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Downloaded from
YTS.MX

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[people chattering]

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[person 1]
<i> You want to try one?</i>

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<i>What do you say?</i>
[person 2]<i> Let's do it. Yes.</i>

5
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[person 1]<i> Let's shoot.</i>
[person 2]<i> Yep. Shoot.</i>

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Official YIFY movies site:
YTS.MX

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<i> John, shoot.</i>

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[crew continues chattering]

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[person 2]<i> Let's go.</i>

10
00:00:13,837 --> 00:00:15,539
<i> Roll Keanu back up.</i>
<i> Let's shoot.</i>

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00:00:15,608 --> 00:00:16,972
[person 3]
<i> Okay, let's mount up.</i>

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[person 4]<i> Here we go.</i>

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[person 5]
<i> Keep the charge. Go time.</i>

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[person 2]
<i> All right. And let's roll.</i>

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[person 6]<i> Quiet, please.</i>

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[pistol clicks]

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[person 2] And let's roll.

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[person 7] Rolling.
Very quiet all around, please.

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[person 8] B.
[person 9] Victory 88 Charlie,
Take 1. A-mark.

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[person 10] Guys doing
the shell casing,
it will come this direction.

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What's a good eyeline here
to look at them?

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[person 10]
Let's see. That's good.

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[person 11]
Here to here to here?

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No, uh,
bring it around a little bit.

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[person 2] That's good.

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[person 3] That's better.
You like that?

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So, I'll start here.
Three, two, one,
and I'll just be like, "Fuck."

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[person 3] Stand by.
[person 7] Standing by.
Here we go.

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Yeah, let's see what comes.
But if we can get the pull
and--

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[person 3] Quiet, please.
All right, very good.

31
00:01:05,228 --> 00:01:09,761
And thank you.
Okay. Ready and action.

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[grunting]

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[groans]

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[grunting]

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[person 3] Good. Cut.
[person 7] Cut.

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[person 3] There you go.
[Reeves] You like that?

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[person 3]
A little bit of anger is good.

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[Reeves] When we say,
<i> "John Wick</i> is pain,"

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it's kind of like
a "Fuck yeah," you know?

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It's like a "Fuck yeah.
<i> Wick</i> is pain."

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It's like,
"It's so good, it hurts."

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Or, "It hurts so good."

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Um...

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And I think...

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I think that's why
the audiences like it, too.

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I think you can see it
on the screen,

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and there's a kind of B movie,
B-action genre to it,

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taken to, like,
a super high artsy level
in a way.

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But there is the joy
of people getting hit by cars

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and falling from impossible...
Like, "You can't survive that."

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And-- And then John Wick
kind of getting back up
or struggling.

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It's like an invitation,
you know?

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And it kind of
takes care of you,
and it feels authentic.

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I believe
that that's in the movies,

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and that when you watch them,
you're like,
"Yeah, this is like..."

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As John Wick says
in<i> John Wick,</i>

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"It's personal."

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[upbeat electronic music
playing]

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You know, I always looked at it
with, like, art envy,

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with, you know,
Scorsese and De Niro.

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You know, like, De Niro
had his director, you know?

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And so, when I think of that,
then that's what I think of.

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Like, with
the<i> John Wick</i> role, I had--
I had my director there.

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[Stahelski] This is 87eleven.

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I try to start my day here
every morning at 6:00 a.m.

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before I go into the office.

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[stunt performer grunts]

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[Stahelski] This is where all
the stunt performers
come to train.

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We've trained
for all the<i> John Wicks</i> here.

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It's also where I have to come
and try to keep
the joints working.

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Yeah,
a lot of miles on the body.

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The wear and tear
of not just stunt work,

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but of all the martial art
and the physicality
that I've done.

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I've broken my hands,
both ankles, both knees,
both hips, both shoulders,

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both elbows, both arms,
several concussions.

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But if you're passionate
about something,
pain's part of it.

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I don't think you can have
one without the other.

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It's really about choice.

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What you're willing to do
to achieve what
you want to achieve.

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Nice.

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Growing up,
my dad was very athletic.
Mom was very athletic.

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Everybody in the house
got up at 6:00.

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Before we went to school,
we did laps with Mom
in the pool,

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or we went for a jog,
we went for a run with the dogs
or something like that.

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They had that discipline
of get up,
go do something physical.

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It was already instilled in me
way back then.

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[Eusebio] I-I remember
Chad goes, "What are you doing?
You wanna train?"

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I go, "It's Christmas Eve."
And he's like,
"Christmas evening."

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"You can train in the morning."
Like that kind of shit.

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[Stahelski] I, for some reason,
never gravitated towards
team sports.

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I was a shy kid.

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But when I was probably
only like ten years old,

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I saw a Bruce Lee movie.
I'm like, "I wanna do that."

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So I started doing judo
when I was like ten or 11.

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That kind of
led to the martial art career

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that I started
when I was in California
to go to USC.

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In college, I had met a student
who was one of
the associate instructors

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at the Inosanto Academy
in Marina Del Rey.

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Dan Inosanto
trained with Bruce Lee,

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and he was one of the greatest
martial art instructors
of the time.

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The Inosanto Academy had
almost a collegiate setting.

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It wasn't one martial art.

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He'd bring in instructors
from all over the world.

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Amazing instructors.

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Literally, if I wasn't
going to school, I would
either jog the four miles

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or take the city bus
down to Marina Del Rey
from Downtown LA

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and take classes or spend
my weekends down there.

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I would sleep on
the floor or whatever.

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[Eusebio] Chad was probably
the best kickboxer
in that school.

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I used to watch this guy
just beat the crap out of
everybody.

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[grunts]

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I just remember,
if we were training kickboxing,

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he would try to come up
with the best training drills,

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the best kickboxing drills.

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Everything to just be
the best at what we were doing.

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That's always
been his thing.

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[grunting]

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My last year in college,
I had met a few stuntmen
through the Inosanto Academy,

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like Jeff Imada
and Brandon Lee.

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[grunts]

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Brandon was working on
his acting career,

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trying to, you know,
follow in his father's steps.

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Super motivated guy.

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Had the best laugh
on the planet. Really
talented martial art guy.

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[grunts]

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Every weekend,
we'd get together,

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and we'd do what we thought,
hopefully,
was martial art choreography,

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but it was a bunch of us
just trying to figure out
how to sell a punch

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and learn how to be stuntmen.

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We'd have our old,
big VHS camera, trying
to figure out the angles.

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[chuckles]
I still have some of the tapes.

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I go back and look at them
going, "How did we
not kill each other?"

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I remember Brandon
coming into the gym one night
before a workout,

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going, you know,
"I fucking got it."

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We're like, "What you get?"
and he's like, "Look,
they're gonna make<i> The Crow.</i>

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I got the job
being Eric Draven."

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00:08:01,879 --> 00:08:04,844
It was really, really cool.
Like, we were so happy for him.

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00:08:05,046 --> 00:08:08,644
It was a big deal.
Big deal for Brandon
to get that.

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00:08:08,813 --> 00:08:13,415
And that's, um,
that's kind of how I got
my first big gig in Hollywood.

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I was still competing
at the time and getting ready
for a big bout in Japan,

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and Brandon had just gone off
to North Carolina
to Carolco Studios,

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00:08:23,094 --> 00:08:24,698
where they were shooting
<i>The Crow.</i>

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And we got a call
saying there was an accident.

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00:08:30,577 --> 00:08:32,375
We're like,
"He'll be fine. It's Brandon."

145
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You know,
we didn't think anything of it.

146
00:08:34,314 --> 00:08:36,471
And he died, I think,
14 hours later.

147
00:08:39,953 --> 00:08:44,647
And then the show shut down.
They were still
a couple weeks from finishing.

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00:08:44,816 --> 00:08:48,951
Between Alex Proyas,
the director, the studio,
and Linda Lee, Brandon's mom,

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they decided
to finish the film.

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00:08:52,328 --> 00:08:55,324
Jeff Imada had contacted me,
and he knew how close
we were to Brandon.

151
00:08:55,493 --> 00:08:57,632
He knew I was already doing
some stunt work at the time.

152
00:08:57,801 --> 00:09:01,369
And Brandon and I had
very similar body types.

153
00:09:01,538 --> 00:09:03,667
You don't know what to think.

154
00:09:03,836 --> 00:09:06,468
Selfishly, one part of me
is like, "Wow, this could be
really cool to finish, man."

155
00:09:06,637 --> 00:09:08,740
The other thing is like,
"What the fuck
are you talking about?"

156
00:09:08,942 --> 00:09:10,913
You're like,
"Your friend's dead."

157
00:09:11,115 --> 00:09:14,678
I-I can't recall
what my actual head
or mindset was at the time,

158
00:09:14,847 --> 00:09:16,886
but I decided to do the job.

159
00:09:17,054 --> 00:09:19,318
And Alex brought me down
to a little basement
in the studio there,

160
00:09:19,487 --> 00:09:23,021
and we watched for like
two days straight every
daily we could of Brandon.

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00:09:23,190 --> 00:09:26,395
And he'd make me mimic walking,
talking, sitting,

162
00:09:26,564 --> 00:09:28,256
just every
mannerism Brandon had.

163
00:09:28,459 --> 00:09:30,900
And since I had known him
for a couple years,

164
00:09:31,069 --> 00:09:34,034
it was one of
the most surreal experiences
you'll ever go through.

165
00:09:35,001 --> 00:09:38,203
Your career starts
because of that.

166
00:09:45,551 --> 00:09:47,408
[Bernhardt]
Chad, when I first met him,

167
00:09:47,577 --> 00:09:51,117
had, like, this long,
beautiful hair down to here.

