1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:08,440 --> 00:00:09,600 Beauty exists. 4 00:00:10,360 --> 00:00:13,120 You can come into contact with it every day. 5 00:00:13,280 --> 00:00:15,160 You just need a certain state of mind. 6 00:00:18,760 --> 00:00:21,440 The clothes that I make tell a story 7 00:00:21,600 --> 00:00:22,880 that has emotional impact. 8 00:00:23,040 --> 00:00:24,600 That is what counts the most. 9 00:00:52,280 --> 00:00:54,760 It takes a healthy dose of recklessness to risk your career 10 00:00:54,920 --> 00:00:56,000 every six months. 11 00:01:29,080 --> 00:01:33,440 PARIS, FRANCE FASHION DESIGN STUDIO 12 00:01:56,160 --> 00:01:58,760 CREATIVE DIRECTOR 13 00:03:01,360 --> 00:03:04,840 PARIS, FRANCE 6 MONTHS BEFORE THE SHOW 14 00:07:37,760 --> 00:07:39,880 He recommended it, but... 15 00:07:40,440 --> 00:07:42,920 They're worried it won't look as good. 16 00:07:43,080 --> 00:07:45,440 To be clear, this corset will take 60 hours to make. 17 00:07:45,600 --> 00:07:47,720 We need to figure out how to bring that down. 18 00:07:47,880 --> 00:07:51,760 I was thinking of hook and eye fastenings and lacing. 19 00:07:53,360 --> 00:07:57,080 I'll see if it's an option. I'd prefer a 2cm band 20 00:07:57,240 --> 00:07:59,360 with two boning end caps at the back, 21 00:07:59,520 --> 00:08:01,480 and then you'd have the topstitching. 22 00:08:01,840 --> 00:08:04,640 I think it's easier to have the lacing here 23 00:08:04,800 --> 00:08:07,240 to support the bust, the waist, etc. 24 00:08:09,440 --> 00:08:10,440 Shall we go with that? 25 00:08:10,600 --> 00:08:12,560 It is the same thing, just less complicated. 26 00:08:12,720 --> 00:08:15,000 Because I need to save some time. 27 00:08:22,560 --> 00:08:23,560 I'll go check. 28 00:08:23,720 --> 00:08:24,800 It is important. 29 00:08:24,960 --> 00:08:30,120 Maybe it's the assembly, and it's okay. But maybe the pattern goes like this. 30 00:08:31,480 --> 00:08:33,920 I'll see if I can use some spaghetti boning. 31 00:08:34,080 --> 00:08:36,960 Very thin boning to keep it straight. 32 00:08:37,120 --> 00:08:39,320 And push back off the shoulders. 33 00:08:39,480 --> 00:08:41,320 I need to check and analyze it. 34 00:08:41,480 --> 00:08:44,560 Confirm it with me ASAP, and I'll talk to Pierre. 35 00:08:45,960 --> 00:08:48,320 This is what we call "backstage." 36 00:08:52,280 --> 00:08:55,160 I have the designs and sketches given to me by Casey. 37 00:08:55,320 --> 00:08:57,400 STUDIO MANAGER 38 00:08:57,560 --> 00:09:00,160 I have a team of technical designers and patternmakers 39 00:09:00,320 --> 00:09:02,000 who do the work. 40 00:09:02,160 --> 00:09:03,960 A technical designer creates the 3D volume. 41 00:09:05,040 --> 00:09:07,800 A patternmaker designs the pattern used to cut the pieces. 42 00:09:09,640 --> 00:09:10,760 The pieces are cut out. 43 00:09:12,440 --> 00:09:14,520 And the sample makers assemble the garment. 44 00:09:14,680 --> 00:09:17,520 So, I manage all these people. I oversee every garment. 45 00:09:17,680 --> 00:09:21,480 I go to the fittings. I follow the process of each garment 46 00:09:21,640 --> 00:09:24,560 and handle any emergencies. Casey might call to make a change. 47 00:09:24,720 --> 00:09:26,920 Step by step, we create the garment. 48 00:09:41,040 --> 00:09:46,120 BARCELONA FRAGRANCE PUBLICITY SHOOT 49 00:09:55,120 --> 00:09:57,960 In this house, fragrances and fashion always work together. 50 00:09:58,440 --> 00:09:59,840 They speak with the same voice, 51 00:10:00,000 --> 00:10:01,640 and that is our greatest strength. 52 00:10:01,800 --> 00:10:04,040 That is what makes this fashion house so special. 