1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:06,500 --> 00:00:11,166 [suburban nature sounds creeping in] 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:23,291 --> 00:00:27,666 [busy highway sounds emerging] 5 00:00:36,916 --> 00:00:39,458 [sounds growing louder] 6 00:00:39,500 --> 00:00:44,208 - [a massive gust of wind] - [adventurous music playing] 7 00:00:58,166 --> 00:01:00,208 ANDREW: Lookin' good. Lookin' good. 8 00:01:00,375 --> 00:01:01,583 Josh, how you feeling? 9 00:01:02,208 --> 00:01:03,666 Pretty good. 10 00:01:04,416 --> 00:01:06,416 [PHONE] Andrew: Zi, you're recording, right? 11 00:01:06,458 --> 00:01:07,500 ZION: Yep! 12 00:01:11,416 --> 00:01:13,416 Uh, speed up a little bit, Josh! 13 00:01:13,833 --> 00:01:15,916 [adventurous music continues] 14 00:01:18,666 --> 00:01:20,000 Alright. 15 00:01:22,583 --> 00:01:23,875 [pressing gas pedal] 16 00:01:25,166 --> 00:01:27,291 I'm tryna get over. This guy won't let me in. 17 00:01:27,750 --> 00:01:28,833 This good? 18 00:01:29,000 --> 00:01:31,375 [PHONE] Andrew: Yep-yep, that's good. Yep, I'm getting over. 19 00:01:37,416 --> 00:01:38,333 Thank you. 20 00:01:38,875 --> 00:01:40,374 [PHONE] Andrew: Back off a little bit, Josh. 21 00:01:40,416 --> 00:01:41,999 [PHONE] Andrew: Well go past this guy, go past this guy! 22 00:01:42,041 --> 00:01:42,642 JOSH: Alright. 23 00:01:42,684 --> 00:01:44,999 JOSH: Whatchu want? Fast, slow, fast, slow, fast slow. 24 00:01:45,041 --> 00:01:47,041 [engine buzzing past] 25 00:01:50,500 --> 00:01:52,666 ANDREW: Josh, I-I need you to listen to me. 26 00:01:52,708 --> 00:01:54,125 It's-it's not a problem with Zion. 27 00:01:54,500 --> 00:01:55,416 What?! 28 00:01:55,750 --> 00:01:56,916 [PHONE] Andrew: No no don't look at me! Don't look at me! 29 00:01:56,958 --> 00:01:58,541 [PHONE] Andrew: Keep the camera on Josh's truck! 30 00:01:58,583 --> 00:02:00,333 [PHONE] Zion: I can only hear you if I turn my head! 31 00:02:00,541 --> 00:02:02,416 ANDREW: Zi, how tight is that neckstrap? 32 00:02:03,000 --> 00:02:04,375 ZION: We'll make it! 33 00:02:05,208 --> 00:02:06,708 Keep it on 'em! Keep it on 'em! 34 00:02:09,166 --> 00:02:10,166 [a rush of wind overhead] 35 00:02:10,625 --> 00:02:11,333 [neckstrap straining] 36 00:02:12,291 --> 00:02:13,708 ANDREW: Alright Josh, I'm coming to you. 37 00:02:15,166 --> 00:02:16,333 [snapping sound] 38 00:02:19,666 --> 00:02:20,666 ANDREW: Zi, what are you doing?! 39 00:02:20,708 --> 00:02:21,791 JOSH: Y'all good back there?! 40 00:02:21,833 --> 00:02:23,583 [PHONE] Andrew: Zi, where is it? What are you doing? 41 00:02:25,416 --> 00:02:26,249 ANDREW: Is it good? 42 00:02:26,291 --> 00:02:27,458 ZION: Yeah, yeah, yeah! 43 00:02:27,500 --> 00:02:28,333 Fuck. 44 00:02:28,500 --> 00:02:29,833 Fuck's sake! 45 00:02:30,083 --> 00:02:31,166 ZION: I'm sorry, man! I'm sorry! 46 00:02:31,208 --> 00:02:32,500 ANDREW: Was it your buckle? 47 00:02:32,791 --> 00:02:35,166 ZION: Yeah! Uh, it's buckled, yeah. 48 00:02:35,416 --> 00:02:36,708 What did he just do? 49 00:02:38,000 --> 00:02:39,000 It's fine. 50 00:02:40,500 --> 00:02:41,416 Josh, exit here. 51 00:02:44,708 --> 00:02:46,458 You wanna go to exit 69, right? 52 00:02:47,250 --> 00:02:48,791 [PHONE] Andrew: No. Right here, Josh. 53 00:02:50,958 --> 00:02:52,541 This is me saying cut. 54 00:02:53,041 --> 00:02:54,166 ANDREW: Alright? 55 00:02:54,833 --> 00:02:55,916 ANDREW: Zi? 56 00:03:02,666 --> 00:03:04,750 - Hey. - [music peacefully concludes] 57 00:03:05,416 --> 00:03:06,625 ANDREW: Listen... 58 00:03:07,666 --> 00:03:08,791 it's... 59 00:03:10,083 --> 00:03:11,708 I thought I lost a camera today. 60 00:03:12,291 --> 00:03:13,208 So... 61 00:03:14,791 --> 00:03:16,708 but you're not mad at me, are you? 62 00:03:16,958 --> 00:03:18,041 No... 63 00:03:18,750 --> 00:03:21,041 no, I'm not. I'm not. 64 00:03:21,708 --> 00:03:23,250 I'm asking too much of you? 65 00:03:23,958 --> 00:03:25,000 No. 66 00:03:27,750 --> 00:03:29,291 Look, I know it's... 67 00:03:30,041 --> 00:03:31,625 it's kind of chaotic. 68 00:03:33,708 --> 00:03:35,000 ANDREW: And there's something... 69 00:03:35,458 --> 00:03:38,000 beautiful... in the middle of the uh... 70 00:03:40,791 --> 00:03:42,250 that's art. 71 00:03:43,791 --> 00:03:45,833 I'm making a difference, right? 72 00:03:47,416 --> 00:03:48,583 What do you mean? 73 00:03:48,791 --> 00:03:50,791 I mean you're not, like, just... 74 00:03:51,083 --> 00:03:52,750 pulling the strings, are you? 75 00:03:53,083 --> 00:03:54,041 Hey... 76 00:03:55,041 --> 00:03:57,124 you make the difference... 77 00:03:57,166 --> 00:03:58,666 every single day. 78 00:03:59,125 --> 00:04:00,541 Alright? 79 00:04:01,416 --> 00:04:02,916 You got this. 80 00:04:07,166 --> 00:04:08,041 Oh sh- 81 00:04:08,375 --> 00:04:10,333 - [roaring jet engine] - [perilous music] 82 00:04:13,750 --> 00:04:15,208 They're doing their rounds. 83 00:04:17,250 --> 00:04:19,249 Yeah, it seems like more and more every day. 84 00:04:19,291 --> 00:04:20,375 [snapping photo] 85 00:04:23,125 --> 00:04:24,541 ANDREW: Let's go to the city. 86 00:04:25,625 --> 00:04:28,458 [steadily exciting music] 87 00:04:35,708 --> 00:04:36,750 [laptop spacebar click] 88 00:04:38,000 --> 00:04:39,333 It's not shit. 89 00:04:41,708 --> 00:04:42,750 ANDREW: We'll reshoot. 90 00:04:43,375 --> 00:04:45,333 This happens. We reshoot. 91 00:04:45,875 --> 00:04:47,541 What do you mean, 'we'll reshoot?' 92 00:04:47,708 --> 00:04:50,125 The festival is two weeks from now, bro. It's Sunday. 93 00:04:50,333 --> 00:04:52,583 Yeah, if we wanna be in the edit, say... 94 00:04:52,625 --> 00:04:56,208 a week from deadline, we're gonna need that co-star yesterday. 95 00:04:56,375 --> 00:04:58,291 JOSH: As much as I'd love to be the one-man-show. 96 00:04:58,625 --> 00:04:59,958 I have someone in mind. 97 00:05:03,458 --> 00:05:04,124 I don't get it. 98 00:05:04,166 --> 00:05:06,416 ANDREW: No no. Follow my eyes. Her. 99 00:05:07,291 --> 00:05:08,250 ANDREW: Woah, woah, woah, woah! 100 00:05:09,666 --> 00:05:10,266 Ooh sh- 101 00:05:10,500 --> 00:05:11,100 [splashing] 102 00:05:14,583 --> 00:05:16,333 ANDREW: Josh. Can we talk? 103 00:05:20,291 --> 00:05:21,375 Do you value film? 104 00:05:21,500 --> 00:05:23,083 Yes man I value film! 105 00:05:23,791 --> 00:05:25,250 You only value film stock. 106 00:05:25,666 --> 00:05:27,833 You like the dynamic range on celluloid. 107 00:05:28,250 --> 00:05:30,875 Yeah, cuz it adds more to the human experience. 108 00:05:32,958 --> 00:05:33,875 This... 109 00:05:34,083 --> 00:05:36,166 this is our generation's celluloid. 110 00:05:36,541 --> 00:05:37,750 We protect it. 111 00:05:38,000 --> 00:05:39,541 - Okay. - With our lives. 112 00:05:39,666 --> 00:05:41,333 One day this'll be an artifact. 113 00:05:42,166 --> 00:05:43,416 Just like you, man! 114 00:05:43,833 --> 00:05:45,083 Aye, you're the director. 115 00:05:45,125 --> 00:05:46,833 We got a week out from this right? 116 00:05:47,041 --> 00:05:48,124 So imma need you to wake up 117 00:05:48,166 --> 00:05:49,624 cuz you livin' in a fantasy land. 118 00:05:49,666 --> 00:05:50,364 ZION: Hey guys, cmon. 119 00:05:50,406 --> 00:05:51,499 Imma need you to stop dreamin'. 120 00:05:51,541 --> 00:05:52,708 Alright? 121 00:06:01,375 --> 00:06:03,416 Did someone have a little accident? 122 00:06:03,625 --> 00:06:05,541 Uhh... sorry? 123 00:06:07,083 --> 00:06:09,750 My uh... my buddy here is uh... 124 00:06:10,583 --> 00:06:11,458 accident-prone. 125 00:06:11,500 --> 00:06:13,749 Uh, what he means to say is that we're sorry. [pleasant music wanders in] 126 00:06:13,791 --> 00:06:14,666 ANDREW: Really sorry. 127 00:06:15,291 --> 00:06:18,291 It's fine. I don't cry over spilled... 128 00:06:18,541 --> 00:06:20,916 - spills. -Milk. Right. Do I know you? 129 00:06:21,041 --> 00:06:21,641 Hope not. 130 00:06:21,916 --> 00:06:23,458 You're the producer, right? 131 00:06:23,625 --> 00:06:24,416 Uh... 132 00:06:24,708 --> 00:06:26,708 yea. It's a hobby. 133 00:06:26,791 --> 00:06:29,166 I tried audio production a semester. 134 00:06:29,416 --> 00:06:30,500 You a film major? 135 00:06:31,250 --> 00:06:33,541 Yeah, it's less of a hobby than the music. 136 00:06:33,708 --> 00:06:34,666 ANDREW: Do you act? 137 00:06:35,041 --> 00:06:36,500 [laughs] 138 00:06:36,666 --> 00:06:37,583 Well... 139 00:06:37,750 --> 00:06:38,750 ANDREW: You act well? 140 00:06:38,958 --> 00:06:41,208 Yeah I think it was more of a pause. 141 00:06:41,250 --> 00:06:41,999 Oh. 142 00:06:42,041 --> 00:06:43,541 ANDREW: Uh... so you don't? 143 00:06:44,083 --> 00:06:45,583 Depends on the director. 144 00:06:46,250 --> 00:06:47,458 You're lookin' at him. 145 00:06:48,333 --> 00:06:49,083 Ah. 146 00:06:49,458 --> 00:06:50,250 Um... 147 00:06:50,791 --> 00:06:53,833 listen, if I weren't busy here I would. Wait... 148 00:06:54,416 --> 00:06:55,708 what does it pay? 149 00:06:57,791 --> 00:06:58,583 Um... 150 00:06:58,875 --> 00:07:01,125 No I'm kidding. I know the deal. 151 00:07:01,375 --> 00:07:03,708 Truth is, I just got stable. 152 00:07:04,166 --> 00:07:07,500 This is good work. It's hard to let it go. 153 00:07:08,458 --> 00:07:11,458 Until something Earth-shattering destroys your plans, 154 00:07:12,208 --> 00:07:16,541 the steady life isn't so bad. That's what they try to tell the film majors. 155 00:07:16,833 --> 00:07:18,166 Must've missed that class. 156 00:07:18,416 --> 00:07:20,791 BRAIJENE: Hm. And that's you. Ya know? 157 00:07:20,833 --> 00:07:22,000 Whatever works. 158 00:07:22,333 --> 00:07:25,541 I just... don't think I can manage that. 159 00:07:26,041 --> 00:07:26,958 BRAIJENE: Not now. 160 00:07:28,166 --> 00:07:28,833 Yea. 161 00:07:30,000 --> 00:07:31,583 Yea, for sure. For sure. 162 00:07:31,833 --> 00:07:34,208 BRAIJENE: We just met! Maybe next summer. 163 00:07:34,375 --> 00:07:36,916 You know, I really would love to. Like, really. 164 00:07:37,083 --> 00:07:38,791 OFF-SCREEN WORKER: Braijene! We need you up front! 165 00:07:39,083 --> 00:07:40,416 It's uh...'Braijene'? 166 00:07:41,166 --> 00:07:42,583 If my name helps. 167 00:07:43,250 --> 00:07:43,850 Yea. 168 00:07:44,208 --> 00:07:45,208 It was nice meeting you! 169 00:07:46,375 --> 00:07:47,541 My name's Zion by the way- 170 00:07:47,583 --> 00:07:48,791 Stop. Stop. 171 00:07:49,958 --> 00:07:51,333 ZION: When'd you meet her? 172 00:07:54,291 --> 00:07:55,666 [music ends] 173 00:07:56,500 --> 00:07:58,791 [mysterious music begins] 174 00:08:29,541 --> 00:08:31,958 [music fades out] 175 00:08:35,708 --> 00:08:37,250 [sharp music stinger] 176 00:08:38,833 --> 00:08:41,166 [deep synth pulsing] 177 00:08:41,583 --> 00:08:44,375 [footsteps up a staircase, into the room] 178 00:08:44,791 --> 00:08:47,500 BRAIJENE: Oh my gosh. What happened? 179 00:08:47,875 --> 00:08:49,624 FATHER: I got a little too close. Too long. 180 00:08:49,666 --> 00:08:52,291 BRAIJENE: Dad... you broke the mirror. 181 00:08:52,333 --> 00:08:55,875 FATHER: There's a better me. Waiting... just on the other side. 182 00:08:56,041 --> 00:08:58,916 BRAIJENE: Dad you're not making any sense. What do you- 183 00:08:58,958 --> 00:09:01,249 FATHER: And if you look at his eyes too close you'll see infinity. 184 00:09:01,291 --> 00:09:04,374 BRAIJENE: Dad come with me. Come with me. Let's go outside. 185 00:09:04,416 --> 00:09:06,333 FATHER: We can't go outside! 186 00:09:06,541 --> 00:09:08,874 BRAIJENE: I'm getting Mom. I'm getting her right now- 187 00:09:08,916 --> 00:09:09,624 FATHER: - No! 188 00:09:09,666 --> 00:09:11,625 FATHER: No. No, no, no, no, no, no, no, no, no. 189 00:09:11,875 --> 00:09:13,708 FATHER: You can't get Mom. Can't let her see this. 190 00:09:13,750 --> 00:09:14,541 FATHER: Noo, no, no- 191 00:09:14,583 --> 00:09:17,958 BRAIJENE: -Then please can you breathe for just a second?! 