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["Am I alone, and unobserved" by Gilbert and Sullivan]
♪ Am I alone and unobserved? ♪
♪ I am ♪
♪ Then let me own ♪
♪ I'm an aesthetic sham! ♪
Oh, there she is, the toast of the West End.
Harriet, darling, don't mention toast.
You know I'm off carbs.
I have already called the half, which is utterly redundant
as the only person in the production
is gallivanting around the streets of London
- in his fucking costume. - I needed fags.
Story of my life.
Do not smoke in your costume. I have to take it back to the--
- The higher company-- - On Monday.
And there are a bunch of fucking twats.
They're breaking me out in hives.
Oh, they suit you, darling.
♪ This air severe is but a mere ♪
♪ Veneer! ♪
That you think almost as highly of this play
as I do myself.
♪ This cynic smile is but a wile ♪
♪ Of guile! ♪
♪ This costume chaste is but good taste ♪
♪ Misplaced ♪
Hello? Hi. Sorry, who's this?
[over phone] It's Oscar. Oscar Conlon-Morrey.
Oh, right, sorry, I thought you were the Ethiopian boy
I met at Jersey Boys.
Okay, so Oscar Wilde wrote, right?
Yeah, he was a playwright.
- Yes. - Right. So I mean,
I didn't get that until like, 15 minutes into the thing.
I mean, that wasn't clear to me, and I work in the business, so.
I-- I think most people know who Oscar Wilde is.
Most gay people do, at least.
Well, I'm gay, and I didn't get that.
- So - [Oscar] Did, uh...
Did you manage to speak to any of the investors
that Carol invited yet?
[Tim] Look, your show's a tough sell.
Investors know that. We all get that.
- We all agree. Right? - That was the whole point
of doing the showcase last night.
It was why I blew 3/4 of my life savings
on hiring the Haymarket Theatre, Oscar's Theatre,
in order to raise funds for my showcase.
It's why Carol currently
on Ryan Murphy's plane to Thessaloniki.
The private jet. His private jet.
It even has a name.
Look, let me find out
and I'll get back to you, okay?
Look, we're here for you if you need anything.
Are you good?
- Um, I actually wouldn't-- - [Tim] You're good. Okay.
Look, we'll talk soon. Okay? Bye.
Sorry, Tim, I was actually wondering...
Hello?
♪ It's here, [indistinct] ♪
♪ Alone retains its zest ♪
♪ [indistinct lyrics] ♪
[Oscar grunts]
Shitty, darling. Very shitty.
Just been on with my agent.
Oh, Oscar, do you remember what you told me the day we met?
[Oscar] Never wear Bermuda shorts in central London.
- No. - Green is a difficult color?
- [???] No. - Chunky jewelry--
Oscar, no. Be yourself.
Everyone else is already taken.
[Oscar] I never said that.
Oscar said it.
All right, well, I knew one of the two of you said it.
I'm always confusing you two, anyway.
[Oscar] Tell me about it.
Ooh. Are you naked?
[Oscar] As the day I was born, darling.
- Gotta go. - Love-- love you, mate.
[Oscar] Love you more.
Bye.
[Oscar sighing softly]
The basis of character is willpower.
♪ A languid love for lilies does not blight me ♪
♪ A languid... ♪
[Harriet] Coffee in your costume again?
[Oscar] Relax, darling. It's decaf.
♪ I do not care... ♪
- A fan. - Thank you.
More pube brownies.
Be sure to save me one. [chuckling]
♪ ...it's Japanese ♪
♪ I am not fond of uttering platitudes ♪
♪ In stained glass attitudes ♪
♪ In short ♪
♪ My medievalism's affectation ♪
♪ Born of a morbid love ♪
♪ Of admiration ♪
♪
♪ If you're anxious for to shine in the high aesthetic line ♪
♪ As a man of culture rare ♪
♪ You must get up all the germs of the transcendental terms ♪
♪ And plant them everywhere ♪
♪ You must lie upon the daisies and discourse in novel phrases ♪
♪ Of your complicated state of mind ♪
♪ The meaning doesn't matter if it's only idle chatter ♪
♪ Of a transcendental kind ♪
♪ And everyone will say ♪
♪ As you walk your mystic way ♪
♪ If this young man expresses himself ♪
♪ In terms too deep for me ♪
♪ Why, what a very singularly deep young man ♪
♪ This deep young man must be ♪
♪ Be eloquent in praise of the [indistinct] ♪
♪ Which have long since passed... ♪
Is there anything I have to do whilst I'm here?
Yes, it's beautiful sceneries.
- Yes. - You can have the pizza.
- The pizza? - Yeah.
They're the best pizza in New York City.
- Oh, and local delicacies. - Of course. Yes.
♪ For art stopped short in the cultivated court ♪
♪ Of the Empress Josephine ♪
♪ And everyone will say ♪
♪ As you walk your mystic way ♪
♪ If that's not good enough for him ♪
♪ Which is good enough for me ♪
♪ Why, what a very cultivated kind of youth ♪
♪ This kind of youth must be ♪
I have nothing to declare but my genius.
Where can I find that pizza?
♪ In sentimental passion of a vegetable fashion ♪
♪ Must excite your languid speed ♪
♪ An attachment a la Plato for a bashful young potato ♪
♪ Or a not too French French bean ♪
♪ Though the philistines may jostle ♪
♪ You will rank as an apostle in the high aesthetic band ♪
♪ If you walk down Piccadilly with a poppy or a lily ♪
♪ In your medieval hand ♪
♪ And everyone will say ♪
♪ As you walk your flowery way ♪
♪ If he is content with a vegetable love ♪
♪ Which would certainly not suit me ♪
♪ Why, what a most particularly pure young man ♪
♪ This pure young man must be ♪
♪
["It's a New Day" (feat. Vicki Vox) by Holy See]
♪ Mmm, yeah, yeah ♪
♪ Oh, yeah ♪
♪ It's a new day for a high ♪
♪ For a high, for a high ♪
♪ It's another day to thrive ♪
♪ To thrive, good bye ♪
[Oscar] I came to America the first time in 1882,
to promote Gilbert and Sullivan's
comic opera Patience.
I lectured for one year in 30 states
from New York to California.
By the time I returned to England,
I was a celebrity.
The world's second most famous queen.
And I haven't written anything. Well, nothing you'd know.
Anyway, I was famous just for being famous.
May I continue with the tour now, Mr. Wilde?
