(dramatic music)
Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
(gentle music)
- [Announcer] Right now at this very moment,
as you watch these light rays striking the magnified eye,
similar tiny beams of light are entering your own eyes,
and it's by our eyes that we are able
to gain a great part of our knowledge.
Nature has located the eye close to the brain
so that its messages may arrive there quickly.
(gentle music)
(meat squishing)
Now, just how do light rays act
to form a clear picture within the eye,
first, let us realize that light rays
reflected from any object radiate in all directions,
and that as an object moves farther away from us,
the angle between the rays that enter our eyes
grows smaller and smaller.
(meat chunks squishing)
(grinder squeaking) (gentle music continues)
And finally, when the object is reached
a distance of 15 feet or more,
the rays entering our eyes are practically parallel.
(grinder squeaking) (gentle music continues)
Now, nature has provided that the parallel ray
shall produce a sharp image upon the retina,
and as one may say,
with the eye in a state of complete relaxation.
But if a distant object approaches the eye,
the angle between entering rays again grows larger.
This increasing angle changes the direction
of the light rays as they pass through the lens
so that the sharp image falls behind the retina.
As a result, the image upon the retina
tends to become blurred.
This blurring causes a response
or reflex within our brain,
which brings about harmonious internal adjustments
of all parts of the eye.
This adjustment is called accommodation.
Accommodation restores the sharply focused image
with marvelous speed and accuracy.
This is all the more remarkable
because the distance between lens and retina is fixed,
and the lens itself must change its shape.
It is also necessary that both our eyes
be fixed upon the same point in order
that we may see an object clearly.
(gentle music)
(gentle music) (birds chirping)
(feet crunching)
- Make me happy again.
(gentle music continues) (birds chirping)
(gentle music continues)
(door creaking)
(door banging)
(somber music)
(package crinkling)
(somber music continues)
(pages rustling)
(door banging)
(latch clicking)
(suspenseful music)
(suspenseful music continues)
(door thuds)
(dialer rattling)
(clock ticking)
(suspenseful music continues)
(phone ringing)
- [Caller] Jacob.
- Yeah,
- [Caller] You won't be afraid to be afraid.
- Who is this? - You aren't afraid?
- You're right.
- [Caller] Of course not.
You won't want anything to scare you.
- Yeah. No shit.
I wrote that in your little survey form.
What's your point?
- [Caller] So young and already so sad.
That's why you're so aggressive.
It's your only cover.
- Hey, fuck you, man. All right.
I thought I was doing this
so I could skip all this talky, shrinky bullshit.
- [Caller] You don't wanna talk about
anything with any weight,
especially Shirlene?
- Shirlene?
What the fuck do you know about Shirlene?
You guys said he wouldn't even go
snoop around my past for this to work.
- [Caller] That's right.
- Then how do you know about her then?
- [Caller] I know everything. Don't worry.
We'll get another chance to talk.
- Fuck you. Fuck.
Oh, I see what you're trying to do.
You're trying to set me off.
- [Caller] That's right.
And we both know how easy that is, right, big guy?
- Listen, as long as this mind game, mind game,
- Listen. - Yeah.
- As long as this fixes me as fast as you say,
well, I'm ready for anything.
So you guys throw whatever you want at me.
- [Caller] No one who's gonna throw anything at you, Jacob,
or make anything happen.
It's not how it works here. It's all you.
Everything that happens here is you.
- Well, let's get moving then.
- [Caller] You can't rush when you can't feel
and you can't see when you can't stomach.
- What? Now we're throwing out riddles?
- [Caller] That's more of a thought.
- I don't want your thoughts, asshole.
(caller chuckles)
Are you laughing at me?
- [Caller] More like saying Goodbye, Jacob.
- Goodbye. Jesus Christ.
Okay. Y'all done now?
- [Caller] I think so.
(receiver clacking)
(suspenseful music)
(curtains swooshing)
(package rustling)
(suspenseful music)
- [Announcer] The iris, with its central opening, the pupil.
Like the diaphragm of a camera,
the iris regulates the amount of light
and sharpens the image upon the retina.
Nature has also provided ample protection
for this very delicate organ.
(suspenseful music continues)
This front part bulges
and forms a highly transparent window.
Another important safeguard to the eye is the tear gland,
which secretes the tear fluid.
This is an effective germicide,
which drains through the tear ducts into the nose
after flushing and cleaning the entire eye surface.
