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Look how pretty.
It's just another fish.
Yeah, Nara, we're in an aquarium. There's going to be lots of fish.
I know what an aquarium is, Roberta.
And what's that over there?
- What's what? - Look, honey, it's a mermaid...
That's so cool.
- Say hi to the mermaid, Nara. - No way. That's so lame.
But you loved mermaids when you were a kid.
You're confusing me with someone else.
Okay then, mermaids are lame now, is that it?
- Look how pretty. - It's just that we're in an aquarium
and a mermaid is not a marine animal.
Well down. You're so clever.
- So clever. - Mom, stop.
- What? - Stop it. Stop it.
- Okay. - Come, let's go.
- Bye, mermaid. - Come on, mom.
There's this tank which you can see...
This structure can hold more than 4.5 million liters of water.
It's the largest marine aquarium in South America...
Mrs. Raquel?
How much is the popcorn?
Five.
- The small one? - Yes.
Ok, and a coffee too.
Eugênia.
Geninha.
I've looked for you.
Sorry, you've got me confused with someone else.
- Geninha. - That's not me.
- You can cancel my order. - I've looked for you for so long, Geninha.
What about the girl, Geninha?
- She suffered so much. - Ma'am...
- You're confusing me. I'm not Eugênia. - You shouldn't have done that.
- Listen, my name is not Eugênia. - Do you realize what you've done?
You're hurting me. Can you let me go, please?
Do you understand what you've done?
- Let her go, Mrs. Raquel. - Please, let go.
Eugênia!
Get the fuck off me!
PRIMETIME VILLAIN
First time in Rio?
Yes.
Very good.
Beautiful.
Yes.
Beautiful.
Do you like the beach?
Nice, nice.
Ipanema.
Ipanema, best beach.
Is Copacabana good?
Are you Brazilian?
Yes.
Why did you speak English to me?
Because you spoke English to me.
Sightseeing in Rio?
No, I came to visit my aunt.
Your aunt is from Rio.
- Does she live here? - No.
She has cancer.
Oh.
It's a terrible disease.
Truly terrible.
That's why I always say,
you have to enjoy life while you can.
But here in Rio you'll have plenty of things to do.
I hate going to school.
Not so fast. "I hate", try it.
I hate going to school.
Very good.
I hate going to work.
Relax your shoulder, relax your body, that's it.
Let out the air, go.
Keep going.
I hate helping my mother.
That's good, come on.
I just like drinking beer.
Okay, now take the cork out
and go again.
Without the cork, go. Go on.
Singing?
No, just the lyrics.
I hate going to school.
Good.
I hate going to work.
Great. Whose song is that?
A Man at Work.
- Men at Work? - A Man at Work.
Smile. Relax.
Put your body into it.
Smile. Relax.
That's it. Going lower is harder.
I want to see teeth.
Yeah, open wide. A fake smile.
Let's go.
No?
I'm sorry, Roberta. I'm a bit crazy. I forgot to tell you. I'm not a singer.
- You're not? - I didn't come for that.
I put it on my CV because I have to.
but I don't have a good pitch. I'm not a singer. I'm an actor.
That's cool.
Have I seen anything you've done?
Probably not. The things I've done were in my home state.
Independent art house films, you know?
They get awards, people there know me, but there's no money in it.
And there is no visibility. So you probably haven't seen it.
And since there is no money in it, I came to Rio de Janeiro
to work on telenovelas.
I get it. So for our sessions together what do you want to work on?
I talked to Renata Veras
the casting director, do you know here?
- No, I don't. - Anyway.
She's an amazing casting director here in Rio.
And she told me to neutralize my regional accent.
Neutralize it? How so?
To neutralize, a neutral accent.
Is there such a thing as a neutral accent?
I think what she meant was... Neutralize by sounding from Rio.
Give it a "cariocada".
Give a "carioca" feel.
What a shame, Paulo. Your accent is so beautiful.
I think it gives you personality, makes you interesting.
That's for people from the Southeast,
not so much for people from the Northeast.
For example, I have very white skin, so the casting directors,
they're a bit prejudiced when it comes to casting...
So, they don't put such a white person
to play someone from the Northeast, you see?
And my Northeast accent is very strong,
so I don't get characters from the Southeast either.
So I'm stuck in this dilemma
I want to play rich people,
which they never ask me to do, a rich doctor.
Or even a sophisticated gay man.
A playboy from Barra da Tijuca,
something different like that,
anything that opens up my range of options, you know?
But they won't cast me. So I'd rather give in,
be part of this mediocrity
to neutralize my accent in real life
to book a part, because I want to work.
I want to work, Roberta.
All right, Paulo.
- Let's go, then. - You can call me Paulinho.
Everyone calls me Paulinho.
Hi.
Hi, Nara.
You can't shut the door?
My father is here.
You're not going to invite me into your house?
Come in, Cássio.
You rearranged.
Sure.
Where's that poster I gave you?
It's there. Along with the other stuff for you to take.
Is that what you want to talk about?
No. Can we talk in the kitchen?
You're getting high all the time.
Only when Nara isn't at home.
Don't you feel a bit sluggish to look after the kid?
What's the matter?
What do you want to talk about? Spill it out.
- Show me your arm. - What?
Nara told me you were attacked by a woman in the aquarium...
And you asked her not to tell me, Roberta?
- It was nothing. - It was nothing?