53 00:10:23,800 --> 00:10:26,800 Our role within the fragrance industry 54 00:10:26,960 --> 00:10:29,640 is to disrupt and be as bold as possible. 55 00:10:30,360 --> 00:10:33,000 Mr. Mugler did precisely that over 30 years ago. 56 00:10:33,160 --> 00:10:35,720 He had conviction. He saw it through, 57 00:10:35,880 --> 00:10:37,640 and he revolutionized the world of fragrance. 58 00:10:50,520 --> 00:10:54,640 ANGEL CAMPAIGN - 1993 JERRY HALL 59 00:11:04,120 --> 00:11:08,400 Creating a revolutionary fragrance with Thierry Mugler 60 00:11:08,560 --> 00:11:09,880 was one of life's milestones. 61 00:11:10,040 --> 00:11:12,840 He wanted his fragrance to be extremely powerful. 62 00:11:13,000 --> 00:11:14,000 One of a kind. 63 00:11:14,600 --> 00:11:16,200 A fragrance that was 100% Mugler. 64 00:11:16,920 --> 00:11:18,720 It's the basis of the formula. 65 00:11:19,080 --> 00:11:21,880 I had him smell a kind of blend, a base. 66 00:11:22,280 --> 00:11:25,040 A stunning patchouli with heavy notes of vanilla. 67 00:11:26,920 --> 00:11:29,600 He loved it, and from then on, 68 00:11:29,760 --> 00:11:32,040 he came to my office several times. 69 00:11:33,480 --> 00:11:34,800 I showed him several tests. 70 00:11:34,960 --> 00:11:37,040 It wasn't working. It was too conventional. 71 00:11:37,200 --> 00:11:38,520 He wanted something bolder. 72 00:11:38,680 --> 00:11:40,840 There were no limits, no barriers. 73 00:11:41,760 --> 00:11:45,840 One day, he told me about his childhood in Strasbourg. 74 00:11:46,000 --> 00:11:50,640 He would drink chocolate milk and he'd dip raisin cookies into it. 75 00:11:51,480 --> 00:11:54,280 I remember that once I'd finished work, I ran to the nearest store 76 00:11:54,440 --> 00:11:58,120 and I bought almost all the cookies 77 00:11:58,280 --> 00:11:59,680 and candies I could carry. 78 00:11:59,840 --> 00:12:02,680 On the backs of the packets of Haribo candies, 79 00:12:02,840 --> 00:12:05,400 I found some ingredients that would be interesting 80 00:12:05,560 --> 00:12:07,240 to try in our creation. 81 00:12:07,560 --> 00:12:09,080 Let's move onto the praline. 82 00:12:13,240 --> 00:12:14,880 It smells like cotton candy. 83 00:12:17,560 --> 00:12:20,400 He said, "It reminds me of fairgrounds in Strasbourg." 84 00:12:21,160 --> 00:12:23,840 And it was a phenomenal lightbulb moment. 85 00:12:24,000 --> 00:12:27,440 We had found a very sweet, addictive note. 86 00:12:27,600 --> 00:12:31,760 And suddenly, the tests had become a real fragrance. 87 00:12:32,400 --> 00:12:33,880 Let me tell you a story. 88 00:12:34,040 --> 00:12:35,400 My wife was wearing it. 89 00:12:35,960 --> 00:12:37,760 I think we were living on the fourth floor. 90 00:12:37,920 --> 00:12:41,000 People knocked on our door, saying, 91 00:12:41,160 --> 00:12:45,040 "We took the elevator, and when we got out at your floor, 92 00:12:45,200 --> 00:12:49,120 there was such an incredible scent that we've never smelled before." 93 00:12:49,280 --> 00:12:51,480 "Ma'am, is it your perfume?" 94 00:12:52,000 --> 00:12:53,200 That happened 30 years ago. 95 00:12:53,360 --> 00:12:55,080 I didn't realize it at the time, 96 00:12:55,240 --> 00:12:58,320 but, with Thierry, we had created 97 00:12:58,760 --> 00:13:01,000 a new scent family, 98 00:13:01,160 --> 00:13:02,320 the gourmand family. 99 00:13:10,720 --> 00:13:13,200 Thierry Mugler shared his excitement. 100 00:13:13,720 --> 00:13:16,160 At the time, at our offices in Faubourg Saint-Honoré, 101 00:13:16,320 --> 00:13:17,960 we started picking up scents. 102 00:13:20,120 --> 00:13:21,480 They handed out little vials. 103 00:13:21,640 --> 00:13:23,400 Everyone wore it, men and women. 