♪
Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
♪
[bang]
[applause]
[gasping]
♪
[faint talking]
[Marley] Trying to isolate the wrists.
There you go.
Let it live in your shoulder a little bit more.
Good.
That's good.
You can tip over.
Put your breath into it.
[Emily] See you guys tomorrow.
Bye.
Bye-ee!
See you tomorrow.
Bye, thank you.
Bye, you're welcome.
[muffled chatter]
Hi.
[Marley] Hi.
I just wanted to say that I really,
really enjoyed the workshop.
Thanks.
I don't, like, totally get the whole thing,
but I thought it was so cool.
What's your name?
Emily.
Okay, Emily, here.
We are Nessuno Theatre,
and what you saw today, that's what we do in rehearsals.
Oh wow, cool.
[Marley] Mm-hmm.
Actually, we're having auditions next week,
and we need some young people in our Hamlet production.
You interested?
Yeah! Yeah, totally.
[Marley] Yeah?
Yeah.
Okay.
Yeah.
Yeah, the info's in there.
Okay.
I'll see you.
[Bruce] I did not agree to anything like that.
It's pornographic.
It's called art, Bruce.
Art? There's nudity in the pamphlet.
Art. Just 'cause you're fucking your poetry teacher
doesn't mean you're an expert on art.
Okay, he's my professor,
and you don't need to be crass.
[Bruce] You're fucking your poetry professor.
Crass, that's nice.
[Fran] Look, she's going to do this audition.
I'm her father, and I say she's not going to.
[Fran] According to the settlement,
you don't have a say.
[Bruce] What are you talking about?
When I got custody.
[Bruce] With visitation.
[Fran laughs]
Visitation isn't custody.
[Bruce] Well, that doesn't matter!
We're both her parents, Fran!
[yelling over each other]
[Fran] I'm not going to have her wait until she's 40 years old--
[Bruce] She's 15 years old!
[voices blending together]
Good day. Who are you?
The world has gone all soft.
[voices blending together]
Keep going.
How could I forget such a thing?
I mean, I'm changing so.
I'm not the same person day to day,
but I'm...
Wait, I'm falling.
I'm falling!
Oh no, I shall hit the bottom,
hit it very, very hard,
and oh, how it will hurt!
[gasping]
[banging]
Well done.
Here we are not interested in acting.
We are looking for performers who are willing to dig deep
and encounter themselves.
We don't rehearse, we don't train,
we collaborate.
We shout, we scream, we dance!
Are you all up for that.
[All] Yes.
I'm sorry, I didn't hear that.
Hmm?
[All yelling] Yes!
[Director] Thank you. We will be in touch.
[door closes]
Hey!
Hey, you were really good.
How could you tell?
I mean, it was crazy in there.
Well, I could tell.
[chuckles]
♪
I hope we both get it.
Yeah, yeah, me too.
♪
Five, six, seven, eight.
One, two, three, four,
five and six,
seven, eight.
One, two, three and four,
five and six,
seven and eight.
And one, two, three, four,
five and six,
seven, eight.
Five, four, three, two, one.
♪
[music playing faintly]
[kettle whistling]
Here you go, Mom.
Oh, thanks, baby.
[music playing faintly]
I still haven't heard back from those theatre people.
I don't think I got the part.
Oh, that's bullshit.
Dad says I shouldn't set myself up for disappointment.
Hey, do not ever listen to any advice your father gives you.
Okay?
Hey, you're going to get that part.
No, I'm not.
Well, not with that attitude you're not.
You know what?
Feel the power of this rock, okay?
Now, are you going to get the part?
I, I don't...
No, no, banish all negative thoughts,
and say it.
I am going to get this part.
[Fran] No, with conviction. Come on.
I am going to get this part.
[laughs]
[Emily/Fran] I am going to get this part.
Yes, yes, yes, good.
Go on.
Kiss it?
Mm-hmm.
[laughs] Okay.
Come on.
I am going to get this part.
I am going to get this part!
[laughing]
[Fran] No, I'm being embarrassing.
Come on, stand up.
Okay!
Okay, here we go!
I am going to get this part!
[Emily/Fran] I'm going to get this part!
Whoo!
[laughing]
[Emily/Fran] I'm going to get this part!
I'm going to get this part!
