ♪ 5116 03:05:39,895 --> 03:05:41,296 ♪ MY NAME IS ♪ 5117 03:05:41,363 --> 03:05:47,503 ♪ SLIM SHADY ♪ 5118 03:05:47,569 --> 03:05:49,738 >> LADIES AND GENTLEMEN, YOU ALL 5119 03:05:49,805 --> 03:05:51,607 GOT SO LUCKY TONIGHT! 5120 03:05:51,673 --> 03:05:55,477 YOU'RE ABOUT TO WITNESS THE ONE 5121 03:05:55,544 --> 03:06:03,185 AND ONLY RAP GOD! 5122 03:06:03,252 --> 03:06:03,819 ♪ I'M BEGINNIN' TO FEEL LIKE A 5123 03:06:03,886 --> 03:06:04,453 RAP GOD, RAP GOD ♪ 5124 03:06:04,520 --> 03:06:08,490 ♪ ALL MY PEOPLE FROM THE FRONT 5125 03:06:08,557 --> 03:06:09,424 ♪ THE WAY I'M RACIN' AROUND THE 5126 03:06:09,491 --> 03:06:10,726 TRACK, CALL ME NASCAR, NASCAR ♪ 5127 03:06:10,792 --> 03:06:11,360 ♪ DALE EARNHARDT OF THE TRAILER 5128 03:06:11,426 --> 03:06:11,960 PARK, THE WHITE TRASH GOD ♪ 5129 03:06:12,027 --> 03:06:12,594 ♪ KNEEL BEFORE GENERAL ZOD ♪ 5130 03:06:12,661 --> 03:06:13,128 ♪ THIS PLANET'S KRYPTON-- 5131 03:06:13,195 --> 03:06:13,629 NO, ASGARD, ASGARD ♪ 5132 03:06:13,695 --> 03:06:14,396 ♪ SO YOU'LL BE THOR AND I'LL 5133 03:06:14,463 --> 03:06:14,763 BE ODIN ♪ 5134 03:06:14,830 --> 03:06:16,298 ♪ YOU RODENT, I'M OMNIPOTENT ♪ 5135 03:06:16,365 --> 03:06:17,466 ♪ LET OFF, THEN I'M RELOADIN' ♪ 5136 03:06:17,533 --> 03:06:18,567 ♪ IMMEDIATELY WITH THESE BOMBS 5137 03:06:18,634 --> 03:06:19,535 I'M TOTIN' ♪ 5138 03:06:19,601 --> 03:06:20,702 ♪ AND I SHOULD NOT BE WOKEN ♪ 5139 03:06:20,769 --> 03:06:21,537 ♪ I'M THE WALKIN' DEAD, BUT I'M 5140 03:06:21,603 --> 03:06:23,405 JUST A TALKIN' HEAD ♪ 5141 03:06:23,472 --> 03:06:24,373 ♪ A ZOMBIE FLOATIN' ♪ 5142 03:06:24,439 --> 03:06:25,107 ♪ BUT I GOT YOUR MOM 5143 03:06:25,173 --> 03:06:26,275 DEEP-THROATIN' ♪ 5144 03:06:26,341 --> 03:06:27,109 ♪ I'M OUT MY RAMEN NOODLE ♪ 5145 03:06:27,175 --> 03:06:27,976 ♪ WE HAVE NOTHIN' IN COMMON, 5146 03:06:28,043 --> 03:06:28,810 POODLE ♪ 5147 03:06:28,877 --> 03:06:30,546 ♪ I'M A DOBERMAN, PINCH YOURSELF 5148 03:06:30,612 --> 03:06:31,280 IN THE ARM ♪ 5149 03:06:31,346 --> 03:06:37,419 ♪ AND PAY HOMAGE, PUPIL ♪ 5150 03:06:37,486 --> 03:06:43,792 ♪ IT'S ME ♪ 5151 03:06:43,859 --> 03:06:44,860 ♪ MORPHIN' INTO AN IMMORTAL, 5152 03:06:44,927 --> 03:06:45,427 COMIN' THROUGH THE PORTAL ♪ 5153 03:06:45,494 --> 03:06:46,028 ♪ YOU'RE STUCK IN A TIME WARP 5154 03:06:46,094 --> 03:06:46,795 FROM 2004 THOUGH ♪ 5155 03:06:46,862 --> 03:06:47,462 ♪ AND I DON'T KNOW WHAT THE FUCK 5156 03:06:47,529 --> 03:06:48,063 THAT YOU RHYME FOR ♪ 5157 03:06:48,130 --> 03:06:48,697 ♪ YOU'RE POINTLESS AS RAPUNZEL 5158 03:06:48,764 --> 03:06:49,197 WITH FUCKIN' CORNROWS ♪ 5159 03:06:49,264 --> 03:06:49,798 ♪ YOU WRITE NORMAL? 5160 03:06:49,865 --> 03:06:50,299 FUCK BEING NORMAL! ♪ 5161 03:06:50,365 --> 03:06:50,966 ♪ AND I JUST BOUGHT A NEW RAYGUN 5162 03:06:51,033 --> 03:06:51,366 FROM THE FUTURE ♪ 5163 03:06:51,433 --> 03:06:52,467 ♪ JUST TO COME AND SHOOT YA ♪ 5164 03:06:52,534 --> 03:06:53,368 ♪ LIKE WHEN FABOLOUS 5165 03:06:53,435 --> 03:06:53,769 MADE RAY J MAD ♪ 5166 03:06:53,835 --> 03:06:57,172 ♪ 'CAUSE FAB SAID HE LOOKED LIKE 5167 03:06:57,239 --> 03:06:58,707 A FAG AT MAYWEATHER'S PAD ♪ 5168 03:06:58,774 --> 03:06:59,274 ♪ SINGIN' TO A MAN WHILE HE 5169 03:06:59,341 --> 03:06:59,641 PLAYED PIANO ♪ 5170 03:06:59,708 --> 03:07:00,509 ♪ MAN, OH MAN, THAT WAS A 24/7 5171 03:07:00,576 --> 03:07:01,143 SPECIAL ON THE CABLE CHANNEL ♪ 5172 03:07:01,209 --> 03:07:01,810 ♪ SO RAY J WENT STRAIGHT TO THE 5173 03:07:01,877 --> 03:07:02,344 RADIO STATION ♪ 5174 03:07:02,411 --> 03:07:03,045 ♪ THE VERY NEXT DAY, 5175 03:07:03,111 --> 03:07:03,645 "HEY FAB, I'MMA KILL YOU!" ♪ 5176 03:07:03,712 --> 03:07:04,346 ♪ LYRICS COMIN' AT YOU AT 5177 03:07:04,413 --> 03:07:05,047 SUPERSONIC SPEED ♪ 5178 03:07:05,113 --> 03:07:05,681 ♪ UH, SUMMA-LUMMA, DOOMA-LUMMA, 5179 03:07:05,747 --> 03:07:06,348 YOU ASSUMIN' I'M A HUMAN ♪ 5180 03:07:06,415 --> 03:07:07,382 ♪ WHAT I GOTTA DO TO GET IT 5181 03:07:07,449 --> 03:07:08,050 THROUGH TO YOU I'M SUPERHUMAN? ♪ 5182 03:07:08,116 --> 03:07:08,917 ♪ INNOVATIVE AND I'M MADE OF 5183 03:07:08,984 --> 03:07:09,551 RUBBER SO THAT ANYTHING ♪ 5184 03:07:09,618 --> 03:07:11,186 ♪ YOU SAY IS RICOCHETIN' OFF OF 5185 03:07:11,253 --> 03:07:11,853 ME, AND IT'LL GLUE TO YOU AND ♪ 5186 03:07:11,920 --> 03:07:12,554 ♪ I'M DEVASTATING, MORE THAN 5187 03:07:12,621 --> 03:07:13,021 EVER DEMONSTRATING ♪ 5188 03:07:13,088 --> 03:07:14,022 ♪ HOW TO GIVE A MOTHERFUCKIN' 5189 03:07:14,089 --> 03:07:14,690 AUDIENCE A FEELING ♪ 5190 03:07:14,756 --> 03:07:15,223 ♪ LIKE IT'S LEVITATING ♪ 5191 03:07:15,290 --> 03:07:15,857 ♪ NEVER FADING, AND I KNOW THE 5192 03:07:15,924 --> 03:07:16,458 HATERS ARE FOREVER WAITING ♪ 5193 03:07:16,525 --> 03:07:17,092 ♪ FOR THE DAY THAT THEY CAN SAY 5194 03:07:17,159 --> 03:07:17,526 I FELL OFF ♪ 5195 03:07:17,593 --> 03:07:18,493 ♪ THEY'LL BE CELEBRATING ♪ 5196 03:07:18,560 --> 03:07:19,127 ♪ 'CAUSE I KNOW THE WAY TO GET 5197 03:07:19,194 --> 03:07:19,528 'EM MOTIVATED ♪ 5198 03:07:19,595 --> 03:07:20,128 ♪ I MAKE ELEVATING MUSIC, YOU 5199 03:07:20,195 --> 03:07:20,696 MAKE ELEVATOR MUSIC ♪ 5200 03:07:20,762 --> 03:07:21,997 ♪ "OH, HE'S TOO MAINSTREAM" ♪ 5201 03:07:22,064 --> 03:07:22,864 ♪ WELL, THAT'S WHAT THEY DO WHEN 5202 03:07:22,931 --> 03:07:23,665 THEY GET JEALOUS ♪ 5203 03:07:23,732 --> 03:07:24,333 ♪ THEY CONFUSE IT ♪ 5204 03:07:24,399 --> 03:07:25,233 ♪ "IT'S NOT HIP-HOP, IT'S POP," 5205 03:07:25,300 --> 03:07:26,635 'CAUSE I FOUND A HELLA WAY TO 5206 03:07:26,702 --> 03:07:26,935 FUSE IT ♪ 5207 03:07:27,002 --> 03:07:27,836 ♪ WITH ROCK, SHOCK RAP 5208 03:07:27,903 --> 03:07:28,470 WITH DOC ♪ 5209 03:07:28,537 --> 03:07:29,471 ♪ THROW ON "LOSE YOURSELF" AND 5210 03:07:29,538 --> 03:07:30,339 MAKE 'EM LOSE IT ♪ 5211 03:07:30,405 --> 03:07:31,206 ♪ I DON'T KNOW HOW TO MAKE SONGS 5212 03:07:31,273 --> 03:07:32,374 LIKE THAT ♪ 5213 03:07:32,441 --> 03:07:32,908 ♪ I DON'T KNOW WHAT WORDS 5214 03:07:32,975 --> 03:07:33,775 TO USE ♪ 5215 03:07:33,842 --> 03:07:34,776 ♪ LET ME KNOW WHEN IT OCCURS 5216 03:07:34,843 --> 03:07:35,177 TO YOU ♪ 5217 03:07:35,243 --> 03:07:36,144 ♪ WHILE I'M RIPPIN' ANY ONE OF 5218 03:07:36,211 --> 03:07:36,778 THESE VERSES THAT VERSUS YOU ♪ 5219 03:07:36,845 --> 03:07:37,446 ♪ IT'S CURTAINS, I'M 5220 03:07:37,512 --> 03:07:38,180 INADVERTENTLY HURTIN' YOU ♪ 5221 03:07:38,246 --> 03:07:39,014 ♪ HOW MANY VERSES I GOTTA 5222 03:07:39,081 --> 03:07:39,615 MURDER TO ♪ 5223 03:07:39,681 --> 03:07:40,415 ♪ PROVE THAT IF YOU WERE HALF AS 5224 03:07:40,482 --> 03:07:41,283 NICE ♪ 5225 03:07:41,350 --> 03:07:42,284 ♪ YOUR SONGS YOU COULD SACRIFICE 5226 03:07:42,351 --> 03:07:43,251 VIRGINS TOO? ♪ 5227 03:07:43,318 --> 03:07:44,319 ♪ UGH, SCHOOL FLUNKY, 5228 03:07:44,386 --> 03:07:45,253 PILL JUNKIE ♪ 5229 03:07:45,320 --> 03:07:46,688 ♪ BUT LOOK AT THE ACCOLADES 5230 03:07:46,755 --> 03:07:47,823 THESE SKILLS BRUNG ME ♪ 5231 03:07:47,889 --> 03:07:48,557 ♪ FULL OF MYSELF, 5232 03:07:48,624 --> 03:07:49,791 BUT STILL HUNGRY ♪ 5233 03:07:49,858 --> 03:07:51,093 ♪ I BULLY MYSELF 'CAUSE I MAKE 5234 03:07:51,159 --> 03:07:52,094 ME DO WHAT I PUT MY MIND TO ♪ 5235 03:07:52,160 --> 03:07:53,528 ♪ AND I'M A MILLION LEAGUES 5236 03:07:53,595 --> 03:07:55,297 ABOVE YOU ♪ 5237 03:07:55,364 --> 03:07:56,832 ♪ ILL WHEN I SPEAK IN TONGUES, 5238 03:07:56,898 --> 03:07:57,666 BUT IT'S STILL TONGUE-IN-CHEEK ♪ 5239 03:07:57,733 --> 03:07:58,567 ♪ FUCK YOU ♪ 5240 03:07:58,634 --> 03:07:59,701 ♪ I'M DRUNK, SO, SATAN, TAKE THE 5241 03:07:59,768 --> 03:08:00,769 FUCKING WHEEL ♪ 5242 03:08:00,836 --> 03:08:01,269 ♪ I'MMA SLEEP IN THE 5243 03:08:01,336 --> 03:08:02,437 FRONT SEAT ♪ 5244 03:08:02,504 --> 03:08:03,238 ♪ BUMPIN' HEAVY D AND THE BOYZ, 5245 03:08:03,305 --> 03:08:04,439 STILL "CHUNKY BUT FUNKY" ♪ 5246 03:08:04,506 --> 03:08:05,240 ♪ BUT IN MY HEAD, THERE'S 5247 03:08:05,307 --> 03:08:06,708 SOMETHING I CAN FEEL TUGGING AND 5248 03:08:06,775 --> 03:08:08,276 STRUGGLING ♪ 5249 03:08:08,343 --> 03:08:09,444 ♪ ANGELS FIGHT WITH DEVILS AND 5250 03:08:09,511 --> 03:08:11,780 HERE'S WHAT THEY WANT FROM ME ♪ 5251 03:08:11,847 --> 03:08:12,614 ♪ THEY'RE ASKIN' ME TO ELIMINATE 5252 03:08:12,681 --> 03:08:13,281 SOME OF THE WOMEN HATE ♪ 5253 03:08:13,348 --> 03:08:14,049 ♪ BUT IF YOU TAKE INTO 5254 03:08:14,116 --> 03:08:14,750 CONSIDERATION ♪ 5255 03:08:14,816 --> 03:08:15,917 ♪ THE BITTER HATRED I HAVE ♪ 5256 03:08:15,984 --> 03:08:16,685 ♪ THEN YOU MAY BE A LITTLE 5257 03:08:16,752 --> 03:08:17,552 PATIENT ♪ 5258 03:08:17,619 --> 03:08:18,453 ♪ AND MORE SYMPATHETIC TO THE 5259 03:08:18,520 --> 03:08:19,021 SITUATION ♪ 5260 03:08:19,087 --> 03:08:19,655 ♪ AND UNDERSTAND THE 5261 03:08:19,721 --> 03:08:20,689 DISCRIMINATION ♪ 5262 03:08:20,756 --> 03:08:21,423 ♪ BUT FUCK IT, LIFE'S HANDIN' 5263 03:08:21,490 --> 03:08:22,758 YOU LEMONS? ♪ 5264 03:08:22,824 --> 03:08:23,492 ♪ MAKE LEMONADE, THEN! ♪ 5265 03:08:23,558 --> 03:08:24,092 ♪ BUT IF I CAN'T BATTER THE 5266 03:08:24,159 --> 03:08:24,960 WOMEN ♪ 5267 03:08:25,027 --> 03:08:26,561 ♪ HOW THE FUCK AM I SUPPOSED TO 5268 03:08:26,628 --> 03:08:27,195 BAKE THEM A CAKE THEN? ♪ 5269 03:08:27,262 --> 03:08:27,863 ♪ DON'T MISTAKE HIM FOR SATAN ♪ 5270 03:08:27,929 --> 03:08:28,730 ♪ IT'S A FATAL MISTAKE ♪ 5271 03:08:28,797 --> 03:08:30,132 ♪ IF YOU THINK I NEED TO BE 5272 03:08:30,198 --> 03:08:31,867 OVERSEAS AND TAKE A VACATION ♪ 5273 03:08:31,933 --> 03:08:32,734 ♪ TO TRIP A BROAD, AND MAKE HER 5274 03:08:32,801 --> 03:08:34,403 FALL ON HER FACE AND ♪ 5275 03:08:34,469 --> 03:08:35,604 ♪ DON'T BE A RETARD, BE A KING? 5276 03:08:35,671 --> 03:08:38,740 THINK NOT ♪ 5277 03:08:38,807 --> 03:08:39,508 ♪ WHY BE A KING WHEN YOU CAN BE 5278 03:08:39,574 --> 03:08:44,446 A GOD? ♪ 5279 03:08:44,513 --> 03:08:52,754 [CHEERS AND APPLAUSE] 5280 03:08:52,821 --> 03:08:55,490 ♪ ♪ 5281 03:08:55,557 --> 03:09:00,829 ♪ EVERY TIME THAT I LOOK IN THE 5282 03:09:00,896 --> 03:09:01,496 MIRROR ♪ 5283 03:09:01,563 --> 03:09:04,666 ♪ ALL THESE LINES ON MY FACE 5284 03:09:04,733 --> 03:09:07,235 GETTING CLEARER ♪ 5285 03:09:07,302 --> 03:09:11,239 ♪ THE PAST IS GONE ♪ 5286 03:09:11,306 --> 03:09:17,446 ♪ OH, IT WENT BY LIKE DUSK TO 5287 03:09:17,512 --> 03:09:17,979 DAWN ♪ 5288 03:09:18,046 --> 03:09:22,050 ♪ ISN'T THAT THE WAY? 5289 03:09:22,117 --> 03:09:23,151 MAMA EVERYBODY'S GOT THEIR DUES 5290 03:09:23,218 --> 03:09:31,860 IN LIFE TO PAY CL ♪ ♪ 5291 03:09:31,927 --> 03:09:32,761 ♪ THESE IDEAS ARE, NIGHTMARES 5292 03:09:32,828 --> 03:09:33,595 TO WHITE PARENTS ♪ 5293 03:09:33,662 --> 03:09:34,463 ♪ WHOSE WORST FEAR IS A CHILD 5294 03:09:34,529 --> 03:09:35,263 WITH DYED HAIR ♪ 5295 03:09:35,330 --> 03:09:35,997 ♪ AND WHO LIKES EARRINGS ♪ 5296 03:09:36,064 --> 03:09:36,665 ♪ LIKE WHATEVER THEY SAY HAS 5297 03:09:36,732 --> 03:09:37,532 NO BEARING ♪ 5298 03:09:37,599 --> 03:09:38,433 ♪ IT'S SO SCARY IN A HOUSE THAT 5299 03:09:38,500 --> 03:09:39,501 ALLOWS, NO SWEARING ♪ 5300 03:09:39,568 --> 03:09:40,669 ♪ TO SEE HIM WALKING AROUND WITH 5301 03:09:40,736 --> 03:09:42,604 HIS HEADPHONES BLARING ♪ 5302 03:09:42,671 --> 03:09:43,805 ♪ ALONE IN HIS OWN ZONE, COLD 5303 03:09:43,872 --> 03:09:45,240 AND HE DON'T CARE ♪ 5304 03:09:45,307 --> 03:09:46,575 ♪ HE'S A