168
00:09:51,917 --> 00:09:53,558
Insane. It was incredible.

169
00:09:53,794 --> 00:09:56,760
He looked like Daniel Day-Lewis
in<i> The Last of the Mohicans.</i>

170
00:09:58,328 --> 00:10:03,362
We actually met
through a mutual friend
at one of the first UFC fights.

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00:10:03,531 --> 00:10:07,201
Somebody was watching it
at home, and we all
met at somebody's house,

172
00:10:07,370 --> 00:10:10,074
and Chad and I just met,
and we started talking about
martial arts.

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00:10:10,143 --> 00:10:11,905
Totally hit it off.

174
00:10:12,374 --> 00:10:14,869
And I said,
"Hey, I'm up to do
the sequel to<i> Bloodsport."</i>

175
00:10:14,938 --> 00:10:17,278
He was like,
"I love<i> Bloodsport.</i>
I'd love to be involved."

176
00:10:17,447 --> 00:10:19,212
So he came onboard.

177
00:10:19,380 --> 00:10:21,749
He became one of the fighters.
He did one of
the fights with me.

178
00:10:21,918 --> 00:10:23,454
And Chad actually
choreographed that fight.

179
00:10:23,623 --> 00:10:25,782
And at the time,
Chad was really into trapping.

180
00:10:25,951 --> 00:10:27,591
We did a lot of trapping.

181
00:10:27,760 --> 00:10:30,221
Chad used all my kicking.
I'm a Tae Kwon Do guy.

182
00:10:30,390 --> 00:10:33,693
And it turned out to be
my best fight in the movie.

183
00:10:33,895 --> 00:10:36,227
So when
<i>Bloodsport III</i> came around,

184
00:10:36,396 --> 00:10:38,233
I ask him, "Would you like
to be the fight coordinator?"

185
00:10:38,402 --> 00:10:39,301
So he came onboard.

186
00:10:39,470 --> 00:10:41,300
This time, it's my turn.

187
00:10:41,469 --> 00:10:44,735
And I actually think the fights
Chad did at the time
were incredible.

188
00:10:44,904 --> 00:10:46,844
Even if you watch it now,

189
00:10:47,047 --> 00:10:49,137
it's still a little bit
like, you know,
'90s, like... [grunting]

190
00:10:49,306 --> 00:10:51,383
But the techniques
are already great.

191
00:10:51,585 --> 00:10:53,275
Then I did a movie
called<i> Perfect Target.</i>

192
00:10:53,444 --> 00:10:55,784
It was a smaller movie.
We shot it in Mexico.

193
00:10:55,953 --> 00:10:58,286
So, Chad tells me,
"Hey, listen. I have this buddy

194
00:10:58,455 --> 00:11:01,158
who's gonna come
and visit and wanna hang out
and maybe do some stunts."

195
00:11:01,327 --> 00:11:02,258
I'm like, "Absolutely."

196
00:11:02,426 --> 00:11:03,992
And I meet David Leitch.

197
00:11:06,164 --> 00:11:08,629
[Leitch] I started training
at a martial arts school
in college

198
00:11:08,798 --> 00:11:10,192
called
the Minnesota Kali Group,

199
00:11:10,394 --> 00:11:12,767
and they were affiliated
with Dan Inosanto.

200
00:11:12,935 --> 00:11:14,706
Once I was exposed to
those martial arts

201
00:11:15,008 --> 00:11:18,174
and that sort of
martial art community,
I was, like, obsessed.

202
00:11:18,243 --> 00:11:21,173
And that's where I met
a lot of my friends
for the first time

203
00:11:21,342 --> 00:11:23,848
who are still my friends today.
And one of them was Chad.

204
00:11:24,017 --> 00:11:26,941
He was just saying one day
that he really wanted
to go into acting.

205
00:11:27,110 --> 00:11:30,020
And I was like, "Well, hey,
if you wanna be cast,
why don't you come out?

206
00:11:30,189 --> 00:11:32,885
We'll put you in the movie.
We'll teach you
how to be a stunt guy."

207
00:11:33,087 --> 00:11:35,224
You know, I was gonna go
to LA for holiday.

208
00:11:35,426 --> 00:11:38,162
And he's like, "Why don't you
just come to Mexico
and get on a movie set?"

209
00:11:38,331 --> 00:11:41,032
And I'm like, "Well, I'm not
gonna be working.
It's gonna be weird."

210
00:11:41,201 --> 00:11:43,563
And he's like, "Just come.
It'll be cool.
You'll get to see it."

211
00:11:43,765 --> 00:11:46,996
So, yeah, I took my money that
I was gonna spend on that trip,
and I flew to Mexico.

212
00:11:47,164 --> 00:11:48,740
It was an awesome experience.

213
00:11:51,034 --> 00:11:53,234
[Stahelski]
We just put him to work
as little background extras

214
00:11:53,436 --> 00:11:55,171
and then started
teaching him stunts.

215
00:11:55,340 --> 00:11:57,010
And then he looked like
one of the guys.

216
00:11:57,179 --> 00:11:59,174
So, "Hey, just double
this guy in this fight scene."

217
00:11:59,343 --> 00:12:00,548
He's like,
"What do I gotta do?"

218
00:12:00,717 --> 00:12:02,187
"Just snap your head
like this."

219
00:12:02,355 --> 00:12:05,479
I got to work one day on that.

220
00:12:05,648 --> 00:12:09,085
Brian Thompson throws me
through a wicker chair.

221
00:12:09,287 --> 00:12:11,024
I was so excited.
Couldn't wait.

222
00:12:11,193 --> 00:12:13,692
Just do it again.
Take 2. Take 3. Let's do it.

223
00:12:13,860 --> 00:12:16,400
But luckily it was
a low-budget movie, so they
could only afford one take,

224
00:12:16,569 --> 00:12:18,000
so one breakaway,
and I was done.

225
00:12:19,035 --> 00:12:21,038
[Stahelski]
Dave wasn't pretentious at all,

226
00:12:21,207 --> 00:12:23,005
so it wasn't about looking cool
like stunt guys
are trying to look cool.

227
00:12:23,174 --> 00:12:26,567
He would play any part.
He'd play the guy
that would cry.

228
00:12:26,736 --> 00:12:28,612
He'd play the homeless guy.
He'd play the cop.

229
00:12:28,814 --> 00:12:30,479
A lot of stunt guys
just wanted to do the stunt.

230
00:12:30,548 --> 00:12:31,678
They didn't want to act.

231
00:12:32,014 --> 00:12:33,342
Dave was like,
"I'll do the part."

232
00:12:33,478 --> 00:12:36,284
So, very quickly,
his career kind of took off.

233
00:12:36,486 --> 00:12:39,788
After that couple of years,
we ended up getting
a run on television.

234
00:12:39,991 --> 00:12:42,526
Chad was doubling
the lead on<i> The Pretender,</i>

235
00:12:42,695 --> 00:12:45,025
and I was doubling
a ton of different guys.

236
00:12:45,194 --> 00:12:46,897
There was another thing
that was happening too.

237
00:12:47,066 --> 00:12:51,033
Martial arts had started
to come to America
in terms of action.

238
00:12:52,333 --> 00:12:56,970
Shows like
<i> Buffy the Vampire Slayer</i>
or<i> Martial Law.</i>

239
00:12:57,173 --> 00:13:01,608
And the stunt world
at that time was very cowboy,

240
00:13:01,777 --> 00:13:03,772
car, motorcycle oriented.

241
00:13:04,108 --> 00:13:08,979
But now when you had
this really specific need
for martial arts stuntmen,

242
00:13:09,048 --> 00:13:10,745
we became hot commodities.

243
00:13:10,947 --> 00:13:14,419
And that's when Chad
got his break
on the first<i> Matrix.</i>

244
00:13:17,095 --> 00:13:19,493
[Stahelski] Oh, my God.
That was the first time
I met you.

245
00:13:19,695 --> 00:13:21,360
[Reeves]<i> The Matrix.</i>

246
00:13:21,562 --> 00:13:22,927
It's impossible to really talk
about any of the<i> John Wicks</i>

247
00:13:23,129 --> 00:13:24,468
without talking about<i> Matrix.</i>

248
00:13:24,637 --> 00:13:26,399
-Yeah.
-That's where we all met.

249
00:13:26,567 --> 00:13:28,998
I got this call saying
they were looking for
martial art doubles

250
00:13:29,200 --> 00:13:31,442
for Keanu for a sci-fi movie.

251
00:13:31,611 --> 00:13:33,736
A sci-fi movie!
It was a sci-fi movie.

252
00:13:33,904 --> 00:13:36,772
So I got the call,
and I literally
just went in for an audition,

253
00:13:36,940 --> 00:13:39,076
and that's where I met
Yuen Woo-Ping
and all the guys.

254
00:13:39,245 --> 00:13:41,081
Then they introduced me
to Tiger Chen.

255
00:13:41,250 --> 00:13:43,644
[Reeves] Two-time national
Chinese wushu champion.

256
00:13:43,813 --> 00:13:47,249
[Stahelski] Yeah. It was
pretty mind-blowing actually.

257
00:13:47,418 --> 00:13:49,853
This is Chen Hu.
Call him Tiger Chen.

258
00:13:50,055 --> 00:13:52,955
He was in charge of
training Keanu Reeves
for all the<i> Matrix</i> movies.

259
00:13:53,124 --> 00:13:54,730
He's also my coach.

