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- [MELLOW MUSIC PLAYING] - [AIRPLANE ENGINE ROARING]
[TIRES SQUEAL]
[INDISTINCT CHATTER]
[EXHALES]
[COUNTRY MUSIC PLAYING]
[BIRD CAWING]
[SINGING]
[INDISTINCT CHATTER]
[SINGING]
[CELL PHONE RINGING]
Hello?
- STEPHEN: Jenny? - Yes?
It's Stephen.
You're in London?
No, I'm here. In my old place.
You're in your old place? Why?
Family stuff. You know the sort of thing.
Well, I'm just leaving. I can't talk now.
Can I see you?
- Unlikely. I have to go. - Jenny...
[LINE DISCONNECTS]
Who was that?
Ah, that...
bloody woman from the gym. She wants me to start yoga classes.
That stupid stretching is not exercise.
JENNY: No. See you later.
- How're you going, sir? - Hey, mate.
- Yeah, thank you very much. - Thank you.
[COUNTRY MUSIC RESUMES]
[SINGING]
[BUS BRAKES SCREECH]
[INDISTINCT CHATTER]
WOMAN: Hey, mate, could you grab that red bag for me?
Taxi, mate?
- [ENGINE STARTS] - Hmm.
[MUSIC ENDS]
[BIRDS CHIRPING]
[MELLOW MUSIC PLAYING]
Hello, Dad?
Dad?
Oh, my godfather.
[CHUCKLES] My godfather.
You got here so quickly.
I didn't think you could get away. You said that...
Oh, Nikki called. I managed to arrange a few things.
FRED: Ah.
A drink. Let me get you a drink.
Uh, coffee would be good.
Coffee. Ah, how was the trip?
It was okay. A bit boring. Watched a miniseries.
The place is a bit of a mess.
Bit of a mess? What do you mean?
Well, the garden's all neglected. The pot plants are dying.
A bit of rain and they'll be all right.
And what's all this? Where are your clothes?
They're drying.
Well, why don't you put 'em in the dryer?
Broken.
Well, you could hang 'em outside on the line.
Hey, it's all right, you know. What's it matter? Huh?
I mean, you come in here after a long while
and you start criticizing.
What happened to that cleaning lady? What was her name? May?
She's been coming here for years.
She's an old cow. She's demented.
[CHUCKLES] You mean she nags you to tidy up?
[DOOR OPENS]
Oh, well, at least you haven't messed up my room.
So, how is she now?
May? Bloody mad as ever. Never stops talking...
No, not May. Mother.
Mother.
She's the same. Yeah, just the same.
[ECG MACHINE BEEPING]
How is she?
Well, what do you think? Bloody awful.
- When is she going to wake up? - [INHALES DEEPLY]
Oh, it's hard to say. She sleeps most of the time.
STEPHEN: When did she last speak?
Well, she said a few words not long after I called you in London.
And what'd she say?
She just looked at me and said,
"Hello, dear."
- Is this place okay? - Yeah, I think so.
But from Mum's section, I don't think anyone ever walked out.
I know all of them. They're all locals.
We all end up in here.
That was old Mrs. Hince in the next bed. She's got that, what's it called, the...
- Alzheimer's. - Yeah, but is she in any pain?
- Mrs. Hince? No, she hasn't... - No, Mother. Mother.
- I mean, do they give her morphine? - She's never complained.
Yeah, shame you couldn't have got here earlier
when I called the first time.
STEPHEN: I was working, you know?
So how long can you stay for?
[EXHALES] Couple of weeks,
- maybe a bit more. - Couple of weeks?
It's a long way to come for a couple of weeks.
I've got an opera to do in Germany.
What opera?
Does it matter?
You've never heard of it. You don't know anything about opera.
What is it?
- It's Traviata. - Never heard of it.
[NIKKI CHUCKLES]
- [UPBEAT MUSIC PLAYING] - [INDISTINCT CHATTER]
Beer, mate?
Please.
You Fred Seary's boy?
- How'd you know? - Everybody knows Fred.
Your mum's sick.
Heard you were coming.
No secrets around here, mate.
- Evidently not. - [CHUCKLES]
You been overseas?
That's right.
You're a painter or something, aren't you?
STEPHEN: I'm a stage designer.
BARMAN: Oh. Oh, yeah.
Want something to eat?
STEPHEN: What's good?
Oh, fish and chips is... [CLICKS TONGUE] ...great.
Uh, got kangaroo, if you like.
[CHUCKLES] No, fish and chips is fine,
- thank you. - Sure.
So you design stages?
I design sets for plays and operas, mostly operas.
Sounds a bit... [GRUNTS]
- Hey. - What?
You can't be like that these days, brother.
- You're living in the past. - This bloke's forgotten the past. Hey?
High school?
- Right, you're... - Dave Bell.
- I'm Greg. - That's Greg.
I remember. You were the school bullies.
- [BOTH CHUCKLE] - That's us.
We were kids then, you know?
- Kids can be pretty, um... - Mean?
- Mean? Oh, you want a written apology? - [CHUCKLES]
You learnt how to write?
- [CHUCKLES] Nice one. - Yeah, yeah. Yeah, we scraped by.
You went off to uni, eh?
Did something arty?
- Architecture. - DAVE: Ah.
Always were a smartass.
- Sorry about that. - Oh, that's okay, mate.
You couldn't help it.
- There you go, mate. - Thank you.
[WHISPERS] He's fuckin' fruity, mate.
[DOG BARKING]
[SIGHS]
Mm.
[FOOTSTEPS APPROACHING]
Most of the lights are out.
I mean, why don't you change the bulbs?
I'm going to get some.
And there's newspapers all over the place.
I mean, they're years old, some of them.
Yeah, well, there's some articles I want to keep.
Okay, well, keep those ones.
- Get rid of the rest. - Don't nag me.
You want to have something to eat? I've got some, um...
- baked beans. - Oh, no, I'm good, thanks.
I got something at the pub.
FRED: Going to need a light.
Oh, thanks.
[DOG BARKS DISTANTLY]
That won't work here. It's got no, um... uh...
Internet?
Yes, it will. I got this from Nikki.
It's a dongle.
She works in IT, remember?
FRED: Yeah.
IT?
Whatever that is.
[LAPTOP CHIMES]
Thought you'd vanished into the outback.
Oh, I'm nearly there.
Staying at my parents' place.
How's your mother?
Not too good.
I'm sorry.
How long do you think?
It's hard to say.
I miss you.
Same here.
I hate talking on this thing.
Me too.
I'm doing the Dvořák concerto.
That's great.
Festival Hall?
No. Newcastle.
Stephen, they called from Germany about the opera.
Yeah, I'm working on the details.
But I told 'em I'll email 'em.
I'll be back.
Well, don't be too long.
I might have to find another lover.
Oh, don't do that.
You'll be disappointed.
[CHUCKLES SOFTLY]
[BIRDS SINGING]
[CELL PHONE RINGING, VIBRATING]
Hello?
[FOOTSTEPS APPROACHING]
Hey, Mum. Sorry I couldn't get here earlier.