Here, with the outer coverings removed,
we see the eyeball completely surrounded
by a layer of soft fatty tissue
and placed within the bony orbit
where it lies protected against sudden jolts.
Seen from the side, the protected possession
of the eyeball within its funnel shaped eye socket
is shown still more clearly.
Once again, we see the fatty cushion,
which protects it on all sides.
Note this white stalk, which is the optic nerve,
and also these muscles which move the eyeball.
(items clanking)
This is the empty eye socket within the skull
with its bony walls inside
and the rim of the bony orbit in front.
The innermost layer of the eyeball is the retina,
a very delicate brain.
The retina is actually a part of the optic nerve,
which transmits the light impulses to our brain.
The retina is the most important
and complex structure in the eyeball.
Magnified many hundred times,
the retina is seen to consist
of this complicated arrangement of rods and cones,
which convert light waves into nerve impulses
in some manner, which even science of today
cannot fully explain.
(suspenseful music)
(toothbrush chuckling)
(suspenseful music continues)
(items clanging) (glass shattering)
(suspenseful music)
(light switch flicking)
(suspenseful music continues)
(guest groaning)
Hey.
Hello?
Man, are you okay?
(guest groaning)
(suspenseful music continues)
- That's so good.
So good.
Dreaming about my dog, Rocky.
Rocky.
Come here, boy.
(guest whistling)
Yeah, yeah.
That's a good boy.
Ouch. Calm down, Rocky.
Ouch. Calm down.
Rocky, down!
(guest screaming)
- There's nothing there.
(guest laughing)
What?
- You.
You look fucking stupid.
You're fucking stupid.
You're a stupid, stupid dog.
(suspenseful music continues)
- How'd you do this?
- I didn't do anything. You did.
- This isn't a dream, right,
'cause I don't remember going to sleep?
- No, not a dream. You're in a cross.
- Cross like a crossroads.
- Yeah, an intersection where your physical body
and your subconscious exist
on the same plane at the same time.
Don't worry, Jacob.
There's no dream in here.
You can't go any further beside yourself
than where you're at now.
When you sleep, you'll only rest.
You're gonna need it.
Good night.
(light flicking)
(Jacob sighing)
(toaster clanking)
(battery thuds)
(toaster clanking)
(dramatic music)
- Ladies and gentlemen,
are you ready for the next contest?
Are you ready to play?
(audience applauding and cheering)
(juice spilling)
(audience laughing)
Oh no. He fucked up, didn't he, folks?
(audience laughing)
That's all right. He can't help it.
Jacob's kind of a clumsy prick.
(audience laughing)
What do you think?
Should we give him another chance?
(audience cheering)
Are you sure?
(audience applauding and cheering)
Okay.
(gentle music)
Ladies and gentlemen,
are you ready to play the next contest?
Are you ready to play?
(upbeat music)
(audience applauding and cheering)
Was that so hard. you stupid son of a bitch?
Until next time, remember.
- [All] Don't fuck this up.
(upbeat music continues)
(shoe squishing)
(feet shuffling)
(Jacob grunting)
(gentle music)
(gentle music continues)
- [Voices] Jacob.
- What the fuck?
God, I fucking hate hair.
(water sploshing)
(water splashing)
(water drooping)
(water splashing)
(dramatic music)
(water bubbling)
(dramatic music)
(dramatic music continues)
What the fuck?
(Jacob grunting)
(dramatic music continues)
It's coming off.
(dramatic music continues)
(containers clinking)
(gentle music)
(bottle shaking)
(gentle music continues)
(twinkling music)
(gentle music continues)
- Feeling blue?
- Yeah.
How'd you know?
Your pajama, silly?
Is it?
I thought,
I thought, - You thought what?
It was a coincidence?
- Isn't it?
- Who is to say,
what we do,
why we do it,
where it comes from?
I mean, am I a woman,
a part of a flower?
Am I just an invention of your mind?
(gentle music continues)
(water rushing)
(necklace clunking)
Shirlene.
(gentle music)
(gentle music continues)
(piano music)
(singer vocalizing)
(mermaid burping)
(singer vocalizing)
Fuck.
Damn it.
Fuck.
(singer vocalizing)
(guest laughing)
(feet shuffling)
(guest laughing)
- Let me in. Let me in.
No. I don't wanna hide it.
No. No.
- [Character] Well, well.
What have we got here?
A man, a tiny man.
- I got a wife and kids. Millions of kids.
- [Character] Hold on there mate.
Nobody's going to hurt you.
