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Downloaded from
YTS.LT

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Official YIFY movies site:
YTS.LT

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THIS FILM HAS BEEN MADE USING
CLAUDE LANZMANN'S UNUSED FOOTAGE

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FROM HIS HOLOCAUST DOCUMENTARY
ENTITLED SHOAH.

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THE NARRATION IS A MIX OF LANZMANN'S
MEMOIRS AND PERSONAL WRITINGS.

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Take 99!

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One hundred.

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Making Shoah

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was a long and hard-fought battle.

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I wanted to make a film,
but was filled with emptiness.

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I wanted it to be about death

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in the most extreme sense.

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I'd fall into futile despair
some nights,

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only wanting to give up,

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but I kept working,

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12 long years

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staring unflinchingly

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into the black sun of the Holocaust.

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The film project started here
in Israel

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in 1973.

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It wasn't my idea to make this film.

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It was the furthest thing
from my mind.

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I was alive during the Holocaust.

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It could have claimed me,

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but I knew nothing
about it, honestly,

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absolutely nothing,

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only that an abstract number
of people were victim to it.

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Six million of us were murdered.

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Something very strong,

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even aggressive, within me

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moved me to take on the film.

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I had no idea how to go about it.

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Looking back on it now,

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parts of my process
strike me as utterly strange,

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incomprehensible.

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In Israel, I heard about a man
called Simon Srebnik.

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Srebnik was the youngest

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of the only two people
to survive Chelmno, Poland,

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where 400,000 Jews were killed
in mobile gas vans.

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At the camp, prisoners were forced
to empty the vans of the dead

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and toss their remains
into mass incineration pits.

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Simon Srebnik was 13 and a half

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when a firing squad
put a bullet in his neck.

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Miraculously,

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the bullet missed
his major arteries.

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We spoke,
or at least tried to speak about it,

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but I grasped almost nothing
of what he described.

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The little I could understand

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were his bits of memories
obscured by fear.

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He struck me
as still the same scared child

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he must have been back then.

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I just understood he used to
sing songs for SS guards

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while rowing them down a
river in a skiff.

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I instantly asked him
to sing me what he sang them.

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There's a little, white house

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I still dream about

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The windows

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of that little house

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shine strangely

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in the sun

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like a pair of eyes

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full of tears

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I couldn't give up on Srebnik

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or leave him to one side.

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I had work to do in order
to be able to understand him.

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I needed time to pin down
what my film was about.

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For two years, I read
Primo Levi, Antelme, Rousset

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and a hundred other works.

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Book after book,
month after month,

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my film rose from the ashes

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of my trials and errors.

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I had no idea where I was going.

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Burlington Hilberg, take nine.

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I think that the reason
why your book is a master book

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is you succeed to show, really,

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the inside, the implications

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how the destruction of the Jews

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has been possible.

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My breakthrough
was entirely intellectual.

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I had this particular
Rosetta Stone for quite a while.

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Rosetta Stone?

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And I studied it,

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still not knowing what to make of
some items of information in it.

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How do you know that "PKR"
means the death train?

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Well, here again, of course,

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the only way we know this kind
of information for sure is that...

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we know
that the destination is Treblinka

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and that the train
does not go further,

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so when we consider that an entire
train is going to Treblinka

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and there are after all several
or rather many of them,

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then we say to ourselves,

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this was not a train carrying
German soldiers on furlough.

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This was not a train carrying

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Polish workers to a labour camp.

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This was a train carrying people

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to a particular place,

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the object of which overwhelmingly,
primarily, in 99% of all cases was

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death.

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I spent hours with survivors,

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who spoke to me about raids,
trains, extreme thirst,

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being beaten,
arriving to the camps and so on.

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Every account that I recorded,

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even the most tragic,

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failed to touch
on the heart of the issue.

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The central piece was missing:

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dying in the gas chambers.

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No-one survived them.

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I'm haunted by what victims suffered
in their final moments

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right before they died.

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Is there meaning in standing nude
in sub-zero temperatures

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waiting your turn to walk into a gas
chamber at Sobibor or Treblinka?

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Questions like that obsessed me,

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tormented me.

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I'd heard about Abraham Bomba

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while doing research in Israel.

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I learned he'd cut the hair
of Jewish women

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inside the gas chambers
at Treblinka.

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I only knew that Bomba
lived in New York City

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where he was still working
as a hairdresser.

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Do you know the town of Sea Gate?

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- Of?
- Sea Gate.

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- It's in Brooklyn, in Brooklyn.
- Coney Island.

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Not in Europe. Seagate.

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It's a neighbourhood
in Coney Island.

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A community.

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I wandered round

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and around for hours.

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Bomba seemed key to me.

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I wound up meeting an old
Jewish cobbler who'd known him.

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The Bomba family had moved
20 years before.

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Distraught,

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I leafed in vain
through every NYC phone book,

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residential and professional.

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Because Bomba was a barber,

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I went asking around hairdressers'.

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At the 15th shop I visited,

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a woman with her hair full
of rollers and pins

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gave me an address.

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I finally got a hold of him

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and he must have talked to me
for 48 hours

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as if he'd never spoken
to anyone in his life.

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After they were gassed,

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the spectacle already started

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and that did...

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They worked the people
from the other places,

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from the gas chamber

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taking out already those...
all those people

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clung one to another

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because even after their death

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they clung to one another to have

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together, close to one another,

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not to be apart from each other

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in lifetime and also in their death

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and that's the way they took them
out from the gas chamber and to...

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the places where they put them.

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So, far for a while,

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they dig big thing

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and they put them over there,

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but that was not the end.

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After that, they dig them out

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and they put on top each other,
body by body

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and they burn them like a...

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It was then clear to me

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that the Jewish subjects of my film

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would be Jewish prisoners
forced into labour,

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either as Arbeitsjuden

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or members of the Sonderkommando,

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or special labour units.

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These men, like Bomba,

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who were present in the final
moments of the victims' lives,

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had been, apart from the murderers,

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the only witnesses to Jews

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dying in the gas chambers.

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Rudolf Vrba, take 100.

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What were your feelings when you
were waiting for these trains

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and knowing that most of the people
who would be in would be

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immediately sent to the gas?

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But describe as you wish.

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It is very difficult

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to describe feelings,

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but I have seen it so many times
that it became a routine.

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I wouldn't think that

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I have been in any way
particularly moved or...

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It was not time for feelings.

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You remember the arrival of Greek
Jews or transport from Greece?

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I remember many because in the time
when I was on the ramp

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at least 30 to 40,000 people came
from Saloniki.

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And they came
from a very long journey

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because from Saloniki to Auschwitz
or from Athens to Auschwitz

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it was nine days and nights.

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The Arbeitsjuden and Sonderkommando

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had all been young men,

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ages ranging
from 18 to 25 years old.

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They hailed from Poland,
Hungary and Greece.

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They were handpicked,

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then shaved, tattooed,
whipped and beaten.

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They'd be conducted
to the door of Crematorium 5

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where they suddenly saw everything.

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The mass graves, the flames,

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the tangle of discoloured bodies

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that came tumbling out
when the chamber doors were opened.

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There's people from Saloniki who
are very different in many ways.

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They are more colourful,
already by dress.

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They had a very philosophical
approach to life.

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A touch of Orient was in them.

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Those people
were more mild mannered,

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less prepared for toughness.

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Some Jews hailing from
the sunny shores of the Ionian,

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gentle people,

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"tender Jews",
as Albert Cohen described them,

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couldn't bear it all.

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They threw themselves
into the infernos with open arms

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like sea divers.

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The day I realised my film
would be about death itself,

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death and not survival,

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the realisation
hit me like a great epiphany

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and I knew
I'd be able to see it through.

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Nothing would dissuade me.

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At times, I ran out of money

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and feared I wouldn't be able
to finish the film.

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People organised fundraisers for me
in the US.

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Ambassador Robert Borden Reams?

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They were all a total failure,

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despite my sincere appeals
explaining

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why I thought the movie
deserved to be made.

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This is the fundraising department

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of the American Jewish Committee.

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I showed them everything
I'd learned so far

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and the work
I'd already carried out.

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Have they gone upstairs
to the library?

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I would like to welcome first of all
Mr Lanzmann from Paris and his film

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crew. I guess everybody is aware of
by now what's going.

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After I'd spoken,

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I'd field questions -
always the same ones.

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Mr Lanzmann, what is your message?

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Two-one-four.

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I didn't know
what Shoah's message was.

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00:18:58,990 --> 00:19:00,400
Two-one-four.

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I still don't know what it is.

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Had I said,

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"My message is, Never again",
or perhaps

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"Love one another",

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the pocketbooks
would have fallen open,

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but I was no good at fundraising.

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Not one American dollar
went to financing Shoah.

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Individual donors kept me afloat

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00:19:32,320 --> 00:19:34,650
in the dreadful stretches
of hard living

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when the immensity of the project
towered over me.

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My research took me from one
continent to the next.

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I felt like I was
on a police manhunt,

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a never-ending chase.

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I knew early on that my film
would have to feature

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the perpetrators too.

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From my reading, I'd composed

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a list of around one hundred names

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00:20:20,450 --> 00:20:23,150
of Nazi war criminals
and bureaucrats alike

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who struck me as key
to what I was after.

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At the outset,

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I was embarrassingly naive,
inexperienced and honest,

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calling people up,
giving them my name

261
00:20:36,820 --> 00:20:38,360
and the reason I was calling,

262
00:20:39,610 --> 00:20:42,700
to make a movie
about the extermination of the Jews.

263
00:20:46,280 --> 00:20:48,320
I didn't often get the chance to
say any more.

264
00:20:57,400 --> 00:21:00,280
so, after many failures,

265
00:21:00,490 --> 00:21:01,860
so I decided to stop calling

266
00:21:02,740 --> 00:21:05,990
and to just turn up at the homes
of the people I was looking for

267
00:21:06,200 --> 00:21:09,240
with my trusted German assistant,
Corinna Coulmas,

268
00:21:09,450 --> 00:21:11,820
a brilliant and brave woman.

269
00:21:19,240 --> 00:21:20,200
So,

270
00:21:20,820 --> 00:21:22,990
what do we have on...

271
00:21:23,700 --> 00:21:24,700
Laabs?

