1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:01:38,320 --> 00:01:39,520 Yes? 4 00:01:41,840 --> 00:01:43,600 When are you back in Europe? 5 00:01:49,040 --> 00:01:51,720 Late February, or early March? 6 00:01:57,520 --> 00:01:59,240 Should I join you? 7 00:02:01,840 --> 00:02:04,440 Do you want me to join you? 8 00:02:15,840 --> 00:02:18,200 How awful of you to just keep laughing. 9 00:03:42,000 --> 00:03:44,280 "Women have been murdered. 10 00:03:44,920 --> 00:03:46,800 Many poor women. 11 00:03:48,080 --> 00:03:50,280 I wanted to prevent more murders. 12 00:03:51,200 --> 00:03:53,960 Then I realized that every woman remained silent, 13 00:03:54,560 --> 00:03:56,160 was afraid of something. 14 00:03:58,040 --> 00:04:00,440 Afterwards, I was standing with a group of people. 15 00:04:01,680 --> 00:04:04,760 We saw three dogs racing towards us. 16 00:04:07,560 --> 00:04:09,880 But only two of them were really fast. 17 00:04:10,680 --> 00:04:13,280 They reached us soon. The third was... 18 00:04:15,520 --> 00:04:17,040 a kind of bulldog. 19 00:04:20,680 --> 00:04:23,320 And in that moment, it occurred to me... 20 00:04:30,480 --> 00:04:32,560 Maybe it wasn't a person, 21 00:04:33,000 --> 00:04:36,240 maybe this very dog had committed the murders." 22 00:04:43,200 --> 00:04:44,880 Did the dog have a name? 23 00:04:50,800 --> 00:04:51,960 Max. 24 00:04:56,320 --> 00:05:01,840 INGEBORG BACHMANN JOURNEY INTO THE DESERT 25 00:05:59,840 --> 00:06:01,320 Ingeborg Bachmann? 26 00:06:03,080 --> 00:06:04,720 Thank you for coming. 27 00:06:05,240 --> 00:06:06,680 Max Frisch. 28 00:06:12,520 --> 00:06:15,640 Ever since I listened to "The Good God of Manhattan" 29 00:06:16,560 --> 00:06:18,280 I knew I had to meet you. 30 00:06:20,320 --> 00:06:22,360 I even listened to it twice. 31 00:06:24,080 --> 00:06:27,600 The first time at home and then once again at the Hamburg radio station. 32 00:06:28,680 --> 00:06:30,600 I was instantly intrigued. 33 00:06:31,920 --> 00:06:33,400 A completely new voice. 34 00:06:34,880 --> 00:06:36,840 The voice of a woman. 35 00:06:40,440 --> 00:06:44,120 Don't people say it's not always the murderers 36 00:06:44,280 --> 00:06:47,160 but sometimes the murdered ones who are guilty? 37 00:06:48,760 --> 00:06:51,000 That's an Albanian saying. 38 00:06:52,360 --> 00:06:54,360 And I remember another saying. 39 00:06:56,840 --> 00:07:00,720 Everyone had the tendency to dissolve the natural bounds , 40 00:07:02,160 --> 00:07:05,560 only to find that they have nothing to hold on to in the world. 41 00:07:11,080 --> 00:07:13,280 Men understand little about women. 42 00:07:14,480 --> 00:07:17,920 That's why it's important for women to represent themselves. 43 00:07:18,160 --> 00:07:20,160 Is it really that important to you? 44 00:07:23,240 --> 00:07:24,880 Excuse me. 45 00:07:47,560 --> 00:07:49,920 My friends recognized you immediately. 46 00:07:50,640 --> 00:07:52,680 They would have loved to join us 47 00:07:52,840 --> 00:07:54,920 to express their admiration for you. 48 00:07:55,080 --> 00:07:57,160 I had trouble stopping them. 49 00:07:57,320 --> 00:07:58,680 Thank you. 50 00:07:58,840 --> 00:08:00,720 You seem to be a real star in Germany. 51 00:08:01,600 --> 00:08:03,120 Yes, I am. 52 00:08:13,400 --> 00:08:16,160 Do you live with a child? 53 00:08:16,320 --> 00:08:17,400 No. 54 00:08:18,000 --> 00:08:20,000 Do you want to have children? 55 00:08:20,760 --> 00:08:21,800 No. 56 00:08:23,080 --> 00:08:25,360 You seem to know very little about me. 57 00:08:26,520 --> 00:08:27,960 That's surprising. 58 00:08:28,120 --> 00:08:30,680 Considering all the talk and rumors about me. 59 00:08:30,840 --> 00:08:33,160 Does that offend you? 60 00:08:33,320 --> 00:08:34,800 On the contrary. 61 00:08:35,480 --> 00:08:39,000 It's wonderful to meet a man who doesn't want anything from me. 62 00:08:44,760 --> 00:08:47,120 I'm sure your actors are waiting for you. 63 00:08:48,160 --> 00:08:49,760 Let them wait. 64 00:08:51,320 --> 00:08:53,800 But you invited me to your premiere. 65 00:08:53,960 --> 00:08:56,640 Sitting here with you is more important to me. 66 00:09:39,440 --> 00:09:41,280 In Berlin you seemed well. 67 00:09:43,280 --> 00:09:45,120 That's because you came to visit. 68 00:09:47,360 --> 00:09:49,960 Then the fear and the attacks started again. 69 00:09:51,400 --> 00:09:54,160 I was meaning to write that I won't be able to join you. 70 00:09:54,760 --> 00:09:56,320 And then you wrote... 71 00:09:57,920 --> 00:09:59,640 "Let's do everything. 72 00:10:00,480 --> 00:10:02,560 To make it wonderful." 73 00:10:36,080 --> 00:10:39,200 - Where are you going tomorrow? - Back to Germany. 74 00:10:39,760 --> 00:10:40,760 Munich. 75 00:10:43,560 --> 00:10:45,080 I'm going to Zurich. 76 00:10:46,280 --> 00:10:47,760 I live in Zurich. 77 00:10:49,400 --> 00:10:50,840 I know. 78 00:10:53,040 --> 00:10:54,920 What else do you know about me? 79 00:10:57,480 --> 00:10:59,680 That you wish to be liberated. 80 00:11:00,040 --> 00:11:01,200 Liberated? 81 00:11:06,400 --> 00:11:08,240 From the natural bounds. 82 00:11:11,520 --> 00:11:13,040 Yes, you're right. 83 00:11:15,000 --> 00:11:17,160 Because I'm afraid of petrification. 84 00:11:30,360 --> 00:11:33,320 Do you know Apollinaire's "Le Pont Mirabeau"? 85 00:11:35,320 --> 00:11:38,120 Under the Pont Mirabeau the Seine flows 86 00:11:41,080 --> 00:11:43,040 With our loves 87 00:11:43,880 --> 00:11:46,560 Must I recall... 88 00:11:47,960 --> 00:11:49,480 - Again? - again 89 00:11:50,560 --> 00:11:52,720 - Joy - Joy. .. 90 00:11:52,880 --> 00:11:54,840 - Always used to follow - Always used to follow 91 00:11:55,000 --> 00:11:56,480 ... after pain 92 00:12:01,000 --> 00:12:03,320 Let the night come, strike the hour 93 00:12:05,000 --> 00:12:08,000 The days go past but I stay here 94 00:12:10,040 --> 00:12:11,200 Stay. 95 00:12:12,040 --> 00:12:13,920 I beg you, please stay. 96 00:12:55,520 --> 00:12:57,160 You smoke too much. 97 00:12:59,440 --> 00:13:01,040 We all smoke too much. 98 00:13:02,840 --> 00:13:06,440 The men in my stories see women as the more intact being. 99 00:13:07,160 --> 00:13:08,840 Which must be destroyed? 100 00:13:10,880 --> 00:13:12,640 They destroy themselves. On the contrary. 101 00:13:12,800 --> 00:13:14,920 Men try to protect women. 102 00:13:15,680 --> 00:13:17,640 And you think they succeed? 103 00:14:19,720 --> 00:14:21,600 My Lord! 104 00:14:22,400 --> 00:14:24,000 My Lord! 105 00:14:24,880 --> 00:14:26,760 My Lord! 106 00:14:27,720 --> 00:14:33,240 Let him stay with me 107 00:14:33,400 --> 00:14:36,240 A little bit longer 108 00:14:37,080 --> 00:14:41,520 My Beloved! 109 00:14:42,560 --> 00:14:45,360 One day 110 00:14:45,520 --> 00:14:48,800 Two days 111 00:14:49,440 --> 00:14:52,600 Eight days 112 00:14:52,920 --> 00:14:56,520 Why did I quote Apollinaire of all people on our first evening? 113 00:14:58,360 --> 00:15:00,560 The subsequent poem is called 114 00:15:00,720 --> 00:15:02,880 "La Chanson du mal-aimé". 115 00:15:03,400 --> 00:15:05,400 "The Song of the Poorly Loved". 116 00:15:05,560 --> 00:15:07,400 Because you were in Paris. 117 00:15:09,240 --> 00:15:10,840 Maybe you had just crossed a bridge. 118 00:15:11,560 --> 00:15:13,720 I should have thrown myself off it. 119 00:15:28,080 --> 00:15:31,320 I've noticed a few times that children are drawn to you. 120 00:15:34,080 --> 00:15:35,680 There is a picture of me 121 00:15:36,480 --> 00:15:39,080 with my father and my brother as a baby. 122 00:15:39,240 --> 00:15:42,400 I'm holding my brother in my arms as if I were his mother. 123 00:15:43,320 --> 00:15:44,840 How old were you then? 124 00:15:45,000 --> 00:15:46,160 Fourteen. 125 00:15:50,480 --> 00:15:52,440 How old is your brother now? 126 00:15:52,600 --> 00:15:54,440 A bit younger than you. 127 00:15:55,200 --> 00:15:57,400 You reminded me of him straight away. 128 00:15:57,560 --> 00:16:00,200 So, we owe our trip to him? 129 00:16:51,960 --> 00:16:54,160 We should go for a walk. 130 00:16:54,320 --> 00:16:56,920 When the moon is full the desert begins to glow. 131 00:16:57,080 --> 00:16:59,120 I'd rather stay here. 132 00:17:32,720 --> 00:17:33,720 Yes? 133 00:17:33,800 --> 00:17:35,280 Max Frisch . 