(music whirring)
Downloaded from YTS.BZ
- [Speaker] Okay, camera rolling.
Official YIFY movies site: YTS.BZ
- Speed, take four.
All right, and action.
(tense music)
- Good evening, I am John Abbott.
A wise man once apined
that the pen was mightier than the sword.
But tonight we will see why the gun trumps both
as the ultimate dispenser of both horror and heart rate.
As we delve into the deepest, darkest depths
of the "Widowmaker Sniper",
both terrible and tragic, it was at this very location
that the serial killer James Castor branded The Widowmaker
by a petrified public, finally had his reign
of evil ended when he was cornered
and shot to death by police.
It was merely hours earlier when the Widowmaker
had incorporated a new element
to his bloody ritual of killings.
Having already taken four lives over three days
of bloodshed, the Widowmaker constructed a custom
video recording apparatus
that connected to the scope of his rifle.
His morbid intention
was to record the gruesome killings of his victims
so he could go home and watch them die
over and over again.
Thankfully, police marksman
put paid to his demented fantasy,
but not before he claimed one last victim
and it was here that that victim,
one Mrs. Jennifer Lowers,
was killed on camera.
Merely an hour earlier, Mr. And Mrs. Lowers
had attended their very first ultrasound
after getting pregnant.
The couple enjoyed a carefree walk
through the park afterwards,
casually chatting about names for the baby
and how to break the very happy news to their in-laws.
But fate stepped in
to write a very different
and very, very tragic headline.
(tense music)
The following is a reenactment,
but viewer discretion is advised.
(vehicle engine whirring)
(tense music)
(objects clinking)
Slowly, methodically, painstakingly,
the Widowmaker prepares
to begin hunting, his pulse racing.
The sniper seeks an island of calm
before he begins scanning for a target.
(gun clinking)
(tense music)
Finally with rifle loaded
and camera rolling, he's ready.
Once in position, he takes a breath to compose himself.
His victim selected,
the Widowmaker prepares to strike.
(tense music)
(gun banging)
Bullseye.
Basking in the cold-blooded thrill of the kill,
the sniper was unaware
that his nefarious activities had been spotted
by a vigilant member of the public who called the police.
(sirens whirring)
The authorities mobilized swift
and converged on the maniac, giving him no opportunity
to escape the scene.
Surrounded with no chance of escape,
the Widowmaker decides to go down shooting.
- On the floor!
(guns banging)
(sirens whirring)
- And his reign of terror
is abruptly ended.
(upbeat music)
Many people want their five minutes of fame,
but for some, it comes at the ultimate price,
their life.
Welcome to tonight's episode
of "Lights, Camera, Kill".
(audience cheering)
(upbeat music)
(audience clapping)
- Wow,
how's that for starting the evening off with a bang?
(heart beating)
I think we can all agree,
the Season One finale of "Lights, Camera, Kill"
looks as though it's gonna be the best yet.
And I am pretty confident, most, if not all of you,
have managed to work out who our special guest is tonight.
(person shouting)
(person cheering)
Yeah, you got it.
Accompanied by a cast member
of the very program you've just watched,
it is my pleasure to introduce to you
the visionary behind "Lights, Camera, Kill"
the one, the only, John Abbott.
(audience cheering) (audience clapping)
- Thank you Michelle.
It's great to be here tonight
in front of you wonderful people.
Thank you all for being here.
Great to see you.
Yes, it's an absolute pleasure.
You see tonight,
and the season finale of "Lights, Camera, Kill"
represents the end of a long, hard journey for me.
You see, ladies and gentlemen, when I set out to make LCK,
everyone told me that it was a waste of my time and talent.
(people laughing)
No mainstream channel would touch it.
Investors were thin on the ground
and indeed I found out very quickly
that these days, money men would prefer
to dump their hard earned into virtue signaling excretia
as opposed to entertaining television.
(audience cheering) (audience clapping)
So I thought to hell with it, I gave up on television
and I begged, borrowed and stole
enough cash to make "Lights, Camera, Kill".
And here we are.
The show that they said would never be made,
the show that they said would never be a success,
well, it just goes to show
that they know absolutely nothing.
With that said, we thought that tonight
would be the perfect place
to screen a sneak peek of the season finale
of "Lights, Camera, Kill"
before it streams live next Tuesday night.
And we hoped that you would all help to spread the word
using one of three hashtags
that we have created for this episode.
