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Hello, this is Paul Urquijo, the director of
the movie Gaua, now you are listening to me

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Downloaded from
YTS.BZ

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Official YIFY movies site:
YTS.BZ

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the director of the film, Aintzuzen, and the
audio commentary of the director Hauseda.

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The director of the movie Gaua, the director
of the movie Now you are listening to me,

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aintzuzen, and hauseda director,
aintzuzen, and director hauseda.

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Not with different ones, either with the making of,
or with the audio commentaries of different directors.

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Then if it's dough for me,
and very important to me

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I absolutely do not believe
these movie audio commentaries.

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Either way, someone will find it
interesting, or learn something from it.

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So, well, first of all, that, a
thousand, a thousand requests.

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Well, the movie begins, completely
about the night and the site.

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It sucks, doesn't it?

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We know, in Basque Mythology,
well, that god of the night, our night,

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when he appears to us, in
the middle of the night, he says

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day for day and
night is for night, right?

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Well, this time, I wanted to
comment a bit on that dualism.

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Graba do, through this, well, you've
seen them, you've seen them, well,

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of that period of
witchcraft and enchantment

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Based on that imagery a bit, no?

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In that period, in that style of that
seventeenth-century engraving,

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well, rely completely, well, to make
this prologue to Asia, where, kurpila,

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We see this cycle in a
continuous cycle, don't we?

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From night to day

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And to some extent we can see different things
that will appear later in the movie, right?

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We can see them as frauds,
eh, with a pot, and, and, we eat

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At the end, igual, that nickname can be
completely, and, well, just so you know

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Because it was recorded,
we did it in Gurran.

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I made the design,
and then, er, recording

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er, gurran, and, we shot
it, er, with the camera.

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E, both recorded and appearing,
well, the title, and, and, are

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eh, eh, posters of different,
different chapters, no?

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Ezako, it was important in
physics, doing it, and not digitally.

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See, we get the
lala texture, what a

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Well, here we see of the night, of
the night, we see the other of the night,

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e, some walkers, or
some vendors, no?

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And those who live there, different
creatures, and what we see here,

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Well, the first farm, guess what, well,
the farm, this is beyond the fairy tale,

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and yes, cider was made
there, and, well, as we localize,

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and, of the users, a
very beautiful museum.

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And here we see, first of all,
bagure, protagonist, June Nogueiras,

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eh, not doing kachalin, and,
well, First of all, many people ask

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dit, those who do not speak our culture
or documentation, where I come from

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those hatters, and the clothes
that appear in the peliguro

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these eccentrics, and the
point is, they were of the time.

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That championship we see here,
amanita is muskaria, reticulated,

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poison the alzara with him, but it is
mostly, it was used a lot, hallucinations

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to hold and bar, but it's not like someone's
going to die, you've got a big dose.

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He quickly returned to the dressing
room, not We tried to dress up in the movie

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between, without documenting it,
in the field of clothing, come to me

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wear the daria, yes, the war was
documented, and the war appeared in them

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not those hatters, with proud
pointed shapes, then we are that fabric

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colors and bar, in those times people
dressed very colorfully, to say the least

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it was black, and dressed in
low saturation colors, that curious,

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normally, the costumes that occur
in historical films are quite mordant,

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quite gray, like a
sicina, and it wasn't, no

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like that, it was very colorful.

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And we've tried to
make that happen.

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Also, in between, at that time,
some, the farms, the majority,

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they were all made of wood,
they were not dangerous like today.

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And we've tried to
make that happen.

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Here we also have Xabier
López-Jabato, another actor, right?

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And we have the boys, the
protagonists Totally Tort Relationship, no?

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Pisegat glimat
gaisalinga part of iso.

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They are heavy.

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In terms of lighting and
visual impact, my predecessor

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in the movies and I'm pretty dead,
because my harimas demand it, right?

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Dead history, full of monsters and bar,
but even then, when it comes to publishing,

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It's always all about creating images
with high contrast, creating tenebrism,

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against lighting the actors and
characters, and in this case Gorka Gómez

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Andreu argaziz, be
a terrible day, isn't it?

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Let's stick to it, they don't know the
pictorial referents like the top, or the carabao

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like, and creating
such tenebrist imagery

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I was determined, or I was
determined to hide, completely.

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In this case, to register Gorka,
in the farm, he swore to sail.

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That was the FIRE he could see, the SUBA-car
that they left us that SUA down there, effect

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it's made special, it's real FIRE, but
very controlled, drama efekis effect

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made by a private company, but
then all the different lights that appear,

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they are not, the sails, even
though they look like wax

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because the little dots
you see are not fire.

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How, in the end, the museum was
made of Dana wood, this was no risk,

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they left it to us and it has our techniques,
in the end the oath will be fulfilled.

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In the end the
oath will be fulfilled.

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In the end the
oath will be fulfilled.

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Then to create fact
in fiction, absolutely

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But we see the peio character, even
though he's a pretty scrappy person,

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I'm all for having a little bit of his
grays, not being a character like that

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evil, to the image of the evil
man, even a man of his own

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Yes, we are in them, and
even in these we have rude men.

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And but we see because it was
predicted The countryside again.

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The plants and the bar you see are
what we put in, and you see this Kampo

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This Kampo you have, seen by
Katxaren and then leaving the farm

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to the other
universe we see, no?

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It's not scary because it would be
another arctic forest, but it's scary

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because in front of them we put some
wooden beams and so on, which we can see

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first shot, the first shot of the
movie that we see in the farmhouse

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the shutters and bars that are
visible on the plan, we put them.

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We also see how we have to fill in the
spaces between them to describe them

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no different elements, for example
Katxaren's farm, I will write until I go

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after the director, we see that there is
linen, hanging there, on the walls and so on

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laughing, and we filled different
spaces with different elements,

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then we see that there is
corn in Maritxure's farm, right?

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Here we have
Katxaren's later, maricho.

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Here we see the little girl
dressing as a man, and...

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and well, I don't know if Katxa's
character would be known, but it exists

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inspired by a real character of
the last century magoz, his name

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He belonged to the tribe of Katxa, and he
was beaten because he had a female lover,

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little man

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That's where they come from, both
the names of Katxa and Maritxu...

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why not?

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Piskat, yes, let's
do a little tribute.

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Also the worst, if you have a name
for a peio, ope, Jo, ope, Jo, migelagos

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the most sung, where he tells
the domestic drama, where...

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the main character who sings, he is
always working and his husband always...

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we force...

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uh...

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to work in the
field at night, right?

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and in a way, well,
we thought it was nice...

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well, putting it down...

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uh...

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kure's character Ari.

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Here we see, well, that, the
profile of an abuser, right?

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on the one hand, how, well,
he mistreats Katxalin, but then,

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well, he already realizes
his grays, if he is a monster,

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those of Egola, there were one, in the seventeenth
century, the Danes, and even then, well, they exist.

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uh... and that's why
well, even his grays...

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eh... I created it with
his grays, didn't I?

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even though...

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be a bully

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Here we see how, manita guzcaria,
well, well, that, creates Dion...

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uh... that evil...

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and in Katxalin it goes.

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This is our favorite, isn't it?

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we know, uh... well...

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farms, uh...

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that which is put to care
or, well, who is a mullet

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And take this shot, the other one, this
is a bit of a tribute, er... John Foren...

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The Searchers, or Centauros
del desierto, everything, uh...

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You always see all that
vegetation here, eh...

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it belongs to that, and this, this
plane that we just see, this is in articu

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the previous one was thirsty,
and this is in the artichoke

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And those who comment to you,
John Forene, well, you know that.

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er... it was Centauros
del desierto, er...

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you see the field in
that final shot, uh...

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John Wayne in a door
and where the iunity inside

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there was and it was
on the outside, er... well...

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the light

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Well, well, we played
against nes, absolutely.

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What a light, it escapes from the monotony of the
field, it escapes from the monotony of the farm

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he does, searching for the light and freedom
of the forest and the wilderness, completely.

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Imen, calm down, we see the
rest, another creature of the night.

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And here we are, well,
if you have a movie,

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it has, not that narrative
structure, but a chapter one.

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And there is the movie, with stories from
Basque mythology, and elements, names,

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full of rhymes

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On the one hand,
there are four, uh... uh...

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history, no, which are four
chapters, night, inguman,

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that world of slander
and witchery and sorcery.

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But then, within these histories,
well, there are many different histories.

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Er... among others, one of the
received infamy on the railing, bakiko,

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in Barandia, that he was an anthropologist
priest from Asia in the East Garrimende,

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and thanks to him, well...

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In the myths of the peoples, we
have many myths that he received.

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And, in this first utterance, we
see, well, the history of the night,

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no?

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It is told in the stories, how
in the woods, if you dive, uh...

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of the night, well, it appears to you
between its different forms, doesn't it?

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Ijunity with their form, with the
shape of the frozen wind, uh...

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the shape of the ocho, er... the beast of
the forest, the animals of the forest, etc.

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And in this case, well,
we see how the wind

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what he becomes
in what he is, no?

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The day is for the day,
and the night is for the night.

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And, well, here, he's been playing
a little bit, how, that shadow we see,

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may be peio, but also
It can be night, right?

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And, in a sense for me, uh...

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what, it's night, uh...
kaxaline's ies place, no?

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And...

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and to learn what he
immerses himself in.

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The night itself protects a little,
to his farm, no, to return, no?

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And absolutely, uh… I think
it's a question of the night

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back, back again,
absolutely, no?

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There are so many different forms of
gestures at night... that everyone can take,

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well, for me, well, it
takes the form of peon.

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And we menicus, ha, another
transformation of the night, no?

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Also, the forest, those different forms
of the forest, er... the black forest,

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00:15:29,660 --> 00:15:34,840
and we mention, well, in this
first plan, how we saw that actor,

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uh...

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that young actor, well, it was Elias Garzia,
hey... walking around in black lycra,

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and then we took them digitally...
branches, even in this first part,

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but from now on...

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is the shape of the night we will see,
I've always imagined it since I was a child

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shape, er... totally
physical, no?

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Er... as if he were a walking
giant, er... where are his horns,

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as we can see, uh...

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that make a visual
village with the jargi, no?

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Like...

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...

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like the spirit of wildness
and meekness, no?

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And if he were a
colossus, like Zati all night

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Alive that will be made by computer
VFX er... done by the company and...

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right here we see the barnacle in
that form that turns into night, don't we?

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Cute, isn't it?

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Uh...definitive form of
night uh...terrors, no?

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Nortabillot swallows our iconography in
the jar, here in the silence, ba Katsali!

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Tarronat!

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Well, here we suddenly jump into
another stream in Katsali, don't we?

