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Downloaded from
YTS.BZ

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[people chattering]

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Official YIFY movies site:
YTS.BZ

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[person 1] You
want to try one?

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What do you say? [person
2] Let's do it. Yes.

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[person 1] Let's shoot.
[person 2] Yep. Shoot.

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John, shoot.

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[crew continues chattering]

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[person 2] Let's go.

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Roll Keanu back
up. Let's shoot.

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[person 3] Okay,
let's mount up.

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[person 4] Here we go.

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[person 5] Keep the
charge. Go time.

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[person 2] All right.
And let's roll.

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[person 6] Quiet, please.

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[pistol clicks]

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[person 2] And let's roll.

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[person 7] Rolling. Very
quiet all around, please.

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[person 8] B. [person 9] Victory
88 Charlie, Take 1. A-mark.

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[person 10] Guys doing the shell
casing, it will come this direction.

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What's a good eyeline
here to look at them?

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[person 10] Let's
see. That's good.

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[person 11] Here
to here to here?

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No, uh, bring it
around a little bit.

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[person 2] That's good.

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[person 3] That's
better. You like that?

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So, I'll start here. Three, two,
one, and I'll just be like, "Fuck."

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[person 3] Stand by. [person
7] Standing by. Here we go.

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Yeah, let's see what comes. But
if we can get the pull and...

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[person 3] Quiet, please.
All right, very good.

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And thank you. Okay.
Ready and action.

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[grunting]

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[groans]

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[grunting]

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[person 3] Good.
Cut. [person 7] Cut.

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[person 3] There you go.
[Reeves] You like that?

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[person 3] A little
bit of anger is good.

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[Reeves] When we say,
"John Wick is pain,"

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it's kind of like a
"Fuck yeah," you know?

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It's like a "Fuck
yeah. Wick is pain."

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It's like, "It's
so good, it hurts."

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Or, "It hurts so good."

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Um...

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And I think...

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I think that's why the
audiences like it, too.

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I think you can see
it on the screen,

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and there's a kind of B
movie, B-action genre to it,

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taken to, like, a super
high artsy level in a way.

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But there is the joy of
people getting hit by cars

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and falling from impossible...
Like, "You can't survive that."

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And... And then John Wick kind
of getting back up or struggling.

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It's like an
invitation, you know?

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And it kind of takes care of
you, and it feels authentic.

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I believe that
that's in the movies,

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and that when you watch them,
you're like, "Yeah, this is like..."

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As John Wick says in John Wick,

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"It's personal."

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[upbeat electronic
music playing]

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You know, I always looked
at it with, like, art envy,

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with, you know,
Scorsese and De Niro.

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You know, like, De Niro
had his director, you know?

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And so, when I think of that,
then that's what I think of.

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Like, with the John Wick role, I
had... I had my director there.

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[Stahelski] This is 87eleven.

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I try to start my day here
every morning at 6:00 a.m.

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before I go into the office.

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[stunt performer grunts]

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[Stahelski] This is where all the
stunt performers come to train.

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We've trained for all
the John Wicks here.

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It's also where I have to come and
try to keep the joints working.

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Yeah, a lot of
miles on the body.

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The wear and tear of
not just stunt work,

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but of all the martial art and
the physicality that I've done.

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I've broken my hands, both ankles,
both knees, both hips, both shoulders,

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both elbows, both arms,
several concussions.

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But if you're passionate about
something, pain's part of it.

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I don't think you can have
one without the other.

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It's really about choice.

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What you're willing to do to
achieve what you want to achieve.

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Nice.

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Growing up, my dad was very
athletic. Mom was very athletic.

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Everybody in the
house got up at 6:00.

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Before we went to school, we
did laps with Mom in the pool,

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or we went for a jog, we went for a run
with the dogs or something like that.

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They had that discipline of get
up, go do something physical.

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It was already instilled
in me way back then.

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[Eusebio] I-I remember Chad goes,
"What are you doing? You wanna train?"

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I go, "It's Christmas Eve." And
he's like, "Christmas evening."

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"You can train in the morning."
Like that kind of shit.

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[Stahelski] I, for some reason,
never gravitated towards team sports.

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I was a shy kid.

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But when I was probably
only like ten years old,

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I saw a Bruce Lee movie.
I'm like, "I wanna do that."

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So I started doing judo
when I was like ten or 11.

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That kind of led to
the martial art career

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that I started when I was
in California to go to USC.

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In college, I had met a student who
was one of the associate instructors

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at the Inosanto Academy
in Marina Del Rey.

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Dan Inosanto trained
with Bruce Lee,

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and he was one of the greatest
martial art instructors of the time.

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The Inosanto Academy had
almost a collegiate setting.

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It wasn't one martial art.

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He'd bring in instructors
from all over the world.

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Amazing instructors.

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Literally, if I wasn't going to school,
I would either jog the four miles

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or take the city bus down to
Marina Del Rey from Downtown LA

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and take classes or spend
my weekends down there.

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I would sleep on the
floor or whatever.

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[Eusebio] Chad was probably the
best kickboxer in that school.

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I used to watch this guy just
beat the crap out of everybody.

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[grunts]

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I just remember, if we
were training kickboxing,

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he would try to come up with
the best training drills,

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the best kickboxing drills.

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Everything to just be the
best at what we were doing.

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That's always been his thing.

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[grunting]

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My last year in college, I had met a few
stuntmen through the Inosanto Academy,

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like Jeff Imada and Brandon Lee.

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[grunts]

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Brandon was working
on his acting career,

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trying to, you know, follow
in his father's steps.

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Super motivated guy.

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Had the best laugh on the planet.
Really talented martial art guy.

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[grunts]

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Every weekend,
we'd get together,

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and we'd do what we thought, hopefully,
was martial art choreography,

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but it was a bunch of us just trying
to figure out how to sell a punch

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and learn how to be stuntmen.

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We'd have our old, big VHS camera,
trying to figure out the angles.

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[chuckles] I still
have some of the tapes.

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I go back and look at them going,
"How did we not kill each other?"

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I remember Brandon coming into the
gym one night before a workout,

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going, you know,
"I fucking got it."

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We're like, "What you get?" and he's
like, "Look, they're gonna make The Crow.

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I got the job
being Eric Draven."

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It was really, really cool.
Like, we were so happy for him.

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It was a big deal. Big deal
for Brandon to get that.

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And that's, um, that's kind of how
I got my first big gig in Hollywood.

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I was still competing at the time and
getting ready for a big bout in Japan,

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and Brandon had just gone off to
North Carolina to Carolco Studios,

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where they were
shooting The Crow.

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And we got a call saying
there was an accident.

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We're like, "He'll be
fine. It's Brandon."

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You know, we didn't
think anything of it.

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And he died, I think,
14 hours later.

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And then the show shut down. They were
still a couple weeks from finishing.

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Between Alex Proyas, the director, the
studio, and Linda Lee, Brandon's mom,

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they decided to finish the film.

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Jeff Imada had contacted me, and he
knew how close we were to Brandon.

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He knew I was already doing
some stunt work at the time.

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And Brandon and I had
very similar body types.

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You don't know what to think.

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Selfishly, one part of me is like, "Wow,
this could be really cool to finish, man."

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The other thing is like, "What
the fuck are you talking about?"

156
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You're like, "Your
friend's dead."

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I-I can't recall what my actual
head or mindset was at the time,

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but I decided to do the job.

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And Alex brought me down to a
little basement in the studio there,

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and we watched for like two days
straight every daily we could of Brandon.

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And he'd make me mimic
walking, talking, sitting,

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just every mannerism
Brandon had.

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And since I had known
him for a couple years,

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it was one of the most surreal
experiences you'll ever go through.

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Your career starts
because of that.

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[Bernhardt] Chad,
when I first met him,

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had, like, this long,
beautiful hair down to here.

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Insane. It was incredible.

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He looked like Daniel Day-Lewis
in The Last of the Mohicans.

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00:10:03,331 --> 00:10:08,370
We actually met through a mutual
friend at one of the first UFC fights.

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Somebody was watching it at home,
and we all met at somebody's house,

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and Chad and I just met, and we
started talking about martial arts.

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Totally hit it off.

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And I said, "Hey, I'm up to
do the sequel to Bloodsport."

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He was like, "I love Bloodsport.
I'd love to be involved."

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So he came onboard.

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He became one of the fighters.
He did one of the fights with me.

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And Chad actually
choreographed that fight.

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And at the time, Chad
was really into trapping.

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We did a lot of trapping.

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Chad used all my kicking.
I'm a Tae Kwon Do guy.

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And it turned out to be my
best fight in the movie.

