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SUGA: What worries me right now
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Downloaded from
YTS.MX
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is that there's nothing
I want to talk about.
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Right now,
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Official YIFY movies site:
YTS.MX
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there is nothing... (CHUCKLES)
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...that I'd like to talk about.
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(PEN SCRIBBLING)
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SUGA: And that makes me so sad.
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There were so many stories
I wanted to tell.
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- (CROWD CHEERS)
- Did I lose them
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because I've achieved so much?
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Sort of like dreams, you know?
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Did I forget about them
because so many of them already came true?
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I mean, why...
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(HIGH-PITCHED WINDING)
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("SO FAR AWAY" BY AGUST D PLAYS)
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SUGA: It's my first time
walking down this street.
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I'm still so excited.
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After concerts, I'd always be like,
"I'm so tired!"
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It's my first time doing this!
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(LAUGHING) Even in Korea,
I've never done this before.
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SUGA: I knew for sure that the mixtape
was going to have three parts.
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- (INTENSE MUSIC PLAYS)
- Because in D-1,
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I had to express
a lot of my insecurities.
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Because if I didn't,
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I felt like I had no reason
to be a member of BTS.
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After sorting out my problems,
I made D-2
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and tried to talk about
the past and the present.
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Now, on this album,
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I really wanted to deliver a message
about all those things in general.
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What's more, this is my album.
And it's not by SUGA...
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it's by Agust D.
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{\an8}No one knows who Agust D is.
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(LAUGHING) Only my fans do.
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"Who's this Agust D person?"
When "Daechwita" came out,
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they were like,
"He looks a lot like SUGA."
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Are they going to understand
what I'm trying to say?
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Even I'm confused.
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So I feel a lot of pressure.
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Honestly,
when I was working on this album,
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I wondered if it may be
the last piece of work
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under the name "Agust D."
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(GUNSHOT)
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(RHYTHMIC MUSIC PLAYING)
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(MUSIC STOPS)
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Oh, the title song?
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I finished it.
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(CHUCKLES)
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But I don't like it. (LAUGHS)
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I thought Las Vegas was a hot place...
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all year round.
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(RHYTHMIC MUSIC PLAYING)
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(SENTIMENTAL GUITAR MUSIC PLAYS)
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(MUSIC STOPS)
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(HUMS)
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I'm thinking of...
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- sampling "Around Thirty"...
- (TYPING)
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...to make a new song.
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(SOFT GUITAR MUSIC PLAYING)
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(SOFT ELECTRONIC MUSIC PLAYS)
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(DRUMS BEATING)
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(MUSIC STOPS)
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(RHYTHMIC MUSIC PLAYS)
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PRODUCER: Why did you choose
that song in particular?
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Because I'm 30. (LAUGHS)
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I thought it would give me
a lot of things to write about.
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The things you can do...
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when you're 30.
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There must be tons.
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- (RAIN FALLING)
- (RHYTHMIC MUSIC PLAYING)
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SUGA: They were talking about
BTS breaking up.
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- (RHYTHMIC MUSIC PLAYING)
- That was when I had just turned 30.
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I started talking about making
my own album.
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(RAPPING)
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I mean, going solo
and doing our own things,
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there's nothing wrong with it
if you think about it.
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- We should've done it ages ago.
- (MUSIC PLAYS)
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But we didn't,
and it just got delayed.
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If my memory is correct,
the articles about us breaking up
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were on the front page
of portal websites for two weeks.
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Seeing all those negative reactions...
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IS YOUR JUSTICE JUST?
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...to ideas we were only considering
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made it hard for me to accept
what people were thinking about us.
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I ended up with a song
that I didn't originally have in mind,
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but it's gonna help me write
something fresher for "Thirty."
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It's always been like this.
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None of my songs come out
according to plan.
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(LAUGHS)
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They always turn out
to be something unexpected,
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and I just go along with it.
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I used to be like,
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"This is my only passion."
But now that I'm here...
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- (DRUMS BEATING)
- ...I'm doing all these other things.
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(SUGA CHUCKLING)
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You don't have to be so single-minded.
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("Polar Night" PLAYS)
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♪ Between so many truths
and so many lies ♪
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♪ Are we taking a proper look
at the world? ♪
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♪ The difference between fact and fiction
between incitement and substance ♪
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♪ What do I stand to gain? ♪
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♪ The world's bullshit
but you don't have to be ♪
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♪ So open your eyes
and see the real world ♪
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♪ The other side of justice
is just another kind ♪
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♪ There's no such thing in the world
as good intentions, you know ♪
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♪ They're not interested in facts ♪
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♪ If you're not on their side
they'll kill you, that's justice now ♪
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♪ Left and right
black and white ♪
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♪ At the end of a staged play ♪
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♪ The audience tear into each other
seeing blood ♪
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♪ It's a war without gunshots ♪
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♪ Material malady ♪
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♪ If you're not on the same side
we're enemies ♪
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♪ An extreme choice ♪
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♪ Political correctness
whenever it suits me ♪
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♪ But keep my mouth shut
when it's too bothersome for me ♪
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♪ Selectively hypocritical
an uncomfortable attitude ♪
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♪ Interpretation just to fit my mood ♪
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♪ Fact and fiction
whenever it suits me ♪
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♪ And don't let my eyes
wander from my clique ♪
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♪ Selectively hypocritical
an uncomfortable attitude ♪
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♪ Interpretation just to fit my mood ♪
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♪ Between so many truths
and so many lies ♪
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♪ Are we taking a proper look
at the world? ♪
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♪ It is all dirty ♪
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BACKING VOCALS:
♪ Am I even clean? ♪
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♪ It is all dirty ♪
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BACKING VOCALS:
♪ Are you even clean? ♪
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♪ Between dark questions
and blind accusations ♪
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♪ What are we fighting for? ♪
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♪ It is all dirty ♪
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BACKING VOCALS:
♪ Am I even clean? ♪
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♪ It is all dirty ♪
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BACKING VOCALS:
♪ Are you even clean? ♪
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(MUSIC ENDS)
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(BIRDS CHIRPING)
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- (UPBEAT MUSIC PLAYING)
- (LAUGHTER)
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I didn't work yesterday.
I'll do it today.
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I was too tired to work,
I think I slept the whole day.
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- I slept so much.
- (INDISTINCT CHATTER FROM TV)
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And I just woke up.
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(SIGHS)
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Vegas is great.
The food's great too.
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Last time I was here,
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there wasn't time for me to do
the things I wanted to do.
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But this time, I plan to see
my friends while I'm here.
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I'm gonna see Halsey, Chris,
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and Steve Aoki.
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What should I talk about
when I see him?
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He's a really nice guy,
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and he tried to help us
in any way he could.
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I think it's because he's Asian.
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Why does he have pictures of us?
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(INDISTINCT CHATTER)
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SUGA: What's going on?
How does he have this?
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Did he put this up just for me?
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It's new.
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(IN ENGLISH) Dude,
it's so good to see you.
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- SUGA: (IN ENGLISH) Long time no see.
- Yeah, I know. How are you?
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- Oh, yeah. I'm gonna give you a tour.
- Mm-hmm.
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(IN KOREAN) First, I wanna know
why he has our pictures on the wall.
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(IN ENGLISH) I got you everywhere I look.
I have you everywhere.
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Here, there.
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- (IN KOREAN) But it looks new.
- (TRANSLATOR INTERPRETS)
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- (IN ENGLISH) Hurry up, guys! Hurry up!
- (SUGA LAUGHS)
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SUGA: (IN KOREAN)
Talk about a fun life!
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(SUGA EXCLAIMS)
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(IN ENGLISH) Hold on, hold on one second.
I got a present for you.
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This is a One-Of-One jacket.
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(SUGA EXCLAIMS)
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STEVE: That's cool.
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Like, this whole neighborhood is...
is gonna boom.
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Yeah, this is a brand-new home.
SUGA's home.
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- TRANSLATOR: Yeah!
- (ALL LAUGHING)
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STEVE: No, I got everything.
I got, like, my MIDI drums.
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And then you can plug in
guitar and bass.
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(IN KOREAN)
The brightest studio I've ever seen.
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Most studios are pitch black,
this is the brightest one I've ever seen.
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STEVE: (IN ENGLISH)
Yeah, everything's custom.
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So, originally, I had my Focals here.
I switched them out.
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- Ocean Way.
- Focal?
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- No, that's an Ocean Way.
- Okay.
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Same company, custom.
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(FAST ROCK MUSIC PLAYING)
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(MUSIC INTENSIFIES)
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Whoo!
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- Thank you, yeah.
- Nice.
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- It's more like... Like, this album...
- SUGA: Mm-hmm.
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It's still mixing like... pop and,
you know, hip-hop and stuff.
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But I'm... But I'm like doing
a lot more of, like, rock.
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(UPBEAT MUSIC PLAYING)
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STEVE: What are you working on musically?
Like, what kind of music...
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Can you play some?
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(IN KOREAN)
Some of them are almost finished...
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STEVE: (IN ENGLISH)
Oh, okay. Alright. Cool.
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(INTENSE HIP-HOP MUSIC PLAYS)
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(SPEAKING INAUDIBLY)
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(MELLOW HIP-HOP MUSIC PLAYS)
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STEVE: Let's do this one.
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Beautiful song.
Oh my god. Beautiful song.
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(IN KOREAN) Next time...
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Um, next time I visit Las Vegas,
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I'm gonna have to use this studio.
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(TRANSLATOR INTERPRETS)
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(IN ENGLISH) Yes!
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Oh, good, good. Yeah.
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It's a good vibe in here, man.
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It's a good vibe.
I don't have any clocks.
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We work whenever we want.
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00:10:26,709 --> 00:10:28,210
Feels like anytime, you know.
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I'm happy just to give it,
give you guys all my resources,
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to just help with your...
make it as easy as possible.
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Every floor!
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SUGA: (IN KOREAN)
He's tried hard to please his guest.
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(LAUGHTER)
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SUGA: Oh, these aren't photos.
They're paintings.
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STEVE: (IN ENGLISH)
I'm a true supporter, you know.
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Alright, brother.
I'll see you tonight, okay?
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- See you soon.
- Alright, man.
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- MAN: Thank you, guys. Thank you.
- See you, guys.
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(IN KOREAN)
I haven't had this kind of fun in a while.
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I mean, I often collaborate
with musicians
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and we listen to each other's music
in Korea as well, but...
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Um, I love how Steve set his studio up.
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I also loved the songs.
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00:11:08,751 --> 00:11:11,629
I really liked the one with Lil Uzi.
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- STEVE: (IN ENGLISH) It's next year.
- PRODUCER: Next year?
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STEVE: But we can play you some stuff.
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Well, SUGA's a musical genius.
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{\an8}You know, he's definitely
one of my favorite artists to work with.
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And, uh...
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I think he's...
He's also very forward-thinking.
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You know, like, whenever I hear,
like, his own, 'cause...
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You know, obviously, you have SUGA as BTS,
and SUGA on his own.
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- ("DAECHWITA" PLAYS)
- STEVE: And when I listen to his music
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on his own, he's always doing something
I would never expect.
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00:11:38,864 --> 00:11:42,993
And, uh... So I always expect
the highest bar from SUGA.
239
00:11:42,993 --> 00:11:44,662
SUGA:
♪ Daechwita, Daechwita ♪
240
00:11:44,662 --> 00:11:46,414
♪ Play it loud, Daechwita ♪
241
00:11:46,414 --> 00:11:59,593
♪ Daechwita, Daechwita
play it loud, Daechwita ♪
242
00:11:59,593 --> 00:12:02,930
♪ Glitter, glitter
look at my crown glitter ♪
243
00:12:02,930 --> 00:12:06,225
♪ Remember, remember
days gone by, remember ♪
244
00:12:06,225 --> 00:12:09,603
♪ We so fly, we so fly,
private jet, we so fly ♪
245
00:12:10,479 --> 00:12:11,939
♪ Born a slave
but now a king ♪
246
00:12:11,939 --> 00:12:13,607
♪ Berserk tiger
Gwanghae flow ♪
247
00:12:13,607 --> 00:12:15,359
♪ Born in a ditch
but rise up a dragon ♪
248
00:12:15,359 --> 00:12:16,986
♪ That's the way I live ♪
249
00:12:16,986 --> 00:12:18,654
♪ Sorry but don't worry ♪
250
00:12:18,654 --> 00:12:20,281
♪ I got lots to lose ♪
251
00:12:20,281 --> 00:12:21,907
♪ Shove the past
into a rice chest ♪
252
00:12:21,907 --> 00:12:23,826
♪ I'm about to dine
on what I know is mine ♪
253
00:12:23,826 --> 00:12:26,412
♪ Shut up, yeah
you calling me a pup, yeah ♪
254
00:12:26,954 --> 00:12:30,082
♪ I was born a tiger
I ain't no weak pill-popper like you ♪
255
00:12:30,207 --> 00:12:31,834
♪ Pathetic fucks
putting on a talent show ♪
256
00:12:31,834 --> 00:12:33,502
♪ Not gonna lie
what a shitshow ♪
257
00:12:33,502 --> 00:12:35,129
♪ I got no pretensions
just kill 'em all ♪
258
00:12:35,129 --> 00:12:36,797
♪ Ain't no exceptions
I watch you fall ♪
259
00:12:36,922 --> 00:12:39,550
♪ Flexing, I got none ♪
260
00:12:40,259 --> 00:12:42,595
♪ I don't need one ♪
261
00:12:42,595 --> 00:12:44,221
♪ Who's the king? Who's the boss? ♪
262
00:12:44,221 --> 00:12:45,890
♪ You all know my name ♪
263
00:12:45,890 --> 00:12:47,558
♪ All shit-talk
they got no game ♪
264
00:12:47,558 --> 00:12:49,143
♪ Off with their heads ♪
265
00:12:49,268 --> 00:12:50,311
Ow!
266
00:12:52,897 --> 00:12:54,356
- (CAR HONKS)
- (BUZZING NOISE)
267
00:12:55,399 --> 00:12:58,527
SUGA: I think I've been goofing around
since coming to Vegas.
268
00:12:58,527 --> 00:12:59,987
I haven't done much work.
269
00:13:00,112 --> 00:13:01,906
(INDISTINCT CHATTER)
270
00:13:01,906 --> 00:13:04,533
How long does it take
to see the Red Rock Canyon?
271
00:13:04,533 --> 00:13:05,785
PRODUCER: Not long.
272
00:13:05,785 --> 00:13:09,455
SUGA: Oh, then we should get there
for when the sun goes down.
273
00:13:09,455 --> 00:13:11,081
I bet it's beautiful during sunset.
274
00:13:15,211 --> 00:13:17,129
(INDISTINCT CHATTER)
275
00:13:24,220 --> 00:13:25,346
MAN: Mm!
276
00:13:26,013 --> 00:13:27,848
I need to lose weight
when I get back.
277
00:13:31,644 --> 00:13:32,686
I had...
278
00:13:34,188 --> 00:13:35,773
(LAUGHS) ...three meals today.
279
00:13:37,733 --> 00:13:40,653
And I think that's a first in 18 months.
280
00:13:41,904 --> 00:13:45,282
I've grown up quicker than others.
But I didn't want to grow up.
281
00:13:45,282 --> 00:13:48,911
What I wanted was to keep dreaming.
I used to tell the BTS members,
282
00:13:48,911 --> 00:13:51,831
"You become an adult
the moment you stop dreaming."
283
00:13:51,831 --> 00:13:53,165
I used to say that.
284
00:13:54,792 --> 00:13:56,585
And I don't have any dreams now.
285
00:14:01,131 --> 00:14:03,634
Now I ask myself,
"What do I need to dream of?"
286
00:14:03,884 --> 00:14:07,596
We did what we wanted
and what we had to do to get here,
287
00:14:07,721 --> 00:14:09,598
and in 2018, I was told
288
00:14:09,890 --> 00:14:12,810
that I'd been chosen to represent
this generation.
289
00:14:12,935 --> 00:14:14,103
I never thought of it that way.
290
00:14:14,478 --> 00:14:15,479
(CAMERA SHUTTERS)
291
00:14:15,479 --> 00:14:17,273
SUGA: I never thought, "Hey, I'm Asian."