134 00:17:37,040 --> 00:17:39,040 Max Frisch. Do you remember me? 135 00:17:40,360 --> 00:17:41,360 Yes. 136 00:17:42,280 --> 00:17:46,360 In Paris you said that sometimes you come to Zurich for your readings. 137 00:17:48,960 --> 00:17:51,520 Oh, I see But I... 138 00:17:52,400 --> 00:17:54,200 I don't even write poetry anymore. 139 00:17:54,360 --> 00:17:56,600 But it would be wonderful if you came. 140 00:17:56,720 --> 00:17:58,280 Even without poems. 141 00:18:00,280 --> 00:18:01,960 I think of you every day. 142 00:18:03,320 --> 00:18:04,400 Yes. 143 00:18:05,040 --> 00:18:06,680 Yes, unfortunately... 144 00:18:06,880 --> 00:18:08,520 Even though I should be working. 145 00:18:08,680 --> 00:18:11,280 The publishers are waiting for the manuscript. 146 00:18:12,960 --> 00:18:15,440 Let them wait. I'm coming. 147 00:18:54,360 --> 00:18:55,400 Yes? 148 00:18:56,080 --> 00:18:57,520 Max Frisch. 149 00:18:59,480 --> 00:19:01,320 How nice of you to call. 150 00:19:02,240 --> 00:19:04,560 I already bought my train ticket. 151 00:19:04,720 --> 00:19:06,720 I arrive tomorrow at 2 p.m. 152 00:19:07,560 --> 00:19:09,040 Will you pick me up? 153 00:19:10,520 --> 00:19:13,000 You were going to come today, Ingeborg. 154 00:19:14,000 --> 00:19:16,200 I waited for you at the train station. 155 00:19:17,440 --> 00:19:19,240 Oh dear, really? 156 00:19:20,560 --> 00:19:22,520 I must have mixed up the days. 157 00:19:24,080 --> 00:19:25,520 Yes, you did. 158 00:19:27,800 --> 00:19:29,480 Should I not come anymore? 159 00:19:30,120 --> 00:19:31,880 I could change my ticket. 160 00:19:34,120 --> 00:19:36,800 No, you must come. 161 00:19:38,160 --> 00:19:40,280 Otherwise, I can't write anymore. 162 00:19:42,200 --> 00:19:44,240 Well, I'll be with you tomorrow. 163 00:20:02,000 --> 00:20:05,520 Many of our listeners are downright addicted to your poetry. 164 00:20:05,680 --> 00:20:08,480 They want to know why you stopped writing poems. 165 00:20:15,360 --> 00:20:17,160 I have nothing against poems. 166 00:20:22,440 --> 00:20:24,480 But you must understand that 167 00:20:24,640 --> 00:20:28,080 it's possible to be against every aspect of it. 168 00:20:28,680 --> 00:20:30,840 Against every metaphor, 169 00:20:31,000 --> 00:20:32,600 every sound, 170 00:20:32,760 --> 00:20:35,760 every compulsion to put words together. 171 00:20:37,160 --> 00:20:41,320 Against this absolutely fortuitous manifestation of words and images. 172 00:20:41,760 --> 00:20:43,720 It makes you want to smother it. 173 00:20:44,720 --> 00:20:48,120 So that you can reassess what it's all about. 174 00:20:49,360 --> 00:20:50,880 What it is. 175 00:20:51,400 --> 00:20:52,960 What it should be. 176 00:20:54,840 --> 00:20:58,320 So, you may go back to writing poetry again one day? 177 00:20:59,400 --> 00:21:02,480 I still know very little about poetry. 178 00:21:04,080 --> 00:21:06,200 But one thing I do know is suspicion. 179 00:21:07,200 --> 00:21:09,120 Be suspicious of yourself. 180 00:21:10,120 --> 00:21:12,120 Be suspicious of the words. 181 00:21:12,280 --> 00:21:14,120 Be suspicious of the language. 182 00:21:16,000 --> 00:21:17,840 Delve into this suspicion. 183 00:21:20,000 --> 00:21:21,800 So that one day 184 00:21:23,120 --> 00:21:25,520 maybe something new can arise. 185 00:21:39,520 --> 00:21:41,280 It's all so neat. 186 00:21:43,200 --> 00:21:45,000 Don't you ever write by hand? 187 00:21:45,160 --> 00:21:47,600 Only my diary. 188 00:21:48,160 --> 00:21:49,680 I often write by hand. 189 00:21:49,840 --> 00:21:52,520 But then sometimes I can't read my own writing. 190 00:21:56,120 --> 00:21:58,400 Come. Let's not talk about literature today. 191 00:22:03,880 --> 00:22:05,760 Then what should we talk about? 192 00:22:07,880 --> 00:22:09,320 Your smile. 193 00:22:32,640 --> 00:22:34,080 You're beautiful. 194 00:24:35,280 --> 00:24:37,680 - Do you like reading? - Yes. 195 00:24:38,920 --> 00:24:40,640 And what are you reading? 196 00:24:43,120 --> 00:24:46,320 "The Magician from Villa Fiorita". 197 00:25:15,720 --> 00:25:17,840 La principessa ! A miracle! 198 00:25:19,280 --> 00:25:21,080 Maestro, a surprise. 199 00:25:24,520 --> 00:25:26,480 Finally, bambina ! 200 00:25:27,680 --> 00:25:31,240 I sent numerous telegrams, but you seemed to have vanished. 201 00:25:32,240 --> 00:25:34,160 I missed you. 202 00:25:34,720 --> 00:25:38,080 - I missed you, too. - It's impossible to live without you. 203 00:25:45,000 --> 00:25:46,840 You have fallen in love... 204 00:25:47,360 --> 00:25:49,400 Not as quickly as you can. 205 00:25:49,560 --> 00:25:51,560 But I can tell. 206 00:25:52,040 --> 00:25:53,080 And? 207 00:25:54,480 --> 00:25:56,080 Who is it? 208 00:25:56,800 --> 00:25:58,240 You don't know him. 209 00:25:58,400 --> 00:26:01,120 - What does he want from you? - To marry me. 210 00:26:01,280 --> 00:26:03,200 I'll challenge him to a duel. 211 00:26:05,000 --> 00:26:06,560 Who is it? 212 00:26:06,880 --> 00:26:08,840 A Swiss writer. 213 00:26:09,120 --> 00:26:11,880 His latest play is being performed in Paris. 214 00:26:12,960 --> 00:26:14,640 This philistine! 215 00:26:15,440 --> 00:26:17,320 No, no, please... 216 00:26:17,480 --> 00:26:19,120 He's no man for you. 217 00:26:20,000 --> 00:26:21,840 He wants me to move to Zurich. 218 00:26:22,000 --> 00:26:23,760 I'll prevent that. 219 00:26:27,080 --> 00:26:29,680 If you get married at all, it will be to me. 220 00:26:32,280 --> 00:26:34,000 Let's forget about it. 221 00:26:34,840 --> 00:26:36,600 But let's get to work first. 222 00:26:37,240 --> 00:26:39,280 I've completed the first act. 223 00:26:40,400 --> 00:26:42,280 I hope he doesn't hinder your work. 224 00:26:42,440 --> 00:26:45,920 I bet he's one of those men who always wants his wife in the kitchen. 225 00:26:46,080 --> 00:26:47,520 You're misjudging him. 226 00:26:47,680 --> 00:26:51,040 Writing the music is long overdue. But I can't do it without you. 227 00:26:51,200 --> 00:26:53,960 And you're bailing on me for this wannabe Don Juan. 228 00:26:54,120 --> 00:26:55,800 Well, I'm here now. 229 00:26:55,960 --> 00:26:57,840 Yes. I'm going to lock you up. 230 00:26:58,000 --> 00:26:59,800 So you won't take off again right away. 231 00:27:03,880 --> 00:27:07,640 Natalie 232 00:27:07,800 --> 00:27:09,880 My girl 233 00:27:10,360 --> 00:27:13,000 My bride 234 00:27:15,400 --> 00:27:19,040 You wanted her to be called Nathalie , but somehow it doesn't sing well. 235 00:27:19,800 --> 00:27:22,200 Let me show you with Nathalie. 236 00:27:24,280 --> 00:27:27,840 Nathalie 237 00:27:28,200 --> 00:27:30,480 - My girl - Yes. 238 00:27:30,640 --> 00:27:33,240 - Natalie is better, right? - Yes, it's better. 239 00:27:33,800 --> 00:27:35,760 In the Homburg theme, 240 00:27:36,800 --> 00:27:39,600 the horn section is in B flat major 241 00:27:40,160 --> 00:27:42,640 while the strings are in B flat minor. 242 00:27:44,040 --> 00:27:46,040 Which gives it that sense of dissonance. 243 00:28:10,240 --> 00:28:12,880 I kept the finale the way you wanted it. 244 00:28:13,040 --> 00:28:15,440 The soldiers and court ladies support Homburg. 245 00:28:15,600 --> 00:28:17,800 But the Elector doesn't budge an inch. 246 00:28:19,600 --> 00:28:21,720 Take him away to Fehrbellin 247 00:28:22,400 --> 00:28:24,080 To the headquarters 248 00:28:24,760 --> 00:28:26,480 And towards the final chord... 249 00:28:37,680 --> 00:28:40,680 Tonight, we celebrate the return of the principessa . 250 00:28:40,920 --> 00:28:42,440 To the principessa ! 251 00:28:42,600 --> 00:28:45,000 - And to your new opus. - Our opus. 252 00:28:47,880 --> 00:28:50,280 How do you divide the work between you? 253 00:28:50,440 --> 00:28:52,280 This is not our first collaboration. 