[CHUCKLES WEARILY]
You've been in Albany
visiting Nikki, Peter, and the kids?
No, London.
I live in London.
London?
- Yeah, yeah, that's... that's right. - Yeah, he works in London, Mum.
London and all over Europe. He's famous.
- Well, faintly famous. - [CHUCKLES SOFTLY]
I remember you always did want to travel.
Ah, you collected stamps of all the countries, hmm.
It's a shame they're so far away.
Oh, they're not so far away now.
You can get to Europe in a day. Same with America.
What's wrong with Australia?
- Um, nothing's wrong with it. - [SIGHS WEARILY]
- No, just... - Where's that old devil?
- Which old devil? - Your father.
He's still asleep, I suppose. It's quite early.
I'll bet the place looks like a gypsy camp.
Well, it's not going to make House & Garden or Architectural Digest.
[SIGHS] He's still having that affair, I know.
That's why he's so tired.
What affair?
With that nightclub pianist.
A night...
Mum, what nightclub pianist is going to be interested
in an old ruin like Dad?
Oh, she's not so young herself, either.
Oh, it's been going on for years.
Really? Uh...
Anyway, what nightclub?
There's no nightclubs around here, are there?
I mean, this isn't exactly the Left Bank or New York.
She's... She's up in Mallamup.
Up the road, not here.
In Mallamup?
NURSE MACCARTHY: Right.
- Some tea for you, Mrs. Seary? - Yes, please, dear.
Coming up.
Uh, excuse me?
She seems very odd.
I mean, is that the medication, maybe?
Could be. She's old.
They all go a bit barmy.
Oh.
That way, Mr. Gordon.
Gordon? He taught me in high school.
What's wrong with him? He seems all right.
I should say hello.
NURSE MACCARTHY: Don't bother.
He wouldn't know you.
Or anyone else.
Can't even recognize himself in the mirror.
He'll probably go on like that for years.
I mean, most of the others drop off the perch every few minutes.
Seems every time I sit down for a cup of tea,
someone rushes up and says, "Oh, so and so's popped their clogs."
Mm.
Sensitive, isn't she?
[SMACKS LIPS] Guess it's the effect of working in here.
Just becomes everyday life.
Everyday death.
MAN 1: Oh, nice bowl. MAN 2: Great bowl, Larry.
- Great bowl, mate. - MAN 1: You're holding, Wayne.
MAN 2: If it rolls back over to the gutter,
you don't get... you don't get that again.
No, no.
STEPHEN: Dad!
G'day. How'd you know I'd be here?
If you're not at home, I couldn't think of anywhere else you'd be.
- You drove here? - Why not?
It's not that far to walk and you're not supposed to be driving.
I'll be with you in a minute, Aub!
Nikki said they took your license after you drove into the river.
They all know me. I can drive. It's safe.
[CHUCKLES] You're a terrible driver, Dad.
- How's your mother? - She was awake. She was talking.
Going on about you and some nightclub pianist in Mallamup.
[EXHALES DEEPLY]
Not that again.
No truth in it?
'Course not. It's ridiculous. Why would you believe such a thing?
Well, you used to travel around a lot, selling.
Yeah, that's me.
The last commercial traveler.
Your mother's mind's going. It's gone.
Nightclub pianist. Oh, Jesus.
[BIRDS SCREECHING]
How's the house?
Comfortable?
- Oh, five star. - [PANTING]
But the food's a bit basic.
- Oh. - We should join Dad up
to one of those healthy food delivery things.
Oh, no, I tried that last year. It was a waste of time.
He wouldn't touch it. Too many salads.
[NIKKI EXHALES]
Hey, did you ask him about that nightclub pianist?
STEPHEN: Oh!
It's all too absurd for words.
This isn't exactly the town for a surreptitious affair.
Oh, I don't know about that.
- Remember the minister when we were kids? - Oh, Reverend Heffernan.
Yep, Reverend Heffernan.
All the wives were after him.
The ministers were like rock stars back then.
Didn't he run off with some...
Yeah, he ran off with the mayor's eldest daughter.
- It was a big Yarrabiddy scandal. - [CHUCKLES]
[EXHALES] What are we going to do with him?
- Reverend Heffernan? - Dad.
We can't just leave him in the house, watching old films on TV.
I don't know.
At least he's got some old cronies around.
Oh, God, I wouldn't rely on that lot.
[WHIMSICAL MUSIC PLAYING ON TV]
MAN: [ON TV] In spite of all my efforts to guide him,
my dear friend Rainiero of Sidonia
could not correct a certain, shall we say, carelessness.
He had failed, as usual, to notice...
FRED: I used to watch this film as a kid.
MAN: [ON TV] Alas, sometimes one is forced to fight.
Don't suppose he was much of an actor,
but I liked his films.
And Douglas Fairbanks.
Clark Gable.
They don't have stars like them anymore.
MAN: [ON TV] ...especially if those people were brothers, husbands or fathers.
There's some pretty good actors around.
Not like Flynn and Gable.
STEPHEN: Oh, you've got Cate Blanchett.
Colin Farrell.
And Mark Rylance.
Not in the same class.
[HORSE WHINNIES]
You know, I wanted to be an actor.
- [WOMAN YELLS ON TV] - [MAN LAUGHS]
Yeah, you told me.
MAN: [ON TV] You're just nervous.
[MAN EXCLAIMS]
Oh, you've amazed me. I had no idea you loved me so much.
Oh!
What a life they have.
What a life.
[THUNDER RUMBLING]
NURSE: Oh, hello.
The Ewart sisters?
- Oh, yes. You're their niece, aren't you? - Yeah.
They'll be glad to see you.
Ah, round here.
[THUNDER RUMBLING]
Thank you.
You're back.
Didn't do too good over there, eh?
Told ya.
- No, I came to see Mum. - MOLLIE: Mm.
Nikki called, said she...
Yeah, he's been designing lots of operas, Aunt Mollie.
- Operas? - Have you ever seen one?
Couldn't be bothered with that nonsense.
- How's your mother? - Oh, the same.
MOLLIE: Mm.
[WHISPERS] Hello.
STEPHEN: How are you, Aunt Annie?
Do you like it here?
'Course she doesn't bloody like it here. Who'd like it?
Well, you both decided to move in here, Aunty.
No bloody choice, was there?
I couldn't get up the hill to the shops anymore.
Annie's kids all gone, God knows where. Never in touch.
And your mother in hospital, and your father as useless as always.
Well, the staff seem nice and friendly.
MOLLIE: They're all right.
Big mob of Filipinos and Islanders.
You never see a white face.
There's TV, I'm sure.
- You know, that's something. - MOLLIE: I never look at it.
Why not?
It all goes too fast.
There's no stories.
No one can drive anymore. All the cars keep crashing.
The actors all mumble.
The music's too loud,
and there's endless shows of white girls kissing Black men.
What's the world coming to?
- [THUNDER RUMBLING] - [STEPHEN AND NIKKI CHUCKLE]
- Talk about politically incorrect. - [LAUGHS]
Oh, she was always like that.