192 00:09:18,166 --> 00:09:20,083 FATHER: I made a mess. I made a real mess. 193 00:09:20,125 --> 00:09:24,500 BRAIJENE: I'll get the mess! Please don't worry about the mess. Don't. 194 00:09:25,875 --> 00:09:28,708 BRAIJENE: Dad I'll clean it up. You can put it down! 195 00:09:30,250 --> 00:09:32,375 BRAIJENE: Put it... down. 196 00:09:33,166 --> 00:09:33,958 BRAIJENE: No! 197 00:09:34,000 --> 00:09:35,041 [footsteps] 198 00:09:35,083 --> 00:09:36,749 - [stabbing sound] - BRAIJENE: Stop! 199 00:09:36,791 --> 00:09:38,083 - [another stabbing sound] - [groaning] 200 00:09:38,125 --> 00:09:40,249 - BRAIJENE: Stop! Please... stop. - [grasping at clothing noises] 201 00:09:40,291 --> 00:09:41,583 - [stabbing with increasing force] - [grunts and groans] 202 00:09:41,625 --> 00:09:43,458 BRAIJENE: Stop it. Stop. 203 00:09:43,958 --> 00:09:44,999 BRAIJENE: Stop!!! 204 00:09:45,041 --> 00:09:47,666 [Q-Line screeching to a halt] 205 00:09:53,250 --> 00:09:56,708 ANDREW: Four, three, two... 206 00:09:57,000 --> 00:10:00,916 Hey guys! Welcome back to... a couple-some behind the scenes... 207 00:10:00,958 --> 00:10:04,208 for my new short film, 'Alluring Contradictions.' 208 00:10:05,125 --> 00:10:08,916 Um... I've packed in here a ton of content... for... for I- 209 00:10:08,958 --> 00:10:11,375 director's commentary, um... 210 00:10:11,666 --> 00:10:13,999 a behind-the-scenes look at kind of my writing proc- 211 00:10:14,041 --> 00:10:15,541 my personal writing process, 212 00:10:15,875 --> 00:10:21,041 and uh... a video diary documenting my experience making the film. 213 00:10:21,541 --> 00:10:23,791 Um... and uh yeah so I... 214 00:10:24,250 --> 00:10:27,458 I really hope you enjoy it. And... 215 00:10:28,375 --> 00:10:32,916 yea! I really-I hope-I really hope you enjoy it. And... 216 00:10:41,833 --> 00:10:45,458 So the crew and I... we are um... 217 00:10:48,583 --> 00:10:51,166 uh-a little behind schedule. 218 00:10:51,833 --> 00:10:55,208 Less than um... three weeks until the... 219 00:10:55,666 --> 00:10:58,666 festival deadline and I-I am not... 220 00:11:00,041 --> 00:11:02,291 feeling... 221 00:11:03,458 --> 00:11:04,625 [mouth click] 222 00:11:05,583 --> 00:11:07,791 uh... like at all. 223 00:11:08,041 --> 00:11:09,041 [inhale] 224 00:11:10,291 --> 00:11:13,291 Like I know I have to be the... the strong one. 225 00:11:13,750 --> 00:11:14,791 Uh... 226 00:11:15,250 --> 00:11:16,333 and uh... 227 00:11:17,000 --> 00:11:21,458 ...and also I'd have-have to be the one who feels...the most. 228 00:11:22,958 --> 00:11:25,666 But... I just think if I um... 229 00:11:28,125 --> 00:11:30,500 like if I keep f-feeling at this rate... 230 00:11:31,208 --> 00:11:32,583 it's all-I'm just... 231 00:11:33,291 --> 00:11:36,750 it's just-I'm just gonna like... combust... or... like... 232 00:11:37,875 --> 00:11:39,375 uh... 233 00:11:43,666 --> 00:11:44,833 [exhale] 234 00:11:45,083 --> 00:11:48,208 Like I-when I'm out there, ya know, doing my thing I... 235 00:11:48,375 --> 00:11:50,875 I feel great. And then... 236 00:11:51,375 --> 00:11:53,708 and then, like, I come back here at like... 237 00:11:54,375 --> 00:11:56,083 whatever... A.M... 238 00:11:56,625 --> 00:11:58,083 and uh... 239 00:11:59,125 --> 00:12:01,875 and I just start to get like really meta-like... 240 00:12:02,166 --> 00:12:03,583 uh... introspective... 241 00:12:04,208 --> 00:12:07,583 and just- and I just start to see the day in a-like a whole other... uh... 242 00:12:07,625 --> 00:12:09,125 lens. 243 00:12:11,958 --> 00:12:13,250 [mouth click] 244 00:12:15,416 --> 00:12:17,916 So then I go out at night. 245 00:12:18,375 --> 00:12:20,250 [strange elevator chime] 246 00:12:20,833 --> 00:12:23,125 [eerie, ambient music growing] 247 00:12:23,250 --> 00:12:26,250 ANDREW: I like-I like people-watching. 248 00:12:27,333 --> 00:12:30,333 People act differently when they think they're alone. 249 00:12:33,458 --> 00:12:36,625 I like the-I like the telephoto... lens. 250 00:12:38,541 --> 00:12:41,041 I think you capture the truest... uh... 251 00:12:42,125 --> 00:12:43,083 [mouth click] 252 00:12:44,166 --> 00:12:47,166 the truest performance of someone. 253 00:12:49,041 --> 00:12:51,416 And that's what I- and that's what I like... um... 254 00:12:51,458 --> 00:12:55,500 narrative film... and documentary combined. 255 00:12:55,708 --> 00:12:58,500 It-it's that alchemy... that... 256 00:12:59,291 --> 00:13:01,416 that makes it all really special. 257 00:13:02,083 --> 00:13:04,208 You can like... pull the st- 258 00:13:04,458 --> 00:13:06,999 like pull the strings of the-the real world... 259 00:13:07,041 --> 00:13:08,916 kind of... you know... 260 00:13:09,333 --> 00:13:10,958 kind of augment it... 261 00:13:11,291 --> 00:13:13,541 make it your own. 262 00:13:16,333 --> 00:13:17,666 Ya gotta believe it. 263 00:13:21,666 --> 00:13:23,374 I mean all the greats knew it... 264 00:13:23,416 --> 00:13:25,958 that-I mean I know it and uh... 265 00:13:26,500 --> 00:13:29,291 that... that is... 266 00:13:30,458 --> 00:13:31,750 if you... 267 00:13:32,000 --> 00:13:36,875 if you really want them to believe in something like... really... 268 00:13:37,916 --> 00:13:38,916 like... 269 00:13:39,291 --> 00:13:41,666 ya know... really believe it... 270 00:13:42,750 --> 00:13:45,250 then you have to believe it too. 271 00:13:53,166 --> 00:13:54,833 Do you believe me? 272 00:14:01,375 --> 00:14:04,083 [audio muffled] I know you watch me while I sleep. 273 00:14:07,625 --> 00:14:09,625 You think I don't notice? 274 00:14:14,416 --> 00:14:16,875 What are you not telling me? 275 00:14:19,291 --> 00:14:23,583 [PHONE] If you're a college filmmaker and you haven't heard of this film festival... 276 00:14:23,625 --> 00:14:25,166 [PHONE] literally what are you doing? 277 00:14:25,208 --> 00:14:28,249 [PHONE] At Mitten Flick Film Fest, we wanna see your film! 278 00:14:28,291 --> 00:14:30,999 [PHONE] You can participate in the state's most underrated... 279 00:14:31,041 --> 00:14:33,166 [PHONE] narrative and documentary film festival. 280 00:14:33,208 --> 00:14:36,166 [PHONE] Semi-finalists are awarded a five-minute Zoom session... 281 00:14:36,208 --> 00:14:38,124 [PHONE] with Yorgos Lanthimos! 282 00:14:38,166 --> 00:14:41,333 [PHONE] And finalists are awarded a twenty-minute Zoom session... 283 00:14:41,375 --> 00:14:43,458 [PHONE] with Martin Scorsese’s daughter! 284 00:14:43,500 --> 00:14:46,374 [PHONE] There's officially only two weeks left until entry deadline... 285 00:14:46,416 --> 00:14:48,791 [PHONE] and late entries will NOT be accepted. 286 00:14:48,833 --> 00:14:50,708 [PHONE] We can't wait to see you there! 287 00:14:50,750 --> 00:14:51,449 Two weeks. 288 00:14:51,491 --> 00:14:55,124 [PHONE] If you're a college filmmaker and you haven't heard of this film festival... 289 00:14:55,166 --> 00:14:56,708 [PHONE] literally what are you doing? 290 00:14:56,750 --> 00:14:59,791 [PHONE] At Mitten Flick Film Fest, we wanna see your film! 291 00:14:59,833 --> 00:15:02,083 [PHONE] You can participate in the state's most underrated... 292 00:15:02,125 --> 00:15:03,215 - [intense screaming] - [PHONE] 293 00:15:03,257 --> 00:15:04,708 narrative and documentary film festival. 294 00:15:04,750 --> 00:15:07,708 [PHONE] Semi-finalists are awarded a five-minute Zoom session... 295 00:15:07,750 --> 00:15:09,666 [PHONE] with Yorgos Lanthimos! 296 00:15:09,708 --> 00:15:11,125 [PHONE] And finalists are awarded- 297 00:15:25,666 --> 00:15:27,291 ANDREW: Braijene, hey! 298 00:15:28,041 --> 00:15:29,333 How ya doing? 299 00:15:30,083 --> 00:15:31,500 Hey-hey I um... 300 00:15:32,333 --> 00:15:34,000 Sorry... uh... 301 00:15:34,708 --> 00:15:36,499 did-I just wanna ask I guess... did... 302 00:15:36,541 --> 00:15:39,250 did I make you uncomfortable at all yesterday? 303 00:15:40,041 --> 00:15:43,041 No. No, no. You-you didn't. 304 00:15:43,750 --> 00:15:45,958 Okay. Um... 305 00:15:46,333 --> 00:15:47,666 gotcha. So... 306 00:15:47,916 --> 00:15:49,624 I guess I just wanted to... 307 00:15:49,666 --> 00:15:51,791 come over here and ask just uh... 308 00:15:52,166 --> 00:15:55,124 well, I just wanted to say I didn't really... get a... 309 00:15:55,166 --> 00:15:59,000 get a chance to explain my movie concept to you yesterday and um... 310 00:15:59,416 --> 00:16:00,958 I just... 311 00:16:01,333 --> 00:16:05,250 it feels like... it feels like this role was written for you. 312 00:16:07,125 --> 00:16:08,333 I don't know. 313 00:16:09,000 --> 00:16:10,541 I just... 314 00:16:11,375 --> 00:16:13,083 maybe just like five minutes? 315 00:16:13,375 --> 00:16:16,375 To... to just explain the concept to you and then... 316 00:16:17,666 --> 00:16:19,333 you can drop it at anytime. 317 00:16:19,750 --> 00:16:21,041 Really. 318 00:16:22,750 --> 00:16:24,875 Um... 319 00:16:26,708 --> 00:16:27,458 yea. 320 00:16:27,916 --> 00:16:32,333 Yea sure. Um... sure I'm early so, yea. 321 00:16:33,125 --> 00:16:34,208 Okay. 322 00:16:35,125 --> 00:16:36,166 Cool. 323 00:16:38,458 --> 00:16:39,750 So this right here... 324 00:16:40,458 --> 00:16:43,958 this scene is about... it's almost like a Bonnie and Clyde-like feel. 325 00:16:44,541 --> 00:16:47,624 - [drifting string music begins] - But um... synth, strings, ya know... 326 00:16:47,666 --> 00:16:50,958 I don't know if you've seen... if-if you're an A24 person but... 327 00:16:51,250 --> 00:16:54,958 kind of... kind of a... indie-feel but still... 328 00:16:56,125 --> 00:16:59,583 kind of... I don't know. It's like artful, but it's-it's still fun in a way. 329 00:17:00,083 --> 00:17:03,375 The script is kind of about... class struggle. 330 00:17:03,708 --> 00:17:07,041 Ya know uh... that kind of thing. I'm tryna stay topical and uh... 331 00:17:07,416 --> 00:17:08,958 just do something that'll... 332 00:17:09,291 --> 00:17:12,708 make a difference, have a... you know have a really good uh... um... 333 00:17:12,916 --> 00:17:15,500 big... cultural... uh, kind of impact. 334 00:17:15,875 --> 00:17:17,583 [Braijene] Who will I be playing? 335 00:17:18,083 --> 00:17:19,916 Um so you'll be playing Tammy. 336 00:17:20,333 --> 00:17:25,458 Tammy is uh... kind of her-I guess... girlfriend to Mars... 337 00:17:25,583 --> 00:17:27,791 who's gonna-who's gonna be played by Josh. 338 00:17:28,000 --> 00:17:30,625 And uh... you guys kinda have this uh... 339 00:17:31,041 --> 00:17:33,541 odd relationship where you're both tryna get... 340 00:17:33,833 --> 00:17:38,208 uh... ya know, double-cross each other and take the money that... that you both stole. 341 00:17:38,250 --> 00:17:39,375 And uh... 342 00:17:40,750 --> 00:17:41,666 I don't know. 343 00:17:42,416 --> 00:17:44,208 It's gonna be... it's gonna be a little tricky with... 344 00:17:44,583 --> 00:17:46,333 ya know, scheduling and all that but... 345 00:17:47,791 --> 00:17:49,208 what do you think? 346 00:17:50,333 --> 00:17:54,041 BRAIJENE: I don't work weekends... or the 31st. 347 00:17:54,750 --> 00:17:58,083 But I know that's two days before the deadline. 348 00:17:58,500 --> 00:18:01,500 [uncertainty of music strings] 349 00:18:02,375 --> 00:18:03,500 We're artists. 350 00:18:03,916 --> 00:18:05,041 Ya know? 351 00:18:05,625 --> 00:18:06,958 We'll figure it out. 352 00:18:07,541 --> 00:18:08,916 That's what we do. 353 00:18:10,208 --> 00:18:12,166 What do you say? 354 00:18:14,000 --> 00:18:17,000 [aspirational horn music] 355 00:18:22,958 --> 00:18:24,166 [exhale] 356 00:18:24,458 --> 00:18:25,666 Let's go!!! 357 00:18:25,958 --> 00:18:26,625 Yes!!! 358 00:18:26,958 --> 00:18:28,125 Yes, yes!!! 359 00:18:28,583 --> 00:18:29,750 Let's go!!! 360 00:18:30,083 --> 00:18:31,041 Let's... 361 00:18:33,833 --> 00:18:34,458 Oh sh- 362 00:18:36,666 --> 00:18:37,875 ANDREW: Welcome everybody. 