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[upbeat music playing]
[soft music playing]
[Harrison] This whole world has just been one big dream.
[Sean] Okay, just relax.
[Harrison] It all just feels like it's not real.
[suspenseful music playing]
We didn't start making music because we saw ourselves
standing on stage.
We started making music
because it's the way we connect.
[man 1] The upstage wall?
[man 2] The hybrid blow-through. Hybrid.
[man 1] Copy, walking onstage.
Should be coming up in a second.
- [Chrissy] Chrissy to Neil. - [Neil] Go for Neil.
[Chrissy] Are you ready for me to bring drumline to you?
[Neil] Yep, drumline can come up. Drumline can come up.
[man 1] IMAG, are you show ready?
[IMAG operator] IMAG show ready.
[man 1] Wardrobe. Are you show ready?
[woman] Wardrobe ready.
[man 1] Monitors, are you show ready?
[man 2] Monitors show ready.
- [man 1] Lasers, ready? - [man 3] Lasers ready.
- [man 1] Backline and drum LED? - [man 4] Show ready.
[man 1] Front of house lighting and video, ready?
[man 5] Show ready.
- [man 1] Playback? - [man 6] Show ready.
[Sean] Neil, I'm coming up with the guys to stage.
[audience] ODESZA, ODESZA, ODESZA!
[Julianna] ♪ This version of you ♪
♪ Simply becomes real ♪
["This Version Of You" playing]
♪ And you're right here With this version of you ♪
♪ To see things As they really are ♪
♪ This version of you Looking at you ♪
♪ You looking back ♪
♪ This version of you Welcoming you ♪
♪ This version of you Saying, "Yes" ♪
♪ I'd like you to imagine ♪
♪ This version of you ♪
[electronic music playing]
[screaming]
[electronic music continues]
[ovation]
[electronic music continues]
[thunder]
[electronic music continues]
[trumpets join electronic music]
[electronic music continues]
[music ends]
[ovation]
[Harrison] We are... I don't know what, 30 days?
Exactly a month, basically, from today, so...
We will have our first show.
Back to it.
Whoo!
Look at this! Where we at? Where we at?
Oh, no!
- We're filming! - Stop! You got the camera.
[Clayton] Oh, always got the camera! This is the zoom. Right there.
[Sean] There's some real nostalgia
in looking through this.
This zoom is good.
Wow, it's like a pretty powerful zoom.
[Clayton] There he is.
Hey!
Sky's in there. Looking good!
Reed really has it with the, when you look through it. Yeah.
Hi, Chunky.
[Sean] How long has it been
since the crew's gotten back together?
[Clayton] Really, three years
since the last show, The Finale.
So, it's been a while.
Hey, hey!
I just want to play with the puppy.
It's been a minute since we've been here.
- [Clayton] How we doing? - Hey!
Well, as soon as the album was finished,
we started writing the set.
[Sean] Day one of us all sitting together
working on the set. How we feeling?
[Harrison] Bringing someone out is a shift in the set.
Bringing the drum line out is a shift in the set,
and you want those things to all feel cohesive
and also have impact.
This, I think, would be an interesting combo.
Drum and bass "Falls".
Yeah, that's interesting.
I don't know. I don't know, man.
Can you drop me the "Behind The Sun" stems?
What we're doing right now is listening to the final mix down.
We'll get it.
[Clayton] And build the transitions
and level things together
so all the songs feel cohesive.
Yeah, I guess you're going to want to turn the drumline down anyways, right?
I'm going to go through the set just to make sure
that the lead vocal
and the drum line are separated.
[creaking sound]
Or I guess I can just get used
to doing this stuff before I start.
[electronic music playing]
[Harrison] Yeah, we spent a lot of time trying to focus on
how these energy levels rise, where we want to take the audience.
Where we want to, like, kind of surprise them,
where we want to trick them a little bit.
[keyboard playing]
Get rid of that guy
and then move them over one each.
[keyboard playing]
[electronic music playing]
Start it over.
[electronic music playing]
[electronic music continues]
That's actually the scariest part.
I feel like all of us have been so
in the moment of, like, being detail-oriented and making the show
that we haven't been thinking about actually playing the show.
I'm a little nervous for sure. It's been three years,
so we'll see what happens.