So if you could all use #Justice for Jennifer,
#The Widow maker, or our original #Lights Camera Kill,
you'll be letting others know that we are here tonight
and that next Tuesday is certainly something
that everybody should be excited for.
(audience clapping)
(audience cheering)
- Okay, that's enough shameless self-promotion.
- Allow me to introduce my guest tonight.
Our lovely victim, shot dead by the evil
and despicable sniper, Olivia.
(audience clapping)
So our season finale
of "Lights Camera Kill".
If you liked what you saw, did you?
(audience clapping)
Well, you'll be glad to know that you won't need
to wait long for more Lights Camera Kill
as on Monday we start filming Series Two.
That's seven more episodes of hard hitting
and uncompromising real crime investigation.
(person laughing)
- That's fantastic, John.
But I believe there's another piece of exciting news
for our fans here tonight.
- Indeed, there is, in order to bridge the gap
until series two is finished,
we are also working on a special episode
to stream live on November 5th.
I'm sure you can all guess
what event will be the main focus of that one.
- I can tell you I'm pumped about that special John,
and this brings us to the Q&A section of the evening.
If it's all right, I'd like to start things off
by asking a question myself.
You know I'm a big fan of the show.
I'd just like to ask you, John, what inspired you
to make this particular episode?
And I'd like to ask Olivia, was it difficult
to step into the shoes of someone
whose life ended so violently and abruptly?
- For me, the tale of the Widowmaker is almost,
it's almost like a Greek tragedy.
The terrible toll of victims,
and particularly the suffering
of Jennifer Lowers, her husband
and her unborn child.
It's why I knew that it was the story I had to tell.
(person coughing)
- I didn't take on the role lightly.
It's obviously not the same as playing a fictional character
where you work your own nuances
and shapes into their personality.
This was a real person who was popular
amongst everyone that knew her,
and she came to such a terrible, tragic end.
So as an actor, I wouldn't be doing my job properly
if I didn't try my best to represent her accurately
on screen, as well as respecting
the feelings of the people she left behind.
She obviously loved her husband very much.
They had so much to look forward to.
- Please go ahead.
- Hi guys, given the huge, huge success of your show,
are you planning on using any of your profits
to donate to local charities
or helping organizations that support victims of crime?
(mic whirring)
- With respect sir, there are very many
people out there who make a lot more than I do
and work nowhere near as hard
through their involvement in production
of real crime TV, film and literature.
I'd suggest that you go and ask them first.
- With respect John, I'm not asking them right now.
I'm asking you.
(heart beating)
- Well, folks, it's like I always say,
some people will do anything for money
and their five minutes of fame.
- John, just move things on.
(heart beating)
- Next question.
(door whirring)
- What's wrong?
Was it the question about the money?
- Of course not, sweetheart.
I don't give a fuck about them.
I saw someone in the audience I recognized,
can't quite place him though.
He looked familiar but different at the same time.
- You still okay to take me home?
- Yes, yes, I'll drop you off.
(tense music)
(heart beating)
(tense music)
(upbeat music)
What is it?
- [Speaker 2] Sophia is leaving.
She took a phone call and walked out.
- No, no, no, no, look, listen.
You tell her to get back into that room
and finish the edit.
That special needs to be finished by the weekend.
- [Speaker 2] She's headed to her car.
- Look, you get your arse out into the car park
and you fucking stop her before she fucking leaves.
- [Speaker] The car's gone.
- Look, you're a useless arse.
Who's gonna finish the edit now?
- [Speaker 2] I'll get Jackson on it straight away.
- Well in that case, I'm coming back right now.
- [Speaker 2] We'll be fine.
Go home, spend some time with your wife.
(person laughing)
- Sure, sure.
I'll just leave responsibility of delivery
to the assistant editor.
Yeah, great idea.
- [Speaker 2] Great, see you tomorrow.
- That was sarcasm, I'm coming in.
(upbeat music)
Can you believe the turnout?
I was assured it would be a full house.
Yeah, sold out.
They were her exact words.
But how many do you think were there?
No, no, I'll tell you, not fucking enough.
That's how many, and what kind of buzz
are a handful of idiots gonna make online.
(wind blowing)
(own hooting)
(vehicle engine whirring)
(upbeat music)
You're gonna have to walk the rest of the way.
- Not far from here, two minutes.
- Good, you'll be home in no time, now!
(door whirring)
(vehicle engine whirring)
(upbeat music)
(vehicle engine whirring)
(heart beating)
(upbeat music)
(dramatic music)
(vehicle engine screeching)
(upbeat music)
(bird chirping)
(vehicle engine whirring)
(tense music)
(door whirring)
(upbeat music)
- Hi.
