Downloaded from YTS.MX
[CLOCK TICKING]
[SUSPENSEFUL MUSIC]
Official YIFY movies site: YTS.MX
DR. DOUGLAS: So why do you think you're so preoccupied
with all this morbid material?
MONSTER: Dammit.
ANA: What do you mean?
MONSTER: Do you hear that clock ticking?
DR. DOUGLAS: You know what I mean. Quit deflecting.
MONSTER: That's time running out.
ANA: I'm not deflecting.
I just don't agree with the premise of your question.
MONSTER: Fuck you!
Fuck you!
DR. DOUGLAS: I counsel a lotta people in law enforcement.
ANA: I'm not law enforcement.
DR. DOUGLAS: Can I finish?
DONATELLA: If you fucking touched her, I swear to God.
DR. DOUGLAS: The ones that do
find a way to compartmentalize.
AGENT: I don't give a shit if you did it or not.
DR. DOUGLAS: The ones that don't do so well ...
AGENT: You are going down.
DR. DOUGLAS: They remind me of you
DONATELLA: Sometimes, you have to kill the monster.
[BEEP]
[DRAMATIC MUSIC]
[DRAMATIC MUSIC CONTINUES]
[SUSPENSEFUL MUSIC]
[SUSPENSEFUL MUSIC CONTINUES]
[BIRDS SINGING]
- Hi, ladies, how are you?
- Good, good. - Fine.
- I like these two
crystals.
Can I see the one with the shell on it?
- Yeah.
[CAR ENGINE]
- It's beautiful.
[ENGINE ROARING]
It's hard to decide because they're all so pretty.
- Yeah, they are.
[BEADS CLICKING]
[BIRDS SINGING]
[DRAMATIC MUSIC]
- What the fuck?
[DRAMATIC MUSIC]
[HORN BEEPING]
Fucking asshole.
[VEHICLE CRASHING]
[DRAMATIC MUSIC]
Hey, don't worry about it.
I'm calling 911 right now.
[DRAMATIC MUSIC]
CLARK: On an isolated highway, fear dominated
the thoughts of its travelers for nearly a decade.
That is, until an anonymous tip helped the FBI capture
one of the most notorious serial murderers
in recent history.
Today, I'll talk to a group of young crusaders
determined to set the innocent free
You all firmly believe that John Michael Warbach
is not the Highway Killer.
- We wouldn't be here right thought if we thought
that he had anything to do with the murders.
- Even though he not only confessed
but his DNA was recovered from one of the victims?
- We highly question the confession
- We've seen this same type of scenario happen
dozens of times, where someone is sequestered
in a room for 12 hours.
They don't have an attorney. They're threatened.
Maybe they have a low IQ, or they're just afraid.
But innocent people confess
a lot more often than people think
- Is there any new evidence supporting your claims?
- Well, it's not just the new evidence
but yeah, there's plenty of evidence
Any good court would exonerate him today
- There isn't any evidence proving his guilt.
Yes, he admitted to having sex with one of the victims,
but she was a prostitute working
at a truck stop that he frequented
- And that is the only crime scene where his DNA was found.
Wasn't at any other crime scene.
No fingerprints, no fiber transfers
It's questionable he was even an
near the other crime scenes.
- We've got affidavits from witnesses who say
he was in a confrontation with a state trooper
about two miles from where Jane Doe
victim was last located.
- Do you think the police set him up
- We don't think they set him up
We think that they just rushed their investigation.
- So he's a truck driver, which you know that, right?
He travels that highway every month
as do hundreds of other truckers
Just because he's in the area, I mean, other than that
what is the overwhelming evidence pointing at Mr. Warbach
- There isn't any.
He got into an argument with the state trooper
about his log book hours.
He started rattling off about his constitutional rights,
so then they brought him in
and then they interrogated him for 12 hours.
They were able to tag him with one murder.
One murder led to two.
They were able to press him to confess, and that was it.
- Case closed.
- They got their man.
- They got their man, not the right man.
- If what you say is true,
there is still a killer out there
- Yes, an innocent man is on death row
and there is still a serial killer that can take more lives.
[DRAMATIC MUSIC]
[COUPLE MOANING]
[DRAMATIC MUSIC]
[PHONE BUZZING]
[PHONE PINGING]
- Can't sleep?
- No, I have to work.
- Huh?
- You should go home.
- Wait.
Hey, are you serious?
- Yeah.
[LOVER SIGHING]
[KNOCKING ON DOOR]
LOVER: I'm out.
Text me.
DONATELLA: Fine, I'll just move out.
MONSTER: Good! Get the fuck out and take your shit!
[SHOWER RUNNING]
MOM: Baby, baby baby, just go back upstairs, okay?
MONSTER: And you better get it out before today!
You better get it out or I will fucking burn it!
[HIGH PITCHED RINGING]
DONATELLA: I'm just gonna call the sheriff. That's it.
And I'm just gonna [STUTTERS].
I'm gonna tell him all about you
MONSTER: [LAUGHS] You're gonna call the sheriff
DONATELLA: Yes.
MONSTER: You're a crack whore!
You gonna tell him about all the
that you snort up in that fucking nose of yours?
DONATELLA: I will fucking kill you!
- Yeah, then kill me [ECHOES].
MONSTER: Do it bitch.
Kill me.
- What did you say?
TRAVIS: I asked if you're going out tonight.
- No, I'm gonna keep going over the psychological profile.
- You know it's the weekend?
You can take a break every once in a while.
ANA: Could you pick up the van?
- I will get Danny to do it.
He's into the mechanical nature of this gig.
ANA: He most likely was familiar with the area
before the murders took place.
- Danny?
- The killer.
- How the fuck do you know that?
- The killer would have been covered with blood head to toe.
If he knew her, gained her trust
then he could have taken her that way
but if he didn't know her, he took her by force.
There's trace evidence going back and forth,
but either way, he'd had to have known the area.
He had to have known that he had
privacy and a safe point of egress.
TRAVIS: Egress. You sound like the FBI.
- Is that a good thing?
- I guess so. Is all this in the report?
- Yeah.
