1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:20,421 --> 00:00:22,456 [upbeat music playing] 4 00:00:35,336 --> 00:00:37,138 [soft music playing] 5 00:00:43,744 --> 00:00:45,879 [Harrison] This whole world has just been one big dream. 6 00:00:47,281 --> 00:00:49,317 [Sean] Okay, just relax. 7 00:00:50,251 --> 00:00:52,986 [Harrison] It all just feels like it's not real. 8 00:00:53,154 --> 00:00:56,657 [suspenseful music playing] 9 00:00:56,857 --> 00:00:58,759 We didn't start making music because we saw ourselves 10 00:00:58,959 --> 00:01:00,027 standing on stage. 11 00:01:01,795 --> 00:01:03,131 We started making music 12 00:01:03,331 --> 00:01:06,033 because it's the way we connect. 13 00:01:10,804 --> 00:01:12,340 [man 1] The upstage wall? 14 00:01:12,540 --> 00:01:14,708 [man 2] The hybrid blow-through. Hybrid. 15 00:01:16,377 --> 00:01:18,212 [man 1] Copy, walking onstage. 16 00:01:20,214 --> 00:01:21,382 Should be coming up in a second. 17 00:01:24,352 --> 00:01:28,189 - [Chrissy] Chrissy to Neil. - [Neil] Go for Neil. 18 00:01:28,389 --> 00:01:30,524 [Chrissy] Are you ready for me to bring drumline to you? 19 00:01:30,724 --> 00:01:33,161 [Neil] Yep, drumline can come up. Drumline can come up. 20 00:01:34,228 --> 00:01:35,563 [man 1] IMAG, are you show ready? 21 00:01:36,264 --> 00:01:37,665 [IMAG operator] IMAG show ready. 22 00:01:38,666 --> 00:01:40,634 [man 1] Wardrobe. Are you show ready? 23 00:01:40,834 --> 00:01:42,403 [woman] Wardrobe ready. 24 00:01:43,070 --> 00:01:44,705 [man 1] Monitors, are you show ready? 25 00:01:44,905 --> 00:01:46,474 [man 2] Monitors show ready. 26 00:01:46,674 --> 00:01:49,677 - [man 1] Lasers, ready? - [man 3] Lasers ready. 27 00:01:49,877 --> 00:01:52,580 - [man 1] Backline and drum LED? - [man 4] Show ready. 28 00:01:52,780 --> 00:01:54,582 [man 1] Front of house lighting and video, ready? 29 00:01:54,782 --> 00:01:56,284 [man 5] Show ready. 30 00:01:56,484 --> 00:01:59,052 - [man 1] Playback? - [man 6] Show ready. 31 00:01:59,253 --> 00:02:00,754 [Sean] Neil, I'm coming up with the guys to stage. 32 00:02:01,689 --> 00:02:05,426 [audience] ODESZA, ODESZA, ODESZA! 33 00:02:16,136 --> 00:02:18,506 [Julianna] ♪ This version of you ♪ 34 00:02:20,040 --> 00:02:23,244 ♪ Simply becomes real ♪ 35 00:02:23,411 --> 00:02:28,516 ["This Version Of You" playing] 36 00:02:28,749 --> 00:02:32,152 ♪ And you're right here With this version of you ♪ 37 00:02:36,390 --> 00:02:39,693 ♪ To see things As they really are ♪ 38 00:02:43,096 --> 00:02:45,966 ♪ This version of you Looking at you ♪ 39 00:02:49,102 --> 00:02:51,339 ♪ You looking back ♪ 40 00:02:54,675 --> 00:02:57,945 ♪ This version of you Welcoming you ♪ 41 00:03:03,451 --> 00:03:07,154 ♪ This version of you Saying, "Yes" ♪ 42 00:03:14,194 --> 00:03:17,565 ♪ I'd like you to imagine ♪ 43 00:03:17,798 --> 00:03:20,033 ♪ This version of you ♪ 44 00:03:22,336 --> 00:03:24,405 [electronic music playing] 45 00:03:25,973 --> 00:03:27,741 [screaming] 46 00:03:31,779 --> 00:03:33,981 [electronic music continues] 47 00:03:41,522 --> 00:03:43,857 [electronic music continues] 48 00:03:52,400 --> 00:03:54,234 [electronic music continues] 49 00:04:10,818 --> 00:04:11,919 [electronic music continues] 50 00:04:20,227 --> 00:04:23,230 [ovation] 51 00:04:26,834 --> 00:04:29,269 [electronic music continues] 52 00:04:36,710 --> 00:04:38,946 [electronic music continues] 53 00:04:45,919 --> 00:04:47,120 [thunder] 54 00:04:48,356 --> 00:04:49,156 [thunder] 55 00:04:54,928 --> 00:04:55,763 [thunder] 56 00:05:00,033 --> 00:05:01,835 [electronic music continues] 57 00:05:07,575 --> 00:05:08,576 [electronic music continues] 58 00:05:13,146 --> 00:05:14,314 [electronic music continues] 59 00:05:23,991 --> 00:05:24,992 [electronic music continues] 60 00:05:33,667 --> 00:05:34,935 [electronic music continues] 61 00:05:47,648 --> 00:05:50,484 [trumpets join electronic music] 62 00:06:04,498 --> 00:06:05,699 [electronic music continues] 63 00:06:17,845 --> 00:06:19,179 [electronic music continues] 64 00:06:31,659 --> 00:06:33,494 [electronic music continues] 65 00:06:42,670 --> 00:06:43,937 [electronic music continues] 66 00:06:56,083 --> 00:06:57,451 [electronic music continues] 67 00:07:21,274 --> 00:07:22,643 [electronic music continues] 68 00:07:33,921 --> 00:07:34,888 [electronic music continues] 69 00:07:37,758 --> 00:07:38,759 [music ends] 70 00:07:38,926 --> 00:07:41,294 [ovation] 71 00:07:54,107 --> 00:07:56,910 [Harrison] We are... I don't know what, 30 days? 72 00:07:57,077 --> 00:08:00,280 Exactly a month, basically, from today, so... 73 00:08:00,447 --> 00:08:01,982 We will have our first show. 74 00:08:02,149 --> 00:08:03,016 Back to it. 75 00:08:03,216 --> 00:08:04,952 Whoo! 76 00:08:05,118 --> 00:08:06,954 Look at this! Where we at? Where we at? 77 00:08:07,120 --> 00:08:08,956 Oh, no! 78 00:08:09,122 --> 00:08:12,092 - We're filming! - Stop! You got the camera. 79 00:08:12,259 --> 00:08:13,794 [Clayton] Oh, always got the camera! This is the zoom. Right there. 80 00:08:13,961 --> 00:08:15,328 [Sean] There's some real nostalgia 81 00:08:15,495 --> 00:08:16,429 in looking through this. 82 00:08:16,597 --> 00:08:17,765 This zoom is good. 83 00:08:18,899 --> 00:08:20,167 Wow, it's like a pretty powerful zoom. 84 00:08:20,333 --> 00:08:21,669 [Clayton] There he is. 85 00:08:21,835 --> 00:08:22,936 Hey! 86 00:08:23,103 --> 00:08:25,773 Sky's in there. Looking good! 87 00:08:25,939 --> 00:08:28,175 Reed really has it with the, when you look through it. Yeah. 88 00:08:28,341 --> 00:08:30,277 Hi, Chunky. 89 00:08:30,443 --> 00:08:31,812 [Sean] How long has it been 90 00:08:31,979 --> 00:08:33,146 since the crew's gotten back together? 91 00:08:33,313 --> 00:08:34,314 [Clayton] Really, three years 92 00:08:34,481 --> 00:08:36,149 since the last show, The Finale. 93 00:08:36,316 --> 00:08:38,018 So, it's been a while. 94 00:08:38,185 --> 00:08:39,452 Hey, hey! 95 00:08:40,153 --> 00:08:41,655 I just want to play with the puppy. 96 00:08:42,923 --> 00:08:44,024 It's been a minute since we've been here. 97 00:08:44,191 --> 00:08:45,626 - [Clayton] How we doing? - Hey! 98 00:08:45,793 --> 00:08:47,494 Well, as soon as the album was finished, 99 00:08:47,661 --> 00:08:49,062 we started writing the set. 100 00:08:49,262 --> 00:08:50,564 [Sean] Day one of us all sitting together 101 00:08:50,764 --> 00:08:53,233 working on the set. How we feeling? 102 00:08:53,433 --> 00:08:55,168 [Harrison] Bringing someone out is a shift in the set. 103 00:08:55,368 --> 00:08:56,837 Bringing the drum line out is a shift in the set, 104 00:08:57,004 --> 00:08:59,640 and you want those things to all feel cohesive 105 00:08:59,807 --> 00:09:01,474 and also have impact. 106 00:09:01,642 --> 00:09:04,377 This, I think, would be an interesting combo. 107 00:09:04,544 --> 00:09:06,680 Drum and bass "Falls". 108 00:09:06,847 --> 00:09:09,249 Yeah, that's interesting. 109 00:09:09,449 --> 00:09:10,718 I don't know. I don't know, man. 110 00:09:11,985 --> 00:09:14,254 Can you drop me the "Behind The Sun" stems? 111 00:09:14,454 --> 00:09:18,425 What we're doing right now is listening to the final mix down. 112 00:09:19,827 --> 00:09:21,595 We'll get it. 113 00:09:21,795 --> 00:09:22,796 [Clayton] And build the transitions 114 00:09:22,996 --> 00:09:23,964 and level things together 115 00:09:24,164 --> 00:09:26,900 so all the songs feel cohesive. 116 00:09:27,067 --> 00:09:29,169 Yeah, I guess you're going to want to turn the drumline down anyways, right? 117 00:09:29,336 --> 00:09:31,171 I'm going to go through the set just to make sure 118 00:09:31,338 --> 00:09:32,405 that the lead vocal 119 00:09:32,572 --> 00:09:34,274 and the drum line are separated. 120 00:09:34,474 --> 00:09:36,610 [creaking sound] 121 00:09:36,810 --> 00:09:38,111 Or I guess I can just get used 122 00:09:38,311 --> 00:09:40,280 to doing this stuff before I start. 123 00:09:40,480 --> 00:09:41,949 [electronic music playing] 124 00:09:44,284 --> 00:09:46,654 [Harrison] Yeah, we spent a lot of time trying to focus on 125 00:09:46,854 --> 00:09:49,556 how these energy levels rise, where we want to take the audience. 126 00:09:49,757 --> 00:09:51,558 Where we want to, like, kind of surprise them, 127 00:09:51,759 --> 00:09:53,526 where we want to trick them a little bit. 128 00:09:53,694 --> 00:09:55,195 [keyboard playing] 129 00:09:55,362 --> 00:09:56,563 Get rid of that guy 130 00:09:56,730 --> 00:09:59,199 and then move them over one each. 131 00:09:59,366 --> 00:10:00,533 [keyboard playing] 132 00:10:04,337 --> 00:10:05,205 [electronic music playing] 133 00:10:05,372 --> 00:10:06,373 Start it over. 134 00:10:06,539 --> 00:10:09,142 [electronic music playing] 135 00:10:13,046 --> 00:10:15,548 [electronic music continues] 136 00:10:18,719 --> 00:10:20,220 That's actually the scariest part. 137 00:10:20,420 --> 00:10:23,456 I feel like all of us have been so 138 00:10:24,224 --> 00:10:27,027 in the moment of, like, being detail-oriented and making the show 139 00:10:27,227 --> 00:10:29,730 that we haven't been thinking about actually playing the show. 140 00:10:31,598 --> 00:10:33,066 I'm a little nervous for sure. It's been three years, 141 00:10:33,233 --> 00:10:35,736 so we'll see what happens. 142 00:10:36,436 --> 00:10:40,340 [Shy Girls] ♪ I could be down on it ♪ 143 00:10:41,208 --> 00:10:45,278 ♪ You could be all we need ♪ 144 00:10:45,478 --> 00:10:49,850 ♪ I could be down on it ♪ 145 00:10:50,851 --> 00:10:54,788 ♪ You could be all we need ♪ 146 00:10:56,790 --> 00:10:59,192 [electronic music playing] 147 00:11:04,798 --> 00:11:06,133 [electronic music continues] 148 00:11:07,467 --> 00:11:11,038 ♪ This is not a tactic To expose you babe ♪ 149 00:11:12,472 --> 00:11:14,708 ♪ I'm just trying to see you In your moment baby ♪ 150 00:11:14,908 --> 00:11:18,278 ♪ I could be down on it ♪ 151 00:11:19,412 --> 00:11:24,251 ♪ You could be all we need ♪ 152 00:11:24,351 --> 00:11:28,421 ♪ I could be down on it ♪ 153 00:11:29,156 --> 00:11:33,193 ♪ You could be all we need ♪ 154 00:11:54,782 --> 00:11:58,585 ♪ I was thinking You and I could ♪ 155 00:11:59,152 --> 00:12:03,423 ♪ Skip the part where We small talk each other ♪ 156 00:12:04,157 --> 00:12:08,796 ♪ Turn the beat up Turn it real loud ♪ 157 00:12:08,996 --> 00:12:13,633 ♪ Turn the beat up Turn it real loud ♪ 158 00:12:13,834 --> 00:12:15,869 ♪ Hold me to my word This time ♪ 159 00:12:16,069 --> 00:12:18,338 ♪ I'm gonna take another ride ♪ 160 00:12:18,538 --> 00:12:20,774 ♪ Call me on my bitter side ♪ 161 00:12:20,974 --> 00:12:22,810 ♪ Call me on my cell at night ♪ 162 00:12:23,010 --> 00:12:25,512 ♪ Take it to the limit babe ♪ 163 00:12:25,712 --> 00:12:27,981 ♪ Don't ask me To commit a thing ♪ 164 00:12:28,181 --> 00:12:30,183 ♪ If no one gets hurt What was it worth ♪ 165 00:12:30,383 --> 00:12:31,518 ♪ What was it worth ♪ 166 00:12:31,718 --> 00:12:34,587 ♪ I could be down on