Remember how she used to go on about the migrants?
Oh, yeah.
She hated the Malts and the Balts.
And the Ities and the Poms and the Greeks.
And the Lebanese. [CHUCKLES]
- Now the Indians and the Chinese. - [CHUCKLES] God.
Well, at least she's an equal opportunity bigot.
[NIKKI CHUCKLES]
It's sad. She's resentful.
Resentful? About what?
About everything, pretty much.
I mean, she's watched old friends marry, have kids and all that.
Do well in jobs.
Aunt Annie didn't say a word.
Um... did she have a stroke?
No, the doctor told me she can talk.
She's just got nothing more to say.
- I'm not looking forward to old age. - Well, don't look forward.
Nice to leave a mark, though.
Let 'em know you were here.
Paintings.
- A few designs. - [CHUCKLES]
Don't be so bloody pompous.
[CHUCKLES]
FRED: I'll have the steak.
I know how you like it, Fred.
- Well done. - Well done.
Yeah, have the steak, it's good.
Okay, I'll have the steak, please. Medium rare, thank you.
I'll have the veggie burger, thanks.
Uh, do you have a wine list?
Thank you.
It's like an encyclopedia.
Well, half the country is in the wine business.
Hey, Steve.
Try the Cullen Diana Madeline 2012.
- Fruity. - How are you, mate?
Good, mate.
I'll have that, then, thank you very much.
Ta.
[CELL PHONE CHIMES, VIBRATES]
NIKKI: Not the hospital?
Ah, no. No, it's nothing.
Just a news thing.
Um, this place has gone upmarket, old Yarrabiddy.
Um, not too much, just a bit.
No, actually quite a bit.
- There's a coffee shop with a barista. - Barrister?
No, barista.
And I hear there's a vegan cafe opening in a few weeks.
Yeah, and all run by those LBW types.
No, it's LGBTQ, not LBW.
Yeah, whatever. Anyway, this left-wing mob wants to get rid of the war memorial.
- Dad. - Stephen.
- Margie. - [MARGIE CHUCKLES]
Dave and Greg Bell told me you were back.
- You living in Perth? - No, just a visit.
Mum's unwell.
I heard.
Sorry.
Well, might see you around.
That'd be nice.
Margie.
Wasn't she an old squeeze of yours?
Uh, not really.
Well, a long time ago. I mean, I was just out of high school.
[SOFTLY] Right. [CHUCKLES]
[IF I HAD MY TIME AGAIN PLAYING]
[SINGING] If I had my time again
There'd be no days wasted
In playing hard to get
As for now
All I regret
Are the joys untasted
If I had my time again
You would find me bolder
Not hard to get to know
On the mark
All set to go
And no cold shoulder
We've been told in every generation
By the ladies
In the magazines
To keep our distance
Keep our fascination, well
They can tell it to the marines
If I had my time again
It could mean disaster
I'd be burning to begin
I guess I wouldn't always win
But at least
I'd be moving faster
STEPHEN: Get some lightbulbs and you won't need that torch.
I'm going to, I told you.
It's only at night. No problem during the day.
STEPHEN: And the garden.
I mean, at least sweep up the leaves.
You know, Mum had it looking really good.
I'm going to. Don't nag me.
You used to read a lot as a kid. You still do that?
STEPHEN: Yeah, quite a bit.
I mean, maybe not as much.
I wanted to be a writer when I was young, you know?
Really?
What stopped you?
Never went anywhere.
Nothing to write about.
Tennessee Williams became famous writing about his family.
Alice Munro won a Nobel Prize writing about her day-to-day life.
Must have been more dramatic than what goes on around Yarrabiddy.
I doubt it.
If people want to write, they just write.
There's stories everywhere.
What's this?
It's just some rough sketches for the sets.
Traviata.
Right.
What's it mean in English?
Something like "The Fallen Woman."
Doesn't sound too cheerful.
No.
The heroine's love life goes all wrong.
She dies of consumption at 23.
- Laugh a minute. - [CHUCKLES SOFTLY]
Yeah, but the music's wonderful.
The libretto's adapted from Dumas' Lady of the Camellias.
Is that so?
Fascinating.
Dumas, eh?
You know, even as a kid you were always...
Refined and sensitive?
I was going to say...
a bit of a pain in the arse.
[CHUCKLES]
[MELANCHOLIC MUSIC PLAYING]
NURSE: I've done her four-hourly obs.
Everything's stable, as expected.
If there's any other problems, just get in touch, okay?
[WHISPERS] Hey.
Dr. Symons.
Um, my mother.
Mrs. Seary.
Isn't she being cared for?
Well, I believe so.
I was wondering...
if you could tell me perhaps...
How long she's got?
- Mm. - Look, I've no idea.
A few weeks, a month, perhaps.
You seem pretty bloody casual.
I mean, does anybody give a fuck around here?
[SIGHS] You're her son?
People get old, their systems pack up and they die.
That's what happens.
Sorry, immortality isn't an option yet.
[MELANCHOLIC MUSIC CONTINUES]
[CELL PHONE RINGING, VIBRATING]
- Hey. - Where are you?
I'm on the bus.
Oh, didn't Dad tell you?
Tell me what?
Well, I have to go to Perth for a couple of days.
Of course, he didn't tell me. Why didn't you tell me?
Well, I forgot. I'm sorry.
Oh, great.
Now these have to go on the line.
- Now. - [FRED GROANS]
On the line? What? What line?
No, that was for Dad. So, what are you doing?
I have a meeting with the opera.
- Nonsense. - What do you mean?
I can always tell when you're lying. There's something else.
I'm not lying. There's a chance I might do some work.
All right, well, don't be too long. Mum's not gonna live forever.
[LINE DISCONNECTS]
[SIGHS]
NIKKI: Well done.
Very good.
STEPHEN: I didn't think I'd hear from you.
I didn't think you would either.
You weakened.
Only for lunch.
Thank you.
Your mother?
Terrible.
[SIGHS] I'm sorry.
She never liked me.
[CHUCKLES] No.
She always seemed to like the girls that I wasn't so keen on.
Ah, well, they weren't such a threat.
If only she knew.
Knew?
That I wasn't going to take you away from her.
Your career was always going to come first.
I loved you. You know that.
We were young. Twenty?
- Twenty-one? - So we were.
And you're involved with someone.
How do you know that?
No secrets. It's a small planet.
What does she do?
- Do? - Well, not to you.
I can imagine that.
For a living.
She's a cellist.
She's Irish.
And she lives with you?
No. She's got her own place.
And a house in Wexford.
Well, why doesn't she stay there?
- Bitch. - [CHUCKLES]
You still dancing?
Not so much.
Choreographing.
Choreographing what?
Right now a sarabande for a scene in a TV show.
Sarabande?
Bach wrote sarabandes?
He did.
Uh, but it was a dance from Mexico, they think.
It was banned for obscenity.
[OPERATIC MUSIC PLAYING OVER PHONE]
Obscenity?
- [JENNY CHUCKLES] - This is obscene?