363 00:18:38,125 --> 00:18:40,250 Thanks for uh... thanks for joining. 364 00:18:40,500 --> 00:18:43,916 This is Braijene. She's gonna be... our new actor. Actress! 365 00:18:44,791 --> 00:18:46,125 Actress. [laughs] 366 00:18:46,416 --> 00:18:47,500 Umm... 367 00:18:47,750 --> 00:18:49,708 and uh... we're really happy to have her. 368 00:18:49,916 --> 00:18:50,833 And Braijene... 369 00:18:51,166 --> 00:18:53,208 this is uh... this is Zion. 370 00:18:53,375 --> 00:18:55,166 Zion is our cinematographer. 371 00:18:55,541 --> 00:18:56,583 He's super good. 372 00:18:56,958 --> 00:18:58,666 Josh I think you need to uh... 373 00:18:59,500 --> 00:19:01,958 just like flip... if you could like flip your camera. 374 00:19:02,458 --> 00:19:03,333 JOSH: What? 375 00:19:04,708 --> 00:19:06,458 Just uh flip your screen. It's... 376 00:19:06,750 --> 00:19:08,916 JOSH: Ohhh. My bad bro. [laughs] 377 00:19:09,333 --> 00:19:09,933 Yep. 378 00:19:10,000 --> 00:19:11,208 That's good. Um... 379 00:19:11,541 --> 00:19:12,583 - Braijene - JOSH: That's better? 380 00:19:12,750 --> 00:19:14,791 Yep. Braijene, uh... this is Josh. 381 00:19:14,916 --> 00:19:16,458 He's gonna be your co-star. 382 00:19:16,791 --> 00:19:17,875 So um... 383 00:19:19,125 --> 00:19:19,750 that's Josh. 384 00:19:19,916 --> 00:19:21,083 We got a big day tomorrow... 385 00:19:21,250 --> 00:19:23,916 and... a night to plan it. So um... 386 00:19:25,291 --> 00:19:27,208 let's go ahead and uh get started right away. 387 00:19:27,541 --> 00:19:28,625 Tomorrow's objective... 388 00:19:29,041 --> 00:19:29,684 we got... 389 00:19:29,726 --> 00:19:30,916 the runaway scene. 390 00:19:30,958 --> 00:19:32,240 - [subdued, intense music begins] - ANDREW: 391 00:19:32,282 --> 00:19:33,666 Braijene I believe I gave you a script but... 392 00:19:33,833 --> 00:19:35,041 I guess I just want you to know that... 393 00:19:35,166 --> 00:19:37,750 what we capture tomorrow is not... 394 00:19:38,208 --> 00:19:40,833 necessarily dependent on the page. 395 00:19:40,958 --> 00:19:43,750 I rely on the reality to show itself. 396 00:19:44,125 --> 00:19:44,875 And so will you. 397 00:19:45,208 --> 00:19:46,375 And Josh... 398 00:19:47,125 --> 00:19:47,725 JOSH: Yea. 399 00:19:48,375 --> 00:19:48,975 Yea yea. 400 00:19:49,583 --> 00:19:51,833 This city... is... alive. 401 00:19:52,041 --> 00:19:53,708 Detroit... breathes. 402 00:19:53,833 --> 00:19:55,250 So, when you act... 403 00:19:55,416 --> 00:19:56,999 you're inseparable from it. 404 00:19:57,041 --> 00:19:58,458 A living stem. 405 00:19:58,875 --> 00:20:01,208 I need you to give that... in-in your performance. 406 00:20:01,416 --> 00:20:02,666 And Zion... 407 00:20:04,041 --> 00:20:05,875 what we capture tomorrow is... 408 00:20:06,250 --> 00:20:08,583 it's more than a memory. 409 00:20:09,166 --> 00:20:10,375 The moment is... 410 00:20:11,375 --> 00:20:13,583 right now. On this call... in our... 411 00:20:13,833 --> 00:20:14,708 in our minds. 412 00:20:15,166 --> 00:20:17,166 The moment is... tomorrow. 413 00:20:17,708 --> 00:20:19,250 Uh... on the camera. 414 00:20:19,625 --> 00:20:20,625 But more than that... 415 00:20:20,958 --> 00:20:22,791 the moment is forever. 416 00:20:23,291 --> 00:20:24,583 With every... 417 00:20:25,333 --> 00:20:27,416 micro-movement of that camera... 418 00:20:27,666 --> 00:20:29,666 you craft... what's real. 419 00:20:30,916 --> 00:20:33,000 You craft reality. You own it. 420 00:20:33,333 --> 00:20:34,291 We own it! 421 00:20:36,875 --> 00:20:38,250 Let's go stir up some shit. 422 00:20:38,791 --> 00:20:41,208 [music revving up again] 423 00:20:41,833 --> 00:20:44,250 BRAIJENE: Question, um... 424 00:20:53,875 --> 00:20:55,958 [car accelerating past] 425 00:21:02,541 --> 00:21:05,791 [soaring horn music] 426 00:21:38,250 --> 00:21:40,000 [shrill, rising string music] 427 00:21:43,250 --> 00:21:45,958 [soft, rhythmic synth bass] 428 00:21:46,333 --> 00:21:47,583 Alright. We're in right now. 429 00:21:47,625 --> 00:21:48,750 [Josh drops bag] 430 00:21:49,083 --> 00:21:49,916 Push two? 431 00:21:50,000 --> 00:21:50,833 [machine button tone] 432 00:21:52,291 --> 00:21:54,166 - JOSH: Alright. - [Josh swipes card] 433 00:21:54,875 --> 00:21:56,500 We takin' out how much? 434 00:21:57,166 --> 00:21:58,124 Take all of it, right? 435 00:21:58,166 --> 00:21:58,999 [transaction success chime] 436 00:21:59,041 --> 00:22:00,999 BRAIJENE: What is he telling you to... do? 437 00:22:01,041 --> 00:22:02,385 - [ATM expelling money] - JOSH: 438 00:22:02,427 --> 00:22:04,333 He's telling me to get all of it out. So... 439 00:22:04,791 --> 00:22:05,541 he said... 440 00:22:05,791 --> 00:22:06,541 [machine beeping] 441 00:22:06,583 --> 00:22:08,875 so that's exactly what we're gonna do. 442 00:22:10,250 --> 00:22:11,416 [machine button tones] 443 00:22:12,875 --> 00:22:15,625 [ATM expelling money] 444 00:22:16,875 --> 00:22:18,541 BRAIJENE: Is that fake money? 445 00:22:18,583 --> 00:22:20,416 JOSH: Nah, this is real money. 446 00:22:20,833 --> 00:22:21,875 Real moolah. 447 00:22:22,875 --> 00:22:24,000 Aye, should I get more? 448 00:22:24,416 --> 00:22:26,583 That's good. I like what you're doing. 449 00:22:29,125 --> 00:22:30,125 'Kay now... 450 00:22:30,333 --> 00:22:32,750 now you take the uh... money out of the bag. 451 00:22:34,458 --> 00:22:35,583 JOSH: Was thinkin' that too. 452 00:22:35,791 --> 00:22:37,833 We're gonna get a little bit more and we're out. 453 00:22:39,083 --> 00:22:41,083 Aye, push two for me real quick. 454 00:22:42,083 --> 00:22:42,708 [machine button tone] 455 00:22:42,875 --> 00:22:43,475 Alright. 456 00:22:43,625 --> 00:22:44,416 Good. 457 00:22:46,333 --> 00:22:47,041 Good. 458 00:22:50,833 --> 00:22:52,333 'Kay now... 459 00:22:54,750 --> 00:22:56,125 okay! Now run out. I'll follow you. 460 00:22:56,458 --> 00:22:57,208 JOSH: You ready? 461 00:22:57,250 --> 00:22:58,750 BRAIJENE: [scoffing] Yea I'm ready. 462 00:23:05,916 --> 00:23:07,375 Keep following, keep following. 463 00:23:07,500 --> 00:23:08,103 ZION: Following. 464 00:23:08,145 --> 00:23:08,958 ANDREW: When I say cut we get up okay? 465 00:23:09,000 --> 00:23:10,500 ZION: Alright I gotchu. 466 00:23:10,833 --> 00:23:11,433 Three... 467 00:23:11,916 --> 00:23:12,625 two... 468 00:23:12,958 --> 00:23:15,250 one... let's go! Let's go! Let's go! Let's go! 469 00:23:15,583 --> 00:23:18,125 BRAIJENE: Josh... what was that?! 470 00:23:20,583 --> 00:23:22,083 JOSH: That's what you call... 471 00:23:22,541 --> 00:23:24,208 a successful robbery baby! 472 00:23:24,250 --> 00:23:27,000 BRAIJENE: No... why didn't you tell me what we were doing? 473 00:23:27,208 --> 00:23:29,250 [adventurous horns increasing in intensity] 474 00:23:29,916 --> 00:23:31,458 ANDREW: Okayyy... set up. 475 00:23:33,083 --> 00:23:34,125 Good. 476 00:23:39,083 --> 00:23:40,625 They're not here yet, so... 477 00:23:40,750 --> 00:23:43,416 so get it focused, and we'll go up for a take. 478 00:23:43,750 --> 00:23:45,083 Hold real quick. 479 00:23:46,416 --> 00:23:47,208 [auto-focus click] 480 00:23:47,250 --> 00:23:48,250 Alright epic. 481 00:23:48,333 --> 00:23:49,458 Zoom... 482 00:23:50,000 --> 00:23:51,416 all the way. All the way. 483 00:23:51,500 --> 00:23:53,458 BRAIJENE: You're gonna get us arrested! 484 00:23:53,666 --> 00:23:56,916 JOSH: Who cares? We got money. We'll pay it. We'll post-bail! 485 00:23:57,416 --> 00:23:59,083 No. Not at all. 486 00:23:59,208 --> 00:24:01,166 You're 'bout to round the corner where's-we have 487 00:24:01,208 --> 00:24:03,416 the shot set up and everything's for you so just... 488 00:24:03,583 --> 00:24:05,121 so once you round the corner you're just gonna 489 00:24:05,163 --> 00:24:06,708 run all the way down the straightaway okay? 490 00:24:07,083 --> 00:24:08,208 ANDREW: Let's roll camera! 491 00:24:08,708 --> 00:24:10,458 ZION: Alright, camera rolling! 492 00:24:11,625 --> 00:24:14,625 ANDREW: Action. Action. Alright, keep it rolling, keep it rolling! 493 00:24:14,791 --> 00:24:15,708 Alright. 494 00:24:15,750 --> 00:24:17,041 [clicking sound] 495 00:24:17,625 --> 00:24:18,833 It just died! 496 00:24:19,791 --> 00:24:22,333 ZION: Shit, it died. It died! 497 00:24:24,166 --> 00:24:24,999 [Andrew muttering] 498 00:24:25,041 --> 00:24:27,583 ZION: Uh, yea please tell me you have another battery in there. 499 00:24:28,875 --> 00:24:29,708 ANDREW: No. 500 00:24:29,791 --> 00:24:31,291 C'mon, c'mon, c'mon, c'mon, c'mon! 501 00:24:31,333 --> 00:24:32,374 That... nope. 502 00:24:32,416 --> 00:24:33,291 [metal object rattling] 503 00:24:35,916 --> 00:24:36,916 ANDREW: Lav? I have two lavs! 504 00:24:36,958 --> 00:24:38,284 ZION: They're getting ready to turn the corner man! 505 00:24:38,326 --> 00:24:38,991 ANDREW: Yarn?! 506 00:24:39,033 --> 00:24:39,725 Hey! No. 507 00:24:39,833 --> 00:24:40,875 - [more metal clattering] - Nope. 508 00:24:41,208 --> 00:24:42,624 BRAIJENE: Where are we going?! 509 00:24:42,666 --> 00:24:44,875 JOSH: We just gotta make it back to them before the battery dies, c'mon! 510 00:24:45,250 --> 00:24:47,291 JOSH: If we keep going... we can make it! 511 00:24:47,458 --> 00:24:48,958 Oh my gosh, oh my gosh, oh my gosh, oh my gosh, oh my gosh... 512 00:24:49,000 --> 00:24:50,927 they're about to turn the corner! C'mon, c'mon, c'mon, c'mon! 513 00:24:50,969 --> 00:24:51,625 ANDREW: This? 514 00:24:52,375 --> 00:24:53,250 This... 515 00:24:54,500 --> 00:24:55,458 - Yep! Nope. - [objects clattering] 516 00:24:55,500 --> 00:24:56,416 Dude. 517 00:24:57,541 --> 00:24:59,416 Is that it? Is that it right there? Is that it right there? 518 00:24:59,458 --> 00:25:02,291 Zion! Shut the... up... man! 519 00:25:05,833 --> 00:25:06,750 ANDREW: Agh! 520 00:25:09,000 --> 00:25:10,083 Got it. Got it! 521 00:25:10,500 --> 00:25:11,625 ZION: Hurry, they're almost here. C'mon! 522 00:25:11,708 --> 00:25:12,875 ANDREW: Here you go. Here you go! 523 00:25:13,875 --> 00:25:15,124 ZION: Here, take this one! Take this one! 524 00:25:15,166 --> 00:25:16,333 ANDREW: Here... here you go. 525 00:25:17,333 --> 00:25:18,458 ANDREW: Here they come. 526 00:25:19,916 --> 00:25:21,875 ANDREW: Here they come. Roll camera, roll camera! 527 00:25:23,291 --> 00:25:24,125 [musical peak] 528 00:25:24,416 --> 00:25:25,375 ANDREW: Yes!! 529 00:25:25,583 --> 00:25:26,875 That's it. Keep going! 530 00:25:27,000 --> 00:25:28,458 ANDREW: All the way guys. All the way! 531 00:25:30,875 --> 00:25:32,125 Don't stop. Don't stop. 532 00:25:32,250 --> 00:25:33,458 [music settling] 533 00:25:33,625 --> 00:25:35,083 It's just how I imagined. 534 00:25:40,458 --> 00:25:41,249 We did it. 535 00:25:41,291 --> 00:25:42,583 Nice job. 536 00:25:42,875 --> 00:25:44,666 You were amazing back there. 537 00:25:45,125 --> 00:25:46,416 BRAIJENE: I must've... 538 00:25:46,458 --> 00:25:50,458 I must've missed it. Usually someone calls, 'action.' 539 00:25:50,833 --> 00:25:52,666 ANDREW: When you call, 'action'... 540 00:25:52,750 --> 00:25:54,333 the action starts. 541 00:25:54,791 --> 00:25:56,708 That means it has to end. 542 00:25:56,750 --> 00:26:00,458 But for me it's like... it just is. 543 00:26:01,833 --> 00:26:03,666 Nah. You're always on. 544 00:26:05,625 --> 00:26:07,250 Alright. 545 00:26:09,375 --> 00:26:11,109 BRAIJENE: Hey! Hey you're Zion, right? 546 00:26:11,151 --> 00:26:12,083 [soft piano music] 547 00:26:12,208 --> 00:26:14,041 Hey! Uh, yea, yea! 548 00:26:14,291 --> 00:26:17,000 Um, how long you worked with Andrew? 549 00:26:18,041 --> 00:26:22,041 Uh... it's like my third summer now, uh... 550 00:26:22,208 --> 00:26:24,083 but it still feels like my first. 551 00:26:24,125 --> 00:26:25,000 Yea? 552 00:26:25,166 --> 00:26:28,625 Yea uh... days like these, I mean... 553 00:26:29,375 --> 00:26:31,250 you never want them to end. 554 00:26:32,416 --> 00:26:35,416 [laughing] It's deep. It's really deep. 555 00:26:36,083 --> 00:26:39,541 [laughing] I'm a deep guy. Real deep guy. 556 00:26:40,458 --> 00:26:42,208 [music growing] 557 00:26:43,041 --> 00:26:45,666 Summer never lasts forever. 