PROBLEM CHILD, AND WHAT 5305 03:09:46,641 --> 03:09:48,477 BOTHERS HIM ALL COMES OUT ♪ 5306 03:09:48,543 --> 03:09:49,945 ♪ WHEN HE TALKS ABOUT, HIS 5307 03:09:50,011 --> 03:09:52,013 FUCKIN' DAD WALKING OUT ♪ 5308 03:09:52,080 --> 03:09:53,181 ♪ 'CAUSE HE HATES HIM SO BAD 5309 03:09:53,248 --> 03:09:55,117 THAT HE BLOCKS HIM OUT ♪ 5310 03:09:55,183 --> 03:09:56,485 ♪ IF HE EVER SAW HIM AGAIN HE'D 5311 03:09:56,551 --> 03:09:57,319 PROBABLY KNOCK HIM OUT ♪ 5312 03:09:57,385 --> 03:09:58,954 ♪ HIS THOUGHTS ARE WACKED, 5313 03:09:59,020 --> 03:10:00,589 HE'S MAD SO HE'S TALKING BACK ♪ 5314 03:10:00,655 --> 03:10:01,623 ♪ TALKING BLACK, BRAINWASHED 5315 03:10:01,690 --> 03:10:03,391 FROM ROCK AND RAP ♪ 5316 03:10:03,458 --> 03:10:04,626 ♪ HE SAGS HIS PANTS, DURAGS AND 5317 03:10:04,693 --> 03:10:05,927 A STOCKING CAP ♪ 5318 03:10:05,994 --> 03:10:07,395 ♪ HIS STEPFATHER HIT HIM SO HE 5319 03:10:07,462 --> 03:10:08,563 SOCKED HIM BACK ♪ 5320 03:10:08,630 --> 03:10:09,998 ♪ AND BROKE HIS NOSE, HIS HOUSE 5321 03:10:10,065 --> 03:10:11,733 IS A BROKEN HOME ♪ 5322 03:10:11,800 --> 03:10:13,135 ♪ THERE'S NO CONTROL, HE JUST 5323 03:10:13,201 --> 03:10:16,071 LETS HIS EMOTIONS GO ♪ 5324 03:10:16,138 --> 03:10:16,671 ♪ SING WITH ME, SING FOR THE 5325 03:10:16,738 --> 03:10:18,073 YEAR ♪ 5326 03:10:18,140 --> 03:10:20,008 ♪ SING FOR THE LAUGHTER, 5327 03:10:20,075 --> 03:10:21,877 SING FOR THE TEAR ♪ 5328 03:10:21,943 --> 03:10:23,011 ♪ SING IT WITH ME, 5329 03:10:23,078 --> 03:10:24,379 JUST FOR TODAY ♪ 5330 03:10:24,446 --> 03:10:26,148 ♪ MAYBE TOMORROW THE GOOD LORD 5331 03:10:26,214 --> 03:10:37,159 WILL TAKE YOU AWAY ♪ 5332 03:10:37,225 --> 03:10:39,628 >> LADIES AND GENTLEMEN, MAKE 5333 03:10:39,694 --> 03:10:46,067 SOME NOISE FOR STEVEN 5334 03:10:46,134 --> 03:10:50,705 MOTHERFUCKIN' TYLER. 5335 03:10:50,772 --> 03:10:51,540 ♪ MY TEA'S GONE COLD, I'M 5336 03:10:51,606 --> 03:10:52,641 WONDERING WHY I ♪ 5337 03:10:52,707 --> 03:10:53,875 ♪ GOT OUT OF BED AT ALL ♪ 5338 03:10:53,942 --> 03:10:54,943 ♪ THE MORNING RAIN CLOUDS UP 5339 03:10:55,010 --> 03:10:55,510 MY WINDOW ♪ 5340 03:10:55,577 --> 03:10:56,678 ♪ AND I CAN'T SEE AT ALL ♪ 5341 03:10:56,745 --> 03:10:57,646 ♪ AND EVEN IF I COULD IT'LL ALL 5342 03:10:57,712 --> 03:10:59,147 BE GRAY ♪ 5343 03:10:59,214 --> 03:11:02,317 ♪ BUT YOUR PICTURE ON MY WALL ♪ 5344 03:11:02,384 --> 03:11:02,984 >> IT WHAT? 5345 03:11:03,051 --> 03:11:04,419 ♪ IT REMINDS ME, THAT IT'S NOT 5346 03:11:04,486 --> 03:11:05,453 SO BAD ♪ 5347 03:11:05,520 --> 03:11:07,222 ♪ IT'S NOT SO BAD ♪ 5348 03:11:07,289 --> 03:11:08,456 ♪ MY TEA'S GONE COLD, I'M 5349 03:11:08,523 --> 03:11:10,292 WONDERING WHY I ♪ 5350 03:11:10,358 --> 03:11:12,561 ♪ GOT OUT OF BED AT ALL ♪ 5351 03:11:12,627 --> 03:11:13,862 ♪ THE MORNING RAIN CLOUDS UP MY 5352 03:11:13,929 --> 03:11:16,264 WINDOW ♪ 5353 03:11:16,331 --> 03:11:18,600 ♪ AND I CAN'T SEE AT ALL ♪ 5354 03:11:18,667 --> 03:11:20,468 ♪ AND EVEN IF I COULD IT'LL ALL 5355 03:11:20,535 --> 03:11:22,003 BE GRAY ♪ 5356 03:11:22,070 --> 03:11:26,308 ♪ BUT YOUR PICTURE ON MY WALL ♪ 5357 03:11:26,374 --> 03:11:27,609 ♪ IT REMINDS ME, THAT IT'S NOT 5358 03:11:27,676 --> 03:11:28,243 SO BAD ♪ 5359 03:11:28,310 --> 03:11:30,478 ♪ IT'S NOT SO BAD ♪ 5360 03:11:30,545 --> 03:11:31,479 ♪ DEAR SLIM, I WROTE YOU BUT YOU 5361 03:11:31,546 --> 03:11:32,714 STILL AIN'T CALLIN' ♪ 5362 03:11:32,781 --> 03:11:33,815 ♪ I LEFT MY CELL, MY PAGER, AND 5363 03:11:33,882 --> 03:11:35,650 MY HOME PHONE AT THE BOTTOM ♪ 5364 03:11:35,717 --> 03:11:36,651 ♪ I SENT TWO LETTERS BACK 5365 03:11:36,718 --> 03:11:37,485 IN AUTUMN ♪ 5366 03:11:37,552 --> 03:11:39,120 ♪ YOU MUST NOT'VE GOT 'EM ♪ 5367 03:11:39,187 --> 03:11:39,821 ♪ THERE PROBABLY WAS A PROBLEM ♪ 5368 03:11:39,888 --> 03:11:40,655 ♪ AT THE POST OFFICE OR 5369 03:11:40,722 --> 03:11:43,124 SOMETHIN' ♪ 5370 03:11:43,191 --> 03:11:43,792 ♪ SOMETIMES I SCRIBBLE ADDRESSES 5371 03:11:43,859 --> 03:11:44,926 TOO SLOPPY WHEN I JOT 'EM ♪ 5372 03:11:44,993 --> 03:11:45,727 ♪ BUT ANYWAYS, FUCK IT, WHAT'S 5373 03:11:45,794 --> 03:11:46,795 BEEN UP, MAN? ♪ 5374 03:11:46,862 --> 03:11:48,263 ♪ HOW'S YOUR DAUGHTER? ♪ 5375 03:11:48,330 --> 03:11:49,164 ♪ MY GIRLFRIEND'S PREGNANT TOO, 5376 03:11:49,231 --> 03:11:50,498 I'M 'BOUT TO BE A FATHER ♪ 5377 03:11:50,565 --> 03:11:51,499 ♪ IF I HAVE A DAUGHTER, GUESS 5378 03:11:51,566 --> 03:11:53,101 WHAT I'MMA CALL HER? ♪ 5379 03:11:53,168 --> 03:11:54,903 ♪ I'MMA NAME HER BONNIE ♪ 5380 03:11:54,970 --> 03:11:55,837 ♪ I READ ABOUT YOUR UNCLE RONNIE 5381 03:11:55,904 --> 03:11:56,705 TOO, I'M SORRY ♪ 5382 03:11:56,771 --> 03:11:58,373 ♪ I HAD A FRIEND KILL HIMSELF ♪ 5383 03:11:58,440 --> 03:11:59,507 ♪ OVER SOME BITCH WHO DIDN'T 5384 03:11:59,574 --> 03:12:00,242 WANT HIM ♪ 5385 03:12:00,308 --> 03:12:01,176 ♪ I KNOW YOU PROBABLY HEAR THIS 5386 03:12:01,243 --> 03:12:02,344 EVERY DAY ♪ 5387 03:12:02,410 --> 03:12:03,144 ♪ BUT I'M YOUR BIGGEST FAN ♪ 5388 03:12:03,211 --> 03:12:04,212 ♪ I EVEN GOT THE UNDERGROUND 5389 03:12:04,279 --> 03:12:05,714 SHIT THAT YOU DID WITH SKAM ♪ 5390 03:12:05,780 --> 03:12:07,349 ♪ I GOT A ROOM FULL OF YOUR 5391 03:12:07,415 --> 03:12:09,217 POSTERS AND YOUR PICTURES, MAN ♪ 5392 03:12:09,284 --> 03:12:10,385 ♪ I LIKE THE SHIT YOU DID WITH 5393 03:12:10,452 --> 03:12:12,954 RAWKUS TOO, THAT SHIT WAS PHAT ♪ 5394 03:12:13,021 --> 03:12:14,189 ♪ ANYWAYS, I HOPE YOU GET THIS, 5395 03:12:14,256 --> 03:12:15,790 MAN, HIT ME BACK ♪ 5396 03:12:15,857 --> 03:12:17,158 ♪ JUST TO CHAT, TRULY YOURS, 5397 03:12:17,225 --> 03:12:18,393 YOUR BIGGEST FAN ♪ 5398 03:12:18,460 --> 03:12:19,661 ♪ THIS IS STAN ♪ 5399 03:12:19,728 --> 03:12:20,962 ♪ MY TEA'S GONE COLD, I'M 5400 03:12:21,029 --> 03:12:22,364 WONDERING WHY I ♪ 5401 03:12:22,430 --> 03:12:24,132 ♪ GOT OUT OF BED AT ALL ♪ 5402 03:12:24,199 --> 03:12:25,533 ♪ THE MORNING RAIN CLOUDS UP 5403 03:12:25,600 --> 03:12:27,335 MY WINDOW ♪ 5404 03:12:27,402 --> 03:12:30,538 ♪ AND I CAN'T SEE AT ALL ♪ 5405 03:12:30,605 --> 03:12:31,907 ♪ AND EVEN IF I COULD IT'LL ALL 5406 03:12:31,973 --> 03:12:33,375 BE GRAY ♪ 5407 03:12:33,441 --> 03:12:37,012 ♪ BUT YOUR PICTURE ON MY WALL ♪ 5408 03:12:37,078 --> 03:12:38,446 ♪ IT REMINDS ME, THAT IT'S NOT 5409 03:12:38,513 --> 03:12:39,781 SO BAD ♪ 5410 03:12:39,848 --> 03:12:46,388 ♪ IT'S NOT SO BAD ♪ 5411 03:12:46,454 --> 03:12:48,823 >> MAKE SOME NOISE FOR ED 5412 03:12:48,890 --> 03:12:52,727 SHEERAN, Y'ALL. 5413 03:12:52,794 --> 03:12:56,264 >> ROCK & ROLL HALL OF FAME, IF 5414 03:12:56,331 --> 03:12:57,766 YOU'RE STILL WITH US, MAKE SOME 5415 03:12:57,832 --> 03:12:57,966 NOISE. 5416 03:12:58,033 --> 03:13:01,303 ♪ ♪ 5417 03:13:01,369 --> 03:13:02,070 ♪ IT MAY NOT MEAN NOTHIN' TO 5418 03:13:02,137 --> 03:13:03,305 Y'ALL ♪ 5419 03:13:03,371 --> 03:13:04,005 ♪ BUT UNDERSTAND NOTHING WAS 5420 03:13:04,072 --> 03:13:05,774 DONE FOR ME ♪ 5421 03:13:05,840 --> 03:13:07,542 ♪ SO I DON'T PLAN ON STOPPIN' AT 5422 03:13:07,609 --> 03:13:10,912 ALL ♪ 5423 03:13:10,979 --> 03:13:12,447 >> LADIES, WHERE YOU AT? 5424 03:13:12,514 --> 03:13:13,515 ♪ I'M SHUTTIN' SHIT DOWN IN THE 5425 03:13:13,581 --> 03:13:14,649 MALL ♪ 5426 03:13:14,716 --> 03:13:15,817 ♪ AND TELLIN' EVERY GIRL SHE THE 5427 03:13:15,884 --> 03:13:17,585 ONE FOR ME ♪ 5428 03:13:17,652 --> 03:13:18,486 ♪ AND I AIN'T EVEN PLANNIN' TO 5429 03:13:18,553 --> 03:13:19,955 CALL ♪ 5430 03:13:20,021 --> 03:13:21,656 ♪ I WANT THIS SHIT FOREVER MANE, 5431 03:13:21,723 --> 03:13:25,660 EVER MANE, EVER MANE ♪ 5432 03:13:25,727 --> 03:13:28,596 >> HEY, ROCK & ROLL 5433 03:13:28,663 --> 03:13:29,397 HALL OF FAME, IF Y'ALL STILL 5434 03:13:29,464 --> 03:13:33,335 WITH US, EVERYBODY IN THIS BITCH 5435 03:13:33,401 --> 03:13:37,405 MAKE SOME MOTHERFUCKIN' NOISE! 5436 03:13:37,472 --> 03:13:38,106 ♪ THERE THEY GO, PACKIN' 5437 03:13:38,173 --> 03:13:38,573 STADIUMS ♪ 5438 03:13:38,640 --> 03:13:39,474 ♪ AS SHADY SPITS HIS FLOW ♪ 5439 03:13:39,541 --> 03:13:40,075 ♪ NUTS THEY GO, MACADAMIA ♪ 5440 03:13:40,141 --> 03:13:40,742 ♪ THEY GO SO BALLISTIC, WHOA ♪ 5441 03:13:40,809 --> 03:13:41,376 ♪ HE CAN MAKE THEM LOOK 5442 03:13:41,443 --> 03:13:41,776 LIKE BOZOS ♪ 5443 03:13:41,843 --> 03:13:42,510 ♪ HE'S WONDERING IF HE SHOULD 5444 03:13:42,577 --> 03:13:43,178 SPIT THIS SLOW ♪ 5445 03:13:43,244 --> 03:13:44,079 ♪ FUCK NO, GO FOR BROKE, HIS CUP 5446 03:13:44,145 --> 03:13:44,646 JUST RUNNETH OVER, OH NO ♪ 5447 03:13:44,713 --> 03:13:45,213 ♪ HE AIN'T HAD HIM A BUZZ 5448 03:13:45,280 --> 03:13:45,814 LIKE THIS ♪ 5449 03:13:45,880 --> 03:13:46,815 ♪ SINCE THE LAST TIME HE 5450 03:13:46,881 --> 03:13:47,415 OVERDOSED ♪ 5451 03:13:47,482 --> 03:13:48,717 ♪ THEY'VE BEEN WAITIN' PATIENTLY 5452 03:13:48,783 --> 03:13:49,384 FOR PINOCCHIO TO POKE HIS NOSE ♪ 5453 03:13:49,451 --> 03:13:49,918 ♪ BACK INTO THE GAME AND 5454 03:13:49,985 --> 03:13:50,418 THEY KNOW ♪ 5455 03:13:50,485 --> 03:13:51,286 ♪ RAP WILL NEVER BE THE SAME 5456 03:13:51,353 --> 03:13:51,720 AS BEFO' ♪ 5457 03:13:51,786 --> 03:13:52,487 ♪ BASHIN' IN THE BRAINS OF 5458 03:13:52,554 --> 03:13:53,254 THESE HOES ♪ 5459 03:13:53,321 --> 03:13:54,322 ♪ AND ESTABLISHIN' A NAME AS 5460 03:13:54,389 --> 03:13:54,756 HE GOES ♪ 5461 03:13:54,823 --> 03:13:55,757 ♪ THE PASSION AND THE FLAME IS 5462 03:13:55,824 --> 03:13:56,224 IGNITED ♪ 5463 03:13:56,291 --> 03:13:56,992 ♪ YOU CAN'T PUT IT OUT ONCE WE 5464 03:13:57,058 --> 03:13:57,692 LIGHT IT ♪ 5465 03:13:57,759 --> 03:13:58,693 ♪ THIS SHIT IS EXACTLY WHAT THE 5466 03:13:58,760 --> 03:13:59,394 FUCK I'M TALKIN' ABOUT ♪ 5467 03:13:59,461 --> 03:14:00,295 ♪ WHEN WE RIOT ♪ 5468 03:14:00,362 --> 03:14:00,829 ♪ YOU DEALIN' WITH A FEW 5469 03:14:00,895 --> 03:14:01,696 TRUE VILLAINS ♪ 5470 03:14:01,763 --> 03:14:02,364 ♪ WHO STAND INSIDE OF THE BOOTH, 5471 03:14:02,430 --> 03:14:02,831 TRUTH SPILLIN' ♪ 5472 03:14:02,897 --> 03:14:03,531 ♪ AND SPIT TRUE FEELINGS ♪ 5473 03:14:03,598 --> 03:14:04,165 ♪ UNTIL OUR TOOTH FILLINGS COME 5474 03:14:04,232 --> 03:14:04,833 FLYIN' UP OUT OF OUR MOUTHS ♪ 5475 03:14:04,899 --> 03:14:05,533 ♪ NOW REWIND IT ♪ 5476 03:14:05,600 --> 03:14:06,868 ♪ PAYBACK, MOTHERFUCKER, FOR THE 5477 03:14:06,935 --> 03:14:07,402 WAY THAT YOU GOT AT ME ♪ 5478 03:14:07,469 --> 03:14:07,869 ♪ HOW'S IT TASTE? ♪ 5479 03:14:07,936 --> 03:14:08,436 ♪ WHEN I SLAP THE TASTE OUT 5480 03:14:08,503 --> 03:14:09,137 YOUR MOUTH ♪ 5481 03:14:09,204 --> 03:14:09,904 ♪ WITH THE BASS SO LOUD THAT IT 5482 03:14:09,971 --> 03:14:10,705 SHAKES THE PLACE ♪ 5483 03:14:10,772 --> 03:14:11,639 ♪ I'M HANNIBAL LECTER, SO JUST 5484 03:14:11,706 --> 03:14:12,741 IN CASE YOU'RE THINKIN' OF 5485 03:14:12,807 --> 03:14:13,274 SAVIN' FACE ♪ 5486 03:14:13,341 --> 03:14:14,342 ♪ YOU AIN'T GONNA HAVE NO FACE 5487 03:14:14,409 --> 03:14:14,909 TO SAVE ♪ 5488 03:14:14,976 --> 03:14:15,710 ♪ BY THE TIME I'M THROUGH WITH 5489 03:14:15,777 --> 03:14:17,479 THIS PLACE, SO DRAKE ♪ 5490 03:14:17,545 --> 03:14:19,147 ♪ IT MAY NOT MEAN NOTHIN' 5491 03:14:19,214 --> 03:14:23,385 TO Y'ALL ♪ 5492 03:14:23,451 --> 03:14:24,352 >> SAY WHAT? 5493 03:14:24,419 --> 03:14:25,620 ♪ BUT UNDERSTAND NOTHING WAS 5494 03:14:25,687 --> 03:14:26,554 DONE FOR ME ♪ 5495 03:14:26,621 --> 03:14:27,389 ♪ SO I DON'T PLAN ON STOPPIN' 5496 03:14:27,455 --> 03:14:27,889 AT ALL ♪ 5497 03:14:27,956 --> 03:14:29,424 ♪ I WANT THIS SHIT FOREVER MANE, 5498 03:14:29,491 --> 03:14:35,063 EVER MANE, EVER MANE ♪ 5499 03:14:35,130 --> 03:14:39,534 [CHEERS AND APPLAUSE] 5500 03:14:39,601 --> 03:14:40,702 >> YEAH. 5501 03:14:40,769 --> 03:14:41,469 IT'S BEEN A RIDE. 5502 03:14:41,536 --> 03:14:43,505 I GUESS I HAD TO GO TO THAT 5503 03:14:43,571 --> 03:14:46,875 PLACE TO GET TO THIS ONE. 5504 03:14:46,941 --> 03:14:49,077 SOME OF YOU MIGHT STILL BE IN 5505 03:14:49,144 --> 03:14:53,815 THAT PLACE, TRYING TO GET OUT. 5506 03:14:53,882 --> 03:14:54,082 FOLLOW ME. 5507 03:14:54,149 --> 03:14:54,849 I'LL GET YOU THERE. 