Well, not by today's standards.
The dancers, they take a few steps,
they make hand gestures,
they move forward, move back.
It never leads to anything.
I know that situation.
- [JENNY MOANING IN PLEASURE] - [OPERATIC MUSIC CONTINUES]
- JENNY: Don't stop! - [STEPHEN GRUNTS]
[BOTH PANTING]
[JENNY MOANS]
[BOTH EXHALE]
In films, isn't this where they both light cigarettes
and have meaningful conversations?
I can't take up smoking now.
[CHUCKLES] Or meaningful conversations.
[JENNY EXHALES]
You kept this place.
I thought you'd have let it when you were away.
You ever tried letting an apartment?
What do you mean?
The tenants always wreck it.
I wasn't intending to do this today.
So you keep telling me.
I don't know what it is.
You've always had this effect on me.
Do you remember our first kiss?
I came after two seconds.
So did I.
Did you?
You never told me that.
I thought you knew.
[EXHALES]
What are you doing?
JENNY: I'll have to go.
Go?
- Now? - I have a class.
- I miss you. - [SCOFFS SOFTLY]
Well, that never stopped you from...
rushing off to Europe.
You can bear missing me.
I'll call.
Don't call. There's no point.
You know that.
How's John?
Fine.
Bit overweight.
Very jealous, too.
Still rich?
Not rich. Doing well.
Stock market. Shares.
Snob.
[CHUCKLES]
A good lover?
Mm...
Enthusiastic.
[CHUCKLES SOFTLY]
[FOOTSTEPS RECEDING]
[INDISTINCT CHATTER]
MICHAEL: Stephen!
- Hello, Michael. - Heard you were back.
- How? - Well, word travels around.
- Family? - Yeah, family.
Ah, families. Aren't they the limit?
My mother still keeps trying to find the right girl for me.
- And that's a total waste of time. - [BOTH CHUCKLE]
- Charles Kennelworth. - Our new artistic director.
Ah, Stephen Seary.
Why are you over here?
Did the Sydney Opera House collapse into the harbor?
[BOTH LAUGH]
No, we came over to hear the new soprano.
- You know, a possible Lucia. - Ah.
So, still showing the same half a dozen operas over and over?
[CHUCKLES] It's not half a dozen. It's about nine.
- We'd have no audience if we didn't. - Yeah.
Still, imagine if they showed the same nine films over and over.
- Well... - [PIANO MUSIC PLAYING]
And now we are about to see an obscure Czech fairy tale
set to wonderful music.
[OPERATIC MUSIC PLAYING]
[OPERATIC SINGING]
[OPERATIC MUSIC CONTINUES PLAYING]
PRIEST: God of all consolation, in your unending love and mercy for us,
you turn the darkness of death into the dawn of new life.
Be our refuge and strength in sorrow.
As Your son, our Lord Jesus Christ, by dying for us, conquered death
and by rising again restored us to life, so may we go forward in faith
to meet Him, and after our life on Earth,
be united with our dear brothers and sisters in Christ,
where every tear will be wiped away.
Through Jesus Christ our Lord. Amen.
Amen.
[INDISTINCT CHATTER]
AUBREY: So what now, mate?
Now? What do you mean, Aub?
Well, Enid's gone.
Yeah, I know she's gone.
She seemed to run the show, though.
What show's that?
Your whole bloody life, mate.
Yeah.
CHILDREN: [SINGING] Double, double, this, this, double, double, that, that
Double this, double that Double, double, this, that
[BOTH CHUCKLING]
Your mother going, I'm, uh...
- I'm sorry, mate. - Thank you, Peter.
It wasn't unexpected.
No, no.
You know, the mother of a workmate of mine got hit by a car down in Albany.
She just stepped off the footpath and...
Bang!
- Peter! - You know?
- What? - Well, not a very cheerful story.
No, I guess not.
- I'll get you another drink, mate. - Thank you.
Okay, well, you'd better face up to it.
Up to what?
Well, Dad. What do we do? And Mum's sisters.
STEPHEN: There's nothing we can do about Mum's sisters.
- They're being cared for. - NIKKI: I suppose.
Dad?
NIKKI: He won't be able to cope in that house. You know that.
Stephen, look, I've got to get back to Albany, all right?
The kids have got school. I can't just move up here.
I've got to get back to Europe.
- What, to England? - To Germany.
- Is that definite? - Yes, it's definite.
- I've sent them all the designs. - PETER: Here you go.
- All right. Thank you. - Thank you.
Well, I was just... starting to think
that you might have been undecided about that.
If I quit this job, I will never work in Europe again.
Well, what about that girl in Perth?
You were mad about her.
- What girl? - Jenny.
I'm sure you've been in touch with her.
Jenny? I think she's married.
Well, I wouldn't have thought that would stop you.
Nikki, your image of me is...
inaccurate and unflattering.
No, realistic.
- Sorry about your mum. - Thank you.
NIKKI: Thank you.
We'll stay here for dinner.
- It's great. Got everything. Roast beef. - NIKKI: Mm.
Even got bread and butter pudding.
Sounds good.
Good to see your nouveau cuisine hasn't made it this far.
Oh, but it has. What's that horrible stuff you made me eat?
Kale. Yeah, like seaweed.
- Not as tasty. - [BOTH CHUCKLE]
[LAUGHS]
[BEWARE OF THE BEAUTIFUL STRANGER PLAYING]
[BOTTLES CLINKING]
Oh, so close! Oh!
I'd have done that.
Yeah, but you didn't.
Rebuilding the house, are you, mate?
Just about.
- All yours. - Thank you.
[INDISTINCT VOICES CHATTERING]
[MY PARTICULAR MAN PLAYING]
- Help you, mate? - No, not really. Just looking around.
Place opens about 6:30.
Right, thank you.
Is there a lady who works here? She...
I don't know, maybe...
ELAINE: Who are you?
Police?
Licence on this place is up to date,
and I've paid off those crooks on the council.
- What do you want? - STEPHEN: Nothing really. I just...
heard about this place.
Well, I think it was this place.
From my dad. He was a commercial traveler.
Jeez, that must have been a while back, love.
Traveling men are all gone.
Sales are on the Internet.
Not as much fun.
I see.
Your dad said he came here?
STEPHEN: He could have... when he passed through town.
He worked for one of the wine companies.
Bodega, I think it was.
Oh, Fred Seary.
- Yeah, that's my dad. - [ELAINE CHUCKLES]
Been a long time.
Don't tell me he hasn't dropped off the perch?
No, he's okay, more or less.
My mother died.
[SMACKS LIPS] Traveling sales blokes were like sailors.
Girl in every port and a wife hidden away somewhere.
Right.
Thanks. I'd better be going.
ELAINE: You say hello to Fred for me.
Nah, maybe not, forget that. What's past is past.
I'm off soon, anyway.
Place will be closing by Christmas.
Off?
Queensland. Got a sister in Townsville.
Bye, love.
[SOFTLY] Hmm.
NIKKI: Oh, gosh.
He looked pretty good in those days.
- So did Mum. - Mm.