it ♪ 167 00:12:36,056 --> 00:12:40,727 ♪ You could be all we need ♪ 168 00:12:40,828 --> 00:12:44,731 ♪ I could be down on it ♪ 169 00:12:45,732 --> 00:12:50,470 ♪ You could be all we need ♪ 170 00:12:52,539 --> 00:12:53,640 [electronic music playing] 171 00:12:53,841 --> 00:12:55,075 [ovation] 172 00:13:00,113 --> 00:13:01,414 [music intensifies] 173 00:13:02,782 --> 00:13:04,384 [electronic music playing] 174 00:13:13,560 --> 00:13:14,794 [electronic music continues] 175 00:13:22,970 --> 00:13:24,671 [ovation] 176 00:13:28,775 --> 00:13:30,110 [electronic music playing] 177 00:13:33,113 --> 00:13:35,148 ["Love Letter" playing] 178 00:13:38,385 --> 00:13:42,222 [The Knocks] ♪ You can't break my heart 'Cause I was never in love ♪ 179 00:13:42,422 --> 00:13:44,357 ♪ Never in love ♪ 180 00:13:44,557 --> 00:13:46,726 ♪ 'Cause I was never in love ♪ 181 00:13:46,927 --> 00:13:48,228 ♪ You can't break my heart ♪ 182 00:13:48,428 --> 00:13:50,763 ♪ 'Cause I was never in love ♪ 183 00:13:50,964 --> 00:13:52,933 ♪ Never in love ♪ 184 00:13:53,133 --> 00:13:55,602 ♪ Oh, you can't break My heart ♪ 185 00:13:55,802 --> 00:13:57,604 ♪ You can't break my heart ♪ 186 00:13:57,804 --> 00:13:59,406 ♪ You can't break my heart ♪ 187 00:14:00,073 --> 00:14:01,608 ♪ You can't break my heart ♪ 188 00:14:02,409 --> 00:14:03,810 ♪ You can't break my heart ♪ 189 00:14:04,011 --> 00:14:06,079 ♪ You can't break my heart ♪ 190 00:14:06,646 --> 00:14:08,748 ♪ You can't break my heart ♪ 191 00:14:08,848 --> 00:14:10,683 ♪ You can't break my heart ♪ 192 00:14:20,961 --> 00:14:22,129 ♪ You can't ♪ 193 00:14:22,295 --> 00:14:23,563 [electronic music playing] 194 00:14:28,101 --> 00:14:30,470 ♪ Don't know where Without your love ♪ 195 00:14:30,670 --> 00:14:34,574 ♪ You can't break my heart 'Cause I was never in love ♪ 196 00:14:39,146 --> 00:14:40,613 ♪ You can't break my heart ♪ 197 00:14:41,214 --> 00:14:43,316 ♪ 'Cause I was never in love ♪ 198 00:14:43,516 --> 00:14:44,985 ♪ Never in love ♪ 199 00:14:45,185 --> 00:14:47,654 ♪ 'Cause I was never in love ♪ 200 00:14:48,221 --> 00:14:49,522 ♪ You can't break my heart ♪ 201 00:14:49,722 --> 00:14:52,259 ♪ 'Cause I was never in love ♪ 202 00:14:52,459 --> 00:14:53,693 ♪ Never in love ♪ 203 00:14:53,893 --> 00:14:55,929 ♪ 'Cause I was never in love ♪ 204 00:14:56,129 --> 00:14:58,098 ♪ You can't break my heart ♪ 205 00:14:58,298 --> 00:15:00,833 ♪ 'Cause I was never in love ♪ 206 00:15:01,034 --> 00:15:02,669 ♪ Never in love ♪ 207 00:15:03,236 --> 00:15:04,804 ♪ Oh, you can't break My heart ♪ 208 00:15:05,005 --> 00:15:05,939 ♪ Let's go ♪ 209 00:15:06,139 --> 00:15:07,674 [electronic music playing] 210 00:15:13,313 --> 00:15:15,115 ♪ You can't ♪ 211 00:15:15,315 --> 00:15:16,416 [electronic music continues] 212 00:15:20,920 --> 00:15:22,789 ♪ Don't know where Without your love ♪ 213 00:15:22,990 --> 00:15:24,291 ♪ You can't break my heart ♪ 214 00:15:24,891 --> 00:15:27,327 ♪ 'Cause I was never in love ♪ 215 00:15:27,427 --> 00:15:28,661 ♪ Never in love ♪ 216 00:15:28,861 --> 00:15:31,531 ♪ 'Cause I was never in love ♪ 217 00:15:31,731 --> 00:15:32,966 ♪ You can't break my heart ♪ 218 00:15:33,166 --> 00:15:35,402 ♪ 'Cause I was never in love ♪ 219 00:15:35,602 --> 00:15:37,537 ♪ Never in love ♪ 220 00:15:38,171 --> 00:15:39,606 ♪ You can't ♪ 221 00:15:40,173 --> 00:15:41,874 ♪ You can't break my heart ♪ 222 00:15:43,110 --> 00:15:44,611 [electronic music continues] 223 00:15:49,216 --> 00:15:50,417 ♪ You can't break my heart ♪ 224 00:15:50,617 --> 00:15:53,320 ♪ 'Cause I was never in love ♪ 225 00:15:53,520 --> 00:15:54,721 ♪ Never in love ♪ 226 00:15:54,921 --> 00:15:57,357 ♪ 'Cause I was never in love ♪ 227 00:15:57,557 --> 00:15:59,059 ♪ You can't break my heart ♪ 228 00:15:59,259 --> 00:16:02,029 ♪ 'Cause I was never in love ♪ 229 00:16:02,229 --> 00:16:03,596 ♪ Never in love ♪ 230 00:16:04,264 --> 00:16:05,932 ♪ Oh, you can't break My heart ♪ 231 00:16:06,633 --> 00:16:08,068 [electronic music continues] 232 00:16:18,278 --> 00:16:19,246 [electronic music continues] 233 00:16:21,981 --> 00:16:24,017 ♪ Don't know where Without your love ♪ 234 00:16:24,217 --> 00:16:25,785 ♪ You can't break my heart ♪ 235 00:16:25,985 --> 00:16:27,920 ♪ You can't break my heart ♪ 236 00:16:28,121 --> 00:16:29,822 ♪ You can't break my heart ♪ 237 00:16:30,423 --> 00:16:32,125 ♪ You can't break my heart ♪ 238 00:16:32,925 --> 00:16:34,827 Seattle! 239 00:16:34,994 --> 00:16:36,829 Let me hear you! 240 00:16:39,266 --> 00:16:40,700 ♪ You can't break my heart ♪ 241 00:16:41,434 --> 00:16:42,302 ♪ Let's go ♪ 242 00:16:42,802 --> 00:16:44,604 [electronic music continues] 243 00:16:49,742 --> 00:16:51,711 ♪ You can't ♪ 244 00:16:51,911 --> 00:16:52,979 [electronic music continues] 245 00:16:56,783 --> 00:16:58,651 ♪ You can't break my heart ♪ 246 00:17:01,421 --> 00:17:02,722 [electronic music continues] 247 00:17:11,331 --> 00:17:12,699 [electronic music continues] 248 00:17:23,676 --> 00:17:24,911 [electronic music continues] 249 00:17:33,686 --> 00:17:34,687 [electronic music continues] 250 00:17:42,695 --> 00:17:44,164 [music ends] 251 00:17:49,035 --> 00:17:51,338 [drums playing] 252 00:18:02,815 --> 00:18:05,952 [Clayton] There's something like really primal about a wall of drums. 253 00:18:06,153 --> 00:18:07,420 [drums playing] 254 00:18:10,390 --> 00:18:11,924 - What's up? - What's up, brother? 255 00:18:12,091 --> 00:18:13,593 - What's up, man? - I'm Jay. 256 00:18:13,760 --> 00:18:14,627 Jay? Harrison. 257 00:18:14,827 --> 00:18:16,629 What's up buddy? 258 00:18:16,829 --> 00:18:18,298 Yeah, what are you guys thinking? 259 00:18:18,498 --> 00:18:20,533 Do you want to run through it from the top? 260 00:18:20,700 --> 00:18:23,303 We're refining some stuff with "La Ciudad" and "Tense". 261 00:18:23,503 --> 00:18:24,637 There's a couple staging things still 262 00:18:24,837 --> 00:18:26,639 for "Hopeful" and "AMA" 263 00:18:26,839 --> 00:18:28,441 that we haven't done yet. 264 00:18:28,608 --> 00:18:30,277 I think It'd be great if we just start at the top 265 00:18:30,443 --> 00:18:31,978 and just go "Behind The Sun", just down the line. 266 00:18:32,179 --> 00:18:33,045 Like it's real! 267 00:18:33,213 --> 00:18:34,381 [Sean] Like it's real! 268 00:18:35,215 --> 00:18:36,916 We're doing our first run through physically 269 00:18:37,083 --> 00:18:38,751 of the drumline. 270 00:18:40,953 --> 00:18:42,955 [drums playing] 271 00:18:56,236 --> 00:18:57,136 Yeah, yeah. 272 00:18:59,071 --> 00:19:01,641 Yeah, because they're going to get lost back there. 273 00:19:01,808 --> 00:19:03,443 [electronic music joins the drums] 274 00:19:07,547 --> 00:19:09,982 Awesome, nice job you all. 275 00:19:10,817 --> 00:19:12,752 I'm curious if at the beginning of "Bloom", 276 00:19:12,919 --> 00:19:14,621 I'd like you to be closer 277 00:19:14,787 --> 00:19:16,789 than being, like, stopping in the middle. 278 00:19:16,956 --> 00:19:20,293 You will probably push forward, like, two steps. 279 00:19:20,460 --> 00:19:22,495 Yeah, we just wanted that to feel like it moved a little bit. 280 00:19:22,662 --> 00:19:24,864 - Yeah. - We'll be here, right here the whole time. 281 00:19:30,770 --> 00:19:32,104 [drums playing] 282 00:19:41,981 --> 00:19:44,617 [Benjamin] 2016 was the first time we ever got the call. 283 00:19:45,452 --> 00:19:47,387 And we were just dancing around like a bunch of hooligans up there. 284 00:19:47,587 --> 00:19:48,721 [electronic music playing] 285 00:19:59,098 --> 00:20:00,733 [electronic music continues] 286 00:20:04,036 --> 00:20:06,473 [Clayton] Give it up for the CU drum line, everybody! 287 00:20:08,641 --> 00:20:12,044 [Benjamin] I think we played three tracks, and we were just happy to be there. 288 00:20:13,613 --> 00:20:14,914 We thought that was going to be our only time. 289 00:20:15,114 --> 00:20:16,816 [ovation] 290 00:20:20,287 --> 00:20:22,522 [drums playing] 291 00:20:24,657 --> 00:20:26,225 Can we try a side-to-side 292 00:20:26,393 --> 00:20:28,361 where you're not moving your feet? 293 00:20:28,528 --> 00:20:29,929 No foot turning. 294 00:20:30,530 --> 00:20:32,532 See if you can just, like, step in and out. 295 00:20:35,902 --> 00:20:37,670 Don't turn your feet. 296 00:20:37,837 --> 00:20:40,407 And then do a head nod with it. 297 00:20:40,573 --> 00:20:41,441 - Way better. - [Sean] Yeah. 298 00:20:41,641 --> 00:20:42,942 [Harrison] Way better. 299 00:20:43,142 --> 00:20:44,377 That's it. That's the look. Cool. 300 00:20:44,544 --> 00:20:46,112 That's it. It looked awesome. 301 00:20:46,313 --> 00:20:48,948 Every single element of that is an awesome shift 302 00:20:49,148 --> 00:20:51,250 in energy and movement. 303 00:20:51,418 --> 00:20:52,785 [drums playing] 304 00:20:56,589 --> 00:20:58,325 [Harrison] It wasn't until we had, like, 305 00:20:58,525 --> 00:21:00,293 our crew now that we really started 306 00:21:00,493 --> 00:21:03,029 dialing in what it looks like, what it sounds like. 307 00:21:03,195 --> 00:21:05,097 Treat that as an actual accent. 308 00:21:05,264 --> 00:21:08,435 You should go to match here and then turn your hand over. 309 00:21:10,002 --> 00:21:11,871 [Harrison] That's where it started really becoming cohesive. 310 00:21:12,505 --> 00:21:13,873 Guys, when we grab each other on two, 311 00:21:14,040 --> 00:21:15,575 we need to use a lot of energy 312 00:21:15,742 --> 00:21:17,644 and core strength to get past 313 00:21:17,844 --> 00:21:19,178 these next people here. 314 00:21:20,246 --> 00:21:23,215 [Harrison] We'll write the drum line pieces as best we can, 315 00:21:23,416 --> 00:21:24,984 not being drum line members. 316 00:21:27,554 --> 00:21:29,389 And then Ben and Kali do a great job 317 00:21:29,589 --> 00:21:31,324 of kind of interpreting that, adding on to it, 318 00:21:31,524 --> 00:21:33,560 like, then adding choreo onto that. 319 00:21:37,864 --> 00:21:40,633 And that's why we implemented drums in the first place. 320 00:21:41,901 --> 00:21:43,536 There's all these things that you could be playing, 321 00:21:43,736 --> 00:21:46,339 but no one can really tell what you're doing. 322 00:21:46,439 --> 00:21:48,741 This is such a visual thing. 323 00:21:48,941 --> 00:21:50,577 You know exactly what's being played when you see it happen. 324 00:21:53,245 --> 00:21:55,281 We just got to see 325 00:21:55,448 --> 00:21:58,451 pieces we wrote on a tiny MIDI keyboard in a small room 326 00:21:59,118 --> 00:22:03,923 get played by a very professional drum line , 327 00:22:04,090 --> 00:22:06,959 and it's pulling on my heart strings. It's a beautiful moment. 328 00:22:07,126 --> 00:22:10,262 - He's gon' cry. He's gon' cry. - I love it. Ugh. 329 00:22:10,430 --> 00:22:13,099 - [Clayton laughs] - That's amazing. 330 00:22:13,265 --> 00:22:15,167 I've wanted to do that since I was twelve-years-old. 331 00:22:15,334 --> 00:22:16,302 That's amazing. 