5508 03:14:54,916 --> 03:14:56,084 ♪ YOU CAN TRY AND READ MY LYRICS 5509 03:14:56,151 --> 03:14:56,718 OFF OF THIS PAPER ♪ 5510 03:14:56,785 --> 03:14:57,752 ♪ BEFORE I LAY 'EM ♪ 5511 03:14:57,819 --> 03:14:58,953 ♪ BUT YOU WON'T TAKE THE STING 5512 03:14:59,020 --> 03:14:59,521 OUT THESE WORDS ♪ 5513 03:14:59,587 --> 03:15:00,321 ♪ BEFORE I SAY 'EM ♪ 5514 03:15:00,388 --> 03:15:00,989 ♪ 'CAUSE AIN'T NO WAY I'MMA LET 5515 03:15:01,056 --> 03:15:01,756 YOU STOP ME ♪ 5516 03:15:01,823 --> 03:15:04,793 ♪ FROM CAUSIN' MAYHEM ♪ 5517 03:15:04,859 --> 03:15:05,527 ♪ WHEN I SAY I'MMA DO SOMETHIN', 5518 03:15:05,593 --> 03:15:06,094 I DO IT ♪ 5519 03:15:06,161 --> 03:15:06,961 ♪ I DON'T GIVE A DAMN WHAT YOU 5520 03:15:07,028 --> 03:15:07,395 THINK ♪ 5521 03:15:07,462 --> 03:15:08,430 ♪ I'M DOIN' THIS FOR ME, SO FUCK 5522 03:15:08,496 --> 03:15:09,164 THE WORLD, FEED IT BEANS ♪ 5523 03:15:09,230 --> 03:15:10,098 ♪ IT'S GASSED UP, IF IT THINKS 5524 03:15:10,165 --> 03:15:11,132 IT'S STOPPIN' ME ♪ 5525 03:15:11,199 --> 03:15:11,966 ♪ I'MMA BE WHAT I SET OUT TO BE, 5526 03:15:12,033 --> 03:15:13,268 WITHOUT A DOUBT, UNDOUBTEDLY ♪ 5527 03:15:13,334 --> 03:15:14,402 ♪ AND ALL THOSE WHO LOOK DOWN 5528 03:15:14,469 --> 03:15:15,103 ON ME ♪ 5529 03:15:15,170 --> 03:15:15,837 ♪ I'M TEARIN' DOWN YOUR 5530 03:15:15,904 --> 03:15:16,738 BALCONY ♪ 5531 03:15:16,805 --> 03:15:17,705 ♪ NO IF, ANDS, OR BUTS ♪ 5532 03:15:17,772 --> 03:15:18,640 ♪ DON'T TRY TO ASK HIM WHY OR 5533 03:15:18,706 --> 03:15:19,474 HOW CAN HE ♪ 5534 03:15:19,541 --> 03:15:20,208 ♪ FROM "INFINITE" DOWN TO THE 5535 03:15:20,275 --> 03:15:21,309 LAST "RELAPSE" ALBUM ♪ 5536 03:15:21,376 --> 03:15:22,310 ♪ HE'S STILL SHITTIN' ♪ 5537 03:15:22,377 --> 03:15:23,878 ♪ WHETHER HE'S ON SALARY, PAID 5538 03:15:23,945 --> 03:15:24,913 HOURLY, UNTIL HE BOWS OUT ♪ 5539 03:15:24,979 --> 03:15:26,014 ♪ OR HE SHITS HIS BOWELS OUT 5540 03:15:26,081 --> 03:15:27,048 OF HIM ♪ 5541 03:15:27,115 --> 03:15:27,849 ♪ WHICHEVER COMES FIRST, FOR 5542 03:15:27,916 --> 03:15:29,350 BETTER OR WORSE ♪ 5543 03:15:29,417 --> 03:15:30,985 ♪ HE'S MARRIED TO THE GAME, LIKE 5544 03:15:31,052 --> 03:15:32,320 A FUCK YOU FOR CHRISTMAS ♪ 5545 03:15:32,387 --> 03:15:33,488 ♪ HIS GIFT IS A CURSE, FORGET 5546 03:15:33,555 --> 03:15:34,756 THE EARTH, HE'S GOT THE URGE TO 5547 03:15:34,823 --> 03:15:36,257 PULL HIS DICK FROM THE DIRT ♪ 5548 03:15:36,324 --> 03:15:38,093 ♪ AND FUCK THE WHOLE UNIVERSE ♪ 5549 03:15:38,159 --> 03:15:40,428 ♪ I'M NOT AFRAID ♪ 5550 03:15:40,495 --> 03:15:43,264 ♪ TO TAKE A STAND ♪ 5551 03:15:43,331 --> 03:15:45,133 ♪ EVERYBODY ♪ 5552 03:15:45,200 --> 03:15:46,768 ♪ EVERYBODY ♪ 5553 03:15:46,835 --> 03:15:48,803 ♪ COME TAKE MY HAND ♪ 5554 03:15:48,870 --> 03:15:50,839 ♪ WE'LL WALK THIS ROAD TOGETHER, 5555 03:15:50,905 --> 03:15:52,440 THROUGH THE STORM ♪ 5556 03:15:52,507 --> 03:15:54,042 ♪ WHATEVER WEATHER, COLD OR 5557 03:15:54,109 --> 03:15:55,376 WARM ♪ 5558 03:15:55,443 --> 03:15:56,344 ♪ JUST LETTIN' YOU KNOW THAT 5559 03:15:56,411 --> 03:15:57,712 YOU'RE NOT ALONE ♪ 5560 03:15:57,779 --> 03:15:59,314 ♪ HOLLA IF YOU FEEL LIKE YOU'VE 5561 03:15:59,380 --> 03:16:07,822 BEEN DOWN THE SAME ROAD ♪ 5562 03:16:07,889 --> 03:16:10,992 [CHEERS AND APPLAUSE] 5563 03:16:11,059 --> 03:16:21,936 >> LADIES AND GENTLEMEN, EMINEM! 5564 03:16:22,003 --> 03:16:25,273 [CHEERS AND APPLAUSE] 5565 03:16:25,340 --> 03:16:31,679 >> THIS SHIT IS CRAZY TO ME. 5566 03:16:31,746 --> 03:16:32,947 I REALIZE WHAT AN HONOR IT IS 5567 03:16:33,014 --> 03:16:35,150 RIGHT NOW FOR ME TO BE OUT HERE 5568 03:16:35,216 --> 03:16:36,718 TONIGHT, AND WHAT A PRIVILEGE IT 5569 03:16:36,784 --> 03:16:38,653 IS TO DO THE MUSIC THAT I LOVE, 5570 03:16:38,720 --> 03:16:41,089 AND THE MUSIC THAT BASICALLY 5571 03:16:41,156 --> 03:16:44,692 SAVED MY LIFE. 5572 03:16:44,759 --> 03:16:45,994 [CHEERS AND APPLAUSE] 5573 03:16:46,060 --> 03:16:48,696 THE MAN WHO SAVED MY LIFE, 5574 03:16:48,763 --> 03:16:50,999 LADIES AND GENTLEMEN, 5575 03:16:51,065 --> 03:16:52,000 DR. MOTHERFUCKIN' DRE. 5576 03:16:52,066 --> 03:16:52,467 [CHEERS AND APPLAUSE] 5577 03:16:52,534 --> 03:16:53,668 I'M PROBABLY NOT SUPPOSED TO 5578 03:16:53,735 --> 03:16:54,636 ACTUALLY BE HERE TONIGHT BECAUSE 5579 03:16:54,702 --> 03:16:56,971 OF A COUPLE OF REASONS. 5580 03:16:57,038 --> 03:17:01,776 ONE, I KNOW THAT I'M A RAPPER, 5581 03:17:01,843 --> 03:17:03,411 AND THIS IS THE ROCK & ROLL 5582 03:17:03,478 --> 03:17:04,179 HALL OF FAME, AND THERE'S ONLY A 5583 03:17:04,245 --> 03:17:05,180 FEW OF US RIGHT NOW THAT HAVE 5584 03:17:05,246 --> 03:17:07,882 BEEN INDUCTED IN ALREADY. 5585 03:17:07,949 --> 03:17:12,787 BUT THERE'S ONLY A FEW OF US. 5586 03:17:12,854 --> 03:17:15,523 SECONDLY, I ALMOST DIED FROM AN 5587 03:17:15,590 --> 03:17:20,128 OVERDOSE IN 2007, WHICH KIND OF 5588 03:17:20,195 --> 03:17:23,064 SUCKED BECAUSE -- HAILIE, PLUG 5589 03:17:23,131 --> 03:17:24,065 YOUR EARS. 5590 03:17:24,132 --> 03:17:24,933 BECAUSE DRUGS WERE FUCKING 5591 03:17:24,999 --> 03:17:26,334 DELICIOUS, AND I THOUGHT WE HAD 5592 03:17:26,401 --> 03:17:27,602 A GOOD THING GOING, MAN. 5593 03:17:27,669 --> 03:17:30,305 BUT I HAD TO GO IN FUCK IT ALL 5594 03:17:30,371 --> 03:17:35,643 UP AND TAKE TOO MANY. 5595 03:17:35,710 --> 03:17:38,046 GOD DAMN. 5596 03:17:38,112 --> 03:17:40,315 OKAY, HAILIE, YOU'RE GOOD. 5597 03:17:40,381 --> 03:17:42,183 MY MUSICAL INFLUENCES ARE MANY, 5598 03:17:42,250 --> 03:17:43,585 AND THEY SAY IT TAKES A VILLAGE 5599 03:17:43,651 --> 03:17:45,687 TO RAISE A CHILD. 5600 03:17:45,753 --> 03:17:46,654 WELL, IT TOOK A WHOLE GENRE AND 5601 03:17:46,721 --> 03:17:50,024 CULTURE TO RAISE ME. 5602 03:17:50,091 --> 03:17:53,461 THEY SAY SUCCESS HAS MANY 5603 03:17:53,528 --> 03:17:54,062 FATHERS, AND THAT'S DEFINITELY 5604 03:17:54,128 --> 03:17:56,564 TRUE FOR ME. 5605 03:17:56,631 --> 03:17:57,966 SO WHATEVER MY IMPACT HAS BEEN 5606 03:17:58,032 --> 03:18:02,270 ON HIP-HOP MUSIC, I NEVER WOULD 5607 03:18:02,337 --> 03:18:04,272 HAVE OR COULD HAVE DONE THIS 5608 03:18:04,339 --> 03:18:05,073 SHIT WITHOUT GROUNDBREAKING 5609 03:18:05,139 --> 03:18:06,441 ARTISTS, SOME OF THE GROUND 5610 03:18:06,507 --> 03:18:07,408 BREAKING ARTISTS I'M ABOUT TO 5611 03:18:07,475 --> 03:18:08,810 MENTION. 5612 03:18:08,876 --> 03:18:09,510 THESE WERE MY TEACHERS RIGHT 5613 03:18:09,577 --> 03:18:09,744 HERE. 5614 03:18:09,811 --> 03:18:19,287 I'LL START WITH THE 5615 03:18:19,354 --> 03:18:22,223 2 LIVE CREW, TUPAC, 3RD BASS, 5616 03:18:22,290 --> 03:18:31,266 ALLIANCE, APACHE, AUDIO TWO, 5617 03:18:31,332 --> 03:18:33,134 MILK DEE, WADDAP? 5618 03:18:33,201 --> 03:18:36,838 AWESOME DRE, THE BEASTIE BOYS, 5619 03:18:36,904 --> 03:18:41,909 BIG DADDY KANE, BIG PUN, BIG L, 5620 03:18:41,976 --> 03:18:50,051 BIZ MARKIE, THE NOTORIOUS B.I.G, 5621 03:18:50,118 --> 03:18:51,819 OF COURSE. 5622 03:18:51,886 --> 03:18:55,156 BLACK MOON, THE BOOGIE MONSTERS, 5623 03:18:55,223 --> 03:18:58,426 BRAND NUBIAN, BROTHER J FROM X 5624 03:18:58,493 --> 03:19:01,095 CLAN, BUCKSHOT, CASUAL FROM 5625 03:19:01,162 --> 03:19:04,666 HIEROGLYPHICS, CHILL ROB G, 5626 03:19:04,732 --> 03:19:06,601 CHUBB ROCK, CHUCK D, AND 5627 03:19:06,668 --> 03:19:24,852 PUBLIC ENEMY. 5628 03:19:24,919 --> 03:19:25,820 [CHEERS AND APPLAUSE] 5629 03:19:25,887 --> 03:19:26,688 CYPRESS HILL. 5630 03:19:26,754 --> 03:19:27,221 [CHEERS AND APPLAUSE] 5631 03:19:27,288 --> 03:19:28,289 D-NICE, DANA DANE, DE LA SOUL. 5632 03:19:28,356 --> 03:19:34,295 NOW I'M ABOUT A THIRD OF THE WAY 5633 03:19:34,362 --> 03:19:35,396 DONE. 5634 03:19:35,463 --> 03:19:36,097 DEF JEFF, DEL THE FUNKY 5635 03:19:36,164 --> 03:19:36,497 HOMOSAPIEN. 5636 03:19:36,564 --> 03:19:37,632 [CHEERS AND APPLAUSE] 5637 03:19:37,699 --> 03:19:38,132 DJ QUIK. 5638 03:19:38,199 --> 03:19:39,500 [CHEERS AND APPLAUSE] 5639 03:19:39,567 --> 03:19:42,670 DR. DRE. 5640 03:19:42,737 --> 03:19:43,938 OF COURSE 5641 03:19:44,005 --> 03:19:45,073 DRES OF BLACK SHEEP, ED O.G., 5642 03:19:45,139 --> 03:19:46,274 EPMD, THE FAT BOYS, FAT JOE, 5643 03:19:46,341 --> 03:19:47,375 FU-SCHNICKENS, GANG STARR, GETO 5644 03:19:47,442 --> 03:19:48,076 BOYS, HEAVY D, HOUSE OF PAIN, 5645 03:19:48,142 --> 03:19:49,210 ICE CUBE, ICE-T, THE INTELLIGENT 5646 03:19:49,277 --> 03:19:50,812 HOODLUM, J.J. FAD, JAZ-O, JAZZY 5647 03:19:50,878 --> 03:19:54,315 JEFF & THE FRESH PRINCE, 5648 03:19:54,382 --> 03:19:56,684 JUST-ICE, KING SOLO, KID 'N 5649 03:19:56,751 --> 03:19:59,587 PLAY, KING SUN, KING TEE, KOOL G 5650 03:19:59,654 --> 03:20:02,824 RAP, KOOL MOE DEE, KRS-ONE, 5651 03:20:02,890 --> 03:20:04,659 KWAME, LAKIM SHABAZZ, LARGE 5652 03:20:04,726 --> 03:20:08,196 PROFESSOR, LEADERS OF THE NEW 5653 03:20:08,262 --> 03:20:09,364 SCHOOL, AND MY MAN, WHERE'D I 5654 03:20:09,430 --> 03:20:10,264 JUST SEE HIM? 5655 03:20:10,331 --> 03:20:12,333 THE ONE AND ONLY LL COOL J. 5656 03:20:12,400 --> 03:20:16,137 [CHEERS AND APPLAUSE] 5657 03:20:16,204 --> 03:20:18,773 LOVE YOU, BRO. 5658 03:20:18,840 --> 03:20:23,745 LORD FINESSE, LORDS OF THE 5659 03:20:23,811 --> 03:20:26,547 UNDERGROUND, MANTRONIX, 5660 03:20:26,614 --> 03:20:28,483 MASTA ACE, MC BREED, MC LYTE, 5661 03:20:28,549 --> 03:20:31,786 MC SHAN, MELLE MEL, MERCILESS 5662 03:20:31,853 --> 03:20:33,921 AMEER, MOBB DEEP, MONIE LOVE, 5663 03:20:33,988 --> 03:20:35,790 NAS, NEWCLEUS, ONYX, ORGANIZED 5664 03:20:35,857 --> 03:20:56,878 KONFUSION, OUTKAST, ANDRE 3000. 5665 03:20:56,944 --> 03:20:57,845 PARIS, PHARCYDE, QUEEN LATIFAH, 5666 03:20:57,912 --> 03:20:59,747 RAKIM, REDHEAD KINGPIN, PETE 5667 03:20:59,814 --> 03:21:01,282 ROCK & C.L. SMOOTH. 5668 03:21:01,349 --> 03:21:02,517 I'M ALMOST DONE. 5669 03:21:02,583 --> 03:21:03,885 REDMAN, ROXANNE SHANTE, 5670 03:21:03,951 --> 03:21:04,752 RUN-D.M.C, SALT-N-PEPA, SLICK 5671 03:21:04,819 --> 03:21:05,787 RICK & DOUG E. FRESH. 5672 03:21:05,853 --> 03:21:06,921 [CHEERS AND APPLAUSE] 5673 03:21:06,988 --> 03:21:08,689 SNOOP DOGG, SOULS OF MISCHIEF, 5674 03:21:08,756 --> 03:21:13,928 SPECIAL ED, STETSASONIC. 5675 03:21:13,995 --> 03:21:15,830 NOW I'M DOWN TO THE S, ALL 5676 03:21:15,897 --> 03:21:20,935 RIGHT. 5677 03:21:21,002 --> 03:21:22,370 I ALPHABETIZED THIS SHIT. 5678 03:21:22,437 --> 03:21:23,171 SUPER LOVER CEE & CASANOVA RUD, 5679 03:21:23,237 --> 03:21:24,205 THE D.O.C, THE ROOTS, BLACK 5680 03:21:24,272 --> 03:21:25,706 THOUGHT, THE SKINNY BOYS, TONY 5681 03:21:25,773 --> 03:21:26,841 D, TOO SHORT, TREACH OF NAUGHTY 5682 03:21:26,908 --> 03:21:27,308 BY NATURE. 