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00:00:01,000 --> 00:00:04,100
-==破烂熊乐园倾情奉献==-
本字幕仅供学习交流，严禁用于商业用途
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00:00:38,400 --> 00:00:46,000
-=破烂熊字幕组=-
翻译：个人ID
校对：个人ID
时间轴：里知
3
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THAT WAS...
4
00:01:04,000 --> 00:01:05,500
OH, YEAH.
5
00:01:05,500 --> 00:01:07,200
TOP TEN, AT LEAST.
6
00:01:07,200 --> 00:01:09,700
MA-MAYBE TOP 20.
7
00:01:10,200 --> 00:01:11,500
NOT TOP TEN?
8
00:01:11,700 --> 00:01:12,700
WELL...
9
00:01:13,300 --> 00:01:14,800
THERE WAS PARIS.
10
00:01:15,200 --> 00:01:16,300
KAUAl.
11
00:01:17,100 --> 00:01:18,600
YANKEE STADIUM.
12
00:01:18,600 --> 00:01:21,000
OH, THAT PLACE IN THE POCONOS. YES.
13
00:01:21,300 --> 00:01:22,300
MYKONOS.
14
00:01:22,300 --> 00:01:23,500
CONEY ISLAND.
15
00:01:23,500 --> 00:01:26,700
AND THEN THERE WAS STATEN ISLAND.
OH, AND THE HOT AIR BALLOON.
16
00:01:26,700 --> 00:01:28,600
THE WESTMINSTER DOG SHOW.
17
00:01:28,600 --> 00:01:31,300
THAT WAS...
THAT'S ONLY NINE.
18
00:01:31,400 --> 00:01:33,500
WELL, THE NIGHT WE MADE ALEXIS.
19
00:01:36,700 --> 00:01:38,300
WE HAVE HAD FUN,
HAVEN'T WE?
20
00:01:38,300 --> 00:01:39,500
OH, YEAH.
21
00:01:39,500 --> 00:01:42,800
MAKES YOU WONDER WHY WE EVER
GOT DIVORCED. I KNOW, RIGHT?
22
00:01:43,100 --> 00:01:45,300
I MEAN, EXCEPT FOR YOU
HAVING AN AFFAIR
23
00:01:45,300 --> 00:01:47,600
WITH YOUR DIRECTOR
AND MOVING TO MALIBU
24
00:01:47,600 --> 00:01:49,500
AND SERVING ME
WITH DIVORCE PAPERS,
25
00:01:49,800 --> 00:01:51,800
I THINK
WE REALLY HAD A CHANCE.
26
00:01:53,500 --> 00:01:55,200
I'M MOVING BACK.
27
00:01:56,000 --> 00:01:57,400
BACK TO NEW YORK?
28
00:01:58,600 --> 00:01:59,900
I MISS IT.
29
00:01:59,900 --> 00:02:02,300
I MISS IT. I MISS ALEXIS.
I MISS YOU.
30
00:02:02,300 --> 00:02:04,500
UH, WHAT ABOUT YOUR CAREER?
31
00:02:04,500 --> 00:02:05,800
OH, L.A.'s CHANGED.
32
00:02:05,800 --> 00:02:07,800
UH, THE JUICY ROLES
JUST AREN'T THERE
33
00:02:07,800 --> 00:02:09,500
FOR AN ACTRESS
OF MY CALIBER.
34
00:02:09,600 --> 00:02:12,600
I NEED A CHANGE,
LIKE BROADWAY MAYBE.
35
00:02:12,600 --> 00:02:15,200
THE LEGITIMATE STAGE.
YEAH, BUT-
36
00:02:15,200 --> 00:02:16,500
TIME-OUT, HEY.
37
00:02:18,600 --> 00:02:21,900
MEREDITH, HOLD ON, HAVE YOU
REALLY THOUGHT THIS THROUGH?
38
00:02:21,900 --> 00:02:23,000
WHAT'S TO THINK ABOUT?
39
00:02:23,000 --> 00:02:25,900
YOU, ME, ALEXIS-ALL LIVING
IN THE SAME CITY-
40
00:02:26,100 --> 00:02:28,500
IT'S GONNA BE
JUST LIKE OLD TIMES.
41
00:02:37,200 --> 00:02:43,300
-==http://www.ragbear.com==-
灵书妙探 第一季第6集
42
00:02:45,100 --> 00:02:47,000
starring
NATHAN FILLION
43
00:02:51,000 --> 00:02:52,600
VIC'S
AN AFRICAN-AMERICAN MALE,
44
00:02:52,600 --> 00:02:53,700
EARLY 20s.
45
00:02:53,700 --> 00:02:57,200
MULTIPLE STAB WOUNDS, CONTUSIONS
ON THE ARMS AND TORSO.
46
00:02:57,200 --> 00:02:58,900
THE BODY WAS DISCOVERED
BY A HOMELESS GUY.
47
00:02:58,900 --> 00:03:01,400
HE WAS BEATEN,
MAYBE TORTURED.
48
00:03:01,400 --> 00:03:04,400
LOOKS LIKE SOME KIND OF
RITUALISTIC KILLING. YOU THINK?
49
00:03:05,500 --> 00:03:06,500
HELLO?
50
00:03:07,600 --> 00:03:08,700
YOU OKAY?
51
00:03:09,700 --> 00:03:11,700
I HAD SEX WITH MY EX-WIFE
THIS MORNING.
52
00:03:12,200 --> 00:03:15,200
MY FIRST EX-WIFE-MEREDITH-
ALEXIS' MOM.
53
00:03:15,200 --> 00:03:17,200
AND SHE'S THINKING
ABOUT MOVING BACK TO NEW YORK.
54
00:03:17,200 --> 00:03:19,000
DO YOU KNOW WHAT THAT
WOULD MEAN TO ME?
