(film clicking)
Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
(ghostly breath gushing)
(wolf howling)
(tense mysterious music)
[Mark] There's a severe storm warning
for portions of Morris County,
with strong winds expected in Marshalltown around 3:00 AM.
Sheriff Doug Abernathy is trying to get the word out
to the community to brace themselves.
When asked, he's quoted as saying,
"It's nothing to be too concerned about.
Lord knows it isn't going to be like in '84,
but it is something we should pay attention to.
We hope this thing's not gonna develop
into a tornado or anything,
but after what we've been through in the past,
we're not taking any chances."
The National Weather Service says the storm
is moving northeast,
and with the exception of some rain and strong winds,
it shouldn't affect the Marshalltown area.
That's news, sports, and weather.
I'm Mark McBride with WKLR Radio News.
[Reporter] In local news,
the sheriff's department is still looking
for leads in the disappearance
of local internet video personality, Eddie Waters.
Waters has been missing for over a week
and no one has yet to come forward
with any details as to his whereabouts.
The police are asking that anyone with any information,
please get in contact with the department.
Mr. Water's loved ones are offering a reward
for any information that could lead to the finding
of their family member.
(alarm tone dinging)
- [DJ] Well, that makes it about one minute after 8:00 PM.
This is WKLR Marshalltown's home for killer radio.
You don't have anything to do right now, I know you don't.
He's ready.
- [DJ] Stay tuned for a fun night at-
Getting ready to go live.
- [DJ] High strangeness and, frankly, messed up dreams
as WKLR's own Ari Hall takes to the airways in just a few.
(upbeat rock music)
♪ Later I whispered darling ♪
♪ Voices echo everywhere ♪
♪ Shadows dance around the room ♪
♪ Waiting for the midnight glow ♪
♪ Late night whispers on the air ♪
Live in three, two.
♪ Shadows dance around the room ♪
♪ Waiting for the midnight glow ♪
- Thank you for letting me into your house, your car,
your truck, your cabin in the woods,
wherever you're listening this evening,
this is "Night Talkers,"
and I'm your host, Ari Hall,
coming to you live from our little studio
in the middle of nowhere.
Now, normally we have people on who tell us about things
that go bump in the night,
but tonight we're gonna try something completely different.
Tonight, instead of listening to me
and a guest prattle on, we're going to the phones.
That's right, folks.
We wanna find out what's going on in your world.
So after a word from our sponsors, when we come back,
get on the phones, call in and tell us your craziest
and most mysterious stories.
Be back in a second.
- That was great, and the phones are already lighting up.
Looks like a full night already.
- Well, God, I hope it's better than last night.
That guy was an idiot.
I thought it went well.
- Yeah, he was right up there with the flat Earth people.
(both laughing)
Any kindergartner could tell
that he was completely full of shit.
(both laughing)
[Announcer] To talk with Ari Hall,
call the hotline at 555-378-4545.
The first-time caller line is 555-378-5050.
This is "Night Talkers" with your host Ari Hall.
- And that's right, you are listening to "Night Talkers,"
and I am in fact your host, Ari Hall.
And tonight we're hearing from you,
and from the sound of it, you've got a lot to say.
Okay, Marshalltown, let's hear what goes on
that people don't wanna notice.
Line one, you're on the air with Ari.
- [Caller] Hey Ari, so my cousin once got stuck
at a roadside motel and had to fight off
the crazy owner who tried to kill her.
Wow, how, how long ago was this?
I, I didn't think there were any roadside motels anymore.
I thought they were all Motel 6s.
- [Caller] She said it was on some back road,
and the motel was ran by people
who lived in the house next to it.
Creepy, weird people.
- Yeah, well I think we've already seen this one.
It's called "Psycho."
Look, folks, I mean, you know,
we want real stories, messed up stories,
not something you've seen on TV,
so please, let's keep it real.
Line three, I see that.
Okay, hello, you're on the air with Ari.
What's your story?
- [Caller] Hi Ari, it's so cool that I got through!
- Yeah, well it's a busy night, so what is your story?
- [Caller] Two weeks ago I was driving to drop off my son
at work and on the way back was through the country.
Do you live out in the country?
- [Caller] No, but the trip has me between towns.
Anyway, I was near the old dump,
and something was standing right next to the road.
Wait a minute, something?
[Caller] It was huge, like 12 feet tall,
covered in hair and just stood there looking into the woods
with its back to me.
And now are you sure it wasn't a bear?
- [Caller] No, we don't have bears in Indiana.
The largest thing I think we have is cougars,
and the DNR says they aren't in the area.
I've seen two hit on the side of the road though,
so I don't know.
Wait a minute, cougars?
That's something I did not know about Indiana.
[Caller] I know, I stopped the car
as soon as I could and backed up.
I got back in time to see it moving
through the trees and down the creek.
- Now, were you able to take a picture of it?
I mean, you know, people have these smartphones.
You can take a whole movie at night if you want.
I mean, you could have taken a picture.
[Caller] Yeah, I didn't think about it.
I was on the phone with a buddy asking if we had bears
in the area, which was dumb, I guess.
I only thought of a picture after it was gone
through the woods and it was too late.
- Now, did you come back the next day and look for proof?
[Caller] My buddy and I walked the creek
where I'd seen it,
but it hadn't rained for about a month,
so it was dry as a bone and hard as concrete.
Ah man, that's too bad, you know,
'cause the people that refuse to believe need proof,
so it's a great story, sorry you didn't take a picture.
All right, we're gonna get to more calls after the break.
(door clunking)
What's in the package?
I don't know.
