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Downloaded from
YTS.BZ

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Official YIFY movies site:
YTS.BZ

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[EERIE MUSIC]

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♪ ♪

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[GATE CLATTERING]

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♪ ♪

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[OMINOUS MUSIC]

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♪ ♪

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[MUFFLED YELLS]

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♪ ♪

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[CLANK]

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♪ ♪

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[EERIE MUSIC]

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♪ ♪

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[BELL TOLLING]

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ORPHEUS (VOICEOVER): My devotion to my faith has been

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unwavering,

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as has my love for sacred art.

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But when it comes to art, I am captivated

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by the perception of its value.

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[MYSTERIOUS MUSIC]

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Sacred relics hang here, hidden from the world.

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Neglected.

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♪ ♪

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In these shadows, I always wonder

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if they are deprived of a greater

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purpose, denied a better life outside the confinement

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of these walls.

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We build rich temples to pray to our god

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but have difficulty finding him there.

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And then, one day, when we doubt everything,

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just when we least expect it, the ordinary cycle breaks.

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And we realize that the most precious things we hid away,

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they emerge from the shadows and reappear

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to reveal themselves to the world.

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♪ ♪

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- [GASPING]

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[PHONE RINGING]

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FATHER HORACE (ON PHONE): ORPHEUS, they have stolen it.

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Orpheus.

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- Stolen what?

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FATHER HORACE (ON PHONE): The Caravaggio!

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[TENSE MUSIC]

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♪ ♪

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[SIREN BLARING]

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[TENSE MUSIC]

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♪ ♪

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- Orpheus, what took you so long?

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- Inspector Portelli.

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- Father--

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- Orpheus, I had a few words with Father Horace here,

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and I spoke to Monsignor Russo over the phone.

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He is one angry man.

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He's on his way here as we speak.

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Father Horace told me he's been trying

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to reach you for over an hour.

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- I got here as soon as I could.

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I was sound asleep until I got the call.

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- I wanted to speak to you before the Curia gets involved

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and before the political theatrics

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start to cloud things up.

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- How did this happen?

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PORTELLI: Would you like to follow me?

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Right this way.

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[SUSPENSEFUL MUSIC]

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♪ ♪

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The <i>Saint Jerome</i> was taken in the early hours of this morning.

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Uh, father, the area is still under investigation.

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The painting was lowered, and the canvas

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was detached from the frame, uh, with a sharp object,

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and the frame carelessly discarded, as you can see.

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The canvas itself was rolled or folded, no doubt, to make it

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easier to transport unnoticed.

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- Was anything else stolen?

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- No, no.

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The thieves knew exactly what they were after.

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The <i>Saint Jerome</i> is priceless.

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But to the right collector, it's worth a fortune.

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We've already alerted the international ports and

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the art dealers.

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Um, shall we?

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A "Works In Progress" placard was

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placed outside the main door.

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- Well, that sign is ours for when we have maintenance works.

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- OK.

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The guard, he-- he was found tied up and unconscious,

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suffered a heavy blow to the face.

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An ambulance took him to St. Luke's Hospital.

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I assume you know him well.

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- Yes, Joe.

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He's been with us for a few years.

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A good man from a good family.

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- Once he comes around, we'll need

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to speak to him immediately.

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His testimony will be key.

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What time did you leave the cathedral last night?

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- 8:00 PM.

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I usually leave my office at the cathedral at 8:00 PM.

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- Yeah.

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[SUSPENSEFUL MUSIC]

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[DOOR CLANKS]

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- You!

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What the heavens is going on in here?

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Look at the chaos you have brought about.

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Perhaps if you had paid more attention to your duties,

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none of this would have happened.

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But no, you chose to waste your time

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by sending all those incessant travel requests.

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- Monsignor, with respect, I have

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been advocating for security measures for over 10 years.

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All that has fallen on deaf ears.

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- Excuses.

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I will hear none of that anymore.

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- We have no cameras, no alarms, but

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all the money in the world for bishops,

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their lavish offices, their entourage,

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their extravagant trips to the Vatican.

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We were a ticking clock.

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RUSSO: Sooner or later, you will answer for all of this.

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And you, what have you been doing to clear this mess?

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- I will need the both of you to provide

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a full statement at this station later today, so expect my call.

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- Find me that blessed painting!

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- A detective from Washington is flying in this afternoon

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to join the investigation.

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We will do our best, Monsignor.

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- Ah!

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Get me the Prime Minister!

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[TENSE MUSIC]

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♪ ♪

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- An inspector from Washington.

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Why?

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- The ministry has intervened and asked

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the American embassy for help.

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It seems they have assisted on a similar case back

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in Palermo some 15 years ago.

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Caravaggio's <i>Nativity.</i>

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- The one that was never recovered.

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- That's the one.

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Turns out the police were chasing red herrings all along.

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You know how it is.

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The politicians, they need their grand gestures.

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They need to show the public they're doing all that they can.

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No stone unturned.

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People love to read bad news, father.

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Tomorrow's papers will sell out.

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- Inspector, please do keep me updated on Joe's condition.

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[EERIE MUSIC]

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♪ ♪

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[WATER FLOWING]

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[SIGHS]

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[GENTLE MUSIC]

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♪ ♪

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[GASPING]

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[BREATHING HEAVILY]

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[TENSE MUSIC]

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♪ ♪

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[EERIE MUSIC]

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♪ ♪

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[BEEPING]

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♪ ♪

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[SOBBING]

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♪ ♪

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[DOOR SHUTS]

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[GENTLE MUSIC]

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♪ ♪

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ORPHEUS: Ah.

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♪ ♪

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MARYANNE (ON VIDEO): Dan, is it recording?

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DAN (ON VIDEO): Yeah, we're recording.

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MARYANNE (ON VIDEO): Hey-- hey, Caitlin, Raphael,

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why don't you sing a Christmas Carol for Uncle Orpheus?

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Say, Hi, Uncle Orpheus.

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- Hi, Uncle Orpheus.

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MARYANNE (ON VIDEO): Hi.

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I imagine the cathedral's all lit

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up and beautiful for Christmas.

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Why don't we show him how you sing "Away in a Manger."

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- ♪ Away in a manger ♪

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♪ No crib for a bed ♪

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♪ The little Lord Jesus ♪

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♪ Lay down His sweet head ♪

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♪ The stars in the night sky ♪

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♪ Looked down where He lay ♪

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♪ The little Lord Jesus ♪

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♪ Asleep in the hay ♪

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[GENTLE MUSIC]

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♪ ♪

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[CLOCK CHIMING]

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[PHONE RINGING]

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- Good morning, Maryanne, my favorite sister.

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MARYANNE (ON PHONE): I'm your only sister.

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And the sun has already set on your side.

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Tell me, how was your day?

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- Oh, same old, same old.

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Nothing new.

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MARYANNE (ON PHONE): That's no bad thing.

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There's comfort and stability.

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- Today brought back memories.

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I found myself watching the Christmas tape

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with the kids singing.

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MARYANNE (ON PHONE): [COUGHS] Oh how wonderful.

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[COUGHING] Four years ago, eh?

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- Five years.

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MARYANNE (ON PHONE): Is it really five years?

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[COUGHING] Where-- where does it all go?

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- Time flies.

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Christ, it's ages since I last saw you.

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Caitlin and Raphael, they were so young.

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MARYANNE (ON PHONE): I keep asking them to stop growing.

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They don't listen.

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- Stubborn, like their grandmother.

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Yeah.

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Um, tell me honestly, how are you holding up?

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MARYANNE: [COUGHING] I had the doctors come visit again.

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They're not giving me much hope.

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- You've always been the strong one.

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You can do this.

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We can do this together.

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I'm working on permission to come see you.

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MARYANNE (ON PHONE): I would like that.

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- It should be granted any day now.

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MARYANNE (ON PHONE): Orpheus, there's something important

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that I need to tell you.

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I had a call yesterday from Helen.

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- Helen?

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MARYANNE (ON PHONE): She wanted to reach out to you,

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but she couldn't face calling the cathedral, so she called me.

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- After all these years?

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Why now?

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What does she want?

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MARYANNE (ON PHONE): She has something to tell you.

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It's-- it's about-- [COUGHING]

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[EERIE MUSIC]

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♪ ♪

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[BELL TOLLING]

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♪ ♪

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[SUSPENSEFUL MUSIC]

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♪ ♪

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[KNOCKING]

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- Come in.

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♪ ♪

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- Forgive me, Monsignor, but--

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- Never mind me.

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Go ahead.

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- It's my sister, Maryanne.

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- Your sister.

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you mean the one who-- who lives in America,

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if I remember correctly?

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ORPHEUS: Yes.

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She's unwell.

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HORACE: Are we offering prayers for your dear

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sister in our services?

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- Yes, we have been, Monsignor.

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- Well, please don't worry, Father Orpheus.

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Take your strength from prayer, and

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have faith in the will of God.

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- But even with prayers, she's not getting any better.

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I need to ask your kind permission

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to go there to ask the church to sponsor my travels.

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- Uh, uh, yes, I received your request.

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But your first duty is to your parish here.

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We do our personal sacrifices because it's

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part of our calling.

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With the grace of the good Lord, we are all going to heaven.

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Isn't that what we want?

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- Heaven?

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- Look, I'm-- I'm very pleased that we

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had this little conversation.

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[EERIE MUSIC]

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00:19:59,041 --> 00:20:06,041
♪ ♪

272
00:20:38,291 --> 00:20:39,832
- Ha.

273
00:20:39,833 --> 00:20:42,540
Detective Leone, welcome to Malta.

274
00:20:42,541 --> 00:20:43,540
- Appreciate the ride.

275
00:20:43,541 --> 00:20:47,249
- Let me help you with that.

276
00:20:47,250 --> 00:20:51,457
So your last name, Leone, that's an Italian family name?

277
00:20:51,458 --> 00:20:52,457
- It is.

278
00:20:52,458 --> 00:20:54,874
I see you've done your homework.

279
00:20:54,875 --> 00:20:57,207
- Leone, that's how you say it?

280
00:20:57,208 --> 00:20:59,040
- Well, it's just Leone back at home.

281
00:20:59,041 --> 00:21:01,540
My father's side was originally from Rome,

282
00:21:01,541 --> 00:21:05,665
but we moved to the US when I was just a kid.

283
00:21:05,666 --> 00:21:08,874
- My office said that you'd be the only one coming over.

284
00:21:08,875 --> 00:21:11,540
- Were you expecting a larger party?

285
00:21:11,541 --> 00:21:13,457
What's the status on the investigation?

286
00:21:13,458 --> 00:21:16,207
- Well, we're practically in the dark.

287
00:21:16,208 --> 00:21:18,915
No witnesses, no cameras, no alarms.

288
00:21:18,916 --> 00:21:20,457
All we have is an old guard lying

289
00:21:20,458 --> 00:21:22,749
unconscious on a hospital bed.

290
00:21:22,750 --> 00:21:25,082
- Any leads, prints, fibers?

291
00:21:25,083 --> 00:21:26,082
- Nothing.

292
00:21:26,083 --> 00:21:27,832
We came up empty so far.

293
00:21:27,833 --> 00:21:31,332
I mean, this whole job was just too precise, too clean.

294
00:21:31,333 --> 00:21:33,790
Whoever did this, it's not their first time.

295
00:21:33,791 --> 00:21:34,915
- Do you have a copy of the report

296
00:21:34,916 --> 00:21:36,249
file I can have a look at?

297
00:21:36,250 --> 00:21:37,457
- Yes, it's in the car.

298
00:21:37,458 --> 00:21:40,540
Follow me.

