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(music whirring)

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Downloaded from
YTS.BZ

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- [Speaker] Okay,
camera rolling.

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Official YIFY movies site:
YTS.BZ

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- Speed, take four.

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All right, and action.

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(tense music)

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- Good evening,
I am John Abbott.

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A wise man once apined

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that the pen was
mightier than the sword.

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But tonight we will see
why the gun trumps both

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as the ultimate dispenser of
both horror and heart rate.

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As we delve into the
deepest, darkest depths

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of the "Widowmaker Sniper",

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both terrible and tragic,
it was at this very location

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that the serial killer James
Castor branded The Widowmaker

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by a petrified public,
finally had his reign

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of evil ended when
he was cornered

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and shot to death by police.

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It was merely hours
earlier when the Widowmaker

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had incorporated a new element

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to his bloody
ritual of killings.

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Having already taken four
lives over three days

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of bloodshed, the Widowmaker
constructed a custom

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video recording apparatus

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that connected to the
scope of his rifle.

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His morbid intention

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was to record the gruesome
killings of his victims

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so he could go home
and watch them die

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over and over again.

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Thankfully, police marksman

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put paid to his
demented fantasy,

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but not before he
claimed one last victim

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and it was here
that that victim,

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one Mrs. Jennifer Lowers,

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was killed on camera.

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Merely an hour earlier,
Mr. And Mrs. Lowers

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had attended their
very first ultrasound

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after getting pregnant.

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The couple enjoyed
a carefree walk

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through the park afterwards,

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casually chatting about
names for the baby

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and how to break the very
happy news to their in-laws.

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But fate stepped in

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to write a very different

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and very, very tragic headline.

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(tense music)

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The following is a reenactment,

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but viewer discretion
is advised.

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(vehicle engine whirring)

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(tense music)

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(objects clinking)

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Slowly, methodically,
painstakingly,

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the Widowmaker prepares

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to begin hunting,
his pulse racing.

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The sniper seeks
an island of calm

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before he begins
scanning for a target.

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(gun clinking)

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(tense music)

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Finally with rifle loaded

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and camera rolling, he's ready.

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Once in position, he takes
a breath to compose himself.

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His victim selected,

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the Widowmaker
prepares to strike.

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(tense music)

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(gun banging)

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Bullseye.

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Basking in the cold-blooded
thrill of the kill,

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the sniper was unaware

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that his nefarious
activities had been spotted

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by a vigilant member of the
public who called the police.

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(sirens whirring)

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The authorities mobilized swift

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and converged on the maniac,
giving him no opportunity

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to escape the scene.

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Surrounded with no
chance of escape,

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the Widowmaker decides
to go down shooting.

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- On the floor!

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(guns banging)

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(sirens whirring)

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- And his reign of terror

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is abruptly ended.

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(upbeat music)

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Many people want their
five minutes of fame,

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but for some, it comes
at the ultimate price,

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their life.

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Welcome to tonight's episode

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of "Lights, Camera, Kill".

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(audience cheering)

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(upbeat music)

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(audience clapping)

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- Wow,

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how's that for starting the
evening off with a bang?

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(heart beating)

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I think we can all agree,

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the Season One finale of
"Lights, Camera, Kill"

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looks as though it's
gonna be the best yet.

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And I am pretty confident,
most, if not all of you,

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have managed to work out who
our special guest is tonight.

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(person shouting)

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(person cheering)

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Yeah, you got it.

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Accompanied by a cast member

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of the very program
you've just watched,

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it is my pleasure
to introduce to you

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the visionary behind
"Lights, Camera, Kill"

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the one, the only, John Abbott.

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(audience cheering)
(audience clapping)

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- Thank you Michelle.

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It's great to be here tonight

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in front of you
wonderful people.

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Thank you all for being here.

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Great to see you.

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Yes, it's an absolute pleasure.

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You see tonight,

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and the season finale of
"Lights, Camera, Kill"

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represents the end of a
long, hard journey for me.

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You see, ladies and gentlemen,
when I set out to make LCK,

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everyone told me that it was
a waste of my time and talent.

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(people laughing)

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No mainstream channel
would touch it.

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Investors were
thin on the ground

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and indeed I found
out very quickly

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that these days,
money men would prefer

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to dump their hard earned
into virtue signaling excretia

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as opposed to
entertaining television.

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(audience cheering)
(audience clapping)

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So I thought to hell with
it, I gave up on television

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and I begged, borrowed and stole

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enough cash to make
"Lights, Camera, Kill".

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And here we are.

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The show that they said
would never be made,

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the show that they said
would never be a success,

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well, it just goes to show

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that they know
absolutely nothing.

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With that said, we
thought that tonight

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would be the perfect place

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to screen a sneak peek
of the season finale

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of "Lights, Camera, Kill"

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before it streams live
next Tuesday night.

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And we hoped that you would
all help to spread the word

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using one of three hashtags

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that we have created
for this episode.

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So if you could all use
#Justice for Jennifer,

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#The Widow maker, or our
original #Lights Camera Kill,

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you'll be letting others
know that we are here tonight

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and that next Tuesday
is certainly something

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that everybody should
be excited for.

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(audience clapping)

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(audience cheering)

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- Okay, that's enough
shameless self-promotion.

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- Allow me to introduce
my guest tonight.

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Our lovely victim,
shot dead by the evil

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and despicable sniper, Olivia.

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(audience clapping)

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So our season finale

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of "Lights Camera Kill".

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If you liked what
you saw, did you?

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(audience clapping)

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Well, you'll be glad to
know that you won't need

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to wait long for more
Lights Camera Kill

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as on Monday we start
filming Series Two.

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That's seven more
episodes of hard hitting

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and uncompromising real
crime investigation.

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(person laughing)

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- That's fantastic, John.

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But I believe there's another
piece of exciting news

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for our fans here tonight.

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- Indeed, there is, in
order to bridge the gap

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until series two is finished,

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we are also working
on a special episode

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to stream live on November 5th.

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I'm sure you can all guess

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what event will be the
main focus of that one.

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- I can tell you I'm pumped
about that special John,

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and this brings us to the
Q&A section of the evening.

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If it's all right, I'd
like to start things off

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by asking a question myself.

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You know I'm a big
fan of the show.

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I'd just like to ask you,
John, what inspired you

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to make this particular episode?

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And I'd like to ask
Olivia, was it difficult

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to step into the
shoes of someone

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whose life ended so
violently and abruptly?

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- For me, the tale of
the Widowmaker is almost,

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it's almost like
a Greek tragedy.

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The terrible toll of victims,

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and particularly the suffering

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of Jennifer Lowers, her husband

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and her unborn child.

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It's why I knew that it was
the story I had to tell.