Oh, my dear fellow. Well, yes, of course.
The suspense is terrible. I do hope it lasts.
♪ I just turn the page, let it ride ♪
♪ What a lie, what a lie ♪
[John] Madison Square park.
An epicenter of Wilde's time in New York.
The Fifth Avenue Hotel, where he would meet
actresses for his plays.
And Delmonico's, his favorite restaurant.
And on this side of the square, Mansions,
where Oscar was fated by society.
Oh, and Oscar's bank, where he had to go one day,
embarrassed to stop some checks
because he had been conned in a card game.
Well, anybody who lives within their means
suffers from a lack of imagination.
Oh, so wonderful.
- What's your name? - Carlos.
- And this is Luca.
- Hello. Luca. - Luca, say hi.
- Hey, baby. - Say hello to Oscar Wilde.
He's a famous person.
It's wonderful to meet you, Carlos.
- Have a wonderful day. - You look amazing.
- It's a pleasure. Ciao. - What a pleasure.
Love Carlos.
I am pleased to see this building
of neoclassical structure has survived.
[John] Well, I'm afraid to have to tell you this,
Mr. Wilde, but Stern Brothers is now a Home Depot.
A Home De--
What in Christendom is a Home Depot?
Well, a DIY.
DIY?
[John] Do it yourself.
Do what myself?
Hm, your bedroom, your bathroom.
Or-- or perhaps your kitchen.
Oh, well, let us see
if they have anything that can live up to my blue China. Hm?
[upbeat music playing]
[John] Here we are on Irving Place,
on two houses, Oscar, that you may recognize.
Number 47 and number 49.
At number 47 was a house that Oscar Wilde
actually stayed at when he started taking rooms
in rented accommodation
after staying in hotels most of the year.
Your friend, Bessie Marbury, also lived here.
She became your literary agent in America.
And she lived here with Elsie de Wolfe.
Um, for a period of 30 years
in what was known then as a "Boston marriage."
But we know now they had a relationship,
and they were one of America's leading gay icons
of the late 19th century.
Bessie Marbury was Wilde's literary agent,
probably one of the first female literary agents of her day.
And her partner, Elsie de Wolfe, almost certainly
the first female interior designer in America.
And now, my dear Mr. Cooper,
I must take my leave of you,
for this promenade through my past
has bored me so wretchedly
that I've nearly lost all interest in life.
Good day. Taxi.
[tentative music]
♪
- Thank you, driver. - [driver] How are you?
- Thank you. - [driver] All right.
All right. Thank you very much. All right, then.
♪
[indistinct chatter, laughter]
[Luis] Oscar.
You're back.
This is Wonderful.
[woman] Oscar.
Good afternoon, dear Oscar.
I hope you are behaving very well.
I'm feeling very well, thank you.
[chuckling] Well, that is not quite the same thing.
In fact, the two things rarely go together. [chuckling]
Oscar, I feel bound to tell you
that you are not on my list of eligible young men.
- Do you smoke? - It's--
- Yes, I must admit I do smoke. - No, I'm glad to hear it.
A man should always have some occupation of some kind.
There are far too many idle men in New York as it is.
How old are you?
I'm 29.
A good age to get married at.
Tell the boys that. [chuckling]
Boys?
Oh, well, yes, Lady Bracknell.
Uh, do you mean you couldn't tell?
The love that dare not speak its name
has always been a deep spiritual affection
is as pure as it is perfect.
I've always been of the opinion that a man
who decides to get married,
Should always know either everything or nothing.
Which do you know?
I am too old to know everything.
- I know nothing, Lady Bracknell. - Well, I'm glad to hear it.
I do not approve of anything
that tampers with natural ignorance.
Indeed, ignorance is like a delicate exotic fruit.
Touch it and the bloom is gone.
Hmm.
Dishes will not be necessary, Luis.
We will not be eating this cucumber sandwiches,
just admiring them.
And now to minor matters, Mr. Worthing.
Are your parents living?
Mr. Worth--
[clearing throat] I have lost both my parents.
To lose one parent, Mr. Worthing,
may be regarded as a misfortune.
But to lose both looks like carelessness.
Who was your father?
[quirky music]
Uh, my fath--
♪
[Oscar clearing throat]
I'm afraid I really don't know.
The fact is, Lady Bracknell, I said I had lost my parents.
It would be nearer the truth to say
my parents seem to have lost me.
I don't actually know who I am by birth.
I was...
Well, I was found.
Found?
The late Mr. Thomas Cardew, an old gentleman
of a very charitable and kindly disposition
found me and gave me the name of Worthing.
Because he happened to have a first class ticket
for Worthing in his pocket at the time.
Worthing is a place in Sussex. It is a seaside resort.
Wh-- whe- where-- where did this charitable gentleman,
who had a first class ticket
to this seaside resort, find you?
- In a handbag. - [Lady Bracknell gasps]
A handbag?
Yes. Yes, I was in a handbag.
A somewhat large handbag with handles to it.
An ordinary handbag, in fact.
Oh, and-- and-- and in what locality
did this Mr. James or Thomas Cardew
come across this ordinary handbag?
In the cloakroom at Victoria Station.
It was given to him in mistake for his own.
The cloakroom at Victoria Station?
Yes, the Brighton line.
The line is immaterial.
I strongly advise you, Mr. Worthing,
to try and acquire some relation as soon as possible.
Well, I don't see how I could possibly manage to do that.
I can produce the handbag at any moment.
It is in my dressing room at home.
I really think that should satisfy you, Lady Bracknell.
[Lady Bracknell] Me, sir?
[chuckling softly]
Thank you, Lady Bracknell.
Good day, Oscar.
[chuckles] That was fun.
[Lady Bracknell chuckling]
Laughing to myself.
[Lady Bracknell laughing softly]
["Be Yourself" by Oscar Conlon-Morrey]
♪ I'm a young girl ♪
♪ And I've just come over ♪
♪ Over from the country ♪
♪ Where they do things big ♪
♪ And amongst the boys ♪
♪ I found me a lover ♪
♪ And since I have a lover ♪
♪ I just don't care a fig ♪
♪ The boy I love is up in the gallery ♪
♪ The boy I love is looking now at me ♪
♪ There he is, can't you see ♪
♪ Waving his handkerchief ♪
♪ As merry as a robin ♪
♪ That sings on a tree ♪
♪ The boy I love ♪
♪ Is up in the gallery ♪
♪ The boy I love ♪
♪ Is looking now at me ♪
♪ There he is, can't you see ♪
♪ Waving his handkerchief ♪
♪ As merry as a robin ♪
♪ That sings on a tree ♪
Oh, my God. Is that who I think it is?