332 00:22:16,469 --> 00:22:18,605 ["Bloom" playing] 333 00:22:24,577 --> 00:22:26,513 [drums playing] 334 00:22:34,621 --> 00:22:36,122 [drums playing] 335 00:22:44,931 --> 00:22:46,533 [drums playing] 336 00:22:53,673 --> 00:22:55,241 [drums playing] 337 00:23:04,884 --> 00:23:07,019 [electronic music joins the drums] 338 00:23:15,127 --> 00:23:16,162 [electronic music continues] 339 00:23:24,904 --> 00:23:26,172 [electronic music continues] 340 00:23:34,180 --> 00:23:36,182 [electronic music continues] 341 00:23:45,725 --> 00:23:47,527 [electronic music continues] 342 00:23:56,769 --> 00:23:59,772 [electronic music continues] 343 00:24:04,243 --> 00:24:06,312 [audience screaming] 344 00:24:11,518 --> 00:24:13,252 [electronic music continues] 345 00:24:22,061 --> 00:24:23,262 [electronic music continues] 346 00:24:34,273 --> 00:24:36,075 [electronic music continues] 347 00:24:45,618 --> 00:24:47,186 [electronic music continues] 348 00:24:56,428 --> 00:24:58,531 [electronic music continues] 349 00:25:11,944 --> 00:25:13,780 [electronic music continues] 350 00:25:22,321 --> 00:25:24,023 [electronic music continues] 351 00:25:34,634 --> 00:25:35,902 [electronic music continues] 352 00:25:43,509 --> 00:25:45,411 [music slows down] 353 00:25:57,657 --> 00:25:59,859 [music intensifies] 354 00:26:04,964 --> 00:26:06,232 [electronic music continues] 355 00:26:18,911 --> 00:26:20,046 [music ends] 356 00:26:20,212 --> 00:26:22,081 [ovation] 357 00:26:32,859 --> 00:26:36,062 ["Equal" playing] 358 00:26:59,551 --> 00:27:02,922 [Lapsley] ♪ I go the whole nine ♪ 359 00:27:03,022 --> 00:27:05,091 ♪ Driving through The whole night ♪ 360 00:27:05,792 --> 00:27:09,261 ♪ Hold you 'til the first light So tight ♪ 361 00:27:10,029 --> 00:27:11,664 ♪ Love is pain, right? ♪ 362 00:27:13,332 --> 00:27:16,635 ♪ And it's all in my head And I'm stood on the ledge ♪ 363 00:27:16,869 --> 00:27:21,273 ♪ And the people Walk through their day ♪ 364 00:27:21,507 --> 00:27:25,411 ♪ While I'm trying to make sense Of the prequel ♪ 365 00:27:25,644 --> 00:27:29,148 ♪ I just want our love To be equal ♪ 366 00:27:29,315 --> 00:27:30,750 [electronic music playing] 367 00:27:39,826 --> 00:27:42,128 ♪ I just want our love To be equal ♪ 368 00:27:54,373 --> 00:27:56,709 ♪ I'd go the whole world ♪ 369 00:27:57,409 --> 00:28:00,079 ♪ Let emotions unfurl ♪ 370 00:28:00,780 --> 00:28:05,551 ♪ And my frustrations be heard And nothing ♪ 371 00:28:05,785 --> 00:28:07,686 ♪ Will ever take me higher Again ♪ 372 00:28:07,920 --> 00:28:10,322 ♪ And we're a wildfire ♪ 373 00:28:11,090 --> 00:28:14,727 ♪ Balanced on a thin line Between life ♪ 374 00:28:14,961 --> 00:28:17,864 ♪ And some Heaven ♪ 375 00:28:18,097 --> 00:28:20,967 ♪ Keeping it together ♪ 376 00:28:21,700 --> 00:28:25,337 ♪ And it's all in my head And I'm stood on the ledge ♪ 377 00:28:25,571 --> 00:28:30,209 ♪ And the people Walk through their day ♪ 378 00:28:30,442 --> 00:28:35,147 ♪ While I'm trying to make Sense of the prequel ♪ 379 00:28:35,381 --> 00:28:39,051 ♪ And it's all in my head And I'm stood on the ledge ♪ 380 00:28:39,285 --> 00:28:43,856 ♪ And the people Walk through their day ♪ 381 00:28:44,090 --> 00:28:47,293 ♪ While I'm tryna make sense Of the prequel ♪ 382 00:28:47,927 --> 00:28:50,362 ♪ I just want our love To be equal ♪ 383 00:28:52,231 --> 00:28:53,766 [electronic music continues] 384 00:29:02,141 --> 00:29:04,443 ♪ I just want Our love to be equal ♪ 385 00:29:29,268 --> 00:29:31,437 ♪ I just want our love To be equal ♪ 386 00:29:43,049 --> 00:29:45,317 ♪ I just want our love To be equal ♪ 387 00:29:56,829 --> 00:29:59,565 ♪ I just want our love To be equal ♪ 388 00:30:01,733 --> 00:30:03,569 [electronic music continues] 389 00:30:11,777 --> 00:30:12,811 [electronic music continues] 390 00:30:12,979 --> 00:30:14,080 [audience cheering] 391 00:30:24,390 --> 00:30:25,157 [music ends] 392 00:30:27,493 --> 00:30:29,595 [Clayton] Buh-na, na-na. 393 00:30:29,761 --> 00:30:32,331 [knocking on door] 394 00:30:32,498 --> 00:30:34,033 - Hey. - Hello. 395 00:30:34,233 --> 00:30:35,968 - Hi, I'm Harrison. - Hey, I'm Rachel. 396 00:30:36,135 --> 00:30:38,204 Rachel. I'm Clay. Nice to meet you. 397 00:30:38,404 --> 00:30:40,606 Yeah, should we take our shoes off? Okay. 398 00:30:40,772 --> 00:30:43,809 My room used to be this one. I don't know who's room this one is. 399 00:30:43,976 --> 00:30:45,644 Yay, that's my room! 400 00:30:45,811 --> 00:30:47,646 Yeah. So I used to make a bunch of music in here. 401 00:30:47,813 --> 00:30:49,115 - Yeah, you can go in. - Is that okay? 402 00:30:49,281 --> 00:30:50,716 Yeah. I mean, it's a little messy. 403 00:30:50,917 --> 00:30:52,718 It's not too bad. It's better than I kept it. 404 00:30:52,919 --> 00:30:55,988 I had a desk set up right here. That's where I first, like, 405 00:30:56,155 --> 00:30:58,490 the first machine set up I had was really... 406 00:30:58,657 --> 00:31:02,294 just stare at that window, look at the grass and make beats. 407 00:31:02,461 --> 00:31:04,830 - Most of the music was made in the basement, though. - Yeah. 408 00:31:04,997 --> 00:31:06,798 Then we moved, yeah, then we moved down there. 409 00:31:06,966 --> 00:31:08,800 - To the dungeon! - Wow! 410 00:31:11,703 --> 00:31:13,973 This was the studio set up. 411 00:31:14,140 --> 00:31:16,875 [Harrison] Yeah, right here. There was a drum set right here. 412 00:31:17,043 --> 00:31:21,013 And there was a long table and we had all our machines and, like, keyboards and stuff. 413 00:31:21,180 --> 00:31:23,215 We were down here a lot. 414 00:31:23,382 --> 00:31:26,018 And then there was always friends coming through from college, 415 00:31:26,185 --> 00:31:28,687 and they would just, like, walk in here and ask us what we were doing. 416 00:31:28,854 --> 00:31:32,258 Sometimes, people would walk by and be like, "What are you guys playing right now?" 417 00:31:33,459 --> 00:31:35,894 Yeah, yeah. "You're being really loud." 418 00:31:36,062 --> 00:31:37,163 Um... 419 00:31:38,965 --> 00:31:41,500 Yeah, it's super surreal. 420 00:31:41,667 --> 00:31:46,905 [man] We're going to start up by pulling three two-tons on this beam right here, 421 00:31:47,073 --> 00:31:50,842 and two two-tons on this upstage beam here. 422 00:31:51,010 --> 00:31:53,179 You know. It's the biggest show we've ever done. 423 00:31:53,379 --> 00:31:57,716 And there's ninety people on the road with twelve semi-trucks. 424 00:31:57,883 --> 00:31:59,751 - Obviously, we got lasers. - Right. 425 00:31:59,918 --> 00:32:03,822 - Pyro is getting installed next week. - Custom, custom. 426 00:32:04,023 --> 00:32:07,226 [Sean] Harrison and Clay have always kind of been together in the stage design. 427 00:32:07,426 --> 00:32:10,496 And this time around we decided to split them apart from each other. 428 00:32:10,696 --> 00:32:12,631 So, Harrison and Clay now each have their own riser 429 00:32:12,831 --> 00:32:15,134 and we've utilized the center pathway, 430 00:32:15,334 --> 00:32:18,504 which the drum line uses to go in and out. 431 00:32:18,704 --> 00:32:23,109 Also, we've decided to build these custom steps with built in LED. 432 00:32:24,076 --> 00:32:25,511 That ain't moving. 433 00:32:25,711 --> 00:32:27,079 [Sean] We have this icosahedron shape 434 00:32:27,279 --> 00:32:28,714 and it's this idea that, like, 435 00:32:28,914 --> 00:32:30,382 the 'ico' is the heartbeat. 436 00:32:30,582 --> 00:32:31,650 And then these echoes 437 00:32:31,850 --> 00:32:33,285 are rippling out from it. 438 00:32:33,452 --> 00:32:35,287 [soft music playing] 439 00:32:36,055 --> 00:32:39,992 Guys, we are doing a full show run right now. Standby. 440 00:32:40,192 --> 00:32:42,161 We're about to do the first run through of the set. 441 00:32:42,361 --> 00:32:45,064 This is actually the first time we are getting to see 442 00:32:45,264 --> 00:32:46,999 what we've programmed live on the rig. 443 00:32:47,199 --> 00:32:50,002 Go house music. Go house lights. Roll the track. 444 00:32:50,202 --> 00:32:53,672 We don't know if it's going to translate or it's not going to translate. 445 00:32:53,872 --> 00:32:56,075 - Stage is ready. - [man 2] Copy. 446 00:32:56,275 --> 00:32:58,110 [Sean] Roll playback. Playback. 447 00:32:58,277 --> 00:32:59,245 [music intensifies] 448 00:33:06,118 --> 00:33:07,353 A lot to do. 449 00:33:08,087 --> 00:33:09,655 First run through. 450 00:33:09,821 --> 00:33:11,323 First run through felt like the first run though. 451 00:33:11,490 --> 00:33:12,991 That's for sure. 452 00:33:13,159 --> 00:33:14,793 [upbeat music playing] 453 00:33:17,129 --> 00:33:18,930 - It feels disconnected, right? - [Sean] Yeah. 454 00:33:19,098 --> 00:33:21,667 So I think that that was one of our major concerns. 455 00:33:21,833 --> 00:33:25,437 There could just be a laser moment for the drop out on "The Last Goodbye." 456 00:33:25,604 --> 00:33:27,273 Just go to one thing sometimes. 457 00:33:27,439 --> 00:33:28,674 You have like all these incredible tools. 458 00:33:28,840 --> 00:33:30,676 Just finding the right ways to use it 459 00:33:30,842 --> 00:33:33,479 and use it in conjunction with each other. 460 00:33:33,645 --> 00:33:37,183 We know what you want. We've been doing this long enough that if you say, 461 00:33:37,349 --> 00:33:39,885 "Hey, at this moment, I want this rise." 462 00:33:40,086 --> 00:33:42,654 Give us the note, let us work on it, because it's going to take us time. 463 00:33:42,821 --> 00:33:44,523 [ticking sound] 464 00:33:47,793 --> 00:33:49,895 [ticking sound continues] 465 00:33:57,469 --> 00:34:01,573 [Harrison] We've designed an hour-and-a-half for 15,000 people , 466 00:34:01,773 --> 00:34:04,343 and it could go so wrong. Everything. 467 00:34:04,510 --> 00:34:08,580 And that brightness can decay. Let the visual really pop. 468 00:34:08,780 --> 00:34:11,250 [Harrison] Small little changes take a huge amount of effort 469 00:34:11,450 --> 00:34:13,085 when everything's at this scale. 470 00:34:13,285 --> 00:34:15,187 Can you turn the 'ico' on too? 471 00:34:15,354 --> 00:34:17,055 Can you just do the outside 'ico'? 472 00:34:17,223 --> 00:34:18,324 Yeah, that's kind of nice. 473 00:34:20,359 --> 00:34:23,195 The whole thing's built on moments. 474 00:34:23,395 --> 00:34:25,264 If you don't get that right , 475 00:34:25,464 --> 00:34:27,233 then the whole thing kind of falls apart. 476 00:34:27,399 --> 00:34:28,734 Yeah, I think that's what you do. 477 00:34:29,401 --> 00:34:30,936 Just, just shoot to that. 478 00:34:32,104 --> 00:34:34,206 It's just the kick and the bass sit so well. 479 00:34:34,373 --> 00:34:35,674 - [Clayton] Yeah, kick. - [Harrison] On the drop. 480 00:34:35,841 --> 00:34:37,209 [Clayton] Kick, snare, bass. 481 00:34:37,909 --> 00:34:39,445 It's like a little more music forward. 482 00:34:42,381 --> 00:34:44,850 - You guys ready? - Yeah, just the beginning. 