[Shy Girls] ♪ I could be down on it ♪
♪ You could be all we need ♪
♪ I could be down on it ♪
♪ You could be all we need ♪
[electronic music playing]
[electronic music continues]
♪ This is not a tactic To expose you babe ♪
♪ I'm just trying to see you In your moment baby ♪
♪ I could be down on it ♪
♪ You could be all we need ♪
♪ I could be down on it ♪
♪ You could be all we need ♪
♪ I was thinking You and I could ♪
♪ Skip the part where We small talk each other ♪
♪ Turn the beat up Turn it real loud ♪
♪ Hold me to my word This time ♪
♪ I'm gonna take another ride ♪
♪ Call me on my bitter side ♪
♪ Call me on my cell at night ♪
♪ Take it to the limit babe ♪
♪ Don't ask me To commit a thing ♪
♪ If no one gets hurt What was it worth ♪
♪ What was it worth ♪
♪ I could be down on it ♪
♪ You could be all we need ♪
♪ I could be down on it ♪
♪ You could be all we need ♪
[electronic music playing]
[ovation]
[music intensifies]
[electronic music playing]
[electronic music continues]
[ovation]
[electronic music playing]
["Love Letter" playing]
[The Knocks] ♪ You can't break my heart 'Cause I was never in love ♪
♪ Never in love ♪
♪ 'Cause I was never in love ♪
♪ You can't break my heart ♪
♪ 'Cause I was never in love ♪
♪ Never in love ♪
♪ Oh, you can't break My heart ♪
♪ You can't break my heart ♪
♪ You can't ♪
[electronic music playing]
♪ Don't know where Without your love ♪
♪ You can't break my heart 'Cause I was never in love ♪
♪ You can't break my heart ♪
♪ 'Cause I was never in love ♪
♪ Never in love ♪
♪ 'Cause I was never in love ♪
♪ You can't break my heart ♪
♪ 'Cause I was never in love ♪
♪ Never in love ♪
♪ 'Cause I was never in love ♪
♪ You can't break my heart ♪
♪ 'Cause I was never in love ♪
♪ Never in love ♪
♪ Oh, you can't break My heart ♪
♪ Let's go ♪
[electronic music playing]
♪ You can't ♪
[electronic music continues]
♪ Don't know where Without your love ♪
♪ You can't break my heart ♪
♪ 'Cause I was never in love ♪
♪ Never in love ♪
♪ 'Cause I was never in love ♪
♪ You can't break my heart ♪
♪ 'Cause I was never in love ♪
♪ Never in love ♪
♪ You can't ♪
♪ You can't break my heart ♪
[electronic music continues]
♪ You can't break my heart ♪
♪ 'Cause I was never in love ♪
♪ Never in love ♪
♪ 'Cause I was never in love ♪
♪ You can't break my heart ♪
♪ 'Cause I was never in love ♪
♪ Never in love ♪
♪ Oh, you can't break My heart ♪
[electronic music continues]
♪ Don't know where Without your love ♪
♪ You can't break my heart ♪
Seattle!
Let me hear you!
♪ You can't break my heart ♪
♪ Let's go ♪
[electronic music continues]
♪ You can't ♪
[electronic music continues]
♪ You can't break my heart ♪
[electronic music continues]
[music ends]
[drums playing]
[Clayton] There's something like really primal about a wall of drums.
[drums playing]
- What's up? - What's up, brother?
- What's up, man? - I'm Jay.
Jay? Harrison.
What's up buddy?
Yeah, what are you guys thinking?
Do you want to run through it from the top?
We're refining some stuff with "La Ciudad" and "Tense".
There's a couple staging things still
for "Hopeful" and "AMA"
that we haven't done yet.
I think It'd be great if we just start at the top
and just go "Behind The Sun", just down the line.
Like it's real!
[Sean] Like it's real!
We're doing our first run through physically
of the drumline.
[drums playing]
Yeah, yeah.
Yeah, because they're going to get lost back there.
[electronic music joins the drums]
Awesome, nice job you all.
I'm curious if at the beginning of "Bloom",
I'd like you to be closer
than being, like, stopping in the middle.
You will probably push forward, like, two steps.
Yeah, we just wanted that to feel like it moved a little bit.
- Yeah. - We'll be here, right here the whole time.
[drums playing]
[Benjamin] 2016 was the first time we ever got the call.
And we were just dancing around like a bunch of hooligans up there.
[electronic music playing]
[electronic music continues]
[Clayton] Give it up for the CU drum line, everybody!
[Benjamin] I think we played three tracks, and we were just happy to be there.
We thought that was going to be our only time.
[ovation]
[drums playing]
Can we try a side-to-side
where you're not moving your feet?
No foot turning.
See if you can just, like, step in and out.
Don't turn your feet.
And then do a head nod with it.
- Way better. - [Sean] Yeah.
[Harrison] Way better.
That's it. That's the look. Cool.
That's it. It looked awesome.
Every single element of that is an awesome shift
in energy and movement.
[drums playing]
[Harrison] It wasn't until we had, like,
our crew now that we really started
dialing in what it looks like, what it sounds like.
Treat that as an actual accent.
You should go to match here and then turn your hand over.
[Harrison] That's where it started really becoming cohesive.
Guys, when we grab each other on two,
we need to use a lot of energy
and core strength to get past
these next people here.
[Harrison] We'll write the drum line pieces as best we can,
not being drum line members.
And then Ben and Kali do a great job
of kind of interpreting that, adding on to it,
like, then adding choreo onto that.
And that's why we implemented drums in the first place.