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So when Bloodsport
III came around,

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I ask him, "Would you like
to be the fight coordinator?"

185
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So he came onboard.

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This time, it's my turn.

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And I actually think the fights Chad
did at the time were incredible.

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Even if you watch it now,

189
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it's still a little bit like, you
know, '90s, like... [grunting]

190
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But the techniques
are already great.

191
00:10:56,584 --> 00:10:58,286
Then I did a movie
called Perfect Target.

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It was a smaller movie.
We shot it in Mexico.

193
00:11:00,956 --> 00:11:03,291
So, Chad tells me, "Hey,
listen. I have this buddy

194
00:11:03,458 --> 00:11:06,258
who's gonna come and visit and wanna
hang out and maybe do some stunts."

195
00:11:06,328 --> 00:11:07,328
I'm like, "Absolutely."

196
00:11:07,429 --> 00:11:08,997
And I meet David Leitch.

197
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[Leitch] I started training at
a martial arts school in college

198
00:11:13,802 --> 00:11:15,203
called the Minnesota Kali Group,

199
00:11:15,403 --> 00:11:17,773
and they were affiliated
with Dan Inosanto.

200
00:11:17,940 --> 00:11:19,708
Once I was exposed
to those martial arts

201
00:11:20,008 --> 00:11:23,177
and that sort of martial art
community, I was, like, obsessed.

202
00:11:23,178 --> 00:11:26,181
And that's where I met a lot of
my friends for the first time

203
00:11:26,348 --> 00:11:28,851
who are still my friends today.
And one of them was Chad.

204
00:11:29,017 --> 00:11:31,954
He was just saying one day that he
really wanted to go into acting.

205
00:11:32,120 --> 00:11:35,023
And I was like, "Well, hey, if you
wanna be cast, why don't you come out?

206
00:11:35,190 --> 00:11:37,893
We'll put you in the movie. We'll
teach you how to be a stunt guy."

207
00:11:38,093 --> 00:11:40,228
You know, I was gonna
go to LA for holiday.

208
00:11:40,428 --> 00:11:43,307
And he's like, "Why don't you just
come to Mexico and get on a movie set?"

209
00:11:43,331 --> 00:11:46,034
And I'm like, "Well, I'm not gonna
be working. It's gonna be weird."

210
00:11:46,201 --> 00:11:48,681
And he's like, "Just come. It'll
be cool. You'll get to see it."

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00:11:48,771 --> 00:11:52,051
So, yeah, I took my money that I was gonna
spend on that trip, and I flew to Mexico.

212
00:11:52,174 --> 00:11:53,742
It was an awesome experience.

213
00:11:56,044 --> 00:11:58,422
[Stahelski] We just put him to
work as little background extras

214
00:11:58,446 --> 00:12:00,182
and then started
teaching him stunts.

215
00:12:00,348 --> 00:12:02,017
And then he looked
like one of the guys.

216
00:12:02,184 --> 00:12:04,224
So, "Hey, just double this
guy in this fight scene."

217
00:12:04,352 --> 00:12:05,592
He's like, "What
do I gotta do?"

218
00:12:05,720 --> 00:12:07,189
"Just snap your
head like this."

219
00:12:07,355 --> 00:12:10,492
I got to work one day on that.

220
00:12:10,658 --> 00:12:14,096
Brian Thompson throws me
through a wicker chair.

221
00:12:14,296 --> 00:12:16,031
I was so excited.
Couldn't wait.

222
00:12:16,198 --> 00:12:18,700
Just do it again. Take
2. Take 3. Let's do it.

223
00:12:18,867 --> 00:12:21,545
But luckily it was a low-budget movie,
so they could only afford one take,

224
00:12:21,569 --> 00:12:23,005
so one breakaway,
and I was done.

225
00:12:24,039 --> 00:12:26,041
[Stahelski] Dave wasn't
pretentious at all,

226
00:12:26,208 --> 00:12:28,152
so it wasn't about looking cool like
stunt guys are trying to look cool.

227
00:12:28,176 --> 00:12:31,579
He would play any part. He'd
play the guy that would cry.

228
00:12:31,746 --> 00:12:33,615
He'd play the homeless
guy. He'd play the cop.

229
00:12:33,816 --> 00:12:35,482
A lot of stunt guys just
wanted to do the stunt.

230
00:12:35,483 --> 00:12:36,684
They didn't want to act.

231
00:12:37,019 --> 00:12:38,353
Dave was like,
"I'll do the part."

232
00:12:38,486 --> 00:12:41,289
So, very quickly, his
career kind of took off.

233
00:12:41,489 --> 00:12:44,793
After that couple of years, we ended
up getting a run on television.

234
00:12:44,993 --> 00:12:47,529
Chad was doubling the
lead on The Pretender,

235
00:12:47,695 --> 00:12:50,032
and I was doubling a
ton of different guys.

236
00:12:50,198 --> 00:12:52,038
There was another thing
that was happening too.

237
00:12:52,067 --> 00:12:56,038
Martial arts had started to come
to America in terms of action.

238
00:12:57,339 --> 00:13:01,977
Shows like Buffy the Vampire
Slayer or Martial Law.

239
00:13:02,177 --> 00:13:06,614
And the stunt world at
that time was very cowboy,

240
00:13:06,781 --> 00:13:08,783
car, motorcycle oriented.

241
00:13:09,117 --> 00:13:13,988
But now when you had this really
specific need for martial arts stuntmen,

242
00:13:13,989 --> 00:13:15,757
we became hot commodities.

243
00:13:15,958 --> 00:13:19,427
And that's when Chad got his
break on the first Matrix.

244
00:13:22,097 --> 00:13:24,499
[Stahelski] Oh, my God. That
was the first time I met you.

245
00:13:24,699 --> 00:13:26,368
[Reeves] The Matrix.

246
00:13:26,568 --> 00:13:28,112
It's impossible to really talk
about any of the John Wicks

247
00:13:28,136 --> 00:13:29,471
without talking about Matrix.

248
00:13:29,637 --> 00:13:31,406
- Yeah.
- That's where we all met.

249
00:13:31,573 --> 00:13:34,053
I got this call saying they were
looking for martial art doubles

250
00:13:34,209 --> 00:13:36,444
for Keanu for a sci-fi movie.

251
00:13:36,611 --> 00:13:38,746
A sci-fi movie! It
was a sci-fi movie.

252
00:13:38,914 --> 00:13:41,783
So I got the call, and I literally
just went in for an audition,

253
00:13:41,950 --> 00:13:44,086
and that's where I met Yuen
Woo-Ping and all the guys.

254
00:13:44,252 --> 00:13:46,088
Then they introduced
me to Tiger Chen.

255
00:13:46,254 --> 00:13:48,656
[Reeves] Two-time national
Chinese wushu champion.

256
00:13:48,823 --> 00:13:52,260
[Stahelski] Yeah. It was
pretty mind-blowing actually.

257
00:13:52,427 --> 00:13:54,863
This is Chen Hu.
Call him Tiger Chen.

258
00:13:55,063 --> 00:13:57,966
He was in charge of training Keanu
Reeves for all the Matrix movies.

259
00:13:58,133 --> 00:13:59,734
He's also my coach.

260
00:13:59,935 --> 00:14:02,637
One of the best
performers ever in wuxia.

261
00:14:02,804 --> 00:14:05,807
So, when I got called to
do the audition in Burbank,

262
00:14:05,974 --> 00:14:10,012
all that was told to me was
it's a Keanu Reeves sci-fi movie

263
00:14:10,178 --> 00:14:12,280
and they need some kung
fu guy. Sci-fi movie.

264
00:14:12,447 --> 00:14:13,848
I'm like, "You need kung fu?"

265
00:14:14,016 --> 00:14:15,984
He said, "Just go down
there and audition."

266
00:14:16,151 --> 00:14:20,822
I meet Woo-Ping, I meet the Wachowskis,
and they say, "Okay, follow him."

267
00:14:20,989 --> 00:14:24,826
And he goes fucking Wile E. Coyote and
just does the Tasmanian Devil thing.

268
00:14:24,993 --> 00:14:27,395
Some of the best martial
arts stuff I've ever seen.

269
00:14:27,595 --> 00:14:30,532
And I'm like, "Follow him?"

270
00:14:30,698 --> 00:14:34,002
Every tumbling pass, every
kick, every form, everything.

271
00:14:34,169 --> 00:14:36,704
I'm, like, in jeans and a
T-shirt, dripping in sweat, going,

272
00:14:36,871 --> 00:14:38,706
"Well, this is a different
kind of audition."