558 00:26:45,958 --> 00:26:49,000 Nah, it's the... people that you spend it with. 559 00:26:50,416 --> 00:26:52,833 A skeleton crew. 560 00:26:53,541 --> 00:26:55,791 An old bag of wishbones. 561 00:26:56,375 --> 00:26:58,541 Do you ever wish for more help? 562 00:26:58,833 --> 00:27:03,875 Never. I mean, there's a reason why we're doing it by ourselves. I mean... 563 00:27:04,458 --> 00:27:07,875 Josh has his photography thing on the side... 564 00:27:08,916 --> 00:27:11,541 you got your coffee thing. 565 00:27:13,333 --> 00:27:14,916 What about Andrew? 566 00:27:16,125 --> 00:27:18,916 You know what? I don't know. I don't know. 567 00:27:19,916 --> 00:27:21,500 What about you? 568 00:27:22,000 --> 00:27:25,833 Oh uh... I mean... 569 00:27:27,250 --> 00:27:30,041 I write songs. And sing. 570 00:27:30,833 --> 00:27:31,833 Really? 571 00:27:32,041 --> 00:27:33,041 Yea. 572 00:27:34,250 --> 00:27:36,458 What are you doing here? 573 00:27:37,250 --> 00:27:39,416 Well uh... 574 00:27:42,000 --> 00:27:47,083 Dialogue's kinda like the lyrics. And the music's like... an image, so... 575 00:27:47,291 --> 00:27:49,791 Yoo, we need to collab. [laughs] 576 00:27:50,083 --> 00:27:52,083 Yea, I know you like audio editing. 577 00:27:52,333 --> 00:27:53,333 Yep. 578 00:27:54,708 --> 00:28:00,000 Gotta finish this first. I mean... I only let one thing ruin my life at a time, so... 579 00:28:01,791 --> 00:28:05,666 This kind of movie will ruin you, you know? 580 00:28:08,041 --> 00:28:09,750 - I love it. - [music resolves] 581 00:28:12,416 --> 00:28:14,166 [silence] 582 00:28:14,666 --> 00:28:17,666 [soft synth music rising] 583 00:28:23,125 --> 00:28:25,750 [80s drum beat begins] 584 00:28:27,958 --> 00:28:30,958 [80s reminiscent, optimistic synth] 585 00:28:45,458 --> 00:28:47,458 [dialogue inaudible] 586 00:29:16,083 --> 00:29:18,416 [music becoming more powerful] 587 00:29:28,791 --> 00:29:31,791 [musical peak] 588 00:29:41,625 --> 00:29:44,625 [music fading away] 589 00:29:56,625 --> 00:29:58,541 We can't keep doing this. 590 00:29:59,166 --> 00:30:00,791 It's dangerous. 591 00:30:01,000 --> 00:30:02,625 It can't sustain. 592 00:30:03,000 --> 00:30:04,458 And I... 593 00:30:04,958 --> 00:30:07,958 I can't fight this... this feeling... 594 00:30:08,500 --> 00:30:11,416 this feeling that we've only gotten lucky each time. 595 00:30:11,791 --> 00:30:15,180 That we narrowly escape each time and it's only a matter 596 00:30:15,222 --> 00:30:18,291 of time before some kind of complete annihilation. 597 00:30:22,208 --> 00:30:24,375 Mars, I don't wanna lose you. 598 00:30:24,708 --> 00:30:27,708 I know you think I care about the money. 599 00:30:28,291 --> 00:30:30,250 Forget the money. It's all just... 600 00:30:30,750 --> 00:30:33,000 money... dollars. 601 00:30:34,791 --> 00:30:36,458 BRAIJENE: You know money. 602 00:30:38,250 --> 00:30:40,833 JOSH: [laughs] Yea I do. 603 00:30:42,916 --> 00:30:44,708 I love you, Mars. 604 00:30:45,333 --> 00:30:47,833 There. I... I said it. 605 00:30:48,791 --> 00:30:50,666 BRAIJENE: That's the truth. I... 606 00:30:51,125 --> 00:30:53,000 I can't lose you. 607 00:30:55,250 --> 00:30:57,583 If it's anything... 608 00:31:03,666 --> 00:31:06,083 ANDREW: If it's anything like the death of my father. 609 00:31:07,333 --> 00:31:10,333 - Right, right um... - JOSH: You got this. 610 00:31:11,166 --> 00:31:13,458 Yea um... if... 611 00:31:15,000 --> 00:31:16,916 if it's um... 612 00:31:17,708 --> 00:31:20,208 sorry. Geez, I... I messed that up. 613 00:31:20,458 --> 00:31:23,208 ANDREW: That... that's alright. Here run it from um...'I love you, Mars.' 614 00:31:28,791 --> 00:31:30,333 ANDREW: Action, action. 615 00:31:30,708 --> 00:31:32,208 I love you, Mars! 616 00:31:32,541 --> 00:31:35,083 BRAIJENE: There. I... I said it. 617 00:31:35,375 --> 00:31:39,333 BRAIJENE: That's the truth. I can't lose you. 618 00:31:41,083 --> 00:31:43,083 BRAIJENE: If... 619 00:31:47,458 --> 00:31:48,458 Shoot. 620 00:31:48,958 --> 00:31:51,958 Hey, we... we can take a minute if you want. 621 00:31:52,708 --> 00:31:55,583 ANDREW: Um... yea hey-hey look um... 622 00:31:55,916 --> 00:31:57,125 Tam, if... 623 00:31:57,708 --> 00:31:59,688 we can take a minute, or yea, or you can, you 624 00:31:59,730 --> 00:32:01,708 know, you can run it again if-if you want. 625 00:32:01,750 --> 00:32:04,333 Um... but up to you... um... 626 00:32:04,375 --> 00:32:05,916 - Um... - ANDREW: Tam. 627 00:32:06,916 --> 00:32:09,916 Yea um... um... I'm sorry. 628 00:32:17,000 --> 00:32:18,750 What the hell? 629 00:32:19,666 --> 00:32:21,166 ANDREW: What? 630 00:32:22,458 --> 00:32:23,958 [strange elevator chime] 631 00:32:24,000 --> 00:32:26,625 There's a guy over there watching us. 632 00:32:27,458 --> 00:32:29,833 [suspenseful music growing] 633 00:32:36,250 --> 00:32:37,875 ANDREW: Where? 634 00:32:57,416 --> 00:32:59,583 ANDREW: Anyone wanna... 635 00:33:01,000 --> 00:33:02,125 ANDREW: Alright. 636 00:33:23,833 --> 00:33:26,708 ANDREW: I didn't see anything. So uh... we should be good. 637 00:33:26,750 --> 00:33:29,000 So'll... move on, um... 638 00:33:29,250 --> 00:33:31,583 but uh, Braijene, could we... could we uh... 639 00:33:31,708 --> 00:33:32,916 could we talk really quick? 640 00:33:33,083 --> 00:33:34,083 Uh... yea. 641 00:33:34,458 --> 00:33:36,416 Alright, cool. Let's uh... 642 00:33:40,083 --> 00:33:43,833 So, Braijene, what I was... what I was thinking for the scene was uh... 643 00:33:44,250 --> 00:33:47,083 ya know, I'm feeling it, but... 644 00:33:47,791 --> 00:33:50,958 I'm feeling it but I'm not, if that... I don't know if that makes sense... but... 645 00:33:51,083 --> 00:33:51,708 Yea. 646 00:33:51,833 --> 00:33:54,166 Um... so... 647 00:33:54,708 --> 00:33:57,083 ya know, you're f-you're doing great. Fire-firing on... 648 00:33:57,125 --> 00:34:00,625 all cylinders and I just wanna say that. Doing great. Um... 649 00:34:00,875 --> 00:34:03,833 Mars I'm kind of... it's good but it's like... 650 00:34:04,208 --> 00:34:05,291 uh... 651 00:34:05,500 --> 00:34:07,041 it's just not... 652 00:34:08,666 --> 00:34:10,541 I don't know. I-I... anyway... 653 00:34:10,916 --> 00:34:13,041 point is... I was thinking... 654 00:34:13,291 --> 00:34:15,416 we do the scene again, ya know? Uh... 655 00:34:16,500 --> 00:34:17,291 um... 656 00:34:17,500 --> 00:34:20,791 we get to like... uh, 'I love you, Mars, ' uh... 657 00:34:21,250 --> 00:34:22,666 pause... so... 658 00:34:22,833 --> 00:34:24,666 just do like a brief pause and then... 659 00:34:24,833 --> 00:34:27,041 ya know, on your own time, basically just... 660 00:34:27,583 --> 00:34:30,708 like if you just like... kiss... kiss Mars and then... 661 00:34:30,916 --> 00:34:33,583 and then pause and just wait... wait and see how he reacts but... 662 00:34:33,791 --> 00:34:34,875 um... 663 00:34:35,375 --> 00:34:36,958 yea we'll do that and... 664 00:34:37,125 --> 00:34:39,041 it's just a quick, ya know... 665 00:34:39,291 --> 00:34:41,541 so it's like... love that can't... 666 00:34:41,833 --> 00:34:43,375 last... basically. 667 00:34:43,583 --> 00:34:44,583 Does... 668 00:34:44,958 --> 00:34:47,125 does that make sense? Does-does that make sense? 669 00:34:47,416 --> 00:34:48,791 Umm... 670 00:34:49,333 --> 00:34:52,458 so you want me to kiss Josh? 671 00:34:52,833 --> 00:34:55,125 Well M-yea, yea, yea, so... 672 00:34:55,416 --> 00:34:57,375 just a quick... ya know... 673 00:34:57,875 --> 00:34:59,333 just direct and... 674 00:35:00,541 --> 00:35:02,791 Jo-Josh-ya know, Mars is an actor so... 675 00:35:03,083 --> 00:35:05,333 he'll... he-he gets the deal. He gets it. So... 676 00:35:05,500 --> 00:35:06,375 uh... 677 00:35:06,791 --> 00:35:08,666 plus-plus he's a guy, so I... 678 00:35:08,958 --> 00:35:10,583 I doubt he'll have a problem with it. 679 00:35:11,791 --> 00:35:13,416 So, how's that sound? 680 00:35:14,500 --> 00:35:15,958 [clicks tongue] Um... 681 00:35:16,583 --> 00:35:18,041 okay. 682 00:35:18,416 --> 00:35:23,041 Good. Yea. Alright! Uh... well let's uh... let's run the scene! Let's do it! 683 00:35:27,333 --> 00:35:30,083 [whispered] So... what were you guys talking about? 684 00:35:30,291 --> 00:35:33,041 ANDREW: Alright guys! Let's run the scene right away. Ready Josh? 685 00:35:33,166 --> 00:35:33,875 JOSH: Yea. 686 00:35:43,416 --> 00:35:44,791 You know money. 687 00:35:46,291 --> 00:35:48,416 I love you, Mars. 688 00:35:49,416 --> 00:35:53,000 That's it. I said it, I said it. I... 689 00:35:53,958 --> 00:35:57,166 that's the truth. I... I can't lose you. 690 00:36:00,083 --> 00:36:02,000 I can't lose you. 691 00:36:05,458 --> 00:36:06,416 BRAIJENE: I can't lose you- 692 00:36:06,458 --> 00:36:08,625 Alright. I think we lost it. Let's... 693 00:36:09,000 --> 00:36:11,250 run it back from, uh, 'I love you, Mars.' 694 00:36:12,625 --> 00:36:14,708 BRAIJENE: Yea. Um... okay. 695 00:36:15,375 --> 00:36:17,166 BRAIJENE: Right. Um... yea. 696 00:36:17,208 --> 00:36:19,333 Hey. You good? 697 00:36:19,541 --> 00:36:20,833 I just... 698 00:36:21,041 --> 00:36:23,416 I really love you, Mars... 699 00:36:23,875 --> 00:36:24,916 and... 700 00:36:25,375 --> 00:36:27,375 I can't lose you. 701 00:36:31,458 --> 00:36:32,583 Alright. 702 00:36:32,916 --> 00:36:34,541 It's... now or never. 703 00:36:34,833 --> 00:36:36,125 For what? 704 00:36:38,541 --> 00:36:39,458 What? 705 00:36:40,791 --> 00:36:43,500 Braijene. What is going on? 706 00:36:49,875 --> 00:36:51,124 Braijene, what is it? 707 00:36:51,166 --> 00:36:53,499 ANDREW: Let's... use our character names on set. 708 00:36:53,541 --> 00:36:56,250 Braijene. Are you okay? 709 00:36:58,541 --> 00:37:01,125 He wanted me to kiss you, Josh. 710 00:37:02,083 --> 00:37:04,375 Yea I'm... I'm sorry. 711 00:37:04,541 --> 00:37:09,041 Well... A-Andrew, does... Josh know? 712 00:37:10,333 --> 00:37:12,458 No. Listen there's um... 713 00:37:13,791 --> 00:37:14,708 um... 714 00:37:14,833 --> 00:37:16,208 it's just a certain... 715 00:37:16,916 --> 00:37:18,833 level of trust... that you... that you gain. 716 00:37:18,875 --> 00:37:20,916 ZION: No, no... you-you can't just... 717 00:37:21,291 --> 00:37:23,500 I mean if she's uncomfortable then... 718 00:37:23,791 --> 00:37:24,815 you can't just... you know? 719 00:37:24,857 --> 00:37:25,666 ANDREW: Ah-Alright. 720 00:37:25,875 --> 00:37:27,208 ANDREW: Zi, just... 721 00:37:28,000 --> 00:37:29,791 ANDREW: just because you're feeling... 722 00:37:30,208 --> 00:37:32,500 something... something towards... 723 00:37:32,875 --> 00:37:34,208 ZION: What? 724 00:37:34,833 --> 00:37:37,125 Zion: No no. This is not about... 725 00:37:37,416 --> 00:37:41,333 ZION: this is about not crossing any lines here like... 726 00:37:43,875 --> 00:37:45,375 It's acting. 727 00:37:46,333 --> 00:37:48,208 It doesn't actually happen. 728 00:37:49,958 --> 00:37:52,083 You don't really believe it, do you? 729 00:37:59,625 --> 00:38:01,708 [TV show music] 730 00:38:01,875 --> 00:38:06,958 [PHONE] Braijene: Um... are things good between you and Andrew? 731 00:38:08,250 --> 00:38:11,250 ZION: Yea. Yea, yea um... 732 00:38:12,833 --> 00:38:14,958 ZION: Sorry you had to go through that... um... 733 00:38:15,000 --> 00:38:17,333 [PHONE] Braijene: No, no. I... 734 00:38:17,375 --> 00:38:18,666 ZION: Sorry. 735 00:38:18,708 --> 00:38:24,208 [PHONE] Braijene: No, I'm sorry. I'm sorry I made you uncomfortable. I should've... 736 00:38:24,666 --> 00:38:26,424 [PHONE] Braijene: I don't... know. 737 00:38:26,466 --> 00:38:27,666 No. No, you didn't... 738 00:38:27,958 --> 00:38:30,541 It wasn't anything that you did. Um... 739 00:38:31,000 --> 00:38:33,750 he never asked you if you were comfortable. 