292
00:14:17,273 --> 00:14:19,316
"So I'm going to head over to America
293
00:14:19,483 --> 00:14:21,610
and top the Billboard chart
for my fellow Asians."
294
00:14:21,610 --> 00:14:23,779
- MAN: Can I give you a hug?
- SUGA: Sure. (LAUGHS)
295
00:14:23,779 --> 00:14:25,865
Thanks. You've made things a lot better.
296
00:14:25,865 --> 00:14:27,408
- SUGA: Oh, really?
- MAN: Yeah.
297
00:14:27,408 --> 00:14:29,368
- SUGA: That's nice.
- MAN: You've made your country proud.
298
00:14:29,493 --> 00:14:30,953
- SUGA: Thank you.
- MAN: I'm honored.
299
00:14:31,078 --> 00:14:33,622
- SUGA: Thanks, that's good to hear.
- MAN: Yeah.
300
00:14:35,666 --> 00:14:37,501
SUGA: I didn't mean to make Korea proud.
301
00:14:37,501 --> 00:14:38,586
(PRODUCER LAUGHING)
302
00:14:38,586 --> 00:14:41,171
SUGA: But when I travel overseas,
303
00:14:41,839 --> 00:14:45,885
I hear that so often
from the Korean immigrants living there.
304
00:14:45,885 --> 00:14:48,178
A lot of them are business owners too.
305
00:14:48,554 --> 00:14:50,639
I told you
when we were having dinner.
306
00:14:50,931 --> 00:14:53,225
Danny's family.
They are all Asians.
307
00:14:53,225 --> 00:14:55,019
The restaurant owner is Asian.
308
00:14:55,603 --> 00:14:58,230
- It feels good when I see them happy.
- (PRODUCER HUMS IN RESPONSE)
309
00:14:59,106 --> 00:15:00,399
(SIGHS)
310
00:15:00,399 --> 00:15:01,817
What should I do?
311
00:15:03,402 --> 00:15:06,947
I've run out of stories to tell,
but I have to tell one.
312
00:15:10,367 --> 00:15:11,994
SUGA: Yesterday was so tiring.
313
00:15:11,994 --> 00:15:14,413
I had so many things to do.
314
00:15:15,205 --> 00:15:18,792
But I'm sure I'll wake up
when we arrive, right?
315
00:15:18,918 --> 00:15:21,086
That's what sightseeing is about,
316
00:15:21,837 --> 00:15:24,548
getting dragged around
like a zombie. (LAUGHS)
317
00:15:30,638 --> 00:15:34,516
I know we travelled to nice places
while shooting BTS BON VOYAGE...
318
00:15:36,352 --> 00:15:39,897
but I've never seen anything
more awe-inspiring than this.
319
00:15:40,022 --> 00:15:41,857
- (SOFT MUSIC PLAYS)
- (SUGA EXCLAIMS)
320
00:15:41,857 --> 00:15:44,026
SUGA: How do they make
such a straight line?
321
00:15:54,370 --> 00:15:55,412
SERVER: Order.
322
00:16:05,798 --> 00:16:07,549
I've been on just one...
323
00:16:07,549 --> 00:16:09,718
(CLEARS THROAT)
...one overseas trip with my family.
324
00:16:10,177 --> 00:16:12,388
I was in fifth grade? Sixth grade?
325
00:16:13,222 --> 00:16:15,224
A place called Zhangjiajie in China.
326
00:16:18,185 --> 00:16:19,520
That was my last trip.
327
00:16:20,521 --> 00:16:22,272
I haven't been on a trip since.
328
00:16:24,858 --> 00:16:26,318
This is my first trip since my debut
329
00:16:26,443 --> 00:16:28,654
other than the ones
I've gone on for shoots.
330
00:16:30,197 --> 00:16:34,660
I thought I didn't enjoy traveling around.
That's why I never went anywhere.
331
00:16:34,785 --> 00:16:37,454
- No one was stopping me, you know?
- PRODUCER: (LAUGHING) I get it.
332
00:16:37,579 --> 00:16:40,791
(SNIFFLES) Even when I got
a long-term vacation last time,
333
00:16:41,458 --> 00:16:44,169
I just worked on my album,
my mixtape.
334
00:16:44,670 --> 00:16:49,299
So why am I shackling myself
when no one's telling me to?
335
00:16:50,426 --> 00:16:51,510
(SNIFFLES)
336
00:16:51,510 --> 00:16:53,637
I think it's really nice to travel.
337
00:16:55,055 --> 00:16:58,976
("MERRY CHRISTMAS, MR. LAWRENCE"
BY RYUICHI SAKAMOTO PLAYS)
338
00:17:13,449 --> 00:17:16,076
(SOFT PIANO MUSIC PLAYING)
339
00:17:19,204 --> 00:17:23,792
(PLAYING "MERRY CHRISTMAS, MR. LAWRENCE" )
340
00:17:29,381 --> 00:17:30,841
SUGA: After a certain point,
341
00:17:32,051 --> 00:17:34,011
I think I started to lose
342
00:17:34,678 --> 00:17:37,514
my preferences
and my favorite things.
343
00:17:39,516 --> 00:17:41,185
When I turned 20, I thought,
344
00:17:41,185 --> 00:17:43,729
"What are my twenties gonna be like?
It's gonna be so fun."
345
00:17:43,729 --> 00:17:45,731
When I think about my thirties,
I see nothing.
346
00:17:45,981 --> 00:17:48,192
If you want to write lyrics or a song,
347
00:17:49,568 --> 00:17:51,445
you have to be hooked on something.
348
00:17:52,112 --> 00:17:55,657
You need to think about it constantly,
and then write those thoughts into words.
349
00:17:55,866 --> 00:17:58,786
What do you do when you're over 30?
(CHUCKLES)
350
00:17:58,786 --> 00:18:00,496
Do I have to keep working?
351
00:18:00,496 --> 00:18:02,790
I don't think
I can keep this up anymore.
352
00:18:02,790 --> 00:18:04,208
PRODUCER: You can't.
353
00:18:04,208 --> 00:18:05,709
This is my first proper trip away,
354
00:18:05,709 --> 00:18:07,795
and I just realized that trips are fun.
355
00:18:07,795 --> 00:18:08,754
(LAUGHS)
356
00:18:08,754 --> 00:18:12,007
Now I need to think about
how to keep having this fun in my life.
357
00:18:13,884 --> 00:18:17,471
We're heading to my friend Halsey's place.
358
00:18:17,846 --> 00:18:21,391
WOMAN: (IN ENGLISH)
Hey, happy birthday!
359
00:18:21,850 --> 00:18:23,560
- HALSEY: Hi!
- SUGA: Hey, how do you do?
360
00:18:23,560 --> 00:18:24,770
How are you?
361
00:18:24,770 --> 00:18:27,022
- WOMAN: How are you?
- Hey, how are you?
362
00:18:27,147 --> 00:18:29,149
What can I get you...
I'll go get you guys some drinks.
363
00:18:29,149 --> 00:18:30,526
What do you want to drink?
364
00:18:30,526 --> 00:18:32,027
You know this fish?
365
00:18:32,027 --> 00:18:33,487
No!
366
00:18:33,487 --> 00:18:34,988
- That's a real fish?
- Yeah.
367
00:18:34,988 --> 00:18:37,449
- ...blue, it looks like a...
- (INDISTINCT CHATTER)
368
00:18:37,449 --> 00:18:38,784
Gya... Gyapardos?
369
00:18:38,784 --> 00:18:41,161
- Was that the fish?
- HALSEY: Gyarados!
370
00:18:41,161 --> 00:18:42,204
Gyarados! That's it.
371
00:18:42,204 --> 00:18:43,622
- SUGA: Gyarados.
- WOMAN: Kind of like Avatar.
372
00:18:43,622 --> 00:18:45,249
Oh my god, I'm so nervous! (LAUGHS)
373
00:18:45,249 --> 00:18:47,042
- (IN KOREAN) You should shoot this.
- (LAUGHS)
374
00:18:47,042 --> 00:18:48,710
- Okay, okay.
- MAN: I was about to be like...
375
00:18:48,836 --> 00:18:50,712
I'm gonna do my best.
376
00:18:50,838 --> 00:18:53,632
- (MUSIC PLAYING IN BACKGROUND)
- Pretty good. There you go.
377
00:18:54,758 --> 00:18:57,928
- (BURSTING INTO LAUGHTER)
- (LAUGHTER)
378
00:18:57,928 --> 00:18:59,596
- MAN: But it's not bad!
- Selfie!
379
00:18:59,596 --> 00:19:01,056
HALSEY: (LAUGHING) It's terrible!
380
00:19:01,056 --> 00:19:02,850
SUGA: (IN KOREAN)
They are pop stars.
381
00:19:02,850 --> 00:19:06,854
The pop stars that we all saw
when we were growing up,
382
00:19:06,854 --> 00:19:08,105
they're people just like us.
383
00:19:08,105 --> 00:19:11,066
I'm aware that
some people don't like us.
384
00:19:11,066 --> 00:19:13,235
I mean, we're a boy band.
385
00:19:13,235 --> 00:19:17,656
Some of the things that we've done
might not mean as much to them.
386
00:19:17,656 --> 00:19:19,616
Despite the fact
that we're putting out a lot of work.
387
00:19:19,783 --> 00:19:22,494
But the pop stars
were among the ones
388
00:19:23,537 --> 00:19:24,955
who understood us
389
00:19:26,165 --> 00:19:28,375
and saw us for who we are,
390
00:19:28,625 --> 00:19:31,211
and paid no attention to all the hate.
391
00:19:32,337 --> 00:19:34,006
They treated us as human beings.
392
00:19:34,214 --> 00:19:37,050
We may not speak the same language,
but we get each other.
393
00:19:37,050 --> 00:19:39,553
My followers will be confused
when they see this.
394
00:19:39,553 --> 00:19:41,221
(TURNTABLE SCRATCHING)
395
00:19:46,476 --> 00:19:49,146
He just invited me. (LAUGHS)
396
00:19:50,230 --> 00:19:53,025
So I'm just gonna go and see.
397
00:19:53,025 --> 00:19:55,068
I was curious about his studio.
398
00:19:55,194 --> 00:19:57,404
- SUGA: (IN ENGLISH) Hi.
- ANDERSON: Hi!
399
00:19:58,030 --> 00:19:59,656
Good to see you, what's up!
400
00:19:59,781 --> 00:20:00,991
Good to see you, bro!
401
00:20:00,991 --> 00:20:03,202
It's good! Yo, what up, man?
402
00:20:03,202 --> 00:20:06,663
(RHYTHMIC MUSIC PLAYING)
403
00:20:06,788 --> 00:20:08,957
(IN KOREAN) When we first met,
he kissed me on my forehead.
404
00:20:08,957 --> 00:20:11,126
TRANSLATOR: (IN ENGLISH) You kissed him
when you first saw him.
405
00:20:11,126 --> 00:20:12,544
I kissed you? I was so drunk.
406
00:20:12,669 --> 00:20:13,879
- (ALL LAUGHING)
- (IN KOREAN) Sorry.
407
00:20:13,879 --> 00:20:14,880
(IN ENGLISH) Sorry.
408
00:20:15,047 --> 00:20:16,215
(SMOOCHES)
409
00:20:16,340 --> 00:20:18,091
My baby! (IN KOREAN) Baby!
410
00:20:18,217 --> 00:20:19,384
(KNOCKS)
411
00:20:20,010 --> 00:20:22,346
(IN ENGLISH) Sit in it. Watch your head.
412
00:20:22,346 --> 00:20:24,223
Oh, shit!
413
00:20:24,223 --> 00:20:25,933
(LAUGHTER)
414
00:20:26,516 --> 00:20:28,268
- (IN KOREAN) So random!
- (CHEERFUL MUSIC PLAYING)
415
00:20:28,393 --> 00:20:30,187
ANDERSON: (IN ENGLISH) ...play some stuff.
Yeah, yeah.
416
00:20:30,187 --> 00:20:33,899
I got the beat, uh,
that you sent me too. Right?
417
00:20:33,899 --> 00:20:36,068
(ENERGETIC MUSIC PLAYING)
418
00:20:39,488 --> 00:20:42,532
- (FUNKY MUSIC PLAYING)
- (EXCLAIMS) Crazy!
419
00:20:45,661 --> 00:20:47,537
- (TRANSLATOR INTERPRETS)
- Did you bring some stuff?
420
00:20:47,537 --> 00:20:49,581
(IN KOREAN) Do I need to play mine?
421
00:20:49,706 --> 00:20:52,334
(MELLOW MUSIC PLAYING)
422
00:20:55,462 --> 00:20:57,464
(MYSTERIOUS MUSIC PLAYS)
423
00:20:57,464 --> 00:20:59,049
(MUSIC INTENSIFIES)
424
00:21:01,051 --> 00:21:02,010
(IN ENGLISH) Sick.
425
00:21:02,135 --> 00:21:04,179
(IN KOREAN) I came to America
to do some work,
426
00:21:04,179 --> 00:21:05,347
but all I do is drink.
427
00:21:05,472 --> 00:21:09,226
(IN ENGLISH) Man, but that's part of it.
See... (LAUGHS)
428
00:21:09,226 --> 00:21:11,353
- SUGA: Soju!
- ANDERSON: Want some soju?
429
00:21:11,353 --> 00:21:13,647
- SUGA: (IN KOREAN) This is soju!
- ANDERSON: Yeah.
430
00:21:13,772 --> 00:21:16,358
SUGA: (IN ENGLISH)
Made in New York? Why?
431
00:21:16,358 --> 00:21:17,359
(IN KOREAN) It's soju.
432
00:21:17,359 --> 00:21:19,027
- ANDERSON: (IN ENGLISH) Yeah.
- SUGA: Cheers.
433
00:21:21,113 --> 00:21:22,364
- (LAUGHTER)
- ANDERSON: Yeah!
434
00:21:22,364 --> 00:21:23,865
- SUGA: Yeah.
- ANDERSON: To the life.
435
00:21:25,409 --> 00:21:26,451
Ah, that's better.
436
00:21:26,451 --> 00:21:27,828
Are you 21?
How old are you?
437
00:21:27,828 --> 00:21:29,705
- TRANSLATOR: He's 29.
- ANDERSON: Really?
438
00:21:29,705 --> 00:21:30,747
ANDERSON: (IN KOREAN) Really?
439
00:21:30,747 --> 00:21:32,165
- ANDERSON: (IN ENGLISH) Twenty-nine?
- Yeah, 29.
440
00:21:32,165 --> 00:21:33,500
ANDERSON: Oh, you're old. Okay, cool!
441
00:21:33,625 --> 00:21:34,751
- (LAUGHTER)
- ANDERSON: Grown man!
442
00:21:34,751 --> 00:21:35,919
Hell, yeah!
443
00:21:36,420 --> 00:21:38,005
I thought you were a kid!
(CHUCKLES)
444
00:21:38,005 --> 00:21:39,965
MAN: (IN KOREAN)
He asked if you were 21.
445
00:21:39,965 --> 00:21:41,675
ANDERSON: (IN ENGLISH)
Thought you were a little baby.
446
00:21:41,800 --> 00:21:42,676
Twenty-one?
447
00:21:42,676 --> 00:21:45,971
(IN KOREAN) This is gonna be fun.
I can feature in his song.
448
00:21:46,888 --> 00:21:47,889
ANDERSON: (IN ENGLISH) Gold!
449
00:21:47,889 --> 00:21:50,434
- SUGA: (IN ENGLISH) I'm factory.
- ANDERSON: You're a factory machine?
450
00:21:50,559 --> 00:21:52,269
- Machine.
- (INDISTINCT CHATTER)
451
00:21:52,394 --> 00:21:58,233
("MOONLIGHT"
BY AGUST D PLAYS)
452
00:22:04,740 --> 00:22:06,074
(SPEAKING INAUDIBLY)
453
00:22:11,663 --> 00:22:14,082
MAN: (IN KOREAN) He backed out at first.
Now, look at him go.
454
00:22:14,082 --> 00:22:16,251
- SUGA: Whoo! Yeah!
- (IN ENGLISH) Man, have a good one.
455
00:22:17,085 --> 00:22:18,337
ANDERSON: My man.