It was just dropped off for you like 30 minutes ago.
Is it ticking?
No, not that we can tell.
I'm gonna hold you to that.
- Just don't open it until I leave the floor.
Oh, by the way, you're back on in 30 seconds.
- All right, race fans, we're back from break
and I wanna thank the last caller for calling in
with a real story and not some movie plot.
Okay, Maia, who do we have next?
- We have Jack on the first-time caller line.
All right, Jack.
Yes, hello, Jack.
Thank you for calling and what is your story?
[Jack] Thanks for taking my call.
I just wanted to tell about a small town on the East Coast.
Ooh, the New England story.
I hope it's a ghost story.
[Jack] Oh, it is.
So this town was founded a long time ago after a tragedy.
A shipwreck?
[Jack] Yeah.
- Uh-huh, and did the crew come back and haunt the town?
[Jack] Yeah.
- You know, I really loved the one with Adrienne Barbeau,
not so much the remake.
[Jack] Huh?
Yeah, "The Fog."
It sounds like you're in one, buddy.
All right, thanks for calling.
Okay, please, people, if it's a movie, I've seen it.
If it's an urban legend, I've heard it.
We're really, we just want the messed up stories,
the reality of Marshalltown,
where truth is stranger than fiction, okay.
Okay, line two, you're on the air with Ari.
So what's your story?
- [Thomas] Hi, my name's Thomas, thanks for taking my call.
- No problem, Thomas, I just hope that this is a real story
and not a horror movie plot.
[Thomas] Oh no, no, no.
It didn't happen to me, but it happened to my coworker.
However, I was around when it did
and it was a couple years ago.
So, during the lockdown?
[Thomas] Yeah, right before that.
We worked at a small marketing company.
Chris was a survival nut and he totally was excited
about this trip he was planning into the back country,
like some week-long hike or something.
It was kind of crazy.
Wow, people still do that?
[Thomas] Yeah, like I said,
he was some kind of survival nut or something.
(feet shuffling)
(papers rustling)
Done for the day?
Yeah, just finishing up now.
Cool, where you going on your vacation?
[Chris] Probably just gonna hike
around the woods for a week.
Camping?
Sort of, not really camping,
just gonna spend a week hiking
and set up camp wherever I can find a good spot.
Oh, like Bear Grylls.
- Yeah, sort of, with less pee-drinking.
- [Thomas] Well, have fun being a survivalist.
- Yeah, oh, I can't wait to get outta here.
(Chris sighing)
(trunk clonking)
(keys rattling)
(seat clinking)
(upbeat rock music)
♪ We're hitting the highway ♪
♪ Wind in my hair ♪
♪ Chasing the skyline ♪
♪ Don't have a care ♪
♪ Loving the blacktop ♪
♪ Sun in the sky ♪
♪ Feel the edge of the road ♪
♪ Hear my spirit cry ♪
♪ Letting it go ♪
♪ Making a change ♪
♪ Living the fullest ♪
♪ Sealing the gates ♪
♪ Bottom unfolding ♪
♪ Past flying by ♪
(singer vocalizing)
♪ On the runless sky ♪
(upbeat rock music continues)
♪ Look in my rearview ♪
♪ Pass way ahead ♪
♪ Chasing the sunset ♪
♪ Raising red to red ♪
♪ Letting it go ♪
♪ Making the change ♪
♪ Living the fullest ♪
♪ Sealing the game ♪
Cool, I just arrived.
You know the drill.
My phone's gonna be off the whole time.
I'll call you when I'm headed back.
It's gonna be in a sealed bag in my pack,
just in case something happens.
All right, I love you too, bye.
(Chris sighing)
(birds chirping)
(zipper hissing)
(bag crinkling)
(zipper hissing)
(strap clicking)
(trunk slamming)
♪ On the road, running tight ♪
♪ Through the shadow in the night ♪
♪ I've been running from my faith ♪
♪ Tales of sorrow, tales of hate ♪
♪ But the shadows, they know my name ♪
♪ In the silence, they stake their claim ♪
♪ No more running from this pain ♪
♪ These shadows on my trail, they remain ♪
♪ Dusty boots on hallowed ground ♪
♪ Echoes of the lost never found ♪
♪ I've danced with devils in the rain ♪
♪ Bargained with my soul for the pain ♪
♪ But the shadows, they knew my name ♪
♪ In the whispers of the past, I'm to blame ♪
♪ Can't run this endless game ♪
♪ These shadows on my trail, aflame ♪
♪ Ooh, a night's cold embrace ♪
♪ Ooh, seeking grace ♪
♪ In the dark, I find my place ♪
♪ Accepting now my honest face ♪
♪ Now I stand beneath ♪
♪ Those gates, reflecting on my numbered days ♪
♪ I walk this path of what may ♪
♪ Embracing dust shorting the day ♪
♪ For the shadows, they know my name ♪
♪ And in darkness I find my place ♪
♪ Oh, I do, I bear the shame ♪
♪ With these shadows on my trail, I ain't ♪
♪ So I'll walk on through night's side ♪
♪ Underneath the starlit sky ♪
♪ Long roads winding tight ♪
♪ Through the shadow into night ♪
(tense mysterious music)
(geese honking)
(rain pattering)
(tense mysterious music)
Hey, someone there?
Do you need help?
(rain pattering)
Shit.
(tense mysterious music)
(rain pattering continues)
(geese honking)
(Chris sighing)
(cup clanking)
(tense mysterious music)
(zipper hissing)
Hey, buddy.
You need some help?
You okay?
(tense music)
What the hell?
Guess I didn't need sleep tonight anyway.
