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[uplifting music]
Oh, OK, 60 second break.
Keep moving though.
We're done.
Oh, your dry cleaning is done.
I'll pick it up on the way to Danielle's and add it
to your suitcase before you leave tomorrow.
No, Maggie.
Us-- we are done.
Done with what?
You and me--
we're done.
Do you hear me?
Good.
Why?
I'm not done.
Yes, you are.
I'm not leaving for my trip tomorrow.
I'm going tonight.
Your stuff is going to be out by the time I get home.
What about your dry cleaning?
COUNSELLOR: This is the last batch, correct?
Why don't you name some positive changes
you've noticed since starting this process.
OLAN: I'm sleeping better.
My thoughts aren't as loud.
And my neighbor's kid doesn't call me a hoarder anymore.
Feel free.
It can wait.
And I know what I'm going to keep.
Why the box?
They're still there.
The memories?
I can feel them when I hold it.
Whoa! Whoa!
Whoa!
Hey.
Seriously, you're going to leave me here without saying
goodbye, Hollywood?
Oh, don't call me that.
Theo!
Theo.
Oh, good.
I'm glad you haven't left yet.
I want to give you a little something to say thank
you for teaching this summer.
Oh, yeah.
Oh.
It's the fire we used to advertise you
teaching your acting classes.
It sure is.
You know, we would love to have you back next year.
[hesitates] You know what?
Let me reach out to my agent and see
if we can keep it free for you.
Perfect.
I will start making the flyers.
Hi, Kamilla.
That-- that is a treasure.
Yeah.
Where are you from again?
Tucson, Arizona, currently.
Normally I've got a place in LA.
But I'm kind of taking a break from that scene for a bit, so.
Well, cool.
Yeah.
And you're from Montana, right?
Anaconda, Montana.
Well, that sounds pretty exciting.
Hmm, I can assure you it is not.
[laughs] It was really nice meeting you.
Same.
Hopefully I see you next year.
THEO: Yeah, hopefully.
Hi, Brianna.
BRIANNA [ON PHONE]: Sean.
Hi.
I was expecting to get your voicemail again.
Anyways, the team's going to go out and celebrate the launch
later, if you wanted to come.
I know everyone would love to see you
Can't.
I've got other plans.
BRIANNA [ON PHONE]: Sean, how long are
you going to be upset with me?
We're not having this conversation.
BRIANNA [ON PHONE]: Why not?
We made everyone on our team earn more
than triple what we projected.
Why can't you be happy about that?
You know the answer to that.
BRIANNA [ON PHONE]: That's ridiculous.
You need to grow up, all right?
Stuff like this happens in the tech industry all the time.
And everyone on the team put in a--
[screaming]
[phone rings]
Hey, Maggie.
Hello!
Mag!
Hey.
Sean, Hi.
The door was open.
Did he get all this packed already?
Oh, Darwin hired movers to help.
They were already halfway done by the time
we got back from our run.
How have you been?
I'm fine.
I'm sorry it took something like this for me
to finally get over here.
Oh, don't worry about it.
We're both busy.
I get it.
Are you going to shower?
Because-- because that's fine.
Oh.
Yeah, I was going to shower a while ago.
But I don't know where any of my clothes are.
[phone notification]
I still haven't picked up Darwin's dry cleaning yet.
How about we get you a coffee?
OK.
OLAN: You know you interrupted my session earlier?
TREVOR [ON PHONE]: Oh, damn it, that was today, wasn't it?
Look, I'm sorry, man.
But you know I need a deadline from you.
For the hundredth time, that's not how it works.
TREVOR [ON PHONE]: Yeah, I know, but publishers don't.
They're used to setting the deadlines, not the other way
around.
I can only keep them interested for so long.
Yeah, well, keep it up.
The right publisher will wait.
TREVOR [ON PHONE]: Oh, you're killing me.
Come on, Why can't we just publish
the 58 you finished, and the last three just go
into your next collection, ha?
You already know the answer to that.
It's 61 or nothing.
Goodbye, Trevor.
TREVOR [ON PHONE]: Yeah, bye.
Girlfriend troubles?
Yeah.
[melancholy music]
It sounds to me like you need a new agent.
Hmm, sounds to me like you weren't listening at all.
It's the publisher that's the problem.
OK, so why don't you just publish it yourself?
You are so stupid.
Look, all I am saying is that you have the money.
Speaking of, when is your next gig again?
[laughs] Shut the hell up.
Been a while since you worked.
Oh, yeah?
No, yeah, keep going.
Let's get more.
Oh, nothing.
So it's the writer's block again?
There it is.
Oh, it's a shame.
[laughter]
You've got a nice house.
What are you doing for work nowadays?
I'm taking a break.
[phone notification]
Hey, dude, mom just sent us a video.
Did you get this too?
OLAN: Of what?
BOTH: Hi, everyone.
ALLEN [ON RECORDING]: Hi, Maggie.
Hi, Sean. SUMMER [ON RECORDING]: Hi, Olan.
Hi, Theo.
We've got some big news for you.
This is Summer.
And this is Allen.
BOTH: And we're getting married.
BOTH: What?
ALLEN [ON RECORDING]: Obviously, this is not our first rodeo.
So we want to keep things small.
And we only want the people who matter
most in our wedding party.
BOTH: And that's you.
So, Sean, Maggie, would you be my bridesmaids?
ALLEN [ON RECORDING]: Olan, Theo, would you be my bride--
groomsmen?
SUMMER [ON RECORDING]: We've set up a little adventure to get
you all up here as a family.
You're going to road trip together to the wedding.
Oh, we are.
We have organized everything from transportation to lodging
and all of the fun along the way.
No way.
So pack your bags.
The four of you will meet up and leave
tomorrow morning at 8:00 AM.
Tomorrow?
Oh, and Maggie, don't worry about Darwin.
We've already got a plane ticket for him.
That's all taken care of.
We want this trip to be about you four
getting to know each other.
We love you all so much.
BOTH: Let the adventure begin.
Dad, what the hell.
ALLEN [ON PHONE]: Well, hello to you too, sweetheart.
How long is this little road trip of yours?
ALLEN [ON PHONE]: Well, thanks.
We're excited about the wedding, too.