TRAVIS: Does it say who the killer is?
Make this a hell of a lot easier
Then you wouldn't have to go on the serial killer tour.
ANA: Whether he knew her or not, he knew the location.
It was, it was special to him. It was sacred, maybe.
[TRAVIS COUGHING]
- Did you watch the show last night?
- What?
TRAVIS: The show.
- No.
TRAVIS: Well, I recorded it.
Kinda made it look like you were
the team leader or something.
- Can you send the email to make sure
that everyone's going to be there tomorrow?
- I guess if I had nicer tits,
they would've given me more screen time.
- Travis.
- Yeah, I got it.
I'll send the email. I know, I'm a dick.
[TRAVIS SIGHING]
But I am talented.
- Are you trying to be famous,
or are you trying to save a life?
- I'm trying to save a life, of course.
I have to kill somebody if I wanna be famous.
[TRAFFIC PASSING]
[PHONE RINGING]
- You trying to get me demoted, or just fired?
Maybe arrested?
ANA: None of the above.
I just need to know what you know about
the latest Highway murder.
[SIGHS] Highway murder case is closed.
You must be speaking of a local homicide.
outside of FBI jurisdiction.
- My source says that this case is identical to the others.
- Similar, not identical.
What are you doing with a source
I thought I was your source.
ANA: Why don't you just reopen your case and save me
the trouble of having to go above your head?
- You ever heard of finality of judgement?
- Have you ever heard of fully exonerated?
- What do you want from me?
ANA: I already told you. I just need to know what you know.
- No, nothing has come to the attention of the FBI
that would lead us to believe we
to reopen our previous investigation
Is that official enough for you and the Innocent Initiative?
Or are you guys gonna shit talk
the Bureau to the press again?
- Why are you so sure that he's guilty?
- This may come as a shock to you
but sometimes you don't know every damn thing.
- And that's why I ask questions
- You ever stop to think there might be more to the story?
- What is that supposed to mean?
- I'm just saying he's there for a reason.
ANA: So because we're all guilty of something,
that means we all get what we deserve, right?
- You don't know what you're looking for.
I think you should consider another hobby.
Now that's all you need?
I've gotta go catch some terrorists.
Ana?
[ENGINE REVVING]
[SOFT DRAMATIC MUSIC]
ANA: If he annoys you or gives you any shit,
just ignore him.
Talk to me if it gets to be a problem.
Like he's, he means well.
- Apologies. - I know, I know.
ANA: It's just his way.
DIERDRE: Okay, okay. TRAVIS: Hello, everyone.
ANA: You're buying lunch today.
- I'm buying lunch today, I know. I'll pay my penance.
You can flog me as punishment,
if you're into that kinda thing.
- No thank you.
- My loss.
DIERDRE: Hey, you wanna put your bag in the back?
TRAVIS: No, I'll keep it with me
DANY: Ana? - Yeah.
- It's supposed to rain today in the high country.
Do you think we should consider-
TRAVIS: No [LAUGHS].
No, we're not calling this off.
- I'm not talking to you.
- I made plans.
It's the only weekend I have available to do this.
We're gonna have to proceed as fucking planned.
DIERDRE: Come on, everyone, please. Just load up.
Get in the car. Let's go.
Come on, please. I don't have all day.
- I'm in the car. Yell at Suzie Seoul back there.
She got the OCD hitting on all cylinders.
Everything packed yet?
- Hey, you know, you're an asshole, and I don't have OCD.
- And I don't think you know what OCD is.
- Take it easy.
[HATCH SLAMMING]
- That's right. You two are having a thing.
My bad.
Serious question, for real.
- Uh-huh.
- Is it Deedra or Deardra?
Because I'm never sure if I'm pronouncing your name right.
- It's, it's Dierdre.
- Dear, Deedra?
- Dierdre, yes.
- Got it.
I'm not buying lunch, by the way
- We're just one big happy family, aren't we?
- You know we are.
[UPBEAT MUSIC]
AARON [VO]: I gave you some leeway on the Wahrbach case.
I wanna close this case and move on
But you're on television, you're on college campuses,
you're requisitioning vehicles.
ANA [VO]: So you're saying I can't use the van?
AARON [VO]: I don't care about the van.
I care about you continuing a case.
I specifically told you was dead in the water.
ANA [VO]: I don't think that the case is dead in the water.
I can trace everything back to victim number three,
and it will either reaffirm his guilt
or it will prove that he's innocent
And either way we still look good.
AARON [VO]: Great, you have until the next board meeting
to get it all settled, and then I'm moving you
to something more urgent.
[ENGINE IDLING]
- This looks
bleak.
[CAR DINGING]
ANA: Travis, can you get video?
- This is not a toy in my hand. I am getting video.
- Thank you.
- Gonna look amazing, too.
ANA: It better.
TRAVIS: Hey, fearless leader.
- Hm.
- I'm gonna document the area, you know, professionally.
- Please do. And I'm nobody's leader, I'm just punctual.
TRAVIS: Never gonna live that down.
ANA: All right, so ...
- We can use that later.
ANA: There's gonna be two maps.
This one's of the general area.
ANA: This one, though ...
DANNY: Hey, we're gonna check some cabins over here.
ANA: Okay, Umm, when you're over there, can you listen?
- Listen for what?
- Anything that we can use.
- Right.
- Guys, don't just go back there to fuck.
- No, y'all's dirty, perverted souls
reflect more on you guys than it does on us.
- There's bugs and shit. Just be careful.
ANA: They're gonna fuck.
DIERDRE: They're totally fucking
[DRAMATIC MUSIC]
[BAG UNZIPPING]
- Don't fall.
How long do you think we have?
ANA: He must have camped here when he was a kid.
DIERDRE: Well there was probably thousands of kids
that came through this camp during this timeline.
I don't even know if we can find any records from that time.
ANA: If they do exist, maybe we can get them.
- All right. You cold?
- Yes.
- Got my jacket.
[BAG UNZIPPING]
ANA: We need to get around that red tape.
DIERDRE: I know, but that's a lot easier said than done.
ANA: How would we get it done though?
