Downloaded from YTS.MX
[horns honking, traffic]
Official YIFY movies site: YTS.MX
♪ Yeah
♪ And you don't stop
♪ And you don't quit
♪ Now I'm the man with the plan and the B-boy stance ♪
♪ And all the ladies in the jam know who I am ♪
♪ With the power to make it move when I write a groove ♪
♪ I don't snooze I kick it off nice and smooth ♪
♪ And when the beat goes down, feet hit the ground ♪
♪ The breakers start spinning all round and round ♪
♪ Now you're the body, don't stop ♪
♪ 'Cause we don't stop, we just rock ♪
♪ You feel it when the needle drops ♪
♪ I'm the mastermind
[song continues on headphones]
♪ I'm the greatest of all time I'm the mastermind ♪
♪ I'm the mastermind
[ominous music]
[shrieks]
No, Papi, no!
No, no, stop.
I want you to... look at me...
This is your fault.
Hey!
Don't touch her!
Your fault!
I'm gonna kill you!
No, mija, stop. Stop!
Stop!
He's hurting you, Mami! No, call the cops!
No, Lisa! I won't do that to your father!
[screams]
[loud bang]
[whimpers]
[music resumes on headphones]
[upbeat Latin music]
Man, I hate moving.
Daddy's gonna be pissed that we're gone.
Hey, grab those boxes and put them in the living room.
We gotta get the truck back in an hour, so hurry up.
Take those damn headphones off.
Didn't you learn your lesson about having those things on?
You're not my father. You weren't even there to help.
[Eladio] Why do you think we're moving now?
And I was working.
Yeah, you're always working, Eladio.
Because I've got to. Maybe I wouldn't have to
if our pops was worth a damn, huh?
Who's gonna take care of this family if not me?
You?
I do what I got to to help Mami.
And the best way you can help is to stop daydreaming
and think about how you can pitch in around here.
I'm not gonna have Mami working three jobs
while you're in La La Land.
[upbeat Latin music]
♪ If you don't want it all ♪
♪ I don't want nothin' at all
♪ If you don't want it all ♪
♪ I don't want nothin' at all, nothin' at all ♪
♪ Show me now that you really mean it ♪
♪ Are you playing for games?
Ooh, Nikki gonna get you.
♪ Can't go on without me
♪ I don't know
Have a good one.
Sorry.
I'm here now.
Ay, que calor.
They need some air conditioning back here.
How many of these have we got to dress?
[hip-hop music]
Damn!
I need a favor.
- No. - Please, Lisa.
Mm-mm.
Last time I got into trouble because of you.
Please.
I know a place where we can make double
what we were making before.
I need the money.
I know you do, too.
One hour.
But that's it, okay?
Okay. Okay.
I don't want to get in trouble.
♪ Feet on the ground
♪ Hands to the sky
♪ Oh!
♪ Do you wanna dance with me tonight? ♪
♪ The DJ is playing our song The mood is right ♪
♪ Oh, oh
♪ Do you wanna dance with me tonight? ♪
♪ Follow me onto the floor under flashing lights ♪
[laughing] [applause]
Thank you. Thank you. We'll be here all night.
Damn. I gotta go.
My brother told me to pick up stuff for dinner,
and he's gonna kill me.
Okay. All right.
Thanks.
Oh, my gosh.
♪ ...like hip-hop music
♪ You like it 'cause you choose it ♪
♪ Most DJs won't refuse it
♪ It ain't nothin' like hip-hop music ♪
Excuse you!
♪ Most DJs won't refuse it
♪ It ain't nothin' like hip-hop music ♪
[Woman speaking in Spanish]
[Women speaking in Spanish]
[quiet murmuring]
- Un cafecito, Mami. - Thank you, Mami.
You don't worry about this. You hear me?
We came here to start fresh.
Okay?
One day I'll be so rich, Mami.
I'm gonna take care of you. I'm gonna buy you a new car.
[chuckling]
Mamita, the only thing I want you to do
is to take care of yourself.
Don't ever count on anybody taking care of you.
- Okay? - Yeah.
But if you just so happen to be rich...
- What? - I want a convertible.
Ah! [laughs]
Ay, I gotta go.
You come straight home after work, okay?
Oh, I love you, mami.
I love you.
I hear you're boys with Jellybean.
Yeah, we go way back.
Who's Jellybean?
He's the main DJ at the Boombox Basement.
Word has it he discovered Madonna.
Bull.
Word is bond.
Can you introduce me?
- To Jelly? - No, to Ronald Reagan.
Yeah.
Sure thing, but you know, in this city, nothing's free.
Especially when it comes to Jellybean.
What do you want?
[pop music playing]
[Brit] Hell no.
Jellybean's always scouting for new talent.
Besides, Guy won't go unless you come with us.
I don't even like him like that.
Girl, who said you're gotta be into him?
Just pretend it's an extra long shift in the stockroom.
Is your brother even gonna let you go?
Of course he will. Why wouldn't he?
Girl, I run the show at home.
[Eladio] Hell no.
Why?
Eladio!
- Please! - No.
You know how many pervs and weirdos go to places
like that to pick up on young girls?
You're gonna be with me.
It's a bar. You're 15.
It's teen night. There won't be any alcohol.
Eladio, stop and listen to me.
I ain't gonna live and die in this neighborhood
and never be nothin'.
I want to take care of Mami one day.
What's that got to do with this club?
There are gonna be people there who can help me.
Give me a shot at singing.
There you go. Head in the sky again.
I'll take out the trash for a month.
♪ We can make it, we can make it work ♪
[punchy hip-hop beat]
♪ Comin' from a far land where they never stay ♪
♪ They don't ever contest 'cause they're too afraid ♪
♪ With them rockin' and rollin', so let me bless the mic ♪
♪ While the DJ [indistinct]
♪ From the west, the east, the north to the south ♪
♪ When I step into the party, people stand on the couch ♪
♪ Just wanna have a good time I'll be doing just fine ♪
♪ All I need is 30 seconds, I'ma rock around ♪
♪ Yeah, fresh to death
Is that him? Can you introduce me?
I don't know him like that.
I thought you said he was your homeboy.
I know who he is. Wait until after the set.
I'll try to get us into the green room.
Guy!
I'll figure it out myself.
I'm going home. I got homework to do.
♪ Go, go, go... Show us what you got ♪
[Guy] Damn, my bad.
♪ Go, go, go... Show us what you got ♪
Jellybean.
Jellybean--oh.
♪ I come first in the order of the peckin' ♪
♪ DJ, replay, we stay calm
♪ Drop beats like bars when they're playin' my song ♪
Johnny, my man. What's up?