273
00:14:38,873 --> 00:14:42,410
He was like jumping, kicking,
punching. Woo-Ping says, "This is good.

274
00:14:42,610 --> 00:14:44,079
He looks like Keanu, too."

275
00:14:44,446 --> 00:14:48,315
From the very first day,
he's training all the time.

276
00:14:48,316 --> 00:14:50,552
Every day, even the weekend.

277
00:14:50,718 --> 00:14:52,087
Every weekend he's
just calling me.

278
00:14:52,287 --> 00:14:54,689
I was like, you know,
trying to go out and play,

279
00:14:54,856 --> 00:14:57,492
you know, go somewhere to play,
he was calling me, like...

280
00:14:57,659 --> 00:14:59,703
- No, please. Please.
- "Can we training? Can we training?"

281
00:14:59,727 --> 00:15:01,596
[Stahelski] Please
don't go karaoke.

282
00:15:01,796 --> 00:15:03,398
I just didn't want to suck.

283
00:15:03,565 --> 00:15:05,645
'Cause I saw Keanu, and how
much they had trained him,

284
00:15:05,800 --> 00:15:08,840
and he had like a six-month head start,
and he was already, like, really good.

285
00:15:09,904 --> 00:15:12,650
I had to go through so much training
to learn, like, the kung fu and stuff.

286
00:15:12,674 --> 00:15:15,443
Hong Kong style. All
the wild wirework.

287
00:15:15,643 --> 00:15:19,281
[Stahelski] And wirework wasn't huge
even in mainstream stunts at the time,

288
00:15:19,481 --> 00:15:21,583
so I'm almost learning from
Keanu a lot of the times.

289
00:15:21,883 --> 00:15:24,818
He had already been doing the choreography
a couple months at least, right?

290
00:15:24,819 --> 00:15:26,888
And some of your kung
fu was outstanding.

291
00:15:27,055 --> 00:15:28,556
Well, no. Movie kung fu.

292
00:15:28,723 --> 00:15:30,801
The movie kung fu was pretty...
[Reeves] Movie kung fu.

293
00:15:30,825 --> 00:15:32,636
[Stahelski] You'd already got the
forms right, everything looks good.

294
00:15:32,660 --> 00:15:34,072
You had the flexibility
going. [Reeves] Yeah.

295
00:15:34,096 --> 00:15:35,964
Oh, yeah. There you
are helping me out.

296
00:15:37,199 --> 00:15:39,267
Yeah, there you go.
Yeah. Fucking awesome.

297
00:15:40,202 --> 00:15:41,703
That's Chad into the wall.

298
00:15:42,404 --> 00:15:44,306
That's Chad into the wall.

299
00:15:45,073 --> 00:15:46,874
That's Chad into the ceiling.

300
00:15:47,075 --> 00:15:50,145
Oh, yeah. Then he's gonna break
his knee coming down from that.

301
00:15:50,278 --> 00:15:52,080
That's right. Yeah.

302
00:15:52,247 --> 00:15:54,282
[Reeves] There he
is on crutches.

303
00:15:54,449 --> 00:15:56,494
[Stahelski] Before and afters.
[Reeves] Before and after.

304
00:15:56,518 --> 00:15:59,321
Yeah. We learned so much
on that show. Oh, my God.

305
00:16:00,422 --> 00:16:01,982
[Leitch] Chad came
back from The Matrix,

306
00:16:02,190 --> 00:16:04,292
and he was like, "Here's
what's happening, guys.

307
00:16:04,426 --> 00:16:06,761
Like, they shoot and
edit their own stuff.

308
00:16:06,928 --> 00:16:09,064
They choreograph, and
they cut it all together.

309
00:16:09,231 --> 00:16:12,467
And they're telling their own
stories in their own sequences."

310
00:16:12,634 --> 00:16:14,169
And they're like,
"We gotta do this.

311
00:16:14,369 --> 00:16:16,214
This is the way we should be
approaching all this stuff."

312
00:16:16,238 --> 00:16:17,572
[crew member] And action.

313
00:16:17,739 --> 00:16:20,908
[stuntmen grunting]

314
00:16:24,379 --> 00:16:25,947
[Leitch] We started
to do it ourselves,

315
00:16:26,381 --> 00:16:28,149
and we would get all the
martial art stunt guys together,

316
00:16:28,150 --> 00:16:30,285
and we would choreograph
and edit fight scenes

317
00:16:31,553 --> 00:16:34,022
as an exercise, but also
because we just loved it.

318
00:16:34,222 --> 00:16:36,758
[Perry] We would go and take
a scene from Jackie Chan,

319
00:16:36,924 --> 00:16:38,360
and we would
recreate that scene.

320
00:16:38,560 --> 00:16:40,360
And it became very
apparent that Chad and Dave

321
00:16:40,495 --> 00:16:41,663
were thinking like directors.

322
00:16:41,896 --> 00:16:43,216
Like, why did the
camera go there?

323
00:16:43,398 --> 00:16:45,967
Why did we use this
lens? How many shots?

324
00:16:46,068 --> 00:16:48,068
How many moves do we hold
here before we move here?

325
00:16:48,136 --> 00:16:51,106
Previs was a game changer. Now
directors saw what we can do.

326
00:16:51,239 --> 00:16:52,879
[Stahelski] Soon we
became known for that.

327
00:16:52,907 --> 00:16:55,177
People would request them.
Directors would request them.

328
00:16:55,343 --> 00:16:57,263
Somewhere along the way,
we started a stunt team.

329
00:16:57,312 --> 00:16:58,592
Then we started a stunt company.

330
00:17:00,615 --> 00:17:03,485
- [barking]
- They don't like that camera.

331
00:17:03,651 --> 00:17:07,222
[cameraperson] They don't
like it? No. I can tell.

332
00:17:09,191 --> 00:17:11,902
[Moneymaker] The idea behind 87eleven
was that it was a one-stop shop.

333
00:17:11,926 --> 00:17:14,496
They were an action
design company.

334
00:17:14,662 --> 00:17:17,232
You come here and you get a
fight team, a fight coordinator,

335
00:17:17,432 --> 00:17:21,069
stunt coordinator, second unit
director, the whole package in one.

336
00:17:22,170 --> 00:17:23,505
Whoo!

337
00:17:23,671 --> 00:17:25,149
[Moneymaker] We were all
kind of with this team,

338
00:17:25,173 --> 00:17:26,584
we worked together,
we trained together.

339
00:17:26,608 --> 00:17:28,210
Chad and I got married.

340
00:17:28,376 --> 00:17:30,345
So it was a very fun time.

341
00:17:30,512 --> 00:17:32,580
Cheers.

342
00:17:32,780 --> 00:17:34,849
I'll talk to you in a bit.
Bye. See you later. Bye.

343
00:17:34,949 --> 00:17:36,709
[Hernandez] Even if we
didn't have a project,

344
00:17:36,951 --> 00:17:38,885
Chad would just make us do
drills like we had a project.

345
00:17:38,886 --> 00:17:41,256
Put us in situations
like, "Choreograph this.

346
00:17:41,456 --> 00:17:44,326
You guys gotta learn this martial
art. Let's do this. Let's spar.

347
00:17:44,492 --> 00:17:46,704
Let's put a knife in hand. Let's
see what happens when we do this."

348
00:17:46,728 --> 00:17:48,372
[Stahelski] Our company
started to get bigger,

349
00:17:48,396 --> 00:17:50,898
and I was the one that was
more of a coordinator first,

350
00:17:51,065 --> 00:17:53,067
so Dave was working
for me a lot.

351
00:17:53,235 --> 00:17:56,604
Dave and Chad. Okay, let's step out
and narrate this for a second, okay?

352
00:17:56,804 --> 00:17:58,106
[Stahelski] All right...

353
00:17:58,306 --> 00:18:00,742
Two partners. Two best
friends. Here we go.

354
00:18:00,908 --> 00:18:03,711
Aw, see, there's the
hug. Aw. [chuckles]

355
00:18:03,878 --> 00:18:05,547
They were best friends,
thick as thieves.

356
00:18:05,980 --> 00:18:08,416
You know, always training
together, always working together.

357
00:18:09,551 --> 00:18:11,762
But then we were very fortunate,
we had a lot of work offers,

358
00:18:11,786 --> 00:18:13,488
so Dave started doing his thing.

359
00:18:13,888 --> 00:18:16,157
And he became a stunt coordinator
and a choreographer as well.

360
00:18:16,158 --> 00:18:19,227
[Leitch] Switch your
lead to the right lead.