456
00:22:18,337 --> 00:22:20,964
- Hell, yeah. Yes, I will. Yes, I will.
- Yeah, yeah.
457
00:22:21,965 --> 00:22:24,009
SUGA: (IN KOREAN)
He's an angel, just like Halsey.
458
00:22:24,009 --> 00:22:25,427
(CHUCKLES)
459
00:22:25,427 --> 00:22:30,349
Wait, you've hardly caught any footage
of me working.
460
00:22:31,308 --> 00:22:33,602
I suck at working
when the camera's on.
461
00:22:33,602 --> 00:22:35,103
(CHUCKLES)
462
00:22:35,979 --> 00:22:37,105
But...
463
00:22:37,773 --> 00:22:40,442
Maybe I could even try working like this
back in Korea.
464
00:22:40,442 --> 00:22:41,568
I think it would work.
465
00:22:41,568 --> 00:22:43,987
I bet I could find some fun people
to work with, but...
466
00:22:44,112 --> 00:22:47,574
You might have noticed back there
that I'm a bit...
467
00:22:49,618 --> 00:22:51,536
I'm a bit shy. (LAUGHS)
468
00:22:54,998 --> 00:22:56,333
He's a really good guy.
469
00:22:56,833 --> 00:23:00,629
- (TURNTABLE SCRATCHING)
- ("GIVE IT TO ME" BY AGUST D PLAYS)
470
00:23:00,754 --> 00:23:02,005
(MUSIC ENDS)
471
00:23:06,635 --> 00:23:08,053
(SIGHS) Right now...
472
00:23:10,597 --> 00:23:13,183
I have to work on...
473
00:23:16,186 --> 00:23:17,813
Anderson .Paak's song.
474
00:23:17,813 --> 00:23:21,358
I feel like I've taken on more jobs
than I can handle.
475
00:23:21,900 --> 00:23:25,070
I've been stressed in the past too,
476
00:23:25,070 --> 00:23:27,447
- but there was a time limit.
- (RAPPING)
477
00:23:27,447 --> 00:23:30,450
I just get bored when I don't work.
478
00:23:30,784 --> 00:23:33,328
I tried taking a month or two off,
479
00:23:34,830 --> 00:23:37,624
but then I got bored
and went back to work anyway.
480
00:23:39,334 --> 00:23:42,254
You see, a musician's career
doesn't last that long.
481
00:23:42,254 --> 00:23:46,633
They say that an idol singer's career
lasts seven years,
482
00:23:47,217 --> 00:23:50,595
but it's hard to find a musician
who is at their prime
483
00:23:50,595 --> 00:23:52,264
for more than seven years.
484
00:23:52,639 --> 00:23:53,723
(SIGHS) Until I finish?
485
00:23:53,723 --> 00:23:55,058
It's only been 11 hours.
486
00:23:55,642 --> 00:23:58,478
Music is consumed so quickly these days,
it moves on so fast...
487
00:24:00,105 --> 00:24:02,566
that's why I'm working so much...
(LAUGHS)
488
00:24:03,984 --> 00:24:05,569
...they forget about you quickly.
489
00:24:06,903 --> 00:24:07,779
(SENTIMENTAL MUSIC PLAYS)
490
00:24:07,779 --> 00:24:10,615
SUGA: After working
with lots of different artists,
491
00:24:10,615 --> 00:24:12,742
you get the hang of finding out
492
00:24:12,868 --> 00:24:17,330
what style they want
and how to cater to their needs.
493
00:24:17,330 --> 00:24:21,293
I also want the listeners
to listen to my songs...
494
00:24:21,418 --> 00:24:22,335
Whoo!
495
00:24:22,335 --> 00:24:24,171
...and think...
496
00:24:24,296 --> 00:24:25,338
SUGA: Aw...
497
00:24:25,338 --> 00:24:28,133
...that SUGA? He's not a bad producer.
498
00:24:28,842 --> 00:24:30,594
So this idea of proving myself
499
00:24:30,594 --> 00:24:34,431
is one of the things
that's on my mind right now.
500
00:24:35,682 --> 00:24:39,436
But then, when I think about
how much more I should do,
501
00:24:39,436 --> 00:24:41,855
I run out of things to say.
502
00:24:42,230 --> 00:24:44,024
I'm struggling, in my own way...
503
00:24:45,942 --> 00:24:47,110
to push through this.
504
00:24:51,823 --> 00:24:53,492
This is my life. I can't back out.
505
00:24:53,492 --> 00:24:55,994
(IN ENGLISH) It's good.
It's worth it. It's gon' be worth it.
506
00:24:57,954 --> 00:25:00,123
- ANDERSON: (IN KOREAN) I love you.
- (LAUGHTER)
507
00:25:00,123 --> 00:25:01,082
(IN ENGLISH) My fave.
508
00:25:01,374 --> 00:25:02,542
(IN KOREAN) I love you!
509
00:25:03,001 --> 00:25:06,004
(SENTIMENTAL MUSIC CONTINUES)
510
00:25:38,203 --> 00:25:40,830
I don't quite know
how to say how I feel,
511
00:25:42,290 --> 00:25:43,750
but I am sure of one thing...
512
00:25:45,919 --> 00:25:47,712
I want to get recognized
for doing what I do.
513
00:25:51,174 --> 00:25:53,760
To get recognized for my work.
514
00:25:55,053 --> 00:25:57,305
If you were to ask me
how much work I've done
515
00:25:57,305 --> 00:25:59,099
whilst I've been in America...
516
00:26:01,101 --> 00:26:04,020
Well, I wrote the "Around Thirty" song.
517
00:26:04,020 --> 00:26:08,483
Other than that,
I just hummed some tunes, that's all.
518
00:26:08,483 --> 00:26:09,901
(LAUGHS)
519
00:26:09,901 --> 00:26:15,115
But I think by going to different places,
I've managed to work on my feelings.
520
00:26:15,365 --> 00:26:16,825
To be honest,
521
00:26:17,450 --> 00:26:21,121
I didn't have to go to Chris's studio
or Anderson's studio.
522
00:26:21,121 --> 00:26:23,498
If I really wanted to get some work done,
523
00:26:23,498 --> 00:26:26,918
I'd have felt more comfortable
just going back to Korea right away.
524
00:26:27,794 --> 00:26:31,798
But America makes
the best music in the world,
525
00:26:31,798 --> 00:26:34,426
and it's at the top
when it comes to pop music,
526
00:26:34,426 --> 00:26:37,095
so I've always wanted to know
527
00:26:37,095 --> 00:26:39,931
what kind of environment
these artists are working in.
528
00:26:44,519 --> 00:26:45,895
Peace of mind?
529
00:26:58,825 --> 00:27:00,869
- (MUSIC STOPS)
- (BELLS RINGING)
530
00:27:00,869 --> 00:27:04,372
(INDISTINCT CHATTER)
531
00:27:04,372 --> 00:27:05,498
(TINKLING SOUND EFFECT)
532
00:27:05,498 --> 00:27:07,584
(INDISTINCT SHOUTING)
533
00:27:26,102 --> 00:27:26,978
(EXHALES)
534
00:27:29,731 --> 00:27:30,690
(GRUNTS)
535
00:27:32,651 --> 00:27:37,280
(SPEAKER SCREECHES)
536
00:27:39,240 --> 00:27:41,618
(DRUMS BEATING SLOWLY)
537
00:27:49,626 --> 00:27:51,961
(DRAMATIC MUSIC PLAYS)
538
00:27:57,384 --> 00:27:58,510
(MUSIC STOPS)
539
00:27:59,094 --> 00:28:01,179
(SUGA MUTTERS)
540
00:28:01,721 --> 00:28:03,264
MAN: You've slimmed down again.
541
00:28:03,264 --> 00:28:04,224
SUGA: What?
542
00:28:04,224 --> 00:28:05,850
- MAN: You've slimmed down again.
- Again?
543
00:28:08,978 --> 00:28:10,146
(EXHALES LOUDLY)
544
00:28:11,523 --> 00:28:12,524
Yes.
545
00:28:13,233 --> 00:28:15,610
- Shall we start this meeting?
- MAN: Okay.
546
00:28:16,111 --> 00:28:18,405
The title of the album is D-Day.
547
00:28:19,906 --> 00:28:21,408
This one's called D-Day.
548
00:28:21,533 --> 00:28:23,993
You might have expected D-3
to be released after D-2,
549
00:28:23,993 --> 00:28:25,245
but it's D-Day.
550
00:28:25,245 --> 00:28:27,580
So, there will be two music videos.
551
00:28:27,580 --> 00:28:30,917
One of them will be
for a song called "Haegeum."
552
00:28:30,917 --> 00:28:34,838
There's another song
that we need to make a video for,
553
00:28:34,838 --> 00:28:36,923
and it's called "AMYGDALA."
554
00:28:37,799 --> 00:28:39,926
And what it means is...
555
00:28:40,593 --> 00:28:42,178
It's a part of the brain.
556
00:28:42,178 --> 00:28:46,850
When you're in certain situations,
ones that can be traumatic,
557
00:28:47,726 --> 00:28:51,271
it really...
558
00:28:52,355 --> 00:28:53,398
JIMIN: Yo.
559
00:28:53,523 --> 00:28:56,818
Yeah, I'm almost done.
I finished writing the lyrics.
560
00:28:56,943 --> 00:28:58,987
- (SONG PLAYS AND STOPS)
- JIMIN: Heard you're recording furiously.
561
00:28:58,987 --> 00:29:00,864
- Huh?
- JIMIN: You're recording furiously.
562
00:29:00,864 --> 00:29:02,449
I'm not furious.
563
00:29:02,449 --> 00:29:04,117
JIMIN: Oh, I didn't mean it like that.
564
00:29:04,117 --> 00:29:06,786
("AMYGDALA" PLAYS)
565
00:29:08,496 --> 00:29:09,622
(MUSIC STOPS)
566
00:29:12,041 --> 00:29:13,752
- SUGA: Wanna hear it?
- JIMIN: Yeah.
567
00:29:15,545 --> 00:29:16,713
It's really good.
568
00:29:16,713 --> 00:29:20,884
It's my favorite song
out of the recent ones I wrote.
569
00:29:20,884 --> 00:29:23,386
("AMYGDALA" PLAYS)
570
00:29:31,770 --> 00:29:33,438
- (MUSIC STOPS)
- JIMIN: It's nice.
571
00:29:34,355 --> 00:29:35,815
It's called "AMYGDALA."
572
00:29:35,815 --> 00:29:36,900
JIMIN: "AMYGDALA"?
573
00:29:36,900 --> 00:29:39,194
There's a thing called an amygdala.
574
00:29:40,570 --> 00:29:43,865
Your brain stores
all of your unpleasant memories
575
00:29:43,865 --> 00:29:45,492
in the amygdala.
576
00:29:46,367 --> 00:29:50,079
So you can prepare yourself for
those types of situations in the future.
577
00:29:50,330 --> 00:29:54,959
I have massive mood swings
whenever I'm working on this song.
578
00:29:56,711 --> 00:30:00,590
To work on it, I have to bring up
some of my unpleasant memories.
579
00:30:02,926 --> 00:30:07,263
But this is actually
a very important process.
580
00:30:07,263 --> 00:30:08,807
It's part of the treatment
581
00:30:09,390 --> 00:30:11,893
to bring back bad memories
from your past
582
00:30:12,811 --> 00:30:16,064
and learn to control those memories.
583
00:30:16,189 --> 00:30:17,982
You get an instant reaction.
584
00:30:17,982 --> 00:30:20,819
For example,
if you got bitten by a snake once,
585
00:30:20,944 --> 00:30:23,404
you become scared of snakes,
so you learn to avoid them.
586
00:30:23,404 --> 00:30:25,615
That's how this part of the brain
587
00:30:25,740 --> 00:30:27,992
works to give us
a better chance of survival.
588
00:30:27,992 --> 00:30:30,453
This is the story of my life,
you know.
589
00:30:30,453 --> 00:30:34,582
Before I reached the age of 20,
590
00:30:34,582 --> 00:30:37,377
I'd already had a lot of things
going on in my life.
591
00:30:37,627 --> 00:30:39,462
I really want to talk about
592
00:30:39,587 --> 00:30:44,300
how I got the scar over my eye
in this song.
593
00:30:44,425 --> 00:30:48,054
In a way, we're responsible for
all our own wounds and scars.
594
00:30:48,054 --> 00:30:50,306
No one can dodge
the first arrow of trouble, of course,
595
00:30:50,306 --> 00:30:52,809
but when that second arrow flies at you,
you've chosen to just stand there
596
00:30:52,934 --> 00:30:55,436
and get hit,
rather than learn from the first time.
597
00:30:55,436 --> 00:31:01,818
That's what I wanted to talk about
when I was writing "AMYGDALA."
598
00:31:02,318 --> 00:31:03,319
So...
599
00:31:04,487 --> 00:31:09,033
That's the message
I'm trying to get across.