55
00:03:19,000 --> 00:03:21,900
THAT WOULD BE
A VERY SPECIAL BRAND OF HELL-
56
00:03:21,900 --> 00:03:24,500
THE HELL OF A DEEP-FRIED
TWINKIE. A DEEP-FRIED TWINKIE?
57
00:03:24,500 --> 00:03:26,700
YEAH, THE GUILTY PLEASURE
THAT YOU KNOW IS BAD FOR YOU,
58
00:03:26,700 --> 00:03:29,000
SO YOU ONLY DO IT ONCE, MAYBE
TWICE A YEAR FOR THE NOVELTY.
59
00:03:29,000 --> 00:03:32,000
BUT A DEEP-FRIED TWINKIE
EVERY DAY IS- CASTLE!
60
00:03:32,600 --> 00:03:36,200
WHAT? CRIME SCENE. DEAD
BODY. LITTLE RESPECT HERE.
61
00:03:36,200 --> 00:03:39,900
I DON'T THINK HE CAN HEAR ME. OKAY,
HOW ABOUT A LITTLE SELF-RESPECT THEN?
62
00:03:40,200 --> 00:03:42,900
FINE.
CHECK OUT HIS MOUTH.
63
00:03:42,800 --> 00:03:44,400
THERE'S PROBABLY
A LITTLE POUCH IN THERE.
64
00:03:52,400 --> 00:03:54,800
HOW DID YOU KNOW?
OPEN IT.
65
00:04:01,200 --> 00:04:02,500
WHAT DOES IT MEAN?
66
00:04:03,200 --> 00:04:04,900
IT'S VODUN.
VODUN?
67
00:04:04,900 --> 00:04:07,100
WHAT, IS THAT SOME KIND
OF "STAR TREK" THING?
68
00:04:07,100 --> 00:04:08,400
NO, DUDE, IT'S A RELIGION,
69
00:04:08,400 --> 00:04:10,300
PRACTICED PRIMARILY
IN WEST AFRICA.
70
00:04:11,600 --> 00:04:13,000
WHAT? I READ, TOO.
71
00:04:13,000 --> 00:04:15,800
THE, UH, BLOOD IN THE BOWL-
MOST LIKELY ANIMAL.
72
00:04:15,800 --> 00:04:17,100
PART OF THE CEREMONY.
73
00:04:17,100 --> 00:04:19,200
THE POUCH IS AN OFFERING
TO THE SPIRITS,
74
00:04:19,200 --> 00:04:22,600
BUT I DON'T RECOGNIZE THE SYMBOL.
WELL, IF YOU DID, YOU'D BE A SUSPECT.
75
00:04:22,700 --> 00:04:26,400
SO HOW DO YOU KNOW ABOUT ALL THIS?
RESEARCH FOR MY SIXTH DERRICK STORM NOVEL.
76
00:04:26,400 --> 00:04:29,000
"UNHOLY STORM."
YES, THANK YOU.
77
00:04:29,000 --> 00:04:31,300
AND, UH, VODUN'S NOT JUST
LIMITED TO WEST AFRICA.
78
00:04:31,300 --> 00:04:33,400
IT'S ALSO PRACTICED BY HAITIAN
AND DOMINICAN COMMUNITIES
79
00:04:33,400 --> 00:04:38,100
RIGHT HERE IN NEW YORK. HAVE C.S.U. RUN
THE POUCH. HAVE AN M.E. TEST THE BLOOD.
80
00:04:38,100 --> 00:04:40,200
AND LET'S GET HIS FINGERPRINTS
IN THE SYSTEM,
81
00:04:40,200 --> 00:04:43,400
SEE IF THERE'S AN I.D.
THIS RITUAL-I ASSUME THEN
82
00:04:43,400 --> 00:04:45,700
IT WAS DONE FOR A SPECIFIC PURPOSE?
THAT'S ONLY IF YOU'RE ASSUMING
83
00:04:45,700 --> 00:04:48,400
THAT THE GUY DOING THIS WAS
RATIONAL. NO, NO, SHE'S RIGHT.
84
00:04:48,400 --> 00:04:49,800
IT MIGHT NOT MAKE SENSE
TO YOU OR ME,
85
00:04:49,800 --> 00:04:52,700
BUT, UH, IF WE FOUND OUT
WHY HE DID THIS,
86
00:04:52,700 --> 00:04:56,300
WE MIGHT FIND YOUR KILLER.
YEAH, THAT'S KINDA HOW WE DO IT.
87
00:04:56,400 --> 00:05:00,600
DO YOU STILL HAVE THE RESEARCH?
AS A MATTER OF FACT, I DO.
88
00:05:00,800 --> 00:05:02,200
"THE PURPOSE
OF THEIR RITUALS
89
00:05:02,200 --> 00:05:03,700
"WAS TO MAKE CONTACT
WITH THE SPIRITS
90
00:05:03,700 --> 00:05:07,700
"AND THE SPIRIT WORLD, TO GAIN
THEIR FAVOR THROUGH SACRIFICE.
91
00:05:07,700 --> 00:05:10,100
"STORM WAS PRETTY SURE
HE'D SACRIFICE ANYTHING
92
00:05:10,100 --> 00:05:12,500
"WHEN HE SAW THE AMULET SWAYING
RHYTHMICALLY BACK AND FORTH
93
00:05:12,500 --> 00:05:14,900
BETWEEN THE WOMAN'S BARE,
GLISTENING BREASTS."
94
00:05:14,900 --> 00:05:17,500
"UNHOLY STORM"?
YOU DRAGGED ME IN HERE
95
00:05:17,500 --> 00:05:19,600
SO THAT YOU COULD READ
FROM YOUR OWN BOOK?
96
00:05:19,600 --> 00:05:21,100
HEY, THERE'S A LOT
OF GOOD STUFF IN HERE,
97
00:05:21,100 --> 00:05:24,900
AND SOME OF IT IS FACTUAL.
WHERE ARE YOU GOING?
98
00:05:25,100 --> 00:05:28,200
I HAVE A MURDER TO SOLVE. I
THOUGHT THAT'S WHAT WE WERE DOING.