There's all these things that you could be playing,
but no one can really tell what you're doing.
This is such a visual thing.
You know exactly what's being played when you see it happen.
We just got to see
pieces we wrote on a tiny MIDI keyboard in a small room
get played by a very professional drum line ,
and it's pulling on my heart strings. It's a beautiful moment.
- He's gon' cry. He's gon' cry. - I love it. Ugh.
- [Clayton laughs] - That's amazing.
I've wanted to do that since I was twelve-years-old.
That's amazing.
["Bloom" playing]
[drums playing]
[electronic music joins the drums]
[electronic music continues]
[audience screaming]
[electronic music continues]
[music slows down]
[music intensifies]
[electronic music continues]
[music ends]
[ovation]
["Equal" playing]
[Lapsley] ♪ I go the whole nine ♪
♪ Driving through The whole night ♪
♪ Hold you 'til the first light So tight ♪
♪ Love is pain, right? ♪
♪ And it's all in my head And I'm stood on the ledge ♪
♪ And the people Walk through their day ♪
♪ While I'm trying to make sense Of the prequel ♪
♪ I just want our love To be equal ♪
[electronic music playing]
♪ I just want our love To be equal ♪
♪ I'd go the whole world ♪
♪ Let emotions unfurl ♪
♪ And my frustrations be heard And nothing ♪
♪ Will ever take me higher Again ♪
♪ And we're a wildfire ♪
♪ Balanced on a thin line Between life ♪
♪ And some Heaven ♪
♪ Keeping it together ♪
♪ And it's all in my head And I'm stood on the ledge ♪
♪ And the people Walk through their day ♪
♪ While I'm trying to make Sense of the prequel ♪
♪ And it's all in my head And I'm stood on the ledge ♪
♪ And the people Walk through their day ♪
♪ While I'm tryna make sense Of the prequel ♪
♪ I just want our love To be equal ♪
[electronic music continues]
♪ I just want Our love to be equal ♪
♪ I just want our love To be equal ♪
[electronic music continues]
[audience cheering]
[music ends]
[Clayton] Buh-na, na-na.
[knocking on door]
- Hey. - Hello.
- Hi, I'm Harrison. - Hey, I'm Rachel.
Rachel. I'm Clay. Nice to meet you.
Yeah, should we take our shoes off? Okay.
My room used to be this one. I don't know who's room this one is.
Yay, that's my room!
Yeah. So I used to make a bunch of music in here.
- Yeah, you can go in. - Is that okay?
Yeah. I mean, it's a little messy.
It's not too bad. It's better than I kept it.
I had a desk set up right here. That's where I first, like,
the first machine set up I had was really...
just stare at that window, look at the grass and make beats.
- Most of the music was made in the basement, though. - Yeah.
Then we moved, yeah, then we moved down there.
- To the dungeon! - Wow!
This was the studio set up.
[Harrison] Yeah, right here. There was a drum set right here.
And there was a long table and we had all our machines and, like, keyboards and stuff.
We were down here a lot.
And then there was always friends coming through from college,
and they would just, like, walk in here and ask us what we were doing.
Sometimes, people would walk by and be like, "What are you guys playing right now?"
Yeah, yeah. "You're being really loud."
Um...
Yeah, it's super surreal.
[man] We're going to start up by pulling three two-tons on this beam right here,
and two two-tons on this upstage beam here.
You know. It's the biggest show we've ever done.
And there's ninety people on the road with twelve semi-trucks.
- Obviously, we got lasers. - Right.
- Pyro is getting installed next week. - Custom, custom.
[Sean] Harrison and Clay have always kind of been together in the stage design.
And this time around we decided to split them apart from each other.
So, Harrison and Clay now each have their own riser
and we've utilized the center pathway,
which the drum line uses to go in and out.
Also, we've decided to build these custom steps with built in LED.
That ain't moving.
[Sean] We have this icosahedron shape
and it's this idea that, like,
the 'ico' is the heartbeat.
And then these echoes
are rippling out from it.
[soft music playing]
Guys, we are doing a full show run right now. Standby.
We're about to do the first run through of the set.
This is actually the first time we are getting to see
what we've programmed live on the rig.
Go house music. Go house lights. Roll the track.
We don't know if it's going to translate or it's not going to translate.
- Stage is ready. - [man 2] Copy.
[Sean] Roll playback. Playback.
[music intensifies]
A lot to do.
First run through.
First run through felt like the first run though.
That's for sure.
[upbeat music playing]
- It feels disconnected, right? - [Sean] Yeah.
So I think that that was one of our major concerns.
There could just be a laser moment for the drop out on "The Last Goodbye."
Just go to one thing sometimes.
You have like all these incredible tools.
Just finding the right ways to use it
and use it in conjunction with each other.
We know what you want. We've been doing this long enough that if you say,
"Hey, at this moment, I want this rise."
Give us the note, let us work on it, because it's going to take us time.