600
00:31:10,159 --> 00:31:11,369
(FOOTSTEPS)
601
00:31:15,456 --> 00:31:16,875
("AMYGDALA" PLAYS)
602
00:31:16,875 --> 00:31:21,212
♪ Whoa, yeah ♪
603
00:31:23,214 --> 00:31:27,760
♪ Whoa, yeah ♪
604
00:31:29,596 --> 00:31:32,807
♪ I don't know your name ♪
605
00:31:36,019 --> 00:31:40,356
♪ I don't know your name ♪
606
00:31:42,442 --> 00:31:45,361
♪ I don't know your name ♪
607
00:31:45,361 --> 00:31:48,740
♪ How you feelin' lately? ♪
608
00:31:48,740 --> 00:31:53,953
♪ I don't know your name
your name, your name ♪
609
00:31:55,288 --> 00:31:57,749
♪ Traveling through memories ♪
610
00:31:58,541 --> 00:32:00,919
♪ Things I wanna erase ♪
611
00:32:01,628 --> 00:32:06,507
♪ How you feelin' lately
lately, lately ♪
612
00:32:07,967 --> 00:32:12,889
♪ On the month I was born
in 1993 ♪
613
00:32:13,765 --> 00:32:18,436
♪ Mom's heart surgery
surgery, surgery ♪
614
00:32:19,771 --> 00:32:21,481
♪ A whole lot was happening ♪
615
00:32:22,565 --> 00:32:24,442
♪ Don't know why things are so hectic ♪
616
00:32:25,526 --> 00:32:28,279
♪ I'mma pull up even the memories
I can't remember ♪
617
00:32:28,404 --> 00:32:29,781
♪ Unwrap them, one by one ♪
618
00:32:32,200 --> 00:32:34,369
♪ The best choice ♪
619
00:32:35,119 --> 00:32:37,246
♪ Then the second-best choice ♪
620
00:32:37,914 --> 00:32:42,210
♪ Third-best choice
choice, choice, eh ♪
621
00:32:43,169 --> 00:32:45,338
♪ Those things I never asked for ♪
622
00:32:46,130 --> 00:32:48,257
♪ Those things
that are out of my hands ♪
623
00:32:49,008 --> 00:32:50,969
♪ I'mma put it back in, one two ♪
624
00:32:51,094 --> 00:32:54,055
♪ Yeah, one two, yeah, one two ♪
625
00:32:55,139 --> 00:32:58,518
♪ I don't know your name, your name ♪
626
00:33:00,937 --> 00:33:04,315
♪ Traveling through memories, memories ♪
627
00:33:06,901 --> 00:33:08,611
♪ I don't know your name ♪
628
00:33:12,573 --> 00:33:15,576
♪ C'mon, let's erase them
one by one, yeah, one by one ♪
629
00:33:16,119 --> 00:33:17,578
♪ My amygdala ♪
630
00:33:17,578 --> 00:33:18,913
BACKING VOCALS: ♪ My amygdala ♪
631
00:33:18,913 --> 00:33:21,958
♪ Please rescue me, please rescue me ♪
632
00:33:22,083 --> 00:33:23,251
♪ My amygdala ♪
633
00:33:23,251 --> 00:33:24,836
BACKING VOCALS: ♪ My amygdala ♪
634
00:33:24,836 --> 00:33:27,797
♪ Please pull me up, please pull me up ♪
635
00:33:27,797 --> 00:33:29,298
♪ My amygdala ♪
636
00:33:29,424 --> 00:33:30,675
BACKING VOCALS: ♪ My amygdala ♪
637
00:33:30,675 --> 00:33:32,260
♪ My amygdala ♪
638
00:33:32,260 --> 00:33:33,594
BACKING VOCALS: ♪ My amygdala ♪
639
00:33:34,095 --> 00:33:36,889
♪ Rescue me from here ♪
640
00:33:36,889 --> 00:33:40,852
♪ Hurry, pull me out of here
yeah, eh ♪
641
00:33:43,271 --> 00:33:45,398
♪ Yeah, a whole lot was happening ♪
642
00:33:45,898 --> 00:33:48,693
♪ The sound of Mom's heart's clock
tickin' in my ears ♪
643
00:33:48,943 --> 00:33:50,903
♪ My accident
that I couldn't talk about ♪
644
00:33:50,903 --> 00:33:54,073
♪ The call I got during work
about Dad's liver cancer ♪
645
00:33:54,907 --> 00:33:56,868
♪ Hope I made the best decisions ♪
646
00:33:58,036 --> 00:34:00,121
♪ Because it's all in the past now ♪
647
00:34:00,121 --> 00:34:02,623
♪ Then is all this suffering
for my own good? ♪
648
00:34:02,623 --> 00:34:04,333
♪ What didn't kill me
only made me stronger ♪
649
00:34:04,333 --> 00:34:05,960
♪ I'm blooming like a lotus flower
once again ♪
650
00:34:07,879 --> 00:34:10,089
♪ The best choice ♪
651
00:34:10,798 --> 00:34:13,051
♪ Then the second-best choice ♪
652
00:34:13,676 --> 00:34:15,386
♪ Third-best choice ♪
653
00:34:15,762 --> 00:34:17,930
BACKING VOCALS: ♪ Choice, choice, eh ♪
654
00:34:18,973 --> 00:34:20,933
♪ Those things I never asked for ♪
655
00:34:21,768 --> 00:34:23,895
♪ Those things
that are out of my hands ♪
656
00:34:24,687 --> 00:34:26,814
♪ I'mma put it back in, one two ♪
657
00:34:26,814 --> 00:34:29,859
♪ Yeah, one two, yeah, one two ♪
658
00:34:30,735 --> 00:34:34,072
♪ I don't know your name, your name ♪
659
00:34:36,699 --> 00:34:38,576
♪ Traveling through memories ♪
660
00:34:38,576 --> 00:34:41,204
♪ Memories, memories ♪
661
00:34:42,580 --> 00:34:47,335
♪ I don't know your name
your name, your name ♪
662
00:34:48,294 --> 00:34:51,672
♪ C'mon, let's erase them
one by one, yeah, one by one ♪
663
00:34:51,672 --> 00:34:53,424
♪ My amygdala ♪
664
00:34:53,424 --> 00:34:54,592
BACKING VOCALS: ♪ My amygdala ♪
665
00:34:54,592 --> 00:34:57,428
♪ Please rescue me, please rescue me ♪
666
00:34:57,428 --> 00:34:59,097
♪ My amygdala ♪
667
00:34:59,097 --> 00:35:00,473
BACKING VOCALS: ♪ My amygdala ♪
668
00:35:00,473 --> 00:35:03,476
♪ Please pull me up, please pull me up ♪
669
00:35:03,476 --> 00:35:05,061
♪ My amygdala ♪
670
00:35:05,186 --> 00:35:06,395
BACKING VOCALS: ♪ My amygdala ♪
671
00:35:06,521 --> 00:35:07,980
♪ My amygdala ♪
672
00:35:08,106 --> 00:35:09,649
BACKING VOCALS: ♪ My amygdala ♪
673
00:35:09,649 --> 00:35:12,777
♪ Rescue me from here ♪
674
00:35:12,777 --> 00:35:16,322
♪ Hurry, pull me out of here
yeah, eh ♪
675
00:35:16,322 --> 00:35:17,657
(MUSIC ENDS)
676
00:35:21,744 --> 00:35:22,912
(INHALES)
677
00:35:23,037 --> 00:35:24,122
- (CAMERA SHUTTERS)
- (SIGHS)
678
00:35:24,247 --> 00:35:26,207
Aw, damn it!
679
00:35:26,332 --> 00:35:28,167
Why did I sign up for this?
680
00:35:28,167 --> 00:35:30,086
Mr. Bang said to me a while ago,
681
00:35:30,086 --> 00:35:32,046
"If you're that successful and unhappy,
682
00:35:32,046 --> 00:35:34,340
"then what in the world
are you working for?"
683
00:35:35,341 --> 00:35:36,509
I don't know.
684
00:35:36,509 --> 00:35:38,136
I don't know why I'm working,
685
00:35:38,136 --> 00:35:40,596
and I don't know
why I'm so obsessed!
686
00:35:42,890 --> 00:35:43,850
Acceptance.
687
00:35:44,475 --> 00:35:48,020
It takes lots of guts to let things go.
688
00:35:50,064 --> 00:35:51,649
You need to be brave, they say.
689
00:35:51,649 --> 00:35:53,359
I guess I'm not brave enough.
690
00:35:53,860 --> 00:35:55,653
I worked my ass off to get here.
691
00:35:56,445 --> 00:35:58,573
- (SUGA EXHALES)
- (MAN LAUGHS)
692
00:35:58,573 --> 00:36:00,741
SUGA: I worked my ass off!
693
00:36:02,326 --> 00:36:04,829
("Haegeum" PLAYS)
694
00:36:07,415 --> 00:36:08,916
- (CLICKING SOUND)
- (MUSIC STOPS)
695
00:36:10,084 --> 00:36:11,794
- (CLICKING SOUND)
- ("Haegeum" PLAYS)
696
00:36:11,794 --> 00:36:13,379
- (CLICKING SOUND)
- (MUSIC STOPS)
697
00:36:14,589 --> 00:36:16,215
- (CLICKING SOUND)
- ("Haegeum" PLAYS)
698
00:36:16,215 --> 00:36:17,758
- (CLICKING SOUND)
- (MUSIC STOPS)
699
00:36:18,634 --> 00:36:20,887
(CLICKING SOUND)
700
00:36:20,887 --> 00:36:22,889
- (CLICKING SOUND)
- ("Haegeum" PLAYS)
701
00:36:22,889 --> 00:36:24,599
- (MUSIC STOPS)
- (PLAYS PIANO)
702
00:36:29,645 --> 00:36:32,440
(PLAYS SCALES ON PIANO)
703
00:36:37,987 --> 00:36:40,573
Aw, damn it. I quit.
704
00:36:40,573 --> 00:36:41,741
(MUSIC PLAYS AND STOPS)
705
00:36:41,741 --> 00:36:43,159
I quit. Damn it.
706
00:36:43,826 --> 00:36:44,827
I quit!
707
00:36:45,745 --> 00:36:48,539
(BIRDS CHIRPING)
708
00:36:56,255 --> 00:36:58,049
My album hit a dead end.
709
00:36:59,592 --> 00:37:02,511
So I came here to clear my head
710
00:37:04,138 --> 00:37:06,557
and write some songs.
711
00:37:06,557 --> 00:37:10,228
It just got too boring
and too painful.
712
00:37:12,063 --> 00:37:13,731
Hello, everyone.
713
00:37:14,440 --> 00:37:17,443
Let's start by introducing ourselves.
714
00:37:17,443 --> 00:37:19,153
- MAN 1: Let's do this.
- MAN 2: Yes!
715
00:37:19,612 --> 00:37:21,656
The reason I brought us here
716
00:37:21,656 --> 00:37:24,075
is because
I can't seem to write any songs.
717
00:37:24,075 --> 00:37:25,493
I'm kind of in a slump.
718
00:37:25,493 --> 00:37:28,913
After collaborating with PSY,
my brain just stopped.
719
00:37:28,913 --> 00:37:30,623
I thought I could use some rest.
720
00:37:30,623 --> 00:37:32,708
MAN 3: What if we end up not working?
(LAUGHS)
721
00:37:32,708 --> 00:37:35,378
I don't think
there's anything wrong with that.
722
00:37:35,378 --> 00:37:37,421
- MAN 3: Oh, okay.
- We can just have fun.
723
00:37:37,546 --> 00:37:39,507
You can go upstairs.
724
00:37:39,507 --> 00:37:43,427
Whenever an idea pops into your head,
just come down and record it.
725
00:37:43,427 --> 00:37:45,805
- MAN 3: If I get an idea...
- SUGA: Yes. Let it out.
726
00:37:45,805 --> 00:37:48,849
(INDISTINCT CHATTER)
727
00:37:50,726 --> 00:37:51,686
(MAN LAUGHING)
728
00:37:52,311 --> 00:37:54,272
I should take a picture
of Jang Ijeong's back.
729
00:37:55,606 --> 00:37:57,149
You look kinda cool.
730
00:37:58,442 --> 00:38:00,945
(LAUGHS)
731
00:38:00,945 --> 00:38:04,949
- ("PEOPLE" PLAYS)
- That's a bit too... you know?
732
00:38:06,993 --> 00:38:11,038
- (RAIN FALLING)
- (MUSIC CONTINUES)
733
00:38:25,970 --> 00:38:27,888
(PLAYS KEYBOARD)
734
00:38:30,099 --> 00:38:31,183
(INDISTINCT CHATTER)
735
00:38:37,732 --> 00:38:40,860
I haven't written songs this way
in a long time.
736
00:38:40,985 --> 00:38:43,904
(MAN SINGING)
737
00:38:44,030 --> 00:38:46,532
(SINGS)
738
00:38:46,532 --> 00:38:48,284
(MUSIC CONTINUES)
739
00:38:56,334 --> 00:38:58,544
- (MAN LAUGHING)
- Did you write it?
740
00:39:12,350 --> 00:39:14,560
(MUSIC FADES OUT)
741
00:39:16,437 --> 00:39:19,607
I think I should treat writing songs
like a nine-to-five job.
742
00:39:23,069 --> 00:39:25,571
Some people are so creative
743
00:39:25,696 --> 00:39:28,741
that they drop a song in one go,
744
00:39:30,242 --> 00:39:32,536
but they're just born with that ability.
745
00:39:34,955 --> 00:39:37,333
I have to get some work done now
746
00:39:37,333 --> 00:39:39,877
or it's gonna drag me down
at some point.
747
00:39:40,544 --> 00:39:44,340
If I don't do it now,
it will make my life harder later.
748
00:39:44,590 --> 00:39:46,467
I might even miss the deadline.
749
00:39:48,135 --> 00:39:49,387
But if I have a song,
750
00:39:50,054 --> 00:39:53,015
I can simply incorporate something trendy
and release it anytime.
751
00:39:53,015 --> 00:39:55,601
And you never know
who you're gonna work with.
752
00:39:56,185 --> 00:39:58,270
I have no idea
when my album will be out, so...
753
00:40:00,231 --> 00:40:01,899
I'm like, "Work now, think later."
754
00:40:06,028 --> 00:40:07,905
- (DRUMS BEATING)
- SUGA: Try a different bass line.
755
00:40:10,282 --> 00:40:12,368
- (BASS PLAYS)
- SUGA: No.
756
00:40:12,368 --> 00:40:16,330
I'm telling you to change the line,
not the source.
757
00:40:17,832 --> 00:40:19,417
MAN: It's like a kid on a recorder.
(LAUGHS)
758
00:40:19,542 --> 00:40:21,585
(LAIDBACK MUSIC PLAYING)
759
00:40:21,710 --> 00:40:25,423
(MAN SINGING)
760
00:40:25,423 --> 00:40:26,674
Be more aggressive.
761
00:40:26,674 --> 00:40:28,592
(MAN SINGING)
762
00:40:28,592 --> 00:40:31,095
(LAUGHS)
Man, you sound just like Jung Kook!
763
00:40:32,346 --> 00:40:34,515
This has been the most fun session
on this trip.
764
00:40:34,515 --> 00:40:35,891
(LAUGHS)
765
00:40:35,891 --> 00:40:37,685
It's the best! This, um...
766
00:40:39,311 --> 00:40:40,271
(MAN SINGING)
767
00:40:40,271 --> 00:40:41,439
Darn...
768
00:40:41,439 --> 00:40:42,940
(INDISTINCT CHATTER)
769
00:40:44,191 --> 00:40:47,862
(MAN SINGING)
770
00:40:50,156 --> 00:40:51,157
Hm.
771
00:41:07,381 --> 00:41:09,925
SUGA: I haven't been
on the Internet lately.
772
00:41:09,925 --> 00:41:15,014
It's so easy for people to access
all sorts of information.
773
00:41:15,222 --> 00:41:17,725
That's what D-Day actually means:
774
00:41:18,184 --> 00:41:20,394
the day we free ourselves
from information.
775
00:41:21,145 --> 00:41:24,648
"I need to be better than him.
I need to be better than her."
776
00:41:24,648 --> 00:41:26,525
That's just so exhausting.
777
00:41:26,525 --> 00:41:27,943
And excruciating.
778
00:41:28,986 --> 00:41:35,409
That's what's been driving me
since I first started making music.
779
00:41:36,035 --> 00:41:37,661
But it's so tiring now.
780
00:41:37,661 --> 00:41:42,291
The day that we liberate ourselves
from these negative thoughts,
781
00:41:42,291 --> 00:41:44,919
that's the starting point
for this album.
782
00:41:45,544 --> 00:41:48,547
Because over the past two years,
my life has been full of noise.
783
00:41:49,381 --> 00:41:51,509
Full of good things,
and full of noise.
784
00:41:52,092 --> 00:41:55,304
And I didn't want the noise
controlling me.
785
00:41:56,263 --> 00:41:57,431
In the hook...
786
00:41:58,057 --> 00:41:59,892
(HUMS)
787
00:41:59,892 --> 00:42:01,685
- There's this part.
- MAN: Hm?
788
00:42:01,810 --> 00:42:03,312
It sounds like a guitar.
789
00:42:03,312 --> 00:42:08,609
- (MAN VOCALIZES)
- SUGA: Mm-hmm.
790
00:42:08,609 --> 00:42:09,652
(INDISTINCT CHATTER)
791
00:42:09,777 --> 00:42:12,196
It'd be less stressful
to just be a producer.
792
00:42:15,241 --> 00:42:17,576
What would I be doing
if I hadn't become an idol?
793
00:42:22,331 --> 00:42:24,500
(INHALES) I miss my mom now.
794
00:42:24,500 --> 00:42:26,460
(LAUGHTER)
795
00:42:29,380 --> 00:42:31,298
(LAUGHS) I'm like,
"I need to see her right now,"
796
00:42:31,298 --> 00:42:32,633
and I drive off.
797
00:42:33,842 --> 00:42:35,094
Just drive off.
798
00:42:49,858 --> 00:42:51,735
(SUGA HUMS)
799
00:42:52,278 --> 00:42:54,530
PRODUCER: What about work?
800
00:42:54,530 --> 00:42:58,284
I'm not sure what I'll be doing
with the songs I'm writing here.
801
00:43:00,202 --> 00:43:03,414
Well, I'll try to focus on writing songs
while I'm here.
802
00:43:03,706 --> 00:43:05,374
I'm serious. Not joking.
803
00:43:05,666 --> 00:43:08,586
I'm gonna try and finish this album.
804
00:43:09,128 --> 00:43:12,590
But if it's not done
by the middle of next month,
805
00:43:12,590 --> 00:43:14,842
I'll wrap everything up here,
806
00:43:14,842 --> 00:43:17,595
take two cameras from you,
and go into the mountains to finish it.
807
00:43:17,595 --> 00:43:19,555
- (PRODUCER LAUGHING)
- I'm serious. Just by myself.
808
00:43:19,680 --> 00:43:22,474
- Let's keep going now.
- (DRUMS BEATING)
809
00:43:22,474 --> 00:43:24,935
- MAN: This is the one from before.
- Yeah. And?
810
00:43:24,935 --> 00:43:28,272
- Keep it coming.
- (MUSIC PLAYING)
811
00:43:29,273 --> 00:43:33,611
It'd be even better to add that one
to this track.
812
00:43:33,611 --> 00:43:35,446
This one's less noisy.