(Chris sighing)
(intense mysterious music)
(intense mysterious music continues)
- [Stranger] Do you know the way to the main road?
Hello?
- [Stranger] Do you know the way to the main road?
(intense mysterious music)
You the guy from the other night?
- [Stranger] You know the way, to the main road?
(intense mysterious music continues)
Do you know the way to the main road?
Do you know how to get to the main road?
(upbeat metal music)
♪ Rumble through the woods ♪
(singer vocalizes)
♪ Pass ahead ♪ ♪ Whisper through the trees ♪
♪ Feeling hot with dread ♪
(singer vocalizes)
♪ Shadows dance on walls ♪
♪ Spirits haunt the halls where the foolish pause ♪
♪ Doors slam tight, feel the icy breath ♪
♪ Graveyard voices beckon to death ♪
♪ Screams go loud in the dead of night ♪
(Chris groaning)
(flesh squelches)
(Chris groaning)
(Chris panting)
(bag rustling)
(Chris panting)
(Chris grunts)
(Chris panting)
(Chris groaning)
(birds chirping)
(Chris groaning)
(leaves rustling)
(Chris grunting)
(Chris groaning)
(birds chirp)
(Chris groaning)
(car beeping)
(Chris groaning)
(car beeping)
(Chris groaning)
(engine humming)
- Come on, come on, come on, come on, come on,
come on, come on.
Come on, come on.
Yes, hi, I'm just, I'm trying to leave the park.
I, I'm on a service road headed off of route 10.
I, I, I think it's fire lane 441.
I, I was running through the woods, somebody was chasing me.
I, I fell, I broke my leg.
It's a, a compound fracture, right leg.
Now I, I'm trying to leave the area,
but I don't think I can drive, I'm, I'm really dizzy.
Okay.
Thank you.
(tense music)
(tense music continues)
- You know, your, your story brings up so many questions.
[Thomas] Yeah, what's that?
- Well, like how did you know all those details
if you weren't there yourself?
[Thomas] Well, you should already know.
I, I mean, you have the package.
I did just get a package.
[Thomas] I dropped it off.
But inside's how I knew all the details.
I thought you would need proof.
- Huh, well, thank you very much for your story, Thomas.
I really appreciate it.
And folks, we're going to take a quick break
and we will be right back.
As long as this package doesn't explode in my face.
And we are out, 60 second break.
Ooh.
(box thumps)
Here goes nothing.
What's matter, what's in it?
- It's a book, I mean, a journal to be exact.
Do we need to call anybody?
No, I think they're already involved.
[Brenda] We need to get back on air.
Okay.
God.
[Announcer] To talk with Ari Hall,
call the hotline at 555-378-4545.
The first time caller line is
555-378-5050.
This is "Night Talkers" with your host Ari Hall.
It's all right, talkers.
I want to thank the last caller for a great story.
And please, please, I wanna encourage you,
please keep the calls coming
as the announcer guy says it's 555-378-4545,
and for first time callers 555-378-5050.
And first time callers, don't worry, I don't bite,
but please don't call in with your urban legends,
or your movie plots.
If it's a movie, I've probably already seen it.
If it's an urban legend, I have already heard it.
Okay, you're on the air live, what's your story?
[Caller] Thanks, Ari,
my story happened down in Marshalltown about five years ago.
- Boy, five years seems to be a popular time.
- [Caller] Yeah, I know, but this happened,
and I watched it live on the internet.
Oh, so obviously it's completely true.
[Caller] I know how it sounds,
but if I didn't see it for myself, I would be skeptical.
Oh, well, I mean, that's a good sign.
If you actually say it's gonna be difficult to believe.
It might be a good story.
- [Caller] These guys were paranormal hunters or something.
You know, the type who film all their stuff
and try to pawn it off on unsuspecting people as real.
So like typical paranormal TV.
[Caller] But all online with subscribers
and live streams and stuff.
Man, I guess they had good marketing.
What do you mean?
I mean, it was supposed to be here like an hour ago.
This is our first live event,
and we need to get set up before dark.
I mean, it's already four o'clock.
About time.
Okay, they're here.
We'll get the feed up and running
and I'll call you as soon as we're ready.
Okay, cool, thank you.
About time, guys.
Got here as fast as we could.
Yeah, well you've been poking around,
I've been waiting outside this dump for like an hour.
You chose this spot?
Why here for a live shooting?
Because I said so, now get unloaded.
We gotta set up and fast.
I got the streaming networks already on my neck.
Yeah, all right, boss.
Miss Peyton?
You can call me Sarah.
Sarah, great to meet you.
Nice to meet you.
I'm John Richards, producer and star,
and this, this guy has the hardest job.
He's gotta make me look good. (laughs)
This is my camera man, Leo. (laughs)
- [Sarah] Pleasure. - Right.
(fist thumping)
Get out, we have work to do.
Oh, great, Esmeralda's here.
Who?
You're an idiot.
John, Natalie, you didn't tell me.
[Natalie] Tell you what?
That this place is amazing.
I mean, it's creepy as hell, look at it, it's creepy.
It's so creepy, I love it, good job.
Yeah.
(traffic rumbling)
(footsteps patter)
(traffic rumbling)
I feel like I could get tetanus
just by looking at this place.
So creepy, it's so creepy.
This works.
Okay.
So Clint, Leo,
I need you to start loading in the equipment.
- Yeah, you want a full or a partial cable?
Let's go partial for now.
Sarah, would you be so kind as to give me a tour?
Then I can figure out everything else we need.
- I'll be right here, let me know if you need me.