Dad, I'm serious.
Where's this destination wedding going to be?
ALLEN [ON PHONE]: Thompson Falls, Montana.
You want us to road trip with two strangers from Tucson
to Montana.
ALLEN [ON PHONE]: Look, you're strangers now.
But you watched the video.
That's the point of the road trip.
Dad, we're not doing this.
I'm buying tickets for Maggie and me.
SUMMER [ON PHONE]: Honey, it's OK.
ALLEN [ON PHONE]: Would you at least sleep on it for me?
I'll let you know when our flight gets in.
I'll talk to you later, Dad.
Can you believe that?
He really thought it was OK to have us just drop everything.
From after the day you've had--
I'm sorry you've had to put up with this.
Wait, were you seriously considering this road trip?
It doesn't seem so bad.
Are you kidding?
It's like 1,400 miles.
We can fly there in four hours.
I just--
I just thought it would have helped
me get my mind off of Darwin.
Well, let's go pack your bags again.
THEO: Then they come flailing out of the water
and they're crying.
And we're just sitting there laughing our asses off at them.
And they're like, we got caught?
And we're like, yeah, we could see the bottom of the canoe
the entire time.
Dude, what a bunch of idiots?
That sounds like just way too much work to smoke a joint.
Thank you.
I mean, Cush Canoe is a pretty good name.
Right?
Kamilla came up with that.
Oh, she sounds cool.
You must be Sean and Maggie.
I'm Olan.
This is my brother Theo.
Nice to meet you.
Hi, I'm Maggie.
This is Sean.
High.
So we're going to be siblings, ha?
Step siblings.
THEO: Which is a form of-- of sibling.
So I'm going to keep it simple and stick to siblings, ha?
[laughs] Yeah.
[car hooter]
Shit.
Of course.
Salutations, peasants.
The Shield-maiden has arrived.
Come on.
Zorg!
[laughter, jubilation]
[vocalization]
Zorg, you're still alive.
How've you been, man? - Yeah.
Great, great, man.
Fate brought us back together again.
That fickle bitch.
You are so weird.
Yeah.
It's the drugs.
THEO: Oh, OK.
Hey, Zorg.
Every summer we used to go on tour with our mom's band.
And we just-- we haven't seen this in a long time.
Your mom was in a band?
Oh.
Oh, Neon Valkyrie was more than just a band.
It was spiritual enlightenment.
A communion with the gods--
Holy offerings, so to speak.
It was a rock band.
Oh, your mind was too young to grasp the grandeur of the thing.
[laughs] Lass can I tarry with you mortals any longer?
Summer beckons, and her voice calls you North.
Here, scan this QR code.
OK.
A QR code?
That's definitely dad.
$50 says it doesn't even work.
You must helm this vessel now, young wolf.
Their fate is in your hands.
Take it easy, Zorg.
Tell Summer I said hey.
ALLEN [ON PHONE]: Well, here we are at the beginning
of our journey.
We know it's really early.
But we couldn't wait for you to meet each other.
ALLEN [ON PHONE]: And thanks to the Shield-maiden,
you are going to travel in both comfort and style.
SUMMER [ON PHONE]: Don't take too long
getting to know each other.
The road to Thompson Falls is long and full of surprises.
ALLEN [ON PHONE]: Enter the coordinates
that are in the envelope, and then hit the open road.
Your first stop won't be for a while.
Keep your eyes peeled for the 222nd mile.
SUMMER [ON PHONE]: Once you're done at your first stop,
scan the next card.
We'll see you soon.
Couple of lovebirds.
Listen, your mom seems like a lovely woman.
But our dad's crazy.
These are bound to add hours onto our trip.
Let's not make this any longer than it needs to be.
Besides, this looks like it'll barely make it to Thompson Falls
anyway.
Look, don't worry about the Shield-maiden.
I mean-- and she'll-- she'll make it just fine.
I promise.
Are you saying that you want to skip stops?
Are you saying you don't?
Well, we don't even know what they are yet.
Yeah, but I know my dad.
And I doubt he calculated these stops properly.
But I'm OK with whatever you think is best.
Well, Dad did say that the first stop wasn't for a while.
We could start driving and see what happens next.
That's a great idea.
So we want shotgun.
[uplifting music]
OLAN: This is the exit.
THEO: Stinky boots.
OLAN: Stinky boots.
SEAN: What the hell is stinky boots?
I can't believe they tore it down.
I know.
But they didn't get the shoes.
Stinky boots.
[laughs]
Good Oh, so when I was 10 and Theo was 7,
we were on tour with our mom.
And the Shield-maiden broke down right at this exit.
The drummer was trying to fix it.
But Theo and I got really bored.
So Mom snuck in and stole the boots off the bass player
while he was sleeping.
And she threw them right up there.
Why'd she throw her boot?
It reeked, like, bad.
Really bad.
She bought him a pair of purple moccasins at the next stop, So.
He wore them on every tour till the end
of the band's career.
Really, I don't think he ever took them off.
Stinky boots.
I get it.
Can we go now?
BOTH: Ha.
The stinky boots isn't just a story.
Well, stinky boots is a game.
We can't leave until we hit the shoes.
Oh.
Hey.
Nice job.
Did you let me win?
Of course not.
I'm serious.
Did you let me win?
Of course not.
Either way, you both hit it, right?
So we can go now?
Well, we kind of all have to hit it.
[jubilation]
What are the next coordinates?
[breathing heavily]
SUMMER [ON RECORDING]: We hope your boots aren't too stinky.
[breathing heavily]
ALLEN [ON RECORDING]: You've got to try this killer ice cream.
I'm going to go get this killer ice cream.
Do you want a drink or anything?
[door closes]
[door bangs]
[door closes]
[engine revving]
Oh, no.
[upbeat music]
Yo, it's your first time, chief?
Hmm?
Aren't you late to lure some kids in your van?
Good one.
[door opens]
[door closes]
Listen Burning Bush, some of us have places to be.
[stirring music]
[banging]
Hey, I didn't know they let retards have driver's licenses.
Hey, Tinkerbell, is that your inbred brother?
[engine revving]
Hey, guys, get a load of these flavors.