740 00:38:35,083 --> 00:38:38,416 [PHONE] Braijene: He didn't mean it. I think he forgot. 741 00:38:39,500 --> 00:38:40,791 Yea. 742 00:38:41,125 --> 00:38:43,208 [PHONE] Braijene: I just wish... 743 00:38:43,333 --> 00:38:45,541 [PHONE] Braijene: I wasn't thinking about um... 744 00:38:45,916 --> 00:38:47,666 [PHONE] Braijene: about how you felt. 745 00:38:48,000 --> 00:38:49,958 Hey that's... 746 00:38:51,583 --> 00:38:52,833 you're good. 747 00:38:57,125 --> 00:39:01,458 [PHONE] Braijene: You can... um... 748 00:39:02,791 --> 00:39:06,125 [PHONE] Braijene: kiss me if you want. 749 00:39:06,541 --> 00:39:07,875 Oh. 750 00:39:08,791 --> 00:39:10,166 Um... 751 00:39:10,625 --> 00:39:12,052 I... I think... 752 00:39:12,094 --> 00:39:16,500 [PHONE] Braijene: Or um... I-I mean we-we can but we-we don't uh... yea... 753 00:39:16,875 --> 00:39:18,791 Yea. 754 00:39:21,541 --> 00:39:23,291 [PHONE] Braijene: Hm. 755 00:39:24,958 --> 00:39:28,833 Hey guys! Welcome back to more behind the scenes. 756 00:39:57,916 --> 00:40:00,291 [chair creaking] 757 00:40:15,416 --> 00:40:17,791 [deep breath] 758 00:40:23,833 --> 00:40:25,708 [hat crashing on the floor] 759 00:40:38,250 --> 00:40:40,583 [chair slamming on floor, creaking] 760 00:40:40,916 --> 00:40:43,291 [suspenseful, synth music] 761 00:40:53,500 --> 00:40:55,833 [music growing in intensity] 762 00:40:58,333 --> 00:41:00,541 [music peaks] 763 00:41:01,958 --> 00:41:03,916 [close-up breathing noises] 764 00:41:17,000 --> 00:41:18,666 So this is where the magic happens- 765 00:41:18,708 --> 00:41:21,708 [lightbulb exploding sound, glass clattering on floor] 766 00:41:22,000 --> 00:41:25,083 [synth growling with intensity, fading away] 767 00:41:29,291 --> 00:41:32,291 [strange keyboard tones in sync with lights] 768 00:41:58,000 --> 00:42:00,166 [music fading out] 769 00:42:09,875 --> 00:42:12,291 [soft, classical, curious string music] 770 00:42:26,625 --> 00:42:28,458 [feet slapping on concrete] 771 00:42:28,958 --> 00:42:31,625 [full orchestra joins in the music] 772 00:43:19,666 --> 00:43:21,500 [music softening] 773 00:43:22,041 --> 00:43:23,708 [strong musical stinger] 774 00:43:24,000 --> 00:43:25,833 [mysterious music continues softly] 775 00:43:48,500 --> 00:43:51,000 [music becoming militaristic] 776 00:44:00,500 --> 00:44:03,166 [music fading out] 777 00:44:11,750 --> 00:44:13,958 [camera gears ticking] 778 00:44:17,375 --> 00:44:18,625 [photo snapping] 779 00:44:35,250 --> 00:44:37,708 [car passing behind] 780 00:44:48,125 --> 00:44:50,625 [bare footstep sounds] 781 00:44:55,791 --> 00:44:59,333 [strange, deep pulsing synth music creeping in] 782 00:45:02,791 --> 00:45:05,583 [a grouping of shoe footsteps] 783 00:45:25,458 --> 00:45:27,583 [Josh twisting camera gear] 784 00:45:38,125 --> 00:45:41,125 [film camera motor running] 785 00:45:48,875 --> 00:45:51,125 [suspenseful, intense music continues] 786 00:46:08,041 --> 00:46:11,041 [a massive, explosive thumping sound from the upper right] 787 00:46:12,625 --> 00:46:15,791 [a rising sound like the sound of an engine] 788 00:46:22,791 --> 00:46:24,916 [the engine sound dispersing into silence] 789 00:46:29,375 --> 00:46:32,375 [music growing in horror, like a crackling synth fire] 790 00:46:43,291 --> 00:46:45,333 [french horn sounding] 791 00:46:52,083 --> 00:46:54,000 [music softening] 792 00:47:02,333 --> 00:47:04,291 [cyclonic wind] 793 00:47:04,875 --> 00:47:07,875 [overpass shaking erratically] 794 00:47:18,583 --> 00:47:21,291 [music intensifying] 795 00:47:22,666 --> 00:47:25,291 [explosive, low-pitch pressure burst] 796 00:47:28,208 --> 00:47:30,041 [music ends] 797 00:47:31,208 --> 00:47:33,375 [synth and string music begins] 798 00:47:53,041 --> 00:47:55,333 [music calms, yet remains] 799 00:47:55,583 --> 00:47:58,166 [keyboard tapping sounds] 800 00:47:58,666 --> 00:47:59,791 You good, man? 801 00:48:05,541 --> 00:48:06,708 What? 802 00:48:06,958 --> 00:48:08,833 JOSH: You up late last night? 803 00:48:09,791 --> 00:48:12,875 ANDREW: No. How's my hair? 804 00:48:14,333 --> 00:48:17,541 You could have a little bit more respect for yourself. For real. 805 00:48:18,166 --> 00:48:19,333 It's okay. 806 00:48:20,541 --> 00:48:22,375 [typing continues] 807 00:48:24,000 --> 00:48:25,750 What are you writing? 808 00:48:28,208 --> 00:48:31,041 JOSH: You're not still writing the script are you? 809 00:48:31,833 --> 00:48:33,041 ANDREW: I am. 810 00:48:33,125 --> 00:48:36,208 Fuck! Bro! You can't keep doing this! 811 00:48:36,250 --> 00:48:39,625 ANDREW: The story... is writing itself. I thought you would understand. 812 00:48:39,958 --> 00:48:41,416 Understand it... 813 00:48:42,875 --> 00:48:47,416 it's just adding more... to a film that's already up in the air. 814 00:48:47,458 --> 00:48:50,500 We already... we already have enough uncertainties. 815 00:48:50,708 --> 00:48:52,849 What is so uncertain about this? We've got... a 816 00:48:52,891 --> 00:48:55,166 couple more days to finish shooting this thing. 817 00:48:55,375 --> 00:48:59,416 It's... it's been much worse. You remember those days, don't you? 818 00:48:59,875 --> 00:49:01,833 [slow harp music continues] 819 00:49:02,125 --> 00:49:02,874 ANDREW: Josh? 820 00:49:02,916 --> 00:49:04,083 Yea. 821 00:49:04,500 --> 00:49:07,625 ANDREW: What is it, Josh? What is it? Just tell me. 822 00:49:08,083 --> 00:49:09,249 What are you thinking? 823 00:49:09,291 --> 00:49:11,875 I just can't s-believe that you still doing this. 824 00:49:12,000 --> 00:49:13,375 Doing what?! 825 00:49:16,250 --> 00:49:18,166 I thought we'd be more professional by now. 826 00:49:21,208 --> 00:49:22,250 This... 827 00:49:22,583 --> 00:49:26,708 this is our last chance... to... to make... art... 828 00:49:27,125 --> 00:49:29,375 before we get sucked up into the commercial machine. 829 00:49:29,500 --> 00:49:32,291 Everybody else is already working on commercial shoots. 830 00:49:32,541 --> 00:49:35,333 You never see them because you're like a hermit. 831 00:49:35,416 --> 00:49:38,583 While everyone's out shooting on cine cameras and real sets... 832 00:49:38,791 --> 00:49:40,041 you're in your room... 833 00:49:40,375 --> 00:49:43,375 with an Amazon tripod... and a DSLR. 834 00:49:43,500 --> 00:49:46,916 When you move off of this camera... it changes you. 835 00:49:47,208 --> 00:49:49,541 ANDREW: This camera... means something. 836 00:49:49,666 --> 00:49:50,750 Okay. 837 00:49:51,208 --> 00:49:52,291 What does it mean? 838 00:49:54,583 --> 00:49:55,374 I don't know. 839 00:49:55,416 --> 00:49:56,291 JOSH: Yea. 840 00:49:56,666 --> 00:50:01,666 Yea. Exactly, cuz that's indie filmmaking. We can't live like that anymore. 841 00:50:03,166 --> 00:50:05,958 JOSH: Look, I care about this movie a lot. 842 00:50:08,083 --> 00:50:10,291 I really care about you too, man. 843 00:50:11,708 --> 00:50:13,500 JOSH: But... 844 00:50:14,916 --> 00:50:18,083 I gotta move on. So you gotta do whatever. 845 00:50:23,250 --> 00:50:24,708 Alright. 846 00:50:34,916 --> 00:50:37,916 [adventurous, orchestral music] 847 00:50:53,833 --> 00:50:55,624 ANDREW: Fox 2 News... about the... water leak. 848 00:50:55,666 --> 00:50:59,625 Well do you have a pass? Excuse me! Do you have permission to go up there?! 849 00:50:59,708 --> 00:51:03,000 I'm with Fox 2 News. You better have a way to get us out of this. 850 00:51:03,333 --> 00:51:04,833 [adventurous music continues] 851 00:51:06,875 --> 00:51:08,708 We're trespassing. 852 00:51:10,250 --> 00:51:11,708 Right. 853 00:51:21,625 --> 00:51:24,250 ANDREW: This way guys. Guys let's set up... 854 00:51:24,666 --> 00:51:27,083 ANDREW: uh... set up right here. 855 00:51:27,750 --> 00:51:28,999 ZION: What is this place? 856 00:51:29,041 --> 00:51:31,250 ANDREW: Totally unused. Since COVID there's like... 857 00:51:31,500 --> 00:51:33,541 hundreds of unused floors. 858 00:51:34,583 --> 00:51:36,083 ANDREW: Everything's a set. 859 00:51:36,833 --> 00:51:38,468 ANDREW: Zi, right here I'm thinking... I was 860 00:51:38,510 --> 00:51:40,416 thinking over the shoulder but we can just do... 861 00:51:40,666 --> 00:51:41,875 we can just do a straight-on. 862 00:51:42,125 --> 00:51:43,708 ANDREW: You know what, let's just... let's just go up for a take. 863 00:51:43,750 --> 00:51:45,125 What scene are we doing? 864 00:51:45,250 --> 00:51:46,333 ANDREW: Scene four. You know the one? 865 00:51:46,375 --> 00:51:48,125 Um, can I look at the script? 866 00:51:48,208 --> 00:51:50,458 ANDREW: I don't think we have... I think we're ready to do one. 867 00:51:50,666 --> 00:51:52,041 ANDREW: Yea let's just go right up for a take. 868 00:51:52,250 --> 00:51:55,250 Okay. How two criminals can pretend to... be on... 869 00:51:55,416 --> 00:51:57,000 top of the world, essentially. 870 00:51:57,208 --> 00:52:00,208 ANDREW: Uh... I don't think we have any time. Let's-let's just... 871 00:52:00,333 --> 00:52:01,250 [stressed inhale] 872 00:52:01,541 --> 00:52:02,208 sound's rolling! 873 00:52:02,250 --> 00:52:03,416 Camera rolling. 874 00:52:03,500 --> 00:52:04,458 ANDREW: Action. 875 00:52:13,000 --> 00:52:13,833 Tam... 876 00:52:14,250 --> 00:52:16,583 I love you more than you'll ever know. 877 00:52:17,291 --> 00:52:19,375 BRAIJENE: I just fear... 878 00:52:20,333 --> 00:52:24,666 this life of crime can extinguish our love for each other. 879 00:52:26,333 --> 00:52:27,625 M-hm. 880 00:52:28,916 --> 00:52:30,625 ANDREW: Mars, that's your line. 881 00:52:31,125 --> 00:52:32,875 Oh right, um... 882 00:52:33,291 --> 00:52:35,125 [whispered] damn, what's my line? 883 00:52:35,750 --> 00:52:38,541 ANDREW: Alright, this... cut, Zi, please. 884 00:52:39,500 --> 00:52:41,500 ANDREW: Mars, I need you to be... here! 885 00:52:42,291 --> 00:52:44,408 Aye don't give me that. Because I'm not even supposed to be... here. 886 00:52:44,450 --> 00:52:45,666 ANDREW: I'm tired of this shit, Josh. 887 00:52:45,750 --> 00:52:47,625 ANDREW: Braijene was off-script day three! 888 00:52:47,875 --> 00:52:49,284 ANDREW: Zi, no, no, no, no. We're not 889 00:52:49,326 --> 00:52:51,208 exposing for them. We're exposing for the sky. 890 00:52:51,250 --> 00:52:54,541 ANDREW: It's exposing for the outside so we get that kind of silhouette kind of look. 891 00:52:54,916 --> 00:52:56,416 Uh... let's get ready for another take. 892 00:52:56,625 --> 00:52:57,916 ANDREW: Zi, stop down a bunch. 893 00:52:58,000 --> 00:52:59,208 Stopping down. 894 00:53:00,666 --> 00:53:02,041 ANDREW: Audio's rolling. 895 00:53:02,250 --> 00:53:03,083 [inaudible] 896 00:53:03,416 --> 00:53:04,833 ZION: Camera rolling. 897 00:53:05,791 --> 00:53:07,250 ANDREW: 'Kay... 898 00:53:08,500 --> 00:53:09,750 No, no. Stop down more. 899 00:53:09,833 --> 00:53:11,583 ANDREW: Uh... gimmie an f/22. 900 00:53:13,375 --> 00:53:15,666 [roaring jet engine] 901 00:53:16,125 --> 00:53:17,000 Holy shit! 902 00:53:17,166 --> 00:53:18,333 BRAIJENE: It was gonna hit us! 903 00:53:18,375 --> 00:53:20,291 JOSH: Exactly my point. Can you grab this bag? 904 00:53:20,500 --> 00:53:22,499 - Aye c'mon y'all, we out! We gotta go. - ANDREW: Still go up for another take. 905 00:53:22,541 --> 00:53:25,000 JOSH: Are you fucking... uh no... hell naw. 906 00:53:25,208 --> 00:53:26,121 ANDREW: This is just one take! 907 00:53:26,163 --> 00:53:26,999 JOSH: He's crazy as hell! 908 00:53:27,041 --> 00:53:28,125 JOSH: Aye, grab the bag. 909 00:53:28,291 --> 00:53:30,916 ANDREW: Josh, I don't... I honestly don't wanna hear about this right now. 910 00:53:31,125 --> 00:53:33,583 [audio, music fading out] 911 00:53:34,666 --> 00:53:37,666 [ethereal, dreamy music fading in] 912 00:53:39,916 --> 00:53:42,583 This summer's strange, don't you think? 913 00:53:42,708 --> 00:53:44,291 Strange? Nah. 914 00:53:44,333 --> 00:53:47,458 Like... something's pulling the strings. 