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[♪ musical swirl ♪]
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[adventurous tone]
[children chatter]
[ominous tone]
[ominous tones]
[Taylor] I mean she only drew a picture, right?
She didn't actually hurt anyone.
[Dr. Land] She didn't hurt anyone. No.
But Ms. Thompson was concerned when she saw it.
Okay.
I mean, come on. How bad can it be?
You know?
Mm. Wow. All right.
[Dr. Land] We felt a phone call wouldn't convey the...
Blood?
Well, the seriousness.
That ́s a lot of blood.
Mm-hmm.
Well, I mean, this down here could be grass.
The grass is coming out of the boy ́s head.
[Taylor] Oh, yeah, it is.
[Dr. Land] She also labeled it.
[Taylor] Oh, she did. She sure did.
That ́s helpful.
[indistinct chatter]
[Dr. Land] This boy in the picture,
[Dr. Land] is he based on a real person?
Bowman.
[Dr. Land] Seems like you have a lot of strong feelings
about Bowman.
You know, feelings aren ́t bad.
[Dr. Land] You can't really control
how someone makes you feel.
Inbox.
What?
My Dad says that you can ́t control your inbox,
but you can control your outbox.
I love that.
What kind of stuff have you had in your inbox lately?
It can fill up really quickly sometimes.
And when it does, it's easy to lose control of your outbox
and react to others in negative ways.
Can you think of any--
Pulling out their eyeballs.
Okay.
Feeding them to, like, millions of bugs.
You ́re right. Those would be very--
Pushing them off of a plane with a parachute,
but when they pull the cord instead of a parachute,
it ́s just poisonous snakes.
Okay, pause.
[Dr. Land] I have a question for you, Amber.
And you can be totally honest with me.
Okay.
Did you actually want something bad to happen to Bowman?
[Dr. Land] Then it sounds like you did the right thing to me.
I think drawing this was a much healthier choice
than pulling out his eyeballs.
[Dr. Land] What do you say?
You know what you could have done
that would have been a lot worse?
If I took a machete and--
I ́ll show you.
[Dr. Land] Right here.
[Dr. Land] What do you see?
Nothing.
[Dr. Land] You could have let that anger sit inside of you,
growing bigger, stronger, and scarier, but you didn ́t.
[Dr. Land] You put it right here.
Where it can ́t hurt anyone.
I apologize. I usually have ones that are less cat-centric.
[Dr. Land] This is your new outbox.
You told her about that?
[Dr. Land] When you get angry, sad, or scared,
you know, all that stuff that goes in your inbox,
put it in here,
and you don't have to let anyone see it.
But I would encourage you, when you're ready,
to share it with someone,
preferably your Dad, and talk about it.
Okay?
Do you have a pen?
[nature sounds] [water babbling]
[video game noises]
Ah!!
What?
[grunts]
[water splashing]
[dramatic music]
[wind blowing]
[ominous tones]
[Taylor] It's a serving plate.
Why do you need a serving plate?
[Jack] Pizza comes in a serving plate.
No, it ́s nicer when it ́s on a plate.
[Jack] The special plate is for one person on special days.
This dilutes the special plate.
[Taylor] Okay, you never used the word dilute in your life.
[Jack] I know words.
[Taylor] Who taught you words?
[Jack] Are they gonna knock out all of our walls
to open up more space?
[Taylor] What?
On House Hunters, they're always like,
"I totally knocked out this wall and opened up the space."
When are you watching House Hunters?
[Jack] I mean, I sort of do, but only like certain ones--
What are we called if we still have one parent?
[Taylor] What?
Are we orphans?
No, no.
I think we ́re... bastards?
Wow, no.
You have a Dad. I ́m alive.
Then what are we?
You ́re just--you ́re kids. Just regular kids.
Am I a bastard?
Come on.
It didn ́t understand.
[Jack] What do you call an orphan that still has a dad?
[Jack] A child whose mother has died, but whose father is alive,
is called a maternal orphan.
[Taylor] Okay, good. We're learning lessons.
That ́s beautiful. Thank you.
A morphan.
[Taylor] Yeah.
It ́s morphan time.
Stop.
Single dad.
- [Amber] Stop. - [Jack] Pizza sad.
- [Taylor] Hey Jack, come on. - [Amber] I said stop!
[plate shatters]
[chair scraps floor]
Why ́d you do that?
[Taylor] No, no, no. Leave her alone.
Leave her alone, Jack. Leave her alone.
No, don ́t throw it away.
No, it ́s broken, man.
Well, we can fix it.
No, we can ́t fix it.
Yes, we can. I can.
No, you can ́t, man.
Whatever.
Hey, hey, hey, hey, hey, hey.
[Jack] Yeah, I know.
Outbox.
I wasn ́t even gonna say outbox.
[somber music]
[Amber] Dad!
Yeah?
Jack drew a butt on my face.
Hey sweetheart, I can ́t right now. Can you talk to Mom?
[sighs]
[Amber] Mom!
[Ally] Yeah?
Jack said he was gonna draw a mask,
but he just drew a butt.
[Ally] Come here.
[Amber] How are we going to fix it?
[Ally] Don't worry. I have an idea.
[Amber] What are you drawing?
[Ally] It won't be a butt, I promise.
Why does Jack always draw butts?
[Ally] Because butts are awesome.
[Ally] There we go.