104 00:13:23,560 --> 00:13:26,680 He showed us his ring and said, "That's how the bottle will look." 105 00:13:27,360 --> 00:13:30,280 I remember them struggling. They'd come into the office 106 00:13:30,440 --> 00:13:32,040 and say, "This will work. 107 00:13:32,200 --> 00:13:33,560 No, that won't work." 108 00:13:33,720 --> 00:13:36,520 He went crazy over it. He was like a child. 109 00:13:36,680 --> 00:13:41,360 His mood would change over time. He'd say, 110 00:13:41,520 --> 00:13:43,640 "Yes, maybe. No, but..." 111 00:13:43,800 --> 00:13:45,200 He wanted the impossible. 112 00:13:45,360 --> 00:13:46,920 Incredible innovative techniques 113 00:13:47,080 --> 00:13:49,080 were needed for this bottle that wouldn't stand 114 00:13:49,240 --> 00:13:50,840 and cracked as it cooled. 115 00:13:51,960 --> 00:13:52,880 True to his nature, 116 00:13:53,040 --> 00:13:56,040 he was so stubborn about it. He'd always say, 117 00:13:56,240 --> 00:13:59,000 "This is my vision. That blue star ring. 118 00:13:59,160 --> 00:14:00,520 That's what I want." 119 00:14:00,680 --> 00:14:02,280 And he got the impossible. 120 00:14:02,440 --> 00:14:04,800 Everything about it is innovative. It breaks the mold. 121 00:14:04,960 --> 00:14:07,200 It is an icon worn by millions of women. 122 00:14:07,360 --> 00:14:10,000 So, I asked the perfumers to reinvent it 123 00:14:10,360 --> 00:14:12,880 by creating the most sensual version possible. 124 00:14:38,960 --> 00:14:41,320 The challenge is finding a new ingredient 125 00:14:41,480 --> 00:14:43,280 that marries perfectly with Angel, 126 00:14:43,440 --> 00:14:46,520 but also manages to tell a new story at the same time. 127 00:14:47,320 --> 00:14:49,560 What do you think of these three tests? 128 00:14:51,720 --> 00:14:53,000 They're really interesting. 129 00:14:53,880 --> 00:14:56,560 Some have really focused on the lift, the hook, 130 00:14:56,720 --> 00:14:58,800 for immediate impact with a fruitier opening. 131 00:14:58,960 --> 00:14:59,560 I like it. 132 00:14:59,720 --> 00:15:00,920 But it's less innovative. 133 00:15:04,040 --> 00:15:05,800 I'm setting aside the intermediate version 134 00:15:05,960 --> 00:15:08,400 where you heightened the woodiness. 135 00:15:08,560 --> 00:15:11,320 It's almost mundane. It has been seen before. 136 00:15:11,920 --> 00:15:13,120 I really like this one. 137 00:15:13,600 --> 00:15:17,680 It's like shredded coconut, so delicious and very sophisticated. 138 00:15:17,840 --> 00:15:18,920 -Salty. -Exactly. 139 00:15:19,080 --> 00:15:20,680 It's the saltiness of the coconut. 140 00:15:21,040 --> 00:15:21,880 I love it. 141 00:15:22,040 --> 00:15:22,880 It's more refined. 142 00:15:23,720 --> 00:15:25,600 That's the one we need to push for. 143 00:16:07,600 --> 00:16:09,520 IMAGE ARCHITECT / STYLIST TO ZENDAYA 144 00:17:41,920 --> 00:17:47,400 CURATOR OF THE "THIERRY MUGLER: COUTURISSIME" EXHIBITION 145 00:18:02,120 --> 00:18:04,280 The idea of the Robot is that life 146 00:18:04,440 --> 00:18:08,480 and femininity transcend the metal, despite everything. 147 00:20:51,440 --> 00:20:53,320 There's a lot of excitement. 148 00:20:53,920 --> 00:20:55,880 We're there with Zendaya and Law. 149 00:20:56,840 --> 00:20:58,200 She is trying on the Robot. 150 00:20:59,560 --> 00:21:02,160 We know that it is almost impossible to get into. 151 00:21:02,320 --> 00:21:04,640 It was made to fit one woman. 152 00:22:15,200 --> 00:22:16,720 It's closed. We're good. 153 00:23:24,440 --> 00:23:27,000 For several months now, Casey and the team have been working 154 00:23:27,160 --> 00:23:29,240 on a huge project with a big-name brand, 155 00:23:29,400 --> 00:23:33,600 and today is the official launch of this incredible collaboration. 