915 00:53:48,166 --> 00:53:52,208 Like something's pulling us towards an... ending. 916 00:53:53,416 --> 00:53:55,416 I think you think too much. [laughs] 917 00:53:55,458 --> 00:53:57,333 I don't think so. 918 00:53:57,458 --> 00:54:00,625 Yea... you do. You really do. 919 00:54:02,750 --> 00:54:03,874 I know you feel it. 920 00:54:03,916 --> 00:54:05,333 But don't bring it up. 921 00:54:05,500 --> 00:54:08,083 Once you say it, then it becomes real. 922 00:54:09,041 --> 00:54:10,500 I just wanna be ready. 923 00:54:11,583 --> 00:54:12,875 It's all a risk, man. 924 00:54:13,166 --> 00:54:14,500 It's a thrill. 925 00:54:15,083 --> 00:54:17,083 At any moment it could unravel. 926 00:54:17,750 --> 00:54:20,500 And you gotta ride that wave, Braijene. 927 00:54:21,041 --> 00:54:22,750 Ride it 'til it breaks. 928 00:54:23,041 --> 00:54:25,125 Like the end is near. 929 00:54:27,625 --> 00:54:28,916 [inhale] 930 00:54:30,041 --> 00:54:31,833 I can smell the fall already. 931 00:54:33,083 --> 00:54:34,625 JOSH: It's all caving in. 932 00:54:34,958 --> 00:54:36,708 The wave is caving in. 933 00:54:37,083 --> 00:54:38,750 So break through. 934 00:54:44,291 --> 00:54:46,791 [soft, peaceful music continues] 935 00:54:51,500 --> 00:54:53,916 [soft drum beat begins] 936 00:55:11,541 --> 00:55:13,791 [music fading out] 937 00:55:20,041 --> 00:55:22,291 Josh, I'm gonna show you this route really quick. 938 00:55:22,666 --> 00:55:25,666 Uh, we're gonna start on ramp uh... 55. 939 00:55:28,583 --> 00:55:30,458 You ever done something like this before? 940 00:55:30,750 --> 00:55:33,458 BRAIJENE: No. I'm actually okay. 941 00:55:34,250 --> 00:55:36,708 Highway filming's just like uh... regular filming. 942 00:55:36,750 --> 00:55:40,125 Except you're... holding your camera over an Olympic treadmill. 943 00:55:40,458 --> 00:55:42,541 Do we really need the shot? 944 00:55:42,791 --> 00:55:45,791 ZION: Something's gotta separate us from these Full Sail shits. 945 00:55:45,875 --> 00:55:47,791 Something... exciting. Ya know? 946 00:55:47,916 --> 00:55:49,250 Full Sail's exciting! 947 00:55:49,458 --> 00:55:52,166 ZION: Yea, but it's fake. I mean... it's corporate. 948 00:55:52,333 --> 00:55:55,666 You know you can't imitate the industry. You just gotta... 949 00:55:55,958 --> 00:55:57,125 gotta make it your own. 950 00:55:57,208 --> 00:56:01,416 It's like... conform to our... format. Yea. 951 00:56:01,541 --> 00:56:03,875 ZION: Yea, the new wave's not gonna come from the top. 952 00:56:04,083 --> 00:56:06,166 It's gonna come from in here. 953 00:56:07,666 --> 00:56:09,666 When do I get what's really in here? 954 00:56:10,000 --> 00:56:10,791 My singing? 955 00:56:10,833 --> 00:56:13,333 BRAIJENE: Yes, your singing voice. 956 00:56:14,375 --> 00:56:15,708 You just shy? 957 00:56:15,875 --> 00:56:16,666 Uhh... 958 00:56:16,708 --> 00:56:17,875 [knocking on window] 959 00:56:18,458 --> 00:56:19,499 Can we... can we talk really quick? 960 00:56:19,541 --> 00:56:20,875 Yea! Yea. 961 00:56:29,958 --> 00:56:32,083 [haunting string, synth music] 962 00:56:33,041 --> 00:56:35,208 [dialogue inaudible] 963 00:56:51,583 --> 00:56:52,708 [door clicks shut] 964 00:56:52,875 --> 00:56:54,500 Everything alright? 965 00:56:54,750 --> 00:56:56,125 Yea, yea. 966 00:56:56,833 --> 00:56:58,375 [PHONE] Josh: Y'all ready? 967 00:56:58,666 --> 00:57:00,708 ANDREW: Of course not. [laughs] 968 00:57:01,083 --> 00:57:03,333 [car engine starts] 969 00:57:04,083 --> 00:57:06,666 [string music ramping up] 970 00:57:11,333 --> 00:57:12,791 [music stinger] 971 00:57:15,041 --> 00:57:18,041 [adventurous, suspenseful string music] 972 00:57:36,500 --> 00:57:38,541 [horn music begins] 973 00:57:43,166 --> 00:57:45,375 [air depressurizes as window opens] 974 00:57:53,500 --> 00:57:55,708 ANDREW: Little slower Josh. I gotta catch up to you. 975 00:58:06,166 --> 00:58:07,541 Alright. 976 00:58:08,541 --> 00:58:09,625 Great stuff there. 977 00:58:11,500 --> 00:58:12,416 [seat buckle click] 978 00:58:17,375 --> 00:58:18,208 This good? 979 00:58:18,875 --> 00:58:20,166 [PHONE] Andrew: Yea that's good. That's good. 980 00:58:22,250 --> 00:58:23,083 Good. 981 00:58:24,166 --> 00:58:25,791 ANDREW: Alright, I'll back off a bit. 982 00:58:28,166 --> 00:58:29,541 Zi, how's it looking? 983 00:58:29,875 --> 00:58:31,708 ZION: Looks good. Looking good! 984 00:58:32,041 --> 00:58:33,458 Hold that shot. 985 00:58:34,625 --> 00:58:35,791 I'm changing lanes. 986 00:58:36,500 --> 00:58:37,500 Alright. 987 00:58:38,250 --> 00:58:39,458 Increasing speed. 988 00:58:41,041 --> 00:58:41,724 Wow. 989 00:58:41,766 --> 00:58:42,875 [tires squealing] 990 00:58:43,000 --> 00:58:44,208 JOSH: Really?! 991 00:58:45,791 --> 00:58:48,208 ANDREW: Don't know if you meant to do that, Josh. 992 00:58:50,000 --> 00:58:51,166 Good. 993 00:58:54,000 --> 00:58:54,916 [pressing gas pedal] 994 00:58:55,541 --> 00:58:57,750 [car accelerating] 995 00:59:05,500 --> 00:59:07,208 Increasing speed! 996 00:59:07,625 --> 00:59:08,791 [car accelerating] 997 00:59:10,416 --> 00:59:12,416 That's it. One more... five more seconds! 998 00:59:12,875 --> 00:59:14,791 Pick it up. Let's go. 999 00:59:19,625 --> 00:59:20,500 Hold... 1000 00:59:22,916 --> 00:59:26,166 [PHONE] Andrew: and... cut! Cut, cut, cut! 1001 00:59:26,833 --> 00:59:28,583 That's the one. That's the one, everybody! 1002 00:59:28,875 --> 00:59:29,666 WOO! 1003 00:59:29,875 --> 00:59:31,583 Let's... let's go. Alright. 1004 00:59:32,208 --> 00:59:34,958 [PHONE] Andrew: It was fast. It was fast, Josh. [laughs] 1005 00:59:35,916 --> 00:59:37,500 ZION: That's it. That's it. 1006 00:59:40,208 --> 00:59:41,333 ZION: Oh yea. That was some good shit- 1007 00:59:41,375 --> 00:59:42,583 [door rapidly releasing] 1008 00:59:44,250 --> 00:59:46,541 BRAIJENE: Oh my gosh, oh my gosh, oh my gosh! 1009 00:59:47,625 --> 00:59:49,416 Bro! Andrew, what the f- 1010 00:59:49,625 --> 00:59:51,666 No, no, no, no, no, no, no, no! 1011 00:59:52,041 --> 00:59:52,684 BRAIJENE: Oh my gosh. 1012 00:59:52,726 --> 00:59:53,500 ANDREW: What happened?! 1013 00:59:53,625 --> 00:59:55,291 No, no, no, no, no. 1014 01:00:00,375 --> 01:00:01,750 What do we do? 1015 01:00:02,750 --> 01:00:03,708 What do we do?! 1016 01:00:04,458 --> 01:00:05,125 Fuck. 1017 01:00:06,291 --> 01:00:08,958 BRAIJENE: What are you doing? You're just gonna leave him there? 1018 01:00:10,166 --> 01:00:10,797 ANDREW: Stop! 1019 01:00:10,839 --> 01:00:11,458 BRAIJENE: I just don't understand. 1020 01:00:11,500 --> 01:00:13,416 Go back right now! 1021 01:00:13,625 --> 01:00:15,875 What the hell do we do. He just fell out the car! 1022 01:00:16,166 --> 01:00:19,291 I don't understand. I don't get why you're not going back. I just... 1023 01:00:19,375 --> 01:00:21,041 Taking this next exit. 1024 01:00:30,875 --> 01:00:32,875 [music dying down] 1025 01:00:38,500 --> 01:00:40,500 [deep synth music waves] 1026 01:00:55,291 --> 01:00:57,833 [irritating, droning synth] 1027 01:01:20,583 --> 01:01:23,000 - [dark lullaby music] - This isn't good. 1028 01:01:23,250 --> 01:01:25,291 No, no, no. 1029 01:01:51,000 --> 01:01:54,000 Why did... why did you leave him? 1030 01:01:56,083 --> 01:01:59,458 This is not good. This is not good 1031 01:01:59,500 --> 01:02:00,367 This is not good. This is not good 1032 01:02:11,916 --> 01:02:14,583 [lullaby fades in the distance] 1033 01:02:15,500 --> 01:02:18,041 [music overtaken by strings] 1034 01:02:20,250 --> 01:02:21,458 ANDREW: Look... 1035 01:02:22,208 --> 01:02:23,333 [Andrew sighs] 1036 01:02:28,625 --> 01:02:29,916 ANDREW: look... 1037 01:02:30,583 --> 01:02:33,125 - [Braijene removes Andrew's arm] - ANDREW: I'm so... 1038 01:02:37,541 --> 01:02:38,416 ANDREW: Look I'm sorry, okay? 1039 01:02:38,458 --> 01:02:39,875 [Braijene pushes off again] 1040 01:02:42,083 --> 01:02:43,541 [Andrew sighs] 1041 01:02:56,708 --> 01:02:59,041 [Andrew places arm on Braijene again] 1042 01:02:59,208 --> 01:03:01,208 ANDREW: [hesitant] Sorry. 1043 01:03:01,708 --> 01:03:03,791 ANDREW: Listen, I'm so sorry... 1044 01:03:04,166 --> 01:03:05,791 ANDREW: for everything. 1045 01:03:12,208 --> 01:03:13,416 ANDREW: Really. 1046 01:03:15,208 --> 01:03:17,291 ANDREW: Finally sorry. 1047 01:03:19,875 --> 01:03:21,958 BRAIJENE: Is this real? 1048 01:03:25,416 --> 01:03:26,524 ANDREW: I don't... 1049 01:03:26,566 --> 01:03:28,291 [Andrew breaks down crying] 1050 01:03:29,541 --> 01:03:31,416 ANDREW: I don't know... 1051 01:03:34,583 --> 01:03:36,375 ANDREW: I don't know... 1052 01:03:37,000 --> 01:03:40,416 ANDREW: [weeping] I wish I knew but I... can't. 1053 01:03:41,958 --> 01:03:44,041 ANDREW: I don't know... 1054 01:03:44,541 --> 01:03:45,772 BRAIJENE: I can't do this. 1055 01:03:45,814 --> 01:03:46,541 ANDREW: What? 1056 01:03:46,916 --> 01:03:48,333 ANDREW: You're... 1057 01:03:48,833 --> 01:03:50,666 ANDREW: you're not giving up on this, right? 1058 01:03:50,833 --> 01:03:52,833 ANDREW: You're still... 1059 01:03:53,291 --> 01:03:55,291 ANDREW: we can still finish this movie. 1060 01:03:55,458 --> 01:03:56,500 BRAIJENE: I don't know. 1061 01:03:56,708 --> 01:03:58,458 ANDREW: You're not giving up on this, Braijene. 1062 01:03:58,500 --> 01:04:00,012 ANDREW: We still have time. We can still 1063 01:04:00,054 --> 01:04:01,958 finish this movie while we still have the time! 1064 01:04:02,000 --> 01:04:04,623 BRAIJENE: No. No just... just let me go! 1065 01:04:04,665 --> 01:04:07,583 ANDREW: Braijene we can still finish this! 1066 01:04:09,958 --> 01:04:11,541 ANDREW: Zi would've... 1067 01:04:12,291 --> 01:04:15,291 ANDREW: Zi would've wanted us to finish this movie! 1068 01:04:16,083 --> 01:04:18,000 ANDREW: You should know that! 1069 01:04:19,666 --> 01:04:21,708 ANDREW: [no longer crying] You. 1070 01:04:21,875 --> 01:04:23,125 ANDREW: You're gonna give up! 1071 01:04:23,500 --> 01:04:25,208 ANDREW: You're gonna end this summer... 1072 01:04:25,750 --> 01:04:27,666 ANDREW: before it's even over, over something... 1073 01:04:27,875 --> 01:04:30,208 ANDREW: that isn't even anyone's fault! 1074 01:04:31,500 --> 01:04:33,666 ANDREW: You're gonna do that! 1075 01:04:35,458 --> 01:04:37,416 ANDREW: Think about that! 1076 01:04:40,416 --> 01:04:42,625 ANDREW: Do what the hell you want, ya know. 1077 01:04:47,958 --> 01:04:49,791 ANDREW: Are you in or out? 1078 01:04:53,750 --> 01:04:54,750 [hands clasping] 1079 01:04:55,125 --> 01:04:56,916 JOSH: It's over, man. 1080 01:04:57,250 --> 01:04:58,791 JOSH: It's over. 1081 01:05:00,291 --> 01:05:02,916 JOSH: C'mon. We 'bout to head out. 1082 01:05:03,666 --> 01:05:05,458 JOSH: It's done! 1083 01:05:08,625 --> 01:05:11,208 [Andrew chuckles] 1084 01:05:18,041 --> 01:05:20,666 [string music concludes] 1085 01:05:51,791 --> 01:05:54,791 BRAIJENE: I can't believe he's gone. 1086 01:05:56,166 --> 01:05:59,166 JOSH: I know. I know. 1087 01:06:04,750 --> 01:06:07,291 I mean I literally... 1088 01:06:07,583 --> 01:06:10,125 do not believe it. 1089 01:06:12,041 --> 01:06:16,041 I don't know how to believe in anything anymore. 1090 01:06:17,916 --> 01:06:19,375 Were we ever... 1091 01:06:19,458 --> 01:06:23,458 anything more than a bunch of kids playing pretend? 1092 01:06:24,833 --> 01:06:27,208 The lost boys right? 1093 01:06:29,416 --> 01:06:34,375 Kids who never grow up. We're told over and over and over... 1094 01:06:34,541 --> 01:06:36,916 you can do it if you believe. 1095 01:06:37,291 --> 01:06:39,166 But they never tell us if we shouldn't. 1096 01:06:39,208 --> 01:06:41,416 Until you do it. 1097 01:06:43,791 --> 01:06:47,416 Zion's... never coming back, is he? 1098 01:06:48,875 --> 01:06:50,208 I'm sorry. 1099 01:06:50,791 --> 01:06:53,333 I really don't know. 1100 01:07:01,291 --> 01:07:02,625 I'm sorry. 