1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.LT 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.LT 3 00:00:10,680 --> 00:00:14,760 (guitar music) (feet clomping) 4 00:00:14,760 --> 00:00:16,360 - [Announcer] Sound speed. 5 00:00:16,360 --> 00:00:17,760 A mark. (group laughing) 6 00:00:17,760 --> 00:00:19,280 And board on scene. 7 00:00:19,280 --> 00:00:20,800 (announcer speaks faintly) 8 00:00:20,800 --> 00:00:21,720 B mark. 9 00:00:23,280 --> 00:00:26,280 - Camera's set - Band's set. 10 00:00:26,280 --> 00:00:27,720 - [Announcer] We're recording. 11 00:00:27,720 --> 00:00:31,640 - [Crew Person] Do we have all full stage, Hans? 12 00:00:31,640 --> 00:00:32,720 - [Announcer] Okay, cut. 13 00:00:32,720 --> 00:00:33,800 Standby and, 14 00:00:35,200 --> 00:00:37,840 (clock ticking) 15 00:00:45,480 --> 00:00:46,520 - It is time. 16 00:00:46,520 --> 00:00:47,760 (groovy music) (latch clicking) 17 00:00:47,760 --> 00:00:50,160 (bell ringing) (door creaking) 18 00:00:50,160 --> 00:00:52,560 And I'd like you to meet her. 19 00:00:53,840 --> 00:00:56,640 - In Ankara, I once met a magician 20 00:00:57,880 --> 00:01:00,840 and his show was unlike anything I'd ever seen. 21 00:01:00,840 --> 00:01:04,280 Such tricks, such incredible imagination. 22 00:01:05,480 --> 00:01:06,760 And the audience clapped like 23 00:01:06,760 --> 00:01:09,840 we had seen the resurrection itself. 24 00:01:11,440 --> 00:01:12,880 And the next night, 25 00:01:12,880 --> 00:01:15,920 he was at the bar at my hotel. 26 00:01:15,920 --> 00:01:19,600 And he sat with his cards and his drink, 27 00:01:19,600 --> 00:01:22,360 and I should have left him alone, 28 00:01:22,360 --> 00:01:23,520 but I couldn't. 29 00:01:23,520 --> 00:01:25,160 (cards shuffling) 30 00:01:25,160 --> 00:01:26,400 - Normal deck? 31 00:01:28,200 --> 00:01:29,080 Please. 32 00:01:31,640 --> 00:01:34,200 - [Miss Flower] How do you come up with such tricks? 33 00:01:34,200 --> 00:01:37,080 - A magician never reveals his secrets. 34 00:01:37,080 --> 00:01:38,440 But lemme tell you this, 35 00:01:38,440 --> 00:01:41,560 I spent my life around extraordinary things, 36 00:01:41,560 --> 00:01:44,480 extraordinary places, extraordinary people. 37 00:01:44,480 --> 00:01:47,920 (groovy music continues) 38 00:01:50,520 --> 00:01:53,400 Are you extraordinary, Miss Flower? 39 00:01:56,000 --> 00:01:59,600 - Are we extraordinary, Miss Flower? 40 00:01:59,600 --> 00:02:02,360 (dramatic music) 41 00:02:06,520 --> 00:02:09,880 - [Narrator] When was the last time you received a letter? 42 00:02:09,880 --> 00:02:13,040 An actual handwritten letter, 43 00:02:13,040 --> 00:02:16,040 maybe from a friend, maybe from a lover 44 00:02:16,040 --> 00:02:20,120 where there's their sent and the ink bleeding onto the page? 45 00:02:20,120 --> 00:02:23,920 A personal, private, permanent connection 46 00:02:23,920 --> 00:02:26,040 with another human being. 47 00:02:27,240 --> 00:02:29,800 Letters are more than just words on a page. 48 00:02:29,800 --> 00:02:33,400 They're time capsules filled with fears, dreams, 49 00:02:33,400 --> 00:02:35,240 laughter and tears. 50 00:02:35,240 --> 00:02:39,320 They're souvenirs of who we were and who we hoped we'd be. 51 00:02:39,320 --> 00:02:41,920 After Miss Geraldine Flower passed away, 52 00:02:41,920 --> 00:02:45,520 her daughter found a box filled with hundreds of letters. 53 00:02:45,520 --> 00:02:47,920 It is a real treasure trove. 54 00:02:47,920 --> 00:02:49,960 These letters then made their way into the hands 55 00:02:49,960 --> 00:02:51,840 of Miss Emiliana Tarini 56 00:02:51,840 --> 00:02:54,440 and more importantly, into her imagination. 57 00:02:54,440 --> 00:02:57,920 (groovy music continues) 58 00:03:14,040 --> 00:03:17,160 - To be honest, I always know when a song is waiting for me. 59 00:03:17,160 --> 00:03:18,720 It hangs over me, 60 00:03:18,720 --> 00:03:22,640 right here just out of reach like a spectre. 61 00:03:22,640 --> 00:03:24,440 But sometimes you're scrambling around 62 00:03:24,440 --> 00:03:28,360 trying to feel something and you get kind of desperate. 63 00:03:28,360 --> 00:03:30,000 You are waiting for something to ignite 64 00:03:30,000 --> 00:03:31,320 and burn a hole through 65 00:03:31,320 --> 00:03:33,800 and lead you right to the end 66 00:03:33,800 --> 00:03:35,600 to commit, to obsess. 67 00:03:37,800 --> 00:03:40,440 This box of letters did that to me. 68 00:03:40,440 --> 00:03:42,720 - [Miss Flower] I can see you think you know me better now. 69 00:03:42,720 --> 00:03:43,840 - We all know you now. 70 00:03:43,840 --> 00:03:45,920 I mean, you were here for all to see. 71 00:03:45,920 --> 00:03:47,120 - What did you find? 72 00:03:47,120 --> 00:03:48,800 - "And so we shall meet in December, 73 00:03:48,800 --> 00:03:50,360 where the pines rise 74 00:03:50,360 --> 00:03:52,120 and there, we shall marry." - Which we didn't. 75 00:03:52,120 --> 00:03:53,640 - Well, poor boy. 76 00:03:55,440 --> 00:03:57,440 "I am in withdrawal from you. 77 00:03:57,440 --> 00:04:00,240 I shake like a Prague junkie." (Miss Flower laughs) 78 00:04:00,240 --> 00:04:01,320 - "Like a Prague junkie," really? 79 00:04:01,320 --> 00:04:02,160 - Ah. 80 00:04:02,160 --> 00:04:03,480 This the, 81 00:04:03,480 --> 00:04:06,240 "The light here is dim and low gold." 82 00:04:06,240 --> 00:04:07,560 - Was he, - "The only illumination 83 00:04:07,560 --> 00:04:10,440 is the memory of your hands on my-" 84 00:04:10,440 --> 00:04:11,360 - Enough? 85 00:04:12,160 --> 00:04:13,280 I was hooked. 86 00:04:14,480 --> 00:04:16,200 I mean, there's enough love in these letters 87 00:04:16,200 --> 00:04:19,280 to fulfil a person for 100 years. 88 00:04:19,280 --> 00:04:21,160 - Come on. They're just letters. 89 00:04:21,160 --> 00:04:23,160 - Letters open people up in ways that 90 00:04:23,160 --> 00:04:25,280 nothing else really does. 91 00:04:25,280 --> 00:04:26,880 - Well, when I read them, 92 00:04:26,880 --> 00:04:29,280 I feel like I'm living your life. 93 00:04:29,280 --> 00:04:32,280 There's mystery, excitement, 94 00:04:32,280 --> 00:04:34,320 the men, the obsessions. 95 00:04:35,640 --> 00:04:40,360 And the first letter I picked up was "Miss Flower," 96 00:04:40,360 --> 00:04:42,760 what we call "Miss Flower" now. 97 00:04:42,760 --> 00:04:45,640 And reading that letter was exhilarating 98 00:04:45,640 --> 00:04:49,880 'cause it was kind of this 60, sexy, funny, 99 00:04:49,880 --> 00:04:53,440 witty, passionate and that was the letter, 100 00:04:54,840 --> 00:04:57,960 before I read any others, that ignited this idea that 101 00:04:57,960 --> 00:05:02,680 I wanted to go to the studio and write a song from it. 102 00:05:02,680 --> 00:05:05,360 - "As the day dawns dark and windy, 103 00:05:05,360 --> 00:05:08,600 with a hint of a splash or a shower, 104 00:05:08,600 --> 00:05:10,720 there is only one thing on my mind, 105 00:05:10,720 --> 00:05:13,640 a warm kiss with Geraldine Flower. 106 00:05:14,520 --> 00:05:15,720 Edgy. 107 00:05:15,720 --> 00:05:17,480 It may not be Shelly, Keat or Byron, 108 00:05:17,480 --> 00:05:20,680 but it's not bad for so early in the morning. 109 00:05:20,680 --> 00:05:23,400 You are, I imagine, still in bed. 110 00:05:23,400 --> 00:05:24,680 So I sit here and contemplate 111 00:05:24,680 --> 00:05:28,160 how our last night, a night to remember. 112 00:05:28,160 --> 00:05:29,480 The chemistry was wonderful. 113 00:05:29,480 --> 00:05:31,840 Even Cockcroft and Walton splitting the atom 114 00:05:31,840 --> 00:05:33,680 does not compare. 115 00:05:33,680 --> 00:05:35,000 There are so many images 116 00:05:35,000 --> 00:05:37,680 I can't decide which one I will enjoy the most. 117 00:05:37,680 --> 00:05:40,920 Will it be the gaze of your eyes across the table 118 00:05:40,920 --> 00:05:44,720 or your unique way of polishing Joni Mitchell 119 00:05:44,720 --> 00:05:46,560 before playing her? 120 00:05:46,560 --> 00:05:48,400 I've just finished mowing the lawn. 121 00:05:48,400 --> 00:05:51,160 It remained a labour less of love than necessity. 122 00:05:51,160 --> 00:05:52,680 As I swept backwards and forwards 123 00:05:52,680 --> 00:05:55,560 striping my way from one border to the next, 124 00:05:55,560 --> 00:05:58,880 I needed a little stimulation to keep me going. 125 00:05:58,880 --> 00:06:00,640 And so I thought of you. 126 00:06:00,640 --> 00:06:02,760 I imagined you as so many things 127 00:06:02,760 --> 00:06:05,000 and then as a wine. 128 00:06:05,000 --> 00:06:06,640 How would such a wine taste? 129 00:06:06,640 --> 00:06:08,640 From where would it come? 130 00:06:08,640 --> 00:06:10,800 I consulted the world Atlas of wine 131 00:06:10,800 --> 00:06:13,920 and it told me Australian wine is hot right now. 132 00:06:13,920 --> 00:06:15,680 That sounded promising as there's 133 00:06:15,680 --> 00:06:18,800 certainly a warmth running through your veins. 134 00:06:18,800 --> 00:06:21,960 So please Miss Flower, be gentle with me. 135 00:06:21,960 --> 00:06:24,440 Let me take a few delicate sips to start with 136 00:06:24,440 --> 00:06:27,240 before I drain my glass dry. 137 00:06:27,240 --> 00:06:29,640 I look forward to our tasting. 