[SOFT SUSPENSEFUL MUSIC]
[CAMERA CLICKING]
[BAG ZIPPING]
[SOFT SUSPENSEFUL MUSIC]
- I would die if I had to be out here all by myself.
I mean, you can't hear anything man made.
When was the last time you haven't heard something man-made
- Shoot, my mother's womb, probably
- I'm being serious.
I mean, it's scary to think that if you're screaming
for help no one on Earth can hear you.
That's pretty fricking creepy.
DIERDRE: I mean this is a fucking summer camp,
not a federal office.
I don't know.
ANA: You know, we could get creative.
[DOOR CREAKING]
- So you wanna move on?
- Yeah, let's move on.
[DOOR CREAKING]
- I think the body was placed there later.
Because we've got two victims near Harkinsville,
one near Vegas, one near Wickenburg
And Victim Three was over here.
[SOFT SUSPENSEFUL MUSIC]
- You're okay, right?
- Yeah.
- You think he killed them and then dumped
the bodies in different spots?
- I do.
- No.
No, I think that's, that's too far of a stretch.
- Yeah, that's why I haven't said it out loud.
[SOFT SUSPENSEFUL MUSIC]
Turn around.
[SEOUL BREATHING HARD]
[DRAMATIC MUSIC]
[SEOUL MOANING]
[HAMMER STRIKING]
[SEOUL SCREAMING]
DIERDRE: No one even brought that up at the trial.
[DRAMATIC MUSIC]
Dude, what's up?
[DRAMATIC MUSIC]
What?
[SEOUL COUGHING]
- Please don't.
[DRAMATIC MUSIC]
[FLESH TEARING]
[DRAMATIC MUSIC]
[PUNCHES STRIKING]
[DRAMATIC MUSIC]
[INSECTS CHIRPING]
DIERDRE: What?
ANA: Danny?
ANA: Danny, say something. DIERDRE: What's wrong?
- What'd you fucking do, smoke the whole bag?
[DRAMATIC MUSIC]
Dude, what the fuck is wrong?
[DRAMATIC MUSIC]
ANA: Where's the phone?
[DRAMATIC MUSIC]
Dierdre, our friends are back there!
- No, no. Fuck that, we gotta go get help.
[DRAMATIC MUSIC]
ANA: Where are you going?
Where are you going? DIERDRE: Stop it!
[DRAMATIC MUSIC]
[HAMMER STRIKING TWICE]
We're not leaving them. You have to go back.
DIERDRE: I'm scared, okay?
I'm scared and I'm sorry, but I'm scared!
- Danny might be alive.
We have to go, we have to go back. They're our friends.
DIERDRE: They don't fucking know me.
They're not my friends. They're your fucking friends!
- Stop, you need to turn.
DIERDRE: No.
ANA: Make the loop. Don't go straight.
Turn right. We're going back.
- No, we can't. Ana, we can get help.
- We have to go back.
DIERDRE: I'm sorry.
- I'm not leaving them.
- Please, please.
ANA: Turn.
- Please.
ANA: Dierdre, we need to go back
[DIERDRE BREATHING HARD]
ANA: Turn right.
- Fuck, fuck.
Fuck, fuck!
[ENGINE ROARING]
[SOFT SUSPENSEFUL MUSIC]
DIERDRE: Do you see him?
ANA: No.
DIERDRE: Do you see him? ANA: No.
[SOFT SUSPENSEFUL MUSIC]
ANA: I'm going to go to the trunk
Don't fucking leave me, Dierdre.
- Okay.
[ENGINE IDLING]
What are you getting?
- Dierdre, you can't fucking leave me, okay?
DIERDRE: I promise.
- Okay.
- I promise.
[ENGINE IDLING]
[ANA BREATHING HARD]
[SUSPENSEFUL MUSIC]
- Danny, I'm so sorry.
[SUSPENSEFUL MUSIC]
[ANA SOBBING]
[SUSPENSEFUL MUSIC]
ANA: Danny, this is gonna be like you're going underwater.
Your lungs are gonna burn, but it won't last long.
It's just gonna get quiet,
and there's gonna be no more pain.
[SUSPENSEFUL MUSIC]
[DIERDRE PANICKING]
[SOFT SUSPENSEFUL MUSIC]
- Shit.
Fuck.
[DIERDRE BREATHING HARD]
Fuck, come on, please. Please, please, please, please.
Fuck, shit, shit.
[DRAMATIC MUSIC]
Fuck! Fuck!
[ENGINE ROARING]
[DRAMATIC MUSIC]
- Travis?
Seoul?
Fuck!
[DRAMATIC MUSIC]
[DOOR BANGING]
[DRAMATIC MUSIC]
[SOFT DRAMATIC MUSIC]
[DOOR CLOSING]
[SOFT DRAMATIC MUSIC]
[LID BANGING]
[SUSPENSEFUL MUSIC]
[CONTAINER BANGING]
[LID CLOSING]
[SUSPENSEFUL MUSIC]
[DOOR CLOSING]
[ENGINE STARTING]
[ENGINE HUMMING]
[VEHICLE SPEEDING]
[HORN HONKING]
[VEHICLE CRASHING]
[SUSPENSEFUL MUSIC]
[VEHICLE ROLLING]
VEHICLE THUMPING]
[SUSPENSEFUL MUSIC]
[ANA BREATHING HARD
[ANA COUGHING]
[SUSPENSEFUL MUSIC]
[ANA COUGHING]
[GENTLE PIANO MUSIC]
MONSTER: God damn bitch!
- What did you do?
MONSTER: Fuck you!
Fuck you!
DONATELLA: If you fucking touched her, I swear to God
I'm gonna motherfucking--
MONSTER: I told you not to raise your voice at me!
Do you understand me now?
Because you don't want this to come back to you!
You don't want it!
- I will fucking kill you!
MONSTER: Well come over here and kill me! Kill me please!
Take me outta this!
You're not gonna do it with that, are you
Because you need something a lot
bigger than that to kill me.
- You're a piece of shit.
MONSTER: [CHUCKLES] Then kill me Come over
Here, come on.