813
00:43:35,904 --> 00:43:37,781
Where is "ta-da-da"?
Is it this one?
814
00:43:38,365 --> 00:43:39,575
It's the one underneath.
815
00:43:39,783 --> 00:43:42,119
When I'm making music...
(CLEARS THROAT)
816
00:43:42,828 --> 00:43:46,373
...I always think that this
is just like the excretion process.
817
00:43:47,291 --> 00:43:49,335
- PRODUCER: Excretion?
- It's excretion.
818
00:43:49,877 --> 00:43:51,754
To take the excrement
819
00:43:52,546 --> 00:43:56,508
and turn it into something beautiful
is the next step.
820
00:43:56,508 --> 00:43:58,552
You have to let it all out first.
821
00:44:00,638 --> 00:44:02,848
After that,
my job is to convince the world
822
00:44:03,849 --> 00:44:05,309
that it's something beautiful.
823
00:44:05,434 --> 00:44:07,645
But you have to push them out first.
824
00:44:07,895 --> 00:44:10,981
Then you clean them up
when you're thinking straight.
825
00:44:11,231 --> 00:44:13,442
I've been saying this forever.
826
00:44:13,567 --> 00:44:17,196
It might sound good today,
but it'll sound like crap tomorrow.
827
00:44:17,529 --> 00:44:20,991
To be honest,
this is a very fun way to make music.
828
00:44:21,575 --> 00:44:25,204
But when I can't push anything out
like today,
829
00:44:25,204 --> 00:44:28,457
it'd be great if someone came along
and saved the day.
830
00:44:29,124 --> 00:44:31,377
Most of the time,
that never happens.
831
00:44:32,002 --> 00:44:33,462
A good cleanup.
832
00:44:34,129 --> 00:44:35,756
That's what we need here.
833
00:44:37,007 --> 00:44:38,926
We have a cool beat, though.
834
00:44:38,926 --> 00:44:40,427
MAN 1: Cleanup is important.
835
00:44:41,637 --> 00:44:42,680
Cleanup...
836
00:44:42,680 --> 00:44:44,640
MAN 2: I feel like our work is piling up.
837
00:44:44,640 --> 00:44:46,350
(LAUGHS)
838
00:44:46,934 --> 00:44:49,144
We do cleanups all the time.
839
00:44:49,144 --> 00:44:50,521
We'll do well this time too.
840
00:44:50,896 --> 00:44:52,231
We'll do well.
841
00:44:53,732 --> 00:44:55,901
MAN 1: It's all good. I'm happy.
842
00:44:55,901 --> 00:44:58,946
("PEOPLE" PLAYS)
843
00:45:09,540 --> 00:45:11,667
SUGA: We think about making it big,
making money,
844
00:45:11,792 --> 00:45:14,002
buying watches
and nice cars and everything,
845
00:45:14,002 --> 00:45:17,214
but none of those things
are what makes your life fun.
846
00:45:17,339 --> 00:45:21,385
You might say, "Hey, you made it big,
that's why you can say that."
847
00:45:21,385 --> 00:45:24,304
Yes, that's why I can tell you
that they're not the fun part.
848
00:45:24,304 --> 00:45:27,599
But when I meet up with people
and make music,
849
00:45:27,599 --> 00:45:28,767
that's fun.
850
00:45:29,309 --> 00:45:34,523
It makes me completely focused
for 12, 13 hours, and only stop to eat.
851
00:45:34,523 --> 00:45:36,817
How many things can make you do that?
852
00:45:36,817 --> 00:45:38,360
That's happiness.
853
00:45:38,819 --> 00:45:40,195
I'm so fed up with music
854
00:45:40,195 --> 00:45:43,198
that I think about quitting
hundreds of times a day.
855
00:45:43,198 --> 00:45:47,161
But then, when we meet up,
I can work 12, 13 hours a day.
856
00:45:48,996 --> 00:45:51,707
That's how fun this can be.
857
00:45:52,374 --> 00:45:54,793
Making music can be so much fun.
858
00:45:55,085 --> 00:45:57,588
- But why does it have to be work?
- (PLAYING KEYBOARD)
859
00:45:57,588 --> 00:46:01,175
SUGA: It's been so painful for me
to make music lately.
860
00:46:02,760 --> 00:46:04,762
Collaborations are painful too.
861
00:46:04,762 --> 00:46:06,638
You might ask why I'm doing this.
862
00:46:08,015 --> 00:46:09,475
I'm doing this because...
863
00:46:11,226 --> 00:46:16,857
I don't want the BTS fans
or my fans to feel bored.
864
00:46:17,065 --> 00:46:18,609
(CONTINUES PLAYING KEYBOARD)
865
00:46:22,279 --> 00:46:26,825
- (FOOTSTEPS)
- ("PEOPLE" PLAYS)
866
00:46:37,085 --> 00:46:38,128
♪ Yeah ♪
867
00:46:39,004 --> 00:46:40,547
♪ Yeah, yeah, soft breeze ♪
868
00:46:41,256 --> 00:46:42,674
♪ Someone in passing ♪
869
00:46:43,217 --> 00:46:44,551
♪ Someone permeating ♪
870
00:46:45,177 --> 00:46:46,678
♪ What kind of person am I? ♪
871
00:46:47,221 --> 00:46:48,597
♪ Am I a good person? ♪
872
00:46:49,181 --> 00:46:50,766
♪ Or am I a bad person? ♪
873
00:46:51,225 --> 00:46:53,143
♪ There's lots of different views
yeah, yeah ♪
874
00:46:53,143 --> 00:46:54,520
♪ I'm just another person ♪
875
00:46:55,270 --> 00:46:57,105
♪ We all gotta live, yeah ♪
876
00:46:57,231 --> 00:46:59,149
♪ We all gotta love, yeah ♪
877
00:46:59,149 --> 00:47:00,901
♪ We're all gonna fade, yeah ♪
878
00:47:00,901 --> 00:47:02,903
♪ Yeah, yeah
all be forgotten, yeah ♪
879
00:47:03,737 --> 00:47:05,155
♪ Everybody changes ♪
880
00:47:05,697 --> 00:47:07,199
♪ Just like I changed ♪
881
00:47:07,199 --> 00:47:09,034
♪ Nothing in this world
lasts forever ♪
882
00:47:09,034 --> 00:47:10,953
♪ It all goes by
a small happening ♪
883
00:47:13,205 --> 00:47:19,211
♪ Why so serious? ♪
884
00:47:21,255 --> 00:47:25,092
♪ I'm so serious? ♪
885
00:47:25,092 --> 00:47:26,385
♪ I'm so... ♪
886
00:47:26,510 --> 00:47:28,303
♪ Who cares? ♪
887
00:47:29,388 --> 00:47:33,350
♪ Who cares if it all passes by?
Yeah, yeah ♪
888
00:47:34,434 --> 00:47:36,728
♪ Who cares? ♪
889
00:47:37,479 --> 00:47:41,817
♪ Who cares if it hurts?
Yeah, yeah ♪
890
00:47:41,817 --> 00:47:45,362
♪ Yeah, yeah
sometimes it does hurt ♪
891
00:47:45,362 --> 00:47:49,533
♪ Sometimes I'm so upset
I could cry ♪
892
00:47:50,534 --> 00:47:52,536
♪ Who cares? ♪
893
00:47:53,495 --> 00:47:57,416
♪ If you live like that, who cares?
Yeah, yeah ♪
894
00:47:57,916 --> 00:47:59,293
♪ Yeah, yeah ♪
895
00:48:14,558 --> 00:48:16,059
(MUSIC ENDS)
896
00:48:18,896 --> 00:48:22,024
(BOAT ENGINE WHIRRING)
897
00:48:32,701 --> 00:48:34,161
MAN: (IN ENGLISH)
That's a three-way leader
898
00:48:34,161 --> 00:48:35,329
because it goes three ways.
899
00:48:35,329 --> 00:48:39,750
It goes down to the weight, up to the rod,
over here to the bait.
900
00:48:42,628 --> 00:48:45,964
- (INDISTINCT CHATTER)
- MAN: We're not gonna catch it.
901
00:48:46,381 --> 00:48:48,800
SUGA: (IN KOREAN)
Please get warm already.
902
00:48:48,800 --> 00:48:49,927
(GRUNTS)
903
00:48:49,927 --> 00:48:52,012
In half an hour,
I'm gonna start fishing.
904
00:48:52,012 --> 00:48:54,348
I'm gonna set my tools here
905
00:48:55,057 --> 00:48:56,725
and work at the same time.
906
00:48:58,435 --> 00:49:00,395
- (BIRD SQUAWKING)
- MAN: Another big bird.
907
00:49:02,272 --> 00:49:03,523
(RUSTLING SOUND)
908
00:49:05,817 --> 00:49:06,902
(CLEARS THROAT)
909
00:49:08,528 --> 00:49:10,656
(MELLOW MUSIC PLAYING)
910
00:49:22,042 --> 00:49:23,293
(MUSIC STOPS)
911
00:49:24,920 --> 00:49:27,339
SUGA: I don't listen to an album
once it's released.
912
00:49:28,048 --> 00:49:31,802
I listen to a song a few thousand times
while I'm working on it.
913
00:49:33,178 --> 00:49:34,972
- Ten thousand times for some.
- (MELLOW MUSIC PLAYS)
914
00:49:34,972 --> 00:49:36,807
I don't really count the number of times.
915
00:49:38,392 --> 00:49:40,978
Once I get sick of them,
I just can't listen to them anymore.
916
00:49:41,103 --> 00:49:42,020
(MUSIC STOPS)
917
00:49:42,020 --> 00:49:43,897
After two or three years,
918
00:49:43,897 --> 00:49:46,274
that's when I start
listening to them again.
919
00:49:48,735 --> 00:49:51,029
I love the song called "People"
from my D-2 album.
920
00:49:52,739 --> 00:49:54,992
Sometimes, when life gets too hard,
921
00:49:56,618 --> 00:49:58,704
I listen to the song...
922
00:49:58,704 --> 00:50:00,497
(MELLOW MUSIC PLAYS)
923
00:50:01,164 --> 00:50:02,624
...then I cry my eyes out.
924
00:50:04,376 --> 00:50:06,628
- ("People Pt. 2" PLAYS)
- That's the moment
925
00:50:06,628 --> 00:50:09,214
I start hearing the song
as a listener would.
926
00:50:10,298 --> 00:50:11,425
"How did I write this?"
927
00:50:13,010 --> 00:50:17,764
I feel like "People"
has given me a great deal of comfort.
928
00:50:17,764 --> 00:50:19,474
That's what it means to me. Comfort.
929
00:50:22,019 --> 00:50:24,271
So, for "People Pt. 2,"
930
00:50:24,271 --> 00:50:27,816
I figured I'd make a song
that has the same vibe as "People."
931
00:50:28,734 --> 00:50:31,028
And I wanted to put it on D-Day.
932
00:50:35,323 --> 00:50:39,327
I had "Saram Pt. 2" meaning "People Pt. 2"
and "Sarang" meaning "Love" in mind.
933
00:50:39,327 --> 00:50:42,080
I also thought about naming it "Sara"
934
00:50:42,080 --> 00:50:47,002
and leaving it to the listeners to decide
whether it means "people" or "love."
935
00:50:47,961 --> 00:50:49,588
Then I settled on "People Pt. 2."
936
00:50:52,883 --> 00:50:54,718
I have to shoot the live clip.
937
00:50:54,718 --> 00:50:58,263
And for "People Pt. 2" or "SDL,"
we might be having
938
00:50:58,263 --> 00:51:01,266
a female singer
as the featured artist.
939
00:51:01,266 --> 00:51:02,476
SUGA: We're friends.
940
00:51:02,601 --> 00:51:04,519
There were many candidates,
941
00:51:04,644 --> 00:51:06,855
but when we worked together before,
942
00:51:07,439 --> 00:51:12,402
I would simply ask her things,
and she would make the changes right away.
943
00:51:12,819 --> 00:51:14,821
That made the process
a lot easier.
944
00:51:14,821 --> 00:51:17,908
- That's why I chose IU.
- (DRUMS BEATING)
945
00:51:19,076 --> 00:51:20,410
- (INDISTINCT CHATTER)
- (KEYBOARD PLAYING)
946
00:51:20,410 --> 00:51:22,788
("People Pt. 2 (feat IU)" PLAYS)
947
00:51:22,788 --> 00:51:25,165
♪ So time is yet ♪
948
00:51:25,165 --> 00:51:28,168
♪ Now, right here to go ♪
949
00:51:28,168 --> 00:51:30,212
♪ I know you know ♪
950
00:51:30,212 --> 00:51:33,507
♪ Anything does know ♪
951
00:51:33,632 --> 00:51:35,884
♪ So time is yet ♪
952
00:51:36,009 --> 00:51:38,929
♪ Now, right here to go ♪
953
00:51:38,929 --> 00:51:44,226
♪ Nobody doesn't know anymore ♪
954
00:51:44,226 --> 00:51:45,685
♪ This thing called love ♪
955
00:51:45,685 --> 00:51:47,479
♪ Maybe it's just
a momentary list of emotions ♪
956
00:51:47,771 --> 00:51:50,357
♪ It's conditional
What is it I love? ♪
957
00:51:50,357 --> 00:51:52,442
♪ Wasn't loved enough as a kid ♪
958
00:51:52,442 --> 00:51:54,486
♪ That's why I'm the cautious type ♪
959
00:51:54,486 --> 00:51:56,488
♪ I want it
something deep with people ♪
960
00:51:56,488 --> 00:51:58,365
♪ Forever's something like a sand castle
you know ♪
961
00:51:58,365 --> 00:52:00,742
♪ It comes crumbling down
at the smallest of waves ♪
962
00:52:00,742 --> 00:52:03,245
♪ What is it about loss
that makes us so sad? ♪
963
00:52:03,245 --> 00:52:05,539
♪ Really, it's dread
that makes us so sad ♪
964
00:52:07,415 --> 00:52:11,586
♪ So far away, you're gone ♪
965
00:52:12,754 --> 00:52:16,007
♪ Getting far away ♪
966
00:52:18,218 --> 00:52:22,139
♪ Too far away, you're gone ♪
967
00:52:22,139 --> 00:52:27,269
♪ I know I have to know ♪
968
00:52:27,727 --> 00:52:29,855
♪ So time is yet ♪
969
00:52:29,855 --> 00:52:32,941
♪ Now, right here to go ♪
970
00:52:32,941 --> 00:52:34,985
♪ I know you know ♪
971
00:52:34,985 --> 00:52:38,238
♪ Anything does know ♪
972
00:52:38,238 --> 00:52:40,740
♪ So time is yet ♪
973
00:52:40,866 --> 00:52:43,410
♪ Now, right here to go ♪
974
00:52:43,869 --> 00:52:48,957
♪ Nobody doesn't know anymore ♪
975
00:52:48,957 --> 00:52:51,626
SUGA:
♪ What is it that makes you so sad? ♪
976
00:52:51,626 --> 00:52:53,753
♪ Really, it's the dread
that's so daunting ♪
977
00:52:53,753 --> 00:52:56,256
♪ That time we thought
we had a future together is gone ♪
978
00:52:56,256 --> 00:52:59,217
♪ We're the ones
who tore down the sand castle ♪
979
00:52:59,217 --> 00:53:02,804
♪ They say there are no winners or losers
but I'm always the loser ♪
980
00:53:02,804 --> 00:53:05,432
♪ We said we'd give our all
but we broke it all down ♪
981
00:53:05,432 --> 00:53:06,641
♪ And then we leave ♪
982
00:53:06,641 --> 00:53:10,645
♪ Because both love and people
are selfish ♪
983
00:53:12,105 --> 00:53:16,443
BOTH:
♪ So far away, you're gone ♪
984
00:53:17,485 --> 00:53:20,363
♪ Getting far away ♪
985
00:53:22,908 --> 00:53:26,786
♪ Too far away, you're gone ♪
986
00:53:26,786 --> 00:53:32,167
♪ I know I have to know ♪
987
00:53:32,292 --> 00:53:34,669
♪ So time is yet ♪
988
00:53:34,669 --> 00:53:37,881
♪ Now, right here to go ♪
989
00:53:37,881 --> 00:53:39,674
♪ I know you know ♪
990
00:53:39,674 --> 00:53:42,302
♪ Anything does know ♪
991
00:53:42,302 --> 00:53:43,261
♪ Know ♪
992
00:53:43,386 --> 00:53:45,305
♪ So time is yet ♪
993
00:53:45,430 --> 00:53:47,182
♪ Now, right here to go ♪
994
00:53:47,182 --> 00:53:48,475
♪ Here to go ♪
995
00:53:48,475 --> 00:53:51,144
♪ Nobody doesn't know ♪
996
00:53:51,144 --> 00:53:53,772
- ♪ Anymore ♪
- ♪ Anymore ♪
997
00:53:53,772 --> 00:53:56,399
♪ So goes the person, so goes the love ♪
998
00:53:56,399 --> 00:53:58,693
♪ What comes at the end of love? ♪
999
00:53:59,319 --> 00:54:01,863
♪ Endless people
a love that has passed by ♪
1000
00:54:01,863 --> 00:54:03,949
♪ Is love wholly perfect on its own? ♪
1001
00:54:03,949 --> 00:54:07,619
♪ Selflessness can actually be
selfish too, you know ♪
1002
00:54:07,619 --> 00:54:10,330
♪ I'm practically being greedy
when I say it's all for you ♪
1003
00:54:10,330 --> 00:54:12,666
♪ Will I be happy
if I give up my greed? ♪
1004
00:54:12,666 --> 00:54:14,793
♪ A half-illusion
that can never be fulfilled ♪
1005
00:54:15,502 --> 00:54:18,171
♪ They say life's a struggle
between resistance and submission ♪
1006
00:54:18,171 --> 00:54:20,757
♪ I say it's a struggle
against loneliness ♪
1007
00:54:20,757 --> 00:54:23,343
♪ If you can't hold it back
it's okay to cry ♪
1008
00:54:23,343 --> 00:54:26,179
♪ You're already enough to be loved ♪
1009
00:54:26,179 --> 00:54:28,556
BOTH:
♪ So time is yet ♪
1010
00:54:28,682 --> 00:54:31,559
♪ Now, right here to go ♪
1011
00:54:31,685 --> 00:54:33,728
♪ I know you know ♪
1012
00:54:33,728 --> 00:54:37,023
♪ Anything does know ♪
1013
00:54:37,023 --> 00:54:39,317
♪ So time is yet ♪
1014
00:54:39,317 --> 00:54:41,945
♪ Now, right here to go ♪
1015
00:54:42,487 --> 00:54:48,493
♪ Nobody doesn't know anymore ♪
1016
00:54:48,493 --> 00:54:49,869
(MUSIC ENDS)
1017
00:54:49,869 --> 00:54:50,996
Whoo!