They've got Ted Bundy's butter pecan,
and Kemper's cookies and cream, and John
Wayne Gacy salt and caramel.
[laughs]
What happened?
This guy OK?
We gotta go.
What happened?
We gotta go.
Get in the van, OK.
What happened?
Please just get in the van.
Thank you.
[sighs]
[engine roaring]
Do we have any kind of music to listen to?
It wouldn't matter if we did.
You know, for the past three months I've
been forcing teenagers to talk.
So at this point, I'm--
I'm pretty much the master of icebreakers.
So why don't we get out our chisels, break some ice,
and get to know each other, ha?
Yeah, I think we need to because I
don't know who you are anymore.
THEO: All right, so there's a lot that we could choose from.
But my personal favorite is two truths and a lie.
That one's fun.
Perfect.
Sean, are you in?
No, thanks.
There's always one.
All right.
I guess it makes sense that I'll go first, ha?
I'm fluent in sign language.
I once broke my leg while skinny dipping.
And I shared an ice cream sundae with Dev Patel
at a Film Festival.
OLAN: Wow.
You really went for it.
No helping.
Well, usually when people suggest this game,
they're the type of people who want to talk about how cool
they are.
Shots fired.
But the Dev Patel sundae thing is a little too specific.
Yeah, but it's a name drop, so that one's true.
Well, what do you think?
You're not fluent in sign language.
OK.
I thought you weren't playing, but well done.
OK, who's next?
Olan, how about you go next?
OK.
I have an irrational fear of chihuahuas.
I was diagnosed with narcolepsy when I was 14.
And my junior year of college--
I was invited to recite one of my poems at the White House.
Well, the White House is your name drop.
So that one's true.
Have you ever met someone with narcolepsy?
I don't know.
Have I?
Nice try.
You have a better poker face than your brother.
Or is it just the narcolepsy?
Chihuahuas-- final answer.
Narcolepsy.
Dang it.
All right, Maggie, your turn.
I finished four marathons.
I still sleep with the blankie my grandma
gave me when I was born.
And I slept in a bunk bed for the first year of my marriage.
THEO: Those are solid.
What are you thinking
Well, you called it a blankie.
So there's your name drop.
And you use the word finished, which is interesting because I
think if you were really into running,
you would have finished more than four.
The bunk bed thing is specific--
depressing, but specific.
So I believe that.
So I gotta say, the marathons is the lie.
No.
The marathons are true.
The blankie?
It's in my suitcase.
So you didn't sleep in a bunk bed for the first year
of your marriage?
OK.
No.
It was a futon.
All right, I'll go.
But how about you just ask me three questions instead?
Awesome. Yeah.
OK.
Let's-- let's start easy.
What do you do for work?
I used to work for a tech company.
Used to.
OK.
What happened there?
I stopped working for a tech company.
You have one more.
OK.
What's your favorite color.
[uplifting music]
So we have the two bedrooms down here--
one is a master bedroom.
The other one is a guest bedroom.
I'll let you guys sort out who gets what.
OK.
So the fridge is fully stocked for you guys.
All right?
Thanks to your parents.
If you need to do the laundry for any reason,
it is at the top of the stairs.
If you guys need me for any reason,
knock on the door on the other side of the laundry room.
I'll be right down.
All right?
Thank you so much.
Oh, please.
We love Summer and Allen.
All right, I'll let you guys get some sleep.
Oh, Summer wanted me to give you this.
Psych-- just kidding, anyway.
OK.
It's been killing me.
I wonder what's in that thing.
CD or DVD or?
Yeah.
All right.
And with that, I'll get out of your hair.
Actually, one more thing.
I've got to hit the store real quick
to get some protein powder.
You guys need anything?
I think we're good.
Yeah.
Also, hey, I go on a run every morning to get some cardio in.
You guys are welcome to join.
I can slow down for you.
Hmm?
All right, then.
OK.
You two can take the master bedroom.
And we'll be in the guest.
Are you sure?
Absolutely.
Too bad it's not a bunk bed.
Why?
You miss kicking my mattress all night?
I told you I wanted the top bunk.
Do you want a shower?
Yeah, I will, but you can go first.
I want to do some stretching real quick.
OK.
Is that for real?
Is what for real?
That.
Oh, yeah.
I've had it for years.
It's real?
Yes, it's real.
I used to draw your logo all the time on my wrist, on my thighs,
on way too many pairs of jeans.
CFBP was the coolest thing ever to me.
But we were just a shitty teen ska band.
And cannibal Fire Breathing Penguins
is the worst band name ever.
I loved your music.
I still do.
In fact, I converted all your old CDs into my phone.
[ska music]
CFBPs for life.
[door closes]
THEO: Shit, are you serious?
What's going on?
[sighs] I grabbed the wrong duffel bag.
I grabbed my camp bag.
Oh.
Gross.
Yeah.
Now I have to wash all this shit.
Hey, do you have the keys?
I was thinking I might spend the night in the Shield-maiden.
Are you sure?
It's not going to be like, overload for you?
Yeah.
I mean, I hope so.
I need something.
Yeah.
Thanks.
[sweeping music]
SUMMER: Olan, turn the volume up.
OLAN: I can't.
The volume knob is gone.
SUMMER: What do you mean?
Where'd it go?
OLAN: It's not there.
I don't know where it is.
SUMMER: You don't know where the volume is?
OLAN: Yeah, I checked up and down, left and right.
SUMMER: Did you look in your ear?
OLAN: I can't see my ears.
SUMMER: Wait, I think I see it.
OLAN: What?
Was that magic?
SUMMER: Yep.
Here it is.
What kind of music are you going to play?
OLAN: I'm going to play rock and roll.
SUMMER: Rock and roll.
Let's hear it, baby.
Turn it up.
THEO: Are you sure we can't get past his truck?
Not without jacking it up.
The Shield-maiden will probably be fine, but not his truck.
What time did the video say that we needed to be on the road
again?
An hour ago.
We need to get to Utah by the end of the day.
Well, we'll just have to wait for Phil.
And then we'll probably have to skip a couple stops
to make up the difference.
Go put the stuff in the van.
I'm going to get his keys.
[door opens]
Wicked.
Yes.
[screaming]
Wow! Wow!