Yeah, that's what happens. Everything falls apart.
What, really?
Always?
That's what they tell me.
NIKKI: Mm.
That's amazing. That nightclub story.
Wasn't a fantasy of Mum's after all.
- I wouldn't call it a nightclub. - [CHUCKLES]
It was just a... sort of a bar.
Even then, I don't think he's been there for years.
So you don't think he's planning a comeback?
No.
[CHAIR SCRAPING]
- Where'd you get this? - Oh.
It was in the cupboard, on top of Mum's clothes.
[MELLOW MUSIC PLAYING]
NIKKI: That's Mum, that one.
I know.
- I know. - NIKKI: Hmm.
She told me she met you in some park?
She was having a party with some mates. I crashed it.
I spotted your mum, and I thought she was a bit of all right.
Yeah, Mum told me you never left her alone.
Followed her all over the place until she agreed to meet you somewhere.
Yeah, she was working in a dress shop in King Street.
Used to meet at one of those Italian coffee shops
that sprung up everywhere.
I must have been keen, because I hated that ex...
Espresso?
Expresso. Yeah.
Yeah.
I hated that.
Well, good afternoon, everyone, and, um, welcome.
Uh, this is a rare pleasure for me.
We don't get too many celebrities out here in Yarrabiddy.
Ah, Tommie Lang.
- He was a centerman for the Eagles. - [SCATTERED CHUCKLING]
Great player. Good on ya, Tommie. Get in there, mate.
- Get in there, Tommie. - MAN: Tommie!
MAYOR: Yeah, all right, Dave. Yeah, no, we all know Tommie,
but I'm not talking about celebrities in your cricket or your footy.
I'm talking about celebrities in your arts.
Okay?
Now there's a young fella here
that's been acclaimed right around the world,
in Europe and even in America, for his work in theater design.
More specifically, in your opera.
Now, he's won a lot of awards,
most recently for his work in, um...
Hang on a sec, it's, uh...
Oh, yeah, Fancy a la Del West.
Fanciulla del West.
It means "The Girl of the West."
It's by Puccini.
Oh, thanks, Stephen.
That one was at Covent Garden, by the way.
Anyway, he's also done another award for Elixir... d'amore by Donald Izzetti.
How'd I go with that one?
Uh, Elixir d'amore just means "Elixir of Love,"
and the composer was Gaetano Donizetti.
[CHUCKLES] Too right. And then, this one here's a bit tricky.
[CHUCKLES NERVOUSLY] Uh, it's...
[MISPRONOUNCING] Gee-sep-ee...
Giuseppe Verdi.
It just means...
"Joe Green" in English, actually.
[CHUCKLES] Is that right? Joe Green?
- Who'd have thought? - [ALL CHUCKLE]
Anyway, mate, as you can tell,
opera's not my forte, but,
mate, just wanted to say
we know you grew up around here, and, um...
Well, we're just glad to see you back here for a visit,
even though it's... under such sad circumstances.
Your mother... well, she was a wonderful woman.
MAN: Too right. Too right.
Mate, if you wouldn't mind making your way up, Stephen?
Stephen, if you could make your way up? Just wanted to...
Right. Um...
Stephen, we'd like to present you with this small memento
of, uh, your time here in Yarrabiddy and maybe you'll think of us
- when you're back there in London, mate. - Thank you very much.
MAYOR: [LAUGHING] Hey?
And, uh, just while we got you there, mate, you are a...
you know, an artist and a designer.
So we'd like to use your expertise to, um,
choose the winner of our annual art prize.
- Okay. - [LAUGHING]
MAYOR: Hey?
Yeah.
[SUSPENSEFUL MUSIC PLAYING]
Hard to decide?
Very.
[SCATTERED CHUCKLING]
Here's our winner, folks!
[ALL CLAPPING]
[INDISTINCT CHATTER]
MAN: I had my eye on one of the other ones.
- Don't eat all those lamingtons. - Get lost.
MAN: I liked the bananas.
[MAN AND WOMAN LAUGHING]
Did you arrange all that?
Of course not. It was the mayor's idea.
Not many celebrity visitors around here.
I told him you didn't even qualify.
[PETER CHUCKLES]
It was difficult, though.
The paintings were ghastly.
- We're not in a West End gallery. - You can say that again.
We're not in a West End gallery. Don't be so superior.
Sorry, you're right.
- [SIGHS DEEPLY] I just can't accept... - What?
A double level of standards.
Either the paintings are good or they're not, aren't they?
- I thought a couple of them looked great. - NIKKI: Hmm.
MAYOR: When are you leaving us?
Oh, soon. It'll have to be soon.
Oh, yeah. At least you'll be there in a day.
I went to visit the old man back in Scotland years ago.
The bloody plane stopped three times on the way over.
Then, I had to catch a train all the way up to Glasgow,
and it was bloody freezing.
I couldn't wait to get back here, could I?
- MAN 2: Eddie! - Oh, just a sec.
- MAN 2: Over here, mate. - Hang on.
DAVE: He's right.
Be real cold over there now.
Yes, but we do operas indoors in heated theaters.
You know you can do operas here.
He's right, Stephen. You don't have to go to France.
- Germany. - Germany.
You really like it over there?
Yes, I do.
Sorry.
- Excuse me. - Oh, no worries.
[DRAMATIC MUSIC PLAYING]
[KEYS JANGLING]
Oi, Steve!
Isn't it a bunch of crap?
Hey? This opera stuff?
I mean, who gives a bugger about it, anyway?
You know, it's just a bunch of weird song and music in some foreign accent.
It's a lot of great songs, David, and great music.
Yeah? Yeah? And it's only for rich people, isn't it, eh?
And fairies.
- Reckon you're clever, eh? - No, I'm just alert.
Well, come on, then! Hey! [GROANS]
- Hey! - Argh!
I'm sorry, mate. He gets a bit carried away.
Tell him opera tickets don't cost any more than a rock concert.
That was a low blow, mate.
- GREG: Get up. - Got me right in the shin!
[DAVE GROANS]
- Come on, Dad. - You're paying for this one, mate.
Got me right in the shin, mate!
[DAVE GROANS]
- [INSECTS TRILLING] - [KNIFE THUDDING]
[DOG BARKS DISTANTLY]
Where'd you get all that?
Supermarket.
They don't just sell tins of baked beans.
How'd you learn to do that?
I learned how to cook.
I like cooking.
[PEOPLE CHEERING ON TV]
I remember as a kid you used to spend days
listening to the cricket on the radio.
What's wrong with that?
You used to listen to classical music on the radio.
Yeah, the whole point of music is to hear it.
FRED: You got it all wrong about the cricket, though.
STEPHEN: I just said it was a somewhat dull game to watch.
- You said it would fade out. - [CHEERING ON TV]
Yeah, well, hours can go by and nothing happens.
[INDISTINCT COMMENTARY ON TV]
Well, it's more popular now than ever.
Even the Americans are in the World Cup.
Along with us and the Brits and the New Zealanders and the...
South Africans and the Indians and the... West Indies
and the Pakistanis and the Sri Lankans.