Eugênia.
That's the name on your birth certificate, right?
Was that woman from your family?
Tell me.
It doesn't matter.
- Did you mention anything to Nara? - Why?
Because I asked you a million times not to. Have you told her anything?
Roberta, if your past is a threat to our family, I need to know.
Is that clear?
What's so funny?
- What's so funny? - Come on, Cássio.
There's no threat.
I asked her not to tell you so you wouldn't freak out like this.
You're paranoid.
Dude, you need to tell me, Roberta.
I don't need to do anything.
Dammit. Nara has the right to know where she came from.
Listen up. I'll tell Nara everything when I feel
she's old enough to understand, okay?
It's none of your business, got it?
Control your anxiety.
This is a lot of pressure, you know?
A lot of pressure.
But I love you.
Oh, Cássio, for fuck's sake...
You know I didn't want to break up, right?
But then your fucking mysteries became secrets and then...
Fucked everything up.
- Right. - Everything was fucked.
But everyone has their secrets, right?
- Didn't you have Inês? - Inês? What the hell, dude?
Forget that. Inês is in the past, Inês was a symptom.
We weren't doing well. It was getting heavy. Wasn't it?
Then she came over, sucked your cock
- and got lighter? - Why do you say it like that?
- For God's sake. - Yeah.
She sucked you off, gave you a little blowjob
- and the symptom... - Don't make it worse.
- There's a kid outside. - You're the one bringing up a subject
that has nothing to do with you.
Do you know what I really want?
I want to know when you're going to get your fucking things out
of my living room, I'm done.
I've told you, it doesn't fit in my mother's house.
You shouldn't be in your mother's house anymore.
Grow up.
You're expecting something that's not going to happen, Cássio.
We're not getting back together.
- Hi, honey. - Are you all right?
Everything's fine.
- I'm leaving, okay? - Okay.
See you on Wednesday.
Bye, Roberta.
Cássio, why don't you take some of your boxes?
Don't you want to?
You're the worst, Roberta.
Don't you have any homework to do?
Mom, my skin burns.
I told you to put on sunscreen.
You took the sunscreen off.
- Of course it's going to burn. - Ouch.
There's no point in complaining now.
- Mom... - You took off the sunscreen.
- Dedé. - Ouch.
Why don't we let your mom rest for a while?
Let auntie apply the sunscreen.
Eugênia, you have to be more careful.
Look at her skin.
Sure, Raquel.
Is my sister bothering you again?
No, it's just Débora who didn't put on the sunscreen.
Bento, you smell like booze.
Even on a beautiful trip like this, and you're in a bad mood?
We're in Rio de Janeiro. Look at the view.
I'm sick, that's all.
Have a soda.
No, I don't want to.
- I need some space and it will be fine. - Have a soda.
I don't want to. I just want to stay...
- Eugênia. Eugênia, come here. - a bit...
Are you going to be in a bad mood again?
You're like this all the time.
Make an effort.
At least in front of my family.
All right?
Put it on.
What is it, hon?
Where's mommy?
You're mom's over there.
Bentinho.
Dedé wants her mom.
Yeah?
I'll go look for her.
Eugênia.
Eugênia!
Eugênia! Eugênia!
Eugênia! Raquel, Raquel, come here. Where the hell is Eugênia?
Where's Eugênia?
- Are you joking? - I'm not joking.
- Calm down. - Eugênia, damn it! Eugênia!
EVERYONE HAS A STORY TO TELL. WHAT’S YOURS?
You can't do this to me.
It's only a pass, Modesto. Only a pass.
You're more than used to it.
You promised me, Cecé. You gave me a guarantee.
How can I guarantee something like that, my dear?
It's the 9 o'clock telenovela, just the fucking prime time telenovela.
All right.
Tell me, specifically, what's wrong?
- Tell me. - Look, here's the thing.
You'd never write something bad, Modesto.
It's not for a wide audience,
and we can't risk it in this moment in the network.
Look at all these American TV shows.
They have dragons, mobsters, drug dealers.
- Elves, the whole fucking lot. - Okay.
We can't fall behind, you see?
I'm going to pitch you something new,
give me a month,
I just can't miss out the prime time telenovela slot.
All right, Modesto, but only because I care for you a lot.
But if it's not this time, my dear, it'll be the next.
Don't worry. Relax. Bye.
Can we put together something new in a month, Modesto?
Forget it. This game is lost.
This telenovela will never happen, Giuliano.
What's wrong?
There's a girl here.
What girl?
A young girl.
Her name is Débora.
She's 23, and she's not from Rio from the sound of her accent.
But she didn't tell me much more.
- Am I supposed to remember her? - We never met her.
I told her that we've finished
with the research process some time ago.
But she wants to talk to you.
She's here?
Now?
FOUR MONTHS LATER
- Robertinha? What's up? - Hey.
How are you?
- I'm so glad you came. - Hey.
I'm Paloma.
- Roberta, Paloma is an actress. - How are you?
- She was in a movie with me. - We were in a short film, not a movie.
You're crazy, short films are movies too.
Crazy.
Were you the one who helped him get rid of his accent?
Yeah, but it was his idea. I was against it.
- I know. - Here me out,
now that you've neutralized my accent,
Paloma promised that I'll be in her telenovela.
- Wow. - Yeah.
- It's not "my" telenovela. - Of course it is.
It's her, and no one can take it away. She's the lead. Lucky girl, right?