483 00:34:45,050 --> 00:34:46,518 I have never 484 00:34:46,718 --> 00:34:48,187 met or worked for anyone 485 00:34:48,354 --> 00:34:50,356 that cares more than Harrison and Clay. 486 00:34:50,522 --> 00:34:52,524 And, like, really just, like, go straight to horns. 487 00:34:52,724 --> 00:34:53,959 Kill everything else. 488 00:34:56,228 --> 00:34:58,297 See that position and then you move the stick up. 489 00:34:58,497 --> 00:35:00,766 Do you like the stand? I think the stand's a vibe! 490 00:35:00,999 --> 00:35:04,436 I like the stand. ♪ Something 'bout you... ♪ 491 00:35:05,871 --> 00:35:08,774 Every single part of what they touch 492 00:35:08,940 --> 00:35:10,142 they care so much about. 493 00:35:10,342 --> 00:35:12,144 Great job, everybody! 494 00:35:12,344 --> 00:35:14,813 [all clapping] 495 00:35:15,013 --> 00:35:16,682 [emotional music playing] 496 00:35:16,882 --> 00:35:21,353 [Harrison] We never anticipated growing to this. 497 00:35:21,453 --> 00:35:23,355 We always thought there was something there 498 00:35:23,555 --> 00:35:25,924 and it was worth us putting everything we could into it. 499 00:35:27,259 --> 00:35:30,729 And we always felt like this would just be a really good story 500 00:35:30,929 --> 00:35:32,798 for when we get real jobs. 501 00:35:32,964 --> 00:35:35,667 [emotional music continues] 502 00:35:41,707 --> 00:35:43,175 ["Wide Awake" playing] 503 00:35:43,409 --> 00:35:45,411 [Charlie] ♪ Waiting at the party ♪ 504 00:35:45,611 --> 00:35:47,078 ♪ For you ♪ 505 00:35:47,279 --> 00:35:48,947 ♪ Your lovin' got me acting ♪ 506 00:35:49,147 --> 00:35:51,183 ♪ Like a fool ♪ 507 00:35:53,385 --> 00:35:55,487 ♪ Fool ♪ 508 00:35:59,124 --> 00:36:01,593 ♪ Waiting at the party For you ♪ 509 00:36:02,761 --> 00:36:04,930 ♪ Your lovin' got me acting ♪ 510 00:36:05,130 --> 00:36:07,165 ♪ Like a fool ♪ 511 00:36:08,600 --> 00:36:10,802 ♪ Fool ♪ 512 00:36:13,572 --> 00:36:16,642 ♪ I've been wide awake Feeling ♪ 513 00:36:17,343 --> 00:36:20,612 ♪ People seem to change Their feelings in time ♪ 514 00:36:20,812 --> 00:36:23,882 ♪ Did we make a mistake Healing ♪ 515 00:36:24,983 --> 00:36:28,787 ♪ It's more than I can take Not feeling to fine ♪ 516 00:36:30,489 --> 00:36:34,293 ♪ There's something 'bout you ♪ 517 00:36:35,327 --> 00:36:37,229 ♪ You ♪ 518 00:36:39,197 --> 00:36:41,233 ♪ You ♪ 519 00:36:45,671 --> 00:36:48,106 ♪ Waiting at the party For you ♪ 520 00:36:48,940 --> 00:36:53,345 ♪ Your lovin' got me acting ♪ Like a fool 521 00:36:54,780 --> 00:36:56,682 ♪ Fool ♪ 522 00:37:00,652 --> 00:37:04,456 ♪ Waiting at the party For you ♪ 523 00:37:04,656 --> 00:37:08,727 ♪ Your lovin' got me acting Like a fool ♪ 524 00:37:10,195 --> 00:37:12,230 ♪ Fool ♪ 525 00:37:44,896 --> 00:37:48,667 ♪ I hate the way it aches Breathing ♪ 526 00:37:48,867 --> 00:37:52,838 ♪ Thought that I could put These feelings aside ♪ 527 00:37:53,038 --> 00:37:56,207 ♪ There's something In my system's fading ♪ 528 00:37:57,242 --> 00:38:00,812 ♪ Making me feel sober About what's on my mind ♪ 529 00:38:02,614 --> 00:38:06,618 ♪ There's something 'bout you ♪ 530 00:38:07,853 --> 00:38:09,888 ♪ You ♪ 531 00:38:11,189 --> 00:38:14,159 ♪ You ♪ 532 00:38:17,429 --> 00:38:20,366 ♪ Waiting at the party For you ♪ 533 00:38:21,132 --> 00:38:25,571 ♪ Your lovin' got me acting Like a fool ♪ 534 00:38:26,972 --> 00:38:28,574 ♪ Fool ♪ 535 00:38:32,878 --> 00:38:35,614 ♪ Waiting at the party For you ♪ 536 00:38:36,482 --> 00:38:40,986 ♪ Your lovin' got me acting Like a fool ♪ 537 00:38:42,220 --> 00:38:44,122 ♪ Fool ♪ 538 00:38:44,823 --> 00:38:46,124 Let's go Seattle! 539 00:38:46,291 --> 00:38:48,494 [electronic music playing] 540 00:39:01,673 --> 00:39:03,542 [electronic music continues] 541 00:39:11,483 --> 00:39:12,951 [electronic music continues] 542 00:39:18,657 --> 00:39:20,459 [electronic music continues] 543 00:39:22,494 --> 00:39:24,329 Thank you guys so much! 544 00:39:24,496 --> 00:39:27,533 Make some noise for Charlie Houston! 545 00:39:27,699 --> 00:39:30,301 [audience cheering] 546 00:39:32,137 --> 00:39:33,204 [music ends] 547 00:39:34,540 --> 00:39:38,309 ["La Ciudad" playing] 548 00:39:42,814 --> 00:39:44,816 [clapping sound] 549 00:39:51,823 --> 00:39:53,224 [electronic music playing] 550 00:40:01,132 --> 00:40:03,869 [electronic music continues] 551 00:40:04,035 --> 00:40:07,205 [electronic music continues] 552 00:40:14,145 --> 00:40:16,081 [electronic music continues] 553 00:40:25,591 --> 00:40:27,593 [electronic music continues] 554 00:40:36,201 --> 00:40:38,604 [electronic music continues] 555 00:40:40,205 --> 00:40:44,643 [electronic music continues] 556 00:40:46,444 --> 00:40:48,413 [electronic music continues] 557 00:40:56,387 --> 00:40:57,923 [ovation] 558 00:41:07,899 --> 00:41:10,435 ["Tense" playing] 559 00:41:17,308 --> 00:41:19,678 [electronic music playing] 560 00:41:26,552 --> 00:41:29,120 [electronic music continues] 561 00:41:38,463 --> 00:41:39,430 [electronic music continues] 562 00:41:42,467 --> 00:41:44,035 [electronic music continues] 563 00:41:44,235 --> 00:41:46,504 [silence] 564 00:41:47,138 --> 00:41:48,473 [electronic music continues] 565 00:41:55,681 --> 00:41:57,683 [electronic music continues] 566 00:42:11,462 --> 00:42:13,531 [electronic music continues] 567 00:42:22,207 --> 00:42:23,742 [electronic music continues] 568 00:42:30,315 --> 00:42:33,384 [electronic music continues] 569 00:42:37,522 --> 00:42:39,490 [electronic music continues] 570 00:42:53,004 --> 00:42:55,440 [electronic music continues] 571 00:43:11,189 --> 00:43:13,024 [electronic music continues] 572 00:43:17,763 --> 00:43:19,765 [electronic music continues] 573 00:43:29,040 --> 00:43:30,942 [electronic music continues] 574 00:43:36,214 --> 00:43:38,049 [electronic music continues] 575 00:43:40,385 --> 00:43:43,054 [electronic music continues] 576 00:43:56,034 --> 00:43:57,402 [electronic music continues] 577 00:44:17,789 --> 00:44:20,425 [music ends] 578 00:44:30,736 --> 00:44:31,502 [Rocco] Appreciate you guys coming. 579 00:44:34,505 --> 00:44:36,541 This is all of the special effects stuff 580 00:44:36,742 --> 00:44:38,443 that we just dialed in a little bit. 581 00:44:38,609 --> 00:44:40,979 So I showed you a little bit of this. 582 00:44:41,146 --> 00:44:42,513 [electronic music playing] 583 00:44:42,680 --> 00:44:44,983 Oh, that was sick. 584 00:44:45,150 --> 00:44:46,952 [Sean] Holy shit. 585 00:44:47,753 --> 00:44:49,320 It's a lot of flames. 586 00:44:49,487 --> 00:44:50,989 I think old Luke and I have been looking at this 587 00:44:51,156 --> 00:44:52,958 like on a Excel spreadsheet 588 00:44:53,124 --> 00:44:54,993 for the last couple months. 589 00:44:55,160 --> 00:44:56,962 This is all a lot different than that. 590 00:44:57,128 --> 00:44:59,831 You know, "cell C-4" doesn't quite hit as hard. 591 00:44:59,998 --> 00:45:02,300 [all laughing] 592 00:45:02,500 --> 00:45:04,302 [Harrison] What's so cool is the fact that we have 593 00:45:04,502 --> 00:45:06,471 the same team around us since the beginning. 594 00:45:07,138 --> 00:45:10,041 It's the same people that we were friends with, who believed in us, 595 00:45:10,208 --> 00:45:12,243 who kind of got our vision and had their own, too. 596 00:45:12,443 --> 00:45:14,412 [indistinct chatter] 597 00:45:14,612 --> 00:45:16,147 [Clayton] So me and Sean went to high school together. 598 00:45:16,347 --> 00:45:18,249 He was super into film stuff. 599 00:45:18,449 --> 00:45:20,018 He always had his camera out 600 00:45:20,218 --> 00:45:21,887 and was always asking us questions. 601 00:45:23,855 --> 00:45:25,256 Come on, Sean! 602 00:45:25,456 --> 00:45:27,525 [Clayton] And then he ran into Harrison. 603 00:45:30,661 --> 00:45:32,130 [man] Oh, shit! 604 00:45:32,330 --> 00:45:34,933 [Harrison] And he actually introduced us. 605 00:45:35,133 --> 00:45:37,668 And that was kind of the genesis of this project. 606 00:45:55,586 --> 00:45:57,188 [all laughing] 607 00:45:59,825 --> 00:46:02,027 Okay, I like that one better. 608 00:46:02,193 --> 00:46:03,795 [Luke] Holy shit, dude. 609 00:46:03,995 --> 00:46:05,196 You see this all day? 610 00:46:06,097 --> 00:46:07,198 Oh my god! 611 00:46:08,433 --> 00:46:10,501 Luke and Sean have been with us since the beginning. 612 00:46:10,701 --> 00:46:12,904 Luke was my best friend in design school. 613 00:46:13,071 --> 00:46:14,105 Hey, Luke! 614 00:46:15,440 --> 00:46:16,975 When we started going on tour, 615 00:46:17,175 --> 00:46:18,543 we needed someone to operate the projector 616 00:46:18,743 --> 00:46:19,577 and do some visuals. 617 00:46:21,112 --> 00:46:23,915 Um, the "IPlay" visuals. 618 00:46:24,082 --> 00:46:25,616 He just kind of did it to come along for the ride. 619 00:46:28,019 --> 00:46:31,789 [Luke] They're like, "You're going to put this projector and this screen up." 620 00:46:31,957 --> 00:46:33,658 Yeah, I don't even know how to work a projector. 621 00:46:33,859 --> 00:46:35,560 Everyone's like, "Yeah, just figure it out." 622 00:46:37,628 --> 00:46:38,864 Yeah, if you have a ladder, that'd be great. 623 00:46:39,064 --> 00:46:40,465 It just looks so much better 624 00:46:40,631 --> 00:46:42,200 when the screen is like fully in the air. 625 00:46:42,400 --> 00:46:43,768 It looks so pro. 626 00:46:46,604 --> 00:46:47,839 [Harrison] He was a professional skier. 627 00:46:49,107 --> 00:46:49,908 He was going to go to Japan 628 00:46:50,108 --> 00:46:51,176 and ski, 629 00:46:51,877 --> 00:46:54,079 and we had to pull him away for our first tour. 630 00:46:54,245 --> 00:46:56,581 And it was, like, the hardest decision he ever made. 631 00:46:56,747 --> 00:46:59,784 [electronic music playing] 632 00:46:59,951 --> 00:47:02,720 I never thought that this was, like, going to be a thing. 633 00:47:02,921 --> 00:47:04,789 Harrison and Clay are making music. 634 00:47:04,990 --> 00:47:07,258 This is going to last for six months. 635 00:47:07,959 --> 00:47:09,594 Get it while the getting's good. 636 00:47:10,628 --> 00:47:13,764 How often do your friends get a free bar tab 637 00:47:13,965 --> 00:47:16,501 and just travel around in a van? That sounds awesome. 638 00:47:16,667 --> 00:47:19,137 We were trying, and you guys supported us 100%. 639 00:47:19,304 --> 00:47:22,607 - And we sucked at it! - Thank you for caring! 640 00:47:22,773 --> 00:47:24,142 [all] Quack, quack, quack, quack, quack! 641 00:47:31,082 --> 00:47:33,318 Loyal, I think we had that King last time. 642 00:47:33,484 --> 00:47:36,321 So, I think, like, we just make it almost, like, bigger. 643 00:47:36,487 --> 00:47:38,389 So we turn it into this big battle scene. 644 00:47:38,589 --> 00:47:40,391 And then as we kind of progress through the song 645 00:47:40,591 --> 00:47:43,194 we realize, like, this army is at odds with this king. 646 00:47:44,462 --> 00:47:48,166 [Harrison] It's been amazing to see Luke progress from projecting 647 00:47:48,366 --> 00:47:54,072 just on a sheet to now creating entire worlds, creating characters, 648 00:47:54,272 --> 00:47:57,542 working with artists all across the globe for the show. 649 00:48:00,178 --> 00:48:02,380 Honestly, the biggest challenge is just, like, there's so many things. 