MONSTER: Right here. DONATELLA: Fuck you!
MONSTER: Put it. DONATELLA: Fuck you!
Fuck you, fuck you!
- See, I knew you wouldn't do it! I knew, you wouldn't.
I give you and your bastard child
a roof over your head and all the food you can eat!
You're not gonna do that! You're not gonna fuck that up!
You just remember that you need me
a lot more than I need you!
- Fuck you, I'm gonna leave.
- Good! Get the fuck out and take your shit away!
Now! Go.
MONSTER: If you don't have it out by today
I will stack it up in the backyard
and burn your shit down, do you hear me?
Do you hear me?
[SOFT SAD MUSIC]
[SOBS] I'm gonna call the sheriff
And I'm gonna make sure that your ass
goes to fucking prison!
- Oh, you're gonna call the sheriff [LAUGHS].
You're a crack whore!
What are you gonna tell them how much coke is up your nose?
I mean, you snort it every night
I mean, it's up and up and up.
I mean, you're not gonna do that. You're not.
I think the only hope maybe it goes to trial and,
you blow the judge.
Yeah, you got skills in that department
I think that might wo-- that'’s a--
That might work out for you.
You know, I'm getting a little worried, actually,
thinking, wow, she gives good blow jobs
The judge might ...
[DONATELLA SNIFFING]
- I'm gonna go tell him
that you're a motherfucking child molester.
MONSTER: Well, least you got a plan! [LAUGHS]
Ah.
I'll deal with you in a minute.
[ANA COUGHING]
[ANA BREATHING SOFTLY]
[FOOTSTEPS CRUNCHING]
[CAN BANGING]
[BIRDS CHIRP]
[FOOTSTEPS CRUNCHING]
[VEHICLE DINGING]
[ENGINE STARTING]
[ENGINE REVVING]
DIERDRE: Please, please don't go back.
Please, please don't go back there.
You have to turn around.
[SPANISH] MAN: What is she saying? WOMAN: I don'’t know.
DIERDRE: You just have to... Please go back. WOMAN: [SPANISH] She'’s scared.
WOMAN: [SPANISH] Calm down, you'’re safe DIERDRE: He's there. He's up
front you have to go around. Please, listen to me, please.
He's fucking crazy, please.
MAN: [SPANISH] I don'’t know what she'’s afraid of. DIERDRE: Please!
- No, you're going the wrong way. You have to turn around.
You have to turn around.
MAN: [SPANISH] Whats a matter with you? You'’re crazy!
DIERDRE: Please, WOMAN: [SPANISH] She hurt her head.
DIERDRE: Please, please turn around, please. We have to get help.
WOMAN: [SPANISH] Don'’t do that! Sit Down.
DIERDRE: We have to get help. My friends are dead, please.
MAN: [SPANISH] I'’ll make her walk!
WOMAN: [SPANISH] Maybe she wants to go back to her truck.
Please listen to me. Please, please.
Please.
[SUSPENSEFUL MUSIC]
DIERDRE: Please don't go through there. Please.
Please turn around.
Please turn around, please. Please
Fuck.
Go back, go back! Go back! Go back!
No, don't get out!
Please, please don't, don't get out. Don't get out!
Please. No!
No, please, stay in the car! No, we have to go back!
We have to go back! We have to go back!
No, listen to me.
Please get back in the car!
Please, we have to go back!
[SPANISH] Calm down, calm down, it'’s fine.
No, listen to me. You want to listen to me, please.
DIERDRE: We have to go back! We have to turn around.
DIERDRE: Get in the car! WOMAN: Carlo!
[GUN FIRING]
[WOMEN SCREAMING]
DIERDRE: No!
[GUN FIRING]
[DRAMATIC MUSIC]
[FOOTSTEPS RUNNING]
[DRAMATIC MUSIC]
[ENGINE REVVING]
[VEHICLE THUDDING]
[DIERDRE SHOUTING]
[DIERDRE BREATHING HARD]
Ah!
[DIERDRE CRYING]
[GUN CLICKING]
No!
Please, please, wait.
Wait.
Wait!
Please, no! Wait!
Please! Please! Please...
[GUN FIRING]
[SOFT SUSPENSEFUL MUSIC]
[VEHICLE JOSTLING]
[ENGINE HUMMING]
TRAVIS: Hey! Wait!
- How the fuck did I get here? How am I back here?
How am I back here?
Travis. Travis, get in the car.
- Oh you. What the fuck?
ANA: Get in the car now!
- Why did you leave me here?
ANA: Travis, hurry up. Hurry up, hurry up...
TRAVIS: Open the fucking door! Seriously?!
ANA: Hurry up. Get in the car, get in the car...
TRAVIS: What the fuck?
ANA: Travis, we need to go. We need to--
TRAVIS: Why'd you fucking leave?
ANA: We weren'’t leaving
[TIRES BANGING]
Why the fuck did you leave?
ANA: Killer's out there, and he got Danny
and I don't know where Seoul is, and Dierdre left me.
- So you left to fuck with me?
We didn't leave. We ran.
- Yeah, there was a guy in the woods, I got it.
You guys think it's so fucking funny
to give me shit all the time.
You wouldn't even be here if I didn't bring you this story.
- How did you get away?
TRAVIS: Get away from what?
I didn't see any dead bodies or killers in trees
or whatever you're making up.
ANA: You think they got away?
- Ana, enough. It's not funny anymore, okay.
I'm tired, and I wanna go home.
I'm done with whatever this is.
Can you call everybody so we can get on with it
for fuck sake?
ANA: Where's your phone? Do you have your phone?
- I left my phone in the fucking cabin.
Can you turn around please?
- What's that?
- What's what?
- Is that blood on your hands?
- Yeah, probably.
ANA: Travis, why is there blood on your hands?
- I don't know. It was barbed wire or something.
Can we go back for my phone please?
- There's not a lot of barbed wire out here, Travis.
There's not a lot of anything out here.
- You saying I'm lying about fucking barbed wire?
- I'm saying why the fuck is there blood on your hands?