[singing and laughing]
[Group] No! No! No!
No! No! No!
[Nancy] Any time you walk down the street,
you are the target for an attack.
Any time of day, anywhere.
So your first defense is scanning
because if you can spot him before he tries to grab you,
you're already ahead.
You.
Try and grab me.
No!
But what if he tries to grab you from behind?
Let's try that.
I saw Nancy at lunch,
and she was like doing the self defence walk.
Any time, anywhere.
Any time--
That's kind of mental.
No! No! No! No!
Hey, my mom says it's important though.
What?
Don't you know stranger danger?
Yeah, I guess.
Hey, are you coming to my sleepover on Saturday?
Yeah, of course.
[faint music playing]
What's for dinner?
Um...
Pizza?
Yeah?
Yeah.
Okay, you call it in, I'll pick it up.
[telephone ringing]
Hello?
Yes.
Really?
Okay, okay.
Okay, thank you.
Yeah, bye.
I got the part!
[laughing]
You got the part?
Yeah! [laughing]
Oh, of course you got the part.
[piano playing]
[man singing opera]
[muffled talking]
[man singing opera]
[muffled talking]
But I mean I've heard stories about him.
Oh yeah? Like what?
Well, just that he makes these really avant-garde shows
that are totally cutting edge,
but he's also like fucking crazy.
Hmm.
He's my boyfriend.
Oh, I didn't realize that. That's amazing.
And obviously, it goes without saying,
when I said crazy, you know that I meant like good crazy.
Like, I meant, like you know, inspired, and brilliant really.
[Marley] This is Emily.
Hey.
Hi.
[Marley] She is the youngest person in our company.
This is Rose.
Rose just defected from the National Ballet.
[Emily] Oh wow!
I was only in the corps, but yeah.
I really want to tell you, Reinhardt is so excited
that he discovered you.
You have this real rawness in your performance.
That's a really good thing.
Yeah, the foundation of our work is to remove blocks
and learned behaviours,
so just think about how far ahead you are.
That's great. I'll be right back.
Ooh. [chuckles]
[whimpering]
[groaning]
[wailing]
[whimpering]
[clapping]
[Reinhardt] Here we focus on the very root
of the theatrical experience.
Performers creating an event with the audience.
Now to do this, a performer must open themselves up,
encounter their deepest true self.
We call this the total act.
Mm-hmm.
[Reinhardt] And it is an act of true love.
How do we do this?
We start by abandoning out inhibitions.
On your feet, find a space in the room,
shake it out, warm up your voice.
Warm up your body.
[singing and yelling]
[Reinhardt] Come alive!
[singing and yelling]
So it's Hamlet, but seven hours long,
and the director cut half the text
so he decided to add lots of like movement
and dance numbers.
[chuckling]
Hey.
Well, the director is really respected.
How do you know? Does he make any money?
I don't know.
An artist who doesn't make a living from their work
is a hack.
Well, he mentored with someone really important.
[Lee] Really? Who?
Like Renowska...
Ritovski?
Yeah. Yeah, that's it.
[Lee] Oh, that's a respectable pedigree.
Yeah.
So what's the part?
I'm one of the players. So like the play within the play.
[Lee] Hmm.
And I'm always there, but like a chorus kind of.
Wait.
What?
[Fran giggles]
[FRAN] I can't!
♪
[Fran] Emily, we're just going around the corner
for a quick drink.
♪
[breathing deeply]
[exhaling forcefully]
So I've been working with this herbalist.
We're working on clearing out toxins from my body.
This lifestyle can seriously take a toll.
Oh yeah, totally.
Mm-hmm.
Here.
Thank you.
I have to be in top form.
I've never done anything on this scale before.
Yeah, yeah, that makes sense.
Hmm.
Want one.
I don't smoke.
Me neither.
At this point, I'm going to pull you in again.
Like this.
What I want you to do is your arms
will come around me like...
That.
Okay.
Okay?
♪
[exhaling forcefully]
♪
[chuckles]
It's okay, right?
Hmm.
We're done work for the day.
Thanks.
Mm-hmm. Cheers.
♪
Oh no! [chuckles]
It's not a shot.
Oh, okay.
Let's try again.
This time you just sip, and you savour it.
So savour it.
♪
Maybe you'll play Juliet.