272
00:21:25,570 --> 00:21:28,030
An excerpt from an indictment

273
00:21:28,240 --> 00:21:30,240
from the Chelmno war-crime trials.

274
00:21:31,360 --> 00:21:34,650
Gustav Laabs, gas-van driver

275
00:21:34,860 --> 00:21:37,950
during both periods
of extermination at Chelmno.

276
00:21:38,860 --> 00:21:41,240
When a lorry arrived
to the manor building,

277
00:21:41,450 --> 00:21:43,280
the accused drove the gas van

278
00:21:43,490 --> 00:21:45,110
up a wooden ramp.

279
00:21:45,860 --> 00:21:47,650
He'd wait for victims

280
00:21:48,490 --> 00:21:51,530
to be loaded into the van
and for the doors to close.

281
00:21:52,360 --> 00:21:53,240
Then,

282
00:21:53,450 --> 00:21:56,530
he'd attach a hose
from the fixed exhaust pipe

283
00:21:56,740 --> 00:22:00,110
into the interior of the van.

284
00:22:00,820 --> 00:22:03,530
He then would start the engine,

285
00:22:03,740 --> 00:22:06,200
put his foot on the accelerator

286
00:22:06,900 --> 00:22:09,820
and let the engine run
for 10 to 15 minutes.

287
00:22:10,780 --> 00:22:12,780
Once the shouts and moans

288
00:22:13,490 --> 00:22:14,700
and banging

289
00:22:14,900 --> 00:22:16,990
quieted down within the van

290
00:22:17,950 --> 00:22:21,150
and all within had been suffocated
or had fainted,

291
00:22:22,650 --> 00:22:24,490
he'd drive the van

292
00:22:25,150 --> 00:22:28,820
to Waltlager, a wooded area

293
00:22:29,030 --> 00:22:31,650
seven kilometres
from the village of Chelmno,

294
00:22:31,860 --> 00:22:33,900
where the bodies were unloaded

295
00:22:34,110 --> 00:22:36,280
and either buried or incinerated.

296
00:23:08,950 --> 00:23:10,320
He won't open the door.

297
00:23:14,740 --> 00:23:17,860
His neighbours tipped him off,

298
00:23:18,070 --> 00:23:20,490
telling him not to open.

299
00:23:21,570 --> 00:23:23,740
Are you allowed to film people

300
00:23:23,950 --> 00:23:27,400
without asking their permission?

301
00:23:28,240 --> 00:23:30,700
Film people who don't wish
to be filmed?

302
00:23:30,900 --> 00:23:34,200
You can't film this house
or anything else for that matter.

303
00:23:34,400 --> 00:23:38,860
But we rang the bell.

304
00:23:40,030 --> 00:23:42,990
- You did what?
- We rang the bell.

305
00:23:44,650 --> 00:23:47,740
You can't have this camera on
right now.

306
00:23:50,150 --> 00:23:52,650
We don't care
if you want to talk to Mr Laabs.

307
00:23:52,860 --> 00:23:55,700
We just want to talk to him.
Do you know him?

308
00:23:55,900 --> 00:23:57,610
Sure, he's our neighbour.

309
00:23:57,820 --> 00:24:00,950
- Is he a kind man?
- Of course he is.

310
00:24:01,530 --> 00:24:04,900
Do you know anything
about his life?

311
00:24:05,110 --> 00:24:06,150
- No.
- No?

312
00:24:06,360 --> 00:24:08,150
You don't know
what he was involved in?

313
00:24:08,360 --> 00:24:10,400
- You have no idea?
- No.

314
00:24:10,990 --> 00:24:13,070
Hold on.

315
00:24:13,280 --> 00:24:16,820
Sir, do you know
what a gas van is?

316
00:24:18,530 --> 00:24:19,280
No.

317
00:24:19,490 --> 00:24:22,030
You've never heard of that?

318
00:24:22,240 --> 00:24:22,990
No.

319
00:24:23,200 --> 00:24:25,490
He operated them during the war.

320
00:24:25,700 --> 00:24:27,950
- How is that our business?
- Gas vans.

321
00:24:28,150 --> 00:24:31,400
- He killed 200,000 Jews.
- What are you on about?

322
00:24:31,610 --> 00:24:33,570
- Where are you from?
- Did you know that?

323
00:24:33,780 --> 00:24:35,200
French television?

324
00:24:35,530 --> 00:24:37,650
We don't care
about what you have to say.

325
00:24:37,860 --> 00:24:39,610
- Fine.
- People deserve privacy.

326
00:24:39,820 --> 00:24:42,530
I only care about what he does
as my neighbour.

327
00:24:42,740 --> 00:24:46,860
Anything beyond that
is none of my concern.

328
00:24:47,450 --> 00:24:49,570
Why don't you carry on your way?

329
00:24:49,900 --> 00:24:51,320
That's just what we'll do.

330
00:24:53,700 --> 00:24:56,030
Everyone's in on it.

331
00:25:01,110 --> 00:25:02,150
To Germans,

332
00:25:02,360 --> 00:25:05,030
my last name was a giveaway
that I was Jewish

333
00:25:05,360 --> 00:25:07,450
and it only made things harder.

334
00:25:09,570 --> 00:25:12,280
I needed to start using an alias.

335
00:25:13,650 --> 00:25:15,780
I won't reveal how

336
00:25:16,490 --> 00:25:18,030
because I promised not to say,

337
00:25:18,860 --> 00:25:20,820
but I managed to get
a fake passport

338
00:25:21,030 --> 00:25:23,740
that I swore to get rid of
after filming was over.

339
00:25:24,950 --> 00:25:28,400
I started going
by Claude-Marie Sorel.

340
00:25:30,860 --> 00:25:34,490
I worked for a phony
modern history research institute.

341
00:25:35,150 --> 00:25:38,240
I gave myself the fictitious title
of Doctor of History.

342
00:25:39,450 --> 00:25:42,650
Honesty and transparency
with former Nazis

343
00:25:42,860 --> 00:25:45,320
had proven utterly futile.

344
00:25:46,320 --> 00:25:48,700
I had to learn
how to lie to the liars.

345
00:25:48,900 --> 00:25:49,700
So...

346
00:25:56,900 --> 00:25:57,740
Take off your...

347
00:25:58,860 --> 00:25:59,900
Do try

348
00:26:00,110 --> 00:26:01,990
and not go too tight
like last time,

349
00:26:05,400 --> 00:26:06,900
though I'm not sure
if it was tight

350
00:26:08,820 --> 00:26:10,950
or I was just nervous.

351
00:26:17,280 --> 00:26:18,450
Every time

352
00:26:18,650 --> 00:26:20,610
I took a breath, it felt

353
00:26:21,530 --> 00:26:22,820
like I was restricted.

354
00:26:23,030 --> 00:26:24,950
You're just aware that it's there,

355
00:26:25,150 --> 00:26:26,400
like it was going to break.

356
00:26:26,990 --> 00:26:29,820
- You just feel it's there.
- Yeah, but still...

357
00:26:33,400 --> 00:26:34,610
I'd rather it were a gun.

358
00:26:47,320 --> 00:26:48,150
That all right?

359
00:26:51,780 --> 00:26:52,990
Maybe a little tighter.

360
00:26:53,200 --> 00:26:56,280
I'm afraid it will fall
like the other day.

361
00:26:56,820 --> 00:26:57,450
It fell?

362
00:26:57,650 --> 00:26:59,860
No, but it felt like it was
going to.

363
00:27:07,150 --> 00:27:08,070
Hold on.

364
00:27:24,900 --> 00:27:25,900
The Paluche

365
00:27:26,110 --> 00:27:29,150
was a small, handheld, cylindrical
camera that changed everything.

366
00:27:29,360 --> 00:27:32,860
You could use it without looking
through the viewfinder.

367
00:27:35,860 --> 00:27:37,200
It didn't record on film,

368
00:27:37,900 --> 00:27:40,610
but transmitted the images
to a small van nearby.

369
00:27:41,740 --> 00:27:42,780
The little miracle

370
00:27:43,110 --> 00:27:46,150
was going to drastically change
how I'd film in Germany.

371
00:27:46,360 --> 00:27:47,030
There we are.

372
00:27:48,030 --> 00:27:51,780
How has your heart been?

373
00:27:51,990 --> 00:27:53,450
All right?

374
00:27:54,280 --> 00:27:57,320
My heart's been fine lately.

375
00:27:57,530 --> 00:28:01,530
If it starts acting up,
I'll let you know.

376
00:28:01,740 --> 00:28:02,570
Sure, sure.

377
00:28:02,780 --> 00:28:06,200
- Then we'll have to stop.
- Of course.

378
00:28:07,360 --> 00:28:08,490
Everything working?

379
00:28:08,700 --> 00:28:09,820
Franz Suchomel

380
00:28:10,030 --> 00:28:13,700
agreed to a voice interview only.

381
00:28:15,570 --> 00:28:18,450
At Treblinka, Suchomel
was in charge of a unit

382
00:28:18,650 --> 00:28:20,150
tasked with confiscating money

383
00:28:20,360 --> 00:28:23,280
and valuables the victims
were hiding on their person.

384
00:28:24,360 --> 00:28:27,900
I hid a Paluche in a bag

385
00:28:28,110 --> 00:28:31,400
along with a professional-grade
microphone.

386
00:28:31,610 --> 00:28:34,240
My director of photography
William Lubtchansky

387
00:28:34,450 --> 00:28:36,320
worked double duty
as a sound engineer.

388
00:28:37,070 --> 00:28:38,150
Everything in order?

389
00:28:38,360 --> 00:28:42,150
- Are you ready?
- Yes.

390
00:28:42,360 --> 00:28:46,280
- Shall we?
- Let's get started.

391
00:28:46,490 --> 00:28:47,650
Great.

392
00:28:48,860 --> 00:28:50,200
Let's do that.

393
00:28:52,820 --> 00:28:57,240
- Let's start with Treblinka.
- By all means.

394
00:28:58,860 --> 00:29:02,400
We were brought
to the far side of the camp,

395
00:29:02,610 --> 00:29:04,110
around the back,

396
00:29:04,320 --> 00:29:06,240
and when we got up there

397
00:29:06,450 --> 00:29:11,900
the gas-chamber doors
had just been opened

398
00:29:12,110 --> 00:29:16,320
and bodies had come tumbling out
like potatoes.