- Do you wanna see where I've been all morning?
Turn the truck around. Let's go back!
It's a real pleasant place. I'll show you.
- Travis, I need you to get out of the truck.
- What the fuck are you talking
- Get out of the truck.
- Ana, I don't know what's going on
or what you think I did,
but you're sitting there looking at me
with judgmental eyes, the way you always look at me,
and I don't fucking like it.
Turn the truck around so I can get my fucking phone!
ANA: Get outta the fucking truck
[DOOR DINGING]
TRAVIS: Where are you going?
Ana, Ana.
ANA: Get away from me.
- Get in the truck.
ANA: No.
- Ana, I'm not gonna leave you out here the way you left me.
- Travis, what did you do?
- I forgive you.
Just get in the truck.
- No.
- Get in the fucking truck! Get in the fucking truck!
[FOOTSTEPS RUNNING]
[SOFT SUSPENSEFUL MUSIC]
[ANA BREATHING HARD]
[WATER LAPPING]
[ANA BREATHING HARD]
[TWIGS SNAPPING]
[SOFT SUSPENSEFUL MUSIC]
[GUN FIRING]
[FOOTSTEPS THUDDING]
[SOFT SUSPENSEFUL MUSIC]
DR. DOUGLAS: Why do you think you're so preoccupied
with all this morbid material?
ANA: What do you mean?
DR. DOUGLAS: You know what I mean. Quit deflecting.
[GUN FIRING]
ANA: I'm not deflecting.
I just don't agree with the premise of your question.
DR. DOUGLAS: I counsel a lotta people in law enforcement.
ANA: I'm not law enforcement.
DR. DOUGLAS: Can I finish?
The ones that do well find a way to compartmentalize.
The ones that don't do so well, they remind me of you.
[SOFT MUSIC]
[ANA SNIFFING]
[SOFT MUSIC]
DONATELLA: Sometimes you have to kill the monster.
[ANA SCREAMING]
[GUN FIRING]
[DONATELLA SCREAMING]
DONATELLA: Don't be afraid! Don't be afraid!
Can you hear me? Can you hear me
ANA: Is he dead?
DONATELLA: It's okay. It's okay.
You did good.
Sometimes, sometimes you gotta kill the monster.
You're such a brave girl.
I'm so sorry [SNIFFS].
[DONATELLA CRYING]
I'm sorry.
ANA: Have you been eating?
- What?
ANA: Have you been eating?
- No, I have not been eating, because you didn't put
no money in my commissary this month
but they did actually, wait, hold up, they did give me
two bologna sandwiches today for lunch
so I should be good till tomorrow
- Were they good?
- They were bologna sandwiches.
- They might switch over to video visitation.
- What the fuck is that?
ANA: Be like this but on a screen.
Trying to join the 21st century.
DONATELLA: Yay, I guess.
- Did you get the care package I sent you?
- Okay, you know what, this is the part
where we stop doing the small talk thing
[PHONE CRASHING]
[DONATELLA SNIFFING]
Go.
- Could we just ...
I can't stand seeing you in here
- I belong in here.
ANA: No you don't.
- See everything out there?
Where you are, where you live?
It's not out there for me.
This, this is where I deserve to be
See all this right here?
This is my house.
- You say it like you believe it, but you don't.
- You know what I fucking need you to do?
I need you to stop coming here and bothering me
and wasting your life,
this life that I fucking gave you!
ANA: What does that mean?
[PHONE BANGING]
- Justice, do you know the fucking meaning
of the word justice? ANA: Yeah.
- Justice, you know what that mens? ANA: Yes.
- You know the Webster definition of that fucking word?
ANA: Yes, I know the Webster's definition.
- Okay, I need you to tell me.
I know the Webster definition--
- Mom, stop.
DONATELLA: Do you know it? Do you know it?
- Stop, stop, yes!
[PHONE BANGING]
[DONATELLA EXHAILING]
[DONATELLA SNIFFING]
[SOFT PIANO MUSIC]
When did you get so fucking weak
It's fucking disgusting!
You've gotta be stronger!
You're not gonna fucking make it
ANA: And what if I can't?
- You can't fucking say that!
You can't fucking say that to me
[SOFT PIANO MUSIC]
- I didn't get to choose this life mom.
DONATELLA: [LAUGHS] Yeah, you're so fucking stupid.
Nobody chooses shit. Nobody chooses their life.
That's some shit that we just make up
so we can get outta bed every morning.
It's a lie. Stop lying!
You just do your fucking best and get on with it!
- I'm trying.
- Try fucking harder.
[PHONE SLAMMING]
[FOOTSTEPS THUMPING]
[GENTLE PIANO MUSIC]
[FOOTSTEPS CRUNCHING]
[GENTLE PIANO MUSIC]
[WIND BLOWING]
[FOOTSTEPS CRUNCHING]
[SUSPENSEFUL MUSIC]
[FOOTSTEPS CRUNCHING]
[SUSPENSEFUL MUSIC]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
[BIRDS CHIRPING]
[GENTLE PIANO MUSIC]
[FOOTSTEPS CRUNCHING]
[GENTLE PIANO MUSIC]
[THUNDER RUMBLING]
[RAIN PETLING]
- Travis?
[RAIN PELTING]
[HANDLE THUMPING]
[RAIN PELTING]
ANA: Oh.
[ANA BREATHING HARD]
[RAIN PELTING]
[HEAVY RAIN]
[SUSPENSEFUL MUSIC
- Sometimes you have to kill the monster.
[SUSPENSEFUL MUSIC]
CONVICT: I didn't do anything.
OFFICER: I don't give a shit if you did it or not.
[DIERDRE LAUGHING]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
- Sometimes you have to kill the monster.
[SUSPENSEFUL MUSIC]
ANA: I'm trying.
- DONATELLA: Try fucking harder
[SUSPENSEFUL MUSIC]
[TRUCK BEEPING]
[ENGINE IDLING]
[CHAIN SCRAPING]
ANA: Hey!
- Holy shit.
- Sorry, sorry sorry.
EARL: You scared me.
What are you doing in there? Is that your truck?