299
00:21:40,541 --> 00:21:42,207
It's on the front seat.

300
00:21:42,208 --> 00:21:49,208
♪ ♪

301
00:22:02,583 --> 00:22:04,999
- Well, there's not much in here, is there?

302
00:22:05,000 --> 00:22:07,415
- We're doing everything that we can.

303
00:22:07,416 --> 00:22:09,415
This is not a straightforward case.

304
00:22:09,416 --> 00:22:12,207
Plus, I have the ministry breathing down my neck.

305
00:22:12,208 --> 00:22:15,207
Have you had experience in similar cases to this one?

306
00:22:15,208 --> 00:22:17,624
- Well, I've done my fair share of robberies.

307
00:22:17,625 --> 00:22:20,457
But as far as art thefts go, this would be a first.

308
00:22:20,458 --> 00:22:21,499
- You're kidding me.

309
00:22:21,500 --> 00:22:24,207
- Well, it was you who asked our embassy for help, right?

310
00:22:24,208 --> 00:22:25,624
- My superiors.

311
00:22:25,625 --> 00:22:27,874
The request came from higher up, not from me.

312
00:22:27,875 --> 00:22:30,040
And I'm sure they thought that they were gonna send someone

313
00:22:30,041 --> 00:22:31,624
with a little more experience.

314
00:22:31,625 --> 00:22:34,624
- Well, I'm sorry if I wasn't quite what you were expecting.

315
00:22:34,625 --> 00:22:37,790
- Maybe someone who's dealt with a couple of art crimes before.

316
00:22:37,791 --> 00:22:40,499
- Look, as much as this case is very

317
00:22:40,500 --> 00:22:43,582
important to your government, the old boys back at home prefer

318
00:22:43,583 --> 00:22:45,499
to go after the mafia bosses.

319
00:22:45,500 --> 00:22:47,749
Those are the golden tickets, my friend--

320
00:22:47,750 --> 00:22:50,624
guaranteed promotions, salary bumps,

321
00:22:50,625 --> 00:22:52,874
media spotlight, you name it.

322
00:22:52,875 --> 00:22:54,582
- So they sent you.

323
00:22:54,583 --> 00:22:56,332
- International relations.

324
00:22:56,333 --> 00:22:59,040
Keeps the diplomatic wheels turning.

325
00:22:59,041 --> 00:23:00,415
- Great.

326
00:23:00,416 --> 00:23:03,540
♪ ♪

327
00:23:03,541 --> 00:23:04,540
Right.

328
00:23:04,541 --> 00:23:06,915
I'll take you to your hotel so you can get settled in.

329
00:23:06,916 --> 00:23:08,249
- I'm good.

330
00:23:08,250 --> 00:23:10,707
We can go straight to the crime scene.

331
00:23:10,708 --> 00:23:11,957
- OK.

332
00:23:11,958 --> 00:23:13,957
[ENGINE STARTS]

333
00:23:13,958 --> 00:23:18,915
♪ ♪

334
00:23:18,916 --> 00:23:22,415
[GENTLE MUSIC]

335
00:23:22,416 --> 00:23:29,416
♪ ♪

336
00:23:30,416 --> 00:23:33,874
[INTENSE MUSIC]

337
00:23:33,875 --> 00:23:40,875
♪ ♪

338
00:24:16,541 --> 00:24:19,708
[CLOCK CHIMING]

339
00:24:26,666 --> 00:24:30,165
[EERIE MUSIC]

340
00:24:30,166 --> 00:24:37,166
♪ ♪

341
00:24:47,083 --> 00:24:50,582
[DRAMATIC MUSIC]

342
00:24:50,583 --> 00:24:57,583
♪ ♪

343
00:25:05,291 --> 00:25:08,374
- Come on, Maryanne, pick up.

344
00:25:08,375 --> 00:25:09,540
Pick up.

345
00:25:09,541 --> 00:25:14,749
♪ ♪

346
00:25:14,750 --> 00:25:16,082
Pick up the phone.

347
00:25:16,083 --> 00:25:19,582
[OMINOUS MUSIC]

348
00:25:19,583 --> 00:25:26,541
♪ ♪

349
00:25:27,541 --> 00:25:30,957
[SUSPENSEFUL MUSIC]

350
00:25:30,958 --> 00:25:37,958
♪ ♪

351
00:25:46,791 --> 00:25:49,041
- Your thieves were in a rush.

352
00:25:51,666 --> 00:25:53,040
If they knew what they were doing,

353
00:25:53,041 --> 00:25:54,790
they would have been more careful.

354
00:25:54,791 --> 00:25:58,124
- Still waiting on more details from forensics.

355
00:25:58,125 --> 00:26:04,040
♪ ♪

356
00:26:04,041 --> 00:26:08,415
- [CLEARS THROAT] Is this the detective that they sent over?

357
00:26:08,416 --> 00:26:11,415
- Mm-hmm.

358
00:26:11,416 --> 00:26:14,790
- She seems to know what she's doing.

359
00:26:14,791 --> 00:26:16,749
- You're welcome to take over chauffeur

360
00:26:16,750 --> 00:26:18,291
duties in the next few days.

361
00:26:20,541 --> 00:26:21,540
Never mind.

362
00:26:21,541 --> 00:26:23,624
Just focus on your work, Charlie.

363
00:26:23,625 --> 00:26:27,582
♪ ♪

364
00:26:27,583 --> 00:26:31,040
[TENSE MUSIC]

365
00:26:31,041 --> 00:26:38,041
♪ ♪

366
00:27:05,291 --> 00:27:10,540
PORTELLI: Father Orpheus, this is Detective Sofia Leone.

367
00:27:10,541 --> 00:27:12,665
She's here to help us with the investigation.

368
00:27:12,666 --> 00:27:13,875
- Please, have a seat.

369
00:27:17,541 --> 00:27:21,040
Thanks for agreeing to meet with us.

370
00:27:21,041 --> 00:27:24,290
The criminal art business has become a very lucrative

371
00:27:24,291 --> 00:27:26,915
enterprise over the past years.

372
00:27:26,916 --> 00:27:29,790
Security measures in museums globally have become

373
00:27:29,791 --> 00:27:32,415
increasingly more stringent.

374
00:27:32,416 --> 00:27:35,457
Yet, your cathedral seemed to be very ill-equipped for something

375
00:27:35,458 --> 00:27:37,540
like this.

376
00:27:37,541 --> 00:27:42,124
- Yes, it seems so.

377
00:27:42,125 --> 00:27:44,582
- Well, you should know, thefts like these

378
00:27:44,583 --> 00:27:46,249
are usually commissioned.

379
00:27:46,250 --> 00:27:50,499
They're targeted by extremely wealthy collectors

380
00:27:50,500 --> 00:27:55,165
or used as currency in organized crime networks.

381
00:27:55,166 --> 00:27:58,374
It's a bit like how we use real estate as collateral.

382
00:27:58,375 --> 00:28:02,249
They use art as leverage, a bargaining chip,

383
00:28:02,250 --> 00:28:04,582
a future get-out-of-jail card.

384
00:28:04,583 --> 00:28:07,249
- You seem to be well experienced.

385
00:28:07,250 --> 00:28:09,457
- Well, our department deals extensively

386
00:28:09,458 --> 00:28:11,082
with organized crime.

387
00:28:11,083 --> 00:28:13,499
- Monsignor Russo mentioned that the cathedral

388
00:28:13,500 --> 00:28:16,207
falls under your direct responsibility.

389
00:28:16,208 --> 00:28:19,249
- Yes, that is correct.

390
00:28:19,250 --> 00:28:22,165
LEONE: In the weeks leading up to the theft,

391
00:28:22,166 --> 00:28:25,415
could you tell us if you noticed anything unusual,

392
00:28:25,416 --> 00:28:27,749
any unusual visitors, events?

393
00:28:27,750 --> 00:28:34,415
- Well, nothing that seemed terribly unusual.

394
00:28:34,416 --> 00:28:36,249
The cathedral is a public place.

395
00:28:36,250 --> 00:28:39,499
We get all kinds of visitors every day.

396
00:28:39,500 --> 00:28:41,707
We also get some tourists.

397
00:28:41,708 --> 00:28:46,665
PORTELLI: What about unusual phone activities?

398
00:28:46,666 --> 00:28:49,499
[OMINOUS TUNE]

399
00:28:49,500 --> 00:28:52,290
♪ ♪

400
00:28:52,291 --> 00:28:56,082
- No, nothing like that.

401
00:28:56,083 --> 00:29:00,499
- What time does the cathedral open?

402
00:29:00,500 --> 00:29:03,749
- Well, the cathedral opens at, uh,

403
00:29:03,750 --> 00:29:10,375
5:00 AM, the first prayers, and the first mass is at 7:00 AM.

404
00:29:11,375 --> 00:29:14,290
- So the cathedral is accessed each day

405
00:29:14,291 --> 00:29:15,957
only through the main entrance.

406
00:29:15,958 --> 00:29:16,999
- Yes, that's right.

407
00:29:17,000 --> 00:29:18,707
- And your residence is nearby?

408
00:29:18,708 --> 00:29:21,374
ORPHEUS: Yes, it's just a five-minute walk just by St.

409
00:29:21,375 --> 00:29:22,374
Mary's.

410
00:29:22,375 --> 00:29:24,915
LEONE: Why are there no security cameras

411
00:29:24,916 --> 00:29:29,207
or alarms next to the most valuable art pieces?

412
00:29:29,208 --> 00:29:31,624
- Yeah, all-- all the financial decisions,

413
00:29:31,625 --> 00:29:35,999
that include security, fall under Monsignor Russo's control.

414
00:29:36,000 --> 00:29:38,582
- How long has the guard been working at the cathedral for?

415
00:29:38,583 --> 00:29:44,082
ORPHEUS: About seven years, soon after he

416
00:29:44,083 --> 00:29:45,790
retired from his previous job.

417
00:29:45,791 --> 00:29:47,832
- What was his previous job?

418
00:29:47,833 --> 00:29:52,457
ORPHEUS: Government clerk with a clean police record.

419
00:29:52,458 --> 00:29:56,540
You wouldn't have reason to suspect he's involved.

420
00:29:56,541 --> 00:29:59,790
- It's standard to look into all possibilities.

421
00:29:59,791 --> 00:30:03,790
Could you tell us where you were on the night of the theft?

422
00:30:03,791 --> 00:30:06,333
- Fast asleep at my residence.

423
00:30:08,875 --> 00:30:11,457
That's the last night I slept well.

424
00:30:11,458 --> 00:30:14,415
- Insomnia, father?

425
00:30:14,416 --> 00:30:21,416
- The stress of this situation coupled with personal issues.

426
00:30:23,083 --> 00:30:26,082
- May I ask what personal issues?

427
00:30:26,083 --> 00:30:33,083
♪ ♪

428
00:30:34,791 --> 00:30:36,124
- My sister.

429
00:30:36,125 --> 00:30:39,582
[OMINOUS MUSIC]

430
00:30:39,583 --> 00:30:41,082
♪ ♪

431
00:30:41,083 --> 00:30:42,957
- Yes, what is it?

432
00:30:42,958 --> 00:30:44,374
CHARLIE: Inspector?

433
00:30:44,375 --> 00:30:46,790
The guard from the cathedral, he regained consciousness.

434
00:30:46,791 --> 00:30:47,790
PORTELLI: Oh, we have to go.

435
00:30:47,791 --> 00:30:49,332
We need to speak to him immediately.

436
00:30:49,333 --> 00:30:51,249
CHARLIE: Um, I don't think the doctors

437
00:30:51,250 --> 00:30:52,957
will allow interrogation yet.