99
00:05:28,200 --> 00:05:30,700
OKAY, LOOK, I'M SO-
I- I AM JUST KIDDING.
100
00:05:30,700 --> 00:05:31,700
I DO HAVE ANOTHER SOURCE.
101
00:05:31,700 --> 00:05:35,000
AND YOU CALL YOUR EX-WIFE
A "DEEP-FRIED TWINKIE."
102
00:05:35,000 --> 00:05:37,900
OH, TRUST ME-AS ANNOYING
AND INTRUSIVE YOU THINK I AM,
103
00:05:37,900 --> 00:05:40,900
SHE IS A MILLION TIMES
WORSE. WHAT ABOUT ALEXIS?
104
00:05:40,900 --> 00:05:42,300
MAYBE SHE MISSES HER MOM.
105
00:05:42,300 --> 00:05:45,700
MAYBE IT WOULD BE A GOOD IDEA TO
HAVE HER BACK IN TOWN. YEAH, RIGHT.
106
00:05:45,700 --> 00:05:47,300
THIS ONCE,
WHEN ALEXIS WAS 9,
107
00:05:47,300 --> 00:05:49,700
MEREDITH DROPPED BY TO
TAKE HER OUT TO LUNCH. SO?
108
00:05:49,700 --> 00:05:51,700
IN PARIS. PARIS!
109
00:05:51,700 --> 00:05:53,100
AND THEN SHE ACTED LIKE
THERE WAS NOTHING WRONG.
110
00:05:53,100 --> 00:05:55,400
SHE'S AUNTIE MAME ON METH.
IF SHE'S SO BAD,
111
00:05:55,400 --> 00:05:57,200
THEN WHY'D YOU SLEEP WITH HER
THIS MORNING?
112
00:05:57,200 --> 00:05:58,800
LET ME TELL YOU SOMETHING
ABOUT CRAZY PEOPLE.
113
00:05:58,800 --> 00:06:02,900
THE SEX IS UNBELIEVABLE.
HOW SHALLOW ARE YOU?
114
00:06:02,900 --> 00:06:06,700
VERY. YOU KNOW, I DON'T
HAVE TIME FOR THIS.
115
00:06:09,900 --> 00:06:11,300
SOMEONE ORDER LUNCH?
116
00:06:11,300 --> 00:06:12,500
DETECTIVE BECKETT,
117
00:06:12,500 --> 00:06:14,500
MEET MY OTHER SOURCE.
118
00:06:16,000 --> 00:06:17,700
THE SYMBOL'S A VEVER.
119
00:06:17,700 --> 00:06:20,000
A REPRESENTATION OF ONE
WHO CAN OPEN CROSSROADS
120
00:06:20,000 --> 00:06:21,700
INTO THE SPIRIT WORLD.
121
00:06:21,700 --> 00:06:23,500
MICHELLE TAUGHT ME EVERYTHING
I KNOW ABOUT VODUN.
122
00:06:23,500 --> 00:06:24,800
WHICH OBVIOUSLY
ISN'T MUCH.
123
00:06:24,800 --> 00:06:26,300
THAT SCENE
WITH THE TOPLESS GIRL
124
00:06:26,300 --> 00:06:28,400
AND THE CHICKEN BLOOD-
WHAT WAS THAT?
125
00:06:29,400 --> 00:06:31,100
I TOOK A FEW LIBERTIES.
126
00:06:31,500 --> 00:06:32,700
YOU KNOW, FROM THE DESIGN,
127
00:06:32,700 --> 00:06:36,000
I'D SAY THIS ISN'T HAITIAN,
JAMAICAN OR DOMINICAN.
128
00:06:36,000 --> 00:06:37,900
THIS IS HARD-CORE NIGERIAN.
129
00:06:38,200 --> 00:06:39,900
WHAT ABOUT THIS CHARM?
130
00:06:41,700 --> 00:06:44,500
THE CHARM'S AN OFFERING
TO A VODUN SAINT, OR LOA.
131
00:06:44,500 --> 00:06:46,700
IN THIS CASE, IT'S OGUN.
132
00:06:47,100 --> 00:06:48,900
HE'S USUALLY CALLED UPON
TO HELP FIND SOMETHING
133
00:06:48,900 --> 00:06:51,400
THAT'S BEEN LOST. SO OUR
KILLER'S LOOKING FOR SOMETHING.
134
00:06:51,400 --> 00:06:55,400
SOMETHING THE VICTIM ONCE POSSESSED.
MAYBE THAT'S WHY HE WAS TORTURED.
135
00:06:55,400 --> 00:06:56,800
COULD THE KIND OF CEREMONY
136
00:06:56,800 --> 00:07:00,400
INDICATE WHAT THE KILLER WAS
LOOKING FOR? UNFORTUNATELY, NO.
137
00:07:00,400 --> 00:07:02,500
HOW DO YOU KNOW
SO MUCH ABOUT THIS?
138
00:07:02,700 --> 00:07:04,700
BECAUSE I PRACTICE.
139
00:07:05,600 --> 00:07:07,700
MY JUNIOR YEAR,
I SPENT ABROAD IN NIGERIA.
140
00:07:07,700 --> 00:07:10,000
FELL IN LOVE WITH
THE RELIGION, THE CUISINE.
141
00:07:10,000 --> 00:07:13,300
MICHELLE OWNS THE BEST NIGERIAN
RESTAURANT IN THE CITY.
142
00:07:13,300 --> 00:07:16,400
IT'S FUNNY. I NEVER WOULD'VE
PEGGED YOU FOR THE OCCULT TYPE.
143
00:07:17,500 --> 00:07:20,800
OCCULT IS IN THE EYE
OF THE BEHOLDER, DETECTIVE.