361
00:18:19,394 --> 00:18:23,465
[Renae] By that time, they were
like this old married couple

362
00:18:23,665 --> 00:18:27,469
that bickered and fought, but
also, like, tight as can be.

363
00:18:27,669 --> 00:18:29,871
We used to call them
Dad and Uncle Dad.

364
00:18:30,071 --> 00:18:32,740
[Leitch] Before John Wick,
Chad and I had directed

365
00:18:32,907 --> 00:18:34,209
a lot of second unit together.

366
00:18:34,542 --> 00:18:36,543
And then our company was
getting so many calls

367
00:18:36,544 --> 00:18:38,246
that we started to
work separately.

368
00:18:38,413 --> 00:18:41,216
I was doing big second units.
He was doing big second units.

369
00:18:41,383 --> 00:18:42,984
Action.

370
00:18:43,185 --> 00:18:45,263
We were seeing each other every
day and talking every day.

371
00:18:45,287 --> 00:18:47,322
We'd riff different
ideas for choreography.

372
00:18:47,522 --> 00:18:50,425
He'd be on, like, TRON and be like,
"Hey, how do I do laser disc things?"

373
00:18:50,592 --> 00:18:53,795
And I'd be like, "There's some ideas,"
and bounce things off of each other.

374
00:18:57,699 --> 00:19:00,635
[Leitch] You start to realize, "I'm
telling one third of the story.

375
00:19:00,802 --> 00:19:03,137
I might as well tell the
whole story." [chuckles]

376
00:19:03,305 --> 00:19:05,272
[Stahelski] Dave was already
going down the first unit director

377
00:19:05,273 --> 00:19:07,141
before I was actually.

378
00:19:07,575 --> 00:19:09,843
I was still, you know, pretty content
doing all the second unit stuff.

379
00:19:09,844 --> 00:19:11,879
I was really getting the itch,

380
00:19:12,280 --> 00:19:16,016
and I was, like, out there looking to
find scripts and get them developed,

381
00:19:16,017 --> 00:19:18,453
but to not much success.

382
00:19:19,454 --> 00:19:21,589
They were offered
movies left and right,

383
00:19:21,756 --> 00:19:24,426
but they were all like
the $5 million specials,

384
00:19:24,592 --> 00:19:25,960
and they turned everything down.

385
00:19:26,127 --> 00:19:28,530
They were waiting for
the right, right project.

386
00:19:31,966 --> 00:19:33,668
At the time,

387
00:19:33,835 --> 00:19:37,805
I had finally optioned my first
screenplay to Voltage Pictures.

388
00:19:37,972 --> 00:19:41,276
It was 1,500 bucks which, at
the time, was two months' rent.

389
00:19:41,443 --> 00:19:43,311
And I was trying to figure
out what to do next.

390
00:19:43,478 --> 00:19:46,113
I remember just kind of going,
"I haven't done a revenge movie."

391
00:19:46,281 --> 00:19:47,825
And our neighbors were
heading out of town,

392
00:19:47,849 --> 00:19:49,784
and they had just
adopted a chorgi,

393
00:19:49,951 --> 00:19:52,620
which is a Chihuahua-corgi,
puppy named Moose.

394
00:19:52,787 --> 00:19:58,460
And I always write slouched in my
chair with a pillow across my chest,

395
00:19:58,626 --> 00:20:01,229
and the puppy slept
on the pillow.

396
00:20:02,264 --> 00:20:04,299
And I started writing,
and I'd be like,

397
00:20:04,466 --> 00:20:08,069
"Man, what if someone killed
this fucking puppy?" [laughs]

398
00:20:08,270 --> 00:20:11,806
We had met Derek on a general meeting.
I'd read another script of his.

399
00:20:12,006 --> 00:20:15,910
And he pitched this. He's like, "I have
this action script I wrote called Scorn."

400
00:20:16,110 --> 00:20:19,814
I remember vividly reading it
that weekend and emailing Basil.

401
00:20:19,981 --> 00:20:23,021
I still have the email, and it was like,
"There's something about this script.

402
00:20:23,050 --> 00:20:24,330
I think it's 'cause I love dogs.

403
00:20:24,452 --> 00:20:25,587
The villain's really thin,

404
00:20:25,887 --> 00:20:27,654
and it's not perfect
by any means,

405
00:20:27,655 --> 00:20:29,424
but I think we
should go for it."

406
00:20:29,624 --> 00:20:31,759
And he wrote back, "I agree."

407
00:20:31,959 --> 00:20:34,161
There was just a
clean, crazy hook.

408
00:20:34,329 --> 00:20:37,365
"You killed my dog, and
now I will exact revenge."

409
00:20:37,532 --> 00:20:39,734
I wrote it with
Paul Newman in mind.

410
00:20:39,901 --> 00:20:42,837
So, he was in his early 70s.
It was a Robert De Niro type.

411
00:20:43,004 --> 00:20:45,340
His wife dies, he gets the
dog, and the car is stolen,

412
00:20:45,507 --> 00:20:47,041
and he kicks some ass.

413
00:20:47,208 --> 00:20:51,379
The dog was the last tenuous
connection he had to his wife.

414
00:20:51,546 --> 00:20:55,750
But the body count was, you
know, less than two dozen.

415
00:20:55,883 --> 00:20:57,685
[Iwanyk] But I realized
soon afterwards

416
00:20:58,052 --> 00:21:01,187
that I may have backed myself
into a corner because of the age.

417
00:21:01,188 --> 00:21:03,891
And so then I was thinking, "Okay,
do you go with slightly younger?

418
00:21:04,058 --> 00:21:05,893
You know, what's that
age underneath it?"

419
00:21:05,993 --> 00:21:08,029
Then we started
thinking about Keanu.

420
00:21:08,463 --> 00:21:11,665
Keanu's agent is Basil's best friend
from childhood and my first boss.

421
00:21:11,666 --> 00:21:15,303
And he was like, you know,
"Keanu is looking for something."

422
00:21:15,503 --> 00:21:21,075
[Iwanyk] He just did 47 Ronin and was
just finished shooting Man of Tai Chi.

423
00:21:21,242 --> 00:21:24,779
He's ready to lean into
his movie star-ness.

424
00:21:24,946 --> 00:21:27,306
'Cause the thing about Keanu,
and a lot of actors like this,

425
00:21:27,382 --> 00:21:30,284
but especially Keanu, when he
feels like he's repeating himself,

426
00:21:30,452 --> 00:21:32,219
he runs the other way.

427
00:21:32,387 --> 00:21:34,589
And sometimes you
have to get an actor

428
00:21:34,756 --> 00:21:38,426
when he or she is ready to give
the audience what they want.

429
00:21:38,593 --> 00:21:41,095
And Keanu was at a moment
in time where he's like,

430
00:21:41,262 --> 00:21:43,598
"I'm ready to be an
action star again."

431
00:21:43,765 --> 00:21:47,902
And so we met, and soon afterwards,
he attached himself to the project.

432
00:21:50,304 --> 00:21:52,840
We took about six months
of developing the script

433
00:21:53,040 --> 00:21:55,477
with Keanu's notes
with Derek Kolstad.

434
00:21:55,643 --> 00:21:57,645
We spent a lot of time
together on that first one,

435
00:21:57,812 --> 00:22:01,282
and it was slow going,
like page, line by line.

436
00:22:01,449 --> 00:22:04,919
He spent just as much time on other
people's dialogue as he did on himself.

437
00:22:05,086 --> 00:22:09,256
At a certain point, it was like,
"Okay, how much longer could this go?"

438
00:22:09,391 --> 00:22:11,493
We could develop this forever.

439
00:22:11,893 --> 00:22:13,860
And then, always... there's always an
inflection point on these movies, right,

440
00:22:13,861 --> 00:22:16,498
in development, when you develop
with an actor, where you go,

441
00:22:16,664 --> 00:22:18,533
"Okay, can we bring
a director on?"

442
00:22:18,733 --> 00:22:21,436
And he said yes.

443
00:22:21,603 --> 00:22:25,139
But in the period of our development,
couple things happened, unfortunately.

444
00:22:25,339 --> 00:22:27,742
47 Ronin came out,
and it didn't do well.

445
00:22:27,942 --> 00:22:30,778
Man of Tai Chi came
out and disappointed.

446
00:22:30,945 --> 00:22:35,517
So the narrative that Keanu Reeves
is an action star just evaporated.

447
00:22:35,683 --> 00:22:38,986
And all of a sudden, our director
list went from here to like here.

448
00:22:39,153 --> 00:22:43,558
We're gonna have to really work hard
to find a proper director for this.