Now we match.
I can still see the butt.
[dog barking]
[dramatic music]
[ominous music]
[music intensifies]
[Amber] Wait!
What the--
There ́s other seats.
Dad!
[Taylor] Yeah?
[Amber] I left my notebook in my room.
Oh--
[Taylor] Hey, sweetheart, let's just leave it home for today,
okay?
You will-- You ́ll be okay. You really will.
Promise you won ́t look at it.
I will not look at it.
I-- I promise.
Give her your covenant.
What?
[Jack] Give her your covenant.
- [Taylor] Wha-- - [Amber] Give me your covenant.
I got-- What are we, a cult?
[Miss Thompson] Yo! We good?
I-- I give you my covenant.
[Jack] Now forge a blood oath.
Go to school. Thank you!
Covenant?
[dramatic music]
[Jack] Amber.
Amber.
Amber!
What?
No, thanks.
I won ́t tell anyone.
No.
It ́s okay.
No!
Amber, stop being a jerk. Just take the notebook.
What the--
[Jack] That had my homework in it.
[Miss Thompson] Jack, sit down. Grab a seat.
She threw my notebook out the window.
I didn ́t see it. Sit down.
[Bowman] I saw it.
[Miss Thompson] Both of you in a seat now.
[Bowman] I was never standing.
Sorry for trying to help.
[dramatic music]
[Taylor] Oh.
[dramatic music]
Do you have a trimmer?
Oh my gosh!
Sorry. I should have knocked.
Do you have a trimmer?
There ́s a spot out in the front that I need to fix up.
Yeah, I ́ll get you one.
[Liz] And not to be shrill about it,
[Liz] but I'm still seeing a lot of faces.
[Taylor] Oh, sorry. Yeah, I meant to take those down.
Where are you gonna be?
[Taylor] What?
Where are you gonna be while they ́re in here?
My van.
What van?
My van in the driveway.
In the driveway?
You know you can ́t, like, come in while they ́re here, right?
What kind of a question is that?
[Liz] It's just something you don't do.
I ́m not gonna come in.
Okay, well, promise me.
I give you my covenant.
What?
Exactly. That ́s a weird thing to say, isn ́t it?
[Liz] Covenant?
[Taylor] This house looks better than it's looked in years.
When are we gonna call this done?
[Liz] When somebody buys it.
[Taylor] So a patch of grass and some pictures of my kids
is gonna prevent that?
Do you want to sell this house?
Yeah.
Why did you pause?
I didn't pause.
[Liz] Because that was a rhetorical question.
I said yes.
We have people coming in, like, 30 seconds,
so you gotta not pause when I ask that question.
I didn ́t pause.
Mm.
Now you ́re pausing.
Okay, well, if you ́re having second thoughts--
[Taylor] It was just a pause. This is crazy.
So you admit to pausing.
[Taylor] Okay, well, you're the most exhausting person
that was ever birthed.
Do not come in the house.
[dramatic music]
[ominous tones]
[cat howl]
You ́re better than that.
Come on.
[Taylor] Oh, oh.
[Taylor] Come on. Sh--
[Buyer 1] I'll probably knock out this wall?
This load-bearing wall?
Oh!
This is my brother, Taylor.
Hello.
Hi, pleasure... Come on.
Yeah, why don ́t we go look in the main room, OK?
OK,
Taylor. Taylor. Taylor, Taylor, Taylor!
[Liz] And as you can see, this room is big enough
to fit a California King.
So that ́s the--
So sorry, sorry...
Sir?
Sorry. Amber has this--
OK, well, it ́s fine.
OK.
We ́ll try again at three.
Yeah.
[door opens and closes]
[Taylor] You did this.
Ah!
[dramatic music]
[low growl]
Hey!
[Taylor] How was your day?
[Jack] Amber got in trouble again.
What?
[Taylor] What even is all that?
Tentacles.
[Taylor] Let me see.
OK. Go to the bathroom and wash it off.
We already tried at school.
[Taylor] Well, clearly not hard enough.
But first, bring me all your art supplies.
Why?
Because I ́m going to take them for the rest of the week.
What?
OK, no. I'm going to take them for the rest of the weekday.
That ́s not fair.
What's not fair is people think of the wrong thing about you.
I don ́t care what people think of me.
Oh, well, you should.
No, I didn ́t mean that.
[Taylor] You know what I meant.
[Amber] Why is my notebook brown?
[Taylor] Oh.
[Taylor] OK, look.
[Taylor] I had to clean up everybody's room
before the showing today,
and I accidentally spilt coffee everywhere.
Did you look at it?
Why did you pause?
[Taylor] Oh, come on.
- [Amber] You looked at it? - [Taylor] Sweetie.
You gave me your covenant.
You still have my covenant.
Do you even know what it means to give someone your covenant?
Do you?
[music playing]
[Taylor] Hey, Aunt Liz is here to show the house,
so we've got to get in the van.
What are you doing?
I found chalk in the closet.
Thank you.
Is that of me?
[Taylor] Wow.
[Taylor] You drew that very fast.
Eyeders.
They're taking your stuff.
Mm, my stuff.
[Amber] Your phone, your coffee mug,
your fingernails, your eyeballs.
[Taylor] OK, I got it. I got it.
Do you know what I miss?
You used to bring me all this stuff.