Gay Benjamin Franklin with a Lestat blowout.
Somebody call Anne Rice.
Ladies and gentlemen, my friend Oscar.
[dramatic piano music]
Now, I'm sure you've heard it said
that truth is beauty, beauty, truth.
It wasn't me, dear. It was Keats.
I wouldn't dream of taking the credit.
Even so, perhaps you've also heard it said
that I am a lover of youth.
I did say that and it caused
quite a bit of trouble with the law.
Don't you know?
♪ Illusion is the first of all life's pleasures ♪
That one's mine.
♪ The world's a stage the play is badly cast ♪
Also me.
♪ Escape it all by cherishing your treasures ♪
I paraphrase.
♪ And soon you'll find the fear of life ♪
♪ Has passed Dorian Gray ♪
And look, I know all this sounds fabulous
and desperately clever
and the history books all say that was my charm
but when first I ventured forth on my aesthetical endeavor
I was treated not with kindness but alarm.
♪ For they'd never seen a man wear so much satin ♪
♪ So much lace with hair cascading down around his ear ♪
♪ And so the lesson that I learned ♪
♪ I learned with elegance and grace ♪
♪ And it's one that I've been passing on for years ♪
♪ Be yourself, be yourself ♪
♪ Everyone else is taken ♪
♪ Be yourself, just yourself ♪
♪ Nobody else will do ♪
♪ Why should you try to comply ♪
♪ And pretend to be a person you're not? ♪
♪ Someone you don't even know ♪
♪ Why live a lie and deny who you're meant to be? ♪
♪ Show the world just what you've got ♪
♪ Better to be seen than not ♪
♪ So be yourself, be yourself ♪
♪ Everyone else is taken ♪
♪ Be yourself, just yourself ♪
♪ Nobody else is you ♪
Now, before I go there's one thing I ought probably address
an elephantine presence you could say,
for if anybody didn't understand the way I dressed
they really didn't like that I was, well, quite.
♪ And yet our differences are numerous ♪
♪ As stars up in the sky ♪
♪ Why take one little thing so much to heart ♪
♪ No, no, however you may love ♪
♪ However you identify ♪
♪ Remember you're a living, breathing ♪
♪ Walking work of art ♪
♪ So be yourself, be yourself ♪
♪ Everyone else is taken ♪
♪ Be yourself, just yourself ♪
♪ Nobody else will do ♪
♪ Why live a lie and deny who you're meant to be? ♪
♪ Make the bastards turn and look ♪
♪ Take a leaf from Oscar's book ♪
♪ And be yourself Be yourself ♪
♪ Everyone else is taken ♪
♪ Be yourself, just yourself ♪
♪ Nobody else is you ♪
♪
[street din]
[Oscar] Facts are usurping the domain of fancy.
And have invaded the kingdom of romance.
The crude commercialization of America,
its materializing spiritual,
its indifference to the poetical side of things.
And its lack of imagination
and of high, unattainable ideals.
Are entirely due to that country
having adopted for its national hero
a man who, according to his own confession,
was incapable of telling a lie.
And it's not too much to say
that the story of George Washington
and the cherry tree has done more harm
and in a shorter space of time
than any other moral tale in the whole of literature.
[intriguing classical music]
♪
Oscar. Welcome.
Ms. North.
What a pleasure to meet you in the flesh.
Oh, thank you so much for coming.
Thank you for my invitation. It's an honor.
- Of course. - What a beautiful home.
- Thank you. - This is stunning.
- We're glad to have you. - Bless you.
- Come inside. - Oh, thank you so much.
I can't wait to see your interior design.
[Ms. North chuckling] How was your trip?
Oh, hot.
[Ms. North laughing]
♪
I am very glad to have been invited
and to address an audience in...
Winston-Salem, North Carolina.
And I am impelled for the first time in my life
to breathe a fervent prayer.
God, save me from my disciples.
[women chuckling]
Your people love art.
- Yes? - [women] Yes. Yeah.
But you do not sufficiently honor the handicraftsman.
I did not imagine until I went
into some of your simpler cities
that there was so much bad work done.
I found where I went bad wallpapers,
horribly designed and colored carpets.
Oh, and that old offender, the horse hair sofa.
- Oh, my God. - My husband's grandmother
had one right in the living room.
- What is that? - Stank like the devil.
- [laugher] - And so did she.
[overlapping conversation]
Ladies, ladies.
- [women murmuring] - Excuse me. Thank you.
Have no great flaming chandelier in the center of the room.
Also, you should not have cast iron railings
fixed outside the house.
Oh, I think Amy has some of those.
She does.
There is nothing, to my mind,
more coarse in conception and more vulgar
in execution than modern jewelry.
- Yes, and thank you. - No, and thank you.
We spend our days looking for the secret of life.
Well.
[tentative music]
The secret of life...
is in art.
[laughter]
[women chanting] Bravo. Bravo.
[Alyson Williams] "Illusion is the first
of all pleasures."
"The world's a stage and the play is badly cast."
Escape it all by cherishing your treasures
and soon you'll find the fear of light has passed.
["Be Yourself" (Dance version) by Alyson Williams]
[Oscar] Right and left, left and right.
Right and left, left and right.
The secret of life...
is in art.
And no iron railings!
Yes. And thank you.
[all cheering]
Cheers, darling.
[all cheering]
♪
♪ Why live a lie, try to deny ♪
♪ Who you were really meant to be ♪
♪ Show the world just what you got ♪
♪ It's better to be seen than not ♪
♪ Be yourself, be yourself, everyone else is taken ♪
♪ Be yourself, just yourself, nobody else will do ♪
♪ Be yourself, be yourself, everyone else is taken ♪
♪ Be yourself, just yourself, nobody else is you ♪
♪ Fact is, folks are terrified ♪
♪ Of different large or small ♪
♪ In creed or culture, looks or speech or skin ♪
♪ But how you gonna find the beauty out there? ♪
[Alyson] Oscar.
- Oscar. - Alyson
Oscar, baby, you made it.
- [Alyson exclaims] - Oh, my darling.
I'm so glad you were able to come
- and look at you. - Thank you for having me.
And a costume change for you as well.