260
00:13:54,932 --> 00:13:57,625
One of the best performers ever
in<i> wuxia.</i>

261
00:13:57,794 --> 00:14:00,795
So, when I got called
to do the audition in Burbank,

262
00:14:00,964 --> 00:14:05,005
all that was told to me
was it's a Keanu Reeves
sci-fi movie

263
00:14:05,174 --> 00:14:07,268
and they need some kung fu guy.
Sci-fi movie.

264
00:14:07,437 --> 00:14:08,843
I'm like, "You need kung fu?"

265
00:14:09,012 --> 00:14:10,972
He said, "Just go down there
and audition."

266
00:14:11,141 --> 00:14:15,813
I meet Woo-Ping, I meet
the Wachowskis, and they say,
"Okay, follow him."

267
00:14:15,982 --> 00:14:19,814
And he goes fucking
Wile E. Coyote and just
does the Tasmanian Devil thing.

268
00:14:19,982 --> 00:14:22,392
Some of the best
martial arts stuff
I've ever seen.

269
00:14:22,594 --> 00:14:25,522
And I'm like, "Follow him?"

270
00:14:25,691 --> 00:14:28,999
Every tumbling pass,
every kick, every form,
everything.

271
00:14:29,168 --> 00:14:31,702
I'm, like,
in jeans and a T-shirt,
dripping in sweat, going,

272
00:14:31,870 --> 00:14:33,697
"Well, this is
a different kind of audition."

273
00:14:33,866 --> 00:14:37,407
He was like jumping,
kicking, punching.
Woo-Ping says, "This is good.

274
00:14:37,609 --> 00:14:39,072
He looks like Keanu, too."

275
00:14:39,441 --> 00:14:43,304
From the very first day,
he's training all the time.

276
00:14:43,373 --> 00:14:45,539
Every day, even the weekend.

277
00:14:45,708 --> 00:14:47,080
Every weekend
he's just calling me.

278
00:14:47,282 --> 00:14:49,678
I was like, you know,
trying to go out and play,

279
00:14:49,847 --> 00:14:52,484
you know, go somewhere to play,
he was calling me, like--

280
00:14:52,653 --> 00:14:54,559
-No, please. Please.
-"Can we training?
Can we training?"

281
00:14:54,728 --> 00:14:56,591
[Stahelski]
Please don't go karaoke.

282
00:14:56,793 --> 00:14:58,390
I just didn't want to suck.

283
00:14:58,559 --> 00:15:00,594
'Cause I saw Keanu,
and how much
they had trained him,

284
00:15:00,796 --> 00:15:03,231
and he had like a six-month
head start, and he was already,
like, really good.

285
00:15:04,898 --> 00:15:07,495
I had to go through so much
training to learn, like,
the kung fu and stuff.

286
00:15:07,664 --> 00:15:10,438
Hong Kong style.
All the wild wirework.

287
00:15:10,641 --> 00:15:14,273
[Stahelski] And wirework
wasn't huge even in
mainstream stunts at the time,

288
00:15:14,476 --> 00:15:16,576
so I'm almost learning
from Keanu a lot of the times.

289
00:15:16,879 --> 00:15:19,816
He had already been doing
the choreography a couple
months at least, right?

290
00:15:19,885 --> 00:15:21,880
And some of your kung fu
was outstanding.

291
00:15:22,048 --> 00:15:23,546
Well, no. Movie kung fu.

292
00:15:23,715 --> 00:15:25,617
The movie kung fu was pretty--
[Reeves] Movie kung fu.

293
00:15:25,820 --> 00:15:27,449
[Stahelski] You'd already got
the forms right,
everything looks good.

294
00:15:27,651 --> 00:15:28,923
You had the flexibility going.
[Reeves] Yeah.

295
00:15:29,092 --> 00:15:30,962
Oh, yeah.
There you are helping me out.

296
00:15:32,194 --> 00:15:34,262
Yeah, there you go.
Yeah. Fucking awesome.

297
00:15:35,194 --> 00:15:36,693
That's Chad into the wall.

298
00:15:37,394 --> 00:15:39,300
That's Chad into the wall.

299
00:15:40,067 --> 00:15:41,863
That's Chad into the ceiling.

300
00:15:42,065 --> 00:15:45,134
Oh, yeah.
Then he's gonna break his knee
coming down from that.

301
00:15:45,269 --> 00:15:47,071
That's right. Yeah.

302
00:15:47,240 --> 00:15:49,276
[Reeves]
There he is on crutches.

303
00:15:49,445 --> 00:15:51,310
[Stahelski] Before and afters.
[Reeves] Before and after.

304
00:15:51,512 --> 00:15:54,315
Yeah. We learned
so much on that show.
Oh, my God.

305
00:15:55,415 --> 00:15:56,952
[Leitch] Chad came back
from<i> The Matrix,</i>

306
00:15:57,188 --> 00:15:59,284
and he was like,
"Here's what's happening, guys.

307
00:15:59,420 --> 00:16:01,759
Like, they shoot
and edit their own stuff.

308
00:16:01,928 --> 00:16:04,062
They choreograph,
and they cut it all together.

309
00:16:04,230 --> 00:16:07,456
And they're telling
their own stories
in their own sequences."

310
00:16:07,625 --> 00:16:09,164
And they're like,
"We gotta do this.

311
00:16:09,366 --> 00:16:11,061
This is the way we should
be approaching all this stuff."

312
00:16:11,230 --> 00:16:12,567
[crew member] And action.

313
00:16:12,736 --> 00:16:15,897
[stuntmen grunting]

314
00:16:19,372 --> 00:16:20,943
[Leitch]
We started to do it ourselves,

315
00:16:21,379 --> 00:16:23,144
and we would get
all the martial art
stunt guys together,

316
00:16:23,213 --> 00:16:25,280
and we would choreograph
and edit fight scenes

317
00:16:26,547 --> 00:16:29,018
as an exercise,
but also because
we just loved it.

318
00:16:29,220 --> 00:16:31,754
[Perry] We would go and take
a scene from Jackie Chan,

319
00:16:31,923 --> 00:16:33,351
and we would
recreate that scene.

320
00:16:33,553 --> 00:16:35,317
And it became very apparent
that Chad and Dave

321
00:16:35,485 --> 00:16:36,660
were thinking like directors.

322
00:16:36,895 --> 00:16:38,157
Like, why did
the camera go there?

323
00:16:38,393 --> 00:16:40,964
Why did we use this lens?
How many shots?

324
00:16:41,067 --> 00:16:42,925
How many moves do we hold here
before we move here?

325
00:16:43,127 --> 00:16:46,100
Previs was a game changer.
Now directors saw
what we can do.

326
00:16:46,235 --> 00:16:47,696
[Stahelski]
Soon we became known for that.

327
00:16:47,899 --> 00:16:50,170
People would request them.
Directors would request them.

328
00:16:50,339 --> 00:16:52,136
Somewhere along the way,
we started a stunt team.

329
00:16:52,305 --> 00:16:53,539
Then we started
a stunt company.

330
00:16:55,607 --> 00:16:58,476
-[barking]
-They don't like that camera.

331
00:16:58,645 --> 00:17:02,218
[cameraperson]
They don't like it?
No. I can tell.

332
00:17:04,182 --> 00:17:06,723
[Moneymaker] The idea behind
87eleven was that
it was a one-stop shop.

333
00:17:06,926 --> 00:17:09,490
They were
an action design company.

334
00:17:09,659 --> 00:17:12,230
You come here
and you get a fight team,
a fight coordinator,

335
00:17:12,432 --> 00:17:16,067
stunt coordinator,
second unit director,
the whole package in one.

336
00:17:17,160 --> 00:17:18,495
Whoo!

337
00:17:18,664 --> 00:17:19,901
[Moneymaker] We were all
kind of with this team,

338
00:17:20,170 --> 00:17:21,505
we worked together,
we trained together.

339
00:17:21,607 --> 00:17:23,199
Chad and I got married.

340
00:17:23,368 --> 00:17:25,341
So it was a very fun time.

341
00:17:25,509 --> 00:17:27,571
Cheers.

342
00:17:27,773 --> 00:17:29,838
I'll talk to you in a bit. Bye.
See you later. Bye.

343
00:17:29,940 --> 00:17:31,508
[Hernandez] Even if
we didn't have a project,

344
00:17:31,944 --> 00:17:33,874
Chad would just
make us do drills
like we had a project.

345
00:17:33,943 --> 00:17:36,243
Put us in situations like,
"Choreograph this.

346
00:17:36,446 --> 00:17:39,313
You guys gotta learn
this martial art.
Let's do this. Let's spar.

347
00:17:39,482 --> 00:17:41,551
Let's put a knife in hand.
Let's see what happens
when we do this."

348
00:17:41,720 --> 00:17:43,225
[Stahelski] Our company
started to get bigger,

349
00:17:43,394 --> 00:17:45,894
and I was the one that was more
of a coordinator first,

350
00:17:46,063 --> 00:17:48,057
so Dave was working
for me a lot.

351
00:17:48,226 --> 00:17:51,600
Dave and Chad. Okay,
let's step out and narrate this
for a second, okay?

352
00:17:51,802 --> 00:17:53,100
[Stahelski] All right...

353
00:17:53,302 --> 00:17:55,730
Two partners.
Two best friends. Here we go.

354
00:17:55,899 --> 00:17:58,700
Aw, see, there's the hug.
Aw. [chuckles]

355
00:17:58,869 --> 00:18:00,538
They were best friends,
thick as thieves.

356
00:18:00,974 --> 00:18:03,411
You know,
always training together,
always working together.

357
00:18:04,548 --> 00:18:06,684
But then we were
very fortunate,
we had a lot of work offers,

358
00:18:06,786 --> 00:18:08,481
so Dave started
doing his thing.