[invigorating music]
Holy shit, holy shit, holy shit.
Hey, get in the van.
We really gotta go.
Please get in the van.
Get in the van.
[engine revving]
Hey!
What are you doing, you pervert?
Sorry.
We had to move the car so we could leave.
We just gotta-- sorry.
You're a lovely woman.
Phil is a very lucky man.
Yeah, well, you're lucky he's not here, you sicko.
You seriously didn't see any of the signs
that Phil was married?
There were pictures in the basement of the two of them.
Sorry.
I must have missed the guided decor tour.
And she was completely naked?
Well, she had a towel in her hair
that she kind of used to cover.
Look, the point is, is that it got us out of there.
And now we're here.
Good morning, y'all.
My name is Charlotte.
Is there anything I can get for you to start with drink?
SEAN: I'd love some orange juice.
MAGGIE: Orange juice sounds great.
Yeah, do you have any apple juice?
Absolutely.
Apple juice.
Great.
I'll have some water.
Thanks.
[whispering]
What's happening?
What?
It's happening again.
[laughter]
Oh.
She's-- she's younger than most of them are.
Younger than what?
Here you go.
[whispering]
I'm sorry.
I don't mean to bring this up, but are you--
I'm Wong.
It is him.
We absolutely loved your show.
It was such a shame what they did to your character.
You were the best part of that show
right up until the very end.
I appreciate that.
[background music]
So you got anything else in the works?
Nope.
I think that we are ready to order.
OK.
SEAN: So what's the story?
Are you supposed to be famous or something?
Well, yeah, Sean, I'd love to tell you more about my past,
because you know what?
You did ask very nicely.
So you were on a TV show?
Wright and Wong.
Six seasons.
And you were Wong?
That was the joke--
every episode
Sounds racist.
Maybe.
The whole thing was I was adopted by a Chinese family.
And my partner was actually Chinese.
So they would mix the two of you up all the time?
You got it.
Yeah, it was actually a really good
show, if you could get past the whole procedural cop
show antics.
So then why did it get canceled?
Yeah.
The waitress said you were great up until the end.
Yeah.
In the sixth season there was writing changes
specifically to my character.
And people didn't love him.
Views went down and that was that.
Is there anything else we may have seen you in?
Nope.
OLAN: Well, there was the stock footage thing.
Seriously?
What stock footage thing.
You know what, Sean?
Why don't you take the sharing stick for just a little bit?
Tell us about how you got such a mean right hook.
My therapist suggested a boxing class to work
through my anger management.
Would you like the sharing stick back?
Or is there more you'd like to know?
When you do stock footage, you shoot
a scene without any dialogue.
So they can be used in commercials
or training videos or whatever.
A big issue with it is that you can use
the footage for a long time.
And?
A white supremacist group used my footage
for their hate campaigns and recruitment videos or whatever.
That's awful.
Can we see it?
My agent does a pretty good job of getting
that shit taken down.
But it's definitely done its damage.
But I do have the original stock footage.
Go to albums.
Oh, I remember where it is.
[upbeat music]
ALLEN [ON RECORDING]: Now that your attitudes
are finer because you've eaten at the diner.
And you've driven so far.
And your rear ends are sore.
SUMMER [ON RECORDING]: It's time for you to meet
some old friends who are neat.
They'll guide you through the past.
We hope you have a blast.
All right.
What are you hipsters looking for?
We are not hipsters, ma'am.
We are but young, weary travelers in search of guidance
from the past.
It's an antique store.
Well done, smart ass.
We think you know our mom.
Hold a pigeon's tit, you're Summer and Allen's kids.
Pardon?
Yes.
Kassidy, get out here.
We've been looking forward to meeting you.
These are Summer and Allen's kids.
Oh, hey, nice to meet you.
I'm Kassidy.
ALL: Hi.
Oh, hell, I'm Harley.
You can tell which one of us was raised right.
So do you know what we're here for?
Of course we do.
You're here for the vest.
Harley, we weren't supposed to tell them.
They're supposed to search for it.
Oh, hell, they can still search.
It just won't take them three hours.
Harley, you're my favorite part of this trip.
Our mom's vest?
Yeah.
She gave it to us as a keepsake when she stopped touring.
She was wearing it the first time we saw her perform.
Saltair '82.
We got backstage passes just so we could meet her.
Hell of a summer.
Hmm.
Oh, your mom's going to perform at the wedding.
So she's going to need that vest.
Best start looking--
lots to dig through.
[sweeping music]
Well, you know you've got to try it on.
HARLEY: Oh, hell yeah.
You look great.
It looks like it was made for you, kiddo.
Summer is going to get such a kick out of seeing you in it.
[phone rings]
Hi, Jeanine. JEANINE [ON PHONE]: Hey, Maggie.
We figured the two of you were off doing something
fun for Darwin's birthday.
But we don't want to interrupt.
So if you'll just put the phone on speaker,
we can sing this and let you two lovebirds
get back to your festivities.
Actually, Jeanine, I--
BOTH [ON PHONE]: [SINGING] Happy birthday to you.
Happy birthday, dear Darwin.
Happy birthday to you.
MAN [ON PHONE]: Happy birthday, big guy.
JEANINE [ON PHONE]: We love you. All right, sweetheart.
You have a good day.
Bye, bye.
You too, Jeanine.
Who was that?
My in-law--
Darwin's parents.
It's Darwin's birthday today.
So why'd they call you?
Because I'm his secretary.
Because he's always busy.
And I'm always with him.
But is that such a bad thing that they trust me?
Well, no.
But Darwin's not a 12-year-old boy.
He's a grown ass man.
He can take his own phone calls.
And if not, they can leave a message.
Mags, he's still your lock screen?
I don't know.
I just haven't thought about changing it yet.
No, we need to change this.
What's your code?
I don't care.
No, no.
What's your passcode?
Sean, I don't care.
It doesn't matter to me.
Bullshit.
I see you in the van.
You look at your phone and you get sad.
Now, what's your passcode?
Maybe I don't want to change it yet.
Maybe I'm not ready to move on yet.
It's been three days.
OLAN: Hey.
What's going on?
SEAN: Just shit with her ex-husband.
Darwin?
The guy Allen was talking about?
Doesn't he know they're broken up?