(speaking in foreign language)
(tense music)
(door banging)
(tense music)
(feet clopping)
(tense music)
(speaking in foreign language)
(tense music)
(heart beating)
(speaking in foreign language)
(object clinking)
(liquid pouring)
(speaking in foreign language)
(heart beating)
(tense music)
(speaking in foreign language)
(dramatic music)
(heart beating)
(person breathing)
- Jennifer.
- [Speaker 3] Olivia?
(person breathing)
(tense music)
- [Speaker 4] Jennifer.
- Please.
Jennifer is dead, I'm just an actor there.
My name is Olivia.
I'm sorry, I'm sorry, but I'm not Jennifer.
My name's Olivia.
(tense music)
- [Speaker 4] Jennifer.
- I'm sorry, I didn't mean to leave you.
I'm here now.
(person grunting)
(person crying)
(tense music)
(person breathing)
(knife whirring)
(body squelching)
(person breathing)
- [Speaker 3] Olivia.
(dramatic music)
Olivia, Olivia.
(speaking in foreign language)
Hello, Olivia.
(heart beating)
- [Speaker] Hi sweetheart, listen, apologies for earlier.
I know walking home wasn't part of the deal,
but it really is an emergency here,
I'll come over later and we can talk some more
about future roles once I'm finished.
- [Speaker 5] Kill, kill.
- Sophia's calling.
I need to take it.
(person breathing)
I hope that this call is to inform me
of your imminent return.
Well, I'm not even sure that your job
will be waiting here for you tomorrow.
What the fuck do you mean dear
that you can't make it in tomorrow?
Family emergency.
Well, so what?
It's not my family, why should I care?
(tense music)
(feet crunching)
(door banging)
(person breathing)
(tense music)
(vehicle engine whirring)
No, wrong, that is completely and utterly wrong.
All I care about is getting the next episode
of my award-winning TV show finished.
At which point you'll have plenty of time
to nurse your elderly parents to death
because you will be out of a job.
(door whirring)
Hey, hold that door.
I haven't seen you before, you new?
- Yes sir, my name's Noah.
I started today.
- Okay Noah, American are we?
- Got that right.
Texas born and bred.
- Interesting.
- Mr. Abbott, can I ask, the artwork for the new episode?
- Ah yes, bring something along to the edit bay
in about 20, I'll have a look.
- Okay, it's just that.
- Do you know the difference
between the US and a pot of yogurt?
If you left a pot of yogurt alone
for 300 years, it would develop a fucking culture.
(person laughing)
(feet clopping)
- So that's box man?
- Don't take it personally.
- Evening John.
Any news on the furniture?
- What?
- Oh, well we've been here for a month now, John.
And I'm still using the equipment from the last company
who owned the place.
- And?
- And it would be nice
to have a comfortable chair,
surveillance equipment from this century.
I don't know, decorate.
- Yes, yes, darling, fine.
I'll put an order in for a vibrating chair
so you can have a nap at work.
Would that make you happy?
- Yeah, you try sitting on a stool all night.
(person sighing)
- This new security guard, does he seem okay?
- What?
- The new rent a cop.
These guys aren't as cheap as they should be,
you know, but seem okay.
Competent, does he appear to have a brain?
- Yeah, yeah, he seems fine.
Well, I'm covering while he gets to grips
with the night shift, but he should be starting
the reception from Monday.
Oh, John, John,
your idea, not mine.
(object banging)
- Quicker to train an ape than a fucking Yankee twat.
(upbeat music)
- Hi, yeah, no, I'm still here.
(feet clopping)
- Celebrate, for most this time of year was a chance
to revel in the spectacle.
Waste of fucking money.
But not all want to remember, remember
the 5th of November, right?
- [Speaker] Come back.
What's the lake said it look like?
- So the dreaded first day or night in your case,
how's it going?
- Can't complain.
You know, night shift's not for everyone.
I quite like it, once you acclimatize,
you know, money's decent.
Most places are quiet after hours.
- It usually is here.
Just watch out for motor mouth when he's on a deadline.
He's a cantankerous cunt, as you might have noticed.
- Well thanks for the warning and yeah, I noticed.
- Got any plans for the weekend?
- Yeah, bottle of wine, some dinner with you.
- No chance, I'll be working here for the rest of my life.
- Ladies first.
- Thank you kind sir.
(door banging)
(tense music)
- Did you design all these here posters?