156 00:23:46,960 --> 00:23:49,760 Mr. Mugler has always wanted to make fashion for the people, 157 00:23:49,920 --> 00:23:51,400 accessible to everyone. 158 00:23:51,560 --> 00:23:53,800 And that is how this collaboration came about, 159 00:23:53,960 --> 00:23:55,000 thanks to him. 160 00:25:15,760 --> 00:25:18,120 PARIS, FRANCE 3 MONTHS BEFORE THE SHOW 161 00:25:18,280 --> 00:25:22,600 PARIS, FRANCE FASHION DESIGN STUDIO 162 00:27:16,760 --> 00:27:18,960 This on is already ready, so... 163 00:27:19,600 --> 00:27:22,080 -I don't know where we are. -Prioritize this one. 164 00:27:23,240 --> 00:27:27,400 It just changed. We're not doing this in a US size 6 anymore. 165 00:27:28,080 --> 00:27:30,040 -Where are you with this one? -It is cut. 166 00:27:30,200 --> 00:27:31,120 Does Saturday work? 167 00:27:32,640 --> 00:27:36,200 The male models are coming and I need to be able to fit them. 168 00:27:40,800 --> 00:27:41,840 Okay. That works. 169 00:29:31,160 --> 00:29:34,960 Six different professions were involved in making this dress: 170 00:29:35,840 --> 00:29:37,320 sculptor, molder, 171 00:29:37,480 --> 00:29:40,400 plumassier, embroiderer, etc. 172 00:29:40,800 --> 00:29:44,280 So, it is a fantastic emblem for the brand. 173 00:29:49,520 --> 00:29:52,120 The Chimera, our finest piece. 174 00:29:52,280 --> 00:29:56,000 Presented at the '97-'98 Fall/Winter show. 175 00:29:56,160 --> 00:29:58,720 The work is absolutely incredible. 176 00:29:59,280 --> 00:30:01,960 The model who wore this gown was Adriana Karembeu. 177 00:30:02,120 --> 00:30:04,640 We took a mold of her body to make her corset. 178 00:30:04,800 --> 00:30:08,600 The scales are fully embroidered and painted by hand. 179 00:30:09,080 --> 00:30:11,320 Each scale is completely unique. 180 00:30:11,760 --> 00:30:13,880 The amount of work is just insane. 181 00:30:16,400 --> 00:30:19,000 This is from the '95-'96 show at the Cirque d'Hiver. 182 00:30:19,360 --> 00:30:20,520 Our 20th anniversary. 183 00:30:20,960 --> 00:30:23,800 This sublime corset in gilt metal 184 00:30:23,960 --> 00:30:26,680 is one of the most famous pieces in our collection 185 00:30:26,840 --> 00:30:31,240 and has even been worn by Beyoncé and Céline Dion. 186 00:30:31,400 --> 00:30:34,800 Each strip is a completely separate piece. 187 00:30:34,960 --> 00:30:37,560 They open with these snap fastenings, 188 00:30:37,720 --> 00:30:39,720 and you can actually open it completely. 189 00:30:42,160 --> 00:30:44,840 The arms are articulated to be able to bend properly. 190 00:30:46,920 --> 00:30:48,920 All of the fingers are also articulated. 191 00:30:50,880 --> 00:30:55,200 We call this the Croc Dress, but it isn't crocodile skin. 192 00:30:55,360 --> 00:30:58,560 Mr. Mugler refused to use rare leathers or furs, 193 00:30:58,720 --> 00:31:01,240 which is why he invented new techniques. 194 00:31:02,200 --> 00:31:05,960 He folded the leather and sewed it. 195 00:31:06,120 --> 00:31:09,360 The way it is sewn creates this texture on normal leather, 196 00:31:09,520 --> 00:31:12,520 on standard leather, giving this crocodile skin effect. 197 00:31:13,280 --> 00:31:16,360 It was the first time that this technique was perfected. 198 00:31:19,840 --> 00:31:22,320 FASHION MANAGING DIRECTOR 199 00:31:55,200 --> 00:31:56,920 I love the imagery. If we have two, 200 00:31:57,080 --> 00:31:59,760 I would push for one and two or two and three. 