438
00:30:52,958 --> 00:30:54,374
- Leave that to me, Charlie.

439
00:30:54,375 --> 00:30:55,749
- Father, I apologize.

440
00:30:55,750 --> 00:30:57,540
We're going to have to continue this later.

441
00:30:57,541 --> 00:30:58,957
- Yeah, of course.

442
00:30:58,958 --> 00:31:00,374
Do what you must.

443
00:31:00,375 --> 00:31:02,874
And please, call me Orpheus.

444
00:31:02,875 --> 00:31:06,332
[INTENSE MUSIC]

445
00:31:06,333 --> 00:31:13,333
♪ ♪

446
00:31:27,875 --> 00:31:29,374
- Jesus Christ.

447
00:31:29,375 --> 00:31:30,457
What a waste of time.

448
00:31:30,458 --> 00:31:32,540
I thought you said we could speak with him right away.

449
00:31:32,541 --> 00:31:34,540
- We're still trying to get hold of the minister.

450
00:31:34,541 --> 00:31:35,749
He will get his clearance.

451
00:31:35,750 --> 00:31:37,207
Just give us a couple of hours.

452
00:31:37,208 --> 00:31:38,541
- Ridiculous.

453
00:31:42,000 --> 00:31:45,499
[TENSE MUSIC]

454
00:31:45,500 --> 00:31:52,500
♪ ♪

455
00:31:53,916 --> 00:31:55,624
- Father?

456
00:31:55,625 --> 00:31:58,832
- Yes, can I help you?

457
00:31:58,833 --> 00:32:01,207
- This is for you, father.

458
00:32:01,208 --> 00:32:02,291
For the church.

459
00:32:05,500 --> 00:32:08,332
Open it when you get to the cathedral.

460
00:32:08,333 --> 00:32:11,749
Not before.

461
00:32:11,750 --> 00:32:13,832
- Wait.

462
00:32:13,833 --> 00:32:14,832
Hey!

463
00:32:14,833 --> 00:32:17,124
[SUSPENSEFUL MUSIC]

464
00:32:17,125 --> 00:32:19,124
Hey!

465
00:32:19,125 --> 00:32:20,707
Wait!

466
00:32:20,708 --> 00:32:27,708
♪ ♪

467
00:32:28,958 --> 00:32:30,915
Wait!

468
00:32:30,916 --> 00:32:37,916
♪ ♪

469
00:32:40,375 --> 00:32:42,874
[MOTOR ZOOMS]

470
00:32:42,875 --> 00:32:49,875
♪ ♪

471
00:33:26,208 --> 00:33:29,665
[GENTLE MUSIC]

472
00:33:29,666 --> 00:33:33,665
♪ ♪

473
00:33:33,666 --> 00:33:37,165
[OMINOUS MUSIC]

474
00:33:37,166 --> 00:33:44,166
♪ ♪

475
00:33:48,125 --> 00:33:51,999
LEONE: "Be at the green bridge on Sunday, 5:00 PM sharp.

476
00:33:52,000 --> 00:33:53,999
Bring 500,000 pounds.

477
00:33:54,000 --> 00:33:54,999
Come alone.

478
00:33:55,000 --> 00:33:57,874
No police or the consequences will be severe."

479
00:33:57,875 --> 00:33:59,332
PORTELLI: Hmm.

480
00:33:59,333 --> 00:34:00,540
Look.

481
00:34:00,541 --> 00:34:03,582
- This newspaper cutting is from three days ago.

482
00:34:03,583 --> 00:34:05,332
PORTELLI: Look at the flooring.

483
00:34:05,333 --> 00:34:06,790
Almost looks industrial.

484
00:34:06,791 --> 00:34:08,749
LEONE: You said the man who handed you the envelope

485
00:34:08,750 --> 00:34:10,582
had a Sicilian accent, right?

486
00:34:10,583 --> 00:34:15,207
ORPHEUS: Yes, a very distinct, rough Sicilian accent.

487
00:34:15,208 --> 00:34:17,915
- Not much to go on, but it's a start.

488
00:34:17,916 --> 00:34:20,457
[SUSPENSEFUL MUSIC]

489
00:34:20,458 --> 00:34:25,290
This ransom amount is fairly low for a painting this valuable.

490
00:34:25,291 --> 00:34:28,249
- We should get the ministry involved to pay the amount.

491
00:34:28,250 --> 00:34:30,207
It's just too risky.

492
00:34:30,208 --> 00:34:32,374
LEONE: Are you absolutely certain that you've

493
00:34:32,375 --> 00:34:34,749
never seen this man before?

494
00:34:34,750 --> 00:34:37,290
- If I'd seen him before, I would remember.

495
00:34:37,291 --> 00:34:39,999
- The sketch artist will see you tomorrow morning.

496
00:34:40,000 --> 00:34:42,124
That might give us more to go on.

497
00:34:42,125 --> 00:34:44,082
LEONE: Well, the good news is that the painting

498
00:34:44,083 --> 00:34:45,207
might be very close.

499
00:34:45,208 --> 00:34:46,999
It could be in Sicily, just a couple of hours

500
00:34:47,000 --> 00:34:50,374
away, or even closer.

501
00:34:50,375 --> 00:34:54,332
- The-- the, uh, when you saw the car at the port,

502
00:34:54,333 --> 00:34:56,207
did you manage to get a look at the driver?

503
00:34:56,208 --> 00:34:57,999
- No.

504
00:34:58,000 --> 00:35:00,624
- What about the model of the car?

505
00:35:00,625 --> 00:35:03,707
License plate, anything?

506
00:35:03,708 --> 00:35:05,540
- It all happened so quickly.

507
00:35:05,541 --> 00:35:09,165
LEONE: OK, let's get these over to the lab for prints,

508
00:35:09,166 --> 00:35:11,707
and let's get this canvas cutting

509
00:35:11,708 --> 00:35:14,249
over to Rome for analysis.

510
00:35:14,250 --> 00:35:15,832
- I'll handle that immediately.

511
00:35:15,833 --> 00:35:18,332
In the meantime, I'll send a team over to the port

512
00:35:18,333 --> 00:35:19,999
to investigate the area.

513
00:35:20,000 --> 00:35:22,040
- Let's do a team meeting tomorrow, 8:00 AM.

514
00:35:22,041 --> 00:35:23,832
We need to plan Sunday's op.

515
00:35:23,833 --> 00:35:24,832
- I'll make the arrangements.

516
00:35:24,833 --> 00:35:27,999
- OK.

517
00:35:28,000 --> 00:35:31,290
Why did you take the envelope?

518
00:35:31,291 --> 00:35:34,374
- It's not uncommon for people to approach me

519
00:35:34,375 --> 00:35:41,124
in the street to give donations, ask for prayers.

520
00:35:41,125 --> 00:35:44,499
- You remind me so much of my father.

521
00:35:44,500 --> 00:35:47,124
He was patient like that with people.

522
00:35:47,125 --> 00:35:51,290
This is all I've got left of him now to remind me of him.

523
00:35:51,291 --> 00:35:54,374
- Watches.

524
00:35:54,375 --> 00:35:58,290
The reminders of time passing.

525
00:35:58,291 --> 00:36:00,583
Counting down the moments we have left.

526
00:36:03,958 --> 00:36:05,666
It's the only flaw in their design.

527
00:36:09,166 --> 00:36:12,624
[SUSPENSEFUL MUSIC]

528
00:36:12,625 --> 00:36:19,625
♪ ♪

529
00:36:23,125 --> 00:36:24,999
Oh.

530
00:36:25,000 --> 00:36:28,957
♪ ♪

531
00:36:28,958 --> 00:36:32,457
[OMINOUS MUSIC]

532
00:36:32,458 --> 00:36:39,458
♪ ♪

533
00:36:50,875 --> 00:36:54,374
[EERIE MUSIC]

534
00:36:54,375 --> 00:37:01,375
♪ ♪

535
00:38:25,916 --> 00:38:28,999
[SUSPENSEFUL MUSIC]

536
00:38:29,000 --> 00:38:33,457
♪ ♪

537
00:38:33,458 --> 00:38:35,707
HADES: Such a beauty.

538
00:38:35,708 --> 00:38:37,332
It's as if the artist wasn't content

539
00:38:37,333 --> 00:38:39,540
with merely engaging the viewer and

540
00:38:39,541 --> 00:38:43,540
wanted our souls to sow right through the canvas itself.

541
00:38:43,541 --> 00:38:45,957
- It's rare to find someone who can

542
00:38:45,958 --> 00:38:49,624
appreciate art with such depth.

543
00:38:49,625 --> 00:38:52,374
- Some paintings are very mysterious.

544
00:38:52,375 --> 00:38:53,832
Only the artist knows what they have

545
00:38:53,833 --> 00:38:55,915
locked in their brushstrokes.

546
00:38:55,916 --> 00:38:57,458
We can only interpret them.

547
00:39:00,375 --> 00:39:05,915
This particular piece speaks volumes about unconditional love

548
00:39:05,916 --> 00:39:09,665
and the profound nature of sacrifice.

549
00:39:09,666 --> 00:39:12,290
Do you ever wonder, as you look at these paintings

550
00:39:12,291 --> 00:39:16,290
locked in here, if there is more for them outside of these

551
00:39:16,291 --> 00:39:16,624
walls?

552
00:39:16,625 --> 00:39:21,957
- If they are deprived of a worthier audience?

553
00:39:21,958 --> 00:39:23,124
- Precisely.

554
00:39:23,125 --> 00:39:24,624
♪ ♪

555
00:39:24,625 --> 00:39:28,082
[BABY CRYING]

556
00:39:28,083 --> 00:39:35,083
♪ ♪

557
00:39:52,333 --> 00:39:55,832
[EERIE MUSIC]

558
00:39:55,833 --> 00:40:02,249
♪ ♪

559
00:40:02,250 --> 00:40:06,499
- The surprises of daily life at the cathedral.

560
00:40:06,500 --> 00:40:08,499
- Have you ever asked yourself, how

561
00:40:08,500 --> 00:40:11,582
does the church remain so rich?

562
00:40:11,583 --> 00:40:17,290
- The church never marries and never dies.

563
00:40:17,291 --> 00:40:19,249
- An inside joke, I assume.

564
00:40:19,250 --> 00:40:23,832
Oh, really, these works of art, although integral parts

565
00:40:23,833 --> 00:40:27,582
of the spiritual and cultural fabric of the institution,

566
00:40:27,583 --> 00:40:30,832
do feel very abandoned in here.

567
00:40:30,833 --> 00:40:34,040
- They are safely hidden away here.

568
00:40:34,041 --> 00:40:37,415
[OMINOUS MUSIC]

569
00:40:37,416 --> 00:40:41,249
♪ ♪

570
00:40:41,250 --> 00:40:44,582
- <i>The Saint Jerome</i> by Caravaggio.

571
00:40:44,583 --> 00:40:46,665
How exceptional to have a painting by the master

572
00:40:46,666 --> 00:40:48,499
himself right here?

573
00:40:48,500 --> 00:40:52,457
I doubt how many people know about this treasure being here.

574
00:40:52,458 --> 00:40:55,707
Imagine stepping into the early 17th century,

575
00:40:55,708 --> 00:40:57,707
time untouched by the complexities

576
00:40:57,708 --> 00:41:03,082
of our modern visuals like TV and photography.

577
00:41:03,083 --> 00:41:05,957
The human form was primarily captured through portrait and

578
00:41:05,958 --> 00:41:09,040
sculpture, often idealized, bound by symmetry

579
00:41:09,041 --> 00:41:11,999
and exaggerated in form.