(vehicle engine whirring)
- Yeah, gratuitous to say the least.
- Nah, I kind of like them.
- Thanks, so does Abbott.
It is the first thing he did when we moved in,
hung all the posters along here for everyone to see.
Rita refers to it as his ego walkway.
- Well, we've got one thing in common then.
(object clinking)
- What's that?
- Our shitty taste in art.
- How's Rita settling you in?
- Oh, she's great.
She spends all her time on her phone
gossiping with her friends.
- Yeah, take notes, when she's not here,
you'll be the one answering the phones
and dishing all the dirt.
(tense music)
(feet clopping)
- Yeah.
Yeah, it's quite sad actually.
(door buzzing)
Oh, hang on a sec, hello?
Hello.
Noah, are you there?
We've got a randomer at the front door,
probably a drunk.
Can you come and bid him goodnight please?
- [Noah] No problem, I'm on my way.
- Security will be with you shortly, thanks.
(object banging)
- Hey, what's up?
- Idiot at the front door.
(tense music)
- All right, I'll go take a look.
- You there, yeah, I can't believe it to be honest.
He was.
- Hello, anyone there?
Hey, anyone here?
(heart beating)
(tense music)
I'll be a son of a bitch.
Fuck it.
- He has really painted himself into a corner.
But it's one thing to fall out with your nearest
and dearest but like this.
Yeah, exactly.
He's taken a giant shit on his doorstep
and it expects everyone else to wipe his arse.
(tense music)
(person gurgling)
(keys clinking)
(person gurgling)
(dramatic music)
(feet clopping)
What did you think of the show?
I'm not gonna lie, I watched it all in one sitting.
Yeah, honestly, once it started I couldn't turn it off.
Yeah, yeah, it's definitely worth a look.
(door whirring)
- There's no way we can leave that line in.
- Yes, yes sweetheart,
it is a line that sticks in people's minds.
They won't forget it.
- Yeah, but it's just so cheesy.
- It doesn't matter.
These sorts of lines, they end up being quoted.
They help people spread the word.
(feet clopping)
Look, it is easy to remember
and when it is easy to remember,
people tell their friends about it
and the more people know about it,
the more people that will fucking watch.
I can't believe I have to explain this to you.
It's embarrassing.
- Come on Nathan, what's your opinion?
- I don't care, keep it in.
(feet clopping)
- Ah, you see the writer is on board.
He says keep it in.
(heart beating)
Oh yeah.
While I think on it, Nathan,
that little film festival you sent me to earlier.
- Great, so how'd it go?
- It was a total and utter waste of time.
You assured me that Michelle had a large following,
sold out was a particularly contentious phrase
that I heard banded around.
(tense music)
- Well it's a local festival.
It is difficult to get people interested in smaller events.
- Yes, well it would've been useful to know that
before I wasted my valuable time
talking to what may have been 15 people.
(feet clopping)
Oh, that bloody radio of yours, for Christ sake Nathan,
how many times have I told you.
- Excuse me, chaps.
- Go on then, fuck off.
- I don't mind doing the over time, but if I have a life.
Yeah, all right, bye.
(object whirring)
- Where do you think you're going?
(keys clinking)
- I just thought it'd be an opportune moment
to answer the call of nature.
- Yeah, you go get yourself a little deep fried Mars bar.
But that line stays in.
(door banging)
- Right.
Racist cunt.
(person gurgling)
- The fifth of November, remember.
Hello?
(tense music)
For fuck sake.
(liquid pouring)
- Yeah, it's me.
I need to hire an editor, as soon as possible.
(liquid pouring)
(person breathing)
- Jesus.
(radio whirring)
- Why are you pissing in the dark?
- Well the lights were on when I came in.
You scared the shit outta me there.
(water pouring)
- Sorry.
- Know I think Abbott's right.
You need to keep that thing
switched off when you're at work.
- He just loves to complain.
This little Butte has landed us some great scoops
in the past and she will do again.
He knows it too.
- Yeah, if you say so,
I got paid yesterday.
- What?
- I got paid yesterday
and Abbott said he was gonna give me a little extra,
you know, for appearing in that last episode
we shot for Series One.
- How much did you get paid?
- Nothing, that's the point.
You said he'd give 500 for appearing
and then a little on top of that to cover travel expenses.
But he hasn't even paid my petrol.
- Have you spoken to him about it?
- How much did you get for appearing?
- I'm nipping out.
Do you want anything from the shop?
- No, thanks.