Yeah, luck. It was luck.
- Roberta, right? - Yeah.
Nice to meet you.
If I ever want to get rid of my accent, I'll let you know.
Okay.
Would you like a drink?
- Sure. - Whisky?
Perfect.
I'll get it.
I'm going to mingle.
Make yourself at home.
I'm so glad you came! I loved it!
- Thanks for the invite. - Have fun.
Let's party. Let's party, Robertinha!
Would you like some?
- Sure. - Thanks.
Are you the vocal coach?
Yeah, how did you know?
I was curious.
- Hey. - Hey.
What are you two talking about?
Nothing.
Have you told her yet?
- What? - No, I haven't.
It's just...
We're into you.
Wow.
It's a lively crowd.
- I didn't want to interrupt. - No.
It's about to start.
- Sit here. - Don't go away.
Of course not.
Where is she?
Go, Paloma!
She's amazing!
Guys. The telenovela is about to start, so I won't say much.
I prepared a whole speech, but...
I'll spare you.
And... I think...
I think everyone knows that I'm super nervous.
- What's going on? - Didn't I tell you?
- No. - Today is the premiere.
- Really? - You haven't seen the ads?
This character...
She's very complex. I'll put it that way.
But I think you better watch the show and draw your own conclusions.
That's it. Eugênia is out in the world right now.
You're gorgeous!
Go for it, Paloma!
Who's Eugênia?
Dinner is served.
Delicious. Now, the whole house has this stench of beef.
Can I get steak done without leaving a smell, Neto?
I don't know if I should call you sweetie...
Or salty.
- Cadé! - Debbie!
Come and eat. Dinner is ready.
- Liver steak, mom? - That's what we got.
Eat it. It's rich in iron.
I don't like liver.
Eat up, hon. It's good.
- I don't like liver! - Then don't eat it!
Ouch.
Oh my God.
Are you all right?
I'm fine.
I was wrong. Paloma is amazing.
Debbie?
What are you doing?
Why did you do this?
The song makes you sad.
I've told you not to touch my things, girl.
You don't know how hard it was to get this tape out here in the middle of nowhere.
- Mom, don't be mad at me. - It's all I have.
Stop it, Eugênia. Are you crazy?
You shouldn't scream at her like this!
- I'll buy you another tape. - Do you think it's the tape, Neto?
I'm the one who can't stand it any longer.
I can't stand looking at your face.
You tricked me, Neto.
You tricked me!
You got me pregnant and left me stranded in this shitty farm.
I was young,
I was 20 years old, a poor girl.
Now listen to me,
I'm getting out of here,
I'm getting out of here, even if I'm dead. Do you hear me?
Dead!
- My love, you're scaring me. - I'm not your love, Neto.
I'm nobody's love.
THE BAD MOTHER
- Hey. - What happened?
- Where is Naná? - I told you she's asleep.
What were you doing before that?
Roberta, we had dinner, then...
She did her homework, and...
We played cards with my mom.
You weren't watching TV, were you?
No, dude. But...
Come on.
Are you trying to control Naná's life when she's with me?
- Is that what you're trying to do? - That's not it, Cássio.
What is it then, Roberta? Just say it.
I saw a news report about a guy who started to chat
with teenagers on the internet.
The guy dressed as a clown. It was horrible.
Dammit, Roberta.
For God's sake, why would you watch that?
- Seriously, man. - I know, but...
Let me take her to sleep with me tonight.
Please. Please.
Please.
I'll be right back.
Hi, honey.
- Bye, kiddo. - Come here, hon.
- Bye. - Bye, Cássio. Thanks.
Bye.
You can go.
Mom, what's wrong?
Nothing, hon. I missed you.
Eugênia, where's her coat?
I don't know. Look for it.
Glauce.
Watching telenovela again, Roberta?
Did you brush your teeth, Naná?
Put her coat on.
I'm still eating.
Isn't it a bit late?
It's not even 10 p.m.
Is everything all right?
I feel sick.
Take a nap.
Your beard is prickling.
I trimmed it.
Are you okay?
Give me some room. Come on. For Christ's sake.
All right.
Good luck, kid.
In life, everyone does what they can.
This is very heavy for you, Naná. Go to sleep.
Don't you want to know what happens next?
Okay. Got it.
My mom jumped.
Jumped?
- She jumped over there. - Jumped where?
Eugênia!
Where's Eugênia?
Where is your mother?!
Eugênia!
Where's Eugênia! Let me go.
Let me go. Let me go!
Eugênia!
Where's Eugênia! Let go of me.
My love!
Where's your mother?
Eugênia!
- Hi. - Hi.
You remember me? I'm Roberta. I was at your party.
I remember, of course.
Come in.
Did something happen?
It's just... I went to wear one of my earrings to a...
dinner this week, and I couldn't find them. I got desperate.
Then I remembered the last time I wore them was at your party.
- So I thought they might be here. - It's been a while.
- Is it really here? I haven't found it. - I hope so,
because I'm not attached to anything but these earrings are special.
- It was my grandmother's. - I get it.
- You can look around. That's all right. - Thank you.
Jesus, is this all from the telenovela?
Yes. Those are next week's scripts.
And you have to memorize everything?
Sure.
When Modesto doesn't send new pages the night before too.
Modesto's the author, right?
Yes, Modesto Estrela, the one and only.
Sure.