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It appears in the washroom, where...
here our legendary iruemakume appear...

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00:17:09,141 --> 00:17:15,300
Reme Beltra and Graxiana Iñakira
Astortza, Elena Irureta and Ane Gavarain,

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These legends of the Basque Country, hey...
when I started writing scripts, hey...

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00:17:21,321 --> 00:17:27,840
I thought about them, to be
honest, and of course, my...

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How can I have three
queens like Kastina, no?

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So what I did was... with the
iruai eh... stay and june and

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We were a proof of that, but the same chemistry
to feel the chemistry between them and

214
00:17:45,861 --> 00:17:48,580
Piskate to see, how
would they adapt, right?

215
00:17:49,040 --> 00:17:53,420
And give them this
justification... uh...

216
00:17:53,760 --> 00:18:00,243
such a quote... of the
script... how are they?

217
00:18:00,303 --> 00:18:04,960
Some of them don't have a ladder, some
don't have a ladder or something, eh...

218
00:18:06,400 --> 00:18:11,380
Some parts of the script were
read by the Pasanis and the Thais

219
00:18:11,381 --> 00:18:18,120
when they came to Assyria... for
example zelena I haven't studied...

220
00:18:18,121 --> 00:18:21,100
this is not written
well, this is Basque...

221
00:18:21,660 --> 00:18:25,860
hey... it's not right and bar, I
told him that it is not possible

222
00:18:25,861 --> 00:18:29,820
because of the Basque language of the century we
live in well, well, and Nik, well, take it easy

223
00:18:29,821 --> 00:18:35,420
take it easy, I'll give you twenty
minutes, Read it and come back, right?

224
00:18:35,480 --> 00:18:41,560
and luna, I bowed, they
did it and we had a lot of fun

225
00:18:41,561 --> 00:18:48,720
there was a nice chemistry between them if
they are very charming and very very momentous

226
00:18:48,721 --> 00:18:54,120
It was nice, well, I was
clear, well, I think that's clear.

227
00:18:54,900 --> 00:19:00,580
the washed out yellow outside,
very close to the salty one, and that

228
00:19:00,581 --> 00:19:05,920
Those who say that you
are a custodial cat are false

229
00:19:05,921 --> 00:19:12,520
there is a clearing and all that
vegetation that was covered with art,

230
00:19:12,600 --> 00:19:17,700
you see there's a hole in it,
mouse just before recording the shot

231
00:19:17,701 --> 00:19:22,820
one passes, just a few seconds before
and a few seconds before the recording.

232
00:19:23,520 --> 00:19:30,540
It would be nice if we had a
little mouse to shoot, wouldn't it?

233
00:19:30,640 --> 00:19:39,280
Another night walker and
I think it's a Latvian wash

234
00:19:39,281 --> 00:19:46,240
Our women who are washed for me
has always been a catch for me to see.

235
00:19:47,150 --> 00:19:59,700
It has a meaning, the symbolism of a
refuge of freedom women have always been

236
00:19:59,701 --> 00:20:07,160
Those who had to clean
and were completely there

237
00:20:07,161 --> 00:20:12,760
In this case, the women are
having drinks and telling the stories

238
00:20:12,761 --> 00:20:20,600
It could be their freedom or a space of
freedom and then there are also myths

239
00:20:20,601 --> 00:20:25,480
cleaned a lot around and around
the bar, and well, they seemed nice

240
00:20:25,481 --> 00:20:33,040
to be completely clear of the character's
refuge and to be completely gone

241
00:20:33,041 --> 00:20:39,720
What these women represent
for me is not something of destiny

242
00:20:39,721 --> 00:20:48,580
The three goddesses of such destiny
are parks, no moiras, no grais or ekate

243
00:20:48,581 --> 00:20:57,860
not the implacable goddess of sorcery,
completely and then well completely united

244
00:20:57,861 --> 00:21:05,860
no no, these are the three characters who will
direct the union of the cats then individually

245
00:21:05,861 --> 00:21:10,920
It has its own personality completely,
we have a slightly fat Elena as the leader.

246
00:21:14,220 --> 00:21:23,900
The figure of their leader will
then be remade a bit like Makurraao

247
00:21:23,901 --> 00:21:35,880
Like Escabritxo and Beltra the most genuine,
and it is said that they are not Basque

248
00:21:35,881 --> 00:21:42,900
It is a phrase used in mythology about
witches. There is a movie about the phrase

249
00:21:42,901 --> 00:21:53,060
filled with the history of these three
contained in ori barandiala and others

250
00:21:53,061 --> 00:21:57,460
because they see the heads, they
have completely defined the character

251
00:21:57,461 --> 00:22:07,740
if there is a crooked govezala, a
smaller govezala, a bigger govezala

252
00:22:07,741 --> 00:22:12,180
bi puntada Basque is higher paancit
jefe zila, the meaning of having two points

253
00:22:12,181 --> 00:22:19,140
He used to have a twice-married
wife, but if they had one

254
00:22:19,141 --> 00:22:26,960
You were married, and then in Beltra's case
that was with the baroque or the priest

255
00:22:27,460 --> 00:22:34,600
being zero it has no tip there we
looked for the code but such a hat

256
00:22:34,601 --> 00:22:40,920
They have a lot of differences and we are immersed
in the history around you, you can see it here

257
00:22:40,921 --> 00:22:51,420
Another beautiful farm is in the Horoz
area and a farm in the Basque Country.

258
00:22:53,180 --> 00:22:59,140
It's one of the oldest, all made
of wood, as you can see here

259
00:22:59,141 --> 00:23:05,160
We have seen this scene recorded in
Igartu Beit in the previous sequences

260
00:23:05,161 --> 00:23:11,480
Igartu Beitiko Kampoaldea Katxa's
enzukalde and this is right next to it

261
00:23:11,481 --> 00:23:19,060
another zone, we finally make a
Frankenstein and you know the movie

262
00:23:19,061 --> 00:23:25,400
because of the lie and that's how we act
here we see the Candlesticks Candlesticks

263
00:23:25,401 --> 00:23:31,200
they are carved from the wood created
by Argizaris and then some Argizaris

264
00:23:31,201 --> 00:23:39,060
some tangled sails that represent
the harims of the dead and

265
00:23:39,061 --> 00:23:45,020
In the Basque Country, they were taken to
Churches and different families were reborn

266
00:23:45,021 --> 00:23:53,760
Here we see Maritxu completely
devoted to the worship of his dead.

267
00:23:55,460 --> 00:24:07,800
Maritxu Erika Olaizola John, Manex Fux
In the figure of Mateo Xistu and and ours

268
00:24:07,801 --> 00:24:18,920
Eugenia, Laura and we see here the
character of Inguma is in Basque Mythology

269
00:24:19,040 --> 00:24:33,320
such a demon clutches at the sleeping
one and entangles Dion in the night.

270
00:24:34,700 --> 00:24:41,020
I do what I usually do to a sleeping person
or I twist the mattress badly in the morning

271
00:24:41,021 --> 00:24:50,340
if you get up with a broken mattress
or if you die while you are sleeping

272
00:24:50,341 --> 00:24:58,120
It has been completely Nik at the beginning
in our iconography in different ingumas

273
00:24:58,121 --> 00:25:02,660
It is represented as a demon
and we will see another form

274
00:25:02,661 --> 00:25:11,520
with the shape of some we see here
this little moment like the heart like pins

275
00:25:11,521 --> 00:25:17,340
and here it is, opo, dapa,
mapa, apa are also Basque

276
00:25:17,341 --> 00:25:22,420
Other elements of mythology
are said to be used of the heart.

277
00:25:23,700 --> 00:25:30,700
nail the heart of black people to
ward off both witches and bad spirits

278
00:25:30,701 --> 00:25:38,240
opo, dapa, that map was called by
witches to close a code for example.

279
00:25:39,110 --> 00:25:45,340
we say that what was done was to
put a pape pipopu after each syllable

280
00:25:45,341 --> 00:25:51,840
here you can see how a
legendary witch can kill a cat but opo,

281
00:25:51,880 --> 00:26:01,880
dapa, that map are said they are said
they are said ka, pa, ipi, sopo and say

282
00:26:01,881 --> 00:26:05,880
It was a witches' code but surely
it would be the people of that place

283
00:26:05,881 --> 00:26:13,840
He had a secret code to close it
or whatever he was commenting on

284
00:26:13,841 --> 00:26:22,240
in this we have seen the candlesticks closing
in on the inguma We are and And there was

285
00:26:22,241 --> 00:26:28,920
in Crencials, usually the
dead were buried in the farms,

286
00:26:29,040 --> 00:26:34,140
and it used to be that there were
some guardian spirits in the farms, right?

287
00:26:34,380 --> 00:26:42,620
Family members, they were
called housewives or helpers.

288
00:26:42,621 --> 00:26:52,100
And we have played a bit here, like
how the spirit of inguma is in the houses

289
00:26:52,101 --> 00:26:57,420
being malicno, he could be
such a corrupt landlord, right?

290
00:26:57,800 --> 00:27:07,673
Well, shaped by hatred
and envy and the like

291
00:27:07,693 --> 00:27:13,620
driven by bad
feelings, no, not at all.

292
00:27:14,160 --> 00:27:22,220
And we love them, June and Arika,
Kasherin and Maritxu, you are fixed,

293
00:27:22,260 --> 00:27:27,080
Well, based on these historical festivals,
the two people who commented to you earlier

294
00:27:27,081 --> 00:27:35,700
absolutely, no, you've fixed it
tacitly, but Maritxu has his head down

295
00:27:35,701 --> 00:27:44,640
like, that's something that used to be
done to women, when they were single,

296
00:27:44,720 --> 00:27:48,907
That was done when
I was not married

297
00:27:48,908 --> 00:27:53,680
or shave the whole head,
or even rap the high caldera.

298
00:27:54,040 --> 00:28:00,620
And then when they got married, but they had
to lengthen the month, and they put on a hat.

299
00:28:00,800 --> 00:28:06,220
Well, to do that, to do that effect, It
was in the air that we did, well, as well

300
00:28:06,221 --> 00:28:15,280
to make the priest's head or tonsure,
What we did was put a prosthesis on him

301
00:28:15,281 --> 00:28:21,180
in the head, as if it were a
raccoon, but with a month around it

302
00:28:21,181 --> 00:28:27,020
very similar to the
actor's month, no?

303
00:28:27,100 --> 00:28:32,600
Ola integrate alzi's
protections on their heads.

304
00:28:33,240 --> 00:28:38,846
We review Elena
Auriz, terrible, iratin luixa

305
00:28:38,866 --> 00:28:42,180
what his father had, and well,
there is always one with him.