650 00:48:02,547 --> 00:48:04,482 It's like we're starting from scratch. 651 00:48:04,682 --> 00:48:07,652 [Harrison] People may not even know 652 00:48:07,852 --> 00:48:10,121 every visual they see on the LED wall behind us 653 00:48:10,321 --> 00:48:14,059 has been created from scratch for the entire show. 654 00:48:14,792 --> 00:48:18,729 What kind of environment is it? An old environment, a cleaner environment? 655 00:48:18,896 --> 00:48:21,866 [Luke] Yeah, and I think it should feel like some dystopian museum, 656 00:48:22,067 --> 00:48:24,102 but I want it to kind of fall off to black. 657 00:48:24,302 --> 00:48:26,437 So you're really focused on these two main characters. 658 00:48:26,637 --> 00:48:28,773 So maybe even like when we see the King rising up, 659 00:48:28,974 --> 00:48:31,209 like, a few detail shots. 660 00:48:31,376 --> 00:48:34,612 The kicks and the snares are just being triggered by, like, light sources. 661 00:48:34,812 --> 00:48:37,282 [ominous music playing] 662 00:48:37,482 --> 00:48:39,684 [Harrison] That's what I have so much pride in 663 00:48:39,884 --> 00:48:41,752 is, like, we thought they could do it. 664 00:48:43,521 --> 00:48:47,358 Yeah, let's just do one once through, pause, and then... 665 00:48:49,160 --> 00:48:51,496 [Harrison] Everyone's like, "just hire a director" 666 00:48:51,696 --> 00:48:53,498 and "just hire a way better visual person." 667 00:48:53,698 --> 00:48:56,201 "They worked with this person and this person." 668 00:48:56,367 --> 00:48:58,236 [drums playing] 669 00:49:01,539 --> 00:49:04,542 And we've never felt that way. 670 00:49:04,709 --> 00:49:06,444 So, obviously a couple of programming things that we need 671 00:49:06,611 --> 00:49:08,079 we already have notes for. 672 00:49:08,246 --> 00:49:09,747 We'll break into individual groups 673 00:49:09,914 --> 00:49:11,983 and make this thing even better! 674 00:49:12,183 --> 00:49:14,152 [Harrison] For us, it's always felt like, "Who gets it?" 675 00:49:14,352 --> 00:49:15,620 "Who do we trust?" 676 00:49:16,354 --> 00:49:17,855 Every single time we've given that to a friend , 677 00:49:18,056 --> 00:49:20,658 which can often be dangerous , 678 00:49:20,858 --> 00:49:22,893 they have rose to the occasion. 679 00:49:23,761 --> 00:49:25,796 Great job, everyone. We're gonna do that one more time. 680 00:49:25,963 --> 00:49:28,333 [electronic music playing] 681 00:49:36,774 --> 00:49:39,344 Oh, my God. 682 00:49:39,544 --> 00:49:40,978 Oh, my god. 683 00:49:41,146 --> 00:49:43,614 - [man] Banger! - [Sean] Holy shit! 684 00:49:43,781 --> 00:49:44,615 Great job, everyone! 685 00:49:46,217 --> 00:49:48,119 Notes on "Loyal" and "Don't Stop"? 686 00:49:48,286 --> 00:49:50,655 [all laughing] 687 00:49:50,821 --> 00:49:53,924 [ominous music playing] 688 00:50:08,839 --> 00:50:10,608 [ominous music continues] 689 00:50:12,677 --> 00:50:14,945 [audience cheering] 690 00:50:18,583 --> 00:50:19,950 [drums playing] 691 00:50:32,197 --> 00:50:34,132 [drums playing] 692 00:50:50,281 --> 00:50:52,583 [electronic music joins the drums] 693 00:51:03,228 --> 00:51:04,762 [music intensifies] 694 00:51:12,470 --> 00:51:14,772 [electronic music continues] 695 00:51:22,813 --> 00:51:24,549 [electronic music continues] 696 00:51:31,989 --> 00:51:34,225 [electronic music continues] 697 00:51:42,267 --> 00:51:43,401 [electronic music continues] 698 00:51:54,412 --> 00:51:56,314 [electronic music continues] 699 00:52:10,561 --> 00:52:12,297 [electronic music continues] 700 00:52:21,972 --> 00:52:24,008 [electronic music continues] 701 00:52:28,613 --> 00:52:30,147 [Clayton] Seattle! 702 00:52:31,416 --> 00:52:34,452 Let's fucking go! 703 00:52:37,755 --> 00:52:39,424 [electronic music continues] 704 00:52:47,765 --> 00:52:49,300 [electronic music continues] 705 00:52:57,508 --> 00:52:58,776 [electronic music continues] 706 00:53:08,986 --> 00:53:10,855 [electronic music continues] 707 00:53:18,929 --> 00:53:21,131 [electronic music continues] 708 00:53:29,139 --> 00:53:31,041 [electronic music continues] 709 00:53:39,284 --> 00:53:41,486 [electronic music continues] 710 00:53:45,456 --> 00:53:48,926 Make some noise for the ODESZA drum line! 711 00:53:49,126 --> 00:53:51,696 [audience screaming] 712 00:53:51,862 --> 00:53:53,931 ["Don't Stop" playing] 713 00:54:04,008 --> 00:54:06,277 [electronic music playing] 714 00:54:13,718 --> 00:54:15,586 [electronic music continues] 715 00:54:23,394 --> 00:54:25,296 [electronic music continues] 716 00:54:33,203 --> 00:54:34,705 [electronic music continues] 717 00:54:44,281 --> 00:54:45,983 [electronic music continues] 718 00:54:52,890 --> 00:54:55,793 [electronic music continues] 719 00:55:03,267 --> 00:55:05,403 [ovation] 720 00:55:08,773 --> 00:55:11,108 [electronic music continues] 721 00:55:13,978 --> 00:55:15,112 Seattle! 722 00:55:15,279 --> 00:55:16,481 I want to see you 723 00:55:16,647 --> 00:55:18,983 shake the building on this one! 724 00:55:24,088 --> 00:55:26,323 [electronic music continues] 725 00:55:36,233 --> 00:55:38,002 [electronic music continues] 726 00:55:47,678 --> 00:55:50,047 [electronic music continues] 727 00:55:50,981 --> 00:55:53,350 [electronic music continues] 728 00:56:11,669 --> 00:56:15,172 [audience cheering] 729 00:56:27,184 --> 00:56:28,919 [Harrison] Man, it would be so cool. 730 00:56:29,119 --> 00:56:31,388 I think one of my ultimate goals is to live on the water. 731 00:56:32,690 --> 00:56:36,393 I don't feel relaxed very often, 732 00:56:37,495 --> 00:56:40,665 but for some reason just looking at water is so hypnotizing. 733 00:56:46,036 --> 00:56:48,873 No, never relaxed. 734 00:56:49,039 --> 00:56:50,541 It's kind of my m.o., man. 735 00:56:52,376 --> 00:56:54,912 It's just, uh... Who am I as a person? 736 00:56:55,079 --> 00:56:57,047 I've been doing this for six years straight without even, like, 737 00:56:57,715 --> 00:56:59,584 thinking about anything else. 738 00:56:59,750 --> 00:57:01,218 [electronic music playing] 739 00:57:05,756 --> 00:57:06,724 Woo! 740 00:57:07,492 --> 00:57:10,027 Tomorrow: do the show, 9:20 hit, 741 00:57:10,194 --> 00:57:11,729 shower, hang out and leave around 2 a.m. 742 00:57:11,896 --> 00:57:13,764 to head to Madison. 743 00:57:13,931 --> 00:57:15,966 [electronic music continues] 744 00:57:21,839 --> 00:57:23,741 I don't know what airport we are in 745 00:57:23,908 --> 00:57:25,543 or what state we are in right now. 746 00:57:26,243 --> 00:57:27,277 [electronic music continues] 747 00:57:27,444 --> 00:57:29,113 [audience cheering] 748 00:57:30,414 --> 00:57:32,282 [electronic music continues] 749 00:57:34,251 --> 00:57:35,285 [Clayton sighs] 750 00:57:37,888 --> 00:57:39,590 [electronic music continues] 751 00:57:46,864 --> 00:57:47,998 [music ends] 752 00:57:55,973 --> 00:57:58,509 I feel like we were really ready after touring for... 753 00:57:59,610 --> 00:58:01,646 eight years to 754 00:58:01,812 --> 00:58:03,781 finally relax and make music 755 00:58:03,948 --> 00:58:07,317 under not having pressure. 756 00:58:07,484 --> 00:58:09,787 But instead I feel like we were met with, 757 00:58:11,722 --> 00:58:14,458 like, returning to a life we hadn't figured out. 758 00:58:15,259 --> 00:58:18,796 Like, all the issues we may be running from 759 00:58:18,963 --> 00:58:20,931 when we're on tour. 760 00:58:21,799 --> 00:58:24,101 Kind of running from ourselves and distracting ourselves 761 00:58:24,268 --> 00:58:26,170 with the things that we do. 762 00:58:26,771 --> 00:58:29,273 So, my point is, it's been hard to write music. 763 00:58:29,439 --> 00:58:30,507 [laughing] 764 00:58:34,945 --> 00:58:37,147 [electronic music playing] 765 00:58:42,352 --> 00:58:44,689 Yeah, some work for sure. 766 00:58:44,855 --> 00:58:46,957 Part of me is like, "I really like it." 767 00:58:47,124 --> 00:58:48,859 - Yeah, and I think... - The other part of me is, like, doubtful about it. 768 00:58:49,026 --> 00:58:50,861 [electronic music playing] 769 00:58:55,132 --> 00:58:56,500 That's the problem. 770 00:58:56,667 --> 00:58:58,368 The problem isn't recreating the sound. 771 00:58:58,535 --> 00:59:00,871 The problem is the sound itself needs to be different. 772 00:59:02,206 --> 00:59:04,508 I think we have a lot of cool ideas. 773 00:59:04,675 --> 00:59:07,477 I think we're struggling to figure out 774 00:59:08,613 --> 00:59:10,080 what the album means. 775 00:59:30,635 --> 00:59:32,036 [Clayton] I haven't been here, though, 776 00:59:32,202 --> 00:59:35,505 since, like, sophomore year in college. 777 00:59:35,673 --> 00:59:39,443 [soft music playing] 778 00:59:39,644 --> 00:59:42,046 [Harrison] At the beginning of this writing process, 779 00:59:42,246 --> 00:59:46,617 we started collecting all this old family footage. 780 00:59:46,817 --> 00:59:48,085 There you go! 781 00:59:48,318 --> 00:59:50,154 - There you go! - [man] Yay! 782 00:59:50,354 --> 00:59:53,190 [Clayton] Those moments where you get to step back 783 00:59:53,390 --> 00:59:55,559 opened up all these new kind of pathways 784 00:59:55,760 --> 00:59:57,962 and thought processes of where I come from. 785 00:59:58,162 --> 00:59:59,563 [woman] Hi, Clayton! 786 00:59:59,764 --> 01:00:01,165 [Clayton] What makes me me. 787 01:00:01,365 --> 01:00:03,267 [woman] Do you see a butterfly? 788 01:00:03,433 --> 01:00:05,903 - [man screaming] - [Harrison laughing] 789 01:00:06,103 --> 01:00:07,571 [man] Good jump, Harry! 790 01:00:08,472 --> 01:00:10,074 [Harrison] Looking at these home videos 791 01:00:10,274 --> 01:00:12,409 it was something I did as a kid for comfort. 792 01:00:15,345 --> 01:00:18,683 And going through this again at my age now, 793 01:00:18,883 --> 01:00:21,585 I felt like there was a lot of similarities happening of, 794 01:00:21,786 --> 01:00:23,453 like, trying to find myself. 795 01:00:28,625 --> 01:00:29,894 I think it doesn't, 796 01:00:30,060 --> 01:00:31,662 but I'll just put it in and see. 797 01:00:35,465 --> 01:00:38,268 Play the solo stem. 798 01:00:38,435 --> 01:00:41,105 [electronic music playing] 799 01:00:41,271 --> 01:00:42,907 It feels better than I thought it was going to feel. 800 01:00:43,073 --> 01:00:44,909 I think we just re-approach the chorus, 801 01:00:45,075 --> 01:00:46,977 synth-wise, everything-wise. 802 01:00:47,144 --> 01:00:49,980 [electronic music playing] 803 01:00:53,117 --> 01:00:56,721 [Harrison] Kind of went back to some old school ways of thought 804 01:00:56,921 --> 01:00:58,522 that we originally were trying 805 01:00:58,723 --> 01:01:00,290 when we were making "Summer's Gone". 806 01:01:00,457 --> 01:01:01,591 I love it. 807 01:01:01,759 --> 01:01:03,593 It also just feels like us. 808 01:01:03,761 --> 01:01:06,130 [electronic music playing] 809 01:01:10,901 --> 01:01:13,103 What made our sound our sound? 