[laughing]
Haven't you always ever wanted to play Juliet?
[Emily] Mm-hmm.
[laughing]
♪
[Reinhardt] What if you cut her hair?
You know?
[Marley] Oh wow.
[Reinhardt] Yeah.
[Marley] Hmm.
It would look so good.
You'd look mature.
[Reinhardt] Mm-hmm.
♪
What do you think?
I've always had it long.
[chuckles]
Yeah. We could just cut off a little bit at first,
and see.
♪
Well, I mean, it is just hair.
So maybe.
♪
[Reinhardt] Wait.
Here.
Take this, read it, study it.
Art tells the beginning of everything.
Thank you.
♪
[exhaling forcefully]
♪
[faint talking]
I don't really get it.
Which part?
Um...
I don't know, all of it. I just...
Was it based on something that happened to you?
No, I hate this idea that young people
are always supposed to write about themselves,
you know? Don't you?
I've never really thought about it.
Well, you should.
But I'm an actor, not a writer.
[Sky] Well, that's kind of limiting.
I don't think so.
I find it freeing.
Hmm.
So why are you even here then?
Um...
Writing can...
can be kind of lonely.
Your hair looks nice.
Thanks.
[Rose] Well, now he thinks I'm having an affair.
[Ophelia] Of course he does.
Wait, why?
Well, we're at rehearsal every day until midnight,
and then on weekends, so...
But weren't you in ballet?
Yeah, but that wasn't like this.
Oh, this would be pretty.
Oh, I like that.
Yeah?
That's so cute.
Emily, I think you should try this on.
I think it would look really cute on you.
[chuckles]
Let me see. - Right?
Oh, it's beautiful.
Yes, you should definitely try that on.
Absolutely.
Okay.
Fashion show!
Yeah, so now he wants to come by during rehearsal
because he's convinced I'm lying.
So it's just like...
Not good.
Yeah. [gasps]
Wow! - Emily!
That's perfect!
You look just like a doll.
[screaming]
[banging]
Emily.
How many times do I have to tell you,
you need to be in perfect synchronization.
Again.
Here.
[screaming]
No looking.
Go again.
[screaming]
[Reinhardt] Go again.
[bang]
[Reinhardt] Go again.
[bang]
[Reinhardt] Again.
[bang]
[Reinhardt] Again.
[Reinhardt] On your feet, let's go again.
[Emily groans quietly]
What is it?
[Emily] It just hurts.
We've been doing it all afternoon.
[Reinhardt] It's called rehearsal.
Let's go, again.
I can't, I can't do it anymore.
You will stop when you get it right.
Let's go, on your feet.
[Reinhardt] One, two, three.
[screaming]
[bang]
[footsteps approaching]
You're ready.
You proved it.
Thank you.
You've been reading this?
Yeah.
Yeah?
What do you think?
It's, it's cool. Um...
I, I really like when he says,
"All true language is incomprehensible."
What does that mean to you?
Just that the words aren't enough...
usually. Or...
Maybe, maybe sometimes.
You understand it perfectly.
Next time just say it with conviction.
The artistic director for a very important festival
is coming to the opening.
If he likes the play,
we're taking it to Montreal.
Now, I'm not telling everybody,
just the performers I intend to bring.
Read this part next.
What's Fran doing this weekend?
Did she say anything to you
about me not coming to the house anymore
because I was kind of getting the feeling
like I wasn't welcome.
What do you say we rent a couple videos?
Huh?
[Bruce] I finally got a VCR.
We'll pop some popcorn and have a movie night.
I can't come to your place this weekend.
[Bruce] Why?
I have rehearsals.
What? It's a weekend!
Do these people know about labour laws?
We open next week.
[Bruce] Well, that's fine.
I'll just take you in the morning.
No, it's just easier if I stay at home
because Rose picks me up.
Okay.
You don't like my place?
Did you say something to Mom about it?
Is that what this is?
No, it's just easier if I stay there
because all my stuff is there.
You don't have to lie to me.
I notice, there's something different with you.
I'm not lying, it's just, it's...
It's a busy time for me right now.
I have a lot going on.
I'm your dad.
[Emily] I know!
It's just, we didn't need to do this before.
You were there, and I was there.
Yeah, well, it's not like that anymore.