580
00:41:12,000 --> 00:41:16,999
And then, in the midst of this, you encounter a Caravaggio.

581
00:41:17,000 --> 00:41:22,249
Shocking, dramatic, crystal clear.

582
00:41:22,250 --> 00:41:28,624
So visceral that you feel so vulnerable, so exposed.

583
00:41:28,625 --> 00:41:31,707
Extraordinary.

584
00:41:31,708 --> 00:41:35,582
- Painted right here in Malta.

585
00:41:35,583 --> 00:41:37,790
On the run for murder.

586
00:41:37,791 --> 00:41:39,874
So, of course, the Knights of St. John

587
00:41:39,875 --> 00:41:41,540
had to make him one of their own.

588
00:41:41,541 --> 00:41:44,749
HADES: A murdering master artist turned Knight of Malta.

589
00:41:44,750 --> 00:41:47,665
ORPHEUS: Well, it's certainly a masterpiece.

590
00:41:47,666 --> 00:41:50,707
HADES: A priceless masterpiece.

591
00:41:50,708 --> 00:41:56,374
- I love the way he combines the spiritual with the mundane.

592
00:41:56,375 --> 00:41:58,457
Look at the skull.

593
00:41:58,458 --> 00:42:01,665
St. Jerome's head is counterbalanced against it.

594
00:42:01,666 --> 00:42:04,624
- A reminder that we all perish.

595
00:42:04,625 --> 00:42:07,500
Eventually, we are all bound for heaven.

596
00:42:10,166 --> 00:42:13,832
- Who have you been speaking to?

597
00:42:13,833 --> 00:42:15,082
Did Russo send you?

598
00:42:15,083 --> 00:42:16,082
- I don't follow.

599
00:42:16,083 --> 00:42:17,957
I'm simply here to appreciate the art.

600
00:42:17,958 --> 00:42:20,290
- I'm sorry, but the cathedral is about to close.

601
00:42:20,291 --> 00:42:21,874
- How about we continue our conversation

602
00:42:21,875 --> 00:42:23,207
outside the cathedral?

603
00:42:23,208 --> 00:42:26,540
- I really should be closing up now Mr.--

604
00:42:26,541 --> 00:42:27,665
- Hades.

605
00:42:27,666 --> 00:42:29,624
Anthony Hades, father.

606
00:42:29,625 --> 00:42:31,915
- Mr. Anthony.

607
00:42:31,916 --> 00:42:34,415
- You really look as if he could do with some fresh air.

608
00:42:34,416 --> 00:42:38,915
[SUSPENSEFUL MUSIC]

609
00:42:38,916 --> 00:42:45,916
♪ ♪

610
00:42:56,875 --> 00:42:58,999
RUSSO: I beg your pardon.

611
00:42:59,000 --> 00:43:01,957
- Forgive me, Monsignor, but it is urgent.

612
00:43:01,958 --> 00:43:04,374
I need you to reconsider granting me permission

613
00:43:04,375 --> 00:43:05,874
to visit my sister, Maryanne.

614
00:43:05,875 --> 00:43:09,124
- Oh, not that unpleasant business again.

615
00:43:09,125 --> 00:43:10,540
We've been through this.

616
00:43:10,541 --> 00:43:12,332
- I'm running out of time, Monsignor.

617
00:43:12,333 --> 00:43:14,457
Please, understand my situation.

618
00:43:14,458 --> 00:43:16,874
- Do I have to remind you of your commitment

619
00:43:16,875 --> 00:43:18,415
to your vocation?

620
00:43:18,416 --> 00:43:21,915
And if you leave, who is going to tend to your duties?

621
00:43:21,916 --> 00:43:24,624
- There are others who can cover for me in my absence,

622
00:43:24,625 --> 00:43:24,874
Monsignor.

623
00:43:24,875 --> 00:43:28,124
- You're ready to betray your sacred duties

624
00:43:28,125 --> 00:43:30,624
for personal matters?

625
00:43:30,625 --> 00:43:32,457
- My sister is dying.

626
00:43:32,458 --> 00:43:35,874
- Ah.

627
00:43:35,875 --> 00:43:40,540
Who are we to question the will of the Lord?

628
00:43:40,541 --> 00:43:43,457
[SOMBER MUSIC]

629
00:43:43,458 --> 00:43:47,999
- I speak not out of bitterness or anger, but--

630
00:43:48,000 --> 00:43:51,915
but from a profound moral struggle.

631
00:43:51,916 --> 00:43:57,541
Your stance is unjust and lacks compassion.

632
00:44:00,416 --> 00:44:05,124
It contradicts the very principles we uphold,

633
00:44:05,125 --> 00:44:07,582
we have dedicated our lives to.

634
00:44:07,583 --> 00:44:11,124
- My hands are tied.

635
00:44:11,125 --> 00:44:14,540
[MYSTERIOUS MUSIC]

636
00:44:14,541 --> 00:44:21,541
♪ ♪

637
00:44:22,791 --> 00:44:24,832
Ha-ha.

638
00:44:24,833 --> 00:44:27,665
Beautiful, aren't they?

639
00:44:27,666 --> 00:44:33,332
Hawking's strong.

640
00:44:33,333 --> 00:44:36,915
Vital animals.

641
00:44:36,916 --> 00:44:42,790
They play a key role in our ecosystem.

642
00:44:42,791 --> 00:44:47,790
You see, Orpheus, there is a place

643
00:44:47,791 --> 00:44:53,582
and a purpose for each one of us in this world, like the

644
00:44:53,583 --> 00:44:54,040
falcons.

645
00:44:54,041 --> 00:44:57,415
[MYSTERIOUS MUSIC]

646
00:44:57,416 --> 00:45:04,250
♪ ♪

647
00:45:05,250 --> 00:45:06,541
MARYANNE (ON VIDEO): Happy Easter, Orpheus.

648
00:45:09,375 --> 00:45:11,290
When are you coming to see us?

649
00:45:11,291 --> 00:45:12,332
We miss you.

650
00:45:12,333 --> 00:45:13,332
Caitlin?

651
00:45:13,333 --> 00:45:16,582
Caitlin, come and say hi to uncle.

652
00:45:16,583 --> 00:45:18,040
Say happy Easter, Uncle Orpheus.

653
00:45:18,041 --> 00:45:21,915
- Happy Easter, Uncle Orpheus.

654
00:45:21,916 --> 00:45:23,957
Where is Uncle Orpheus?

655
00:45:23,958 --> 00:45:24,957
- He's in Malta.

656
00:45:24,958 --> 00:45:27,249
- Where is Malta.

657
00:45:27,250 --> 00:45:28,374
- It's far away.

658
00:45:28,375 --> 00:45:30,624
Now you wave and say goodbye, Uncle Orpheus.

659
00:45:30,625 --> 00:45:31,749
- Goodbye, Uncle.

660
00:45:31,750 --> 00:45:32,749
Orpheus.

661
00:45:32,750 --> 00:45:34,874
Happy-- happy Easter.

662
00:45:34,875 --> 00:45:35,874
- Good girl.

663
00:45:35,875 --> 00:45:39,624
[FRANTIC MUSIC]

664
00:45:39,625 --> 00:45:46,625
♪ ♪

665
00:45:55,708 --> 00:45:59,707
- Come on, Maryanne.

666
00:45:59,708 --> 00:46:00,749
Pick up the phone.

667
00:46:00,750 --> 00:46:07,750
♪ ♪

668
00:46:10,166 --> 00:46:13,624
[GENTLE MUSIC]

669
00:46:13,625 --> 00:46:20,625
♪ ♪

670
00:46:24,458 --> 00:46:26,332
- We're 21 minutes in.

671
00:46:26,333 --> 00:46:28,915
Where is this guy?

672
00:46:28,916 --> 00:46:30,499
LEONE (ON RADIO): Maintain your position.

673
00:46:30,500 --> 00:46:32,165
Something's not right.

674
00:46:32,166 --> 00:46:38,290
♪ ♪

675
00:46:38,291 --> 00:46:41,624
- We have movement.

676
00:46:41,625 --> 00:46:44,707
Three men approaching.

677
00:46:44,708 --> 00:46:46,040
These might be our guys.

678
00:46:46,041 --> 00:46:50,040
Be ready to move in on my cue.

679
00:46:50,041 --> 00:46:51,290
LEONE (ON RADIO): Hold back.

680
00:46:51,291 --> 00:46:52,290
Do not engage.

681
00:46:52,291 --> 00:46:53,957
I repeat, do not engage.

682
00:46:53,958 --> 00:46:57,374
[SUSPENSEFUL MUSIC]

683
00:46:57,375 --> 00:47:04,375
♪ ♪

684
00:47:08,250 --> 00:47:09,249
Come on.

685
00:47:09,250 --> 00:47:12,165
Where are you hiding?

686
00:47:12,166 --> 00:47:13,915
- Subject approaching.

687
00:47:13,916 --> 00:47:16,665
LEONE (ON RADIO): Let's see what he does.

688
00:47:16,666 --> 00:47:19,207
- He spotted the target.

689
00:47:19,208 --> 00:47:20,625
Prepare for engagement.

690
00:47:23,125 --> 00:47:24,332
LEONE (ON RADIO): Wait for my signal.

691
00:47:24,333 --> 00:47:25,624
Hold your position.

692
00:47:25,625 --> 00:47:27,832
- I'm not taking any chances.

693
00:47:27,833 --> 00:47:28,999
This is our mark.

694
00:47:29,000 --> 00:47:30,165
Engaging.

695
00:47:30,166 --> 00:47:32,290
LEONE (ON RADIO): I said stand down.

696
00:47:32,291 --> 00:47:34,040
I repeat, stand down.

697
00:47:34,041 --> 00:47:37,124
PORTELLI: Police!

698
00:47:37,125 --> 00:47:38,249
Don't move.

699
00:47:38,250 --> 00:47:39,249
Turn around.

700
00:47:39,250 --> 00:47:42,415
[SUSPENSEFUL MUSIC]

701
00:47:42,416 --> 00:47:43,415
♪ ♪

702
00:47:43,416 --> 00:47:44,583
Your hands behind your back.

703
00:47:48,125 --> 00:47:49,540
Spread your legs.

704
00:47:49,541 --> 00:47:56,541
♪ ♪

705
00:48:05,250 --> 00:48:06,707
[OMINOUS MUSIC]

706
00:48:06,708 --> 00:48:07,707
MARYANNE (ON VIDEO): O--

707
00:48:07,708 --> 00:48:10,290
Orpheus.

708
00:48:10,291 --> 00:48:12,582
O-- Orpheus.

709
00:48:12,583 --> 00:48:15,457
Moira, is this--

710
00:48:15,458 --> 00:48:18,415
MOIRA (ON VIDEO): Yes, it's recording, mom.

711
00:48:18,416 --> 00:48:21,374
[PENSIVE MUSIC]

712
00:48:21,375 --> 00:48:22,374
♪ ♪

713
00:48:22,375 --> 00:48:25,832
- [SOBBING]

714
00:48:25,833 --> 00:48:29,790
♪ ♪

715
00:48:29,791 --> 00:48:31,957
PORTELLI: We had to let him go.

716
00:48:31,958 --> 00:48:33,332
He was clean.

717
00:48:33,333 --> 00:48:35,707
Just a tourists snapping photos.

718
00:48:35,708 --> 00:48:37,957
- Yeah, no shit.

719
00:48:37,958 --> 00:48:40,499
You know, your impulsiveness isn't just annoying,

720
00:48:40,500 --> 00:48:41,707
but it's reckless.