Hey, I have to tell you something.
I'm hooked on the telenovela.
It's really good.
I've been watching every day. Yesterday's episode with the boat.
Yes, Eugênia is terrible.
She's amazing.
Come on, where does Modesto get these ideas?
Every writer has their secrets. Some use research,
- He doesn't write by himself. - Really?
Modesto has a way of tapping into things.
I see.
So you think that...
Since there's a team of writers, research,
this story could have been based on real life?
- This story? - Yeah.
- No. I wouldn't say so. I don't think so. - No, right?
Roberta, why don't I look for your earrings later,
- and if I find it, I'll give you a call. - Okay.
Don't worry, because if it's around here somewhere...
I found it.
Right here.
- Stop it. - It must have fallen
between the sofa cushions, can you believe it?
Sure.
What a relief.
That's nice.
Can I tell you something?
Go ahead.
It's just that I think the telenovela shows Eugênia
in a very simplistic way, you know?
I don't know. You paint here as this villain, an evil person.
Like a bitch.
And it seems to me that you're an actress with so much range,
you would be able to create a more complex character, you know?
With more nuance.
- I get that. - More layers.
Yeah. I'll admit that I had other expectations
with the character too. But...
it's a telenovela, right?
And it works like this. The show had the highest rating in ten years.
I saw that.
Congratulations.
Thanks.
So you're not afraid of being typecast?
For a popular telenovela?
No. For me it's been wonderful.
No, I mean like...
Of people seeing you as this bitch, manipulative, scumbag.
Do you know what I think?
I don't think you came here for those earrings.
Okay, I'm sorry.
It's just I haven't watched a telenovela in 20 years.
And this one...
It got to me, you know?
It got to me in a way I can't even explain.
I felt it.
At the party, I kept watching you.
It's crazy, you know. Telenovela's have this power.
I had something similar with Leona Tibiriçá.
- Really? - She was a character
created by Modesto too and I remember she was evil,
but she was this powerful woman,
who didn't depend on anyone, who wasn't married,
And I come from a family that is...
very traditional, let's put it this way. Very conventional, uptight.
And it was important for me to see someone being free that way, you know?
And with Eugênia too
I don't think she is a bitch.
I think she's a brave woman,
who doesn't get caught up in other people's opinions.
Who does what she wants because it's the way she knows to survive.
You know?
Yes.
Mrs. Botelho?
That's me,
Andrea Botelho.
Good afternoon, how are you? This way.
We can talk in private.
I want to make a withdrawal from the joint account
of Augusto Andrade Neto and Eugênia Soares de Lima.
And what is your relationship with them, Mrs. Botelho?
I'm a friend of Eugênia's.
I have power of attorney. Here, in her name.
How much would you like to withdraw?
Everything.
But there's over one million in the account.
Then leave 50.
50 thousand?
50 reais.
For the girl's allowance.
Just a minute, please.
Take your time, my dear.
Holy shit, man.
The woman cleaned out his bank account.
I bet she'll spend it all on clothes.
She's right in cleaning out that douche bag’s account.
Of course she is.
So, tell me...
don't you think it's a bit of a stretch that she would take all of Neto's money?
I think the plot is going to explore this idea
that a person who's done what she did, can do anything.
I get it.
But then she takes a million reais and does what?
I can't tell you.
She's going to open an abortion clinic.
- Wow. - Yeah.
You worry too much, babe.
- It's just that... - Eugênia.
- It's you, isn't it, Eugênia? - Oh, my God.
No, no. It's not like that.
I'm not really Eugênia.
Tell me, how much are they paying you to do this crap?
Sorry, what's your name? Eugênia is a fictional character.
I'm an actress playing Eugênia.
Do you know what it's like for a mother to abandon her child?
What shit like that does to a person's life?
- Beat her up. - What do you mean?
No. What are you doing?
- I'm going to destroy your life, Eugênia. - Stop. I'm not Eugênia.
Stop, let me go. Stop, let me go.
- Stop it! - Stop it!
I was in a coffee shop just now, everyone watching the telenovela,
they got pissed when Eugênia
cleaned out Neto's account, they were booing and everything.
That's good.
Did you have fun shopping?
Have you been here all day? I didn't know you were working today.
A telenovela has 200 episodes, Débora, we haven't got past episode 50.
I've been thinking,
maybe Debbie needs to appear more.
Because if we are going to bring her back,
I think we have to start setting up her comeback, right?
Modesto gave up on Debbie's character arc.
No...
What do you mean? No, Eugênia and Debbie,
they need to meet up, remember?
That's it. We have to show the daughter searching for her mother.
The story had gone somewhere else, kid.
There's the abortion clinic plot, the money laundering...
And much more.
Our protagonist has her mind elsewhere.
She killed her old life to start a new one.
But my mother looked me up.
When?
A year after she died.
I answered the phone.
I was sure it was her, but...
She just said hello and then didn't say anything else.
Hello? Hello?
You can't call here anymore, get it?
Never again.
You're dead, you stay dead.
"You're dead. You stay dead."
Yeah, I think he meant, you wanted to die, you should stay dead.
I got it. I was just running the line.
Eugênia wouldn't do that.
But she did.
My Eugênia wouldn't do it.
But my mother did.
Guys, I'm sorry to interrupt you.
Look at this news article.
"Fiction becomes reality.