And there's even a team from Afghanistan.
Ha!
Fade out? Struth. [SCOFFS]
[CHEERING ON TV]
You're going to steal my car?
Well, Dad, you don't have a license.
I told you. They don't take that seriously.
They will when you mow down a pedestrian.
And how do I get around without my car?
Well, you can walk into the shops. It's not far,
and... the mob from the bowling club will keep an eye on you.
- How far to go? - Not too far.
[CAR SCREECHING]
STEPHEN: That's Aub. Isn't he the taxi driver?
Yeah, only a couple of days a week.
This is his farm.
Come on. Don't sit here.
Aub's got something to show ya.
Over here.
It's an ancestry chart.
FRED: It's more than that.
You take a closer look.
See from start to finish.
[ANGELIC CHOIR VOCALIZING]
Now look down the chart.
You see?
[ANGELIC MUSIC PLAYING]
Aub is a direct descendant of Jesus Christ.
[MUSIC FADES]
It was totally ridiculous.
How can you say that? You saw the chart.
- You don't believe? - No, I don't believe it.
It's a fake chart.
It has to be.
What, do you really think a direct descendant of Christ
- is a part-time taxi driver in Yarrabiddy? - [CAR SCREECHING]
You were always like this, even as a little boy.
You remember that water diviner that came round?
- You said he was a fraud. - He was a fraud.
He found water, remember?
He dug a hole next to a creek in a valley.
Of course, he was going to find water.
Ugh!
[FRED SCOFFS]
HERMANN: [CLEARING THROAT] Stephen. Um...
So, how is Australia?
Hermann, hello.
Um, it's fine. It's going okay.
Are you in Sydney?
No, I'm a couple of hours outside of Perth.
- Western Australia. - Perth?
- I don't know this place. - Uh...
Your mother, um...
We have not heard from you.
She passed away last week.
Oh, ah...
- Sad. - That's...
Yes, that's very sad. Um...
- But, Stephen, we... - The... The opera.
Yeah, I've been working on the sets,
and I've, uh, sent you the designs.
We have the designs
but, my dear Stephen, we need you here!
DIRK: A contract is a contract, Stephen.
I just have a few more things to sort out here.
Yeah, okay. Well, sort out very fast, huh?
STEPHEN: I know, Hermann, and I will be there.
[SPEAKING GERMAN]
[IN ENGLISH] Very good.
We see you, then.
- [CALL DISCONNECTS] - [BIRDS CHIRPING]
STEPHEN: Hey, Dad.
What's the problem now?
What's that stuff in the bath?
Bath?
Yeah, the bath.
It's just beer.
- Beer? - Yeah, I'm brewing it.
You didn't touch it, did you?
It's got to ferment for a couple of weeks, and then I bottle it and...
Couldn't you just buy beer?
Yeah, but it's my hobby, brewing.
Bit of malt and yeast and hops and...
Does it taste any good?
No, not too good.
Mum say anything about... brewing stuff in the bath?
Yeah, she had quite a bit to say. She didn't like it,
but now, a man's got to have a hobby.
You had those toy trains, remember? Tracks all over the house.
Yeah, but not in the bath.
[CHUCKLES]
No, not in the bath.
- MAN: Here's an aisle. - [CELL PHONE VIBRATING]
STEWARDESS: Excuse me. Can you put that one under your seat?
Thank you. Let me help you with that, sir.
NIKKI: [OVER PHONE] Where are you this time?
I'm on a plane.
NIKKI: What, to Germany?
No, to Sydney.
- NIKKI: What the hell for? - Well, I have a meeting.
It's only a five-hour flight. I'll be back tomorrow.
Oh!
Honestly, he's harder to find than the Scarlet Pimpernel
or Lord Lucan,
or Amelia Earhart.
Never heard of any of them.
[TRAIN HORN BLOWING]
CHARLES: Stephen! [CHUCKLES]
Charles. Sorry, I'm late.
- Flight was delayed. - As usual.
[LAUGHING]
What a beautiful place.
Oh. It was a dump.
I had to have this whole thing rebuilt.
You know, this... this here was a wall.
No windows.
[CHUCKLING] I mean, you couldn't see the view.
Look, I thought you might be hungry, so I had a little snack prepared.
I hope you like oysters and smoked trout.
- And this is my friend, Lydia Stephenson. - Pleasure to meet you.
And this... is not Australian.
This is my favorite Sicilian white.
Hope you like it.
I think you might.
- Special wine for a special guest. - Thank you.
CHARLES: So, tell me.
What was life like out in the sticks?
- Yarrabiddy. - [CHARLES CHUCKLING]
It's okay.
Small town. Retirees and a bowling club.
Local gossip.
I... I was very sorry to hear about your mother.
Thanks.
It's very difficult.
Death of parents.
Were you very close?
I don't suppose I was.
As a kid, I always felt like a stranger.
I always felt like one day
my real parents would turn up and take me with them.
[CHUCKLES]
And the ones you were stuck with,
were they distant or... strict?
No, not at all.
It's just a matter of interests.
We never seemed to have anything in common.
CHARLES: Mm-hmm.
STEPHEN: All I ever wanted to do was...
- get out of Yarrabiddy. - And you did.
- Yeah, I did. - [CHARLES CHUCKLES]
So, what now?
Back to Europe?
That's the plan.
- You don't sound certain. - Certain?
I am.
Really?
Because I was thinking
with all the work you've done in Germany and England and so on,
I thought maybe you might be getting a little tired of all that.
I thought maybe you might like to... come back to all this?
Work here?
That's very flattering, Charles.
I've settled in over there.
Oh, don't worry. I know you've carved yourself out quite a career.
What's the show you've got lined up?
Traviata.
Oh. Bit of an old warhorse.
- But a masterpiece. - Yes.
I can send you a link, and you can watch it online opening night.
Great.
We... we saw your Rosenkavalier and Lucio online.
- It was superb. - Yes. Superb.
Thank you.
You know, next year, we're going to be doing Peter Grimes.
I thought that was something that might interest you?
Oh, and... and not just to design.
You might like to direct.
Dad, I'm back.
Dad?
[WATER RUNNING]
G'day. You're back early.
Dad.
What?
Don't you think that's a bit strange?
What?
STEPHEN: Having a shower with your clothes on.
I'm washing my bloody clothes as well as me.
What's wrong with that?
A bit eccentric, perhaps?
Eccentric?
I'd call it practical.
Haven't got my shoes on.
I didn't wash them.
[FRED GRUNTING]
[MELLOW MUSIC PLAYING]
[WATER GUSHING]
We used to come up here years ago, remember, Dad?
- When we were little. - FRED: Yeah.
'Course, I remember.
Used to bring your mother up here, too.
NIKKI: Yeah. We used to have picnics right here.
Why are we here now?
Don't worry, Dad. We're not going to throw you over the cliff.
That's a relief.
Yeah. Well, we've been discussing things, Dad.
What things? Me?
We just need to talk.
About what?
Opera?
Your future.
Well, why should things change?