359
00:18:08,883 --> 00:18:11,153
And he became
a stunt coordinator
and a choreographer as well.

360
00:18:11,222 --> 00:18:14,224
[Leitch] Switch your lead
to the right lead.

361
00:18:14,393 --> 00:18:18,459
[Renae] By that time,
they were like
this old married couple

362
00:18:18,661 --> 00:18:22,458
that bickered and fought,
but also, like,
tight as can be.

363
00:18:22,660 --> 00:18:24,859
We used to call them
Dad and Uncle Dad.

364
00:18:25,062 --> 00:18:27,737
[Leitch] Before<i> John Wick,</i>
Chad and I had directed

365
00:18:27,905 --> 00:18:29,202
a lot of second unit together.

366
00:18:29,538 --> 00:18:31,535
And then our company
was getting so many calls

367
00:18:31,604 --> 00:18:33,243
that we started
to work separately.

368
00:18:33,411 --> 00:18:36,214
I was doing big second units.
He was doing big second units.

369
00:18:36,382 --> 00:18:37,972
Action.

370
00:18:38,174 --> 00:18:40,115
We were seeing each other
every day
and talking every day.

371
00:18:40,284 --> 00:18:42,309
We'd riff different ideas
for choreography.

372
00:18:42,512 --> 00:18:45,412
He'd be on, like,<i> TRON</i>
and be like, "Hey, how
do I do laser disc things?"

373
00:18:45,581 --> 00:18:48,786
And I'd be like, "There's
some ideas," and bounce things
off of each other.

374
00:18:52,697 --> 00:18:55,625
[Leitch] You start to realize,
"I'm telling one third
of the story.

375
00:18:55,794 --> 00:18:58,127
I might as well tell
the whole story." [chuckles]

376
00:18:58,296 --> 00:19:00,263
[Stahelski]
Dave was already going down
the first unit director

377
00:19:00,332 --> 00:19:02,140
before I was actually.

378
00:19:02,575 --> 00:19:04,841
I was still, you know,
pretty content doing
all the second unit stuff.

379
00:19:04,909 --> 00:19:06,871
I was really getting the itch,

380
00:19:07,273 --> 00:19:11,011
and I was, like, out there
looking to find scripts
and get them developed,

381
00:19:11,079 --> 00:19:13,448
but to not much success.

382
00:19:14,449 --> 00:19:16,580
They were offered movies
left and right,

383
00:19:16,749 --> 00:19:19,416
but they were all like
the $5 million specials,

384
00:19:19,585 --> 00:19:20,958
and they
turned everything down.

385
00:19:21,127 --> 00:19:23,524
They were waiting
for the right, right project.

386
00:19:26,961 --> 00:19:28,661
At the time,

387
00:19:28,830 --> 00:19:32,797
I had finally optioned
my first screenplay
to Voltage Pictures.

388
00:19:32,966 --> 00:19:36,270
It was 1,500 bucks which,
at the time,
was two months' rent.

389
00:19:36,439 --> 00:19:38,309
And I was trying to figure out
what to do next.

390
00:19:38,478 --> 00:19:41,110
I remember just kind of going,
"I haven't done
a revenge movie."

391
00:19:41,278 --> 00:19:42,670
And our neighbors
were heading out of town,

392
00:19:42,839 --> 00:19:44,774
and they had
just adopted a chorgi,

393
00:19:44,943 --> 00:19:47,615
which is a Chihuahua-corgi,
puppy named Moose.

394
00:19:47,784 --> 00:19:53,450
And I always write
slouched in my chair
with a pillow across my chest,

395
00:19:53,619 --> 00:19:56,227
and the puppy
slept on the pillow.

396
00:19:57,261 --> 00:19:59,296
And I started writing,
and I'd be like,

397
00:19:59,464 --> 00:20:03,060
"Man, what if someone
killed this fucking puppy?"
[laughs]

398
00:20:03,262 --> 00:20:06,802
We had met Derek
on a general meeting.
I'd read another script of his.

399
00:20:07,004 --> 00:20:10,901
And he pitched this. He's like,
"I have this action script
I wrote called<i> Scorn."</i>

400
00:20:11,103 --> 00:20:14,811
I remember vividly
reading it that weekend
and emailing Basil.

401
00:20:14,979 --> 00:20:17,871
I still have the email,
and it was like, "There's
something about this script.

402
00:20:18,040 --> 00:20:19,243
I think it's 'cause
I love dogs.

403
00:20:19,445 --> 00:20:20,576
The villain's really thin,

404
00:20:20,878 --> 00:20:22,646
and it's not perfect
by any means,

405
00:20:22,714 --> 00:20:24,413
but I think
we should go for it."

406
00:20:24,615 --> 00:20:26,747
And he wrote back, "I agree."

407
00:20:26,950 --> 00:20:29,159
There was just a clean,
crazy hook.

408
00:20:29,328 --> 00:20:32,357
"You killed my dog,
and now I will exact revenge."

409
00:20:32,526 --> 00:20:34,726
I wrote it
with Paul Newman in mind.

410
00:20:34,895 --> 00:20:37,829
So, he was in his early 70s.
It was a Robert De Niro type.

411
00:20:37,997 --> 00:20:40,329
His wife dies,
he gets the dog,
and the car is stolen,

412
00:20:40,498 --> 00:20:42,030
and he kicks some ass.

413
00:20:42,199 --> 00:20:46,374
The dog was the last tenuous
connection he had to his wife.

414
00:20:46,543 --> 00:20:50,739
But the body count was,
you know, less than two dozen.

415
00:20:50,874 --> 00:20:52,679
[Iwanyk]
But I realized soon afterwards

416
00:20:53,048 --> 00:20:56,181
that I may have
backed myself into a corner
because of the age.

417
00:20:56,249 --> 00:20:58,880
And so then I was thinking,
"Okay, do you go with
slightly younger?

418
00:20:59,048 --> 00:21:00,882
You know,
what's that age underneath it?"

419
00:21:00,984 --> 00:21:03,020
Then we started
thinking about Keanu.

420
00:21:03,455 --> 00:21:06,662
Keanu's agent is Basil's
best friend from childhood
and my first boss.

421
00:21:06,731 --> 00:21:10,292
And he was like, you know,
"Keanu is looking
for something."

422
00:21:10,495 --> 00:21:16,063
[Iwanyk] He just did<i> 47 Ronin</i>
and was just finished shooting
<i>Man of Tai Chi.</i>

423
00:21:16,232 --> 00:21:19,772
He's ready to lean
into his movie star-ness.

424
00:21:19,941 --> 00:21:22,205
'Cause the thing about Keanu,
and a lot of actors like this,

425
00:21:22,374 --> 00:21:25,275
but especially Keanu,
when he feels like
he's repeating himself,

426
00:21:25,444 --> 00:21:27,214
he runs the other way.

427
00:21:27,383 --> 00:21:29,585
And sometimes
you have to get an actor

428
00:21:29,754 --> 00:21:33,422
when he or she is ready
to give the audience
what they want.

429
00:21:33,591 --> 00:21:36,093
And Keanu was at a moment
in time where he's like,

430
00:21:36,262 --> 00:21:38,585
"I'm ready to be
an action star again."

431
00:21:38,754 --> 00:21:42,894
And so we met, and soon
afterwards, he attached
himself to the project.

432
00:21:45,304 --> 00:21:47,829
We took about six months
of developing the script

433
00:21:48,031 --> 00:21:50,471
with Keanu's notes
with Derek Kolstad.

434
00:21:50,640 --> 00:21:52,637
We spent a lot of time together
on that first one,

435
00:21:52,806 --> 00:21:56,273
and it was slow going,
like page, line by line.

436
00:21:56,442 --> 00:21:59,913
He spent just as much time
on other people's dialogue
as he did on himself.

437
00:22:00,082 --> 00:22:04,250
At a certain point,
it was like, "Okay,
how much longer could this go?"

438
00:22:04,385 --> 00:22:06,480
We could develop this forever.

439
00:22:06,882 --> 00:22:08,855
And then, always-- there's
always an inflection point
on these movies, right,

440
00:22:08,924 --> 00:22:11,489
in development, when you
develop with an actor,
where you go,

441
00:22:11,658 --> 00:22:13,531
"Okay,
can we bring a director on?"

442
00:22:13,733 --> 00:22:16,426
And he said yes.

443
00:22:16,594 --> 00:22:20,127
But in the period of our
development, couple things
happened, unfortunately.

444
00:22:20,329 --> 00:22:22,732
<i> 47 Ronin</i> came out,
and it didn't do well.

445
00:22:22,934 --> 00:22:25,773
<i> Man of Tai Chi</i> came out
and disappointed.

446
00:22:25,942 --> 00:22:30,504
So the narrative that
Keanu Reeves is an action star
just evaporated.

447
00:22:30,673 --> 00:22:33,982
And all of a sudden,
our director list
went from here to like here.

448
00:22:34,151 --> 00:22:38,551
We're gonna have to really
work hard to find
a proper director for this.

449
00:22:38,754 --> 00:22:40,788
Keanu was like, "Listen,
I'm gonna give the movie

450
00:22:40,957 --> 00:22:43,988
to Chad and Dave
for second unit.
They're action directors.

451
00:22:44,655 --> 00:22:46,562
What if they directed?"

452
00:22:46,764 --> 00:22:51,835
So, from my notes
from an email,
in the forensics of<i> John Wick,</i>

453
00:22:51,937 --> 00:22:53,534
you met with Basil.