201 00:32:00,080 --> 00:32:03,080 I trust you, but I would put number two in the mix. 202 00:32:03,240 --> 00:32:04,280 Okay, I'll put one and two. 203 00:32:04,440 --> 00:32:07,120 DIRECTOR OF GLOBAL COMMUNICATIONS 204 00:32:07,280 --> 00:32:08,360 Right, we're all set. 205 00:32:09,400 --> 00:32:11,800 We have a meeting with the president of L'Oréal Luxe 206 00:32:11,960 --> 00:32:14,280 to present the new concept for Angel: 207 00:32:14,440 --> 00:32:16,160 bottle, fragrance, marketing. 208 00:32:16,320 --> 00:32:18,800 I can't wait for him to see the work we have done on Angel. 209 00:32:18,960 --> 00:32:21,440 It'll be interesting to see how he reacts. 210 00:32:23,920 --> 00:32:26,080 Angel is the essence of the brand in a bottle. 211 00:32:26,240 --> 00:32:31,520 In 2024, the goal is to make this Angel the most high-fashion of the entire range. 212 00:32:31,680 --> 00:32:32,600 In terms of design, 213 00:32:32,760 --> 00:32:35,800 we have five propositions for you that reinvent 214 00:32:35,960 --> 00:32:37,560 the iconic Angel blue 215 00:32:37,720 --> 00:32:39,240 and one slightly bolder option. 216 00:32:39,400 --> 00:32:40,760 An option with a black bottle. 217 00:32:40,920 --> 00:32:42,400 For us, black is the color 218 00:32:42,560 --> 00:32:45,520 that embodies and conveys sensuality. 219 00:32:45,680 --> 00:32:46,760 We know that this color 220 00:32:46,920 --> 00:32:48,520 is frequently used in Casey's work. 221 00:32:48,680 --> 00:32:49,320 It's beautiful. 222 00:32:49,480 --> 00:32:51,440 Having Angel in black is quite unsettling. 223 00:32:51,800 --> 00:32:54,320 It has always been blue, but that's why it is so striking. 224 00:32:54,480 --> 00:32:55,080 Exactly. 225 00:32:55,240 --> 00:32:56,720 Visually, 226 00:32:56,880 --> 00:32:59,520 and I haven't smelled anything yet, so it'll be a surprise, 227 00:32:59,680 --> 00:33:02,280 but visually, it is the most intense of them all. 228 00:33:03,120 --> 00:33:04,120 You're right. 229 00:33:04,400 --> 00:33:06,680 -So, what does it smell like? -Thank you. 230 00:33:06,840 --> 00:33:09,800 The idea is to push its voluptuousness to the max. 231 00:33:09,960 --> 00:33:11,640 You'll see that it is warmer, 232 00:33:11,800 --> 00:33:14,280 more intense, more sensual and more voluptuous. 233 00:33:14,440 --> 00:33:15,720 So, the aim of this exercise 234 00:33:15,880 --> 00:33:18,320 is to find an ingredient that is in harmony with Angel, 235 00:33:18,480 --> 00:33:21,560 but also has enough character to put a twist on it. 236 00:33:21,720 --> 00:33:24,280 So, we have explored different olfactory routes. 237 00:33:24,440 --> 00:33:26,480 We thought cherry was an interesting direction, 238 00:33:26,640 --> 00:33:30,800 but we felt that it was... not as surprising. 239 00:33:30,960 --> 00:33:31,880 It isn't as powerful. 240 00:33:32,040 --> 00:33:33,160 So, our recommendation 241 00:33:33,320 --> 00:33:34,760 gravitates to the coconut angle, 242 00:33:34,920 --> 00:33:37,480 where we have developed a very natural coconut 243 00:33:37,640 --> 00:33:39,440 with woody notes of vanilla and tonka bean... 244 00:33:39,600 --> 00:33:40,640 And interestingly, 245 00:33:40,800 --> 00:33:42,160 it has a more floral dimension. 246 00:33:44,600 --> 00:33:48,680 I'd say that the coconut is more interesting, more disruptive. 247 00:33:48,840 --> 00:33:50,320 It doesn't feel recycled. 248 00:33:50,480 --> 00:33:52,280 I love that you can still recognize Angel. 249 00:33:53,160 --> 00:33:55,800 It has Angel's signature, but still feels different. 250 00:33:55,960 --> 00:33:57,960 In terms of our earlier discussion... 251 00:33:58,480 --> 00:33:59,400 The black... 252 00:33:59,760 --> 00:34:02,600 -The fact that it's meant to be... -The most radical. 253 00:34:02,760 --> 00:34:05,560 The most striking of the range. 