306
00:28:43,000 --> 00:28:48,420
And we saw there, how, well,
as the row runs, absolutely.

307
00:28:48,540 --> 00:28:51,606
Well, you see them
there, in the farm, before

308
00:28:51,607 --> 00:28:53,980
as we have commented,
that presence of the harto, no?

309
00:28:54,040 --> 00:29:00,460
What unites him, who also has a connection
with the top, with the figure of the inguma,

310
00:29:00,560 --> 00:29:07,700
and also, with another character from the
mythology of the Basque town, in a bad way.

311
00:29:08,740 --> 00:29:11,975
Inguma iconography,
it's normal, devil

312
00:29:11,976 --> 00:29:16,060
a crook, but also which
has the shape of the top.

313
00:29:16,340 --> 00:29:26,180
And in evil, well, like the
pain of the disease, no?

314
00:29:26,900 --> 00:29:34,000
And what is done is, someone is
sick, well, you see them, they will be put

315
00:29:34,001 --> 00:29:38,620
I'm going to jump, those neck
marks you see, I'm going to do them

316
00:29:38,621 --> 00:29:44,760
which was, well, on the one hand,
Erika really, well, knew the edges

317
00:29:44,761 --> 00:29:49,900
the same and those are his, he
did a great job, but I had a headache

318
00:29:49,901 --> 00:29:57,480
such a prosthesis, made by Enatxo
Diaz, they were completely marked

319
00:29:57,481 --> 00:30:04,860
fingers, and then record that,
and then we used that for the actors

320
00:30:04,861 --> 00:30:10,880
to insert digitally on top, there is
one in the contents, he would see

321
00:30:10,881 --> 00:30:15,081
with a little video, where you
can see the neck of the maritxu

322
00:30:15,082 --> 00:30:19,260
reproduce that with
that physical mechanism.

323
00:30:19,400 --> 00:30:21,680
We tried to make as few
physical effects as possible.

324
00:30:21,880 --> 00:30:28,100
Well, I was commenting about the
bad guys, we saw that, suddenly Erika,

325
00:30:28,240 --> 00:30:31,380
Maritxu, falling and how
the feathers appeared, no?

326
00:30:31,381 --> 00:30:32,920
Suddenly, from all sides.

327
00:30:33,120 --> 00:30:39,840
Well, well, evil, that deity of disease
of the night, that deity of disease,

328
00:30:41,620 --> 00:30:49,060
what is done to find it is to take the
pillow, no, it is malmo, and it is used

329
00:30:49,061 --> 00:30:53,207
on the ground, and if they
produce their feathers there

330
00:30:53,208 --> 00:30:56,701
the head of the oiabartas, that
was what we were doing wrong.

331
00:30:56,780 --> 00:31:02,460
What is done there is, well, throw
some thoughts at it, it would move

332
00:31:02,461 --> 00:31:08,980
or even, some of them come from
the head, and otherwise, one of you,

333
00:31:09,100 --> 00:31:09,200
no?

334
00:31:09,340 --> 00:31:10,960
You're going to
have a great day...

335
00:31:11,620 --> 00:31:16,463
Yellow, you see, I've got
my head wrapped up, that

336
00:31:16,464 --> 00:31:21,700
with a prosthesis we
made, how it was organized

337
00:31:21,780 --> 00:31:28,221
And of that, Eugenia, she is giving him
to drink, from a cencero, from a sandbox.

338
00:31:28,440 --> 00:31:39,500
Also, there was a belief that, above all,
by making the cross and sanctifying it,

339
00:31:41,000 --> 00:31:47,740
that he was here to
make peace, absolutely

340
00:31:48,740 --> 00:31:53,940
And, well, as I told you,
the movie is full of jokes.

341
00:31:55,140 --> 00:32:00,681
Here we see our how our jontxu our
anxon, it goes to the edge of the stool.

342
00:32:01,520 --> 00:32:03,640
Back to the witch,
the forest witch, no?

343
00:32:04,040 --> 00:32:08,882
We see this that place, where

344
00:32:08,883 --> 00:32:13,601
It's a pig, and a very
beautiful place to be honest.

345
00:32:14,000 --> 00:32:19,480
Most of the locations shown in
the movie are real, all my truth

346
00:32:19,481 --> 00:32:23,724
not to maintain the
natural textures, but

347
00:32:23,725 --> 00:32:27,100
how, of course, everything
has to be postponed, right?

348
00:32:27,140 --> 00:32:32,340
And here we see, or a lot of people,
that incredible work, in between.

349
00:32:32,920 --> 00:32:39,560
And here we see our dunghill,
burning our Helen, herself,

350
00:32:39,620 --> 00:32:43,860
say, he, I've known us for a long time,
for twenty years, or that he didn't have

351
00:32:43,960 --> 00:32:49,860
smoking, he told me, and then he
made a good cigarette, a fake cigarette,

352
00:32:50,000 --> 00:32:53,478
or a cigarette without
nicotine, but see,

353
00:32:53,479 --> 00:33:00,720
asenola, as it has style,
our helenas, burning.

354
00:33:05,110 --> 00:33:08,910
People in your house,
whom you care about.

355
00:33:08,911 --> 00:33:13,630
And here he is completely shut down,
he asks, a ver, to whom to die, no?

356
00:33:13,650 --> 00:33:18,470
And inguma in itself
is also a proper name.

357
00:33:18,590 --> 00:33:22,010
Oh, there are many people today with the
name Inguma, then playing with it a bit,

358
00:33:23,770 --> 00:33:29,450
yes, yes, the family, well, it could absolutely
be the spirit of the grandfather, no?

359
00:33:29,930 --> 00:33:34,930
And then a little bit it completely
represents the figure of the inguma, well,

360
00:33:35,090 --> 00:33:43,990
Rancid and oppressive ancient traditionalism,
Nola, well, well, Maritxu bere

361
00:33:43,991 --> 00:33:50,530
has a different sexual nature,
Maritxu wants to be free, but his

362
00:33:50,531 --> 00:33:54,490
Grandpa doesn't break from
the other world after death, right?

363
00:33:54,690 --> 00:34:04,270
If you light the candle, cover it with a
piece of cloth, wherever you need it...

364
00:34:04,271 --> 00:34:10,550
That is true, that, too, I read
in Barandialen's book, how,

365
00:34:10,551 --> 00:34:19,430
yes, yes, witches, yes, demons, yes, to
discover that this is absolutely done, isn't it?

366
00:34:19,510 --> 00:34:26,470
Here too he comments on the matter of
the heart, take, as he commented before,

367
00:34:26,590 --> 00:34:34,370
taken, ale, by the corrupt, and then,
well, if the inguma appears to you, well,

368
00:34:34,410 --> 00:34:42,290
to make the inguma disappear by itself, when
you go to bed, well, inguma naukire panic,

369
00:34:42,410 --> 00:34:47,930
I love you my friend, stars in the
cell, grass in the meadow, on the coast

370
00:34:47,931 --> 00:34:51,230
even, until they all came
together, and it appeared to me.

371
00:34:51,910 --> 00:34:54,430
That's the point, isn't it?

372
00:34:55,190 --> 00:35:02,370
In many mythologies, well, those negative
figures, demons, for example, hermentarians

373
00:35:02,371 --> 00:35:10,330
I played with chickpeas, or it's done to
vampires, in a way, they are the same

374
00:35:10,331 --> 00:35:15,370
like, or they have that
obsession point, and all of them

375
00:35:15,410 --> 00:35:18,530
they have to tell They are
very generous, aren't they?

376
00:35:19,950 --> 00:35:22,330
Currencies can also be used.

377
00:35:22,410 --> 00:35:29,590
It's here, fix it, it's there, it's there,
it's there, how is it there, it's an egg, no?

378
00:35:30,630 --> 00:35:38,250
The reaping, the reaping of death, that was
done, well, to smell death paradoxically.

379
00:35:38,690 --> 00:35:48,230
And here it appears, poom, it appears,
our inguma, the repugnant form of the top

380
00:35:48,231 --> 00:35:56,430
with that, his, well, he's an actor,
Elias Garzia, see as from the first night

381
00:35:56,431 --> 00:36:01,610
the one we have, and then the
one that will also do the black one.

382
00:36:02,190 --> 00:36:07,290
A great actor, he saw,
here's his boy, his boy, his boy,

383
00:36:07,291 --> 00:36:14,690
it's his arena, then yes, he has it,
treatment, with sound, that the film has,

384
00:36:15,950 --> 00:36:22,010
An incredible work, it has all the
atmosphere and sound, well done González,

385
00:36:23,690 --> 00:36:29,370
noixestudio, awesome, I always work
with him, because he's the best, and, and,

386
00:36:29,470 --> 00:36:33,770
well, take care of me,
how, Well, Elijah's palm, but

387
00:36:33,810 --> 00:36:41,330
bauka, filter, even if it has that
paranormal filter, and, well, seeing it here

388
00:36:41,331 --> 00:36:47,010
you see, that Elias is there, er,
that the area is on top of Maritxu.

389
00:36:47,011 --> 00:36:52,230
Well, in order to do that, we were looking
for two, two effects, on the one hand, oh one,

390
00:36:52,250 --> 00:37:00,230
where, er, Erica would put her feet
under the bed, and, she had, it was a lie

391
00:37:00,231 --> 00:37:02,737
a leg, let's go
where we don't see it

392
00:37:02,738 --> 00:37:06,190
those legs that move
underneath are fake.

393
00:37:06,830 --> 00:37:10,790
Ah, well, if you don't have one, or
if you don't have one, a metal armor

394
00:37:10,791 --> 00:37:13,970
they were there, they had, er,
the basement when we saw them.

395
00:37:14,050 --> 00:37:19,750
But when we didn't see it,
down there, they fit, well, his legs

396
00:37:19,751 --> 00:37:24,290
above, above the bed, he
had, fake legs, er, shooter

397
00:37:24,291 --> 00:37:26,250
which we moved with some, no?

398
00:37:26,370 --> 00:37:29,159
Well, as I said before, well,

399
00:37:29,160 --> 00:37:32,570
that we tried to make the
effect as physical as possible.

400
00:37:32,750 --> 00:37:39,710
I think, finally, er, more and more,
and, having the most physical effects,

401
00:37:39,850 --> 00:37:47,190
it just keeps getting better and better
and also, well, that's how we see it

402
00:37:47,191 --> 00:37:52,790
that broken neck is also made
by natso, er, with make-up.

403
00:37:53,250 --> 00:37:57,550
Most of all, how did you see us
with a terrible prosthetic make-up,

404
00:37:57,730 --> 00:38:00,090
not knowing, who has the
work of seventeen carts.