399
00:29:16,530 --> 00:29:18,070
Like potatoes?

400
00:29:24,030 --> 00:29:26,030
I wish to remain anonymous
telling you this.

401
00:29:26,240 --> 00:29:28,900
Of course, of course.

402
00:29:29,110 --> 00:29:31,490
How do you say,
"I gave you my word?"

403
00:29:31,700 --> 00:29:32,740
I gave you my word.

404
00:29:34,070 --> 00:29:36,950
- D*mn!
- What's wrong?

405
00:29:39,030 --> 00:29:40,030
So...

406
00:29:40,240 --> 00:29:41,700
Sound is out of sync.

407
00:29:41,900 --> 00:29:44,240
Was that a frightening duty
to perform?

408
00:29:46,070 --> 00:29:47,360
It was.

409
00:29:48,450 --> 00:29:53,950
People were stripped
of their most basic human dignity.

410
00:29:54,530 --> 00:29:58,070
Even their hair was taken
from them.

411
00:29:59,650 --> 00:30:02,900
It was total humiliation.

412
00:30:06,650 --> 00:30:07,900
Well...

413
00:30:08,650 --> 00:30:12,900
There's a haircutter
in New York City.

414
00:30:14,360 --> 00:30:16,700
Bomba, that sounds familiar.

415
00:30:16,900 --> 00:30:18,070
Sounds familiar.

416
00:30:18,280 --> 00:30:20,490
I think I remember that name.

417
00:30:21,150 --> 00:30:22,900
Yes, Bomba.

418
00:30:26,110 --> 00:30:28,070
REEL NO. 21

419
00:30:36,450 --> 00:30:39,650
Abraham Bomba had left New York
without leaving an address.

420
00:30:40,740 --> 00:30:43,820
I made phone calls for days
and they led nowhere.

421
00:30:45,240 --> 00:30:47,360
The letters I sent
were returned to sender.

422
00:30:50,450 --> 00:30:51,240
Bomba, take one!

423
00:30:52,360 --> 00:30:54,030
I finally managed to track him down

424
00:30:54,240 --> 00:30:55,570
while shooting in Israel.

425
00:30:56,610 --> 00:30:58,700
He thought
my movie was just a cover.

426
00:31:16,400 --> 00:31:17,700
Bomba, take four!

427
00:31:20,700 --> 00:31:22,150
Excuse me,

428
00:31:22,740 --> 00:31:25,360
can you describe...
You became quiet suddenly.

429
00:31:25,570 --> 00:31:28,820
At one day we had a order

430
00:31:29,490 --> 00:31:32,780
to get together a certain amount
of barbers

431
00:31:32,990 --> 00:31:36,780
and to go cut the hair
of the women.

432
00:31:37,490 --> 00:31:41,070
They took us up to the place

433
00:31:41,780 --> 00:31:43,780
where we never went over there.

434
00:31:43,990 --> 00:31:45,860
No-one from the...

435
00:31:47,450 --> 00:31:50,360
the Treblinka, where we were

436
00:31:50,570 --> 00:31:54,860
at our place
and we went across that big door

437
00:31:55,570 --> 00:31:56,570
going into,

438
00:31:56,780 --> 00:32:00,740
at that time, which we know already
was the gas chamber.

439
00:32:00,950 --> 00:32:03,240
They took us over there.

440
00:32:04,030 --> 00:32:05,990
I could sense Bomba
getting nervous,

441
00:32:06,200 --> 00:32:08,110
which only agitated
my own anxiety.

442
00:32:09,240 --> 00:32:11,990
We both knew
the difficult part was nigh,

443
00:32:12,700 --> 00:32:15,360
that we'd have to talk
about cutting women's hair

444
00:32:15,570 --> 00:32:16,740
inside the gas chambers.

445
00:32:17,070 --> 00:32:18,900
It's difficult for you, I know.

446
00:32:19,990 --> 00:32:21,700
Yes, it is.

447
00:32:21,900 --> 00:32:24,110
It's very difficult because,
you know,

448
00:32:24,320 --> 00:32:27,320
you have to go through this thing
all over again

449
00:32:27,950 --> 00:32:29,820
and it is very painful.

450
00:32:30,740 --> 00:32:32,780
Yes, but you have to do it.

451
00:32:33,320 --> 00:32:34,450
You must.

452
00:32:35,030 --> 00:32:36,400
You have no choice.

453
00:32:42,150 --> 00:32:43,610
Let's cut, please.

454
00:32:59,490 --> 00:33:01,740
The barbershop idea was mine.

455
00:33:05,240 --> 00:33:06,780
I thought getting him working

456
00:33:06,990 --> 00:33:08,820
might make it easier for him to talk

457
00:33:09,030 --> 00:33:11,030
than sitting in front of a camera.

458
00:33:16,070 --> 00:33:18,700
I placed him in
his professional setting and said,

459
00:33:18,900 --> 00:33:20,070
"Abraham,

460
00:33:20,280 --> 00:33:21,990
do what you did back then".

461
00:33:27,610 --> 00:33:29,780
That's when the truth
found its footing

462
00:33:29,990 --> 00:33:32,360
and he was transported
into the past like an actor.

463
00:33:32,570 --> 00:33:34,860
You said
that you didn't shave them.

464
00:33:35,070 --> 00:33:36,820
No, we did not shave.

465
00:33:37,030 --> 00:33:39,450
We just cut the hair,
make them believe

466
00:33:39,650 --> 00:33:42,320
that they're getting a nice haircut.

467
00:33:42,530 --> 00:33:44,320
But you cut with what?
With scissors?

468
00:33:44,530 --> 00:33:48,030
With scissors, yes,
and with comb, without any clippers,

469
00:33:49,240 --> 00:33:52,820
just like a men's haircut,
I would say.

470
00:33:54,070 --> 00:33:55,780
What did you feel when you started

471
00:33:56,110 --> 00:33:59,610
to cut the hair of the women
after the war?

472
00:34:01,900 --> 00:34:06,240
After the war...
That is a really good question

473
00:34:06,450 --> 00:34:07,700
because

474
00:34:07,900 --> 00:34:10,700
when I came out from the

475
00:34:10,900 --> 00:34:13,990
extermination camp in Treblinka

476
00:34:14,610 --> 00:34:17,360
and I went into work
in a barbershop

477
00:34:18,610 --> 00:34:21,700
and when a woman was sitting
at the chair,

478
00:34:24,070 --> 00:34:25,450
in dress,

479
00:34:26,320 --> 00:34:27,490
it was funny for me

480
00:34:27,700 --> 00:34:31,900
because I was cutting the hair
for so many 100 and 100 women

481
00:34:32,110 --> 00:34:34,990
all naked, without any dress

482
00:34:35,200 --> 00:34:37,570
and I didn't know that,
from the beginning, I didn't

483
00:34:37,780 --> 00:34:40,820
know how to start doing the haircut

484
00:34:41,030 --> 00:34:42,820
where a woman sits

485
00:34:43,030 --> 00:34:45,700
dressed like a woman should be

486
00:34:46,490 --> 00:34:49,570
and it was, emotionally for me,

487
00:34:49,780 --> 00:34:52,780
it was...
I couldn't get used to the idea.

488
00:34:52,990 --> 00:34:55,490
It took quite a time

489
00:34:55,700 --> 00:34:59,240
until I get used to myself
to do the cutting

490
00:34:59,570 --> 00:35:03,150
of a lady's hair

491
00:35:03,950 --> 00:35:06,900
dressed with her clothes on.

492
00:35:13,740 --> 00:35:16,900
You can fill in details,
but I've told you a lot.

493
00:35:17,110 --> 00:35:18,530
You have indeed.

494
00:35:20,740 --> 00:35:22,610
He has to change his tape.

495
00:35:22,820 --> 00:35:25,650
- Yes.
- You should try...

496
00:35:25,860 --> 00:35:28,150
He's looking at you a lot.
You should...

497
00:35:29,570 --> 00:35:32,530
- Can you hear him all right?
- Very well.

498
00:35:32,860 --> 00:35:35,740
- Let me take a moment to change...
- The tape?

499
00:35:35,950 --> 00:35:37,990
- The head.
- All right.

500
00:35:38,200 --> 00:35:40,280
- Sound working?
- No.

501
00:35:40,900 --> 00:35:43,110
OK, headphones back on.

502
00:35:47,820 --> 00:35:50,700
Or let's stop
and get a bite to eat.

503
00:35:53,570 --> 00:35:55,490
We took a break for a lunch

504
00:35:55,700 --> 00:35:57,780
and I invited Suchomel's wife
to join.

505
00:36:01,150 --> 00:36:03,530
They stuffed themselves
on salmon and cream.

506
00:36:10,490 --> 00:36:11,570
That night,

507
00:36:11,780 --> 00:36:15,150
I got into a heated discussion
with William Lubtchansky,

508
00:36:15,900 --> 00:36:18,200
whose father had been gassed
at Auschwitz.

509
00:36:20,860 --> 00:36:23,070
He couldn't understand
why I was so cool-headed,

510
00:36:23,280 --> 00:36:25,950
that it was crucial
to the act I was putting on.

511
00:36:27,360 --> 00:36:28,610
He'd have killed Suchomel.

512
00:36:31,150 --> 00:36:33,200
I wanted to kill him another way...

513
00:36:36,650 --> 00:36:38,610
kill him with the camera.

514
00:36:38,820 --> 00:36:40,200
Let's stop.

515
00:36:40,400 --> 00:36:42,900
My heart is starting
to act up.

516
00:36:43,110 --> 00:36:44,240
Very well.

517
00:36:46,450 --> 00:36:48,070
No, keep rolling.

518
00:36:48,280 --> 00:36:50,110
Pretend like you're stopping.

519
00:36:52,030 --> 00:36:53,990
Are you experiencing pain?

520
00:36:54,200 --> 00:36:55,780
Pains in your chest?

521
00:36:55,990 --> 00:36:58,740
- Angina pectoris.
- Angina pectoris?

522
00:36:58,950 --> 00:37:01,110
It'll pass in five minutes.

523
00:37:01,320 --> 00:37:05,030
Very well,
I won't go out for a smoke then.

