Downloaded from YTS.LT
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Official YIFY movies site: YTS.LT
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[subdued choral music]
[subdued choral music continues]
[no audio]
[birds chirping]
[crows squawking]
[water splashes]
[wind rustling]
[wind continues rustling]
[bright energetic music]
[bright energetic music continues]
[vocalist singing in French]
[bright music continues]
[soft contemplative music]
[soft contemplative music continues]
[Thomas whistling]
[Thomas inhales and exhales sharply]
[soft contemplative music continues]
- You know, I know you said it was remote,
but I didn't realize you meant "no reception" remote.
- Wow.
I got it.
- Thank you.
- This is it.
This place is perfect. Oh my God.
I've seen, I've seen this place in so many photographs.
It's, I mean, what are we doing here? [laughs]
Thomas Alexander is everywhere.
- It's nice.
- He owns this place.
The affairs, the artistry, the,
this tree.
We're going to take the perfect photograph here. Wow.
[engine rumbles] [gravel crunching]
- Well?
It's just the two of us now.
[rain pattering]
[thunder booms]
- Oh, wow. [Patricia chuckles]
- [Patricia] Ooh.
- Oh, this is, I think this is a Japanese tree.
- Oh, is this, is this what you pictured
when you were booking this place?
- Yeah. Yeah, I mean, yeah.
It's, you know, it's exactly,
it's exactly the vibe we're looking for, you know?
Nobody will expect you in this-
- Okay. - genre. It's...
- You think we can do a good job on this one?
- Yeah. - Yeah?
- Yeah.
What you need to do is trust me and stop stressing so much.
- I am s- - You need
to accept this process.
- No, I'm stressed because I don't know what the plan is.
Peter, I need you to tell me what the plan is,
because I am nervous.
- I am the plan.
- For my album cover. You're the plan?
- Stop stressing about this, please.
Oh my God.
[Patricia and Peter laugh]
- [Peter] This is...
- What? What is it?
Tell me.
- This is, this is basically
where Thomas Alexander took this...
- Bit rainier? - This is, this is where he,
this is, this is "Abbey Road" for me.
This is, this wall.
This is gonna be-
- Be the perfect album cover?
- Yeah. - Okay.
- Yes! [Patricia giggles]
- You're so cute when you're excited.
- It's the perfect place.
This is gonna be perfect.
[thunder rumbles]
Come!
- It's just gonna be us and Dolly here, right?
- [Peter] Yeah.
[gentle music]
[Patricia laughs]
You love to be soggy.
- Then I'm gonna have to kill you.
- Oh!
[Patricia laughs]
- He needs mouth-to-mouth! [laughs]
- Hey. - Mm-hmm?
- I love you. I do.
[Patricia laughs]
- So how would you shoot me?
[gentle music continues]
- Well.
There's this famous picture
that Thomas Alexander took
with this redheaded woman floating...
- So do I inspire you?
Or does Thomas Alexander?
- You do inspire me.
- I might as well not be here.
- You do inspire me.
[gentle music continues]
- Are you sure you, you, you packed those clothes?
- Yes, I packed my own clothes, Peter.
- [Peter] No, but are you, are you sure you packed
those outfits you're talking about?
- Yes. Well, the, the ones we chose for the shoot.
- [Peter] It happens all the time...
Oh, for the shoots? You don't have them?
- I know. I know I packed them this morning.
- Because basically back in the days,
kings and queens used to come here and just, just like
have orgies- - Orgies and stuff like that.
- and stuff like that. - Yeah.
- And so they, they would write their names on windows.
- On the windows? - Yeah.
- I really think that someone is,
someone is watching us
or following us- - Nobody's watching us.
- It's like that.
It's happened before. So why couldn't that happen again?
Okay, I packed my bags this morning
and there is, there is someone watching us.
- [Dolly] There's no one watching you.
I'm here to manage you. Not mother you, Patricia.
- Okay. So there are people here.
Dolly, what the hell?
I thought we had this for the weekend.
- You know who that was?
That was Thomas Alexander. - Mm-hmm.
- The greatest photographer
of all time. - Of all time.
[subdued music]
[Jemima giggles]
[Jemima moaning]
[subdued music continues]
- Who's her?