Like every 10 minutes, you ́d walk into my room
and bring me 18 new things you ́d drawn.
You ́d just throw them away.
One second.
Is that mold?
No, that ́s not mold.
That ́s a child ́s art project, right?
Because it ́s taped to the wall-- Taylor?
I know. I know. I ́m sorry. I ́m sorry.
He doesn ́t come with the house. You know.
Would you ask him if that ́s mold?
It ́s not mold.
[Taylor] All right.
[Taylor] OK.
Pit of hearts.
[Taylor] Yep.
Super Lion. Hmm?
[Taylor] A monkey having the time of his life.
[Taylor] Um--
Dave.
[Taylor] Dave-- is he?
He ́s sleeping.
[Taylor] Dave, who is sleeping?
Daddy?
Wyatt force.
[Taylor] Remember that?
[Taylor] Here.
You have every right to be mad at me.
[Taylor] You really do.
I'm so, so sorry I looked at your book.
I really am.
But do not tell me that I don ́t treasure
every single thing you ́ve ever made for me.
Every single thing.
[door closes]
You have to promise not to freak out.
I won ́t freak out.
I won ́t.
[Amber] This is the Blood Eater.
It eats blood and pukes the blood back onto people.
OK.
[Amber] This is the Tattler.
It tells this blind one where
you are so it can come kill you.
Hmm. OK.
[Amber] These are Stabadons.
[Taylor] Hmm.
[Amber] They swoop down and stab you in the face.
[Taylor] My god.
[Amber] And you've seen this one.
[Taylor] Oh, yeah.
It's a-- it's an old family favorite.
I see you colored it in.
[Amber] Do you think it made it less scary?
[Taylor] Oh, no.
No, you don ́t have to worry about that.
No, no, no.
[Taylor] Oh, come on.
I couldn ́t find a picture of it,
so I had to draw it how I remembered.
Yeah.
Well, you did a good job.
And all this, you ́re incredibly creative.
Here ́s the thing, OK?
I think life is all about balancing
the good and the bad, you know?
[Taylor] So look, look, if you don't--
if you don ́t carry the good with you too,
then it ́s just going to make the bad stronger.
[Taylor] No, no, no, no.
I'm not saying get rid of the bad.
[Taylor] I'm just saying you might want to include
a little bit of the good.
[Taylor] That's it.
[Taylor] What are you doing? What are you doing?
I just want to add a couple things.
OK, that's my only copy.
Oh, now you ́re drawing.
All right.
OK, what ́s that?
[Amber] Snake toes.
Snake toes.
In case people don't die when he crushes them.
Yeah, that tracks.
That ́s smart.
[Taylor] Shoes.
[Taylor] What about this thing to me?
Hey, do you want a sandwich?
In a second.
[music playing]
[door opening]
[gentle music]
[water splashing]
[dramatic music]
[Amber] Are those Mom's ashes?
What are you doing here?
Why do you have Mom?
- I don ́t. - Yes, you do.
It ́s right there.
I don ́t have it.
Amber stop.
[screaming]
[ominous music]
My notebook.
[Jack] No, don't touch the water.
[dramatic music]
Oh.
[Jack] Did Dad see you leave?
Oh, it ́s ruined.
Did Dad see you leave?
Come on.
[tense music]
Close your window.
Jack.
What?
[Amber] On every page.
[growls]
Jack?
Don ́t tell Dad.
[rock music]
[Maggie] Thanks for leaving the newspapers out for me to carry.
- Morning. - Rick.
I think we got robbed.
[Maggie] What are you doing over there?
Working.
[Maggie] Did you at least call this in first?
[Rick] It's the next thing I was going to do.
I mean people really break in just to steal office supplies.
[Maggie] Ruler's all out.
[growling breaths]
[Rick] Where are you going?
[phone ringing]
Uh uh. No, no.
No, thank you.
[ominous music]
Hey, oh. New day, new day.
[Taylor] Let's go, let's go, let's go.
My goodness.
Ah, look at that light.
[Taylor] All right.
[Taylor] Let's go.
Amber?
[Amber] I ́m in here.
Amber, sweetheart.
[Taylor] What are you doing?
Did you sleep in there the whole night?
I heard tapping on my window.
Tapping?
What kind of tapping?
Like scratching.
[Taylor] Oh, well, it's probably just a bird
or a squirrel, sweetheart.
[tense music]
What in the--
[music continues]
Well, maybe it's just bird poop or something.
[Amber] One sick bird.
[Taylor] Let's get dressed. Come on. The bus is on its way.
Come on.
[tense music]
[Amber] What were you doing out there?
[Jack] None of your business?
All of my business.
[tense tones]
I will tell you everything.
But--
Ugh, did you just lick my hand? That ́s disgusting.
[Jack] We'll talk about it on the bus.
[Amber] No, we'll talk about it now.
[Jack] No, we're going to talk about it on the bus.
[Taylor] Hey, Jack. Hey, Jack.
Hey, Amber, can you tell--
tell Miss Thompson to hold the bus for just a second?
Um, hey, is--
is everything OK?
Yeah, why?
Well, I mean, I know I've been working through some stuff
with Amber lately.
And you might not feel like I ́m really available to you.
Yeah, you know, it ́s-- It ́s fine.
But I am. And I-- and I--
and I don ́t want you to be afraid
to come to me with anything.
What is it?