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(person coughing)

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- I didn't take on
the role lightly.

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It's obviously not the same as
playing a fictional character

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where you work your own nuances

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and shapes into
their personality.

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This was a real
person who was popular

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amongst everyone that knew her,

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and she came to such a
terrible, tragic end.

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So as an actor, I wouldn't
be doing my job properly

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if I didn't try my best to
represent her accurately

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on screen, as well as respecting

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the feelings of the
people she left behind.

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She obviously loved
her husband very much.

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They had so much
to look forward to.

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- Please go ahead.

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- Hi guys, given the huge,
huge success of your show,

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are you planning on
using any of your profits

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to donate to local charities

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or helping organizations that
support victims of crime?

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(mic whirring)

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- With respect sir,
there are very many

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people out there who
make a lot more than I do

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00:15:21,933 --> 00:15:24,845
and work nowhere near as hard

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through their
involvement in production

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of real crime TV,
film and literature.

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I'd suggest that you
go and ask them first.

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00:15:40,651 --> 00:15:43,797
- With respect John, I'm
not asking them right now.

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I'm asking you.

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(heart beating)

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- Well, folks, it's
like I always say,

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some people will do
anything for money

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and their five minutes of fame.

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- John, just move things on.

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(heart beating)

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- Next question.

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00:16:22,526 --> 00:16:23,670
(door whirring)

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- What's wrong?

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Was it the question
about the money?

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- Of course not, sweetheart.

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I don't give a fuck about them.

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I saw someone in the
audience I recognized,

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can't quite place him though.

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00:16:37,507 --> 00:16:42,188
He looked familiar but
different at the same time.

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- You still okay
to take me home?

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- Yes, yes, I'll drop you off.

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(tense music)

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00:16:47,517 --> 00:16:50,253
(heart beating)

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00:17:21,284 --> 00:17:23,854
(tense music)

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00:18:02,325 --> 00:18:04,962
(upbeat music)

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(upbeat music)

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What is it?

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- [Speaker 2] Sophia is leaving.

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She took a phone
call and walked out.

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- No, no, no, no, look, listen.

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You tell her to get
back into that room

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and finish the edit.

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That special needs to be
finished by the weekend.

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- [Speaker 2] She's
headed to her car.

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- Look, you get your arse
out into the car park

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and you fucking stop her
before she fucking leaves.

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- [Speaker] The car's gone.

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- Look, you're a useless arse.

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00:18:45,502 --> 00:18:47,614
Who's gonna finish the edit now?

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00:18:47,638 --> 00:18:49,974
- [Speaker 2] I'll get
Jackson on it straight away.

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00:18:51,274 --> 00:18:53,587
- Well in that case, I'm
coming back right now.

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- [Speaker 2] We'll be fine.

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Go home, spend some
time with your wife.

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00:18:58,582 --> 00:19:00,393
(person laughing)

260
00:19:00,417 --> 00:19:01,895
- Sure, sure.

261
00:19:01,919 --> 00:19:04,230
I'll just leave
responsibility of delivery

262
00:19:04,254 --> 00:19:06,033
to the assistant editor.

263
00:19:06,057 --> 00:19:07,534
Yeah, great idea.

264
00:19:07,558 --> 00:19:09,927
- [Speaker 2] Great,
see you tomorrow.

265
00:19:11,028 --> 00:19:15,933
- That was sarcasm,
I'm coming in.

266
00:19:18,069 --> 00:19:20,738
(upbeat music)

267
00:19:26,043 --> 00:19:27,611
Can you believe the turnout?

268
00:19:28,646 --> 00:19:30,681
I was assured it
would be a full house.

269
00:19:31,782 --> 00:19:32,893
Yeah, sold out.

270
00:19:32,917 --> 00:19:34,193
They were her exact words.

271
00:19:34,217 --> 00:19:35,829
But how many do you
think were there?

272
00:19:35,853 --> 00:19:38,598
No, no, I'll tell you,
not fucking enough.

273
00:19:38,622 --> 00:19:41,267
That's how many, and
what kind of buzz

274
00:19:41,291 --> 00:19:44,360
are a handful of idiots
gonna make online.

275
00:19:46,564 --> 00:19:49,543
(wind blowing)

276
00:19:49,567 --> 00:19:52,136
(own hooting)

277
00:19:54,370 --> 00:19:57,942
(vehicle engine whirring)

278
00:20:09,987 --> 00:20:11,330
(upbeat music)

279
00:20:11,354 --> 00:20:14,034
You're gonna have to
walk the rest of the way.

280
00:20:14,058 --> 00:20:16,894
- Not far from
here, two minutes.

281
00:20:18,729 --> 00:20:22,566
- Good, you'll be
home in no time, now!

282
00:20:37,948 --> 00:20:39,559
(door whirring)

283
00:20:39,583 --> 00:20:43,053
(vehicle engine whirring)

284
00:21:10,346 --> 00:21:13,017
(upbeat music)

285
00:21:31,168 --> 00:21:34,738
(vehicle engine whirring)

286
00:21:56,026 --> 00:21:58,662
(heart beating)

287
00:22:01,899 --> 00:22:04,568
(upbeat music)

288
00:22:34,798 --> 00:22:37,443
(dramatic music)

289
00:22:37,467 --> 00:22:41,205
(vehicle engine screeching)

290
00:23:00,490 --> 00:23:03,127
(upbeat music)

291
00:23:13,436 --> 00:23:16,173
(bird chirping)

292
00:23:28,752 --> 00:23:31,131
(vehicle engine whirring)

293
00:23:31,155 --> 00:23:33,724
(tense music)

294
00:23:45,936 --> 00:23:48,672
(door whirring)

295
00:23:53,243 --> 00:23:55,879
(upbeat music)

296
00:24:10,127 --> 00:24:11,304
- Hi.