254 00:34:05,720 --> 00:34:07,560 That's our focus for Mugler. 255 00:34:07,720 --> 00:34:11,800 We stay divisive. We are a brand that has to appeal to a certain clientele 256 00:34:11,960 --> 00:34:13,280 on the cutting edge, etc. 257 00:34:13,440 --> 00:34:15,880 I stand by that 100%. 258 00:34:16,040 --> 00:34:18,400 It is important to surprise people again 259 00:34:18,560 --> 00:34:20,720 with this fragrance which, when it was launched, 260 00:34:20,880 --> 00:34:22,080 was the most insane thing. 261 00:34:22,240 --> 00:34:23,680 And let's keep surprising 262 00:34:23,840 --> 00:34:25,920 with Hunter and new marketing strategies. 263 00:34:26,080 --> 00:34:26,680 Great. 264 00:34:26,840 --> 00:34:28,520 What's your idea for... 265 00:34:28,680 --> 00:34:30,960 It's the idea of shifting between the real world 266 00:34:31,120 --> 00:34:34,640 and, through the fragrance, arriving in a very sensual world. 267 00:34:34,800 --> 00:34:37,480 It plays with distortion. We want to make it quite simple 268 00:34:37,640 --> 00:34:39,920 and direct with strong visual impact. 269 00:34:40,080 --> 00:34:40,800 Great idea. 270 00:34:41,560 --> 00:34:44,640 This universe won't appeal to everyone, but that is just perfect. 271 00:34:44,800 --> 00:34:47,920 Our goal is to stand up for what we believe in. 272 00:34:48,080 --> 00:34:49,400 It is the DNA of this house. 273 00:35:14,640 --> 00:35:17,600 THIERRY MUGLER'S FRIEND AND MUSE 274 00:35:54,160 --> 00:35:57,120 THIERRY MUGLER'S FRIEND AND MUSE 275 00:36:43,040 --> 00:36:45,000 I like showing all ages as well. 276 00:36:45,160 --> 00:36:47,800 There are former models who no longer do it professionally, 277 00:36:47,960 --> 00:36:49,800 but they are still beautiful women. 278 00:36:50,080 --> 00:36:52,200 I like showing young women, older women, 279 00:36:52,360 --> 00:36:53,520 small, tall, plus-size. 280 00:36:53,680 --> 00:36:56,280 All the archetypes of beauty when they are beautiful. 281 00:37:27,120 --> 00:37:29,560 I was most struck by how he briefed the models. 282 00:37:29,720 --> 00:37:31,680 He directed them like actresses. 283 00:37:32,840 --> 00:37:33,560 He'd say, 284 00:37:33,720 --> 00:37:36,240 "I want you to go out there and cry. 285 00:37:36,400 --> 00:37:37,680 I want to see tears. 286 00:37:37,840 --> 00:37:39,840 You are a Madonna. Your son is on the cross." 287 00:37:40,000 --> 00:37:44,000 He'd say things like that to help them fully embody their role. 288 00:37:46,920 --> 00:37:49,080 They weren't just clothes racks. 289 00:37:49,240 --> 00:37:51,400 These girls were taking on characters 290 00:37:51,560 --> 00:37:54,360 with their own temperaments, and they loved it. 291 00:37:56,320 --> 00:37:58,360 Coming out of the 1970s, in commercials, 292 00:37:58,520 --> 00:37:59,840 women were housewives. 293 00:38:00,000 --> 00:38:01,120 It's quite astounding. 294 00:38:01,280 --> 00:38:02,600 I propose a woman 295 00:38:02,760 --> 00:38:07,880 who is dynamic, modern, combative, and above all else, she's mean. 296 00:38:08,040 --> 00:38:10,720 When I say "mean," this woman has spunk. 297 00:38:11,120 --> 00:38:14,680 It is a reaction to the cream puff woman, 298 00:38:15,280 --> 00:38:19,120 who is romantic, dumb, flowery and extremely passive. 299 00:38:20,200 --> 00:38:21,680 Thierry Mugler rode out the storm, 300 00:38:21,840 --> 00:38:23,240 and I remember 301 00:38:23,400 --> 00:38:25,800 that he was often upset 302 00:38:25,960 --> 00:38:30,040 or angry at being so misunderstood by the media at the time. 303 00:38:30,200 --> 00:38:33,640 He was criticized for turning women into sexual objects, 304 00:38:33,800 --> 00:38:36,760 and he'd say, "Absolutely not. They are sexual subjects. 