454
00:22:53,969 --> 00:22:56,939
I wanted you and Dave
pitched to them
to be the directors

455
00:22:57,008 --> 00:23:00,309
on April 29th, 2013.

456
00:23:00,478 --> 00:23:02,406
A week before,
you had sent me the script.

457
00:23:02,608 --> 00:23:03,872
Yeah.
And we had talked.

458
00:23:04,141 --> 00:23:05,644
And we had talked.
Well, you had sent it to me

459
00:23:05,712 --> 00:23:08,319
for the action.
For the action. Yeah.

460
00:23:08,488 --> 00:23:10,484
I was like, "Yeah"--
Well, no,
I had called for action,

461
00:23:10,653 --> 00:23:13,354
but then I think you
came back to me saying,

462
00:23:13,523 --> 00:23:15,758
"Dave and I
would like to direct it."

463
00:23:15,960 --> 00:23:18,259
Oh, no.
I think you smiled and went,
"Yeah, that's why you're..."

464
00:23:18,461 --> 00:23:20,495
Yeah. And so,
then I was like, Basil--

465
00:23:20,664 --> 00:23:23,700
You were manipulating us.
[laughs]
I was... [mumbles]

466
00:23:23,869 --> 00:23:25,101
But I was hoping.

467
00:23:25,470 --> 00:23:28,636
And then I saw
from Basil's email to me,

468
00:23:28,705 --> 00:23:32,770
he wrote, "Best
directors meeting he's had."

469
00:23:32,972 --> 00:23:35,537
We put together
this incredible lookbook here,

470
00:23:35,739 --> 00:23:41,111
and we started to sort of
build the worlds of<i> John Wick</i>
in the way we saw it.

471
00:23:41,313 --> 00:23:45,579
It was a lot more stylized than
I think anyone saw on the page.

472
00:23:45,748 --> 00:23:48,715
Peace. He's looking for peace.
[chuckles]
Look at that shot of Keanu.

473
00:23:48,884 --> 00:23:50,620
Emotional connection.

474
00:23:50,823 --> 00:23:52,592
See, we said
all the right things.

475
00:23:52,760 --> 00:23:54,463
We talked about it
being a modern fable.

476
00:23:54,665 --> 00:23:57,264
We talked about this sort
of visual minimalism.

477
00:23:57,433 --> 00:23:59,930
She knew
he needed an attachment.

478
00:24:00,099 --> 00:24:03,738
Yep. And that was a whole week
of casting for Daisy.

479
00:24:03,907 --> 00:24:06,567
[Leitch] We wanted
to have a world of,
like, fun cars.

480
00:24:06,736 --> 00:24:11,779
We wanted to have sort of
our exploration of action
and gun fu.

481
00:24:11,947 --> 00:24:14,778
Yeah, and again, sort of
the love letter
to graphic novels

482
00:24:14,947 --> 00:24:17,077
and anime
and all of that that we love.

483
00:24:17,246 --> 00:24:20,818
Transformation.
Guns, lots of guns.

484
00:24:21,021 --> 00:24:25,162
Boogeyman. World.
New York City. The Continental.

485
00:24:25,364 --> 00:24:26,360
They just
didn't talk about the action.

486
00:24:26,428 --> 00:24:27,957
They talked about the emotion

487
00:24:28,393 --> 00:24:30,362
about what the world
looked like
and about everything.

488
00:24:30,430 --> 00:24:32,027
I was blown away.

489
00:24:32,430 --> 00:24:35,499
This is--
It's a pretty damn good
lookbook. [laughs]

490
00:24:35,567 --> 00:24:38,975
You have to remember,
we saw<i> John Wick</i> as like
this tiny little thing.

491
00:24:39,144 --> 00:24:41,769
Two stunt guys directing,
like, "No one's ever gonna see
this thing, so fuck it.

492
00:24:41,937 --> 00:24:45,610
We'll just try some
weird ideas. We'll use it
like as a training exercise."

493
00:24:45,779 --> 00:24:49,113
And, you know,
then they said yes.

494
00:24:49,281 --> 00:24:51,854
And now we're like,
"We better know
what we're doing."

495
00:24:52,056 --> 00:24:55,257
I remember thinking,
"Oh, my God, we got
these two great action guys

496
00:24:55,426 --> 00:24:57,191
before anyone else
can get them.

497
00:24:57,259 --> 00:24:58,956
What a home run."

498
00:24:59,425 --> 00:25:01,555
And I'll never forget,
like three weeks
after we hire them,

499
00:25:01,624 --> 00:25:04,299
Ed Pressman,
the famous Ed Pressman
who's since passed away,

500
00:25:04,468 --> 00:25:06,627
calls me
about something else.

501
00:25:06,796 --> 00:25:10,003
And he goes,
"You stole my directors."
I'm like, "What do you mean?"

502
00:25:10,172 --> 00:25:13,141
"Yeah, we're about to go
into prep on a movie
that I was producing.

503
00:25:13,310 --> 00:25:14,505
They were gonna direct it."

504
00:25:14,674 --> 00:25:15,737
I'm like, "What movie?"

505
00:25:15,806 --> 00:25:17,413
And they're like...

506
00:25:17,915 --> 00:25:20,514
It was a movie
like<i> Midnight Run</i>
with Jean-Claude Van Damme

507
00:25:20,583 --> 00:25:22,611
and PSY
from "Gangnam Style."

508
00:25:22,780 --> 00:25:25,787
And I'm like,
"Those are the directors I got?
That was the other option?"

509
00:25:28,423 --> 00:25:32,022
[Kelley] Uh, the shorter
the beard is, the harder it is
to make it look real.

510
00:25:32,191 --> 00:25:33,787
[Leitch] Well, we would want it
to be a bushy one.

511
00:25:33,956 --> 00:25:35,232
Okay. Right, right.

512
00:25:35,434 --> 00:25:38,995
I mean, we have to make
some hard choices.

513
00:25:39,164 --> 00:25:41,895
I mean,
I was just like pulling,
like what is--

514
00:25:42,097 --> 00:25:44,339
I didn't know what exactly.

515
00:25:44,508 --> 00:25:46,803
Are they more
in this happiness?

516
00:25:46,972 --> 00:25:48,475
Yes, this is
more in their happiness.

517
00:25:48,644 --> 00:25:49,840
We're hoping for that.
Okay, okay.

518
00:25:50,009 --> 00:25:51,647
And of course,
what I worry about this is,

519
00:25:51,816 --> 00:25:54,877
you can see it on this side,
is how patchy that beard is.

520
00:25:55,046 --> 00:25:56,686
I mean,
that doesn't bother me.

521
00:25:56,855 --> 00:25:58,716
If you guys can live with that,
because if we get that short,

522
00:25:58,885 --> 00:26:00,314
I can't add hairs
to fill that in.

523
00:26:00,483 --> 00:26:01,919
[Smith] That doesn't bother me.
This bothers me.

524
00:26:02,288 --> 00:26:03,624
[Stahelski] Anything we do
is gonna get a picture taken

525
00:26:03,693 --> 00:26:05,220
and sent to people
making a decision.

526
00:26:05,389 --> 00:26:06,361
[Leitch] They'll approve
and we'll figure it out.

527
00:26:06,530 --> 00:26:07,992
[Stahelski]
We want the beard.

528
00:26:08,161 --> 00:26:09,863
[Leitch] The distributor
wants him not to have a beard.

529
00:26:10,132 --> 00:26:12,999
Like he's supposed to be
the Keanu Reeves
of<i> The Matrix.</i>

530
00:26:13,068 --> 00:26:15,701
And we're afraid
to shave it off because,
you know,

531
00:26:15,870 --> 00:26:19,040
he's done that look
a million times.

532
00:26:19,209 --> 00:26:22,279
Unfortunately,
they're distributing the movie
and have sold it foreign,

533
00:26:22,481 --> 00:26:24,745
and they know
what their people want, so...

534
00:26:24,914 --> 00:26:27,444
I guess nobody cares
what we want.
Asia hates beards.

535
00:26:27,646 --> 00:26:29,278
[person] I know.

536
00:26:29,480 --> 00:26:30,916
[Stahelski] Asia hates--
[Leitch]
That's what they said.

537
00:26:31,085 --> 00:26:32,253
If we leave a beard,
no one's gonna see the movie.

538
00:26:32,422 --> 00:26:33,754
The movie's gonna flop.

539
00:26:33,923 --> 00:26:35,926
[Stahelski] Can't be
a first-time director--

540
00:26:36,095 --> 00:26:39,091
"First-time directors,
you want to hang it out there
and have a beard? Okay."

541
00:26:41,199 --> 00:26:42,963
Bye-bye, John Wick.

542
00:26:44,330 --> 00:26:46,263
Partial bye-bye.
We're not going bye-bye
all the way yet.

543
00:26:46,432 --> 00:26:48,639
[Stahelski] Yeah, no.
It's like,
"Hello, new John Wick."

544
00:26:54,909 --> 00:26:57,571
[Kelley] So,
this is the next guard down.

545
00:26:58,549 --> 00:27:00,576
[Stahelski]
Still looks like a beard.

546
00:27:00,778 --> 00:27:02,750
That's what
I'm concerned about too,
and what they're gonna think.

547
00:27:02,886 --> 00:27:06,051
Looks just like a beard.
[chuckles]
[Reeves laughs]

548
00:27:06,220 --> 00:27:08,483
[Leitch] Go to the next level?
Gotta go to the next level.

549
00:27:09,226 --> 00:27:10,620
Go one more down?

550
00:27:10,789 --> 00:27:12,157
Well, that's beard.

551
00:27:14,095 --> 00:27:15,794
[Smith] We're all just like,
holding on.
I know.