138 00:06:29,640 --> 00:06:33,200 ♪ I have just completed mowing your lawn ♪ 139 00:06:33,200 --> 00:06:35,360 ♪ It remains a labour less of love ♪ 140 00:06:35,360 --> 00:06:37,640 ♪ But the need to be around you ♪ 141 00:06:37,640 --> 00:06:41,680 ♪ And the grass keeps growing and so needs cutting ♪ 142 00:06:41,680 --> 00:06:45,080 ♪ So I'm there for the doing 143 00:06:45,080 --> 00:06:46,840 ♪ And I go backwards 144 00:06:46,840 --> 00:06:48,520 ♪ And I go forwards 145 00:06:48,520 --> 00:06:50,720 ♪ Striping my way to the borders ♪ 146 00:06:50,720 --> 00:06:52,880 ♪ Looking at you through the windows ♪ 147 00:06:52,880 --> 00:06:55,000 ♪ I want to taste you 148 00:06:55,000 --> 00:06:57,080 ♪ Taste your lips, feel your hair ♪ 149 00:06:57,080 --> 00:06:59,000 ♪ I wanna breathe you 150 00:06:59,000 --> 00:07:00,760 ♪ Taste your hip, your skin 151 00:07:00,760 --> 00:07:02,880 ♪ I wanna own you 152 00:07:02,880 --> 00:07:04,960 ♪ Taste your mouth, taste your fingers ♪ 153 00:07:04,960 --> 00:07:06,880 ♪ I wanna love you 154 00:07:06,880 --> 00:07:08,760 ♪ Taste your breath, your sweat ♪ 155 00:07:08,760 --> 00:07:13,840 ♪ Let me adore you 156 00:07:17,040 --> 00:07:21,320 ♪ Now I try to imagine you a wine ♪ 157 00:07:21,320 --> 00:07:25,400 ♪ What sort you'd be and how I would describe you ♪ 158 00:07:25,400 --> 00:07:29,160 ♪ I read the vine, you come from grows on hot land ♪ 159 00:07:29,160 --> 00:07:31,160 ♪ There's a heat running through your veins ♪ 160 00:07:31,160 --> 00:07:33,520 ♪ I feel it now in mine 161 00:07:33,520 --> 00:07:35,120 ♪ These wine's a sensation 162 00:07:35,120 --> 00:07:37,480 ♪ Now wouldn't you agree 163 00:07:37,480 --> 00:07:41,000 ♪ Miss Flower 164 00:07:41,000 --> 00:07:43,000 ♪ I want to taste you 165 00:07:43,000 --> 00:07:44,720 ♪ Taste your lips, feel your hair ♪ 166 00:07:44,720 --> 00:07:46,960 ♪ I wanna breathe you 167 00:07:46,960 --> 00:07:48,840 ♪ Taste your hips, taste your skin ♪ 168 00:07:48,840 --> 00:07:51,000 ♪ I wanna own you 169 00:07:51,000 --> 00:07:52,880 ♪ Taste your mouth, taste your fingers ♪ 170 00:07:52,880 --> 00:07:55,040 ♪ I wanna love you 171 00:07:55,040 --> 00:07:56,600 ♪ Taste your breath, taste your sweat ♪ 172 00:07:56,600 --> 00:08:01,600 ♪ Let me adore you 173 00:08:05,080 --> 00:08:08,200 ♪ Could I have put it any better ♪ 174 00:08:08,200 --> 00:08:09,680 ♪ No 175 00:08:09,680 --> 00:08:13,560 ♪ What more can I learn but from the master ♪ 176 00:08:13,560 --> 00:08:17,040 ♪ Labels can be extremely helpful to the initiated ♪ 177 00:08:17,040 --> 00:08:19,120 ♪ And bewildering to the newcomer ♪ 178 00:08:19,120 --> 00:08:21,640 ♪ So remember Miss Flower 179 00:08:21,640 --> 00:08:23,720 ♪ Be gentle with me 180 00:08:23,720 --> 00:08:26,440 ♪ A few delicate sips to start with ♪ 181 00:08:26,440 --> 00:08:29,320 ♪ Before I drink my glass dry 182 00:08:29,320 --> 00:08:31,360 ♪ To appreciate the vintage 183 00:08:31,360 --> 00:08:32,680 ♪ To enjoy the richness 184 00:08:32,680 --> 00:08:34,640 ♪ And fruit to the full 185 00:08:34,640 --> 00:08:37,360 ♪ Could well take several hours ♪ 186 00:08:37,360 --> 00:08:39,640 ♪ If not days 187 00:08:39,640 --> 00:08:41,520 ♪ Or much longer 188 00:08:41,520 --> 00:08:44,800 ♪ Your answers whispered in my ear ♪ 189 00:08:44,800 --> 00:08:45,800 ♪ Welcome 190 00:08:45,800 --> 00:08:47,240 ♪ I want to taste you 191 00:08:47,240 --> 00:08:48,960 ♪ Taste your lips, feel your hair ♪ 192 00:08:48,960 --> 00:08:51,120 ♪ I wanna breathe you 193 00:08:51,120 --> 00:08:52,840 ♪ Taste your hips, taste your skin ♪ 194 00:08:52,840 --> 00:08:54,880 ♪ I wanna own you 195 00:08:54,880 --> 00:08:56,880 ♪ Taste your mouth, taste your fingers ♪ 196 00:08:56,880 --> 00:08:59,040 ♪ I wanna love you 197 00:08:59,040 --> 00:09:00,920 ♪ Taste your breath, taste your sweat ♪ 198 00:09:00,920 --> 00:09:02,840 ♪ Let me adore you 199 00:09:02,840 --> 00:09:04,920 ♪ Taste your lips, feel your hair ♪ 200 00:09:04,920 --> 00:09:07,160 ♪ I wanna breathe you 201 00:09:07,160 --> 00:09:08,880 ♪ Taste your hips, taste your skin ♪ 202 00:09:08,880 --> 00:09:10,880 ♪ I wanna own you 203 00:09:10,880 --> 00:09:12,960 ♪ Taste your mouth, taste your fingers ♪ 204 00:09:12,960 --> 00:09:14,800 ♪ I wanna love you 205 00:09:14,800 --> 00:09:16,720 ♪ Taste your breath, taste your sweat ♪ 206 00:09:16,720 --> 00:09:19,760 ♪ Let me adore you 207 00:09:19,760 --> 00:09:24,840 ♪ Taste you 208 00:09:25,520 --> 00:09:29,640 ♪ I want to taste you 209 00:09:29,640 --> 00:09:32,920 ♪ Love you 210 00:09:32,920 --> 00:09:35,640 ♪ I wanna taste you 211 00:09:35,640 --> 00:09:40,720 ♪ Taste you 212 00:09:41,400 --> 00:09:45,600 ♪ I want to taste you 213 00:09:45,600 --> 00:09:48,960 ♪ Love you 214 00:09:48,960 --> 00:09:51,600 ♪ I wanna taste you 215 00:09:51,600 --> 00:09:54,040 ♪ Taste you 216 00:10:09,240 --> 00:10:11,720 - To the extraordinary Miss Flower. 217 00:10:11,720 --> 00:10:14,360 - [All] To the extraordinary Miss Flower. 218 00:10:14,360 --> 00:10:16,440 - [Miss Flower] How sweet you are. 219 00:10:16,440 --> 00:10:18,560 Now tell me what more did you discover? 220 00:10:18,560 --> 00:10:21,160 - [Emiliana] Men proposing marriage, 221 00:10:21,160 --> 00:10:23,600 men in financial distress, 222 00:10:23,600 --> 00:10:25,440 men declaring their secrets, - Men declaring their secrets, 223 00:10:25,440 --> 00:10:27,240 their inner most desires, 224 00:10:27,240 --> 00:10:29,600 men begging for forgiveness, 225 00:10:29,600 --> 00:10:31,640 men telling me to believe in myself, 226 00:10:31,640 --> 00:10:36,040 men locked in loveless marriages searching for a way out, 227 00:10:36,040 --> 00:10:38,680 men writing from the corners of the globe, 228 00:10:38,680 --> 00:10:40,720 men becoming different on the page, 229 00:10:40,720 --> 00:10:42,680 men enthral of memory, 230 00:10:42,680 --> 00:10:45,080 men enthral to memories yet to come, 231 00:10:45,080 --> 00:10:47,800 men telling me of love as though I have not lived it, 232 00:10:47,800 --> 00:10:50,320 men saying more than their words can carry, 233 00:10:50,320 --> 00:10:52,680 men talking in code. 234 00:10:52,680 --> 00:10:54,360 - She said code. - That's what she said, 235 00:10:54,360 --> 00:10:55,800 "Code." - I know we were supposed 236 00:10:55,800 --> 00:10:57,080 to think these are love letters 237 00:10:57,080 --> 00:11:00,160 but Miss Flower, they're are codes, are they not? 238 00:11:00,160 --> 00:11:00,920 This here. 239 00:11:01,880 --> 00:11:03,480 - [Agent] Clear as day, spy craft. 240 00:11:03,480 --> 00:11:05,080 (tape reeling) 241 00:11:05,080 --> 00:11:06,640 - [Agent] Tell me about this man. 242 00:11:06,640 --> 00:11:08,320 Tell me about his codes. 243 00:11:08,320 --> 00:11:10,040 - No comment. - Right. 244 00:11:10,040 --> 00:11:12,280 Well, then listen to this, 245 00:11:12,280 --> 00:11:13,600 - "Dear Geraldine, 246 00:11:13,600 --> 00:11:17,440 our first encounter is still vivid in my mind. 247 00:11:17,440 --> 00:11:20,560 I hope you're still in London because I arrive soon 248 00:11:20,560 --> 00:11:24,760 and long to enjoy some more summer walks with you. 249 00:11:25,760 --> 00:11:29,000 I expect to land on August 10 or 11. 250 00:11:29,000 --> 00:11:31,040 In order that we can meet, 251 00:11:31,040 --> 00:11:34,840 leave your current phone number at one or, 252 00:11:34,840 --> 00:11:37,400 of the following places. 253 00:11:37,400 --> 00:11:38,640 One, Gulf Air. 254 00:11:39,800 --> 00:11:41,880 I will arrive on this flight unless it is, 255 00:11:41,880 --> 00:11:44,520 two, Egypt Air, Tuesday morning, 256 00:11:45,560 --> 00:11:47,880 three, American Express, 257 00:11:47,880 --> 00:11:50,000 and four, Park Lane Hotel. 258 00:11:52,160 --> 00:11:53,560 When I leave, 259 00:11:53,560 --> 00:11:58,160 I will meet with my father who's visiting Istanbul. 260 00:11:58,160 --> 00:12:00,320 He was telling me how to find the caves. 261 00:12:00,320 --> 00:12:02,280 We'll explore it there. 262 00:12:03,400 --> 00:12:06,040 If you don't receive this letter in time, 263 00:12:06,040 --> 00:12:08,280 let us meet at noon Sunday 264 00:12:09,120 --> 00:12:11,640 in front of Westminster Abby." 265 00:12:14,360 --> 00:12:17,080 (upbeat music) 266 00:12:25,320 --> 00:12:28,120 ♪ I hope you're still in London. ♪ 267 00:12:28,120 --> 00:12:29,640 ♪ I soon will be 268 00:12:29,640 --> 00:12:33,800 ♪ And want to take some more pleasant walks with you ♪ 269 00:12:33,800 --> 00:12:36,760 ♪ Right after, I must head to Istanbul ♪ 270 00:12:36,760 --> 00:12:38,000 ♪ You must tell me how to reach ♪ 271 00:12:38,000 --> 00:12:42,240 ♪ That fascinating cave city you explored ♪ 272 00:12:42,240 --> 00:12:44,480 ♪ Now leave your address and phone number ♪ 273 00:12:44,480 --> 00:12:48,200 ♪ At all the places I wrote you ♪ 274 00:12:48,200 --> 00:12:51,400 ♪ In case you don't receive this letter by Friday ♪ 275 00:12:51,400 --> 00:12:54,080 ♪ Let us plan to meet at noon Sunday ♪ 276 00:12:54,080 --> 00:12:57,920 ♪ In front of Westminster Abby 277 00:12:57,920 --> 00:13:01,080 ♪ You live by a mantra that describes you well ♪ 278 00:13:01,080 --> 00:13:04,040 ♪ Be curious, not judgmental 279 00:13:04,040 --> 00:13:07,600 ♪ I don't know why I suddenly remember that ♪ 280 00:13:07,600 --> 00:13:10,520 ♪ Our encounter such a pleasant memory ♪ 281 00:13:10,520 --> 00:13:14,040 ♪ You are easy to talk to and hard to forget ♪ 282 00:13:14,040 --> 00:13:19,080 ♪ And no, I still haven't been to the Scottish meadows ♪ 283 00:13:20,240 --> 00:13:22,680 ♪ You know that dream 284 00:13:22,680 --> 00:13:25,360 ♪ It still keeps coming back to me ♪ 285 00:13:25,360 --> 00:13:29,960 ♪ I stand by lake pitch black in the full moon ♪ 286 00:13:29,960 --> 00:13:34,240 ♪ This mirrors perfectly on the still surface ♪ 287 00:13:34,240 --> 00:13:36,560 ♪ So still is the water 288 00:13:36,560 --> 00:13:41,080 ♪ You see every detail and every texture ♪ 289 00:13:41,080 --> 00:13:45,200 ♪ So undisturbed that when I enter ♪ 290 00:13:45,200 --> 00:13:48,080 ♪ It's as if entering into 291 00:13:48,080 --> 00:13:53,080 ♪ Pitch black oil 292 00:13:53,080 --> 00:13:55,680 ♪ Moonbeams strike the waves 293 00:13:55,680 --> 00:13:58,600 ♪ Making white lights flow and dance ♪ 294 00:13:58,600 --> 00:14:03,520 ♪ On the branches of a tree that bows above me ♪ 295 00:14:04,720 --> 00:14:09,280 ♪ The quality of that moment passed me by ♪ 296 00:14:10,520 --> 00:14:14,640 ♪ The perfection of it somehow uneventful ♪ 297 00:14:15,840 --> 00:14:18,320 ♪ Adrenaline filled my veins, the terror ♪ 298 00:14:18,320 --> 00:14:20,840 ♪ Of nowhere to hide 299 00:14:20,840 --> 00:14:25,920 ♪ A blow back, I left traces 300 00:14:27,240 --> 00:14:31,680 ♪ And it hurts the regret, stabbing at my chest ♪ 301 00:14:32,960 --> 00:14:37,480 ♪ I lived most of my life behind the curtain ♪ 302 00:14:38,680 --> 00:14:42,760 ♪ We are only as sick as our darkest secrets ♪ 303 00:14:43,960 --> 00:14:48,720 ♪ We are only as sick as our darkest secrets ♪ 304 00:14:52,920 --> 00:14:58,000 ♪ I look down not expecting to see my hand in the dark water ♪ 305 00:14:58,680 --> 00:15:00,240 ♪ But there it is 306 00:15:00,240 --> 00:15:04,600 ♪ Under a perfectly clear almost hyaline surface ♪ 307 00:15:04,600 --> 00:15:08,600 ♪ It seems paler then it really is ♪ 308 00:15:08,600 --> 00:15:11,280 ♪ Ripples circle my body, gliding forward ♪ 309 00:15:11,280 --> 00:15:14,920 ♪ Over the perfect mirror-image of the night ♪ 310 00:15:14,920 --> 00:15:18,040 ♪ Obscuring the detailed textures of the forest ♪ 311 00:15:18,040 --> 00:15:21,040 ♪ And disturbing the twinkling light of the stars ♪ 312 00:15:21,040 --> 00:15:23,400 ♪ That cover a pretend sky 313 00:15:23,400 --> 00:15:26,000 ♪ Moonbeams strike the waves 314 00:15:26,000 --> 00:15:28,760 ♪ Making white lights flow and dance ♪ 315 00:15:28,760 --> 00:15:33,840 ♪ On the branches of a tree that bows above me ♪ 316 00:15:35,040 --> 00:15:39,520 ♪ The quality of that moment passed me by ♪ 317 00:15:40,760 --> 00:15:45,120 ♪ The perfection of it somehow uneventful ♪ 318 00:15:46,320 --> 00:15:48,720 ♪ Adrenaline filled my veins, the terror ♪ 319 00:15:48,720 --> 00:15:51,280 ♪ Of nowhere to hide 320 00:15:51,280 --> 00:15:56,360 ♪ A blow back, I left traces 321 00:15:57,680 --> 00:16:01,920 ♪ And it hurts the regret, stabbing at my chest ♪ 322 00:16:03,200 --> 00:16:07,720 ♪ I lived most of my life behind the curtain ♪ 323 00:16:08,920 --> 00:16:13,280 ♪ We are only as sick as our darkest secrets ♪ 324 00:16:14,480 --> 00:16:19,120 ♪ We are only as sick as our darkest secrets ♪ 325 00:16:20,360 --> 00:16:23,120 ♪ In case you don't receive this letter by Friday ♪ 326 00:16:23,120 --> 00:16:25,760 ♪ Let us plan to meet at noon Sunday ♪ 327 00:16:25,760 --> 00:16:28,360 ♪ In front of Westminster Abby 328 00:16:28,360 --> 00:16:30,960 ♪ Moonbeams strike the waves 329 00:16:30,960 --> 00:16:33,760 ♪ Moonbeams strike the waves 330 00:16:33,760 --> 00:16:37,000 ♪ We are only as sick as our darkest secrets ♪ 331 00:16:37,000 --> 00:16:39,480 ♪ Moonbeams strike the waves 332 00:16:39,480 --> 00:16:42,600 ♪ Moonbeams strike the waves 333 00:16:42,600 --> 00:16:45,000 ♪ Moonbeams strike the waves 334 00:16:45,000 --> 00:16:50,080 ♪ We are only as sick as our darkest secrets ♪ 335 00:16:51,280 --> 00:16:55,560 ♪ We are only as sick as our darkest secrets ♪ 336 00:16:56,760 --> 00:17:00,160 ♪ We are only as sick as our darkest secrets ♪ 337 00:17:00,160 --> 00:17:03,120 (radio chattering) 338 00:17:27,320 --> 00:17:32,400 ♪ Oh, take every breath from me ♪ 339 00:17:33,960 --> 00:17:39,000 ♪ Act without questioning 340 00:17:40,400 --> 00:17:44,480 ♪ Do what you came here to do 341 00:17:44,480 --> 00:17:47,000 ♪ And in the end 342 00:17:47,000 --> 00:17:52,080 ♪ It won't mean much to you, mm ♪ 343 00:17:53,280 --> 00:17:55,440 ♪ Meet me at the waterhole 344 00:17:55,440 --> 00:17:59,240 ♪ There's a shadow in the water ♪ 345 00:17:59,240 --> 00:18:01,880 ♪ And if you flinch it will get you ♪ 346 00:18:01,880 --> 00:18:05,960 ♪ You got my back, I got yours 347 00:18:05,960 --> 00:18:08,280 ♪ Yeah, meet me at the waterhole ♪ 348 00:18:08,280 --> 00:18:12,000 ♪ There are ripples on the surface, mm ♪ 349 00:18:12,000 --> 00:18:14,840 ♪ We got to run, run, run 350 00:18:14,840 --> 00:18:19,280 ♪ You got me, I got you 351 00:18:19,280 --> 00:18:21,080 ♪ But you messed up 352 00:18:21,080 --> 00:18:23,320 ♪ Oh, really, really messed up 353 00:18:23,320 --> 00:18:26,280 ♪ No, you messed up, oh 354 00:18:26,280 --> 00:18:27,800 ♪ You messed up 355 00:18:27,800 --> 00:18:30,160 ♪ Now you really messed up 356 00:18:30,160 --> 00:18:32,240 ♪ No, you really, really messed up ♪ 357 00:18:32,240 --> 00:18:33,480 ♪ Messed up 358 00:18:33,480 --> 00:18:34,960 ♪ You messed up 359 00:18:34,960 --> 00:18:36,840 ♪ You really messed up 360 00:18:36,840 --> 00:18:38,680 ♪ You really, really messed up 361 00:18:38,680 --> 00:18:40,040 ♪ Messed up 362 00:18:40,040 --> 00:18:41,400 ♪ You messed up 363 00:18:41,400 --> 00:18:44,720 ♪ You really messed up 364 00:19:11,080 --> 00:19:13,160 ♪ Meet me at the waterhole 365 00:19:13,160 --> 00:19:17,040 ♪ There's a shadow in the water ♪ 366 00:19:17,040 --> 00:19:19,480 ♪ And if you flinch it will get you ♪ 367 00:19:19,480 --> 00:19:23,640 ♪ You got my back, I got yours 368 00:19:23,640 --> 00:19:26,040 ♪ Yeah, meet me at the waterhole ♪ 369 00:19:26,040 --> 00:19:29,880 ♪ There are ripples on the surface, mm ♪ 370 00:19:29,880 --> 00:19:32,480 ♪ We got to run, run, run 371 00:19:32,480 --> 00:19:37,040 ♪ You got me, I got you 372 00:19:37,040 --> 00:19:39,160 ♪ But you messed up 373 00:19:39,160 --> 00:19:41,640 ♪ Oh, really, really messed up 374 00:19:41,640 --> 00:19:43,560 ♪ You really, really messed up 375 00:19:43,560 --> 00:19:44,960 ♪ Messed up 376 00:19:44,960 --> 00:19:46,080 ♪ You messed up 377 00:19:46,080 --> 00:19:50,200 ♪ You really messed up 378 00:19:50,200 --> 00:19:52,000 ♪ But you messed up 379 00:19:52,000 --> 00:19:54,480 ♪ Oh, really, really messed up 380 00:19:54,480 --> 00:19:56,840 ♪ Really messed up, oh 381 00:19:56,840 --> 00:19:58,640 ♪ You messed up 382 00:19:58,640 --> 00:20:00,880 ♪ Now you really messed up 383 00:20:00,880 --> 00:20:02,880 ♪ No, you really, really messed up ♪ 384 00:20:02,880 --> 00:20:04,320 ♪ Messed up 385 00:20:04,320 --> 00:20:05,720 ♪ You messed up 386 00:20:05,720 --> 00:20:07,720 ♪ You really messed up 387 00:20:07,720 --> 00:20:09,360 ♪ You really, really messed up 388 00:20:09,360 --> 00:20:10,800 ♪ Messed up 389 00:20:10,800 --> 00:20:12,080 ♪ You messed up 390 00:20:12,080 --> 00:20:15,400 ♪ You really messed up 391 00:20:30,360 --> 00:20:33,200 - [Miss Flower] "As usual, your letter writing is gripping 392 00:20:33,200 --> 00:20:35,360 and a masterpiece of counterpoint. 393 00:20:35,360 --> 00:20:37,720 Reading between the lines, rightly or wrongly, 394 00:20:37,720 --> 00:20:40,800 I feel that you are posing the following question. 395 00:20:40,800 --> 00:20:42,880 Do I love and want you or not?" 396 00:20:42,880 --> 00:20:44,280 - [Love Interest] "It is so difficult 397 00:20:44,280 --> 00:20:45,760 to write in the structure of feelings between us. 398 00:20:45,760 --> 00:20:48,480 The valuable intangibles is somewhat shaken, 399 00:20:48,480 --> 00:20:51,280 like urgently trying to get a message across phone line 400 00:20:51,280 --> 00:20:53,080 and not knowing whether the other person 401 00:20:53,080 --> 00:20:56,360 is really receiving or even willingly receptive." 402 00:20:56,360 --> 00:20:57,800 - [Miss Flower] "Your last letter seemed to me 403 00:20:57,800 --> 00:20:59,400 to be riddled with hidden meanings." 404 00:20:59,400 --> 00:21:01,000 - [Love Interest] "Do you realise you have written me 405 00:21:01,000 --> 00:21:03,680 37,271 words in your letters." 406 00:21:03,680 --> 00:21:04,840 - [Both] "Meanings." 407 00:21:04,840 --> 00:21:06,240 - "Do I love," - "I was intrigued 408 00:21:06,240 --> 00:21:07,640 by your letter mentioning 409 00:21:07,640 --> 00:21:09,920 the unhappy November deportation date. 410 00:21:09,920 --> 00:21:12,360 You would need serious countermeasure plans 411 00:21:12,360 --> 00:21:14,720 to return to Britain. 412 00:21:14,720 --> 00:21:17,240 One sure way of ensuring your return would be of course, 413 00:21:17,240 --> 00:21:19,800 to get married to a Britisher. 414 00:21:21,240 --> 00:21:23,960 I don't know if this is in the back of your fertile mind." 415 00:21:23,960 --> 00:21:25,200 - So was he spy? 416 00:21:25,200 --> 00:21:27,680 - Those letters were from two different men. 417 00:21:27,680 --> 00:21:29,400 - That were both spies? 418 00:21:29,400 --> 00:21:32,600 - One, I thought so the other, 419 00:21:32,600 --> 00:21:34,400 - Well, tell me about the other then. 420 00:21:34,400 --> 00:21:38,000 - Oh Reggie, he wrote the most beautiful letters, 421 00:21:38,000 --> 00:21:40,240 pages and pages long. 422 00:21:40,240 --> 00:21:43,120 I collected them from post boxes all over London. 423 00:21:43,120 --> 00:21:45,680 Post boxes all over London. 424 00:21:45,680 --> 00:21:47,760 And then you left him. 425 00:21:47,760 --> 00:21:48,640 - No. 426 00:21:48,640 --> 00:21:49,640 I left for Australia. 427 00:21:49,640 --> 00:21:51,360 My visa was coming to an end. 428 00:21:51,360 --> 00:21:52,680 Look, what can I say? 429 00:21:52,680 --> 00:21:53,840 There's no proposal. 430 00:21:53,840 --> 00:21:55,360 What could I have done? 431 00:21:55,360 --> 00:21:57,520 - "Darling, Flower child, 432 00:21:57,520 --> 00:21:59,560 you must quite rightly wanna know why on earth 433 00:21:59,560 --> 00:22:01,680 I let you return to Australia. 434 00:22:01,680 --> 00:22:05,960 This abrupt break off must seem nonsensical and pointless. 435 00:22:05,960 --> 00:22:07,320 We had walked along the way together 436 00:22:07,320 --> 00:22:09,080 to the point where the only sensible thing 437 00:22:09,080 --> 00:22:11,920 left open to me was to marry you. 438 00:22:13,960 --> 00:22:16,880 I can't stop thinking about our goodbye, 439 00:22:16,880 --> 00:22:19,520 at least my part in it. 440 00:22:19,520 --> 00:22:22,080 You were so very brave. 441 00:22:22,080 --> 00:22:23,800 I think I kept my defences up to the end 442 00:22:23,800 --> 00:22:27,120 so it wouldn't be difficult for us. 443 00:22:27,120 --> 00:22:29,760 But I hope you know how I felt. 444 00:22:29,760 --> 00:22:31,640 Your plane was late taking off. 445 00:22:31,640 --> 00:22:33,520 They closed a viewing area. 446 00:22:33,520 --> 00:22:36,600 So I scuttled to the top of the highest building. 447 00:22:36,600 --> 00:22:37,880 From my distance, 448 00:22:37,880 --> 00:22:40,920 the aircraft appeared to hover over the runway. 