1018
00:55:01,715 --> 00:55:06,678
(PLAYS "MERRY CHRISTMAS, MR. LAWRENCE")
1019
00:55:12,767 --> 00:55:16,521
I've been staying here
because I have plans in Tokyo today.
1020
00:55:16,521 --> 00:55:18,023
And weirdly enough...
1021
00:55:18,023 --> 00:55:21,359
(LAUGHING)
...there was this piano in the hotel.
1022
00:55:21,359 --> 00:55:24,112
Since I'm already in Japan...
1023
00:55:24,821 --> 00:55:30,201
I wanted to meet him last time,
but I couldn't because I was too busy.
1024
00:55:30,201 --> 00:55:33,872
I've been reaching out to him
for a month or two,
1025
00:55:34,748 --> 00:55:39,169
and he told me he'd like to meet me too.
1026
00:55:39,294 --> 00:55:40,920
So, I'm very excited right now.
1027
00:55:40,920 --> 00:55:42,881
(LAUGHS) So nervous.
1028
00:55:46,593 --> 00:55:48,386
SUGA: (IN JAPANESE) Excuse me.
1029
00:55:48,386 --> 00:55:49,679
(CALMING PIANO MUSIC PLAYING)
1030
00:55:49,679 --> 00:55:52,640
{\an8}THIS MEETING TOOK PLACE IN A PRIVATE ROOM
DUE TO RYUICHI SAKAMOTO'S HEALTH
1031
00:55:52,640 --> 00:55:55,643
{\an8}- SUGA: Excuse me. Hello.
- TRANSLATOR 1: Hello.
1032
00:55:55,643 --> 00:55:58,730
{\an8}- RYUICHI: SUGA? Oh...
- SUGA: Yes, I'm SUGA.
1033
00:55:59,230 --> 00:56:01,066
- RYUICHI: (IN KOREAN) Hello.
- (SUGA CHUCKLES)
1034
00:56:01,066 --> 00:56:03,068
RYUICHI: It's nice to meet you.
1035
00:56:04,694 --> 00:56:06,237
- SUGA: Thank you.
- RYUICHI: Wow.
1036
00:56:06,237 --> 00:56:07,822
(TRANSLATOR 1 INTERPRETS)
1037
00:56:07,822 --> 00:56:10,200
- RYUICHI: Yes, thank you.
- (SUGA CHUCKLES)
1038
00:56:10,200 --> 00:56:11,618
RYUICHI: (IN ENGLISH) Please.
1039
00:56:13,119 --> 00:56:14,204
(SPEAKING JAPANESE)
1040
00:56:14,329 --> 00:56:15,955
TRANSLATOR 2: (IN KOREAN)
I've prepared a gift for you,
1041
00:56:15,955 --> 00:56:16,956
but it's quite heavy...
1042
00:56:16,956 --> 00:56:17,957
(SPEAKING JAPANESE)
1043
00:56:17,957 --> 00:56:20,001
TRANSLATOR 2: (IN KOREAN)
It's an analog...
1044
00:56:20,001 --> 00:56:21,127
LP?
1045
00:56:21,127 --> 00:56:23,338
- TRANSLATOR 2: It's an LP record.
- Thank you so much.
1046
00:56:23,338 --> 00:56:24,381
(TRANSLATOR 1 INTERPRETS)
1047
00:56:24,381 --> 00:56:26,925
TRANSLATOR 2: He's also brought
some sheet music.
1048
00:56:26,925 --> 00:56:29,928
- (IN JAPANESE) Gifts. They're heavy.
- SUGA: Thank you.
1049
00:56:29,928 --> 00:56:34,599
(IN KOREAN) I think it was
a small theater in Daegu.
1050
00:56:34,599 --> 00:56:38,144
They were playing The Last Emperor
1051
00:56:39,020 --> 00:56:40,438
as their only movie.
1052
00:56:41,564 --> 00:56:45,151
It was an unusual case, you know?
1053
00:56:45,276 --> 00:56:47,237
There were maybe 50 seats?
1054
00:56:47,737 --> 00:56:48,655
So...
1055
00:56:48,988 --> 00:56:50,865
I went there when I was little.
1056
00:56:51,991 --> 00:56:57,330
And the movie is filled
with Mr. Sakamoto's music,
1057
00:56:57,455 --> 00:56:59,416
so I was just blown away by it
in the theater. (GASPS)
1058
00:56:59,416 --> 00:57:02,669
I started making beats as a child.
1059
00:57:02,669 --> 00:57:07,257
I used to sample songs
and play around with them a lot.
1060
00:57:07,257 --> 00:57:08,800
You know, to practice.
1061
00:57:08,800 --> 00:57:11,761
That's when I sampled
several of Mr. Sakamoto's songs,
1062
00:57:11,761 --> 00:57:15,265
because they are mostly instrumentals
without vocals.
1063
00:57:15,390 --> 00:57:18,268
Anyone who's seen me working would know
1064
00:57:19,018 --> 00:57:24,149
that I sample open-source audio files
for a lot of my work.
1065
00:57:24,149 --> 00:57:27,735
I cut and paste them,
stick them together,
1066
00:57:27,735 --> 00:57:28,736
reverse them,
1067
00:57:28,862 --> 00:57:31,656
and change them,
so they become more interesting.
1068
00:57:31,656 --> 00:57:35,910
Going back to the days
when I first started to train myself
1069
00:57:35,910 --> 00:57:40,540
to make music,
his music inspired me so much
1070
00:57:40,665 --> 00:57:43,293
and it motivated me as well.
1071
00:57:43,293 --> 00:57:48,965
I was so nervous on my way here.
1072
00:57:48,965 --> 00:57:52,385
And the hotel got a piano for me,
which was weird.
1073
00:57:52,385 --> 00:57:53,428
(TRANSLATOR 1 LAUGHS)
1074
00:57:53,428 --> 00:57:56,931
It was unexpected,
but I still used it to practice a bit.
1075
00:57:56,931 --> 00:58:00,685
He's been a musician
for a long time and...
1076
00:58:00,810 --> 00:58:03,229
I read in one of his interviews
1077
00:58:03,229 --> 00:58:08,026
that even now,
he's willing to make more music.
1078
00:58:08,026 --> 00:58:09,360
What's driving you?
1079
00:58:09,360 --> 00:58:12,155
I've been making music
for 17 years now,
1080
00:58:12,155 --> 00:58:14,449
and I sometimes get so tired to the point
1081
00:58:14,449 --> 00:58:18,453
that I occasionally think about
not making music anymore.
1082
00:58:18,453 --> 00:58:23,541
So I wanted to ask him
how he has done it for such a long time.
1083
00:58:23,833 --> 00:58:26,753
(IN JAPANESE)
I get it. Well, the thing is...
1084
00:58:28,004 --> 00:58:33,885
No matter how many songs you make,
you are never fully satisfied.
1085
00:58:34,010 --> 00:58:37,555
- If you feel satisfied, that's the end.
- (TRANSLATOR 2 ACKNOWLEDGES)
1086
00:58:37,555 --> 00:58:43,311
RYUICHI: When you reach the top floor,
you always find a floor above.
1087
00:58:43,311 --> 00:58:45,772
There is no end.
1088
00:58:46,189 --> 00:58:50,026
You try to climb up the stairs
step by step,
1089
00:58:50,026 --> 00:58:53,696
but the stairs go up infinitely.
1090
00:58:53,696 --> 00:58:58,493
Still, I wish to do what I can
to get as close to the top as possible.
1091
00:58:58,493 --> 00:59:02,080
(IN KOREAN) I was like,
"Mr. Sakamoto's music will cheer me up."
1092
00:59:02,080 --> 00:59:04,541
And I was listening
to all of his albums.
1093
00:59:05,625 --> 00:59:10,255
Then it hit me.
"I'd really like to write a song
1094
00:59:10,255 --> 00:59:13,424
"that sounds like
one of his early songs."
1095
00:59:13,424 --> 00:59:15,218
So I wrote a song in the hospital.
1096
00:59:16,010 --> 00:59:19,514
("Snooze" PLAYS)
1097
00:59:38,491 --> 00:59:40,076
(MUSIC ENDS)
1098
00:59:40,076 --> 00:59:41,869
(RYUICHI SPEAKING JAPANESE)
1099
00:59:41,869 --> 00:59:43,705
TRANSLATOR 2: (IN KOREAN)
He enjoyed it very much.
1100
00:59:43,705 --> 00:59:47,458
(SPEAKING JAPANESE)
1101
00:59:47,584 --> 00:59:49,502
TRANSLATOR 2: (IN KOREAN)
What are the lyrics about?
1102
00:59:49,502 --> 00:59:53,631
Oh, the title of the song is "Snooze,"
1103
00:59:53,798 --> 00:59:55,758
which means "a light sleep."
1104
00:59:55,758 --> 01:00:00,096
I wrote down the things
that I'd like to say to aspiring artists.
1105
01:00:00,221 --> 01:00:01,389
And...
1106
01:00:01,723 --> 01:00:04,392
I wanted this song
1107
01:00:05,268 --> 01:00:07,395
to give them some strength.
1108
01:00:08,104 --> 01:00:11,274
"I know it's hard,
but it's all gonna be okay."
1109
01:00:11,274 --> 01:00:13,818
And ever since I was young,
1110
01:00:13,818 --> 01:00:17,739
I've enjoyed writing songs about dreams.
1111
01:00:17,739 --> 01:00:20,158
That's what I did here.
1112
01:00:21,200 --> 01:00:23,536
"It's all gonna be okay."
1113
01:00:23,661 --> 01:00:26,289
"Even though
you might lose a bit of sleep."
1114
01:00:26,289 --> 01:00:29,709
"I'll accept you."
1115
01:00:29,709 --> 01:00:33,004
"I'll accept you
if you're afraid to fall."
1116
01:00:34,339 --> 01:00:35,715
Well...
1117
01:00:35,840 --> 01:00:39,802
To be honest,
it's not easy being a musician.
1118
01:00:39,802 --> 01:00:41,429
It's not easy at all.
1119
01:00:41,429 --> 01:00:44,891
There are so many kids out there
who are losing sleep, skipping meals,
1120
01:00:44,891 --> 01:00:46,643
and devoting themselves to music.
1121
01:00:46,643 --> 01:00:49,437
And sometimes, some of those kids,
1122
01:00:49,979 --> 01:00:53,232
who finally become musicians,
they say to us,
1123
01:00:53,983 --> 01:00:58,655
"I dreamed of being a musician
because of you guys."
1124
01:00:58,655 --> 01:01:03,368
Some say, "Your music inspired me
to become a musician."
1125
01:01:03,493 --> 01:01:06,913
So, this song is dedicated
to those people.
1126
01:01:07,330 --> 01:01:08,498
(RYUICHI SPEAKING JAPANESE)
1127
01:01:08,498 --> 01:01:10,041
TRANSLATOR 2: (IN KOREAN)
That is admirable.
1128
01:01:10,041 --> 01:01:12,919
(SPEAKING JAPANESE)
1129
01:01:12,919 --> 01:01:14,837
TRANSLATOR 2: (IN KOREAN)
At the same time,
1130
01:01:14,837 --> 01:01:18,091
the song might be giving you a message,
that it's going to be okay.
1131
01:01:18,091 --> 01:01:20,176
Oh, you should hear
the instrumental version.
1132
01:01:20,176 --> 01:01:23,012
I don't have it right now,
but if you hear it...
1133
01:01:23,554 --> 01:01:28,226
I was like, "I'm gonna make this song
a true Sakamoto-style piece.
1134
01:01:28,226 --> 01:01:32,647
"The strings will be his style,
the piano will be his style."
1135
01:01:32,772 --> 01:01:36,401
I was getting an IV drip in the hospital.
I couldn't eat well.
1136
01:01:36,401 --> 01:01:39,987
But I felt better
when I started writing this song,
1137
01:01:39,987 --> 01:01:42,532
so I finished it,
took the IV out and left.
1138
01:01:42,532 --> 01:01:45,326
- (TRANSLATOR 1 INTERPRETS)
- (RYUICHI GRUNTS)
1139
01:01:45,952 --> 01:01:47,578
- (SPEAKING JAPANESE)
- TRANSLATOR 2: (LAUGHING)
1140
01:01:47,578 --> 01:01:49,205
(IN KOREAN) He says he's sorry.
1141
01:01:49,330 --> 01:01:51,999
I saw him making music
in his documentary,
1142
01:01:51,999 --> 01:01:53,543
and it was so cool.
1143
01:01:53,543 --> 01:01:56,587
Sitting in front of a piano,
going like this...
1144
01:01:56,587 --> 01:01:58,798
- I thought about bringing my laptop...
- (TRANSLATOR 1 LAUGHING)
1145
01:01:58,798 --> 01:02:02,260
SUGA:
...but I just left it in my hotel room.
1146
01:02:02,260 --> 01:02:06,097
One of my dreams
is to travel around the world
1147
01:02:06,097 --> 01:02:09,642
and schedule sessions
with local musicians
1148
01:02:09,767 --> 01:02:12,603
who specialize
in their traditional instruments.
1149
01:02:12,603 --> 01:02:16,524
It's my dream to record them
and make my own music based on that.
1150
01:02:16,983 --> 01:02:20,319
The most memorable line
from Mr. Sakamoto's documentary was,
1151
01:02:20,319 --> 01:02:22,363
"The world is full of sounds."
1152
01:02:22,363 --> 01:02:25,074
To be honest,
1153
01:02:25,074 --> 01:02:29,412
I've never gotten a formal education
when it comes to music.