[ticking sound]
[ticking sound continues]
[Harrison] We've designed an hour-and-a-half for 15,000 people ,
and it could go so wrong. Everything.
And that brightness can decay. Let the visual really pop.
[Harrison] Small little changes take a huge amount of effort
when everything's at this scale.
Can you turn the 'ico' on too?
Can you just do the outside 'ico'?
Yeah, that's kind of nice.
The whole thing's built on moments.
If you don't get that right ,
then the whole thing kind of falls apart.
Yeah, I think that's what you do.
Just, just shoot to that.
It's just the kick and the bass sit so well.
- [Clayton] Yeah, kick. - [Harrison] On the drop.
[Clayton] Kick, snare, bass.
It's like a little more music forward.
- You guys ready? - Yeah, just the beginning.
I have never
met or worked for anyone
that cares more than Harrison and Clay.
And, like, really just, like, go straight to horns.
Kill everything else.
See that position and then you move the stick up.
Do you like the stand? I think the stand's a vibe!
I like the stand. ♪ Something 'bout you... ♪
Every single part of what they touch
they care so much about.
Great job, everybody!
[all clapping]
[emotional music playing]
[Harrison] We never anticipated growing to this.
We always thought there was something there
and it was worth us putting everything we could into it.
And we always felt like this would just be a really good story
for when we get real jobs.
[emotional music continues]
["Wide Awake" playing]
[Charlie] ♪ Waiting at the party ♪
♪ For you ♪
♪ Your lovin' got me acting ♪
♪ Like a fool ♪
♪ Fool ♪
♪ Waiting at the party For you ♪
♪ Your lovin' got me acting ♪
♪ Like a fool ♪
♪ Fool ♪
♪ I've been wide awake Feeling ♪
♪ People seem to change Their feelings in time ♪
♪ Did we make a mistake Healing ♪
♪ It's more than I can take Not feeling to fine ♪
♪ There's something 'bout you ♪
♪ You ♪
♪ Waiting at the party For you ♪
♪ Your lovin' got me acting ♪ Like a fool
♪ Fool ♪
♪ Waiting at the party For you ♪
♪ Your lovin' got me acting Like a fool ♪
♪ Fool ♪
♪ I hate the way it aches Breathing ♪
♪ Thought that I could put These feelings aside ♪
♪ There's something In my system's fading ♪
♪ Making me feel sober About what's on my mind ♪
♪ There's something 'bout you ♪
♪ You ♪
♪ Waiting at the party For you ♪
♪ Your lovin' got me acting Like a fool ♪
♪ Fool ♪
♪ Waiting at the party For you ♪
♪ Your lovin' got me acting Like a fool ♪
♪ Fool ♪
Let's go Seattle!
[electronic music playing]
[electronic music continues]
Thank you guys so much!
Make some noise for Charlie Houston!
[audience cheering]
[music ends]
["La Ciudad" playing]
[clapping sound]
[electronic music playing]
[electronic music continues]
[ovation]
["Tense" playing]
[electronic music playing]
[electronic music continues]
[silence]
[electronic music continues]
[music ends]
[Rocco] Appreciate you guys coming.
This is all of the special effects stuff
that we just dialed in a little bit.
So I showed you a little bit of this.
[electronic music playing]
Oh, that was sick.
[Sean] Holy shit.
It's a lot of flames.
I think old Luke and I have been looking at this
like on a Excel spreadsheet
for the last couple months.
This is all a lot different than that.
You know, "cell C-4" doesn't quite hit as hard.
[all laughing]
[Harrison] What's so cool is the fact that we have
the same team around us since the beginning.
It's the same people that we were friends with, who believed in us,
who kind of got our vision and had their own, too.
[indistinct chatter]
[Clayton] So me and Sean went to high school together.
He was super into film stuff.
He always had his camera out
and was always asking us questions.
Come on, Sean!
[Clayton] And then he ran into Harrison.
[man] Oh, shit!
[Harrison] And he actually introduced us.
And that was kind of the genesis of this project.
[all laughing]
Okay, I like that one better.
[Luke] Holy shit, dude.
You see this all day?
Oh my god!
Luke and Sean have been with us since the beginning.
Luke was my best friend in design school.
Hey, Luke!
When we started going on tour,
we needed someone to operate the projector
and do some visuals.
Um, the "IPlay" visuals.
He just kind of did it to come along for the ride.
[Luke] They're like, "You're going to put this projector and this screen up."
Yeah, I don't even know how to work a projector.
Everyone's like, "Yeah, just figure it out."
Yeah, if you have a ladder, that'd be great.
It just looks so much better
when the screen is like fully in the air.
It looks so pro.
[Harrison] He was a professional skier.
He was going to go to Japan
and ski,
and we had to pull him away for our first tour.
And it was, like, the hardest decision he ever made.
[electronic music playing]
I never thought that this was, like, going to be a thing.
Harrison and Clay are making music.
This is going to last for six months.