297
00:24:11,328 --> 00:24:15,299
(speaking in foreign language)

298
00:24:24,975 --> 00:24:26,019
(speaking in foreign language)

299
00:24:26,043 --> 00:24:27,721
(speaking in foreign language)

300
00:24:27,745 --> 00:24:30,357
(speaking in foreign language)

301
00:24:30,381 --> 00:24:34,385
(speaking in foreign language)

302
00:24:51,568 --> 00:24:54,138
(tense music)

303
00:25:28,505 --> 00:25:31,175
(door banging)

304
00:25:33,410 --> 00:25:35,979
(tense music)

305
00:25:58,202 --> 00:26:00,871
(feet clopping)

306
00:26:14,885 --> 00:26:17,454
(tense music)

307
00:27:25,489 --> 00:27:28,134
(speaking in foreign language)

308
00:27:28,158 --> 00:27:32,705
(speaking in foreign language)

309
00:27:32,729 --> 00:27:36,733
(speaking in foreign language)

310
00:27:41,371 --> 00:27:42,749
(tense music)

311
00:27:42,773 --> 00:27:45,542
(heart beating)

312
00:27:53,016 --> 00:27:55,328
(speaking in foreign language)

313
00:27:55,352 --> 00:27:58,064
(speaking in foreign language)

314
00:27:58,088 --> 00:28:02,025
(speaking in foreign language)

315
00:28:04,294 --> 00:28:08,265
(speaking in foreign language)

316
00:28:16,373 --> 00:28:19,276
(object clinking)

317
00:28:27,552 --> 00:28:30,387
(liquid pouring)

318
00:28:46,069 --> 00:28:47,046
(speaking in foreign language)

319
00:28:47,070 --> 00:28:51,041
(speaking in foreign language)

320
00:28:53,844 --> 00:28:56,581
(heart beating)

321
00:28:58,782 --> 00:29:01,285
(tense music)

322
00:29:33,216 --> 00:29:34,561
(speaking in foreign language)

323
00:29:34,585 --> 00:29:38,589
(speaking in foreign language)

324
00:29:45,563 --> 00:29:47,373
(speaking in foreign language)

325
00:29:47,397 --> 00:29:48,642
(speaking in foreign language)

326
00:29:48,666 --> 00:29:51,745
(speaking in foreign language)

327
00:29:51,769 --> 00:29:55,740
(speaking in foreign language)

328
00:29:58,810 --> 00:30:02,780
(speaking in foreign language)

329
00:30:07,017 --> 00:30:09,853
(dramatic music)

330
00:30:10,688 --> 00:30:13,423
(heart beating)

331
00:30:34,111 --> 00:30:35,421
(person breathing)

332
00:30:35,445 --> 00:30:36,445
- Jennifer.

333
00:30:46,189 --> 00:30:47,924
- [Speaker 3] Olivia?

334
00:30:55,098 --> 00:30:57,968
(person breathing)

335
00:31:00,571 --> 00:31:03,106
(tense music)

336
00:31:24,862 --> 00:31:27,541
- [Speaker 4] Jennifer.

337
00:31:27,565 --> 00:31:29,008
- Please.

338
00:31:29,032 --> 00:31:32,603
Jennifer is dead, I'm
just an actor there.

339
00:31:34,504 --> 00:31:36,072
My name is Olivia.

340
00:31:37,909 --> 00:31:41,546
I'm sorry, I'm sorry,
but I'm not Jennifer.

341
00:31:44,481 --> 00:31:45,883
My name's Olivia.

342
00:31:46,784 --> 00:31:49,252
(tense music)

343
00:31:52,055 --> 00:31:53,925
- [Speaker 4] Jennifer.

344
00:32:01,465 --> 00:32:04,836
- I'm sorry, I didn't
mean to leave you.

345
00:32:07,672 --> 00:32:08,806
I'm here now.

346
00:32:12,542 --> 00:32:15,445
(person grunting)

347
00:32:24,321 --> 00:32:27,057
(person crying)

348
00:32:28,926 --> 00:32:31,495
(tense music)

349
00:32:34,064 --> 00:32:35,576
(person breathing)

350
00:32:35,600 --> 00:32:38,401
(knife whirring)

351
00:32:47,143 --> 00:32:50,046
(body squelching)

352
00:32:55,920 --> 00:32:58,789
(person breathing)

353
00:33:00,190 --> 00:33:01,859
- [Speaker 3] Olivia.

354
00:33:07,999 --> 00:33:10,801
(dramatic music)

355
00:33:21,278 --> 00:33:22,580
Olivia, Olivia.

356
00:33:25,415 --> 00:33:29,386
(speaking in foreign language)

357
00:33:48,739 --> 00:33:49,974
Hello, Olivia.

358
00:33:51,976 --> 00:33:54,779
(heart beating)

359
00:34:07,959 --> 00:34:13,030
- [Speaker] Hi sweetheart,
listen, apologies for earlier.

360
00:34:14,164 --> 00:34:15,341
I know walking home
wasn't part of the deal,

361
00:34:15,365 --> 00:34:17,644
but it really is
an emergency here,

362
00:34:17,668 --> 00:34:20,179
I'll come over later and
we can talk some more

363
00:34:20,203 --> 00:34:23,016
about future roles
once I'm finished.

364
00:34:23,040 --> 00:34:25,175
- [Speaker 5] Kill, kill.

365
00:34:38,990 --> 00:34:41,133
- Sophia's calling.

366
00:34:41,157 --> 00:34:42,401
I need to take it.

367
00:34:42,425 --> 00:34:45,428
(person breathing)

368
00:34:55,606 --> 00:34:57,516
I hope that this
call is to inform me

369
00:34:57,540 --> 00:34:58,843
of your imminent return.

370
00:35:00,343 --> 00:35:02,288
Well, I'm not even
sure that your job

371
00:35:02,312 --> 00:35:04,280
will be waiting here
for you tomorrow.

372
00:35:05,950 --> 00:35:07,493
What the fuck do you mean dear

373
00:35:07,517 --> 00:35:09,352
that you can't make
it in tomorrow?

374
00:35:10,621 --> 00:35:13,165
Family emergency.

375
00:35:13,189 --> 00:35:14,467
Well, so what?

376
00:35:14,491 --> 00:35:16,459
It's not my family,
why should I care?

377
00:35:17,561 --> 00:35:20,131
(tense music)

378
00:35:29,807 --> 00:35:32,610
(feet crunching)

379
00:35:56,232 --> 00:35:58,903
(door banging)

380
00:36:04,474 --> 00:36:07,444
(person breathing)

381
00:36:09,947 --> 00:36:12,515
(tense music)

382
00:37:20,050 --> 00:37:23,395
(vehicle engine whirring)

383
00:37:23,419 --> 00:37:27,500
No, wrong, that is
completely and utterly wrong.

384
00:37:27,524 --> 00:37:29,836
All I care about is
getting the next episode

385
00:37:29,860 --> 00:37:33,106
of my award-winning
TV show finished.

386
00:37:33,130 --> 00:37:34,741
At which point you'll
have plenty of time

387
00:37:34,765 --> 00:37:36,910
to nurse your elderly
parents to death

388
00:37:36,934 --> 00:37:39,069
because you will
be out of a job.

389
00:37:46,509 --> 00:37:49,246
(door whirring)

390
00:37:52,583 --> 00:37:54,317
Hey, hold that door.

391
00:37:57,755 --> 00:38:00,600
I haven't seen you
before, you new?

392
00:38:00,624 --> 00:38:02,401
- Yes sir, my name's Noah.