♪ Parlay all day [indistinct] ♪
♪ We play offense Y'all on defense ♪
♪ Bossin' your pretense I'm gettin' even ♪
♪ We get rockin' B-boys in the place ♪
♪ Gettin' down to the boogie [indistinct] ♪
♪ We're rockin' [indistinct] ♪
♪ [indistinct] midnight to the early morn ♪
♪ Get rockin' No time for the chat ♪
♪ I'm doin' my dance [indistinct] ♪
♪ Get rockin' R-O-C-K-I-N-G ♪
♪ And I suggest you don't mess with me ♪
You're gonna sneak backstage, take the tray.
What?
Take the tray.
Thank you.
Don't mention it.
- How much? - A dub.
A dub? Come on.
Those are the prices. Inflation, my man.
You got better options, I suggest you get to it.
I got business going on here.
[bass pulsating in club]
I hear you help singers.
Singers?
Nah. I help artists.
If they're worth it.
Well, I'm worth it.
The best damn pipes you'll hear all night.
Okay, shorty.
[guys arguing]
Let's hear you blow.
♪ I got sunshine lighting my way ♪
♪ You try to be the clown, but just float away ♪
♪ Don't matter about the sticks and the stones you say ♪
♪ Cause your world's about to bud ♪
♪ And you're in my way 'Cause I'm rollin' ♪
♪ Rollin'
♪ Try to stop us, we just keep goin' ♪
♪ Ooh, ooh, ooh
[applause]
[whistles]
All right.
Fresh.
I see ya.
So what's your name?
Lisa. Lisa Velez.
All right. Lisa. Lisa Velez.
How old are you?
18.
She's buggin'.
Come on, now.
15.
15?
Hmm.
All right, Lisa.
Leave me your digits.
Come on, man. I just need a couple of intros.
That's all.
I told you, mamita.
Ain't no one looking for a singer with your...
look.
What you mean? What's wrong with my look?
Look, I love you the way you are.
But these record executives,
they start bugging about silly things
like looks and image.
But you know I can sing my answer.
I know it. But they don't.
And you don't get past a record label
without them thinking about your image.
Or theirs.
And besides, these record labels,
they're full of whack-ass scam artists
just waiting to take advantage of a young buck like you.
Well, I ain't exactly no young buck.
You still working with your pops?
Sampling the product?
Toni.
Dealing only leads down one path.
So help me get another path.
[chuckles]
Me encantas...
Hey, yo, shorty.
I heard you singing over there.
It was fresh. You from around here?
Around the way. Hell's Kitchen.
Word.
Well, look, I got this joint
that I've been working on for a month.
Hey! Don't be pushin'--
Whoa!
I'm trying to talk to her. You know what I'm saying?
Nah, she ain't even trying to holler at you.
- Look, bro. - Homie.
I got a band, and we need a lead singer.
Jellybean told me that she was looking.
Got a few producers that are interested,
you know, if you want to audition.
My name's Mike Hughes.
Here's my number and address to the recording studio.
Play drums.
Maybe we can make some music together.
But just music, man.
Time to go.
You ain't goin' to no audition with that guy.
No, of course not.
I know that.
[synthy pop]
[indistinct chatter]
She's gonna be amazing, too.
Hold up. This is her.
- Hey. - Hey.
There's someone I want you to meet.
Come over here.
This is Rocco.
- He's the manager. - Hi.
Rocco, we just need five minutes.
You got three, Mike.
Okay.
Okay, Lisa, come on.
I have someone I want you to meet.
- This is Spanador. - Nice to meet you, Spanador.
- I heard you can sing. - I heard you can play.
Yeah, yeah, let's go.
Um, did you practice the song?
Mike wrote it.
Yeah, I worked on it last night.
You ready? Let's go.
Whoa, whoa.
Where do you think you're going?
Record the song.
Ah, no booth.
One mic.
See what you got.
The booth. Come on, man.
Guys, hey, just listen to her.
Come on.
[snapping]
♪ Oh, baby, baby, it's your show ♪
♪ So come and take your bow
♪ [indistinct]
♪ All I need is your love, baby ♪
Thanks. We'll let you know.
- All right. - Come on, man.
- Let's give them another shot. - Waste of my time.
I gotta go. We got stuff to do.
Hey.
Why don't you play a song you know?
Something you're comfortable with.
Hey, guys.
Back her up, whatever she wants.
[Mike] Yeah, of course.
What you want to sing?
Hey, guys, look.
Let's give her another shot, something she know.
♪ Ah...
♪ Oh, oh
♪ Oh
♪ Uptown, downtown, the funk is on the move ♪
♪ Cartier and Louis V is sure to set the mood ♪
♪ When we're alone and you're mine ♪
♪ Only a fool would ever try to hide ♪
♪ Let your heart be struck again ♪
♪ Leave me in the air, feeling high ♪
[Mike] Ha, ha, ha! Yeah!
What about Hell's Kitchen's trio?
Wow.
No, that sounds like my abuelo's band
or something like that.
I didn't think you could get any worse than your last suggestion,
but hey... - What?
It's got to be slick. It's got to be, you know,
something that screams we're all about culture, hip hop.
And music.
And that we can jam.
Yeah.
- Cult Jam? - That's fly.
I got it.
Lisa and Cult Jam.
- OK. - I'm feeling it.
All right, but it needs that extra flavor, you know?
Because Lisa ain't your everyday girl.
- That's what I'm saying. - Mm-hmm.
Oh. [coughs]
She's not.
No, Lisa ain't your everyday girl.
She's uniquely blessed.
How about
Lisa Lisa... and Cult Jam.
Yo, that's fresh.
Right?
Don't you think, Lisa?
Yeah, it's a joint.
I'm down.
We got a name.
Lisa Lisa and Cult Jam!
♪ ...if I take you home
♪ Would you still make me love, baby ♪
♪ Because I need you tonight
I like the bass in that progression.
♪ Would you still make me love, baby ♪
♪ Because I need you tonight
♪ Oh, oh!
The Brothers are some of the best producers in town.
This is great, Barry. Thank you so much.
Lisa! Sweetheart! You're incredible.
With that sound? You sound amazing.
The men...
the men are going to go gaga for you.
- Told you. - [Barry] Yeah, you did.
So what's next?
Tour?
Let's not get ahead of ourselves.
Typically, we test the song,
see how it lands in different markets
before we actually sign an artist.
How do you do that?
We send the record to a few friendly DJs in the UK.
And we'll be right back with Radio FM UK.
The label better not have sent me rubbish
like the last time.
That was pure Yank nonsense.
I mean, if it hits, we start talking contracts.
If not, you know, the music world is littered
with one-hit wonders.
Who is this again, mate?
A lot of them crash and burn.
Don't worry.
Rocco here is gonna make sure everything runs smoothly.
Isn't that right, Rocco?
Yep.
So it's my job to book you gigs,
find the producers, and work on promotions.
Hey, Mami! Did you find it all right?
Hey.
[sinister music]
Hello, Mom.
Pleasure to meet you.
You too.
Barry Connor.