810 01:01:13,771 --> 01:01:15,505 What made us us? 811 01:01:17,742 --> 01:01:19,243 And then that's how I think this idea 812 01:01:19,443 --> 01:01:20,711 of diving more into ourselves 813 01:01:20,911 --> 01:01:22,446 and our past and our lives 814 01:01:22,646 --> 01:01:25,282 something we've never done on any record 815 01:01:25,482 --> 01:01:28,452 felt like a really interesting topic to explore. 816 01:01:29,787 --> 01:01:32,689 - [Clayton] Seattle! - [audience cheering] 817 01:01:32,857 --> 01:01:34,691 Goddamn it feels good to be back! 818 01:01:35,960 --> 01:01:38,128 Please welcome to the stage: 819 01:01:38,295 --> 01:01:39,663 Miss Naomi Wild. 820 01:01:39,830 --> 01:01:41,799 [audience cheering] 821 01:01:44,134 --> 01:01:45,903 ["Better Now" playing] 822 01:01:46,136 --> 01:01:48,038 ♪ Been trying to find it ♪ 823 01:01:48,272 --> 01:01:50,640 ♪ Been living on my mind, yeah ♪ 824 01:01:50,875 --> 01:01:52,910 ♪ What should I leave Behind me? ♪ 825 01:01:56,781 --> 01:01:58,582 ♪ Looking for something ♪ 826 01:01:58,816 --> 01:02:01,185 ♪ Don't wanna live for nothing ♪ 827 01:02:01,752 --> 01:02:06,090 ♪ I could settle right now Or I could jump somehow ♪ 828 01:02:06,323 --> 01:02:08,759 ♪ One route Like there is no way out ♪ 829 01:02:08,993 --> 01:02:11,495 ♪ They never teach you To reach the stars ♪ 830 01:02:11,728 --> 01:02:14,231 ♪ No doubt I'm feeling better now ♪ 831 01:02:14,464 --> 01:02:17,001 ♪ Gave it a try Now enjoying the ride ♪ 832 01:02:17,234 --> 01:02:19,169 ♪ So what if I fall? ♪ 833 01:02:19,403 --> 01:02:21,872 ♪ Better that I try instead of nothing at all ♪ 834 01:02:22,439 --> 01:02:24,508 ♪ Yeah I can say it's my fault ♪ 835 01:02:24,741 --> 01:02:27,044 ♪ I really don't mind At least I gave it a go ♪ 836 01:02:27,778 --> 01:02:29,914 ♪ So what if I fall? ♪ 837 01:02:30,147 --> 01:02:32,783 ♪ Better that I try Instead of nothing at all ♪ 838 01:02:33,017 --> 01:02:35,352 ♪ Yeah I can say It's my fault ♪ 839 01:02:35,585 --> 01:02:39,756 ♪ I really don't mind At least I gave it a go ♪ 840 01:02:39,990 --> 01:02:41,725 ♪ Been trying to fix it ♪ 841 01:02:41,959 --> 01:02:44,294 ♪ And find out What's been missing ♪ 842 01:02:44,829 --> 01:02:48,332 ♪ I want to live a life That is worth living ♪ 843 01:02:49,466 --> 01:02:51,902 ♪ One route Like there is no way out ♪ 844 01:02:52,136 --> 01:02:54,404 ♪ They never teach you To reach the stars ♪ 845 01:02:54,638 --> 01:02:57,141 ♪ No doubt I'm feeling better now ♪ 846 01:02:57,374 --> 01:02:59,910 ♪ Gave it a try Now enjoying the ride ♪ 847 01:03:00,644 --> 01:03:02,546 ♪ So what if I fall? ♪ 848 01:03:02,779 --> 01:03:05,515 ♪ Better that I try Instead of nothing at all ♪ 849 01:03:06,716 --> 01:03:08,652 ♪ Yeah I can say it's my fault I really don't mind ♪ 850 01:03:08,886 --> 01:03:10,387 ♪ At least I gave it a go ♪ 851 01:03:11,621 --> 01:03:13,490 ♪ So what if I fall? ♪ 852 01:03:13,723 --> 01:03:16,293 ♪ Better that I try Instead of nothing at all ♪ 853 01:03:16,526 --> 01:03:19,596 ♪ Yeah I can say it's my fault I really don't mind ♪ 854 01:03:19,830 --> 01:03:21,398 ♪ At least I gave it a go ♪ 855 01:03:23,333 --> 01:03:27,905 ♪ At least I gave it a go ♪ 856 01:03:29,573 --> 01:03:31,976 ♪ I gave it a go ♪ 857 01:03:33,343 --> 01:03:36,947 ♪ I know It gets better and better ♪ 858 01:03:38,715 --> 01:03:43,553 ♪ I don't think It's all 'bout the weather ♪ 859 01:03:43,653 --> 01:03:45,522 ♪ So what if I fall? ♪ 860 01:03:45,755 --> 01:03:48,658 ♪ Better that I try Instead of nothing at all ♪ 861 01:03:49,359 --> 01:03:51,996 ♪ Yeah, I can say it's my fault I really don't mind ♪ 862 01:03:52,229 --> 01:03:53,630 ♪ At least I gave it a go ♪ 863 01:03:54,364 --> 01:03:56,266 ♪ So what if I fall? ♪ 864 01:03:56,500 --> 01:03:59,469 ♪ Better that I try Instead of nothing at all ♪ 865 01:03:59,703 --> 01:04:01,205 ♪ Yeah I can say it's my fault ♪ 866 01:04:01,438 --> 01:04:02,672 ♪ I really don't mind ♪ 867 01:04:02,907 --> 01:04:04,541 ♪ At least I gave it a go ♪ 868 01:04:06,243 --> 01:04:11,215 [electronic music playing] 869 01:04:14,351 --> 01:04:15,152 Hey! 870 01:04:19,423 --> 01:04:20,724 Seattle, you know this one! 871 01:04:23,360 --> 01:04:25,462 1, 2, 3... 872 01:04:28,132 --> 01:04:29,866 [electronic continues] 873 01:04:31,035 --> 01:04:33,137 [ovation] 874 01:04:40,044 --> 01:04:42,579 [electronic music continues] 875 01:04:45,149 --> 01:04:46,316 ["Line of Sight" playing] 876 01:04:49,486 --> 01:04:51,821 ♪ I'm feeling in and out ♪ 877 01:04:53,657 --> 01:04:56,726 ♪ I turn full circle Round and round ♪ 878 01:04:59,596 --> 01:05:04,168 ♪ So will you help me down ♪ 879 01:05:04,401 --> 01:05:07,437 ♪ Come grab my hand For solid ground ♪ 880 01:05:10,840 --> 01:05:14,178 ♪ And I don't learn No, I don't learn ♪ 881 01:05:14,411 --> 01:05:16,280 ♪ It'll all be fine this time ♪ 882 01:05:16,513 --> 01:05:19,383 ♪ And I don't learn No, I don't learn ♪ 883 01:05:19,616 --> 01:05:21,851 ♪ 'Cause you always seemed So kind ♪ 884 01:05:22,086 --> 01:05:24,788 ♪ And I don't learn No, I don't learn ♪ 885 01:05:25,022 --> 01:05:27,124 ♪ It'll all be fine this time ♪ 886 01:05:27,357 --> 01:05:29,960 ♪ And I don't learn No, I don't learn ♪ 887 01:05:33,830 --> 01:05:35,399 [electronic music continues] 888 01:05:40,104 --> 01:05:42,206 Seattle, let me see your hands! 889 01:05:42,372 --> 01:05:43,573 [ovation] 890 01:05:47,777 --> 01:05:49,579 [electronic music continues] 891 01:05:54,684 --> 01:05:56,286 [electronic music continues] 892 01:06:04,561 --> 01:06:08,598 ♪ Help me out Don't let me down ♪ 893 01:06:09,366 --> 01:06:11,668 ♪ I could learn from you ♪ 894 01:06:11,901 --> 01:06:15,405 ♪ I could learn from you ♪ 895 01:06:15,505 --> 01:06:19,576 ♪ Help me out Don't let me down ♪ 896 01:06:19,809 --> 01:06:22,346 ♪ I could learn from you ♪ 897 01:06:22,579 --> 01:06:24,614 ♪ I could learn from you ♪ 898 01:06:36,560 --> 01:06:40,997 ♪ Help me out Don't let me down ♪ 899 01:06:41,731 --> 01:06:43,600 ♪ I could learn from you ♪ 900 01:06:43,833 --> 01:06:46,170 ♪ I could learn from you ♪ 901 01:06:48,472 --> 01:06:49,973 [ovation] 902 01:06:55,312 --> 01:06:57,447 [upbeat music playing] 903 01:07:09,025 --> 01:07:09,859 [music ends] 904 01:07:15,165 --> 01:07:16,766 [Naomi] The first time 905 01:07:17,367 --> 01:07:20,470 that I discovered ODESZA, 906 01:07:20,670 --> 01:07:23,273 I had snuck into Coachella. 907 01:07:23,473 --> 01:07:24,474 I was in high school. 908 01:07:24,674 --> 01:07:26,042 I was probably about seventeen. 909 01:07:27,611 --> 01:07:30,914 And I just had this really captivating moment like, 910 01:07:31,115 --> 01:07:34,518 "Whoa! This is the coolest thing I've seen all weekend. 911 01:07:34,718 --> 01:07:36,052 Who are they?" 912 01:07:36,220 --> 01:07:37,554 [audience cheering] 913 01:07:39,889 --> 01:07:41,258 My girlfriend told me 914 01:07:41,458 --> 01:07:43,560 that this band is coming to town. 915 01:07:44,394 --> 01:07:45,929 I still remember, like, they had this, 916 01:07:46,130 --> 01:07:49,666 like, big neon pink icosahedron on the stage. 917 01:07:49,833 --> 01:07:51,701 I think I filmed almost every single song. 918 01:07:51,868 --> 01:07:53,737 - It looks incredible. - Thank you so much. 919 01:07:53,903 --> 01:07:56,206 - I made that one for myself tonight. - [Harrison laughing] 920 01:07:56,373 --> 01:07:57,841 Oh, that'll pop. That'll pop out there, that's for sure. 921 01:07:58,041 --> 01:07:59,476 [woman] Yeah, for sure. 922 01:07:59,676 --> 01:08:01,178 [man] I'd never heard of them before. 923 01:08:01,378 --> 01:08:03,580 I walked by the stage, "Who are they?" 924 01:08:03,747 --> 01:08:06,082 That was the best show I've ever seen. 925 01:08:06,650 --> 01:08:08,285 Got my ODESZA tattoo over here. 926 01:08:08,485 --> 01:08:10,086 Got the Foreign Family one right here. 927 01:08:10,254 --> 01:08:12,856 And the Bronson tat over here. 928 01:08:13,056 --> 01:08:14,391 The fireworks going off , 929 01:08:14,558 --> 01:08:15,859 and we're just hugging each other 930 01:08:16,059 --> 01:08:18,061 and crying. 931 01:08:18,162 --> 01:08:19,529 [man] It was amazing. 932 01:08:19,696 --> 01:08:22,566 [giggling] Yes! 933 01:08:22,732 --> 01:08:23,967 So nice to meet you. 934 01:08:24,168 --> 01:08:25,569 Nice to meet you! 935 01:08:25,735 --> 01:08:27,571 There's nobody else in the world 936 01:08:27,737 --> 01:08:30,307 that I want to experience this with more than my mom. 937 01:08:31,375 --> 01:08:32,709 ODESZA's music 938 01:08:32,876 --> 01:08:34,778 truly changed my life and introduced me 939 01:08:34,944 --> 01:08:36,780 a beautiful community. 940 01:08:36,946 --> 01:08:37,747 Whoo whoo! 941 01:08:38,782 --> 01:08:40,417 A lot of the feelings that we have, 942 01:08:40,617 --> 01:08:41,651 especially relating to "The Last Goodbye," 943 01:08:41,851 --> 01:08:43,119 I feel like we are not, 944 01:08:43,287 --> 01:08:44,754 sometimes, able to put into words. 945 01:08:44,921 --> 01:08:46,990 And they have found a way to put it through music. 946 01:08:47,191 --> 01:08:48,492 And we'll be eternally grateful for that. 947 01:08:51,261 --> 01:08:53,230 [Naomi] I remember literally standing there 948 01:08:53,430 --> 01:08:54,998 and having this thought , 949 01:08:55,899 --> 01:08:56,900 "I want to sing with them." 950 01:08:58,635 --> 01:08:59,636 [humming] 951 01:09:00,204 --> 01:09:02,839 ♪ That I can't sleep tonight ♪ 952 01:09:03,707 --> 01:09:06,042 I had written, like, the beginnings 953 01:09:06,243 --> 01:09:08,512 of what "Higher Ground" was. 954 01:09:08,745 --> 01:09:10,814 ♪ So lift me up ♪ 955 01:09:11,047 --> 01:09:13,550 ♪ And give me higher ground ♪ 956 01:09:13,750 --> 01:09:15,352 I had texted my manager and I was like, 957 01:09:15,552 --> 01:09:17,421 "Can you please try to find their email 958 01:09:17,621 --> 01:09:18,955 and, like, send it to them?" 959 01:09:20,757 --> 01:09:23,693 [woman] Y'all's music has changed the trajectory of my life. 960 01:09:23,893 --> 01:09:25,295 Like more than I can put into words. 961 01:09:25,462 --> 01:09:26,530 [Clayton] Appreciate that. 962 01:09:26,730 --> 01:09:27,831 You guys kind saved my life 963 01:09:27,997 --> 01:09:29,533 over the last eight years. 964 01:09:29,733 --> 01:09:31,167 Appreciate it. Bring it in, bring it in, dude. 965 01:09:31,335 --> 01:09:32,202 We're here for you. 966 01:09:32,402 --> 01:09:33,703 [emotional music playing] 967 01:09:33,903 --> 01:09:34,771 [Clayton] Thank you so much. 968 01:09:37,641 --> 01:09:39,809 So we're going to have you go out there. 969 01:09:39,976 --> 01:09:42,646 And then we're just going to run it a couple times. 970 01:09:42,846 --> 01:09:45,181 [Naomi] I met them a couple of days later in the studio. 971 01:09:45,415 --> 01:09:47,317 ♪ Won't you love me better ♪ 972 01:09:47,551 --> 01:09:49,353 ♪ I'm waiting here ♪ 973 01:09:49,586 --> 01:09:51,888 ♪ I need you now ♪ 974 01:09:52,088 --> 01:09:54,023 It was really nuts. It happened really fast. 975 01:09:54,190 --> 01:09:55,525 Nice job, Naomi. 