[horn honking]
[Bruce] Oh fuck off.
[sighs]
[Reinhardt] Yeah, hi, I'm calling about the e job opening.
And would he have time next week?
[Reinhardt] Nah. Who am I talking to?
[Reinhardt] Great, thank you.
That was a lesson in the degradation of being an artist.
My current benefactor, welfare.
Oh wow, really.
That's not the degrading part.
The degrading part is they actually want me
to look for a job.
Like what kind of job?
Exactly.
Every week I have to call three potential employers,
and then write down their name and number
to prove that I've actually done it.
Wow, that's a bummer.
It's infantilizing.
Ring-ring.
Hello?
Yes, I'm wondering if you have any job openings.
For what?
Avant-garde theatre directors.
Oh yeah, tons. Come on in.
Perfect.
[giggles]
[Reinhardt] Come over here.
Just uh... sign your name and phone number.
[chuckles] I thought that was an improv.
They never check.
Why does it say that your name is Paul?
Have a seat.
[Emily] Where's Marley?
[Reinhardt] She works weekends, bartending.
So how are we going to rehearse?
[Reinhardt] Have a seat.
Tell me a story.
Like what?
About your life.
My life is boring.
I doubt that.
I bet your life is very interesting.
Where do you live?
At home with my mom.
Mm-hmm. Father?
I...
He moved out recently.
Hmm.
Um, my parents are...
they're going through a divorce right now
because well, my mom, she,
she went back to college,
and she fell in love with her poetry professor.
Um yeah, so they're separating,
and my dad is not doing so good right now.
What about you?
What about me?
[Reinhardt] Where are you in all of this?
I'm here, doing this,
trying to do my own thing.
I kind of think of us like three islands just floating.
I like that.
Îles flottants.
It's a French desert.
[laughs] Is it?
[Reinhardt] Mm-hmm.
It's made of meringue.
That's not, not really how I see us.
[Reinhardt] No?
You don't see yourself as a giant meringue floating around?
[Emily laughs]
Okay, on your feet.
What is the gesture for mother?
Uh-huh.
And father?
[growling]
[laughing]
That's an indication, okay.
Now seriously, be specific.
Think about the very essence of your father.
Very nice.
♪
[typewriter clicking]
♪
[muffled talking]
♪
[Hamlet] I did love you once.
[Ophelia] Indeed, my lord, you made me believe so.
You should not have believed me.
I loved you not.
Lord!
Get thee to a nunnery.
I loved you not.
[Ophelia] We may call it herb grace o' Sundays.
And you must wear your rue with a difference.
There's a daisy.
Iwould giveyousomeviolets,
but they withered all when my father died.
They say he made a good end.
And will he not come again?
His beard was white as snow,
and all flaxen was his poll.
Go thee to thy deathbed.
He will never come again.
He is dead, he is dead.
He's gone.
And will he never come again.
♪
Good night, sweet prince.
♪
[screaming]
[bang]
[applause]
♪
[Reinhardt] Hamlet!
Show us your cock!
[laughing]
Show us your magnificent cock!
[cheering]
Should I?
[cheering]
♪
[cheering]
♪
[laughing]
♪
[cheering]
Honey.
Honey, it's almost noon.
[groaning]
I'm so tired.
[chuckles]
Should we have ice cream for breakfast?
Huh?
Okay.
I need a coffee.
What? Since when did you start drinking coffee?
[laughs]
[Erica] Summer's been so boring without you.
Seriously, I never see you.
[Emily] Yeah, I know, it's just that we're getting ready
for Montreal.
We rehearse like all the time now.
[Erica] Six days a week, all day?
What happened?
Oh, no, I'm just rehearsing.
Well, it looks bad.
No, it's fine!
This whole play thing just doesn't seem normal.
What are you talking about?
You're just jealous that I got the part and you didn't?
I don't care about that. I...
I'm just worried about you.
You're being a baby.
I don't know.
I don't know, I feel like it's, it's missing something,
like it needs something more, yeah?
[sighs]
What is this made out of, paper?
I don't know.
Well, it's magnificently strange.
Thank you.
[sighs]
Hmm, okay.
The theatre's dark, and then we find you in this dress,
and you are standing on the ladder.
No, no, no, a desk! You're standing on a desk.