You know Amber ́s notebook.
Yeah?
I found this place in the woods
where Mom used to, like, walk.
Yeah?
[Jack] It fixed my phone and put the special plate back together.
What are you talking about?
We dropped Amber ́s notebook in it.
[Jack] And now I'm worried that Amber's drawings might be--
Yeah?
Alive.
OK, get on the bus.
What?
I'm trying to be real with you, man.
- [Jack] Uh, so am I. - [Taylor] Just get on the bus.
[Jack] But-- I know this sounds crazy.
Listen to me.
I love you so much.
[Taylor] And when you're ready to grow up and be real with me,
I'm here, OK?
Go. You're going to be late.
Sorry. Sorry.
[low growling]
[growling continues]
[Liz] Hey, weirdo.
I ́m not even going to comment on how disgusting this is, OK?
And how long have you had vines here?
Their roots are growing through the screen, Taylor.
[Liz] The people coming this morning are a sweet, young,
fiscally responsible, and incredibly boring couple.
The only way they ́re not going to love this place
is if some creepy weirdo keeps
busting in every three minutes.
Did you take my mug?
And I swear to you, Taylor, if you do that,
I will murder you in front of them.
What the hell is this?
My mug was right here.
OK, I ́ll take care of it. You go.
What about the mess?
You ́re holding it.
Oh, oh. Oh, I see you took down--
[Liz] All the faces?
[Liz] Yeah, because the person that said they would, didn't.
Oh, yeah, sorry.
Can I actually ask you a question about the faces?
Yeah.
I noticed that--
was that intentional?
Yeah.
Go, go, go, go, go, go, go.
[eerie music]
[Amber] What were you doing out there?
What was that sound?
Can we talk about this later, please?
It sounded like a roar.
It wasn't a roar.
Yes, it was.
If it was a roar, it was probably just a mountain lion.
[Bowman] Hey, we don't have mountain lions.
Thanks.
No problem.
We do have bobcats, though.
It was probably just a bobcat.
It wasn't a bobcat.
What were you doing out there?
What was that pond?
And what made that roar sound?
A bobcat made that roar sound.
And the pond was just a pond.
And I was out there doing--
[Bowman] My cousin once saw a bobcat in his living room.
This is a private conversation.
Yeah, on a public bus.
[eerie music]
[Miss Thompson] What is that?
[Bowman] Old people music.
[Amber] She's talking about the blue stuff in the road.
Hey, guys, get back in your seats now.
Back in your seats.
[rock playing]
Hey, Carol, I ́ve got--
[Miss Thompson] Bowman.
[horn blowing]
[Miss Thompson] Hands off the honk.
[Bowman] Just run it over.
[Miss Thompson] I'm going to run you over
if you don't get back in your seat.
[Bowman] That's child abuse.
[music continues]
Tell Miss Thompson we need to leave.
[Jack] What? Why?
[music stops]
[Miss Thompson] Carol, it's 92. Come in.
[Amber] Miss Thompson.
[Miss Thompson] Hey, I just came up here on a wreck on Madison
involving a pickup truck and--
Miss Thompson!
Amber, what is it?
[low growl]
It ́s not a bobcat.
[rustling movement]
[low growl]
What?
[loud roar]
[Bowman] He's going to eat us.
Shut up.
It's gonna eat us and take our skin.
In that order?
You guys, calm down.
Maybe it ́s not as scary as it looks.
[loud roar]
[screaming]
[Bowman] You're immediately wrong.
Y'all better be seated.
[screaming]
[Carson] He's chasing us.
[screaming]
[panting]
[Jack] Are you OK?
Amber, are you OK?
Is anyone hurt?
[tense music]
She ́s dead.
[Jack] We don't know that.
[Bowman] Miss Thompson, are you dead?
She's not going to answer you.
[Bowman] Because that's the signal for dead.
Miss Thompson?
[tense music]
[Jack] I'm going to check her vitals.
What are her vitals?
Something only boys have.
Her heartbeat.
[Jack] Is it one finger or two?
[Bowman] Try three.
[Jack] It's not three.
[tense music]
[Jack] I can feel her heartbeat.
And I can see her breathing.
[grunting]
Front door is jammed.
Can we get out the back door?
[low growling]
[knocking]
No.
[screaming]
[Bowman] Amber, how do you know that thing?
Leave her alone.
She was saying we need to leave.
Stop screaming.
You are the reason it attacked us in the first place.
How?
[Amber] You woke him up when you beeped the horn.
His name is Dave.
He crushes people.
And his snake toes kill whoever doesn ́t die from crushing.
He used to be sleeping,
But you woke him up.
His name is Dave?
[screaming]
[panting]
[growling]
[tense music]
[grunting]
How do you make him fall asleep?
[knocking]
I don't know.
How do you make someone fall asleep?
[DeMarcus] Bedtime story.
- [Carson] Lullaby. - [Bowman] Hypnotize them?
- [Jack] Shut up. - [Bowman] I'm helping.
Lullaby. The other car.
What other car?
[Amber] With the door open.
When we got here, it was playing--
Music.
[Jack] We can make him fall asleep using music.
Where ́s my phone?
[pounding]
[panting]
[Jack] There it is.
[panting]
[pounding]
[Amber] Jack, hurry!
[pounding]
[DeMarcus] Get outta there!
Jack, get away from it!