1101 01:07:05,291 --> 01:07:07,666 Why don't I know? 1102 01:07:10,375 --> 01:07:12,750 Why can't I believe it? 1103 01:07:17,750 --> 01:07:19,500 You can believe me. 1104 01:07:19,791 --> 01:07:22,458 Zion... is out there in the stars. 1105 01:07:22,625 --> 01:07:25,083 Away from the noise... from... 1106 01:07:25,750 --> 01:07:27,250 from the everything. 1107 01:07:27,541 --> 01:07:29,291 Somewhere like... 1108 01:07:29,833 --> 01:07:32,583 everything... doesn't mean a thing. 1109 01:07:33,125 --> 01:07:34,875 No darkness... 1110 01:07:35,583 --> 01:07:37,833 just pure nothing. 1111 01:07:39,083 --> 01:07:41,416 I know he's at peace. 1112 01:07:42,333 --> 01:07:44,458 I really do. 1113 01:07:47,791 --> 01:07:50,791 You can hug me if you want. 1114 01:07:58,000 --> 01:07:59,500 Josh? 1115 01:07:59,625 --> 01:08:00,958 Yea? 1116 01:08:01,250 --> 01:08:03,458 Do you believe me? 1117 01:08:04,916 --> 01:08:09,666 Of course. Of course I do, Josh. Of course I do. 1118 01:08:15,416 --> 01:08:17,333 I know something... 1119 01:08:17,625 --> 01:08:20,041 that no one else knows. 1120 01:08:21,583 --> 01:08:24,583 - [dreamy, ambient music begins] - What is it? 1121 01:08:29,041 --> 01:08:31,708 I hate that I'm telling you this... but... 1122 01:08:32,250 --> 01:08:35,083 I don't think I can do this on my own. 1123 01:08:37,000 --> 01:08:38,500 You don't... 1124 01:08:38,791 --> 01:08:41,500 have to handle things on your own. 1125 01:08:42,875 --> 01:08:44,833 High school was... 1126 01:08:45,083 --> 01:08:46,833 a dream. 1127 01:08:47,375 --> 01:08:49,791 This is the morning. 1128 01:08:55,458 --> 01:08:57,166 Alright. 1129 01:08:58,375 --> 01:09:01,916 There's something going on... in the city. 1130 01:09:02,791 --> 01:09:05,636 Every night... I mean... in the middle of the 1131 01:09:05,678 --> 01:09:08,500 night... I see people enter this building. 1132 01:09:09,875 --> 01:09:12,291 But they never come out. 1133 01:09:13,000 --> 01:09:15,291 What are you talking about? 1134 01:09:16,625 --> 01:09:18,333 There's something else. 1135 01:09:18,958 --> 01:09:21,541 You don't have to believe me, but... 1136 01:09:22,708 --> 01:09:24,208 It's like this... 1137 01:09:24,333 --> 01:09:26,416 massive spaceship... 1138 01:09:27,208 --> 01:09:29,041 on top of the building. 1139 01:09:32,166 --> 01:09:34,166 Then it just flies away. 1140 01:09:34,916 --> 01:09:36,500 What are you doing? 1141 01:09:36,583 --> 01:09:38,958 And it only comes out when the city's asleep. 1142 01:09:39,416 --> 01:09:41,541 When we should be asleep. 1143 01:09:41,875 --> 01:09:43,833 - But we can't. - Josh. 1144 01:09:43,958 --> 01:09:45,708 I'm not lying. 1145 01:09:47,083 --> 01:09:48,541 I know something... 1146 01:09:48,750 --> 01:09:50,208 that's not right here. 1147 01:09:50,541 --> 01:09:54,625 I can never tell you why but disaster is always around the corner. 1148 01:09:55,458 --> 01:09:57,000 This is it. 1149 01:09:58,916 --> 01:10:00,458 I just feel like there's... 1150 01:10:00,791 --> 01:10:04,250 I don't know. But I feel like things are about to get much worse. 1151 01:10:06,916 --> 01:10:09,208 I've seen them. 1152 01:10:10,000 --> 01:10:11,541 Them? 1153 01:10:12,500 --> 01:10:15,250 [approaching jet engine sound] 1154 01:10:18,916 --> 01:10:21,708 [light orchestral music] 1155 01:10:25,166 --> 01:10:26,708 JOSH: More reconnaissance. 1156 01:10:26,750 --> 01:10:29,416 BRAIJENE: That's too low to be reconnaissance. 1157 01:10:29,625 --> 01:10:31,041 They're preparing for an invasion. 1158 01:10:31,083 --> 01:10:34,041 BRAIJENE: Setting the stage for an invasion, Josh. 1159 01:10:35,041 --> 01:10:36,083 What are you doing? 1160 01:10:36,125 --> 01:10:38,500 We shouldn't have to survey our own land. 1161 01:10:38,833 --> 01:10:40,958 So what? It's just for fun? 1162 01:10:41,166 --> 01:10:43,283 BRAIJENE: No. They've seen what's at the top 1163 01:10:43,325 --> 01:10:45,583 of that building. They know what's up there. 1164 01:10:45,708 --> 01:10:47,833 JOSH: And if they knew there was a Chinese satellite up there... 1165 01:10:47,875 --> 01:10:51,124 the American government woulda been shot that mutha fucka out the sky by now. 1166 01:10:51,166 --> 01:10:52,791 It's not Chinese. 1167 01:10:52,875 --> 01:10:55,208 Bray. How do you know that? 1168 01:10:55,333 --> 01:10:57,875 Look, I don't have time for this right now, alright? 1169 01:11:00,750 --> 01:11:03,250 They've got you believing in aliens. We've already lost. 1170 01:11:03,458 --> 01:11:05,416 I never said aliens. 1171 01:11:05,583 --> 01:11:08,708 JOSH: But you're making me say it. So now I sound like an idiot, right? 1172 01:11:09,000 --> 01:11:11,500 I don't think we should jump to conclusions. 1173 01:11:11,666 --> 01:11:12,791 JOSH: If I break this story... 1174 01:11:12,916 --> 01:11:15,625 we can push this Chinese invasion back. 1175 01:11:15,833 --> 01:11:17,875 And save what's left of this fucking summer. 1176 01:11:18,000 --> 01:11:21,833 No if they won't try us, they'll definitely take Taiwan. 1177 01:11:22,000 --> 01:11:23,666 JOSH: Either way I'm dead! 1178 01:11:23,833 --> 01:11:25,625 And you're on this alien nonsense. 1179 01:11:25,750 --> 01:11:30,166 JOSH: I could get drafted for World War Three or War of the Worlds at any moment. 1180 01:11:30,750 --> 01:11:33,083 JOSH: I thought I'd be able to make a name for myself. 1181 01:11:33,416 --> 01:11:34,583 JOSH: But... 1182 01:11:34,833 --> 01:11:36,750 But I guess that'll just have to wait. 1183 01:11:37,083 --> 01:11:38,875 BRAIJENE: We always have to wait. 1184 01:11:39,125 --> 01:11:41,583 But it just can't be about us. 1185 01:11:44,291 --> 01:11:45,708 So how do we break this story? 1186 01:11:45,791 --> 01:11:49,416 BRAIJENE: It can't feel like a production. We have to upload this raw. 1187 01:11:49,708 --> 01:11:51,083 I'm filming on eight-millimeter. 1188 01:11:51,875 --> 01:11:52,999 That feels produced. 1189 01:11:53,041 --> 01:11:55,208 JOSH: DSLRs feel produced. 1190 01:11:55,375 --> 01:11:59,208 JOSH: I'm not doing that again. I won't record on it. I won't. I'm not doing it. 1191 01:11:59,375 --> 01:12:00,749 BRAIJENE: It's the same truth. 1192 01:12:00,791 --> 01:12:02,041 JOSH: No it's not. 1193 01:12:02,541 --> 01:12:04,041 [glasses slam on table] 1194 01:12:13,916 --> 01:12:16,166 JOSH: What is it? 1195 01:12:28,666 --> 01:12:30,083 What's wrong? 1196 01:12:32,166 --> 01:12:34,166 - Are we... - [contemplative string music] 1197 01:12:34,458 --> 01:12:35,416 just... 1198 01:12:35,958 --> 01:12:38,333 BRAIJENE: doing this just to... 1199 01:12:38,916 --> 01:12:40,791 forget? 1200 01:12:42,083 --> 01:12:43,333 No. 1201 01:12:43,750 --> 01:12:45,166 We gotta help people. 1202 01:12:45,708 --> 01:12:47,666 JOSH: It's no time to look back. 1203 01:12:47,875 --> 01:12:49,791 JOSH: Stay with me. 1204 01:12:50,416 --> 01:12:53,791 - [string music concludes] - [deep, pulsing synth music begins] 1205 01:13:00,208 --> 01:13:02,041 [winding up film camera] 1206 01:13:26,208 --> 01:13:29,625 [exciting trap music begins] 1207 01:13:37,875 --> 01:13:40,083 [music intensifying] 1208 01:13:51,875 --> 01:13:54,208 [music softens] 1209 01:14:02,791 --> 01:14:04,666 Wait right here. 1210 01:14:08,291 --> 01:14:09,500 Josh! 1211 01:14:12,291 --> 01:14:13,541 [film camera motor rolling] 1212 01:14:20,375 --> 01:14:22,250 [whispered] We too early? 1213 01:14:22,875 --> 01:14:25,666 [massive, explosive thumping sound from the upper left] 1214 01:14:28,708 --> 01:14:30,458 [rising engine sound] 1215 01:14:33,750 --> 01:14:35,708 [metal overhang rattling] 1216 01:14:36,166 --> 01:14:38,541 [a flapping sound getting faster] 1217 01:14:39,250 --> 01:14:42,000 [sound disperses throughout air] 1218 01:14:50,083 --> 01:14:51,416 JOSH: Shit! 1219 01:14:51,708 --> 01:14:53,625 [music ends abruptly] 1220 01:14:54,041 --> 01:14:56,166 [dialogue inaudible] 1221 01:15:16,666 --> 01:15:19,666 [sound fading out] 1222 01:15:30,708 --> 01:15:33,541 [PHONE] Andrew: Hey Braijene. I... wanted... 1223 01:15:33,791 --> 01:15:36,875 wanted to check in. Just... see how you're doing. 1224 01:15:37,208 --> 01:15:38,791 I know... 1225 01:15:40,833 --> 01:15:43,458 [suspended string music] 1226 01:15:47,291 --> 01:15:48,708 [PHONE] Andrew: I know things have been... 1227 01:15:48,958 --> 01:15:52,750 how things have been. And I wanted to just... reach out. 1228 01:15:53,625 --> 01:15:56,833 Um... I wanted to just say... I'm... 1229 01:15:57,708 --> 01:16:01,458 sorry. I'm sorry you're going through this. 1230 01:16:08,750 --> 01:16:11,541 [PHONE] Andrew: I was... so... so scared... 1231 01:16:11,958 --> 01:16:14,166 of... [crying] 1232 01:16:14,625 --> 01:16:16,416 I was so... 1233 01:16:16,833 --> 01:16:18,208 scared... 1234 01:16:19,208 --> 01:16:20,458 of the... 1235 01:16:20,791 --> 01:16:22,583 summer flying by. 1236 01:16:23,375 --> 01:16:25,416 But now I'm wishing... 1237 01:16:25,791 --> 01:16:27,041 that it would. 1238 01:16:29,000 --> 01:16:30,958 There isn't uh... 1239 01:16:31,833 --> 01:16:33,958 much else to say. 1240 01:16:34,750 --> 01:16:38,541 Just wanted to give you one last call before it's over. 1241 01:16:39,625 --> 01:16:42,541 I'm sorry about Zion. 1242 01:16:43,041 --> 01:16:45,833 I haven't stopped thinking about it. 1243 01:16:46,291 --> 01:16:48,333 And it really should've been me. 1244 01:16:48,583 --> 01:16:50,625 It's just not fair. 1245 01:16:51,041 --> 01:16:52,583 Or right. 1246 01:16:54,583 --> 01:16:57,375 There's a lot of things I want to tell you. 1247 01:16:58,083 --> 01:17:01,083 But I don't know if now is the right time. 1248 01:17:01,625 --> 01:17:03,958 But if not now, then uh... 1249 01:17:05,083 --> 01:17:09,250 I... I don't... well I don't know then... when that will be. 1250 01:17:09,791 --> 01:17:12,791 There's a lot of things I'm sorry for. 1251 01:17:15,250 --> 01:17:18,250 I suppose this message might never reach you... 1252 01:17:19,250 --> 01:17:21,750 but I might force myself to send it... 1253 01:17:22,041 --> 01:17:23,375 send it. 1254 01:17:24,958 --> 01:17:26,041 Anyway. 1255 01:17:27,250 --> 01:17:30,708 Um... I'm gonna hang up but... I hope you're well. 1256 01:17:31,083 --> 01:17:32,583 I hope you're well. 1257 01:17:34,708 --> 01:17:35,500 See ya. 1258 01:17:35,666 --> 01:17:37,041 Bye. 1259 01:17:38,458 --> 01:17:41,458 [suspenseful, horror music creeping in] 1260 01:18:11,833 --> 01:18:13,916 [music intensifying] 1261 01:18:19,583 --> 01:18:21,791 [music accelerates] 1262 01:18:56,750 --> 01:18:58,958 [music slows] 1263 01:19:12,458 --> 01:19:14,333 ...doing? What are you doing? Please! 1264 01:19:14,375 --> 01:19:17,708 Please let me go! No, no, no, no. No, please! 1265 01:19:17,833 --> 01:19:19,833 Please... I'm sorry! 1266 01:19:20,875 --> 01:19:23,750 BRAIJENE: Please let me go! No, no, no. Please! 1267 01:19:25,166 --> 01:19:28,666 Please help me. Someone help me! 1268 01:19:29,000 --> 01:19:31,541 Please, please. Stop, stop. 1269 01:19:32,083 --> 01:19:33,750 [a squelching, popping sound] 1270 01:19:33,958 --> 01:19:36,583 [a sudden vacuum of sound, leaving only low tones] 1271 01:19:37,791 --> 01:19:40,791 [sounds like wet microphone pops] 1272 01:19:45,708 --> 01:19:47,875 [muffled scream] 1273 01:19:52,125 --> 01:19:54,750 [very soft music chimes] 1274 01:20:00,208 --> 01:20:02,666 [a muffled body-dragging sound] 1275 01:20:03,166 --> 01:20:04,875 [music stinger] 1276 01:20:14,750 --> 01:20:17,125 [a large, low vibration] 1277 01:20:29,000 --> 01:20:32,000 [music fades out] 1278 01:20:38,083 --> 01:20:42,875 [low-tone sound reemerges] 1279 01:21:37,583 --> 01:21:39,750 [low-pitched bone crack] 1280 01:21:40,083 --> 01:21:43,083 [a beautiful, somber violin solo] 1281 01:21:49,625 --> 01:21:53,000 [airless vocal noises like low hums] 1282 01:21:55,875 --> 01:21:57,875 [muffled] No. 1283 01:22:16,583 --> 01:22:19,833 [somber strings slowly turning adventurous] 1284 01:22:28,708 --> 01:22:31,708 [all ambiance is airless and muffled] 1285 01:22:55,125 --> 01:22:58,125 [megaphone is inaudible] 1286 01:23:10,750 --> 01:23:12,666 [muffled] I can't hear! 1287 01:23:14,500 --> 01:23:18,791 I can't hear you. There's no time to explain. 