I just have a few papers that need your signature.
Let's step out for a second.
OK.
I'll catch right up to you.
Turn it back on, bro?
Maybe, uh...
You know that we can't proceed unless she signs, right?
I mean, it's just too much risk with an underage artist, so...
Walk her through it, okay?
Oh, yeah.
Do we need a lawyer or anything?
No.
The contracts are standard.
New artists usually sign as is.
Oh. Cool.
Let's run this. I love the beat.
[speaking Spanish]
- Please, Mami. - No.
I don't know him. I don't know what I'm signing.
- What if something happens? - Nothing is gonna happen!
Ay dios, nena.
I see how they look at you.
I know what these men want.
And it's not just your voice.
No, you don't know what they want, Mami.
- Mira! - Lisa.
Everything okay?
Yeah.
We're almost done.
All right.
Mami.
I'm a singer. I need to be singing.
I can move us to a better neighborhood.
And you won't even have to work anymore.
Lisa, that's not your job.
You once told me
to never count on someone to take care of me.
Mm-hmm.
You said to do it yourself.
So this is me doing it myself.
[gentle music]
[tense music]
[cheers and laughs]
[Barry] All right.
We need to get you guys back in the studio right away.
Contracts are signed.
[cheers and laughter]
Go home.
Celebrate.
Tomorrow we get to work.
Come on.
[lively chatter]
Hey sweetheart, sweetheart, Lisa.
- Can I talk to you a second? - Yeah.
There's a lot of work, time,
and money that goes into making you a star.
I need to make sure I'm not wasting any of that.
So you're not pregnant or nothing, right?
Pregnant?
I'm 15.
Like I said, there's a lot that goes into young stars.
I need to make sure I'm not wasting it.
I don't need a pregnant teenager on the road.
You got me?
You don't have to worry about me, Mr. Connor.
I'm locked in.
Good answer.
And call me Barry.
Yes, sir.
Um, Barry.
I gotta go.
My mom's waiting for me.
OK.
Yo, Lisa, you ready?
We gotta go.
Yo, Lisa, we gotta go!
Yeah, yeah, I'll be right there.
All right--
[Spanador] Hurry up! We gotta get going!
To set now!
Ay no...
Huh?
Oh, that's what was taking you so long, huh?
Wow.
Yo, Lisa, in a month, every girl's gonna be
covering her eye trying to look just like you.
♪ Baby, I know you're wondering ♪
♪ Why I won't go over to your place ♪
[Male Reporter] Today in California,
Governor Jerry Brown won the Democratic nomination.
160th day of 1982, in case you're wondering.
A time that some people were reminded that actors are people.
[Female Reporter] So what does this mean
for AIDS patients in this country?
[Male Reporter] Pittsburgh beat the New York Mets--
hello, Pittsburgh-- 6 to 2.
And the Los Angeles Lakers won
their second national basketball championship.
[Male Announcer] Three in six years!
L.A. comes to Boston and wins the world title.
Whoosh! Whoosh!
What you know about that stuff, man?
[lively chatter]
Yo, ain't that the band on TV?
Oh snap!
[Teenager] Oh, uh, what's up?
Hi.
Oh, thank you so much.
Yeah.
[upbeat Latin music]
What's up, baby? What's your name?
Lisa.
[Javi] You're lookin' mad good. My name's Javi.
Take my number.
[Javi chuckles]
Yeah.
What, you got a problem with that? What?
♪ Baby, I know you're wondering... ♪
With lines wrapped around the block,
Lisa Lisa and the Cult Jam are catapulting freestyle
from New York's underground clubs into mainstream fame.
And they are about to go national, baby,
on Top American Countdown, a show that has taken
some of the hottest stars of today
and catapulted them into the stratosphere.
And today is Lisa Lisa's turn.
This is Ed Lover. You already know what it is.
Back to you.
Come on, make some noise out here!
Come on!
- Do it for Lisa Lisa, baby! - [cheering]
Every home in America watches the bands on this show.
And Chuck Ryder is a titan of the industry here.
If you don't screw up tonight,
America will love you by tomorrow.
[film crew murmuring]
Come on, let's go, Lisa.
Hey, where's crafty at?
All right, starlings.
It's showtime.
[applause]
It feels like someone died in here.
I'm just nervous, that's all.
Are you ready?
- Yeah. - Yeah, we're ready.
Oh, forgot.
Yeah, come on.
Okay, I meant just you.
Chuck likes a little personal touch,
a little pre-show interview.
I'm sorry, fellas.
But don't worry, you can watch her right here on the live feed.
But we're a band.
And you'll play as one.
Just a quick chat before with you.
Let's go.
[tense music]
[Chuck] Ladies and gentlemen, from Lisa Lisa and Cult Jam,
please welcome Lisa Lisa.
[cheers and applause]
[Girl in Audience] I love you, Lisa!
I love you too!
Welcome to the show.
So, how are you doing today, Lisa?
Well, I'm great. Very excited to be here.
[Chuck] And how does it feel to be in this position?
Well, it's a dream come true.
[pop music playing]
[ominous music]
Toni, I thought you weren't dealing.
Look, I'm not, man.
I'm networking.
You never know where the next gig's gonna come from.
Besides, I think this dude right here,
he knows some record execs.
Right. Sure.
Got a line on a gig.
- Word? - An audition.
New band looking for backup singers.
Man, I'm not backup.
Toni, no.
But look where you are.
It's gotta be this game.
Hey, you wanna spend your whole life looking over your shoulder?
Just 'cause it didn't work out last time doesn't mean you quit.
Doesn't mean you stop trusting people.
It's show business.
It's the music game.
And the music game takes time.
Think about it?
Think about it.
All right.
- Peace. - Peace.
- You ain't backup. - I ain't backup.
Not for long.
Mike, listen, I got this.
Thank you.
Spanador, we're just gonna go with number two.
No, number two is not gonna work, bro.
We need another audition.
She looks the best.
It doesn't matter if she looks the best, bro.
We need another audition.
We don't have time for another audition.
Well, I don't know what you want me to say,
but not one of them blend with our sound.
Word.
What do we do, Alex?
We're going tour in a month.
Well, we keep searching.
We already behind on schedule.
We either pick a team today or we push.
The label not waiting on us.
We got bands lined up right now that's ready to go.
All right, Rocco, just give me another hour.
I can find some ladies.
I'm about to flip that, Baptiste.
I'll find you a whole lot of girls who can sing best use.
Making an executive decision, we're going with number two.
No, we're not going with number two.
[arguing]
♪ Staring out the window
♪ Hoping to catch you walking by ♪
♪ Staring out the window
[Lisa] I think I've seen her before.
♪ While these tears go down my eyes ♪
♪ Staring out the window
♪ Just can't believe it's done and gone ♪
♪ Staring out the window
Thank you.