5683 03:21:27,375 --> 03:21:28,009 [CHEERS AND APPLAUSE] 5684 03:21:28,075 --> 03:21:28,843 A TRIBE CALLED QUEST, UTFO, 5685 03:21:28,910 --> 03:21:29,911 WHODINI, WISE INTELLIGENT AND 5686 03:21:29,977 --> 03:21:31,479 THE POOR RIGHTEOUS TEACHERS, 5687 03:21:31,546 --> 03:21:35,483 WU-TANG CLAN. 5688 03:21:35,550 --> 03:21:37,084 [CHEERS AND APPLAUSE] 5689 03:21:37,151 --> 03:21:37,985 AND YZ. 5690 03:21:38,052 --> 03:21:39,887 YO, THOSE WERE MY ROCK STARS, 5691 03:21:39,954 --> 03:21:40,822 MAN. 5692 03:21:40,888 --> 03:21:42,256 AND I JUST WANNA SAY, LIKE, 5693 03:21:42,323 --> 03:21:44,659 THOSE ARE JUST A FEW OF THE 5694 03:21:44,725 --> 03:21:46,294 NAMES THAT I HOPE WILL BE 5695 03:21:46,360 --> 03:21:49,997 CONSIDERED IN THE FUTURE FOR 5696 03:21:50,064 --> 03:21:52,300 INDUCTION, BECAUSE WITHOUT THEM, 5697 03:21:52,366 --> 03:21:53,734 A LOT OF US WOULDN'T BE HERE. 5698 03:21:53,801 --> 03:21:55,903 I KNOW I WOULDN'T. 5699 03:21:55,970 --> 03:21:57,004 [APPLAUSE] 5700 03:21:57,071 --> 03:21:58,539 I'M A HIGH SCHOOL DROPOUT, MAN, 5701 03:21:58,606 --> 03:22:01,175 WITH A HIP HOP EDUCATION, AND 5702 03:22:01,242 --> 03:22:02,376 THESE WERE MY TEACHERS, AND IT'S 5703 03:22:02,443 --> 03:22:03,811 THEIR NIGHT JUST AS MUCH AS IT 5704 03:22:03,878 --> 03:22:04,545 IS MINE. 5705 03:22:04,612 --> 03:22:09,917 SO THANK YOU. 5706 03:22:09,984 --> 03:22:22,396 [APPLAUSE] 5707 03:22:22,463 --> 03:22:27,101 ♪ ♪ 5708 03:22:27,168 --> 03:22:31,172 ♪ THE NIGHT WE MET I KNEW I 5709 03:22:31,239 --> 03:22:33,708 NEEDED YOU SO ♪ 5710 03:22:33,774 --> 03:22:35,510 ♪ AND IF I HAD THE CHANCE I'D 5711 03:22:35,576 --> 03:22:39,080 NEVER LET YOU GO ♪ 5712 03:22:39,146 --> 03:22:43,217 ♪ SO WHAT YOU SAY YOU LOVE ME ♪ 5713 03:22:43,284 --> 03:22:47,455 ♪ I'LL MAKE YOU SO PROUD OF ME ♪ 5714 03:22:47,522 --> 03:22:50,892 ♪ WILL MAKE THEM TURN THEIR 5715 03:22:50,958 --> 03:22:51,125 HEADS ♪ 5716 03:22:51,192 --> 03:22:54,395 ♪ EVERY PLACE WE GO ♪ 5717 03:22:54,462 --> 03:22:57,198 ♪ SO WON'T YOU PLEASE ♪ 5718 03:22:57,265 --> 03:23:00,902 ♪ BE MY, BE MY BABY MAMA WILL BE 5719 03:23:00,968 --> 03:23:02,003 MY LITTLE BABY ♪ 5720 03:23:02,069 --> 03:23:03,871 ♪ MY ONE AND ONLY BABY ♪ 5721 03:23:03,938 --> 03:23:06,440 ♪ SAY YOU'LL BE MY DARLING ♪ 5722 03:23:06,507 --> 03:23:09,544 ♪ BE MY, BE MY BABY MAMA BE MY 5723 03:23:09,610 --> 03:23:14,148 BABY NOW ♪ 5724 03:23:14,215 --> 03:23:19,287 ♪ ♪ 5725 03:23:19,353 --> 03:23:24,425 ♪ ♪ 5726 03:23:24,492 --> 03:23:30,464 ♪ ♪ 5727 03:23:30,531 --> 03:23:36,337 ♪ ♪ 5728 03:23:36,404 --> 03:23:42,643 ♪ AND SO IT WAS THAT LATER ♪ 5729 03:23:42,710 --> 03:23:48,316 ♪ AS THE MILLER TOLD HIS TALE ♪ 5730 03:23:48,382 --> 03:23:54,188 ♪ THAT HER FACE, AT FIRST JUST 5731 03:23:54,255 --> 03:23:54,889 GHOSTLY ♪ 5732 03:23:54,956 --> 03:23:57,491 ♪ TURNED A WHITER SHADE OF 5733 03:23:57,558 --> 03:24:00,528 PALE ♪ 5734 03:24:00,595 --> 03:24:05,566 ♪ BUT NOW THERE'S NOWHERE TO 5735 03:24:05,633 --> 03:24:05,800 HIDE ♪ 5736 03:24:05,866 --> 03:24:09,003 ♪ SINCE YOU PUSHED MY LOVE 5737 03:24:09,070 --> 03:24:09,236 ASIDE ♪ 5738 03:24:09,303 --> 03:24:11,906 ♪ I'M OUT OF MY HEAD ♪ 5739 03:24:11,973 --> 03:24:16,277 ♪ HOPELESSLY DEVOTED TO YOU ♪ 5740 03:24:16,344 --> 03:24:21,248 ♪ HOPELESSLY DEVOTED TO YOU ♪ 5741 03:24:21,315 --> 03:24:27,221 ♪ ♪ 5742 03:24:27,288 --> 03:24:36,464 ♪ ♪ 5743 03:24:36,530 --> 03:24:41,769 ♪ IS THERE ONE TROUBLED SOUL ♪ 5744 03:24:41,836 --> 03:24:45,106 ♪ THE TENTH OF MIND COULD HOLD ♪ 5745 03:24:45,172 --> 03:24:46,707 ♪ WHO'S GOING TO MISS ME WHEN 5746 03:24:46,774 --> 03:24:51,979 I'M GONE? 5747 03:24:52,046 --> 03:24:52,146 ♪ 5748 03:24:52,213 --> 03:24:55,583 ♪ WHO'S GOING TO MISS ME? ♪ 5749 03:24:55,650 --> 03:24:58,185 ♪ WHO'S GONNA MISS ME, LORDY ♪ 5750 03:24:58,252 --> 03:25:00,021 ♪ WHO'S GOING TO MISS ME WHEN 5751 03:25:00,087 --> 03:25:02,857 I'M GONE? ♪ 5752 03:25:02,923 --> 03:25:04,592 ♪ AS I WALK THROUGH THE VALLEY 5753 03:25:04,659 --> 03:25:05,493 OF THE SHADOW OF DEATH ♪ 5754 03:25:05,559 --> 03:25:07,495 ♪ I TAKE A LOOK AT MY LIFE AND 5755 03:25:07,561 --> 03:25:09,797 REALIZE THERE'S NOT MUCH LEFT ♪ 5756 03:25:09,864 --> 03:25:12,633 ♪ BEEN SPENDING MOST THEIR LIVES 5757 03:25:12,700 --> 03:25:14,468 LIVING IN THE GANGSTA'S 5758 03:25:14,535 --> 03:25:15,069 PARADISE ♪ 5759 03:25:15,136 --> 03:25:16,470 ♪ BEEN SPENDING MOST THEIR LIVES 5760 03:25:16,537 --> 03:25:20,641 LIVING IN THE GANGSTA'S 5761 03:25:20,708 --> 03:25:20,975 PARADISE ♪ 5762 03:25:21,042 --> 03:25:25,913 ♪ ♪ 5763 03:25:25,980 --> 03:25:31,018 ♪ ♪ 5764 03:25:31,085 --> 03:25:33,721 >> WHAT ABOUT TAYLOR HAWKINS ON 5765 03:25:33,788 --> 03:25:36,290 THE MOTHERFUCKIN' DRUM SET? 5766 03:25:36,357 --> 03:25:36,791 [CHEERS AND APPLAUSE] 5767 03:25:36,857 --> 03:25:39,393 ♪ ♪ 5768 03:25:39,460 --> 03:25:47,835 ♪ ♪ 5769 03:25:47,902 --> 03:25:52,807 ♪ THERE GOES MY HERO ♪ 5770 03:25:52,873 --> 03:26:01,115 ♪ HE'S ORDINARY BEC ♪ ♪ 5771 03:26:01,182 --> 03:26:03,984 ♪ YOU SHAKE MY NERVES AND YOU 5772 03:26:04,051 --> 03:26:07,455 HAD A MIGRAINE MEMO TOO MUCH 5773 03:26:07,521 --> 03:26:09,690 LOVE DRIVES A MAN INSANE ♪ 5774 03:26:09,757 --> 03:26:11,092 ♪ YOU BROKE MY WILL ♪ 5775 03:26:11,158 --> 03:26:13,194 ♪ BUT WHAT A THRILL MAMA 5776 03:26:13,260 --> 03:26:15,696 GOODNESS GRACIOUS, GREAT BALLS 5777 03:26:15,763 --> 03:26:15,996 OF FIRE ♪ 5778 03:26:16,063 --> 03:26:17,765 >> I WAS PRETTY ACTIVE ON STAGE. 5779 03:26:17,832 --> 03:26:19,700 I HAD TO BE, I HAD A LOT OF 5780 03:26:19,767 --> 03:26:21,068 COMPETITION. 5781 03:26:21,135 --> 03:26:22,837 I NEED TO DO SOMETHING, SO I 5782 03:26:22,903 --> 03:26:26,640 KICKED MY PIANO STOOL BACK, AND 5783 03:26:26,707 --> 03:26:27,174 WOW, MAN. 5784 03:26:27,241 --> 03:26:30,144 ♪ SHAKE, BABY SHAKE CLOSE MAMA 5785 03:26:30,211 --> 03:26:32,079 >> I LOVED TO PLAY THE PIANO. 5786 03:26:32,146 --> 03:26:35,249 I LOVED TO SING. 5787 03:26:35,316 --> 03:26:37,918 AND I WILL DO IT UNTIL THE GOOD 5788 03:26:37,985 --> 03:26:38,686 LORD CALLS ME HOME. 5789 03:26:38,753 --> 03:26:44,592 >> THANK YOU VERY MUCH. 5790 03:26:44,658 --> 03:26:46,861 [CHEERS AND APPLAUSE] 5791 03:26:46,927 --> 03:26:50,431 >> THANK YOU. 5792 03:26:50,498 --> 03:26:51,365 ♪ YOU SHAKE MY NERVES AND YOU 5793 03:26:51,432 --> 03:26:52,166 RATTLE MY BRAIN ♪ 5794 03:26:52,233 --> 03:26:52,967 ♪ TOO MUCH LOVE DRIVES A MAN 5795 03:26:53,033 --> 03:26:53,834 INSANE ♪ 5796 03:26:53,901 --> 03:26:54,769 ♪ YOU BROKE MY WILL, BUT WHAT A 5797 03:26:54,835 --> 03:26:55,903 THRILL ♪ 5798 03:26:55,970 --> 03:26:56,871 ♪ GOODNESS GRACIOUS, GREAT BALLS 5799 03:26:56,937 --> 03:26:58,372 OF FIRE ♪ 5800 03:26:58,439 --> 03:26:59,507 ♪ I LAUGHED AT LOVE 'CAUSE I 5801 03:26:59,573 --> 03:27:02,476 THOUGHT IT WAS FUNNY ♪ 5802 03:27:02,543 --> 03:27:03,410 ♪ YOU CAME ALONG AND YOU MOVED 5803 03:27:03,477 --> 03:27:04,345 ME HONEY ♪ 5804 03:27:04,411 --> 03:27:05,746 ♪ I'VE CHANGED MY MIND, THIS 5805 03:27:05,813 --> 03:27:07,348 LOVE IS FINE ♪ 5806 03:27:07,414 --> 03:27:08,482 ♪ GOODNESS GRACIOUS, GREAT BALLS 5807 03:27:08,549 --> 03:27:12,586 OF FIRE ♪ 5808 03:27:12,653 --> 03:27:14,021 ♪ KISS ME, BABY, OOH, FEELS 5809 03:27:14,088 --> 03:27:16,724 GOOD ♪ 5810 03:27:16,791 --> 03:27:23,364 ♪ HOLD ME, BABY ♪ 5811 03:27:23,430 --> 03:27:24,298 ♪ WELL, I'LL ONLY LOVE YOU LIKE 5812 03:27:24,365 --> 03:27:25,299 A LOVER SHOULD ♪ 5813 03:27:25,366 --> 03:27:28,235 ♪ YOU'RE FINE, SO KIND ♪ 5814 03:27:28,302 --> 03:27:28,869 ♪ GOT TO TELL THIS WORLD THAT 5815 03:27:28,936 --> 03:27:32,439 YOU'RE MINE, MINE, MINE, MINE ♪ 5816 03:27:32,506 --> 03:27:33,407 ♪ I CHEW MY NAILS AND I TWIDDLE 5817 03:27:33,474 --> 03:27:35,843 MY THUMBS ♪ 5818 03:27:35,910 --> 03:27:36,744 ♪ I'M REAL NERVOUS, BUT IT SURE 5819 03:27:36,811 --> 03:27:37,645 IS FUN ♪ 5820 03:27:37,711 --> 03:27:38,646 ♪ COME ON, BABY, YOU DRIVE ME 5821 03:27:38,712 --> 03:27:39,713 CRAZY ♪ 5822 03:27:39,780 --> 03:27:40,481 ♪ GOODNESS GRACIOUS, GREAT BALLS 5823 03:27:40,548 --> 03:27:44,819 OF FIRE ♪ 5824 03:27:44,885 --> 03:27:49,824 ♪ ♪ 5825 03:27:49,890 --> 03:27:57,431 ♪ ♪ 5826 03:27:57,498 --> 03:28:04,071 ♪ ♪ 5827 03:28:04,138 --> 03:28:11,679 ♪ ♪ 5828 03:28:11,745 --> 03:28:13,848 ♪ KISS ME, BABY ♪ 5829 03:28:13,914 --> 03:28:15,482 ♪ OOH, FEELS GOOD ♪ 5830 03:28:15,549 --> 03:28:19,053 ♪ HOLD ME, BABY ♪ 5831 03:28:19,119 --> 03:28:19,753 ♪ WELL, I WANNA LOVE YOU LIKE A 5832 03:28:19,820 --> 03:28:22,022 LOVER SHOULD ♪ 5833 03:28:22,089 --> 03:28:23,657 ♪ YOU'RE FINE, SO KIND ♪ 5834 03:28:23,724 --> 03:28:25,659 ♪ GOT TO TELL THIS WORLD THAT 5835 03:28:25,726 --> 03:28:27,795 YOU'RE MINE, MINE, MINE, MINE ♪ 5836 03:28:27,862 --> 03:28:28,996 ♪ I CHEW MY NAILS AND I TWIDDLE 5837 03:28:29,063 --> 03:28:31,232 MY THUMBS ♪ 5838 03:28:31,298 --> 03:28:32,533 ♪ REAL NERVOUS, BUT IT SURE IS 5839 03:28:32,600 --> 03:28:33,400 FUN ♪ 5840 03:28:33,467 --> 03:28:34,134 ♪ COME ON, BABY, DRIVE ME 5841 03:28:34,201 --> 03:28:38,405 CRAZY ♪ 5842 03:28:38,472 --> 03:28:39,240 ♪ GOODNESS GRACIOUS, GREAT BALLS 5843 03:28:39,306 --> 03:28:42,042 OF FIRE ♪ 5844 03:28:42,109 --> 03:28:45,646 ♪ ♪ 5845 03:28:45,713 --> 03:28:49,850 [GUITAR SOLO] 5846 03:28:49,917 --> 03:29:00,794 ♪ ♪ 5847 03:29:00,861 --> 03:29:04,231 ♪ ♪ 5848 03:29:04,298 --> 03:29:08,068 ♪ KISS ME, BABY ♪ 5849 03:29:08,135 --> 03:29:10,504 ♪ OOH, JOHNNY, IT FEELS GOOD ♪ 5850 03:29:10,571 --> 03:29:14,108 ♪ HOLD ME, BABY ♪ 5851 03:29:14,174 --> 03:29:15,542 ♪ WELL, I WANNA LOVE YOU LIKE A 5852 03:29:15,609 --> 03:29:21,482 LOVER SHOULD ♪ 5853 03:29:21,548 --> 03:29:22,783 ♪ YOU'RE FINE, SO KIND ♪ 5854 03:29:22,850 --> 03:29:27,488 ♪ GOT TO TELL THIS WORLD THAT 5855 03:29:27,554 --> 03:29:32,493 YOU'RE MINE, MINE, MINE, MINE ♪ 5856 03:29:32,559 --> 03:29:33,460 ♪ REAL NERVOUS, BUT IT SURE IS 5857 03:29:33,527 --> 03:29:33,861 FUN ♪ 5858 03:29:33,928 --> 03:29:34,762 ♪ COME ON, BABY, DRIVE ME 5859 03:29:34,828 --> 03:29:38,465 CRAZY ♪ 5860 03:29:38,532 --> 03:29:39,400 ♪ GOODNESS GRACIOUS, GREAT BALLS 5861 03:29:39,466 --> 03:29:42,803 OF FIRE ♪ 5862 03:29:42,870 --> 03:29:49,510 ♪ ♪ 5863 03:29:49,576 --> 03:29:52,112 >> LET'S ROCK 'N' ROLL! 5864 03:29:52,179 --> 03:29:56,417 ♪ ♪ 5865 03:29:56,483 --> 03:29:58,819 [CHEERS AND APPLAUSE] 5866 03:29:58,886 --> 03:30:07,027 ZAC BROWN BAND. 5867 03:30:07,094 --> 03:30:09,530 >> Announcer: TO INDUCT 5868 03:30:09,596 --> 03:30:09,997 DOLLY PARTON INTO THE 5869 03:30:10,064 --> 03:30:14,368 ROCK & ROLL HALL OF FAME, PINK? 5870 03:30:14,435 --> 03:30:16,971 IS A GOOD 5871 03:30:19,173 --> 03:30:21,542 MUS♪ ♪L 5872 03:30:21,608 --> 03:30:23,577 >> HI. 5873 03:30:23,644 --> 03:30:25,379 THANK YOU. 5874 03:30:25,446 --> 03:30:26,380 THIS IS ONE OF THE MOST MAGICAL 5875 03:30:26,447 --> 03:30:30,384 NIGHTS I'VE EVER WITNESSED IN 5876 03:30:30,451 --> 03:30:31,819 THE HISTORY OF ME BEING IN 5877 03:30:31,885 --> 03:30:33,787 MUSIC. 5878 03:30:33,854 --> 03:30:34,054 HONESTLY. 5879 03:30:34,121 --> 03:30:38,125 I'M BLOWN AWAY, AND I'M GOING TO 5880 03:30:38,192 --> 03:30:40,194 GET STARTED. 5881 03:30:40,260 --> 03:30:42,796 DOLLY PARTON. 