449 00:22:40,920 --> 00:22:43,080 Didn't shoot straight up, 450 00:22:43,080 --> 00:22:46,160 but it was a perfect takeoff. 451 00:22:46,160 --> 00:22:48,400 I got back around 1:00. 452 00:22:48,400 --> 00:22:50,320 I had the rest of the Frankfurters 453 00:22:50,320 --> 00:22:52,960 and then did the washing up. 454 00:22:52,960 --> 00:22:55,360 I put the tranny on for company. 455 00:22:55,360 --> 00:22:59,520 They say the shock of emptiness is often delayed. 456 00:22:59,520 --> 00:23:03,040 The flat is so wretchedly silent now. 457 00:23:03,040 --> 00:23:06,120 It will take me some time to adjust. 458 00:23:09,320 --> 00:23:12,160 - [Crew Person] Okay. Ready Phil? 459 00:23:14,160 --> 00:23:15,280 - [Announcer] So straight away. 460 00:23:15,280 --> 00:23:17,520 You cut to three. 461 00:23:17,520 --> 00:23:20,480 (crew chattering) 462 00:23:53,720 --> 00:23:58,800 ♪ You know where I'm coming from ♪ 463 00:23:59,640 --> 00:24:04,000 ♪ Oh, say something 464 00:24:07,800 --> 00:24:12,880 ♪ You had no right to weave your heart to mine ♪ 465 00:24:13,560 --> 00:24:18,400 ♪ Mm, undress yourself 466 00:24:22,440 --> 00:24:27,520 ♪ Old man, laugh all you want 467 00:24:28,280 --> 00:24:33,080 ♪ Oh, mind yourself 468 00:24:36,880 --> 00:24:41,960 ♪ Dreamer, what you hope to find ♪ 469 00:24:42,680 --> 00:24:47,360 ♪ Oh, it's my secret 470 00:24:50,480 --> 00:24:55,560 ♪ Long days, everything changes ♪ 471 00:24:57,480 --> 00:25:01,000 ♪ You never asked to stay 472 00:25:03,680 --> 00:25:04,800 - Wait, wait. 473 00:25:05,960 --> 00:25:06,880 Stop. 474 00:25:07,760 --> 00:25:11,240 (feet clomping) 475 00:25:11,240 --> 00:25:12,560 - [Crew Person] Okay, cut. 476 00:25:12,560 --> 00:25:14,240 We're going on VAC. 477 00:25:15,560 --> 00:25:16,760 (feet clomping) 478 00:25:16,760 --> 00:25:17,960 - [Emiliana] But it didn't end there. 479 00:25:17,960 --> 00:25:20,160 There were years and years of letters 480 00:25:20,160 --> 00:25:21,280 - [Miss Flower] That you know there were. 481 00:25:21,280 --> 00:25:22,760 You've read everything. 482 00:25:22,760 --> 00:25:24,560 - [Emiliana] Did you love him? 483 00:25:24,560 --> 00:25:26,800 - [Miss Flower] Yes, I loved him but it was always ending 484 00:25:26,800 --> 00:25:28,520 and always beginning and, 485 00:25:28,520 --> 00:25:30,360 - But not like, - No, not exclusively. 486 00:25:30,360 --> 00:25:31,680 No. 487 00:25:31,680 --> 00:25:33,880 For love to endure it has to be precarious. 488 00:25:33,880 --> 00:25:36,160 - [Emiliana] Maybe you didn't wanna hurt him. 489 00:25:36,160 --> 00:25:37,440 - [Miss Flower] I don't know. 490 00:25:37,440 --> 00:25:38,840 I was always open about my other lovers. 491 00:25:38,840 --> 00:25:40,880 He knew all about that. 492 00:25:40,880 --> 00:25:42,760 - [Emiliana] And he was never jealous? 493 00:25:42,760 --> 00:25:44,120 - Maybe. - You're still recording. 494 00:25:44,120 --> 00:25:45,080 - [Miss Flower] He wasn't above, 495 00:25:45,080 --> 00:25:46,440 playing tricks on me there. 496 00:25:46,440 --> 00:25:48,360 - [Emiliana] What do you mean? 497 00:25:48,360 --> 00:25:50,960 - Alas, my lover affair broke. 498 00:25:52,760 --> 00:25:56,320 I lost again and I am left scarred 499 00:25:56,320 --> 00:25:59,320 Lady K wormed her way into me, 500 00:25:59,320 --> 00:26:02,520 captivated me with my desire to possess her 501 00:26:02,520 --> 00:26:04,520 and her effusive charm. 502 00:26:05,720 --> 00:26:07,280 I am inconsolable. 503 00:26:08,640 --> 00:26:12,560 My heart lies broken like shards of ancient pottery, 504 00:26:12,560 --> 00:26:15,360 broken because it has known of this beauty 505 00:26:15,360 --> 00:26:18,520 and lightly tasted her promise. 506 00:26:18,520 --> 00:26:22,480 Lady K has beguiled me with her siren call. 507 00:26:22,480 --> 00:26:24,760 It is a delectable madness. 508 00:26:24,760 --> 00:26:28,680 You said the death barrier had no custom duties. 509 00:26:28,680 --> 00:26:31,000 Lady K is 70 years old. 510 00:26:31,000 --> 00:26:33,880 She's 28 feet long and delightful. 511 00:26:34,920 --> 00:26:38,240 (seagulls squawking) 512 00:26:38,240 --> 00:26:40,440 ♪ I have been waiting to tell you ♪ 513 00:26:40,440 --> 00:26:41,960 ♪ It's hard to find the words 514 00:26:41,960 --> 00:26:45,480 ♪ But my secret's out and running rife through London ♪ 515 00:26:45,480 --> 00:26:50,560 ♪ And I can not bear you hearing it from someone else ♪ 516 00:26:52,360 --> 00:26:55,760 ♪ Today my love affair broke she left me inconsolable ♪ 517 00:26:55,760 --> 00:26:59,200 ♪ She captivated me, beguiled me like a siren ♪ 518 00:26:59,200 --> 00:27:03,280 ♪ Want to possess her to own her lovely lines ♪ 519 00:27:03,280 --> 00:27:07,200 ♪ My heart is slow to want and slow to act but when ♪ 520 00:27:07,200 --> 00:27:10,160 ♪ It catches fire it's almost spiritual ♪ 521 00:27:10,160 --> 00:27:13,360 ♪ My obsession with the lightness of her promise ♪ 522 00:27:13,360 --> 00:27:18,440 ♪ Thought I was put here on this earth to serve my goddess ♪ 523 00:27:20,480 --> 00:27:23,680 ♪ My Lady Kerylos is 28 feet long and ♪ 524 00:27:23,680 --> 00:27:27,200 ♪ You wouldn't know it she is 70 years old ♪ 525 00:27:27,200 --> 00:27:30,640 ♪ We spent one summer on her at the Isle of Wight ♪ 526 00:27:30,640 --> 00:27:34,200 ♪ We had no money to take her out the boat yard ♪ 527 00:27:34,200 --> 00:27:37,200 ♪ So we just pretended we were far at sea ♪ 528 00:27:37,200 --> 00:27:40,880 ♪ And little Zoe captained our wildest dreams ♪ 529 00:27:40,880 --> 00:27:44,560 ♪ We fought monstrous seabirds for precious chips and ♪ 530 00:27:44,560 --> 00:27:47,880 ♪ Sailed along colossal creatures into giant waves ♪ 531 00:27:47,880 --> 00:27:51,400 ♪ It was to be a surprise 532 00:27:51,400 --> 00:27:55,120 ♪ But like Americans, money speaks loud ♪ 533 00:27:55,120 --> 00:27:59,280 ♪ A wealthy one came along and paid ♪ 534 00:27:59,280 --> 00:28:01,960 ♪ Double in a suitcase full of cash ♪ 535 00:28:01,960 --> 00:28:05,360 ♪ I had booked the first passage through France ♪ 536 00:28:05,360 --> 00:28:09,000 ♪ That is how I took Lady K for granted ♪ 537 00:28:09,000 --> 00:28:12,480 ♪ But Lady Kerylos and I were not to be so ♪ 538 00:28:12,480 --> 00:28:14,320 ♪ Another dream explodes and joins ♪ 539 00:28:14,320 --> 00:28:16,200 ♪ My heart like faded confetti 540 00:28:16,200 --> 00:28:19,280 ♪ On the bottom of the seven seas ♪ 541 00:28:19,280 --> 00:28:22,880 ♪ I so wished to sail my special Lady K ♪ 542 00:28:22,880 --> 00:28:26,360 ♪ My Lady Kerylos and I were not to be so ♪ 543 00:28:26,360 --> 00:28:28,080 ♪ Another dream explodes and joins ♪ 544 00:28:28,080 --> 00:28:30,280 ♪ My heart like faded confetti 545 00:28:30,280 --> 00:28:33,200 ♪ On the bottom of the seven seas ♪ 546 00:28:33,200 --> 00:28:38,200 ♪ I so wished to sail in my special Lady K ♪ 547 00:28:50,800 --> 00:28:52,640 ♪ Mm, jealous yet 548 00:28:52,640 --> 00:28:54,960 ♪ I can sense it through your letter ♪ 549 00:28:54,960 --> 00:28:57,920 ♪ Deep grooves almost tearing through the paper ♪ 550 00:28:57,920 --> 00:29:01,720 ♪ Though this fills me with a wicked sense of pleasure ♪ 551 00:29:01,720 --> 00:29:04,520 ♪ Now you know the truth about my ♪ 552 00:29:04,520 --> 00:29:08,040 ♪ My Lady Kerylos and I were not to be so ♪ 553 00:29:08,040 --> 00:29:09,680 ♪ Another dream explodes and joins ♪ 554 00:29:09,680 --> 00:29:11,920 ♪ My heart like faded confetti 555 00:29:11,920 --> 00:29:15,040 ♪ On the bottom of the seven seas ♪ 556 00:29:15,040 --> 00:29:18,480 ♪ I so wished to sail in my special Lady K ♪ 557 00:29:18,480 --> 00:29:22,040 ♪ But Lady Kerylos and I were not to be so ♪ 558 00:29:22,040 --> 00:29:23,760 ♪ Another dream explodes and joins ♪ 559 00:29:23,760 --> 00:29:25,520 ♪ My heart like faded confetti 560 00:29:25,520 --> 00:29:28,920 ♪ On the bottom of the seven seas ♪ 561 00:29:28,920 --> 00:29:33,920 ♪ I so wished to sail in my special Lady K ♪ 562 00:29:41,000 --> 00:29:44,520 (waves crashing) (seagulls squawking) 563 00:29:44,520 --> 00:29:45,520 - [Announcer] Okay, everyone. 564 00:29:45,520 --> 00:29:47,320 Let's take a break. 565 00:29:47,320 --> 00:29:52,160 (feet shuffling) (waves crashing) 566 00:29:52,160 --> 00:29:54,640 - [Crew Person] I heard she had nine marriage proposals. 567 00:29:54,640 --> 00:29:56,680 - [Crew] Apparently, this is an infraction crisis. 568 00:29:56,680 --> 00:29:58,440 - [Crew Person] She was friends with these two guys 569 00:29:58,440 --> 00:30:00,080 who got drunk and bought a lime company. 570 00:30:00,080 --> 00:30:01,720 Geraldine would sometimes coax him for it. 571 00:30:01,720 --> 00:30:04,640 (items rattling) 572 00:30:10,520 --> 00:30:13,720 (items clicking) 573 00:30:13,720 --> 00:30:16,520 (feet shuffling) 574 00:30:23,440 --> 00:30:26,600 (gentle piano music) 575 00:30:39,320 --> 00:30:43,200 (gentle piano music continues) 576 00:30:59,440 --> 00:31:03,280 (gentle piano music continues) 577 00:31:18,720 --> 00:31:22,720 (gentle piano music continues) 578 00:31:38,280 --> 00:31:42,280 (gentle piano music continues) 579 00:31:58,160 --> 00:32:02,000 (gentle piano music continues) 580 00:32:19,320 --> 00:32:23,320 (gentle piano music continues) 581 00:32:38,200 --> 00:32:42,240 (gentle piano music continues) 582 00:32:57,280 --> 00:33:01,120 (gentle piano music continues) 583 00:33:15,520 --> 00:33:18,880 (feet shuffling) 584 00:33:18,880 --> 00:33:23,840 - [Announcer] Okay, we're back on. Positions, everyone, 585 00:33:23,840 --> 00:33:28,080 - [Emiliana] Are you sitting comfortably? 586 00:33:28,080 --> 00:33:31,520 - Let us begin with the question, 587 00:33:31,520 --> 00:33:34,560 who is Miss Geraldine Flower? 588 00:33:34,560 --> 00:33:38,560 Born in 1947 to parents who met in Britain during the war 589 00:33:38,560 --> 00:33:41,120 but came from opposite sides of the world. 590 00:33:41,120 --> 00:33:43,360 Her father, Jack, was in the Air Force 591 00:33:43,360 --> 00:33:45,200 and came from Australia. 