[mic feedback]
[laughs]
[claps]
Hey.
Pack your bags, folks, 'cause we're going on tour.
Cigarettes don't affect your voice?
No.
They actually give it a little raspy bass.
I don't mind having.
Those things will kill you, you know.
Well, whenever the government comes out with a study saying
these are bad for you, I'll stop.
I'm Lisa.
Toni.
How long you been singing for?
I grew up singing on street corners.
Me too!
Listen, you know
it's not gonna be what you think it is, right?
What's that?
I mean, this music industry.
You know, it's just like the streets.
Use it or they use you.
So you got to watch yourself.
Everybody's going to try to take a piece of you,
and you can't let them.
And where are you going?
Look, I mean, most of these dudes want a backup singer
that's something to look at.
And I'm not that.
Then why'd you come?
Because I promised a friend.
But I know the game.
Don't smoke these menthols on the road.
They'll mess up with your voice.
And I can't have that.
Whatever.
I was trying to quit anyway.
Hey.
Go home, pack a bag,
because it's gonna be a ride.
Come on, baby. Are we done soon?
Yeah, baby. A little longer, OK?
We got to go.
I mean, what's this about?
Come on. You know what?
Baby, no, no, no.
They're gonna have to, you know,
check my makeup again. Stop.
I thought we had dinner plans tonight.
Yo, this city's so crazy sometimes.
Almost had to scrap with a bunch of teenagers.
Excuse me. OK.
- Signatures. - OK.
More promotional tours means more papers to sign.
Again?
Hey, that's the life of a big star.
Jesus Christ.
Wow, a commercial?!
- [Barry] Yeah! - [squeals]
We rearranged a few things so, you know, you could sneak it in.
Well, I was supposed to go home after this set.
I haven't seen my family in a year.
This is a national commercial. It's a lot of money.
I just, it's been concert after concert.
You said you wanted to be a star, right?
This is the pace you have to work at.
So give her creative control.
Yeah, that's not the way we do things around here,
but thanks.
Do it anyway.
Yeah. I want creative control.
Lisa.
I want to start putting my stamp on this.
I want to get involved in the creative.
I want to help with the set design
and the choreography and to pick out the dancers, right?
Yeah, she does it anyway.
[tense music]
Of course.
You'll be involved.
Let's go! Let's get to work!
Yo, sweetheart, are we ready or what!?
In a minute, baby.
The record label needs you, all right?
This is not the other way around.
You know what? Spanador, hurry up!
- Hold on, man. - Lisa, come on.
Put your hand right here.
Photographer, are you ready? Come on. Let's go.
Look at the camera. Three, two, one.
Perfect, perfect.
Hold on, Lisa, Lisa, Lisa. One second.
Can I get out of here, please?
No.
My idea sucks?
Hell's Kitchen Trio, bro? Are you for real?
- Come on. - All right, bro.
You know she's not part of this group, right?
- What do you mean? - Yo, I'm right here.
You can say it to my face.
I'm talking to Lisa.
What's your problem?
The problem is we don't need
any more voices offering their opinions on music,
fashion, and photo shoots.
Fellas, let's take a little break.
What do you mean, break?
Yeah, I have some fly spandex I wanted to flash, man.
Well, nobody want to see you in no spandex.
We're just gonna focus on a few shots of Lisa alone.
Why don't you guys go to craft service,
grab a coffee.
Hey, yo. This was your band, Mike.
You got two little girls telling you what to do.
One is just a background singer.
[chuckles]
Come on. Move one second.
One second.
- Your hair... - Do I look good here?
You're good. You're good.
[camera shutter clicking]
Yo, Barry. Let me talk to you for a second.
Of course.
I just want to make sure you know that we're a band.
You know Lisa's going to get
all the attention since she's the lead singer.
But anything that we should be doing,
we should be doing together.
Interviews, photo shoots, everything.
All right.
Is that all?
[camera shutter clicking]
Yeah.
Good to hear.
Catch up with you on tour.
Keep up the great work, fellas.
Fantastic shoot today.
Fantastic!
♪ Hit the beat now
That's dope. Why does she have to redo it?
Yeah, I mean,
it still needs a final mix, but we close, Toni.
- Aw, come on. - We got it, we got it.
Sounding good. Sounding good.
What's going on?
Hey, Lisa! You're crushing that track!
[laughs] Thank you!
- Come join us. - OK.
Guys, the label's happy.
So I'm happy.
That's good.
I know I don't have to tell you things are different now.
We're playing in bigger venues.
You guys going to be on the road longer.
That means more money.
[laughter]
That means more money.
Hey, so you have to stay focused.
You're not stars yet.
Speak for yourself.
[laughter]
I'm a star.
I'm a superstar.
All right, guys. Hey, great job today.
Get out of here. See you tomorrow.
Hey.
Hey, I'm gonna go to the accountant
and get my check.
Hey, Lisa, do you have a moment?
Yeah, sure.
It's business.
Baby, I'll see you in the car in a second, yeah?
- I'll get the car. - Thank you.
- Don't be long. - Baby.
So, Rocco, I think...
So I picked up some papers.
I just need you to go over some of it.
If you need help, I can go over it with you.
Yeah, I can take a look at it later.
I should probably get over--
Hey.
Why you goin' so fast, you?
Please, Rocco, stop.
Lookin good. Come here.
Hey, what the hell are you doing, Rocco?
Stop. No, stop, Rocco.
- You're playing too much. - Kiss me.
Hey, Rocco! Wait, stop!
What are you doing? What's that all about?
- Stop playing. - You stop playing.
Rocco, stop.
I've been thinking about you all day.
Stop, Rocco!
You play too much.
See you later.
[maudlin music]
[phone ringing]
- You good? - Yeah.
- You sure? - I said I'm good.
- Just leave me alone, okay? - All right, all right.
Whatever. Jeez.
Lisa...
Oh man, you ready to go spend some money?
Hell yeah!
Whoo, spend some money!
OK! Wow!
- No, this is it. - Right?
- Ooh, I love this car! - Mm, mm, mm.
What? I know. Do you take cash or check?
Man, which one is it?
- Doesn't matter. - [laughs]
I love this.
Whoo!
- Oh, yeah! - Bye! [laughs]
♪ But you had something in mind for us ♪
♪ When I look into your eyes
♪ I can't stop the rhythm
♪ Should've known it only was a daydream ♪
♪ What I did expect giving you my heart? ♪
- Lisa! - Lisa!
- Can I get an autograph? - Hey!
[Javi] Lisa, let's get out of here
Let's go, come on. I don't got all day.
- Yo, this is fly. - Right?
What?
Nikki, can you find me this in a medium, please?
- Thank you. - Thank you.
You look amazing. Oh my god.
- Where's Guy? - We gotta go.
- I love ya. - I love you too.
Sorry. [indistinct]
Chill, chill, chill. Watch out, come on.