- [Thomas] Hey, hey, hey, hey. No, no, no.
[Thomas and Jemima moaning]
- You must take you with me.
Don't leave me alone. - We have some friends,
We have some friends to go and see, love.
- [Jemima] We have to be alone.
- Can you leave it? - Who's her?
- Don't worry about her. - No, no, no, no, no.
Don't take, don't take, don't take.
- You stay.
You stay there.
- I'm gonna bite you. - Fucking.
- I'm gonna bite you if you don't take me.
- You f- - Hey?
Hey. - Don't, don't, don't, don't.
[Jemima tuts]
[footsteps thudding softly]
[footsteps continue thudding softly]
[wine sloshing]
[chair scrapes]
- I'm sorry for, uh,
sorry for earlier.
I didn't mean to, um, stare.
I'm a photographer. I...
[no audio]
Um, I'm sorry.
I love your work.
- Peter and Patricia.
- Patricia. - Hi.
- I'm Thomas.
You hair is fucking beautiful.
- Thank you.
Okay, I, um, I don't know what's happening here,
but, um, I'm really sorry that we're here.
Clearly there was some sort of misunderstanding.
Dolly had said that the house was ours for the weekend.
And then clearly we've just come into your space
and very much invaded your privacy.
So, I'm sorry. We should go.
- Why would you leave?
Plenty of bedrooms. There's room.
[door clicks]
- Oh... - Hey guys. This is Jemima.
- Hi. - Hey, Jemima.
- Nice to meet you. - I'm Patricia.
- Hi. - Hi.
- Oh, you play.
- Do I play? - Yeah. You like playing?
- I, yeah. I play sometimes.
- Yeah? - Hmm.
- Which play?
Which kind of play? - I, uh...
- You want?
- [Thomas] Yeah. Yeah. [warm music]
- Whoa.
- I, I...
- You don't wanna play? - You should play.
- That was lovely. - Hmm?
- [Peter] You should play. - No, keep playing.
[warm music]
Five of us
in a house with three bedrooms.
I think we've got space.
Honestly, Jemima came all the way from Paris, guys.
- Yeah. - I think
we felt a little bit threatened.
I apologize for coming down aggressively.
We'll get outta your hair tomorrow
and you guys can shoot your album.
- Thank you. - Yeah?
- Yes. Yeah. - Thank you.
They're gonna stay.
- I mean, they're gonna stay.
- Thank you, Dolly. - Mm.
Quite the show.
- You think? [both laugh]
I haven't done anything like this since back in our day.
- I can't kind of believe it.
Shall I fuck with you?
Would you like that?
- Yeah.
- Like it's 2004. [both laugh]
[brooding music]
- I'm the one in control here.
- Okay.
[Thomas chuckles]
[Dolly chuckles]
It's okay.
I got you.
- Thank you.
Thank you, Dolly.
- You're welcome, Thomas.
[brooding music continues]
- [Jemima] Can you play music?
- Yeah. I'm, I mean, yeah.
I'm, I'm a singer
and I write music. - Yeah?
- Singer/song writer, I guess. Yeah.
- That's amazing. - It's what do. Yeah.
- Yeah.
Well, I would love to have a band,
like be there and let you fly.
I think he is one of-
- I mean, I- - the most amazing things.
- Yeah. I mean, that's the best part.
You know, I would love to...
[Patricia and Jemima chattering faintly]
Yeah, I guess I would just love to play to bigger audiences
and move more people.
I mean, that's really why...
[Patricia and Jemima chattering faintly]
- Yeah. - Amazing. It is beautiful.
- Thank you. - Yeah. You're amazing.
- [laughs] Stop. - [laughs] Really.
- Um, what, what do you, what do you do?
[Patricia and Jemima chattering faintly]
- I know what I want to do,
but I, I feel like I'm being pulled
in so many different directions and it just, um, so.
- I think art is super complicated thing
and it's something that
you never know what's right, you know?
Like, like- - Yeah.
- you have to be, like, exploring all the time.
And it's like maybe in your business,
like people want to, to know the truth,
but the truth is fake, you know?
It is not any true.
And you have to be like exploring
and discovering it by yourself
and doing- - Thank you.
- what you feel.