1154
01:02:29,412 --> 01:02:33,416
I've always been the type
to teach myself,
1155
01:02:33,416 --> 01:02:34,959
so that line really spoke to me.
1156
01:02:35,084 --> 01:02:37,086
"You can make music with any sound."
1157
01:02:37,086 --> 01:02:41,382
I always say that to musicians
that are less experienced than me.
1158
01:02:41,382 --> 01:02:46,387
So, I'd like to do my best to use
the sounds that are filling up this world
1159
01:02:46,387 --> 01:02:48,181
and make good music. (LAUGHS)
1160
01:02:48,181 --> 01:02:49,807
(SPEAKING JAPANESE)
1161
01:02:49,807 --> 01:02:51,642
TRANSLATOR 2: (IN KOREAN)
You're outstanding.
1162
01:02:51,642 --> 01:02:55,521
(IN JAPANESE)
Since my teenage years,
1163
01:02:55,521 --> 01:02:59,358
I've been into different ethnic music.
1164
01:02:59,358 --> 01:03:03,029
So when I entered university,
1165
01:03:03,029 --> 01:03:06,282
I thought about becoming a scholar,
not a composer,
1166
01:03:06,407 --> 01:03:08,409
- to study ethnic music.
- (TRANSLATOR 2 LAUGHING)
1167
01:03:08,409 --> 01:03:10,536
As a scholar,
1168
01:03:10,536 --> 01:03:14,916
I would've been able to spend my life
in Africa and other places.
1169
01:03:14,916 --> 01:03:16,667
How fun would that be?
1170
01:03:16,667 --> 01:03:19,462
That's how much I was into it.
1171
01:03:20,922 --> 01:03:25,551
I've always had a thing
for new experiences.
1172
01:03:25,551 --> 01:03:28,095
(TRANSLATOR 2 INTERPRETS)
1173
01:03:28,095 --> 01:03:32,809
(SPEAKING JAPANESE)
1174
01:03:32,809 --> 01:03:34,685
TRANSLATOR 2: (IN KOREAN)
He loved being first.
1175
01:03:34,685 --> 01:03:36,229
He was first at everything.
1176
01:03:36,229 --> 01:03:37,647
(SPEAKING JAPANESE)
1177
01:03:37,647 --> 01:03:40,608
TRANSLATOR 2: (IN KOREAN)
He liked doing things before others did.
1178
01:03:40,608 --> 01:03:42,026
RYUICHI: (IN JAPANESE)
If you would...
1179
01:03:42,568 --> 01:03:43,736
(CLEARS THROAT)
1180
01:03:44,195 --> 01:03:45,404
Here's an example.
1181
01:03:46,364 --> 01:03:47,990
Um... (CLEARS THROAT)
1182
01:03:48,950 --> 01:03:49,909
This...
1183
01:03:49,909 --> 01:03:51,869
(PLAYS PIANO)
1184
01:03:51,869 --> 01:03:53,955
- (SPEAKING JAPANESE)
- TRANSLATOR 2: (IN KOREAN) Hear that?
1185
01:03:53,955 --> 01:03:58,543
(SPEAKING JAPANESE)
1186
01:03:58,668 --> 01:04:00,545
(PLAYS PIANO)
One, two, three, four, five, six, seven.
1187
01:04:00,545 --> 01:04:02,421
- SUGA: (IN KOREAN) Yes.
- TRANSLATOR 2: There are seven octaves.
1188
01:04:02,421 --> 01:04:04,090
- RYUICHI: (IN ENGLISH) Seven notes.
- TRANSLATOR 2: Yes.
1189
01:04:04,090 --> 01:04:05,091
(SPEAKING JAPANESE)
1190
01:04:05,216 --> 01:04:06,467
TRANSLATOR 2: (IN KOREAN)
Play them together.
1191
01:04:06,467 --> 01:04:07,468
(SPEAKING JAPANESE)
1192
01:04:07,468 --> 01:04:08,928
TRANSLATOR 2: (IN KOREAN)
It doesn't sound great.
1193
01:04:08,928 --> 01:04:10,346
(PLAYS PIANO)
1194
01:04:11,514 --> 01:04:17,144
(SPEAKING JAPANESE)
1195
01:04:17,270 --> 01:04:19,605
TRANSLATOR 2: (IN KOREAN)
Leave out the middle one.
1196
01:04:20,898 --> 01:04:22,275
Use the remaining ones.
1197
01:04:23,359 --> 01:04:25,736
- (PLAYS PIANO)
- SUGA: Hm...
1198
01:04:25,736 --> 01:04:26,946
(SPEAKING JAPANESE)
1199
01:04:26,946 --> 01:04:28,489
TRANSLATOR 2: (IN KOREAN)
It sounds better.
1200
01:04:28,990 --> 01:04:32,159
- (INDISTINCT CHATTER)
- (SPEAKING JAPANESE)
1201
01:04:32,159 --> 01:04:34,704
(PLAYS PIANO)
1202
01:04:34,704 --> 01:04:36,289
TRANSLATOR 2: (IN KOREAN)
This is dissonance.
1203
01:04:37,123 --> 01:04:39,542
Leave out the middle one,
and it sounds better.
1204
01:04:39,542 --> 01:04:41,919
RYUICHI: (IN JAPANESE)
Beautiful sound. Interesting.
1205
01:04:41,919 --> 01:04:43,212
(LAUGHTER)
1206
01:04:43,212 --> 01:04:44,755
(IN KOREAN) I'd like to play you a song.
1207
01:04:44,755 --> 01:04:46,382
- (TRANSLATOR 1 INTERPRETS)
- RYUICHI: Oh!
1208
01:04:46,382 --> 01:04:47,341
(LAUGHTER)
1209
01:04:47,341 --> 01:04:49,260
- (IN ENGLISH) Please, please.
- (SUGA INHALES)
1210
01:04:49,510 --> 01:04:50,553
(IN KOREAN) I'm shaking.
1211
01:04:50,678 --> 01:04:57,143
(PLAYS "MERRY CHRISTMAS, MR. LAWRENCE")
1212
01:04:57,268 --> 01:05:00,730
(CAMERA SHUTTER CLICKING)
1213
01:05:07,153 --> 01:05:08,779
- (DISSONANT SOUND)
- (SUGA CHUCKLES)
1214
01:05:17,038 --> 01:05:18,372
(DISSONANT SOUND)
1215
01:05:29,216 --> 01:05:32,094
(PLAYS "MERRY CHRISTMAS, MR. LAWRENCE")
1216
01:05:53,074 --> 01:05:55,743
- (MUSIC CONTINUES)
- SUGA: It was great. The talk was great.
1217
01:05:55,743 --> 01:05:58,621
I really wish the best for his health.
1218
01:05:58,621 --> 01:06:01,165
I want to keep listening to him play.
1219
01:06:01,165 --> 01:06:03,960
Now I feel clueless about what to do.
(CHUCKLES)
1220
01:06:06,921 --> 01:06:10,257
I'm feeling the pressure again.
(LAUGHS)
1221
01:06:10,257 --> 01:06:13,469
I'll still be making music
even when I get old.
1222
01:06:14,637 --> 01:06:17,848
I'd love to make music
in my fifties and sixties.
1223
01:06:19,016 --> 01:06:21,811
So I'm excited to see
what kind of musician I'll become.
1224
01:06:29,443 --> 01:06:32,071
If I could still be making music
at his age...
1225
01:06:33,197 --> 01:06:36,826
I'm always thinking about
what kind of musician I should be...
1226
01:06:38,035 --> 01:06:40,788
so it was great meeting him.
1227
01:06:41,455 --> 01:06:45,626
It's always a pleasure
to meet and talk with musicians.
1228
01:06:46,377 --> 01:06:51,549
Even those who are much older than...
1229
01:06:51,674 --> 01:06:54,427
He's actually older than my dad.
1230
01:06:54,427 --> 01:06:59,140
And I'm just impressed
that we could have such a conversation.
1231
01:07:00,933 --> 01:07:02,935
(EXHALES) It was amazing.
1232
01:07:04,311 --> 01:07:08,482
This is what I came to Japan for.
(LAUGHS)
1233
01:07:08,607 --> 01:07:11,277
(CONTINUES PLAYING PIANO)
1234
01:07:21,328 --> 01:07:22,455
(IN ENGLISH) For you.
1235
01:07:25,499 --> 01:07:26,417
("Snooze (feat. Ryuichi Sakamoto,
Kim Woosung of The Rose)" PLAYS)
1236
01:07:26,417 --> 01:07:28,878
♪ While you're dreaming
while looking at me ♪
1237
01:07:28,878 --> 01:07:31,130
♪ I've always got your back
so don't worry too much ♪
1238
01:07:31,130 --> 01:07:33,883
♪ I'll readily accept you
if you're afraid to fall ♪
1239
01:07:33,883 --> 01:07:36,135
♪ So don't you suffer like me ♪
1240
01:07:36,135 --> 01:07:39,221
♪ You who sleeps for the sake
of your dream, it's okay to rest ♪
1241
01:07:39,221 --> 01:07:41,348
♪ Don't even dream tonight ♪
1242
01:07:41,348 --> 01:07:44,393
♪ When you smile softly at me
without saying a word ♪
1243
01:07:44,393 --> 01:07:46,729
♪ That's when I finally feel
a little relieved ♪
1244
01:07:46,729 --> 01:07:50,107
♪ What a tough time it could be
the road I walked down ♪
1245
01:07:50,107 --> 01:07:52,818
♪ It might look like it was all flowers
but everywhere, foes ♪
1246
01:07:52,818 --> 01:07:55,154
♪ Just know it was a thorny road
before you start down your own ♪
1247
01:07:55,154 --> 01:07:57,823
♪ I hope you never forget
who showers you with flowers ♪
1248
01:07:57,823 --> 01:08:00,868
♪ Never forget who sheds tears
when you smile ♪
1249
01:08:00,868 --> 01:08:03,454
♪ They live each day
for your smile ♪
1250
01:08:03,454 --> 01:08:05,748
♪ When I disappear
into repetitive work ♪
1251
01:08:05,748 --> 01:08:08,501
♪ It's okay to take a break
if you feel overwhelmed ♪
1252
01:08:08,501 --> 01:08:10,961
♪ Cry out loud
when you hate the world ♪
1253
01:08:10,961 --> 01:08:13,589
♪ When the hand that welcomed you
points a finger at you ♪
1254
01:08:13,589 --> 01:08:16,383
♪ Take a deep breath
you can yell out "fuck this shit" ♪
1255
01:08:16,383 --> 01:08:19,011
♪ Because you're no different
from anyone else ♪
1256
01:08:19,011 --> 01:08:21,889
♪ Why did you choose
this painful and lonely road? ♪
1257
01:08:21,889 --> 01:08:24,308
♪ Never, ever forget
the reason behind it ♪
1258
01:08:24,308 --> 01:08:27,019
♪ I hope you don't let your dreams
simply remain as dreams ♪
1259
01:08:27,144 --> 01:08:29,855
♪ I'll be rooting for you
anytime, anywhere ♪
1260
01:08:29,855 --> 01:08:35,945
WOOSUNG: ♪ I'll embrace you
when the petals wilt and fall ♪
1261
01:08:36,570 --> 01:08:39,031
♪ Good night ♪
1262
01:08:39,031 --> 01:08:41,617
♪ I'll leave you ♪
1263
01:08:41,617 --> 01:08:48,499
♪ When the fog clears and lifts ♪
1264
01:08:48,499 --> 01:08:50,835
♪ Bye, blooming dream ♪
1265
01:08:50,835 --> 01:08:54,130
♪ While you're dreaming
while looking at me ♪
1266
01:08:54,130 --> 01:08:56,465
♪ I've always got your back
so don't worry too much ♪
1267
01:08:56,465 --> 01:08:59,051
♪ I'll readily accept you
if you're afraid to fall ♪
1268
01:08:59,051 --> 01:09:01,428
♪ So don't you suffer like me ♪
1269
01:09:01,428 --> 01:09:04,348
♪ You who sleeps for the sake
of your dream, it's okay to rest ♪
1270
01:09:04,348 --> 01:09:06,475
♪ Don't even dream tonight ♪
1271
01:09:06,475 --> 01:09:09,728
♪ When you smile softly at me
without saying a word ♪
1272
01:09:09,728 --> 01:09:12,064
♪ That's when I finally feel
a little relieved ♪
1273
01:09:12,064 --> 01:09:13,816
♪ This is a battle with no gunfire ♪
1274
01:09:13,816 --> 01:09:15,234
♪ Your peers are your enemies ♪
1275
01:09:15,234 --> 01:09:17,695
♪ The numbers show good and evil
it's cruel but beautiful ♪
1276
01:09:17,695 --> 01:09:20,322
♪ It's kill or be killed ♪
1277
01:09:20,322 --> 01:09:23,033
♪ The field isn't a ring
so why must I kill someone? ♪
1278
01:09:23,033 --> 01:09:25,411
♪ When you hate the things
you used to like ♪
1279
01:09:25,411 --> 01:09:28,205
♪ When all your wishes are windswept
and blown away ♪
1280
01:09:28,205 --> 01:09:30,291
♪ It's okay, as time passes
everything turns ♪
1281
01:09:30,291 --> 01:09:32,334
♪ Into a memory and a lesson
don't forget ♪
1282
01:09:32,459 --> 01:09:34,170
♪ The world isn't a very patient place ♪
1283
01:09:34,170 --> 01:09:36,422
♪ Never laugh
at someone else's controversies ♪
1284
01:09:36,547 --> 01:09:38,632
♪ You never know
when it could happen to you ♪
1285
01:09:38,632 --> 01:09:40,968
♪ Your success becomes
a ball and chain ♪
1286
01:09:40,968 --> 01:09:43,929
♪ That tightrope walk feeling
will tighten around you ♪
1287
01:09:43,929 --> 01:09:47,141
♪ Just laugh out loud
laugh your head off ♪
1288
01:09:47,141 --> 01:09:49,602
♪ Just hold on
wherever you are ♪
1289
01:09:49,602 --> 01:09:52,271
♪ I hope you don't let your dreams
simply remain as dreams ♪
1290
01:09:52,271 --> 01:09:54,857
♪ I'll be rooting for you
anytime, anywhere ♪
1291
01:09:54,857 --> 01:09:56,567
- ♪ I'll embrace you ♪
- ♪ Dream ♪
1292
01:09:56,567 --> 01:10:01,363
♪ When the petals wilt and fall ♪
1293
01:10:01,989 --> 01:10:04,408
♪ Good night ♪
1294
01:10:04,408 --> 01:10:07,119
♪ I'll leave you ♪
1295
01:10:07,244 --> 01:10:13,876
♪ When the fog clears and lifts ♪
1296
01:10:13,876 --> 01:10:16,420
♪ Bye, blooming dream ♪
1297
01:10:16,420 --> 01:10:17,880
♪ It's all gonna be okay ♪
1298
01:10:17,880 --> 01:10:25,596
♪ It's all gonna be okay
it's all gonna be okay ♪
1299
01:10:25,596 --> 01:10:26,764
♪ It's all gonna be okay ♪
1300
01:10:26,889 --> 01:10:37,566
♪ It's all gonna be okay
it's all gonna be okay ♪
1301
01:10:38,275 --> 01:10:39,318
♪ Dream ♪
1302
01:10:40,486 --> 01:10:43,489
♪ I hope it's there
after all your creations and life ♪
1303
01:10:43,489 --> 01:10:44,740
BOTH: ♪ Dream ♪
1304
01:10:45,783 --> 01:10:48,535
♪ I hope you're generous
wherever you end up ♪
1305
01:10:48,535 --> 01:10:49,912
BOTH: ♪ Dream ♪
1306
01:10:51,205 --> 01:10:54,124
♪ I hope you're in full bloom
at the end of the struggle ♪
1307
01:10:54,124 --> 01:10:55,334
BOTH: ♪ Dream ♪
1308
01:10:56,252 --> 01:10:59,964
♪ Your beginnings are humble,
but prosperous your future be, dream! ♪
1309
01:10:59,964 --> 01:11:05,844
♪ I'll hold you
when the last petals fall ♪
1310
01:11:05,970 --> 01:11:08,430
♪ Hold tight ♪
1311
01:11:08,430 --> 01:11:11,141
♪ I'll leave you ♪
1312
01:11:11,141 --> 01:11:17,690
♪ When you reach the rainbow's end ♪
1313
01:11:17,940 --> 01:11:20,859
♪ Bye, blooming dream ♪
1314
01:11:20,859 --> 01:11:23,529
♪ While you're dreaming
while looking at me ♪
1315
01:11:23,529 --> 01:11:25,823
♪ I've always got your back
so don't worry too much ♪
1316
01:11:25,823 --> 01:11:28,367
♪ I'll readily accept you
if you're afraid to fall ♪
1317
01:11:28,367 --> 01:11:30,828
♪ So don't you suffer like me ♪
1318
01:11:30,828 --> 01:11:33,706
♪ You who sleeps for the sake
of your dream, it's okay to rest ♪
1319
01:11:33,706 --> 01:11:35,916
♪ Don't even dream tonight ♪
1320
01:11:35,916 --> 01:11:39,211
♪ When you smile softly at me
without saying a word ♪
1321
01:11:39,211 --> 01:11:41,839
♪ That's when I finally feel
a little relieved ♪
1322
01:11:41,839 --> 01:11:43,173
♪ A little relieved ♪
1323
01:11:43,799 --> 01:11:44,925
♪ Dream ♪
1324
01:11:47,970 --> 01:11:50,597
SUGA: I felt anxious when I achieved
something I didn't want.