Get it while the getting's good.
How often do your friends get a free bar tab
and just travel around in a van? That sounds awesome.
We were trying, and you guys supported us 100%.
- And we sucked at it! - Thank you for caring!
[all] Quack, quack, quack, quack, quack!
Loyal, I think we had that King last time.
So, I think, like, we just make it almost, like, bigger.
So we turn it into this big battle scene.
And then as we kind of progress through the song
we realize, like, this army is at odds with this king.
[Harrison] It's been amazing to see Luke progress from projecting
just on a sheet to now creating entire worlds, creating characters,
working with artists all across the globe for the show.
Honestly, the biggest challenge is just, like, there's so many things.
It's like we're starting from scratch.
[Harrison] People may not even know
every visual they see on the LED wall behind us
has been created from scratch for the entire show.
What kind of environment is it? An old environment, a cleaner environment?
[Luke] Yeah, and I think it should feel like some dystopian museum,
but I want it to kind of fall off to black.
So you're really focused on these two main characters.
So maybe even like when we see the King rising up,
like, a few detail shots.
The kicks and the snares are just being triggered by, like, light sources.
[ominous music playing]
[Harrison] That's what I have so much pride in
is, like, we thought they could do it.
Yeah, let's just do one once through, pause, and then...
[Harrison] Everyone's like, "just hire a director"
and "just hire a way better visual person."
"They worked with this person and this person."
[drums playing]
And we've never felt that way.
So, obviously a couple of programming things that we need
we already have notes for.
We'll break into individual groups
and make this thing even better!
[Harrison] For us, it's always felt like, "Who gets it?"
"Who do we trust?"
Every single time we've given that to a friend ,
which can often be dangerous ,
they have rose to the occasion.
Great job, everyone. We're gonna do that one more time.
[electronic music playing]
Oh, my God.
Oh, my god.
- [man] Banger! - [Sean] Holy shit!
Great job, everyone!
Notes on "Loyal" and "Don't Stop"?
[all laughing]
[ominous music playing]
[ominous music continues]
[audience cheering]
[drums playing]
[electronic music joins the drums]
[music intensifies]
[electronic music continues]
[Clayton] Seattle!
Let's fucking go!
[electronic music continues]
Make some noise for the ODESZA drum line!
[audience screaming]
["Don't Stop" playing]
[electronic music playing]
[electronic music continues]
[ovation]
[electronic music continues]
Seattle!
I want to see you
shake the building on this one!
[electronic music continues]
[audience cheering]
[Harrison] Man, it would be so cool.
I think one of my ultimate goals is to live on the water.
I don't feel relaxed very often,
but for some reason just looking at water is so hypnotizing.
No, never relaxed.
It's kind of my m.o., man.
It's just, uh... Who am I as a person?
I've been doing this for six years straight without even, like,
thinking about anything else.
[electronic music playing]
Woo!
Tomorrow: do the show, 9:20 hit,
shower, hang out and leave around 2 a.m.
to head to Madison.
[electronic music continues]
I don't know what airport we are in
or what state we are in right now.
[electronic music continues]
[audience cheering]
[electronic music continues]
[Clayton sighs]
[electronic music continues]
[music ends]
I feel like we were really ready after touring for...
eight years to
finally relax and make music
under not having pressure.
But instead I feel like we were met with,
like, returning to a life we hadn't figured out.
Like, all the issues we may be running from
when we're on tour.
Kind of running from ourselves and distracting ourselves
with the things that we do.
So, my point is, it's been hard to write music.
[laughing]
[electronic music playing]
Yeah, some work for sure.
Part of me is like, "I really like it."
- Yeah, and I think... - The other part of me is, like, doubtful about it.
[electronic music playing]
That's the problem.
The problem isn't recreating the sound.
The problem is the sound itself needs to be different.
I think we have a lot of cool ideas.
I think we're struggling to figure out
what the album means.
[Clayton] I haven't been here, though,
since, like, sophomore year in college.
[soft music playing]
[Harrison] At the beginning of this writing process,
we started collecting all this old family footage.
There you go!
- There you go! - [man] Yay!
[Clayton] Those moments where you get to step back
opened up all these new kind of pathways
and thought processes of where I come from.
[woman] Hi, Clayton!
[Clayton] What makes me me.
[woman] Do you see a butterfly?
- [man screaming] - [Harrison laughing]
[man] Good jump, Harry!
[Harrison] Looking at these home videos
it was something I did as a kid for comfort.
And going through this again at my age now,
I felt like there was a lot of similarities happening of,
like, trying to find myself.
I think it doesn't,
but I'll just put it in and see.
Play the solo stem.
[electronic music playing]
It feels better than I thought it was going to feel.
I think we just re-approach the chorus,
synth-wise, everything-wise.
[electronic music playing]
[Harrison] Kind of went back to some old school ways of thought
that we originally were trying
when we were making "Summer's Gone".
I love it.