254 00:28:52,440 --> 00:28:55,160 I've already set some of her poems to music. 255 00:28:55,320 --> 00:28:57,680 But this time it's a special challenge. 256 00:28:58,360 --> 00:28:59,840 For both of us. 257 00:29:00,000 --> 00:29:02,800 - Did you choose Kleist? - It was a mutual decision. 258 00:29:03,280 --> 00:29:06,840 - And why "Homburg"? - It has to do with our biography. 259 00:29:07,000 --> 00:29:08,880 But it was Lucchino Visconti's idea. 260 00:29:09,760 --> 00:29:12,240 Is he aware of the Nazi misappropriation? 261 00:29:12,400 --> 00:29:15,840 Yes. That's why we chose this piece. 262 00:29:16,000 --> 00:29:19,720 Ingeborg reassembled the text wonderfully. 263 00:29:19,880 --> 00:29:21,760 She reduced the bellicose theme 264 00:29:21,920 --> 00:29:24,480 and emphasized the romantic plot. 265 00:29:25,120 --> 00:29:28,240 I don't know if you have noticed this about the play. 266 00:29:28,400 --> 00:29:30,320 But there is no villain. 267 00:29:30,680 --> 00:29:33,080 Not one character is capable of lowliness. 268 00:29:33,680 --> 00:29:35,560 A dreamer who becomes his own master. 269 00:29:36,120 --> 00:29:39,400 The prince is the first modern protagonist. 270 00:29:39,840 --> 00:29:41,520 Without a fate. 271 00:29:41,680 --> 00:29:43,640 Alone in a fragile world. 272 00:29:43,800 --> 00:29:45,880 That's why he's so relatable to us. 273 00:30:20,880 --> 00:30:23,360 Tonight, you have charmed yet another man. 274 00:30:25,800 --> 00:30:29,520 Leave the other one in Switzerland. Stay here with us. 275 00:30:33,000 --> 00:30:35,480 And promise me never to be unhappy again. 276 00:30:38,120 --> 00:30:40,120 My beloved sleepwalker. 277 00:30:50,280 --> 00:30:52,360 The picture is by Grete Stern. 278 00:30:52,520 --> 00:30:54,280 It's titled "Who am I?". 279 00:30:55,720 --> 00:30:58,120 She studied at the Bauhaus in Dessau. 280 00:30:58,600 --> 00:31:00,920 In 1933 she had to flee Germany. 281 00:31:01,480 --> 00:31:05,080 She first went to London, then to Buenos Aires. 282 00:31:06,040 --> 00:31:09,680 That's where her book of 46 photomontages was published. 283 00:31:09,840 --> 00:31:12,200 It's called "Sueños", dreams. 284 00:31:21,800 --> 00:31:22,880 Sugar? 285 00:31:24,800 --> 00:31:26,680 Can you imagine living with me? 286 00:31:30,560 --> 00:31:32,600 Yes, I can imagine that. 287 00:31:36,520 --> 00:31:38,320 You would move to Zurich? 288 00:31:49,960 --> 00:31:51,680 You'll make me unhappy. 289 00:31:53,400 --> 00:31:55,120 But I'll take that risk. 290 00:31:57,920 --> 00:32:01,040 And what about the risk that you'll make me unhappy? 291 00:32:08,640 --> 00:32:10,720 You'll never be unhappy with me. 292 00:32:12,080 --> 00:32:13,080 Never. 293 00:32:20,160 --> 00:32:22,960 "And the daylight grew thinner and thinner, 294 00:32:23,120 --> 00:32:26,360 a transparent veil in front of the empty cosmos. 295 00:32:27,480 --> 00:32:29,600 But the sun was still shining, 296 00:32:29,760 --> 00:32:32,800 and the over-large moon, the same color as the sandhills, 297 00:32:32,960 --> 00:32:35,480 touched by the last rays of the sun, 298 00:32:35,640 --> 00:32:40,160 appeared out of a violet dusk with no haze. 299 00:32:41,440 --> 00:32:44,200 We drove as fast as our jeep would go 300 00:32:44,360 --> 00:32:47,840 and at the same time not without the solemn knowledge 301 00:32:48,800 --> 00:32:53,480 that our eyes were absolutely the only ones to be seeing all this. 302 00:32:54,600 --> 00:32:56,200 Without them, 303 00:32:56,360 --> 00:32:58,800 without our mortal human eyes 304 00:32:58,960 --> 00:33:01,120 traveling through the desert, 305 00:33:01,280 --> 00:33:03,080 there was no sun. 306 00:33:03,240 --> 00:33:05,880 Only a vast sum of blind energy, 307 00:33:06,040 --> 00:33:07,840 without them no moon, 308 00:33:08,000 --> 00:33:09,880 without them no earth, 309 00:33:10,040 --> 00:33:11,680 no world at all, 310 00:33:12,200 --> 00:33:14,120 no consciousness of creation. 311 00:33:14,840 --> 00:33:17,680 We were filled, I remember, 312 00:33:18,000 --> 00:33:20,000 with a solemn exuberance. 313 00:33:20,160 --> 00:33:22,680 Soon afterwards our back tire burst. 314 00:33:23,800 --> 00:33:25,920 I will never forget the desert." 315 00:33:31,600 --> 00:33:34,000 I've never been to the desert. 316 00:33:34,640 --> 00:33:36,240 I'll take you there. 317 00:34:09,120 --> 00:34:10,760 I want you to bury me. 318 00:34:14,160 --> 00:34:15,640 I want you 319 00:34:16,520 --> 00:34:18,360 to bury me like a mummy. 320 00:34:19,800 --> 00:34:22,560 I want to feel what it feels like to be a mummy. 321 00:34:32,720 --> 00:34:33,920 Hello. 322 00:34:34,080 --> 00:34:35,800 I'd like to see Ms. Bachmann. 323 00:34:37,440 --> 00:34:39,360 Apartment number 12, first floor. 324 00:34:49,000 --> 00:34:50,040 Yes. 325 00:34:51,080 --> 00:34:53,160 Adolf Opel. You invited me. 326 00:34:54,840 --> 00:34:56,400 Have a seat. 327 00:35:15,000 --> 00:35:17,560 Have some tea? Or don't you like tea? 328 00:35:18,200 --> 00:35:21,320 Tea is perfect. Thank you, ma'am. 329 00:35:22,240 --> 00:35:24,360 Ma'am? Goodness... 330 00:35:24,760 --> 00:35:26,240 That sounds awful. 331 00:35:31,840 --> 00:35:34,280 Thank you, I don't smoke, ma'am. 332 00:35:48,920 --> 00:35:52,680 In Vienna I was told that you're a guest of the Ford Foundation 333 00:35:53,360 --> 00:35:55,680 and the only serious woman poet in Germany. 334 00:35:56,320 --> 00:35:57,800 Yes, I am. 335 00:36:05,760 --> 00:36:09,320 But I can't be the only reason why you traveled here from Vienna. 336 00:36:11,400 --> 00:36:15,520 No, I'm doing some research for a film here. 337 00:36:17,040 --> 00:36:19,600 - And do you write, too? - Yes. 338 00:36:19,760 --> 00:36:21,360 I'm a playwright. 339 00:36:35,000 --> 00:36:36,440 How do you like Berlin? 340 00:36:39,520 --> 00:36:41,800 Every day is so gray in Berlin. 341 00:36:42,880 --> 00:36:45,400 You can't sleep here, and you can't get up. 342 00:36:46,720 --> 00:36:49,480 No, I can't like Berlin. 343 00:36:51,800 --> 00:36:53,960 - And Vienna? - Neither. 344 00:36:58,240 --> 00:37:00,400 Is there a city where you could feel at home? 345 00:37:01,280 --> 00:37:02,280 Rome. 346 00:37:03,520 --> 00:37:06,080 Rome before the catastrophe that ruined me. 347 00:37:10,360 --> 00:37:12,600 I have been driven out of that city. 348 00:37:14,680 --> 00:37:16,120 Yes, driven out. 349 00:37:28,520 --> 00:37:30,040 I'm still here. 350 00:37:31,440 --> 00:37:32,840 Oh... 351 00:37:33,000 --> 00:37:35,680 Would you come back tomorrow at the same time? 352 00:37:36,600 --> 00:37:37,640 Gladly. 353 00:38:03,880 --> 00:38:06,960 - How long will you stay in Berlin? - Just a few days. 354 00:38:07,360 --> 00:38:09,200 Next week I'm going to Prague. 355 00:38:09,360 --> 00:38:10,520 Really? 356 00:38:10,680 --> 00:38:13,280 My texts were just translated into Czech there. 357 00:38:13,440 --> 00:38:15,120 Yes, I know. 358 00:38:15,760 --> 00:38:17,440 There will also be a reading. 359 00:38:18,120 --> 00:38:19,560 Oh, really? 360 00:38:20,560 --> 00:38:22,080 I didn't know that. 361 00:38:23,480 --> 00:38:25,080 I'm going to attend it. 362 00:38:27,080 --> 00:38:28,520 Thank you. 363 00:38:29,480 --> 00:38:31,400 Afterwards I'm going to Egypt 364 00:38:32,040 --> 00:38:33,560 and to the desert. 365 00:38:35,720 --> 00:38:37,160 The desert... 366 00:38:37,880 --> 00:38:40,120 Do you know the movie "Lawrence of Arabia"? 367 00:38:40,320 --> 00:38:42,040 - Starring Omar Sharif? - Yes. 368 00:38:59,240 --> 00:39:02,160 Why don't you come to the desert with me? 369 00:39:06,840 --> 00:39:08,880 Forgive me for this absurd question. 370 00:39:12,720 --> 00:39:14,880 I'll come with you. 371 00:39:24,720 --> 00:39:27,400 Would you really come to the desert with me? 372 00:39:27,560 --> 00:39:30,000 Why does that surprise you? 373 00:39:34,840 --> 00:39:37,480 Come and sit with me again. 374 00:40:05,560 --> 00:40:09,280 It's very difficult to explain Mexico's complicated history in just 150 pages. 