1325
01:11:51,807 --> 01:11:55,602
I felt anxious when the tour
I really wanted got canceled.
1326
01:11:56,437 --> 01:11:58,188
Even when "Dynamite" became a hit.
1327
01:11:59,523 --> 01:12:00,774
Anxiety
1328
01:12:01,442 --> 01:12:03,068
is our friend.
1329
01:12:03,777 --> 01:12:05,362
Everyone is anxious.
1330
01:12:08,157 --> 01:12:10,617
Yeah, so I'm still feeling anxious
1331
01:12:10,743 --> 01:12:13,954
about whether Agust D or D-Day
will be a success or not.
1332
01:12:13,954 --> 01:12:17,166
If you can't see the future,
you're bound to be anxious.
1333
01:12:17,333 --> 01:12:18,667
(LAUGHS)
1334
01:12:18,792 --> 01:12:21,879
But I think I enjoy
trying new things out.
1335
01:12:23,964 --> 01:12:25,507
We've always been like that.
1336
01:12:26,008 --> 01:12:28,719
And it's been fun to see us
becoming the industry standard.
1337
01:12:31,430 --> 01:12:34,725
I'm extremely proud of myself
for being a part of BTS.
1338
01:12:36,018 --> 01:12:38,479
I love my job. I love K-pop.
1339
01:12:40,356 --> 01:12:42,858
(PLAYS SYNTHESIZER)
1340
01:12:48,197 --> 01:12:50,282
("Haegeum" PLAYS)
1341
01:12:54,453 --> 01:12:58,749
I struggled so much
while I was working on "Haegeum."
1342
01:12:59,792 --> 01:13:03,629
So, I made the beat
and then the hook.
1343
01:13:05,214 --> 01:13:08,759
I even wrote the lyrics up to
"Could be somebody's cause of death."
1344
01:13:08,759 --> 01:13:12,012
That was three years ago.
When we were shooting BTS IN THE SOOP.
1345
01:13:12,137 --> 01:13:13,764
("Haegeum" PLAYS)
1346
01:13:13,889 --> 01:13:17,726
The songs you never finished are
the hardest ones to go back and work on.
1347
01:13:18,227 --> 01:13:20,145
♪ This song's a haegeum ♪
1348
01:13:20,270 --> 01:13:22,106
♪ Get on board ♪
1349
01:13:22,231 --> 01:13:25,275
("Haegeum" PLAYS)
1350
01:13:25,984 --> 01:13:27,277
SUGA: Haegeum... I quit.
1351
01:13:27,277 --> 01:13:29,321
When you make a piece of work,
1352
01:13:29,321 --> 01:13:32,199
it's not often that you can say,
"It's better than the old version."
1353
01:13:32,324 --> 01:13:33,700
You always compare them.
1354
01:13:33,700 --> 01:13:36,453
"It's not quite there.
I don't like this."
1355
01:13:36,453 --> 01:13:38,539
And amidst such a struggle,
1356
01:13:39,164 --> 01:13:40,541
"Haegeum" was born.
1357
01:13:41,291 --> 01:13:46,046
"Haegeum" can mean an instrument
but also freeing what's forbidden...
1358
01:13:46,046 --> 01:13:49,049
There were "locked" tracks
in rhythm games I played as a kid.
1359
01:13:49,049 --> 01:13:52,136
When you get past a certain stage,
you can unlock those songs.
1360
01:13:52,803 --> 01:13:54,596
The thing about idols...
1361
01:13:55,097 --> 01:13:58,475
is that we don't have to commit a crime
1362
01:13:58,475 --> 01:14:02,354
or do something that's controversial
1363
01:14:02,354 --> 01:14:07,276
for people to blow little things
out of proportion and judge us.
1364
01:14:07,276 --> 01:14:09,778
I could never understand
the mentality of those people.
1365
01:14:09,903 --> 01:14:11,530
I mean, I've never caused trouble, but...
1366
01:14:12,322 --> 01:14:13,866
So... (INHALES)
1367
01:14:14,450 --> 01:14:16,285
You know, well...
1368
01:14:16,285 --> 01:14:19,246
Like when an idol smokes a cigarette
in a music video,
1369
01:14:19,371 --> 01:14:20,956
these kinds of things...
1370
01:14:21,790 --> 01:14:25,335
Say I get criticized for these things
at the age of 31.
1371
01:14:26,170 --> 01:14:27,880
I strongly believe
it's a social phenomenon
1372
01:14:28,005 --> 01:14:30,466
that we need to think about.
1373
01:14:30,591 --> 01:14:32,509
I wanted to unlock
what is forbidden to us.
1374
01:14:32,509 --> 01:14:38,891
And since a world of information
is just a click away from us now,
1375
01:14:39,433 --> 01:14:41,518
even I stopped bringing my imagination
1376
01:14:42,769 --> 01:14:45,063
and my thoughts into action.
1377
01:14:47,232 --> 01:14:50,861
So this is my message:
"Let's free ourselves from these things."
1378
01:14:50,986 --> 01:14:53,405
Thanks to all the brilliant technology
we have,
1379
01:14:53,405 --> 01:14:57,576
we can now easily find out
what's happening around the world.
1380
01:14:58,327 --> 01:15:01,872
But I strongly feel that
this is the reason why
1381
01:15:01,872 --> 01:15:05,042
some things in our lives
are actually forbidden to us.
1382
01:15:05,042 --> 01:15:07,419
It's okay to care less
about what others think.
1383
01:15:08,170 --> 01:15:10,047
You should be able to do
what you want.
1384
01:15:15,469 --> 01:15:19,223
("Haegeum" PLAYS)
1385
01:15:22,935 --> 01:15:24,186
SUGA: ♪ Yeah ♪
1386
01:15:26,188 --> 01:15:27,981
♪ Oh, yeah, oh, yeah ♪
1387
01:15:29,024 --> 01:15:30,275
♪ Yeah, yeah, yeah ♪
1388
01:15:30,400 --> 01:15:32,486
♪ This song's a haegeum ♪
1389
01:15:32,611 --> 01:15:33,987
♪ Get on board ♪
1390
01:15:33,987 --> 01:15:37,241
♪ This lively rhythm
this could be a new kind of haegeum ♪
1391
01:15:38,242 --> 01:15:39,952
♪ This song's a haegeum ♪
1392
01:15:39,952 --> 01:15:41,453
♪ Get on board ♪
1393
01:15:41,912 --> 01:15:45,249
♪ This lively rhythm
this could be a new kind of haegeum ♪
1394
01:15:45,624 --> 01:15:47,459
♪ This song's a haegeum ♪
1395
01:15:47,584 --> 01:15:48,919
♪ Get on board ♪
1396
01:15:49,503 --> 01:15:53,131
♪ This lively rhythm
this could be a new kind of haegeum ♪
1397
01:15:53,131 --> 01:15:54,925
♪ Free for interpretation ♪
1398
01:15:54,925 --> 01:15:56,843
♪ No more bullshit ♪
1399
01:15:56,843 --> 01:15:59,846
♪ Freedom of expression
could be somebody's cause of death ♪
1400
01:15:59,846 --> 01:16:01,598
♪ Could you still
consider that freedom? ♪
1401
01:16:01,598 --> 01:16:04,851
♪ If you use principles
when you adjudicate and speculate ♪
1402
01:16:05,394 --> 01:16:08,438
♪ And put your freedom and others'
on the same level ♪
1403
01:16:08,438 --> 01:16:10,023
♪ Then don't hesitate
just get on board ♪
1404
01:16:10,148 --> 01:16:11,567
♪ Liberation from the forbidden ♪
1405
01:16:11,567 --> 01:16:13,193
♪ For everybody
in this unlucky generation ♪
1406
01:16:13,193 --> 01:16:15,487
♪ Who can't even understand
their own tastes ♪
1407
01:16:15,487 --> 01:16:18,198
♪ This song's all about freeing
what's forbidden ♪
1408
01:16:18,824 --> 01:16:22,494
♪ But don't forget the difference
between liberty and license ♪
1409
01:16:23,620 --> 01:16:24,997
♪ This song's a haegeum ♪
1410
01:16:25,539 --> 01:16:26,707
♪ Get on board ♪
1411
01:16:27,374 --> 01:16:30,168
♪ This lively rhythm's
a new kind of haegeum ♪
1412
01:16:30,711 --> 01:16:32,337
♪ This song's a haegeum ♪
1413
01:16:32,462 --> 01:16:33,964
♪ Get on board ♪
1414
01:16:33,964 --> 01:16:37,217
♪ This lively rhythm
this could be a new kind of haegeum ♪
1415
01:16:38,135 --> 01:16:39,803
♪ This song's a haegeum ♪
1416
01:16:39,803 --> 01:16:41,555
♪ Get on board ♪
1417
01:16:41,555 --> 01:16:44,433
♪ This lively rhythm
this could be a new kind of haegeum ♪
1418
01:16:44,433 --> 01:16:47,144
♪ Endless information limits
freedom of imagination ♪
1419
01:16:47,144 --> 01:16:48,437
♪ Seeks conformity of thought ♪
1420
01:16:48,437 --> 01:16:50,606
♪ All of this headache of a noise
that blinds you ♪
1421
01:16:50,606 --> 01:16:52,399
♪ Now it even ravages
freedom of thought ♪
1422
01:16:52,399 --> 01:16:55,402
♪ All the controversy produced incessantly
sows chaos ♪
1423
01:16:55,402 --> 01:16:56,987
♪ Makes it hard to judge, uh ♪
1424
01:16:57,654 --> 01:16:59,072
♪ Really, what's been restricting us? ♪
1425
01:16:59,072 --> 01:17:00,449
♪ Maybe we do it to ourselves ♪
1426
01:17:00,449 --> 01:17:02,242
♪ Slaves to capital
slave to money ♪
1427
01:17:02,242 --> 01:17:04,202
♪ Slaves to hatred and prejudice ♪
1428
01:17:04,202 --> 01:17:05,787
♪ Slaves to YouTube
slaves to flexing ♪
1429
01:17:05,787 --> 01:17:07,539
♪ Selfishness and greed
have gone crazy ♪
1430
01:17:07,539 --> 01:17:09,583
♪ I close my eyes and it's easy
it's all so plain ♪
1431
01:17:09,583 --> 01:17:11,460
♪ Opinions split perfectly
depending on the benefit ♪
1432
01:17:11,460 --> 01:17:13,295
♪ Everyone's been blinded, man
by envy and jealousy ♪
1433
01:17:13,295 --> 01:17:15,547
♪ Shackling each other
without even knowing ♪
1434
01:17:15,547 --> 01:17:18,759
♪ Don't get sucked into
the tsunami of info ♪
1435
01:17:18,759 --> 01:17:23,013
♪ 'Cause we all know the difference
between liberty and license ♪
1436
01:17:23,722 --> 01:17:25,515
♪ This song's a haegeum ♪
1437
01:17:25,641 --> 01:17:26,850
♪ Get on board ♪
1438
01:17:27,392 --> 01:17:30,187
♪ This lively rhythm's
a new kind of haegeum ♪
1439
01:17:30,687 --> 01:17:32,439
♪ This song's a haegeum ♪
1440
01:17:32,439 --> 01:17:33,940
♪ Get on board ♪
1441
01:17:34,483 --> 01:17:37,611
♪ This lively rhythm
this could be a new kind of haegeum ♪
1442
01:17:38,278 --> 01:17:39,613
♪ This song's a haegeum ♪
1443
01:17:40,030 --> 01:17:41,865
♪ Get on board ♪
1444
01:17:41,865 --> 01:17:45,243
♪ This lively rhythm
this could be a new kind of haegeum ♪
1445
01:17:45,702 --> 01:17:47,079
♪ This song's a haegeum ♪
1446
01:17:47,621 --> 01:17:49,331
♪ Get on board ♪
1447
01:17:49,331 --> 01:17:53,126
♪ This lively rhythm
this could be a new kind of haegeum ♪
1448
01:17:53,126 --> 01:17:54,836
♪ This song's a haegeum ♪
1449
01:17:54,836 --> 01:17:56,797
♪ Get on board ♪
1450
01:17:56,797 --> 01:18:00,592
♪ This lively rhythm
this could be a new kind of haegeum ♪
1451
01:18:00,592 --> 01:18:02,219
(MUSIC ENDS)
1452
01:18:08,433 --> 01:18:11,436
SUGA: What do you think
are the chances
1453
01:18:12,062 --> 01:18:14,898
of a totally controllable future arriving?
1454
01:18:16,942 --> 01:18:20,445
There's a high chance
that the future you dreaded never happens.
1455
01:18:21,196 --> 01:18:23,990
This is the story
I wanted to share with you.
1456
01:18:23,990 --> 01:18:27,327
People always worry about
the uncertainty of the future.
1457
01:18:27,327 --> 01:18:28,495
They fear it.
1458
01:18:30,205 --> 01:18:34,501
And they're distressed
over the past that they can't change.
1459
01:18:35,419 --> 01:18:38,630
But the only thing you can control
is the present.
1460
01:18:39,756 --> 01:18:43,593
I want to share stories
that focus on the present.
1461
01:18:44,720 --> 01:18:47,597
The past is the past,
the present is the present,
1462
01:18:47,597 --> 01:18:49,433
the future is the future.
1463
01:18:49,433 --> 01:18:53,186
Put too much meaning into them
and they will torment you.
1464
01:19:05,115 --> 01:19:09,119
I condense the millions of thoughts
inside my head and turn them into lyrics.
1465
01:19:10,370 --> 01:19:13,290
I don't have any complaints
with what I've done so far.
1466
01:19:15,709 --> 01:19:18,128
It's up to the listeners
to judge my work,
1467
01:19:18,128 --> 01:19:20,088
and only time will tell.
1468
01:19:21,548 --> 01:19:24,676
(INTENSE MUSIC PLAYS)
1469
01:20:16,019 --> 01:20:17,562
I should get ready for the tour.
1470
01:20:17,562 --> 01:20:19,397
What's my definition of a singer?
1471
01:20:19,397 --> 01:20:22,317
Someone who performs at concerts.
And I'm going to...
1472
01:20:23,527 --> 01:20:24,820
show that to the world again.
1473
01:20:24,820 --> 01:20:27,072
I'll be performing in five cities
in the US.
1474
01:20:27,197 --> 01:20:29,199
Come back to Korea,
go to Southeast Asia, Japan,
1475
01:20:29,199 --> 01:20:30,408
and end the tour in Korea.
1476
01:20:30,408 --> 01:20:32,869
On my tenth anniversary of my debut,
1477
01:20:33,620 --> 01:20:34,996
I'll be on tour. June 13th.
1478
01:20:34,996 --> 01:20:37,999
I'll do my best to make it happen.
1479
01:20:39,626 --> 01:20:41,628
Subtitle translation by Daham Yoon