552
00:27:15,963 --> 00:27:19,003
They were pretty
straightforward about...

553
00:27:19,205 --> 00:27:20,299
[Kelley] No beard.
Yeah.

554
00:27:20,468 --> 00:27:21,433
[Kelley] Yeah.

555
00:27:21,602 --> 00:27:24,499
[tense music playing]

556
00:27:31,542 --> 00:27:33,248
[Stahelski] We're going to get
action out of the hair.

557
00:27:33,417 --> 00:27:35,015
Gotta get it a little bushy.

558
00:27:36,615 --> 00:27:37,655
A little...

559
00:27:41,421 --> 00:27:42,583
Okay.

560
00:27:46,958 --> 00:27:48,358
Chuck it! Chuck it! Chuck it!

561
00:27:52,161 --> 00:27:53,862
The suit
definitely helps.

562
00:27:54,064 --> 00:27:55,497
It's all about the suit.

563
00:27:56,935 --> 00:27:58,467
It's all about the suit.

564
00:28:04,574 --> 00:28:06,183
[cameraperson]
Tomorrow will be
the first day, right?

565
00:28:06,352 --> 00:28:07,814
Tomorrow will be the first day.

566
00:28:07,983 --> 00:28:09,817
Tomorrow will be
the first day of photography.

567
00:28:09,986 --> 00:28:13,216
[Leitch] We are looking at
the John Wick house,

568
00:28:13,418 --> 00:28:16,460
and it's sort of three-quarters
of the way dressed.

569
00:28:16,628 --> 00:28:19,154
And we're gonna block
some scenes here

570
00:28:19,323 --> 00:28:22,165
and be ready
to shoot tomorrow, hopefully.

571
00:28:22,334 --> 00:28:23,558
We're getting on with it.

572
00:28:28,167 --> 00:28:30,466
[laughs]
[cameraperson]
What does it say?

573
00:28:31,334 --> 00:28:33,040
[Leitch]
We're shooting on Monday?

574
00:28:33,706 --> 00:28:34,637
[phone ringing]

575
00:28:34,806 --> 00:28:36,307
Oh. Peter Lawson.

576
00:28:39,842 --> 00:28:40,883
Pete.

577
00:28:43,049 --> 00:28:44,722
I'm great.
I just got the email.

578
00:28:46,286 --> 00:28:49,753
We are temporarily shut down
until further notice.

579
00:28:49,955 --> 00:28:52,519
It seems our equity investor

580
00:28:52,688 --> 00:28:56,761
who had to come up with
the 6.5 to cover the gap,

581
00:28:56,963 --> 00:29:00,100
um, he's five and a half short.

582
00:29:02,334 --> 00:29:06,103
We had some financiers
coming in to gap finance

583
00:29:06,305 --> 00:29:09,375
because Lionsgate
presold the international,

584
00:29:09,544 --> 00:29:12,539
but there was still a delta
of what we needed
to make the movie.

585
00:29:12,708 --> 00:29:15,618
No one was ready to get onboard
for the domestic.

586
00:29:15,820 --> 00:29:17,854
So it was really
something that, you know,

587
00:29:18,023 --> 00:29:19,922
we were gonna
have to figure out
how to find the money.

588
00:29:21,221 --> 00:29:23,256
I mean, maybe if
we get Lionsgate onboard,

589
00:29:23,425 --> 00:29:27,022
and they take the domestic,
and we could
keep moving forward,

590
00:29:27,190 --> 00:29:29,395
but I doubt it at this point.

591
00:29:29,564 --> 00:29:31,634
I think everyone's
just gonna have to take
a kick in the nuts,

592
00:29:31,836 --> 00:29:33,936
and it's all probably
gonna fall apart.

593
00:29:34,900 --> 00:29:36,398
That's what I think.

594
00:29:36,567 --> 00:29:42,272
I think this is, uh,
the nail in the coffin. So...

595
00:29:42,441 --> 00:29:44,947
[cameraperson]
You think so, really?
Yeah, I do.

596
00:29:45,115 --> 00:29:47,309
[cameraperson stammers]
Wait, hold on.
No, I mean, I do.

597
00:29:47,511 --> 00:29:49,650
I'm not trying
to be dramatic for, you know,

598
00:29:49,852 --> 00:29:51,912
editorial reasons
for our documentary,

599
00:29:52,081 --> 00:29:56,420
but I don't know how you find
six-and-a-half million dollars
by Monday.

600
00:30:02,291 --> 00:30:05,669
[Stahelski] What little
I know of Basil, I know
he's not a quitter, so...

601
00:30:05,871 --> 00:30:08,267
He's a bit of a fighter,
so we're not dead yet.

602
00:30:09,765 --> 00:30:13,008
We are doomed. I mean,
we are completely fucked.

603
00:30:14,610 --> 00:30:17,412
We just had a gigantic hole.
There was just...
The money wasn't coming.

604
00:30:17,581 --> 00:30:22,142
And I spoke to my lawyer
and I'm like, "Well, say,
if this movie falls apart,

605
00:30:22,244 --> 00:30:23,719
who's gonna sue me?"

606
00:30:24,055 --> 00:30:28,116
And he's like, "IATSE, SAG,
the WGA, DGA." This...

607
00:30:28,185 --> 00:30:29,924
It was, like, horrendous.

608
00:30:30,360 --> 00:30:32,093
And he's like, "Listen,
you gotta just
get this movie made."

609
00:30:32,162 --> 00:30:33,693
[cameraperson]
Say if I was to give you
like six million--

610
00:30:33,895 --> 00:30:35,358
Hey, hon?
Can I call you back?

611
00:30:35,561 --> 00:30:38,000
I got Keanu on the other line,
so I need to talk to him.

612
00:30:38,930 --> 00:30:40,527
Thanks, hon. Bye.

613
00:30:40,730 --> 00:30:43,764
[Leitch] Hang on one second.
He's on the phone.

614
00:30:44,340 --> 00:30:45,502
Hello.

615
00:30:48,746 --> 00:30:50,309
What's going on?
How you doing?

616
00:30:53,278 --> 00:30:55,677
Nice.
Did Basil give you a call?

617
00:30:58,916 --> 00:31:01,859
He did not, huh?
You haven't talked
to anybody in the office?

618
00:31:04,094 --> 00:31:06,897
Excellent. They're
probably stalling on him.

619
00:31:09,768 --> 00:31:11,825
It's... Yeah, I...
[Leitch] Fucking...

620
00:31:12,294 --> 00:31:15,729
[Stahelski] I'm a little
annoyed, so I think
I'll just tell you myself.

621
00:31:15,798 --> 00:31:17,669
They've had a problem
with their gap finance.

622
00:31:17,838 --> 00:31:19,535
They're coming in.

623
00:31:19,804 --> 00:31:22,176
We've recalled everybody,
and they've pushed us again.

624
00:31:24,116 --> 00:31:26,306
I'm sure they're scrambling
trying to figure something out.

625
00:31:26,474 --> 00:31:28,581
We have a few options around.

626
00:31:28,816 --> 00:31:32,078
Luckily, we know a few people,
so we'll try and close the gap
as fast as we can.

627
00:31:32,214 --> 00:31:37,090
So we'll get back
to the office probably
in the next 45 minutes,

628
00:31:37,292 --> 00:31:40,194
storm into the office
and try to retake the beach.

629
00:31:42,731 --> 00:31:43,825
What did Keanu say?

630
00:31:43,994 --> 00:31:45,034
[chuckles]

631
00:31:46,167 --> 00:31:49,498
You know,
Keanu is a little different.

632
00:31:49,667 --> 00:31:51,700
When he yells and screams,
it's a good thing.

633
00:31:53,978 --> 00:31:55,873
When he gets really,
really, really quiet...

634
00:31:56,042 --> 00:31:57,614
Was he getting really quiet?

635
00:31:57,816 --> 00:32:00,874
He was the most quiet
I've ever heard him.

636
00:32:11,160 --> 00:32:13,458
I reckon we'll lose about
20% of the crew.

637
00:32:14,566 --> 00:32:16,633
There's already people gone.

638
00:32:16,835 --> 00:32:18,534
[Iwanyk] A big part
of the production office

639
00:32:18,703 --> 00:32:20,133
just stopped coming in to work.

640
00:32:20,335 --> 00:32:22,101
But then another part of
the production office came in,

641
00:32:22,270 --> 00:32:23,740
and they would come
in my office, and like,

642
00:32:23,909 --> 00:32:26,200
"Do you feel confident
the money will come?"

643
00:32:26,368 --> 00:32:28,239
And I'm like, "I do."

644
00:32:28,408 --> 00:32:34,248
Uh, now, I was lying
because I had no idea.

645
00:32:35,750 --> 00:32:37,877
So much so, I had to give
my credit card
to the costume designer

646
00:32:38,046 --> 00:32:42,092
to buy wardrobe, and it was
really, really, really dodgy.

647
00:32:42,261 --> 00:32:47,827
Any chance of reducing
the budget by
six-and-a-half million dollars

648
00:32:47,896 --> 00:32:49,126
and making the movie happen?

649
00:32:49,462 --> 00:32:51,333
That script would
look radically different,

650
00:32:51,468 --> 00:32:54,403
and then you'd have to go back
to all of your
international buyers

651
00:32:54,572 --> 00:33:00,733
and go, "Hey, you paid us,
you know, 250,000
for the rights in Germany,

652
00:33:00,902 --> 00:33:02,836
but this is the script
you're getting now."

653
00:33:03,038 --> 00:33:05,981
And then everyone can go,
"I don't want that script.