(footsteps thumping)
- Yes, all right, we can definitely work with this.
So where would you say is the most
paranormal activity?
- The stairwell, people see things, get touched.
One lady felt like she was pushed.
Stairwell.
Okay, anything else?
[Sarah] Upstairs, in the front window.
People see something standing there.
Upstairs, front window.
Got it, anything else?
- Well, all over, really, but those are the two main spots.
People tell us over and over again.
Be careful, the last group that provoked it
got more than they bargained for.
(John laughing)
[John] Okay, thanks, we can get back.
Clint, hey, give me your phone.
What?
- Mine's dead, I was texting my date and it died.
Were you texting your date?
Didn't I tell you to charge it before you left?
I did, it's dead, give me yours.
Yours isn't even lighting up, did you charge your phone?
- Of course I charged my phone, what did you do to it?
I literally took it off the charger right before we left.
Can I see yours?
Yeah.
Nothing, no signal, no power.
It's drained the phones.
What's drained the phones?
The house, it does that sometimes.
Oh, great, here we go.
I've heard of that.
Sometimes spirits, or haunted places,
they drain the batteries and things.
That's awesome. (laughs)
You brought extra batteries, right?
- Yes? - Cool. (laughs)
- I think it's gonna be an interesting show tonight.
(traffic rumbling)
(bag rustling)
[Leo] Yep.
Who's all in the house?
Huh?
[Natalie] Who's all in the house?
Just John and Sarah.
Just our fearless captain and Sarah,
just forget about us people
out here putting things together.
[Natalie] I don't think they're alone.
(bag rustling)
Camera's up, in five minutes.
Perfect.
Natalie, you're with me.
Jenny, Clint, you're group two.
Why do I always have to go with you?
Because we're the face of the show,
we gotta stick together.
Besides, Jenny and Clint can get any pickup shots
that come up.
Cameras are rolling, remote is solid.
We are live on the site.
Cameras one and two are in the bedroom.
Three and four are on the stairs.
- Well, the cords are down and marked and all taped.
So nobody will be tripping today.
[John] Nice.
Unless, you know, you wanna share.
Ugh, you are such a putz.
Well, mom thinks I'm funny.
Of course she does.
- [Natalie] All right, let's get things going, come on.
So you're like psychic, right?
I just take care of the house.
And we are good.
I sure hope we got enough batteries.
I did ask Clint to throw in a few extras
and we do have that quick charger just in case we need it.
Okay.
Transitioning
in three, two.
Tonight we're at the Grunwald house
for our first live investigation.
You're invited to come along with us
on a full night's investigation
to help watch the cameras, listen to the audio,
and let us know if you see or hear anything.
The website is set up so you can go
from camera to camera, room to room.
As soon as we finish an EVP session, we'll upload it
to the website so you can access it as close
to real time as possible.
- And anything you report will come in directly to us
and we'll look into it immediately.
Let's start the investigation.
(keyboard clicking)
All right, John, and I'll head upstairs.
You guys cover the downstairs, spend time in each room.
Everybody paid a lot of money to be a part of this,
so let's give 'em what they paid for.
All right, come on, let's go!
Oh Christ, spare me.
All right, Clint, you, head off.
Do an EVP session in the sitting room.
Maybe a 20 minute one, go so we can get the audio
up on the website before people get bored.
- But like, you know, you want something spicy
or like regular or?
- Let's not do anything too crazy at first.
People get suspicious.
[Clint] Yeah, yeah, that was stupid.
Leo, we're heading up.
Cue the music and put the camera on the stairs.
All right, here we are in the basement.
Are you still here?
Are you angry that we are here?
Do you want us to leave?
I would very much like for you to leave.
Oh, you were asking, the, okay, sorry.
So now would be the time for you
to let us know what you want.
- I think we should let this run for a minute
so I can use the little girl's room.
- You've literally been down here for two minutes.
Can you just not, you are the worst.
Fine, okay, well, this is Clint
and old pee pee pants over here.
We're gonna leave the basement quietly.
- Tonight, we're gonna do something a little different.
We don't normally incorporate tools like this
into our investigation, but given the history of this house,
well, we just couldn't help ourselves.
- Yeah, we normally don't do this sort of thing.
- Tonight, we are going to attempt to contact the spirits
of this house to get them to give us
something that has never been gotten to date.
Proof of life after death.
Proof that ghosts truly do exist.
Stay tuned, you're not gonna wanna miss this.
(keyboard clicking)
We don't do this sort of thing, John.
I know, but we really need
something to bring in the views.
- This? - Yes.
Trust me, it'll help with the setup later, okay.
Spirits of Grunwald house.
I beseech you to join us and make your presence known.
(door creaks)
Man, fuck this.
I was supposed to be on my date and now I'm here.
And he was hot.
(eerie music)
- If you are here, please give us a sign of your presence.
(object thumps)
If that was you, do it again.
- All right, we'll head downstairs and get the mic,
and you check on them?
Sounds good, okay.
(lock clicks)
- Way to go, dummy, you locked yourself out.
(doorknob rattling)
No, you're a genius.
All right.
It won't open.
(doorknob rattling)
Psst.
Spirits of Grunwald.
Mortals doubt your existence.
We need you to show us your strength.
[Natalie] What?
- [John] Do your worst. - No.
[John] And show us your might.
Stop.
(doorknob rattling)
(Leo laughs)
- Don't laugh, I cannot get this to budge at all.
- Like, what do you want me to do about it?
- I want you to use your man strength and open the door.
(Leo speaks indistinctly)
Ooh, easy, easy tiger, all right.
- [Leo] Jeez. - Have at it.