144
00:07:20,800 --> 00:07:23,300
AS BIZARRE
AS VODUN MAY SEEM TO YOU,
145
00:07:23,300 --> 00:07:25,300
I ASSURE YOU, THE BELIEFS
OF WESTERN RELIGIONS
146
00:07:25,300 --> 00:07:27,600
SEEM JUST AS STRANGE
TO OUTSIDERS.
147
00:07:27,700 --> 00:07:30,100
HOW DO YOU LIKE
THE COW'S FOOT STEW?
148
00:07:30,700 --> 00:07:32,100
COW'S FOOT?
149
00:07:32,700 --> 00:07:34,100
YOU SAID IT WAS BEEF.
150
00:07:34,100 --> 00:07:37,100
TECHNICALLY, COW IS BEEF.
BESIDES, YOU LIKED IT.
151
00:07:39,800 --> 00:07:41,000
SO...
152
00:07:41,700 --> 00:07:45,400
THIS MURDER-IS, UM, IS THAT
A PART OF THE CEREMONY, AS WELL?
153
00:07:45,400 --> 00:07:49,100
NO. VODUN IS A PEACEFUL,
DEEPLY SPIRITUAL RELIGION
154
00:07:49,100 --> 00:07:50,200
PRACTICED BY
MILLIONS OF PEOPLE
155
00:07:50,200 --> 00:07:52,200
ACROSS THE WORLD EVERY DAY.
156
00:07:52,200 --> 00:07:55,000
I DOUBT WHOEVER DID THIS
IS VERY PEACEFUL.
157
00:07:56,000 --> 00:07:57,100
NO.
158
00:07:57,400 --> 00:07:59,000
YOUR KILLER MAY BE VODUN,
159
00:07:59,000 --> 00:08:00,900
BUT THAT'S NOT WHY
THIS MAN'S DEAD.
160
00:08:00,900 --> 00:08:01,600
HE WAS KILLED
161
00:08:01,600 --> 00:08:04,800
BECAUSE HE HAD SOMETHING
THE KILLER DESPERATELY WANTS.
162
00:08:05,500 --> 00:08:07,900
AND HE'S NOT GONNA STOP
UNTIL HE FINDS IT.
163
00:08:10,400 --> 00:08:11,400
EXCUSE ME.
164
00:08:12,100 --> 00:08:12,900
BECKETT.
165
00:08:12,900 --> 00:08:14,800
YEAH, IT'S RYAN.
166
00:08:16,000 --> 00:08:17,700
WE GOT ANOTHER ONE.
167
00:08:21,400 --> 00:08:23,300
VICTIM'S NAME
IS DARCY CHO.
168
00:08:23,200 --> 00:08:25,100
SECOND-YEAR LAWYER
AT A FIRM DOWNTOWN.
169
00:08:25,100 --> 00:08:29,200
MULTIPLE STAB WOUNDS, JUST LIKE THE LAST ONE.
NEIGHBOR FOUND THE DOOR OPEN, CALLED THE SUPER.
170
00:08:29,200 --> 00:08:32,400
THIS IS WHAT THEY FOUND. THE
STAGING IS EXACTLY THE SAME.
171
00:08:32,400 --> 00:08:33,900
YEAH. WHEN THEY SAW
WHAT THEY HAD,
172
00:08:33,900 --> 00:08:36,300
WEST SIDE BOYS GAVE US A CALL.
LOOKS LIKE SHE PUT UP A FIGHT.
173
00:08:36,300 --> 00:08:40,500
DEFENSIVE WOUNDS ON HER FOREARM.
PARAPHERNALIA IS THE SAME AS THE OTHER MURDER.
174
00:08:40,500 --> 00:08:43,500
AND I FOUND ANOTHER CHARM
IN HER MOUTH.
175
00:08:45,300 --> 00:08:47,500
ANYTHING BACK FROM C.S.U.
ON THE OTHER SCENE?
176
00:08:47,500 --> 00:08:50,600
CANDLE'S BASIC PARAFFIN,
FOUND IN ANY BODEGA.
177
00:08:50,600 --> 00:08:52,300
FIGURE IT'S GONNA BE
THE SAME WITH THIS ONE.
178
00:08:52,300 --> 00:08:54,000
THE CLOTH
IS A COMMON RED FLANNEL.
179
00:08:54,000 --> 00:08:55,700
GLASS BOWL-MADE IN CHINA.
180
00:08:55,700 --> 00:08:58,100
WHAT ABOUT THE BLOOD?
CHICKEN BLOOD.
181
00:08:59,600 --> 00:09:02,200
MAYBE SHE USED THIS PURSE
TO DEFEND HERSELF.
182
00:09:02,200 --> 00:09:05,300
WE KNOW HE HASN'T FOUND WHAT
HE'S LOOKING FOR. HOW DO YOU KNOW?
183
00:09:05,300 --> 00:09:06,300
THE CHARM IN HER MOUTH.
184
00:09:06,300 --> 00:09:10,300
HE STILL NEEDS THE SPIRITS
TO GUIDE HIM. CHAPTER TEN.
185
00:09:11,600 --> 00:09:12,900
FIND OUT WHAT YOU CAN
ABOUT DARCY.
186
00:09:12,900 --> 00:09:14,900
SEE IF SHE KNEW
OUR FIRST VICTIM.
187
00:09:14,900 --> 00:09:17,000
I WANNA KNOW HOW
THESE MURDERS ARE CONNECTED.
188
00:09:17,000 --> 00:09:18,200
RIGHT.
189
00:09:25,000 --> 00:09:26,800
MR. SIMMONS,
YOU WANTED TO SEE ME?
190
00:09:26,800 --> 00:09:30,100
ALEXIS, I'M AFRAID
WE HAVE SOME BAD NEWS.
191
00:09:30,100 --> 00:09:32,600
WHAT? NO, IS IT MY DAD?
DID HE GET SHOT?
192
00:09:33,400 --> 00:09:35,300
IT'S NOT YOUR DAD, SWEETIE.
193
00:09:35,800 --> 00:09:38,000
MOM?