305 00:38:36,920 --> 00:38:39,000 They are in charge of their own sexuality. 306 00:38:39,160 --> 00:38:40,440 They are not victims of it." 307 00:38:40,920 --> 00:38:42,800 I've had some criticism 308 00:38:44,000 --> 00:38:46,520 because those critics haven't figured out that I'm right, 309 00:38:46,680 --> 00:38:48,800 and in two years, we'll get there. It's obvious. 310 00:39:14,080 --> 00:39:19,560 ACTRESS AND FRAGRANCE AMBASSADOR 311 00:39:41,280 --> 00:39:44,400 When we were thinking about who could be our next angel, 312 00:39:44,800 --> 00:39:46,840 naturally, we thought of Hunter, 313 00:39:47,000 --> 00:39:49,080 with her incredible beauty and charisma. 314 00:39:49,600 --> 00:39:53,800 Through who she is, she embodies the house as it is today. 315 00:41:09,920 --> 00:41:12,040 LONDON, UK DUNE: PART TWO WORLD PREMIERE 316 00:42:48,960 --> 00:42:51,600 The second Zendaya appeared in the Robot, 317 00:42:51,760 --> 00:42:52,800 it was everywhere. 318 00:42:53,520 --> 00:42:54,920 It was all over social media, 319 00:42:55,080 --> 00:42:58,360 all over the Internet. It was impossible to miss it. 320 00:43:21,120 --> 00:43:28,120 FRIEND OF THIERRY MUGLER AND EVENT PRODUCER 321 00:44:23,840 --> 00:44:26,440 Festival vibes have been coursing through us for 50 years. 322 00:44:26,600 --> 00:44:29,320 It's part of the DNA of the house. 323 00:45:07,400 --> 00:45:08,840 PARIS, FRANCE FRAGRANCE LAUNCH 324 00:45:09,720 --> 00:45:12,120 We're finally launching our new fragrance. 325 00:45:12,280 --> 00:45:15,080 It is the crowning moment to be able to celebrate this evening 326 00:45:15,240 --> 00:45:18,080 with our ambassador Hunter Schafer, in the heart of Paris. 327 00:47:34,520 --> 00:47:37,760 Luxury fashion houses are often distant and cold. 328 00:47:37,920 --> 00:47:39,000 That is not the case here. 329 00:47:39,160 --> 00:47:40,800 The show, the spectacle, the entertainment, 330 00:47:40,960 --> 00:47:43,840 that is what makes our house so different. 331 00:47:44,960 --> 00:47:47,960 It was also the case for Mr. Mugler's legendary fashion shows. 332 00:47:48,200 --> 00:47:50,880 There was space for everyone to come 333 00:47:51,040 --> 00:47:52,640 and take part, to party with him 334 00:47:52,800 --> 00:47:54,840 and with everyone involved in the show. 335 00:47:55,000 --> 00:47:56,600 That was Mr. Mugler's strength. 336 00:47:56,760 --> 00:47:59,520 Making this joy and this celebration accessible to everyone. 337 00:48:36,000 --> 00:48:38,120 PARIS, FRANCE DAY BEFORE THE SHOW 338 00:48:38,400 --> 00:48:40,640 It's all too big. Look, this needs to be removed. 339 00:48:43,120 --> 00:48:44,400 I need to remove all of this. 340 00:48:44,560 --> 00:48:45,360 With the boning... 341 00:48:45,520 --> 00:48:47,360 Yes, but it also means that this part 342 00:48:47,520 --> 00:48:49,640 needs to come this way. It's a bit big here. 343 00:48:52,360 --> 00:48:53,480 I want to do this. 344 00:49:12,200 --> 00:49:14,960 It comes away like that, just like the jacket. 345 00:49:15,280 --> 00:49:18,040 -As much as that? -Yes, it comes away like that. 346 00:49:18,640 --> 00:49:21,280 -I lifted it... -You lifted it? 347 00:49:22,040 --> 00:49:25,600 -Lisa, I'll use this for the weight... -She's not here. 348 00:49:27,320 --> 00:49:29,360 Régine? 349 00:49:31,000 --> 00:49:34,320 -You're dropping it? -It isn't... 350 00:49:34,480 --> 00:49:36,840 It is too difficult. Forget it. 351 00:49:38,600 --> 00:49:39,640 It's canceled? 352 00:49:42,280 --> 00:49:43,120 Stop. 353 00:50:29,480 --> 00:50:32,040 I just wanted to get you up to speed on the show's progress 354 00:50:32,200 --> 00:50:34,800 and the line-up. 355 00:50:45,000 --> 00:50:47,400 This has evolved into this two-layer version. 