721
00:48:41,708 --> 00:48:43,832
And you deliberately ignored my order.

722
00:48:43,833 --> 00:48:46,499
- I hate to break it to you, Miss America,

723
00:48:46,500 --> 00:48:48,332
but we do not report to you.

724
00:48:48,333 --> 00:48:50,249
- Well, then, what the hell am I doing here if you

725
00:48:50,250 --> 00:48:51,915
can't follow basic protocol?

726
00:48:51,916 --> 00:48:54,832
- Well, maybe it's time you reevaluate your role here.

727
00:48:54,833 --> 00:48:56,374
- Oh, get a grip.

728
00:48:56,375 --> 00:48:59,082
This isn't about ego, Portelli.

729
00:48:59,083 --> 00:49:02,332
It's about operational efficiency.

730
00:49:02,333 --> 00:49:04,082
And the kind of shit you pulled today

731
00:49:04,083 --> 00:49:06,374
could have jeopardized this entire investigation.

732
00:49:06,375 --> 00:49:07,915
And don't act like you don't know it.

733
00:49:07,916 --> 00:49:09,832
- I had to make a decision, damn it.

734
00:49:09,833 --> 00:49:12,832
[TENSE MUSIC]

735
00:49:12,833 --> 00:49:17,582
- Look, I've been running this over and over in my head,

736
00:49:17,583 --> 00:49:19,582
and something wasn't right from the beginning.

737
00:49:19,583 --> 00:49:20,582
- What do you mean?

738
00:49:20,583 --> 00:49:23,165
- The robbers were never gonna show.

739
00:49:23,166 --> 00:49:25,915
If this was a real ransom meet, it would have

740
00:49:25,916 --> 00:49:28,457
been in a controlled location.

741
00:49:28,458 --> 00:49:32,374
They might have even taken the priest as leverage.

742
00:49:32,375 --> 00:49:35,540
This was a setup, a test.

743
00:49:35,541 --> 00:49:37,124
They were surveilling us.

744
00:49:37,125 --> 00:49:40,624
[SUSPENSEFUL MUSIC]

745
00:49:40,625 --> 00:49:47,625
♪ ♪

746
00:49:49,041 --> 00:49:50,665
Unbelievable.

747
00:49:50,666 --> 00:49:52,790
There's nothing about the <i>Nativity</i> theft

748
00:49:52,791 --> 00:49:54,957
in these archives.

749
00:49:54,958 --> 00:49:58,624
♪ ♪

750
00:49:58,625 --> 00:49:59,915
The last time we met, you mentioned

751
00:49:59,916 --> 00:50:00,999
something about your sister.

752
00:50:01,000 --> 00:50:01,999
How is she doing?

753
00:50:02,000 --> 00:50:04,249
- She's not doing well.

754
00:50:04,250 --> 00:50:06,874
- When was the last time you saw her?

755
00:50:06,875 --> 00:50:11,165
- About 25 years ago.

756
00:50:11,166 --> 00:50:17,124
She married, left Malta, and moved to the United States.

757
00:50:17,125 --> 00:50:18,915
- Do you still keep in touch?

758
00:50:18,916 --> 00:50:20,624
ORPHEUS: Regularly.

759
00:50:20,625 --> 00:50:23,582
Until recently.

760
00:50:23,583 --> 00:50:26,165
She sends me all her home videos.

761
00:50:26,166 --> 00:50:28,540
It's nice to see the family grow.

762
00:50:28,541 --> 00:50:31,457
♪ ♪

763
00:50:31,458 --> 00:50:34,665
The doctors haven't given her much time.

764
00:50:34,666 --> 00:50:35,790
I promised to visit her.

765
00:50:35,791 --> 00:50:37,832
It's been hard to keep that promise.

766
00:50:37,833 --> 00:50:40,665
- Well, then you should go be with her.

767
00:50:40,666 --> 00:50:46,874
- Things aren't that simple when you've chosen this path.

768
00:50:46,875 --> 00:50:48,249
I need permission.

769
00:50:48,250 --> 00:50:49,457
LEONE: Permission? From the Curia.

770
00:50:49,458 --> 00:50:50,457
- What?

771
00:50:50,458 --> 00:50:51,582
From Russo?

772
00:50:51,583 --> 00:50:53,999
ORPHEUS: Yes.

773
00:50:54,000 --> 00:50:58,082
And that hasn't been granted.

774
00:50:58,083 --> 00:51:01,040
Can I take a look at your father's watch again?

775
00:51:01,041 --> 00:51:02,499
- Yeah, sure.

776
00:51:02,500 --> 00:51:04,999
ORPHEUS: Ah, yes.

777
00:51:05,000 --> 00:51:05,999
He knew his stuff.

778
00:51:06,000 --> 00:51:07,207
LEONE: He did.

779
00:51:07,208 --> 00:51:09,165
ORPHEUS: Those things are so accurate.

780
00:51:09,166 --> 00:51:10,749
Astronauts use them in space.

781
00:51:10,750 --> 00:51:13,540
- He lived life in the fast lane,

782
00:51:13,541 --> 00:51:15,790
constantly moving, always chasing

783
00:51:15,791 --> 00:51:17,540
the next city, the next fight.

784
00:51:17,541 --> 00:51:18,707
- A fighter?

785
00:51:18,708 --> 00:51:20,415
- A boxer.

786
00:51:20,416 --> 00:51:24,457
But the ring took more from him than it ever gave back.

787
00:51:24,458 --> 00:51:27,457
The hits he took left scars you couldn't see.

788
00:51:27,458 --> 00:51:30,915
It was-- it was painful watching the strongest

789
00:51:30,916 --> 00:51:33,332
man I knew battle his own mind.

790
00:51:33,333 --> 00:51:35,332
- I'm sorry to hear.

791
00:51:35,333 --> 00:51:37,540
- How come you know so much about watches?

792
00:51:37,541 --> 00:51:41,874
- I find peace repairing clocks and watches for the parish.

793
00:51:41,875 --> 00:51:44,499
[GENTLE MUSIC]

794
00:51:44,500 --> 00:51:45,499
♪ ♪

795
00:51:45,500 --> 00:51:47,082
Any news on the guard?

796
00:51:47,083 --> 00:51:49,915
- He still has no recollection about what happened.

797
00:51:49,916 --> 00:51:52,290
He thought he suffered a heart attack while on duty.

798
00:51:52,291 --> 00:51:55,749
[EERIE MUSIC]

799
00:51:55,750 --> 00:52:02,750
♪ ♪

800
00:52:04,166 --> 00:52:07,207
My gut says we're not dealing with seasoned criminals here.

801
00:52:07,208 --> 00:52:09,499
I suspect internal involvement, someone

802
00:52:09,500 --> 00:52:12,415
who knew exactly when and how to strike

803
00:52:12,416 --> 00:52:14,665
without raising suspicion.

804
00:52:14,666 --> 00:52:17,249
- I'm not ruling out internal involvement,

805
00:52:17,250 --> 00:52:20,624
but I still get the sense that these are professionals.

806
00:52:20,625 --> 00:52:22,832
- Well, we're gonna have to re-examine

807
00:52:22,833 --> 00:52:24,915
everybody from the cathedral.

808
00:52:24,916 --> 00:52:28,374
♪ ♪

809
00:52:28,375 --> 00:52:31,875
[BELL TOLLING]

810
00:52:36,333 --> 00:52:38,082
HADES: Interesting.

811
00:52:38,083 --> 00:52:42,290
Two clocks, they look the same, but actually

812
00:52:42,291 --> 00:52:44,499
they show different times.

813
00:52:44,500 --> 00:52:48,332
- I see you've got an eye for detail.

814
00:52:48,333 --> 00:52:52,416
One clock tells the true time, the other a false time.

815
00:52:55,208 --> 00:52:57,499
- And why is that?

816
00:52:57,500 --> 00:53:00,415
- To confuse the devil.

817
00:53:00,416 --> 00:53:03,957
- And don't you think that the devil's caught on by now?

818
00:53:03,958 --> 00:53:08,040
Priests don't lie, but sometimes they don't tell the truth.

819
00:53:08,041 --> 00:53:11,790
- A white lie to confuse the devil.

820
00:53:11,791 --> 00:53:14,624
Is that such a bad thing?

821
00:53:14,625 --> 00:53:18,082
[TENSE MUSIC]

822
00:53:18,083 --> 00:53:22,540
♪ ♪

823
00:53:22,541 --> 00:53:26,040
[WATER FLOWING]

824
00:53:26,041 --> 00:53:29,499
♪ ♪

825
00:53:29,500 --> 00:53:33,290
So, Mr. Hades, traveling alone?

826
00:53:33,291 --> 00:53:36,457
- Yes, I left my family back home.

827
00:53:36,458 --> 00:53:39,332
My little girls would have loved this place.

828
00:53:39,333 --> 00:53:41,040
It's beautiful.

829
00:53:41,041 --> 00:53:42,915
But this trip is strictly business.

830
00:53:42,916 --> 00:53:44,749
- A work trip.

831
00:53:44,750 --> 00:53:47,040
- Father, let's get straight into it.

832
00:53:47,041 --> 00:53:49,207
I have a proposal for you.

833
00:53:49,208 --> 00:53:51,832
I'm a dealer, an art dealer.

834
00:53:51,833 --> 00:53:55,749
I specialize in acquiring rare pieces from my clients.

835
00:53:55,750 --> 00:53:59,540
The harder they are to acquire, the more I savor the challenge.

836
00:53:59,541 --> 00:54:02,415
ORPHEUS: I suspect you're pretty good at it.

837
00:54:02,416 --> 00:54:04,874
- I'm the best at what I do.

838
00:54:04,875 --> 00:54:06,040
I have a client.

839
00:54:06,041 --> 00:54:08,957
They are very interested in a particular painting of a jewel

840
00:54:08,958 --> 00:54:11,082
cathedral, the <i>Saint Jerome.</i>

841
00:54:11,083 --> 00:54:12,457
That's why I've been sent here.

842
00:54:12,458 --> 00:54:14,457
[TENSE MUSIC]

843
00:54:14,458 --> 00:54:16,874
- I don't follow.

844
00:54:16,875 --> 00:54:19,957
- I need your help in acquiring it.

845
00:54:19,958 --> 00:54:20,957
- Acquiring it?

846
00:54:20,958 --> 00:54:22,999
- Well, let's call it that.

847
00:54:23,000 --> 00:54:24,124
- Buying it?

848
00:54:24,125 --> 00:54:26,874
- Stealing it.

849
00:54:26,875 --> 00:54:30,207
- I'm sorry, Mr. Hades, but I--

850
00:54:30,208 --> 00:54:32,415
HADES: Orpheus, please sit down.

851
00:54:32,416 --> 00:54:35,582
Let's not be hasty.

852
00:54:35,583 --> 00:54:36,957
I know about your sister.

853
00:54:36,958 --> 00:54:43,500
♪ ♪

854
00:54:44,500 --> 00:54:46,332
I overheard you at the cathedral.

855
00:54:46,333 --> 00:54:48,124
My clients have resources.

856
00:54:48,125 --> 00:54:51,624
We can help you.

857
00:54:51,625 --> 00:54:55,999
It's not like you've never pondered on this before.

858
00:54:56,000 --> 00:55:00,040
Consider it a liberation of the artwork.

859
00:55:00,041 --> 00:55:03,957
Sometimes true art must be free to find its rightful place.

860
00:55:03,958 --> 00:55:06,957
- I don't need any help from you.

861
00:55:06,958 --> 00:55:09,082
HADES: You're meant for more, Orpheus.

862
00:55:09,083 --> 00:55:11,290
Break free from the shackles.