IT'S YOUR GRANDFATHER.
194
00:09:38,000 --> 00:09:40,100
HE PASSED AWAY
THIS MORNING.
195
00:09:40,100 --> 00:09:41,100
GRANDFATHER?
196
00:09:41,100 --> 00:09:43,900
I KNOW. IT'S A LOT
TO TAKE IN.
197
00:09:44,600 --> 00:09:46,600
MOM, I HAVE
A CALCULUS TEST TODAY.
198
00:09:46,600 --> 00:09:49,200
GIVEN THE CIRCUMSTANCES,
I'M SURE MR. BROWN
199
00:09:49,200 --> 00:09:50,800
WILL LET YOU MAKE IT UP.
200
00:09:50,800 --> 00:09:53,900
THANK YOU, MR. SIMMONS,
FOR YOUR COMPASSION
201
00:09:53,900 --> 00:09:56,200
IN THIS TRYING TIME.
202
00:09:56,800 --> 00:09:58,700
LET'S GO, HONEY.
LOTS TO DO.
203
00:09:58,700 --> 00:10:01,600
UH, MOM, GRANDPA DIED
SIX YEARS AGO.
204
00:10:01,600 --> 00:10:03,100
I KNOW, BUT A DEATH
IN THE FAMILY-
205
00:10:03,100 --> 00:10:05,000
ALWAYS A GOOD EXCUSE
TO GET OUT OF SCHOOL.
206
00:10:05,000 --> 00:10:06,800
NO, IT'S A CREEPY EXCUSE.
207
00:10:06,800 --> 00:10:09,200
COME ON, I NEED
SOME ALEXIS TIME.
208
00:10:09,200 --> 00:10:10,600
DO YOU REALIZE I'VE BEEN
IN TOWN A WHOLE WEEK,
209
00:10:10,600 --> 00:10:13,000
AND WE HAVEN'T EVEN GONE SHOPPING?
WE'RE GOING SHOPPING ON SATURDAY...
210
00:10:13,000 --> 00:10:16,100
WHEN I DON'T HAVE SCHOOL. BUT
BENDEL'S IS HAVING ITS SALE NOW!
211
00:10:16,100 --> 00:10:19,500
I STUDIED ALL WEEK FOR THIS TEST.
OKAY, WHY BOTHER LEARNING MATH
212
00:10:19,500 --> 00:10:22,000
IF YOU DON'T GET TO APPLY IT
IN REAL-LIFE SITUATIONS,
213
00:10:22,000 --> 00:10:24,400
LIKE CALCULATING YOUR SAVINGS?
214
00:10:25,000 --> 00:10:26,900
COME ON, WHAT'S THE HARM?
215
00:10:26,900 --> 00:10:28,100
UNLESS YOU REALLY
WANT TO GO BACK
216
00:10:28,100 --> 00:10:30,800
AND TELL MR. SIMMONS
YOUR MOTHER'S A LIAR.
217
00:10:34,000 --> 00:10:37,700
FINE, BUT PROMISE WE'RE NOT
LEAVING THE CITY.
218
00:10:37,900 --> 00:10:39,300
COME ON!
219
00:10:39,900 --> 00:10:42,700
IT DOESN'T MAKE SENSE.
WHY WOULD SOMEONE KILL HER?
220
00:10:43,600 --> 00:10:45,300
MS. BUTTON,
YOUR OFFICE MANAGER
221
00:10:45,300 --> 00:10:47,100
SAID THAT YOU AND DARCY
WERE CLOSE.
222
00:10:47,600 --> 00:10:49,700
WE JOINED THE FIRM
AT THE SAME TIME.
223
00:10:49,700 --> 00:10:51,200
NEITHER OF US KNEW ANYONE
IN THE CITY,
224
00:10:51,200 --> 00:10:54,200
SO WE JUST, SORT OF,
BECAME BEST FRIENDS.
225
00:10:56,200 --> 00:10:58,200
DO YOU RECOGNIZE
THIS MAN?
226
00:11:00,200 --> 00:11:02,400
WE THINK HE AND DARCY
MIGHT BE CONNECTED.
227
00:11:02,900 --> 00:11:04,600
NO, I DON'T...
228
00:11:07,900 --> 00:11:09,400
WHAT HAPPENED TO HIM?
229
00:11:09,400 --> 00:11:11,000
THAT'S WHAT WE'RE TRYING
TO FIND OUT.
230
00:11:14,600 --> 00:11:17,000
OH, GOD. YOU MEAN
THIS IS WHAT HAPP-
231
00:11:21,000 --> 00:11:24,200
WHO WOULD DO SOMETHING
LIKE THIS?
232
00:11:25,200 --> 00:11:27,700
I SPOKE TO JILL BUTTON,
DARCY'S B.F.F.
233
00:11:27,700 --> 00:11:28,900
SHE SAID SHE'S PRETTY FAMILIAR
234
00:11:28,900 --> 00:11:30,600
WITH ALL OF DARCY'S FRIENDS
AND CLIENTS,
235
00:11:30,600 --> 00:11:32,800
BUT SHE'S NEVER SEEN
THE VIC BEFORE.
236
00:11:32,800 --> 00:11:34,400
THE LAW FIRM DOES
SOME CORPORATE STUFF,
237
00:11:34,400 --> 00:11:35,600
SOME IMMIGRATION WORK,
BUT THERE'S NOTHING
238
00:11:35,600 --> 00:11:38,900
TO INDICATE ANY INVOLVEMENT IN SOMETHING
LIKE THIS. SO OUR FIRST VICTIM GETS KILLED
239
00:11:38,900 --> 00:11:41,000
IN A RELIGIOUS RITUAL,
AND THEN HISTORY REPEATS ITSELF
240
00:11:41,000 --> 00:11:43,700
WITH THIS LAWYER THE VERY SAME DAY? OH,
THERE'S A LAWYER JOKE THERE SOMEWHERE,
241
00:11:43,700 --> 00:11:46,100
I JUST CAN'T THINK OF IT. AND THEN
THE KILLER TOSSES THE WOMAN'S APARTMENT
242
00:11:46,100 --> 00:11:49,900
LOOKING FOR WHAT
- MONEY, DRUGS, WHAT? AS FAR AS WE CAN TELL, DARCY WAS CLEAN.