449
00:22:43,758 --> 00:22:45,793
Keanu was like, "Listen,
I'm gonna give the movie

450
00:22:45,960 --> 00:22:48,996
to Chad and Dave for second
unit. They're action directors.

451
00:22:49,664 --> 00:22:51,566
What if they directed?"

452
00:22:51,766 --> 00:22:56,838
So, from my notes from an email,
in the forensics of John Wick,

453
00:22:56,938 --> 00:22:58,540
you met with Basil.

454
00:22:58,973 --> 00:23:01,942
I wanted you and Dave pitched
to them to be the directors

455
00:23:01,943 --> 00:23:05,312
on April 29th, 2013.

456
00:23:05,480 --> 00:23:07,415
A week before, you had
sent me the script.

457
00:23:07,615 --> 00:23:08,883
Yeah. And we had talked.

458
00:23:09,150 --> 00:23:10,651
And we had talked. Well,
you had sent it to me

459
00:23:10,652 --> 00:23:13,320
for the action. For
the action. Yeah.

460
00:23:13,488 --> 00:23:15,633
I was like, "Yeah"... Well,
no, I had called for action,

461
00:23:15,657 --> 00:23:18,359
but then I think you
came back to me saying,

462
00:23:18,526 --> 00:23:20,762
"Dave and I would
like to direct it."

463
00:23:20,962 --> 00:23:23,441
Oh, no. I think you smiled and
went, "Yeah, that's why you're..."

464
00:23:23,465 --> 00:23:25,500
Yeah. And so, then
I was like, Basil...

465
00:23:25,667 --> 00:23:28,703
You were manipulating us.
[laughs] I was... [mumbles]

466
00:23:28,870 --> 00:23:30,104
But I was hoping.

467
00:23:30,472 --> 00:23:33,640
And then I saw from
Basil's email to me,

468
00:23:33,641 --> 00:23:37,779
he wrote, "Best directors
meeting he's had."

469
00:23:37,979 --> 00:23:40,548
We put together this
incredible lookbook here,

470
00:23:40,748 --> 00:23:46,120
and we started to sort of build the
worlds of John Wick in the way we saw it.

471
00:23:46,320 --> 00:23:50,592
It was a lot more stylized than
I think anyone saw on the page.

472
00:23:50,758 --> 00:23:53,728
Peace. He's looking for peace.
[chuckles] Look at that shot of Keanu.

473
00:23:53,895 --> 00:23:55,630
Emotional connection.

474
00:23:55,830 --> 00:23:57,599
See, we said all
the right things.

475
00:23:57,765 --> 00:23:59,467
We talked about it
being a modern fable.

476
00:23:59,667 --> 00:24:02,269
We talked about this sort
of visual minimalism.

477
00:24:02,436 --> 00:24:04,939
She knew he needed
an attachment.

478
00:24:05,106 --> 00:24:08,743
Yep. And that was a whole
week of casting for Daisy.

479
00:24:08,910 --> 00:24:11,579
[Leitch] We wanted to have
a world of, like, fun cars.

480
00:24:11,746 --> 00:24:16,784
We wanted to have sort of our
exploration of action and gun fu.

481
00:24:16,951 --> 00:24:19,787
Yeah, and again, sort of the
love letter to graphic novels

482
00:24:19,954 --> 00:24:22,089
and anime and all of
that that we love.

483
00:24:22,256 --> 00:24:25,827
Transformation.
Guns, lots of guns.

484
00:24:26,027 --> 00:24:30,164
Boogeyman. World. New York
City. The Continental.

485
00:24:30,364 --> 00:24:31,364
They just didn't talk
about the action.

486
00:24:31,365 --> 00:24:32,967
They talked about the emotion

487
00:24:33,400 --> 00:24:35,368
about what the world looked
like and about everything.

488
00:24:35,369 --> 00:24:37,038
I was blown away.

489
00:24:37,438 --> 00:24:40,507
This is... It's a pretty
damn good lookbook. [laughs]

490
00:24:40,508 --> 00:24:43,978
You have to remember, we saw John
Wick as like this tiny little thing.

491
00:24:44,145 --> 00:24:46,924
Two stunt guys directing, like, "No one's
ever gonna see this thing, so fuck it.

492
00:24:46,948 --> 00:24:50,618
We'll just try some weird ideas. We'll
use it like as a training exercise."

493
00:24:50,785 --> 00:24:54,121
And, you know,
then they said yes.

494
00:24:54,288 --> 00:24:56,858
And now we're like, "We
better know what we're doing."

495
00:24:57,058 --> 00:25:00,261
I remember thinking, "Oh, my God,
we got these two great action guys

496
00:25:00,427 --> 00:25:02,195
before anyone else can get them.

497
00:25:02,196 --> 00:25:03,965
What a home run."

498
00:25:04,431 --> 00:25:06,567
And I'll never forget, like
three weeks after we hire them,

499
00:25:06,568 --> 00:25:09,303
Ed Pressman, the famous Ed
Pressman who's since passed away,

500
00:25:09,470 --> 00:25:11,639
calls me about something else.

501
00:25:11,806 --> 00:25:15,009
And he goes, "You stole my directors."
I'm like, "What do you mean?"

502
00:25:15,176 --> 00:25:18,145
"Yeah, we're about to go into prep
on a movie that I was producing.

503
00:25:18,312 --> 00:25:19,513
They were gonna direct it."

504
00:25:19,681 --> 00:25:20,747
I'm like, "What movie?"

505
00:25:20,748 --> 00:25:22,416
And they're like...

506
00:25:22,917 --> 00:25:25,518
It was a movie like Midnight
Run with Jean-Claude Van Damme

507
00:25:25,519 --> 00:25:27,622
and PSY from "Gangnam Style."

508
00:25:27,789 --> 00:25:30,792
And I'm like, "Those are the directors
I got? That was the other option?"

509
00:25:33,427 --> 00:25:37,031
[Kelley] Uh, the shorter the beard is,
the harder it is to make it look real.

510
00:25:37,198 --> 00:25:38,942
[Leitch] Well, we would
want it to be a bushy one.

511
00:25:38,966 --> 00:25:40,234
Okay. Right, right.

512
00:25:40,434 --> 00:25:44,005
I mean, we have to
make some hard choices.

513
00:25:44,171 --> 00:25:46,908
I mean, I was just like
pulling, like what is...

514
00:25:47,108 --> 00:25:49,343
I didn't know what exactly.

515
00:25:49,510 --> 00:25:51,813
Are they more in this happiness?

516
00:25:51,979 --> 00:25:53,480
Yes, this is more
in their happiness.

517
00:25:53,648 --> 00:25:54,968
We're hoping for
that. Okay, okay.

518
00:25:55,016 --> 00:25:56,656
And of course, what I
worry about this is,

519
00:25:56,818 --> 00:25:59,887
you can see it on this side,
is how patchy that beard is.

520
00:26:00,054 --> 00:26:01,689
I mean, that doesn't bother me.

521
00:26:01,856 --> 00:26:03,867
If you guys can live with that,
because if we get that short,

522
00:26:03,891 --> 00:26:05,326
I can't add hairs
to fill that in.

523
00:26:05,492 --> 00:26:07,270
[Smith] That doesn't
bother me. This bothers me.

524
00:26:07,294 --> 00:26:08,629
[Stahelski] Anything we do
is gonna get a picture taken

525
00:26:08,630 --> 00:26:10,231
and sent to people
making a decision.

526
00:26:10,397 --> 00:26:11,508
[Leitch] They'll approve
and we'll figure it out.

527
00:26:11,532 --> 00:26:13,000
[Stahelski] We want the beard.

528
00:26:13,167 --> 00:26:15,112
[Leitch] The distributor
wants him not to have a beard.

529
00:26:15,136 --> 00:26:18,004
Like he's supposed to be the
Keanu Reeves of The Matrix.

530
00:26:18,005 --> 00:26:20,708
And we're afraid to shave
it off because, you know,

531
00:26:20,875 --> 00:26:24,045
he's done that look
a million times.

532
00:26:24,211 --> 00:26:27,281
Unfortunately, they're distributing
the movie and have sold it foreign,

533
00:26:27,481 --> 00:26:29,751
and they know what
their people want, so...

534
00:26:29,917 --> 00:26:32,453
I guess nobody cares what
we want. Asia hates beards.

535
00:26:32,654 --> 00:26:34,288
[person] I know.

536
00:26:34,488 --> 00:26:36,066
[Stahelski] Asia hates...
[Leitch] That's what they said.

537
00:26:36,090 --> 00:26:37,400
If we leave a beard, no
one's gonna see the movie.