It also just feels like us.
[electronic music playing]
What made our sound our sound?
What made us us?
And then that's how I think this idea
of diving more into ourselves
and our past and our lives
something we've never done on any record
felt like a really interesting topic to explore.
- [Clayton] Seattle! - [audience cheering]
Goddamn it feels good to be back!
Please welcome to the stage:
Miss Naomi Wild.
[audience cheering]
["Better Now" playing]
♪ Been trying to find it ♪
♪ Been living on my mind, yeah ♪
♪ What should I leave Behind me? ♪
♪ Looking for something ♪
♪ Don't wanna live for nothing ♪
♪ I could settle right now Or I could jump somehow ♪
♪ One route Like there is no way out ♪
♪ They never teach you To reach the stars ♪
♪ No doubt I'm feeling better now ♪
♪ Gave it a try Now enjoying the ride ♪
♪ So what if I fall? ♪
♪ Better that I try instead of nothing at all ♪
♪ Yeah I can say it's my fault ♪
♪ I really don't mind At least I gave it a go ♪
♪ So what if I fall? ♪
♪ Better that I try Instead of nothing at all ♪
♪ Yeah I can say It's my fault ♪
♪ I really don't mind At least I gave it a go ♪
♪ Been trying to fix it ♪
♪ And find out What's been missing ♪
♪ I want to live a life That is worth living ♪
♪ One route Like there is no way out ♪
♪ They never teach you To reach the stars ♪
♪ No doubt I'm feeling better now ♪
♪ Gave it a try Now enjoying the ride ♪
♪ So what if I fall? ♪
♪ Better that I try Instead of nothing at all ♪
♪ Yeah I can say it's my fault I really don't mind ♪
♪ At least I gave it a go ♪
♪ So what if I fall? ♪
♪ Better that I try Instead of nothing at all ♪
♪ Yeah I can say it's my fault I really don't mind ♪
♪ At least I gave it a go ♪
♪ I gave it a go ♪
♪ I know It gets better and better ♪
♪ I don't think It's all 'bout the weather ♪
♪ So what if I fall? ♪
♪ Better that I try Instead of nothing at all ♪
♪ Yeah, I can say it's my fault I really don't mind ♪
♪ At least I gave it a go ♪
♪ So what if I fall? ♪
♪ Better that I try Instead of nothing at all ♪
♪ Yeah I can say it's my fault ♪
♪ I really don't mind ♪
♪ At least I gave it a go ♪
[electronic music playing]
Hey!
Seattle, you know this one!
1, 2, 3...
[electronic continues]
[ovation]
[electronic music continues]
["Line of Sight" playing]
♪ I'm feeling in and out ♪
♪ I turn full circle Round and round ♪
♪ So will you help me down ♪
♪ Come grab my hand For solid ground ♪
♪ And I don't learn No, I don't learn ♪
♪ It'll all be fine this time ♪
♪ And I don't learn No, I don't learn ♪
♪ 'Cause you always seemed So kind ♪
♪ And I don't learn No, I don't learn ♪
♪ It'll all be fine this time ♪
♪ And I don't learn No, I don't learn ♪
[electronic music continues]
Seattle, let me see your hands!
[ovation]
[electronic music continues]
♪ Help me out Don't let me down ♪
♪ I could learn from you ♪
♪ Help me out Don't let me down ♪
♪ I could learn from you ♪
♪ Help me out Don't let me down ♪
♪ I could learn from you ♪
[ovation]
[upbeat music playing]
[music ends]
[Naomi] The first time
that I discovered ODESZA,
I had snuck into Coachella.
I was in high school.
I was probably about seventeen.
And I just had this really captivating moment like,
"Whoa! This is the coolest thing I've seen all weekend.
Who are they?"
[audience cheering]
My girlfriend told me
that this band is coming to town.
I still remember, like, they had this,
like, big neon pink icosahedron on the stage.
I think I filmed almost every single song.
- It looks incredible. - Thank you so much.
- I made that one for myself tonight. - [Harrison laughing]
Oh, that'll pop. That'll pop out there, that's for sure.
[woman] Yeah, for sure.
[man] I'd never heard of them before.
I walked by the stage, "Who are they?"
That was the best show I've ever seen.
Got my ODESZA tattoo over here.
Got the Foreign Family one right here.
And the Bronson tat over here.
The fireworks going off ,
and we're just hugging each other
and crying.
[man] It was amazing.
[giggling] Yes!
So nice to meet you.
Nice to meet you!
There's nobody else in the world
that I want to experience this with more than my mom.
ODESZA's music
truly changed my life and introduced me
a beautiful community.
Whoo whoo!
A lot of the feelings that we have,
especially relating to "The Last Goodbye,"
I feel like we are not,
sometimes, able to put into words.
And they have found a way to put it through music.
And we'll be eternally grateful for that.
[Naomi] I remember literally standing there
and having this thought ,
"I want to sing with them."