- I need help. I need you to call the cops.
- The cops? What happened?
- There's a, there's a killer out there
My friends are missing.
- Whoa, whoa, whoa. What are you talking about?
ANA: I can explain everything. Just call the cops.
- Look, phones don't really work out here, sorry to say.
We're a small community, not much crime.
I've got a landline back at my garage.
I can call the sheriff, wake her up at home.
Okay.
- Wait.
- What?
Uh.
Just wait in your truck, and I'll be right back, okay?
Here.
Take my gun.
[ENGINE IDLING]
You know how to fire a gun, righ?
ANA: I, I hate guns.
- What are you, a liberal?
[ENGINE IDLING]
EARL: What am I doing?
I can't leave you out here alone
Look, come with me. I'll get you outta the cold.
You can talk to the sheriff yourself
Uh.
[GUN CLICKING]
EARL: Here.
[ENGINE IDLING]
You take the gun. I keep the bullets.
That way we're equal, okay?
ANA: Okay.
- Get in.
[ENGINE IDLING]
[DOORS SLAMMING]
Aw!
- What?
EARL: Damn. I left the chains out.
I'll be right back.
ANA: Okay.
[ENGINE IDLING]
[DOOR SLAMMING]
[ENGINE IDLING]
[CHAIN SCRAPING]
[ENGINE IDLING]
[ANA EXHAILING]
[ENGINE IDLING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR OPENING]
[DOOR SLAMMING]
EARL: It's cold out there.
ANA: Mm-hm.
- Put your seat belt on.
[ENGINE IDLING]
[BELT SLIDING]
EARL: Here we go.
Safety first.
[ENGINE REVVING]
EARL: Basically, I've lived here my entire life.
Huh.
Some folks wanna move to the city
Not me! No way.
I like the big trees, changing seasons,
wide-open spaces.
This is really living, you know?
My mother used to say I talk too much.
Sorry about that.
- No, it's not you. I'm just worried about my friends.
- I'm sure everything's gonna be okay
when we get back to the garage.
Sheriff is really sharp.
EARL: She'll help you figure everything out
ANA: Can you drop me off at the police station instead?
EARL: No, there's nobody there. I already told you.
This is a one-horse town.
Sheriff's office closes at sundown.
Doesn't open again until break of dawn.
I'll do whatever you want.
It's just well ...
It's just I feel bad about leaving you
out there alone at night.
ANA: I'm armed.
EARL: Empty.
But armed.
How about this?
Let's get you bandaged up,
maybe put some food in your belly
While we wait for the sheriff.
I was deputized.
When that Indian boy went missing a couple years ago.
You remember that?
- No, I never heard about that.
- No?
Shame.
It made the news.
[VEHICLE SQUEAKING]
[ENGINE HUMMING]
[ENGINE IDLING]
[CHAIN RATTLING]
[GATE SLIDING]
[ENGINE IDLING]
[DOOR OPENING AND CLOSING]
[ENGINE PURRING]
[SOFT SUSPENSEFUL MUSIC]
Why don't you go in and get some water.
I'll be right back in a second, okay?
[DOOR OPENING]
[DOOR SLAMMING]
[ENGINE REVVING]
[SOFT SUSPENSEFUL MUSIC]
[ANA EXHAILING]
[SOFT KNOCKING]
[SOFT SUSPENSEFUL MUSIC]
[GRAVEL CRUNCHING]
[ENGINE IDLING]
[SOFT SUSPENSEFUL MUSIC]
[ANA GASPING]
[SUSPENSEFUL MUSIC]
[MUSIC STOPS]
- Did Earl Lee get back to you yet?
DISPATCHER: Not yet. I can call him again.
- Na, I'll head over there.
DISPATCHER: You want me to wake up the deputies?
HOLCOMB: Let them get their beauty sleep.
[SOFT SUSPENSEFUL MUSIC]
[LID BANGING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR OPENING]
[SOFT SUSPENSEFUL MUSIC]
EARL: I don't know what to say.
I thought you'd have been outta here by now.
I don't even have to chase you.
[SOFT SUSPENSEFUL MUSIC]
You gonna ask me why I do what I do?
Beg for mercy?
You just gonna stand there, breathing at me?
You must be terrified.
[SOFT SUSPENSEFUL MUSIC]
It's hard.
Facing this thing death.
[SOFT SUSPENSEFUL MUSIC]
I know one thing for sure.
[SOFT SUSPENSEFUL MUSIC]
You're gonna die today.
[GUN CLICKING]
EARL: You've got fight in you. I'll give you that.
There was a hooker outside of Reno.
Oh, she put up a hell of a fight
[EARL INHAILING]
I respected her for that.
I don't want you to think this is a sex thing.
This has nothing to do with sexual deviance.
[GUN CLICKING]
EARL: You'll still be awake when I push the blade in.
[SOFT SUSPENSEFUL MUSIC]
It'll feel like an electric shock through your whole body.
[GUN CLICKING]
EARL: You'll go into hypovolemic shock.
[GUN CLICKING]
[SOFT SUSPENSEFUL MUSIC]
EARL: I don't want you to be afraid.
Just close your eyes.
[GUN FIRING]
[DRAMATIC MUSIC]
EARL: You shot me.
[DRAMATIC MUSIC]
[BAR STRIKING]
EARL: No! Please no! Please no!
[ANA GRUNTING]
[EARL WHIMPERING]
EARL: Please stop!
[SIREN BLARING]
HOLCOMB: Drop the weapon! Drop it!
[BAR RATTLING]
EARL: She's trying to kill me!
HOLCOMB: Hands on your head!
EARL: Shoot her! She's got a gun.
HOLCOMB: Shut up, Earl!
Ma'am, do you have any other weapons?
- No, I do not.
EARL: She said she was gonna kill somebody.
She's crazy.
HOLCOMB: Earl, shut the fuck up!
Do not move unless I tell you to. Do you understand?
ANA: Yes, I understand.
HOLCOMB: If you do anything that makes me feel like
you're gonna hurt Earl or me, I will put you down.
Do you understand?
ANA: Yes, I understand.