654
00:33:06,150 --> 00:33:07,950
-I wanted the one
that I bought."
-Right.

655
00:33:08,119 --> 00:33:10,077
And so, you kind of
have to keep the integrity.

656
00:33:10,246 --> 00:33:11,816
You can change it.

657
00:33:11,985 --> 00:33:13,688
Slightly, but not--

658
00:33:13,891 --> 00:33:16,026
[Leitch] Yeah.
Six million dollars.

659
00:33:19,956 --> 00:33:22,662
[Leitch] Keanu gave back money,
Chad and I gave back money.

660
00:33:22,831 --> 00:33:26,366
Like, we all gave back money
of our salaries
to try and close the gap.

661
00:33:27,566 --> 00:33:29,629
I think Keanu had to defer
and write a check...

662
00:33:29,798 --> 00:33:31,336
[Reeves] Yeah.
Some of that going on.

663
00:33:31,505 --> 00:33:33,274
[Stahelski] ...just to keep
our department heads.

664
00:33:34,308 --> 00:33:35,868
[Iwanyk] I remember
I would walk to my hotel

665
00:33:36,071 --> 00:33:39,479
from the production office
for hours because I was like,

666
00:33:39,648 --> 00:33:43,385
"I need to get so tired so
when I get back to the hotel,
I pass out."

667
00:33:43,587 --> 00:33:45,989
Because if I don't,
I'm gonna sit there
and I'm gonna be like,

668
00:33:46,158 --> 00:33:48,018
"I'm fucked, I'm fucked,
I'm fucked, I'm fucked."

669
00:33:48,186 --> 00:33:49,484
We gotta fucking start.

670
00:33:49,686 --> 00:33:51,855
If we don't have
guys on planes by Monday,

671
00:33:51,990 --> 00:33:54,559
you might as well
cut the end sequence.
It's gonna be a gunfight.

672
00:33:56,299 --> 00:33:58,464
[Leitch] We've already
pushed for seven days

673
00:33:58,632 --> 00:34:03,002
and that's like
a half million dollars'
worth of money

674
00:34:03,171 --> 00:34:05,369
that just went out
the fucking window

675
00:34:05,538 --> 00:34:10,171
when the mo-- when we
were 600 short to start.

676
00:34:10,340 --> 00:34:11,306
[Stahelski sighs]

677
00:34:11,475 --> 00:34:12,676
[Leitch] It's a fucking mess.

678
00:34:16,453 --> 00:34:20,486
[Iwanyk] And then,
out of nowhere,
the money came through.

679
00:34:24,329 --> 00:34:27,422
[laughs]

680
00:34:27,624 --> 00:34:30,397
Should be fully
financed by tomorrow.

681
00:34:32,363 --> 00:34:34,203
Ready to shoot on Friday.

682
00:34:35,168 --> 00:34:36,998
[Iwanyk] We were blessed.

683
00:34:37,167 --> 00:34:40,207
It was insane that we
pulled this off
in the amount of time we did.

684
00:34:40,376 --> 00:34:42,609
It's gonna be...
This movie's about vengeance.

685
00:34:42,811 --> 00:34:44,347
Not John Wick's.

686
00:34:44,516 --> 00:34:46,015
Ours. [chuckles]

687
00:34:46,184 --> 00:34:47,849
[Iwanyk] And then we find out
while we're shooting

688
00:34:48,018 --> 00:34:49,752
that the money
was never from this guy,

689
00:34:49,921 --> 00:34:51,614
but it was
Eva Longoria's money.

690
00:34:51,817 --> 00:34:56,756
And I didn't tell Keanu
until after the movie wrapped

691
00:34:56,925 --> 00:34:59,190
because I didn't want him
to be like, "What the hell
is going on here?"

692
00:34:59,393 --> 00:35:02,197
So yeah,
if you look at<i> John Wick 1,</i>

693
00:35:02,366 --> 00:35:06,026
Eva Longoria, thank God,
pretty much saved the movie.

694
00:35:07,803 --> 00:35:09,600
We got through it,

695
00:35:10,069 --> 00:35:12,371
but I think that it
broke a little bit of
Chad and Dave's spirit

696
00:35:12,439 --> 00:35:14,739
because they were
first-time directors,

697
00:35:14,907 --> 00:35:18,047
and they didn't realize
that sometimes
this is the game.

698
00:35:18,216 --> 00:35:20,275
Things happen, especially
in independent movies.

699
00:35:20,443 --> 00:35:25,155
And so, we went into shooting
the movie. We were already
exhausted as we started.

700
00:35:26,689 --> 00:35:28,420
[Reeves] I mean,
I remember when
I got to New York, and I...

701
00:35:28,589 --> 00:35:30,760
You know, I like to visit
the production office.

702
00:35:30,862 --> 00:35:32,590
See what's going on.
Yeah.

703
00:35:33,026 --> 00:35:37,325
And I took John Saunders,
who was the first AD,
and I was like,

704
00:35:37,393 --> 00:35:39,796
"John, let's look at
the board," you know,
the shooting schedule.

705
00:35:39,964 --> 00:35:41,896
[Stahelski] I remember that.
You wanted to see the schedule.

706
00:35:42,065 --> 00:35:43,933
[Reeves] Yeah.
[Stahelski]
You're a schedule whore.

707
00:35:44,102 --> 00:35:46,841
[Reeves] And I was just like,
"How are we...
We can't shoot that.

708
00:35:47,043 --> 00:35:48,274
Like, how are we
gonna do that?"

709
00:35:48,442 --> 00:35:49,779
I remember you just
were shaking your head.

710
00:35:49,948 --> 00:35:51,841
I was like,
"No, we need more days."

711
00:35:52,243 --> 00:35:54,680
And he's like, "I know."
I'm like,
"We need to get more days."

712
00:35:55,816 --> 00:35:58,613
[Leitch] We could not
wrap our head around
what could go.

713
00:35:58,782 --> 00:36:00,517
How do we do that?
How do we do this?

714
00:36:00,719 --> 00:36:03,759
And Keanu couldn't,
and the writer couldn't,

715
00:36:03,927 --> 00:36:05,787
and the producers couldn't.

716
00:36:06,290 --> 00:36:08,761
So we're like,
"We're just gonna make
the movie with less time."

717
00:36:09,897 --> 00:36:11,863
[Stahelski] You know,
we laugh and joke about
it's just a movie,

718
00:36:12,065 --> 00:36:15,167
but we all know, every
crew member knows that
you take it really seriously.

719
00:36:15,336 --> 00:36:17,297
You wanna do
the best job you can.

720
00:36:17,499 --> 00:36:19,273
You don't wanna let down
the people that stuck
their neck out for you,

721
00:36:19,409 --> 00:36:21,301
so you put a lot of pressure
on yourself to do it.

722
00:36:21,470 --> 00:36:25,278
I mean, at the end of the day,
we had known Keanu
for like the ten years,

723
00:36:25,480 --> 00:36:27,981
eight years at the time
from all the<i> Matrixes.</i>

724
00:36:28,150 --> 00:36:29,945
But it's still Keanu Reeves.

725
00:36:30,114 --> 00:36:31,655
You don't wanna
let this guy down.
Like, he's a pro, man.

726
00:36:31,823 --> 00:36:33,284
This is Keanu-fucking-Reeves.

727
00:36:33,453 --> 00:36:34,815
Like, you do not
wanna let him down

728
00:36:34,984 --> 00:36:37,955
no matter what you think
the movie's gonna be.

729
00:36:38,124 --> 00:36:40,856
So we decided to give it
our all and put
a lot of stress on ourselves.

730
00:36:41,025 --> 00:36:43,296
[crew member] Guys,
gotta keep moving.
Gotta keep moving.

731
00:36:43,465 --> 00:36:45,059
[crew member 2] Rolling!
[crew member 3] Rolling!

732
00:36:46,430 --> 00:36:47,501
[crew member 4] Action!

733
00:36:50,041 --> 00:36:53,332
We were just
assaulted with problems.

734
00:36:53,501 --> 00:36:54,642
Go, go, go.

735
00:36:54,811 --> 00:36:56,041
Shoot, shoot.

736
00:36:56,209 --> 00:36:58,171
[intense music playing]

737
00:37:01,351 --> 00:37:03,312
[Leitch] Problems
from different departments

738
00:37:03,481 --> 00:37:04,646
and then budgetary problems.

739
00:37:04,815 --> 00:37:06,985
Gotta figure out
what scenes we can cut.

740
00:37:07,154 --> 00:37:08,750
[indistinct chatter]

741
00:37:08,952 --> 00:37:11,657
The usual on<i> John Wick,</i>
what scenes we can cut.

742
00:37:12,792 --> 00:37:14,363
'Cause we never
have time to shoot 'em all.

743
00:37:15,798 --> 00:37:18,258
In low-budget filmmaking,
you have to be
in your own movies.

744
00:37:18,460 --> 00:37:21,335
I would like to say this was
a creative choice,
but it was budgetary.

745
00:37:21,504 --> 00:37:23,768
And then logistically shooting
in New York problems.

746
00:37:23,970 --> 00:37:26,674
[crew member] Excuse me,
you gotta keep moving.
Active walkway.

747
00:37:26,843 --> 00:37:28,168
[siren blares]

748
00:37:29,380 --> 00:37:31,906
[Leitch] I think it was just
the movie gods hated us.

749
00:37:32,109 --> 00:37:35,615
So we are on the cover
of the<i> New York Post</i> today.

750
00:37:35,817 --> 00:37:40,048
Vinny's fine work
in the prop department
is featured.