976 01:09:55,692 --> 01:09:56,993 That was really good, though! 977 01:09:57,160 --> 01:09:58,895 Really? Okay. Good start! 978 01:09:59,095 --> 01:10:00,564 Keep going! 979 01:10:00,764 --> 01:10:02,232 [soft music playing] 980 01:10:04,834 --> 01:10:06,736 [man] I was going through a really difficult time. 981 01:10:07,337 --> 01:10:08,538 Clay and Harrison 982 01:10:09,138 --> 01:10:10,039 gave me courage 983 01:10:10,206 --> 01:10:12,041 to keep going. 984 01:10:14,143 --> 01:10:15,545 Sometimes I don't know if I'm going to see 985 01:10:15,712 --> 01:10:16,846 the next day. 986 01:10:17,013 --> 01:10:18,548 [sobbing] 987 01:10:21,150 --> 01:10:23,920 This album saved my soul. 988 01:10:24,120 --> 01:10:26,990 I don't think I would be here if not for this album. 989 01:10:29,859 --> 01:10:31,060 [soft music playing] 990 01:10:33,730 --> 01:10:35,999 [Naomi] We had met about the song. 991 01:10:36,232 --> 01:10:39,202 It was about a year later that I remember 992 01:10:39,403 --> 01:10:40,837 the email of them being, like, 993 01:10:41,037 --> 01:10:42,038 "Do you want to perform live?" 994 01:10:42,238 --> 01:10:43,340 And I was like, "Yeah." 995 01:10:43,540 --> 01:10:45,041 Like, "Heck yeah!" 996 01:10:45,909 --> 01:10:48,712 I had never performed live before. 997 01:10:50,514 --> 01:10:52,916 I just, like, remember feeling like 998 01:10:54,183 --> 01:10:56,019 this was, like, the first kind of place 999 01:10:56,219 --> 01:10:59,456 that I felt like I could really belong. 1000 01:11:00,857 --> 01:11:02,359 [audience cheering] 1001 01:11:02,526 --> 01:11:05,562 ["Higher Ground" playing] 1002 01:11:23,447 --> 01:11:26,783 ♪ Ain't no surprise ♪ 1003 01:11:29,018 --> 01:11:31,921 ♪ That I can't sleep tonight ♪ 1004 01:11:32,489 --> 01:11:35,659 ♪ My only vice ♪ 1005 01:11:38,362 --> 01:11:41,264 ♪ Is standing by your side ♪ 1006 01:11:41,498 --> 01:11:44,501 ♪ So won't you love me better ♪ 1007 01:11:44,734 --> 01:11:46,636 ♪ I'm waiting here ♪ 1008 01:11:46,870 --> 01:11:49,439 ♪ I need you now ♪ 1009 01:11:51,741 --> 01:11:59,115 ♪ Gravity can't hold us down So just take me there ♪ 1010 01:11:59,215 --> 01:12:01,785 ♪ To higher ground ♪ 1011 01:12:02,986 --> 01:12:04,320 ♪ Save me ♪ 1012 01:12:05,221 --> 01:12:06,322 ♪ I'm holding onto you ♪ 1013 01:12:07,056 --> 01:12:08,925 ♪ My soul is fading ♪ 1014 01:12:09,493 --> 01:12:11,528 ♪ I'm falling into blue ♪ 1015 01:12:11,761 --> 01:12:13,597 ♪ Why don't you save me? ♪ 1016 01:12:14,364 --> 01:12:16,800 ♪ My blood is running cold ♪ 1017 01:12:17,033 --> 01:12:20,670 ♪ So lift me up And give me higher ground ♪ 1018 01:12:21,838 --> 01:12:23,306 [soft music playing] 1019 01:12:34,918 --> 01:12:37,554 Seattle, let me see some lights. 1020 01:12:37,754 --> 01:12:38,888 [audience cheering] 1021 01:12:42,626 --> 01:12:44,894 We missed you guys so much! 1022 01:12:45,829 --> 01:12:47,230 [ovation] 1023 01:12:51,801 --> 01:12:54,504 ♪ Would you give me shelter ♪ 1024 01:12:56,540 --> 01:12:59,042 ♪ I need you now ♪ 1025 01:13:00,710 --> 01:13:03,913 ♪ If you lead I'll follow ♪ 1026 01:13:05,915 --> 01:13:08,852 ♪ I'm reaching out ♪ 1027 01:13:10,420 --> 01:13:13,022 ♪ So won't you love me better ♪ 1028 01:13:13,256 --> 01:13:15,692 ♪ I'm waiting here ♪ 1029 01:13:15,925 --> 01:13:17,894 ♪ I need you now ♪ 1030 01:13:20,997 --> 01:13:27,403 ♪ Gravity can't hold us down So just take me there ♪ 1031 01:13:29,806 --> 01:13:32,709 ♪ So won't you love me better ♪ 1032 01:13:32,809 --> 01:13:34,611 ♪ I'm waiting here ♪ 1033 01:13:34,844 --> 01:13:37,447 ♪ I need you now ♪ 1034 01:13:39,916 --> 01:13:46,289 ♪ Gravity can't hold us down So just take me there ♪ 1035 01:13:46,523 --> 01:13:49,358 ♪ To higher ground ♪ 1036 01:13:50,960 --> 01:13:52,295 ♪ Save me ♪ 1037 01:13:53,196 --> 01:13:54,731 ♪ I'm holding onto you ♪ 1038 01:13:54,964 --> 01:13:57,033 ♪ My soul is fading ♪ 1039 01:13:57,767 --> 01:13:59,636 ♪ I'm falling into blue ♪ 1040 01:13:59,869 --> 01:14:01,605 ♪ Why don't you save me? ♪ 1041 01:14:02,205 --> 01:14:04,774 ♪ My blood is running cold ♪ 1042 01:14:05,008 --> 01:14:08,612 ♪ So lift me up And give me higher ground ♪ 1043 01:14:09,312 --> 01:14:11,615 [soft music playing] 1044 01:14:18,421 --> 01:14:19,455 [soft music continues] 1045 01:14:28,397 --> 01:14:29,733 [soft music continues] 1046 01:14:39,543 --> 01:14:41,511 [soft music continues] 1047 01:14:49,719 --> 01:14:51,320 Naomi Wild, everybody! 1048 01:14:51,487 --> 01:14:53,289 [ovation] 1049 01:14:59,829 --> 01:15:01,030 [birds singing] 1050 01:15:04,568 --> 01:15:07,003 How we doing? Hey buddy! 1051 01:15:08,304 --> 01:15:09,172 What are you looking at? 1052 01:15:10,239 --> 01:15:12,341 Alright, let's do a little diaper change. 1053 01:15:13,109 --> 01:15:14,177 Ooh, he might have poopied. 1054 01:15:14,343 --> 01:15:15,278 [woman] Uh oh. 1055 01:15:15,444 --> 01:15:18,314 The full deal today. 1056 01:15:18,481 --> 01:15:19,783 This is a little different than touring. 1057 01:15:21,317 --> 01:15:23,653 Yeah, see if you want to walk down. 1058 01:15:23,820 --> 01:15:24,721 You want to play a little piano? 1059 01:15:24,921 --> 01:15:26,155 Okay. 1060 01:15:26,322 --> 01:15:27,724 You want to try to play a little bit? 1061 01:15:27,924 --> 01:15:29,058 [piano playing] 1062 01:15:29,258 --> 01:15:30,026 Oh, oh! 1063 01:15:31,460 --> 01:15:33,630 [piano playing] 1064 01:15:33,797 --> 01:15:36,866 Very avant garde, atmospheric. 1065 01:15:39,335 --> 01:15:40,503 Can you do that? 1066 01:15:42,338 --> 01:15:44,507 [laughing] 1067 01:15:45,709 --> 01:15:48,444 Super close! 1068 01:15:48,544 --> 01:15:49,913 [man] Okay, Clayton, play us a tune. 1069 01:15:50,113 --> 01:15:51,047 [woman] Yeah. 1070 01:15:51,214 --> 01:15:52,649 [piano playing] 1071 01:15:59,488 --> 01:16:02,491 [Clayton] I grew up with my dad playing piano 1072 01:16:05,128 --> 01:16:07,597 and I want to give my son the same thing. 1073 01:16:07,797 --> 01:16:08,698 [piano playing] 1074 01:16:11,167 --> 01:16:12,468 Yeah, just to have these similar things 1075 01:16:12,669 --> 01:16:14,604 that I grew up with in my home, 1076 01:16:14,804 --> 01:16:17,506 now that I'm starting a family are really important to me. 1077 01:16:19,308 --> 01:16:21,144 We're kind of these echoes and repeats 1078 01:16:21,344 --> 01:16:23,179 of these people that have come before us. 1079 01:16:26,515 --> 01:16:27,751 [piano ends] 1080 01:16:30,353 --> 01:16:31,187 [Harrison] Nice to take a break. 1081 01:16:31,354 --> 01:16:32,622 Thanks for telling me to 1082 01:16:33,556 --> 01:16:35,859 move away from the music for a second. 1083 01:16:36,025 --> 01:16:37,761 Especially on a day like today. 1084 01:16:41,197 --> 01:16:41,965 [Harrison laughing] 1085 01:16:43,366 --> 01:16:45,234 Chunky, come here! Sit. 1086 01:16:46,502 --> 01:16:47,436 [Chunky barks] 1087 01:16:47,603 --> 01:16:49,105 You're not intimidating. 1088 01:16:50,907 --> 01:16:54,243 [phone buzzing] 1089 01:16:54,410 --> 01:16:55,544 Oh, it's my mom. 1090 01:16:55,712 --> 01:16:56,545 You mind taking this? 1091 01:16:59,548 --> 01:17:00,717 Hello? 1092 01:17:00,917 --> 01:17:01,785 [Harrison's mom] Can you hear me? 1093 01:17:01,951 --> 01:17:03,753 Yeah, I can hear you. 1094 01:17:08,357 --> 01:17:11,828 So, I wanted to ask you some questions. 1095 01:17:12,028 --> 01:17:15,598 Kind of circling around the ideas of the record. 1096 01:17:15,799 --> 01:17:17,533 And I just wanted to get your take 1097 01:17:17,767 --> 01:17:20,704 - as a person I admire and love. - [Harrison's mom] Oh. 1098 01:17:20,904 --> 01:17:23,239 [Harrison] So I'm going to ask you a barrage of questions 1099 01:17:23,439 --> 01:17:25,308 and just answer them however you like. 1100 01:17:25,508 --> 01:17:26,309 [Harrison's mom] Okay. 1101 01:17:26,475 --> 01:17:28,644 [all laughing] 1102 01:17:30,379 --> 01:17:32,515 [Harrison] Do you believe in true love? 1103 01:17:33,216 --> 01:17:35,218 [Harrison's mom] Absolutely. 1104 01:17:35,418 --> 01:17:37,053 [Harrison] Why do you believe in true love? 1105 01:17:37,253 --> 01:17:39,422 [Harrison's mom] Because I've experienced it. 1106 01:17:39,588 --> 01:17:40,857 [emotional music playing] 1107 01:17:41,057 --> 01:17:44,393 Especially when I had you. 1108 01:17:44,593 --> 01:17:46,696 It's a connection you've never experienced before 1109 01:17:46,896 --> 01:17:48,932 with anyone else. 1110 01:17:50,233 --> 01:17:53,236 It's a bond that lasts a lifetime. 1111 01:17:53,436 --> 01:17:54,437 and beyond. 1112 01:17:55,104 --> 01:17:57,473 The love that you feel for your child 1113 01:17:57,673 --> 01:17:59,042 is never ending. 1114 01:17:59,242 --> 01:18:00,243 Goes on through eternity. 1115 01:18:00,443 --> 01:18:02,478 Goodbye, mom. 1116 01:18:02,678 --> 01:18:04,981 [Harrison's mom] See you later, partner. 1117 01:18:05,581 --> 01:18:07,350 [Harrison] So you feel it today, then? 1118 01:18:07,550 --> 01:18:08,985 [Harrison's mom] Yes, I do. 1119 01:18:09,085 --> 01:18:10,453 I feel it every day. 1120 01:18:18,995 --> 01:18:22,331 What is a moment in your life that broke you? 1121 01:18:22,498 --> 01:18:23,566 [emotional music continues] 1122 01:18:26,635 --> 01:18:28,137 [Harrison's mom] When my parents died. 1123 01:18:30,506 --> 01:18:33,042 When your grandmother passed away. 1124 01:18:39,048 --> 01:18:41,484 You know, when you're younger, you are on a journey, 1125 01:18:41,684 --> 01:18:43,920 and sometimes you don't know what the answer is 1126 01:18:44,120 --> 01:18:45,488 to all kinds of questions. 1127 01:18:48,691 --> 01:18:50,093 I do think about 1128 01:18:50,293 --> 01:18:51,494 having to say goodbye to them 1129 01:18:51,694 --> 01:18:52,862 because you know 1130 01:18:53,062 --> 01:18:54,931 that their time on Earth 1131 01:18:55,131 --> 01:18:56,599 is no longer here. 1132 01:18:58,667 --> 01:19:00,169 That they're moving on 1133 01:19:00,369 --> 01:19:02,471 to some other place in time and space. 