(horse neighing) (dramatic music)
(dramatic music continues)
(somber music)
(remote clicks)
- Sex, women, loose things.
Things we thought we had.
Ever have a dream where you find a treasure
of the wholeness,
the elation,
but as you wake up,
that perfect reality begins to fall apart.
By the time you open your eyes,
that realization, it's all gone.
(feet shuffling)
Just like the pink glory you lost in the pond.
You remember, don't you?
- I do now.
When I was seven.
- Your father told you to use worms,
but you wanted to fish like him.
So when he wasn't looking,
you took that lure out of the tackle box.
- And then I put him around the other side of the tree
so he couldn't see me.
- And then?
- It was a perfect ass.
- But you didn't know how to knot it.
And it was gone.
- I should have jumped in that pond.
He got it from grandpa.
- When he found out,
he started to scold you, but stopped
and began to laugh at himself instead.
- He's a good dad,
bad at everything.
- You think so?
- Bad son, employee, student?
Watch the show.
- The show.
- The one on the TV.
- Yeah, I've seen the show.
All right.
Endless diagram of eye... Well, try again.
And eat something.
You look like shit.
- Thanks. - You're welcome.
- No, I meant thanks for the insult.
- I know what you meant.
(feet shuffling)
- [Announcer] Here in addition, we see the choroid.
It consists of three different belts or zones.
The first zone is called the choroid proper
and is the part that carries nourishment
to the tissues of the eye.
The next zone is called the ciliary body.
This is a broad ring shaped band of thin muscle fibers,
which play a very active and vital part
in the visual adjustment of the eye.
Here is an outside view of the entire choroid,
which shows the dense network of arteries
and veins carrying nourishment to the eyeball.
You can also see the shape of the ciliary body and the iris.
The innermost layer of the eyeball is the retina,
a very delicate membrane.
The retina is actually a part of the optic nerve,
which transmits the light impulses to our brain.
The retina is the most important
and complex structure in the eyeball.
- Why even bother?
- [Announcer] Magnified many hundred times,
the retina is seen to consist
of this complicated arrangement of rods and cones,
which convert light waves into nerve impulses
in some manner, which even science of today,
cannot fully explain.
Between the lens and the cornea,
(tape clicking) (somber music)
(gentle music)
(young Jacob laughing)
- [Jacob's Dad] Come on Jacob.
You know you need your glasses.
(gentle music continues)
- There you go, Shirlene. - Thank you, Jacob.
- Nice try.
YOu're still a piece of shit.
(TV whooshing)
(somber music)
(somber music continues)
(door creaking)
(bell ringing)
(gentle music)
- [Shirlene] So you wanna go Jacob,
like when we were little?
- [Jacob] Yeah. Sounds like fun.
- [Shirlene] It'll be, trust me.
- [Friend] Hey, there's our guy.
- [Friend 1] Jake, nice to see you.
- [Jacob] Hi guys. What's up?
- [Friend 1] Not much. You ready?
- [Jacob] Yeah.
Listen, I gotta go to practice.
- [Shirlene] Okay.
Just come get me after school.
- [Friend] Come on. Jake.
Squirrelly, Shirlene's not your girlfriend, is she?
- [Jacob] Shirlene?
No.
She's, you know, someone from class.
- [Friend] Good.
She looks like she picked out her clothes
from my grandma's closet.
Pearls and shit.
(bell ringing)
(suspenseful music)
(feet shuffling)
- That dude was right.
Sleep is good here.
No dreams, no thoughts.
Just rest.
I got the best of me.
You can't keep me down 'cause I'm hydrogen, baby.
I'm up.
I'm down.
I'm up.
Still not broken.
It's getting easier and easier with this routine.
Sleeping and moving as much as possible.
I'll be fine.
(door creaking)
(heavy rock music)
(heavy rock music continues)
(water sploshing)
(water gobbling)
(stomach rumbling)
(seat clinking)
(chips crunching)
(seat thudding)
(seat clicking)
(chips crunching)
- Come on, Jacob. (laughing)
(chips crunching)
(dramatic music)
I love Slapsticks.
Maybe not as much as I love drama.
But beggars can't be choosers.
Am I right?
You must feel really special.
Really special.
I mean, a lot of people watch TV,
but it takes a special,
very special for a TV to watch you.
And it is a pleasure to watch you.
You seem to have it figured out.
You're steady, you're cool, you're content,
just coasting along.
So, so smooth.
But I wanna give you a little piece of information
you seem to be failing to pick up, Jacob.