Okay, so, here, hop on up.
Hop up.
Okay, so you're on a desk,
and then...
You have a match.
You take out a match, and you light it,
and you slowly bring it to your face,
illuminating your face for all to see.
And then you bring it down, you touch your dress,
and the dress starts on fire,
lights come up, show begins.
Like real fire?
Yeah, of course.
Okay, so we're both wearing paper dresses?
No, no, it's just Emily.
God.
[Sky] Um, sorry, Reinhardt.
So she's wearing something underneath?
Of course.
It's like a whole other dress.
You know, it's something that's, you know,
fire resistant.
Does, does that even exist?
I don't know, what do firefighters wear?
[chuckling]
Yeah.
Emily.
You're sure that you want to do this?
Yeah, I'm sure.
Let's do it.
Yeah, let's do it.
Yeah.
Okay, Marley, get down.
Yeah, step down.
Alright.
Up, turn you around.
[laughing]
[voices chatting]
[Emily] And you know what?
I already know that I'm going to Montreal.
[Sky] Yeah, yeah, of course you are.
[Emily laughs] Yeah, and what does that mean?
[Sky] Well, like, I'm a threat to Reinhardt
and you're not, right, so it's not like it's about merit.
Wait.
What do you mean it's not about merit?
You're a girl.
So?
So it means you have certain advantages.
Are you saying that I'm not good?
No, I'm not saying that you're not good,
but I mean, it's not like you're better than me.
Emily!
[Rose] Come on!
[Ophelia] Let's go, girls!
[Rose] What are they doing?
Guys, hurry up! Come on!
♪
[Marley] And as you walk, your left arm swings
more than your right.
♪
[Sky] And you lead with your chin.
♪
[Marley] You hunch, like you're trying to disappear.
♪
[Marley] More!
You're so small, you disappear.
And you're weak.
♪
[Hamlet] You ignore the lower half of your body,
like it doesn't exist.
[whimpering]
[Marley] Weak!
Like a trapped bug!
[whimpering]
[Marley] You're desperate!
[whimpering]
♪
[Marley] We looked into it,
we can't have a real fire.
Why?
First off, we don't have insurance.
Look, I don't want to hear why not, alright?
You, you just asked.
You should go.
[Reinhardt] No, stay.
Paul, can we please do this alone?
I said stay.
She's doing this on purpose.
Yeah, you understand that, right?
She's trying to sabotage me!
You see it, right?
Yeah, you see it.
She is?
Yeah, of course.
She knows how important this is to me.
Fuck!
Opening party at the festival is tonight,
and I can't go alone.
I could go with you.
Yeah, I don't think so.
Why not?
This is really important to me too.
And I need to be here.
[Fran] Where are you going?
[Emily] I, I have a theatre thing.
But I'm making dinner.
Like I'm actually cooking.
I thought Lee was coming over or something.
[Fran] Hmm.
No, I don't know. He's being weird.
What is this thing? Who all's going?
Like everyone's going.
Ooh, everyone. Rose going?
Mm-hmm.
Maybe I should go.
Mom, that is like so not cool of you. You can't!
Like, do you -
Don't worry, I won't crash your night.
Just be home by ten, okay?
♪
You like it?
♪
It's so...
Real.
♪
Go ahead, try it on.
Go ahead.
♪
Take that.
[music & muffled talking]
Do you know all these people?
Hmm.
Wait, there he is. Come on.
Right, come with me.
[Luca] He's just got ingenuity,
and I think that he refused to be pigeonholed.
Best show I've seen this year.
Luca, thank you for inviting us to the festival.
Yes. Who are you?
Reinhardt Frank.
I have the durational performance of Hamlet.
[Luca] Ah, yes! I didn't see it.
But my assistant said she was riveted.
Enjoy the party.
[Luca speaking faintly]
At least you got invited, right?
I mean, before I auditioned for you,
I couldn't get cast in anything.
Well, except for in school, but that doesn't count.
Seriously, I even tried getting an agent.
Don't get an agent.
[Emily] Yeah.
Well, I'm really excited for Montreal.
I haven't really travelled much,
so this is really, really exciting for me.
And everyone's saying that it's going to be so much fun.
Yeah.
Don't you think? [chuckles]
Wait here.