Actress Paloma Nardini was assaulted in a bar in Lapa,
bohemian neighborhood in Rio de Janeiro.
The 32-year-old actress didn't want to press charges
against a group of people who attacked her this Saturday night.
The motive: The villain in the telenovela, Eugênia,
who is causing a stir all over the country for her villainous schemes
in Modesto Estrela's controversial, "The Bad Mother."
Go on, press play.
So?
How are you feeling?
It hurts.
How bad is it?
They canceled my shoot tomorrow.
If Modesto wants, he'll cast someone else in my part.
That's crazy, Paloma, he wouldn't do that.
Besides, no one else can play Eugênia like you.
Of course he would.
He'd come up with a plastic surgery just to put another actress.
It actually sounds exactly like something he would do.
Come here, how many of these have you taken?
- A couple. - Paloma...
Just two.
Do you want me to call someone to come and stay with you?
Family? Friends?
No. I want you.
Okay.
- I'll stay until you fall asleep, okay? - Okay.
- I hurt my lip, see? - I saw that.
- It hurts. - Oh, you poor thing.
Paloma, you're medicated.
It's pretty funny.
I'm into you before I was medicated.
Really?
Don't you feel the same?
I've never been with an older woman.
Bitch.
What are you doing?
EPISODE 100
To ward off negative energies.
Really?
- Have you ever been to a party like this? - No.
A lot of jealous people. You have to be careful.
Do something like this...
And you'll be protected.
So you're going with Paulinho, then?
It's just a boring work function.
You're more than welcome to go out with my real friends.
Don't be upset.
I'm sorry.
I know it's hard to understand.
It's just that if this part of my life becomes public.
It's too much trouble, too much gossip, I don't want that.
When Felipe Brício came out as gay,
a week later his character died falling down an elevator shaft.
It's not as simple as we'd like and it sucks.
Sure.
I get it, I'm not upset.
Enjoy the party.
I'm coming. I'm coming.
This won't stop ringing today.
- Hello? - Hello?
- Is this the Missing Persons hotline? - Yes.
I'd like to file a missing person report.
I'm looking for someone.
This person you're looking for,
have they been missing for more than 24 hours?
Yes. Actually, it's been over 15 years.
I see, what's your name?
Debbie.
My name is Debbie.
So, Debbie,
Unfortunately, in this country, over 200 people disappear each day.
And this person you're looking for must be dead or...
they don't want to be found, you see?
But it's not their choice to be found.
I'm going to find Eugênia. Whether she wants me to or not.
It doesn't work like that.
Hello?
Fuck.
Son of a bitch hung up on me.
HI. I SAW YOU ON TV. WHAT ARE YOU DOING TONIGHT?
HEY! I REALLY WANTED TO SEE YOU.
BUT THERE’S A PARTY AT MODESTO’S HOUSE. I CAN’T MISS IT.
LOOK AT YOU, SO FAMOUS NOW! WHERE'S THE PARTY?
Take it easy, Débora.
You take it easy, Giuliano.
This party is very important. That's why.
It may not seem like it,
but everyone is watching everything.
Giuliano, the telenovela is amazing!
Modesto is a genius!
- Great. - Hi, how are you?
That's easy for him to say. Everyone is praising my work
but nobody knows who I am.
I know that feeling very well, Débora.
I've been writing with Modesto for years, that's how it works.
It's about time we stop being taken advantage of.
Now I'm doing a cleanse,
a good way to purify the body.
That's what I used to lose weight.
in the scenes where Neto was depressed.
I didn't watch that part.
You didn't watch the first episodes?
No, I didn't. I wasn't in the telenovela in that part.
Who do you play?
Your father.
Cool.
Hi, Laurinha, how are you?
Hi.
You were great today as Debbie. Congratulations.
Thanks.
We're thinking of developing more her character arc.
I think you captured her very well.
It was very cool.
We?
Yeah, I work with Modesto.
You are Modesto's assistant, is that it?
No, I'm not his assistant.
Okay.
Did you know that I've helped casting you?
If Modesto had it his way, I don't think there would be Debbie as an adult.
Who are you again?
WHERE IS EUGÊNIA?
You can't do that?
Do what?
Tell people what we've been doing for months?
Of course not. You can't go around saying these are your ideas.
That's not how it works. I've told you already.
Especially to actors. Actors love to gossip.
But that's not a problem. These are my ideas. It's my life.
Débora.
Seriously, think about it.
You don't know how lucky you are.
You don't know how many people want to be where you are.
You have no idea how long it takes to get where you are.
Do you get it? So, please.
Don't throw away something that is so, so, so...
important to you right now.
Are you paying attention?
Débora. Débora!
No.
But I was just kissing you, why did you pull me aside for?
Because you're fucking everything up and I'm having to fix
all your shit at this party.
Giulliano. Go fuck yourself.
I'm sorry.
Lady.
Eugênia.
Eugênia!
Eugênia.
- Thank you. - No, have you seen Eugênia?
Did you see? Did you like her?
Eugênia, she's here. My mother.
- What? - My mother. She's here.
- Have you seen her? - Fuck, how annoying.
Eugênia.
Débora, what's going on?
- My mother is here. - Who?
- My mother, Eugênia. - Your mother isn't here.
- It's Paloma. - I saw her.
- Paloma is an actress. - It's not Paloma. It's my mother.
She's here.
Modesto?
Do we know each other?
You can call me Eugênia.