[smooth jazz music]
[low growls]
You had a phone this whole time?
It's not a phone, it's an iPod.
It basically does everything a phone does
except call people.
[jazz music continues]
[Jack] Bowman, can one of us have a turn?
Almost got it.
Turn it the other way, you're doing it wrong.
[Bowman] Come on.
[Bowman] Got it.
I got it, yes.
[Bowman] Done with this.
Great work Bowman, now pull one of us up.
[grunting]
I’m starting to get why you hate that kid.
[Jazz music continues]
I ́m right behind you.
[grunting]
[jazz music ends]
[rock music]
[Jack] This is the next track?
What is this playlist?
[dramatic music] [low growls]
[rock music]
[phone ringing]
Hello?
Hey, sorry, you ́re breaking up, can you repeat that?
How is my phone--
Where ́s my phone?
- I think this is the one. - Great.
- [door slams open] - Sorry, I can ́t find my phone
and the school ́s trying to call me.
I think something might be wrong.
I ́ll try calling you.
Sorry.
[phone ringing]
[dramatic music]
[yelling]
[Taylor] What the hell?
I just saw a spider.
We usually don ́t have spiders around here.
Actually, I ́m lying, we have a ton of spiders.
We live near the woods.
Um, you ́re bleeding.
What?
I ́m sorry, can you elaborate on what you mean
by a ton of spiders?
[dramatic music]
[eerie music]
[Liz] Taylor.
The school just called.
- [dramatic music] - [sirens blaring]
What?
I drew Dave attacking the school bus.
Clearly.
I drew monsters attacking other people, too.
Like who?
[heavy breathing]
[creature shrieking]
Hello?
[shrieking]
Dave?
[squeaking]
Shoo.
Get, go on, leave.
Go away, you annoying--
[squeaking]
What the heck?
[loud squeaking]
Shut up, you calm down, shut up!
Calm down, shut up, just shut up.
[low growl]
[growling]
Are you blind?
[loud growl]
[screaming]
What are you doing here?
Saving you, B-hole.
[whistle]
Oh no.
[loud squeaking]
How do you defeat this one?
- I don ́t know. - How do you not know?
I just don't.
[squeaking]
That’s not crayon. What is that?
Marker?
[squeaking]
[hissing]
Disgusting.
[low growling]
[stone falls]
[growling]
I ́d like to go indoors now.
[door slamming] [sirens]
[phone ringing]
[Liz] Taylor, Taylor.
[Jack] Hey, it's Jack.
Leave a message and I'll never listen to it.
[Officer] Two students are accounted for
they're at a gas station down the road
with just minor injuries.
Well, are they my kids?
[Officer] We have Carson Quinn and DeMarcus Davidson.
They said they did witness Jack, Amber Wyatt,
and Bowman Lynch make it off the bus,
but they can't confirm they made it to the gas station.
[Liz] They're probably headed home right now.
I bet that's where they're going.
Oh God, I hope not.
[Bowman] I knew she had something to do with this.
She's evil, a real life witch.
[Jack] She's not a witch.
[Amber] Maybe I am.
[Bowman] See?
[Jack] Amber, you're not a witch. Stop saying that.
[Amber] What if I am? You don't know.
[dramatic music]
[skittering]
[door opening]
- [Jack] Take off your shoes off. - [Bowman] Why?
[Jack] Because my Dad will kill us if we track mud in here.
[Bowman] Your Dad? Oh no!
[Amber] Daddy?
Dad?
Amber...
[Jack] The van is gone. Dad's not here.
[Bowman] How many of those things are out there
looking for me?
[Jack] She didn't just draw them for you.
She drew them for a bunch of people.
[Amber] But mostly you.
[Bowman] What is your deal?
Hey, back off.
You back off.
Your sister ́s a witch who hates me.
It was her idea to save your life, not mine.
So call her a witch one more time--
- She's a witch. - Are you for real?
You told me to.
Sit down and face the wall!
And take your shoes off!
Dr. Land said that drawing was the right thing to do.
Whenever I thought of stuff like that,
I would draw it and then I wouldn ́t feel it anymore.
I promise I didn ́t want this.
I know how we can get rid of them.
[dramatic music]
[birds chirping]
[eerie music]
[shuddered breaths]
[eerie music]
[sketching]
[Taylor] Look, I know you think I'm insane.
[Liz] I'm processing it.
The spider I saw in the house
looked exactly like the one she drew in her notebook.
Well, don ́t you think it ́s possible
that she saw one of those things
- No. - and that ́s what gave her the
idea to draw it in the first place?
No, because it was an eyeball with legs.
I saw an eyeball with legs, all right?
When do you see that?
And then she says it goes around
and steals your personal belongings and stuff.
- Come on. - She calls them eyeders.
- I love her brain. - Why would you say that?
No, I ́m with you. I ́m here.
I just, I think maybe you ́re being a little crazy right now.
- [Taylor] Oh! - [tires screeching]
What is that?
What are you doing? No, don ́t get out.
[Liz] No, no, I want to see.
[eerie music]
[Taylor] What the-- What is that?
[cat meowing]
[cat purring]
Oh my...
- I know this cat. - What ́s wrong with it?
- Don ́t touch it. - Don ́t swat me.
There ́s more to this cat than what it ́s letting on.
Did you just say there ́s more to this cat
than what it ́s letting on?