5882 03:30:42,863 --> 03:30:48,836 [CHEERS AND APPLAUSE] 5883 03:30:48,902 --> 03:30:50,371 THERE ARE FEW FINER SONGWRITERS, 5884 03:30:50,437 --> 03:30:52,573 MALE OR FEMALE, THAT HAVE EVER 5885 03:30:52,639 --> 03:30:55,009 LIVED. 5886 03:30:55,075 --> 03:30:57,578 [CHEERS AND APPLAUSE] 5887 03:30:57,644 --> 03:30:58,846 SHE GREW UP IN A TWO ROOM HOME 5888 03:30:58,912 --> 03:31:02,049 WITH NO RUNNING WATER. 5889 03:31:02,116 --> 03:31:04,418 SHE WOULD GO ON TO BECOME ONE OF 5890 03:31:04,485 --> 03:31:08,122 THE GREATEST STORYTELLERS OF OUR 5891 03:31:08,188 --> 03:31:08,355 TIME. 5892 03:31:08,422 --> 03:31:09,289 [APPLAUSE] 5893 03:31:09,356 --> 03:31:13,160 OF ANY TIME. 5894 03:31:13,227 --> 03:31:15,162 WHILE SHE GOT HER START ON THE 5895 03:31:15,229 --> 03:31:17,197 PORTER WAGONER CHILD, SHE KNEW 5896 03:31:17,264 --> 03:31:18,732 SHE WASN'T ANYBODY'S SIDEKICK. 5897 03:31:18,799 --> 03:31:21,168 SHE KNEW THAT SHE WAS A SHOOTING 5898 03:31:21,235 --> 03:31:22,302 STAR, AND SHE HAD SOME THINGS 5899 03:31:22,369 --> 03:31:26,974 SHE NEEDED TO GET OFF HER CHEST. 5900 03:31:27,041 --> 03:31:29,076 AND SO SHE CRAFTED HEARTBREAKING 5901 03:31:29,143 --> 03:31:30,077 AND SOUL STIRRING STORIES ABOUT 5902 03:31:30,144 --> 03:31:32,212 THE LIVES OF PEOPLE OFTEN 5903 03:31:32,279 --> 03:31:33,547 OVERLOOKED. 5904 03:31:33,614 --> 03:31:35,482 SHE PAINTED A PICTURE WITH HER 5905 03:31:35,549 --> 03:31:36,617 WORDS AND THEN COLORED AND THE 5906 03:31:36,683 --> 03:31:40,120 LINES WITH THAT ANGELIC VOICE. 5907 03:31:40,187 --> 03:31:42,289 SHE PLAYS THE GUITAR WITH LONG 5908 03:31:42,356 --> 03:31:44,391 TALON-LIKE FINGERNAILS. 5909 03:31:44,458 --> 03:31:44,658 [LAUGHTER] 5910 03:31:44,725 --> 03:31:48,228 AND NEVER MISSES A NOTE. 5911 03:31:48,295 --> 03:31:49,596 SHE WRITES ABOUT THINGS THAT 5912 03:31:49,663 --> 03:31:50,931 OTHERS WOULD PREFER TO BE SWEPT 5913 03:31:50,998 --> 03:31:51,965 UNDER THE RUG. 5914 03:31:52,032 --> 03:31:54,268 SHE GIVES A VOICE TO THE 5915 03:31:54,334 --> 03:31:55,035 VOICELESS. 5916 03:31:55,102 --> 03:31:59,406 HER LIFE'S WORK, TO ME, IS A 5917 03:31:59,473 --> 03:32:01,809 NARRATIVE OF PAINFUL, BEAUTIFUL, 5918 03:32:01,875 --> 03:32:03,277 POETIC, MELODIC COMMENTARY ON 5919 03:32:03,343 --> 03:32:05,179 WHAT IT'S LIKE TO BE HUMAN, AND 5920 03:32:05,245 --> 03:32:07,347 WHAT IT'S LIKE TO BE A WOMAN IN 5921 03:32:07,414 --> 03:32:09,716 AMERICA. 5922 03:32:09,783 --> 03:32:14,021 [CHEERS AND APPLAUSE] 5923 03:32:14,088 --> 03:32:16,223 SHE WRITES ABOUT POVERTY, SHAME, 5924 03:32:16,290 --> 03:32:19,960 THE CRUELTY OF BULLYING, AND A 5925 03:32:20,027 --> 03:32:20,828 DAUGHTER'S UNWAVERING AND TRUE 5926 03:32:20,894 --> 03:32:23,430 LOVE FOR HER MAMA IN "THE COAT 5927 03:32:23,497 --> 03:32:24,765 OF MANY COLORS." 5928 03:32:24,832 --> 03:32:26,467 SHE WRITES ABOUT SUICIDE AND 5929 03:32:26,533 --> 03:32:27,401 "THE BRIDGE." 5930 03:32:27,468 --> 03:32:29,503 SHE WRITES ABOUT THE UTTER AGONY 5931 03:32:29,570 --> 03:32:30,471 AND HEARTBREAK OF GIVING BIRTH 5932 03:32:30,537 --> 03:32:34,007 TO A STILLBORN CHILD IN "DOWN 5933 03:32:34,074 --> 03:32:34,308 FROM DOVER." 5934 03:32:34,374 --> 03:32:38,946 SHE RET REASSURES US IN THAT LOG 5935 03:32:39,012 --> 03:32:40,114 TONE THAT SHE CAN SEE THE LIGHT 5936 03:32:40,180 --> 03:32:41,982 OF A CLEAR BLUE MORNING AND 5937 03:32:42,049 --> 03:32:43,050 WE'LL ALL BE OKAY. 5938 03:32:43,117 --> 03:32:43,951 [APLAUSE] 5939 03:32:44,017 --> 03:32:45,752 SHE WRITES ABOUT WOMEN IN THE 5940 03:32:45,819 --> 03:32:46,019 WORKPLACE. 5941 03:32:46,086 --> 03:32:49,723 ♪ WORKING 9 TO 5 MAMA AIN'T 5942 03:32:49,790 --> 03:32:50,324 ENOUGH TO MAKE A LIVING ♪ 5943 03:32:50,390 --> 03:32:52,326 [APPLAUSE] 5944 03:32:52,392 --> 03:32:53,160 SHE SINGS OUT HER HEART ACHE AND 5945 03:32:53,227 --> 03:32:56,964 PUT WORDS TO IT FOR US WHEN YOU 5946 03:32:57,030 --> 03:32:57,965 CAN'T FIND THEM FOR OURSELVES. 5947 03:32:58,031 --> 03:33:00,067 SHE MAKES YOU FEEL LIKE GOD IS 5948 03:33:00,134 --> 03:33:00,868 LISTENING AND THAT HELP IS RIGHT 5949 03:33:00,934 --> 03:33:02,202 AROUND THE CORNER. 5950 03:33:02,269 --> 03:33:04,872 [APPLAUSE] 5951 03:33:04,938 --> 03:33:08,275 DOLLY PARTON WROTE THE NUMBER 5952 03:33:08,342 --> 03:33:10,544 ONE MOST SELLING SONG OF ALL 5953 03:33:10,611 --> 03:33:12,546 TIME BY A FEMALE ARTIST, "I WILL 5954 03:33:12,613 --> 03:33:15,182 ALWAYS LOVE YOU." 5955 03:33:15,249 --> 03:33:18,986 [CHEERS AND APPLAUSE] 5956 03:33:19,052 --> 03:33:20,220 APPARENTLY SHE WASN'T EXHAUSTED 5957 03:33:20,287 --> 03:33:21,522 AFTER THAT SHEER GENIUS, BECAUSE 5958 03:33:21,588 --> 03:33:25,225 ON THE SAME NIGHT, SHE WROTE 5959 03:33:25,292 --> 03:33:25,492 "JOLENE." 5960 03:33:25,559 --> 03:33:28,762 [APPLAUSE] 5961 03:33:28,829 --> 03:33:29,563 SHOW OFF! 5962 03:33:29,630 --> 03:33:29,796 [LAUGHS] 5963 03:33:29,863 --> 03:33:32,032 DOLLY PARTON IS ONE OF THE MOST 5964 03:33:32,099 --> 03:33:32,499 HONORED FEMALE COUNTRY 5965 03:33:32,566 --> 03:33:35,335 PERFORMERS OF ALL TIME. 5966 03:33:35,402 --> 03:33:39,940 [APPLAUSE] 5967 03:33:40,007 --> 03:33:42,576 SHE HAS HAD 26 SONGS REACH 5968 03:33:42,643 --> 03:33:43,143 NUMBER ONE ON THE BILLBOARD 5969 03:33:43,210 --> 03:33:46,647 COUNTRY CHARTS, WHICH IS A 5970 03:33:46,713 --> 03:33:48,148 RECORD FOR A FEMALE ARTIST. 5971 03:33:48,215 --> 03:33:50,951 SHE HAS HAD 42 CAREER TOP TEN 5972 03:33:51,018 --> 03:33:55,022 COUNTRY ALBUMS, I RECORD FOR ANY 5973 03:33:55,088 --> 03:33:57,524 ARTIST, AND 110 CAREER-CHARTED 5974 03:33:57,591 --> 03:34:01,628 SINGLES OVER THE PAST 40 YEARS. 5975 03:34:01,695 --> 03:34:02,996 [APPLAUSE] 5976 03:34:03,063 --> 03:34:05,165 BUT SHE'S ALSO A KIND AND 5977 03:34:05,232 --> 03:34:07,568 GENEROUS SOUL. 5978 03:34:07,634 --> 03:34:09,236 SHE STARTED THE DOLLY PARTON 5979 03:34:09,303 --> 03:34:13,540 IMAGINATION LIBRARY, AND HAS 5980 03:34:13,607 --> 03:34:16,944 SINCE GIVEN 150 MILLION BUCKS TO 5981 03:34:17,010 --> 03:34:19,279 CHILDREN ACROSS THE WORLD. 5982 03:34:19,346 --> 03:34:23,984 [APPLAUSE] 5983 03:34:24,051 --> 03:34:26,687 SHE HAS GIVEN SCHOLARSHIPS, AND 5984 03:34:26,753 --> 03:34:27,354 EDUCATIONAL INCENTIVES FOR KIDS 5985 03:34:27,421 --> 03:34:28,155 TO FINISH HIGH SCHOOL. 5986 03:34:28,222 --> 03:34:31,792 I COULD HAVE USED ONE OF THOSE. 5987 03:34:31,858 --> 03:34:32,926 WE CAN TALK ABOUT THE AWARDS AND 5988 03:34:32,993 --> 03:34:35,729 HER BRILLIANT SONGWRITING, AND 5989 03:34:35,796 --> 03:34:37,698 HOW SHE HAS A MACHETE AND HAS 5990 03:34:37,764 --> 03:34:40,934 CARVED HER OWN PATH FOR ENTIRE 5991 03:34:41,001 --> 03:34:41,802 LIFE. 5992 03:34:41,868 --> 03:34:44,004 BUT LET'S TALK ABOUT THE LEGEND 5993 03:34:44,071 --> 03:34:45,973 THAT SHE HAS CREATED. 5994 03:34:46,039 --> 03:34:46,773 I'M STEREOTYPING A LITTLE BIT 5995 03:34:46,840 --> 03:34:48,942 HERE, BUT I IMAGINE THAT MOST 5996 03:34:49,009 --> 03:34:50,777 MEN LOOK AT DOLLY PARTON, AND I 5997 03:34:50,844 --> 03:34:52,212 WONDER HOW OFTEN THEY DEEPLY 5998 03:34:52,279 --> 03:34:54,815 GAZE INTO YOUR EYES. 5999 03:34:54,881 --> 03:34:56,149 [LAUGHTER] 6000 03:34:56,216 --> 03:34:57,351 AND MOST WOMEN LOOK AT DOLLY AND 6001 03:34:57,417 --> 03:34:59,953 INSTEAD SEE HER SPIRIT, AND HER 6002 03:35:00,020 --> 03:35:00,387 HEART ON HER SLEEVE. 6003 03:35:00,454 --> 03:35:05,292 [APPLAUSE] 6004 03:35:05,359 --> 03:35:07,961 AND I THINK HOW DOLLY SEES 6005 03:35:08,028 --> 03:35:10,397 HERSELF AS THE BEST PART. 6006 03:35:10,464 --> 03:35:11,898 DOLLY DIDN'T JUST GET THE JOKE. 6007 03:35:11,965 --> 03:35:12,499 SHE WROTE IT. 6008 03:35:12,566 --> 03:35:14,268 SHE DOESN'T CARE IF YOU'RE 6009 03:35:14,334 --> 03:35:16,436 LAUGHING, AS LONG AS YOU'RE 6010 03:35:16,503 --> 03:35:17,638 LISTENING. 6011 03:35:17,704 --> 03:35:19,606 SHE ALWAYS SAID, "I WEAR THIS 6012 03:35:19,673 --> 03:35:20,941 BIG HAIR AND THESE FANCY CLOTHES 6013 03:35:21,008 --> 03:35:22,376 AND ALL THIS MAKEUP SO I KNOW 6014 03:35:22,442 --> 03:35:24,211 THAT NO ONE WILL MISS ME." 6015 03:35:24,278 --> 03:35:26,847 AND SHE WAS ALSO PUT THAT 6016 03:35:26,913 --> 03:35:27,814 SAYING, ONE OF MY FAVORITE 6017 03:35:27,881 --> 03:35:29,783 QUOTES OF ALL TIME, "IT TAKES A 6018 03:35:29,850 --> 03:35:30,751 LOT OF MONEY TO LOOK THIS 6019 03:35:30,817 --> 03:35:34,254 CHEAP." 6020 03:35:34,321 --> 03:35:34,955 [LAUGHTER] 6021 03:35:35,022 --> 03:35:36,890 PROVING ONCE AGAIN THAT SHE IS 6022 03:35:36,957 --> 03:35:38,625 THE ONLY AUTHOR OF HER STORY, 6023 03:35:38,692 --> 03:35:41,461 AND WHAT AN INCREDIBLE STORY 6024 03:35:41,528 --> 03:35:43,864 THAT YOU HAVE WRITTEN, 6025 03:35:43,930 --> 03:35:45,465 DOLLY PARTON. 6026 03:35:45,532 --> 03:35:46,933 [APPLAUSE] 6027 03:35:47,000 --> 03:35:48,568 ♪ SITTING ON THE FRONT PORCH ON 6028 03:35:48,635 --> 03:35:53,507 A SUMMER AFTERNOON MAMA IN A 6029 03:35:53,573 --> 03:35:55,242 STRAIGHT-BACKED CHAIR ON TWO 6030 03:35:55,309 --> 03:35:57,377 LEGS CLOSE MAMA >> NO ONE 6031 03:35:57,444 --> 03:35:57,811 DOESN'T LIKE DOLLY. 6032 03:35:57,878 --> 03:35:59,546 THE WAY SHE WOULD TREAT HER 6033 03:35:59,613 --> 03:36:00,714 BIGGEST FAN, THE WAY SHE'D TREAT 6034 03:36:00,781 --> 03:36:02,449 HER WORST ENEMY, IT'S ALL THE 6035 03:36:02,516 --> 03:36:03,050 SAME. 6036 03:36:03,116 --> 03:36:04,184 I'VE HAD SUCH A GREAT ROLE MODEL 6037 03:36:04,251 --> 03:36:06,853 AS A MUSICIAN BUT ALSO AS A 6038 03:36:06,920 --> 03:36:07,087 PERSON. 6039 03:36:07,154 --> 03:36:08,622 SHE'S THE KINDEST OF ALL. 6040 03:36:08,689 --> 03:36:16,129 >> MS. DOLLY PARTON. 6041 03:36:16,196 --> 03:36:17,130 ♪ ♪ 6042 03:36:17,197 --> 03:36:19,700 >> BEAUTIFUL LITTLE LADY THAT 6043 03:36:19,766 --> 03:36:22,035 HAS BEEN ON TOUR WITH US OUT IN 6044 03:36:22,102 --> 03:36:25,038 THE GREAT NORTHWESTERN PART OF 6045 03:36:25,105 --> 03:36:26,173 THE UNITED STATES, MISSED 6046 03:36:26,239 --> 03:36:26,506 DOLLY PARTON. 6047 03:36:26,573 --> 03:36:27,841 >> PORTER WAGONER, THAT WAS THE 6048 03:36:27,908 --> 03:36:29,042 BIG, BIG BREAK. 6049 03:36:29,109 --> 03:36:30,744 BUT I SAID, I WANT TO GO OUT ON 6050 03:36:30,811 --> 03:36:31,211 MY OWN. 6051 03:36:31,278 --> 03:36:32,579 I'M A WRITER, I'M A SINGER. 6052 03:36:32,646 --> 03:36:34,748 I DON'T WANT TO BE PART OF THE 6053 03:36:34,815 --> 03:36:34,948 DUET. 6054 03:36:35,015 --> 03:36:37,918 I WAS GOING TO BE A STAR. 6055 03:36:37,984 --> 03:36:40,687 ♪ JOSHUA, JOSHUA MAMA WHAT YOU 6056 03:36:40,754 --> 03:36:42,989 DOING LIVING HERE ALONE? ♪ 6057 03:36:43,056 --> 03:36:43,957 ♪ JOSHUA, JOSHUA ♪ 6058 03:36:44,024 --> 03:36:45,926 ♪ AND YOU GOT NOBODY TO CALL 6059 03:36:45,992 --> 03:36:46,960 YOUR OWN? 6060 03:36:47,027 --> 03:36:48,729 CLOSE MAMA >> MY FOLKS WERE JUST 6061 03:36:48,795 --> 03:36:49,830 SIMPLE POOR MOUNTAIN PEOPLE. 6062 03:36:49,896 --> 03:36:51,932 BUT IT WAS ON THE WHEN I GOT ON 6063 03:36:51,998 --> 03:36:53,867 STAGE THE FIRST TIME IN SING IN 6064 03:36:53,934 --> 03:36:54,935 FRONT OF A CROWD, THAT WAS THE 6065 03:36:55,001 --> 03:36:56,069 MOMENT I REALIZED WHAT I WAS 6066 03:36:56,136 --> 03:36:58,472 GOING TO DO THE REST OF MY LIFE. 6067 03:36:58,538 --> 03:36:59,740 ♪ MY COAT OF MANY COLORS THAT 6068 03:36:59,806 --> 03:37:02,676 MY MAMA MADE FOR ME ♪ 6069 03:37:02,743 --> 03:37:03,677 ♪ MADE ONLY FROM RAGS, BUT I 6070 03:37:03,744 --> 03:37:10,984 WORE IT SO PROUDLY CL ♪E 6071 03:37:11,051 --> 03:37:12,185 >> IT'S PROBABLY IN HER 6072 03:37:12,252 --> 03:37:13,286 APPELLATION DNA TO BE SUCH A 6073 03:37:13,353 --> 03:37:14,121 STORYTELLER. 