1288 01:23:20,833 --> 01:23:22,916 What is this? 1289 01:23:26,333 --> 01:23:29,333 [dialogue inaudible] 1290 01:23:34,750 --> 01:23:37,541 Wait, wait, wait. No, no, no. Stop, Josh. 1291 01:23:37,708 --> 01:23:42,000 If you go in there... there may be no coming out. 1292 01:23:52,750 --> 01:23:55,000 [air pressure returns from the sound vacuum] 1293 01:23:55,875 --> 01:23:56,499 Okay. 1294 01:23:56,541 --> 01:23:57,333 Wowww. 1295 01:23:57,375 --> 01:23:58,375 Josh. 1296 01:23:58,541 --> 01:23:59,541 What're you doing here? 1297 01:23:59,625 --> 01:24:00,958 You're leeching, aren't you? 1298 01:24:01,000 --> 01:24:01,749 I'm not leeching! 1299 01:24:01,791 --> 01:24:02,749 Yea, you are. 1300 01:24:02,791 --> 01:24:03,666 Get out of here! 1301 01:24:03,708 --> 01:24:05,875 No, I'm not gonna get out of here. Why are you here? 1302 01:24:05,958 --> 01:24:07,291 You'll never be real. 1303 01:24:07,333 --> 01:24:08,708 What does that even mean? 1304 01:24:08,750 --> 01:24:10,875 Just like your footage. It'll never be real! 1305 01:24:11,041 --> 01:24:12,291 Get out of here! 1306 01:24:13,333 --> 01:24:14,916 [glass, plastic shattering] 1307 01:24:15,916 --> 01:24:16,916 That's cool, aye? 1308 01:24:22,250 --> 01:24:24,708 BRAIJENE: Stop it. Stop it! What're you doing? 1309 01:24:25,000 --> 01:24:27,000 What are you doing?! 1310 01:24:32,958 --> 01:24:34,833 Follow me. 1311 01:24:37,083 --> 01:24:39,208 Josh!! 1312 01:25:01,541 --> 01:25:04,333 [massive, explosive thumping sound from the upper left] 1313 01:25:07,958 --> 01:25:09,791 [rising engine noise] 1314 01:25:14,583 --> 01:25:16,208 [music intensifying] 1315 01:25:17,875 --> 01:25:20,333 [engine sound disperses throughout air] 1316 01:25:29,125 --> 01:25:31,583 [music rising to a peak] 1317 01:25:34,000 --> 01:25:35,416 [music ends] 1318 01:25:35,958 --> 01:25:36,558 [thunder] 1319 01:25:47,458 --> 01:25:49,791 [soft piano music] 1320 01:26:03,750 --> 01:26:06,750 [thunder] 1321 01:26:34,708 --> 01:26:37,708 [adventurous orchestral music] 1322 01:26:55,208 --> 01:26:56,541 Oh shoot! 1323 01:27:06,875 --> 01:27:09,875 [music slows] 1324 01:27:19,333 --> 01:27:22,333 [strange, other-worldly synth music] 1325 01:28:15,625 --> 01:28:18,625 [heavy winds] 1326 01:28:19,291 --> 01:28:20,833 [thunder] 1327 01:28:53,791 --> 01:28:56,083 [orchestral music returns] 1328 01:29:00,416 --> 01:29:02,541 BRAIJENE: I see you. 1329 01:29:14,208 --> 01:29:16,541 [synth music returns] 1330 01:29:44,833 --> 01:29:47,333 [orchestral music returns] 1331 01:29:52,791 --> 01:29:55,041 BRAIJENE: It's slowing down. 1332 01:29:59,791 --> 01:30:01,791 BRAIJENE: I'm coming, Josh. 1333 01:30:02,208 --> 01:30:04,000 I'm coming. 1334 01:30:06,291 --> 01:30:08,916 [thunder] 1335 01:30:10,083 --> 01:30:13,083 [foreboding orchestral music] 1336 01:30:26,041 --> 01:30:28,041 [laughing] 1337 01:30:30,666 --> 01:30:33,666 [mysterious, investigative synth] 1338 01:31:14,208 --> 01:31:17,208 [string music begins] 1339 01:31:42,833 --> 01:31:44,541 Andrew!!! 1340 01:31:51,958 --> 01:31:54,958 [deafening highway sounds] 1341 01:32:02,583 --> 01:32:04,875 Sorry Zion. 1342 01:32:09,125 --> 01:32:11,416 I'm sorry! [laughs] 1343 01:32:11,791 --> 01:32:13,416 What are you doing?! 1344 01:32:13,583 --> 01:32:15,416 Stop!! Don't jump!! 1345 01:32:17,291 --> 01:32:19,541 [suspenseful orchestral music] 1346 01:32:23,625 --> 01:32:26,500 But what about your family? [laughs] 1347 01:32:41,416 --> 01:32:43,750 Coming home, Zion. 1348 01:32:45,791 --> 01:32:47,833 Right where I left you. 1349 01:32:48,000 --> 01:32:49,208 Look at me!!! 1350 01:32:53,000 --> 01:32:56,000 [horn music intensifying] 1351 01:32:57,250 --> 01:32:59,291 Whelp, I guess this is it! 1352 01:32:59,333 --> 01:32:59,958 Don't jump, don't- 1353 01:33:02,250 --> 01:33:04,333 [descending music] 1354 01:33:09,416 --> 01:33:11,375 [string music returns] 1355 01:33:14,083 --> 01:33:17,291 [gasping for breath] 1356 01:33:31,708 --> 01:33:34,041 [horrific string music] 1357 01:33:37,291 --> 01:33:41,041 ANDREW: Oh my gosh... oh my g-oh my gosh... 1358 01:33:47,375 --> 01:33:49,750 [heavy breathing] 1359 01:33:51,250 --> 01:33:54,250 [unsteady mumbling] 1360 01:34:03,083 --> 01:34:03,958 [locking mechanism clasps] 1361 01:34:04,000 --> 01:34:06,083 [shoes land on concrete] 1362 01:34:06,291 --> 01:34:08,583 [heavy breathing] 1363 01:34:15,708 --> 01:34:18,708 [rattling interior, distant wind] 1364 01:34:20,583 --> 01:34:22,750 [coughing] 1365 01:34:28,416 --> 01:34:30,041 [hair drying sound] 1366 01:34:35,833 --> 01:34:37,499 [a large latch releasing] 1367 01:34:37,541 --> 01:34:40,125 [elevator hydraulics humming] 1368 01:34:43,541 --> 01:34:47,333 [soft, pleasant synth music] 1369 01:35:49,875 --> 01:35:54,000 - [synth music abruptly stops] - [urgent orchestral music begins] 1370 01:36:03,875 --> 01:36:06,875 [hellish choir voices] 1371 01:36:27,625 --> 01:36:30,166 [buzzing, gear-turning sound] 1372 01:37:24,958 --> 01:37:26,916 [deep vibrations] 1373 01:37:37,000 --> 01:37:39,458 [music slows] 1374 01:37:54,500 --> 01:37:56,125 Wait. 1375 01:38:02,625 --> 01:38:05,166 How do you love? 1376 01:38:06,208 --> 01:38:08,833 [music ramps back up] 1377 01:38:11,083 --> 01:38:12,166 [sharp, percussive hits] 1378 01:38:12,208 --> 01:38:13,875 No... no. 1379 01:38:18,125 --> 01:38:19,250 [screaming] 1380 01:38:22,166 --> 01:38:24,708 [bombastic french horn] 1381 01:38:38,500 --> 01:38:41,500 [orchestral music slowly transitions to hip-hop] 1382 01:39:01,500 --> 01:39:03,666 [intense screaming] 1383 01:39:06,083 --> 01:39:07,249 [squelching, squirting noises] 1384 01:39:07,291 --> 01:39:08,083 No, no, no, no!! 1385 01:39:14,125 --> 01:39:15,750 Please. Please. 1386 01:39:15,916 --> 01:39:18,416 God please! 1387 01:39:24,500 --> 01:39:27,000 [buzzing mechanical noises] 1388 01:39:40,208 --> 01:39:42,500 BRAIJENE: God, we're sorry. Please! 1389 01:39:49,291 --> 01:39:51,583 [whispered] They'll never know my name. 1390 01:39:58,375 --> 01:39:59,250 [shrill buzzing noise] 1391 01:39:59,458 --> 01:40:00,058 [screaming] 1392 01:40:00,333 --> 01:40:01,208 [shrill sparking] 1393 01:40:04,666 --> 01:40:06,125 [music intensifying] 1394 01:40:10,125 --> 01:40:11,666 [intense shaking] 1395 01:40:25,708 --> 01:40:27,010 [tree branches snapping] 1396 01:40:27,052 --> 01:40:28,500 [deep concrete explosion] 1397 01:40:28,833 --> 01:40:30,833 [music ends] 1398 01:40:32,958 --> 01:40:35,416 [sound slowly fading in] 1399 01:40:51,416 --> 01:40:54,416 [airless ambiance] 1400 01:41:00,333 --> 01:41:03,333 [full-sound ambiance] 1401 01:41:10,125 --> 01:41:12,125 Sorry it's so last-minute. 1402 01:41:12,666 --> 01:41:14,333 That's alright. 1403 01:41:14,750 --> 01:41:17,416 You're always the better plan anyway. 1404 01:41:18,750 --> 01:41:20,666 Hey can we um... 1405 01:41:21,166 --> 01:41:23,208 sorry um... 1406 01:41:23,666 --> 01:41:26,166 can we keep this a friend thing? 1407 01:41:26,416 --> 01:41:27,166 Yea! 1408 01:41:27,458 --> 01:41:29,999 We can do that. Most definitely. 1409 01:41:30,041 --> 01:41:33,791 We can completely do that, yea. That's fine with me! 1410 01:41:34,708 --> 01:41:36,291 [airless ambiance] 1411 01:41:36,333 --> 01:41:37,958 JOSH: [muffled] So uh... 1412 01:41:38,250 --> 01:41:39,541 [full-sound ambiance] 1413 01:41:39,583 --> 01:41:40,916 what's all this for? 1414 01:41:41,375 --> 01:41:43,291 Just... 1415 01:41:43,750 --> 01:41:46,166 something else to remember. 1416 01:41:46,791 --> 01:41:47,750 Huh. 1417 01:41:48,083 --> 01:41:50,208 That's the case... 1418 01:41:51,208 --> 01:41:52,333 I brought it... 1419 01:41:52,500 --> 01:41:53,708 just in case. 1420 01:41:53,833 --> 01:41:55,833 One last shot. 1421 01:41:56,166 --> 01:41:58,458 Maybe over there of the lake? 1422 01:41:58,583 --> 01:42:00,250 Yeah let's try that out. 1423 01:42:10,625 --> 01:42:11,916 I think... 1424 01:42:12,083 --> 01:42:14,333 just gimme one second... 1425 01:42:16,208 --> 01:42:17,250 [airless ambiance] 1426 01:42:17,375 --> 01:42:23,625 JOSH: [muffled] I think it's... gimme one second. It's kinda... messin' up on me. 1427 01:42:26,041 --> 01:42:28,333 [full-sound ambiance] 1428 01:42:34,833 --> 01:42:37,750 BRAIJENE: [pre-lap] I couldn't keep it to myself. 1429 01:42:38,083 --> 01:42:40,083 I just... 1430 01:42:41,958 --> 01:42:45,208 I really hope you'll understand. 1431 01:42:45,541 --> 01:42:48,083 I can't play pretend anymore. 1432 01:42:49,458 --> 01:42:50,916 Because... 1433 01:42:51,500 --> 01:42:53,541 when there's the summer... 1434 01:42:53,791 --> 01:42:55,541 there is the fall. 1435 01:42:55,708 --> 01:42:57,125 And... 1436 01:42:57,791 --> 01:43:00,083 that reality is scary. 1437 01:43:02,041 --> 01:43:05,958 But one way or another it's gonna find all of us. 1438 01:43:07,083 --> 01:43:08,541 And... 1439 01:43:08,833 --> 01:43:11,375 that reality is... 1440 01:43:11,958 --> 01:43:14,916 Zion survived the accident. 1441 01:43:15,708 --> 01:43:17,708 BRAIJENE: I'll show you to him. 1442 01:43:18,000 --> 01:43:21,041 He's stable... mentally. 1443 01:43:21,291 --> 01:43:22,791 But... 1444 01:43:24,625 --> 01:43:26,416 he can't speak. 1445 01:43:27,708 --> 01:43:29,916 He has something to help him. 1446 01:43:30,250 --> 01:43:31,833 I just... 1447 01:43:32,250 --> 01:43:34,708 I just thought I'd tell you. 1448 01:43:36,791 --> 01:43:38,541 I'm um... 1449 01:43:40,500 --> 01:43:42,416 I'm sorry. 1450 01:43:46,333 --> 01:43:48,666 Why? 1451 01:43:55,500 --> 01:43:57,958 [door clicking open] 1452 01:44:04,916 --> 01:44:07,916 [soft, somber piano music] 1453 01:44:33,333 --> 01:44:36,101 ZION: You're going to make me talk first? 1454 01:44:36,143 --> 01:44:39,541 [Zion's voice sounds artificial, almost robotic] 1455 01:44:44,041 --> 01:44:46,750 No I just uh... 1456 01:44:48,375 --> 01:44:53,000 I just didn't... I don't... know what to... say. 1457 01:44:54,208 --> 01:44:59,500 You couldn't come up with anything for a month? 1458 01:45:01,291 --> 01:45:04,208 No, no. That's... that's not it. 1459 01:45:06,083 --> 01:45:10,708 Did you wish I was dead? 1460 01:45:19,541 --> 01:45:22,458 Yes. Yes. 1461 01:45:23,708 --> 01:45:27,208 Sorry to disappoint you. 1462 01:45:29,875 --> 01:45:31,958 I- I... 1463 01:45:33,000 --> 01:45:35,750 I never wanted uh... 1464 01:45:37,125 --> 01:45:40,083 any of this for you. 1465 01:45:40,541 --> 01:45:44,041 I don't give a shit about that. 1466 01:45:44,583 --> 01:45:49,666 But when my best friend stops being my friend, that hurts. 1467 01:45:50,083 --> 01:45:54,208 I might as well be dead to you. 1468 01:45:54,833 --> 01:46:00,041 We can't control much. But I just know we can love. 1469 01:46:01,208 --> 01:46:02,875 You can. 1470 01:46:06,083 --> 01:46:08,125 I'm sorry, Zi. 1471 01:46:09,583 --> 01:46:11,416 I'm gonna come visit. 1472 01:46:12,000 --> 01:46:14,500 Don't visit me. 1473 01:46:14,833 --> 01:46:16,916 [music closing eerily] 1474 01:46:18,250 --> 01:46:20,583 I'm never gonna make a movie again. 1475 01:46:21,291 --> 01:46:23,750 Then take it from me. 1476 01:46:24,333 --> 01:46:27,708 Take a good look at life. 1477 01:46:30,625 --> 01:46:32,500 [music ends abruptly] 1478 01:46:33,458 --> 01:46:35,000 [silence] 1479 01:46:44,958 --> 01:46:47,000 And let it be. 1480 01:46:47,583 --> 01:46:49,625 [silence] 1481 01:46:59,000 --> 01:47:02,333 Andrew [VO]: I never wrote an ending. 1482 01:47:06,500 --> 01:47:09,791 In my head it was louder. 1483 01:47:14,583 --> 01:47:18,083 But I think it's just quiet.