Some women have told me they are some kind of Eugênia.
But I know what you're doing.
It's very wrong, got it?
This isn't your story to tell.
What story?
About a woman who quit everything and started again?
There are lots of stories like that.
But yours has details that you know didn't come out of your head.
- Right? - Modesto.
I need your help with a situation.
- I have a problem. - What are you talking about?
Débora is freaking out she thinks her mother is here
and I'm scared of what she might do.
I don't know what to do I need your help.
Sort it out.
Roberta?
Are you following me?
- What were you talking with Modesto? - I wasn't talking to anyone.
I saw you, what did you say to him?
It doesn't matter.
It doesn't matter? You crashed my work party, Roberta.
You weren't supposed to be here.
Paloma, you may not want to believe it,
but not everything in this world is about you.
What's it about then? You not being able to keep up a promise?
We talked about this.
I don't feel like getting into this.
It's not working between us. It's over.
- What do you mean? It's over? - Yeah. Take this. It's yours.
- We're done. - Roberta?
- Paulinho. It's over. - You came?
Did you know about this?
I gave her the address, but I swear I didn't invite her.
Fuck, Paulinho.
I'm sorry, Paloma.
I'm sorry. What's going on?
I don't know. I don't want to talk. Leave me alone.
Eugênia.
No. Eugênia!
Dad.
Do you think it's normal for a person to change completely?
What do you mean change, sweetie?
Like, she was one way before and...
She changed. Out of the blue.
Honey, that's normal when you're a teenager.
You know I nearly gave your grandmother a heart attack several times.
Sure, dad. But I'm not talking about me.
Who are you talking about?
I promised Roberta that I wouldn't say anything to you anymore.
Roberta is your mother. I worry about her. Tell me.
Okay.
She watches telenovela every day.
Telenovela.
Every night. And...
She shouted at me when I tried to change the channel.
- So? - And she's always going out.
- Going out? With whom? - All the time.
I don't want to say.
Keeping secrets from your father?
- How are you? - I'm good.
- Dad? - No.
More records.
I knew it.
Bye, kiddo.
You're not coming in?
Not today.
- Okay. - Love you.
Hello?
Already?
Okay, send her up.
Thanks.
Hi, come on in.
Make yourself comfortable. I'll be right there.
Would you like some water, tea or coffee?
No, thanks.
Where did you get my contact?
From the telenovela people.
You were at the party, right? At Modesto's house.
- Yes. - Did we see each other there?
I saw you,
but I didn't have time to talk to you.
That's a shame.
Sorry, I forgot your name.
I didn't say it.
It's Débora.
Well, Débora...
What are you looking for?
You want singing lessons? Are you an actress too?
Don't you recognize me?
Are you famous?
I don't watch a lot of TV.
It's you, isn't it?
I'm not crazy.
I don't understand.
Where do you think you know me from?
It's you.
It's you, Eugênia.
What do you mean? It's you! Where do I know you from?
Fuck, Eugênia. You know that, for fuck's sake!
- My name is Roberta. - Roberta?
Roberta, what kind of fucking name is that?
Holy shit.
I'm not the person you're looking for.
Nara.
We had an accident here.
- Do you need help? - No!
Modesto, Sessé called for the third time.
I don't know what to tell him anymore.
I need to know what you want to do.
I don't want to talk to him.
But what am I going to say? That you don't want to talk to him?
I don't have the authority to make this call, Modesto.
I need to talk to you, Modesto.
I have nothing else to say to you, Débora.
Your ratings are down, right?
I read about it.
Débora...
Are you serious?
You've lost your plot, Modesto.
You put Debbie in a coma,
you turned Eugênia into a murderer.
- You ruined our telenovela. - Débora, come here.
I've packed your things.
I have a new idea I think you'll like.
Based on real life.
Debbie discovers that Eugênia had another daughter
and that this daughter was not neglected like her.
Quite the contrary. Eugênia loves her.
And so she gets very angry about this story. Very angry.
So she decides to kidnap this girl
because that's the only way she can get back at her mother.
- Eugênia had another daughter? - But Debbie is in a coma.
We can solve that.
- She's brain dead. - We can solve that, Giuliano.
So...
Eugênia had another daughter.
Debbie kidnaps her.
That's it.
That's interesting.
Then what?
I haven't thought about the rest.
Where's my daughter?
Is that how you come into a police station?
Calm down, Mrs. Andrea.
How can a boarding school let a kid leave with a stranger?
Cristal, my daughter, is eight years old.
We're doing everything we can.
I've already told you.
But it was your other daughter
who took the child from the school.
She deceived everyone.
I don't have another daughter.
Aha.
Are you sure, Mrs. Andrea?
What name did she give you?
Debbie.
She's the one who took Cristal.
Debbie.
How does someone wake up after being brain dead?
What is this place?
Wait.
Don't you recognize it?
I want to go home?
This is your home.
It's our home.
This is where Eugênia raised me.
Who's Eugênia?
Eugênia is your mother.
Eugênia is our mother.
I'm scared.
Jesus, what is it?
Look how late it is. What time is Malu's dad picking you up?
I told you. At ten.
He's picking you up at ten? What time does the party start?
Mom, Polly is turning 13.
- So what? It's late. - What?
- Are you kidding me?
I'm not kidding. The party starts at 10 o'clock, is going to be until 2 a.m.?
You're going to be drunk going crazy?