Can you just trust me on this, please?
Does it have some sort of skin condition?
- [cat roaring] - [Both] Gah!
There was more to the cat.
- I told you. - Shut up.
[cat purring]
[Liz] Amber drew that?
[Taylor] Just the horrifying parts.
[Liz] Huh.
She ́s working through some stuff.
- Okay. - [cat meowing]
Gah!
[cat meowing]
What kind of stuff?
[upbeat music]
It needs to be a weapon.
[Jack] Something that can kill them all at once.
- A huge gun. - No.
- A small gun. - No.
- A bunch of small guns. - Stop talking!
I'm helping!
This needs to be something that we can throw into the pond.
That will instantly kill all the monsters,
but only the monsters, at once.
[Jack] Like a /kill @e.
[Bowman] Slash what at who?
/kill at-sign E.
It's from Minecraft.
[Jack] If you put type equals and whatever you want to kill
in the brackets, and it kills all the entities of that type.
Like the one-hit obliterator.
I don't think that's how the one-hit obliterator works.
You guys are nerds.
You just referenced Zelda.
It ́s a good idea.
[Amber] But you should do it.
Amber?
Me drawing is what started this.
And maybe it ́s what will end it.
[Bowman] This is what will end it.
[Jack] That's just a huge gun.
[Bowman] With a bunch of smaller guns.
- Give me the marker. - No.
[Jack] Why are you like-- just give me the marker.
[Jack] You are the worst person--
[Liz] That poor girl's never gonna wanna draw
anything ever again.
That ́s always kind of been her thing, right?
What?
Drawing?
All kids like to draw.
Yeah, but has she always been so--
Dark?
I was gonna say creative.
Creative, yes, dark, no.
You know, ever since--
Since what?
Okay, listen, did you know what we just experienced back there?
Can you just help me focus on getting my kids, please?
You have a hard time saying her name.
Amber?
Ally.
Okay, sure, I ́m preserving my energy.
Do the kids ever say her name?
- They call her Mom, Liz. - Mm hmm.
Do you ever talk about her?
No, I don ́t.
Would they, if they wanted to?
Liz, come on.
You took all the pictures off the wall?
You kind of made the house look like she never existed.
Do you think that might have something to do
with all this pent-up emotion?
No, I don ́t, actually.
Come on, open up dumbass.
Open up dumbass, is that what you just said?
Do you think that any of this stuff might be related?
No, I don ́t.
- Taylor. - Of course it's related!
Of course it is.
It ́s 500% related and there ́s nothing I can do about it.
Nothing.
The only thing I can focus on is getting past it.
Getting past this, getting past that.
What the hell is that?
That ́s too far away to be a threat, right?
I know we ́re supposed to be scared of it,
but it ́s kind of beautiful, don ́t you think?
- [loud shrieking] - Run!
[Newcaster] Animal consumed all of this morning's donated blood
[Newcaster] and then proceeded to expel it on--
[Newscaster 2] Absolute pandemonium at the mo--
[Bowman] Did I do something to you?
A bunch of these you drew for me.
[Bowman] Did I do something to you?
You got me in trouble with Ms. Thompson.
You hide my pencil box every day.
I don ́t know what you ́re talking about.
You sit behind me and pull my hair,
then try to tell me it was a bird.
It was a bird.
You convinced Mrs. Sanchez to name the class
hamster after me, so you could announce the class
every time Amber pooped.
Okay, that one was pretty good.
You called me an orphan.
[Bowman] That was a compliment!
What?
[Bowman] Everyone cool is an orphan.
Spider-Man, Batman, Superman, all the Avengers.
Not Hulk.
[Bowman] Have we ever seen Hulk's parents?
Where are they?
At their house?
A haunted house.
[Jack] Usually when someone picks on you like this, Amber,
it means they ́re secretly in love with you.
Really, because I think it means they ́re a creep.
[Bowman] Do you actually want bad things to happen to me?
[Bowman] See those things kill me and cut me in half?
[Bowman] Like the one you drew on the bus?
It wasn ́t cutting you in half,
I was stabbing you really hard in the stomach.
That ́s not better!
Okay, done.
You put this in the pond and all the monsters
should be wiped out instantly.
It looks like a butt.
[Jack] No, it doesn't.
[Bowman] See, those are the legs and that's the butt.
[Jack] You're the butt.
[crashing]
[dramatic music]
All right, you guys ready?
No, I don't wanna do this.
I have to go to the bathroom.
[Jack] You couldn't have gone before you put all the stuff on?
[Amber] I didn't have to go then.
Now I have to go, too.
Oh my--
[banging]
How much longer are you gonna be?
[Amber] I just got in here.
How much pee is actually in you?
[Jack] Dude, just use the one in my Dad's bedroom.
End of the hall.
[screeching]
Bowman!
It ́s on my face! It ́s on my face!
[Bowman] Get it off me! Get it off me!
Got it.
[Bowman] Come on!
[screeching]
[Amber] Ah! Ah!
Ah! Ah! Ah!
Bowman, you grab the big gun--
Dude!
[screeching]
[Amber screaming]
[Amber] Ah!
Where ́s Bowman?
Halfway to his house by now.
Have you ever tried to open this window?
[window breaking]
[dramatic music]
[triumphant music]
[screeching]
[Bowman] Come on!