592 00:33:45,200 --> 00:33:47,760 Her mother Audrey was in the Wharf, 593 00:33:47,760 --> 00:33:50,200 and came from Dublin, Ireland. 594 00:33:50,200 --> 00:33:54,240 Their three children, Paddy, Geraldine and Mona 595 00:33:54,240 --> 00:33:57,880 grew up in Newcastle and Sydney, Australia. 596 00:34:01,040 --> 00:34:04,160 Geraldine attended Abbotsleigh, a progressive girls school. 597 00:34:04,160 --> 00:34:05,960 The Headmistress, Betty Archdale, 598 00:34:05,960 --> 00:34:08,520 was an extraordinary woman. 599 00:34:08,520 --> 00:34:11,280 During the war, Archie headed a team 600 00:34:11,280 --> 00:34:13,320 of female code breakers. 601 00:34:13,320 --> 00:34:16,160 She captained an all women's cricket team. 602 00:34:16,160 --> 00:34:18,400 And at Abbotsleigh, she reformed discipline 603 00:34:18,400 --> 00:34:20,160 and introduced sex education. 604 00:34:20,160 --> 00:34:24,960 Miss Archdale provided a written reference for Geraldine. 605 00:34:24,960 --> 00:34:27,120 (dramatic music) 606 00:34:27,120 --> 00:34:29,280 "To whom it may concern. 607 00:34:29,280 --> 00:34:33,280 Geraldine Flower has been at Abbotsleigh since 1960. 608 00:34:33,280 --> 00:34:35,640 Geraldine is an intelligent girl. 609 00:34:35,640 --> 00:34:37,520 She passed the intermediate in 1962 610 00:34:37,520 --> 00:34:40,280 and is sitting for the leaving this year. 611 00:34:40,280 --> 00:34:43,320 Geraldine has great vivacity in boys. 612 00:34:43,320 --> 00:34:45,720 She's still lacking in self-control, 613 00:34:45,720 --> 00:34:48,200 but when she learns to concentrate, 614 00:34:48,200 --> 00:34:51,000 she'd do very well indeed. 615 00:34:51,000 --> 00:34:53,560 Geraldine is charming and friendly 616 00:34:53,560 --> 00:34:56,840 and gets on well with everyone. 617 00:34:56,840 --> 00:34:59,280 Your sincerely, Ms. Archdale, Headmistress." 618 00:34:59,280 --> 00:35:00,880 Geraldine started off as a cadet 619 00:35:00,880 --> 00:35:03,520 at the Australian Broadcasting Commission, 620 00:35:03,520 --> 00:35:05,680 then at the Macquarie Broadcasting Service 621 00:35:05,680 --> 00:35:07,440 where she earned a glowing reference. 622 00:35:07,440 --> 00:35:08,600 - [Crew Person] Standing by. 623 00:35:08,600 --> 00:35:09,920 (feet shuffling) 624 00:35:09,920 --> 00:35:11,160 - [Announcer] In her capacity as secretary, 625 00:35:11,160 --> 00:35:14,520 Miss Flower's speed, accuracy and reliability 626 00:35:14,520 --> 00:35:17,480 more than matched the high demands of this position. 627 00:35:17,480 --> 00:35:18,840 A great deal of this work 628 00:35:18,840 --> 00:35:21,440 was of a highly confidential nature. 629 00:35:21,440 --> 00:35:23,040 Miss Flower's intelligent 630 00:35:23,040 --> 00:35:25,320 and mature application in her duties, 631 00:35:25,320 --> 00:35:28,000 her initiative and alertness of mind, 632 00:35:28,000 --> 00:35:30,040 consideration and sincerity 633 00:35:30,040 --> 00:35:33,120 and her willingness to cooperate at all times 634 00:35:33,120 --> 00:35:37,520 has established most favourable impressions in the mind 635 00:35:37,520 --> 00:35:40,480 of the chairman and his directors. 636 00:35:40,480 --> 00:35:42,640 - In 1968, age 21, 637 00:35:42,640 --> 00:35:43,720 she relocated to London, 638 00:35:43,720 --> 00:35:45,760 relocated to London. 639 00:35:45,760 --> 00:35:50,160 The colour pallette changes from sepia to Kodachrome. 640 00:35:51,160 --> 00:35:52,560 (feet shuffling) 641 00:35:52,560 --> 00:35:54,000 - [Crew Person] Cameras rolling. Action. 642 00:35:54,000 --> 00:35:56,080 (birds chirping) 643 00:35:56,080 --> 00:35:58,720 (upbeat music) 644 00:36:19,520 --> 00:36:22,680 ♪ Its a beautiful day 645 00:36:22,680 --> 00:36:26,720 ♪ Strolling down Black Lion Lane ♪ 646 00:36:26,720 --> 00:36:29,840 ♪ There is music playing 647 00:36:29,840 --> 00:36:31,600 ♪ There is a party in my head 648 00:36:31,600 --> 00:36:33,920 ♪ That feeds my steps 649 00:36:33,920 --> 00:36:39,000 ♪ Geraldine you spend like there's no tomorrow ♪ 650 00:36:39,800 --> 00:36:41,800 ♪ It don't exist yet 651 00:36:41,800 --> 00:36:46,880 ♪ You're always late still you keep us waiting round ♪ 652 00:36:47,920 --> 00:36:49,360 ♪ Without you we're a mess, yeah ♪ 653 00:36:49,360 --> 00:36:53,600 ♪ Put your shades on as I am aglow ♪ 654 00:36:53,600 --> 00:36:57,400 ♪ Feel like dancing, dancing down the road ♪ 655 00:36:57,400 --> 00:37:01,080 ♪ Put your shades on as I am aglow ♪ 656 00:37:01,080 --> 00:37:04,480 ♪ Feel like dancing, dancing down the road ♪ 657 00:37:04,480 --> 00:37:05,880 ♪ Clouds are in the way 658 00:37:05,880 --> 00:37:07,840 ♪ Yeah, I don't mind 659 00:37:07,840 --> 00:37:10,680 ♪ Daydreaming away in a slice of sun ♪ 660 00:37:10,680 --> 00:37:14,360 ♪ I wanna be like this forever 661 00:37:14,360 --> 00:37:19,440 ♪ Be like this forever 662 00:37:20,240 --> 00:37:21,080 ♪ Clouds are in the way 663 00:37:21,080 --> 00:37:23,400 ♪ Yeah, I don't mind 664 00:37:23,400 --> 00:37:25,880 ♪ Daydreaming away in a slice of sun ♪ 665 00:37:25,880 --> 00:37:29,360 ♪ I wanna be like this forever 666 00:37:29,360 --> 00:37:32,640 ♪ Be like this forever 667 00:37:35,720 --> 00:37:40,440 (Emiliana singing in foreign language) 668 00:37:50,760 --> 00:37:54,480 ♪ Put your shades on as I am aglow ♪ 669 00:37:54,480 --> 00:37:58,400 ♪ Feel like dancing, dancing down the road ♪ 670 00:37:58,400 --> 00:38:01,920 ♪ Put your shades on as I am aglow ♪ 671 00:38:01,920 --> 00:38:05,360 ♪ Feel like dancing, dancing down the road ♪ 672 00:38:05,360 --> 00:38:06,640 ♪ Clouds are in the way 673 00:38:06,640 --> 00:38:09,120 ♪ Yeah, I don't mind 674 00:38:09,120 --> 00:38:11,680 ♪ Daydreaming away in a slice of sun ♪ 675 00:38:11,680 --> 00:38:15,080 ♪ I wanna be like this forever 676 00:38:15,080 --> 00:38:20,160 ♪ Be like this forever 677 00:38:20,960 --> 00:38:22,000 ♪ Clouds are in the way 678 00:38:22,000 --> 00:38:24,280 ♪ Yeah, I don't mind 679 00:38:24,280 --> 00:38:26,760 ♪ Daydreaming away in a slice of sun ♪ 680 00:38:26,760 --> 00:38:30,320 ♪ I wanna be like this forever 681 00:38:30,320 --> 00:38:35,360 ♪ Be like this forever 682 00:38:36,160 --> 00:38:37,120 ♪ Clouds are in the way 683 00:38:37,120 --> 00:38:39,840 ♪ Yeah, I don't mind 684 00:38:39,840 --> 00:38:42,000 ♪ Daydreaming away in a slice of sun ♪ 685 00:38:42,000 --> 00:38:45,560 ♪ I wanna be like this forever 686 00:38:45,560 --> 00:38:50,640 ♪ Be like this forever 687 00:38:51,440 --> 00:38:52,440 ♪ Clouds are in the way 688 00:38:52,440 --> 00:38:54,960 ♪ Yeah, I don't mind 689 00:38:54,960 --> 00:38:57,320 ♪ Daydreaming away in a slice of sun ♪ 690 00:38:57,320 --> 00:39:00,800 ♪ I wanna be like this forever 691 00:39:00,800 --> 00:39:05,880 ♪ Be like this forever 692 00:39:06,680 --> 00:39:07,520 ♪ Clouds are in the way 693 00:39:07,520 --> 00:39:10,240 ♪ Yeah, I don't mind 694 00:39:10,240 --> 00:39:12,400 ♪ Daydreaming away in a slice of sun ♪ 695 00:39:12,400 --> 00:39:16,000 ♪ I wanna be like this forever 696 00:39:16,000 --> 00:39:21,080 ♪ Be like this forever 697 00:39:21,880 --> 00:39:22,760 ♪ Clouds are in the way 698 00:39:22,760 --> 00:39:25,480 ♪ Yeah, I don't mind 699 00:39:25,480 --> 00:39:27,600 ♪ Daydreaming away in a slice of sun ♪ 700 00:39:27,600 --> 00:39:31,200 ♪ I wanna be like this forever 701 00:39:31,200 --> 00:39:34,520 ♪ Be like this forever 702 00:39:34,520 --> 00:39:37,280 (crew laughing) 703 00:39:45,920 --> 00:39:48,800 (crew applauding) 704 00:39:58,040 --> 00:39:59,320 - [Crew Person] Come on. 705 00:39:59,320 --> 00:40:00,640 You know you don't wanna do the, (indistinct) 706 00:40:00,640 --> 00:40:04,680 (birds chirping) (cars swooshing) 707 00:40:04,680 --> 00:40:06,000 - She relocated to London, 708 00:40:06,000 --> 00:40:07,960 relocated to London, 709 00:40:07,960 --> 00:40:10,320 taking a secretarial job at The Daily Telegraph. 710 00:40:10,320 --> 00:40:12,680 With journalistic experience behind her, 711 00:40:12,680 --> 00:40:16,560 Geraldine was offered an assignment by The Daily Express. 712 00:40:16,560 --> 00:40:18,480 "Dear Miss Flower, this letter confirms 713 00:40:18,480 --> 00:40:20,680 the following arrangements between us, 714 00:40:20,680 --> 00:40:22,360 that you will send to The Daily Express 715 00:40:22,360 --> 00:40:24,520 occasional reels of films 716 00:40:24,520 --> 00:40:26,000 together with descriptive stories 717 00:40:26,000 --> 00:40:29,920 taken during your three month tour of the Middle East. 718 00:40:29,920 --> 00:40:31,600 I have advanced you 50 pounds 719 00:40:31,600 --> 00:40:33,480 towards the expenses of your trip. 720 00:40:33,480 --> 00:40:36,840 Should you fail to gain publication in The Daily Express, 721 00:40:36,840 --> 00:40:38,520 you undertake to repay to the company 722 00:40:38,520 --> 00:40:40,720 25 pounds of the advance. 723 00:40:40,720 --> 00:40:43,720 She stayed in close contact with her family. 724 00:40:43,720 --> 00:40:45,280 (button clicks) 725 00:40:45,280 --> 00:40:47,120 - [Miss Flower] "Hi, there brother." 726 00:40:47,120 --> 00:40:50,160 - "And many, many thanks for saving me with the money. 727 00:40:50,160 --> 00:40:53,960 You cannot imagine how panic stricken I was 728 00:40:53,960 --> 00:40:55,440 and how desperate. 729 00:40:56,960 --> 00:40:59,400 I should tell you the story if, 730 00:40:59,400 --> 00:41:04,200 promise not to breathe a word or even a hint of the oldies. 731 00:41:05,920 --> 00:41:09,080 So crazy because everyone's entitled to a solicitor 732 00:41:09,080 --> 00:41:10,960 and I certainly couldn't afford one. 733 00:41:10,960 --> 00:41:13,080 And it seemed as if I was going to have 734 00:41:13,080 --> 00:41:14,600 to do the whole bit on my own. 735 00:41:14,600 --> 00:41:17,280 And at first, I refused to think about it. 736 00:41:17,280 --> 00:41:18,920 And then as it got closer and closer 737 00:41:18,920 --> 00:41:23,040 to my court appearance, I was gonna go right out of my mind. 738 00:41:23,040 --> 00:41:25,760 All I wanted to do was hit my head against the wall 739 00:41:25,760 --> 00:41:27,960 just because I was so boggled 740 00:41:27,960 --> 00:41:29,760 every time I thought about what I was gonna say, 741 00:41:29,760 --> 00:41:32,480 and even if I was able to speak. 