Look, I don't remember picking up the sharing stick.
OK?
OK.
[phone rings]
Oh, son of a bitch.
Is that him?
Mess with him.
Pardon?
He's being a douche.
You should mess with him.
Yeah.
I mean, how would I mess with him?
Aren't you an actor?
Improvise.
Hello.
DARWIN [ON PHONE]: Hello.
Who is this?
Oh, this is Crush, man.
DARWIN [ON PHONE]: Crush?
Where's Maggie?
Who's this.
DARWIN [ON PHONE]: I'm her husband, asshole.
Put her on the phone.
Wait a minute.
This-- this isn't my phone?
DARWIN [ON PHONE]: No, it's not your phone, dipshit.
Now, let me talk to Maggie.
She's not here, man.
DARWIN [ON PHONE]: Well, where the hell is she, Crush?
Look, just have her call me back.
Oh, I can totally take a message, brah?
What's going on?
Who are you talking to?
Darwin called.
I told Theo to mess with him.
Mess with him?
I didn't say anything bad.
Are you serious?
[door opens]
SEAN: Is that Darwin?
Yeah.
Are you going to answer that?
Yeah, I think I should.
Why?
Because I think you're a little phone
call earlier merits an explanation.
You're going to give an explanation to the asshole
who left you without one.
Yeah, because he's the asshole, not me.
That's why I'm going to answer his phone call.
Yeah.
You're not an asshole.
You're a pushover.
You need to stand up for yourself.
Oh, so I should just stand up for myself
by ignoring the problem?
You're sending a message.
What's the message?
You don't get it.
You're right.
I don't get it.
That's why I'm asking you for an explanation-- a better
explanation than just getting angry.
You need to grow up.
Being an adult is about setting boundaries,
about not being pushed around, and not being so meek that you
can't get what you want.
Oh, grow up?
I'm not the one making prank phone calls, Sean.
Am I getting lectured about maturity by the girl who
still sleeps with her blankie.
I should have just taken the call.
[door slams]
[sirens]
ANNOUNCER: We now return to the Wright and Wong-athon.
[theme music]
[suspenseful music]
This is your last chance, Detective.
Where's the real laptop?
I know the one in the dumpster behind Morris's was a plant.
The only plants are the ones in the crowds
at your campaign rallies.
Need I remind you, a little girl's life is
on the line, Detective Wright.
You got two things wrong, Councilman Laguzio.
One, the laptop behind Morris is in the dumpster--
was the real thing.
And two, I'm Wong.
He's Wright.
[clanging]
Looks like you're going to be late to your city
council meeting, Carmine.
Little help here.
Are you seriously watching this?
Why?
You can't watch this anymore?
Why would I want to watch this?
This is a good show.
Yeah, it's in season 2, so it is a good show.
Hey.
When are you going to forgive yourself?
I ruined my entire career.
Oh, you ruined your career?
The ratings didn't drop until I got into the writers' room.
How many episodes did you write?
None.
But I was giving ideas.
And they were definitely being taken.
Well, it's not your fault if a writer uses shitty inspiration.
Ouch.
I'm just saying it's their job to know
what makes a good storyline.
Right?
It's not like you forced them to write anything.
Yeah, but it was my ideas that tanked season 6.
I love you, bro.
But you weren't big enough to ruin that show on your own.
Maybe it just ran its course.
That show was supposed to be the springboard that pushed
me to bigger and better things.
What have I done since then?
Played zip, zap, zop with some 12-year-olds?
Yeah.
You did.
Gross.
That's like 10, 12 steps back.
Says who?
I don't think it's a step back.
Maybe it's just another step.
Before you know it, the only work that I will be able to get
is doing those celebrity video requests, quoting
Wright and Wong for 30 years.
[sighs]
I remember how excited you were
when that pilot got picked up.
We had just started a game of bowling when your agent called.
Yeah, we were at the bowling alley, Tapa's place, right?
Yeah.
Did you-- did you take--
I stole the shoes.
I still have them.
Sometimes it's OK to rely on your past
to get you through the present.
As long as it's pushing you forward, not pulling you back.
[door closes]
What the hell, Dad?
ALLEN [ON RECORDING]: Up and at em, campers!
It's time to take a hike.
Are you kidding me?
[stirring music]
[door closes]
Hey, man, we're getting pretty close to the next stop.
Do you want to check out the video?
SUMMER [ON RECORDING]: Hikers, hail and well met.
Hopefully, the journey for the rings
has not made you too tired yet.
Rings?
Wait.
Like, their wedding rings?
We were supposed to get them at the Airbnb?
Did the owner give anyone rings?
No.
Sean?
No.
This is first stop eight.
Where's stop seven?
It was the next one in the envelope.
We're missing stop seven.
[door opens]
Are you going to help?
Why would it be in the back seat?
They're looking in the only place it would be.
Can you at least pretend to care about this?
These are their wedding rings.
Why the hell would they have us pick them up?
This whole trip is ridiculous.
We have to go back to the Airbnb.
SEAN: Holy shit.
Bro, that's going to take an entire hour.
It'll set the entire day off.
Well, we're not going back for Ed Kemper's cookies and cream.
We're going back to find their wedding rings.
Why don't we just call them?
I'm sure they'd understand. THEO: That'll stress them out.
They have enough to worry about already.
OLAN: I'm sure they'd agree, Theo,
that this takes precedence.
You sure you just don't remember where you put them?
Are you seriously questioning my memory?
You're the one that put in the coordinates this morning.
Yeah, I got it out of the envelope that you're organizing.
Olan.
Why don't we just call my dad?
Oh, my God.
Put your phone away.
We're not calling anyone.
We're not going back to the Airbnb.
Just get in the van.
I came on this trip for you, not to go
on some asinine fetch quest to find rings
in the middle of the woods.
OLAN: Woods?
Yeah.
I told you our dad would take things too far.
And of course, the happy couple thought it would be a great idea
to send us two hours out of our way to pick up the most
important part of the ceremony?
What did you do?
I got rid of a two-hour detour on our trip.
I didn't know about the rings.
Where's the card, Sean?
It's gone.
I tore it up.
Awesome.
SEAN: I still have the coordinates on my phone.