6074 03:37:14,187 --> 03:37:15,756 SHE'S GOT HUMOR, SHE'S GOT 6075 03:37:15,822 --> 03:37:15,956 HEART. 6076 03:37:16,022 --> 03:37:17,324 SHE ALWAYS BEGS IT BACK TO THE 6077 03:37:17,391 --> 03:37:18,525 TRIALS AND TRIBUTE NATIONS OF 6078 03:37:18,592 --> 03:37:20,827 BEING A PERSON THAT ALIVE, THAT 6079 03:37:20,894 --> 03:37:21,261 YOU CAN RELATE TO. 6080 03:37:21,328 --> 03:37:22,863 >> WE HAD ALL THE IMPORTANT 6081 03:37:22,929 --> 03:37:23,563 THINGS IN LIFE. 6082 03:37:23,630 --> 03:37:25,766 THINGS LIKE A GOOD MAMA AND 6083 03:37:25,832 --> 03:37:27,601 DADDY, UNDERSTANDING AND 6084 03:37:27,667 --> 03:37:29,202 KINDNESS, LOVE FOR EACH OTHER, A 6085 03:37:29,269 --> 03:37:31,571 LOVE FOR THE LORD, AND 6086 03:37:31,638 --> 03:37:32,672 APPRECIATION FOR THE LAND. 6087 03:37:32,739 --> 03:37:36,343 ♪ JOLENE, JOLENE, JOLENE, 6088 03:37:36,410 --> 03:37:36,610 JOLENE ♪ 6089 03:37:36,676 --> 03:37:39,346 ♪ I'M BEGGING OF YOU, PLEASE 6090 03:37:39,413 --> 03:37:41,548 DON'T TAKE MY MAN ♪ 6091 03:37:41,615 --> 03:37:44,151 >> LADIES AND GENTLEMEN, 6092 03:37:44,217 --> 03:37:44,484 DOLLY PARTON. 6093 03:37:44,551 --> 03:37:44,684 ♪ ♪ 6094 03:37:44,751 --> 03:37:47,187 >>> THE DOLLY WITH A COTTON CANY 6095 03:37:47,254 --> 03:37:49,389 HAIR SO FAR IS NOT DESERTING HER 6096 03:37:49,456 --> 03:37:51,591 COUNTRY FANS, BUT SHE IS LOOKIG 6097 03:37:51,658 --> 03:37:53,093 FOR EVEN BIGGER AUDIENCES. 6098 03:37:53,160 --> 03:37:55,061 TO DO THAT, SHE MUST APPEAL TO 6099 03:37:55,128 --> 03:37:57,964 THE POP AND ROCK CROWD. 6100 03:37:58,031 --> 03:38:00,033 ♪ ALL YOU'VE GOT TO DO IS SMILE 6101 03:38:00,100 --> 03:38:00,500 THAT SMILE ♪ 6102 03:38:00,567 --> 03:38:02,969 ♪ AND I GOT MY DEFENSES CLOSE 6103 03:38:03,036 --> 03:38:04,604 MAMA >> I LOVE NASHVILLE. 6104 03:38:04,671 --> 03:38:05,939 I LOVE COUNTRY MUSIC. 6105 03:38:06,006 --> 03:38:07,707 I SAID, I'M NOT LEAVING COUNTRY 6106 03:38:07,774 --> 03:38:08,642 MUSIC. 6107 03:38:08,708 --> 03:38:10,444 I'M TAKING WITH ME WHEREVER I 6108 03:38:10,510 --> 03:38:10,610 GO. 6109 03:38:10,677 --> 03:38:12,646 >> WHAT IS THE REASON FOR YOUR 6110 03:38:12,712 --> 03:38:12,846 VISIT? 6111 03:38:12,913 --> 03:38:13,880 >> I'M A REFORMER. 6112 03:38:13,947 --> 03:38:16,216 >> WHAT YOU DO? 6113 03:38:16,283 --> 03:38:17,217 >> ICING. 6114 03:38:17,284 --> 03:38:17,751 >> DOLLY IS CAPTIVATING. 6115 03:38:17,818 --> 03:38:20,153 SHE LOOKS LIKE SUCH AN ICON. 6116 03:38:20,220 --> 03:38:21,788 THE JULIE, THE COLORS, THE 6117 03:38:21,855 --> 03:38:22,088 RHINESTONES. 6118 03:38:22,155 --> 03:38:23,557 BUT WHEN SHE SPEAKS, YOU'RE 6119 03:38:23,623 --> 03:38:25,592 LIKE, SHE'S JUST MY FRIEND NEXT 6120 03:38:25,659 --> 03:38:25,792 DOOR. 6121 03:38:25,859 --> 03:38:28,161 >> WHEN I STARTED WEARING MAKEUP 6122 03:38:28,228 --> 03:38:29,596 AND BLEACHING MY HAIR, MY 6123 03:38:29,663 --> 03:38:31,431 GRANDPA THOUGHT I WAS GOING 6124 03:38:31,498 --> 03:38:32,966 STRAIGHT TO HELL. 6125 03:38:33,033 --> 03:38:34,167 JEZEBEL, HE CALMLY. 6126 03:38:34,234 --> 03:38:36,470 "THE DEVIL MADE YOU AWARE THAT 6127 03:38:36,536 --> 03:38:36,670 HAIR." 6128 03:38:36,736 --> 03:38:39,539 ♪ ♪ 6129 03:38:39,606 --> 03:38:41,708 >> YOU MUST FEEL SEXY. 6130 03:38:41,775 --> 03:38:44,211 >> I DON'T REALLY THINK OF 6131 03:38:44,277 --> 03:38:44,611 MYSELF JUST SEXY. 6132 03:38:44,678 --> 03:38:45,745 I JUST ALWAYS HAD A LOOK. 6133 03:38:45,812 --> 03:38:48,215 I LIKE THE BIG HAIR AND ALL THE 6134 03:38:48,281 --> 03:38:51,117 MAKEUP, AND TO LOOK MORE LIKE A 6135 03:38:51,184 --> 03:38:51,351 HOOKER. 6136 03:38:51,418 --> 03:38:52,185 [LAUGHTER] 6137 03:38:52,252 --> 03:38:53,753 PEOPLE CAN'T MISS ME HARDLY WITH 6138 03:38:53,820 --> 03:38:54,955 ALL THIS GODLY APPEARANCE, WHICH 6139 03:38:55,021 --> 03:38:56,723 IS THE REASON I WEAR IT. 6140 03:38:56,790 --> 03:38:58,258 I DON'T WANT ANYBODY TO MISS ME. 6141 03:38:58,325 --> 03:38:59,793 >> HER CUTENESS AND HER LOVE, 6142 03:38:59,860 --> 03:39:01,962 HER ENERGY AROUND IS SO GOOD. 6143 03:39:02,028 --> 03:39:03,396 NO MATTER HOW MANY 6144 03:39:03,463 --> 03:39:05,532 TRANSFORMATIONS, NEVER HAVE MATR 6145 03:39:05,599 --> 03:39:07,300 HOW MANY LEGS, BOOBS, WHATEVER 6146 03:39:07,367 --> 03:39:09,202 SHE DOES, IT STILL THAT FACE AND 6147 03:39:09,269 --> 03:39:11,271 THAT PHASE OF LOVE AND COMPASSIN 6148 03:39:11,338 --> 03:39:13,340 AND CARING FOR OTHER 6149 03:39:13,406 --> 03:39:13,640 PEOPLE. 6150 03:39:13,707 --> 03:39:16,276 ♪ ♪ 6151 03:39:16,343 --> 03:39:18,178 ♪ WORKING 9 TO 5 MAMA WHAT A 6152 03:39:18,245 --> 03:39:20,714 WAY TO MAKE A LIVING CLOSE MAMA 6153 03:39:21,248 --> 03:39:22,949 >> I THINK ANYONE THAT CAN WRITE 6154 03:39:23,016 --> 03:39:25,552 THAT KIND OF SIGN CAN BE THE 6155 03:39:25,619 --> 03:39:27,020 SELF TO BE AN ACTRESS. 6156 03:39:27,087 --> 03:39:28,522 >> I'M GOING TO CHANGE FROM A 6157 03:39:28,588 --> 03:39:30,257 ROOSTER TO HEN WITH ONE SHOT! 6158 03:39:30,323 --> 03:39:31,525 >> I JUST WROTE THE SONG AND 6159 03:39:31,591 --> 03:39:34,327 PRESENTED IT AND THEY LOVED IT. 6160 03:39:34,394 --> 03:39:35,395 I TAKE MY SONGWRITING MORE 6161 03:39:35,462 --> 03:39:36,830 SERIOUS THAN ANYTHING ELSE I DO. 6162 03:39:36,897 --> 03:39:38,565 >> SHE'S A SONGWRITER. 6163 03:39:38,632 --> 03:39:39,466 SHE WRITES BEAUTIFUL MUSIC. 6164 03:39:39,533 --> 03:39:42,836 SHE HAS AN INCREDIBLE VOICE, AND 6165 03:39:42,903 --> 03:39:45,171 SHE USES HER SEXUALITY TO HAVE 6166 03:39:45,238 --> 03:39:45,639 THE ENTIRE PACKAGE. 6167 03:39:45,705 --> 03:39:47,574 >> I STARTED WITH PORTER IN A 6168 03:39:47,641 --> 03:39:49,009 POT 366 AND THAT WAS MY BIG 6169 03:39:49,075 --> 03:39:49,209 BREAK. 6170 03:39:49,276 --> 03:39:51,077 WE HAD MANY DUET YEARS LATER. 6171 03:39:51,144 --> 03:39:53,547 I GOT TO WORK WITH KENNY ROGERS, 6172 03:39:53,613 --> 03:39:55,415 ONE OF THE NICEST PEOPLE IN THE 6173 03:39:55,482 --> 03:39:55,849 WHOLE WORLD. 6174 03:39:55,916 --> 03:39:57,918 ♪ ISLANDS IN THE STREAM, THAT 6175 03:39:57,984 --> 03:40:00,220 IS WHAT WE ARE MAMA NOW AND IN 6176 03:40:00,287 --> 03:40:03,356 BETWEEN MAMA HOW CAN WE BE 6177 03:40:03,423 --> 03:40:03,623 WRONG? ♪ 6178 03:40:03,690 --> 03:40:04,391 ♪ SAIL AWAY WITH ME ♪ 6179 03:40:04,457 --> 03:40:06,159 ♪ TO ANOTHER WORLD, AND WE RELY 6180 03:40:06,226 --> 03:40:10,964 ON EACH OTHER, UH-HUH ♪ 6181 03:40:11,031 --> 03:40:13,600 >> DOLLY, SINCE DAY ONE, HAS AN 6182 03:40:13,667 --> 03:40:13,934 APPENDAGE 6183 03:40:15,302 --> 03:40:18,204 UNAPOLOGETICALLY SAID, THIS IS 6184 03:40:18,271 --> 03:40:18,972 WHAT I'M SINGING, THESE ARE THE 6185 03:40:19,039 --> 03:40:20,507 SIGNS I'M WRITING, THIS IS WHAT 6186 03:40:20,574 --> 03:40:22,309 I'M STANDING AT FOUR. 6187 03:40:22,375 --> 03:40:25,512 SHE DOES IT IN SUCH A BEAUTIFUL 6188 03:40:25,579 --> 03:40:28,148 WAY, AND THAT IS FUCKING 6189 03:40:28,214 --> 03:40:30,016 ROCK 'N' ROLL. 6190 03:40:30,083 --> 03:40:30,216 ♪ ♪ 6191 03:40:30,283 --> 03:40:32,285 ♪ IF I SHOULD STAY MAMA I WOULD 6192 03:40:32,352 --> 03:40:35,755 ONLY BE IN YOUR WAY ♪ 6193 03:40:35,822 --> 03:40:39,726 ♪ AND SO I'LL GO ♪ 6194 03:40:39,793 --> 03:40:41,294 >> I HAVE NO REGRETS. 6195 03:40:41,361 --> 03:40:42,729 I WILL NEVER APOLOGIZE FOR 6196 03:40:42,796 --> 03:40:43,597 TRYING. 6197 03:40:43,663 --> 03:40:45,131 WHEN I'M OLD AND ROCKING AWAY ON 6198 03:40:45,198 --> 03:40:47,634 MY ROCKING CHAIR, I'D RATHER 6199 03:40:47,701 --> 03:40:49,269 REGRET A FEW THINGS I DID THAN 6200 03:40:49,336 --> 03:40:50,670 TO REGRET A WHOLE BUNCH OF 6201 03:40:50,737 --> 03:40:51,605 THINGS I DIDN'T DO. 6202 03:40:51,671 --> 03:40:57,077 ♪ I WISH YOU LOVE ♪ 6203 03:40:57,143 --> 03:41:04,317 ♪ AND I WILL ALWAYS LOVE YOU ♪ 6204 03:41:04,384 --> 03:41:09,556 ♪ AND I WILL ALWAYS LOVE YOU ♪ 6205 03:41:09,623 --> 03:41:21,735 ♪ I WILL ALWAYS LOVE YOU ♪ 6206 03:41:21,801 --> 03:41:21,935 ♪ ♪ 6207 03:41:22,002 --> 03:41:30,744 [APPLAUSE] 6208 03:41:30,810 --> 03:41:33,146 >> DOLLY, YOU ARE AMAZING. 6209 03:41:33,213 --> 03:41:34,581 YOU BRING PEOPLE TOGETHER, AND 6210 03:41:34,648 --> 03:41:36,783 YOU PUT SO MUCH LIGHT AND JOY 6211 03:41:36,850 --> 03:41:37,550 INTO THE WORLD. 6212 03:41:37,617 --> 03:41:39,586 WE ALL LOVE YOU SO MUCH, AND I 6213 03:41:39,653 --> 03:41:41,955 AM BEYOND HONORED. 6214 03:41:42,022 --> 03:41:43,690 IT IS MY PLEASURE TO INDUCT YOU 6215 03:41:43,757 --> 03:41:45,825 INTO THE ROCK & ROLL 6216 03:41:45,892 --> 03:41:48,094 HALL OF FAME. 6217 03:41:48,161 --> 03:41:49,629 [CHEERS AND APPLAUSE] 6218 03:41:49,696 --> 03:41:57,070 ♪ ♪ 6219 03:41:57,137 --> 03:42:05,378 ♪ ♪ 6220 03:42:05,445 --> 03:42:08,782 >> WELL, THANK YOU, PINK! 6221 03:42:08,848 --> 03:42:11,384 I'M A ROCK STAR NOW! 6222 03:42:11,451 --> 03:42:12,686 [CHEERS AND APPLAUSE] 6223 03:42:12,752 --> 03:42:13,019 [LAUGHS] 6224 03:42:13,086 --> 03:42:15,522 I'LL TELL YOU WHAT, THIS IS A 6225 03:42:15,588 --> 03:42:18,158 VERY, VERY, VERY SPECIAL NIGHT 6226 03:42:18,224 --> 03:42:18,925 FOR ME. 6227 03:42:18,992 --> 03:42:19,926 I'M SURE A LOT OF YOU KNEW THAT, 6228 03:42:19,993 --> 03:42:21,561 BACK WHEN THEY SAID THEY WERE 6229 03:42:21,628 --> 03:42:23,830 GOING TO PUT ME IN THE 6230 03:42:23,897 --> 03:42:24,698 ROCK & ROLL HALL OF FAME, I 6231 03:42:24,764 --> 03:42:26,132 DIDN'T REALLY FEEL LIKE I HAD 6232 03:42:26,199 --> 03:42:29,469 DONE ENOUGH TO DESERVE THAT. 6233 03:42:29,536 --> 03:42:31,771 AND I DIDN'T UNDERSTAND AT THE 6234 03:42:31,838 --> 03:42:32,405 TIME THAT IT'S ABOUT A LITTLE 6235 03:42:32,472 --> 03:42:35,375 MORE THAN THAT. 6236 03:42:35,442 --> 03:42:36,409 BUT I'M JUST HONORED AND SO 6237 03:42:36,476 --> 03:42:38,378 PROUD TO BE HERE TONIGHT, AND 6238 03:42:38,445 --> 03:42:39,879 THANKS TO ALL OF YOU. 6239 03:42:39,946 --> 03:42:43,149 [APPLAUSE] 6240 03:42:43,216 --> 03:42:45,719 BUT I FEEL HONORED, MOSTLY, I 6241 03:42:45,785 --> 03:42:48,855 THINK, TO BE IN THIS HOUSE OF 6242 03:42:48,922 --> 03:42:51,157 ALL THIS GREATNESS, AND ALL THIS 6243 03:42:51,224 --> 03:42:51,658 TALENT. 6244 03:42:51,725 --> 03:42:53,660 AND WHEN I ALWAYS THOUGHT ABOUT 6245 03:42:53,727 --> 03:42:54,761 THE ROCK & ROLL HALL OF FAME, I 6246 03:42:54,828 --> 03:42:56,863 THOUGHT THAT WAS JUST FOR PEOPLE 6247 03:42:56,930 --> 03:42:58,331 IN ROCK 'N' ROLL. 6248 03:42:58,398 --> 03:43:02,001 AND I THOUGHT, "WELL, YOU KNOW, 6249 03:43:02,068 --> 03:43:03,770 IF I'M GOING TO BE IN THE 6250 03:43:03,837 --> 03:43:04,637 ROCK & ROLL HALL OF FAME, I'M 6251 03:43:04,704 --> 03:43:06,740 GOING TO HAVE TO DO A ROCK 6252 03:43:06,806 --> 03:43:08,742 ALBUM." 6253 03:43:08,808 --> 03:43:09,209 [CHEERS AND APPLAUSE] 6254 03:43:09,275 --> 03:43:13,713 MY HUSBAND OF 56 YEARS IS A HUGE 6255 03:43:13,780 --> 03:43:16,216 ROCK FAN, AND ALL THROUGH THE 6256 03:43:16,282 --> 03:43:17,383 HOUSE HE HAS MUSIC LOUDER THAN 6257 03:43:17,450 --> 03:43:19,352 THIS GOING ON AT ALL TIMES. 