863
00:55:11,291 --> 00:55:12,915
I've seen you with the cathedral.

864
00:55:12,916 --> 00:55:15,332
You're worn out.

865
00:55:15,333 --> 00:55:16,540
All your dreams.

866
00:55:16,541 --> 00:55:17,999
All your regrets.

867
00:55:18,000 --> 00:55:21,332
They will go to the grave with if you don't do this now.

868
00:55:21,333 --> 00:55:24,915
- I was wrong to meet with you.

869
00:55:24,916 --> 00:55:26,832
You seemed peculiar from the start.

870
00:55:26,833 --> 00:55:29,749
HADES: I understand it's a process.

871
00:55:29,750 --> 00:55:32,290
I'll come by the cathedral again.

872
00:55:32,291 --> 00:55:34,665
- You stay away from the cathedral.

873
00:55:34,666 --> 00:55:36,832
If I see you there, I'll call the police.

874
00:55:36,833 --> 00:55:37,832
Do you understand?

875
00:55:37,833 --> 00:55:41,749
- What we fear doing most is usually what we most need to do.

876
00:55:41,750 --> 00:55:45,207
[SUSPENSEFUL MUSIC]

877
00:55:45,208 --> 00:55:52,208
♪ ♪

878
00:56:38,000 --> 00:56:41,499
[TENSE MUSIC]

879
00:56:41,500 --> 00:56:48,250
♪ ♪

880
00:56:49,250 --> 00:56:52,458
[BELL TOLLING]

881
00:56:54,958 --> 00:56:56,457
[DOOR OPENS]

882
00:56:56,458 --> 00:56:59,915
[SUSPENSEFUL MUSIC]

883
00:56:59,916 --> 00:57:06,666
♪ ♪

884
00:57:07,666 --> 00:57:10,957
- I've been searching for you all over the city.

885
00:57:10,958 --> 00:57:13,332
You're not an easy man to find.

886
00:57:13,333 --> 00:57:16,207
- I knew you'd come to your senses.

887
00:57:16,208 --> 00:57:18,249
I like your new look, Orpheus.

888
00:57:18,250 --> 00:57:19,790
It suits you well.

889
00:57:19,791 --> 00:57:24,457
- I can't stay in this darkness anymore.

890
00:57:24,458 --> 00:57:27,165
Maybe I'm beyond saving, but I--

891
00:57:27,166 --> 00:57:30,124
I have to at least try.

892
00:57:30,125 --> 00:57:34,915
My sister's condition is worsening.

893
00:57:34,916 --> 00:57:37,040
Time is not on my side.

894
00:57:37,041 --> 00:57:38,332
- Then we must move fast.

895
00:57:38,333 --> 00:57:41,415
We need to secure the <i>Saint Jerome.</i>

896
00:57:41,416 --> 00:57:43,665
- What's your plan?

897
00:57:43,666 --> 00:57:48,249
LEONE: Truth is, two men can get to it any given moment.

898
00:57:48,250 --> 00:57:49,790
Wait for the guard to open.

899
00:57:49,791 --> 00:57:50,790
Run up the stairs.

900
00:57:50,791 --> 00:57:51,999
Knock him out.

901
00:57:52,000 --> 00:57:53,999
Take down the painting.

902
00:57:54,000 --> 00:57:56,457
Cut it from his frame.

903
00:57:56,458 --> 00:57:58,582
Walk out of here with it rolled over their shoulders

904
00:57:58,583 --> 00:58:00,165
before the first morning prayers.

905
00:58:00,166 --> 00:58:03,999
Or my associates and I can take it.

906
00:58:04,000 --> 00:58:05,832
- What if somebody finds out?

907
00:58:05,833 --> 00:58:06,874
- How can they?

908
00:58:06,875 --> 00:58:09,249
The truth remains between you and me.

909
00:58:09,250 --> 00:58:12,415
Does the truth matter to anyone else?

910
00:58:12,416 --> 00:58:14,499
- The truth matters to me.

911
00:58:14,500 --> 00:58:18,040
HADES: There is no truth, only perception.

912
00:58:18,041 --> 00:58:21,332
[SUSPENSEFUL MUSIC]

913
00:58:21,333 --> 00:58:23,707
♪ ♪

914
00:58:23,708 --> 00:58:26,665
- How do I know I can trust you?

915
00:58:26,666 --> 00:58:28,082
- You don't.

916
00:58:28,083 --> 00:58:31,457
The real question, Orpheus, is can we trust you?

917
00:58:31,458 --> 00:58:38,458
♪ ♪

918
00:58:41,583 --> 00:58:45,082
So since you are in, here is the number to my safe house.

919
00:58:45,083 --> 00:58:48,332
Use it only if absolutely necessary.

920
00:58:48,333 --> 00:58:51,540
Can't afford any mistakes.

921
00:58:51,541 --> 00:58:54,124
The plan must be quick and precise.

922
00:58:54,125 --> 00:58:56,415
We enter and exit without leaving a trace.

923
00:58:56,416 --> 00:58:58,707
- How do we do that?

924
00:58:58,708 --> 00:59:00,415
HADES: We'll make it appear as if the cathedral

925
00:59:00,416 --> 00:59:02,082
is under routine maintenance.

926
00:59:02,083 --> 00:59:05,499
We enter in the early hours before the city awakens.

927
00:59:05,500 --> 00:59:07,832
Place a sign at the entrance for safety.

928
00:59:07,833 --> 00:59:09,749
Stop anyone from entering.

929
00:59:09,750 --> 00:59:12,040
Once we are in, take down the painting.

930
00:59:12,041 --> 00:59:14,165
Release the canvas from its straining frame.

931
00:59:14,166 --> 00:59:15,457
Roll it up and walk out.

932
00:59:15,458 --> 00:59:18,082
It's no more than a seven-minute job.

933
00:59:18,083 --> 00:59:21,957
We're liberated from the dull world that has consumed it.

934
00:59:21,958 --> 00:59:23,999
I need detailed information about the cathedral's

935
00:59:24,000 --> 00:59:25,582
additional access points.

936
00:59:25,583 --> 00:59:27,207
Every little detail matters.

937
00:59:27,208 --> 00:59:29,332
Once we have the painting, your sister's needs

938
00:59:29,333 --> 00:59:30,957
will be taken care of.

939
00:59:30,958 --> 00:59:33,749
She needs you the most right now.

940
00:59:33,750 --> 00:59:37,332
I promise you, things are going to get better for you.

941
00:59:37,333 --> 00:59:41,082
♪ ♪

942
00:59:41,083 --> 00:59:45,165
- What about Joe, the guard?

943
00:59:45,166 --> 00:59:47,249
He's innocent in all this.

944
00:59:47,250 --> 00:59:49,415
I don't want him to get hurt.

945
00:59:49,416 --> 00:59:51,082
HADES: The guard is a minor issue.

946
00:59:51,083 --> 00:59:52,624
We will handle it.

947
00:59:52,625 --> 00:59:56,957
ORPHEUS: He's a good man, a family man.

948
00:59:56,958 --> 01:00:00,040
It's important to me that he remains unharmed.

949
01:00:00,041 --> 01:00:02,707
HADES: I promise you, we will do our best.

950
01:00:02,708 --> 01:00:05,915
Joe will be just a small part of a much bigger plan.

951
01:00:05,916 --> 01:00:09,374
[TENSE MUSIC]

952
01:00:09,375 --> 01:00:12,332
♪ ♪

953
01:00:12,333 --> 01:00:15,790
[SUSPENSEFUL MUSIC]

954
01:00:15,791 --> 01:00:19,749
♪ ♪

955
01:00:19,750 --> 01:00:23,250
[CLOCK TICKING]

956
01:00:34,625 --> 01:00:37,082
[PHONE RINGING]

957
01:00:37,083 --> 01:00:39,540
MARYANNE (VOICEMAIL): I cannot get to the phone right now.

958
01:00:39,541 --> 01:00:41,540
Please leave your name and number,

959
01:00:41,541 --> 01:00:43,749
and I will call you back.

960
01:00:43,750 --> 01:00:47,415
- Maryanne, please, it's urgent.

961
01:00:47,416 --> 01:00:50,707
I need to speak with you.

962
01:00:50,708 --> 01:00:52,541
Call me back as soon as you can.

963
01:00:55,541 --> 01:00:58,999
[OMINOUS MUSIC]

964
01:00:59,000 --> 01:01:06,000
♪ ♪

965
01:01:10,708 --> 01:01:11,708
Russo.

966
01:01:15,166 --> 01:01:18,624
[SUSPENSEFUL MUSIC]

967
01:01:18,625 --> 01:01:22,624
♪ ♪

968
01:01:22,625 --> 01:01:26,083
[KNOCK ON DOOR]

969
01:01:28,041 --> 01:01:29,416
RUSSO: Come in.

970
01:01:32,708 --> 01:01:35,540
Ah.

971
01:01:35,541 --> 01:01:37,499
Detective.

972
01:01:37,500 --> 01:01:39,499
Take a seat.

973
01:01:39,500 --> 01:01:41,957
- I see you're a fan of taxidermy?

974
01:01:41,958 --> 01:01:43,207
- Ah.

975
01:01:43,208 --> 01:01:48,249
Yes, my-- my personal collection.

976
01:01:48,250 --> 01:01:51,915
What can I do for you, Detective?

977
01:01:51,916 --> 01:01:55,249
- Well, I thought I'd drop in and fill you in.

978
01:01:55,250 --> 01:01:58,249
- If you haven't found the painting yet,

979
01:01:58,250 --> 01:02:01,999
I suggest you keep on searching.

980
01:02:02,000 --> 01:02:03,999
LEONE: Well, we've sent the canvas cutting over

981
01:02:04,000 --> 01:02:06,165
to Rome for authentication.

982
01:02:06,166 --> 01:02:09,374
We need to make sure that it is from the <i>Saint Jerome.</i>

983
01:02:09,375 --> 01:02:11,999
It's not the only reason why I came today.

984
01:02:12,000 --> 01:02:14,332
I wanted to speak to you about Orpheus.

985
01:02:14,333 --> 01:02:17,332
He seems to be in a very bad place.

986
01:02:17,333 --> 01:02:19,040
- Oh, that thing with his sister.

987
01:02:19,041 --> 01:02:21,082
Yes, yes, I know.

988
01:02:21,083 --> 01:02:24,832
We released him from his duties, so he

989
01:02:24,833 --> 01:02:27,665
can concentrate on that matter.

990
01:02:27,666 --> 01:02:31,874
- And yet you denied his request to visit his sister.

991
01:02:31,875 --> 01:02:32,874
Why?

992
01:02:32,875 --> 01:02:35,290
- Our funds are limited.

993
01:02:35,291 --> 01:02:36,540
LEONE: Oh, come on.

994
01:02:36,541 --> 01:02:38,624
The church's wealth is no secret.

995
01:02:38,625 --> 01:02:42,374
- Our mission is spiritual.

996
01:02:42,375 --> 01:02:44,707
- Did your spiritual mission help Orpheus?

997
01:02:44,708 --> 01:02:48,165
- Detective, what did you come here for?

998
01:02:48,166 --> 01:02:52,499
- Just when did you lose your humanity?

999
01:02:52,500 --> 01:02:57,457
- I was about to get Orpheus what he needed,

1000
01:02:57,458 --> 01:02:59,832
the permission to travel.

1001
01:02:59,833 --> 01:03:04,457
But then, a little bit after his sister died,

1002
01:03:04,458 --> 01:03:07,790
he descended into a downward spiral.

1003
01:03:07,791 --> 01:03:08,790
- Wait.