742 00:41:33,600 --> 00:41:34,840 Because on the night that I was arrested 743 00:41:34,840 --> 00:41:37,400 and taken down to Chelsea Police Station, 744 00:41:37,400 --> 00:41:39,120 I was so frightened. 745 00:41:42,120 --> 00:41:44,880 I couldn't even get my name out. 746 00:41:45,880 --> 00:41:47,840 So on Sunday night I sat down 747 00:41:47,840 --> 00:41:50,920 and I tried to think rationally 748 00:41:50,920 --> 00:41:53,560 and decided that no matter what, 749 00:41:54,800 --> 00:41:57,520 regardless of the cost, 750 00:41:57,520 --> 00:42:00,400 I must get myself a solicitor. 751 00:42:00,400 --> 00:42:03,600 And I would phone you to see whether or not 752 00:42:03,600 --> 00:42:07,680 you could lend me something to ease the problem. 753 00:42:11,440 --> 00:42:15,360 The money you've lend me is such a good help. 754 00:42:15,360 --> 00:42:17,960 I have 30 days to pay the fine, 755 00:42:17,960 --> 00:42:21,360 but I also owe the flat agency 20 pounds 756 00:42:22,640 --> 00:42:25,600 and 20 pounds for the month's rent due tomorrow, 757 00:42:25,600 --> 00:42:26,920 and an overdraft, 758 00:42:26,920 --> 00:42:29,200 as well as various clothes of mine, 759 00:42:29,200 --> 00:42:31,760 and various dry cleaners all over London 760 00:42:31,760 --> 00:42:35,320 that I can't afford to get out. (chuckles) 761 00:42:35,320 --> 00:42:37,880 Oh, plus 10 pounds on the telephone 762 00:42:37,880 --> 00:42:41,200 and 15 pounds to the solicitor. 763 00:42:41,200 --> 00:42:43,240 It's all been so costly. 764 00:42:45,240 --> 00:42:48,520 I've been in a complete state, I can't tell you. 765 00:42:48,520 --> 00:42:50,040 Plus I'm still owning up about Reggie. 766 00:42:50,040 --> 00:42:54,080 And John, Reggie's best friend, is all hung up about me. 767 00:42:54,080 --> 00:42:57,720 And back in the flat, Ruby is close to a nervous breakdown, 768 00:42:57,720 --> 00:43:01,920 crying, moaning, tearing at her hair all the time 769 00:43:01,920 --> 00:43:06,520 'cause she's hung up about this friend of mine, Danny. 770 00:43:07,520 --> 00:43:10,400 Life is just so bloody complicated. 771 00:43:12,400 --> 00:43:14,320 Jesus, it's all too much. 772 00:43:14,320 --> 00:43:15,960 London is too much, 773 00:43:17,920 --> 00:43:20,760 and I would love to wander a bit. 774 00:43:22,680 --> 00:43:24,600 My feet are so itchy." 775 00:43:25,680 --> 00:43:28,080 - I feel I should clarify a few things 776 00:43:28,080 --> 00:43:30,840 about that letter to my brother. 777 00:43:31,760 --> 00:43:34,000 It's a crazy stupid story. 778 00:43:37,600 --> 00:43:42,200 I was sharing a house with my girlfriend and these two guys. 779 00:43:42,200 --> 00:43:44,400 And one of them was pushing hash 780 00:43:44,400 --> 00:43:45,640 and he gave me some Turkish, 781 00:43:45,640 --> 00:43:47,960 which he said was too nice to sell. 782 00:43:47,960 --> 00:43:49,840 I've never been that into it. 783 00:43:49,840 --> 00:43:53,600 So I've put it in my handbag, forgot about it. 784 00:43:53,600 --> 00:43:57,280 Oh God, they thought we were the straightest birds ever. 785 00:43:57,280 --> 00:44:00,040 We moved out soon afterwards. 786 00:44:00,040 --> 00:44:01,640 And moonlight lit. 787 00:44:01,640 --> 00:44:06,720 (lighter flicking) (gentle music) 788 00:44:08,440 --> 00:44:11,000 And one night, I was working late 789 00:44:11,000 --> 00:44:13,960 and I had to trek down to the 24 hour post office 790 00:44:13,960 --> 00:44:15,760 in Trafalgar Square. 791 00:44:15,760 --> 00:44:18,240 I was completely plasmarized. 792 00:44:19,400 --> 00:44:22,920 So this guy helped me stick all the stamps on. 793 00:44:22,920 --> 00:44:24,200 He asked me to have a drink with him 794 00:44:24,200 --> 00:44:25,640 and I thought, "Well, 795 00:44:25,640 --> 00:44:26,920 yeah, he's quite nice looking, 796 00:44:26,920 --> 00:44:28,840 very well mannered." 797 00:44:28,840 --> 00:44:30,400 And afterwards he said, 798 00:44:30,400 --> 00:44:34,640 would I mind if he saw me home as he had nothing to do. 799 00:44:34,640 --> 00:44:38,480 So we go back flat and I gave him some coffee 800 00:44:39,800 --> 00:44:41,760 and he starts telling me all about hash 801 00:44:41,760 --> 00:44:45,960 as though he is the biggest head in the scene. 802 00:44:45,960 --> 00:44:48,160 And I tell him about the stuff that I've been given 803 00:44:48,160 --> 00:44:50,240 just by way of conversation. 804 00:44:50,240 --> 00:44:54,200 And he reckons that we ought to roll a joint then and there. 805 00:44:54,200 --> 00:44:55,440 But I refused. 806 00:44:57,640 --> 00:45:01,000 There was something that made me wary of him. 807 00:45:01,000 --> 00:45:05,280 So I told him straight that he must be gone. 808 00:45:05,280 --> 00:45:08,440 The next day he rings up and he invites me out to lunch 809 00:45:08,440 --> 00:45:11,280 and I say, "No, I can't make it." 810 00:45:13,080 --> 00:45:15,640 Come Sunday, the doorbell goes 811 00:45:16,600 --> 00:45:18,960 and it's this bloody bloke. 812 00:45:20,080 --> 00:45:23,200 So we have some coffee and talk and then, 813 00:45:24,600 --> 00:45:27,520 then things get kind of paranoid 814 00:45:27,520 --> 00:45:29,440 and he tries to race me off. 815 00:45:29,440 --> 00:45:30,840 And I tell him, "No, it's just not on." 816 00:45:30,840 --> 00:45:34,360 And he gets quite vicious and sarcastic. 817 00:45:34,360 --> 00:45:38,920 Come Monday, he rings me and says, I've gone off him. 818 00:45:38,920 --> 00:45:41,040 And I said, "Look, I was never on you." 819 00:45:41,040 --> 00:45:42,920 He calls me a bloody provincial bitch 820 00:45:42,920 --> 00:45:45,560 and slams the receiver down. 821 00:45:45,560 --> 00:45:48,720 That night, when I got home from work, 822 00:45:48,720 --> 00:45:52,120 there were these three CID detectives waiting. 823 00:45:52,120 --> 00:45:55,560 They take my handbag, find the hash and arrest me. 824 00:45:55,560 --> 00:45:59,720 I'm taken off to Chelsea Police Station shaking all over. 825 00:45:59,720 --> 00:46:01,200 I needed to borrow money 826 00:46:01,200 --> 00:46:05,040 because the bloody magistrate refused me legal aid. 827 00:46:06,240 --> 00:46:09,480 My solicitor was great and told my boss, 828 00:46:09,480 --> 00:46:11,640 who's quite an impressive guy, 829 00:46:11,640 --> 00:46:13,320 and said he would testify for me 830 00:46:13,320 --> 00:46:15,960 and wouldn't hear of me being deported, 831 00:46:15,960 --> 00:46:17,880 which was my big fear. 832 00:46:19,880 --> 00:46:23,480 - Letters weren't the only thing that we found in that box. 833 00:46:23,480 --> 00:46:25,120 Exhibit A. 834 00:46:25,120 --> 00:46:26,960 - [Miss Flower] That's my song from Harold. 835 00:46:26,960 --> 00:46:28,320 We met when I was working 836 00:46:28,320 --> 00:46:31,240 for an in-flight magazine in the Caribbean. 837 00:46:31,240 --> 00:46:34,000 ♪ I don't know if it's love 838 00:46:34,000 --> 00:46:36,840 ♪ I don't know what it is 839 00:46:36,840 --> 00:46:39,000 ♪ I must 840 00:46:39,000 --> 00:46:41,000 ♪ Be a fool 841 00:46:41,000 --> 00:46:43,720 ♪ Forgive what you did 842 00:46:43,720 --> 00:46:46,560 ♪ Long time ago 843 00:46:46,560 --> 00:46:48,920 ♪ Put that aside 844 00:46:48,920 --> 00:46:52,160 ♪ I still love you so 845 00:47:10,440 --> 00:47:15,480 ♪ Beautiful flower sky defined the lines ♪ 846 00:47:16,200 --> 00:47:18,320 ♪ And disassembled 847 00:47:18,320 --> 00:47:20,240 ♪ Your skin on mine 848 00:47:20,240 --> 00:47:22,760 ♪ Everything changes 849 00:47:22,760 --> 00:47:25,720 ♪ Lost in sequence of our fate 850 00:47:25,720 --> 00:47:29,760 ♪ Another reason you won't 851 00:47:29,760 --> 00:47:32,120 ♪ Hmm 852 00:47:32,120 --> 00:47:34,360 ♪ You won't forget about me 853 00:47:34,360 --> 00:47:36,920 ♪ Tonight I will make you see 854 00:47:36,920 --> 00:47:39,400 ♪ You won't forget about me 855 00:47:39,400 --> 00:47:41,840 ♪ Hmm 856 00:47:41,840 --> 00:47:44,280 ♪ You won't forget about me 857 00:47:44,280 --> 00:47:46,840 ♪ Though I know I must set you free ♪ 858 00:47:46,840 --> 00:47:48,360 ♪ You won't forget about me 859 00:47:48,360 --> 00:47:51,720 ♪ So let's keep dancing 860 00:47:51,720 --> 00:47:54,120 ♪ Dancing 861 00:47:54,120 --> 00:47:56,640 ♪ Dancing 862 00:47:56,640 --> 00:47:58,120 ♪ Dancing 863 00:47:58,120 --> 00:48:01,480 ♪ Let's keep dancing 864 00:48:01,480 --> 00:48:03,760 ♪ Dancing 865 00:48:03,760 --> 00:48:06,360 ♪ Dancing 866 00:48:06,360 --> 00:48:07,880 ♪ Dancing 867 00:48:07,880 --> 00:48:09,160 ♪ Ooh 868 00:48:09,160 --> 00:48:11,920 ♪ Don't know if it's love 869 00:48:11,920 --> 00:48:14,360 ♪ Don't know what it is 870 00:48:14,360 --> 00:48:18,880 ♪ I must be a fool 871 00:48:18,880 --> 00:48:21,480 ♪ Forgive what you did 872 00:48:21,480 --> 00:48:24,480 ♪ Long time ago 873 00:48:24,480 --> 00:48:26,560 ♪ Put that aside 874 00:48:26,560 --> 00:48:29,360 ♪ Still love you so 875 00:48:29,360 --> 00:48:31,720 ♪ Hmm 876 00:48:31,720 --> 00:48:34,280 ♪ Hmm 877 00:48:34,280 --> 00:48:36,720 ♪ Hmm 878 00:48:36,720 --> 00:48:39,200 ♪ Hmm 879 00:48:39,200 --> 00:48:41,640 ♪ Hmm 880 00:48:41,640 --> 00:48:44,040 ♪ Hmm 881 00:48:44,040 --> 00:48:46,480 ♪ Hmm 882 00:48:46,480 --> 00:48:48,560 ♪ Hmm 883 00:48:48,560 --> 00:48:51,720 ♪ My lady blossom 884 00:48:51,720 --> 00:48:53,440 ♪ I won't ask you stay 885 00:48:53,440 --> 00:48:56,000 ♪ Just for tonight 886 00:48:56,000 --> 00:48:58,280 ♪ Let's fly away 887 00:48:58,280 --> 00:49:01,080 ♪ No right, no wrong 888 00:49:01,080 --> 00:49:03,560 ♪ Lose yourself in me 889 00:49:03,560 --> 00:49:07,520 ♪ Here's another reason you won't ♪ 890 00:49:07,520 --> 00:49:09,760 ♪ Hmm 891 00:49:09,760 --> 00:49:12,360 ♪ You won't forget about me 892 00:49:12,360 --> 00:49:14,600 ♪ Tonight I will make you see 893 00:49:14,600 --> 00:49:17,440 ♪ You won't forget about me 894 00:49:17,440 --> 00:49:19,800 ♪ Hmm 895 00:49:19,800 --> 00:49:22,040 ♪ You won't forget about me 896 00:49:22,040 --> 00:49:24,680 ♪ Though I know I must set you free ♪ 897 00:49:24,680 --> 00:49:26,320 ♪ You won't forget about me 898 00:49:26,320 --> 00:49:29,640 ♪ So let's keep dancing 899 00:49:29,640 --> 00:49:32,120 ♪ Dancing 900 00:49:32,120 --> 00:49:34,480 ♪ Dancing 901 00:49:34,480 --> 00:49:36,080 ♪ Dancing 902 00:49:36,080 --> 00:49:39,400 ♪ Let's keep dancing 903 00:49:39,400 --> 00:49:41,840 ♪ Dancing 904 00:49:41,840 --> 00:49:44,360 ♪ Dancing 905 00:49:44,360 --> 00:49:46,080 ♪ Dancing 906 00:49:46,080 --> 00:49:49,160 ♪ So let's keep dancing 907 00:49:49,160 --> 00:49:51,720 ♪ Dancing 908 00:49:51,720 --> 00:49:54,080 ♪ Dancing 909 00:49:54,080 --> 00:49:55,640 ♪ Dancing 910 00:49:55,640 --> 00:49:59,160 ♪ Let's keep dancing 911 00:49:59,160 --> 00:50:01,440 ♪ Dancing 912 00:50:01,440 --> 00:50:03,880 ♪ Dancing 913 00:50:03,880 --> 00:50:05,640 ♪ Dancing 914 00:50:05,640 --> 00:50:06,920 ♪ Ooh 915 00:50:06,920 --> 00:50:09,480 ♪ Don't know if it's love 916 00:50:09,480 --> 00:50:12,280 ♪ Don't know what it is 917 00:50:12,280 --> 00:50:14,360 ♪ I must 918 00:50:14,360 --> 00:50:16,160 ♪ Be a fool 919 00:50:16,160 --> 00:50:19,200 ♪ Forgive what you did 920 00:50:19,200 --> 00:50:21,880 ♪ Long time ago 921 00:50:21,880 --> 00:50:24,400 ♪ Put that aside 922 00:50:24,400 --> 00:50:27,480 ♪ Still love you so 923 00:50:46,320 --> 00:50:49,520 (crew chattering) 924 00:50:49,520 --> 00:50:50,960 - [Announcer] Go ahead and cut. 925 00:50:50,960 --> 00:50:52,760 (crew cheering and applauding) 926 00:50:52,760 --> 00:50:54,320 (button clicks) 927 00:50:54,320 --> 00:50:56,480 (tape jamming) 928 00:50:56,480 --> 00:50:57,640 (button clicks) 929 00:50:57,640 --> 00:51:00,400 (tape rewinding) 930 00:51:02,200 --> 00:51:04,240 - However, after a few years, 931 00:51:04,240 --> 00:51:06,760 Geraldine moved back to Australia. 932 00:51:06,760 --> 00:51:09,600 (dramatic music) 933 00:51:15,240 --> 00:51:17,800 - [Emiliana] Did you love him? 934 00:51:20,200 --> 00:51:23,160 (plane whining) 935 00:51:23,160 --> 00:51:24,080 - Tweets. 936 00:51:24,080 --> 00:51:25,160 - [Miss Flower] Seemed to me 937 00:51:25,160 --> 00:51:26,200 to be riddled with hidden meanings. 938 00:51:26,200 --> 00:51:27,600 - [Reggie] If you sincerely 939 00:51:27,600 --> 00:51:28,960 feel blocked in Australia, 940 00:51:28,960 --> 00:51:31,200 then it's easy to arrange a rescue operation. 941 00:51:31,200 --> 00:51:32,080 - [Miss Flower] Do I love? 942 00:51:32,080 --> 00:51:33,000 - [Reggie] I do see 943 00:51:33,000 --> 00:51:34,880 there is a non IATA airline 944 00:51:34,880 --> 00:51:38,160 that flies out of Australia right down to south end on sea, 945 00:51:38,160 --> 00:51:40,240 where I could be waiting with the getaway car. 946 00:51:40,240 --> 00:51:42,040 I could certainly find a ferry for you. 947 00:51:42,040 --> 00:51:45,280 So the escape hatch be open to you reasonably quickly. 948 00:51:45,280 --> 00:51:46,080 - Spy. 949 00:51:48,480 --> 00:51:49,520 - I left for Australia. 950 00:51:49,520 --> 00:51:51,000 My visa was coming to an end. 951 00:51:51,000 --> 00:51:53,400 - And Scott was in Australia. 952 00:51:54,920 --> 00:51:57,680 We found so many letters from Scott, 953 00:51:57,680 --> 00:52:00,160 pages and pages at the time. 954 00:52:00,160 --> 00:52:02,040 - Yes, he was more articulate on the page 955 00:52:02,040 --> 00:52:04,400 than real life, I think. 956 00:52:04,400 --> 00:52:07,520 - "I have typed this letter three times. 957 00:52:07,520 --> 00:52:09,720 The first was too emotional 958 00:52:09,720 --> 00:52:13,120 and that seemed to me to be a lack of faith. 959 00:52:13,120 --> 00:52:15,640 The second was almost perfect, 960 00:52:15,640 --> 00:52:20,080 but it came out stilted and sounded like a machine. 961 00:52:20,080 --> 00:52:23,480 Tonight I hope to capture how I feel 962 00:52:23,480 --> 00:52:25,880 without it sounding like words." 963 00:52:25,880 --> 00:52:28,120 - But it wasn't just the letters, 964 00:52:28,120 --> 00:52:30,240 between them there were telexes, 965 00:52:30,240 --> 00:52:31,560 so many telexes. 966 00:52:31,560 --> 00:52:34,440 (dramatic music) 967 00:52:39,800 --> 00:52:41,600 - "It's," - "A long," 968 00:52:41,600 --> 00:52:43,240 - "Lonely," - "Land," 969 00:52:43,240 --> 00:52:45,240 - "Without," - "Your hand," 970 00:52:45,240 --> 00:52:47,360 - "Or," - "Your hair." 971 00:52:47,360 --> 00:52:49,080 - "And," - "The silence," 972 00:52:49,080 --> 00:52:51,920 - "Over there." - "Stop." 973 00:52:51,920 --> 00:52:54,400 - "Phone call," - "Was beautiful." 974 00:52:54,400 --> 00:52:56,000 - "Stop." - "End of," 975 00:52:56,000 --> 00:52:57,800 - "Second," - "Month," 976 00:52:57,800 --> 00:52:59,760 - "When you," - "Receive this" 977 00:52:59,760 --> 00:53:00,680 - [Miss Flower] "Stop." 978 00:53:00,680 --> 00:53:02,440 - "A three," - "Word," 979 00:53:02,440 --> 00:53:04,360 - "Letter," - "Would be" 980 00:53:04,360 --> 00:53:06,440 - "A poem." - "Stop." 981 00:53:06,440 --> 00:53:07,760 - [Emiliana] "Flower," 982 00:53:07,760 --> 00:53:10,000 - "Am sure of," - "Your," 983 00:53:10,000 --> 00:53:12,400 - "Love" - "And absolutely," 984 00:53:12,400 --> 00:53:14,400 - "Faithful," - "Stop." 985 00:53:15,960 --> 00:53:19,680 (dramatic music continues) 986 00:53:20,960 --> 00:53:22,840 - "This," - "Is not," 987 00:53:22,840 --> 00:53:25,000 - [Miss Flower] "Propaganda stop." 988 00:53:25,000 --> 00:53:27,240 - "I am not," - "Drinking you," 989 00:53:27,240 --> 00:53:29,360 - "Out of," - "My mind." 990 00:53:29,360 --> 00:53:31,200 - [Emiliana] "Stop." 991 00:53:31,200 --> 00:53:32,640 - "Have," - "Come," 992 00:53:32,640 --> 00:53:34,280 - "To terms," - "With," 993 00:53:34,280 --> 00:53:36,240 - "My real," - "Self," 994 00:53:36,240 --> 00:53:37,280 - [Miss Flower] "Stop." 995 00:53:37,280 --> 00:53:38,760 - "Don't," - "Bite," 996 00:53:38,760 --> 00:53:41,040 - "Your," - "Nails," 997 00:53:41,040 --> 00:53:42,880 - [Emiliana] "Stop." 998 00:53:42,880 --> 00:53:45,280 - "I have been," - "In a fight," 999 00:53:45,280 --> 00:53:47,160 - [Both] "Stop." 1000 00:53:47,160 --> 00:53:49,000 - "It knocked," - "Out," 1001 00:53:49,000 --> 00:53:51,880 - "The sadness," - "Stop." 1002 00:53:51,880 --> 00:53:53,960 - "No obligation," - "Stop." 1003 00:53:53,960 --> 00:53:55,960 - "No duty," - "To respond," 1004 00:53:55,960 --> 00:53:57,120 - [Miss Flower] "Stop." 1005 00:53:57,120 --> 00:53:59,680 - "But a," - "Three word," 1006 00:53:59,680 --> 00:54:01,120 - "Letter," - "Would be," 1007 00:54:01,120 --> 00:54:02,920 - "A poem." - "Stop." 1008 00:54:04,480 --> 00:54:06,000 - "It's a," - "Long," 1009 00:54:06,000 --> 00:54:07,240 - "Lonely," - "Land," 1010 00:54:07,240 --> 00:54:09,120 - "Without," - "Your hand," 1011 00:54:09,120 --> 00:54:10,760 - "Or" - "Your hair," 1012 00:54:10,760 --> 00:54:12,800 - "And," - "The silence," 1013 00:54:12,800 --> 00:54:15,120 - "Over there," - "Stop." 1014 00:54:15,120 --> 00:54:18,840 (dramatic music continues) 1015 00:54:20,560 --> 00:54:22,200 - It couldn't last. 1016 00:54:22,200 --> 00:54:23,920 I needed to return to, - Reggie. 1017 00:54:23,920 --> 00:54:24,800 - [Miss Flower] England. 1018 00:54:24,800 --> 00:54:26,120 - [Emiliana] Oh. 1019 00:54:26,120 --> 00:54:28,280 And Scott kept writing and writing, you know. 1020 00:54:28,280 --> 00:54:31,360 - [Miss Flower] Writing and writing. 1021 00:54:36,400 --> 00:54:39,240 - "Flower, after you left, 1022 00:54:39,240 --> 00:54:41,720 I would go out and get drunk 1023 00:54:41,720 --> 00:54:44,760 and play our songs on the jukebox. 1024 00:54:44,760 --> 00:54:47,120 Sometimes some bastard would come over and say, 1025 00:54:47,120 --> 00:54:50,440 'Ah shit, it's only a fucking Sheila, mate.' 1026 00:54:50,440 --> 00:54:52,360 And I would think, 'Christ, 1027 00:54:52,360 --> 00:54:56,480 it's not only a fucking Sheila, it's my Flower.' 1028 00:54:56,480 --> 00:54:57,680 When 'Leaving on a jet plane' 1029 00:54:57,680 --> 00:54:59,640 by Peter Paul and Mary came on, 1030 00:54:59,640 --> 00:55:02,600 a guy said, 'Listen sport, I'm tired of that. 1031 00:55:02,600 --> 00:55:04,880 You've played it six times.' 1032 00:55:04,880 --> 00:55:09,080 My childish ego forced me to my feet like karate kid. 1033 00:55:09,080 --> 00:55:12,240 I got one blow in but he was a real pro. 1034 00:55:12,240 --> 00:55:14,600 My left eye swelled up till it closed 1035 00:55:14,600 --> 00:55:17,960 and my right cheek swelled up till I couldn't talk. 1036 00:55:17,960 --> 00:55:20,520 That knocked some of the melancholy outta me, 1037 00:55:20,520 --> 00:55:21,800 I can tell you. 1038 00:55:23,600 --> 00:55:26,320 The second time I slept with Marilyn, 1039 00:55:26,320 --> 00:55:28,920 I was so gut shatteringly desperate 1040 00:55:28,920 --> 00:55:31,720 for the lost love of you. 1041 00:55:31,720 --> 00:55:36,240 I had so much stored up emotion for you in me, not sexual. 1042 00:55:36,240 --> 00:55:38,320 It was pure bloody love. 1043 00:55:39,680 --> 00:55:41,760 I was inside her and just laying there 1044 00:55:41,760 --> 00:55:44,400 and my huge loneliness must have mentally 1045 00:55:44,400 --> 00:55:48,720 welled into her mind and she said, 'I love you,' 1046 00:55:48,720 --> 00:55:51,960 but she didn't and I did not love her. 1047 00:55:53,280 --> 00:55:56,000 I just held onto her and I came. 1048 00:55:57,000 --> 00:55:58,200 It was yours." 1049 00:56:05,840 --> 00:56:08,560 (sombre music) 1050 00:56:22,520 --> 00:56:25,600 "Dear Flower, the chain is now perfect. 1051 00:56:25,600 --> 00:56:29,320 I have removed a knot, which seemed as old as hell. 1052 00:56:29,320 --> 00:56:30,600 I took over an hour 1053 00:56:30,600 --> 00:56:33,440 and it was an incredible challenge of ingenuity 1054 00:56:33,440 --> 00:56:37,040 and gentle loosening of the link structure. 