405
00:38:00,650 --> 00:38:03,645
And, but we see
it, commenting on it

406
00:38:03,646 --> 00:38:06,970
I was also in the
presence of that guy, right?

407
00:38:07,170 --> 00:38:10,930
Falling pillow feathers.

408
00:38:12,230 --> 00:38:17,710
And, for that, our grandfather, That
wise and gentle grandfather, isn't he?

409
00:38:17,890 --> 00:38:26,350
Well, as the myth of the Inguba says,
well, to tell the grasses of the meadow,

410
00:38:26,410 --> 00:38:34,970
uh, you go viral, and, uh,
well, when the day comes, well,

411
00:38:35,170 --> 00:38:36,970
it is broken.

412
00:38:37,770 --> 00:38:42,590
And for that, there was Elias, It
was very cold, the movie was hot

413
00:38:42,591 --> 00:38:50,290
we joined together, in the winter,
the brat and it was half past five,

414
00:38:50,510 --> 00:38:53,310
very little time
for such a movie.

415
00:38:53,810 --> 00:39:01,230
So many effects, so many,
er, localization, being historical,

416
00:39:01,270 --> 00:39:07,186
have to put everything back,
well, I have a great team, and

417
00:39:07,187 --> 00:39:10,650
With that equipment I
managed to get the film going.

418
00:39:10,770 --> 00:39:17,550
Here you, er, I thank them, er, I
will always ask them again and again.

419
00:39:18,110 --> 00:39:20,450
Because it was a terrible job.

420
00:39:20,630 --> 00:39:23,390
And for that, be too filmy,
we got it out very, very fast,

421
00:39:23,530 --> 00:39:29,350
Eee, compared to other girls' movies, eee,
it's been a year since the Arremantas were born

422
00:39:29,351 --> 00:39:35,590
They were six nights and three
nights. and, well, we funded it,

423
00:39:35,770 --> 00:39:40,450
first, but then we had a very
short shooting time, er, that,

424
00:39:40,451 --> 00:39:44,586
half a week, and then
mounted, very mounted

425
00:39:44,686 --> 00:39:49,670
fast too, in three weeks, eh,
Beacons can be found in Sitges.

426
00:39:50,110 --> 00:39:55,110
Well, that Church you see is Oroko The
monastery, that's just beyond the castle,

427
00:39:55,230 --> 00:40:02,188
and you will see later
then it looks forward,

428
00:40:02,189 --> 00:40:07,330
eee, Church, eee, Oroko The
monastery is the monastery.

429
00:40:08,050 --> 00:40:15,730
Well, we were very lucky,
to record in that monastery,

430
00:40:15,731 --> 00:40:20,850
they don't usually listen to us, it's
not, it is not easy to record in Churches,

431
00:40:20,930 --> 00:40:25,350
eh, well, in the image of the Church,
eh, how do you think, and bar, but

432
00:40:25,410 --> 00:40:29,890
well, normally, er, because you're
practical, there are no problems for you,

433
00:40:29,910 --> 00:40:34,510
o problem is here, to record there,
and it is not raining, but Me and be

434
00:40:34,511 --> 00:40:42,170
I had, eee, eee, the parish priest of
Oroko Monastegi, Carlos, eee, well, Basque

435
00:40:42,171 --> 00:40:46,830
A great lover of mythology, he ee, from
Gorbea, the book of Basque Mythology

436
00:40:46,831 --> 00:40:52,270
he missed one, and when we passed him,
eh, the script, he read it, he read it,

437
00:40:52,330 --> 00:40:55,630
and, and, where, who knows this,
Mateo, whistle, of course yes, no, go,

438
00:40:55,650 --> 00:40:59,150
eh, sigaina, eh, we have a retweet of the
deaf, if you don't know, one if you don't know,

439
00:40:59,570 --> 00:41:05,050
and, well, it was a
pleasure to, er, hold him,

440
00:41:05,850 --> 00:41:10,010
and to have his support
there to record the film.

441
00:41:13,390 --> 00:41:21,310
Well, here we have it again, er, in
the washroom, to record the washroom

442
00:41:21,311 --> 00:41:27,170
we had, er, well, the three
scenes that appear, er, both of us,

443
00:41:27,270 --> 00:41:34,250
alone, we ran and it is also
a very cold and cold place,

444
00:41:34,390 --> 00:41:39,070
no, eh, just where the water is,
there is also a reservoir in that place

445
00:41:39,071 --> 00:41:47,010
here it is very pale, and mandantia lak,
and bar, and, well, er, pan the cameras

446
00:41:47,011 --> 00:41:52,210
were made to us, er, objects to us,
and bar, and, and, well, that always

447
00:41:52,211 --> 00:41:59,050
there are problems, but, and and,
problems and then wasting time

448
00:41:59,051 --> 00:42:04,790
you finally have, and in this
case, Well, we did it again

449
00:42:04,791 --> 00:42:11,950
against the equipment, we got, er,
well, fulfilling the plan, completely.

450
00:42:12,490 --> 00:42:17,410
Well, we have it right
here, Beltra, yeah

451
00:42:20,850 --> 00:42:29,870
but, telling history, no, Mateo's whistle,
he was pretending, the way of command.

452
00:42:30,050 --> 00:42:34,637
If one whistles, well, it's a
horror from Basque mythology

453
00:42:34,638 --> 00:42:38,750
A very important or famous
character in history, right?

454
00:42:39,690 --> 00:42:46,650
A priest's ghost, a walking ghost,
through the mountain, he, uh, well,

455
00:42:46,690 --> 00:42:53,750
tells the story of, well, uh,
as a priest obsessed with him,

456
00:42:54,250 --> 00:43:00,950
and in the middle of a mesa, uh, thinking
obsessed with a hare, uh, the devil or something

457
00:43:00,951 --> 00:43:05,230
like a sorcerer, well, he came out from
behind, leaving the table there, and in charge

458
00:43:05,231 --> 00:43:11,110
the god brought madari, and
his ghost in the, uh, mountains

459
00:43:11,111 --> 00:43:13,490
it runs, and sometimes you
can hear its whistles, right?

460
00:43:14,250 --> 00:43:18,030
And if you run into a laugh, well, you
know what's wrong with you, don't you?

461
00:43:18,510 --> 00:43:21,830
It kills you, or takes you away.

462
00:43:22,390 --> 00:43:25,330
And there are very scary people.

463
00:43:26,510 --> 00:43:33,910
And we all have this necropolis,
eh, eh, this cemetery, it's clear.

464
00:43:34,550 --> 00:43:36,390
a necropolis of the better ones.

465
00:43:36,410 --> 00:43:42,330
Very, very beautiful place, eh, there
are netun baketas that appear around

466
00:43:42,331 --> 00:43:46,750
they are true, but, uh, there was a
kind of utxeno in the middle, and there,

467
00:43:46,870 --> 00:43:53,470
well, we filled it, eh, eh, with these discoidal steles
that are famous in the Basque Country, didn't we?

468
00:43:53,630 --> 00:43:57,850
Eh, where, well, the crosses, eh,
symbols of nature, and family names

469
00:43:58,330 --> 00:43:59,110
that appear

470
00:43:59,350 --> 00:44:02,770
We have all of that, if there is
one. an oio, carrying someone's oio

471
00:44:02,771 --> 00:44:06,790
ago, and, uh, but there's another
one, eh, he's carrying a ram.

472
00:44:07,030 --> 00:44:12,813
Well, that's fine, Jen.
when someone dies

473
00:44:12,814 --> 00:44:16,830
uh, well, to funerals and,
well, going with the animals.

474
00:44:17,030 --> 00:44:23,310
Eh, prosperity, or, itself, to be
reflected in one, eh, eh, of the deceased

475
00:44:23,311 --> 00:44:25,687
I know why it is, but, but,

476
00:44:25,707 --> 00:44:28,590
They thought it was
nice, er, to the element.

477
00:44:28,591 --> 00:44:34,050
And, uh, that's what we've seen, uh,
well, how is a linde, where is it happening

478
00:44:34,051 --> 00:44:40,730
It is something holy, or, the Christian inside,
and the deity of the other dade outside,

479
00:44:40,790 --> 00:44:44,090
or there are historical ones that a
character cannot enter, yes, with llamas,

480
00:44:44,270 --> 00:44:50,150
yes, with the witches, and, bar, and a
little bit for me and, well, their history,

481
00:44:50,830 --> 00:44:59,150
I will do to them, well, a little, eh,
we had, eh, here we are manesfux,

482
00:44:59,151 --> 00:45:07,990
his, no, well, bate his shotgun
guarding the one he loves the most,

483
00:45:08,030 --> 00:45:14,970
eh, he, because god gave him for
me, other, power over all creatures

484
00:45:14,971 --> 00:45:20,810
through the fact that, er, he is,
very, the same, yes, wood and, and,

485
00:45:22,550 --> 00:45:24,770
as Bertra has it, asalutza.

486
00:45:25,270 --> 00:45:29,110
That plate we have of all those
bits, that's what's in store, beyond that,

487
00:45:30,630 --> 00:45:36,379
eh, how is it, partridge,
uh, applesauce and, and,

488
00:45:36,380 --> 00:45:43,690
with prunes, and then
of that time, eh, a reset.

489
00:45:44,950 --> 00:45:49,070
And yet, here we see them, eh, a
lot of sails, and what in the movie,

490
00:45:49,190 --> 00:45:53,870
we illuminated with many
skins, but, but, but, well, uh,

491
00:45:54,210 --> 00:45:57,792
as I commented
before, eh, guess what

492
00:45:57,793 --> 00:46:01,290
we had two sponges, the
museum, no, to put it at risk.

493
00:46:04,510 --> 00:46:11,290
The movie is being recorded, eh,
Arria With Alexa, er, anamorphic lens,

494
00:46:11,310 --> 00:46:20,750
that gives him, uh, lusetazun osea,
the picture is wider, and for me a lot

495
00:46:20,751 --> 00:46:26,690
everyone has their own blur, eh, because
of the organic deformations it gives.

496
00:46:26,910 --> 00:46:32,970
Beitu, what we have seen, eh,
uh, uh, they have, uh, wounds,

497
00:46:33,050 --> 00:46:37,750
the wounds he inflicts with the whip,
what we do is, first, put the wound,

498
00:46:37,770 --> 00:46:41,870
with make-up, when playing, the
actor plays himself, er, with the whip,

499
00:46:41,930 --> 00:46:47,510
and digitally, uh, uh, they are
erased at the beginning of the plan.

500
00:46:47,590 --> 00:46:50,930
Oro, and then,
uh, appear digitally.