[dramatic music]
[Bowman] They're on my face! They're on my face!
[breathing deeply]
I don ́t have to go to the bathroom anymore.
[Amber sighs]
[dramatic music]
Oh God...
[Taylor] Amber!
[Taylor] Jack!
Jack!
[Liz] I'll call the police, Taylor.
- [Liz] Taylor! Taylor! - [Taylor] Amber!
[Taylor] Jack!
- [Taylor] Amber! - [Liz] Taylor, come on.
Jack!
- Amber! - [Liz] Dude.
[Taylor] Jack!
[Taylor] Amber!
[Taylor] Jack.
[panting]
Oh, Amber.
Are you okay?
[Jack] Amber, are you okay?
Are you crying because it hurts,
[Bowman] or because monsters just stole everything you own?
[panting]
Amber, come on.
Just give me a second.
We-- we don't really have a second.
[Jack] Amber, come on!
[Jack] Amber, we don't have time for this.
[Jack] Are you hurt, or can you keep going?
[Jack] Listen.
[Jack] I need you right now, Amber.
I can't do this alone.
And especially if you're fighting me on everything.
- [Amber] Stop! - [Jack] What the--
[Amber] Can you shut up for one second?
Let go of me!
You never shut up. You just keep talking
and talking and shouting orders at us,
and making us follow your plans!
What is wrong with you?
I ́m trying to help you, you know that?
[Jack] Me, Dad, we're trying so hard every day to help you!
Well, it doesn't make me feel better!
It makes me feel like something ́s wrong with me--
Maybe something is wrong with you!
Do you still have Mom ́s ashes in your backpack?
What was that?
[Amber] You ́re taking her to the pond, right?
To finish what you tried to do last night?
[Amber] To bring her back?
What do you think is gonna happen, Jack?
Are you just gonna bring Mom home and say “surprise”?
[Bowman] Wow, that's dark.
[Amber] And then what?
I ́ll feel better?
What's wrong with that?
[Jack] Why do I keep getting in trouble for trying to fix stuff?
Yes, you would feel better.
We all would.
[somber music]
[Taylor] Amber actually noticed before you did.
She drew Ally's tattoo of that butterfly in her notebook,
and she had to do it by memory.
There's no reference of it in the house.
I took them down, the night after she died,
and put them in a suitcase, because--
[Liz] Oh, yes, sorry, I'm here, I'm here.
Okay? Okay. Thank you.
They ́re sending two officers over,
they ́ll be here in 15 minutes.
[Taylor] Amber asked me the other night
if they were orphans.
- Jeez. - Yeah, right?
That ́s what they ́re throwing at me.
Are they?
Yes. It’s just Fievel movies every day, out of nowhere--
No, are they orphans?
- What? - What?
No, I ́m right here, I ́m alive.
[Liz] I know you're alive.
What if they gotta be called something? What are they called?
Why do they have to be called something?
I ́m looking it up.
Don't look it up, don't look it up.
Mom dead...
They're called maternal orphans.
Okay, so they are called orphans.
Sorry.
And Amber abbreviated it to “morphan.”
[Taylor] I mean, Jack and I were so surprised
that she even had a sense of humor,
she ́s had no sense of humor lately.
And so Jack tried to recreate it, he took it too far,
she broke the special plate.
Do you want to hear my two cents on all this?
No, I don't.
Okay, I'm gonna tell you.
[Liz] I think you should stop worrying so much
about the girl who ́s drawing pictures of her pain
and worry a little bit more about
the boys who are ignoring theirs.
[tapping on glass]
[Liz] Is that the cops?
Tapping?
[tapping]
[footsteps]
[gentle music]
No, no, there are doors, Taylor.
[gentle music]
[screeching]
[gentle music]
[inspirational music]
[screeching]
[eerie music]
[squaking]
[eerie music]
[whimpering]
[ominous music]
[water bubbling]
[water splashing]
[low growl]
[eerie music]
[dramatic music]
[shuddered breaths]
[ominous music]
[screams]
[shuddered breaths]
[Bowman] That's the one, isn't it?
[Bowman] The first one you drew.
[Jack] Bowman, chill out, you ́re too loud.
[Bowman] You chill out.
That thing isn't after you, it's after me.
[Bowman] I'm the one she drew with it cutting me in half.
Stabbing you really hard through the stomach.
[Bowman] Stabbing me really hard through the stomach!
She doesn't want you. She wants everyone.
Anything that can die. All she wants is death.
[Jack] Is that why it's drawing more monsters?
[Bowman] It's drawing more monsters
because that's what she does.
[Bowman] It's basically you, right?
[Bowman] How many of those things
do you think it's drawn?
Is that how you see yourself?
[Bowman] I'm thinking like a million, right?
That thing looks nothing like you.
You ́re not like that. You ́re smart, you ́re funny,
[Jack] you care about people.
You're not an evil person
just because you drew some evil pictures.
And anyone who thinks that is stupid
and deserves to be cut in half.
Stabbed really hard through the stomach.
Listen to me.
You also drew this.
[Jack] That looks more like you.
Thanks for the sword, by the way.
It ́s the diamond sword.
- What? - From Minecraft.
[Jack] That's the diamond sword?
Mm-hmm.
When did you draw this?
Isn't the diamond sword supposed to be blue?
Who cares? She drew it green.
Then it ́s not the diamond sword. It ́s the emerald sword.