Sorry guys. So nice to meet y'all.
Wow.
Please, Eladio.
It's the first time Mami will come see me.
Just get on the train and come up.
Shoot!
Mami! Mami!
- Oh, I'm so glad you're here. - You look beautiful.
Oh, my God. You lost weight.
I've got a surprise for you.
Yeah, I'll show you after the show.
- Come here. - OK.
[cheers and applause in distance]
[Lisa] This is for you.
[Mami] What do you mean?
It's yours.
No, I can't believe this.
Did you see what Lisa bought me? Oh, my God.
Why did you do this?
You know we were all saving up to pitch in and buy her a car.
I know, I know. I just wanted to do this for her.
No, no, that's not the point.
Ay, Eladio!
Why can't you just be proud of me?!
For once in your life,
can't you just say, I'm proud of you, Lisa?
Why can't you do that?
It kills you to think that I can leave and do
something more and you're just stuck here.
You don't know what you're talking about.
[Mami] Oh, my God.
Look at her.
Just let her have this.
Mami, look at this.
The power steering.
Oh, and check the glove compartment.
Yeah.
[Eladio] What is that?
This...
This isn't...
What is it?
Well, thank you, God.
Thank you, God.
Glory to God.
Thank you.
I bought the house.
It's yours, Mami.
Forever.
No one can take it away from you.
You don't gotta worry about anything ever again.
Oh, my God.
Ay, Mami.
Well, everything is just perfect now, isn't it?
Eladio. Eladio!
[Mami] Ay, Dios mio...
[Javi] I love you,
but I can't be sitting around waiting for you.
You heard?
You know how my job is.
I told you you can come on the road with me.
Yeah, I'm not gonna follow you around like a little pet, okay?
- I'm a man. - I know. I know you are.
And I need to work, okay?
And I've been trying to be supportive.
Let me tell you something.
When you're gone, I feel like
my only job is to wait on the phone.
- Javi... - And I mean, what?
That's the only thing I've been doing
these past few months.
I'm surprised you remembered it was my damn birthday.
- Yeah. - I told you I'm working.
- Mm. - I don't know how many times
we have to have the same argument
over and over again.
Does working include letting
a bunch of guys all up in your grill?
What the hell are you talking about?
You let them touch you? Feel all over you? Mm?
Is that what you like?
I don't know where this is coming from,
but you're bugging. - Oh, yeah? I'm bugging?!
[customers gasping, whispering]
Stop. Javi, wait. Wait!
What do you want? What do you want?
What do you want from me?
- You want to be with me? - Of course.
Then marry me.
I love you, OK? I do.
But I don't want to sit here wondering if you're mine.
- Javi, I'm yours. - Yeah? Then marry me.
Marry me, or I'll go home, pack my things, and leave.
Because as is, this isn't going to work.
It's your choice.
OK.
- OK. - Really?
Let's get married.
Okay! [laughs]
[Lisa] We're getting married.
You out of your mind?
[Lisa] What is your problem?
Lisa, you guys are 20 years old.
How do either of you know what a commitment is?
You guys are just two kids playing house.
Don't do this.
Wait until you're older and out of this game.
You don't understand, Eladio!
All the time, you're just saying--
No, no, no. I understand plenty.
You trust people when you shouldn't.
Mami. Say something, por favor.
Mamita, please. Why?
Why do you want to get married so young?
- I love him, Mami. - How do you know it's love?
Nena, you will find someone who will love you.
You will.
I saw it in my dreams.
A man who will love you,
who you will have children with.
But it's not Javi.
Congratulations!
[laughter]
[cheers and applause]
[Javi] Thank you, guys.
[upbeat Latin music]
♪ Some guys will promise you a marriage made in heaven ♪
♪ But I'm gonna stick to my guns ♪
[Male Reporter] Lisa Lisa of Lisa Lisa and the Cult Jam
began simply as Lisa,
a young Puerto Rican girl
who dreamed of being a singing sensation.
That dream started to come true in 1985,
when a music producer group
went looking for a female lead
and stumbled across the 16-year-old singer.
In that same year, they renamed the band Lisa Lisa and Cult Jam,
producing three top-selling hits
which brought the band to platinum status.
Both Lisa and the band attribute
their success to their streetwise sound.
Lisa Lisa has been compared
with other top-selling artists such as Debbie Gibson,
Paula Abdul, and even Madonna.
Their most recently released album
is purposefully called Straight to the Top,
a place where Lisa Lisa and Cult Jam
hope to be for a very long time.
[Lisa and Toni laughing hysterically]
Man, I'm glad I ain't got no sisters.
Wake up.
There they are.
[Lisa and Toni murmuring]
[laughter]
Okay, listen. Shaving is like farming.
You gotta start with little strokes and go up each side.
Like that.
Can't believe you never did this before.
Don't you have sisters?
No.
[phone ringing]
You got me now.
Hello?
Oh, hey, babe.
Of course, I'm in my hotel room.
Where else would I be?
Oh.
All right.
I'll be home in two weeks.
Okay.
I love you.
He's going out with his boys again, huh?
Yeah.
It's the third time this week. I think it's funny
how he always wants to know where you're at,
but you never ask him where he's going.
No need. I trust him.
Javi! I'm home!
Baby!
[unsettling music]
[retches]
[vomits]
You know, if Barry finds out...
I know.
Are you sure it was positive? Like, does your mom know?
What'd she say?
She said not to have his child.
She said that he reminded her of my dad and...
and reminded me what a mistake it was to marry him.
I don't know.
Maybe I loved him because I wanted a man to love me.
My father didn't do it.
Why don't you ever talk about your family?
Ain't nothing to talk about.
What do you do when you go back home?
- Where do you go? - I got places.
Look, I mean, most kids...
Most kids have memories of being a kid.
Like, happy memories of love
and their parents and family, and...
I just don't got that.
And I'm okay with it.
That's why I enjoy moments like this.
Making new memories.
Time with you.
One of my best friends.
One of your best friends?
I better be at the top of that very short list,
Miss Toni.
That's why I should have never said nothing.
Aw, you called me your best friend.
You're so cheesy.
That's why I don't open up to people, OK?
Seriously, though. What are you gonna do?
I can't have a baby. They'll lose everything, Toni.
I'ma help you.
[Lisa] Thank you.
♪ I'm tired of goin' right, left, up this hideaway ♪
♪ Hideaway
♪ I feel like I can't breathe... ♪
Can you just...
Can you just leave me alone for a minute?
♪ Like it is
♪ The more I think about
♪ How much I let me down
♪ I need a new day to start fresh ♪
♪ Time to get back to me
♪ Gotta go, yes, I know it
[snorts]
[snorts, exhales]
Hey, but you see shorty over there?
You think I can get her a little drink?
[Spanador] I mean, she look good,
but I mean, it's up to you, really.
- Come on. - Yo, what up, Toni?