393
00:38:02,425 --> 00:38:03,526
I started today.

394
00:38:09,399 --> 00:38:13,013
- Okay Noah, American are we?

395
00:38:13,037 --> 00:38:14,247
- Got that right.

396
00:38:14,271 --> 00:38:16,415
Texas born and bred.

397
00:38:16,439 --> 00:38:18,018
- Interesting.

398
00:38:18,042 --> 00:38:21,721
- Mr. Abbott, can I ask, the
artwork for the new episode?

399
00:38:21,745 --> 00:38:25,926
- Ah yes, bring something
along to the edit bay

400
00:38:25,950 --> 00:38:27,517
in about 20, I'll have a look.

401
00:38:28,285 --> 00:38:29,629
- Okay, it's just that.

402
00:38:29,653 --> 00:38:31,565
- Do you know the difference

403
00:38:31,589 --> 00:38:35,059
between the US and
a pot of yogurt?

404
00:38:41,098 --> 00:38:43,743
If you left a pot
of yogurt alone

405
00:38:43,767 --> 00:38:48,839
for 300 years, it would
develop a fucking culture.

406
00:38:50,841 --> 00:38:53,744
(person laughing)

407
00:39:02,518 --> 00:39:05,256
(feet clopping)

408
00:39:45,528 --> 00:39:48,742
- So that's box man?

409
00:39:48,766 --> 00:39:50,167
- Don't take it personally.

410
00:39:55,906 --> 00:39:56,941
- Evening John.

411
00:40:02,046 --> 00:40:03,580
Any news on the furniture?

412
00:40:04,748 --> 00:40:06,126
- What?

413
00:40:06,150 --> 00:40:10,888
- Oh, well we've been here
for a month now, John.

414
00:40:12,156 --> 00:40:13,000
And I'm still using the
equipment from the last company

415
00:40:13,024 --> 00:40:14,091
who owned the place.

416
00:40:15,626 --> 00:40:16,537
- And?

417
00:40:16,561 --> 00:40:18,138
- And it would be nice

418
00:40:18,162 --> 00:40:19,406
to have a comfortable chair,

419
00:40:19,430 --> 00:40:21,241
surveillance equipment
from this century.

420
00:40:21,265 --> 00:40:22,242
I don't know, decorate.

421
00:40:22,266 --> 00:40:24,277
- Yes, yes, darling, fine.

422
00:40:24,301 --> 00:40:27,647
I'll put an order in
for a vibrating chair

423
00:40:27,671 --> 00:40:29,316
so you can have a nap at work.

424
00:40:29,340 --> 00:40:30,650
Would that make you happy?

425
00:40:30,674 --> 00:40:33,010
- Yeah, you try sitting
on a stool all night.

426
00:40:34,778 --> 00:40:37,614
(person sighing)

427
00:40:47,490 --> 00:40:52,262
- This new security
guard, does he seem okay?

428
00:40:53,464 --> 00:40:54,464
- What?

429
00:40:56,600 --> 00:40:57,935
- The new rent a cop.

430
00:40:59,169 --> 00:41:00,714
These guys aren't as
cheap as they should be,

431
00:41:00,738 --> 00:41:03,583
you know, but seem okay.

432
00:41:03,607 --> 00:41:08,679
Competent, does he
appear to have a brain?

433
00:41:09,546 --> 00:41:12,058
- Yeah, yeah, he seems fine.

434
00:41:12,082 --> 00:41:14,094
Well, I'm covering
while he gets to grips

435
00:41:14,118 --> 00:41:16,162
with the night shift,
but he should be starting

436
00:41:16,186 --> 00:41:17,788
the reception from Monday.

437
00:41:23,827 --> 00:41:25,696
Oh, John, John,

438
00:41:32,269 --> 00:41:33,337
your idea, not mine.

439
00:41:40,978 --> 00:41:43,189
(object banging)

440
00:41:43,213 --> 00:41:46,283
- Quicker to train an ape
than a fucking Yankee twat.

441
00:41:51,755 --> 00:41:54,324
(upbeat music)

442
00:41:56,060 --> 00:42:00,964
- Hi, yeah, no, I'm still here.

443
00:42:03,867 --> 00:42:06,603
(feet clopping)

444
00:42:07,938 --> 00:42:12,843
- Celebrate, for most this
time of year was a chance

445
00:42:13,610 --> 00:42:14,522
to revel in the spectacle.

446
00:42:14,546 --> 00:42:16,213
Waste of fucking money.

447
00:42:17,748 --> 00:42:22,362
But not all want to
remember, remember

448
00:42:22,386 --> 00:42:24,922
the 5th of November, right?

449
00:42:29,460 --> 00:42:31,137
- [Speaker] Come back.

450
00:42:31,161 --> 00:42:34,131
What's the lake
said it look like?

451
00:42:40,904 --> 00:42:45,018
- So the dreaded first
day or night in your case,

452
00:42:45,042 --> 00:42:46,042
how's it going?

453
00:42:46,810 --> 00:42:48,188
- Can't complain.

454
00:42:48,212 --> 00:42:50,457
You know, night shift's
not for everyone.

455
00:42:50,481 --> 00:42:53,293
I quite like it,
once you acclimatize,

456
00:42:53,317 --> 00:42:56,129
you know, money's decent.

457
00:42:56,153 --> 00:42:59,065
Most places are
quiet after hours.

458
00:42:59,089 --> 00:43:00,633
- It usually is here.

459
00:43:00,657 --> 00:43:03,403
Just watch out for motor
mouth when he's on a deadline.

460
00:43:03,427 --> 00:43:07,841
He's a cantankerous cunt,
as you might have noticed.

461
00:43:07,865 --> 00:43:12,369
- Well thanks for the
warning and yeah, I noticed.

462
00:43:15,906 --> 00:43:17,951
- Got any plans for the weekend?

463
00:43:17,975 --> 00:43:21,445
- Yeah, bottle of wine,
some dinner with you.

464
00:43:22,880 --> 00:43:26,083
- No chance, I'll be working
here for the rest of my life.

465
00:43:29,621 --> 00:43:30,697
- Ladies first.

466
00:43:30,721 --> 00:43:32,156
- Thank you kind sir.

467
00:43:38,061 --> 00:43:39,873
(door banging)

468
00:43:39,897 --> 00:43:42,008
(tense music)

469
00:43:42,032 --> 00:43:46,880
- Did you design all
these here posters?

470
00:43:46,904 --> 00:43:50,474
(vehicle engine whirring)

471
00:43:52,776 --> 00:43:56,079
- Yeah, gratuitous
to say the least.

472
00:44:02,587 --> 00:44:06,634
- Nah, I kind of like them.