375 00:40:09,440 --> 00:40:12,200 But the publisher won't give me more space. 376 00:40:12,360 --> 00:40:15,320 I suggest that you write the way you intended. 377 00:40:15,480 --> 00:40:18,480 He may like it so much that he will accept your entire text. 378 00:40:18,640 --> 00:40:20,080 You think so? 379 00:40:20,240 --> 00:40:22,520 That's how a Viennese author would do it. 380 00:41:52,120 --> 00:41:55,040 - Do you have a light? - No, I don't. 381 00:42:21,800 --> 00:42:22,920 Forgive me. 382 00:42:29,040 --> 00:42:30,520 I'm sorry. 383 00:42:35,040 --> 00:42:37,120 I thought I was going to die. 384 00:43:46,960 --> 00:43:48,480 There you are. 385 00:43:49,600 --> 00:43:51,240 Is there still no espresso? 386 00:43:51,400 --> 00:43:54,880 Well, nobody here asks for it, ma'am. 387 00:43:55,560 --> 00:43:58,000 If this were a cappuccino at least... 388 00:43:58,800 --> 00:44:00,880 No, let it be. 389 00:44:01,600 --> 00:44:03,640 I'll have to get used to it. 390 00:44:03,800 --> 00:44:05,920 I'll have to get used to many things. 391 00:44:06,080 --> 00:44:07,600 Well, yes... 392 00:44:07,760 --> 00:44:09,720 I guess so, ma'am. 393 00:44:33,520 --> 00:44:35,800 Has my good girl done the dishes? 394 00:44:36,800 --> 00:44:38,560 You could have done it, too. 395 00:44:38,960 --> 00:44:40,400 Why me? 396 00:44:40,800 --> 00:44:42,240 You got up before me. 397 00:44:42,840 --> 00:44:45,920 - I need to work in the morning. - And I don't? 398 00:44:46,520 --> 00:44:48,400 It doesn't really seem like it since you've been here. 399 00:44:48,560 --> 00:44:51,920 Because your Kalashnikov is driving me insane. 400 00:44:57,360 --> 00:44:59,960 They haven't invented silent typewriters yet. 401 00:45:03,880 --> 00:45:06,320 I'll go see a friend this afternoon. 402 00:45:06,480 --> 00:45:08,920 Then my girl can work in peace and quiet. 403 00:45:09,520 --> 00:45:11,480 I can't do it on command. 404 00:45:12,440 --> 00:45:14,720 Is the principessa a bit upset? 405 00:45:16,000 --> 00:45:18,880 What can I do to cheer her up? 406 00:45:20,800 --> 00:45:22,680 Vanish into thin air? 407 00:45:55,800 --> 00:45:57,600 Wonderful. I'm glad. 408 00:46:17,160 --> 00:46:18,200 Thank you. 409 00:46:26,760 --> 00:46:28,600 Did you get some work done? 410 00:46:28,760 --> 00:46:31,160 I had trouble finding the right words. 411 00:46:32,640 --> 00:46:34,640 I don't quite believe it. 412 00:46:34,800 --> 00:46:37,440 Because you're not too particular about them. 413 00:46:37,880 --> 00:46:39,440 What do you mean by that? 414 00:46:40,160 --> 00:46:42,000 You're more carefree. 415 00:46:42,160 --> 00:46:43,800 And you're less carefree? 416 00:46:44,840 --> 00:46:45,960 Yes. 417 00:46:47,240 --> 00:46:50,160 On the phone, you didn't sound like it. 418 00:47:03,600 --> 00:47:06,040 Would you like to read me your text? 419 00:47:38,080 --> 00:47:39,880 Aren't you hot? 420 00:47:40,680 --> 00:47:42,560 The heat is killing me. 421 00:47:44,240 --> 00:47:46,000 I think it's wonderful. 422 00:47:47,600 --> 00:47:49,240 This danger... 423 00:47:51,080 --> 00:47:53,160 I think I'm going to get well here. 424 00:47:53,720 --> 00:47:55,640 And I'm getting a sunburn. 425 00:48:20,920 --> 00:48:23,120 Is that why you wanted to come with me? 426 00:48:23,280 --> 00:48:24,720 To forget? 427 00:48:25,840 --> 00:48:28,480 After the separation I was very sick. 428 00:48:29,080 --> 00:48:31,120 So I was told. 429 00:48:31,280 --> 00:48:35,440 That's why I was surprised when you asked me to see you. 430 00:48:35,600 --> 00:48:38,440 Maybe I felt that you could be my savior. 431 00:48:38,600 --> 00:48:40,800 Right now, you're the one saving me. 432 00:48:57,440 --> 00:48:59,560 Sometimes I love my misery. 433 00:49:00,680 --> 00:49:02,520 It's like a distinction, 434 00:49:02,680 --> 00:49:04,560 as if I were a martyr 435 00:49:04,720 --> 00:49:06,640 who comes closer to God in this way. 436 00:49:07,560 --> 00:49:09,680 And I don't even believe in a god. 437 00:49:10,480 --> 00:49:12,960 What about "The Good God of Manhattan?". 438 00:49:14,640 --> 00:49:16,120 Leave him out of it. 439 00:49:20,360 --> 00:49:24,240 "When, in my radio play, 'The Good God of Manhattan' 440 00:49:24,680 --> 00:49:28,120 all questions come down to the love between man and woman 441 00:49:28,720 --> 00:49:31,520 and what it is, what course it takes, 442 00:49:32,360 --> 00:49:35,680 and how little or how much it can be, 443 00:49:36,040 --> 00:49:37,840 one might say: 444 00:49:38,320 --> 00:49:40,520 But that is a borderline case. 445 00:49:41,600 --> 00:49:44,880 A borderline case is embedded in each and every situation, 446 00:49:45,040 --> 00:49:48,280 however, even in the most commonplace one of love, 447 00:49:48,600 --> 00:49:51,600 one that we can detect upon closer scrutiny 448 00:49:52,120 --> 00:49:55,680 and one that we should perhaps always endeavor to detect. 449 00:49:56,880 --> 00:50:00,680 For in everything that we do, think, and feel 450 00:50:00,800 --> 00:50:03,360 we would sometimes prefer to go to extremes. 451 00:50:04,680 --> 00:50:09,880 Within us, a wish stirs to transcend the boundaries that have been set. 452 00:50:10,480 --> 00:50:16,200 In the interplay of the impossible and the possible, we expand our possibilities. 453 00:50:16,800 --> 00:50:21,760 Who, if not those among you who have met with a grave misfortune, 454 00:50:22,960 --> 00:50:28,680 could better testify that our power reaches farther than our affliction, 455 00:50:28,840 --> 00:50:33,920 that a person deprived of many things is capable of pulling himself up again, 456 00:50:34,080 --> 00:50:37,120 that it is possible to exist in disillusionment, 457 00:50:37,280 --> 00:50:39,280 that is to say without illusion. 458 00:50:40,440 --> 00:50:44,920 I believe that human beings are permitted one sort of pride, 459 00:50:45,520 --> 00:50:51,000 the pride of one who does not give up in the dark imprisonment of the world 460 00:50:51,160 --> 00:50:53,040 and never ceases." 461 00:51:16,160 --> 00:51:17,640 Mr. Frisch. 462 00:51:17,800 --> 00:51:21,040 We're very honored by your presence at this award. 463 00:51:21,200 --> 00:51:24,440 Had we known, we would have introduced you to the audience. 464 00:51:24,600 --> 00:51:26,080 And how? 465 00:51:26,240 --> 00:51:27,800 I would have said your name. 466 00:51:27,960 --> 00:51:30,880 - The audience knows you. - Even though I don't write radio plays? 467 00:51:31,320 --> 00:51:32,440 Gladly. 468 00:51:32,600 --> 00:51:35,560 I have to catch the train. Pleasure meeting you. 469 00:51:35,720 --> 00:51:37,960 - Bye. Safe travels. - Safe travels. 470 00:51:39,200 --> 00:51:42,480 - Who was that? - An editor from Bavarian Broadcasting. 471 00:51:42,640 --> 00:51:44,680 Why didn't you introduce me? 472 00:51:44,840 --> 00:51:47,520 He just wanted to fix a date for Munich. 473 00:51:48,400 --> 00:51:50,320 Is he one of your lovers? 474 00:51:50,480 --> 00:51:52,640 He wants me to present my radio play in Munich 475 00:51:52,800 --> 00:51:54,560 and to do a long interview. 476 00:51:54,720 --> 00:51:57,040 - It won't stop at that. - Max, enough! 477 00:52:01,800 --> 00:52:04,240 - There she is. - Thank you, Ms. Bachmann. 478 00:52:04,400 --> 00:52:07,600 - Wonderful. Just wonderful. - My compliments. 479 00:52:07,840 --> 00:52:11,200 - Congratulations. - What a great radio play! 480 00:52:11,800 --> 00:52:15,000 Your voice Ms. Bachmann, your beautiful voice. 481 00:52:31,680 --> 00:52:33,560 Your speech really was very good. 482 00:52:34,160 --> 00:52:35,760 Were you even listening? 483 00:52:36,840 --> 00:52:38,280 Of course. 484 00:52:39,000 --> 00:52:41,120 You were taking notes the whole time. 485 00:52:43,680 --> 00:52:46,080 I had an idea for a new novel. 486 00:52:46,240 --> 00:52:48,360 Featuring blind people? 487 00:52:48,520 --> 00:52:51,480 No, just one blind man who isn't really blind. 488 00:52:51,640 --> 00:52:53,600 He only pretends to be blind. 