- What's up? - Damn.
Girl, you look busted.
You need to go get some sleep.
Trying to, man.
I needed a little something.
How's Lisa?
I know she wasn't feeling well.
- She's good. - You sure?
Yeah, she's tired. That's all.
So I think Javi's on the outs.
Thank God. Hated that dude.
Yo, what can I get for you?
Bartender, let me get, um...
Let me get a whiskey. Double.
Oh, damn.
You drink like a dude.
[chuckles]
You flirt like one, too.
Excuse me, fellas.
Got some business to take care of.
Oh, no. Come on. Come on.
Damn!
Oh, Mike. Mike, man.
She's stealing your girl.
- [Mike] Again. - [both laugh]
I gotta use the bathroom. [groans]
Barry, snap out of it.
Why am I paying the tab all the time?
I got it, I guess.
[unsettling music]
♪ Under the pale moon rising ♪
♪ A minute to midnight
♪ Yeah, we know time is a-runnin' out ♪
♪ Never mind Keep on smiling ♪
Lisa, it's important
that you listen to what I have to say, OK?
We just got your results back, and, uh,
it says that you have ductal carcinoma breast cancer.
You'll need to start treatment right away.
I have work.
No, I-I-I have to travel for a few concert dates.
I'm afraid that's not possible.
If you don't treat it now,
the chances of it spreading rapidly increase,
limiting the chances of survival.
- Survival? - Mm-hmm.
I can't stop touring.
I-I'll lose everything.
Is there someone we can call?
No. No one.
No, no, I-I don't want anyone to know about this.
Doctor, can we prepare a travel kit
for her to do treatments?
[Lisa] Yeah.
I can coordinate with the hospitals in the cities
that she's traveling to,
and we can monitor her that way.
That works.
We can start your treatment tomorrow.
A word with you, please.
That is my place. Do you understand?
- [Nurse] Okay, I understand. - [Doctor] All right.
Hey, mamita.
I know.
If I stop touring, it all stops.
The music, the sponsorships.
And I just paid off my mom's car.
Her house.
You know, I took advancements to...
I took advancements to make that happen.
And I can't-I can't stop.
My mami, my mami's just gonna...
She was so happy. She was so happy.
I can't stop. Do you understand?
- I can't stop. - We're gonna fix it.
We're gonna fix it so that you don't have to stop, okay?
You're gonna be OK.
We're gonna pray for you.
Here, mama.
Here, here. Take this.
Oh, yes.
You're gonna be OK.
By the way, my daughter, she loves your music.
Aww! [laughs]
She does.
She looks up to you so much.
A lot of little Latinas look up to you.
Ay... [laugh-cries]
Listen, mama.
You got this, OK?
You're gonna be OK.
You hear me?
[maudlin music]
Hey, come here. We need to have a meeting.
I've been looking over the contracts,
and something seems off.
You noticed your pay?
Uh, yeah, yeah. It's been a little light.
I haven't thought about it. I'm too exhausted.
Can we talk about it later?
Toni said that we should...
Toni's not a part of this band.
We need to have a conversation between us.
And just us, Lisa.
I gotta go, Mike.
[Mike] We need to do it soon!
Look, I'm sick and tired of this, Alex.
Toni.
What is this?
It's your paycheck.
Thought I'd hand deliver it.
Why? What do you want?
You're not one to beat around the bush.
Maybe you are.
I wanted to ask about friendship with Lisa.
My friendship?
The reporter was prying the other day,
assuming she's a lesbian.
You know, I corrected her, of course,
but, I mean, those kinds of questions,
it doesn't benefit anyone, does it?
Back off Lisa.
You done?
Yeah.
Yeah, I think so. Thanks.
[unsettling music]
[Bus Driver] Hey, you got a lighter on you?
[Toni] Yeah. Sure thing.
Let's make time for a chat over the break.
I don't want to see everything slip away over one person.
- We'll have lunch. - Okay.
Here for your check?
I'm gonna need an advance on those jobs that were arranged.
Sure.
Got a few bills that popped up.
Um...
What upcoming jobs?
I... I don't see anything.
Oh, the commercial.
I signed the paperwork a while back.
Ah, here it is.
It seems like that deal fell through.
- What? - Yeah.
Did they say why?
Client pulled out.
No. No, that can't be.
I... I just spoke to them.
I had a whole creative conversation about
the commercial and what I wanted to do with it.
They were excited about us.
Look, I heard Barry said
that he didn't agree with the creative,
and that was a deal breaker for them,
so he turned down the commercial.
Hm!
I'm so sick of this. I've had enough.
- Whoa, whoa, whoa-- - Get your hands off of me.
[Secretary] Mr. Barry--
How dare you.
Excuse me?
We are the band.
You don't turn down a job
without letting all of us decide!
Okay.
This is how the industry works.
You signed the contract.
You belong to us.
We decide what's best, or we find another band
who will accommodate us as we need them to do.
Go home.
Get some rest. You look like hell.
[phone ringing] [Barry] Yeah. Hold on.
Lisa!
Remember, there's plenty of girls
waiting in line to take your place.
Hey. Hey, yeah, no.
I just had to give someone a little attitude adjustment.
Uh-huh.
[Lisa] Do you have a phone I can use?
Sure, baby.
There's one right here.
- Thank you. - Of course.
We gotta talk.
I stopped by accounting and pulled up all contracts.
And?
Barry and Rocco turned down that commercial.
Man, what the hell are we gonna do?
I think we should bring in Toni. She's done this before.
She's a backup singer, period!
Do you have a problem with a female schooling you?
That's your problem!
Back it off! Both of you!
We need to figure out how to get out of these contracts
before we tear each other apart.
They the bad guys, not us, man.
Yeah. Right.
I know a guy who's done this before.
I'm gonna give him a call.
Oh, so we can't call Toni,
but we can call a stranger we barely know.
Great! Lovely!
Lisa, please.
We need to figure out what we're gonna do first
before we let him know.
Yeah? What?!
There's a few execs at the label
that are concerned with your friendship with Toni.
Who cares if I'm friends with Toni?!
You just listen to her way too much.
You don't like the fact that I'm close to her?
Or that she's gay?
What? That's ridiculous.
You know how many gay musicians are out there?
A lot. You have a lot on your plate.
We just don't need another voice in your head giving you advice.
Yeah, come on, Lisa.
This is our band.
We started this together.
Lisa, hey, I like Toni, OK?
I don't care what she does on her free time,
you know, but...
This...
This could hurt us.
No, it won't.
Lisa...
She's like a sister.
She's my best friend.
[Rocco] Time is money.
Do it. Do it.
Listen.
Stop worrying about Toni
and start looking into the contracts
and how we keep losing money because of these guys.
[unsettling music]
[Toni] They need you, all right?
This is not the other way around.
[Mike] I told you, we don't need her. She's whack.