1055 00:56:37,040 --> 00:56:39,080 Did you know of the knot. 1056 00:56:39,080 --> 00:56:43,440 It seemed extremely symbolic, even supernatural 1057 00:56:43,440 --> 00:56:47,320 as I unmeshed those tiny fine threads of gold. 1058 00:56:56,240 --> 00:56:59,920 ♪ There, the chain is now perfect ♪ 1059 00:56:59,920 --> 00:57:04,000 ♪ I removed a knot as old as hell ♪ 1060 00:57:04,000 --> 00:57:07,680 ♪ It took me over and hour 1061 00:57:07,680 --> 00:57:10,920 ♪ Then an hour over that as well ♪ 1062 00:57:10,920 --> 00:57:15,800 ♪ Did you know of the knot 1063 00:57:15,800 --> 00:57:20,120 ♪ It seemed symbolic, even supernatural ♪ 1064 00:57:20,120 --> 00:57:25,200 ♪ That I unmeshed the tiny thread of gold ♪ 1065 00:57:26,080 --> 00:57:28,320 ♪ Now nothing stills my hope 1066 00:57:28,320 --> 00:57:32,600 ♪ The sun and certainty 1067 00:57:32,600 --> 00:57:34,320 ♪ Will bring again 1068 00:57:34,320 --> 00:57:36,960 ♪ You private sound to my ear 1069 00:57:36,960 --> 00:57:40,760 ♪ Then Marilyn laid down on my bed ♪ 1070 00:57:40,760 --> 00:57:44,840 ♪ Marilyn and her big soft breasts ♪ 1071 00:57:44,840 --> 00:57:48,520 ♪ Marilyn put her lips to mine 1072 00:57:48,520 --> 00:57:52,680 ♪ Inside, Marilyn, you are mine ♪ 1073 00:57:52,680 --> 00:57:56,720 ♪ Out loud, I said I love you 1074 00:57:56,720 --> 00:58:00,840 ♪ Then Marilyn said it too 1075 00:58:00,840 --> 00:58:05,920 ♪ And Marilyn stayed 1076 00:58:08,160 --> 00:58:13,200 ♪ Then so did you 1077 00:58:16,200 --> 00:58:21,280 ♪ Then so did you 1078 00:58:25,560 --> 00:58:29,680 ♪ I apologised to your mother 1079 00:58:29,680 --> 00:58:33,440 ♪ Your face, I didn't mean to 1080 00:58:33,440 --> 00:58:37,720 ♪ I want to destroy you 1081 00:58:37,720 --> 00:58:41,520 ♪ To then heal you, kiss you, comfort you ♪ 1082 00:58:41,520 --> 00:58:45,800 ♪ Make love to you 1083 00:58:45,800 --> 00:58:49,600 ♪ The villain and the hero all in one ♪ 1084 00:58:49,600 --> 00:58:53,840 ♪ I don't know where it comes from ♪ 1085 00:58:53,840 --> 00:58:57,680 ♪ This thing inside, I can't control ♪ 1086 00:58:57,680 --> 00:59:01,880 ♪ Does he love you like me 1087 00:59:01,880 --> 00:59:05,840 ♪ Sometimes even dangerously 1088 00:59:05,840 --> 00:59:09,680 ♪ Does he make you feel safe 1089 00:59:09,680 --> 00:59:12,440 ♪ Is your love exhausted 1090 00:59:12,440 --> 00:59:17,520 ♪ He just there to still the current ♪ 1091 00:59:18,720 --> 00:59:22,920 ♪ It's a long lonely land without your hand ♪ 1092 00:59:24,160 --> 00:59:28,880 ♪ Or your hair and the silence over there ♪ 1093 00:59:29,600 --> 00:59:31,640 ♪ Don't marry him 1094 00:59:31,640 --> 00:59:36,680 ♪ Don't marry him 1095 00:59:37,640 --> 00:59:39,080 ♪ Don't marry him 1096 00:59:39,080 --> 00:59:42,840 ♪ Then Marilyn laid down on my bed ♪ 1097 00:59:42,840 --> 00:59:47,000 ♪ Marilyn and her big soft breasts ♪ 1098 00:59:47,000 --> 00:59:50,600 ♪ Marilyn put her lips to mine 1099 00:59:50,600 --> 00:59:54,800 ♪ Inside, Marilyn, you are mine ♪ 1100 00:59:54,800 --> 00:59:58,680 ♪ Out loud, I said I love you 1101 00:59:58,680 --> 01:00:03,040 ♪ Then Marilyn said it too 1102 01:00:03,040 --> 01:00:08,120 ♪ And Marilyn stayed 1103 01:00:09,960 --> 01:00:15,040 ♪ Then so did you 1104 01:00:18,280 --> 01:00:23,360 ♪ Then so did you 1105 01:00:26,320 --> 01:00:31,400 ♪ Then so did you 1106 01:00:34,560 --> 01:00:37,480 ♪ Then so did you 1107 01:00:49,320 --> 01:00:51,480 - There's so much power in these letters. 1108 01:00:51,480 --> 01:00:55,720 The snapshots and fragments of the men that wrote them. 1109 01:00:55,720 --> 01:01:00,600 You always get to bear witness to their life and love. 1110 01:01:01,800 --> 01:01:04,560 But it became apparent that it was not enough. 1111 01:01:06,760 --> 01:01:08,680 There was a voice missing. 1112 01:01:08,680 --> 01:01:11,440 (gentle music) 1113 01:01:13,480 --> 01:01:16,720 I was under a lot of pressure to finish the record 1114 01:01:16,720 --> 01:01:18,040 and I couldn't. 1115 01:01:19,320 --> 01:01:22,920 I was in your upstairs apartment with a high fever, 1116 01:01:22,920 --> 01:01:25,280 and as my fever rose, 1117 01:01:25,280 --> 01:01:26,880 I kind of saw you there 1118 01:01:26,880 --> 01:01:30,160 sitting at a table with Janice Joplin 1119 01:01:30,160 --> 01:01:34,080 and Learner Cohen smoking cigarettes and playing cards. 1120 01:01:34,080 --> 01:01:36,280 And I was begging you, "Please, we need your voice. 1121 01:01:36,280 --> 01:01:39,360 We need to have you in this record." 1122 01:01:41,120 --> 01:01:44,520 And you kind of just laughed at me like. 1123 01:01:46,880 --> 01:01:48,720 I begged for your help. 1124 01:01:49,640 --> 01:01:52,160 And the next day we found this, 1125 01:01:53,480 --> 01:01:54,760 a poem to Reggie 1126 01:01:56,840 --> 01:01:57,960 written by you 1127 01:01:59,320 --> 01:02:02,760 in a place that we'd looked many times before. 1128 01:02:04,120 --> 01:02:05,600 Will you read it? 1129 01:02:06,680 --> 01:02:08,560 - "When we are making love, 1130 01:02:08,560 --> 01:02:12,360 I feel I'm up on the highest Himalayan mountain 1131 01:02:12,360 --> 01:02:14,640 and the hundreds of gods in the Golden Valley 1132 01:02:14,640 --> 01:02:17,200 below us striving to reach us. 1133 01:02:18,880 --> 01:02:23,400 When we are making love, there is no bed, no floorboards, 1134 01:02:23,400 --> 01:02:26,320 no peeling walls or ceiling. 1135 01:02:26,320 --> 01:02:28,600 We are floating over the shrines 1136 01:02:28,600 --> 01:02:31,560 of the fallacies among the flowers. 1137 01:02:32,760 --> 01:02:35,400 The only walls are your legs and arms entwined 1138 01:02:35,400 --> 01:02:37,040 so warm and strong. 1139 01:02:38,960 --> 01:02:41,000 And the ceiling explodes 1140 01:02:42,360 --> 01:02:44,440 when we are making love. 1141 01:02:45,840 --> 01:02:50,880 ♪ When we make love 1142 01:02:52,560 --> 01:02:57,520 ♪ I feel I'm on the highest mountain ♪ 1143 01:02:59,560 --> 01:03:04,480 ♪ And the hundreds of gods in the golden valley below ♪ 1144 01:03:07,280 --> 01:03:12,360 ♪ Reach up to us 1145 01:03:14,400 --> 01:03:19,440 ♪ We are the sun 1146 01:03:21,600 --> 01:03:26,680 ♪ When we make love 1147 01:03:27,880 --> 01:03:32,920 ♪ There is no bed, no floorboards ♪ 1148 01:03:33,840 --> 01:03:38,920 ♪ No peeling walls, no ceiling 1149 01:03:39,720 --> 01:03:44,400 ♪ Floating over shrines 1150 01:03:47,480 --> 01:03:52,560 ♪ That rise among the flowers 1151 01:03:54,240 --> 01:03:59,280 ♪ The only walls your legs and arms entwined ♪ 1152 01:04:01,120 --> 01:04:06,200 ♪ So warm and strong, with mine ♪ 1153 01:04:08,280 --> 01:04:11,360 ♪ When we make love 1154 01:04:20,880 --> 01:04:23,960 ♪ When we make love 1155 01:04:35,560 --> 01:04:40,640 ♪ When we make love 1156 01:04:41,960 --> 01:04:47,040 ♪ Misplaced words align and turn into a poem ♪ 1157 01:04:54,960 --> 01:05:00,000 ♪ Sorrows turn to blossoms 1158 01:05:01,520 --> 01:05:06,600 ♪ We are ancient and just born 1159 01:05:07,720 --> 01:05:12,800 ♪ Time happens all at once 1160 01:05:15,160 --> 01:05:20,240 ♪ When we make love 1161 01:05:22,520 --> 01:05:27,600 ♪ When we make love 1162 01:05:29,320 --> 01:05:33,000 ♪ I remember summers smoking cigarettes ♪ 1163 01:05:33,000 --> 01:05:36,720 ♪ Blowing smoke bubbles in a swimming pool ♪ 1164 01:05:36,720 --> 01:05:41,800 ♪ Bikinis and rainbows under sprinklers ♪ 1165 01:05:42,720 --> 01:05:47,800 ♪ When we make love 1166 01:05:49,640 --> 01:05:54,720 ♪ When we make love 1167 01:05:57,800 --> 01:06:00,800 ♪ Summer rains on hot streets 1168 01:06:00,800 --> 01:06:04,440 ♪ Suncream on warm skin 1169 01:06:04,440 --> 01:06:09,520 ♪ Lemonade and night swims, wearing nothing ♪ 1170 01:06:10,320 --> 01:06:15,400 ♪ When we make love 1171 01:06:17,440 --> 01:06:20,520 ♪ When we make love 1172 01:06:51,640 --> 01:06:55,400 ♪ I remember summers smoking cigarettes ♪ 1173 01:06:55,400 --> 01:06:59,360 ♪ Blowing smoke bubbles in a swimming pool ♪ 1174 01:06:59,360 --> 01:07:02,360 ♪ Bikinis and rainbows under sprinklers ♪ 1175 01:07:02,360 --> 01:07:05,360 ♪ When we make love 1176 01:07:05,360 --> 01:07:10,400 ♪ When we make love 1177 01:07:12,240 --> 01:07:17,320 ♪ Summer rains on hot streets 1178 01:07:19,920 --> 01:07:25,000 ♪ Suncream on warm skin 1179 01:07:26,840 --> 01:07:31,920 ♪ Lemonade and night swims, wearing nothing ♪ 1180 01:07:32,640 --> 01:07:37,600 ♪ When we make love 1181 01:07:39,720 --> 01:07:42,800 ♪ When we make love 1182 01:08:02,080 --> 01:08:04,760 (gentle music) 1183 01:08:20,040 --> 01:08:23,480 (gentle music continues) 1184 01:08:39,760 --> 01:08:43,240 (gentle music continues) 1185 01:08:59,960 --> 01:09:03,400 (gentle music continues) 1186 01:09:13,120 --> 01:09:15,840 (sombre music) 1187 01:09:21,640 --> 01:09:23,840 - "In Ankara, I met the magician 1188 01:09:23,840 --> 01:09:25,560 who told me to always surround myself 1189 01:09:25,560 --> 01:09:27,800 with extraordinary people. 1190 01:09:36,080 --> 01:09:41,120 ♪ Ooh 1191 01:09:41,680 --> 01:09:46,480 ♪ Oh-ooh 1192 01:09:49,600 --> 01:09:54,680 ♪ Something I am torn with maybe saying ♪ 1193 01:09:55,440 --> 01:09:59,040 ♪ Ooh 1194 01:09:59,040 --> 01:10:04,080 ♪ Time fades 1195 01:10:07,640 --> 01:10:12,720 ♪ All the same 1196 01:10:14,520 --> 01:10:18,160 ♪ I touch your skin 1197 01:10:18,160 --> 01:10:20,960 ♪ I know it well 1198 01:10:28,840 --> 01:10:32,560 ♪ I touch your skin 1199 01:10:32,560 --> 01:10:36,200 ♪ I know it well 1200 01:10:36,200 --> 01:10:41,280 ♪ You gave me your soul, your soul ♪ 1201 01:10:43,760 --> 01:10:47,960 ♪ And a sky of worlds to lie under ♪ 1202 01:10:57,720 --> 01:11:01,560 ♪ A sky of worlds to lie under 1203 01:11:39,720 --> 01:11:42,280 (piano music) 1204 01:11:59,960 --> 01:12:03,200 (piano music continues) 1205 01:12:19,400 --> 01:12:22,760 (piano music continues) 1206 01:12:39,600 --> 01:12:43,000 (piano music continues) 1207 01:13:05,760 --> 01:13:08,320 (dog panting)