HOLCOMB: Do you wanna die tonight?
ANA: No, ma'am, I do not.
HOLCOMB: Neither do I.
So let's be calm and figure this out.
Walk backwards toward my voice.
Keep coming, keep coming.
Keep coming. Stop.
- Be careful, Sheriff.
- I'm gonna put these cuffs on you.
Hold your arm up.
HOLCOMB: No, keep it up, keep it up.
[HANDCUFFS CLICKING]
Bring your other arm down.
[ENGINE IDLING]
EARL: Okay, now can we call Doc Roberts?
I've got a bullet in me.
HOLCOMB: Are you a prostitute?
- No.
HOLCOMB: What I'm trying to say is, if he was trying
to rape you, you have the right to protect yourself.
- No, ma'am, I'm not a prostitute.
- Well then this is one hell of a misunderstanding.
- He killed my friends.
He's been chasing me through the woods.
He has one of my friends stuffed in a barrel.
HOLCOMB: You know what that sounds like, right?
- I know it sounds crazy, but he's also gonna tell you
a crazy story, and you're gonna have to decide
which one of us to believe, and I'm at a disadvantage
because you don't know me.
- Not too much of a disadvantage
I know him, but I don't like him
ANA: Her name is Suzanne Kim. She's stuffed in a barrel.
She is probably 19. I don't know what he'’s done with the rest of them.
But her body is in there disintegrating.
HOLCOMB: Watch your head.
ANA: Whatever you do, whatever he says,
just look in that barrel, look through his place.
Please be careful, though, when you do it.
[DOOR SLAMMING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR SLAMMING]
[ENGINE IDDLING]
[SOFT SUSPENSEFUL MUSIC]
[ANA SNIFFING]
[SOFT SUSPENSEFUL MUSIC]
- All right, I asked him if could give his place
a once-over, and he said okay, so
A few minutes, one way or another
you're gonna be outta here.
[HOLCOMB GROANING]
[ANA SHRIEKING]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
- Look what you made me do.
[DRAMATIC MUSIC]
You're a real pain in the ass.
EARL: You know that?
Run.
Go on.
[HAND BANGING ON ROOF]
Run!
[SOFT SUSPENSEFUL MUSIC]
Last chance.
Remember that. I gave you a chance.
[SOFT SUSPENSEFUL MUSIC]
[DOOR SLAMMING]
[SOFT SUSPENSEFUL MUSIC]
EARL: You're putting me in a bit of a pickle
[SOFT SUSPENSEFUL MUSIC]
EARL: I could kill you right now
Or I could let you go.
And they would blame you for everything that happened.
- Get away from me.
[EARL GROANING]
EARL: There's gotta be a way outta this.
[SOFT SUSPENSEFUL MUSIC]
We need to think.
[EARL HUMMING]
[SOFT SUSPENSEFUL MUSIC]
There's been a lotta death today
- Are they all dead?
EARL: We can work something out.
- Are they all dead?
EARL: Are you listening to me?
[SOFT SUSPENSEFUL MUSIC]
I don't wanna go to jail.
And I'm pretty sure you don't wanna go
to jail for shooting me.
So I think we should just ...
Wait a minute. Wait a goddam minute.
You're a fucking liar.
ANA: What?
EARL: You're not trying to help me!
ANA: I can.
[SOFT SUSPENSEFUL MUSIC]
EARL: Liar.
Liar!
[GUN FIRING]
[GLASS SMASHING]
You all lie!
ANA: I can't hear you.
- Every time a bitch opens her bitch mouth,
it's one lie after another!
ANA: I can't hear you.
EARL: I'm so good.
I'm so righteous.
ANA: I can't hear you. I can't hear you.
EARL: You don't know what's happened to me.
You can't judge me.
[SOFT SUSPENSEFUL MUSIC]
EARL: You came to me.
This is all your fault.
- Kill me.
- Shut up.
ANA: Kill me.
- Shut up!
ANA: Kill me!
EARL: You wanna die?
ANA: Kill me!
[EARL GROANING]
[GUN FIRING TWICE]
[DRAMATIC MUSIC]
[EARL GROANING]
[SOFT SUSPENSEFUL MUSIC]
ANA: Get the fuck out here.
EARL: I'm sorry.
ANA: Shut up.
EARL: I should be in a prison.
Or,
in a hospital.
ANA: Get on your knees.
EARL: You're not a murderer.
You can't do this.
ANA: You don't know what I'm capable of.
[DRAMATIC MUSIC]
EARL: Take me to the police. I'll tell them everything.
ANA: No. No police, no confession.
You're gonna die right here, right now.
EARL: Wait, wait, wait.
[BODY THUDDING]
Please!
Don't kill me.
I'm sick.
I need help.
ANA: You're gonna confess to everything.
EARL: Yes!
Yes, I'll confess.
ANA: You're gonna confess to every murder, everything.
EARL: Yes.
Yes, I'll confess. Yes.
ANA: Get up.
EARL: No.
[DRAMATIC MUSIC]
[GUN FIRING TWICE]
ANA: Ah fuck!
[SOFT SUSPENSEFUL MUSIC]
[BIRDS SINGING]
[FOOT SLIDING]
[EARL BREATHING HARD]
[ENGINE ROARING]
EARL: Oh.
Help, help.
Help. Wait.
Wait.
Yes.
[ENGINE ROARING]
Wait wait wait!
Help, help, help! What the fuck?
[ENGINE FADING]
[ENGINE REVVING]
[BODY THUDDING]
[BOOT DROPPING]
MONSTER: I told you not to raise your voice at me.
DONATELLA: If you fucking touched her
I swear to God, I'm gonna mother--
MONSTER: What are you gonna do?
DONATELLA: I'm gonna motherfucking kill you!
MONSTER: You're gonna kill me? DONATELLA: Yeah!
MONSTER: Well come over here and kill me. Come on.
Come on over. You gonna use that?
You're gonna need something a lot bigger
than that to kill me.
[SOFT SUSPENSEFUL MUSIC]
DONATELLA: You're a piece of shit.
MONSTER: Kill me then. Come on.