- Dad, Mum's gone. - NIKKI: Yeah.
And we just don't think that you can cope alone...
Of course, I can cope.
We've had the house for years. I can cope.
We don't think so.
It's just you're getting on, Dad.
[INHALES DEEPLY]
There's nothing wrong with me, Nikki.
Nothing. Nothing wrong with me.
Dr. Roberts says I'm a perfect specimen.
It's ever since that trip to Aub, isn't it?
That was it, wasn't it?
You think I'm senile.
Dad's amazed that I don't believe
Aub Gillespie is a direct descendant of Jesus Christ.
You were always a cynic.
Dad, quite apart from the validity of Aub's claim...
[SIGHS] ...I have to get back to Albany with Peter and the kids, and...
Stephen's got to go back to Europe.
- And the beer. - What's wrong with that?
Well, I did some research. It's quite dangerous.
It can explode. You'll blow up the house.
[SCOFFS] Blow up the house?
What are you suggesting?
We sell the house.
Yeah, and I'll be able to find a nice place in Albany.
You know, not far from me.
A nice place?
You mean a home for old duffers?
No, Dad. No, Dad.
I mean a retirement home.
We'll be able to come and visit you often.
The kids, they love your jokes.
You won't be alone.
[MELLOW MUSIC CONTINUES PLAYING]
[SERENE MUSIC PLAYING]
ENID: Yes, but the roof of the camper van has completely come off.
All my clothes, the mattress I'd just bought
gone down the highway, the whole thing.
And I spent the next hour picking it all up off the highway.
[LAUGHING] It was so bad!
[SERENE MUSIC CONTINUES PLAYING]
FRED: Bye, love. NIKKI: Oh, don't be so dramatic, Dad.
We'll see you soon in Albany.
Albany, while all my mates are here.
STEPHEN: Oh, let's not go over that, Dad.
You'll be better off down there, and you know it.
Yeah, I don't know that I know it.
You and Nikki keep telling me that I know it.
You won't be far from us, Dad.
RODNEY: Tell us one of your jokes, Grandad.
I don't know I'm up for jokes.
Oh, come on, Grandad. Don't be a spoilsport.
STEPHEN: Not the one about the witch in the woods
- you told at the bowling club. - FRED: Okay.
How do you fit four elephants in a small car?
JUDY: How?
Two in the front, two in the back.
- How do you fit four giraffes in the car? - JUDY: How?
They don't fit any more 'cause the elephants are in there.
[CHUCKLES]
That's not a very funny joke, Grandad.
It's hilarious, Rodney.
Right, we better get going, Dad. It's a long drive.
It's nothing. It's 400 kilometers.
And what about we stop for pizza and ice cream, eh?
BOTH: Yay!
[OPERATIC MUSIC PLAYING]
That the opera you're doing?
No, it's a production I did a few years ago.
It's Puccini's Il Tabarro.
What's that mean? Tobacco?
[CHUCKLES] Tabarro. It means "The Cloak."
Not bad.
No, it's not bad.
[KNOCKING ON DOOR]
[OPERATIC MUSIC CONTINUES PLAYING]
Margie.
You look shocked. Why so surprised?
I'm expecting someone from the estate agency.
That's me, you dope.
But you were singing at the pub.
That's not a job. That's just fun.
I join Eddie and his boys once a week.
- Right, I see. - [CHUCKLES]
Hmm. Am I invited in?
- Yeah. Sorry. - [CHUCKLES]
I only dress like this for work. It's a costume.
They think the businesswoman impersonation gives the house owners confidence.
Yeah, I must admit I just always thought
estate agents and lawyers and accountants were just...
crooks with licenses to rob their clients.
Cynical, but not far from the truth.
Where's your dad?
Ah, he's asleep in his bedroom.
I mean, do you really think you could sell this place for a decent price?
I think so. It's a bit of a wreck.
Oh, you should have seen it before we cleaned up.
[CHUCKLES] But the position's good.
People come up here from the city.
- What, people want to move here? - Of course.
What do they do?
Some are retired, some work from home.
They all like the quiet country life.
Not everyone wants to run off to Europe or America.
A lot of work doing this place up.
I can arrange some cosmetic stuff.
Vases of flowers all over the place helps a lot,
and I won't bring anyone here in bad weather.
Big mistake.
I can see that you are right on top of this, Margie.
I am.
Well, uh, I'll get going.
I'll bring around some contracts.
I hear your marriage broke up. I'm sorry.
Yeah, a couple of years ago.
He left me for some femme fatale. [CHUCKLES]
In Yarrabiddy, really?
[CHUCKLES] Nah, not really.
Just a mousy schoolteacher. [CHUCKLES]
- And you have a son? - Anthony.
He's, uh,
with his grandmother for the holidays.
- [CHUCKLES] - [MELLOW MUSIC PLAYING]
- [INSECTS TRILLING] - [DOG BARKS DISTANTLY]
[CELL PHONE VIBRATING]
Are you in bed?
Yeah, it's quite late here.
Oh, I wish I was there.
Mm. You'd hate this bed. It's narrow and old.
I could make do.
When do you leave?
[INHALES] Uh, four or five days.
Just sorting out some business with the house.
Don't lose that job in Germany.
No.
You practicing for the Dvořák concerto?
Of course.
In between sessions with lovers.
I'm learning some new tricks.
Your old ones are pretty good.
[CHUCKLES] Yours, too.
I think all of these old rugs can be thrown away.
Like the old ruin who lives here.
Don't be such a drama queen, Dad.
Nikki's found you a great place in Albany.
Your own flat with a big garden.
Fantastic. Sounds like fun.
Can't wait to get there.
[SLOW POP MUSIC PLAYING]
- [HORSES WHINNYING] - [BIRDS SCREECHING]
Where are we going?
Are you kidnapping me?
[CHUCKLES] I suppose so.
[BIRDS SCREECHING]
[SONG CONTINUES ON RADIO]
STEPHEN: Who the hell lives here?
MARGIE: [CHUCKLING] You'll see.
- [MUSIC STOPS] - [ENGINE STOPS]
[MELLOW MUSIC PLAYING]
GREG: You made it.
STEPHEN: Ah.
I did.
Not much choice.
Yeah, sorry about the, uh, little incident, mate.
Had a bit to drink, you know.
Didn't mean to, um... I thought you were pretty good.
Yeah. Bit, uh, unexpected.
Had to learn to deal with hostile critics.
[SCOFFS]
We know you're a wine buff.
So, um...
So you two aren't just a couple of hitmen?
It's impressive.
- You own all this? - Yeah, more or less.
Us and the bank, you know?
Our dad, he started up here in the valley, uh, years ago.
Give it a, you know... It doesn't look like much now.
Just give it a couple of months.
We've just finished pruning, you know?
[DAVE INHALES]
I just assumed you were... somewhere with a few sheep.
[CHUCKLES] No.
No, we're struggling with a few thousand vines, mate.
[BIRDS SCREECHING]
STEPHEN: Screw top.
You know, the French say that a cork is better to keep the flavor.
[CHUCKLES] No, that's rubbish.