- Well, absolutely. - You look delectable, darling.
Listen, I want you to meet a dear friend of mine.
His name is Randy Jones and he's just going to love you.
Now listen, come on here with me.
I'm sure he's in here somewhere.
[Alyson gasps]
We're picking people from our party to, uh,
Be with us later for a little, uh,
how can I say, burlesque type show.
- Oh, burlesque. - Strippers, basically.
- Strippers? - But we're gonna pick them
from the audience.
- You wanna help? - That sounds like vaudeville.
I'm very much-- Oh, can I grab a little slider?
We don't have time to eat, honey.
You'll have time to eat, plenty of time later.
Now listen, keep an eye and see. What do you think?
Well, I think he's was absolutely gorgeous.
Oh, Oscar. Oscar. We love you, Oscar.
- So wonderful to meet you. - You're a hit already.
I told you, they're just gonna eat you up, love muffin.
[Randy] What we're gonna do now is move on
to our next entertainer.
["I Need You Love" by Glow City]
♪
♪ Oh, oh, all right ♪
♪ I need your love ♪
♪ Oh, oh, all right, all right, all right, all right ♪
♪ All right, all right, all right, all right ♪
♪
♪ All right, all right, all right, all right ♪
♪
One, two, three. Oscar, won't you come forward.
You know him and I want you to come and meet everyone.
Give him [indistinct].
[indistinct] Oscar Wilde.
- [cheering] - Give it up for my friend Oscar.
Please, meet Randy Jones.
[cheering]
How often do you get two icons in the same group?
Now, I would be remiss if I did not take time
with my friend Oscar.
I have a question for you.
Hey, everybody. Come on, he's come a long way.
Oscar, will you tell us
what is your strongest impression of the South?
- [man] Holy shit. - Of the South?
- [people chattering] - Well, hello everyone.
[crowd cheering]
I was forewarned that the south would be hot.
But it wasn't until I came to this party
and saw the specimens in the room
that I truly understood the meaning of that word.
[loud cheering]
Guys, you'd like very much to thank you for having me,
to thank you for your hospitality,
for your kindness, your rock hard abs.
But mainly I'd like to thank you for your teachings.
So, you see, I cannot wait to take that
to London with me to sing
"The Higher the Hair, the Closer to God."
[cheering]
[Ron] Good evening. Welcome to Thompson Talks.
I'm Ron Stacker Thompson.
And I have here with me tonight a very special guest.
The cowboy from Village People,
Randy Jones.
Hey there. How are you?
And you brought a very special guest too.
You know what? I absolutely did.
And what the surprise of my life.
Are you aware at all Mr. Wilde of Village People?
Uh, we-- Well, I'm afraid
I'm terribly sorry to say this, Randy,
but my first exposure to this delightful premise
was last night at the party where I had the great privilege
- of sharing a stage... - Right?
...with the Village People.
So you got to see it from my perspective.
- I did. I did. - Is that not amazing?
It's remarkable.
I assume there were many people there last night.
- [Oscar] There were. - How did they respond to...
The Village People?
All...
The-- the barriers were dropped...
- Yes. - ...for those three minutes
- when you started singing. - Yeah.
Everyone came together
- and it was unifying. - Yes.
And I realized in that moment, whilst it might...
To raise a child, it takes a village.
- [Ron] Yes. - To raise a queer child,
it takes the Village People.
- And to have-- - [Ron] Oh, nicely put.
Yes, and to have a united country,
it takes a village.
And it takes-- We are a huge village,
this country, because we are built
of some of the most diverse people on the face of the earth.
You mentioned beauty and I love the term that you,
I think, coined yourself
the architect of beauty or the,
uh, the, exhilarator of beauty?
Uh, do you still feel that way?
To live out a tawdry...
existence.
Rather than to live one's true self completely
and totally, was never an option.
So at some time in my life,
I should like to think I can find the beauty in myself.
I understand what you've just said.
But simply put...
when you look in the mirror,
do you see something beautiful?
- [Oscar] No. - No?
Never have?
No.
[forest din]
[somber music building]
- [Paul] The lovers number six. - [Oscar] Hmm.
This card is not about a lover.
An illicit lover, a love affair.
This card is about a major...
life altering choice in your life.
A choice.
Seven. You're defending yourself against something.
Oh, the Two of Cups. This is true love.
We have another strong masculine figure.
You have interacted with this person in other forms,
other lives, other--
And it's, uh...
karmic, it's just coming back from another life.
Y'all may have not been, uh,
lovers in the past life,
but you definitely are attracted to each other in this life.
You're quite right in...
That there are...
two Oscars...
battling...
to get out.
And it's which...
that I'm prepared...
to let free.
Yes, because one is imprisoned
by what other people think.
[somber music]
["It'll Be All Right" by Cody Francis]
♪ Oh, my child I know ♪
♪ You're hurting you can't let go ♪
♪ It's not your fault and you don't deserve ♪
♪ All the bad and the hurt ♪
♪ Ooh ♪
♪ I know you've tried so hard ♪
♪ Ooh ♪
♪ I know you've done your part it's not fair ♪
♪ You did your time ♪
♪ How much longer will you suffer in this life? ♪
♪ But don't give up ♪
♪ Just hold on tight ♪
♪ It'll be all right ♪
♪ All your life you've tried ♪
♪ To be a good man inside ♪
♪ Did Everything that you thought you should ♪
[Kimberly shouting] Oscar!
- [Oscar laughing] - Hi!
Kimberly.
Oh, my God. I can't believe it's you.
[both] Oh, it's so good to see you.
I couldn't come to Alabama without swinging by.
- I'm so glad you're here. - Oh, darling.
- How are you? - I'm-- I'm well.
- Yes? - I'm well. How about you?
- Come on. - Fabulous.
The beautiful South.
- I know. [indistinct], right? - This is your childhood home.
- This is it. - My gosh.
Now all the stories make sense.
- I know, right? - Wow.
It's beautiful.
Oscar, what are you wearing?
I think I explained it all in the email.
Uh, well, I didn't expect, like...
full Victorian.
Come on.
Uh, sorry, I'm still packing stuff up.
- Of course. - [Kimberly sighs]
Welcome to my home.
This is quite lovely.
Remember the stories that I told you about Sunday dinner?
- Yes. - This is where we always,
every Sunday, right here,
we always had dinner at this table.
[sighs] Are you thirsty?
Darling, I am so thirsty.