243
00:11:49,900 --> 00:11:52,300
YO, WE GOT A HIT
ON THE FIRST VICTIM'S PRINTS.
244
00:11:52,300 --> 00:11:55,300
I.N.S. DATABASE.
JAMAL BUONSI?
245
00:11:55,300 --> 00:11:56,700
NIGERIAN NATIONAL.
246
00:11:56,700 --> 00:11:59,400
ENTERED THE U.S. ON A STUDENT
VISA 18 MONTHS AGO.
247
00:11:59,400 --> 00:12:01,500
WAS ENROLLED AT N.Y.U.
AS AN EXCHANGE STUDENT.
248
00:12:01,500 --> 00:12:03,600
HIS VISA EXPIRED A YEAR AGO. YEP.
249
00:12:03,600 --> 00:12:05,800
LOOKS LIKE HE DECIDED
TO STAY. LUCKY HIM.
250
00:12:05,800 --> 00:12:08,700
ANY WORD ON HIS LAST KNOWN WHEREABOUTS?
YEAH, I WAS ABLE TO TRACK DOWN THE FAMILY
251
00:12:08,700 --> 00:12:10,500
THAT HE LIVED WITH
WHEN HE WAS A STUDENT.
252
00:12:10,500 --> 00:12:12,400
LAST TIME THEY SAW HIM,
HE WAS IN A CAB
253
00:12:12,400 --> 00:12:15,200
ON HIS WAY TO KENNEDY. I TAKE IT
THAT'S NOT THE END OF THE STORY.
254
00:12:15,200 --> 00:12:17,700
TURNS OUT THAT JAMAL
AND THEIR 13-YEAR-OLD SON
255
00:12:17,700 --> 00:12:18,800
WERE PRETTY CLOSE.
256
00:12:18,800 --> 00:12:20,300
COUPLE OF MONTHS AGO,
THE FOLKS DISCOVERED
257
00:12:20,300 --> 00:12:24,500
THAT THEY WERE STILL IN TOUCH.
JAMAL'S CELL PHONE NUMBER,
258
00:12:24,500 --> 00:12:28,200
BILLED TO AN ADDRESS ON EAST 3rd. THAT'S JUST
A FEW BLOCKS FROM WHERE JAMAL'S BODY WAS FOUND.
259
00:12:28,200 --> 00:12:30,000
EAST 3rd's RIGHT NEAR
DARCY CHO'S LAW FIRM.
260
00:12:30,000 --> 00:12:32,400
AND YOU SAID DARCY CHO'S FIRM
DID SOME WORK ON IMMIGRATION.
261
00:12:32,400 --> 00:12:34,200
YEAH. YOU AND ESPOSITO
TAKE A RIDE DOWN THERE.
262
00:12:34,200 --> 00:12:36,000
I WANT YOU TO LOOK
AT DARCY CHO'S CLIENT LIST.
263
00:12:36,000 --> 00:12:38,800
MAYBE JAMAL WAS USING ANOTHER NAME. WE'LL
GET A WARRANT FOR THE BILLING ADDRESS.
264
00:12:38,800 --> 00:12:40,100
FIND OUT
WHAT THIS GUY WANTS
265
00:12:40,100 --> 00:12:42,800
BEFORE THIS SON OF A BITCH
KILLS AGAIN, ALL RIGHT? YES, SIR.
266
00:12:48,700 --> 00:12:50,500
I WASN'T EXPECTING
A DOORMAN BUILDING,
267
00:12:50,500 --> 00:12:53,100
BUT A 6-STORY WALK-UP?
268
00:12:53,100 --> 00:12:54,800
YOU SHOULD'VE SEEN
MY FIRST APARTMENT.
269
00:12:55,100 --> 00:12:57,700
THREE FLIGHTS UP
ON AN AIR SHAFT
270
00:12:57,700 --> 00:12:58,800
OVER A RESTAURANT.
271
00:12:58,800 --> 00:13:01,200
THE WHOLE PLACE SMELLED
LIKE CHICKEN WINGS.
272
00:13:05,700 --> 00:13:07,300
THEY COME HERE LOOKING
FOR A NEW START,
273
00:13:07,300 --> 00:13:08,800
AND THIS IS
WHAT THEY GET...
274
00:13:09,000 --> 00:13:10,400
SLUM HOUSING?
275
00:13:10,900 --> 00:13:13,700
STILL, FOR SOME, IT'S BETTER
THAN WHAT THEY LEFT.
276
00:13:16,300 --> 00:13:18,200
SOUNDS LIKE JAMAL
DIDN'T LIVE ALONE.
277
00:13:25,700 --> 00:13:26,500
YES?
278
00:13:26,500 --> 00:13:28,300
DETECTIVE BECKETT, NYPD.
279
00:13:28,400 --> 00:13:29,200
NO!
280
00:13:29,800 --> 00:13:31,500
HANDS! SHOW ME
YOUR HANDS!
281
00:13:31,500 --> 00:13:32,700
IMMIGRATION.
282
00:13:34,200 --> 00:13:39,500
I'M NOT IMMIGRATION.
EVERYBODY, JUST RELAX, OKAY?
283
00:13:40,900 --> 00:13:42,500
IF YOU'RE
NOT FROM IMMIGRATION...
284
00:13:42,900 --> 00:13:45,100
THEN WHO ARE YOU?
I'M A HOMICIDE DETECTIVE.
285
00:13:45,100 --> 00:13:47,800
I'M LOOKING FOR INFORMATION
ON JAMAL BUONSI.
286
00:13:50,000 --> 00:13:51,900
WE DON'T KNOW ANY JAMAL.