Fuck the people, you know?
But you are with Peter, you are a couple?
- Yeah. Yeah, yeah. - Okay. Okay.
- I do believe that he knows what he's doing,
but I really had to fight
for him to get this job, you know?
And he's just so obsessed with Thomas.
[Jemima chuckles] I mean,
he's so talented and he really knows
what he, he could do,
but he just, he's just completely consumed
with the idea of being like Thomas and I...
[gun clicks]
[sighs] I don't know.
[brooding music continues]
- Hey. - Hi.
- You ready to call it a day?
- Yeah, mine was pretty... - Have you been crying, baby?
- No. - Are you okay?
- I don't know how to feel around them.
- What do you mean?
- Jemima's so- - So what?
- Sexy, and- - And you're not?
- And Thomas has like this creative energy
that you're obsessed with
and I don't really know what I'm doing with my...
- You don't have to worry. I have good ideas.
- Yeah?
- Really good ideas.
I, I found my inspiration.
- Yeah.
What's your inspiration?
- [Peter] You.
- That's a good answer.
- You're amazing.
- I haven't been a- ama- amazing
for quite some time, so thank you.
Do you know,
do you know my picture, "Strangers on the Bridge"?
After that picture came out, everything changed.
And for the longest time after it,
everything was amazing.
But it doesn't last, whatever, you know?
It does end.
She ended.
- [Jemima] Shh, shh, shh, shh.
- But you've gotta fight against that, you know?
You've gotta fight against those thoughts.
I think if you let people in,
might be a chance, a second chance.
I want to take a picture
that nobody can ever take away.
And when I take it, this weekend,
I want you there.
- [Jemima] I wanna be there.
[birds singing] [water sloshing softly]
- The house, you like? - Yeah.
- Yeah? - I do. Yeah.
- [Jemima] In which part do you want to take the photo?
- Yeah, I mean, I, I had some ideas,
but I'm gonna leave that to Peter.
He's gonna feel it.
- [Dolly] Listen, for every a hundred thousand fans,
there's probably one stalker,
one that's a little bit of a wrong'un.
- Do you know what's really frustrating about this, Dolly?
Is that I chose you
because you were a woman in a position of power
and you were great. - And I accepted.
- Yes.
And you know, we got on really well and everything
and you're great at your job,
but you make me feel like the crazy woman
that people complain about.
- You work like to help her?
- Yes. Like an agent. - Because you had a-
- SK&R.
- I'm gonna say it, okay?
You are kind of pressing her. - Yeah.
- [Dolly] I'm pressing her, am I?
- I don't know if even that's the word
but, you know? - Sometimes to succeed,
Jemima, you need a bit of pressure.
- Yeah. You think?
- Yes! - Yeah.
You think that if you want
to someone be like in their best, you have to press?
- I don't know actually now why you took me on,
because my first album was solid.
I was really proud of it.
It was so artistic.
And now you're pushing
this flimsy bullshit. - Okay. Alright.
We're doing finger pointing now, are we?
It's my, it's my fault?
- I just want you to support me.
- I do nothing but support you.
What are we doing here? - Mm.
- I'm gonna go get ready.
- Do you like to be with Thomas here?
- Look, Peter wanted to take Patricia's photo here.
He was very intent on it being here.
He had the visions for his photo,
so he came and I did not know
that Thomas was gonna be here.
I really didn't.
- How long? - How long...?
- Yeah, like since when?
- Oh. I see.
You know, oh, you know, 20, 20 odd years.
- Wow. - Yeah.
You know, we were both on the scene
in the, in the noughties- - Uh-huh.
- [Dolly] Just sort of partying and stuff.
We're just party, party friends.
- [scoffs] Yeah.
And you did a lot of crazy things too, eh.
- [Dolly] We did. Yeah.
We, we had a nice time. Yeah.
- [Jemima] And how do you feel here with him?
- I feel fine. I feel fine.
Thanks, Jemima.
- Yeah? - No, no.
We're not really in, in touch anymore.
I'm more concerned with, uh, Patricia
and harnessing her talent.
- Do you like art?
- Do I like art? Of course.
It's my job.
- You have like amazing eyes, but,
I don't know, it's, it's like sadness on them.