524
00:37:07,900 --> 00:37:09,610
Is it from...

525
00:37:12,740 --> 00:37:15,490
Can you ask him if it's because
he's getting emotional?

526
00:37:16,110 --> 00:37:19,030
Is it from the emotion?

527
00:37:19,240 --> 00:37:21,700
I get annoyed

528
00:37:24,110 --> 00:37:27,280
when people ask me that.

529
00:37:32,860 --> 00:37:36,320
It's because I ate too much.

530
00:37:36,530 --> 00:37:39,860
You did eat a lot.

531
00:37:40,700 --> 00:37:41,780
We'll restart in a bit.

532
00:37:51,400 --> 00:37:52,900
Salmon does that.

533
00:37:53,490 --> 00:37:54,950
- Excuse me?
- Salmon does that.

534
00:37:55,150 --> 00:37:57,070
It was all that cream.

535
00:37:57,280 --> 00:37:58,400
Sure.

536
00:38:00,820 --> 00:38:01,990
When we got going again,

537
00:38:02,740 --> 00:38:04,490
Suchomel was feeling confident.

538
00:38:05,200 --> 00:38:07,860
I had him sing for me
the song the Arbeitsjuden

539
00:38:08,200 --> 00:38:09,650
had to learn upon enlistment.

540
00:38:09,990 --> 00:38:14,450
The commandos march
To their daily labour

541
00:38:15,700 --> 00:38:20,150
In our eyes,
All that matters is Treblinka

542
00:38:20,360 --> 00:38:24,280
Our destinies are tied to it

543
00:38:24,490 --> 00:38:28,490
Treblinka became part of us

544
00:38:29,030 --> 00:38:32,610
In the blink of an eye

545
00:38:33,280 --> 00:38:37,450
The words of our commander
Are all that matter

546
00:38:37,650 --> 00:38:41,700
Beside obedience and duty

547
00:38:41,900 --> 00:38:46,240
We're here to serve
And serve and serve

548
00:38:46,450 --> 00:38:50,320
Until happiness shines upon us
one fine day

549
00:38:50,650 --> 00:38:51,650
Hoorah!

550
00:38:59,740 --> 00:39:01,650
You have a great singing voice.

551
00:39:02,450 --> 00:39:04,110
Yes, I have...

552
00:39:04,320 --> 00:39:05,860
A great singing voice.

553
00:39:06,490 --> 00:39:10,200
Only the Jews sang that song?

554
00:39:10,400 --> 00:39:12,360
Only Jews, yes,

555
00:39:12,570 --> 00:39:15,150
but we can keep singing
that our destinies

556
00:39:15,360 --> 00:39:17,950
are tied to Treblinka, can't we?

557
00:39:18,150 --> 00:39:21,950
The Jews are no longer around.

558
00:39:23,280 --> 00:39:25,900
They can't tell the story.

559
00:39:28,320 --> 00:39:32,900
With sure step
Looking out over the world,

560
00:39:33,110 --> 00:39:37,280
Headlong into the distance

561
00:39:37,490 --> 00:39:41,360
The commandos march
To their daily labour

562
00:39:42,570 --> 00:39:45,650
In our eyes,
All that matters is Treblinka

563
00:39:45,990 --> 00:39:48,150
Our destinies are tied to it

564
00:39:48,360 --> 00:39:49,490
Treblinka became...

565
00:39:49,700 --> 00:39:51,700
One Jewish man remembered it.

566
00:39:56,530 --> 00:39:58,860
Richard Glazar
had survived Treblinka

567
00:39:59,070 --> 00:40:02,490
by fleeing during the Treblinka
Uprising of August 1943.

568
00:40:04,400 --> 00:40:06,650
To pay their way on the run,
Glazar and a friend

569
00:40:06,860 --> 00:40:10,610
were given a few diamonds
that Jews in Suchomel's work units

570
00:40:10,820 --> 00:40:12,950
had looted
from the remains of the dead.

571
00:40:14,490 --> 00:40:17,200
We hid the diamonds

572
00:40:18,070 --> 00:40:21,360
in beard soap

573
00:40:22,030 --> 00:40:24,740
and held onto them,

574
00:40:24,950 --> 00:40:27,280
telling ourselves...

575
00:40:29,530 --> 00:40:32,280
that we shouldn't pawn the diamonds

576
00:40:32,490 --> 00:40:37,110
to help us survive.

577
00:40:37,780 --> 00:40:40,530
If fate would only smile on us,

578
00:40:42,200 --> 00:40:45,950
the riches we took from Treblinka

579
00:40:46,150 --> 00:40:47,820
should never

580
00:40:49,280 --> 00:40:52,150
be traded

581
00:40:52,740 --> 00:40:54,650
for our survival.

582
00:40:55,990 --> 00:40:59,030
So, we never sold the diamonds

583
00:41:00,860 --> 00:41:02,240
and later...

584
00:41:05,700 --> 00:41:07,360
we had the diamonds set

585
00:41:08,490 --> 00:41:14,110
in rings we gave to our wives.

586
00:41:14,700 --> 00:41:17,900
Carel's wife and my own

587
00:41:18,450 --> 00:41:21,070
still wear their rings
to this day.

588
00:41:22,820 --> 00:41:26,070
You never sold them?

589
00:41:27,360 --> 00:41:28,740
No.

590
00:41:32,490 --> 00:41:36,150
Even though we were constantly short
on money.

591
00:41:40,030 --> 00:41:42,070
Can you show what you have there?

592
00:41:45,650 --> 00:41:47,780
This is the razor.

593
00:41:51,650 --> 00:41:53,320
And the soap.

594
00:41:58,070 --> 00:42:01,610
This soap is from Treblinka,

595
00:42:02,240 --> 00:42:03,860
as is the case.

596
00:42:04,070 --> 00:42:08,400
These are likely all

597
00:42:09,070 --> 00:42:11,070
that have survived

598
00:42:11,280 --> 00:42:14,280
of the 800,000 victims

599
00:42:15,820 --> 00:42:20,280
and this is the ring
my wife wears.

600
00:42:26,360 --> 00:42:28,200
That's...

601
00:42:44,570 --> 00:42:45,740
gorgeous.

602
00:42:52,820 --> 00:42:54,110
Are you tearing up?

603
00:43:03,990 --> 00:43:08,240
Did you also used to cry back then?

604
00:43:08,450 --> 00:43:12,530
Yes, at day's end every day,
I'd pray.

605
00:43:13,110 --> 00:43:15,490
- You would pray?
- Yes.

606
00:43:16,450 --> 00:43:17,490
To God?

607
00:43:17,700 --> 00:43:18,740
To God.

608
00:43:18,950 --> 00:43:20,110
To God.

609
00:43:20,320 --> 00:43:22,030
For Him to forgive me.

610
00:43:28,530 --> 00:43:31,530
I'll consider this compensation
for my pain

611
00:43:31,740 --> 00:43:35,070
and not compensation
for doing an interview.

612
00:43:35,280 --> 00:43:37,530
Compensation for your pain?

613
00:43:38,070 --> 00:43:39,360
This...

614
00:43:39,570 --> 00:43:41,400
cross I bear
that causes me to suffer.

615
00:43:42,200 --> 00:43:45,650
It's the reason I'll burn tomorrow
and forever.

616
00:43:46,360 --> 00:43:50,030
This is 2,000 Swiss francs,

617
00:43:50,240 --> 00:43:51,820
similar to Deutsche marks.

618
00:43:52,030 --> 00:43:53,110
Thank you.

619
00:44:53,320 --> 00:44:56,240
I kicked and screamed
all the way to Poland,

620
00:44:56,450 --> 00:44:59,740
though it was the beating heart
of the extermination project.

621
00:45:02,070 --> 00:45:04,030
Something in me
didn't want to go there.

622
00:45:06,320 --> 00:45:09,700
What was there to see?
People who weren't there any more?

623
00:45:11,610 --> 00:45:14,700
I figured that, since my film
was about destruction,

624
00:45:14,900 --> 00:45:16,570
settings were of no importance.

625
00:45:18,110 --> 00:45:21,280
I saw Poland
as a memorial void.

626
00:45:32,280 --> 00:45:33,860
I went late in the process,

627
00:45:34,700 --> 00:45:36,240
in the winter of 1978,

628
00:45:37,280 --> 00:45:39,900
five years after starting work
on Shoah.

629
00:45:42,530 --> 00:45:44,570
I'd been everywhere else until then.

630
00:45:48,200 --> 00:45:50,360
I was arrogant arriving in Poland,

631
00:45:50,570 --> 00:45:54,070
positive I was only there
to prove I didn't need to be there.

632
00:45:59,150 --> 00:46:01,360
My first day there,
I rented a Russian banger

633
00:46:02,070 --> 00:46:03,200
and set out for Treblinka.

634
00:46:06,320 --> 00:46:08,530
I wanted to see the site
with my own eyes.

635
00:46:38,070 --> 00:46:39,320
I felt nothing.

636
00:46:40,360 --> 00:46:41,320
I gaped,

637
00:46:41,990 --> 00:46:43,740
my mind and soul bewildered,

638
00:46:44,490 --> 00:46:45,990
the only reaction I could manage

639
00:46:46,200 --> 00:46:47,820
at the traces left
of the massacre.

640
00:46:50,780 --> 00:46:54,110
What lay before me was so different
from what I'd learned about

641
00:46:54,780 --> 00:46:56,490
from my reading

642
00:46:56,700 --> 00:46:58,610
and, more importantly,
from Suchomel,

643
00:46:58,820 --> 00:47:01,070
Glazar and Abraham Bomba.

644
00:47:06,650 --> 00:47:08,150
There are two kids there.

645
00:47:57,950 --> 00:47:59,860
Barbara, say hi to them.

646
00:48:02,360 --> 00:48:04,360
Ask him to come over here.

647
00:48:12,820 --> 00:48:14,950
Hi there, sir.

648
00:48:15,150 --> 00:48:17,740
Ask if he's lived in Treblinka
a long time.

649
00:48:25,490 --> 00:48:27,150
Sixty-seven years.

650
00:48:27,360 --> 00:48:28,570
- Sixty-seven?
- Yes.

651
00:48:32,280 --> 00:48:34,320
He must have seen some things.

652
00:48:41,450 --> 00:48:43,820
Does he care to share with us
what he's seen?