287
00:13:53,000 --> 00:13:54,500
THEN YOU WANNA TELL ME
WHY HIS CELL PHONE
288
00:13:54,500 --> 00:13:56,600
IS BILLED TO THIS ADDRESS?
289
00:14:01,900 --> 00:14:03,600
DETECTIVE.
290
00:14:08,400 --> 00:14:10,100
SAME RED FLANNEL.
291
00:14:12,000 --> 00:14:13,500
WHAT IS IT?
292
00:14:23,000 --> 00:14:24,500
WHOSE BED IS THAT?
293
00:14:30,800 --> 00:14:33,300
WE CAN LINK THE RED FLANNEL
TO TWO OTHER MURDERS.
294
00:14:33,300 --> 00:14:35,900
IN THIS COUNTRY, THAT PUTS YOU
IN A LOT OF TROUBLE.
295
00:14:35,900 --> 00:14:39,100
I'VE DONE NOTHING WRONG.
TWO PEOPLE ARE DEAD.
296
00:14:39,100 --> 00:14:42,600
ONE OF THEM IS A MAN
THAT YOU LIVED WITH.
297
00:14:46,500 --> 00:14:51,300
SAME RED FLANNEL, SAME CANDLES.
AND AGAIN, HERE.
298
00:14:51,800 --> 00:14:53,600
WHY DID YOU KILL HER, AZI?
299
00:14:53,600 --> 00:14:56,900
I DON'T KNOW THIS WOMAN.
I HAVEN'T KILLED ANYONE.
300
00:14:56,900 --> 00:14:59,100
SO YOU'RE TELLING ME THAT
IT'S ALL JUST A COINCIDENCE
301
00:14:59,100 --> 00:15:02,200
THAT THESE THINGS WERE FOUND IN
YOUR APARTMENT UNDER YOUR BED?
302
00:15:02,200 --> 00:15:04,100
THEY WEREN'T MINE!
303
00:15:04,100 --> 00:15:05,600
THEY WERE
FOR SOMEONE ELSE.
304
00:15:05,600 --> 00:15:10,100
WHO? DO YOU WANT
TO GO BACK TO NIGERIA?
305
00:15:10,100 --> 00:15:13,200
BECAUSE I CAN ARRANGE THAT
WITH A SINGLE PHONE CALL.
306
00:15:14,900 --> 00:15:17,300
SO CAN HE.
307
00:15:19,900 --> 00:15:20,900
WHO?
308
00:15:22,300 --> 00:15:25,000
JAMAL WAS YOUR FRIEND,
WASN'T HE?
309
00:15:26,100 --> 00:15:27,000
YES.
310
00:15:27,000 --> 00:15:29,100
THEN DON'T YOU WANT US
TO CATCH WHO KILLED HIM?
311
00:15:29,100 --> 00:15:31,500
DON'T YOU WANT JUSTICE?
312
00:15:36,900 --> 00:15:39,400
HIS NAME IS CHARLES.
313
00:15:39,400 --> 00:15:42,600
CHARLES ONI.
CHARLES ONI.
314
00:15:43,400 --> 00:15:45,700
IMMIGRANTS KNOW THIS MAN.
315
00:15:45,700 --> 00:15:48,400
HE OWNS
THE PLACES WHERE WE LIVE.
316
00:15:48,400 --> 00:15:51,100
HE OWNS THE PLACES
WHERE WE WORK.
317
00:15:51,100 --> 00:15:53,500
AND WHAT ABOUT JAMAL?
DID HE WORK FOR HIM, TOO?
318
00:15:54,500 --> 00:15:56,900
AT HIS STORE ON CANAL STREET.
319
00:15:56,900 --> 00:15:57,800
BUT IT-
320
00:15:57,800 --> 00:16:00,700
IT-IT-IT WAS ONLY
TEMPORARY.
321
00:16:00,900 --> 00:16:03,600
HE WAS GOING TO
SAVE HIS MONEY TO-
322
00:16:03,600 --> 00:16:06,600
TO APPLY FOR A VISA,
BECOME LEGAL.
323
00:16:06,600 --> 00:16:08,200
AND ONI HAD A PROBLEM
WITH THAT?
324
00:16:08,200 --> 00:16:09,400
NO.
325
00:16:10,100 --> 00:16:13,000
YESTERDAY, WHEN ONI CAME
LOOKING FOR JAMAL,
326
00:16:13,000 --> 00:16:16,300
HE SAID JAMAL
HAD TAKEN SOMETHING.
327
00:16:16,300 --> 00:16:18,300
BUT JAMAL WAS NOT A THIEF.
328
00:16:18,300 --> 00:16:20,400
BUT ONI INSISTED.
329
00:16:20,400 --> 00:16:23,000
HE SAY-
HE KNEW MY FATHER
330
00:16:23,000 --> 00:16:24,300
WAS THE PRIEST
OF OUR VILLAGE.
331
00:16:24,300 --> 00:16:28,000
SO HE MADE ME TO SHOW HIM
HOW TO INVOKE THE SPIRITS.
332
00:16:28,000 --> 00:16:29,600
WHAT DID JAMAL TAKE?
333
00:16:31,100 --> 00:16:33,000
ONI DIDN'T SAY.
334
00:16:33,000 --> 00:16:34,400
WHY DIDN'T YOU ASK?
335
00:16:34,400 --> 00:16:36,500
'CAUSE I WAS SCARED.
336
00:16:36,900 --> 00:16:39,000
BECAUSE
HE WOULD'VE KILLED ME.
337
00:16:39,600 --> 00:16:42,000
THE ONLY REASON
I AM TELLING YOU THIS NOW
338
00:16:42,000 --> 00:16:44,100
IS BECAUSE
JAMAL WAS A FRIEND.
339
00:16:44,300 --> 00:16:46,900
HE DID NOT DESERVE TO DIE
LIKE THAT.