751
00:37:41,226 --> 00:37:43,216
Makeup's fine work.
Hair's fine work.

752
00:37:45,190 --> 00:37:47,524
-[Reeves]
The all-hands-on-deck...
-[Stahelski] That really helps.

753
00:37:47,726 --> 00:37:50,126
...on<i> John Wick 1</i>
was extraordinary.

754
00:37:50,328 --> 00:37:54,132
When we went in to start
crewing up, I mean,
we were a tiny little movie.

755
00:37:54,334 --> 00:37:58,304
No one was sure if we
were gonna go. So, we couldn't
really book a lot of crew.

756
00:37:58,506 --> 00:38:00,200
So, it was catch-as-catch-can
with the crew.

757
00:38:00,368 --> 00:38:02,569
We just take interviews
and whoever was
kind of available,

758
00:38:02,737 --> 00:38:04,209
whatever we... You know.

759
00:38:04,377 --> 00:38:05,738
People had to cut their rates.

760
00:38:05,907 --> 00:38:08,051
And then
for the prop department

761
00:38:08,220 --> 00:38:11,948
we got, no joke,
Vinny Mazzarella and Joey.

762
00:38:12,050 --> 00:38:13,917
[Reeves] Yeah, Joey Coppola.
[Stahelski] Joey Coppola.

763
00:38:14,353 --> 00:38:17,350
I mean, Vinny Mazzarella
and Joey Coppola,
those were our prop masters.

764
00:38:17,418 --> 00:38:21,057
And they were
just the coolest guys,
and they just got it.

765
00:38:21,226 --> 00:38:25,435
I mean, Vinny, like,
stopping-- Like,
we needed a garbage truck.

766
00:38:25,603 --> 00:38:29,230
And he's running on the street.
He's running down the street.

767
00:38:29,432 --> 00:38:32,004
[Stahelski]
2:00 a.m. in Chinatown
in New York on<i> John Wick 2,</i>

768
00:38:32,206 --> 00:38:35,811
we decided we wanted
a garbage truck to come in
the alley and back like--

769
00:38:35,979 --> 00:38:37,643
Yeah, back John Wick up.

770
00:38:37,812 --> 00:38:39,740
Vinny just said,
"What do you guys got
in your pockets?"

771
00:38:39,909 --> 00:38:41,283
We gave him a couple twenties.
Yeah.

772
00:38:41,452 --> 00:38:43,576
He came back in five minutes
with a garbage truck.

773
00:38:43,745 --> 00:38:45,288
With a garbage truck.

774
00:38:45,457 --> 00:38:47,621
He paid
the city garbage truck driver
a hundred bucks.

775
00:38:50,295 --> 00:38:51,986
[Reeves] I mean,
you make connections on films,

776
00:38:52,422 --> 00:38:54,526
but the connections
that were made
on this were really special.

777
00:38:54,595 --> 00:38:56,194
They were pretty good.
Yeah, we got lucky.

778
00:38:56,396 --> 00:38:58,295
Personal and creative.
Yep.

779
00:38:58,463 --> 00:39:00,128
You know?
Good people.

780
00:39:00,297 --> 00:39:03,433
Loving, who love their work,
who are amazing
at what they do.

781
00:39:03,602 --> 00:39:05,436
And they love the pain.
[laughs]

782
00:39:05,605 --> 00:39:07,336
And they--
And who love the pain.

783
00:39:07,505 --> 00:39:09,203
They love to suffer.

784
00:39:21,985 --> 00:39:23,822
Literally the day before
we started shooting,

785
00:39:24,923 --> 00:39:27,891
I saw Chad in the corner
like brooding, angry.

786
00:39:28,093 --> 00:39:29,895
I went to Dave, I'm like,
"What's Chad upset about?

787
00:39:30,097 --> 00:39:32,301
Like, somebody from the movie?"
He's like, "No, it's his wife,"

788
00:39:32,470 --> 00:39:34,534
and this and that.
I'm like, "What do you mean?"

789
00:39:34,703 --> 00:39:36,400
He's like, "Yeah,
I think they're separating."

790
00:39:36,603 --> 00:39:38,702
I'm like,
"Now?" This movie?

791
00:39:38,870 --> 00:39:42,042
We just got through hell
financing the movie.

792
00:39:42,211 --> 00:39:43,243
I wasn't getting paid.

793
00:39:43,445 --> 00:39:44,808
Not only
was I not getting paid,

794
00:39:44,977 --> 00:39:47,708
I took money out of our house
to fill some holes.

795
00:39:47,877 --> 00:39:49,680
And I'm like, "How can this be?

796
00:39:49,848 --> 00:39:52,147
How many more hits
can this movie take?"

797
00:39:53,320 --> 00:39:54,914
Hey.
Hey. How are you?

798
00:39:55,116 --> 00:39:56,855
[Iwanyk]
And I spoke to Chad about it.

799
00:39:57,024 --> 00:39:58,358
I'm just like, "I don't care
what you're going through.

800
00:39:58,694 --> 00:40:00,958
You gotta just suck it up
and get through this."

801
00:40:01,027 --> 00:40:02,861
And he's like, "Absolutely,
don't worry about it."

802
00:40:03,029 --> 00:40:05,567
He's like, "I'll be dark
and self-loathing in private."

803
00:40:07,395 --> 00:40:10,063
[Stahelski] We went through
a horrible breakup.

804
00:40:10,232 --> 00:40:12,574
So I did the whole movie
separated from Heidi.

805
00:40:13,872 --> 00:40:15,941
When he's locked in
on something,

806
00:40:16,144 --> 00:40:19,843
when he's focused,
it's really hard
to penetrate the wall, right?

807
00:40:20,012 --> 00:40:23,683
So, I think in a relationship,
you know, it's hard,

808
00:40:23,852 --> 00:40:26,620
because when you're looking
for an emotional connection,

809
00:40:26,822 --> 00:40:30,120
or you're looking for
some kind of,
you know, something,

810
00:40:30,322 --> 00:40:33,029
and he's just
laser focused on something,
you can't get through.

811
00:40:33,198 --> 00:40:34,855
She felt
she needed something more,

812
00:40:35,024 --> 00:40:37,299
and fortunately
I agreed with her.

813
00:40:37,501 --> 00:40:39,092
And then we managed
to get back together again,

814
00:40:39,261 --> 00:40:42,568
of course after post
when I have all this time,

815
00:40:42,770 --> 00:40:47,135
only to get divorced
on<i> John Wick 2.</i> [laughs]

816
00:40:47,337 --> 00:40:50,607
So, you can see I'm laughing
at my own complete ineptitude

817
00:40:50,776 --> 00:40:52,482
to sort that out
and balance my life.

818
00:40:55,554 --> 00:40:57,812
[Leitch] What was really
frustrating for me was that,

819
00:40:58,014 --> 00:40:59,920
when we got
our one fucking chance

820
00:41:00,089 --> 00:41:03,153
that I personally
had been working on potentially
a lot harder than you

821
00:41:03,355 --> 00:41:07,255
to get out there
in the director world,
and you're gonna blow it up.

822
00:41:08,690 --> 00:41:11,799
It was hard for me
to be empathetic
'cause it didn't feel fair.

823
00:41:11,934 --> 00:41:13,867
Two weeks in,
Basil called me on a Sunday
and was like,

824
00:41:14,236 --> 00:41:17,969
"You need to be in New York.
These two are not
talking to each other."

825
00:41:18,038 --> 00:41:20,442
[Iwanyk] I actually thought
that two first-time directors

826
00:41:20,611 --> 00:41:22,976
would be better than
one first-time director
because,

827
00:41:23,145 --> 00:41:26,240
you know, two sets of hands,
you get more done
than one set of hands.

828
00:41:26,409 --> 00:41:28,446
Their disagreements seemed
like it was a progression

829
00:41:28,615 --> 00:41:30,644
through the course of shooting.

830
00:41:30,813 --> 00:41:35,190
It's almost like
the outside enemy of getting
the film produced was gone,

831
00:41:35,392 --> 00:41:37,186
so now
the infighting could start.

832
00:41:37,388 --> 00:41:41,259
I remember they spent
an hour fighting over
colors of bedsheets.

833
00:41:41,428 --> 00:41:44,358
Fucking, it's supposed to be
a fucking cool, hip place
where you wanna be.

834
00:41:44,560 --> 00:41:48,968
And it's like
a fucking lavender
purple fucking thing.

835
00:41:49,137 --> 00:41:51,503
[Iwanyk]
You know, in retrospect,
I was naive to be surprised.

836
00:41:51,672 --> 00:41:53,375
I think we
probably argued every day.

837
00:41:53,578 --> 00:41:55,037
But I don't think
it was an actual argument.

838
00:41:55,106 --> 00:41:57,008
I think it was we were both
stressed out,

839
00:41:57,477 --> 00:41:59,372
and we kind of took it out
each other 'cause when you
love each other,

840
00:41:59,441 --> 00:42:00,976
those are the people
you take it out on first.

841
00:42:01,144 --> 00:42:02,881
[Leitch] You know what,
do your fucking job.

842
00:42:03,250 --> 00:42:06,121
Making that movie
was like watching my parents
get divorced.

843
00:42:06,190 --> 00:42:09,959
We would wrap at like 3:00
in the morning, and I
would like cry walking home,

844
00:42:10,128 --> 00:42:11,720
being like, "What is this?"

845
00:42:11,922 --> 00:42:14,193
It's horrible, man.
[laughs]

846
00:42:14,362 --> 00:42:17,857
It's like Mom and Dad fighting
all the time.
I'm gonna need counseling.

847
00:42:18,026 --> 00:42:19,668
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