501
00:46:50,931 --> 00:46:52,723
Well, it turns out but we do it

502
00:46:52,724 --> 00:46:55,711
the reverse, and the hem
seems to appear, doesn't it?

503
00:46:55,910 --> 00:47:02,110
And here too, it is very well
seen, of that bat, uh, tonsure or uh,

504
00:47:02,710 --> 00:47:10,970
that flat pillow, no, eh, that it was made with
prosthetics, and you can see it, right here

505
00:47:10,971 --> 00:47:15,790
it can be seen, the work that will be
revealed very well, uh, uh, very realistic.

506
00:47:17,450 --> 00:47:18,450
Very realistic.

507
00:47:18,570 --> 00:47:19,570
Very realistic.

508
00:47:20,190 --> 00:47:21,230
Punctuating to root.

509
00:47:21,231 --> 00:47:25,970
And this Passo that we cherish,
is, Albertia, the mountain of Albertia.

510
00:47:26,250 --> 00:47:31,830
There were, um, well, some civil
war battles, and there are trenches,

511
00:47:31,950 --> 00:47:37,030
there, uh, the Republicans were
entrenched, and, well, uh, they ignored it

512
00:47:37,031 --> 00:47:43,110
they had, and, uh, some of them in
life, Well, I did it to those who saw it,

513
00:47:43,170 --> 00:47:49,736
uh, well, some sculptures,
and, And a very beautiful area

514
00:47:49,737 --> 00:47:57,290
it is, those beggars
we think they are.

515
00:47:57,530 --> 00:48:04,750
They just look like hands
coming out of the ground.

516
00:48:05,030 --> 00:48:08,841
And well, well, the sound is
beautiful, then we'll put it on for us

517
00:48:08,842 --> 00:48:12,150
All those ramas who
see like that, through art.

518
00:48:12,151 --> 00:48:20,670
And the zeal and such elements
will not be placed on their own.

519
00:48:20,750 --> 00:48:25,150
You see, everything that is in Marits
Katxarin's head, at the beginning of the shot.

520
00:48:26,790 --> 00:48:29,929
In one, Jo, it attracts
everything and it's natural

521
00:48:29,930 --> 00:48:33,031
It's a gift that he gives you
when he's waiting, right?

522
00:48:35,330 --> 00:48:40,250
The protagonist of the film, who
had his own very happy and sad life.

523
00:48:40,251 --> 00:48:42,130
It was happy and sad.

524
00:48:42,150 --> 00:48:48,270
In one, happy sequence,
everything appears in one head

525
00:48:48,271 --> 00:48:51,890
atzan, ha, as if he
were a damn child, no?

526
00:48:51,970 --> 00:48:57,250
That was a beautiful
gift from Mary.

527
00:49:03,310 --> 00:49:05,730
Here is Maritsu's
prosthesis, no?

528
00:49:05,910 --> 00:49:11,310
And how deep it is made,
of haupako and patiren...

529
00:49:11,311 --> 00:49:15,970
Makilataxetabe
hairdresser's very lambic.

530
00:49:16,130 --> 00:49:24,430
You would have, well, these monthly courts,
they are of the time, at the time, documented

531
00:49:24,431 --> 00:49:30,090
I did it, and they had completely
such paws, and such muskets, that's all

532
00:49:30,091 --> 00:49:40,130
which seem modern, but they
were the hile courts of that time.

533
00:49:43,530 --> 00:49:49,710
In the movie for me, Jo, Katxaren
and Erikaren kimika izan zen izugarria.

534
00:49:50,160 --> 00:49:53,510
I think the two characters
have a very nice chemistry.

535
00:49:57,070 --> 00:50:00,850
The most tender moments
of the film are played by them.

536
00:50:01,360 --> 00:50:08,230
And they provide a very beautiful
counterpoint to a film that is so unique.

537
00:50:09,070 --> 00:50:17,590
Well, here we see how Maritxuk gives
Dion the comment of the amanita muscariales

538
00:50:17,591 --> 00:50:19,710
as we have, an
amanita cannot fail you.

539
00:50:20,050 --> 00:50:25,706
Yes, you have
hallucinations and, well, and

540
00:50:25,707 --> 00:50:28,690
there is a great
decomposition of celonka.

541
00:50:28,790 --> 00:50:31,790
Because you ate a lot of them,
yes, Igual, yes, no mistake.

542
00:50:31,850 --> 00:50:38,050
But, well, very beautiful
mushrooms for us.

543
00:50:38,230 --> 00:50:40,410
And very iconic.

544
00:50:41,330 --> 00:50:46,970
Here we have also seen how Maritxuk suggests
that Dion should not dress as a man,

545
00:50:47,110 --> 00:50:48,110
yes, to go to the good.

546
00:50:48,670 --> 00:50:53,910
The film is set on the web, well, the
Basque of the movie, from the internet

547
00:50:53,911 --> 00:50:58,390
it's Basque, it's been taken back a
bit, thanks to Gorkalazkano's hard work.

548
00:50:58,690 --> 00:51:02,310
But, yes, the bay is closed,
it closes like a bridge,

549
00:51:03,330 --> 00:51:07,230
and that big skin, well, well,
be patient with the process,

550
00:51:08,230 --> 00:51:12,910
nod, no, the film is set
there, with the local Basque,

551
00:51:13,010 --> 00:51:18,530
with local locations, and we are also
about some of the characters involved

552
00:51:18,531 --> 00:51:23,270
it closes, there are some names,
for example, the friar's inheritance,

553
00:51:24,830 --> 00:51:31,970
because, well, an abbot, he, who
was the abbot of Urda Bridge, and he

554
00:51:31,971 --> 00:51:39,390
he drank of the existence of
witches, eh, that's a bummer, isn't it?

555
00:51:41,170 --> 00:51:47,770
It's not, Basque, well, it's the general
consensus, it's always been said that he came

556
00:51:47,771 --> 00:51:53,410
someone from the north, Maria
Similegi, and he saw witches there

557
00:51:53,411 --> 00:51:57,690
that he had, and the hats and the
bar, and here's a psychosis like that

558
00:51:57,691 --> 00:52:04,330
not because he created it, but because
he, I'm in the Basque country, and, well,

559
00:52:04,530 --> 00:52:13,170
the point is, uh, uh, Maria
Similegi, Today we know, er, turbia

560
00:52:13,171 --> 00:52:21,470
it was the bon of the north, eh,
that witch, eh, who raised it, do,

561
00:52:21,530 --> 00:52:25,910
The one who pushed you was the lord of
Urtubia, who told you that he was a peiar,

562
00:52:26,070 --> 00:52:31,510
and bar, and, as we know today,
eh, that wretch, the friar to the heritage

563
00:52:31,511 --> 00:52:35,430
that he also knew Nibar,
absolutely, then, well, no, say

564
00:52:35,431 --> 00:52:40,690
can, uh, the existence of witches,
witchcraft, even witches, well, an excuse

565
00:52:40,691 --> 00:52:47,770
that it was, well, the same, from political
and economic interests, in the end.

566
00:52:48,050 --> 00:52:52,630
Well, I think a very beautiful
sequence, for me, uh, movie,

567
00:52:52,631 --> 00:52:55,230
It says a lot about the
freedom of sexuality.

568
00:52:55,730 --> 00:53:01,890
And it was very important to me,
eh, everyone's sequence, in the script

569
00:53:01,891 --> 00:53:08,190
a point of sordidness in Assyria, uh,
the ones that had, uh, pliers shape,

570
00:53:08,370 --> 00:53:14,330
the most beautiful, and, er, the
most delicate, eh, treatment, right?

571
00:53:15,790 --> 00:53:22,190
Finally, uh, inquisido, uh, uh,
well, satanism, satanization process

572
00:53:22,191 --> 00:53:27,350
in that, they also demonized
sexuality, and, for me,

573
00:53:27,470 --> 00:53:32,790
well, that was important,
even a little, eh, dignifying, no?

574
00:53:33,770 --> 00:53:35,927
And, in the shots
you see, what I did

575
00:53:35,967 --> 00:53:38,590
it was, uh, uh, well, throw
away the blankets, right?

576
00:53:38,750 --> 00:53:43,264
Eh, when they lie down,
they want to lie down

577
00:53:43,265 --> 00:53:46,531
because they don't love,
they rise up, absolutely, no?

578
00:53:46,670 --> 00:53:51,470
Eh, visually, eh, here it appears
to you when, here, behitu, emnola,

579
00:53:51,590 --> 00:53:54,150
Katsalin Elle joins, right?

580
00:53:54,290 --> 00:53:58,910
How, uh, aren't they bent,
looking up, no, absolutely.

581
00:54:01,170 --> 00:54:08,990
Well, here, we see, our rabbit,
which is digital, appears to us,

582
00:54:08,991 --> 00:54:12,470
in this case, plans, doors,
use, er, a hare with a sled,

583
00:54:12,610 --> 00:54:17,510
which we would treat very well, we
only have the honor to stop, as a reference

584
00:54:17,511 --> 00:54:20,736
to be, but then, the
movements that are on it, well,

585
00:54:20,776 --> 00:54:23,530
and the head, and the
eye, and all of that is digital.

586
00:54:23,790 --> 00:54:31,170
Oh, of course, then, when he appears
running, eh, erbiare, eh, digital of course,

587
00:54:31,171 --> 00:54:39,130
no, uh, finally, uh, you can't tell him a
hare, uh, what, what do you need, no?

588
00:54:39,790 --> 00:54:41,990
But, well, this, this,
this, too, it's digital.

589
00:54:42,550 --> 00:54:46,990
I also wanted to comment earlier, eh, this
is the most beautiful sequence we've seen

590
00:54:46,991 --> 00:54:53,270
in that, uh, how it contrasts between
the music, no, with that sequence

591
00:54:53,271 --> 00:54:59,610
and with this, how, uh, the movie has
some situations, uh, where, uh, romanticism

592
00:54:59,611 --> 00:55:04,790
and beauty, er, through the
music that exalts it, er, racier aiega

593
00:55:04,791 --> 00:55:08,950
and the old lady palace, eh, eren,
helan, with excellent, of course,

594
00:55:09,050 --> 00:55:16,130
and, but then, that, too, lives
together in another nocturnal dimension,

595
00:55:16,131 --> 00:55:22,710
with that terrible, terrible, no,
eh, full of voices, eh, and texture

596
00:55:22,711 --> 00:55:28,590
full of pride, eh, mundus hor
that nocturnal world of ginkaria,

597
00:55:28,591 --> 00:55:31,417
no, now, a very nice
movie like dualism

598
00:55:31,497 --> 00:55:35,530
that has that eh, through music.