356 00:50:47,560 --> 00:50:50,440 That's a whole other subject. It is a real challenge. 357 00:52:02,480 --> 00:52:05,880 I added a bit too much, so she can feel it moving. 358 00:52:07,160 --> 00:52:08,200 Don't forget her name. 359 00:52:08,360 --> 00:52:09,400 Yes, of course. 360 00:52:11,840 --> 00:52:13,480 What? Helena. 361 00:52:15,720 --> 00:52:17,080 We've never met! 362 00:52:55,080 --> 00:52:55,840 Confirmed. 363 00:53:04,240 --> 00:53:05,920 Ticktock, ticktock. 364 00:53:06,160 --> 00:53:09,520 So, I really need to know. If it's "Go", I have to go. 365 00:53:09,680 --> 00:53:11,080 -Go! -Thank you. 366 00:53:11,240 --> 00:53:12,280 -Supermodel. Go! -Okay. 367 00:53:18,360 --> 00:53:19,040 This jacket... 368 00:53:19,800 --> 00:53:23,400 It isn't for Esther anymore. It's for Helena Christensen. 369 00:53:23,560 --> 00:53:27,880 We need to find 3cm to 4cm between two sizes. 370 00:53:28,040 --> 00:53:29,680 That means they... 371 00:53:32,160 --> 00:53:33,520 Duty calls. 372 00:53:33,680 --> 00:53:34,640 Okay, I'm on my way. 373 00:53:36,760 --> 00:53:38,440 The Cage won't be for Helena. 374 00:53:38,760 --> 00:53:40,280 Second or third fitting? 375 00:53:40,440 --> 00:53:41,360 It isn't assigned yet. 376 00:53:42,160 --> 00:53:43,440 I just cut it. 377 00:54:17,040 --> 00:54:18,880 Cédric, I'm taking the jacket. 378 00:54:32,120 --> 00:54:34,800 PARIS, FRANCE DAY OF THE SHOW 379 00:56:21,920 --> 00:56:22,920 What's missing? 380 00:56:23,080 --> 00:56:23,800 The strips... 381 00:56:23,960 --> 00:56:25,280 We're missing a whole rack. 382 00:56:25,440 --> 00:56:26,680 A whole rack? 383 00:56:27,120 --> 00:56:30,720 -It isn't just the veils? -We're waiting on the final pieces. 384 00:56:30,880 --> 00:56:32,240 The final looks? 385 00:56:33,040 --> 00:56:35,600 A lot of people at the studio were working 386 00:56:35,760 --> 00:56:36,920 until the early hours, 387 00:56:37,080 --> 00:56:39,720 and several pieces were finished at the last minute. 388 00:56:39,880 --> 00:56:43,120 Most of the pieces were sent together. 389 00:56:44,040 --> 00:56:45,880 The truck is stuck in traffic 390 00:56:46,040 --> 00:56:50,040 and they can't find the drop-off point, so three hours before the show, 391 00:56:50,200 --> 00:56:52,320 we have no clothes, no shoes, 392 00:56:52,480 --> 00:56:53,520 and no bags. 393 00:56:54,480 --> 00:56:55,280 It's tense. 394 00:56:55,440 --> 00:56:57,880 Order vans. Forget the second truck. 395 00:56:58,360 --> 00:56:59,960 We need to find a backup immediately. 396 00:57:00,120 --> 00:57:04,800 Can Clément bring as much as possible? 397 00:57:09,200 --> 00:57:11,880 There's no time for the truck to do a second trip. 398 00:57:12,040 --> 00:57:14,320 We're missing Régine's machines. 399 00:57:14,480 --> 00:57:15,920 They need to go in the van. 400 00:57:18,880 --> 00:57:21,600 There's more in the van on the way. There are seven of them. 401 00:57:21,760 --> 00:57:22,600 Impossible. 402 00:57:22,760 --> 00:57:24,280 -Thank fuck. It's here. -It's here. 403 00:57:30,160 --> 00:57:31,440 It'll be fine. 404 00:57:32,640 --> 00:57:34,240 Yes, it will be just fine. 405 00:57:59,440 --> 00:58:01,680 It is important for me to be with the teams at Mugler, 406 00:58:01,840 --> 00:58:04,840 to see the reaction of the audience 407 00:58:05,000 --> 00:58:09,480 who are seeing how modern and disruptive Casey's work is. 408 00:58:28,000 --> 00:58:29,120 Get into position. 409 01:00:34,080 --> 01:00:36,040 PARIS, FRANCE 3 WEEKS LATER 410 01:02:01,880 --> 01:02:08,880 Subtitle translation by: Elaine Scott