Let me help you understand the process a bit better.
Do you mind?
I said, do you mind?
- No.
- Okay, good on.
So what I'm going to do now
is give your taste of your own medicine.
What does that mean exactly?
It means we, the 10 TV's,
we're gonna take a deeper dive into ourselves,
into our own little TV psyche
and work through our own shit.
Pay attention.
- [Announcer] You are about to take a journey
out of this world into the world of the future.
- [Character] Just doesn't hold true anymore.
- Often fluffy, flapping on a clothes line.
- The story, - And all those,
- Long enough.
- They have, however
- [Announcer] Things come up.
♪ Smash your mind and shake your soul ♪
- Pour some hot water.
- And it's just physical, a little hand bump.
- You're not running outta hot water, are you?
You're not running out of hot water, are you?
♪ I wish I had a castle in the sky. ♪
(voices chattering)
- [Announcer] And all this has been just the beginning.
(audience chattering)
- Get that, Jacob.
So as I was saying,
the lesson is very simple.
Don't be a coffee prick.
It's not healthy.
It's the opposite of what the treatment is meant to correct.
The pain has a purpose.
Don't evade it with sleep.
You've got to accept the pain here.
The pain, it will bring you to your knees
because you've do it.
(TV Instructor speaking indistinctly)
Now you're able to feel right.
Always, always coming upon.
It's not a place you want to be in for very long.
It runs so deep, Jacob.
If you made it to the other side,
it wouldn't even be you anymore.
So expansive.
But besides the universe itself,
it's the only capsule that can hold infinity.
By the time you take a few steps in,
you can already be the living imagination
of a random graduate's thesis "Truth Bomb Theory."
And I gave you marbles containing consciousness
about being a fig,
(bee buzzing)
who's made from designed by a drunk programmer,
like a positive two computer nerd
that you we when you were seven
compared dream when you were nine.
And that worm is now eating their brains.
The worms have good reasons, Jacob.
Good reasons.
Victory is turned to fire by windstorm caused by a blue car.
That passed three years and 45 days ago.
That blue car went on to win the Kentucky Derby
right it mounted a horse.
It's all running in a field.
Trained her and unfortunately,
the horse thorough bred has now met demise
because of the sea worms
lost their source of food and they and ate it's brains.
Does this sound like the place for you, Jacob?
- No.
No. I'll take the medicine.
- Okay, great.
Okay, great.
Oh, now one more thing.
(dramatic music)
(TV Instructor growling)
(gentle music)
- [Voice] Hi, guy.
Jacob.
- What the fuck is this?
- [Voice] Jacob?
You can't see me until you open up a bit.
Would you like me to help you with that?
- Okay.
- [Voice] Follow me.
Sit.
(suspenseful music)
Now lie all the way back.
(suspenseful music continues)
Do you see the eye?
- Sure. I guess it sort of looks like an eye.
Anything will look like anything if you look at it, right?
- [Voice] Exactly.
So look at it, right?
Look hard.
(dramatic music)
(dramatic music continues)
- I can't fucking do it.
- [Voice] What good is having your sight
if you can't see the complete picture.
- Better than seeing no picture.
- [Voice] You came here for a reason.
- Because out there,
every time I tried, I failed.
I couldn't function anymore.
- [Voice] Functioning,
that's the toughest nut to crack in life.
But if you want outside, you've got to split it.
- We're staying.
- [Voice] Like the TV set,
you've already gone so deep
it's hard to predict what kind
of mental state you would be in if you choose to leave.
Look at you.
It's from the stress of exactly
internalizing your sickness all at once.
It's the exchange.
Make sure you stick around to get what's yours
because if you choose to leave before the process completes,
you will still be left with that gnawing,
disconcerting feeling, only a person where someone
in the corner of their eye can feel.
It's maddening.
(feet shuffling)
(door creaking)
(gentle music)
(light flicking)
- Okay. Okay.
I'll do whatever you want me to do.
I'll see whatever you want me to see
Ill feel however you want me to feel.
(gentle music continues)
- Nothing.
Nothing!
(suspenseful music)
(suspenseful music continues)
(gentle music)
(feet shuffling)
- [Shirlene's Dad] Honey, are you out here?
- [Shirlene's Mom] Where are you?
Oh, this isn't happening.
- [Shirlene's Dad] Come home, honey. We're worried.
- [Shirlene's Mom] Where are you?