Good, I just finished making some ice tea.
- You want some? - Oh, my God.
I don't even know what that is, but the answer is yes.
Okay, great. I'll go get it.
Thank you, darling.
When was the last time I saw you?
- Must have been-- - [Kimberly] Last August.
[Oscar] Last August?
Was that when you were last in London?
[Kimberly] Yes, at that awful party, remember?
- Oh, gosh. Yeah. - [Kimberly laughs]
I didn't know someone could get that drunk off white wine,
- but here we are. - That's my mother.
[Kimberly laughs] Have a seat in a recliner.
Uh, get comfortable.
- Okay. - And, uh, you can lean back
if you grab that little lever on the side,
you can pull yourself back and...
Get relaxed.
[with southern accent] It's like a rocking chair on a porch.
[Kimberly] Exactly, exactly.
- It's nice and comfortable. - Little leaver on the side.
Right there.
Yeah. Mm-hmm. Yeah.
Give it a yank. Kick your legs up.
Kick it up.
- Yeah. - [Oscar yells in surprise]
[both laughing]
Well, yes, this is terribly relaxing.
It should be. Welcome to the South.
A little sweet tea and a nice recliner,
- and all set. - Oh. Thank you, darling.
- There you go. - Oh, this looks delicious.
So that's my Aunt Wanda's recipe.
She used to make it all the time.
We say, "a spoon could stand up in it."
Mmm.
- That's delicious. - Yes.
- Yeah, it's something. - Cheers, darling.
- [Kimberly sighs] - How have you been?
Good. We've been, uh, working all day here.
My brothers were here, and, uh,
were helping me pack up stuff,
and so we're getting the house ready.
Oh, my gosh, that reminds me.
I told my brother that you were coming,
and he's going fishing tomorrow,
and he asked if he wanted to come.
Well, first he asked, have you ever fished?
Yes, when I was a child.
Oh, good. Would you like to go?
- Fishing with your brother? - Yeah.
Gosh, I haven't been fishing since I was a child.
Well, he's going tomorrow,
and I got something to do in the morning.
And he said, would you like to go with him and go fishing?
Do you think he might be my type?
Mm, maybe not.
- How old is he? - In his 60s.
The only thing is, he was gonna go early in the morning.
- Is that okay? - Absolutely. How early?
- Like three o'clock. - Thre-- That's not the morning.
- Well, it is around here. - Oh, my goodness. Okay.
Well, he likes to see sunrise.
Must be beauty in the sunrise.
Exactly. Okay, good. Perfect.
We have our whole day set.
Um...
I-- Listen, Oscar, what's go-- What's happening?
I did explain it to you.
- Uh... - I'm trying to find Oscar.
Oh, okay.
Uh, and how's that going?
It's going.
Well, you had the show in London, right?
That went well, right?
- Yes. - Good.
Do you know what? I'm--
Do you mind if we change the subject?
Absolutely.
Let's not talk about that.
[Kimberly whispering] Okay.
- Your brother. - Okay.
Yeah. So there was this, uh...
comic opera...
called...
Patience.
I don't know if you're aware of comic opera?
[Jeff] No.
But as soon as...
as soon as Patience was launched,
they realized that there was no way that the aesthete
could actually be portrayed in parody.
And so Gilbert and Sullivan,
they're the people who created the operas in the first place.
They employed Richard D'Oyly Carte,
who was the most remarkable man,
a manager of opera and...
I have always loved nature.
It's wild, magnificent beauty.
I have been a London man
and have been surrounded by naught but smoke and fog.
It is in the midst of the city life
that I saw all the follies of present society.
And the grotesqueness of modern customs.
I love flowers.
As every human should love them.
I enjoy their perfume
and admire their beauty.
The surroundings of art
enhance one's existence
and make life...
worth living.
Don't you agree, Jeff?
- Hmm. - Hmm.
- Yeah. - Yeah.
[engine humming]
[engine revving]
Oh, this is terribly exhilarating, Jeff.
[waves crashing gently]
I met someone recently, Jeff.
A mystic of sorts.
Do you believe in any of that?
He told me
that I may well meet someone...
on the water.
And here we are.
[Oscar sighs]
I think his crystal ball might require some cleaning.
[engine rumbling in distance]
[water splashing]
[engine humming]
[waves crashing gently]
Can I offer you a cigarette, Jeff?
No, thanks. I'm going to chew and spit.
- Chew and spit? - Yeah.
- Chew and sp-- - You want some?
- Can I try it? - Yeah.
- What do you-- what does one do? - Oh, it's good.
Just-- just poke it between your lip and gum.
- Between your lip and gum. - [Jeff laughs]
- Oh. - [Jeff laughs]
Oh, it's spicy.
- Mm. - [Jeff clears throat]
And then you chew it.
Yeah, and then spit.
Don't swallow it. You'll have a heartburn.
- Oh. Oh, goodness me. - [Jeff laughs]
[Oscar chuckles]
I'm not sure about that at all.
[Oscar coughing]
[spits] Oh.
Oh, no, that's not a Southern custom
I'm quite ready for, I don't think.
No, I shall stick to my cigarette.
Cigarettes are the perfect type of a perfect pleasure.
They are exquisite and leave one unsatisfied.
- What more could one want? - Mm-hmm.
[lighter clicking]
- [clicking continues] - [Jeff laughs]
Oh, for goodness sake.
I highly respect your silence, Jeff.
I am so clever that sometimes even I don't understand
a single word of what I'm saying.
- [engine revving] - [Oscar laughing]
With freedom, books, flowers, and the moon,
who could not be happy?
You're a bit of a dreamer, aren't you?
[Oscar chuckles]
A dreamer?
Yes, I suppose I am.
For a dreamer
is one who can only find his way by moonlight.
And his punishment
is that he sees the dawn before the rest of the world."
Do you know, Jeff...
I think that makes you a dreamer.
[waves crashing gently]
- [engine revving] - [Oscar laughing]
Whoo.
[both laughing]
[waves crashing gently]
I'm quite conscious
that much of what I say may be annoying.
But after all, I came to America to say it.
And so long as an audience allows me
to strut and fret my brief hour upon the stage,
then I should be singularly stupid
not to take advantage of the opportunities given to me.
- [engine revving] - [Oscar screaming]
[Oscar laughing]
How wonderful.
[birds chirping]
[Jeff] Is that okay?
Lovely.
Thank you, Jeff.