538
00:26:37,424 --> 00:26:38,760
The movie's gonna flop.

539
00:26:38,926 --> 00:26:40,928
[Stahelski] Can't be a
first-time director...

540
00:26:41,095 --> 00:26:44,098
"First-time directors, you want to hang
it out there and have a beard? Okay."

541
00:26:46,200 --> 00:26:47,969
Bye-bye, John Wick.

542
00:26:49,336 --> 00:26:51,414
Partial bye-bye. We're not
going bye-bye all the way yet.

543
00:26:51,438 --> 00:26:53,641
[Stahelski] Yeah, no. It's
like, "Hello, new John Wick."

544
00:26:59,914 --> 00:27:02,583
[Kelley] So, this is
the next guard down.

545
00:27:03,550 --> 00:27:05,586
[Stahelski] Still
looks like a beard.

546
00:27:05,787 --> 00:27:07,865
That's what I'm concerned about
too, and what they're gonna think.

547
00:27:07,889 --> 00:27:11,058
Looks just like a beard.
[chuckles] [Reeves laughs]

548
00:27:11,225 --> 00:27:13,506
[Leitch] Go to the next level?
Gotta go to the next level.

549
00:27:14,228 --> 00:27:15,629
Go one more down?

550
00:27:15,797 --> 00:27:17,164
Well, that's beard.

551
00:27:19,100 --> 00:27:20,940
[Smith] We're all just
like, holding on. I know.

552
00:27:20,968 --> 00:27:24,005
They were pretty
straightforward about...

553
00:27:24,205 --> 00:27:25,306
[Kelley] No beard. Yeah.

554
00:27:25,472 --> 00:27:26,472
[Kelley] Yeah.

555
00:27:26,607 --> 00:27:29,510
[tense music playing]

556
00:27:36,550 --> 00:27:38,395
[Stahelski] We're going to
get action out of the hair.

557
00:27:38,419 --> 00:27:40,021
Gotta get it a little bushy.

558
00:27:41,622 --> 00:27:42,656
A little...

559
00:27:46,427 --> 00:27:47,594
Okay.

560
00:27:51,966 --> 00:27:53,367
Chuck it! Chuck it! Chuck it!

561
00:27:57,171 --> 00:27:58,873
The suit definitely helps.

562
00:27:59,073 --> 00:28:00,507
It's all about the suit.

563
00:28:01,943 --> 00:28:03,477
It's all about the suit.

564
00:28:09,583 --> 00:28:11,328
[cameraperson] Tomorrow will
be the first day, right?

565
00:28:11,352 --> 00:28:12,820
Tomorrow will be the first day.

566
00:28:12,987 --> 00:28:14,822
Tomorrow will be the
first day of photography.

567
00:28:14,989 --> 00:28:18,225
[Leitch] We are looking
at the John Wick house,

568
00:28:18,425 --> 00:28:21,462
and it's sort of three-quarters
of the way dressed.

569
00:28:21,628 --> 00:28:24,165
And we're gonna block
some scenes here

570
00:28:24,331 --> 00:28:27,168
and be ready to shoot
tomorrow, hopefully.

571
00:28:27,334 --> 00:28:28,569
We're getting on with it.

572
00:28:33,174 --> 00:28:35,476
[laughs] [cameraperson]
What does it say?

573
00:28:36,343 --> 00:28:38,045
[Leitch] We're
shooting on Monday?

574
00:28:38,712 --> 00:28:39,712
[phone ringing]

575
00:28:39,814 --> 00:28:41,315
Oh. Peter Lawson.

576
00:28:44,852 --> 00:28:45,887
Pete.

577
00:28:48,055 --> 00:28:49,723
I'm great. I just
got the email.

578
00:28:51,292 --> 00:28:54,762
We are temporarily shut
down until further notice.

579
00:28:54,962 --> 00:28:57,531
It seems our equity investor

580
00:28:57,698 --> 00:29:01,769
who had to come up with
the 6.5 to cover the gap,

581
00:29:01,969 --> 00:29:05,106
um, he's five and a half short.

582
00:29:07,341 --> 00:29:11,112
We had some financiers
coming in to gap finance

583
00:29:11,312 --> 00:29:14,381
because Lionsgate presold
the international,

584
00:29:14,548 --> 00:29:17,551
but there was still a delta of
what we needed to make the movie.

585
00:29:17,718 --> 00:29:20,621
No one was ready to get
onboard for the domestic.

586
00:29:20,822 --> 00:29:22,857
So it was really
something that, you know,

587
00:29:23,024 --> 00:29:25,144
we were gonna have to figure
out how to find the money.

588
00:29:26,227 --> 00:29:28,262
I mean, maybe if we
get Lionsgate onboard,

589
00:29:28,429 --> 00:29:32,033
and they take the domestic, and
we could keep moving forward,

590
00:29:32,199 --> 00:29:34,401
but I doubt it at this point.

591
00:29:34,568 --> 00:29:36,814
I think everyone's just gonna
have to take a kick in the nuts,

592
00:29:36,838 --> 00:29:38,940
and it's all probably
gonna fall apart.

593
00:29:39,907 --> 00:29:41,408
That's what I think.

594
00:29:41,575 --> 00:29:47,281
I think this is, uh, the
nail in the coffin. So...

595
00:29:47,448 --> 00:29:49,951
[cameraperson] You think
so, really? Yeah, I do.

596
00:29:50,117 --> 00:29:52,319
[cameraperson stammers] Wait,
hold on. No, I mean, I do.

597
00:29:52,519 --> 00:29:54,655
I'm not trying to be
dramatic for, you know,

598
00:29:54,856 --> 00:29:56,924
editorial reasons
for our documentary,

599
00:29:57,091 --> 00:30:01,428
but I don't know how you find
six-and-a-half million dollars by Monday.

600
00:30:07,301 --> 00:30:10,671
[Stahelski] What little I know of
Basil, I know he's not a quitter, so...

601
00:30:10,872 --> 00:30:13,274
He's a bit of a fighter,
so we're not dead yet.

602
00:30:14,775 --> 00:30:18,012
We are doomed. I mean,
we are completely fucked.

603
00:30:19,613 --> 00:30:22,416
We just had a gigantic hole. There
was just... The money wasn't coming.

604
00:30:22,583 --> 00:30:27,154
And I spoke to my lawyer and I'm like,
"Well, say, if this movie falls apart,

605
00:30:27,254 --> 00:30:28,722
who's gonna sue me?"

606
00:30:29,056 --> 00:30:33,126
And he's like, "IATSE,
SAG, the WGA, DGA." This...

607
00:30:33,127 --> 00:30:34,929
It was, like, horrendous.

608
00:30:35,362 --> 00:30:37,097
And he's like, "Listen, you
gotta just get this movie made."

609
00:30:37,098 --> 00:30:38,876
[cameraperson] Say if I was to
give you like six million...

610
00:30:38,900 --> 00:30:40,367
Hey, hon? Can I call you back?

611
00:30:40,567 --> 00:30:43,004
I got Keanu on the other line,
so I need to talk to him.

612
00:30:43,938 --> 00:30:45,539
Thanks, hon. Bye.

613
00:30:45,739 --> 00:30:48,775
[Leitch] Hang on one
second. He's on the phone.

614
00:30:49,343 --> 00:30:50,511
Hello.

615
00:30:53,747 --> 00:30:55,316
What's going on?
How you doing?

616
00:30:58,285 --> 00:31:00,687
Nice. Did Basil
give you a call?

617
00:31:03,925 --> 00:31:06,860
He did not, huh? You haven't
talked to anybody in the office?

618
00:31:09,096 --> 00:31:11,899
Excellent. They're
probably stalling on him.

619
00:31:14,768 --> 00:31:16,837
It's... Yeah, I...
[Leitch] Fucking...

620
00:31:17,304 --> 00:31:20,740
[Stahelski] I'm a little annoyed, so
I think I'll just tell you myself.

621
00:31:20,741 --> 00:31:22,676
They've had a problem
with their gap finance.

622
00:31:22,843 --> 00:31:24,545
They're coming in.

623
00:31:24,811 --> 00:31:27,181
We've recalled everybody,
and they've pushed us again.

624
00:31:29,116 --> 00:31:31,436
I'm sure they're scrambling
trying to figure something out.

625
00:31:31,485 --> 00:31:33,587
We have a few options around.

626
00:31:33,820 --> 00:31:37,091
Luckily, we know a few people, so we'll
try and close the gap as fast as we can.

627
00:31:37,224 --> 00:31:42,096
So we'll get back to the office
probably in the next 45 minutes,

628
00:31:42,296 --> 00:31:45,199
storm into the office and
try to retake the beach.