473
00:44:06,658 --> 00:44:08,725
- Thanks, so does Abbott.

474
00:44:12,095 --> 00:44:14,575
It is the first thing
he did when we moved in,

475
00:44:14,599 --> 00:44:17,569
hung all the posters along
here for everyone to see.

476
00:44:21,673 --> 00:44:24,441
Rita refers to it
as his ego walkway.

477
00:44:30,548 --> 00:44:33,050
- Well, we've got one
thing in common then.

478
00:44:34,351 --> 00:44:35,162
(object clinking)

479
00:44:35,186 --> 00:44:36,163
- What's that?

480
00:44:36,187 --> 00:44:37,655
- Our shitty taste in art.

481
00:44:43,527 --> 00:44:45,205
- How's Rita settling you in?

482
00:44:45,229 --> 00:44:46,406
- Oh, she's great.

483
00:44:46,430 --> 00:44:48,508
She spends all her
time on her phone

484
00:44:48,532 --> 00:44:50,611
gossiping with her friends.

485
00:44:50,635 --> 00:44:54,180
- Yeah, take notes,
when she's not here,

486
00:44:54,204 --> 00:44:55,649
you'll be the one
answering the phones

487
00:44:55,673 --> 00:44:56,974
and dishing all the dirt.

488
00:44:59,843 --> 00:45:02,346
(tense music)

489
00:45:09,654 --> 00:45:12,389
(feet clopping)

490
00:45:20,998 --> 00:45:21,998
- Yeah.

491
00:45:32,242 --> 00:45:34,612
Yeah, it's quite sad actually.

492
00:45:38,282 --> 00:45:40,326
(door buzzing)

493
00:45:40,350 --> 00:45:42,519
Oh, hang on a sec, hello?

494
00:45:47,391 --> 00:45:48,492
Hello.

495
00:45:53,096 --> 00:45:54,642
Noah, are you there?

496
00:45:54,666 --> 00:45:56,376
We've got a randomer
at the front door,

497
00:45:56,400 --> 00:45:57,745
probably a drunk.

498
00:45:57,769 --> 00:45:59,936
Can you come and bid
him goodnight please?

499
00:46:01,238 --> 00:46:04,374
- [Noah] No problem,
I'm on my way.

500
00:46:05,509 --> 00:46:08,622
- Security will be with
you shortly, thanks.

501
00:46:08,646 --> 00:46:11,448
(object banging)

502
00:46:13,517 --> 00:46:15,128
- Hey, what's up?

503
00:46:15,152 --> 00:46:16,987
- Idiot at the front door.

504
00:46:22,125 --> 00:46:24,696
(tense music)

505
00:46:27,598 --> 00:46:30,768
- All right, I'll
go take a look.

506
00:46:35,372 --> 00:46:39,753
- You there, yeah, I can't
believe it to be honest.

507
00:46:39,777 --> 00:46:40,777
He was.

508
00:46:45,817 --> 00:46:47,719
- Hello, anyone there?

509
00:46:52,289 --> 00:46:54,692
Hey, anyone here?

510
00:46:59,229 --> 00:47:01,898
(heart beating)

511
00:47:05,068 --> 00:47:07,638
(tense music)

512
00:47:09,807 --> 00:47:11,942
I'll be a son of a bitch.

513
00:47:15,245 --> 00:47:16,245
Fuck it.

514
00:47:17,548 --> 00:47:21,060
- He has really painted
himself into a corner.

515
00:47:21,084 --> 00:47:22,495
But it's one thing to
fall out with your nearest

516
00:47:22,519 --> 00:47:24,665
and dearest but like this.

517
00:47:24,689 --> 00:47:26,499
Yeah, exactly.

518
00:47:26,523 --> 00:47:28,602
He's taken a giant
shit on his doorstep

519
00:47:28,626 --> 00:47:30,994
and it expects everyone
else to wipe his arse.

520
00:47:32,062 --> 00:47:34,374
(tense music)

521
00:47:34,398 --> 00:47:37,877
(person gurgling)

522
00:47:37,901 --> 00:47:40,638
(keys clinking)

523
00:47:43,841 --> 00:47:46,744
(person gurgling)

524
00:48:00,991 --> 00:48:03,828
(dramatic music)

525
00:48:13,470 --> 00:48:16,206
(feet clopping)

526
00:48:19,509 --> 00:48:21,588
What did you think of the show?

527
00:48:21,612 --> 00:48:23,824
I'm not gonna lie, I watched
it all in one sitting.

528
00:48:23,848 --> 00:48:27,652
Yeah, honestly, once it
started I couldn't turn it off.

529
00:48:28,653 --> 00:48:30,888
Yeah, yeah, it's
definitely worth a look.

530
00:48:33,591 --> 00:48:36,326
(door whirring)

531
00:48:41,732 --> 00:48:43,943
- There's no way we
can leave that line in.

532
00:48:43,967 --> 00:48:45,846
- Yes, yes sweetheart,

533
00:48:45,870 --> 00:48:48,247
it is a line that sticks
in people's minds.

534
00:48:48,271 --> 00:48:49,372
They won't forget it.

535
00:48:53,376 --> 00:48:56,557
- Yeah, but it's just so cheesy.

536
00:48:56,581 --> 00:48:57,957
- It doesn't matter.

537
00:48:57,981 --> 00:49:00,226
These sorts of lines,
they end up being quoted.

538
00:49:00,250 --> 00:49:03,029
They help people
spread the word.

539
00:49:03,053 --> 00:49:05,790
(feet clopping)

540
00:49:07,959 --> 00:49:10,571
Look, it is easy to remember

541
00:49:10,595 --> 00:49:13,172
and when it is easy to remember,

542
00:49:13,196 --> 00:49:15,532
people tell their
friends about it

543
00:49:19,436 --> 00:49:21,280
and the more people
know about it,

544
00:49:21,304 --> 00:49:24,317
the more people that
will fucking watch.

545
00:49:24,341 --> 00:49:26,352
I can't believe I have
to explain this to you.

546
00:49:26,376 --> 00:49:27,612
It's embarrassing.

547
00:49:32,349 --> 00:49:35,529
- Come on Nathan,
what's your opinion?

548
00:49:35,553 --> 00:49:37,722
- I don't care, keep it in.

549
00:49:38,488 --> 00:49:41,224
(feet clopping)

550
00:49:46,964 --> 00:49:50,476
- Ah, you see the
writer is on board.

551
00:49:50,500 --> 00:49:52,135
He says keep it in.

552
00:49:54,504 --> 00:49:57,240
(heart beating)

553
00:50:03,581 --> 00:50:05,659
Oh yeah.