It's like I feel
sadness in your eyes.
[chair creaks]
[footsteps thudding softly]
- Peter.
Peter, get up.
I really wanna just get started today
so that we can get the hell out of here.
Okay?
[water pattering and splashing]
[soft anxious music]
[soft anxious music continues]
[camera beeps and clicks]
- So this is interesting in terms of, uh.
[camera beeps and clicks]
No. That doesn't work.
Let's change
- What's wrong with this one if you've got it already?
- There's nothing wrong with it.
It's just not good.
- I'm trying.
'Cause this is a white background,
this is a white background.
I love that- - Yeah, but that background-
- we came here to end up with a white background.
T- tell me exactly what it is that you need from me.
What is wrong with this picture?
- Okay, so let's, let's, let's try it, okay?
- Okay. Yeah.
- You're with me? - Yeah.
- I'm with you. - I'm with you.
[gun clicks]
[soft anxious music continues]
- Okay, now look at me as if you're about to proposed to me.
- What do you mean by that?
[camera clicks]
- Are you proposing?
[Patricia laughs] [camera clicks]
- Maybe.
I'm not asking, but if I did,
what would you say?
- Maybe.
- But I do.
- I think there are things you need to know about me first.
- [chuckles] About what?
- Well, do you think
that you would wanna have a family?
Like babies?
Oh, wow.
- So, before you go.
He should not put this to you.
Steal it.
[proofs rustle]
[shutter thuds dully]
- I think maybe it's not a good idea.
And I think maybe we don't do it.
- Um. - Maybe.
I went to bed so sure.
And maybe we don't do it.
- Listen, listen.
Hey. Don't you- - They're really
just young people,
they're really nice,
they're really normal and I don't know if-
- And you're gonna take a great photo.
We're not terminating, we're doing this.
I'm not having you walk out again.
We're doing it.
- It's just a picture, isn't it?
- Is it?
Is it?
I think we're gonna do this and it's gonna be all right.
- All I've done is just pictures for the last 10 years.
- This is why we're gonna do this and it's gonna feel good.
We used to really believe in this stuff.
Remember?
- We used to spend so much time building this
and working at this to make ourselves feel
like we were doing something that meant something.
And I thought I could make
real things out of no things.
Models and fucking pop stars
and actors and people in the street
that meant nothing.
And we made them something. - I know.
- I don't know if I can still do that.
- You can.
And she's really good.
And it's worth it.
What is this?
- This is more than a picture.
This means something.
Right?
I have to think it is true.
Because if,
because, because if it isn't,
I'm gonna spend the rest of my life
just looking at that photograph.
- [Dolly] Of her?
- Of my whole world.
And if I think that that is more than a photograph,
I'm gonna live in it
and never come out.
And I need to get out of it.
I've got children
and I've got family
and I've got,
people if I want 'em.
But I need to get out
of that fucking photograph.
- I just want to do something good.
And I need you for that.
Just do this for me, please.
- [laughs reservedly] Okay.
- Please don't jump ship. Again.
[both chuckle]
- Where have you been? - Where have I been?
Where have I been?
You know, around.
- Have you been okay? - What do you think?
- [Thomas] That you're always okay.
- Okay, great. Then I'm always okay.
[Dolly snorting] [dark music]
[dark music continues]
It is fine. It's fine.
It's fine.
Thomas, you broke my heart.
You really broke it.
- I'm the one in control here.
- Okay.
[dark music continues]
- Do you ever get the feeling
that you're being watched in this house?
- We're all being watched all the time, man.
[dark music continues]
- Did anyone die in here?
- Yeah.
- [Peter] What happened?
- They let her out of the hospital so she could die at home.
[dark music continues]
Truth is just a pill sugar coated in a lie.
[dark music continues]
[Thomas inhales sharply]
[Dolly humming]
[Dolly continues humming]
- [gasps] Fucking hell. - Hey there.
- Alright? - Fuck's sake.
You're such a creep lurking in my room.
- You want me lurking in your room.
Don't you want me lurking in your room?
[no audio]
- Do you want a bump?
- Yeah.
[no audio]
- [snorts] Mm.
- Eight years of bad s- sex.
Another eight years.