[music playing faintly]
Oh hey! Whoa, whoa, whoa, whoa, whoa, whoa.
I'm not feeling so good. I'm going to,
I'm going to be sick.
What, right now?
Okay, look at me, okay?
Take a couple deep breaths. In.
[inhales deeply]
And out.
[exhales deeply]
And in.
And out. There.
Feel better?
Yeah.
[gulps]
No.
Listen, what I want you to do,
what I want you to do, I want you to go in there
and ask Luca where the toilet is, okay?
I can't do that.
You can't or you won't, Emily?
This is your chance for a total act, okay?
Drop the script, drop the expectations,
go encounter yourself.
It's okay, I'm right here.
Go, go, go, go.
[music playing in the background]
[music & chatter]
[vomiting]
Oh!
[coughing]
[music playing in the background]
Oh!
That was awful!
No, no, no, that was beautiful.
They're definitely going to remember who we are now.
[chuckles]
Mm-hmm.
Let's get out of here.
[chuckles]
[loud music playing]
♪
[loud music playing]
♪
[Reinhardt] You're home.
[vomiting]
♪
[busy signal ringing]
[Fran] I just don't understand why we have to do this
over the phone.
I really think that we can work it out.
[dial tone sounds]
[sobs]
[Emily] Mom?
Mom?
Fran?
Mom?
[Emily] Marley?
I don't really know what happened last night.
I'm sorry, it's Emily.
Please call me back. Okay.
[muffled talking]
Hey.
What's going on?
We don't know. Nobody knows.
[Hamlet] Attention, everyone.
Reinhardt has something he'd like to tell us.
[Reinhardt clears throat]
As some of you know,
Marley and I have been having problems,
professional and personal, for some time.
And yesterday Marley decided to leave the company.
[Rose] What?
[chatter]
[Hamlet] Quiet, please, please.
[Reinhardt] I know this is the worst possible time
for her to go...
[voice fades out]
[muffled music]
I'm sorry.
Let's go.
Rose?
Yeah.
I went to a party last night with Reinhardt.
Well, it must have been good 'cause you look like shit.
Yeah, but Marley wasn't there.
At the party?
Yeah.
Okay, well, did something happen?
It's, it's kind of hard to explain.
It was, it was weird.
Well, how was it weird?
Well, um...
I got really, really drunk.
And I got sick at the party.
Oh, I'm sorry.
And then...
I...
I asked him to go home, and he took me to his place.
Um...
Well, was Marley there?
Okay.
Well, did she say anything to you, or...
No, she seemed really, really angry.
Well, to be honest, I think it's okay.
I think it doesn't sound like that big of a deal.
You know, everybody gets sick.
It was more than that.
What do you mean?
When...
After I, after I got sick, he, we were, we were alone,
and he was just holding me.
What, like how?
I just, I felt really, really sick.
Mm-hmm.
And I kept thinking to myself that if he stopped holding me,
I wouldn't be so sick,
but he wouldn't stop holding me.
And I was so sick, and all I wanted to do was go home,
and he wouldn't -
Okay, okay.
And he wouldn't take me home.
Hey, it's okay.
It's okay.
Um...
Listen, hey, look at me. Look at me.
I'm going to, I'm just going to tell you some things,
and I think it's really important
that you hear me, okay?
Okay. Okay.
So first of all, pretty much all the directors
are going to want to sleep with you.
And it's hard because you kind of,
sort of want them to want to,
even though you don't want to sleep with them.
So you just,
you just got to kind of like play the game.
What do you mean?
Like, you just, you kind of ride the lie
so that, like, you know, you can be fun,
and you can be playful,
but you don't want to seem too easy, you know?
And you always have to be in control,
even though you want to do it in a way
that kind of makes them feel like they're in control.
So you kind of have to like...
You can't drink too much, or get too high
because you always need your head
to be really, really clear.
Okay.
You okay?
Come here.
♪
[telephone ringing]
Hello?
[doorbell jingles]
Hi.
♪
I moved out.
Already?
[Marley] Mm-hmm. I couldn't stay there.
It's okay, it's not your fault.
Okay.
I just want you to know what you're getting into
if you decide to stay.
[Emily] What do you mean?
Um...
I was like you when I met him.
I was so young emotionally, and so sheltered.
He taught me everything.