But like I said, they lead to the middle of nowhere.
Did the video say anything else?
I didn't finish it.
And I don't have it pulled up anymore.
Let me see the coordinates.
This is Isak's place.
How far are we from the next stop?
10 minutes.
OK.
First, we take care of that.
Then we take care of this.
[doors shut]
SUMMER [ON RECORDING]: Hikers, hail and well met.
Hopefully, the journey for the rings
has not made you too tired yet.
ALLEN [ON RECORDING]: We are so excited to see you.
We might just explode.
Follow these coordinates and find the mother lode.
SUMMER [ON RECORDING]: The place to retrieve
them is open all day.
Now, go get those fireworks and be on your way.
Hey, aren't you guys open all day?
We sold out last night.
Sorry.
We were told to pick up a box here for Summer and Allen.
We don't do that.
Who's in charge here?
Oh, of course.
I'll radio him.
Hang on.
Hey, Taylor, can you come over here?
What?
Are you in charge?
What about this.
Makes you think someone's in charge?
It's probably our matching uniforms.
Right.
You're supposed to have a box of fireworks for us.
Maybe he knows about it.
Taylor, get over here.
They're both named Taylor.
Ha.
Hey, what's up?
Did you set aside fireworks for these guys?
Oh, for the wedding, right?
Yeah, that's us.
Yeah.
Ted handled that one.
OK.
Where's Ted?
Well, once he buys the surplus of fireworks
we don't see him again until the fall, when
school starts back up again.
Yeah, he sells them to students over the next year.
Wait.
Like in the school parking lot?
No, no out of his classroom.
We all teach at Salmon High.
Look, does Ted have our fireworks or not?
Sounds like it.
Well, give us Ted's number, then.
He doesn't give his number out.
Hey, didn't you give him a ride home last night, Taylor?
Holy shit, they're all named Taylor.
[door bell]
THEO: Where the hell is Ted? OLAN: We can't just sit here.
We need to get those rings.
SEAN: Well, if we want those fireworks,
then we've got to wait.
Can't we just call the ring guy
and tell him we're going to be late?
No, he doesn't have a phone.
We're going to have to split up.
You guys go get the rings.
We'll wait for Ted.
Are you sure?
The rings aren't close.
That's going to take a while.
MAGGIE: We don't have a choice.
We'll meet you back at the fireworks stand.
Be safe.
How are you holding up?
Hey, we-- we never opened that package for mom.
We should probably do that.
Oh, yeah.
THEO: Oh.
Oh, no way.
Hey, didn't I see you with that volume knob earlier?
Pop that puppy in.
Come on.
I'm-- I'm sorry.
You don't-- you don't have the poem yet, do you?
Now it takes longer than it used to.
I mean, at least you got the item, right?
Yeah.
But it's not three.
Do you think, I don't know, maybe
you're a little fixated on this one,
so you can't find the other two?
Look, I-- if it's that powerful of a memory,
it's not going to go anywhere.
Why don't you let me hold on to it until you find the rest?
Hey.
It'll be right there, OK?
[rock music]
I should have brought snacks.
Well, should we order food?
Here?
Are you serious?
And I'm hungry.
We don't know when Ted's going to show up.
OK.
SEAN: Food's about a minute out.
They're in a dark gray truck.
I feel like we're teenagers again.
What do you mean?
If you've got something to say, just say it.
I was just hoping that this trip
would help get us closer again.
It sucks that it isn't.
Chicken's here.
Thanks.
For what?
Our food.
The hell are you talking about?
You don't have our chicken?
What chicken?
Our Willie's Chicken strips that we ordered.
What are you doing on my property?
Your property?
MAGGIE: Sean.
That's Ted.
TED: Why are you ordering Willie's
Chicken from my property?
Your Ted?
Who's asking?
So that's a yes.
You've got our fireworks.
What are you talking about?
He placed an order at your fireworks stand.
And we're here to pick them up.
Don't know anything about that.
But if you'd like to buy some of my fireworks,
I'd be happy to sell them to you.
SEAN: I'm not one of your delinquent students, Ted.
Now give us our fireworks.
You know, looks like this one will do just fine for you.
Yeah, that's the one.
Give it to us.
All right.
For $2000.
You're selling fireworks to students for $2000?
[chuckles] I'm selling them to you for two grand.
That's not going to happen.
MAGGIE: $2000, and you give us our fireworks?
Cash.
We'll be back.
Should have let her do the talking from the start.
SEAN: Hey, I'm not going to pay $2,000 for fireworks
that belong to us.
You're right.
We're not going to.
This place.
It's beautiful.
[door opens]
[door closes]
Yeah.
Beautiful.
My heart's in my throat right now.
Are you sure you want to do this?
I think so.
You think so?
Get down.
Let's do this.
OLAN: This place looks different.
Different how?
Just so much new growth.
I hardly recognize it.
Wait.
You know the way, right?
Listen, I'm just making sure, OK?
I just-- I'm not trying to get lost.
You don't remember this place at all, do you?
Remember the creepy shit.
Yeah, you were pretty young--
fear of the unknown.
Unknown?
My ass.
There are dolls in these trees.
Dolls in the trees?
Look, I'm not talking some Suzie Talks A Lot.
I'm talking Blair Witch pagan shit.
Yeah, if there's one thing that Salmon, Idaho is known for,
it's the witches.
It's not funny.
[door bell]
What do you want?
I got your chicken.
The hell are you talking about?
Simple as I can say it, dude.
I've got your chicken.
I didn't order any chicken.
What's all this?
Sure looks like you ordered it.
[door opens]
Stinks in here.
TED: Why would I need this much chicken?
Why would anybody need this much chicken?
I don't judge, man.
I just deliver.
I'm going to deliver my foot to your ass
if you don't get this chicken off my porch.
The conversation's over.
You gotta hide.
What's going on?
Are you OK?
Wow.
Maggie, are you OK?
Don't worry.
I'm coming.
[door opens]
[door bell]
Damn it, chicken boy.
[door bell]
Do you like Willie's, Ted?
Did you order this chicken?
I'm already spending a fortune on fireworks.
I'm not going to buy you dinner too.
Look, do you have the money?
Got the amount I'm going to pay you.