- [chuckles] You've been having bad sex for eight years?
- Just no sex. - I don't believe that.
I don't think you're telling me the truth.
You know,
I wasn't upset that you lied to me.
- Mm-hmm.
- I was upset that I could never fucking trust you again.
- And you were scared.
[Thomas inhaling sharply]
You were scared that you'd lost
the only person that believed in you.
[no audio]
- Do you know what you did?
- What did I do?
- You supported me and you,
you kept telling me I was still an artist
when I wasn't anymore.
- Well, I loved you.
That's what you do if you love someone,
you support them no matter what.
- It's not very truthful, isn't it?
- Mm-hmm.
- The truth will set you free. - Will it?
- Yeah. But not until it's fucked you right up.
- How are your nightmares?
- They've started to be about dying.
[Thomas inhales sharply]
I don't know what comes next.
And what if there's nothing?
- Isn't that a relief?
- Maybe.
Kate's in the back, we've got Naomi in the back,
she's in the middle and I'm driving up the front
and we still have not got this picture all day long.
Right? We have not captured anything.
It's a redundant piece of imagery.
That's all we have.
And I just yank the steering wheel to the left
and we slam into the back of the van.
I get flung to the right of the golf buggy.
Naomi is in the back.
She somehow managed to fly over the middle, over her,
and when I look up,
Naomi's sitting in the front with her knees bleeding.
Kate is on the floor and you are completely outta sight.
And that's the picture that you've seen
and that's the picture that some people loved.
And honestly, I think we'd spent two days
trying to get that image.
And all we needed to do was crash a fucking golf buggy.
For me, that was a slice of something real
because they were damaged
and they were hurt and they were shocked.
I don't know why.
What do you think makes a good picture?
[Peter sighs]
- Uh, truth.
- Okay. - Timing,
I would say. - Mm-hmm.
- Uh, I don't know, it's
I don't know much.
- This much is true. There we are.
- What do you think it is about you
that makes you a photographer?
Yeah, like, why?
What is it about you that makes you want to do it?
Where does the passion come from?
- I think my, my eye.
Just a perception, perception on life.
- You think you're special?
- No.
- You think you see things that other people don't see.
- I think everybody is special in, in that way.
- No, they're not. - Thanks, Dolly.
- [Peter] Listen, I'm sorry for yesterday.
- No. - No.
- No. It's all good.
- I, I know, I know, I know, I know, I know.
You, you made me want to be a photographer
and then everything about you is a, is a wonder.
I just, I didn't mean to intrude or...
- It's okay.
I have been, gonna take some responsibility here,
I have been an absolute todger to you
and it is not something that I wish to be anymore.
So thank you for saying that, Peter.
I really, really appreciate it and I appreciate you
and I think you being here is important
and I think all of us being here is important.
It's gonna be important.
You okay?
- I'm sorry. Sorry.
I'm so sorry. It's all a ruse.
- Whoa. - See, I knew
that your beloved Thomas was gonna be here.
- Whoa. Whoa! - I was going to show up.
It's all been- - Dolly.
- it's all a game.
- Did you steal all my clothes too?
- [Dolly] I did.
- I thought I could trust you, but...
- Dolly. - Yes, Dearest.
I think you should share with the group.
- Thank you very much for talking me off a ledge
and then putting me back on it.
My name's Thomas and I'm afraid of taking a photograph.
- [Dolly] Hi, Thomas.
- Hi, Dolly, you fucking dick.
[Dolly chuckleS]
I've watched you for a long time.
I've listened to you for a long time
and you've touched me for the first time
in a very long time.
You need something this weekend,
I need something this weekend.
Please, let me take your picture.
Let me take your picture
because otherwise it's just fucking pop.
And I know you don't want that.
[Patricia laughs]
I'm gonna take your picture. - Oh my God.
- Look at me, in a minute,
I am going to take your fucking picture.
- Let him.
I know you want him to take your photograph.
Not our lovely friend here.
- Our lovely friend? - Mm-hmm.
- Don't be a bitch.
- Am I being a bitch or am I being honest?
- Oh. - You're a fucking liar.
- So where was your offering, Peter?
Where was your offering?
- I'm sorry, Dolly.
Does this make you feel important, yeah?