[Oscar grunts]
No. No, Jeff. Jeff.
Jeff, Jeff.
[Oscar grunting]
♪ It'll be all right ♪
["It'll Be Alright" by Cody Francis playing]
[Jeff laughs]
Well, I've learned an awful lot about fishing today
from your brother Jeff.
Oh, did you have a good time? He was so excited to take you.
- It was wonderful. - Oh, good.
- Oh, a red cardinal. - Oh, hello, red cardinal.
- [gasps] God. - Beautiful.
Yes, he's quite the conversationalist.
- Is he really? - Yes.
We spoke about many things.
- My brother Jeff? - Mm-hmm.
I think maybe I took the lion's share
of the talking, but--
Oh, okay.
We've covered some interesting themes.
[chuckles] I-- uh, I can't believe it
because-- mm.
Not talkative with you?
Just not in generally a talkative person,
and especially fishing, 'cause, you know,
you have to be super quiet when you go fishing.
Oh, that. That.
I now understand the looks.
[laughs] Oh.
So you were, um, talking the whole time?
I probably was, yes.
Oh, I'm not going to be on his Christmas card list, am I?
Uh, I-- maybe the Christmas card,
but probably not the fishing invitation.
Mm.
- No, totally understandable. - Yeah.
Well, you got to do it once.
- That's true. - [both laughing]
I shall ch-- cherish it.
[piano music playing]
[Kimberly] There's my mom and dad's tombstone.
Uh, I just, uh...
you know, we just had her funeral...
and my aunt and uncle are buried right beside them.
Um, and I love
that couple in the front, the Storys.
Miss Mae, she was such a sweet old lady.
She was an-- an older,
older lady when I was a kid.
[Oscar] Your parents are next to each other.
[Kimberly] Mm-hmm.
[smacks lips]
It's amazing that...
a whole part of your life
can be buried in one small space.
[sniffles]
[sighs]
Should we go to the church?
[piano music playing]
[Oscar] This is my first Baptist church.
[Kimberly] Ah. Wow.
Congratulations. You're gonna love it.
[Oscar] I'm worried I might burst into flames.
[Kimberly] Oh, no, you're gonna--
it's gonna be great.
Come on, I want to show you around.
Oh, look, they got a new plaque.
[Oscar] "God's House."
- [Kimberly] Mm-hmm. - [Oscar] Should we knock?
You never have to knock. The door's always open.
- Oh. - After you, sir.
Well, thank you.
Oh, this is beautiful.
Yeah, they really did a beautiful job here.
All the-- um, actually, mom and her friend Charlotte
did a lot of the decorating.
They were always running off
to look at something or buy something
or purchase something for the church.
Actually, I think they bought this table.
- I was just admiring the table. - Mm-hmm.
This is so gorgeous.
Oh, you should see it at Christmas.
Big Christmas tree in the corner...
candles in the windows.
- Oh, beautiful. - Santa Claus.
That well-known biblical figure.
- Absolutely. - [both laughing]
- Yeah, so-- - [Oscar] And what's this flag?
This is the American flag and the--
[Kimberly] Christian flag.
- [Oscar] Oh, the Christian flag. - [Kimberly] Yeah.
She says, as if you're supposed to know.
[Oscar laughs]
So this must...
for you feel very much like coming home
- and feel at peace here. - Oh, always. Always.
I look so forward to meeting--
like, coming back and seeing everyone that's here.
I mean, these people raised me.
They were in the most important, informative years of my life.
They taught me about kindness.
They taught me about unconditional love.
It's really a...
a wonderful place to be
and to know you can come home to.
- You know? - Yes.
I-- I never-- I had a very awkward,
like, middle childhood, you know that--
you know that phase
when you're not a cute little girl
and you're not a teenager
who's trying to, like, be--
- Be a woman. - A woman.
Yes. I remember it well.
At one point, I did sport a mullet of some sort.
Like, you know,
short in the front, party in the back.
It was-- it was kind of the style at that point,
but it was awkward.
And, uh, I remember singing,
like, my first solo with a horrible mullet
and the rolled up jeans
and the, you know, chambray shirt.
Like, sitting in front of the whole church and singing.
Singing, and everyone knowing...
that it was, like, me.
And listening to me
and being excited to hear me sing.
You felt powerful.
I think so.
In a time of complete and utter powerlessness
in my life.
Yeah, definitely.
And singing ultimately became
what you would do for your career?
Absolutely.
And it's still the thing that, you know,
it's still at times when I feel most powerful.
I think that, you know, it's very funny.
Uh...
it used to--
I guess I should say it-- I used to be scared a lot more.
I went through a phase of being very scared of singing.
Um...
and then like...
having some, um, huge losses
in my life...
really did make me not so scared.
A crack is not that important.
[piano music playing]
So, yeah.
I would like to be fearless all the time, but...
yeah.
♪ When peace like a river ♪
♪ Attendeth my way ♪
♪ When sorrows ♪
♪ Like sea billows roll ♪
♪ Whatever my lot ♪
♪ Thou hast taught me to say ♪
♪ It is well, it is well ♪
♪ With my soul ♪
♪ It is well ♪
♪ With my soul ♪
♪ It is well, it is well ♪
♪ With my soul ♪
["God Bless America" by Ondara playing]
♪ Will you let me in ♪
♪ Or are you at capacity ♪
♪ Will you set me free ♪
♪ Are you holding onto history ♪
♪ Will you be sincere ♪
♪ Are you averse to honesty ♪
♪ Will you dare to hear ♪
♪ Those children matching on the street ♪
♪ Oh, God bless America ♪
♪ The heartache of mine ♪
♪ Oh, God bless America ♪
♪ The heartache of mine ♪
♪ Will you let me bring ♪
♪ Isabela here from Nairobi ♪
♪ On the phone she was ill ♪
♪ And so was the economy ♪
♪ In fifty years ♪
♪ When I'm frail barely on my feet ♪
♪ Will you be kind, oh, dear ♪
♪ Like you promised at the embassy ♪
♪ Oh, God bless America ♪
♪ The heartache of mine ♪
♪ Oh, God bless America ♪
♪ The heartache of mine ♪
♪ When the time it is sweet ♪
♪ It won't matter who your god is ♪
♪ Or the tone of your skin ♪
♪ Or who you choose to share your love with ♪
♪ Oh, God bless America ♪
♪ The heartache of mine ♪
♪ Oh, God bless America ♪
♪ The heartache of mine ♪
[upbeat rock music playing]
[engine rumbling]
[birds chirping]
[upbeat rock music continues]
[woman] Oh, hi. Can I help you?