1004
01:03:08,791 --> 01:03:10,707
When did Maryanne die?

1005
01:03:10,708 --> 01:03:12,040
- What, he didn't tell you?

1006
01:03:12,041 --> 01:03:15,124
[PENSIVE MUSIC]

1007
01:03:15,125 --> 01:03:16,124
♪ ♪

1008
01:03:16,125 --> 01:03:19,540
Well, about three months ago now.

1009
01:03:19,541 --> 01:03:23,790
Maybe if I had replaced him in the first place,

1010
01:03:23,791 --> 01:03:26,707
maybe all this mess would not have happened.

1011
01:03:26,708 --> 01:03:28,790
- Or maybe you should have let him see his dying sister.

1012
01:03:28,791 --> 01:03:29,790
How about that?

1013
01:03:29,791 --> 01:03:33,999
RUSSO: Are we done here, Detective?

1014
01:03:34,000 --> 01:03:36,165
- Yeah.

1015
01:03:36,166 --> 01:03:39,165
Yeah, we're done, I'll leave you to your dead birds.

1016
01:03:39,166 --> 01:03:42,499
[OMINOUS MUSIC]

1017
01:03:42,500 --> 01:03:43,915
♪ ♪

1018
01:03:43,916 --> 01:03:45,457
- Yeah.

1019
01:03:45,458 --> 01:03:47,415
[DOOR BANGS]

1020
01:03:47,416 --> 01:03:51,915
♪ ♪

1021
01:03:51,916 --> 01:03:55,416
[ENGINE REVVING]

1022
01:03:57,375 --> 01:04:00,874
[SUSPENSEFUL MUSIC]

1023
01:04:00,875 --> 01:04:07,875
♪ ♪

1024
01:05:05,625 --> 01:05:08,625
[RINGING]

1025
01:05:11,083 --> 01:05:12,874
- Hello?

1026
01:05:12,875 --> 01:05:15,124
HADES (ON PHONE): Yes.

1027
01:05:15,125 --> 01:05:18,874
- I've been trying to get hold of you for days.

1028
01:05:18,875 --> 01:05:20,540
HADES (ON PHONE): I'm not always available.

1029
01:05:20,541 --> 01:05:22,582
I told you to wait for my call.

1030
01:05:22,583 --> 01:05:25,499
- Have you managed to everything out?

1031
01:05:25,500 --> 01:05:27,082
I need to leave.

1032
01:05:27,083 --> 01:05:28,082
HADES (ON PHONE): Not yet.

1033
01:05:28,083 --> 01:05:29,290
These things take time.

1034
01:05:29,291 --> 01:05:30,790
- Where's the painting?

1035
01:05:30,791 --> 01:05:31,915
HADES (ON PHONE): Relax.

1036
01:05:31,916 --> 01:05:32,915
It's safe.

1037
01:05:32,916 --> 01:05:34,832
- Maybe we should give it back.

1038
01:05:34,833 --> 01:05:36,457
Things aren't looking good here.

1039
01:05:36,458 --> 01:05:37,665
HADES (ON PHONE): And then what?

1040
01:05:37,666 --> 01:05:39,540
How will that help Maryanne?

1041
01:05:39,541 --> 01:05:41,999
- You've trapped me.

1042
01:05:42,000 --> 01:05:44,415
And now the police and an American inspector, they're

1043
01:05:44,416 --> 01:05:45,415
closing in.

1044
01:05:45,416 --> 01:05:46,665
HADES (ON PHONE): Take it easy.

1045
01:05:46,666 --> 01:05:48,040
The police are clueless.

1046
01:05:48,041 --> 01:05:49,749
They'll lose interest soon enough.

1047
01:05:49,750 --> 01:05:51,165
- You have to do something.

1048
01:05:51,166 --> 01:05:52,957
Do you understand me?

1049
01:05:52,958 --> 01:05:55,165
I'm out of time.

1050
01:05:55,166 --> 01:05:57,290
We need a diversion.

1051
01:05:57,291 --> 01:05:58,874
HADES (ON PHONE): Something to throw them off?

1052
01:05:58,875 --> 01:06:04,582
- Yes, or I swear, I'll expose everything about you.

1053
01:06:04,583 --> 01:06:06,915
HADES (ON PHONE): Easy now, Orpheus.

1054
01:06:06,916 --> 01:06:09,249
You know that wouldn't be good for either of us.

1055
01:06:09,250 --> 01:06:12,874
Do you really want me to destroy the evidence, the painting?

1056
01:06:12,875 --> 01:06:15,749
- I'll ransom them.

1057
01:06:15,750 --> 01:06:20,249
I need to ransom them with a photo of the painting

1058
01:06:20,250 --> 01:06:21,915
alongside today's newspaper.

1059
01:06:21,916 --> 01:06:23,957
HADES (ON PHONE): I will add something with the ransom note

1060
01:06:23,958 --> 01:06:25,749
to make it more interesting.

1061
01:06:25,750 --> 01:06:27,624
I will have it sent to you.

1062
01:06:27,625 --> 01:06:29,249
- No.

1063
01:06:29,250 --> 01:06:30,540
You got me into this mess.

1064
01:06:30,541 --> 01:06:31,915
You could get me out of it.

1065
01:06:31,916 --> 01:06:33,249
HADES (ON PHONE): You're not as innocent

1066
01:06:33,250 --> 01:06:34,249
as you'd like to believe.

1067
01:06:34,250 --> 01:06:37,165
Orpheus, you were a willing participant.

1068
01:06:37,166 --> 01:06:39,832
You could have walked away at any moment.

1069
01:06:39,833 --> 01:06:41,332
You needed me, Orpheus.

1070
01:06:41,333 --> 01:06:42,874
Remember that.

1071
01:06:42,875 --> 01:06:45,915
- I will call you once I receive it.

1072
01:06:45,916 --> 01:06:48,875
[BUSY SIGNAL]

1073
01:06:50,875 --> 01:06:54,374
[OMINOUS MUSIC]

1074
01:06:54,375 --> 01:07:01,375
♪ ♪

1075
01:07:26,666 --> 01:07:28,665
[TIRES SQUEALING]

1076
01:07:28,666 --> 01:07:35,666
♪ ♪

1077
01:07:38,583 --> 01:07:41,915
- OK, can you see the other side.

1078
01:07:41,916 --> 01:07:44,415
[SUSPENSEFUL MUSIC]

1079
01:07:44,416 --> 01:07:47,875
[PHONE RINGING]

1080
01:08:17,208 --> 01:08:19,457
- Clear.

1081
01:08:19,458 --> 01:08:23,874
Clear.

1082
01:08:23,875 --> 01:08:26,791
[PHONE RINGING]

1083
01:08:29,708 --> 01:08:31,915
- Dispatch, we've located the phone.

1084
01:08:31,916 --> 01:08:32,957
No suspects in sight.

1085
01:08:32,958 --> 01:08:33,957
Over.

1086
01:08:33,958 --> 01:08:35,249
OFFICER (ON PHONE): Copy, Detective.

1087
01:08:35,250 --> 01:08:37,125
We'll stop calling the number now.

1088
01:08:39,833 --> 01:08:40,999
- They've cleared out.

1089
01:08:41,000 --> 01:08:42,999
They must have known we were coming.

1090
01:08:43,000 --> 01:08:45,124
- I don't think it's that.

1091
01:08:45,125 --> 01:08:46,874
PORTELLI: The trace from the phone box

1092
01:08:46,875 --> 01:08:48,040
logs and the number you gave us.

1093
01:08:48,041 --> 01:08:49,040
They match.

1094
01:08:49,041 --> 01:08:50,790
This is the right place.

1095
01:08:50,791 --> 01:08:52,791
Somebody must have tipped them off.

1096
01:08:55,875 --> 01:08:59,707
All right, let's get a team in here to examine the area.

1097
01:08:59,708 --> 01:09:01,207
Tell everyone else to move out.

1098
01:09:01,208 --> 01:09:03,791
- Inspector, Commissioner wants to talk to you on channel 2.

1099
01:09:07,041 --> 01:09:09,208
- Yes, Commissioner.

1100
01:09:11,875 --> 01:09:14,457
Yes, I understand.

1101
01:09:14,458 --> 01:09:15,707
OK.

1102
01:09:15,708 --> 01:09:16,708
Thank you.

1103
01:09:19,750 --> 01:09:22,707
[TENSE MUSIC]

1104
01:09:22,708 --> 01:09:25,665
♪ ♪

1105
01:09:25,666 --> 01:09:27,832
The results from Rome just came in.

1106
01:09:27,833 --> 01:09:29,249
- And?

1107
01:09:29,250 --> 01:09:30,999
- It's not a match.

1108
01:09:31,000 --> 01:09:33,790
The cutting, it doesn't match.

1109
01:09:33,791 --> 01:09:36,124
- Get a warrant to search the cathedral grounds,

1110
01:09:36,125 --> 01:09:38,832
and meet me there in an hour.

1111
01:09:38,833 --> 01:09:40,582
- Leone, wait.

1112
01:09:40,583 --> 01:09:43,957
[SUSPENSEFUL MUSIC]

1113
01:09:43,958 --> 01:09:45,999
♪ ♪

1114
01:09:46,000 --> 01:09:47,000
Leone?

1115
01:09:50,000 --> 01:09:56,457
♪ ♪

1116
01:09:56,458 --> 01:09:58,915
[TIRES SCREECH]

1117
01:09:58,916 --> 01:10:00,915
♪ ♪

1118
01:10:00,916 --> 01:10:04,874
What the hell is she doing?

1119
01:10:04,875 --> 01:10:08,249
[TENSE MUSIC]

1120
01:10:08,250 --> 01:10:10,707
♪ ♪

1121
01:10:10,708 --> 01:10:12,874
- Keep a low profile.

1122
01:10:12,875 --> 01:10:15,290
- Have you taken care of my travel arrangements?

1123
01:10:15,291 --> 01:10:17,499
- It's going to take longer than I thought.

1124
01:10:17,500 --> 01:10:18,957
- How long?

1125
01:10:18,958 --> 01:10:20,249
- Give me a couple of days.

1126
01:10:20,250 --> 01:10:21,540
ORPHEUS: A couple of days?

1127
01:10:21,541 --> 01:10:23,999
That's not what we agreed.

1128
01:10:24,000 --> 01:10:25,665
The deal was you get the painting

1129
01:10:25,666 --> 01:10:27,457
and you get me straight out of here.

1130
01:10:27,458 --> 01:10:30,832
- The situation didn't unfold as easily as anticipated.

1131
01:10:30,833 --> 01:10:31,832
Patience.

1132
01:10:31,833 --> 01:10:34,124
- I can't afford to be patient.

1133
01:10:34,125 --> 01:10:36,707
I need to leave now!

1134
01:10:36,708 --> 01:10:38,499
You know my situation!

1135
01:10:38,500 --> 01:10:39,832
HADES: Wait for my call.

1136
01:10:39,833 --> 01:10:43,332
[OMINOUS MUSIC]

1137
01:10:43,333 --> 01:10:47,790
♪ ♪

1138
01:10:47,791 --> 01:10:51,249
[SUSPENSEFUL MUSIC]

1139
01:10:51,250 --> 01:10:58,250
♪ ♪

1140
01:11:28,458 --> 01:11:32,415
[DOOR UNLATCHES]

1141
01:11:32,416 --> 01:11:35,290
- It's been you.

1142
01:11:35,291 --> 01:11:38,207
It's been you all along, hasn't it?

1143
01:11:38,208 --> 01:11:40,124
No signs of forced entry.

1144
01:11:40,125 --> 01:11:42,499
No footsteps.