(object whirring)
Nathan.
You wouldn't perhaps turn off the lights, nay bother.
(object clinking)
Bollocks.
(tense music)
(person clicking)
(heart beating)
- Well, my issue is that the editor
you have provided me with has neither the wit
nor the wisdom to work on a job such as this.
Oh yes and he also needs to learn
when to keep his fucking mouth shut.
Excuse me, oh, who am I, who are you?
I am John Abbot and I'm making something.
(feet clopping)
(door whirring)
(radio whirring)
(tense music)
(heart beating)
(person typing)
(tense music)
- Abbott, check this out, fucking nailed it mate.
(blood pouring)
(person gurgling)
(person typing)
- Hello, Mr. Roberts.
I've finished working on the latest poster
you asked for and.
(dramatic music)
(door whirring)
(feet banging)
(dramatic music)
(object banging)
(dramatic music)
(feet clopping)
(dramatic music)
(person breathing)
(door banging)
(dramatic music)
(door banging)
(person breathing)
- [Operator] 999, what's your emergency?
- Help me, he's got a knife.
He's killed someone and now he's coming for me.
- [Operator] Stay calm Miss, do you know who it is?
(door banging)
(feet banging)
Where are they now?
- I don't know, I don't know, they entered the room
and Jackson was dead.
His throat was cut.
- [Operator] Tell me where you are, tell me your name.
I need to know your name, are you there?
It's really important that you tell me where you are.
Can you talk to me?
- The lift, it stopped.
- [Operator] Are you trapped?
- No.
- [Operator] Stay inside the lift, do not get out.
Stay in the lift, don't move.
Tell me the address
so I can get someone home as soon as possible.
Do you have control of the lift door?
- What?
- [Operator] Can the door be opened from the outside?
(dramatic music)
Make sure that no one can open that door.
Keep talking to me Miss, please tell me where you are.
Are you okay?
You me still here me?
It's gonna be okay.
(door whirring)
(person screaming)
- [Speaker 5] Confirm reports of a stabbing suspect
could still be in the area, over.
Location, over.
Racing corporation for that, over.
- Fuck a duck, Abbott.
Abbott!
- Yes, yes, I don't care about the that you contract.
I want did tomorrow at 8:00 AM sharp
because I've got a program to make.
(person breathing)
I've gotta go, Ciao.
I don't appreciate being interrupted Nathan.
What is it?
- The radio, dispatch saying
there's a knife man on the loose.
- Bloody radio of yours.
Okay, let's get on it.
Better be someone in reception to open the fucking door.
(door buzzing)
(machine whirring)
Where the hell's Rita?
Or that redneck twat?
(radio whirring)
Hey,
who the fuck just let us in?
- [Speaker 4] Control, over.
- Come on, come on.
What have you got for us?
- [Speaker 4] Okay, on the ninth, one
operator believe could also be KSI.
- Christ, two deaths.
Let's get back to the booth.
(radio whirring)
(door whirring)
(feet banging)
(keys jingling)
- [Speaker 4] Now a grade one call, location is confirmed
and officers are advised to proceed with caution
on arriving at Crash Studios.
Repeat, officer inbound
to grade one Crash Studios should proceed with all caution.
- Wait, did I just hear that right?
The police have been called to a double murder here.
- It's a hoax, someone's fucking with us.
Where's that useless editor?
(door banging)
- Abbott wait.
- That's Jennifer Lowers.
- Don't touch anything.
- But the episode.
- This is a crime scene.
- Let's get the fuck out of here.
(person breathing)
What are you doing?
- The phones.
(person breathing)
(tense music)
- What is it?
John.
(person breathing)
(door whirring)
John.
Open the door John.
- It's over.
- Open the door, John.
- Everything I've built, it's over.
- Don't say that we can do anything.
I really love it here.
No one else would touch me.
- You were cheap.
(object whirring)
(door banging)
(person breathing)
(keys jingling)
- Why are you doing this to me?
(object jingling)
I just tell stories.
(sirens whirring)
And people love them.
It doesn't matter what you've done,
it only matters
what they see.
(door banging)
- This is the police, is anyone there, the police.
(door banging)
(dramatic music)
The door is locked.
(dramatic music)
(person breathing)
(sirens whirring)
(dramatic music)
(person breathing)
(dramatic music)
(knife whirring)
(person shouting)
(person breathing)
(sirens whirring)
Everyone out!
(sirens whirring)
(person breathing)
(person laughing)
(tense music)
(dramatic music)