[Lisa] Don't snap at me like that.
[Spanador] We need to figure out
how to get out of these contracts
before we tear each other apart.
[Mike] This is our band.
[Barry] Or we find another band
who will accommodate us as we need them to do.
[Javi] I'm a man.
[Barry] There are plenty of girls waiting in line.
[Mike] We started this together.
[Rocco] There's a few execs at the label
that are concerned with your friendship with Toni.
[Mami] I see how they look at you.
[knocking on door]
[Spanador] The van's here to take us to the mall.
Lisa, come on!
Yeah, I'll be right there.
Lisa, what are you doing?
Rocco says the place is packed.
Ay dios smio... My hair!
[banging on door] [Spanador] Are you ready?!
Yeah, I said I'll be right there!
Thank you so much for coming.
[lively chatter, cheering]
This is a great turnout.
[lively chatter]
I can't do this anymore.
What?
I need a break.
All right. You'll get a break soon.
- I promise. - No, now!
[Rocco] Girl, you better calm down.
I said you will get a break.
All right?
The sooner you start, the sooner you will finish.
Get back to work.
Hey, I'm sorry about that.
[unsettling music]
[indistinct chatter]
[Lisa] Hi! Thank you so much.
Thank you.
Oh, this is such a good place for--
Come on, Lisa. I've been waiting all day.
Can I please get a kiss?
Please, please, please! Come on, you look so fine!
I'm sorry. Just an autograph.
- She said no, man. - Whoa, whoa, whoa.
- Toni! - Oh, we good?
We good?
What the hell are you doing, Toni?
What?
You can't be letting dudes get all grabby like that.
These are fans.
They're the reason why we're here.
We can't be handling things like this.
What the hell is that supposed to mean?
It means that we gotta be more thoughtful
how you handle situations, Toni!
Not everything is a confrontation.
What the hell is the matter with you?
You've never had a issue before, all right?
You look tired and, I mean...
Okay, you're one to talk.
You know what?
I don't need this, all right?
Because all I was doing was
making sure you were all right like I always do.
OK, don't!
Don't check on me for once!
I already have a brother.
I don't need another one hovering over me!
[unsettling music]
You good?
Yeah. I'm good.
Just tired.
I don't know... what's going on.
[Spanador] Oh, man. Runnin' in style.
[Mike] Yo! Look at this, man. Oh snap!
What is lame-ass Toni riding with us to the show for?
I don't know, man. Ask Lisa.
I will.
What you asking me for? Not a mind reader.
[Mike] Why aren't you listening to Rocco?
The label doesn't want her around,
and she's messing with our money.
I invited her, Mike.
Yeah, and that's the problem.
You keep making all these decisions
without consulting the group, and we're sick and tired of it.
Right, Alex?
Guys, listen, look.
I'm a lover, not a fighter, all right?
Can we just talk about it later?
Right now, we just need to focus.
No, we can't talk about it later.
I was gonna keep this between just us,
but I had a lawyer look over everything.
And those contracts that we signed?
Put Rocco in charge of everything.
He screwed us.
Nah.
You screwed yourself.
I already told you the music game.
You either hustle or you get hustled.
And you got hustled.
Yeah.
Just like your daddy be hustling you, right?
- Who the hell you talking to? - I'm talking to you.
[angry shouting]
Back your ass up!
She need to be out of here now.
Chill out!
Mike, stop dissing her.
This is the biggest night of our careers,
and you guys are wilding in the damn car?
[tense music]
Man, what are we gonna do about these contracts?
- Nothing. - What do you mean, nothing?
Those contracts are signed. We signed them.
I just bought my mom a house, my brother a car,
I'm paying for my sister's college.
That can all go away tomorrow like that.
Let's just ride this wave until we can renegotiate.
Because I ain't going back
to folding sweaters in the stockroom.
You hear me?
♪ ...help myself
♪ You make me feel so right
♪ I got to, got to tell you, darling ♪
♪ Ooh, baby, I think I love you ♪
♪ From head to toe
♪ I think I love you from head to toe ♪
♪ I know
You can't fight everybody, Toni!
You're lucky Barry wasn't there!
Me? I don't care about Barry.
All right? He's the one that started it.
Stop! Stop! I can't handle this!
Handle what? The truth?
I've been saying the same thing over and over and over.
Now what's happening?
Now it's a problem?
What is up with you?
You've been acting different for months now.
You never acted like this.
I always kept it real with you.
He, in fact, has been talking to me crazy,
and I'm not gonna keep allowing it.
Maybe you don't know what
the hell you're talking about, Toni!
OK.
Maybe I can stick up for myself!
Do it.
[Male Reporter] The rise in hip-hop
and electronic dance music
is forcing the freestyle genre to fade.
[switches off TV]
[Nurse] I'll be back in a minute to check on you.
[whispers] It's Lisa Lisa...
Hi.
[somber music]
♪ Da-da-da, da, da, da
♪ Da, da-da, da-da
Yeah. She's killing it, right?
Now let me see what you got.
Yeah, that's it.
Nah, keep going.
What's up?
I stopped by to get my check.
Ain't know we was rehearsing.
Who is that? She's cute.
Toni!
Do you have a minute?
Come with me to the back room.
[rain falling, thunderclap]
- [woman yelling] - [baby crying]
[keys jingle]
[hip-hop music on radio]
Look what the cat drug in.
I need a job, man.
Is that all you need?
Hey!
I told you.
You'll be back.
[chuckles]
♪ This love we have can't be real ♪
♪ Let me show you how I feel
♪ Oh boy
♪ We can make it, we can make it work ♪
Yeah, that was good.
I want to do it one more time, OK?
- Great job. - Hey, look who's back.
It's so good to see you, Lisa.
You look terrible.
You're not pregnant, right?
Shut up, Spanador. Who's that?
Um...
That is, um...
Spanador?
Mike. Mike!
Lisa, hear me out.
Where's Toni?!
Lisa!
I told you.
[Lisa] Barry!
I'm gonna have to call you back.
What happened to Toni?
I was gonna explain it to you.
Who the hell said to let her go?
It was a group decision.
I'm a part of this group.
Toni's toxic, okay? She's violent.
We do not need an individual like that on the road.
- She's a liability. - I need her.
I need her on the road. I want her back!
- No. - What?
It was a management decision.
I'll just go bring her back here.
You know, if you go after her, I have to believe that you are
not serious about your career.
You could lose everything you have worked for.
And for what?
Some lesbian?
How dare you.
What does it matter who she sleeps with or who she is?
You don't like Toni because she sees through your lies.
Mm-hmm.
You don't like her because
she teaches me about snakes like you.
I'm not gonna go on without her.
Period.
Whoa, whoa, whoa, whoa. You're from the ghetto.
You never graduated from high school.
You cannot make it in this business
without someone like me.
[unnerving music]
Watch me.