6258 03:43:19,419 --> 03:43:21,421 AND HE HAS ALWAYS SAID, "YOU 6259 03:43:21,488 --> 03:43:23,289 SHOULD DO A ROCK ALBUM." 6260 03:43:23,356 --> 03:43:24,724 AND I THOUGHT, I'M GOING TO 6261 03:43:24,791 --> 03:43:26,626 WRITE A SONG FOR TONIGHT, WHICH 6262 03:43:26,693 --> 03:43:29,429 I'M GOING TO SING IN A MINUTE, 6263 03:43:29,496 --> 03:43:29,729 BUT... 6264 03:43:29,796 --> 03:43:30,430 [CHEERS AND APPLAUSE] 6265 03:43:30,497 --> 03:43:32,932 IT KIND OF TELLS MY STORY, HOW I 6266 03:43:32,999 --> 03:43:34,701 FELT ABOUT IT. 6267 03:43:34,768 --> 03:43:36,703 ANYWAY, AGAIN, I WANT TO THANK 6268 03:43:36,770 --> 03:43:37,570 THE HALL OF FAME. 6269 03:43:37,637 --> 03:43:38,571 I WANT TO THANK ALL THE PEOPLE 6270 03:43:38,638 --> 03:43:40,206 OUT THERE THROUGH ALL THESE 6271 03:43:40,273 --> 03:43:40,840 YEARS. 6272 03:43:40,907 --> 03:43:42,075 I STARTED SINGING WHEN I WAS TEN 6273 03:43:42,142 --> 03:43:44,911 YEARS OLD ON A LOCAL RADIO AND 6274 03:43:44,978 --> 03:43:46,012 TELEVISION, AND I'VE BEEN DOING 6275 03:43:46,079 --> 03:43:47,347 IT ALL MY LIFE. 6276 03:43:47,413 --> 03:43:49,048 I DO LOVE IT, AND I AM SO PROUD 6277 03:43:49,115 --> 03:43:51,251 TO HAVE HAD SO MANY OF YOU EVEN 6278 03:43:51,317 --> 03:43:53,787 PERFORM SOME OF MY SONGS, AND I 6279 03:43:53,853 --> 03:43:54,954 THANK YOU SO MUCH. 6280 03:43:55,021 --> 03:43:56,723 I'M VERY HUMBLED BY THIS. 6281 03:43:56,790 --> 03:43:58,258 I KNOW WE HAVE A LOT OF FANS 6282 03:43:58,324 --> 03:44:00,727 HERE TONIGHT, AS WELL. 6283 03:44:00,794 --> 03:44:02,495 COUNTRY FANS, AND THE OTHERS. 6284 03:44:02,562 --> 03:44:04,697 I AM JUST HONORED TO BE PART OF 6285 03:44:04,764 --> 03:44:06,766 THIS AND HAVE ALL THE FRIENDS 6286 03:44:06,833 --> 03:44:08,334 HERE TONIGHT THAT ARE GOING INTO 6287 03:44:08,401 --> 03:44:09,536 THE HALL OF FAME WITH ME. 6288 03:44:09,602 --> 03:44:12,839 AND SO I JUST FEEL PROUD TO BE 6289 03:44:12,906 --> 03:44:14,574 HERE, AS MINNIE PEARL WOULD SAY. 6290 03:44:14,641 --> 03:44:17,076 SO THANK YOU. 6291 03:44:17,143 --> 03:44:20,713 [CHEERS AND APPLAUSE] 6292 03:44:20,780 --> 03:44:23,616 >> AND NOW, JOINING ME ON STAGE 6293 03:44:23,683 --> 03:44:25,685 IS BRANDI CARLILE AND THE ZAC 6294 03:44:25,752 --> 03:44:27,153 BROWN BAND. 6295 03:44:27,220 --> 03:44:32,826 ♪ ♪ 6296 03:44:32,892 --> 03:44:38,364 ♪ BACK THROUGH THE YEARS ♪ 6297 03:44:38,431 --> 03:44:40,033 ♪ I GO WANDERIN' ONCE AGAIN ♪ 6298 03:44:40,099 --> 03:44:41,034 ♪ BACK TO THE SEASONS OF MY 6299 03:44:41,100 --> 03:44:44,137 YOUTH ♪ 6300 03:44:44,204 --> 03:44:45,205 ♪ I RECALL A BOX OF RAGS THAT 6301 03:44:45,271 --> 03:44:48,441 SOMEONE GAVE US ♪ 6302 03:44:48,508 --> 03:44:49,943 ♪ AND HOW MY MOMMA PUT THE RAGS 6303 03:44:50,009 --> 03:44:52,378 TO USE ♪ 6304 03:44:52,445 --> 03:44:53,179 ♪ THERE WERE RAGS OF MANY 6305 03:44:53,246 --> 03:45:01,354 COLORS ♪ 6306 03:45:01,421 --> 03:45:02,355 ♪ EVERY PIECE WAS SMALL ♪ 6307 03:45:02,422 --> 03:45:03,323 ♪ AND I DIDN'T HAVE A COAT ♪ 6308 03:45:03,389 --> 03:45:04,190 ♪ AND IT WAS WAY DOWN IN THE 6309 03:45:04,257 --> 03:45:04,958 FALL ♪ 6310 03:45:05,024 --> 03:45:05,959 ♪ MOMMA SEWED THE RAGS 6311 03:45:06,025 --> 03:45:07,393 TOGETHER ♪ 6312 03:45:07,460 --> 03:45:09,095 ♪ SEWIN' EVERY PIECE WITH LOVE ♪ 6313 03:45:09,162 --> 03:45:10,063 ♪ SHE MADE MY COAT OF MANY 6314 03:45:10,129 --> 03:45:12,065 COLORS ♪ 6315 03:45:12,131 --> 03:45:21,808 ♪ THAT I WAS SO PROUD OF ♪ 6316 03:45:21,875 --> 03:45:22,842 ♪ AND WHILE SHE SEWED, SHE TOLD 6317 03:45:22,909 --> 03:45:23,576 A STORY ♪ 6318 03:45:23,643 --> 03:45:24,911 ♪ FROM THE BIBLE, SHE HAD READ ♪ 6319 03:45:24,978 --> 03:45:26,379 ♪ ABOUT A COAT OF MANY COLORS ♪ 6320 03:45:26,446 --> 03:45:27,413 ♪ JOSEPH WORE AND THEN SHE 6321 03:45:27,480 --> 03:45:32,051 SAID ♪ 6322 03:45:32,118 --> 03:45:32,785 ♪ I HOPE THIS COAT WILL BRING 6323 03:45:32,852 --> 03:45:34,120 YOU ♪ 6324 03:45:34,187 --> 03:45:35,555 ♪ GOOD LUCK AND HAPPINESS ♪ 6325 03:45:35,622 --> 03:45:36,456 ♪ AND I JUST COULDN'T WAIT TO 6326 03:45:36,522 --> 03:45:37,490 WEAR IT ♪ 6327 03:45:37,557 --> 03:45:38,524 ♪ AND MOMMA BLESSED IT WITH A 6328 03:45:38,591 --> 03:45:41,427 KISS ♪ 6329 03:45:41,494 --> 03:45:45,098 ♪ MY COAT OF MANY COLORS ♪ 6330 03:45:45,164 --> 03:45:47,634 ♪ THAT MY MOMMA MADE FOR ME ♪ 6331 03:45:47,700 --> 03:45:49,235 ♪ MADE ONLY FROM RAGS ♪ 6332 03:45:49,302 --> 03:45:53,172 ♪ BUT I WORE IT SO PROUDLY ♪ 6333 03:45:53,239 --> 03:45:55,875 ♪ ALTHOUGH WE HAD NO MONEY ♪ 6334 03:45:55,942 --> 03:45:58,745 ♪ I WAS RICH AS I COULD BE ♪ 6335 03:45:58,811 --> 03:46:01,347 ♪ IN MY COAT OF MANY COLORS ♪ 6336 03:46:01,414 --> 03:46:08,154 ♪ MY MOMMA MADE FOR ME ♪ 6337 03:46:08,221 --> 03:46:09,088 ♪ SO WITH PATCHES ON MY 6338 03:46:09,155 --> 03:46:11,424 BRITCHES ♪ 6339 03:46:11,491 --> 03:46:13,993 ♪ AND HOLES IN BOTH MY SHOES ♪ 6340 03:46:14,060 --> 03:46:17,830 ♪ IN MY COAT OF MANY COLORS ♪ 6341 03:46:17,897 --> 03:46:19,565 ♪ OH, I HURRIED OFF TO SCHOOL ♪ 6342 03:46:19,632 --> 03:46:20,733 ♪ JUST TO FIND THE OTHERS 6343 03:46:20,800 --> 03:46:22,201 LAUGHING ♪ 6344 03:46:22,268 --> 03:46:24,904 ♪ AND MAKING FUN OF ME ♪ 6345 03:46:24,971 --> 03:46:27,740 ♪ IN MY COAT OF MANY COLORS ♪ 6346 03:46:27,807 --> 03:46:31,244 ♪ MY MOMMA MADE FOR ME ♪ 6347 03:46:31,311 --> 03:46:32,345 ♪ AND OH, I COULDN'T 6348 03:46:32,412 --> 03:46:35,481 UNDERSTAND IT ♪ 6349 03:46:35,548 --> 03:46:38,785 ♪ FOR I FELT I WAS RICH ♪ 6350 03:46:38,851 --> 03:46:39,786 ♪ AND I TOLD 'EM OF THE LOVE ♪ 6351 03:46:39,852 --> 03:46:40,787 ♪ MY MOMMA SEWED IN EVERY 6352 03:46:40,853 --> 03:46:42,722 STITCH ♪ 6353 03:46:42,789 --> 03:46:45,058 ♪ AND I TOLD 'EM ALL THE STORY ♪ 6354 03:46:45,124 --> 03:46:45,959 ♪ MOMMA TOLD ME WHILE SHE 6355 03:46:46,025 --> 03:46:47,093 SEWED ♪ 6356 03:46:47,160 --> 03:46:48,227 ♪ AND HOW MY COAT OF MANY 6357 03:46:48,294 --> 03:46:49,429 COLORS ♪ 6358 03:46:49,495 --> 03:46:51,297 ♪ WAS WORTH MORE THAN ALL THEIR 6359 03:46:51,364 --> 03:46:54,367 CLOTHES ♪ 6360 03:46:54,434 --> 03:46:55,268 ♪ BUT THEY DIDN'T UNDERSTAND 6361 03:46:55,335 --> 03:46:56,903 IT ♪ 6362 03:46:56,970 --> 03:47:00,006 ♪ AND I TRIED TO MAKE THEM SEE ♪ 6363 03:47:00,073 --> 03:47:01,975 ♪ THAT ONE IS ONLY POOR ♪ 6364 03:47:02,041 --> 03:47:10,817 ♪ ONLY IF THEY CHOOSE TO BE ♪ 6365 03:47:10,883 --> 03:47:12,151 ♪ ALTHOUGH WE HAD NO MONEY ♪ 6366 03:47:12,218 --> 03:47:13,653 ♪ I WAS RICH AS I COULD BE ♪ 6367 03:47:13,720 --> 03:47:15,555 ♪ IN MY COAT OF MANY COLORS ♪ 6368 03:47:15,621 --> 03:47:20,893 ♪ MY MOMMA MADE FOR ME ♪ 6369 03:47:20,960 --> 03:47:25,565 ♪ JUST FOR ME ♪ 6370 03:47:25,631 --> 03:47:31,170 ♪ ♪ 6371 03:47:31,237 --> 03:47:38,945 [CHEERS AND APPLAUSE] 6372 03:47:39,012 --> 03:47:41,280 >> PLEASE WELCOME SHERYL CROW 6373 03:47:41,347 --> 03:47:42,415 AND ZAC BROWN. 6374 03:47:42,482 --> 03:47:47,754 ♪ ♪ 6375 03:47:47,820 --> 03:47:49,389 ♪ TUMBLE OUT OF BED ♪ 6376 03:47:49,455 --> 03:47:51,090 ♪ AND STUMBLE TO THE KITCHEN ♪ 6377 03:47:51,157 --> 03:47:51,657 ♪ POUR MYSELF A CUP OF 6378 03:47:51,724 --> 03:47:52,892 AMBITION ♪ 6379 03:47:52,959 --> 03:47:54,027 ♪ AND YAWN AND STRETCH AND TRY 6380 03:47:54,093 --> 03:47:57,130 TO COME TO LIFE ♪ 6381 03:47:57,196 --> 03:47:58,231 ♪ JUMP IN THE SHOWER ♪ 6382 03:47:58,297 --> 03:47:59,465 ♪ AND THE BLOOD STARTS PUMPIN' ♪ 6383 03:47:59,532 --> 03:48:00,666 ♪ OUT ON THE STREETS, THE 6384 03:48:00,733 --> 03:48:02,035 TRAFFIC STARTS JUMPIN' ♪ 6385 03:48:02,101 --> 03:48:03,503 ♪ FOR FOLKS LIKE ME ON THE JOB 6386 03:48:03,569 --> 03:48:05,571 FROM 9 TO 5 ♪ 6387 03:48:05,638 --> 03:48:08,207 ♪ WORKIN' 9 TO 5 ♪ 6388 03:48:08,274 --> 03:48:11,244 ♪ WHAT A WAY TO MAKE A LIVIN' ♪ 6389 03:48:11,310 --> 03:48:12,745 ♪ BARELY GETTIN' BY ♪ 6390 03:48:12,812 --> 03:48:13,646 ♪ IT'S ALL TAKIN' AND NO 6391 03:48:13,713 --> 03:48:15,515 GIVIN' ♪ 6392 03:48:15,581 --> 03:48:17,950 ♪ THEY JUST USE YOUR MIND ♪ 6393 03:48:18,017 --> 03:48:18,951 ♪ AND THEY NEVER GIVE YOU 6394 03:48:19,018 --> 03:48:20,420 CREDIT ♪ 6395 03:48:20,486 --> 03:48:21,687 ♪ IT'S ENOUGH TO DRIVE YOU ♪ 6396 03:48:21,754 --> 03:48:23,723 ♪ CRAZY IF YOU LET IT ♪ 6397 03:48:23,790 --> 03:48:25,992 ♪ 9 TO 5 ♪ 6398 03:48:26,059 --> 03:48:28,761 ♪ FOR SERVICE AND DEVOTION ♪ 6399 03:48:28,828 --> 03:48:30,329 ♪ YOU WOULD THINK THAT I ♪ 6400 03:48:30,396 --> 03:48:31,431 ♪ WOULD DESERVE A FAT 6401 03:48:31,497 --> 03:48:33,199 PROMOTION ♪ 6402 03:48:33,266 --> 03:48:35,168 ♪ WANT TO MOVE AHEAD ♪ 6403 03:48:35,234 --> 03:48:36,135 ♪ BUT THE BOSS WON'T SEEM TO LET 6404 03:48:36,202 --> 03:48:38,771 ME ♪ 6405 03:48:38,838 --> 03:48:40,006 ♪ I SWEAR SOMETIMES THAT MAN 6406 03:48:40,073 --> 03:48:45,945 IS ♪ 6407 03:48:46,012 --> 03:48:47,980 ♪ OUT TO GET ME ♪ 6408 03:48:48,047 --> 03:48:49,182 ♪ THEY LET YOU DREAM ♪ 6409 03:48:49,248 --> 03:48:49,816 ♪ JUST A WATCH 'EM SHATTER ♪ 6410 03:48:49,882 --> 03:48:50,750 ♪ YOU'RE JUST A STEP ON THE BOSS 6411 03:48:50,817 --> 03:48:52,118 MAN'S LADDER ♪ 6412 03:48:52,185 --> 03:48:53,352 ♪ BUT YOU GOT DREAMS HE'LL NEVER 6413 03:48:53,419 --> 03:48:56,889 TAKE AWAY ♪ 6414 03:48:56,956 --> 03:48:58,257 ♪ IN THE SAME BOAT WITH A LOT OF 6415 03:48:58,324 --> 03:48:59,125 YOUR FRIENDS ♪ 6416 03:48:59,192 --> 03:48:59,759 ♪ WAITIN' FOR THE DAY YOUR 6417 03:48:59,826 --> 03:49:00,860 SHIP'LL COME IN ♪ 6418 03:49:00,927 --> 03:49:01,994 ♪ AND THE TIDE'S GONNA TURN ♪ 6419 03:49:02,061 --> 03:49:04,330 ♪ AND IT'S ALL GONNA ROLL YOU 6420 03:49:04,397 --> 03:49:06,199 AWAY ♪ 6421 03:49:06,265 --> 03:49:07,633 ♪ WORKIN' 9 TO 5 ♪ 6422 03:49:07,700 --> 03:49:09,769 ♪ WHAT A WAY TO MAKE LIVIN' ♪ 6423 03:49:09,836 --> 03:49:11,838 ♪ BARELY GETTIN' BY ♪ 6424 03:49:11,904 --> 03:49:14,240 ♪ IT'S ALL TAKIN' AND NO 6425 03:49:14,307 --> 03:49:15,341 GIVIN' ♪ 6426 03:49:15,408 --> 03:49:16,776 ♪ THEY JUST USE YOUR MIND ♪ 6427 03:49:16,843 --> 03:49:19,045 ♪ AND YOU NEVER GET THE CREDIT ♪ 6428 03:49:19,112 --> 03:49:21,013 ♪ IT'S ENOUGH TO DRIVE YOU ♪ 6429 03:49:21,080 --> 03:49:23,449 ♪ CRAZY IF YOU LET IT ♪ 6430 03:49:23,516 --> 03:49:26,085 ♪ 9 TO 5 ♪ 6431 03:49:26,152 --> 03:49:27,253 ♪ YEAH, THEY GOT YOU WERE THEY 6432 03:49:27,320 --> 03:49:28,888 WANT YOU ♪ 6433 03:49:28,955 --> 03:49:30,423 ♪ THERE'S A BETTER LIFE ♪ 6434 03:49:30,490 --> 03:49:31,357 ♪ AND YOU THINK ABOUT IT, DON'T 6435 03:49:31,424 --> 03:49:33,359 YOU? ♪ 6436 03:49:33,426 --> 03:49:35,595 ♪ IT'S A RICH MAN'S GAME ♪ 6437 03:49:35,661 --> 03:49:37,263 ♪ NO MATTER WHAT THEY CALL IT ♪ 6438 03:49:37,330 --> 03:49:39,132 ♪ AND YOU SPEND YOUR LIFE ♪ 6439 03:49:39,198 --> 03:49:45,838 ♪ PUTTING MONEY IN HIS WALLET ♪ 6440 03:49:45,905 --> 03:49:52,311 ♪ ♪ 6441 03:49:52,378 --> 03:49:52,778 [CHEERS AND APPLAUSE] 6442 03:49:52,845 --> 03:49:56,215 >> AND NOW, HERE SHE IS, THE 6443 03:49:56,282 --> 03:49:58,484 ROCK & ROLL HALL OF FAMER, 6444 03:49:58,551 --> 03:50:01,921 DOLLY PARTON. 