653
00:48:50,360 --> 00:48:52,200
I'm going to step out.

654
00:48:56,570 --> 00:48:57,280
What's that?

655
00:48:57,490 --> 00:48:59,240
- Step out with me.
- How?

656
00:48:59,450 --> 00:49:01,150
Step out

657
00:49:01,360 --> 00:49:03,780
on the other side.

658
00:49:13,490 --> 00:49:16,400
Two Germans struck them
and killed

659
00:49:16,610 --> 00:49:17,700
both of them,

660
00:49:17,900 --> 00:49:20,450
two boys as young
as his grandson,

661
00:49:20,650 --> 00:49:21,570
about his age.

662
00:49:21,780 --> 00:49:22,950
He witnessed that?

663
00:49:26,110 --> 00:49:27,030
Where was he?

664
00:49:32,820 --> 00:49:34,650
He was on his way to the fields.

665
00:49:46,990 --> 00:49:49,950
Tell them we're making a movie.
We're from France.

666
00:49:56,700 --> 00:49:58,360
Hello, sir.

667
00:49:58,570 --> 00:49:59,530
Hi.

668
00:50:01,860 --> 00:50:05,450
Does he have any memories of Warsaw
Jews arriving in cattle wagons?

669
00:50:07,490 --> 00:50:09,070
Six trains per day.

670
00:50:11,490 --> 00:50:13,650
Each train was 60 cars,

671
00:50:13,860 --> 00:50:16,700
but only 20 of them
would go off to the camp.

672
00:50:16,900 --> 00:50:17,530
I see.

673
00:50:20,240 --> 00:50:22,200
The trains were separated
by hand.

674
00:50:22,400 --> 00:50:23,780
He saw all this himself?

675
00:50:27,610 --> 00:50:28,900
If it happened here,
he saw it.

676
00:50:37,400 --> 00:50:39,900
He locked the door
and may go fetch his gun.

677
00:50:44,950 --> 00:50:47,070
Well, let's try somewhere else.

678
00:50:49,900 --> 00:50:51,570
You heard that lock, clack!

679
00:50:55,490 --> 00:50:56,200
Come on.

680
00:51:42,900 --> 00:51:45,610
I'd felt nothing
seeing the memorial at the camp,

681
00:51:46,320 --> 00:51:48,400
but that little sign
struck a deep chord.

682
00:51:50,820 --> 00:51:52,530
Treblinka was real.

683
00:51:53,530 --> 00:51:55,900
There was once a village
called Treblinka,

684
00:51:56,490 --> 00:51:57,570
a brave village.

685
00:52:01,700 --> 00:52:03,400
When I first arrived here

686
00:52:03,740 --> 00:52:05,650
full of everything I'd learned,

687
00:52:05,860 --> 00:52:08,650
I felt like a bomb
ready to go off.

688
00:52:09,950 --> 00:52:11,610
All I needed was a detonator.

689
00:52:13,570 --> 00:52:15,400
Treblinka was that detonator.

690
00:52:18,200 --> 00:52:20,070
On the line over there
where we stayed,

691
00:52:20,400 --> 00:52:23,950
there was a small sign
which said, "Treblinka"

692
00:52:24,700 --> 00:52:26,530
and it was first time

693
00:52:26,740 --> 00:52:29,860
in my life I heard about that name,
Treblinka.

694
00:52:30,950 --> 00:52:34,200
On the other side of the tracks,

695
00:52:35,110 --> 00:52:37,280
I saw about

696
00:52:37,490 --> 00:52:40,860
18, 20, maybe more wagons

697
00:52:41,700 --> 00:52:43,320
going away

698
00:52:47,740 --> 00:52:50,740
and after about an hour or so,

699
00:52:51,400 --> 00:52:55,820
I saw the ones coming back,
but without the people.

700
00:52:57,400 --> 00:52:59,740
Our train went in also.

701
00:53:01,570 --> 00:53:04,490
When we got
to the extermination camp,

702
00:53:05,240 --> 00:53:07,610
all of a sudden
we heard screaming,

703
00:53:08,320 --> 00:53:11,110
"Men to the right
and women to the left!"

704
00:53:15,950 --> 00:53:18,150
My wife was holding the child

705
00:53:18,360 --> 00:53:21,820
and my mother was together with her,

706
00:53:23,990 --> 00:53:27,950
so we, me, my brother and my father,
went to the right side,

707
00:53:29,740 --> 00:53:32,110
and the women went
to the left side,

708
00:53:32,450 --> 00:53:33,740
to the barracks.

709
00:53:35,400 --> 00:53:37,450
That was the last time

710
00:53:37,650 --> 00:53:43,150
I saw anybody
of the female relative of mine.

711
00:54:57,610 --> 00:54:59,570
I heard about a train driver

712
00:54:59,780 --> 00:55:01,240
who operated the Holocaust trains

713
00:55:01,450 --> 00:55:03,360
every year the camp was operational

714
00:55:04,030 --> 00:55:06,900
and he lived only some
10 kilometres from Treblinka.

715
00:55:14,030 --> 00:55:15,360
Rolling.

716
00:55:15,700 --> 00:55:16,610
Call out.

717
00:55:16,820 --> 00:55:17,950
Take 17.

718
00:55:19,030 --> 00:55:22,070
How old was Mr Gawkowski
at the time?

719
00:55:35,860 --> 00:55:37,900
He began operating trains

720
00:55:38,110 --> 00:55:40,200
when he was fairly young.

721
00:55:40,400 --> 00:55:42,570
He was in his early 20s
during the war.

722
00:55:42,780 --> 00:55:44,240
His early 20s,

723
00:55:44,450 --> 00:55:45,700
a young man.

724
00:55:48,240 --> 00:55:50,150
Yes!

725
00:55:50,860 --> 00:55:53,570
That's why his memory
of what happened

726
00:55:53,780 --> 00:55:55,740
is so clear.

727
00:55:57,070 --> 00:55:58,450
In that case...

728
00:56:00,900 --> 00:56:02,450
His memory is less sharp now.

729
00:56:02,650 --> 00:56:04,200
He seems to have a great memory.

730
00:56:04,400 --> 00:56:08,110
So much so he looks
to be reliving that time.

731
00:56:16,280 --> 00:56:18,570
Absolutely right.

732
00:56:20,280 --> 00:56:21,240
Right.

733
00:56:21,450 --> 00:56:24,320
It's as if he can see it all
before his eyes.

734
00:56:30,740 --> 00:56:33,030
Did he hear ever screaming
while driving the trains?

735
00:56:35,490 --> 00:56:37,570
Yes.

736
00:56:37,780 --> 00:56:40,820
What did people scream?

737
00:56:41,030 --> 00:56:44,200
Were they just shouts
or did people say things?

738
00:56:49,320 --> 00:56:51,030
It was anything and everything,

739
00:56:51,240 --> 00:56:52,450
anything and everything.

740
00:56:52,650 --> 00:56:54,360
Calling out, shouts, everything.

741
00:56:59,150 --> 00:57:01,200
Does he have nightmares about it

742
00:57:01,400 --> 00:57:02,400
to this day?

743
00:57:10,360 --> 00:57:12,650
It's happened more than once,

744
00:57:12,860 --> 00:57:13,990
to say the least.

745
00:57:18,990 --> 00:57:20,400
Sure!

746
00:57:20,990 --> 00:57:22,150
Let's go!

747
00:57:51,490 --> 00:57:53,490
I told Gawkowski

748
00:57:53,700 --> 00:57:55,570
I'd film him driving
into Treblinka.

749
00:57:56,780 --> 00:57:58,740
Just like Bomba in the barber shop,

750
00:57:58,950 --> 00:58:00,990
Gawkowski was transported,

751
00:58:01,320 --> 00:58:03,990
seeing 60 imaginary Holocaust trains
taking people to their deaths.

752
00:58:13,110 --> 00:58:14,700
There were no wagons attached,

753
00:58:16,070 --> 00:58:19,610
just the engine that came at a high
rental price from the Polish rail.

754
00:58:40,320 --> 00:58:42,650
Barbara,
will you please ask Mr Borowi,

755
00:58:42,860 --> 00:58:44,610
if he lived here

756
00:58:44,820 --> 00:58:45,820
during the war?

757
00:58:48,610 --> 00:58:50,610
Yes,

758
00:58:50,820 --> 00:58:51,530
during the occupation.

759
00:58:52,240 --> 00:58:54,450
I heard him say the word "Christ",

760
00:58:54,650 --> 00:58:55,990
what was that in relation to?

761
00:59:25,950 --> 00:59:29,030
He says that according
to religious tradition,

762
00:59:29,240 --> 00:59:31,610
when Christ was alive,

763
00:59:31,820 --> 00:59:34,490
the Jews had him crucified

764
00:59:34,700 --> 00:59:36,900
and as we know,

765
00:59:37,110 --> 00:59:39,400
he was resurrected,

766
00:59:40,400 --> 00:59:44,900
so what happened to the Jews

767
00:59:45,110 --> 00:59:47,860
happened to them

768
00:59:48,070 --> 00:59:49,900
because of what they did to Christ.

769
00:59:50,110 --> 00:59:52,990
They had to pay for the injustice.

770
00:59:53,200 --> 00:59:55,200
Is that what he means?

771
01:00:02,650 --> 01:00:04,780
"That's what the old timers say.

772
01:00:04,990 --> 01:00:07,110
- I'm just repeating it".
- I see.

773
01:00:08,070 --> 01:00:09,280
Take 55.

774
01:00:10,320 --> 01:00:11,820
Barbara,

775
01:00:12,030 --> 01:00:14,320
can you ask...

776
01:00:14,530 --> 01:00:17,240
Excuse me, Mr Borowi.
Would you ask him

777
01:00:17,450 --> 01:00:19,570
if he thinks I'm Jewish?

778
01:00:23,530 --> 01:00:24,860
- He thinks so.
- Why?

779
01:00:34,030 --> 01:00:36,320
The way you speak

780
01:00:36,530 --> 01:00:38,530
and carry yourself,

781
01:00:38,740 --> 01:00:41,150
but mostly how you speak.
You speak French

782
01:00:41,360 --> 01:00:43,070
with a slightly Jewish accent.