554
00:50:05,683 --> 00:50:07,159
While I think on it, Nathan,

555
00:50:07,183 --> 00:50:11,330
that little film festival
you sent me to earlier.

556
00:50:11,354 --> 00:50:13,456
- Great, so how'd it go?

557
00:50:18,428 --> 00:50:21,875
- It was a total and
utter waste of time.

558
00:50:21,899 --> 00:50:24,678
You assured me that Michelle
had a large following,

559
00:50:24,702 --> 00:50:27,480
sold out was a particularly
contentious phrase

560
00:50:27,504 --> 00:50:29,139
that I heard banded around.

561
00:50:33,343 --> 00:50:36,122
(tense music)

562
00:50:36,146 --> 00:50:38,224
- Well it's a local festival.

563
00:50:38,248 --> 00:50:41,628
It is difficult to get people
interested in smaller events.

564
00:50:41,652 --> 00:50:43,462
- Yes, well it would've
been useful to know that

565
00:50:43,486 --> 00:50:45,532
before I wasted my valuable time

566
00:50:45,556 --> 00:50:47,992
talking to what may
have been 15 people.

567
00:50:51,428 --> 00:50:54,065
(feet clopping)

568
00:50:55,465 --> 00:50:58,277
Oh, that bloody radio of
yours, for Christ sake Nathan,

569
00:50:58,301 --> 00:51:00,346
how many times have I told you.

570
00:51:00,370 --> 00:51:01,848
- Excuse me, chaps.

571
00:51:01,872 --> 00:51:03,708
- Go on then, fuck off.

572
00:51:07,945 --> 00:51:11,357
- I don't mind doing the over
time, but if I have a life.

573
00:51:11,381 --> 00:51:13,516
Yeah, all right, bye.

574
00:51:16,554 --> 00:51:19,456
(object whirring)

575
00:51:28,799 --> 00:51:30,533
- Where do you
think you're going?

576
00:51:32,637 --> 00:51:34,982
(keys clinking)

577
00:51:35,006 --> 00:51:36,917
- I just thought it'd
be an opportune moment

578
00:51:36,941 --> 00:51:39,285
to answer the call of nature.

579
00:51:39,309 --> 00:51:42,823
- Yeah, you go get yourself
a little deep fried Mars bar.

580
00:51:42,847 --> 00:51:45,592
But that line stays in.

581
00:51:45,616 --> 00:51:48,184
(door banging)

582
00:51:49,519 --> 00:51:50,519
- Right.

583
00:51:52,188 --> 00:51:53,188
Racist cunt.

584
00:51:54,925 --> 00:51:57,728
(person gurgling)

585
00:52:07,805 --> 00:52:10,708
- The fifth of
November, remember.

586
00:52:18,149 --> 00:52:19,149
Hello?

587
00:52:22,352 --> 00:52:24,922
(tense music)

588
00:52:35,800 --> 00:52:37,034
For fuck sake.

589
00:52:48,179 --> 00:52:51,015
(liquid pouring)

590
00:52:58,923 --> 00:53:00,191
- Yeah, it's me.

591
00:53:01,424 --> 00:53:06,429
I need to hire an editor,
as soon as possible.

592
00:53:10,134 --> 00:53:12,937
(liquid pouring)

593
00:53:23,080 --> 00:53:26,050
(person breathing)

594
00:53:59,449 --> 00:54:00,449
- Jesus.

595
00:54:01,051 --> 00:54:03,888
(radio whirring)

596
00:54:11,061 --> 00:54:13,264
- Why are you
pissing in the dark?

597
00:54:15,599 --> 00:54:17,735
- Well the lights were
on when I came in.

598
00:54:18,903 --> 00:54:20,704
You scared the shit
outta me there.

599
00:54:23,841 --> 00:54:24,652
(water pouring)

600
00:54:24,676 --> 00:54:25,653
- Sorry.

601
00:54:25,677 --> 00:54:27,554
- Know I think Abbott's right.

602
00:54:27,578 --> 00:54:28,655
You need to keep that thing

603
00:54:28,679 --> 00:54:30,389
switched off when
you're at work.

604
00:54:30,413 --> 00:54:32,893
- He just loves to complain.

605
00:54:32,917 --> 00:54:36,129
This little Butte has
landed us some great scoops

606
00:54:36,153 --> 00:54:40,558
in the past and
she will do again.

607
00:54:41,659 --> 00:54:42,793
He knows it too.

608
00:54:44,762 --> 00:54:49,075
- Yeah, if you say so,

609
00:54:49,099 --> 00:54:50,476
I got paid yesterday.

610
00:54:50,500 --> 00:54:53,280
- What?

611
00:54:53,304 --> 00:54:55,582
- I got paid yesterday

612
00:54:55,606 --> 00:54:57,617
and Abbott said he was gonna
give me a little extra,

613
00:54:57,641 --> 00:54:59,418
you know, for appearing
in that last episode

614
00:54:59,442 --> 00:55:01,121
we shot for Series One.

615
00:55:01,145 --> 00:55:02,613
- How much did you get paid?

616
00:55:03,614 --> 00:55:06,059
- Nothing, that's the point.

617
00:55:06,083 --> 00:55:07,794
You said he'd give
500 for appearing

618
00:55:07,818 --> 00:55:10,429
and then a little on top of
that to cover travel expenses.

619
00:55:10,453 --> 00:55:13,200
But he hasn't even
paid my petrol.

620
00:55:13,224 --> 00:55:14,825
- Have you spoken
to him about it?

621
00:55:15,893 --> 00:55:18,229
- How much did you
get for appearing?

622
00:55:21,565 --> 00:55:22,565
- I'm nipping out.

623
00:55:23,601 --> 00:55:25,202
Do you want anything
from the shop?

624
00:55:27,403 --> 00:55:29,405
- No, thanks.

625
00:55:38,514 --> 00:55:41,417
(object whirring)

626
00:55:42,385 --> 00:55:43,864
Nathan.

627
00:55:43,888 --> 00:55:48,559
You wouldn't perhaps turn
off the lights, nay bother.

628
00:55:52,696 --> 00:55:55,599
(object clinking)

629
00:55:56,700 --> 00:55:57,700
Bollocks.

630
00:56:00,571 --> 00:56:03,107
(tense music)

631
00:56:05,643 --> 00:56:08,889
(person clicking)

632
00:56:08,913 --> 00:56:11,649
(heart beating)

633
00:56:32,937 --> 00:56:35,649
- Well, my issue
is that the editor

634
00:56:35,673 --> 00:56:38,218
you have provided me
with has neither the wit

635
00:56:38,242 --> 00:56:41,211
nor the wisdom to work
on a job such as this.