You're a virgin, right?
Um...
[Marley] Yeah?
Yeah?
Yeah.
[Marley] He was my first.
And uh, he's in love with you.
No, no, that's impossible.
[laughs]
No, he is. That's why I left.
Because of you.
No, no, no, you just had a fight.
If you go back -
I can't go back.
I asked him, "Are you in love with her?
Is she in love with you?"
No.
Are you sure?
I'm not blaming you.
It feels like you are.
I'm not, I'm not. I'm not, not at all.
Um...
He did tell me about last night.
What happened?
You tell me!
You were there.
I don't...
I don't know. I...
[Marley] You were there. What happened?
I... I just remember that I really wanted to go home.
Then why didn't you go home?
You could have gone home, you could have left.
You have to ask yourself why.
I don't know.
Are you in love with him?
No.
Then you need to leave.
You need to leave.
Look at what he did to me.
He wants us because we're weak.
He needs us to feel strong.
He doesn't care about us.
You're scaring me.
Promise me you'll leave.
Just promise me you'll leave.
I need you to say it.
I'll leave.
Okay.
Hey.
I talked to Marley. I saw her.
Yeah, she's been contacting everybody.
Did you talk to her?
No, apparently she threatened Reinhardt with a knife.
She's a little coo-coo. [sighs]
[Rose] Reinhardt's just under a lot of stress right now.
But some of his best ideas come out
of this kind of process.
Yeah.
You know?
Like trust me, I've worked with him for a long time,
and if you know how to handle him, everything's fine.
Marley knows that if you leave the show,
a lot of people will follow.
You have to be really sure about this.
I mean, like what even happened?
Well, you had a little bit too much to drink,
and then Reinhardt put you in a cab
and sent her home.
[Ophelia] We just want to make sure you're okay.
[Rose] Yeah.
Okay?
[Rose] But you know what the good thing is?
That we're all going to be in Montreal together.
[Ophelia] Mm-hmm.
[Rose] That you're never going to be alone,
we're going to be right there with you the whole time.
[Ophelia] Yeah.
Yeah.
[Rose] Yeah?
[Ophelia] A word of advice?
You can't leave the show just because the director
made you feel weird.
No one will hire you again.
Oh, I didn't think about it like that.
♪
Yeah.
♪
[faint chatter]
♪
Come on.
Okay, let's go.
Where?
Oh, there's a party in the Russian's room.
Shouldn't we get some rest?
We'll have lots of time to rest when we're home.
I, I, I, I can't go.
[Rose] Umm...
Okay, well, then I'll just see you in the morning.
Okay, mwah!
How does this look?
Is it okay? Yeah. Okay, love you.
[door closes]
[footsteps approaching]
[actors doing voice warmups]
[Emily doing voice warmup]
[voices approaching]
[Hamlet] God has given you one face,
and you make yourself another.
You jig, you amble, and you lisp,
and you make your wantonness your ignorance.
[Reinhardt] Stop.
You need to go further with this.
[sighs]
When you say, "You jig, and you amble, and you lisp,"
pull her dress down.
What are you waiting for?
God has given you one face, and you make yourself another.
You jig, and you amble, and you lisp.
Oh!
To a nunnery!
Go!
[weeping]
Ophelia.
Your performance has never been better.
[weeping]
[Rose] How did it feel?
[Ophelia] Like he... Like I lost something.
Like, it brought up a lot of what I think, like,
somehow is going to make me better.
Yes.
A better actor.
Like, it was just like raw.
Yes, it was so powerful.
I could feel it with you.
♪
[Ophelia] You may call it herb grace o' Sundays.
You must wear your rue with a difference.
I would give you some violets,
but they withered all when my father died.
♪
[Ophelia] They say he made a good end.
And will he not come again?
[sighs]
♪
[deep breathing]
[Emily screaming]
[bang]
[applause]
[weeping]
♪
[applause]
[cheering]
[music playing]
You all were incredible.
[cheering]
[laughing]
[Rose] We made it! Yeah!
[cheering & laughing]
[faint talking]
[door closes]
Marley says that you're in love with me.
[laughing]
Yeah, I have been for a long time.
No, fuck you and Marley. [laughs]
Last night in the dressing room,
why were you crying?
I don't know, I guess it just all been so much.