489 00:52:55,440 --> 00:52:57,600 And why? 490 00:52:58,080 --> 00:52:59,880 So he can discover the truth. 491 00:53:00,040 --> 00:53:02,040 About himself or others? 492 00:53:03,280 --> 00:53:07,040 In your speech you said: "Truth is within human reach". 493 00:53:09,040 --> 00:53:10,560 So you were listening after all. 494 00:53:47,400 --> 00:53:49,360 "I will write a book that contains 495 00:53:49,840 --> 00:53:51,640 what defines my life ." 496 00:54:08,320 --> 00:54:10,200 - Thank you. - You have beautiful hair. 497 00:54:10,360 --> 00:54:11,800 How are you? 498 00:54:13,440 --> 00:54:17,080 - You have beautiful hair. - I don't speak Arabic. 499 00:54:17,320 --> 00:54:20,760 - I'm Ahmed. - My name is Essam. 500 00:54:21,000 --> 00:54:23,160 - And yours? - And yours? 501 00:54:23,360 --> 00:54:25,520 My name is Essam. 502 00:54:26,200 --> 00:54:28,760 - His name is... - Ahmed. And yours? 503 00:54:30,040 --> 00:54:32,400 - My name is Ingeborg. - Ingeborg. 504 00:54:35,240 --> 00:54:36,720 What are you writing? 505 00:54:36,960 --> 00:54:39,040 - I'm writing. - Are you writing a book? 506 00:54:42,200 --> 00:54:44,720 - Alright, take care. - Good evening. 507 00:54:44,920 --> 00:54:47,040 - Good-bye. - Good-bye. 508 00:54:57,640 --> 00:54:59,160 Do you like them? 509 00:54:59,480 --> 00:55:01,080 I like young men. 510 00:55:01,560 --> 00:55:03,000 Me too. 511 00:55:10,000 --> 00:55:12,800 I've always wanted to sleep with several men. 512 00:55:13,640 --> 00:55:15,640 I've never told anyone. 513 00:55:17,720 --> 00:55:19,520 And what about women? 514 00:55:19,680 --> 00:55:20,680 No. 515 00:55:22,240 --> 00:55:23,680 Only men. 516 00:55:23,840 --> 00:55:26,120 And only as young and beautiful as them. 517 00:56:03,000 --> 00:56:04,760 Inge, I'm back! 518 00:56:20,000 --> 00:56:21,040 Hi. 519 00:56:28,840 --> 00:56:30,400 Who sent you the flowers? 520 00:56:33,800 --> 00:56:36,360 They arrived yesterday without a name. 521 00:56:37,080 --> 00:56:38,640 Who sent them? 522 00:56:39,880 --> 00:56:43,000 I thought maybe they were from you for me. 523 00:56:44,640 --> 00:56:46,200 No, they're not. 524 00:56:46,760 --> 00:56:48,440 So, who sent them? 525 00:56:50,960 --> 00:56:52,480 I don't know. 526 00:56:53,880 --> 00:56:55,440 You're lying. 527 00:56:56,840 --> 00:56:58,320 Tell me who. 528 00:57:01,240 --> 00:57:02,760 Tell me right now. 529 00:57:02,920 --> 00:57:05,840 No man sends red roses without wanting something in return. 530 00:57:07,080 --> 00:57:08,680 I got them for you. 531 00:57:09,600 --> 00:57:11,600 I wanted to make you happy. 532 00:57:12,840 --> 00:57:14,600 And one more thing. 533 00:57:14,760 --> 00:57:16,440 Do you notice anything? 534 00:57:19,000 --> 00:57:21,640 I bought it, thinking you would like it. 535 00:57:25,720 --> 00:57:27,520 Don't change the subject. 536 00:57:27,680 --> 00:57:29,640 Tell me the truth. 537 00:57:38,600 --> 00:57:41,880 Instead of buying flowers you should have cooked a decent meal. 538 00:59:10,240 --> 00:59:12,480 I would really like to ride a camel. 539 00:59:15,680 --> 00:59:17,640 It isn't hard to ride one. 540 00:59:17,800 --> 00:59:20,200 But it's easy to fall off when it stands up. 541 00:59:21,320 --> 00:59:22,920 I'd still like to try. 542 00:59:23,400 --> 00:59:25,080 What about your dizziness? 543 00:59:30,040 --> 00:59:31,480 That's gone. 544 00:59:36,400 --> 00:59:38,880 - How does it feel? - Wonderful. 545 00:59:39,320 --> 00:59:41,880 I wish I could join the caravan. 546 00:59:42,040 --> 00:59:44,320 Like Lady Jane Ellenborough. 547 00:59:44,480 --> 00:59:45,560 Yes. 548 00:59:46,400 --> 00:59:49,120 All that's missing is the right sheikh. 549 00:59:51,120 --> 00:59:53,400 How about Omar Sharif as sheikh? 550 00:59:54,560 --> 00:59:55,640 Divine. 551 01:00:12,800 --> 01:00:15,800 I never knew that one finger could make so much noise. 552 01:00:18,640 --> 01:00:21,000 - We need to talk. - Not now. 553 01:00:22,480 --> 01:00:24,040 Yes, now. 554 01:00:25,280 --> 01:00:28,160 I had a sleepless night thinking about it. 555 01:00:28,320 --> 01:00:31,240 I'm sorry to hear that, but please let me work now. 556 01:00:33,680 --> 01:00:35,960 Can't you stop typing for once? 557 01:00:37,120 --> 01:00:39,400 I'd like us to move to Rome together. 558 01:00:40,960 --> 01:00:42,720 I can't bear it here any longer. 559 01:00:44,280 --> 01:00:45,840 You mean you can't bear me anymore. 560 01:00:46,000 --> 01:00:47,720 No, Zurich. 561 01:00:48,520 --> 01:00:50,760 My typewriter will be just as noisy in Rome. 562 01:00:50,920 --> 01:00:55,240 Yes, but that's my city. People there are much friendlier too. 563 01:00:55,560 --> 01:00:58,120 I could go ahead and start to look for a flat. 564 01:00:58,600 --> 01:01:00,600 Maybe in my old quarter in Via Giulia. 565 01:01:03,160 --> 01:01:04,800 What have I done wrong? 566 01:01:05,440 --> 01:01:07,120 Not you... 567 01:01:07,280 --> 01:01:09,480 I did something wrong. 568 01:01:09,640 --> 01:01:11,720 I didn't think that... 569 01:01:12,000 --> 01:01:13,200 Yes, what? 570 01:01:19,080 --> 01:01:21,960 - I can't write. - And that's my fault? 571 01:01:23,520 --> 01:01:24,960 Yes, maybe. 572 01:01:29,680 --> 01:01:32,320 Why don't you look for a study in Zurich? 573 01:01:33,040 --> 01:01:35,080 Where you can work undisturbed. 574 01:01:35,240 --> 01:01:37,360 And I don't need to feel guilty. 575 01:01:38,520 --> 01:01:40,720 A friend of mine has rooms to rent. 576 01:01:41,400 --> 01:01:43,040 I'll take care of it tomorrow. 577 01:01:43,200 --> 01:01:46,360 You'll get your driving license, and I'll gift you a car. 578 01:01:47,720 --> 01:01:49,840 Would that please my lady? 579 01:01:56,360 --> 01:01:58,560 See how beautiful Switzerland can be. 580 01:02:00,720 --> 01:02:02,680 I could never move away from here. 581 01:02:26,080 --> 01:02:28,160 It's like the beginning of the world. 582 01:02:29,480 --> 01:02:31,520 Starting all over again... 583 01:02:32,640 --> 01:02:34,280 That would be nice. 584 01:02:36,280 --> 01:02:40,360 There is nothing more beautiful under the sun than to be under the sun 585 01:02:45,520 --> 01:02:47,880 You know my poems? 586 01:02:48,040 --> 01:02:49,800 I know all of your poems. 587 01:02:53,200 --> 01:02:57,080 More beautiful than the remarkable moon and her noble light 588 01:02:58,960 --> 01:03:02,840 More beautiful than the stars, the famous medals of the night 589 01:03:04,360 --> 01:03:07,640 More beautiful than the fiery entrance of a comet 590 01:03:09,680 --> 01:03:14,040 And having a more beautiful mission than all the other celestial bodies 591 01:03:14,200 --> 01:03:17,120 For every day your life and mine depend on it 592 01:03:17,800 --> 01:03:19,760 That is the sun 593 01:04:41,200 --> 01:04:43,200 Welcome, Ms. Bachmann. 594 01:04:43,800 --> 01:04:46,280 Are you here to meet Maestro Ungaretti? 595 01:04:46,440 --> 01:04:48,000 - Yes. - This way, please. 596 01:04:48,160 --> 01:04:49,880 He's right there in the back. 597 01:04:50,520 --> 01:04:51,560 Thank you. 598 01:04:59,080 --> 01:05:01,640 It's always a great pleasure to meet you. 599 01:05:02,320 --> 01:05:04,440 Welcome back to our city. 600 01:05:05,200 --> 01:05:07,320 Thank you for coming, Maestro. 601 01:05:10,800 --> 01:05:13,640 I still have a few questions regarding the translation. 602 01:05:13,800 --> 01:05:17,080 - I'm at your disposal. - Thank you. 603 01:05:18,000 --> 01:05:19,480 My German friends tell me 604 01:05:19,640 --> 01:05:24,400 that your translation of my poetry is exceptional. 605 01:05:25,560 --> 01:05:28,760 You're bestowing a great gift upon me. 606 01:05:29,520 --> 01:05:31,560 I don't know how to thank you. 607 01:05:32,160 --> 01:05:34,880 I have to thank you for your trust. 608 01:05:35,360 --> 01:05:37,640 I have complete trust in you. 609 01:05:39,040 --> 01:05:43,280 It's a shame that I don't understand any German. 610 01:05:44,080 --> 01:05:48,520 I would love to make your poems known in Italy. 