Hello. Yes, sorry, I was just admiring your automobile.
- Is it yours? - Yeah, it's a beaut, huh?
A beaut indeed.
Oh, my God, you look amazing. You look fabulous.
Oh, thank you so much. As do you.
- Oh, thank you. - All dressed up to the nines.
- Yeah! - Somewhere to go?
Well, I'm DJing at a pool party.
- A pool party? - Yeah. Do you like parties?
- I love parties. - Like pools?
- I believe I do love pools, yes. - You like bears?
- Bears? - Yeah.
I wasn't aware there were bears in this part--
Oh, honey, it's Palm Springs. There's a ton of bears.
Grab this. Get in.
- We're gonna have fun. - Okay.
The bears you mentioned, are they terribly dangerous?
Uh, some of 'em. But I'll steer you in the right direction.
Don't know if I'm quite correctly attired.
Oh, you look amazing. Where'd you get that, Revivals?
I'm afraid I don't know what that is.
Oh, I'm DJ ModGirl.
- DJ ModGirl? - Uh-huh.
Enchanté. I'm Oscar, Oscar Wilde.
- So great to meet you. - Lovely to meet you.
Do you know, DJ ModGirl,
I fancy I should be greatly pleased with California.
I agree.
[upbeat music]
♪
All right, we're here.
Oh, wonderful.
- I'm late. - Right.
Give me that.
- This? - Yeah.
- Right. - Okay, you coming in?
Absolutely. I should be there momentarily.
Okay. I-- I got to go. They're-- already starting.
All right.
I might just have a quick cigarette.
Calm my nerves.
["Soul On Fire" by NIGHTCAP playing]
♪ Baby, baby ♪
♪ You set my soul on ♪
♪ You set my soul on fire ♪
♪ Baby, baby ♪
♪ You set my soul on ♪
♪ You set my soul on fire ♪
Hey!
♪
♪ You set my soul on fire ♪
♪
♪ You set my soul on fire ♪
♪ Fire, fire ♪
♪ Fire, fire, fire, fire, fire, fire ♪
♪
♪ You set my soul on fire ♪
[music speeds up]
[music stops]
[music continues over speakers]
[overlapping chatter]
♪
[chatter stops]
[music fades]
[cheering]
[Oscar whooping]
Whoo!
[partygoers cheering]
Be yourself. Everyone else is already taken.
[partygoer whoops]
Hey, girl. Nice outfit.
[Oscar] Oh, thank you.
Uh, we're going to a party. Wanna come?
[upbeat music]
♪
Hello?
Mr. Sarony?
Hello?
[speaking indistinctly]
Yeah, bring your leg up. More eyes. More eyes.
More Isadora Duncan. Yes. You dance with her!
[Oscar] Oh, this is where I belong!
This is my atmosphere.
[Sarony] The legend in his own time.
I didn't know such a place existed
in the whole United States.
[indistinct] creating a mise en scène.
How are you? You look wonderful.
- As do you, my darling man. - Yes, in daylight. Here you are.
You met Chad. He's also the [indistinct] of New York.
- [Oscar] Chad. - [Sarony] Yes.
I hope I do not offend you when I say that you seem to me to be
the visible personification of absolute perfection.
Thank you.
Well, he wrote the chapter on aesthetics and beauty.
- Well, naturally. - Just for your book.
Bless you. Now it's my turn, darling. Bugger off.
Okay. Shoo, shoo.
[Sarony] Yes, good. Turn here.
- That's it, that's it. - How's the hair, darling?
Yes. A little higher with the handkerchief.
[indistinct]
Yes. That's it!
- [Oscar] Another. - That's good. Oh, yes.
[indistinct]
Yes. Good, good, good.
I've had everybody here.
Mark Twain was very, very witty.
And I adore Sarah Bernhardt. She's such a [indistinct].
Ellen Terry, Mark [indistinct], the great Edith Evans,
John Gilroy, Ralph Richardson.
But I look for sense of magic and allure,
and a unique spark in a personality.
You can always tell. You can always--
When they walk in a room, you can tell.
It's the magic that comes through this.
This, this camera.
♪
You see it, and it just becomes a light.
[indistinct] on fire.
But it helps if they have a sense of themselves.
You know, they know who they are.
[indistinct] This was my best friend.
This is my best boyfriend, the camera.
♪
I like your hair.
Oh. Well, thank you so much.
I like your hair, too. Perhaps we share a barber.
- Oh, perhaps. - Perhaps.
- I'm Oscar, Oscar Wilde. - Oh, I'm Felix.
- Felix. - Yes.
- How wonderful to meet you. - Nice to meet you.
Perhaps you could help me, Felix.
- Yeah. - What is this?
- Who are these people? - [Felix] Uh, stars. Celebrities.
[Oscar] Oh, celebrities?
Because I have quite a vested interest in celebrity.
And where are you going all floral?
Oh, I'm going to the parade.
- A parade? - Yes.
Oh, what manner of parade?
- A gay parade. - A gay parade?
Well, I guessed from your ensign.
- How exciting. - Yes. You wanna come along?
- Would that be possible? - Absolutely.
You're gonna love it.
- Well, then, yes, absolutely - It's gonna be fun.
- Lead on. - Yes, come on.
Oscar and Felix, an odd couple. [chuckles]
- That sound just great. - [both laughing]
- [Oscar] Is it this way? - [Felix] Yes, this way.
♪
Well, it says it's under Capitol Records.
Gotta be somewhere over here.
Sarah Bernhardt.
Okay.
Billy Wilder. Maybe a distant cousin.
Hmm. Okay. Elliott Dexter.
Virginia Mayo. Just making me hungry now.
[Felix chuckles]
Barbara Stanwyck. No.
Oh, Ethel Merman. I know all about her.
Sarah Bernhardt. We found her.
And there she is.
[Felix] Is it a friend of yours?
[Oscar] A dear friend.
And the most famous actress the world has ever known.
And now, this is her legacy.
To be trampled over daily by thousands of people.
Maybe celebrity isn't quite as immortal
as we would like to believe.
Well, at least her name is being repeated.
That's very true. That's very true.
- Interesting. - What are all those...
beautiful colors, noble costumes,
and sculpturesque groupings?
It's the parade. The gay parade, where I'm going.