[humming]
♪ That I can't sleep tonight ♪
I had written, like, the beginnings
of what "Higher Ground" was.
♪ So lift me up ♪
♪ And give me higher ground ♪
I had texted my manager and I was like,
"Can you please try to find their email
and, like, send it to them?"
[woman] Y'all's music has changed the trajectory of my life.
Like more than I can put into words.
[Clayton] Appreciate that.
You guys kind saved my life
over the last eight years.
Appreciate it. Bring it in, bring it in, dude.
We're here for you.
[emotional music playing]
[Clayton] Thank you so much.
So we're going to have you go out there.
And then we're just going to run it a couple times.
[Naomi] I met them a couple of days later in the studio.
♪ Won't you love me better ♪
♪ I'm waiting here ♪
♪ I need you now ♪
It was really nuts. It happened really fast.
Nice job, Naomi.
That was really good, though!
Really? Okay. Good start!
Keep going!
[soft music playing]
[man] I was going through a really difficult time.
Clay and Harrison
gave me courage
to keep going.
Sometimes I don't know if I'm going to see
the next day.
[sobbing]
This album saved my soul.
I don't think I would be here if not for this album.
[soft music playing]
[Naomi] We had met about the song.
It was about a year later that I remember
the email of them being, like,
"Do you want to perform live?"
And I was like, "Yeah."
Like, "Heck yeah!"
I had never performed live before.
I just, like, remember feeling like
this was, like, the first kind of place
that I felt like I could really belong.
[audience cheering]
["Higher Ground" playing]
♪ Ain't no surprise ♪
♪ That I can't sleep tonight ♪
♪ My only vice ♪
♪ Is standing by your side ♪
♪ So won't you love me better ♪
♪ I'm waiting here ♪
♪ I need you now ♪
♪ Gravity can't hold us down So just take me there ♪
♪ To higher ground ♪
♪ Save me ♪
♪ I'm holding onto you ♪
♪ My soul is fading ♪
♪ I'm falling into blue ♪
♪ Why don't you save me? ♪
♪ My blood is running cold ♪
♪ So lift me up And give me higher ground ♪
[soft music playing]
Seattle, let me see some lights.
[audience cheering]
We missed you guys so much!
[ovation]
♪ Would you give me shelter ♪
♪ I need you now ♪
♪ If you lead I'll follow ♪
♪ I'm reaching out ♪
♪ So won't you love me better ♪
♪ I'm waiting here ♪
♪ I need you now ♪
♪ Gravity can't hold us down So just take me there ♪
♪ So won't you love me better ♪
♪ I'm waiting here ♪
♪ I need you now ♪
♪ Gravity can't hold us down So just take me there ♪
♪ To higher ground ♪
♪ Save me ♪
♪ I'm holding onto you ♪
♪ My soul is fading ♪
♪ I'm falling into blue ♪
♪ Why don't you save me? ♪
♪ My blood is running cold ♪
♪ So lift me up And give me higher ground ♪
[soft music playing]
[soft music continues]
Naomi Wild, everybody!
[ovation]
[birds singing]
How we doing? Hey buddy!
What are you looking at?
Alright, let's do a little diaper change.
Ooh, he might have poopied.
[woman] Uh oh.
The full deal today.
This is a little different than touring.
Yeah, see if you want to walk down.
You want to play a little piano?
Okay.
You want to try to play a little bit?
[piano playing]
Oh, oh!
[piano playing]
Very avant garde, atmospheric.
Can you do that?
[laughing]
Super close!
[man] Okay, Clayton, play us a tune.
[woman] Yeah.
[piano playing]
[Clayton] I grew up with my dad playing piano
and I want to give my son the same thing.
[piano playing]
Yeah, just to have these similar things
that I grew up with in my home,
now that I'm starting a family are really important to me.
We're kind of these echoes and repeats
of these people that have come before us.
[piano ends]
[Harrison] Nice to take a break.
Thanks for telling me to
move away from the music for a second.
Especially on a day like today.
[Harrison laughing]
Chunky, come here! Sit.
[Chunky barks]
You're not intimidating.
[phone buzzing]
Oh, it's my mom.
You mind taking this?
Hello?
[Harrison's mom] Can you hear me?
Yeah, I can hear you.
So, I wanted to ask you some questions.
Kind of circling around the ideas of the record.
And I just wanted to get your take
- as a person I admire and love. - [Harrison's mom] Oh.
[Harrison] So I'm going to ask you a barrage of questions
and just answer them however you like.
[Harrison's mom] Okay.
[all laughing]
[Harrison] Do you believe in true love?
[Harrison's mom] Absolutely.
[Harrison] Why do you believe in true love?
[Harrison's mom] Because I've experienced it.
[emotional music playing]
Especially when I had you.
It's a connection you've never experienced before
with anyone else.
It's a bond that lasts a lifetime.
and beyond.
The love that you feel for your child
is never ending.