For God's sake, I can't believe you're saying this.
What, honey? I know this Polly girl. Isn't she the girl that...
Is that what's going on at this party?
First of all, I never did what you're implying,
Secondly, who gave you the higher moral ground?
- I'm 42 years old, Nara. - Really?
You're a child who hasn't even turned 12 yet,
I'm your mother and you're not going.
- I've been planning for months. - It doesn't matter.
I'll call Malu's dad. He'll understand.
You put those clothes away for some other day.
What a pain in the ass!
K ASKED TO BE YOUR FRIEND
YOU AND K ARE NOW FRIENDS!
HI, HOW ARE YOU?
DO I KNOW YOU?
WE HAVE SOME FRIENDS IN COMMON, AND I LOVE YOUR COMMENTS.
BUT IF YOU THINK IT’S WEIRD, I CAN UNFOLLOW YOU.
OKAY, BUT WHO ARE YOU?
I’M 17. I LOVE ANIME. AND I HATE MY MOM.
WE HAVE TWO THINGS IN COMMON.
Debbie, this is Detective Rossi.
Don't do anything you might regret.
Leave me alone. Shut up!
- I already told you to shut up. - We want to help you.
- I want my mother. - Your mother doesn't care about you.
Don't you get it? If she did, she'd be here.
You don't really know Eugênia, do you?
- Don't say that. - Shut up. Shut up.
Debbie. Pick up the phone.
I'm not going to.
I'm not going to answer the phone. Leave me alone.
I'm going shoot this girl.
Come in here. Come in here and you'll see.
I'm never answering the phone again.
Try me. See if you're lucky.
I'm here with her. I'm here with her.
Let her go, Debbie.
Debbie?
Oh, Debbie.
Do you recognize me now, Eugênia?
Admit it. It's you, Eugênia. Admit it.
It's me, honey.
Yeah...
Cut. Cut!
Everyone keep focused.
Laurinha, be careful not to speak over Paloma's lines, okay?
Let's try this without the police sirens.
Come on. Keep the cue for the lasers.
Come on, guys. It's the last episode.
Last episode. Silence on set. Action.
I'm not answering the phone ever again.
Let her go, Debbie.
Debbie?
Do you recognize me now, Eugênia?
Admit it. It's you, Eugênia. Admit it.
It's me, honey.
I'm Eugênia,
your mother.
Let your sister go, for the love of God, she didn't do anything to you, Debbie.
She did. She did.
She did, Eugênia.
She had everything I didn't have.
She didn't have to spend her whole life thinking she wasn't worthy of your love.
If someone is guilty, it's me, Debbie.
Mom?
Is it you?
- Is it you? - Come here, honey.
Run, Cristal.
- No. - Run!
No, you tricked me.
You betrayed me.
Get out of the way, Andrea.
I'm not leaving, nobody's hurting her.
She's a criminal.
She's a kidnapper.
I'm the biggest criminal here.
Mom.
Forgive me, honey.
I forgive you, mom.
- I forgive you. - Forgive me.
Cut!
It's beautiful, everyone. It's perfect!
- No. - We're all crying at the monitor.
This scene is wrong.
That's it, Débora.
- No. They don't make up. That's not it. - I changed it.
You changed the ending?
But that's worse, Modesto.
That's better, Débora.
Love beats vengeance.
But that doesn't happen in real life.
- Of course it does. - No, it doesn't.
- Giuliano, did you know? - I sent it to your email.
- Didn't you get it? - No, I didn't receive this draft.
Wait a minute, Débora.
- This version is better. - This scene is wrong...
You did a wonderful job, but we're going to redo it.
- Okay? - Débora.
Did Modesto rewrite the scene?
No, it's the original scene, actually.
- He didn't rewrite. - We're doing the original.
This is what happens. Excuse me.
- Please, sit here, Cristal. - My name is Luisa.
Luisa.
Get me Laurinha's gun, please.
Who is she?
- Take this. - She's nobody.
Point the laser here. That's it. Right here.
- Débora, please. - And you can point it here at her heart.
That's perfect.
You're both going to die together. Okay?
- It'll be amazing. It'll be perfect. - I'm going to my dressing room.
No. No. Let me explain.
- You got the wrong scene. - Let's go to the next?
- Giuliano, we're losing time. - Come with me.
Okay? It's done.
Next scene...
Nara?
Hi.
I'm making lunch.
I ate at school.
But I'm doing something you love.
No, thanks.
Naná.
I know I've been acting a bit strange recently.
I'm sorry.
It was a phase.
But it's over now, okay?
I promise things will get back to normal soon.
You said that after you split up with dad.
You've always been strange, Roberta.
Nara, you're being difficult.
It's a phase.
SHE'S GONE. I CAN'T STAND ROBERTA ANY LONGER.
DO YOU WANT TO TALK?
K, YOU KNOW ALREADY. IT'S JUST ROBERTA BEING ROBERTA.
SO, I'VE ARRIVED IN RIO. DO YOU WANT TO MEET UP?
It's here. Thank you.
Nara.
K?
Yep.
You're not 17, are you?
I'm a bit older.
But I thought...
If I told you my real age, you'd...
think it was weird.
And do you...
still hate your mother and like anime? Or was that a lie too?
That's the truth.
So...
which anime do you like?
Sailor Moon.
Which one is your favorite?
Sailor Jupiter.