[Leo] Man.
(doorknob rattling)
What the...
(doorknob rattling)
How's it going?
[Leo] Like what the fuck, dude?
I don't know, this is crazy.
Come on, Jen.
(doorknob rattling)
(lock clicks)
(hands thumping)
(tense music)
Natalie, Nat, hey.
You have no right to do that.
It's just for the show, Nat.
I guarantee you we tripled our views with that.
I don't care.
Look, I know you don't believe in this stuff, but I do.
This is serious shit.
We just needed something
so when Leo triggers a gadget,
the viewers have something to point to as the cause.
So we're faking things now.
Just for this show.
And then we'll get picked up by some podcasts.
Maybe get on the paranormal network,
and then we'll be golden.
And then we can do the real
investigations that you want to do.
Fuck.
(footsteps patter)
Something's not right, guys.
Yeah, no kidding.
All the doors in this place are stuck.
Yep, maybe it's, they're just swelling
because the temperature drop or something.
[Leo] Wouldn't explain why
it happened all of a sudden, genius.
- I'm not a meteorologist, I don't know science.
Where are the others?
Oh, John and Natalie are upstairs,
probably in the middle of that Ouija board gag.
So we have about 10 minutes or so,
before John will start wanting to run effects.
Ouija board?
- Yeah, the last minute thing that John wanted to throw in.
It's just a prop, it'll be fine.
Nobody cleared that, where are they at?
- [Leo] Upstairs. - I'll be back.
(footsteps thumping)
Shit!
Oh, you dumbass.
Fuck off, oh, it's bleeding.
[Leo] Go clean that up.
- Oh, fuck off. - [Leo] Dick.
You wanna kiss it?
Fine.
(footsteps thump)
(tense music)
(Sarah gasps)
Oh, shit, oh, ooh, Jesus.
That was way worse than I thought.
Oh, shit.
Oh, geez, fuck.
What the fuck is that?
Leo.
Leo, I got a problem here.
Leo.
Oh, shit, oh, shit, shit, shit, shit.
Shit, Leo.
Leo.
(tense music)
Leo, I'm losing a lot of blood.
Somebody.
(tense music continues)
Oh, shit.
Leo.
(Clint speaks indistinctly)
(body thumps)
This is bullshit, fuck that door.
(tense music continues)
(doorknob rattling)
(glass clinking)
(doorknob rattling)
(Leo choking)
Hey Leo, let's get this party started.
Give us, give us an apparition or something.
(footsteps thump)
Leo, dude, can you hear me?
What's going on?
I don't know.
It's not like him to miss a cue.
Hmm, he could be taking a piss.
Yeah, maybe, I'm gonna go check it out.
[Natalie] I'll come with you.
No, you stay on camera.
We need to keep people interested.
Stuff it, I'm coming with you.
You're not leaving me here alone.
Fine.
(Natalie gasps)
Where's Leo?
I don't know.
Doesn't look good.
What the hell, John?
Natalie!
(tense music)
- I told you we do not mess with those boards!
- How can you say it has anything to do with the board?
- We have never used those before, this has never happened.
Whatever, we just need to get outta here
before we end up like them.
- We need to close the session before we leave.
- Session, what session, oh, the board game?
Yes, I'm gonna go close the session.
We need to leave.
- You do what you have to, I'm gonna go close the session.
You're fucking nuts.
(Natalie panting)
(John screams)
(tense music)
(sirens blaring)
[Police Officer] Clear left.
(sirens blaring)
[Caller] She was catatonic.
The cops didn't know what to make of it.
She was lucky to survive.
What did they do about it?
[Caller] They wanted to arrest her,
but it was all caught on the cameras.
I was 17 years old when I watched a group of people murdered
by something I couldn't see.
Oh God, you were only 17?
- [Caller] It wasn't a movie or faked, those people died.
It only made a small dent in the news,
I'm not surprised too many people didn't hear about it.
- Well, that's a heavy spot to leave people with,
but with all things, it's time to feed the beast.
We'll be right after these messages.
Are you okay?
We got 30 seconds,
but I can pad you a little more if you need.
No, no, let's keep going.
I, I think, I think I'm getting a just a little headache.
It's okay.
All right, we're back in three, two.
- Yes, hello boys and girls, this is your host Ari Hall.
And we're talking all night about things go bump
of the night and other high strangeness
from our little neck of the woods.
Ah, I see we have a first time caller on the line here.
Let's see here.
Hello, you're on the air with Ari Hall and "Night Talkers."
Do you have a story for us?
- [Carl] Yeah, but unlike the previous callers,
I've actually seen this myself.
- Well, the the last caller seen it herself too.
[Carl] Look, I'm, I'm not saying
that wasn't a crazy thing to watch,
but it, it was just on the computer.
I witnessed this with my own eyes in real life.
Well, those are strong words.
Okay, well what's your story?
[Carl] So I just finished my doctorate
and I got hired to work for the town.
- And which town, are you calling from Morris County?
[Carl] Yeah, Marshalltown.
I just took a car from Indianapolis,
but they were doing some road construction
and I was consulting with the project manager.
(traffic rumbling)
(engine humming)
Oh, wow.
- [Driver] Yeah, do you need help with that, buddy?
Oh, oh, no sir, I, I got it.
I should be just fine, but thank you so much.
No, sir, I do believe I got it all.
It's really shouldn't be, okay...
Well, my foot's a little stuck.
If you could, all right.
[Driver] You sure?
- Yeah, I, I could use your help actually, that would...
Okay, yeah, thank you so much, I'm sorry about that.
Look, I can...