- Sorry. Sorry,
(feet shuffling)
(helicopter rumbling)
- [Caller] Shirlene Morris, are you out there?
Your parents are worried about you.
If you are hiding, please cone out.
We just want to make sure that you are safe.
Shirlene Morris, are you out there?
Your parents are worried about you.
If you are hiding, please cone out.
We just want to make sure that you are safe.
(voices whispering) (suspenseful music)
Hey. (person whimpering)
(winch rattling)
(suspenseful music continues)
(person whimpering)
(person shouting)
Relax, man. Relax.
Let me,
- Open your eyes.
I said it. Open your eyes.
- Let go!
- No. You let go.
(cooking utensils clacking)
(eggs cracking)
(food sizzling)
(dramatic music)
(dramatic music continues) (mop thuds)
(dramatic music continues)
(water rushing)
This is a bargain?
This is fucking hell.
(dramatic music continues)
(water plopping)
(gentle music)
- [Shirlene] Here. I want you to have this.
- [Jacob] Your necklace?
- [Shirlene] Don't worry. You don't have to wear it.
I just want you to hold it for me.
- [Jacob] Why?
- [Shirlene] Because I don't think
it looks good on me anymore.
- [Jacob] No?
- [Shirlene] No.
You can give it back to me when I'm an old lady.
- [Jacob] Okay.
(suspenseful music)
(door clicking)
(doors banging)
- [Friend] Yeah, that's them.
You were supposed to meet up with us.
- [Jacob] Oh, hi guys.
- [Friend] You trying to ditch us or what?
- [Jacob] No, no.
How'd you guys find me?
- [Friend] Went your house.
Your mom said you were all the way out here with her.
Long drive.
- [Jacob] Yeah.
- [Friend] Are you coming or not, Jake?
- [Jacob] I gotta go with,
I told them I would already.
Listen, your dad will be here in an hour and he'll take you.
- [Shirlene] It's okay, Jacob.
You don't have to explain anything.
It's your loss.
(gentle music)
- [Friend] What's with Squirrelly's necklace?
You wearing it to the party or something?
- [Jacob] No.
Here, Shirlene.
- [Shirlene] Talk to you later, Jacob.
(water bubbling)
- [Friend] Trust us, Jake. It's gonna be a great time.
(gentle music)
- I'm sorry, I'm sorry.
I'm so sorry.
How can I leave you there?
(suspenseful music)
(friends laughing)
- [Friend] Jake?
What are you doing in there?
Peeky-boy.
Jakey-boy.
You're not so shook up about the girl drowning, are you?
Who cares?
He's right, Squirrelly Shirlene isn't worth all the fucks.
- She's worth more than you, assholes.
(knees thudding)
I want out.
You hear me? I want out.
I don't care what happens to me.
Get me the fuck out.
Get me out.
(latch clicking)
(suspenseful music)
(suspenseful music continues)
(feet shuffling)
(glass clinking)
(suspenseful music continues)
(latch clicking)
(plate thudding)
- [Announcer] This is the empty eye socket within the skull
with its bony walls inside
and the rim of the bony orbit in front.
By gradually restoring the outer portions of the skull
and also the covering tissues,
we can now realize the location
of the entire eye in relation to the outline of the face.
(Jacob gulping)
It is also necessary
that both our eyes be fixed upon the same point
in order that we may see an object clearly.
Thus, as an object approaches us from a distance,
our eyeballs turn accordingly.
This movement is called the convergence of visual axes.
This action is shown here
as the object approaches and recedes.
(suspenseful music)
(suspenseful music continues)
And now let us look at this
highly enlarged view of the lens itself.
It has a soft yielding body and is as transparent as glass.
But it also has a firm ball shaped central core or nucleus.
It is contained within a thin elastic membrane
and is suspended all around by a spoke like arrangement
of delicate threads or ligaments.
The lens itself lies between two liquids.
These liquids can exert pressure.
Now the lens as a whole cannot give way
against the equally non inelastic aqueous humor
and its confining cornea.
So the only part which can possibly yield
to the pressure of the vitreous humor or body
is the soft substance of the lens.
So whenever the image upon the retina becomes blurred,
the brain automatically causes
the ciliary muscle to contract or to relax
until the lens has attained just the right shape
to restore a sharply defined image upon the retina.
Whenever demanded by conditions,
the lens acquires this peculiar bulge called Lenticonus.
This cone-shaped curve at first causes light rays
to become distorted into aberrations upon the retina.