Does it make you feel fulfilled?
I am not here to facilitate
whatever the fuck is going on between you and Thomas.
- You know what's wrong with you two?
With your little circus and your little backstory
and we kiss, we fuck, we disappear,
we come back, we play with people.
You think you, you think you can toy with people like that?
Because your miserable- - Oh, I like it.
- existence feels so empty
that you have to play with people.
- Why are you so obsessed with him? It's weird.
- I'm obsessed with him- - Why?
- because I've been admiring him for years.
And I was probably wrong.
You know what? Fuck you two.
- No, no, no, no. Come on.
- No, no, no, no, no. I'm-
- You're right.
You are right. You are right.
- Don't patronize me, man. - No, I'm not.
Actually, I think you've said
the first honest thing I've heard you say.
- Who do you think you are? - Let me take your picture.
- Hey, look at me. - Let me take your picture.
- [Peter] Thomas.
- I'm sorry, but- - What?
- what fricking high horse are you on?
Why do you think I need your help, Thomas?
I don't need you here.
I don't need you here, Thomas. - I don't care.
- I don't need you here, Dolly.
I'm sorry, tell me what you have done that I need from you.
- Will you let me- - We're not,
we're not children, okay? - I understand that.
- Yeah- - I understand that.
- And you just,
got your little puppets that you're just making,
it's, it's just a load of...
- They say never meet your heroes.
That's what they say.
- Hey, hey, can I lay it out?
- Cheers, Jemima.
- How do I get out of this fricking...?
- [Dolly] You all right, Jemima?
- You are crazy.
[Jemima humming]
- Shh, shh, shh, shh, shh, shh.
♪ Oh ♪
♪ Dolly ♪
♪ You're so fucking high ♪
♪ On Charlie ♪ ♪ Charlie ♪
- You used to have a little gold straw.
- Yes. [gasps] Yes.
- And now it's hepatitis cash-
- [laughs] Listen.
- that we're gonna get-
- it's more risky, it's more fun.
[both laugh] [haunting music]
[Dolly and Thomas snorting]
Fucking... [laughs]
You alright?
That's very young person though.
Why are you saying bougie?
- [Thomas] Hey listen, I'm fucking-
- You're fucking young girls.
'Cause you're fucking young girls.
- How does that make you feel?
- Makes me feel- - Amazing. Right?
- Really great. [snorts]
Ugh. It's hot.
♪ She laughs when she's crying ♪
- Should we play a game?
- Yes.
♪ She cries when she's laughing ♪
- Because of all the issues I've got,
I don't actually have mommy issues.
So fucking, don't my mom into it.
- I think everyone has mommy issues.
- Do you? - Yeah.
You used to say mommy when you came sometimes.
- No, I didn't. - Yeah, you did.
- No, I didn't. - One time.
- No, I didn't. - Lets, oh?
- I said, "mammy," not mommy, but mammy.
- Because that's great. That was hot?
- Every single thing I did you fucking loved.
- That's, you're such a fucking dick.
I hate you. [Thomas laughs]
♪ Washed down the toilet ♪
♪ Money to burn ♪
- Say that again.
♪ Rotworms on the underground ♪
- I hate you.
- Say it.
- I hate you.
- I don't believe you.
- I hate you.
- I don't believe you.
[dark brooding music]
- I hate you.
[dark brooding music continues]
[Thomas coughing]
[dark brooding music continues]
Tonight.
[dark brooding music continues]
[Thomas sniffing]
[dark brooding music continues]
Jemima?
[Thomas sniffs]
[dark brooding music continues]
[Jemima grunting]
[dark brooding music continues]
[Thomas coughs]
[dark brooding music continues]
[water splashing]
[dark brooding music continues]
Can I?
Come. Come here.
[dark brooding music continues]
[gentle music]
[gentle music continues]
[birds chirping] [soft ominous music]
[birds continue chirping]
[Peter breathing heavily]
[gun clicks]
- Alejandro. Alejandro.
I'm Thomas fucking Ale- [apple crunches]
[Thomas laughs] [apple crunches]
- I will see you around, man. Okay?
We'll see you later.
[Peter breathing heavily]
- [Patricia] But I need you
to stop being such an asshole to Peter.