Thank you so much, thank you, thanks, thank you.
Look, let me give you a little a tip, oh, wait.
Don't, just, don't, don't worry.
- Are you sure? I have money in my coat pocket
if you wanna reach and get it.
No, just good luck on whatever,
your presentation you got going.
Okay, thank you, thank you so much.
It's my first day, wish me luck. (laughs)
You're gonna need it.
Oh no, okay.
Well, today's gonna be awesome.
(objects clattering)
Oh, man.
Hey, I'll get that.
Hi, hi.
Do you guys know what floor the city planner's office is on?
Fourth floor, I think?
- Yeah, fourth floor, but you might be early.
The new guy's not here yet.
Oh, I hope not. (laughs)
I'm the new guy, Carl Reed, I'm the new city planner.
Hey, nice to meet you.
Yeah, you too.
- Yeah. - [Officer] Mm-hmm.
So am I, am I good to go, or?
Just, oh, okay, okay.
No weapons, here.
Yeah.
- All right, all right, so it looks like, am I good?
- Yeah. - All right, cool.
Yeah, just you have a good one, okay? (laughs)
Wait.
(footsteps thump)
All right, no.
(tube clattering)
(Carl panting)
Phew.
(elevator humming)
Okay, here we go.
Where are the keys?
(objects clattering)
(head thumps)
Serenity now.
(Carl sighs)
Wow.
(objects clattering)
This is really nice.
(keyboard clicking)
(hand thumping)
Gary.
Hey there, kiddo, how's it going?
Hey, Gary, it's, it's going good.
Just doing a deep dive into the annexation project
and there's a lot to do, but I'm excited to get started.
That's the spirit.
I knew you're the right man for this job.
I just came by to officially congratulate you,
while I head out for some golf.
Okay, hit a hole in the one for me, huh?
(engine humming)
[Driver] You better be careful out there
and get home soon.
People don't really come out here too late.
Why?
- [Driver] Things that go bump in the night at places,
well, things go bump during the daytime in these woods.
Okay, thank you for the heads up.
(cicadas chirping)
(tense music)
Yeah, maybe I don't need to go in these woods.
(cicadas chirping)
(tense music continues)
(insects chirping)
(birds chirping)
(insects chirping)
(intense music)
(Carl panting)
Hey, come here, this way, it's an emergency.
Come on, come on, hurry up, hurry up.
Come on, come on.
(engine humming)
Dispatch, Chief Richardson, mark me
1023, 1100 Whisper Lane, flagged down by civilian.
- Help, help, need some help, there's a dead body over here!
Need your help. (panting)
Carl Reed, city planner, there's a dead body.
There's, there's, there's a body back over there.
Sir, stay here.
(Carl hyperventilating)
Dispatch Chief Richardson, 1054, possible body.
(tense music)
(insects chirping)
Dispatch, Chief Richardson, 1055, send me everybody.
(leaves rustling)
(crickets chirping)
(hand snapping)
Hey, hey, what are you doing out here in the first place?
I, I'm the new city planner,
and I, I came out here to look at the woods
to be annexed into Marshalltown.
So I, I was just out here investigating.
- All right, so the time of death is about three hours ago.
What were you doing three hours ago?
I was in my office.
Today's my first day at work, I, I was just settling in.
Wow, that's a shitty first day.
I'm sorry you had to see that.
Yeah.
Am I, am I free to go now?
- Yeah, let's clear the scene and I'll give you a ride home.
Why don't you go ahead and get in the car.
(door clinks)
Who are you?
I'm Carl?
Carl Reed, I, I'm the new city planner.
And what are you doing here?
- The officer's gonna be giving me a ride back home.
- [Chief] Tammy, I see you've met our witness.
Hope you don't mind, we're gonna take him home,
then I'll take you back to the precinct.
Okay.
Scoot.
Come on, move it, blue eyes, let's go.
(door clinks)
(engine humming)
So you're, are you a detective?
Me?
Oh God, no, (laughs) no.
I'm a scientist in the forensics department.
Oh, that, that, that sounds fascinating.
It can be fascinating.
Can I ask what killed that woman?
- Bear attack, she was in the wrong place at the wrong time
and got mauled to death, it's a tragedy.
- I, I didn't think there were any bears in Indiana.
I've never seen any myself per se,
but there's been confirmations,
especially along the southern border, so.
Hmm, okay.
So why were you out there?
Well, I, I, I was there for work.
I'm the new city planner, so.
Just checking out land to,
for annexation into Marshalltown.
That's fascinating.
I mean, it can be.
Not as fascinating as forensics, I imagine.
- Well, no, no, it's not, not even close. (laughs)
(crickets chirp)
(hand thumping)
Where are my glasses?
There's no way a forensic scientist doesn't know all this.
Did she lie to me, why would she lie to me?
Oh, well this is a surprise.
Aren't you supposed to give a girl three days or something?
- I, I, I'm sorry, this, this seems really forward.
I, I just, I had to see you.
Well, I'm very flattered,
but I am busy at the moment, but I'm off at four.
- I mean, I, I can go and come back, is that?
- Why do I feel like you're not asking me out?
You'd go out with me?
So that's not what this is about.
No, no, I mean, yes, yes.
I, I, I would like it to be what this is about, but.
You're flattering, Carl.
I, I, I've never done this before.
Oh, I, I couldn't tell.
- Would you like to get some coffee with me sometime?
Yes, I would like that very much.
Now, what was this originally about?
- Oh, I want to talk to you about the case.
What about it?
I think there's more to it.
Unfortunately, it was,
it's an open to shut case, Carl, just.