783
01:00:43,280 --> 01:00:44,360
- A Jewish accent?
- Yeah.

784
01:00:44,990 --> 01:00:46,200
Very well.

785
01:00:55,070 --> 01:00:57,200
I was the first
to interview Gawkowski, Borowi

786
01:00:57,400 --> 01:00:59,400
and the other farmers around.

787
01:01:00,860 --> 01:01:03,650
No-one else had cared to listen
to what they had to say.

788
01:01:06,320 --> 01:01:08,530
It produced
a harrowing realisation in me

789
01:01:09,450 --> 01:01:11,570
that the farmers
in the heart of Poland

790
01:01:11,780 --> 01:01:13,610
had been the nearest humans

791
01:01:13,820 --> 01:01:15,530
to the victims of the Holocaust.

792
01:01:20,030 --> 01:01:21,360
In Poland, I discovered

793
01:01:21,570 --> 01:01:23,700
a gold mine
of things left unsaid.

794
01:01:51,780 --> 01:01:55,570
You'd think it impossible
for this to have happened here,

795
01:01:56,610 --> 01:01:59,200
given how beautiful
and peaceful it is here.

796
01:02:00,530 --> 01:02:01,490
So quiet.

797
01:02:07,900 --> 01:02:09,650
Believe me, it wasn't always

798
01:02:10,360 --> 01:02:12,150
this quiet around here.

799
01:02:21,320 --> 01:02:22,490
There was a time

800
01:02:23,990 --> 01:02:27,450
when you'd have only heard shouts,
barking dogs and gunshots

801
01:02:28,360 --> 01:02:29,450
where we are now.

802
01:03:08,450 --> 01:03:10,950
When not filming in Poland
or the US,

803
01:03:11,150 --> 01:03:13,030
we were like a travelling circus

804
01:03:13,240 --> 01:03:14,570
or theatre troop

805
01:03:15,110 --> 01:03:18,650
crisscrossing Germany's towns and
villages gleaning more and more.

806
01:03:21,990 --> 01:03:23,650
In the hotels at night,

807
01:03:23,860 --> 01:03:25,200
a good bottle of red wine

808
01:03:25,400 --> 01:03:27,700
would help keep our spirits up

809
01:03:28,450 --> 01:03:30,700
to do it all over again
the next day.

810
01:03:32,200 --> 01:03:34,780
Every day, we set our sights
on a new target.

811
01:03:42,860 --> 01:03:44,150
Mr Kretschmer?

812
01:03:47,240 --> 01:03:48,570
On my way.

813
01:03:48,780 --> 01:03:49,950
OK.

814
01:03:56,240 --> 01:03:58,740
I'd love to interview you

815
01:03:59,070 --> 01:04:01,450
about your letters.
Do you remember them?

816
01:04:02,150 --> 01:04:03,490
Oh, I don't much wish to.

817
01:04:03,700 --> 01:04:05,360
That's so...

818
01:04:07,450 --> 01:04:11,860
The reality of what happened
is so disgusting

819
01:04:12,070 --> 01:04:14,490
I'd really rather distance myself
from all that.

820
01:04:14,700 --> 01:04:16,070
Why'd you make the joke,

821
01:04:16,400 --> 01:04:19,150
"The sight of blood
has become so common

822
01:04:19,360 --> 01:04:21,900
you can't bear the taste
of black pudding"?

823
01:04:22,110 --> 01:04:23,450
What's black pudding?

824
01:04:23,650 --> 01:04:25,530
It's pork and beef blood.

825
01:04:25,740 --> 01:04:28,530
So, a sausage made with blood?

826
01:04:28,740 --> 01:04:32,740
A sausage made with blood
that takes on a black colour.

827
01:04:32,950 --> 01:04:36,240
Why was the taste
of black pudding so hard to bear?

828
01:04:37,070 --> 01:04:39,740
Because there was so much blood?

829
01:04:39,950 --> 01:04:41,240
I don't know.

830
01:04:41,450 --> 01:04:43,650
It seems to me...

831
01:04:44,860 --> 01:04:48,570
We went out one time
and when we got back,

832
01:04:48,780 --> 01:04:51,820
there was a table set
with a dinner spread

833
01:04:52,030 --> 01:04:54,570
that included black pudding
and comments were made.

834
01:04:54,780 --> 01:04:57,990
I believe what you're trying to say

835
01:04:58,200 --> 01:05:01,320
is that after an execution,
it was hard to eat black pudding.

836
01:05:01,530 --> 01:05:02,700
I... I...

837
01:05:02,900 --> 01:05:05,740
It's an interesting thing to say.

838
01:05:07,030 --> 01:05:08,200
What?

839
01:05:09,320 --> 01:05:11,780
That was something, huh?

840
01:05:11,990 --> 01:05:14,570
I hope that Dominique

841
01:05:14,780 --> 01:05:15,900
caught all that.

842
01:05:50,740 --> 01:05:53,610
A euphoric feeling of omnipotence
was coming over me

843
01:05:53,820 --> 01:05:56,200
and our entire little troop.

844
01:05:58,150 --> 01:05:59,400
I let my guard down.

845
01:05:59,950 --> 01:06:01,360
I grew less weary.

846
01:06:14,400 --> 01:06:15,240
D*mn!

847
01:06:26,900 --> 01:06:28,360
Whatever it took,
I wanted to talk

848
01:06:28,570 --> 01:06:30,320
to a commander
of the Einsatzgruppen,

849
01:06:31,070 --> 01:06:34,320
the mobile killing squads
that murdered 1.5 million Jews.

850
01:06:36,240 --> 01:06:38,570
I set my sights
on Heinz Schubert,

851
01:06:38,780 --> 01:06:41,780
a lieutenant who oversaw
the Simferopol massacre in Crimea.

852
01:06:46,490 --> 01:06:47,490
There are dogs.

853
01:06:56,280 --> 01:06:56,950
Yeah.

854
01:06:58,610 --> 01:07:01,490
Hi, might I speak to Mr Schubert?

855
01:07:08,700 --> 01:07:10,700
Please, have a seat.

856
01:07:11,530 --> 01:07:13,610
We're on the garden side.

857
01:07:17,360 --> 01:07:18,950
This is good here.

858
01:07:19,490 --> 01:07:21,610
He can be there.

859
01:07:26,070 --> 01:07:28,360
- Hi there.
- Hi, Mr Schubert.

860
01:07:30,070 --> 01:07:33,030
- You're Dr Sorel?
- That's right.

861
01:07:33,740 --> 01:07:35,900
I'm not familiar
with your institute.

862
01:07:36,110 --> 01:07:38,650
I don't understand the work you do.

863
01:07:38,860 --> 01:07:41,740
It's affiliated
to the University of Paris.

864
01:07:43,860 --> 01:07:46,700
Are you're here on behalf

865
01:07:47,860 --> 01:07:49,280
of the French government?

866
01:07:49,490 --> 01:07:51,400
No, I'm carrying out research

867
01:07:51,740 --> 01:07:53,860
on the Einsatzgruppen.

868
01:07:54,200 --> 01:07:57,280
I had Corinna go out and make
sure the van was picking us up

869
01:07:57,610 --> 01:07:59,950
because we were toward the back
of the house.

870
01:08:04,280 --> 01:08:05,860
Great.

871
01:08:11,530 --> 01:08:13,700
Mrs Schubert swiftly grabbed our bag

872
01:08:14,450 --> 01:08:15,740
and placed it on the ground,

873
01:08:16,570 --> 01:08:19,780
so all we caught from then on
were lower legs and chairs.

874
01:08:21,950 --> 01:08:24,650
Oh, what happened? That's not
good. We've lost connection.

875
01:08:30,780 --> 01:08:35,280
Pardon me. Heinz,
will you come pick up the phone?

876
01:08:35,490 --> 01:08:37,200
Excuse me.

877
01:08:43,110 --> 01:08:44,740
They noticed the van.

878
01:08:46,110 --> 01:08:48,320
I bet they noticed the antenna.

879
01:08:49,950 --> 01:08:51,820
It's hard to miss.

880
01:08:52,030 --> 01:08:53,570
They keep jostling it about.

881
01:08:55,650 --> 01:08:57,030
It's a problem.

882
01:08:59,780 --> 01:09:02,900
You shouldn't be broadcasting this
to the outside.

883
01:09:03,110 --> 01:09:06,740
I was out by the vehicle
and saw the recording equipment.

884
01:09:10,820 --> 01:09:13,070
It isn't right
to lie to people like this.

885
01:09:13,280 --> 01:09:15,570
Let's work this out.

886
01:09:18,320 --> 01:09:20,900
- No.
- We heard voices in the vehicle.

887
01:09:21,110 --> 01:09:22,700
I stood right next to it.

888
01:09:22,900 --> 01:09:25,950
What do you think I'm up to?
I would like to know.

889
01:09:26,150 --> 01:09:29,320
There's a vehicle outside
with recording equipment in it.

890
01:09:29,530 --> 01:09:31,400
And it's recording
this conversation.

891
01:09:31,610 --> 01:09:32,360
What?

892
01:09:32,570 --> 01:09:34,450
Call the police.

893
01:09:34,650 --> 01:09:39,030
Madam, you were outside
next to the vehicle.

894
01:09:39,240 --> 01:09:41,240
I saw you out there.

895
01:09:43,320 --> 01:09:45,610
You saw that it was recording.

896
01:09:45,820 --> 01:09:48,400
Show us what's in your bag.

897
01:09:48,610 --> 01:09:49,820
Show us.

898
01:09:50,030 --> 01:09:52,360
No. That's none of your business.

899
01:09:52,700 --> 01:09:54,860
I want to see what's inside.

900
01:09:55,200 --> 01:09:57,400
No. That won't be happening.

901
01:09:59,150 --> 01:10:02,320
No. That won't be happening.
What is all this?

902
01:10:07,700 --> 01:10:09,530
We had to run from police.

903
01:10:10,530 --> 01:10:12,990
With all my might,
I threw the bag at them,

904
01:10:13,200 --> 01:10:14,700
which held them off.

905
01:10:17,110 --> 01:10:18,650
I jumped in the car

906
01:10:18,860 --> 01:10:21,570
and drove flat out
at the human blockade

907
01:10:21,900 --> 01:10:23,070
trying to keep us there.