611 01:05:48,680 --> 01:05:49,920 Thank you. 612 01:05:50,080 --> 01:05:53,080 Only those who have the gift of poetry 613 01:05:53,360 --> 01:05:55,800 can translate a poet. 614 01:05:55,960 --> 01:05:57,200 Yes. 615 01:06:20,760 --> 01:06:22,720 Roma non risponde. 616 01:06:27,400 --> 01:06:29,640 You have returned 617 01:06:31,080 --> 01:06:33,240 after being away for four years. 618 01:06:34,040 --> 01:06:36,080 What is it about Rome? 619 01:06:36,240 --> 01:06:38,400 What does Rome mean to you? 620 01:06:41,400 --> 01:06:44,040 Maybe I can explain it with an image. 621 01:06:46,160 --> 01:06:48,360 It is said that Bernini 622 01:06:48,520 --> 01:06:51,480 gave the colonnades of St. Peter's 623 01:06:52,400 --> 01:06:56,160 the outline of two arms 624 01:06:56,320 --> 01:06:58,840 that embrace mankind. 625 01:06:59,280 --> 01:07:02,200 In other big cities in Europe or America 626 01:07:02,360 --> 01:07:04,160 it's easy to grow lonely. 627 01:07:05,200 --> 01:07:07,600 What's fascinating about this city is that, 628 01:07:08,720 --> 01:07:10,760 at least for me, 629 01:07:11,320 --> 01:07:12,920 Rome is a city 630 01:07:13,080 --> 01:07:15,840 that can make you feel at home, spiritually. 631 01:07:16,400 --> 01:07:19,520 It's one of the last few places 632 01:07:20,280 --> 01:07:22,280 where you can feel embraced. 633 01:07:24,800 --> 01:07:26,240 Excuse me. 634 01:07:34,840 --> 01:07:36,840 I'm just giving an interview. 635 01:07:37,000 --> 01:07:38,960 I'll quickly finish it. 636 01:07:44,280 --> 01:07:46,080 Rome is an open city, 637 01:07:46,240 --> 01:07:48,040 just like its colonnades. 638 01:07:48,200 --> 01:07:50,920 It exerts a certain power 639 01:07:51,080 --> 01:07:54,880 by way of the intertwined images of times gone by. 640 01:07:56,440 --> 01:07:58,760 Maybe that's where the message lies, 641 01:07:59,480 --> 01:08:02,000 the message of a city that's also utopian. 642 01:08:03,200 --> 01:08:06,320 The effect of Rome arises not only from what exists, 643 01:08:07,040 --> 01:08:10,640 but also from the possibilities 644 01:08:11,360 --> 01:08:14,280 contained in its multi-layered existence. 645 01:08:24,160 --> 01:08:25,480 Well... 646 01:08:25,640 --> 01:08:28,200 - Goodbye. - Thank you again, Ms. Bachmann. 647 01:08:32,320 --> 01:08:34,240 Why didn't you call? 648 01:08:34,400 --> 01:08:35,520 I did. 649 01:08:36,680 --> 01:08:37,920 For days. 650 01:08:39,040 --> 01:08:41,600 The answer was always: "Roma non risponde ". 651 01:08:41,760 --> 01:08:43,520 "Roma non risponde ." 652 01:08:44,120 --> 01:08:45,520 I was worried about you. 653 01:08:45,880 --> 01:08:47,760 Why should you be worried? 654 01:08:48,720 --> 01:08:50,800 I'm finally back in my city. 655 01:08:53,480 --> 01:08:54,920 That must be Ungaretti. 656 01:09:01,080 --> 01:09:02,760 Good morning, Maestro. 657 01:09:02,920 --> 01:09:04,760 How nice to hear from you. 658 01:09:05,680 --> 01:09:08,320 For dinner? Yes, I'd love to. 659 01:09:09,960 --> 01:09:11,320 See you tomorrow. 660 01:09:21,200 --> 01:09:23,520 Can I help you? 661 01:09:24,040 --> 01:09:25,920 Certainly not. 662 01:09:26,080 --> 01:09:28,320 I want to surprise you. 663 01:09:37,800 --> 01:09:39,080 Welcome. 664 01:09:40,240 --> 01:09:42,040 You're going to like Rome. 665 01:09:53,960 --> 01:09:55,440 Darn it! 666 01:09:55,600 --> 01:09:57,320 That's a mean ruse. 667 01:09:58,360 --> 01:10:00,040 I learnt it from my father. 668 01:10:03,360 --> 01:10:04,840 Marry me. 669 01:10:05,840 --> 01:10:08,000 Your father would be pleased. 670 01:10:12,640 --> 01:10:14,080 Look at me. 671 01:10:17,920 --> 01:10:19,400 Marry me. 672 01:10:21,920 --> 01:10:24,520 But you turned down his proposal. 673 01:10:26,200 --> 01:10:27,240 Why? 674 01:10:30,320 --> 01:10:34,200 Marriage is an impossible institution for a working woman, 675 01:10:34,360 --> 01:10:36,280 a thinking woman, a self-determined woman. 676 01:10:41,040 --> 01:10:42,880 Did he understand? 677 01:10:43,160 --> 01:10:45,320 He should have been happy to hear it. 678 01:10:45,840 --> 01:10:48,440 He had been married once before. 679 01:10:48,640 --> 01:10:52,240 And he broke free from fear of petrification, as he put it. 680 01:10:54,040 --> 01:10:55,480 You share that fear? 681 01:10:58,440 --> 01:11:01,440 I've always known that I'm against marriage. 682 01:11:02,520 --> 01:11:04,200 Even as a child. 683 01:11:05,080 --> 01:11:07,000 Against any legal relationship. 684 01:11:07,600 --> 01:11:10,600 That doesn't mean that non-legalized relationships 685 01:11:11,360 --> 01:11:14,080 can't end just as tragically and terribly. 686 01:11:16,480 --> 01:11:19,040 I've thought a lot about fascism. 687 01:11:19,960 --> 01:11:21,520 And how it begins. 688 01:11:22,640 --> 01:11:25,560 It starts in the relationships between people. 689 01:11:27,040 --> 01:11:28,440 Fascism is the first element 690 01:11:28,520 --> 01:11:31,320 in the relationship between a man and a woman. 691 01:11:34,600 --> 01:11:36,880 In this society there is always war. 692 01:11:44,760 --> 01:11:46,200 How handsome. 693 01:11:47,760 --> 01:11:49,320 I feel like in a costume. 694 01:11:50,320 --> 01:11:53,520 - How about an elegant tie? - Certainly, take your pick. 695 01:11:53,720 --> 01:11:55,840 These could match. What do you think? 696 01:11:56,000 --> 01:11:58,360 - Yes. - Let's try it on. 697 01:12:00,000 --> 01:12:01,280 What elegance. 698 01:12:01,800 --> 01:12:04,640 What an extraordinary man, right? 699 01:12:04,800 --> 01:12:05,800 Yes. 700 01:12:05,920 --> 01:12:07,760 - Do you want to try? - Yes. 701 01:12:12,000 --> 01:12:15,480 - You're turning me into a dandy. - It looks just wonderful. 702 01:12:16,240 --> 01:12:19,440 - I'll get changed again. - Leave it on. 703 01:12:19,800 --> 01:12:21,800 We'll go to our café. 704 01:12:21,960 --> 01:12:24,280 And you'll blend right in. 705 01:12:26,560 --> 01:12:28,280 Allow me, please. 706 01:12:31,240 --> 01:12:32,680 There you go. 707 01:12:34,360 --> 01:12:36,720 What a handsome man. 708 01:12:54,960 --> 01:12:56,960 - Good evening, Ms. Bachmann. - Good evening. 709 01:12:57,120 --> 01:12:58,680 Nice to see you again. 710 01:13:11,600 --> 01:13:12,680 Hello. 711 01:13:15,760 --> 01:13:18,760 - Good evening. - I didn't know you were in Rome. 712 01:13:19,240 --> 01:13:21,960 I had a reading at the Goethe Institute. 713 01:13:22,120 --> 01:13:24,680 What a pity. I'd have liked to come. 714 01:13:24,840 --> 01:13:27,960 I had no idea you were back. I'd have invited you. 715 01:13:28,920 --> 01:13:30,600 How long are you staying? 716 01:13:31,240 --> 01:13:33,240 I have to return to Berlin tomorrow. 717 01:13:35,160 --> 01:13:36,600 I don't want to keep you. 718 01:13:36,760 --> 01:13:38,760 - See you soon. - Yes. 719 01:13:45,440 --> 01:13:47,520 He's a member of Group 47. 720 01:13:48,120 --> 01:13:50,040 You never join me for their events. 721 01:13:50,200 --> 01:13:52,480 As your appendage? No, thank you. 722 01:13:54,080 --> 01:13:57,120 - The usual? Two whiskeys? - Yes. 723 01:13:57,920 --> 01:13:59,200 Certainly. 724 01:14:07,000 --> 01:14:09,520 You look like a real Italian in this suit. 725 01:14:11,520 --> 01:14:13,680 I'll end up having to dance as well. 726 01:14:14,720 --> 01:14:17,400 Yes, that's a good idea. 727 01:14:17,840 --> 01:14:19,440 Let's dance. 728 01:14:20,000 --> 01:14:21,680 So everyone can admire you? 729 01:14:24,680 --> 01:14:26,400 Isn't it true 730 01:14:26,840 --> 01:14:28,760 that you're acting like a star? 731 01:14:47,280 --> 01:14:48,920 Two glasses of whiskey. 732 01:14:51,960 --> 01:14:53,640 There you go. Cheers! 733 01:16:04,920 --> 01:16:06,200 Goddammit! 734 01:16:35,160 --> 01:16:36,720 Oh, crap! 735 01:16:46,040 --> 01:16:50,120 I believe that all people in all relationships talk past one another. 736 01:16:51,440 --> 01:16:56,680 All of us are essentially alone with our untranslatable thoughts and feelings. 737 01:18:29,360 --> 01:18:31,040 I was his object of study. 