Okay? He's a good guy.
- Okay. - He's a good guy
and he's done nothing to deserve your behavior.
- [Thomas] We'll talk about that.
- [Patricia] Oh, please enlighten me.
- [chuckles] Bad art should be punishable by jail time.
He should be doing a lifetime stretch.
I think it might be a crime
to hold a camera when you're that untalented.
- Jesus. You and you Jemima.
I don't wanna fight, okay?
I, we have been doing enough of that this weekend.
[Patricia chuckles]
I know people probably put you on a pedestal.
I know what that feels like
and I know what it feels like to not live up to that.
And I get that that's frustrating and can make you angry.
But, fuck, you cast a lot of aspersions on this one.
He is so nervous
and he has tried to learn from you this weekend
and glean something from you
and you just, putting him down, humiliating him.
It's too easy for you.
It's small.
- You are so like her.
- Like who?
- My person.
- Yeah, Thomas, I,
I am not,
I'm not your person.
And- - Yeah.
- I'm sorry that you experienced such a huge loss.
I am. I really am.
But I, [sighs]
I think you just projected things onto me.
I'm a pop star who dies her hair red.
- I know.
I mean, hearing it back from you,
it does actually sound really,
um, crazy.
I think I thought that
you could be with me
if I'm being really honest,
because she was everything to me.
- I'm not your person.
Yeah. It's not me.
- Okay. Okay.
I think I see that. - Mm.
- You are not my person.
I'm really sorry.
I've acted very strangely. I know that.
And it must be quite frightening
and I'm not gonna fuck with you guys anymore.
But I am really glad you're still here.
[subdued music]
[subdued music continues]
- You don't need to do this. Not now.
You know. Not now.
You know? Don't do it.
[subdued music continues]
[Jemima singing in French]
[subdued music continues]
[Jemima laughs]
[Mimi, Kader, and Melanie laugh]
- Fuck.
[insects chirping]
♪ Gotta let yourself ga-ga-ga-ga ♪
- Okay. Wow! ♪ I like to fight it ♪
- [Kader] Ladies, please.
Oh yes. Yes. ♪ Everybody ♪
- There we go. - Give us it all, darling.
- There you go. - Does it pass muster?
Does it satisfy you?
You don't have a drink.
- Champagne. - Coming right up.
- This house has chaotic energy.
[Kader laughs]
- This, madam, is for you.
- [Mimi] Thank you.
How, how long have you been here?
- Here for five years.
- What brought you to it?
- I bought it with a woman.
We were going to transform it and renovate it
and that didn't happen.
And the renovation didn't happen.
- [Mimi] Get the sad violin out guys.
- [laughs] Can you hear it?
Can you? [imitates violin]
It's the tiniest violin.
[laughs] He doesn't think so. You fucker.
Jesus Christ.
- So what are we getting up to tonight?
- You tell me. You guys showed up unannounced.
I'm assuming Dolly called you guys, right?
- We just came. - We just came.
We were just walking through the forest casually
and we just called.
Little helpers, little elves from the forest
come to help you.
- Your hiking gear is really chic.
- [Mimi] Mm. Mm.
So what have we been doing last nights?
- We've been working on something.
Well, we've be making something.
- Can we help? - You three.
You happy three.
You three.
You band of fuckers. - I told you guys.
- You know. You know.
You fucking know.
- We're gonna help you. [Melanie laughs]
Oh wow. Look, the princess is here.
- Ah. - Woo!
- This is our queen.
Queen for the night. - Looking good.
- Cheers. - Looking beautiful.
- Cheers. - Cheers.
- Cheers and beers. - Cheers.
- Um, I don't like to,
I don't often get, uh,
I'm a great admirer.
- Of? - Your work.
- Okay. - No.
- Thank you. - No.
- Thank you so much. [chuckles] It's nice to meet you.
- [Thomas] You got a fan, Patricia.
- Sorry. How do you know Thomas?
- Hmm. - All of you?
- Oh, we just... - We just came.
- Who invited you?
[all laughing]
[soft flowing music]
- By the way, I have one request.
At some point, whenever you feel it,
I'd really love to hear you.
- [chuckles] Uh, well, I would like to wait
for Peter to get here. - Yes.