908
01:10:24,950 --> 01:10:28,150
They knew I'd rather kill them
than get caught by police.

909
01:10:30,070 --> 01:10:32,110
I couldn't replace the Paluche.

910
01:10:33,200 --> 01:10:35,320
I didn't know
how I'd keep working.

911
01:10:37,150 --> 01:10:38,490
Even worse than that,

912
01:10:38,700 --> 01:10:41,110
my film didn't feature anyone
from the Einsatzgruppen,

913
01:10:42,240 --> 01:10:43,700
though they were so crucial.

914
01:10:46,490 --> 01:10:47,900
For those executioners,

915
01:10:48,110 --> 01:10:49,280
I'd gone out on a limb

916
01:10:50,030 --> 01:10:50,950
and I'd lost my bet.

917
01:10:54,570 --> 01:10:55,950
Barbara, ask these kids

918
01:10:56,150 --> 01:10:58,650
what they think
of the history here?

919
01:11:16,610 --> 01:11:19,900
They don't much believe the tales
the old folks tell.

920
01:11:20,110 --> 01:11:21,070
They don't?

921
01:11:24,150 --> 01:11:26,450
Hey, quiet down, huh?

922
01:11:40,200 --> 01:11:42,200
I filmed every season in Poland,

923
01:11:43,070 --> 01:11:44,530
each one a season of death.

924
01:12:22,530 --> 01:12:24,150
Shoah is an allegory

925
01:12:24,360 --> 01:12:26,530
of European Jews
journeying toward death.

926
01:12:34,650 --> 01:12:36,280
It's a race against death.

927
01:12:43,280 --> 01:12:44,990
Soon, the recent past

928
01:12:45,200 --> 01:12:46,860
will become history

929
01:12:47,530 --> 01:12:48,780
and only history.

930
01:12:51,400 --> 01:12:53,360
Shoah is
an act of remembrance.

931
01:12:54,110 --> 01:12:57,240
Remembrance is all that matters.

932
01:13:04,150 --> 01:13:06,650
Ready? Rolling? OK.

933
01:13:18,110 --> 01:13:19,530
My directors of photography,
Chappuis,

934
01:13:19,740 --> 01:13:21,490
who followed Lubtchansky
and Glasberg,

935
01:13:21,700 --> 01:13:22,740
all would ask to me,

936
01:13:24,400 --> 01:13:26,240
"Why do you keep filming
these rocks?

937
01:13:26,780 --> 01:13:28,200
You've filmed them ten times".

938
01:13:30,320 --> 01:13:31,990
I couldn't get enough of them.

939
01:13:34,320 --> 01:13:37,030
I didn't film them enough
and kept returning to Treblinka

940
01:13:37,240 --> 01:13:38,650
to film them more.

941
01:13:41,490 --> 01:13:43,860
I shot them because that's all
there was to shoot.

942
01:13:44,610 --> 01:13:46,320
I couldn't come up
with anything else.

943
01:13:49,700 --> 01:13:53,030
I'd need them for when Bomba,
Glazar, the farmers

944
01:13:53,360 --> 01:13:54,900
and Suchomel would speak.

945
01:13:58,860 --> 01:14:01,490
These blocks of stones
turned human before my eyes,

946
01:14:02,400 --> 01:14:04,990
the only trace of the hundreds
of thousands who died here.

947
01:14:42,030 --> 01:14:45,610
Years prior, I'd left Simon Srebnik,
the singer from Israel,

948
01:14:45,820 --> 01:14:47,900
without having understood much,

949
01:14:51,740 --> 01:14:53,360
but I'd honed my craft
in the meantime.

950
01:15:03,200 --> 01:15:05,110
Corinna, ask Mr Srebnik

951
01:15:05,320 --> 01:15:06,990
if anything strikes him
as familiar.

952
01:15:16,150 --> 01:15:17,610
What's this to the left?

953
01:15:23,110 --> 01:15:25,610
He doesn't remember.

954
01:15:29,490 --> 01:15:31,070
His memory will come back.

955
01:15:41,320 --> 01:15:42,610
Now he's remembering.

956
01:15:55,450 --> 01:15:56,490
Chelmno is this way.

957
01:16:02,200 --> 01:16:04,070
The camp was that way.

958
01:16:04,280 --> 01:16:06,070
What's this here?

959
01:16:12,860 --> 01:16:15,740
It's the church
they locked people in.

960
01:16:20,030 --> 01:16:23,950
He'd go there
to give people water.

961
01:16:31,240 --> 01:16:33,820
They'd see him approaching
with his ankles

962
01:16:35,240 --> 01:16:36,450
in chains.

963
01:16:39,490 --> 01:16:40,860
No, this way.

964
01:16:41,070 --> 01:16:42,150
Here?

965
01:16:42,360 --> 01:16:43,450
Perhaps...

966
01:16:45,150 --> 01:16:46,320
Sure, go that way.

967
01:16:48,030 --> 01:16:49,110
Plane overhead.

968
01:16:50,110 --> 01:16:51,240
So,

969
01:16:51,450 --> 01:16:53,990
Corinna, tell Mr Srebnik we'll head

970
01:16:54,200 --> 01:16:57,070
to where the schlöss was,
but I have a question first.

971
01:16:57,700 --> 01:17:00,490
Is this the same church
that was here back then?

972
01:17:00,700 --> 01:17:02,150
What's changed since then?

973
01:17:17,030 --> 01:17:19,530
The exterior is the exact same.

974
01:17:19,740 --> 01:17:21,360
He can't say about the interior.

975
01:17:21,570 --> 01:17:23,320
The exterior is the exact same.

976
01:17:23,530 --> 01:17:25,490
The fence, the colours, everything?

977
01:17:30,900 --> 01:17:32,820
Yes, it's the exact same.

978
01:17:45,490 --> 01:17:46,530
Father,

979
01:17:46,740 --> 01:17:49,200
do you know what happened here

980
01:17:49,400 --> 01:17:51,110
in your church in Chelmno?

981
01:18:00,740 --> 01:18:03,610
He heard there was a drop-off

982
01:18:03,820 --> 01:18:05,650
of clothing
that people would separate

983
01:18:05,860 --> 01:18:07,900
before shipping it off
somewhere else.

984
01:18:08,110 --> 01:18:09,320
Shipping it off?

985
01:18:09,530 --> 01:18:12,110
That's all he knows about
what happened in this church?

986
01:18:17,570 --> 01:18:20,320
That's what people have told him.

987
01:18:20,530 --> 01:18:21,700
What he's heard?

988
01:18:21,900 --> 01:18:24,450
He doesn't think anything else
happened here?

989
01:18:30,950 --> 01:18:33,610
The church was just used
as a collection point.

990
01:18:33,820 --> 01:18:35,200
For items?

991
01:18:35,400 --> 01:18:36,990
Yes, a collection point.

992
01:18:38,700 --> 01:18:41,200
I didn't think this interview

993
01:18:41,400 --> 01:18:43,950
would go like this.

994
01:18:44,150 --> 01:18:44,860
Yesterday

995
01:18:45,200 --> 01:18:46,900
when the cameras weren't rolling,

996
01:18:47,110 --> 01:18:49,360
Father explained to us

997
01:18:49,570 --> 01:18:53,740
that when he first began
to lead this congregation,

998
01:18:54,280 --> 01:18:56,990
the walls of the church
were covered in writings

999
01:18:57,320 --> 01:19:00,200
from the Jews who'd spent
their last night alive here,

1000
01:19:00,400 --> 01:19:02,530
writing messages on the walls.

1001
01:19:02,860 --> 01:19:04,400
He even showed us one,

1002
01:19:04,610 --> 01:19:06,530
the only one left

1003
01:19:06,740 --> 01:19:08,030
from a Jew from Leipzig,

1004
01:19:08,240 --> 01:19:11,360
who wrote his name,
though it's barely legible.

1005
01:19:11,570 --> 01:19:13,110
You can make out Leipzig.

1006
01:19:14,450 --> 01:19:17,490
How does he explain this graffiti?
I don't understand.

1007
01:19:22,070 --> 01:19:25,650
He doesn't understand your question.

1008
01:19:27,110 --> 01:19:28,320
He doesn't?

1009
01:19:38,530 --> 01:19:41,490
When I first got the chains
put on me,

1010
01:19:41,700 --> 01:19:43,400
I couldn't walk very fast.

1011
01:19:43,610 --> 01:19:46,110
I had to walk like this.

1012
01:19:46,320 --> 01:19:48,570
- You had chains put on you?
- I did.

1013
01:19:50,030 --> 01:19:53,240
Then an SS officer
made an announcement:

1014
01:19:53,450 --> 01:19:56,950
"The first person
to reach the petrol supply",

1015
01:19:57,150 --> 01:20:00,070
said SS Bothmann,

1016
01:20:00,280 --> 01:20:02,030
"can get longer chains put on".

1017
01:20:02,240 --> 01:20:04,240
My God, it was a game.

1018
01:20:04,450 --> 01:20:06,530
Yes, we were all lined up here,
standing,

1019
01:20:06,740 --> 01:20:09,860
and we raced to the petrol supply,

1020
01:20:10,070 --> 01:20:13,450
but I didn't run,
I hopped with the help of my hands.

1021
01:20:13,650 --> 01:20:15,110
You could do that?

1022
01:20:15,320 --> 01:20:17,700
I got there like this.

1023
01:20:29,990 --> 01:20:31,570
When Mr Srebnik was here,

1024
01:20:31,780 --> 01:20:33,780
people would get locked
in the church

1025
01:20:33,990 --> 01:20:36,990
before being loaded
into gas vans.

1026
01:20:37,320 --> 01:20:39,070
No, no,

1027
01:20:39,280 --> 01:20:40,740
not right before.

1028
01:20:40,950 --> 01:20:42,950
That's incorrect.

1029
01:20:43,860 --> 01:20:46,400
When there was no more...

1030
01:20:46,610 --> 01:20:47,650
Oh, that!

1031
01:20:47,860 --> 01:20:49,990
People were in the church

1032
01:20:50,200 --> 01:20:53,280
and the gas vans
would come to pick them up.

1033
01:20:55,070 --> 01:20:59,030
The van would take 80
to 90 people

1034
01:21:00,240 --> 01:21:01,530
and head to the forest.