I bet the French don't tell you how many bottles are ruined by cork taint.
That's a good Chardonnay.
Though I hear the best ones are from Margaret River.
Yeah, ours are just as good.
DAVE: We also make the best Cabernet.
And we do it all ourselves, from grape to bottle.
Tell me. Why am I here?
[GREG INHALING]
- We're old schoolmates. - No, we just went to the same school.
[SCOFFS]
There's a rumor that, uh, you might be coming back.
- To Australia. - To Australia.
- Who told you that? - Oh, it's just small-town gossip.
You know how it is.
DAVE: Now, Steve.
- Stephen. - Stephen, look,
we're not doing too badly, yeah?
Business is, uh, you know, pretty good.
Or not so good.
- Well, we could... - We could be doing far better.
STEPHEN: I'm not rich, I'm afraid. I can't invest in your business.
It's not a money thing, mate, yeah?
Your name will help us.
Prestige, yeah? On our letterheads.
- And you're really well connected. - Really well connected.
GREG: Really well connected. DAVE: Yeah, really nice.
GREG: Look...
someone's got to supply all the drinks to the opening night parties
- at the Opera House. - Yeah, and...
- The theaters. - Theaters, yeah.
- All those events. - And it should be us, right?
And, frankly, we're not too impressive talking to "the arty" type.
Yeah.
- Really? - Yeah.
We could use a frontman.
One that always has a supply of great wine.
MARGIE: What do you think? Can you help the boys?
I suppose I should.
Were they awful at school?
The worst.
People can change.
I never thought so,
but maybe they can.
Maybe they do.
Meaning?
I'll send some emails recommending their wine.
The wine's good.
- I don't live here. - MARGIE: No.
I do.
[CHUCKLES]
It's been a while since I've kissed a girl in a car.
I remember our first kiss.
- In your mum's pantry. - In my mum's pantry.
[LAUGHS]
I think she saw us.
I think so. She shot me a funny look.
[CHUCKLES]
You told the brothers I was coming back here?
I heard a rumor. I guess...
I hoped.
There's opera houses everywhere in Europe.
There's over 80 in Germany. There's only...
two, three here.
Strong argument. Better than...
Better than my new career in the wine business?
[CHUCKLES] Better than Yarrabiddy, Perth.
Me.
[SENTIMENTAL MUSIC PLAYING]
[BIRDS CHIRPING]
STEPHEN: How did your family end up here?
MARGIE: Mm...
Remember Idi Amin?
Oh, yeah, he was crazy.
Didn't he... eat his political opponents?
So they say.
He, um...
kicked all the Indians out of Uganda in the 1970s.
He said they were taking over the place.
Probably true.
My grandfather owned a big grocery chain.
Why'd they choose Western Australia?
Nearest place with friendly locals.
[BOTH CHUCKLE]
That's a good reason.
So...
you must have a girl in every... opera house.
No.
Most of my work's backstage.
Anyway, the girls like the tenors and the baritones.
Not the handsome young designer? Don't give me that.
There is one girl.
She's not a singer. She's a musician.
- What about you? - What about me?
- Lovers? - Oh, no lovers.
A couple of blokes since Andy shot through.
Didn't think much of them.
I might try the Internet. That's all the rage now.
And then there's the pub.
You never know who you'll meet there.
Let's clear it out.
- All of it? - Yeah.
Jesse, don't forget the front hedge.
[WINDOW SQUEAKING]
Take down the pictures.
All of them.
[UPBEAT MUSIC PLAYING]
This chair that bloody real estate woman bought is gonna cripple me.
Yeah, I know, Dad.
It's just so the house looks good for the buyers.
Well, they'd have to be a mob of dickheads to fall for that.
[TRAIN HORN BLOWING]
[INDISTINCT CHATTER]
What's that?
- STEPHEN: It's for you. - [UNZIPPING]
What is it? Electric razor?
STEPHEN: It's a mobile phone.
- I don't need a mobile phone. - Yeah, you do.
You keep it in your pocket,
and Nikki and I can get you whenever we want.
Won't there be a phone in my luxury cell in the old duffers' home?
There will be.
But with this, we can just call you anytime.
You know, if you're out somewhere and... you'll be able to see us.
- See you? Where? - Right here.
I wouldn't know how to work it.
This'd baffle that bloke in the war, that one that cracked the German code.
Alan Turing.
No, but it's really simple.
And I'll program it and set it up so that
you just press one button to answer it, you have one button to call me,
one button to call Nikki.
Oh, hey, mate. Um...
- I'll have a chai latte, please. - BARISTA: Yeah.
- Do you have almond milk? - BARISTA: Yeah, of course.
Thank you.
Dad?
Coffee with real milk and sugar.
Thank you.
- Thank you. - Thanks.
[MELLOW MUSIC PLAYING]
I'm sorry, Dad.
What about?
Selling your house and sending you away.
- But you can't... - I know.
I can't cope, you told me.
Will I see you again?
I mean, except for...
in my magic phone?
Of course.
I think you're really going to like it in Albany.
Nikki's got it all organized,
and she's really close, so you can go and visit her whenever you want.
How will I get to Albany?
Aub will take you.
FRED: Hmm.
Yeah.
FEMALE OPERA SINGER: [IN ITALIAN] Life is just one big party...
MALE OPERA SINGER: When one has not yet loved
Don't speak of love to one who Doesn't know it
That is my destiny...
Let's enjoy ourselves! Wine and song with Laughter make the night even better
May dawn find us still here in paradise!
Love me, Alfredo... Love me as much as I love you
[LIVELY OPERA MUSIC PLAYING]
CHOIR: [SINGING] We're matadors from Madrid
Heroes of the bullring
We've come to Paris to enjoy the Carnival
[IN ENGLISH] Rubbish.
CHOIR: [IN ITALIAN] We'll tell you a story About what sort of lovers we are
Yes, tell us the story! We would love to hear it
I call on you all to witness That I have repaid her
Dreadful! You've wounded her to the heart Get out! You revolt us
[MUSIC STOPS]
[WOMAN ON TV EXHALING]
[SENTIMENTAL MUSIC PLAYING]
It's so strange!
They've stopped... the spasms of pain
I feel reborn... I feel strong again! I'm going to live!
What joy!
[TENSE MUSIC PLAYING]
[AUDIENCE APPLAUDING]
MAN 1: [IN ENGLISH] Brava!
MAN 2: Bravo!
Her voice!
It's marvelous.
[APPLAUDING ON TV]
It's wonderful.
[BREATH TREMBLING]
[AUDIENCE CHEERING]
[CRYING]
That Giuseppe Verdi's not bad.
What?
- Joe Green. - Yeah.
So, you had us worried.
Worried?
Australia.
We thought perhaps you might not come back.
Yes, it is a beautiful place.
I visited the...
the coral...
The Barrier Reef.
I was a long way from there.
Of course.
But... you were tempted, no?
To stay?
Possibly.
[INSTRUMENTAL MUSIC PLAYING]
[LIVELY INSTRUMENTAL MUSIC PLAYING]