DONATELLA: Fuck you!
MONSTER: Kill me. DONATELLA: Fuck you!
MONSTER: Go ahead, do it. DONATELLA: Fuck you!
DONATELLA: I'm gonna call the sheriff.
MONSTER: Well at least you got a plan now [LAUGHS].
[GUN FIRING]
[GUN CLATTERING]
[SOFT PIANO MUSIC]
DONATELLA: Don't be afraid! Don't be afraid!
Can you hear me? Can you hear me?
- Is he dead?
- It's okay. It's okay.
- Did I kill him?
- It's okay, baby, because sometimes
sometimes you gotta kill the monster.
[SOFT PIANO MUSIC]
You're such a brave girl.
I'm so sorry.
[SOFT PIANO MUSIC]
[DONATELLA WEEPING]
I'm so sorry.
[DONATELLA SNIFFING]
[SOFT PIANO MUSIC]
[GUN CLICKING]
[MONSTER GASPING]
- Where's Anastasia?
DONATELLA: She's fine.
- Where is she?
DONATELLA: She's upstairs, she's in her room, she's fine.
[MONSTER GURGLING]
[PETERSON SIGHING]
[MONSTER COUGHING]
PETERSON: Put her in the car. I'll be right there.
I'll call it in.
DONATELLA: No, wait.
PETERSON: What?
- He's gonna murder us.
- He's got a bullet in his neck.
He's not gonna murder anybody.
- Just shoot him!
Just, just say that he went for your gun
and then you had to shoot him!
- Are you outta your mind?
I'm gonna call an ambulance and then get a unit
down here to take your statement
I'm not gonna help you murder this guy, okay?
Nobody's gonna cry because you shot
an abusive piece of shit like him
Take Anastasia and put her in the car--
DONATELLA: Ana shot him! She shot him!
He was beating me.
[SNIFFS] He was, he was beating me.
and he was touching her.
And we can't have them take her away from us.
- You motherfucker.
DONATELLA: So shoot him!
Shoot him!
DONATELLA: If he goes to prison, they are just gonna let him out!
And then he's gonna kill Ana,
and he's gonna make me watch.
If he lives,
then she dies.
[SOFT SUSPENSEFUL MUSIC]
[DONATELLA BREATHING HARD]
- It's Peterson. I got a 901 here
No, he's dead.
[DONATELLA BREATHING HARD]
[GENTLE PIANO MUSIC]
[BODY THUDDING]
[GENTLE PIANO MUSIC]
ANA: It's Earl Lee Byrd's Scrapyard and Towing.
It's about 40 to 50 miles south
of where victim number three was found.
- Are you there now? Where are you?
ANA: Did he suffer?
- Who? What, what are you talking about?
- The Monster.
- I don't know. I don't really care.
You don't need to think about that right now.
Where are you?
- It's my fault.
PETERSON: It's not your fault.
- She's in there because of what I did.
- Tell me where you are so I can come get you.
- She's, she's there because of me.
- She's there because we love you.
Do you hear me?
I love you.
- I love you too, Daddy.
[GENTLE UPBEAT MUSIC]
♪ Starry night, she's watching ♪
[INDISTINCT SINGING]
♪ Of all he's forgotten ♪
♪ New day on the horizon ♪
♪ Midnight calls, the wind comes ♪
♪ In through windows and all doors ♪
♪ She says time is a rerun ♪
♪ Playing God for a season ♪
♪ We go down to the river ♪
♪ Whether a saint or a sinner ♪
♪ We've all got ties to the giver ♪
♪ But we all go down to the river ♪
♪ Lay me down when the night falls ♪
♪ Give our bones when the time calls ♪
♪ Oh my brother, my sister ♪
♪ We all go down to the river ♪
[GENTLE UPBEAT MUSIC]
♪ It's the salt in resister ♪
♪ It's the burnn in the liquor ♪
♪ In the heart of a drifter ♪
♪ Is a sting, is a splinter ♪
♪ Is a piece that a dreamer ♪
♪ Settles into sweet hum ♪
♪ It is there for a rewind ♪
♪ For all time, for a reason ♪
♪ We go down to the river ♪
♪ Whether a saint or a sinner ♪
♪ We've all got ties to the giver ♪
♪ We go down to the river ♪
♪ Lay me down when the night falls ♪
♪ Give our bones when the time calls ♪
♪ Oh my brother, my sister ♪
♪ We all go down to the river ♪
♪ To the river ♪
♪ Down to the river ♪
- Okay, ready to head into the real crime show.
It's pretty exciting. Got a pretty sweet setup here.
Through this door here, okay.
So, I think they've got it all set up.
This is kinda like, kinda like the big moment
to be on TV.
Called my family, they're gonna be watching.
That's exciting.
And, let's see what it looks like in there.
We'll get a shot.
All right.
I'm excited. Okay, here we go.
This is our sound guy for the TV show.
He looks exactly like Milo Ventimiglia
[group laughing]
There's Danny.
There's Seoul.
Dammit, what the fuck.
What is your problem with the GoPro.
- I want you to save it for the actual, stop.
TRAVIS: Hey, fearless leader.
I'll go document the area, professionally.
ANA: I'm nobody's leader. I'm just punctual.
- Never gonna live that down.
I'm nobody's leader. I'm just punctual.
[WIND WHIPPING]
Okay.
There are a few things that I want to be
extremely clear about this documentary.
[WIND WHIPPING]
They fucking left me.
Don't really know why, and I don't think it's funny.
Out in the middle of fucking nowhere.
And I don't really think I did anything to deserve this.
I know I joke around a little bit but um,
Like seriously, what the fuck? You guys left?
Still trying to find everybody.
And, just wanna say ahead of time, when I do find you,
that you may all come together as a group
and blow me.
Here I am pissing in the woods,
taking a small break from driving around
in the middle of fucking nowhere looking for Ana.
When I'm done with this, I'll go back to that,
and, I don't know, I guess I'm going to
stay here till I find her, because I can't leave.
We're here, so ...
Great, awesome trip so far. Really having a blast.
Success, thanks.