This is the gay pride parade?
Absolutely, yes. You wanna check it out?
- That's where I'm going. - I think I'd love to.
- May I accompany you? - Absolutely.
- Come on. - [Oscar] Thank you very much.
[indistinct] You want one?
- [Oscar] Oh, really? - It's fun.
- [Oscar] And you wave it? - Absolutely.
Yes. [laughing]
["Be Yourself" by Alyson Williams & Eamonn O'Dwyer]
[crowd cheering]
♪
♪ Yourself, be yourself ♪
♪ Everyone else is taken ♪
♪ Yourself, just yourself ♪
♪ Nobody else is you ♪
♪ Be yourself, be yourself ♪
♪ Everyone else is taken ♪
♪ Yourself, just yourself ♪
♪ Nobody else is you ♪
♪ Be yourself, be yourself ♪
♪ Everyone else is taken ♪
♪ Be yourself, just yourself ♪
♪ Nobody else is you ♪
♪
[ethereal music]
♪
[Oscar] All trials are trials for one's life,
just as all sentences are sentences of death.
And three times have I been tried.
The first time I left the box to be arrested,
the second time to be led back to the house of detention,
the third time to pass into a prison for two years.
Society, as we have constituted it,
will have no place for me,
has none to offer.
But, nature,
whose sweet rains fall on unjust and just alike,
will have clefts in the rocks where I may hide,
and secret valleys in whose silence I may weep undisturbed.
She will hang the night with stars
so that I may walk abroad in the darkness without stumbling,
and send the wind over for my footprints
so that none may track me to my hurt.
She will cleanse me in great waters,
and with bitter herbs
make me whole.
[weeping]
[Sarah] Oscar.
♪
[Oscar] Sarah.
[indistinct]
Oscar.
You altered the minds of men
and the colors of things.
You awoke the century with your imagination.
You created myth and legend around you.
[speaking foreign language]
♪
Accept everything.
♪
[breathing shakily]
[music stops]
[screams]
[exhales]
[ragged breath echoing]
[exhales]
["The Boy I Love Is Up in the Gallery" by Zachary Clause]
♪ I am a young girl and I have just come over ♪
♪ Over from the country where they do things big ♪
♪ And amongst the boys, I found me a lover ♪
♪ And since I have a lover, I just don't care a fig ♪
♪ The boy I love is up in the gallery ♪
♪ The boy I love is looking now at me ♪
♪ There he is, can't you see? ♪
♪ Waving his handkerchief ♪
♪ As merry as a robin that sings on a tree ♪
♪ The boy that I love, they call him a cobbler ♪
♪ But he is not a cobbler, allow me to state ♪
♪ For Johnny is a tradesman ♪
♪ He lives in the Boro' ♪
♪ Where they sole and heel them whilst you wait ♪
♪ The boy I love is up in the gallery ♪
♪ The boy I love is looking now at me ♪
♪ There he is, can't you see? ♪
♪ Waving his handkerchief ♪
♪ As merry as a robin that sings on a tree ♪
♪ Now, if I were a duchess ♪
♪ And had a lot of money ♪
♪ I'd spend it on the boy who wants to marry me ♪
♪ But I haven't got a penny ♪
♪ So we'll live on love and kisses ♪
♪ And be just as merry as those birds on a tree ♪
♪ The boy I love is up in the gallery ♪
♪ The boy I love is looking now at me ♪
♪ There he is, can't you see? ♪
♪ Waving his handkerchief ♪
[music fades]
I work here. What? Hi, darling. How are you?
- [Felix] How are you? - Well.
It's nice to see you, love. [indistinct]
And who's this handsome gentleman?
Finally, someone dressed in proper attire. Hi.
What a magnificent creature to behold.
Correct. You're not wrong. Welcome.
So wonderful to meet you.
How do you know this sea urchin?
Well, actually, we just met at the pride parade.
Oh, yes, it's Pride. How marvelous. Pride.
- Anyway. - Are you a celebrant?
No, thank you, I'm full.
Why don't you kids come to my show?
We have our male revue show. Is that too much for you?
I think I can enjoy a male revue,
Yes, I mean, we already have one here.
Listen, I have to go. I work in this town.
I'll see you kids in a bit.
♪
♪ [indistinct lyrics] ♪
Among the most prominent playwrights were Henrik Ibsen,
George Bernard Shaw and me...
- [chuckling] - Oscar Wilde.
Wow.
[Brooklyn accent] Hello, gorgeous.
Oh, my God.
Ploughman's lunch.
Oh, yes, I love a ploughman's lunch.
What's your favorite dessert? Spotted dick.
Oh, gosh. Yeah.
So, Liza Minnelli. Great big Broadway star.
I mean, she loved the theater.
She was in so many musicals, you know, just loved it.
She was in [indistinct] John Kent or Fred Ebb.
And she sang "New York, New York".
And everyone loves her because,
well, you know, she's from royalty.
Her father was Vincente Minnelli and her mother was Judy Garland.
You know, Dorothy, from The Wizard of Oz.
I do know the friends of Dorothy terribly well.
Everyone's a friend to Dorothy.
Who wouldn't want to be her friend?
- She was so nice. - [Oscar chuckling]
♪ Hello, Oscar ♪
♪ Well, hello, Oscar ♪
Hello, Oscar.
Hello?
I remember when this musical opened
and everybody was so excited about Jerry Herman
having a new show on Broadway, and...
Everyone was a little shocked,
more than a little shocked, because it was about,
well, men in dresses.
It was about men in love.
That's really the big shocker.
And I don't think people...
were ready or could fathom how...
loved this musical was going to be.
Two men who loved each other
and they had a child that they loved.
It was the first time we saw this, so it was all new.
And it was a little scary,
I'm sure, for the people who did it.
Right? Because...
How are they going to be received,
But in the fullness of time...
do you know what this is a musical about now,
after decades and decades?
It's a musical about family.
None of the rest of it need matter.
It's about family. It's still entertaining.
The men in dresses are still fantastic.
The characters are still dynamic and wonderful.
But that's all it's about.
It's about family. And I don't think that...
I really-- if I had to think back,
how could they have had the guts to do this?
If you didn't have the guts to do what you did?
I don't think they could have. I really don't.
I think that in your way, you started something.
That allowed someone else
to start something and allowed someone else.
And it led up to what was a groundbreaking moment.
Thank you, [indistinct].
"Who being loved is poor."