1134 01:19:03,706 --> 01:19:07,343 You're watching over them, and they're watching over you. 1135 01:19:08,111 --> 01:19:09,545 They're always with you. 1136 01:19:09,712 --> 01:19:10,780 [upbeat music playing] 1137 01:19:12,248 --> 01:19:14,250 ["A Moment Apart" playing] 1138 01:19:20,756 --> 01:19:21,958 [electronic music playing] 1139 01:19:32,168 --> 01:19:33,369 [electronic music continues] 1140 01:19:41,845 --> 01:19:43,112 [electronic music continues] 1141 01:19:52,055 --> 01:19:53,256 [electronic music continues] 1142 01:20:03,566 --> 01:20:04,567 [electronic music continues] 1143 01:20:12,241 --> 01:20:13,409 [electronic music continues] 1144 01:20:23,319 --> 01:20:24,921 [electronic music continues] 1145 01:20:33,729 --> 01:20:35,498 [electronic music continues] 1146 01:20:45,674 --> 01:20:46,943 [electronic music continues] 1147 01:20:55,784 --> 01:20:57,520 [electronic music continues] 1148 01:21:05,528 --> 01:21:06,495 [electronic music continues] 1149 01:21:15,104 --> 01:21:16,472 [electronic music continues] 1150 01:21:27,216 --> 01:21:28,384 [electronic music continues] 1151 01:21:35,691 --> 01:21:36,592 [electronic music continues] 1152 01:21:45,634 --> 01:21:46,569 [electronic music continues] 1153 01:21:55,178 --> 01:21:56,579 [electronic music continues] 1154 01:22:05,054 --> 01:22:06,455 [electronic music continues] 1155 01:22:15,898 --> 01:22:17,133 [electronic music continues] 1156 01:22:27,176 --> 01:22:28,144 [electronic music continues] 1157 01:22:39,388 --> 01:22:40,589 [electronic music continues] 1158 01:22:50,533 --> 01:22:51,967 [electronic music continues] 1159 01:22:59,908 --> 01:23:01,644 [electronic music continues] 1160 01:23:11,054 --> 01:23:12,321 [electronic music continues] 1161 01:23:21,964 --> 01:23:22,998 [electronic music continues] 1162 01:23:30,939 --> 01:23:31,974 [electronic music continues] 1163 01:23:41,417 --> 01:23:42,351 [electronic music continues] 1164 01:23:48,324 --> 01:23:49,858 [electronic music continues] 1165 01:23:50,993 --> 01:23:52,561 [audience cheering] 1166 01:24:00,269 --> 01:24:01,637 [electronic music continues] 1167 01:24:10,779 --> 01:24:12,515 [electronic music continues] 1168 01:24:20,956 --> 01:24:22,925 [ovation] 1169 01:24:25,128 --> 01:24:27,029 [indistinct chatter in video] 1170 01:24:32,701 --> 01:24:34,703 [people singing "Happy Birthday"] 1171 01:24:43,412 --> 01:24:44,180 [music ends] 1172 01:24:44,347 --> 01:24:46,549 [ovation] 1173 01:24:53,189 --> 01:24:55,124 [ovation continues] 1174 01:24:56,525 --> 01:25:00,896 [audience] ODESZA! ODESZA! ODESZA! 1175 01:25:01,063 --> 01:25:05,634 One more song! One more song! One more song! 1176 01:25:16,945 --> 01:25:17,913 I think this is it. 1177 01:25:20,383 --> 01:25:22,451 So this is the record we found 1178 01:25:22,618 --> 01:25:24,287 when we were searching for samples 1179 01:25:24,453 --> 01:25:26,789 for "The Last Goodbye." 1180 01:25:26,955 --> 01:25:29,325 And what came to be was from this. 1181 01:25:29,525 --> 01:25:31,160 Bettye LaVette's "Let Me Down Easy". 1182 01:25:31,360 --> 01:25:32,561 It's an incredible song 1183 01:25:32,728 --> 01:25:35,464 and it just caught us off guard. 1184 01:25:35,631 --> 01:25:36,965 And it was so special 1185 01:25:37,132 --> 01:25:38,734 we wanted to use it in some way. 1186 01:25:48,977 --> 01:25:51,680 [Bettye] * Let me down easy ♪ 1187 01:25:53,081 --> 01:25:56,485 ♪ For your love for me Is strong ♪ 1188 01:25:58,187 --> 01:25:59,922 ♪ Let me down easy ♪ 1189 01:26:00,122 --> 01:26:01,457 [Harrison] The theme for our whole album 1190 01:26:01,657 --> 01:26:03,091 is kind of looking backwards 1191 01:26:03,292 --> 01:26:05,794 to see how we can move forward. 1192 01:26:06,495 --> 01:26:08,197 [Bettye] ♪ I know it's all over ♪ 1193 01:26:08,397 --> 01:26:09,932 [Harrison] This really served as a guiding light 1194 01:26:10,132 --> 01:26:11,467 for the album itself . 1195 01:26:11,700 --> 01:26:15,271 [Bettye] ♪ For the last goodbye ♪ 1196 01:26:16,572 --> 01:26:19,275 ♪ Oh, oh ♪ 1197 01:26:19,442 --> 01:26:21,109 The song name 1198 01:26:22,077 --> 01:26:23,779 comes from one of the lyrics Bettye says, 1199 01:26:23,946 --> 01:26:25,047 "The last goodbye". 1200 01:26:25,248 --> 01:26:27,583 And that lyric encapsulated 1201 01:26:27,783 --> 01:26:28,684 our whole album. 1202 01:26:30,753 --> 01:26:34,957 [Bettye] ♪ I know it's all over ♪ 1203 01:26:35,190 --> 01:26:39,662 ♪ For the last goodbye ♪ 1204 01:26:39,895 --> 01:26:42,498 ♪ Oh, oh ♪ 1205 01:26:43,399 --> 01:26:45,901 ♪ Let me down easy ♪ 1206 01:26:47,836 --> 01:26:48,837 [soft music playing] 1207 01:26:51,974 --> 01:26:55,544 [Julianna] ♪ This version of you ♪ 1208 01:26:55,778 --> 01:26:58,881 ♪ Simply becomes real ♪ 1209 01:27:08,957 --> 01:27:11,226 [Clayton] I remember some pretty early conversations. 1210 01:27:11,394 --> 01:27:12,361 Check, check, check. 1211 01:27:16,799 --> 01:27:20,369 [Clayton] We can talk about, like, "If we could only get a show at Sasquatch." 1212 01:27:20,569 --> 01:27:22,505 That was kind of our big goal at the time. 1213 01:27:28,844 --> 01:27:30,012 And then we did that that year 1214 01:27:30,713 --> 01:27:32,214 and then were like, 1215 01:27:32,381 --> 01:27:34,417 you know, "damn, what do we... what do we do now?" 1216 01:27:34,583 --> 01:27:36,385 [audience cheering] 1217 01:27:36,619 --> 01:27:37,886 [Julianna] ♪ This version of you ♪ 1218 01:27:38,120 --> 01:27:39,722 ♪ Looking at you ♪ 1219 01:27:42,425 --> 01:27:45,994 [Clayton] To be doing these size shows with our friends 1220 01:27:46,194 --> 01:27:47,963 and family and loved ones 1221 01:27:48,163 --> 01:27:51,033 it still does not register. 1222 01:27:51,233 --> 01:27:54,870 It still blows my mind every day. 1223 01:27:55,103 --> 01:27:57,139 [Julianna] ♪ I'd like you to imagine ♪ 1224 01:27:58,341 --> 01:28:00,743 ♪ This version of you ♪ 1225 01:28:03,846 --> 01:28:05,381 I didn't prepare anything , 1226 01:28:05,548 --> 01:28:07,082 but I do want to say 1227 01:28:07,249 --> 01:28:09,952 something is only as good as the sum of its parts 1228 01:28:10,118 --> 01:28:12,621 and everyone here is an incredible, 1229 01:28:12,788 --> 01:28:13,822 talented individual. 1230 01:28:14,022 --> 01:28:15,223 We love you guys so much. 1231 01:28:15,391 --> 01:28:16,291 Put your hand in. 1232 01:28:16,459 --> 01:28:17,993 Hell yeah, let's do this! 1233 01:28:18,193 --> 01:28:20,295 [emotional music playing] 1234 01:28:22,798 --> 01:28:26,101 - [Clayton] Where we at? - [Harrison] Oh! We're filming! 1235 01:28:26,268 --> 01:28:27,736 Whoowee! 1236 01:28:33,308 --> 01:28:36,345 We were trying. And you guys supported 100%. 1237 01:28:36,545 --> 01:28:37,446 Thank you for caring! 1238 01:28:40,248 --> 01:28:41,750 [emotional music continues] 1239 01:28:41,917 --> 01:28:43,251 Quack, quack 1240 01:28:43,419 --> 01:28:45,621 quack, quack, quack, quack, 1241 01:28:45,788 --> 01:28:47,456 quack, quack! 1242 01:28:48,424 --> 01:28:49,525 [cheering] 1243 01:28:54,997 --> 01:28:56,164 [emotional music continues] 1244 01:28:57,165 --> 01:28:58,033 [music ends] 1245 01:29:08,711 --> 01:29:10,379 [Harrison] Tentatively, 1246 01:29:10,579 --> 01:29:12,748 the name of the record is "The Last Goodbye." 1247 01:29:13,315 --> 01:29:14,349 [Harrison's mom] That's lovely. 1248 01:29:14,517 --> 01:29:15,818 [emotional music playing] 1249 01:29:18,053 --> 01:29:19,388 [Harrison] I've really thought 1250 01:29:19,588 --> 01:29:22,324 of my own mortality quite a lot. 1251 01:29:22,525 --> 01:29:23,626 I started questioning 1252 01:29:23,826 --> 01:29:25,394 "When will be the last time 1253 01:29:25,594 --> 01:29:27,830 that I get to see you guys?" 1254 01:29:29,498 --> 01:29:31,834 [Clayton] We just really grabbed onto this sentiment 1255 01:29:32,034 --> 01:29:33,836 of who you are comes with a piece 1256 01:29:34,036 --> 01:29:35,971 of everyone who came before you. 1257 01:29:39,442 --> 01:29:41,944 You never really say goodbye to anyone, 1258 01:29:42,611 --> 01:29:44,079 because they're always with you. 1259 01:29:46,181 --> 01:29:47,683 [emotional music continues] 1260 01:29:50,252 --> 01:29:53,489 [Bettye] * Let me down easy ♪ 1261 01:29:55,090 --> 01:29:57,893 ♪ All your love for me is gone ♪ 1262 01:29:59,294 --> 01:30:02,431 ♪ Let me down easy ♪ 1263 01:30:03,065 --> 01:30:06,602 ♪ Since you feel To stay is wrong ♪ 1264 01:30:07,302 --> 01:30:11,540 ♪ I know it's all over ♪ 1265 01:30:11,640 --> 01:30:15,544 ♪ But the last goodbye ♪ 1266 01:30:16,311 --> 01:30:22,350 ♪ Oh, let me down easy ♪ 1267 01:30:23,586 --> 01:30:26,789 ♪ Let me down easy ♪ 1268 01:30:27,690 --> 01:30:31,760 ♪ Let me down easy ♪ 1269 01:30:31,994 --> 01:30:35,197 ♪ Let me down easy ♪ 1270 01:30:36,131 --> 01:30:39,367 ♪ Let me down easy ♪ 1271 01:30:40,536 --> 01:30:42,404 [electronic music playing] 1272 01:30:51,013 --> 01:30:52,581 [electronic music continues] 1273 01:31:01,389 --> 01:31:02,390 [electronic music playing] 1274 01:31:11,099 --> 01:31:12,568 [electronic music playing] 1275 01:31:22,578 --> 01:31:23,646 [electronic music playing] 1276 01:31:30,886 --> 01:31:33,255 ♪ When you pass by me ♪ 1277 01:31:34,690 --> 01:31:37,359 ♪ Say hello once in a while ♪ 1278 01:31:39,027 --> 01:31:42,631 ♪ When you pass by me baby ♪ 1279 01:31:42,865 --> 01:31:45,968 ♪ Does it hurt so much To smile? ♪ 1280 01:31:47,169 --> 01:31:51,306 ♪ We promised That we'd still be friends ♪ 1281 01:31:52,040 --> 01:31:56,344 ♪ 'Til the very end ♪ 1282 01:31:57,946 --> 01:32:01,449 ♪ I'm begging you, baby ♪ 1283 01:32:01,684 --> 01:32:04,019 ♪ Let me down easy ♪ 1284 01:33:19,127 --> 01:33:21,630 ♪ Let me down easy ♪ 1285 01:33:22,765 --> 01:33:26,201 ♪ All your love for me is gone ♪ 1286 01:33:27,469 --> 01:33:30,072 ♪ Let me down easy ♪ 1287 01:33:31,373 --> 01:33:34,743 ♪ Since you feel To stay is wrong ♪ 1288 01:33:35,510 --> 01:33:38,947 ♪ I know it's all over ♪ 1289 01:33:40,382 --> 01:33:43,952 ♪ But the last goodbye ♪ 1290 01:33:44,186 --> 01:33:50,592 ♪ Oh, let me down easy ♪ 1291 01:33:52,560 --> 01:33:55,764 ♪ Let me down easy ♪ 1292 01:33:55,998 --> 01:33:59,668 ♪ Let me down easy ♪ 1293 01:34:00,769 --> 01:34:02,637 Seattle! 1294 01:34:03,605 --> 01:34:06,074 Let me see you one last time! 1295 01:34:06,241 --> 01:34:08,310 [audience cheering] 1296 01:34:08,543 --> 01:34:12,014 [Bettye] * Let me down easy ♪ 1297 01:34:12,580 --> 01:34:13,749 [electronic music slows down] 1298 01:34:30,165 --> 01:34:31,199 [electronic music continues] 1299 01:34:42,644 --> 01:34:43,678 [electronic music continues] 1300 01:34:51,253 --> 01:34:54,189 [electronic music continues] 1301 01:35:03,265 --> 01:35:04,833 [electronic music continues] 1302 01:35:13,341 --> 01:35:14,743 [electronic music continues] 1303 01:35:23,618 --> 01:35:24,586 [electronic music continues] 1304 01:35:32,460 --> 01:35:33,762 [electronic music continues] 1305 01:35:43,906 --> 01:35:45,774 [electronic music continues] 1306 01:35:52,881 --> 01:35:54,016 [electronic music continues] 1307 01:35:55,650 --> 01:35:57,352 [audience cheering] 1308 01:36:05,828 --> 01:36:06,929 [electronic music continues] 1309 01:36:14,269 --> 01:36:16,038 [audience keeps cheering] 1310 01:36:18,540 --> 01:36:19,574 [music ends] 1311 01:36:22,210 --> 01:36:23,611 [ovation] 1312 01:36:28,450 --> 01:36:30,285 [ovation continues] 1313 01:36:36,892 --> 01:36:38,260 [ovation continues] 1314 01:36:40,428 --> 01:36:41,463 [emotional music playing] 1315 01:36:48,803 --> 01:36:50,939 [emotional music continues] 1316 01:36:51,806 --> 01:36:54,242 [ovation] 1317 01:37:00,648 --> 01:37:02,117 [ovation continues] 1318 01:37:15,597 --> 01:37:17,165 [silence] 1319 01:37:17,765 --> 01:37:21,669 ["Dissolved in a Daydream" playing] 1320 01:37:33,181 --> 01:37:35,617 [music continues] 1321 01:37:42,624 --> 01:37:44,292 [music continues] 1322 01:37:55,803 --> 01:37:57,405 [music continues] 1323 01:37:59,541 --> 01:38:00,842 [song ends]