What's your real name?
Débora.
Why didn't you tell me that before?
I think it's because I don't like my real name.
Débora is a bit weird.
And what about you?
Who gave you the name Nara?
It was Roberta.
She loved Nara Leão, the singer.
And Débora?
It's my grandmother's name, on my father's side.
Did your mother like that name?
I don't know.
I didn't grow up with her around.
How do you hate her then?
Lucky for you. My mom is always hovering over me.
It's hot.
Ouch. Ouch.
Fuck!
Nara.
Nara!
Roberta's calling me.
I think we'd better start heading back.
Let's watch the sunset for a while.
But then it will be dark, Débora.
Don't worry.
Relax. We're already here.
You're not going to answer?
If I don't, she'll kill me.
You're crazy! What are you doing?
- It was just a joke. - What a stupid joke!
- My mom's going to kill me. - I'll buy you a new one.
Débora, my mom's going to kill me.
She's worried. I need to talk to her.
At least now she'll be less of a dick to you.
That's so stupid.
At least let me call her on your phone.
I'm out of battery.
Débora, this place is dangerous.
Did you know it's not safe for two girls to be here alone?
It's getting dark.
Why aren't you saying anything?
- What's with that look? - Débora, say something.
- DO YOU WANT TO MEET UP AND TALK? - SURE. WHERE?
He's coming.
- So? - Any news?
Well,
I asked everyone.
Nothing yet.
Are you sure she's here?
Yeah, like I told you, man.
I saw her talking to someone on her computer.
They were going to meet up here.
She's been missing for hours now.
She's not picking up her phone. This is the only place she could be.
And was this person a man or a woman?
She said she was a woman. A girl. I don't know. We don't know.
Is she someone in her class, a friend, or something like that?
Fuck, we don't know. It was someone on the internet.
Calm down, Cássio.
Let her answer, please.
Look, there's someone I suspect it could be.
A girl who showed up at the house, saying she wanted to take classes,
but that wasn't true.
I think she might have struck up a conversation with Nara
on the internet, arranged to meet here.
I'm not sure. Her name is Débora.
She's 22, very pale, with a blonde hair, light brown,
long, straight hair.
Who's Débora, Roberta? What the hell?
This girl
does she have any reason to hurt your daughter?
Look, ma'am,
I'm going to ask you a question and I need you to be honest with me.
Débora...
is she his mistress?
What the fuck, man? Mistress? My daughter is lost in the park with a psychopath
- who's my ex-wife's student. - She's not my student.
- Roberta, who is Débora?
Just say it.
She's my daughter.
Holy shit.
I didn't raise her, she's older, the kid doesn't know she has a sister.
Fuck.
So they...
are sisters?
Fuck.
Good.
Since it's less than 24 hours, we can't call the cops.
And in this case, I'm not a cop.
But I'm going to help you.
One of you come with me, we'll drive around the park, try to find the girl.
The other goes home. In case she calls. If someone calls, give us an update.
Here is my bedroom. There is the kitchen.
Would you like some water?
Nara?
Honey, where were you? For God's sake! You scared me, Nara.
Don't do this to me again! Please.
You can't do that. Where were you, Nara?
- I called you. - My phone broke.
I had to hitch a ride with my friend.
Are you crazy?
Are you insane, girl?
- Mom, what the fuck? - Are you insane?
Stop it.
Come here.
There. It's over.
It's all right, Débora.
It's over. It's over.
Do you recognize me now?
Why didn't you take me with you that day?
I didn't think it was possible.
But it was.
It wasn't.
You were too young. You couldn't even swim.
You weren't just mine.
- You were your father's, too. - But I was yours.
- And you abandoned me. - I didn't abandon you.
I left you with your family.
Can someone explain what's going on.
Débora,
I tried to come back.
But your father wouldn't let me.
He didn't want me around.
I had to...
Give up.
And hope you'd forget me.
I would never do what you did.
That's good.
I really hope so.
Maybe one day you'll be able to understand me.
So Débora is my sister?
I need to call your father.
Hi, Cássio.
She's here. She's here, yes.
No. It's fine. I've already spoken to her.
I told her.
She's here too. It's okay.
Cássio, you don't have to.
Okay, that's fine.
Your father is coming.
Roberta, can you explain what's going on?
Her name isn't Roberta.
Tell her.
It's not? What is it then?
It's Eugênia, right?
- Do I have to call you that now? - No, that's not my name.
What is it then?
It's Roberta.
Are you hungry?
Would you like some pizza?
Do you want pizza?
Débora...
Where do you live?
Do you live here in Rio?
No, I'm just spending some time here.
Do you study? Work? Do anything?
Dad, not now.
Is my guitar still here?
Excuse me.
Naná, come sing a song with me.
- Sing? - Yeah.
You have such a beautiful voice.
I miss singing with you.
Can you do this?
Oh, man, I don't know how to do that.
Let me see.
Did I do it right?
No, I don't know.
Anything else you'd like to say?
The telenovela was very good.
Congratulations.
Look
At you
And now know
That you're the most beautiful person In the world
I wanted someone deep down
In my heart
To win
You
And not want you
Because I don't want anything to happen
It must be because I'm not right in the head
Or I'm tired of believing
My fear is something like this
It rushes in from outside
Without leaving me
No
Don't try to make me happy
I know that love is too good
But it hurts too much to feel
PRIMETIME VILLAIN