6445 03:50:01,988 --> 03:50:03,322 >> I FIGURE IF I'M GOING TO BE 6446 03:50:03,389 --> 03:50:07,627 IN THE ROCK & ROLL HALL OF FAME, 6447 03:50:07,693 --> 03:50:10,263 I'M GONNA HAVE TO EARN IT. 6448 03:50:10,329 --> 03:50:18,938 [CHEERS AND APPLAUSE] 6449 03:50:19,005 --> 03:50:20,239 [GUITAR RIFF] 6450 03:50:20,306 --> 03:50:24,744 AND YOU THOUGHT I COULDN'T ROCK! 6451 03:50:24,810 --> 03:50:27,813 ONE, TWO, THREE, FOUR! 6452 03:50:27,880 --> 03:50:31,551 ♪ ♪ 6453 03:50:31,617 --> 03:50:35,922 ♪ I GREW UP LOVING ELVIS MAMA 6454 03:50:35,988 --> 03:50:37,990 AND WILD MAN JERRY LEE ♪ 6455 03:50:38,057 --> 03:50:40,359 ♪ CHUCK BERRY, LITTLE RICHARD ♪ 6456 03:50:40,426 --> 03:50:42,328 ♪ THEY ALL CAST A SPELL ON ME ♪ 6457 03:50:42,395 --> 03:50:43,863 ♪ CARL PERKINS IN THOSE BLUE 6458 03:50:43,930 --> 03:50:45,965 STATES SHE HAS HAD NO PLACE ON 6459 03:50:46,032 --> 03:50:46,899 THE FARM MAMA BUT THEY WAS 6460 03:50:46,966 --> 03:50:49,168 BETTER THAN THEM BROGANS I WAS 6461 03:50:49,235 --> 03:50:50,803 WEARING AROUND THE BARN MAMA 6462 03:50:50,870 --> 03:50:51,704 WITH MY TRANSISTOR RADIO MY 6463 03:50:51,771 --> 03:50:53,940 UNCLE BOUGHT FOR ME ♪ 6464 03:50:54,006 --> 03:50:56,275 ♪ I DANCED AND PRANCED AROUND 6465 03:50:56,342 --> 03:50:58,110 THE SMOKE HE HAS OF TENNESSEE, 6466 03:50:58,177 --> 03:50:59,879 SINGING DON'T BE CRUEL, GREAT 6467 03:50:59,946 --> 03:51:02,648 BALLS OF FIRE MAMA AND BE GOOD, 6468 03:51:02,715 --> 03:51:03,349 JOHNNY B ♪ 6469 03:51:03,416 --> 03:51:04,817 ♪ I WAS JUST A CHILD BUT I WENT 6470 03:51:04,884 --> 03:51:06,686 HOG WILD WITH THE RHYTHM AND THE 6471 03:51:06,752 --> 03:51:09,622 BEAT MAMA I'VE BEEN ROCKING, 6472 03:51:09,689 --> 03:51:10,256 ROCKING, ROCKING SINCE THE DAY I 6473 03:51:10,323 --> 03:51:11,524 WAS BORN. 6474 03:51:11,591 --> 03:51:15,461 I'LL BE ROCKIN' TILL THE DAY I'M 6475 03:51:15,528 --> 03:51:15,728 GONE ♪ 6476 03:51:15,795 --> 03:51:18,097 ♪ I STILL GOT ROCK 'N' ROLL DOWN 6477 03:51:18,164 --> 03:51:18,864 IN MY COUNTRY SO ♪ 6478 03:51:18,931 --> 03:51:20,967 ♪ AND I'LL BE ROCKIN' IT TILL 6479 03:51:21,033 --> 03:51:24,403 THE COWS COME HOME ♪ 6480 03:51:24,470 --> 03:51:27,273 ♪ UH-HUH ♪ 6481 03:51:27,340 --> 03:51:29,609 ♪ A DANCING FOOT, PRAYING ME ♪ 6482 03:51:29,675 --> 03:51:31,444 ♪ Y'ALL DEAD ON THE SAME LEG 6483 03:51:31,510 --> 03:51:32,478 MAMA THAT'S WHAT THE COUNTRY 6484 03:51:32,545 --> 03:51:33,913 PREACHER SAID WHEN HE WOULD 6485 03:51:33,980 --> 03:51:35,548 PLEAD AND BEG MAMA GIVE UP THAT 6486 03:51:35,615 --> 03:51:38,351 TYPE OF MUSIC, IT'LL SING YOU 6487 03:51:38,417 --> 03:51:38,784 STRAIGHT TO HELL! ♪ 6488 03:51:38,851 --> 03:51:41,087 ♪ IT SET ME STRAIGHT TO HEAVEN 6489 03:51:41,153 --> 03:51:48,794 WHEN I HEARD THAT GUITAR WAIL ♪ 6490 03:51:48,861 --> 03:51:52,265 ♪ I'M ROCKIN' IT! ♪ 6491 03:51:52,331 --> 03:51:55,901 ♪ -ROCKIN', ROCKIN', ROCKIN' 6492 03:51:55,968 --> 03:51:57,670 SINCE THE DAY I WAS BORN ♪ 6493 03:51:57,737 --> 03:51:59,772 ♪ I'D BE ROCKIN' TILL THE DAY 6494 03:51:59,839 --> 03:52:00,139 I'M GONE ♪ 6495 03:52:00,206 --> 03:52:01,907 ♪ I GOT ROCK 'N' ROLL DOWN IN MY 6496 03:52:01,974 --> 03:52:02,275 COUNTRY SOLD ♪ 6497 03:52:02,341 --> 03:52:03,576 ♪ AND I'LL BE ROCKING IT UNTIL 6498 03:52:03,643 --> 03:52:08,447 THE COWS COME HOME ♪ 6499 03:52:08,514 --> 03:52:13,252 ♪♪ ♪ 6500 03:52:13,319 --> 03:52:25,698 [GUITAR SOLO] 6501 03:52:25,765 --> 03:52:29,135 HERE I AM ON THE STAGE, YOU ALL 6502 03:52:29,201 --> 03:52:29,502 KNOW MY NAME ♪ 6503 03:52:29,568 --> 03:52:31,304 ♪ WITH MANY COUNTRY ACCOLADES, 6504 03:52:31,370 --> 03:52:33,706 COUNTRY IS IN MY VEINS MAMA BUT 6505 03:52:33,773 --> 03:52:34,507 SINCE I HAD THE BIG NEWS, I 6506 03:52:34,573 --> 03:52:36,676 AIN'T NEVER BEEN THE SAME MAMA 6507 03:52:36,742 --> 03:52:38,711 BECAUSE THEY DONE GONE AND PUT 6508 03:52:38,778 --> 03:52:43,215 ME IN THE ROCK & ROLL 6509 03:52:43,282 --> 03:52:43,916 HALL OF FAME ♪ 6510 03:52:43,983 --> 03:52:46,452 ♪ ROCKIN', ROCKIN', ROCKIN' 6511 03:52:46,519 --> 03:52:48,254 SINCE THE DAY I WAS BORN ♪ 6512 03:52:48,321 --> 03:52:50,923 ♪ I'D BE ROCKIN' TILL THE DAY 6513 03:52:50,990 --> 03:52:51,223 I'M GONE ♪ 6514 03:52:51,290 --> 03:52:52,925 ♪ YEAH, I STILL GOT 6515 03:52:52,992 --> 03:52:54,760 ROCK 'N' ROLL DOWN IN MY COUNTRY 6516 03:52:54,827 --> 03:52:54,994 SOUL ♪ 6517 03:52:55,061 --> 03:52:57,463 ♪ AND I'LL BE ROCKIN' IT TILL 6518 03:52:57,530 --> 03:52:59,699 THE COWS COME HOME ♪ 6519 03:52:59,765 --> 03:53:01,100 ♪ Y'ALL PUT ME IN THE 6520 03:53:01,167 --> 03:53:03,369 HALL OF FAME, SO I GUESS THERE 6521 03:53:03,436 --> 03:53:03,969 AIN'T NO SHAME ♪ 6522 03:53:04,036 --> 03:53:04,970 ♪ I'LL BE ROCKIN' IT TILL THE 6523 03:53:05,037 --> 03:53:08,007 COWS COME HOME ♪ 6524 03:53:08,074 --> 03:53:12,778 ♪ YEAH, I'LL BE ROCKIN' UNTIL 6525 03:53:12,845 --> 03:53:15,848 THE COWS COME HOME ♪ 6526 03:53:15,915 --> 03:53:19,852 ♪ ♪ 6527 03:53:19,919 --> 03:53:25,791 [CHEERS AND APPLAUSE] 6528 03:53:25,858 --> 03:53:28,661 >> THANK YOU SO MUCH! 6529 03:53:28,728 --> 03:53:29,795 I GUESS WE ARE GOING TO DO 6530 03:53:29,862 --> 03:53:33,866 SOMETHING ELSE NOW, HUH? 6531 03:53:33,933 --> 03:53:36,535 I THINK WE'RE GOING TO DO 6532 03:53:36,602 --> 03:53:39,372 "JOLENE," IS THAT RIGHT? 6533 03:53:39,438 --> 03:53:46,812 ♪ ♪ 6534 03:53:46,879 --> 03:53:54,387 ♪ ♪ 6535 03:53:54,453 --> 03:53:58,991 ♪ ♪ 6536 03:53:59,058 --> 03:54:00,025 ♪ JOLENE, JOLENE, JOLENE, 6537 03:54:00,092 --> 03:54:03,529 JOLENE ♪ 6538 03:54:03,596 --> 03:54:04,497 ♪ I'M BEGGING OF YOU 6539 03:54:04,563 --> 03:54:09,335 PLEASE DON'T TAKE MY MAN ♪ 6540 03:54:09,402 --> 03:54:10,503 ♪ JOLENE, JOLENE, 6541 03:54:10,569 --> 03:54:14,140 JOLENE, JOLENE ♪ 6542 03:54:14,206 --> 03:54:17,877 ♪ PLEASE DON'T TAKE HIM EVEN 6543 03:54:17,943 --> 03:54:22,114 THOUGH YOU CAN ♪ 6544 03:54:22,181 --> 03:54:23,015 ♪ YOUR BEAUTY IS BEYOND 6545 03:54:23,082 --> 03:54:23,916 COMPARE ♪ 6546 03:54:23,983 --> 03:54:24,750 ♪ WITH FLAMING LOCKS OF 6547 03:54:24,817 --> 03:54:25,618 AUBURN HAIR ♪ 6548 03:54:25,684 --> 03:54:26,585 ♪ WITH IVORY SKIN AND 6549 03:54:26,652 --> 03:54:32,391 EYES OF EMERALD GREEN ♪ 6550 03:54:32,458 --> 03:54:33,592 ♪ YOUR SMILE IS LIKE 6551 03:54:33,659 --> 03:54:37,930 A BREATH OF SPRING ♪ 6552 03:54:37,997 --> 03:54:38,631 ♪ YOUR VOICE IS SOFT 6553 03:54:38,697 --> 03:54:39,765 LIKE SUMMER RAIN ♪ 6554 03:54:39,832 --> 03:54:40,833 ♪ AND I CANNOT COMPETE WITH YOU, 6555 03:54:40,900 --> 03:54:46,605 JOLENE ♪ 6556 03:54:46,672 --> 03:54:47,973 ♪ JOLENE, JOLENE, JOLENE, 6557 03:54:48,040 --> 03:54:49,775 JOLENE ♪ 6558 03:54:49,842 --> 03:54:50,876 ♪ I'M BEGGING OF YOU 6559 03:54:50,943 --> 03:54:56,549 PLEASE DON'T TAKE MY MAN ♪ 6560 03:54:56,615 --> 03:54:58,217 ♪ JOLENE, JOLENE, 6561 03:54:58,284 --> 03:55:02,888 JOLENE, JOLENE ♪ 6562 03:55:02,955 --> 03:55:04,089 ♪ PLEASE DON'T TAKE HIM JUST 6563 03:55:04,156 --> 03:55:10,763 BECAUSE YOU CAN ♪ 6564 03:55:10,830 --> 03:55:12,565 >> SIMON? 6565 03:55:12,631 --> 03:55:14,700 ♪ HE TALKS ABOUT YOU 6566 03:55:14,767 --> 03:55:15,067 IN HIS SLEEP ♪ 6567 03:55:15,134 --> 03:55:15,634 ♪ THERE'S NOTHING I CAN DO 6568 03:55:15,701 --> 03:55:16,469 TO KEEP FROM CRYING ♪ 6569 03:55:16,535 --> 03:55:18,037 ♪ WHEN HE CALLS YOUR NAME, 6570 03:55:18,103 --> 03:55:24,577 JOLENE, JOLENE ♪ 6571 03:55:24,643 --> 03:55:25,678 ♪ AND I CAN EASILY UNDERSTAND ♪ 6572 03:55:25,744 --> 03:55:26,278 ♪ HOW YOU COULD EASILY 6573 03:55:26,345 --> 03:55:27,046 TAKE MY MAN ♪ 6574 03:55:27,112 --> 03:55:28,347 ♪ BUT YOU DON'T KNOW WHAT HE 6575 03:55:28,414 --> 03:55:30,516 MEANS TO ME, JOLENE ♪ 6576 03:55:30,583 --> 03:55:31,784 ♪ JOLENE, JOLENE, 6577 03:55:31,851 --> 03:55:39,291 JOLENE, JOLENE ♪ 6578 03:55:39,358 --> 03:55:40,125 ♪ I'M BEGGING OF YOU 6579 03:55:40,192 --> 03:55:42,428 PLEASE DON'T TAKE MY MAN ♪ 6580 03:55:42,495 --> 03:55:43,996 ♪ JOLENE, JOLENE, 6581 03:55:44,063 --> 03:55:48,968 JOLENE, JOLENE ♪ 6582 03:55:49,034 --> 03:55:50,169 ♪ PLEASE DON'T TAKE HIM JUST 6583 03:55:50,236 --> 03:55:59,311 BECAUSE YOU CAN ♪ 6584 03:55:59,378 --> 03:56:00,112 ♪ YOU COULD HAVE YOUR 6585 03:56:00,179 --> 03:56:01,080 CHOICE OF MEN ♪ 6586 03:56:01,146 --> 03:56:04,316 ♪ BUT I COULD NEVER LOVE AGAIN ♪ 6587 03:56:04,383 --> 03:56:04,884 ♪ HE'S THE ONLY ONE 6588 03:56:04,950 --> 03:56:09,955 FOR ME, JOLENE, JOLENE ♪ 6589 03:56:10,022 --> 03:56:10,723 ♪ I HAD TO HAVE THIS 6590 03:56:10,789 --> 03:56:11,624 TALK WITH YOU ♪ 6591 03:56:11,690 --> 03:56:12,591 ♪ MY HAPPINESS DEPENDS ON YOU ♪ 6592 03:56:12,658 --> 03:56:14,193 ♪ AND WHATEVER YOU 6593 03:56:14,260 --> 03:56:20,366 DECIDE TO DO, JOLENE ♪ 6594 03:56:20,432 --> 03:56:22,568 ♪ JOLENE, JOLENE, 6595 03:56:22,635 --> 03:56:25,971 JOLENE, JOLENE ♪ 6596 03:56:26,038 --> 03:56:28,307 ♪ I'M BEGGING OF YOU 6597 03:56:28,374 --> 03:56:32,011 PLEASE DON'T TAKE MY MAN ♪ 6598 03:56:32,077 --> 03:56:35,848 ♪ JOLENE, JOLENE, 6599 03:56:35,915 --> 03:56:41,287 JOLENE, JOLENE ♪ 6600 03:56:41,353 --> 03:56:42,721 ♪ PLEASE DON'T TAKE HIM JUST 6601 03:56:42,788 --> 03:56:45,724 BECAUSE YOU CAN ♪ 6602 03:56:45,791 --> 03:56:48,127 ♪ JOLENE, JOLENE, 6603 03:56:48,193 --> 03:56:50,829 JOLENE, JOLENE ♪ 6604 03:56:50,896 --> 03:56:52,665 ♪ I'M BEGGING OF YOU 6605 03:56:52,731 --> 03:56:58,037 PLEASE DON'T TAKE MY MAN ♪ 6606 03:56:58,103 --> 03:57:01,340 ♪ JOLENE, JOLENE, 6607 03:57:01,407 --> 03:57:11,116 JOLENE, JOLENE ♪ 6608 03:57:11,183 --> 03:57:14,119 [CHEERS AND APPLAUSE] 6609 03:57:14,186 --> 03:57:15,054 >> PLEASE DON'T TAKE HIM JUST 6610 03:57:15,120 --> 03:57:18,791 BECAUSE YOU CAN. 6611 03:57:18,857 --> 03:57:23,662 ♪ ♪ 6612 03:57:23,729 --> 03:57:41,380 [CHEERS AND APPLAUSE] 6613 03:57:41,447 --> 03:57:42,348 ♪ GIRLS ON FILM ♪ 6614 03:57:42,414 --> 03:57:43,616 ♪ TWO MINUTES LATER ♪ 6615 03:57:43,682 --> 03:57:53,626 ♪ GIRLS ON FILM ♪ 6616 03:57:53,692 --> 03:57:54,526 ♪ YOU'RE A HEARTBREAKER ♪ 6617 03:57:54,593 --> 03:57:55,361 ♪ DREAM MAKER, LOVE TAKER ♪ 6618 03:57:55,427 --> 03:57:56,895 ♪ DON'T YOU MESS AROUND 6619 03:57:56,962 --> 03:58:01,800 WITH ME ♪ 6620 03:58:01,867 --> 03:58:02,935 ♪ LIVING AFTER MIDNIGHT ♪ 6621 03:58:03,002 --> 03:58:05,971 ♪ ROCKING TO THE DAWN ♪ 6622 03:58:06,038 --> 03:58:06,639 ♪ YOU'RE SO VAIN ♪ 6623 03:58:06,705 --> 03:58:08,307 ♪ YOU PROBABLY THINK THIS SONG 6624 03:58:08,374 --> 03:58:11,510 IS ABOUT YOU ♪ 6625 03:58:11,577 --> 03:58:13,112 ♪ EVERYBODY, ALL NIGHT LONG ♪ 6626 03:58:13,178 --> 03:58:14,246 ♪ ALL NIGHT LONG ♪ 6627 03:58:14,313 --> 03:58:19,985 ♪ ALL NIGHT ♪ 6628 03:58:20,052 --> 03:58:20,919 ♪ NOW, WOULD I SAY SOMETHING 6629 03:58:20,986 --> 03:58:22,488 THAT WASN'T TRUE? ♪ 6630 03:58:22,554 --> 03:58:24,890 ♪ I'M ASKING YOU, SUGAR ♪ 6631 03:58:24,957 --> 03:58:40,005 ♪ WOULD I LIE TO YOU? ♪ 6632 03:58:40,072 --> 03:58:40,606 ♪ MY COAT OF MANY COLORS ♪ 6633 03:58:40,673 --> 03:58:41,607 ♪ THAT MY MOMMA MADE FOR ME ♪ 6634 03:58:41,674 --> 03:58:42,574 ♪ MADE ONLY FROM RAGS ♪ 6635 03:58:42,641 --> 03:58:48,580 ♪ BUT I WORE IT SO PROUDLY ♪ 6636 03:58:48,647 --> 03:58:49,648 ♪ WE'LL WALK THIS ROAD TOGETHER, 6637 03:58:49,715 --> 03:58:50,115 THROUGH THE STORM ♪ 6638 03:58:50,182 --> 03:58:50,783 ♪ NOW SOME OF YOU MIGHT STILL BE 6639 03:58:50,849 --> 03:58:51,684 IN THAT PLACE ♪ 6640 03:58:51,750 --> 03:58:52,384 ♪ WHATEVER WEATHER, 6641 03:58:52,451 --> 03:58:56,121 COLD OR WARM ♪ 6642 03:58:56,188 --> 03:58:56,822 ♪ GOODNESS GRACIOUS, GREAT BALLS 6643 03:58:56,889 --> 03:59:00,859 OF FIRE ♪ 6644 03:59:00,926 --> 03:59:02,361 >> LUTZ ROCK 'N' ROLL.