You're going to pay what I told you,
sweetheart, otherwise you won't get anything.
From what I remember, these fireworks are for a wedding,
right?
They're going to be awfully sad if you show up empty handed.
So are you buying the fireworks or what?
I'm going to go with or what.
What?
Enjoy your chicken, sweetheart.
Oh.
[laughter]
Yes.
ISAK: What kind of meat do you think this is?
[tribal music]
Beast?
Venison?
Taste it.
The flavor will give it away.
No, thank you.
ISAK: Something wrong?
You don't want any?
THEO: No.
I'm full.
Oh, you're not full.
You've been hiking for an hour.
Eat.
I had an entire pocket full of trail mix on the way up,
actually.
So I'm OK.
[coughing]
It's rabbit.
I made it for you every time you visit.
You used to love this stuff.
I even saved the feet.
I used to give him to the band.
But today I'm giving him to you.
It's rabbit?
Yeah.
However, I used to make it as nuggets.
Should I have made it as nuggets today?
I think they're great like this.
Thank you.
Oh.
Do you have any sauce?
[laughter]
Oh, it's good to see you boys again.
Now those rings were forged with all the passion
taught to me by your mother.
[sweeping musing]
The chance I have to symbolize her new union
is one that I will cherish forever.
Yeah, I thought you might recognize that.
The first thing he'd go for every time you stop by--
it's my old bait box.
He'd take that with him down to the river every time we'd go.
SUMMER: That's Uncle Isak's tackle box.
OLAN: [indistinct]
SUMMER: Do you want to go fishing?
OLAN: Yeah.
SUMMER: How many fish are you going to catch?
OLAN: 100.
SUMMER: 100?
OLAN: Actually, 1 million.
SUMMER: Wow.
I don't think you can catch 1 million.
Can you?
OLAN: I can.
SUMMER: Wow.
How many fish are you going to catch?
THEO: I don't know.
SUMMER: Olan and Theo, can you say thank you to Uncle Isak?
OLAN: Thank you, Uncle Isak.
THEO: Thank you, Isak.
What's a skein?
Well, it's like the yarns all, like,
rolled in together in a ball.
There were 200 of them?
Oh, at least.
There was a lot of yarn.
[laughs] Oh, my God, Ted.
[laughs]
Mags, I'm sorry that this trip hasn't brought us
closer together like you hoped.
Well, I feel closer.
It wasn't fair of me to say that this trip wasn't
bringing us closer together.
I mean, this is the last place that you'd ever want to be,
like, ever.
But here you are.
So thanks.
Maya-- my app got bought by a porn company.
What?
The app I spent two years conceptualizing
and three years developing was purchased by a porn company.
Why did a porn company want your app?
What was it?
I developed a software that was going
to help refugees learn English faster through phonetic voice
recognition.
Wow.
SEAN: The AI is so good that it can detect
which of your favorite stars is in a scene,
even if they don't talk.
Are you serious?
I was the only one who didn't want to sell.
We were going to help a lot of people.
Ever since then, I've struggled in situations
where I don't have control.
At least that's what my therapist said.
I'm so sorry.
That sucks.
Having no control in a situation is awful.
[rock music]
[jubilation]
MAGGIE: We're getting food before the next stop, right?
Yeah, I'm starving.
I'm game.
Can we please not do fast food?
My stomach needs something real.
There's a barbecue place at the next exit.
Let's do it.
What did that sign just say?
Anaconda, Montana.
That's nuts.
SEAN: You guys get it on?
No.
Well, you at least got her number?
No.
We said our goodbyes and then just kind
of-- see you at camp next year.
Well, you want to see her though, right?
Well, yeah, I want to see her.
But I don't want to look like a stalker.
You are still wearing your camp clothes.
[laughter]
Oh, shit.
That is not happening.
That'll work.
The waiter will be over shortly--
get you guys started off with some drinks.
If you need anything else before that, my name is Joshua.
Thank you.
So do you see her?
That actually might be her over there.
What are you doing?
Stop it.
That's like the thing you don't do.
So is it her or not?
I said it might be.
I don't know.
[romantic music]
KAMILLA: OK.
What can I get started for you guys today.
Hollywood.
What are you doing here?
Just eating barbecue and stalking you.
KAMILLA: Well, that does sound pretty fun.
Killer shirt, by the way.
Can we talk?
KAMILLA: I think that's very sweet of you
to be doing all of that for your mom.
Yeah, I do what women tell me.
Oh, yeah.
Yep.
KAMILLA: Then tell me, did you really drag me
into this dark corner of Burl's barbecue
just to brag about being chased by a naked woman
and eating rabbit with a hermit?
No.
Then why did you?
Cause seeing you here at Burl's barbecue
has been more exciting than any of that.
Well, that's a pretty good line, Detective.
Note to self, don't be vulnerable around Kamilla.
[laughs]
So have you thought any more about coming
back to camp next year?
Yeah, I have a lot.
I don't know.
OK, well, why would you come back?
I like the kids.
I really like the people I met.
KAMILLA: And why wouldn't you?
I'm afraid.
I'm afraid if I go back that I'll keep going back.
That's a bad thing?
I-- I just don't know if it's going
to be a good thing for my career down the road or--
Well, is it a good fit now?
I think so.
Well, enjoy it while it fits.
SEAN: Are you into the host?
Joshua?
Yeah.
The one whose name you remember.
You totally are.
All I did was say thank you.
That's all your mouth did.
Who was supposed to be the grown up here?
Was it you?
OK.
All right, fine.
I think he's cute.
You happy?
I mean, sure.
But that's your guy?
Doesn't he remind you of Darwin?
Well, what's wrong with that?
Nothing, I guess.
You've seen yourself, right?
You could land literally anyone in here.
I just don't know why you'd want to be reminded of Darwin.
There's a reason I married Darwin.
There's a lot of things I loved about him.
Like, I don't hate him.
He just turned out to be an asshole.
All right.
So you like Darwin 2.0.
Go get him.
Oh, my gosh.
I'm serious.
You need to get out of your comfort zone and go talk to him.
You need to get out of your comfort zone.
[SINGING] You are my destiny
That one goes out to Trisha.
I still love you, baby.
You should get up there and sing.