Emily, why are you still with the company?
Because I stayed for the tour,
I stayed because I would miss everything,
I would miss everybody.
You would miss me.
[Emily sighs]
Everybody else comes and goes, Emily.
[Emily] You're not making sense.
It's just me.
What are you talking about?
[Reinhardt] You're just too young to understand.
Have you ever felt this way before?
You're not making any sense.
You're not making any -
Do you understand why I would fall in love with you?
Do you, did you even understand -
[Emily] Where is this even coming from?
[Reinhardt] - to fall in love with you?
Yes, I can understand that, but you're not making any sense.
This is why you need me, right?
Do you understand...
now how I would fall in love with you?
Can you understand anyone falling in love with you, huh?
Yes, I can see that.
Then you wouldn't be here if you didn't love me.
[door closes]
Rose!
[groaning]
[Fran] Hi, honey.
Oh.
[Answering machine] Hi there, this is Rose.
Leave me a message. Ta-ta!
[answering machine beeps]
Hey, Rose, it's Emily again.
Call me back, okay?
[knock on door]
[Fran] Hey, honey, have you had dinner?
Hey.
I think your fever's gone.
Are you feeling better?
I can't believe you got sick on opening night.
I know.
Do you want me to warm you up some soup?
Okay.
So I just got my marks back.
Lee gave me a C plus.
Can you believe it? What a jerk.
I'm going to report him.
Report him? Why?
Well, I'm a student and he's a teacher.
Wait, but you're both adults, so it's...
So?
Age has nothing to do with it.
I'm a student, and I mean who's to say
that it won't be some freshman next?
I thought you liked him.
I did, but do you think that he would have given me
the same grade if we were still dating?
I guess not.
But then you'd be getting it for the wrong reason.
Exactly.
Okay, I'm going to get something to eat.
[Bruce] So how's school?
It's okay.
[Bruce] You doing any plays?
I'm done with theatre.
Great.
It's good to try things out, but you know.
Hey, I was thinking, maybe on Sunday
I could come by for dinner.
Right? Wouldn't that be nice?
You, me, Fran together.
Want some?
Mm-mmm.
Are you sure?
Mm-hmm, mm-hmm.
I'm sure, I'm sure.
Hi there.
Rose!
What are you doing here?
My school is across the street.
Oh.
I really wanted to talk to you before I left.
Oh.
Just about how everything went down,
and I was really weird about it all, and...
Oh, hey.
Um...
Oh, are you guys doing another show?
Well...
Yes. We found another girl.
Yeah, but she's a lot older.
I think she's like 16 or 17 maybe.
[Danny] Can I get a coffee?
I...
I can't believe that you stayed.
I thought that you would leave.
Yeah, no, I'm...
I'm sorry, Emily.
Um...
But it was really good to see you.
And I just want to grab...
Are you getting a blueberry danish,
or are you getting...
Yeah.
[faint talking]
♪
Hi.
Hey. Um...
I just want to say that I'm, I'm sorry.
I'm so sorry, I panicked, and...
Oh my God.
[sighs]
I was, I was thinking about what you said,
and I think that maybe you were right, you know.
And maybe I was just overwhelmed about everything.
Um...
Yeah, I've just, I've been thinking about you guys.
A lot.
And I just, I miss you.
I miss the company, I miss going there every day,
and um...
Yup.
I miss you.
♪
[Ophelia] At the after party?
[Rose] Do you know which one with that shade?
[talking over each other]
[Ophelia] Oh, I need to remember that.
♪
Hi.
Oh my God, hi!
Emily!
Hi.
Hug!
So good to see you!
[chuckles]
Hey!
Hi!
♪
We're just having drinks. Here.
Beer.
Thanks. [chuckles]
Cheers!
♪
What brings you here?
[Rose] Yeah.
Um...
I, I wanted to talk to Reinhardt.
Uh, yeah.
He's actually just upstairs rehearsing right now.
[piano playing]
[gasping]
[screaming]
[Group] No! No! No! No!
No! No! No! No! No!
[Nancy] The body holds on to trauma.
As women, we hold onto it here,
and right here.
So when you go to break these boards,
I want your fists hard and firm,
but I want you to be open here.
[applause]
[cheering]
Ah!
[cheering]
[applause]
♪