As a result of these distortions,
the pupil now contracts until the diffused rays have
been shut away,
which brings about harmonious internal adjustments
of all parts of the eye.
This adjustment is called accommodation.
(suspenseful music)
(dramatic music)
(dramatic music continues)
(gentle music)
(gentle music continues)
- Jacob.
- Oh my God.
Shirlene.
- As much of me as I can be.
- You're not just,
you're not just,
- A projection? No.
No. It's really me. I promise.
- Like how?
- You know how this place
makes all things living deep inside of you physical,
makes them real.
When people know each other like we did,
we can't help but place ourselves piece by piece
and to the other person's subconscious wholly.
Who knows what we're going to do
before we even do it,
can tell us with a single feeling,
what's happening across the world,
what we'll do years down the road.
I'm like an echo that's been traveling forward in time
and I finally caught up with you.
So for this moment, I'm real again.
Do you remember that time we snuck in
to see that movie in the bedroom?
- Yeah.
- We thought we were so grown up,
but it wasn't what we thought it would be.
It was messed up.
- We were supposed to see "Spy Kids."
God, I wish we'd see "Spy Kids"
'cause real life's too much like,
- Like in the bedroom?
- It doesn't have to be.
- Well, it was never gonna be like "Spy Kids."
If we cut out the ugly stuff,
we cut out the pretty stuff too.
Hold my hand.
- What are you doing.
- Ripping myself from you
so you can finally leave me behind.
- No. Please don't.
That hurts too much.
- So stop fighting it and let go.
Jacob, let go.
(gentle music continues)
(Jacob gulping)
(Jacob sighing)
(dialer ringing)
- Jacob.
Yeah.
You won't be afraid to be afraid.
Who is this?
You aren't afraid?
You're right.
Of course not.
You won't let anything scare you.
Yeah. No shit.
I wrote that in your little survey form.
What's your point?
So young and already so sad.
It's why you're so aggressive.
It's your only cover.
Hey, fuck you, man. All right.
I thought I was doing this so I could skip
all this talky, shrinky bullshit.
You don't wanna talk about anything with any weight,
especially Shirlene.
Shirlene?
What the fuck do you know about Shirlene?
You guys said you wouldn't need to go
snoop around my past for this to work.
That's right.
Then how do you know about her then?
I know everything. Don't worry.
We'll get another chance to talk.
Fuck you.
Fuck.
Oh, I see what you're trying to do.
You're trying to set me up.
That's right. And we both know how easy
that is, right, big guy.
Listen, as long as it's mind game,
mind game,
Medicine.
Yeah.
As long as this fixes me as fast as you say,
well, I'm ready for anything.
So you guys throw whatever you want at me.
No one is gonna throw anything at you, Jacob,
or make anything happen.
It's not how it works here. It's all you.
Everything that happens here is you.
Well, let's get moving then.
(clock ticking)
You can't rush what you can't feel
and you can't see what you can't stomach.
What? Now we're throwing out riddles?
That's more like a thought.
- I don't want your thoughts, asshole.
(Jacob chuckles)
Are you laughing at me?
More like saying goodbye, Jacob.
Goodbye. Jesus Christ.
Okay.
Are you all done now?
(latch clicking)
(cheerful music)
I think so.
(cheerful music continues)
(feet shuffling)
(cheerful music continues)
- [Runner] Hey man, you all right?
Hey. Don't kill yourself.
(cheerful music continues)
- [Announcer] It's well forced to know
that our eyes are one of our greatest gifts of nature
and are indeed worthy of our constant care and protection.
(cheerful music continues)
♪ Dear friend I cannot help but think of the old days ♪
♪ But it's getting pretty old ♪
♪ I wonder up to now if that was a gold age ♪
♪ Or if that's just what we've been through ♪
♪ Shoes and ladders take you down ♪
♪ To a land of smoking gears ♪
♪ Twists and turns spin you round ♪
♪ Spit me out but make it through ♪
♪ But I'll stay never getting it all ♪
♪ Tell me why ♪
♪ We can't step inside what will be ♪
♪ Don't you see ♪
♪ Can I try ♪
♪ To get into that (indistinct) ♪
♪ Tell me why ♪
♪ We can't step inside what will be ♪
♪ Can we try ♪
♪ To make life like a photograph right now ♪
♪ I love, I tried to match the style you remember ♪
♪ But I'm getting pretty old ♪
♪ Oh yet I'm sure you kept the style that I got, no ♪
♪ Still beautiful and all ♪