Like a while ago.
Stop saying that that thing is you. It ́s not.
[Jack] It's just a thing you drew.
That's it.
[Bowman] And that ́s the emerald sword.
Will you shut up about the sword, please?
I will not. I am very right about this.
[loud screeching]
[Jack] We should get out of these woods.
[Bowman] Wait, what?
We're not done.
We're done.
I should have never tried to fix this in the first place.
It ́s the whole reason all of this happened.
Do you know what I've been through today?
Yes.
I almost died in a bus crash.
A blind monster tried to eat me.
We were there for all of this.
I fought off an army of chalk monsters single-handedly.
I didn't come all this way,
pee my pants twice,
walk through like 50 spiderwebs just to give up and go home
before I got to use my flamethrower.
Wait. Flamethrower--
What the--
[Jack] Give me those.
You ruin everything.
You peed your pants twice?
We've been indoors most of the day.
Even if we did use the flamethrower,
we don ́t have a weapon anymore.
Use mine.
Why'd you bring that?
[Bowman] For this exact situation.
And also, I want to frame it.
That's not gonna wipe them all out at once.
Then we draw a new one.
[Jack] We can't.
[Bowman] Why not?
[Jack] Because we don't have anything to draw with!
Yes, we do.
She was pulling sharpies and paper out of that backpack.
We could use those to draw a new butt
and put it straight into the pond.
[Jack] We really need to stop calling it a butt.
We're fine with it being a butt.
It was never a butt.
We just need to get her away from the pond.
[Bowman] I can do that.
This is a bad idea.
We don ́t know how fast she can run.
But I know how fast I can run.
How fast?
Lightning speed.
[Bowman] By the time she catches me,
you have butt 2.0 in the pond,
and she ́ll be deadsville.
What if it doesn ́t work?
We're doing this.
[Bowman] Just make sure it works.
How are you going to get it to chase you?
By doing what I do best...
being a huge b-hole.
[triumphant music]
[broken whistle]
That was supposed to be a whistle.
I ́ve never tried to do it that loud before.
I ́m normally a very good whistler.
You want to come up here?
[Bowman] I want to show you something.
[Bowman] It's real cool.
Come on.
Hurry!
[screeching]
[Bowman] Eat this!
[squaking]
Nope.
[screaming]
[Amber] That's not lightning speed.
Draw whatever you want.
I don ́t care.
Just get it in the pond.
[ominous music]
[soft growling]
[shrieking]
[screeching]
[grunting]
- Crayon, right? - What?
- Her skin is crayon. - Yeah?
[Jack] Good.
[flame igniting] [screeching]
Amber, draw!
[screeching]
[squeaking]
[eerie music]
[squeaking]
[screaming]
[eerie music]
Gross, gross, gross, gross, gross, gross, gross!
[grunting]
[triumphant music]
Who the hell are you?
[low growl]
[grunting]
Where are my kids?
Who are your kids?
Amber and Jack!
Oh!
[intense music]
[screeching]
Amber!
Just draw a weapon!
Any kind of weapon!
Come on!
[screeching]
[screaming]
I ́m not afraid of you.
[Amber] You're just a thing I drew.
She also drew this.
[slicing] [screeching]
[rock music]
[laser blasting]
[gun reloading]
You wanna be my girlfriend?
- [Amber] What? - [Jack] Wow.
[Bowman] My uncle can get us free movie tickets.
No.
That ́s cool. No worries.
Where'd you find that?
It was, uh, still in my pocket.
[Amber] No, before.
Where did you find that before?
Jack!
Amber!
[Amber] Daddy!
[screeching]
Amber, get back!
[Amber] Yah!
Amber?
Oh, my gosh.
[Taylor] Oh, my gosh.
Why do you have tentacles?
I dipped my arms in the pond to save Jack.
[Amber] Then he saved me with the diamond sword
by chopping evil Amber ́s arm off.
It was amazing.
Every part of that was horrifying.
I know!
[explosion]
Watch this.
[rumbling]
[crackling]
[triumphant music]
[screaming]
[laser blasting]
[hearts babbling]
The hell?
[triumphant music]
[growling]
[gentle music]
[Taylor] Jack?
I think I know what you ́re about to do.
Before you do it, please hear me out.
I know you miss Mom.
I miss her too. I miss her so much.
And I have done a terrible job
of letting you guys see how much.
This whole time, I thought we had to fix Amber.
[Taylor] But Amber was the only one doing
what we're supposed to be doing.
Not running from the pain.
Not covering it up.
[gentle music]
[Taylor] But feeling it.
I let you down, man.
I never gave us time to hurt.
Because you're you,
because you ́re thoughtful,
because you ́re compassionate, you felt the need to fix it.
That's not your responsibility, man.
All you needed to--
I ́m sorry.
Aw, buddy. Jack, Jack.
She ́s gone.
[Taylor] I know.
I know. I love you, buddy.
[Jack] I didn't mean to.
[Taylor] I know.
[Jack] I'm sorry.
[gentle music]
[crying]
[Taylor] Jack!
[gentle music]
[news broadcast plays]
[indistinct chatter]
[Bowman] Sup, orphan?
Sup, b-hole?
[gentle music]
[screeching]
[“Can't Bear to Be Boring” performed by Holiday Ghosts]
[“Emerald Nights” performed by Cody G]