1145
01:11:42,500 --> 01:11:43,958
A one-person job.

1146
01:11:47,166 --> 01:11:48,457
I need to know the truth.

1147
01:11:48,458 --> 01:11:50,166
Just tell me what really happened.

1148
01:11:54,500 --> 01:11:56,207
- Hades.

1149
01:11:56,208 --> 01:11:57,415
- What?

1150
01:11:57,416 --> 01:11:59,082
- Anthony Hades.

1151
01:11:59,083 --> 01:12:01,540
- Who is Anthony Hades?

1152
01:12:01,541 --> 01:12:04,707
- An art collector from London.

1153
01:12:04,708 --> 01:12:07,499
He's a highly skilled thief.

1154
01:12:07,500 --> 01:12:10,082
For weeks now, he's been playing games with me.

1155
01:12:10,083 --> 01:12:14,540
- So you made a deal with this Anthony Hades.

1156
01:12:14,541 --> 01:12:16,499
ORPHEUS: He was gonna take it anyway.

1157
01:12:16,500 --> 01:12:18,832
He promised me a way out of here.

1158
01:12:18,833 --> 01:12:22,082
He was working for a Sicilian syndicate.

1159
01:12:22,083 --> 01:12:24,290
I didn't know what to do.

1160
01:12:24,291 --> 01:12:30,290
- OK, so then, where is he?

1161
01:12:30,291 --> 01:12:31,957
ORPHEUS: If I knew that, I'd be out there

1162
01:12:31,958 --> 01:12:33,749
looking for him myself.

1163
01:12:33,750 --> 01:12:37,499
♪ ♪

1164
01:12:37,500 --> 01:12:39,665
I want this to be over.

1165
01:12:39,666 --> 01:12:42,999
LEONE: Orpheus, there is no Anthony Hades.

1166
01:12:43,000 --> 01:12:47,290
- I'm telling you, he set me up.

1167
01:12:47,291 --> 01:12:49,665
Here.

1168
01:12:49,666 --> 01:12:50,833
Call him yourself.

1169
01:12:54,208 --> 01:12:57,207
LEONE: We already called this number.

1170
01:12:57,208 --> 01:13:00,207
We checked all of your call logs, both from your office

1171
01:13:00,208 --> 01:13:02,625
and from the phone booth you used down the road.

1172
01:13:06,583 --> 01:13:08,582
Your logs show two numbers.

1173
01:13:08,583 --> 01:13:14,332
Maryanne's house in Michigan and an abandoned

1174
01:13:14,333 --> 01:13:15,624
factory at the port.

1175
01:13:15,625 --> 01:13:16,874
- His safe house.

1176
01:13:16,875 --> 01:13:20,540
LEONE: There was nothing there.

1177
01:13:20,541 --> 01:13:23,749
- He must have already left for Sicily.

1178
01:13:23,750 --> 01:13:27,249
- I have a different theory.

1179
01:13:27,250 --> 01:13:31,707
You thought about this for a while.

1180
01:13:31,708 --> 01:13:34,249
MARYANNE (ON VIDEO): Happy Easter, Orpheus.

1181
01:13:34,250 --> 01:13:35,999
When are you coming to see us?

1182
01:13:36,000 --> 01:13:38,040
- Your motives were clear.

1183
01:13:38,041 --> 01:13:39,125
You made a plan.

1184
01:13:43,208 --> 01:13:45,499
No robbers, no heist.

1185
01:13:45,500 --> 01:13:47,040
- Impossible.

1186
01:13:47,041 --> 01:13:50,499
[PENSIVE MUSIC]

1187
01:13:50,500 --> 01:13:57,500
♪ ♪

1188
01:14:10,250 --> 01:14:12,832
- You drugged the old guard.

1189
01:14:12,833 --> 01:14:19,458
♪ ♪

1190
01:14:20,458 --> 01:14:23,249
You waited for the drugs to kick in.

1191
01:14:23,250 --> 01:14:28,582
♪ ♪

1192
01:14:28,583 --> 01:14:32,333
Not expecting him to injure himself so violently.

1193
01:14:35,083 --> 01:14:39,790
And yet you went ahead and tied him up, didn't you?

1194
01:14:39,791 --> 01:14:46,791
♪ ♪

1195
01:15:00,333 --> 01:15:04,582
The truth is, there is no evidence of an Anthony Hades.

1196
01:15:04,583 --> 01:15:07,540
- He is as real as you are, standing right in front of me

1197
01:15:07,541 --> 01:15:08,540
right now.

1198
01:15:08,541 --> 01:15:12,624
- The only Anthony there is, is the saint in that medallion

1199
01:15:12,625 --> 01:15:15,040
that you hold so close to you.

1200
01:15:15,041 --> 01:15:17,915
- He-- he's tricked me.

1201
01:15:17,916 --> 01:15:22,040
- It is you who's been tricking yourself, Orpheus.

1202
01:15:22,041 --> 01:15:23,249
- Traveling alone?

1203
01:15:23,250 --> 01:15:26,457
- Yes, I left my family back home.

1204
01:15:26,458 --> 01:15:30,499
My little girls would have loved this place.

1205
01:15:30,500 --> 01:15:34,499
ORPHEUS (MEMORY): White lie to confuse the devil.

1206
01:15:34,500 --> 01:15:36,624
Not such a bad thing.

1207
01:15:36,625 --> 01:15:37,957
HADES (MEMORY): The real question,

1208
01:15:37,958 --> 01:15:41,582
Orpheus, is can we trust you?

1209
01:15:41,583 --> 01:15:44,040
ORPHEUS (MEMORY): What's your plan?

1210
01:15:44,041 --> 01:15:46,290
HADES (MEMORY): Wait for my call.

1211
01:15:46,291 --> 01:15:48,540
Once we have the painting, your sister's needs

1212
01:15:48,541 --> 01:15:50,124
will be taken care of.

1213
01:15:50,125 --> 01:15:57,125
♪ ♪

1214
01:15:59,250 --> 01:16:02,749
LEONE: When were you planning on telling me about Maryanne?

1215
01:16:02,750 --> 01:16:07,374
You recently received a parcel, a final message from her.

1216
01:16:07,375 --> 01:16:08,707
- No.

1217
01:16:08,708 --> 01:16:12,249
LEONE: It was Moira, your niece, who sent you this final

1218
01:16:12,250 --> 01:16:12,582
message.

1219
01:16:12,583 --> 01:16:13,915
Isn't that right.

1220
01:16:13,916 --> 01:16:20,916
♪ ♪

1221
01:16:25,291 --> 01:16:27,499
MARYANNE (ON VIDEO): Orpheus.

1222
01:16:27,500 --> 01:16:29,499
Orpheus.

1223
01:16:29,500 --> 01:16:32,457
Moira, is this recording?

1224
01:16:32,458 --> 01:16:33,540
MOIRA (ON VIDEO): Yes, mom, it--

1225
01:16:33,541 --> 01:16:35,040
it's recording.

1226
01:16:35,041 --> 01:16:38,165
You can talk to Uncle Orpheus now.

1227
01:16:38,166 --> 01:16:40,249
MARYANNE (ON VIDEO): Orpheus, I wanted

1228
01:16:40,250 --> 01:16:43,165
to send you a final message.

1229
01:16:43,166 --> 01:16:45,915
My time here is coming to an end.

1230
01:16:45,916 --> 01:16:49,165
I'm moving on to a better place.

1231
01:16:49,166 --> 01:16:50,791
No more suffering for me.

1232
01:16:53,708 --> 01:16:56,957
Did you ever contact Helen?

1233
01:16:56,958 --> 01:17:03,915
It's not Helen who seeks you, but her daughter, your daughter.

1234
01:17:03,916 --> 01:17:07,790
All these years, all these years, you've hidden her

1235
01:17:07,791 --> 01:17:11,249
from yourself, from the world.

1236
01:17:11,250 --> 01:17:14,082
She's grown into a wonderful woman.

1237
01:17:14,083 --> 01:17:18,999
She's out there searching for her father.

1238
01:17:19,000 --> 01:17:20,375
Her name is Grace.

1239
01:17:23,750 --> 01:17:27,832
Until-- until we meet again, dear brother.

1240
01:17:27,833 --> 01:17:31,249
[PENSIVE MUSIC]

1241
01:17:31,250 --> 01:17:36,582
♪ ♪

1242
01:17:36,583 --> 01:17:40,374
ORPHEUS: Before I decided to devote myself

1243
01:17:40,375 --> 01:17:44,249
to what I thought was a higher calling--

1244
01:17:44,250 --> 01:17:51,250
♪ ♪

1245
01:17:57,083 --> 01:18:01,665
- Helen was my love.

1246
01:18:01,666 --> 01:18:08,250
We were young, unmarried, and she was pregnant.

1247
01:18:12,083 --> 01:18:17,791
And I convinced her to give up the child.

1248
01:18:20,791 --> 01:18:24,249
[BABY CRYING]

1249
01:18:24,250 --> 01:18:31,250
♪ ♪

1250
01:18:32,250 --> 01:18:35,749
[PENSIVE MUSIC]

1251
01:18:35,750 --> 01:18:42,250
♪ ♪

1252
01:18:43,250 --> 01:18:47,374
That was a mistake that I've had to live with.

1253
01:18:47,375 --> 01:18:52,915
She left Malta, hated me.

1254
01:18:52,916 --> 01:18:55,499
I never heard from her again.

1255
01:18:55,500 --> 01:18:57,750
- I will help you find your daughter.

1256
01:19:01,166 --> 01:19:02,332
It's time to go.

1257
01:19:02,333 --> 01:19:05,832
[PENSIVE MUSIC]

1258
01:19:05,833 --> 01:19:12,833
♪ ♪

1259
01:20:29,166 --> 01:20:30,915
- What happens now?

1260
01:20:30,916 --> 01:20:32,790
- You're gonna need a good lawyer,

1261
01:20:32,791 --> 01:20:35,540
and you're gonna have to help us recover the painting.

1262
01:20:35,541 --> 01:20:39,040
[PENSIVE MUSIC]

1263
01:20:39,041 --> 01:20:46,041
♪ ♪

1264
01:21:39,416 --> 01:21:42,915
[MYSTERIOUS MUSIC]

1265
01:21:42,916 --> 01:21:49,916
♪ ♪

1266
01:22:25,875 --> 01:22:29,332
[PHONE RINGING]

1267
01:22:29,333 --> 01:22:36,332
♪ ♪

1268
01:22:36,333 --> 01:22:37,832
- Hello?

1269
01:22:37,833 --> 01:22:41,332
[SOMBER MUSIC]

1270
01:22:41,333 --> 01:22:48,041
♪ ♪

1271
01:22:49,041 --> 01:22:52,249
[ENGINE REVVING]

1272
01:22:52,250 --> 01:22:59,250
♪ ♪

1273
01:23:37,500 --> 01:23:40,290
- You ready?

1274
01:23:40,291 --> 01:23:43,624
♪ ♪

1275
01:23:43,625 --> 01:23:45,707
[GENTLE MUSIC]

1276
01:23:45,708 --> 01:23:52,708
♪ ♪

1277
01:25:29,500 --> 01:25:31,290
[TENSE MUSIC]

1278
01:25:31,291 --> 01:25:38,291
♪ ♪

1279
01:25:48,416 --> 01:25:50,499
[MYSTERIOUS MUSIC]

1280
01:25:50,500 --> 01:25:57,500
♪ ♪

1281
01:26:39,416 --> 01:26:41,499
[GENTLE MUSIC]

1282
01:26:41,500 --> 01:26:48,500
♪ ♪