599
00:55:37,450 --> 00:55:43,430
Buna, menxe, eh, well, this can
be an example, how, in five weeks

600
00:55:43,431 --> 00:55:48,270
We were going to record it, well, I think
they should finally take them on as a director

601
00:55:48,271 --> 00:55:53,170
some decisions, uh, and this is
practically this sequence of shots,

602
00:55:53,290 --> 00:55:58,050
it's a single shot, we see
a shot of asieram peio, eh

603
00:55:58,330 --> 00:56:05,850
Mateo Agurtzen, but he would have seen how
this mountain looks like a single shot...

604
00:56:06,350 --> 00:56:15,090
I raised, uh, it was, uh,
derarra, for me, for me, eh, hmm,

605
00:56:16,130 --> 00:56:18,622
ego, he had the
full power of cinema

606
00:56:18,623 --> 00:56:22,450
let it work, eh, I enjoy it, eh,

607
00:56:26,390 --> 00:56:29,510
with challenges, eh, suddenly, yes,
to be, well, we don't know that time,

608
00:56:29,570 --> 00:56:36,650
and, and the conversation, then, this
conversation, in graut mode, with a single two

609
00:56:36,651 --> 00:56:40,230
the way the camera goes
gradually evolving the characters

610
00:56:40,231 --> 00:56:47,990
creating a chorography how, uh, good
to the narrative, narrative potentizatu

611
00:56:47,991 --> 00:56:54,890
as it does How suddenly the
profiled character remains, worst of all,

612
00:56:54,990 --> 00:56:59,830
how we jump from one
place to another with the focus.

613
00:57:00,070 --> 00:57:09,708
How suddenly here Mateo
becomes almost a spirit, iumba

614
00:57:09,709 --> 00:57:15,550
as if he were eating
himself, manipulating himself.

615
00:57:15,551 --> 00:57:22,990
How to stand behind him and see
this astigo, then the challenges for me

616
00:57:22,991 --> 00:57:29,650
they are always very interesting and
it's fun when they help the narrative.

617
00:57:30,310 --> 00:57:36,330
Then of course, you save time, In the end,
though, it takes quite a bit of practice

618
00:57:36,331 --> 00:57:38,773
what you get in one shot

619
00:57:38,774 --> 00:57:44,470
to count the fine in a
powerful way, if it wins.

620
00:57:44,770 --> 00:57:45,450
And...

621
00:57:45,550 --> 00:57:52,110
This church you see here,
It's a stone church and a beko

622
00:57:52,111 --> 00:57:58,750
everything above the roof is
digital, that was made by alaif UFX.

623
00:57:59,730 --> 00:58:03,210
This forehead is buried in
the necropolis of the stones.

624
00:58:04,110 --> 00:58:15,370
The sermon we see here,
the sin of the human heart.

625
00:58:16,330 --> 00:58:17,890
And, the devil and the flesh.

626
00:58:19,270 --> 00:58:21,690
This and the
entrails offer meat.

627
00:58:22,290 --> 00:58:24,730
This sermon is the
strength of Asura.

628
00:58:24,790 --> 00:58:28,050
Asular informed by the cultural
person of our Basque town.

629
00:58:28,150 --> 00:58:32,330
That habitué is my father, the mustache
and that is my mother and my heart.

630
00:58:33,290 --> 00:58:36,310
I entered the family
of that sequence.

631
00:58:36,430 --> 00:58:39,210
What we see here is
more like communion.

632
00:58:39,770 --> 00:58:45,310
It was a perfect moment...
And it was a delight...

633
00:58:45,311 --> 00:58:45,530
A lot about Enkurtuza,
I've never met Enkurtuza.

634
00:58:45,531 --> 00:58:50,930
Because from this side of mine
mine is luxuriating here, right?

635
00:58:51,070 --> 00:59:01,570
So many and so many of the downfalls
of that time and showing it completely.

636
00:59:01,690 --> 00:59:05,710
And, well, here, among others,
there are friends, or hortalamo

637
00:59:05,711 --> 00:59:10,450
cook, this is pai, and, well,
here is my family, right?

638
00:59:10,451 --> 00:59:17,610
And, what I told you before, that, that
we had used the sermon of the Asulians,

639
00:59:18,370 --> 00:59:21,950
because it was from this
time and the proposal, how?

640
00:59:23,190 --> 00:59:28,010
Because it was completely a reflection
of the way of thinking of that era.

641
00:59:29,050 --> 00:59:32,910
And, because it has its own
flesh and blood, no, absolutely.

642
00:59:33,530 --> 00:59:34,630
Sin about it.

643
00:59:34,690 --> 00:59:38,990
And look at that, well, the
abbot and the inquisitor, right?

644
00:59:38,991 --> 00:59:41,550
No, Fraileon de Aranibar, no?

645
00:59:41,670 --> 00:59:45,570
And, Friar de Alvarado,
that's the other one.

646
00:59:46,350 --> 00:59:54,150
Those were the days in reality, sculpting
through the inquisitive berry of the nets, no?

647
00:59:55,010 --> 01:00:01,370
And we love, well, that story
of batet whistles, don't we?

648
01:00:01,470 --> 01:00:07,790
How, the hare, has he
entered the church, and his...

649
01:00:10,170 --> 01:00:11,970
Mateo, well, it makes him crazy.

650
01:00:11,990 --> 01:00:17,470
Azira baten, erbiak itzein gotzuen,
in the script, it said, the door bell,

651
01:00:17,670 --> 01:00:22,150
the priest works with the bell, ringing the
bell of everything, yes, joining the maztur,

652
01:00:22,151 --> 01:00:29,810
well, well, what lies in it, but,
imagine, that, very dangerous

653
01:00:29,811 --> 01:00:34,930
To maintain our credibility,
well, finally, a hare

654
01:00:34,931 --> 01:00:38,970
to close it, well, it's not, it's
not, by burning, in debt, by

655
01:00:38,990 --> 01:00:43,550
I decided to fart alone, rather,
I think, a more macabre flavor

656
01:00:43,551 --> 01:00:49,750
that he gives one, iuna gobat, and,
hare, we used the breaths of the real,

657
01:00:49,751 --> 01:00:53,990
well, to achieve that effect,
and I think it was very high.

658
01:00:54,150 --> 01:01:00,630
In the story itself, Mateo runs
to the forest, where he gets lost,

659
01:01:00,690 --> 01:01:06,970
but I decided, well, absolutely, because
the door becomes a dimensional portal

660
01:01:06,971 --> 01:01:14,370
like a nocturne, and, and we
mention, how the dogs come out,

661
01:01:14,390 --> 01:01:24,210
but Matthew doesn't come out, and, and
because the night does, as in the story.

662
01:01:26,070 --> 01:01:32,850
And, it is said, normally, it is said,
holding a bible, or missal, open

663
01:01:32,851 --> 01:01:38,150
baptize, inside a
church, witches enter.

664
01:01:39,130 --> 01:01:48,050
And, uh, well, it was said about
these forms of thought and superstition.

665
01:01:48,130 --> 01:01:51,370
And the netza sequence, at that moment,
where we see, Matthew in his youth

666
01:01:51,371 --> 01:01:57,370
entering, well, it's, well, Mateo,
that iconic image of Mateo's spirit, no?

667
01:01:57,450 --> 01:02:01,111
Then, what we hear in the
mountains, and that alone

668
01:02:01,191 --> 01:02:04,670
if you meet well,
he will lead you.

669
01:02:05,470 --> 01:02:06,890
God bless you.

670
01:02:09,210 --> 01:02:15,250
It is here, the moment, where the
truth is revealed to Katsalini, isn't it?

671
01:02:15,310 --> 01:02:19,750
How, that these three women are really
witches, and that they barely knew each other,

672
01:02:20,690 --> 01:02:29,290
and, well, let's make this whole
circus about his signature, right?

673
01:02:29,330 --> 01:02:34,830
how, they have condemned him
because of his signature, and that is,

674
01:02:34,930 --> 01:02:38,370
Of course, he did it on his own.

675
01:02:39,430 --> 01:02:44,850
And how, for that reason, they
took that log, well, to burn it there.

676
01:02:44,851 --> 01:02:53,790
The one he mentioned, on top of June, he made
a niko plano traveling, and it's terrible Dan

677
01:02:53,791 --> 01:02:56,914
how, June, how to
repeat it again and again

678
01:02:56,915 --> 01:02:59,771
he could with that
intensity, right?

679
01:03:01,030 --> 01:03:04,503
With that emotion,
cry when needed

680
01:03:04,504 --> 01:03:08,970
doing, osa, June is an
incredible, er, actress.

681
01:03:10,030 --> 01:03:18,210
And I think he will make a lot of
friends with his work, here he is.

682
01:03:18,910 --> 01:03:25,490
And here we try to take it,
not to the hakelarre chapter?

683
01:03:27,150 --> 01:03:35,090
Here we see, making money,
that way back to the farm.

684
01:03:38,240 --> 01:03:44,700
And we have seen, as the witches have said,
if there is not, if there is amaikamilla.

685
01:03:45,120 --> 01:03:51,987
That was said, there is a
story that a girl tells a woman

686
01:03:51,988 --> 01:03:56,520
one, that he is not a witch
and has denied loving witches.

687
01:03:56,540 --> 01:04:00,205
In that story, the woman
saying that there is no

688
01:04:00,206 --> 01:04:03,640
amaikamilla, and the witch
amaikamilla appears to him.

689
01:04:04,140 --> 01:04:06,540
And the month, pull the month.

690
01:04:06,541 --> 01:04:08,380
they scold him
and pull out his hair.

691
01:04:10,780 --> 01:04:15,300
And at this moment in the
film, that story is a gesture.

692
01:04:16,140 --> 01:04:21,920
As he said before, each chapter
has elements of different stories

693
01:04:21,921 --> 01:04:29,780
complete, and in this case it is a
complete witch chapter of a witch tale.

694
01:04:29,940 --> 01:04:35,820
The chapter of that iconographic
world of Akelarre and witches.

695
01:04:36,540 --> 01:04:40,700
For us in the Basque Country, witches are
not inherently evil, or they are all evil

696
01:04:40,701 --> 01:04:45,661
They are powerful, they are strong, and
this is the result of a relationship setup.

697
01:04:45,900 --> 01:04:48,820
But the bad guys are one,
for sure they have an excuse.

698
01:04:50,060 --> 01:04:56,200
This always has Basque mythology, sometimes
the priests are good and the devil

699
01:04:56,201 --> 01:05:02,080
and that they contract malice
in a gentle person, but in others

700
01:05:02,081 --> 01:05:07,200
If there is one, the church
is also a factor, isn't it evil?