- [Melanie] Is she gonna perform?
- Why do you need Peter?
- [Thomas] Oh, you've gotta perform.
- Because? - It's your voice.
- Please. - [All] Please.
- Okay, I'm gonna just- - Come on.
We wanna hear you sing.
[soft flowing music continues]
[gentle music]
- Where were you?
[Peter sighs]
- I was, uh, outside.
- With Jemima?
- Listen, I, I,
I heard you guys,
I was looking for you and I,
I heard what you said.
And, and it's okay.
I know I'm not the greatest,
most talented photographer you've ever seen, but,
I see you.
- Yeah? - Yeah.
And I love you.
- That's all I care about.
I don't, I don't care
about any of the rest of the stuff.
That's all I care about.
I love you too.
[gentle music continues]
I'm actually gonna play an old song
and, um, it makes more sense to me now
than when I wrote it, so.
[longing music]
♪ Because you ♪
♪ Where never meant to see ♪
♪ The person that I became is not the one I wanna be ♪
♪ And I ♪
♪ I go by ♪
♪ I won't forget the things that we have done ♪
♪ Yeah, you and me ♪
♪ And I feel so speechless ♪
♪ And I feel so sleepless ♪
♪ And I feel so fearless ♪
♪ Yes ♪
♪ And I never meant to make you cry ♪
♪ I never wanna say goodbye ♪
♪ I will never walk away ♪
♪ I won't let go the way you hold me ♪
♪ Wrap your arms and love me warm ♪
♪ Yeah, keep me whole tonight ♪
♪ Because you ♪
♪ Were never meant to see ♪
♪ The person I became ♪
♪ Is not the one I wanna be ♪
♪ And I ♪
♪ I go by ♪
♪ I won't forget the things that we have done ♪
♪ Yeah, you and me ♪
- Wow. - Whoo!
- Wow. - Encore.
[all cheering and clapping]
- That was amazing. - That was amazing.
♪ How sweet the sound ♪
♪ That saved a wretch ♪
♪ Like me ♪
- [Thomas] Come here, come here, come.
♪ I once was lost ♪
♪ But now ♪
[warm music]
[warm music continues]
♪ It's no sin ♪
♪ To say I love you ♪
♪ It's no sin ♪
♪ To say I care ♪
♪ There's so much I want to tell you ♪
♪ But the right words won't come my way ♪
♪ Darling, darling, I just want to tell you ♪
♪ Lovin' you's just an easy game ♪
♪ Oh, I like to love you ♪ [dark brooding music]
[dark brooding music continues]
[thunder booms] [subdued music]
[subdued music continues]
[gunshot booms] [thunder booms]
[subdued music continues]
[gun clicks]
[subdued music continues]
[gunshot booms] [ethereal music]
[ethereal music continues]
- Nice to meet you.
I'm Patricia and I'm a pop star who dyes her head red.
- I'm Thomas Alexander.
Nearly won the Toner Prize once
and I'm trapped inside a picture
of a woman with red hair who's dead.
[no audio]
[wind whistling softly]
[wind continues whistling softly]
[gentle bittersweet music]
[gentle bittersweet music continues]
♪ To feel everything so deeply ♪
♪ In the end ♪
♪ It starts to feel like nothing at all ♪
♪ Nothing ♪
♪ You are kissing me gently ♪
♪ And I'm thinking ♪
♪ Where have you been ♪
♪ My body's scars intertwines with yours ♪
♪ It's so human ♪
♪ Human ♪
♪ You feel everything ♪
♪ So deeply ♪
♪ And God, it makes me want to love you ♪
♪ Love you ♪
♪ But I fear the stars are just stars ♪
♪ Not constellations and art ♪
♪ We're all just humans ♪
♪ Desperately searching ♪
♪ For meaning in the nothingness ♪
♪ So I fear your arms are just your arms ♪
♪ Not where my soul belongs ♪
♪ And I am intrinsically human ♪
♪ Desperately searching ♪
♪ For meaning in nothingness ♪
♪ Tell me it's not true ♪
[gentle bittersweet music continues]
♪ Oh, I spent my whole life ♪
♪ Wishing that I was living ♪
♪ Another ♪
[no audio]