- I don't know, I, I don't think a bear killed that lady
or the other six people over the past month.
- Wait, how did you know about-
I did my research.
- When? - Last night.
Did you get any sleep?
Yeah, yeah, like five, six, two hours.
You, you go home and get some rest.
I know you know there's more going on.
What?
- I saw it in your eyes last night in the car,
but you didn't say anything 'cause of the cops.
What was it?
You know what, why don't we have that coffee now?
Just go ahead.
Wait for me outside and I'll be out in a jiffy, okay?
Okay, okay.
- I didn't know who else to go to about this,
but you're right.
There is more to this case.
More, how?
- The claw marks, they're different than any bear mark
that I've ever examined.
They, they're thinner and deeper.
And also when they examined the crime scene,
they looked all over the area
and found no trace of bear tracks, which is impossible.
So, you're saying that it's not a bear?
It couldn't be.
I knew it, I knew it.
So, so it has to be like some kind of a other animal?
No, that's also unlikely.
In all the cases, the victims, the first point
of contact they had was on their backs.
Meaning?
Meaning whatever attacked the victims,
they all trusted them long enough
to let their guards down around them.
I don't know what this means.
And I know it sounds crazy, so I thought saying everything
was a bear attack was just easier.
And now you know for sure
that this absolutely was not a bear attack?
[Tammy] I do.
Hey, Gary.
Hey Carl, how's your day going?
Hey, good, good.
Listen, can, can I talk to you about something?
Sure, what's up?
It's about the annexation of the woods.
I've been doing some research
and apparently there have been a lot
of animal attacks in the area lately.
Animal attacks, what kind?
- I mean, I mean, they're saying that it's bears,
but that doesn't make any sense
because there haven't been any bear sightings in Indiana
in years and something just doesn't add up.
Well, we can always put up some signs,
and educate people in case they run in, run into a bear.
Plus, it's a really big forest
and the odds of anyone running into one are pretty slim.
I mean, I, I, I don't know, Gary.
Something just doesn't feel right to me, you know?
Like maybe we should hold off on the annexation
project until we know exactly what's going on in there.
- No, Carl, we, we can't pause this operation.
We have a job to do, we gotta develop the land,
and make it usable for the community.
We can't let fear interfere.
But, I, I know, I know.
It's just, it's,
something just feels off.
Carl, Carl, I understand your concerns,
but we have a job to do
and we can't let speculation get in the way.
Trust me on this.
I hope you're right.
I am, now, how about we grab some lunch,
talk about something a little more pleasant?
Okay, yeah, yeah, I guess, that...
(car dinging)
Can, can you stop right here?
Can you stop?
[Driver] Are you sure?
Yeah, yeah.
Oh, this is perfect.
Thank you, thank you.
Hey, hey, get back, get back in the car.
- No, I'll be fine, I'm supposed to be here, it's fine.
Thank you for the ride, appreciate it.
All right.
(crickets chirping)
(leaves rustling)
(creature grumbling)
(bird squawking)
(insects chirping)
(leaves rustling)
(creature inhaling)
(creature grumbling)
Did I forget my card?
(creature purrs)
Hello?
(creature growling)
(Carl gasps)
(Carl panting)
(eerie music)
[Crew] Action.
(hand thumps)
Hey, Carl, how's it going?
Not great, Gary, I,
I need to talk to you about the project.
Sure, what, what's, what's the problem?
- I feel like we need to suspend the project right now.
It is not safe for anyone that is working in that area.
- Carl, we can't suspend the project without a good reason.
We've been at this for months.
- As you are aware, there have been some deaths in the area.
People are being mauled to death
by some kind of animal.
I was in the woods the other day,
and what I saw, it was not a bear.
It was some kind of like, like, like a monster,
like a leshen or like a-
- Carl, Carl, Carl, I've read, I've read the news.
It's just some unfortunate bear sightings.
Nothing to worry about.
- I am telling you, Gary, it is not a bear.
This is something else entirely.
We cannot just leave this unchecked.
We can't, we have to like,
look into what is actually going on.
Carl, I understand you're concerned,
but we have a deadline on this project
and we can't afford any delays.
Can, can we even just like,
let the police know so they can investigate the area?
No, we can't involve the police.
They'll just try to shut us down
and prevent it from completing this project on time.
I am gonna take a few days off of work
so I can clear my head.
I think that's a good idea.
Take a couple days off, get rested, come back refreshed.
Carl, you're important.
We need you on this project, okay?
Okay.
(tense music)
And it, it was like this thing that stood up on, on,
on two legs and its skin was gray and, and shiny,
and it had horns and its hooves were huge.
And it just, it wasn't a bear, it wasn't a bear.
And I went and I told Gary about it,
because people have been dying over this.
And he just, and I, I talked to Gary about it,
and I don't know if, if he didn't believe me
or if he's hiding something, well...
- Carl, you don't know what you're getting yourself into.
Can you tell me?
It's crazy, I, I couldn't.
Please.
- Okay, okay, there's this book in the public library.
It was written by a local,
but everyone just thinks he's a conspiracy theorist.
He claims to have seen everything you saw,
and documented everything.
Thank you.
(tense music)
(paper rustling)
"The only way to kill a skinwalker is to stab it
in the heart with a stick made of white ash
or to shoot it in the heart with a bullet made of the wood."
I need a book on trees.
(insects chirping)
(leaves rustling)
I am not in the mood, not today.
That's good.