701
01:05:09,760 --> 01:05:15,520
Other pagan deities that
make them disappear and laugh.

702
01:05:15,640 --> 01:05:20,160
And that for me is very
interesting in our mythology.

703
01:05:20,700 --> 01:05:24,760
They are nobody here and nobody bad,
or both they are not everybody, absolutely.

704
01:05:25,220 --> 01:05:31,248
And here she is, in the
movie, with the witch hazel

705
01:05:31,249 --> 01:05:35,660
the related thing re alba carra.

706
01:05:37,200 --> 01:05:46,360
Yes, the Inquisition punished the Basque
people, the Basque people, in other areas

707
01:05:46,361 --> 01:05:51,640
some people, under
the pretext of witchcraft.

708
01:05:51,960 --> 01:05:58,240
There was no witch by nature, as far as
we know, and it was what the wishes made.

709
01:05:59,900 --> 01:06:03,940
hit those areas for their
economic and political interests.

710
01:06:05,240 --> 01:06:06,400
And here I have.

711
01:06:06,540 --> 01:06:08,540
And I absolutely wanted
that. that's hell, isn't it?

712
01:06:08,600 --> 01:06:12,460
And the reddest scene
in the movie, absolutely

713
01:06:12,840 --> 01:06:14,840
As if it were yours in hell.

714
01:06:17,100 --> 01:06:24,100
However, one of the last musical
themes in the film for me, very sad.

715
01:06:28,130 --> 01:06:29,710
Really beautiful, isn't it?

716
01:06:29,970 --> 01:06:31,930
Thanks to Maitetaran's work.

717
01:06:33,230 --> 01:06:38,971
That's when things fell in our friar's wave
and Díaz de Alvarado and Mateo, whistle.

718
01:06:48,050 --> 01:06:48,950
However, thanks
to some opponents.

719
01:06:48,951 --> 01:06:51,690
And he opposed those texts,
even in them, they did not listen

720
01:06:51,691 --> 01:07:00,430
there are some that you
have to read, in those real texts.

721
01:07:00,990 --> 01:07:07,090
Ibi joalki, movies, there are some
Basque referents, well on the one hand,

722
01:07:08,950 --> 01:07:14,750
Various recorders linked to
the Inquisitio, some of them

723
01:07:14,751 --> 01:07:23,270
Ziarnko, who collaborated with Pierre de
Lacroix, created the iconography of the cobra

724
01:07:23,271 --> 01:07:27,590
which he had, he made if there is a
large engraving, of the benedictions

725
01:07:27,591 --> 01:07:38,050
different parts, and then there is Pablo
Tillac, this edition of Basque mythology

726
01:07:38,051 --> 01:07:49,124
many French illustrated by
means of engravings, and cobblers

727
01:07:49,125 --> 01:07:53,170
some amazingly beautiful
pictures they illustrate.

728
01:07:53,730 --> 01:07:58,210
Also images of other people
from Basque mythology.

729
01:07:59,090 --> 01:08:06,910
We also see, well, how a Besenara
spying on a woman Ari Dion,

730
01:08:06,950 --> 01:08:14,890
and that witches ointment, er, that
famous one, that in different cultures,

731
01:08:14,891 --> 01:08:21,470
igual, it was simply a cream,
es, women, their creams, their

732
01:08:21,471 --> 01:08:28,770
that they made ointments or good
remedies, but the inquisitors of torture

733
01:08:28,771 --> 01:08:35,270
they told the people through Well,
with that, they used to hang out.

734
01:08:36,130 --> 01:08:40,570
And in a story, in a story of the
soringera of the Basque town, this happens

735
01:08:40,571 --> 01:08:46,490
is, a woman gives that lotion,
and this phrase we know of them,

736
01:08:46,510 --> 01:08:52,750
above all the weeds, below all the
spades, saying, well, the woman is lying,

737
01:08:54,010 --> 01:08:57,150
it comes out with a bang.

738
01:08:57,950 --> 01:09:06,711
Her husband sees her, and what
he does is, well, he follows her.

739
01:09:06,850 --> 01:09:15,390
He gives the ointment, but, say the
air, or over all the weeds, all the spades

740
01:09:15,391 --> 01:09:20,090
from behind, he says, under all
the bushes, above all the spades.

741
01:09:20,110 --> 01:09:27,850
Then the guy comes out, well, in
a hurry, but, under all the bushes,

742
01:09:27,851 --> 01:09:34,370
and then, from the spade, that, forever,
with the trip, and it goes to the akeler.

743
01:09:34,470 --> 01:09:37,752
And ipun jan is said,
well, everyone does it there

744
01:09:37,772 --> 01:09:40,750
that, of him, farre,
even blackness, right?

745
01:09:42,070 --> 01:09:50,510
In my case, what I did was, to
peyori, well, a more bitter fate,

746
01:09:50,730 --> 01:09:54,470
and a darker one,
you've seen a movie.

747
01:09:56,410 --> 01:10:03,610
Here we are, well, jabato, Xabi
López, is also a great actress,

748
01:10:03,730 --> 01:10:08,035
He did a great job.
well, here we go,

749
01:10:08,036 --> 01:10:14,530
the person who
suffers, well, all that, no?

750
01:10:14,550 --> 01:10:18,810
How it crawls out, how it crawls,
to do all this, special effects

751
01:10:18,811 --> 01:10:23,890
In the meantime, he did great work,
physical work, as if he were a specialist.

752
01:10:24,010 --> 01:10:30,550
He really likes her, but look,
you can see that in the making of.

753
01:10:30,790 --> 01:10:33,590
We are surprised, but
how he, about what we did.

754
01:10:34,190 --> 01:10:35,190
Uncrack.

755
01:10:35,690 --> 01:10:39,730
And habitu, this effect that we see,
see everything, is used a lot in westerns

756
01:10:39,731 --> 01:10:42,690
when a sale leads a
pair of jeans, in drag.

757
01:10:42,930 --> 01:10:46,141
Here we have this actor, it
comes out of the shot, and

758
01:10:46,161 --> 01:10:49,290
the other one who
crawls out, a specialist.

759
01:10:49,670 --> 01:10:57,510
And you're a Turk, you're a Turk, still
flat, in these plans, this is what is seen

760
01:10:57,511 --> 01:11:04,990
the face, a specialist did it, An
employee of specialist Ricardo Cruz,

761
01:11:05,130 --> 01:11:09,212
and then, but then
seeing peio's face

762
01:11:09,292 --> 01:11:13,250
when he had, in what
plans, done peio did it.

763
01:11:13,810 --> 01:11:18,820
Because it was wrong, but it was
in the environment, peiori recorded,

764
01:11:18,821 --> 01:11:23,230
raised using some
cables, against a chrome.

765
01:11:23,410 --> 01:11:33,110
And then, with a drone, we recorded the sky
and the bar, and the witches and the time

766
01:11:33,111 --> 01:11:40,330
After recording all the people against
a chrome, make the composite digitally.

767
01:11:41,730 --> 01:11:46,570
In Basque Mythology it is said,
sorgiñas y bar, well, sorgiñas y atiacs

768
01:11:46,571 --> 01:11:49,450
we have, but they are all witches, In
the Basque people, witches don't know

769
01:11:49,451 --> 01:11:54,590
no sex, no gender,
all men are witches too.

770
01:11:55,030 --> 01:11:58,483
And the point is, say, in
Basque mythology it is said,

771
01:11:58,484 --> 01:12:03,330
and they used to go to
the farm, with the animals.

772
01:12:03,510 --> 01:12:11,610
Yes, donkeys, boiled
goats, with mats, of all

773
01:12:12,150 --> 01:12:16,390
But we didn't do that and it
would have been very complex

774
01:12:16,391 --> 01:12:20,890
doing it digitally, then
what I did was, use objects.

775
01:12:22,010 --> 01:12:24,270
No, the witch on the broom.

776
01:12:24,370 --> 01:12:31,170
So on the broom, the witch on the
broom, it's not here, that's half of Europe

777
01:12:31,171 --> 01:12:36,250
it's a favorable iconography, but,
well, We did ours too, didn't we?

778
01:12:36,850 --> 01:12:40,750
And, well, that shot you saw here
is what we do, record it with the actor

779
01:12:40,751 --> 01:12:44,150
on the ground, then up
the camera, and then invert.

780
01:12:44,290 --> 01:12:49,210
And we include
the fallout digitally.

781
01:12:50,530 --> 01:12:53,690
And finally, we
go to the kitchen.

782
01:12:56,290 --> 01:12:56,850
Well

783
01:12:56,970 --> 01:12:57,370
And finally, we
go to the kitchen.

784
01:12:57,371 --> 01:13:01,070
And for us to do, which is the
biggest challenge of the film, right?

785
01:13:02,170 --> 01:13:03,170
Absolutely.

786
01:13:03,310 --> 01:13:10,810
A sequence of shots made by me,
without a quarter, the camera was going

787
01:13:10,811 --> 01:13:16,930
in turn, as if it was a party at
the beginning, then how buzzing

788
01:13:16,931 --> 01:13:21,390
which becomes one, and for
that last invocation that we long for.

789
01:13:21,530 --> 01:13:28,790
And for that, well, we did several things,
on the one hand, composed the song,

790
01:13:28,930 --> 01:13:36,870
love with tarans, then design a
choreography with a group of dancers,

791
01:13:37,570 --> 01:13:41,870
all those young people in the
middle who think, oh, they're dancers,

792
01:13:41,970 --> 01:13:47,210
and then when we went to the shoot,
they showed them, they were the guides,

793
01:13:47,310 --> 01:13:51,270
Totally for all those
little extras, right?

794
01:13:52,150 --> 01:13:54,739
This is what unites us,
well, we were ours, of course,

795
01:13:54,759 --> 01:13:57,230
since it is a shot sequence,
that we are in a single day.

796
01:13:57,370 --> 01:14:02,070
And we absolutely did, we
did, first, osea, first of the day

797
01:14:02,071 --> 01:14:09,090
rehearse the part, both with the extras and
bar, and with the camera to set the rhythm,

798
01:14:09,250 --> 01:14:13,213
using music, and
bar, and bar, and then

799
01:14:13,214 --> 01:14:20,290
that last part of the
day for recording.

800
01:14:20,730 --> 01:14:24,490
It was, mother toma, and of course
the good one was the last one.

801
01:14:24,510 --> 01:14:29,510
And we loved fair,
jornada, when we finished

802
01:14:30,730 --> 01:14:38,250
On the other hand, you see, this forest is the
plateau, this is the plateau of the hoi hartzun

803
01:14:38,251 --> 01:14:43,810
sometimes we recorded it on the impossible
side, of course, we couldn't in a forest,

804
01:14:43,990 --> 01:14:48,350
in the middle of winter, yes, another
half-naked figure was recorded.