1035
01:21:01,740 --> 01:21:04,320
They'd empty the vans there,

1036
01:21:04,990 --> 01:21:09,400
then come back to the church
to load up more people

1037
01:21:09,610 --> 01:21:12,110
and head back out to the forest.

1038
01:21:12,320 --> 01:21:15,820
They'd go back and forth
from the forest

1039
01:21:16,030 --> 01:21:17,780
to the church,

1040
01:21:17,990 --> 01:21:19,530
forest to the church,

1041
01:21:19,860 --> 01:21:23,150
until there was no-one left
in the church.

1042
01:22:05,150 --> 01:22:07,400
It's always been quiet here.

1043
01:22:08,900 --> 01:22:09,740
Always.

1044
01:22:09,950 --> 01:22:12,400
Even when they were burning people
every day,

1045
01:22:12,610 --> 01:22:14,450
or I suppose every other day,

1046
01:22:14,650 --> 01:22:16,950
2,000 people, Jews,

1047
01:22:17,150 --> 01:22:18,610
it was still this quiet.

1048
01:22:21,820 --> 01:22:24,200
There were two chambers here,

1049
01:22:24,400 --> 01:22:27,740
one over there
and a second one here,

1050
01:22:27,950 --> 01:22:30,360
and everything was as quiet
as you hear now.

1051
01:22:30,570 --> 01:22:33,820
No-one would cry out or anything?

1052
01:22:34,030 --> 01:22:36,530
No, no-one would cry out at all.

1053
01:22:36,740 --> 01:22:38,610
They were all performing their duty.

1054
01:22:39,450 --> 01:22:40,820
All was calm.

1055
01:22:41,030 --> 01:22:42,820
- Calm?
- Yes.

1056
01:22:43,570 --> 01:22:45,700
As it is now.

1057
01:23:07,860 --> 01:23:10,320
Can you sing that same Polish tune?

1058
01:23:10,530 --> 01:23:11,780
The same one as before?

1059
01:23:11,990 --> 01:23:13,780
- Now?
- Yes.

1060
01:23:15,650 --> 01:23:18,860
There's a little, white house

1061
01:23:19,070 --> 01:23:21,900
I still dream about

1062
01:23:22,700 --> 01:23:25,570
The windows...

1063
01:23:25,780 --> 01:23:27,950
Cut, cut, cut. Something's off.

1064
01:23:28,150 --> 01:23:29,700
I was with a guard,

1065
01:23:30,820 --> 01:23:35,070
an SS soldier stationed at Chelmno.

1066
01:23:35,280 --> 01:23:35,950
OK.

1067
01:23:36,150 --> 01:23:39,490
I'd row the boat

1068
01:23:39,700 --> 01:23:42,990
and look for food
for the rabbits.

1069
01:23:43,820 --> 01:23:47,110
When I'd get back to Chelmno,

1070
01:23:47,320 --> 01:23:49,990
I'd go feed the rabbits.

1071
01:23:50,200 --> 01:23:52,900
- You'd go out rowing?
- That's right.

1072
01:23:53,820 --> 01:23:57,570
In a skiff, a boat.

1073
01:24:00,070 --> 01:24:02,360
- And you'd sing?
- That's right.

1074
01:24:02,570 --> 01:24:04,990
- You'd be ordered to sing?
- Come again?

1075
01:24:05,200 --> 01:24:07,320
Were you ordered to sing?

1076
01:24:07,530 --> 01:24:09,530
Yes, it was an order.

1077
01:24:10,610 --> 01:24:12,860
Did others have to sing as well?

1078
01:24:13,070 --> 01:24:15,200
No-one else sang.

1079
01:24:16,280 --> 01:24:18,990
You were the only one.

1080
01:24:29,360 --> 01:24:31,820
- One more time.
- The same one?

1081
01:24:32,490 --> 01:24:35,780
There's a little, white house

1082
01:24:35,990 --> 01:24:38,900
I still dream about

1083
01:24:39,570 --> 01:24:42,860
The windows

1084
01:24:43,070 --> 01:24:45,900
Of that little house

1085
01:24:46,450 --> 01:24:49,530
Shine strangely

1086
01:24:49,740 --> 01:24:52,900
In the sun

1087
01:24:53,110 --> 01:24:56,200
Like a pair of eyes

1088
01:24:56,530 --> 01:24:59,320
Full of tears

1089
01:24:59,530 --> 01:25:01,150
We couldn't film what had happened.

1090
01:25:02,860 --> 01:25:03,900
We had to re-enact it.

1091
01:25:08,070 --> 01:25:09,610
I had to grow delirious

1092
01:25:10,450 --> 01:25:12,490
and convince myself
nothing had changed.

1093
01:25:16,650 --> 01:25:20,150
Shoah cuts across the distance
between past and present.

1094
01:25:31,820 --> 01:25:33,740
I experienced the past
in the present.

1095
01:25:36,780 --> 01:25:37,820
Shoah

1096
01:25:38,610 --> 01:25:40,200
looks into the eyes
of the witnesses.

1097
01:26:12,990 --> 01:26:13,950
Cut.

1098
01:26:19,740 --> 01:26:22,400
The Shoah saga had started here,
in Israel,

1099
01:26:22,610 --> 01:26:23,740
six years earlier.

1100
01:26:26,700 --> 01:26:29,150
I came back here
for my final interviews.

1101
01:26:33,990 --> 01:26:35,780
I was almost out of film

1102
01:26:36,570 --> 01:26:38,030
and money to buy more.

1103
01:26:42,700 --> 01:26:44,150
I'd been filming non-stop

1104
01:26:45,070 --> 01:26:48,070
to the point of serious exhaustion.

1105
01:27:02,820 --> 01:27:05,030
Antek, come near me.

1106
01:27:05,950 --> 01:27:07,610
Antek had been second in command

1107
01:27:07,820 --> 01:27:09,570
leading the Warsaw Ghetto Uprising.

1108
01:27:11,650 --> 01:27:13,990
Antek, a hero, was a drinker.

1109
01:27:16,150 --> 01:27:18,700
The kibbutz bureaucrats
didn't want me to talk to him.

1110
01:27:20,240 --> 01:27:21,900
I gave them my word I wouldn't.

1111
01:27:27,900 --> 01:27:29,700
Can you ask him to stand

1112
01:27:29,900 --> 01:27:31,570
next to you?

1113
01:27:38,610 --> 01:27:41,570
I only really started drinking
after the war.

1114
01:27:41,780 --> 01:27:45,610
When I climbed up
on the great tomb...

1115
01:27:51,320 --> 01:27:55,070
Claude wanted to know

1116
01:27:56,110 --> 01:27:59,280
how I felt.
If he could have licked my heart,

1117
01:27:59,490 --> 01:28:01,110
he would have tasted poison.

1118
01:28:07,110 --> 01:28:09,570
When that great injustice
was carried out

1119
01:28:09,780 --> 01:28:11,490
against the Jewish people

1120
01:28:11,820 --> 01:28:15,900
and when we look for symbols,

1121
01:28:16,530 --> 01:28:18,900
be it Antek,

1122
01:28:19,110 --> 01:28:20,990
be it Tsivia,

1123
01:28:21,950 --> 01:28:23,950
be it Morekhay Anilewic,

1124
01:28:24,150 --> 01:28:25,780
they're all heroes.

1125
01:28:27,650 --> 01:28:29,200
The hundreds of people

1126
01:28:29,740 --> 01:28:32,400
whose names have been lost,

1127
01:28:34,200 --> 01:28:36,570
not one of them
has written a book.

1128
01:28:42,650 --> 01:28:45,070
The little bit of hardship

1129
01:28:45,280 --> 01:28:46,490
that I'm facing now

1130
01:28:47,650 --> 01:28:49,240
is I'm making a movie

1131
01:28:51,320 --> 01:28:53,860
and I need human faces

1132
01:28:54,530 --> 01:28:56,070
to help tell the story.

1133
01:29:07,400 --> 01:29:09,610
The question to ask is:

1134
01:29:10,150 --> 01:29:12,610
what good can it do,

1135
01:29:12,820 --> 01:29:14,900
this documentary?

1136
01:29:18,530 --> 01:29:22,240
I survived millions.

1137
01:29:27,240 --> 01:29:29,110
All around me,

1138
01:29:30,820 --> 01:29:32,150
not looking,

1139
01:29:35,150 --> 01:29:36,740
are thousands.

1140
01:29:41,240 --> 01:29:42,860
Each one of them...

1141
01:29:44,990 --> 01:29:49,650
Ask yourself
if I wish to lose sight of the past.

1142
01:29:51,200 --> 01:29:52,780
Go on.

1143
01:30:01,320 --> 01:30:02,860
For example,

1144
01:30:05,240 --> 01:30:07,570
Hebrew peoples,

1145
01:30:09,030 --> 01:30:13,320
millions of them were sacrificed

1146
01:30:13,530 --> 01:30:15,110
at Treblinka,

1147
01:30:16,900 --> 01:30:18,360
Sobibor,

1148
01:30:19,570 --> 01:30:21,030
Auschwitz.

1149
01:31:34,990 --> 01:31:37,030
I've always felt haunted
by the ones

1150
01:31:37,650 --> 01:31:38,650
who died alone,

1151
01:31:39,570 --> 01:31:41,070
far from anyone.

1152
01:31:42,900 --> 01:31:45,070
I wanted the film
to bring them back to life

1153
01:31:45,950 --> 01:31:47,570
only to kill them a second time,

1154
01:31:49,400 --> 01:31:50,860
but we would die with them

1155
01:31:52,280 --> 01:31:53,740
so they wouldn't die alone.

1156
01:32:46,320 --> 01:32:51,860
SHOAH TOOK 12 YEARS TO MAKE.
THE 9.5-HOUR FILM

1157
01:32:52,070 --> 01:32:56,280
WAS FIRST SCREENED
IN APRIL OF 1985.

1158
01:32:59,150 --> 01:33:01,820
IN 2023, SHOAH
WAS ADDED TO UNESCO'S

1159
01:33:02,030 --> 01:33:08,530
MEMORY OF THE WORLD REGISTER
FOR ITS VITAL DOCUMENTATION.

1160
01:34:43,650 --> 01:34:46,150
Subtitle translation: Timothy Stone