636
00:56:42,212 --> 00:56:44,257
Oh yes and he also
needs to learn

637
00:56:44,281 --> 00:56:46,250
when to keep his
fucking mouth shut.

638
00:56:47,685 --> 00:56:52,756
Excuse me, oh, who
am I, who are you?

639
00:56:53,924 --> 00:56:56,526
I am John Abbot and
I'm making something.

640
00:56:57,695 --> 00:57:00,397
(feet clopping)

641
00:57:24,520 --> 00:57:27,257
(door whirring)

642
00:57:31,862 --> 00:57:34,665
(radio whirring)

643
00:57:56,787 --> 00:57:59,356
(tense music)

644
00:58:00,224 --> 00:58:02,926
(heart beating)

645
00:58:19,542 --> 00:58:22,088
(person typing)

646
00:58:22,112 --> 00:58:24,681
(tense music)

647
00:59:04,655 --> 00:59:08,625
- Abbott, check this out,
fucking nailed it mate.

648
00:59:10,494 --> 00:59:13,230
(blood pouring)

649
00:59:14,431 --> 00:59:17,301
(person gurgling)

650
00:59:53,170 --> 00:59:55,906
(person typing)

651
00:59:59,977 --> 01:00:01,454
- Hello, Mr. Roberts.

652
01:00:01,478 --> 01:00:03,123
I've finished working
on the latest poster

653
01:00:03,147 --> 01:00:04,314
you asked for and.

654
01:00:18,662 --> 01:00:21,498
(dramatic music)

655
01:00:42,085 --> 01:00:44,721
(door whirring)

656
01:00:50,994 --> 01:00:53,565
(feet banging)

657
01:00:57,301 --> 01:01:00,037
(dramatic music)

658
01:01:17,187 --> 01:01:20,023
(object banging)

659
01:01:21,024 --> 01:01:23,827
(dramatic music)

660
01:01:29,099 --> 01:01:31,835
(feet clopping)

661
01:01:47,217 --> 01:01:49,953
(dramatic music)

662
01:01:54,992 --> 01:01:57,861
(person breathing)

663
01:02:29,526 --> 01:02:31,504
(door banging)

664
01:02:31,528 --> 01:02:34,364
(dramatic music)

665
01:02:50,280 --> 01:02:53,126
(door banging)

666
01:02:53,150 --> 01:02:56,053
(person breathing)

667
01:03:04,328 --> 01:03:07,732
- [Operator] 999,
what's your emergency?

668
01:03:11,602 --> 01:03:15,673
- Help me, he's got a knife.

669
01:03:16,808 --> 01:03:19,485
He's killed someone and
now he's coming for me.

670
01:03:19,509 --> 01:03:23,189
- [Operator] Stay calm
Miss, do you know who it is?

671
01:03:23,213 --> 01:03:25,882
(door banging)

672
01:03:34,424 --> 01:03:37,094
(feet banging)

673
01:03:48,606 --> 01:03:50,416
Where are they now?

674
01:03:50,440 --> 01:03:54,253
- I don't know, I don't
know, they entered the room

675
01:03:54,277 --> 01:03:55,646
and Jackson was dead.

676
01:03:57,314 --> 01:03:58,482
His throat was cut.

677
01:04:01,151 --> 01:04:06,223
- [Operator] Tell me where
you are, tell me your name.

678
01:04:07,357 --> 01:04:09,993
I need to know your
name, are you there?

679
01:04:11,696 --> 01:04:14,431
It's really important that
you tell me where you are.

680
01:04:15,566 --> 01:04:16,601
Can you talk to me?

681
01:04:19,002 --> 01:04:21,004
- The lift, it stopped.

682
01:04:23,373 --> 01:04:24,842
- [Operator] Are you trapped?

683
01:04:26,176 --> 01:04:27,176
- No.

684
01:04:30,280 --> 01:04:32,850
- [Operator] Stay inside
the lift, do not get out.

685
01:04:35,185 --> 01:04:37,664
Stay in the lift, don't move.

686
01:04:37,688 --> 01:04:39,031
Tell me the address

687
01:04:39,055 --> 01:04:40,855
so I can get someone
home as soon as possible.

688
01:04:45,897 --> 01:04:48,307
Do you have control
of the lift door?

689
01:04:48,331 --> 01:04:49,331
- What?

690
01:04:51,702 --> 01:04:54,981
- [Operator] Can the door
be opened from the outside?

691
01:04:55,005 --> 01:04:57,809
(dramatic music)

692
01:05:00,377 --> 01:05:03,590
Make sure that no one
can open that door.

693
01:05:03,614 --> 01:05:08,185
Keep talking to me Miss,
please tell me where you are.

694
01:05:09,319 --> 01:05:10,831
Are you okay?

695
01:05:10,855 --> 01:05:12,498
You me still here me?

696
01:05:12,522 --> 01:05:13,933
It's gonna be okay.

697
01:05:13,957 --> 01:05:16,537
(door whirring)

698
01:05:16,561 --> 01:05:19,529
(person screaming)

699
01:05:21,398 --> 01:05:24,410
- [Speaker 5] Confirm
reports of a stabbing suspect

700
01:05:24,434 --> 01:05:27,270
could still be in
the area, over.

701
01:05:29,473 --> 01:05:30,808
Location, over.

702
01:05:33,276 --> 01:05:35,087
Racing corporation
for that, over.

703
01:05:35,111 --> 01:05:37,013
- Fuck a duck, Abbott.

704
01:05:42,118 --> 01:05:43,530
Abbott!

705
01:05:43,554 --> 01:05:47,166
- Yes, yes, I don't care
about the that you contract.

706
01:05:47,190 --> 01:05:50,260
I want did tomorrow
at 8:00 AM sharp

707
01:05:51,228 --> 01:05:52,739
because I've got
a program to make.

708
01:05:52,763 --> 01:05:56,108
(person breathing)

709
01:05:56,132 --> 01:05:57,969
I've gotta go, Ciao.

710
01:05:59,402 --> 01:06:01,481
I don't appreciate being
interrupted Nathan.

711
01:06:01,505 --> 01:06:02,416
What is it?

712
01:06:02,440 --> 01:06:04,417
- The radio, dispatch saying

713
01:06:04,441 --> 01:06:06,820
there's a knife
man on the loose.

714
01:06:06,844 --> 01:06:08,411
- Bloody radio of yours.

715
01:06:09,847 --> 01:06:12,750
Okay, let's get on it.

716
01:06:15,553 --> 01:06:18,799
Better be someone in reception
to open the fucking door.

717
01:06:18,823 --> 01:06:21,267
(door buzzing)

718
01:06:21,291 --> 01:06:24,261
(machine whirring)

719
01:06:56,092 --> 01:06:57,260
Where the hell's Rita?