(knife scraping)
(leaves rustling)
(insects chirping)
(crickets chirping)
(footsteps rustling)
(person speaks indistinctly)
(tense music)
(leaves rustling)
(tense music continues)
(creature grunting)
(tense music continues)
(creature grunting)
(Carl grunts)
(creature grunting)
(intense music)
(Carl panting)
(Carl groaning)
(crickets chirping)
(Carl groaning)
Hey, what, what, what's going on here?
(creature growls)
Oh, hell no.
Carl, Carl, my god,
what are you doing out here this time of night?
Mr. Wilhoite?
What are you doing out here?
- I'm getting ready to go home, why are you here?
Oh, you don't know the half of it, sir.
Oh my God, you're, you're hurt.
[Carl] Yeah.
- Oh, I, I let me take, let me take you home.
Come on.
(tense music)
You shoulda let this go, boy.
(Gary groaning)
(Carl groans)
(eerie music)
(Carl grunts)
Crime scene, help.
I think I laid there for a couple of hours,
passed out, and I woke up in the hospital.
- Wait a minute, how, how long did you lie there?
- [Carl] I, I think like an hour or two, I, I'm not sure.
Geez, it sounds like your girl
took her time getting there.
- [Carl] Oh, she got there as fast as she could.
Now this happened in Marshalltown?
I mean, how, how come I didn't hear about it?
- [Carl] It got swept under the rug, I, I don't know.
I mean, hey, wait a minute.
A skinwalker?
- [Carl] Mm-hmm.
I mean, are you sure it wasn't
just an animal or something?
[Carl] I know what I saw, Ari.
It was, it was this, this thing,
this, this creature, whatever.
Oh, look, look, all right, all right.
I'm not saying I don't believe you.
I'm just saying it's for a lot of people
that would be hard to swallow.
You've got, you know, you've got your creatures,
you've got things that go bump in the night, urban legends.
You know, I mean, a lot of people would write that off
as exaggeration, figments of your imagination.
And not to impugn your sobriety, but maybe hallucinations.
But yeah, I mean, it also reminds me that,
that truth is oftentimes a lot stranger than fiction.
Now my question to you is,
what do you hope to achieve by telling this story on air?
- [Carl] I just want people to be aware, to be cautious.
If there's something out there lurking in the shadows,
preying on unsuspecting victims, then we need to know,
we need to look out for each other and stay safe.
- All right, all right, I mean, awareness is key.
You know, it's, it's important to get stories like this out
to the public, you know, just so they can be informed
and also 'cause maybe some people
have had a similar experience.
Anyway, I want to thank you very much for your story.
I really, really appreciate it.
And with that, unfortunately, we reached the end
of another unforgettable night of "Night Talkers."
I want to extend my deepest gratitude to those brave souls
who shared their stories with us,
reminding us that reality is far more complex
than we give it credit for.
And to all my fellow seekers of the unknown,
I wish you all a clear mind, open eyes,
and an unafraid heart.
This is Ari Hall signing off.
[Maia] We're clear.
Great show, Ari.
I mean, the lines were buzzing, you really know how
to get the audience going with those eerie stories.
Well, thanks Brenda.
I mean, it's the callers that make the show.
And by the way,
could we maybe screen them a little bit more next time?
Well, I thought it was pretty good.
Yeah, well, I mean, you know,
it was basically unraveling the enigmatic
courtesy of the late, late show.
[Brenda] I thought you believed.
You know, I, I love it, Brenda.
I mean, I can't think of anything
I'd rather be doing with my time.
Yes, that's what sets the show apart.
I mean, the pursuit of the extraordinary,
the unexplained, the untamed, just, huh.
Oh, very funny. (laughs)
I love you, Brenda.
[Brenda] I know.
The stories get to you sometimes.
- Well, that's 'cause some of them are told pretty well.
Well, that's why I always get here early
so I can park near the building.
I swear someone watches me at night.
Well, let's give 'em a show.
- Hey! - Hey! (laughs)
Be safe.
You too.
(tense music)
(handle rattles)
(tense music continues)
(upbeat metal music)
♪ Marshalltown curse ♪
♪ Strikes things through ♪
♪ Anxious spirits starve, lost in the tomb ♪
♪ Footsteps echo with nobody there ♪
♪ Claws and whispers, chills in the air ♪
♪ Ghosts roam free, shadows in the night ♪
♪ All legends clash when they ignite ♪
♪ Small town got a history's fright ♪
♪ Marshalltown trapped in eternal plight ♪
(upbeat metal music continues)
♪ Marshalltown curse ♪
♪ Strikes things through ♪
♪ Anxious spirits starve, lost in the tomb ♪
♪ Footsteps echo with nobody there ♪
♪ Claws and whispers, chills in the air ♪
♪ Ghosts roam free, shadows in the night ♪
♪ All legends clash when they ignite ♪
♪ Small town got a history's fright ♪
♪ Marshalltown trapped in eternal plight ♪
♪ Fireflies die, replaced by glowing eyes ♪
♪ Creepy fog rolls ♪
(singer vocalizes)
(singer vocalizing)
♪ In the mist ♪
(singer vocalizing)
♪ Logic always fails ♪
♪ Fire flies backwards ♪
(singer vocalizing)
♪ Thunder strikes clear skies unnatural light ♪
♪ It's the portal, takes you nowhere fast ♪
♪ And Marshalltown freaks say its always last ♪
♪ Houses quake without ♪
(singer vocalizing)
♪ Doors slam shut, locked from inside ♪
♪ Marshalltown secrets, impossible to hide ♪
♪ Ghosts roam free, shadows in the night ♪
♪ All legends clash when they ignite ♪
♪ Small town got a history's fright ♪
♪ Marshalltown trapped in eternal plight ♪