629
00:31:47,734 --> 00:31:48,835
What did Keanu say?

630
00:31:49,003 --> 00:31:50,037
[chuckles]

631
00:31:51,172 --> 00:31:54,508
You know, Keanu is
a little different.

632
00:31:54,675 --> 00:31:56,710
When he yells and screams,
it's a good thing.

633
00:31:58,980 --> 00:32:00,881
When he gets really,
really, really quiet...

634
00:32:01,048 --> 00:32:02,616
Was he getting really quiet?

635
00:32:02,816 --> 00:32:05,886
He was the most quiet
I've ever heard him.

636
00:32:16,163 --> 00:32:18,465
I reckon we'll lose
about 20% of the crew.

637
00:32:19,566 --> 00:32:21,635
There's already people gone.

638
00:32:21,835 --> 00:32:23,555
[Iwanyk] A big part of
the production office

639
00:32:23,704 --> 00:32:25,139
just stopped coming in to work.

640
00:32:25,339 --> 00:32:27,250
But then another part of the
production office came in,

641
00:32:27,274 --> 00:32:28,885
and they would come in
my office, and like,

642
00:32:28,909 --> 00:32:31,212
"Do you feel confident
the money will come?"

643
00:32:31,378 --> 00:32:33,247
And I'm like, "I do."

644
00:32:33,414 --> 00:32:39,253
Uh, now, I was lying
because I had no idea.

645
00:32:40,754 --> 00:32:43,033
So much so, I had to give my
credit card to the costume designer

646
00:32:43,057 --> 00:32:47,094
to buy wardrobe, and it was
really, really, really dodgy.

647
00:32:47,261 --> 00:32:52,832
Any chance of reducing the budget
by six-and-a-half million dollars

648
00:32:52,833 --> 00:32:54,135
and making the movie happen?

649
00:32:54,468 --> 00:32:56,337
That script would look
radically different,

650
00:32:56,470 --> 00:32:59,406
and then you'd have to go back to
all of your international buyers

651
00:32:59,573 --> 00:33:05,746
and go, "Hey, you paid us, you know,
250,000 for the rights in Germany,

652
00:33:05,912 --> 00:33:07,848
but this is the script
you're getting now."

653
00:33:08,049 --> 00:33:10,984
And then everyone can go,
"I don't want that script.

654
00:33:11,152 --> 00:33:12,953
- I wanted the one that I bought."
- Right.

655
00:33:13,120 --> 00:33:15,089
And so, you kind of have
to keep the integrity.

656
00:33:15,256 --> 00:33:16,823
You can change it.

657
00:33:16,990 --> 00:33:18,692
Slightly, but not...

658
00:33:18,892 --> 00:33:21,028
[Leitch] Yeah. Six
million dollars.

659
00:33:24,965 --> 00:33:27,668
[Leitch] Keanu gave back money,
Chad and I gave back money.

660
00:33:27,834 --> 00:33:31,372
Like, we all gave back money of our
salaries to try and close the gap.

661
00:33:32,573 --> 00:33:34,641
I think Keanu had to
defer and write a check...

662
00:33:34,808 --> 00:33:36,343
[Reeves] Yeah. Some
of that going on.

663
00:33:36,510 --> 00:33:38,430
[Stahelski] ...just to
keep our department heads.

664
00:33:39,313 --> 00:33:41,033
[Iwanyk] I remember I
would walk to my hotel

665
00:33:41,082 --> 00:33:44,485
from the production office
for hours because I was like,

666
00:33:44,651 --> 00:33:48,389
"I need to get so tired so when I
get back to the hotel, I pass out."

667
00:33:48,589 --> 00:33:50,991
Because if I don't, I'm gonna
sit there and I'm gonna be like,

668
00:33:51,158 --> 00:33:53,078
"I'm fucked, I'm fucked,
I'm fucked, I'm fucked."

669
00:33:53,194 --> 00:33:54,495
We gotta fucking start.

670
00:33:54,695 --> 00:33:56,863
If we don't have guys
on planes by Monday,

671
00:33:56,997 --> 00:33:59,566
you might as well cut the end
sequence. It's gonna be a gunfight.

672
00:34:01,302 --> 00:34:03,470
[Leitch] We've already
pushed for seven days

673
00:34:03,637 --> 00:34:08,008
and that's like a half million
dollars' worth of money

674
00:34:08,175 --> 00:34:10,377
that just went out
the fucking window

675
00:34:10,544 --> 00:34:15,182
when the mo... when we
were 600 short to start.

676
00:34:15,349 --> 00:34:16,349
[Stahelski sighs]

677
00:34:16,483 --> 00:34:17,684
[Leitch] It's a fucking mess.

678
00:34:21,455 --> 00:34:25,492
[Iwanyk] And then, out of
nowhere, the money came through.

679
00:34:29,330 --> 00:34:32,433
[laughs]

680
00:34:32,633 --> 00:34:35,402
Should be fully
financed by tomorrow.

681
00:34:37,371 --> 00:34:39,206
Ready to shoot on Friday.

682
00:34:40,174 --> 00:34:42,008
[Iwanyk] We were blessed.

683
00:34:42,176 --> 00:34:45,212
It was insane that we pulled this
off in the amount of time we did.

684
00:34:45,379 --> 00:34:47,614
It's gonna be... This
movie's about vengeance.

685
00:34:47,814 --> 00:34:49,350
Not John Wick's.

686
00:34:49,516 --> 00:34:51,017
Ours. [chuckles]

687
00:34:51,185 --> 00:34:52,995
[Iwanyk] And then we find
out while we're shooting

688
00:34:53,019 --> 00:34:54,755
that the money was
never from this guy,

689
00:34:54,921 --> 00:34:56,623
but it was Eva Longoria's money.

690
00:34:56,823 --> 00:35:01,762
And I didn't tell Keanu
until after the movie wrapped

691
00:35:01,928 --> 00:35:04,374
because I didn't want him to be like,
"What the hell is going on here?"

692
00:35:04,398 --> 00:35:07,201
So yeah, if you
look at John Wick 1,

693
00:35:07,368 --> 00:35:11,037
Eva Longoria, thank God,
pretty much saved the movie.

694
00:35:12,806 --> 00:35:14,608
We got through it,

695
00:35:15,075 --> 00:35:17,377
but I think that it broke a little
bit of Chad and Dave's spirit

696
00:35:17,378 --> 00:35:19,746
because they were
first-time directors,

697
00:35:19,913 --> 00:35:23,049
and they didn't realize that
sometimes this is the game.

698
00:35:23,217 --> 00:35:25,286
Things happen, especially
in independent movies.

699
00:35:25,452 --> 00:35:30,157
And so, we went into shooting the movie.
We were already exhausted as we started.

700
00:35:31,692 --> 00:35:33,570
[Reeves] I mean, I remember
when I got to New York, and I...

701
00:35:33,594 --> 00:35:35,762
You know, I like to visit
the production office.

702
00:35:35,862 --> 00:35:37,598
See what's going on. Yeah.

703
00:35:38,031 --> 00:35:42,335
And I took John Saunders, who
was the first AD, and I was like,

704
00:35:42,336 --> 00:35:44,856
"John, let's look at the board,"
you know, the shooting schedule.

705
00:35:44,971 --> 00:35:47,049
[Stahelski] I remember that.
You wanted to see the schedule.

706
00:35:47,073 --> 00:35:49,033
[Reeves] Yeah. [Stahelski]
You're a schedule whore.

707
00:35:49,109 --> 00:35:51,845
[Reeves] And I was just like, "How
are we... We can't shoot that.

708
00:35:52,045 --> 00:35:53,285
Like, how are we
gonna do that?"

709
00:35:53,447 --> 00:35:54,924
I remember you just
were shaking your head.

710
00:35:54,948 --> 00:35:56,850
I was like, "No,
we need more days."

711
00:35:57,251 --> 00:35:59,686
And he's like, "I know." I'm
like, "We need to get more days."

712
00:36:00,821 --> 00:36:03,624
[Leitch] We could not wrap
our head around what could go.

713
00:36:03,790 --> 00:36:05,526
How do we do that?
How do we do this?

714
00:36:05,726 --> 00:36:08,762
And Keanu couldn't, and
the writer couldn't,

715
00:36:08,929 --> 00:36:10,797
and the producers couldn't.

716
00:36:11,298 --> 00:36:13,778
So we're like, "We're just gonna
make the movie with less time."

717
00:36:14,901 --> 00:36:17,046
[Stahelski] You know, we laugh
and joke about it's just a movie,

718
00:36:17,070 --> 00:36:20,173
but we all know, every crew member
knows that you take it really seriously.