That's stupid.
Those are not equal tasks.
You're right.
Me going and flirting with him is way harder than you going up
and singing to a crowd full of strangers.
Snap up that vest, sweetie.
You're on.
I got the karaoke routed into the bathroom.
That guy really loves Trisha.
Where's everybody?
[rock music]
No way.
[SINGING] Putting one foot in front of the other
Taking a step
And then I'm taking another
Trying to get somewhere
But I'm treading water
Do you want to dance?
Yes, ma'am.
Can't look back
Seems like nothing's behind me
No one to help cause they can't even find me
Trying to feel something
But it's such a bother
And I just don't know where I'm trying to go
No, I just don't know where I'm trying I go
Been trying to fake it
You're what I need to get through
I gotta make it
Find my way back to you
I'll find my way back to you
You
Nights unknown
You're where I'm tryna go
Yeah, you're all I know
You're where I'm trying to go
I've been trying to fake it
Do what I need to get through
I gotta make it
Find my way back to you
I'll find my way back to you
[door opens]
[door creaks]
KAMILLA: Oh.
[laughing]
Oh, thanks.
It's nice to know you're a liar.
The hell?
You said Anaconda wasn't exciting.
Oh, yeah, well, it isn't.
But Burl's barbecue-- I mean, that's another story.
Hmm.
[laughs]
Sorry.
I'm not as easy as Joshua.
Oh, don't worry.
I wouldn't want you to be.
Hey, call me when you crack the case of camp, Detective.
I gotta go.
Can I have your number?
No.
But this was fun.
Thank you.
[cheering]
[J. LYMAN FT. ISCHA BEE, "WAVE OF INFINITY"]
SUMMER [ON RECORDING]: Well, it's been a long day.
You've been all over the map.
ALLEN [ON RECORDING]: Now, with your bounty in tow,
it's time to take a nap.
SUMMER [ON RECORDING]: Thanks for your help, kids.
It means a lot.
We know today was a big day.
We love you.
And we'll see you soon.
We are wave of infinity
We are wave for infinity
Oh I think we'll go check in.
[phone vibrating]
Did dad try to call you?
No.
Why?
Hey, bad.
ALLEN [ON PHONE]: Sean.
Where's Olan?
He's checking us in.
We just got to the hotel.
ALLEN [ON PHONE]: I need you to get him on the phone.
OK.
What's up?
MAN: Last name, please.
ALLEN [ON RECORDING]: Yes.
B-E-C-K-S-T-R-O-M. OLan.
It's still me, Dad.
What's happening?
ALLEN [ON RECORDING]: Summer just
passed about 20 minutes ago.
[melancholy music]
Sweetie, I need you to get the phone to Olen.
Sean.
What's wrong?
Sean.
What's wrong?
Hey, Allen.
What's up?
Sorry?
THEO: What's going on?
Why is your dad calling?
What do you mean, a stroke?
Allen.
It's Theo.
Yeah, what happened?
Allen talk to me.
Can I talk to my mom?
What's going on?
[melancholy music]
THEO: Hey.
Hey.
[crying]
[melancholy music]
Olen.
Does Allen need his room back?
No.
He's OK.
Doesn't look like you are, though.
You said you went to therapy?
Yeah.
Anger management.
How long?
I went for three months and then quit.
I've been going for two years.
We sorted through all my possessions--
stuff I've had for decades--
deciding what to keep and what to get rid of.
You know how many of those things belong to my mom?
And now they're gone.
And those are going to replace them?
The only memory attached to those will be her death.
You think that's what she'd want for you?
The one thing I did learn from therapy
was that I got to use my past to help me with my present.
And the second it stops helping, I gotta let it go.
If you learned anything about me from this trip,
I'm not good at doing that.
So I guess I should have stayed in therapy, ha?
Don't let this get too cold.
[knocking]
Theo.
I brought you some food.
Thanks.
Need anything else?
I could have spent so much more time with her.
I was just in such a hurry to get out of Tucson.
I mean, I spent so much time in LA
working on my career just to end up teaching at a summer camp.
I could have stayed home with her and done all that shit.
And she wanted me to go.
How was I supposed to know I wasn't going to have more time?
I can't imagine what you're going through.
But I do know what it's like to be
someone who's stuck in their hometown,
making all the safe choices.
There's no way I could have done all the things you've done.
But hearing about your mom, I'm not surprised you could do them.
She really was amazing.
The fact that we were this close to seeing her
makes it hurt a lot worse.
I can't imagine what it would be like without you guys.
[sweeping music]
You know what?
Breaking out that wedding cake, huh?
Right now.
ALLEN: The four of you--
that's all she talked about for the last month.
And she couldn't wait to meet you.
She couldn't wait for you to meet each other.
She may be gone.
But you know, I--
I see her light and creativity in your eyes.
And I'm just glad that gets so stay with me.
Dad was pretty excited when I told him that you're going to be
staying with me for a while.
And seriously, you could stay with me as long as you need.
Well, I was actually thinking about getting my own place.
Oh.
Yeah.
You don't have a bunk bed.
It's kind of a deal breaker for me, so.
[laughter]
I think I'm going to take a break from poetry.
No.
Taking step backwards is my thing.
You're not stopping writing.
Yeah, I'm not--
I'm not taking a break from writing.
I think I want to write a memoir--
a book about mom.
I can't wait to read it.
What about you?
Well, I don't know.
Got a little bit of time to kill before I go back to camp.
So you are going back?
Yeah.
It fits right now.
Looks like you won't be getting
any more siblings after all.
Step siblings.
Which is a form of siblings, so I'm
just going to keep it simple--
stick with siblings.
[sweeping music]
[laughter]
[SINGING] Flip that switch, but I'm trying to deny it
Electrical flow, and I can't even fight it
Every step I take is one step closer
Now it's all I know
You're where I'm trying to go
Yeah, you're all I know
You're where I'm trying to go
Been trying to fake it
Do what I need to get through
I gotta make it
Find my way back to you
I'll find my way back to you
You
Nights unknown
You're I'm tryna go
Yeah, you're all I know
You're where I'm tryna go
I've been trying to fake it
Do what I need to get through
I gotta make it
Find my way back to you
I'll find my way back to you