805
01:14:49,330 --> 01:14:54,490
And the Basque factor, because of
all those challenging factors, right?

806
01:14:54,491 --> 01:14:57,550
Then we did it, it was fine,
well, created, the gods did,

807
01:14:57,590 --> 01:15:06,550
create that forest, take you to it,
that's where these dolmens are

808
01:15:06,551 --> 01:15:13,132
placing, the earth, well, full
of earth and ostos and bar,

809
01:15:13,133 --> 01:15:17,210
and we recorded it there,
in a controlled situation.

810
01:15:17,550 --> 01:15:23,890
Yes, between each take, we
had to open the bats, and wait a bit,

811
01:15:27,090 --> 01:15:32,950
The space, to ventilate, was
filled with smoke, all of yours

812
01:15:32,951 --> 01:15:40,390
we have, ma, that campfire, that you, well,
in the scene, he was blowing smoke, kepilla,

813
01:15:40,430 --> 01:15:44,110
and he went to fill it little by little,
and, of course, without realizing it,

814
01:15:44,190 --> 01:15:48,750
ba, ba, between toma and toma,
What we did was, well, open it.

815
01:15:48,870 --> 01:15:53,610
And with that, well, time is
wasted, but, but we finally got it

816
01:15:55,770 --> 01:16:00,390
from these enormous challenges,
for me, well, g Gothbb mesh of life

817
01:16:00,391 --> 01:16:05,290
one, for me, is to
create a real acalarre?

818
01:16:05,291 --> 01:16:06,130
Bure akelarrees?

819
01:16:06,210 --> 01:16:12,200
so eko, a big fest,
where the location is true

820
01:16:12,201 --> 01:16:16,850
it is, and that's where
our anger comes out.

821
01:16:21,070 --> 01:16:24,950
We have Ghost, well, here, uh,
that blackness is approaching, saspi

822
01:16:24,951 --> 01:16:28,690
the blackness of the horn,
as it is written in the stories.

823
01:16:29,670 --> 01:16:37,410
But, well, the inquisitors have always
had a say in most cultures of the world

824
01:16:37,411 --> 01:16:41,730
witches are best known for summoning
the devil in the form of a snake.

825
01:16:41,910 --> 01:16:48,050
But in our case, in the Basque Country,
there is a lack of respect for nature

826
01:16:48,051 --> 01:16:53,670
A powerful, magical deity
linked to fertility, and often

827
01:16:53,671 --> 01:16:58,400
which protects the
farms, of the farms

828
01:16:58,401 --> 01:17:04,311
which protects
animals and nature.

829
01:17:04,470 --> 01:17:08,008
which is linked
completely European

830
01:17:08,009 --> 01:17:10,711
other deities, to
many nature deities.

831
01:17:11,510 --> 01:17:18,490
The ones with horns, the ones that are also
tied to the jargi, absolutely, with the jargi.

832
01:17:18,930 --> 01:17:21,830
Well, the calendar of life, which
has been used since ancient times.

833
01:17:22,370 --> 01:17:28,810
And, well, there we have them, many European
horned deities, we have pan, kernunos,

834
01:17:28,910 --> 01:17:39,510
then, the horned goddesses associated
with horned animals, for example, Diana no.

835
01:17:39,950 --> 01:17:44,016
Well, the gods of
babla, if they are for me,

836
01:17:44,017 --> 01:17:48,791
the language of black and white,
you language in an abusive language.

837
01:17:48,930 --> 01:17:52,479
And I in this case,
I said, yes, yes,

838
01:17:52,480 --> 01:17:56,030
I wanted to be a man,
not just a black man.

839
01:17:56,090 --> 01:18:01,630
How is normal represented?
but of fertility and sexuality

840
01:18:01,631 --> 01:18:06,910
being that deity, absolutely
there are many ancient deities,

841
01:18:06,990 --> 01:18:12,590
even androgynous and armaphrodite, and that
was the most logical thing for me, right?

842
01:18:12,610 --> 01:18:17,850
And then, absolutely, that
magic of fertility and love,

843
01:18:21,990 --> 01:18:27,087
that god who casts,
casts magic, Armaphrodite

844
01:18:27,127 --> 01:18:30,710
and being androgynous, It
was the most logical for me.

845
01:18:30,830 --> 01:18:35,752
And, papiskat, he
has in other illusions,

846
01:18:35,753 --> 01:18:40,151
creating an elegant figure
of that baphomet, no?

847
01:18:40,510 --> 01:18:47,770
No, it can be scary, but in the same
way, a pure and beautiful mystery.

848
01:18:48,930 --> 01:18:53,330
And, well, here, how, of
freedom, through sexual freedom,

849
01:18:53,390 --> 01:18:56,030
well, even people are hella, no?

850
01:18:57,770 --> 01:19:04,590
Taking away, the inquisitors, well, they created
in the iconography of the Akelars, the thing,

851
01:19:04,591 --> 01:19:11,040
to these dead bodies, well,
and removed by the dead

852
01:19:11,041 --> 01:19:16,431
create a symbol of
freedom, absolutely.

853
01:19:20,190 --> 01:19:25,730
What we see here, well, as an akerbel,
there is, as he commented to you before,

854
01:19:25,810 --> 01:19:30,950
Played by Elias Garzia, he
was carrying, well, some stilts

855
01:19:30,951 --> 01:19:36,550
he was carrying them, even an
animatronic head, as mentioned earlier,

856
01:19:36,610 --> 01:19:41,850
I wanted everything to be physical,
and to increase its size, but I

857
01:19:41,851 --> 01:19:44,730
was, on the one hand,
well, this hand is digital, right,

858
01:19:44,890 --> 01:19:52,350
but it was for Elias to have it engraved
against a chroma, and all the other planes,

859
01:19:52,390 --> 01:19:56,790
well, with katsarin, well, garri
garri, and with the net fund, and then,

860
01:19:56,810 --> 01:20:01,750
well, digitally, it got bad
there, Elias, enlarged.

861
01:20:04,610 --> 01:20:11,170
Akerbeltza's journey was complete,
with chrome, and it was very hard

862
01:20:11,171 --> 01:20:17,990
Eliantza, but of the incredibly famous LAN,
and I will always be a thousand times grateful.

863
01:20:18,130 --> 01:20:23,910
Well, inoakagu oculus infamous
do, element of the black mustache.

864
01:20:26,670 --> 01:20:31,790
A kind of seal to make a pact
with Akelarrea and Akerbelt, no?

865
01:20:32,570 --> 01:20:35,210
And I just, well,
I had that, no?

866
01:20:35,430 --> 01:20:43,890
Satanized and desecrated
every element in a way, his party

867
01:20:43,891 --> 01:20:51,850
the murder of the beautiful, and
to tie it with freedom, absolutely.

868
01:20:52,170 --> 01:21:01,990
And in the responsibility, through the black kiss
of the vanola, completely forgive the black ackers

869
01:21:01,991 --> 01:21:06,710
makes through this pact, through
making a pact with freedom.

870
01:21:08,570 --> 01:21:12,630
he apologizes in cajalin
and insists, absolutely.

871
01:21:13,130 --> 01:21:20,850
Many people here are for me the most beautiful
sequence in the movie, both of them are amazing.

872
01:21:21,650 --> 01:21:29,730
It was very difficult for them from Asia
because they were full of these sequences

873
01:21:29,731 --> 01:21:36,270
and I had a very history, very thought
out, how to be in the best light, delicate

874
01:21:36,271 --> 01:21:41,870
to be, to be beautiful for me and
this is what we do when we plan

875
01:21:41,871 --> 01:21:47,710
stop with some intimate supervisors,
sex in the basket and the like

876
01:21:47,711 --> 01:21:54,070
When there are sequences, we must be
aware of them and I had them very clearly

877
01:21:54,071 --> 01:21:58,976
on the kid sordi
dodo can be sexual

878
01:21:58,977 --> 01:22:07,710
I got used to doing that
in the best possible way.

879
01:22:08,910 --> 01:22:16,990
And many, many people ask me,
but it is haus maritxu or akerbeltza

880
01:22:16,991 --> 01:22:27,910
What a transformed maritxu, or brought
back from death, well, that Nina jago

881
01:22:27,911 --> 01:22:36,230
Open mindedness is so beautiful
when you completely listen to your answer

882
01:22:36,231 --> 01:22:45,130
We portray ourselves as not being
ourselves, but for me it is very beautiful

883
01:22:45,131 --> 01:22:51,070
there is only one level for me
that I think but I won't tell you

884
01:22:51,071 --> 01:23:01,770
I prefer everyone to have their
own and to the last shot of the movie

885
01:23:01,771 --> 01:23:15,330
where Katsalin kisses the
public with strength and power

886
01:23:15,770 --> 01:23:23,190
to fully define the text that you
have put here to watch the movie

887
01:23:23,191 --> 01:23:33,270
to support that all these histories
were created through lies, not lies

888
01:23:33,271 --> 01:23:39,030
they created violence throughout
our history and it is what we do

889
01:23:39,031 --> 01:23:46,030
a tribute to the people who lived
in history but also to the situation

890
01:23:46,031 --> 01:23:53,650
We do not make these powerful histories and
fictions that have been created since then ours

891
01:23:53,651 --> 01:24:02,350
We join them and their descendants
who were in the high places

892
01:24:02,351 --> 01:24:08,330
They were against freedom as
well as those who are against it today

893
01:24:08,331 --> 01:24:17,050
Even the early Pentecostals are completely
unrhymed and simply Gabe here you have them.

894
01:24:18,430 --> 01:24:27,650
Credits where all the people from the team
appear, you can always see the credits there

895
01:24:27,651 --> 01:24:35,530
because that great talent of ours
appears but you will be left here to see.

896
01:24:37,570 --> 01:24:45,850
like a little detail here in this mix of
all this beautiful smell of the movie

897
01:24:45,851 --> 01:24:53,470
we also hear about the akerakat, the
raskoker has that nice thing about the work

898
01:24:53,471 --> 01:25:02,030
I thought that the invocation was going to
come with the flame and the infantile enguaza

899
01:25:02,031 --> 01:25:09,690
Apiskatere to play with
lies and just Gabe thank you

900
01:25:09,691 --> 01:25:16,870
I hope it was interesting
to hear from you

901
01:25:16,871 --> 01:25:22,290
We are in the audio commentary
of the next film, a big laugh.

902
01:30:13,030 --> 01:30:14,690
BATZUM BATZUM BATZUM BATZUM