720
01:06:58,395 --> 01:06:59,797
Or that redneck twat?

721
01:07:01,498 --> 01:07:02,910
(radio whirring)

722
01:07:02,934 --> 01:07:03,934
Hey,

723
01:07:13,543 --> 01:07:15,012
who the fuck just let us in?

724
01:07:19,215 --> 01:07:20,627
- [Speaker 4] Control, over.

725
01:07:20,651 --> 01:07:21,962
- Come on, come on.

726
01:07:21,986 --> 01:07:23,520
What have you got for us?

727
01:07:24,655 --> 01:07:26,095
- [Speaker 4] Okay,
on the ninth, one

728
01:07:26,691 --> 01:07:28,091
operator believe
could also be KSI.

729
01:07:29,392 --> 01:07:31,494
- Christ, two deaths.

730
01:07:34,699 --> 01:07:36,166
Let's get back to the booth.

731
01:07:38,101 --> 01:07:40,905
(radio whirring)

732
01:07:42,807 --> 01:07:45,619
(door whirring)

733
01:07:45,643 --> 01:07:48,278
(feet banging)

734
01:08:17,775 --> 01:08:20,510
(keys jingling)

735
01:08:34,592 --> 01:08:37,403
- [Speaker 4] Now a grade one
call, location is confirmed

736
01:08:37,427 --> 01:08:39,973
and officers are advised
to proceed with caution

737
01:08:39,997 --> 01:08:42,499
on arriving at Crash Studios.

738
01:08:43,668 --> 01:08:45,177
Repeat, officer inbound

739
01:08:45,201 --> 01:08:47,346
to grade one Crash Studios
should proceed with all caution.

740
01:08:47,370 --> 01:08:50,708
- Wait, did I just
hear that right?

741
01:08:51,976 --> 01:08:55,545
The police have been called
to a double murder here.

742
01:08:57,148 --> 01:09:00,216
- It's a hoax, someone's
fucking with us.

743
01:09:01,251 --> 01:09:02,720
Where's that useless editor?

744
01:09:04,021 --> 01:09:06,657
(door banging)

745
01:09:17,802 --> 01:09:18,802
- Abbott wait.

746
01:09:21,105 --> 01:09:22,405
- That's Jennifer Lowers.

747
01:09:24,909 --> 01:09:26,787
- Don't touch anything.

748
01:09:26,811 --> 01:09:28,655
- But the episode.

749
01:09:28,679 --> 01:09:30,548
- This is a crime scene.

750
01:09:40,791 --> 01:09:42,525
- Let's get the
fuck out of here.

751
01:09:45,328 --> 01:09:48,298
(person breathing)

752
01:09:52,870 --> 01:09:54,537
What are you doing?

753
01:09:57,407 --> 01:10:00,954
- The phones.

754
01:10:00,978 --> 01:10:03,948
(person breathing)

755
01:10:16,326 --> 01:10:18,896
(tense music)

756
01:10:38,481 --> 01:10:43,453
- What is it?

757
01:10:47,124 --> 01:10:48,124
John.

758
01:10:54,198 --> 01:10:57,101
(person breathing)

759
01:11:00,771 --> 01:11:03,473
(door whirring)

760
01:11:04,575 --> 01:11:05,575
John.

761
01:11:14,118 --> 01:11:15,619
Open the door John.

762
01:11:19,256 --> 01:11:20,256
- It's over.

763
01:11:21,524 --> 01:11:23,326
- Open the door, John.

764
01:11:28,599 --> 01:11:30,734
- Everything I've
built, it's over.

765
01:11:35,072 --> 01:11:38,142
- Don't say that
we can do anything.

766
01:11:44,882 --> 01:11:46,016
I really love it here.

767
01:11:50,221 --> 01:11:51,822
No one else would touch me.

768
01:12:00,164 --> 01:12:01,497
- You were cheap.

769
01:12:06,570 --> 01:12:09,472
(object whirring)

770
01:12:13,644 --> 01:12:16,313
(door banging)

771
01:12:19,650 --> 01:12:22,653
(person breathing)

772
01:13:18,108 --> 01:13:20,844
(keys jingling)

773
01:13:33,223 --> 01:13:35,859
- Why are you doing this to me?

774
01:13:43,334 --> 01:13:46,236
(object jingling)

775
01:13:59,883 --> 01:14:01,895
I just tell stories.

776
01:14:01,919 --> 01:14:04,822
(sirens whirring)

777
01:14:08,659 --> 01:14:10,561
And people love them.

778
01:14:17,801 --> 01:14:20,536
It doesn't matter
what you've done,

779
01:14:26,610 --> 01:14:27,911
it only matters

780
01:14:31,915 --> 01:14:33,150
what they see.

781
01:14:34,985 --> 01:14:36,896
(door banging)

782
01:14:36,920 --> 01:14:41,158
- This is the police, is
anyone there, the police.

783
01:14:45,763 --> 01:14:48,399
(door banging)

784
01:14:50,167 --> 01:14:53,003
(dramatic music)

785
01:15:05,049 --> 01:15:06,683
The door is locked.

786
01:15:07,484 --> 01:15:10,387
(dramatic music)

787
01:15:41,418 --> 01:15:44,388
(person breathing)

788
01:15:50,194 --> 01:15:53,097
(sirens whirring)

789
01:15:54,465 --> 01:15:57,267
(dramatic music)

790
01:16:35,239 --> 01:16:38,041
(dramatic music)

791
01:17:11,074 --> 01:17:13,911
(dramatic music)

792
01:17:16,180 --> 01:17:19,149
(person breathing)

793
01:17:44,274 --> 01:17:47,077
(dramatic music)

794
01:18:00,023 --> 01:18:02,759
(knife whirring)

795
01:18:04,328 --> 01:18:07,231
(person shouting)

796
01:18:19,376 --> 01:18:22,379
(person breathing)

797
01:18:24,448 --> 01:18:27,317
(sirens whirring)

798
01:18:41,298 --> 01:18:42,466
Everyone out!

799
01:18:43,568 --> 01:18:46,470
(sirens whirring)

800
01:18:51,108 --> 01:18:54,077
(person breathing)

801
01:19:16,768 --> 01:19:19,671
(person laughing)

802
01:19:34,251 --> 01:19:36,820
(tense music)

803
01:20:14,024 --> 01:20:16,828
(dramatic music)

804
01:20:52,262 --> 01:20:54,965
(dramatic music)

805
01:21:31,569 --> 01:21:34,371
(dramatic music)

806
01:22:05,636 --> 01:22:08,438
(dramatic music)

807
01:22:46,510 --> 01:22:49,346
(dramatic music)