Goes on through eternity.
Goodbye, mom.
[Harrison's mom] See you later, partner.
[Harrison] So you feel it today, then?
[Harrison's mom] Yes, I do.
I feel it every day.
What is a moment in your life that broke you?
[emotional music continues]
[Harrison's mom] When my parents died.
When your grandmother passed away.
You know, when you're younger, you are on a journey,
and sometimes you don't know what the answer is
to all kinds of questions.
I do think about
having to say goodbye to them
because you know
that their time on Earth
is no longer here.
That they're moving on
to some other place in time and space.
You're watching over them, and they're watching over you.
They're always with you.
[upbeat music playing]
["A Moment Apart" playing]
[electronic music playing]
[electronic music continues]
[audience cheering]
[electronic music continues]
[ovation]
[indistinct chatter in video]
[people singing "Happy Birthday"]
[music ends]
[ovation]
[ovation continues]
[audience] ODESZA! ODESZA! ODESZA!
One more song! One more song! One more song!
I think this is it.
So this is the record we found
when we were searching for samples
for "The Last Goodbye."
And what came to be was from this.
Bettye LaVette's "Let Me Down Easy".
It's an incredible song
and it just caught us off guard.
And it was so special
we wanted to use it in some way.
[Bettye] * Let me down easy ♪
♪ For your love for me Is strong ♪
♪ Let me down easy ♪
[Harrison] The theme for our whole album
is kind of looking backwards
to see how we can move forward.
[Bettye] ♪ I know it's all over ♪
[Harrison] This really served as a guiding light
for the album itself .
[Bettye] ♪ For the last goodbye ♪
♪ Oh, oh ♪
The song name
comes from one of the lyrics Bettye says,
"The last goodbye".
And that lyric encapsulated
our whole album.
[Bettye] ♪ I know it's all over ♪
♪ For the last goodbye ♪
♪ Oh, oh ♪
♪ Let me down easy ♪
[soft music playing]
[Julianna] ♪ This version of you ♪
♪ Simply becomes real ♪
[Clayton] I remember some pretty early conversations.
Check, check, check.
[Clayton] We can talk about, like, "If we could only get a show at Sasquatch."
That was kind of our big goal at the time.
And then we did that that year
and then were like,
you know, "damn, what do we... what do we do now?"
[audience cheering]
[Julianna] ♪ This version of you ♪
♪ Looking at you ♪
[Clayton] To be doing these size shows with our friends
and family and loved ones
it still does not register.
It still blows my mind every day.
[Julianna] ♪ I'd like you to imagine ♪
♪ This version of you ♪
I didn't prepare anything ,
but I do want to say
something is only as good as the sum of its parts
and everyone here is an incredible,
talented individual.
We love you guys so much.
Put your hand in.
Hell yeah, let's do this!
[emotional music playing]
- [Clayton] Where we at? - [Harrison] Oh! We're filming!
Whoowee!
We were trying. And you guys supported 100%.
Thank you for caring!
[emotional music continues]
Quack, quack
quack, quack, quack, quack,
quack, quack!
[cheering]
[emotional music continues]
[music ends]
[Harrison] Tentatively,
the name of the record is "The Last Goodbye."
[Harrison's mom] That's lovely.
[emotional music playing]
[Harrison] I've really thought
of my own mortality quite a lot.
I started questioning
"When will be the last time
that I get to see you guys?"
[Clayton] We just really grabbed onto this sentiment
of who you are comes with a piece
of everyone who came before you.
You never really say goodbye to anyone,
because they're always with you.
[emotional music continues]
[Bettye] * Let me down easy ♪
♪ All your love for me is gone ♪
♪ Let me down easy ♪
♪ Since you feel To stay is wrong ♪
♪ I know it's all over ♪
♪ But the last goodbye ♪
♪ Oh, let me down easy ♪
♪ Let me down easy ♪
[electronic music playing]
[electronic music continues]
[electronic music playing]
♪ When you pass by me ♪
♪ Say hello once in a while ♪
♪ When you pass by me baby ♪
♪ Does it hurt so much To smile? ♪
♪ We promised That we'd still be friends ♪
♪ 'Til the very end ♪
♪ I'm begging you, baby ♪
♪ Let me down easy ♪
♪ All your love for me is gone ♪
♪ Let me down easy ♪
♪ Since you feel To stay is wrong ♪
♪ I know it's all over ♪
♪ But the last goodbye ♪
♪ Oh, let me down easy ♪
♪ Let me down easy ♪
Seattle!
Let me see you one last time!
[audience cheering]
[Bettye] * Let me down easy ♪
[electronic music slows down]
[electronic music continues]
[audience cheering]
[electronic music continues]
[audience keeps cheering]
[music ends]
[ovation]
[ovation continues]
[emotional music playing]
[emotional music continues]
[ovation]
[ovation continues]
[silence]
["Dissolved in a Daydream" playing]
[music continues]
[song ends]