Ha!
Have you seen Toni?
Sorry, girls. I can't right now.
Lisa? Why are you looking for Toni?
Is she using again?
I didn't know she used.
You don't want to know she used.
- Maybe not. - Her pops?
She's using again, she'll be with him.
He's a drug addict, pimp,
living somewhere in the projects.
You find him, you'll find her.
Thanks.
Hey, Lisa, you gotta save her.
If she stays in the projects,
she'll end up just like her father.
Music's all she has.
- Can we just get an autograph? - Get out of the way!
Hey, Lisa, be careful!
Project's no place for a girl after sunset.
Yo, I don't think she's breathing.
She'll be all right.
I don't know, B. We need to do something.
It's your daughter, man.
It's a grown-ass woman.
She ain't did nothing she ain't want to do.
- [Lisa] Toni! - The hell is that?
[banging on door] [Lisa] Toni! Are you here?
Hey, get the piece, man. Hold me down.
The hell you doing here?
You hear me talking to you?
Toni. Toni. Toni.
- Hey! - Toni! Toni! Toni!
No, no. Get up. Get up.
She's barely breathing.
She ain't going nowhere.
She's gonna die.
We all gotta go sometime.
But you?
You ain't going nowhere, Boricua.
There are off-duty police officers
waiting for me outside.
If they come over here and they spot that pile
of cocaine you got there,
they're gonna pick you up
for the multiple warrants you probably have,
and you will die in prison. You hear me?
Take her outside.
Having babies don't make you a father.
Caring for them does.
You ain't no father.
Hey, Boricua.
Don't ever let her come back here.
Come here.
[siren wailing]
[monitor beeping]
- What day is it? - [Lisa] Tuesday.
You've been out all night.
Oh, this?
It's the latest in accessories.
The chemo pack.
I've had it for a while.
Doc told me after Javi and I split up.
But why? Why didn't you say anything?
I didn't tell anyone 'cause I was...
'cause I was scared.
Scared of what?
[Lisa] Scared of losing everything.
You know, when I was a kid,
I would stand on a chair in the kitchen
and just dream I was on a stage singing,
and that I was the one coming out of
Radio City Music Hall in a limo,
and that I would take care of Mami,
and that I would make Eladio proud.
[cheers and applause in the distance]
[Lisa] They'd see me all successful.
For a while, it felt like
everything we were living was that dream.
And the moment anyone said cancer, I would...
I would just lose it all.
That everything would be gone.
You know, the tour, the bands, the money.
You...
I was terrified of losing you.
And I was so angry at you.
Why did you do that?
I once...
asked a junkie...
how did he start getting high.
This guy was a track star.
He...
I don't know, he ended up...
strung out in the projects most nights.
But he said, when you...
spend your life...
being numb...
drugs help you to feel something.
And I guess I just, I just wanted to feel something.
I mean, selling rock for my pops
was never about the money.
I just wanted him to love me.
Toni.
[Toni] I guess I just...
I gotta accept the fact
that he'll never be able to do that.
You can't force anyone to love you the way you want.
I know that. Now.
Do you?
You're my best friend.
My sister, my family.
I don't ever want to lose you.
You won't ever lose me. You got that?
Then no more secrets.
No secrets.
'Cause sisters don't keep secrets.
OK?
No more secrets.
I think there's one more person you need to tell.
Lisa!
[speaking Spanish]
Mwah, mwah, mwah!
It's been so long since I've seen you, baby.
What are you doing here?
- I'm sorry, Mami. - Oh, it's OK.
I've been busy.
I have so much to tell you.
But what are you doing Saturday night?
♪ You can fly away
♪ It will be all right
♪ It will be OK
[upbeat, dreamy music]
[Lisa] We did it, Mami.
[Mami] Yes, we did.
[upbeat, dreamy music]
♪ Fly away
♪ Back another day
♪ Oh, hey
- Hi, Mami. - Hi, baby.
I got you seats in the front row.
- [laughs] - Thank you.
We'll eat after, yeah?
Mm-hmm.
Yeah.
Yeah, baby.
You're so beautiful.
Oh. [knocking on door]
Yeah?
It's time.
- I'll see you later. - Yeah.
Hey, I got you something.
What?! [laughs]
I thought I lost them!
It was in some of the boxes from when you moved.
I figured you might need it,
since you never went anyone without them.
Thank you.
Lisa.
It's not that I didn't think
you could take the D train alone, or...
pay for Mama's bills...
or do all of this.
I just...
I wanted to be the one to do that for you.
So you didn't have it as tough as I did.
I just...
I wanted to be the one
to take care of my little sister.
I know.
And if I never told you this...
I've never been more proud of anyone in my entire life.
I love you, sis.
[indistinct] [giggles]
[cheers and applause]
[Audience] Lisa! Lisa! Lisa!
[cheers and applause]
Hello, New York! Are you ready for this?
Let's go!
♪ Can you feel the beat within my heart? ♪
♪ Can you see my love shine through the dark? ♪
[cheers and applause]
♪ Can you feel the beat within my heart? ♪
♪ Can you see my love shine through the dark? ♪
♪ Can you see that you must be a part ♪
♪ Of that beat in my heart?
♪ That beat in my heart
Can you feel the beat?
- I'm Lisa. - Toni.
[audience clapping to music]
Let me hear you sing!
♪ Ooh, ooh, ooh, ooh, ooh, ah
♪ After all that we've been through ♪
♪ I can't seem to face the fact ♪
♪ That boy, I'm losing you
♪ I threw away your ties...
We're gonna do this my way or not at all.
♪ I tried not to let it show
♪ Now I don't know what to do
♪ I tell myself...
Don't you have sisters?
- No. - You got me now.
♪ My heart does double beats for you, oh ♪
♪ Now, you know my love
♪ Won't grow cold
♪ Oh, this love will turn to gold ♪
♪ If we stay in love
♪ Oh, my love, my love... ♪
Aw, you called me your best friend!
You're so cheesy!
Can we say a little bit more?
Are you ready for this?
♪ Can you feel the beat within my heart? ♪
♪ Can you see my love shine through the dark? ♪
♪ Can you feel the beat within my heart? ♪
♪ Can you see my love shine through the dark? ♪
♪ Can you see that you must be a part ♪
♪ Of that beat in my heart?
Toni! Toni! Get up! Get up!
♪ That beat in my heart
♪ That beat
Let's go!
[audience cheering]
Yes!
You're my best friend. I don't ever wanna lose you.
[cheers and applause]
[Lisa] You wanna know about my life?
Well...
Here you go.
[cheers and applause]
♪ You can fly away
♪ It will be all right
♪ It will be OK
[upbeat, dreamy music]
♪ When you feel the world is taking over ♪
♪ And it seems like life is too much ♪
♪ When it seems so hard to make tomorrow ♪
♪ Count
♪ You can fly away...