738 01:18:31,200 --> 01:18:33,400 I always told you he's a monster. 739 01:18:34,280 --> 01:18:37,280 Do you think he had that in mind right from the start? 740 01:18:37,800 --> 01:18:41,680 All those declarations of love just to keep me happy and quiet? 741 01:18:41,840 --> 01:18:43,440 He had never met a woman like you. 742 01:18:44,400 --> 01:18:46,080 You threw him off course. 743 01:18:46,240 --> 01:18:47,800 He needs reality. 744 01:18:47,960 --> 01:18:49,440 He needs a prey. 745 01:18:49,720 --> 01:18:51,440 You're his prey. 746 01:19:00,600 --> 01:19:02,560 - You must save yourself. - I can't do it. 747 01:19:02,720 --> 01:19:05,520 And then follow a disciplined work schedule. 748 01:19:05,680 --> 01:19:08,640 - I want him to accept his wrongdoing. - He won't. 749 01:19:08,960 --> 01:19:10,040 Why not? 750 01:19:10,200 --> 01:19:12,240 You're a mystery to him. 751 01:19:13,840 --> 01:19:16,520 Maybe he believes he can comprehend you through writing. 752 01:19:39,240 --> 01:19:41,960 Ingeborg, I can't find my diary. 753 01:19:42,760 --> 01:19:44,360 I burnt it. 754 01:19:46,560 --> 01:19:48,680 You did what? 755 01:19:49,480 --> 01:19:51,080 I burnt your diary. 756 01:19:54,520 --> 01:19:56,800 You have no right to write about me. 757 01:19:57,560 --> 01:19:59,240 But you're part of my life. 758 01:20:01,000 --> 01:20:03,760 A writer lives on language. 759 01:20:03,920 --> 01:20:05,480 And not on the lives of others. 760 01:20:05,640 --> 01:20:08,600 And especially not that of the woman he's with. 761 01:20:08,760 --> 01:20:12,760 And I don't appear in any of your stories? 762 01:20:12,920 --> 01:20:14,520 I write about men. 763 01:20:14,680 --> 01:20:16,680 But they are metaphors, reflections of myself. 764 01:20:16,840 --> 01:20:18,920 Because you live a lie. 765 01:20:19,080 --> 01:20:20,840 But I rely on the truth. 766 01:20:23,000 --> 01:20:26,040 - We had a pact. - What pact? 767 01:20:26,280 --> 01:20:30,160 A pact that has nothing to do with being faithful in the usual sense. 768 01:20:30,320 --> 01:20:33,280 A pact that is about trust. And you betrayed it. 769 01:20:33,960 --> 01:20:37,240 It's a betrayal of trust, of confidence, of secrets. 770 01:20:37,400 --> 01:20:38,600 Betrayal... 771 01:20:39,120 --> 01:20:42,760 A big word coming from you. With all of your secrets. 772 01:20:44,320 --> 01:20:48,280 There is only the one secret between two people who get together. 773 01:20:50,840 --> 01:20:52,520 That is the pact. 774 01:20:52,680 --> 01:20:54,960 I would never use you 775 01:20:55,360 --> 01:20:56,800 for my work. 776 01:20:58,080 --> 01:21:00,560 You knew from the start that we're different people. 777 01:21:00,720 --> 01:21:02,720 I didn't know that you're a vampire. 778 01:21:02,880 --> 01:21:04,520 What are you trying to say? 779 01:21:05,600 --> 01:21:09,160 - That I'm sucking you dry? - Yes, you're sucking me dry. 780 01:21:09,920 --> 01:21:13,800 And you're exhibiting me like a prostitute in a shop window. 781 01:21:13,960 --> 01:21:17,040 Like a whore that is put in a shop window. 782 01:22:16,360 --> 01:22:22,200 "The day will come, but no one will strike a gong to announce it. 783 01:22:23,840 --> 01:22:27,600 No, the day will not come, it was already there, 784 01:22:28,760 --> 01:22:31,560 contained in all the days of this year, 785 01:22:31,760 --> 01:22:35,400 which he has survived with difficulty and out of necessity. 786 01:22:35,600 --> 01:22:38,600 He is actively concerned with what lies ahead, 787 01:22:38,840 --> 01:22:41,400 thinks about work and hopes 788 01:22:41,560 --> 01:22:45,120 soon to be able to go out through the gate down below, 789 01:22:45,520 --> 01:22:51,080 away from the victims of accidents, the infirm and moribund. 790 01:22:54,160 --> 01:22:55,680 I say unto thee: 791 01:22:55,840 --> 01:22:57,680 Rise up and walk! 792 01:22:57,840 --> 01:23:00,240 None of your bones is broken." 793 01:23:18,720 --> 01:23:21,160 Why don't you write poetry anymore? 794 01:23:23,440 --> 01:23:26,320 I stopped writing poetry 795 01:23:27,200 --> 01:23:29,000 when I started to suspect 796 01:23:31,160 --> 01:23:33,560 that I was capable of writing poetry. 797 01:23:34,320 --> 01:23:37,280 So, a Nobel Prize winner 798 01:23:37,440 --> 01:23:39,600 should stop writing prose? 799 01:23:39,760 --> 01:23:43,800 Because the prize is proof of the writer's capability. 800 01:23:44,120 --> 01:23:46,240 Or Max Frisch should stop writing plays. 801 01:23:48,320 --> 01:23:50,120 Yes, you're right. 802 01:23:50,280 --> 01:23:52,880 It would be a shame if he stopped doing that. 803 01:23:55,760 --> 01:23:57,680 Yes, London. 804 01:23:57,840 --> 01:23:59,280 No, I'm flying. 805 01:24:00,920 --> 01:24:02,880 I don't know yet when I'll be back. 806 01:24:03,320 --> 01:24:04,720 Yes, sure. 807 01:24:05,240 --> 01:24:07,040 Yes, you too. 808 01:24:07,320 --> 01:24:09,080 Thank you, yes. 809 01:24:09,240 --> 01:24:10,600 Bye-bye. 810 01:24:16,040 --> 01:24:18,680 Why can't you say that we're flying together? 811 01:24:19,960 --> 01:24:21,760 Because it's nobody's business. 812 01:24:23,240 --> 01:24:25,640 I'm proud that you're joining me for the premiere. 813 01:24:25,800 --> 01:24:28,200 And I'm proud when we're seen together. 814 01:24:29,160 --> 01:24:32,200 And I'm proud to accompany you when you're celebrated. 815 01:24:34,760 --> 01:24:36,880 Why do you have to make a secret out of everything? 816 01:24:47,200 --> 01:24:49,600 To keep you curious about me. 817 01:25:26,400 --> 01:25:27,800 Ingeborg. 818 01:25:31,000 --> 01:25:32,960 I brought company. 819 01:26:28,320 --> 01:26:29,800 I took my revenge. 820 01:26:30,840 --> 01:26:34,360 On all the petty bourgeois men I sacrificed myself for. 821 01:27:06,120 --> 01:27:07,520 - Hi. - Hi. 822 01:27:07,680 --> 01:27:09,280 How lovely of you to come. 823 01:27:09,440 --> 01:27:10,640 Thank you. 824 01:27:14,640 --> 01:27:17,240 - For you. - Thank you for the kind invitation. 825 01:27:17,400 --> 01:27:19,040 - There you go. - Thank you. 826 01:27:19,520 --> 01:27:21,800 All that's missing is the host. 827 01:27:22,560 --> 01:27:23,680 Max? 828 01:27:24,240 --> 01:27:26,440 Are you coming? Our guests are here. 829 01:27:35,440 --> 01:27:39,120 - What are we drinking to? - This uniquely beautiful city? 830 01:27:39,280 --> 01:27:40,880 - Yes. - To Rome! 831 01:27:41,040 --> 01:27:42,480 - Chin-chin! - Chin-chin! 832 01:27:43,000 --> 01:27:45,400 So, the stage is the absolute place? 833 01:27:45,560 --> 01:27:47,440 Ah, you're referring to my article. 834 01:27:47,600 --> 01:27:49,320 The "FAZ" had asked me 835 01:27:49,480 --> 01:27:52,240 to write about my artistic intentions. 836 01:27:52,960 --> 01:27:55,440 I guess the title was a bit overblown. 837 01:27:55,960 --> 01:28:00,320 After all, I've only written three small plays and staged two of them. 838 01:28:01,000 --> 01:28:04,560 So far, German post-war authors have not accomplished much. 839 01:28:04,720 --> 01:28:06,800 I disagree. What about "The Man Outside"? 840 01:28:06,960 --> 01:28:10,760 Ugh, the sentimental attitude of suffering is simply unbearable. 841 01:28:10,920 --> 01:28:13,040 Look who's talking. 842 01:28:13,520 --> 01:28:15,280 Please don't argue. 843 01:28:18,000 --> 01:28:21,120 Please tell us how Rome makes you feel? 844 01:28:21,920 --> 01:28:24,360 How is it at Villa Massimo? Not too strict? 845 01:28:24,520 --> 01:28:26,280 It's terribly strict. 846 01:28:26,840 --> 01:28:28,640 Like a monastery. 847 01:28:28,800 --> 01:28:31,520 Lady visitors are allowed only until 10 p.m. 848 01:28:33,360 --> 01:28:34,680 And where are you staying? 849 01:28:34,760 --> 01:28:37,680 In a small guesthouse on an alley off Via di Ripetta. 850 01:28:38,880 --> 01:28:40,600 At least you can work there undisturbed. 851 01:28:40,760 --> 01:28:41,920 That's nice. 852 01:28:42,080 --> 01:28:44,560 And that's why I usually go for a walk alone. 853 01:28:45,640 --> 01:28:47,800 Max is an excellent cicerone . 