719
00:36:20,341 --> 00:36:22,309
You wanna do the
best job you can.

720
00:36:22,509 --> 00:36:24,387
You don't wanna let down the people
that stuck their neck out for you,

721
00:36:24,411 --> 00:36:26,371
so you put a lot of pressure
on yourself to do it.

722
00:36:26,480 --> 00:36:30,284
I mean, at the end of the day, we had
known Keanu for like the ten years,

723
00:36:30,484 --> 00:36:32,986
eight years at the time
from all the Matrixes.

724
00:36:33,153 --> 00:36:34,955
But it's still Keanu Reeves.

725
00:36:35,121 --> 00:36:36,799
You don't wanna let this guy
down. Like, he's a pro, man.

726
00:36:36,823 --> 00:36:38,292
This is Keanu-fucking-Reeves.

727
00:36:38,459 --> 00:36:39,826
Like, you do not
wanna let him down

728
00:36:39,993 --> 00:36:42,963
no matter what you think
the movie's gonna be.

729
00:36:43,129 --> 00:36:45,866
So we decided to give it our all and
put a lot of stress on ourselves.

730
00:36:46,032 --> 00:36:48,302
[crew member] Guys, gotta keep
moving. Gotta keep moving.

731
00:36:48,469 --> 00:36:50,389
[crew member 2] Rolling!
[crew member 3] Rolling!

732
00:36:51,438 --> 00:36:52,506
[crew member 4] Action!

733
00:36:55,041 --> 00:36:58,345
We were just assaulted
with problems.

734
00:36:58,512 --> 00:36:59,646
Go, go, go.

735
00:36:59,813 --> 00:37:01,047
Shoot, shoot.

736
00:37:01,214 --> 00:37:03,183
[intense music playing]

737
00:37:06,353 --> 00:37:08,322
[Leitch] Problems from
different departments

738
00:37:08,489 --> 00:37:09,656
and then budgetary problems.

739
00:37:09,823 --> 00:37:11,992
Gotta figure out what
scenes we can cut.

740
00:37:12,158 --> 00:37:13,760
[indistinct chatter]

741
00:37:13,960 --> 00:37:16,663
The usual on John Wick,
what scenes we can cut.

742
00:37:17,798 --> 00:37:19,478
'Cause we never have
time to shoot 'em all.

743
00:37:20,801 --> 00:37:23,270
In low-budget filmmaking, you
have to be in your own movies.

744
00:37:23,470 --> 00:37:26,340
I would like to say this was a
creative choice, but it was budgetary.

745
00:37:26,507 --> 00:37:28,775
And then logistically
shooting in New York problems.

746
00:37:28,975 --> 00:37:31,678
[crew member] Excuse me, you
gotta keep moving. Active walkway.

747
00:37:31,845 --> 00:37:33,179
[siren blares]

748
00:37:34,381 --> 00:37:36,917
[Leitch] I think it was just
the movie gods hated us.

749
00:37:37,117 --> 00:37:40,621
So we are on the cover of
the New York Post today.

750
00:37:40,821 --> 00:37:45,058
Vinny's fine work in the
prop department is featured.

751
00:37:46,226 --> 00:37:48,228
Makeup's fine work.
Hair's fine work.

752
00:37:50,196 --> 00:37:52,709
- [Reeves] The all-hands-on-deck...
- [Stahelski] That really helps.

753
00:37:52,733 --> 00:37:55,135
...on John Wick 1
was extraordinary.

754
00:37:55,336 --> 00:37:59,139
When we went in to start crewing up,
I mean, we were a tiny little movie.

755
00:37:59,340 --> 00:38:03,310
No one was sure if we were gonna go. So,
we couldn't really book a lot of crew.

756
00:38:03,510 --> 00:38:05,230
So, it was catch-as-catch-can
with the crew.

757
00:38:05,379 --> 00:38:07,619
We just take interviews and
whoever was kind of available,

758
00:38:07,748 --> 00:38:09,215
whatever we... You know.

759
00:38:09,383 --> 00:38:10,751
People had to cut their rates.

760
00:38:10,917 --> 00:38:13,053
And then for the prop department

761
00:38:13,219 --> 00:38:16,957
we got, no joke, Vinny
Mazzarella and Joey.

762
00:38:17,057 --> 00:38:19,177
[Reeves] Yeah, Joey Coppola.
[Stahelski] Joey Coppola.

763
00:38:19,360 --> 00:38:22,362
I mean, Vinny Mazzarella and Joey
Coppola, those were our prop masters.

764
00:38:22,363 --> 00:38:26,066
And they were just the coolest
guys, and they just got it.

765
00:38:26,232 --> 00:38:30,437
I mean, Vinny, like, stopping...
Like, we needed a garbage truck.

766
00:38:30,604 --> 00:38:34,240
And he's running on the street.
He's running down the street.

767
00:38:34,441 --> 00:38:37,010
[Stahelski] 2:00 a.m. in Chinatown
in New York on John Wick 2,

768
00:38:37,210 --> 00:38:40,814
we decided we wanted a garbage truck
to come in the alley and back like...

769
00:38:40,981 --> 00:38:42,649
Yeah, back John Wick up.

770
00:38:42,816 --> 00:38:44,894
Vinny just said, "What do you
guys got in your pockets?"

771
00:38:44,918 --> 00:38:46,318
We gave him a couple
twenties. Yeah.

772
00:38:46,453 --> 00:38:48,589
He came back in five minutes
with a garbage truck.

773
00:38:48,755 --> 00:38:50,290
With a garbage truck.

774
00:38:50,457 --> 00:38:52,626
He paid the city garbage
truck driver a hundred bucks.

775
00:38:55,295 --> 00:38:57,135
[Reeves] I mean, you make
connections on films,

776
00:38:57,431 --> 00:38:59,532
but the connections that were
made on this were really special.

777
00:38:59,533 --> 00:39:01,201
They were pretty good.
Yeah, we got lucky.

778
00:39:01,402 --> 00:39:03,303
Personal and creative. Yep.

779
00:39:03,470 --> 00:39:05,138
You know? Good people.

780
00:39:05,305 --> 00:39:08,442
Loving, who love their work,
who are amazing at what they do.

781
00:39:08,609 --> 00:39:10,444
And they love the
pain. [laughs]

782
00:39:10,611 --> 00:39:12,345
And they... And
who love the pain.

783
00:39:12,513 --> 00:39:14,214
They love to suffer.

784
00:39:26,993 --> 00:39:28,829
Literally the day before
we started shooting,

785
00:39:29,930 --> 00:39:32,899
I saw Chad in the corner
like brooding, angry.

786
00:39:33,099 --> 00:39:35,077
I went to Dave, I'm like,
"What's Chad upset about?

787
00:39:35,101 --> 00:39:37,447
Like, somebody from the movie?"
He's like, "No, it's his wife,"

788
00:39:37,471 --> 00:39:39,540
and this and that. I'm
like, "What do you mean?"

789
00:39:39,706 --> 00:39:41,506
He's like, "Yeah, I think
they're separating."

790
00:39:41,608 --> 00:39:43,710
I'm like, "Now?" This movie?

791
00:39:43,877 --> 00:39:47,047
We just got through hell
financing the movie.

792
00:39:47,213 --> 00:39:48,248
I wasn't getting paid.

793
00:39:48,449 --> 00:39:49,816
Not only was I not getting paid,

794
00:39:49,983 --> 00:39:52,719
I took money out of our
house to fill some holes.

795
00:39:52,886 --> 00:39:54,688
And I'm like, "How can this be?

796
00:39:54,855 --> 00:39:57,157
How many more hits
can this movie take?"

797
00:39:58,324 --> 00:39:59,926
Hey. Hey. How are you?

798
00:40:00,126 --> 00:40:01,862
[Iwanyk] And I spoke
to Chad about it.

799
00:40:02,028 --> 00:40:03,673
I'm just like, "I don't care
what you're going through.

800
00:40:03,697 --> 00:40:05,965
You gotta just suck it
up and get through this."

801
00:40:05,966 --> 00:40:07,926
And he's like, "Absolutely,
don't worry about it."

802
00:40:08,034 --> 00:40:10,571
He's like, "I'll be dark and
self-loathing in private."

803
00:40:12,405 --> 00:40:15,075
[Stahelski] We went
through a horrible breakup.

804
00:40:15,241 --> 00:40:17,578
So I did the whole movie
separated from Heidi.

805
00:40:18,879 --> 00:40:20,947
When he엋}1q|[x@]v
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