854 01:28:48,760 --> 01:28:50,360 He could give you a tour. 855 01:28:50,520 --> 01:28:52,680 As an architect he sees the city with completely different eyes. 856 01:28:53,720 --> 01:28:57,240 While my Ingeborg can show you all the secret and hidden spots. 857 01:28:58,080 --> 01:29:00,480 She's an expert on secrecy. 858 01:29:02,360 --> 01:29:04,560 You could show her Ostia Antica. 859 01:29:05,680 --> 01:29:07,440 Ingeborg likes it when I leave the house. 860 01:29:07,600 --> 01:29:09,720 - Then she can work in peace. - I completely understand. 861 01:29:10,240 --> 01:29:11,960 That's why I like Villa Massimo. 862 01:29:12,120 --> 01:29:14,920 No noise, and yet you're right in the city. 863 01:29:15,080 --> 01:29:18,440 And if you want to be around people, there's the Piazza del Popolo. 864 01:29:18,600 --> 01:29:20,880 - Yes. - Yes, with the Bolognese restaurant. 865 01:29:21,040 --> 01:29:22,560 It used to be my favorite. 866 01:29:22,720 --> 01:29:24,160 Much too chic and expensive for me. 867 01:29:24,880 --> 01:29:26,320 I'll take you there. 868 01:29:27,520 --> 01:29:28,600 Thank you. 869 01:30:24,160 --> 01:30:25,600 Excuse me please. 870 01:30:25,760 --> 01:30:28,200 - Thank you. - It was wonderful. 871 01:30:29,360 --> 01:30:30,920 What a lovely surprise. 872 01:30:31,760 --> 01:30:33,640 How is your Italian coming along? 873 01:30:33,800 --> 01:30:36,440 - Any progress? - Oh, yes. But... 874 01:30:36,720 --> 01:30:38,480 I still can't read Ungaretti. 875 01:30:38,840 --> 01:30:42,520 My translations will be published soon. I'll gift you a copy. 876 01:30:42,960 --> 01:30:44,720 Have you also translated Montale? 877 01:30:44,880 --> 01:30:48,400 No, Ungaretti was an exception. A special request from the publisher. 878 01:30:48,960 --> 01:30:50,400 A moment, please. 879 01:30:50,560 --> 01:30:53,280 Max Frisch asked me to visit him in Rome. 880 01:30:53,960 --> 01:30:55,480 I think he feels lonely without you. 881 01:30:56,160 --> 01:30:58,800 That's because he still hasn't learnt any Italian. 882 01:30:58,960 --> 01:31:01,600 There are very few German-speaking Italians. 883 01:31:02,320 --> 01:31:05,480 - And the sun's not always out. - I agree, Rome can be very cold. 884 01:31:05,640 --> 01:31:07,800 - Would you, please? - Yes. 885 01:31:07,960 --> 01:31:10,560 - A wonderful reading. - Go. 886 01:31:10,720 --> 01:31:13,840 Go to Rome, Marlene. I'll feel less guilty then. 887 01:31:16,080 --> 01:31:18,760 An autograph, please, Ms. Bachmann. 888 01:31:18,920 --> 01:31:21,200 - Please sign my copy. - Thank you. 889 01:31:23,760 --> 01:31:26,920 You have literally pushed that young woman into his arms. 890 01:31:29,960 --> 01:31:32,640 I was sure that his love for me is stronger. 891 01:31:36,880 --> 01:31:38,360 It was 892 01:31:38,600 --> 01:31:42,720 absolute madness to think that two writers could stand being together. 893 01:31:45,000 --> 01:31:46,520 It was a gamble. 894 01:31:49,040 --> 01:31:50,960 It could also have worked out. 895 01:32:09,120 --> 01:32:11,120 Are you enjoying this as much as I am? 896 01:32:12,120 --> 01:32:13,640 How do you mean? 897 01:32:14,800 --> 01:32:18,640 Well, this is your countryside, which you never wanted to leave. 898 01:32:20,240 --> 01:32:22,480 I never wanted to leave you either. 899 01:32:33,160 --> 01:32:34,640 And now you do? 900 01:32:36,400 --> 01:32:37,400 Yes. 901 01:32:47,400 --> 01:32:50,320 I haven't been able to write since you burnt my diary. 902 01:32:51,160 --> 01:32:52,840 But I can hear you writing. 903 01:32:53,360 --> 01:32:54,400 Sure... 904 01:32:55,320 --> 01:32:57,400 All I do is switch one word for another. 905 01:32:57,560 --> 01:32:59,120 That's normal. 906 01:32:59,800 --> 01:33:01,280 Maybe for you. 907 01:33:02,560 --> 01:33:04,000 But not for me. 908 01:33:04,160 --> 01:33:07,560 - And you think that without me... - Yes, without your rigor. 909 01:33:07,720 --> 01:33:09,880 Your obsession with perfection. 910 01:33:12,040 --> 01:33:14,760 Before I knew you I said whatever came to mind. 911 01:33:15,680 --> 01:33:18,920 Now I first have to think what I can say 912 01:33:19,840 --> 01:33:21,360 and what I can't. 913 01:33:23,920 --> 01:33:25,720 Whether it will offend you. 914 01:33:26,440 --> 01:33:28,480 Whether it will make you sad. Whether... 915 01:33:31,040 --> 01:33:33,320 Whether you'll despise me. 916 01:33:36,240 --> 01:33:38,040 I can no longer obey you. 917 01:33:46,080 --> 01:33:48,720 This separation was the biggest defeat of my life. 918 01:33:50,720 --> 01:33:52,640 It was the longest agony. 919 01:33:52,800 --> 01:33:54,440 Week after week. 920 01:33:55,320 --> 01:33:57,280 And I really don't know why. 921 01:33:59,680 --> 01:34:02,080 Maybe for once in my life 922 01:34:02,240 --> 01:34:05,160 I wanted to start something steady, something normal. 923 01:34:05,320 --> 01:34:07,920 Against my own possible ways of living. 924 01:34:10,880 --> 01:34:13,360 And I kept insisting on it. 925 01:34:15,040 --> 01:34:17,480 Even though I could clearly sense 926 01:34:17,760 --> 01:34:20,400 that it's against my own principle. 927 01:34:21,240 --> 01:34:22,800 Or my destiny. 928 01:34:25,800 --> 01:34:27,320 I don't know 929 01:34:28,480 --> 01:34:30,200 how to express it. 930 01:34:35,240 --> 01:34:37,120 The fact that I can 931 01:34:38,800 --> 01:34:43,680 think of a future at all, a new life, 932 01:34:45,720 --> 01:34:47,720 I owe that entirely to you. 933 01:35:11,160 --> 01:35:12,880 You came back. 934 01:35:13,720 --> 01:35:15,600 I'm on my way to the airport. 935 01:35:16,840 --> 01:35:18,400 Where are you going? 936 01:35:19,080 --> 01:35:20,640 To New York. 937 01:35:22,320 --> 01:35:23,800 By yourself? 938 01:35:26,640 --> 01:35:28,360 Who sent the flowers? 939 01:35:30,160 --> 01:35:31,840 A friend from Vienna. 940 01:35:38,480 --> 01:35:40,840 That's a relief. Then you're not alone. 941 01:35:49,520 --> 01:35:51,000 You're my murderer. 942 01:35:57,120 --> 01:35:59,920 Don't people say it's not always the murderers 943 01:36:00,760 --> 01:36:03,440 but sometimes the murdered ones who are guilty? 944 01:36:24,120 --> 01:36:25,680 "My dearest Hans. 945 01:36:26,800 --> 01:36:30,320 I never would have thought everything would end so badly for me. 946 01:36:31,720 --> 01:36:34,680 I knew that there would be pain. 947 01:36:35,000 --> 01:36:39,480 But not a total, almost fatal breakdown. 948 01:36:40,400 --> 01:36:44,400 I can't imagine anything more terrible than what I've gone through. 949 01:36:47,000 --> 01:36:48,720 I must get out of here. 950 01:36:49,080 --> 01:36:51,160 Even if it's just for a few days. 951 01:36:51,600 --> 01:36:53,960 And I want to spend a happy time with you." 952 01:36:59,280 --> 01:37:01,360 Nothing on earth can humiliate us 953 01:37:01,520 --> 01:37:04,720 as long as we always remember what we were born to do. 954 01:37:07,600 --> 01:37:09,400 We are here to be creative. 955 01:37:10,160 --> 01:37:11,920 Everything else is unimportant. 956 01:37:15,160 --> 01:37:17,560 He never would have been able to humiliate you, 957 01:37:17,720 --> 01:37:20,960 had you ignored him for the sake of your own artistic existence. 958 01:37:24,280 --> 01:37:26,880 But to have loved a swine is no disgrace either. 959 01:37:50,840 --> 01:37:53,280 The soul has a dwelling 960 01:37:53,440 --> 01:37:55,840 that nobody should be allowed to enter. 961 01:37:56,000 --> 01:37:57,720 And that is work. 962 01:37:58,120 --> 01:38:02,960 It makes daylight less dreadful and the dark of night less terrifying. 963 01:38:04,160 --> 01:38:06,640 I know that you're finally awakening now. 964 01:38:06,800 --> 01:38:10,080 And that you will leave the old sentimentalities behind. 965 01:38:19,400 --> 01:38:21,960 Shall we go for a last stroll through the night? 966 01:38:22,120 --> 01:38:23,240 Yes. 967 01:40:25,280 --> 01:40:31,600 My desert, my only one, my gentle limbo, my salvation. 968 01:45:51,880 --> 01:45:55,720 Subtitles by Guelcin Koerpe