340
00:16:46,900 --> 00:16:49,000
ONI WAS WRONG.
341
00:16:51,000 --> 00:16:53,000
CITY RECORDS
SHOW NO VENDOR'S LICENSE
342
00:16:53,000 --> 00:16:55,000
FOR A CHARLES ONI
ON CANAL STREET.
343
00:16:55,000 --> 00:16:56,400
WELL, THE GUY'S
EXPLOITING ILLEGALS.
344
00:16:56,400 --> 00:16:58,000
I DOUBT HE'S GONNA USE
HIS REAL NAME.
345
00:16:58,000 --> 00:17:01,800
CLEARLY NOT. THE APARTMENT
IS OWNED BY A ROBERT BURNETT.
346
00:17:02,100 --> 00:17:03,600
NO LISTING
IN THE TRI-STATE AREA,
347
00:17:03,600 --> 00:17:05,600
AND THE ADDRESS
IS A P.O. BOX IN JERSEY.
348
00:17:05,600 --> 00:17:08,200
YO, YO,
LAW FIRM'S A DEAD END.
349
00:17:08,200 --> 00:17:10,200
THEY'VE NEVER HEARD OF ANYONE
NAMED JAMAL BUONSI,
350
00:17:10,200 --> 00:17:12,700
AND THERE WAS NOTHING SUSPICIOUS
IN DARCY'S CLIENT LIST.
351
00:17:12,700 --> 00:17:13,200
THAT'S PERFECT,
352
00:17:13,200 --> 00:17:15,600
'CAUSE OUR SUSPECT'S
NEVER HEARD OF DARCY CHO.
353
00:17:15,600 --> 00:17:18,000
WE STILL HAVE NO IDEA WHAT
OUR TWO VICTIMS HAVE IN COMMON.
354
00:17:18,000 --> 00:17:20,300
EXCUSE ME, MA'AM. NO, I'M
NOT GONNA WAIT DOWNSTAIRS.
355
00:17:20,300 --> 00:17:24,300
DO YOU HAVE ANY IDEA WHO PAYS
YOUR SALARY? ME AND MY TAXES.
356
00:17:24,300 --> 00:17:25,600
IS THAT-
UH, YEP.
357
00:17:25,600 --> 00:17:27,300
RICHARD! OVER HERE!
358
00:17:27,300 --> 00:17:29,500
DEEP-FRIED TWINKIE?
AFRAID SO.
359
00:17:30,800 --> 00:17:33,100
MEREDITH! WHAT A SURPRISE.
360
00:17:33,100 --> 00:17:34,600
I KNOW. ISN'T IT GREAT?
361
00:17:34,600 --> 00:17:36,700
IN L.A., NO ONE EVER
JUST STOPS BY.
362
00:17:36,700 --> 00:17:41,000
DON'T YOU JUST LOVE THIS TOWN?
MORE AND MORE BY THE MINUTE.
363
00:17:41,000 --> 00:17:43,200
UH, MEREDITH, THESE ARE
DETECTIVES RYAN, ESPOSITO
364
00:17:43,200 --> 00:17:44,500
AND DETECTIVE BECKETT.
365
00:17:44,500 --> 00:17:46,900
OH, BECKETT-
YOUR NEW MUSE.
366
00:17:46,900 --> 00:17:48,800
ALEXIS TOLD ME
ALL ABOUT IT,
367
00:17:48,800 --> 00:17:52,600
AND I SIMPLY
HAD TO STOP BY.
368
00:17:52,900 --> 00:17:55,200
YOU KNOW, I WAS
HIS INSPIRATION ONCE.
369
00:17:55,200 --> 00:17:56,300
WERE YOU NOW?
370
00:17:56,300 --> 00:18:00,600
STILL AM, FROM TIME TO TIME.
RIGHT, KITTEN?
371
00:18:00,600 --> 00:18:01,900
KITTEN?
372
00:18:02,400 --> 00:18:03,700
I HAD THIS DREAM ONCE,
373
00:18:03,700 --> 00:18:06,100
ONLY I WAS NAKED
AND FAR LESS EMBARRASSED.
374
00:18:06,100 --> 00:18:07,400
ANYWAY, WE WERE
IN THE NEIGHBORHOOD
375
00:18:07,400 --> 00:18:08,600
AND I HAVE A DINNER TONIGHT,
SO I THOUGHT I WOULD
376
00:18:08,600 --> 00:18:11,600
DROP ALEXIS HERE INSTEAD OF
SCHLEPPING ALL THE WAY DOWNTOWN.
377
00:18:11,600 --> 00:18:15,300
IS THAT S.J.P.'s PURSE?
S.J.P.?
378
00:18:15,300 --> 00:18:16,900
SARAH JESSICA PARKER.
379
00:18:16,900 --> 00:18:19,300
SHE WORE ONE JUST LIKE IT
TO THE ARMANI SHOW IN MILAN.
380
00:18:19,300 --> 00:18:21,200
IT WAS ON "FASHION SCOOP DAILY"
LAST WEEK.
381
00:18:21,200 --> 00:18:26,700
WELL, ACTUALLY, THIS PURSE BELONGS TO
ONE OF OUR VICTIMS. OH, THAT IS SO TRAGIC.
382
00:18:26,700 --> 00:18:29,000
MORE TRAGIC, OF COURSE,
IF IT'D BEEN THE REAL THING.
383
00:18:29,000 --> 00:18:31,800
BUT... STILL. WHAT, ARE
YOU SAYING THIS WAS FAKE?
384
00:18:31,800 --> 00:18:33,400
WELL, LOOK AT THE LEATHER
AND THE STITCHING.
385
00:18:33,400 --> 00:18:35,500
IT'S TOTALLY A KNOCKOFF.
I MEAN, IT'S GOOD ENOUGH
386
00:18:35,500 --> 00:18:40,200
TO FOOL THE UNTRAINED SHOPPER, BUT
I HAVE A RETAIL EYE. CANAL STREET.
387
00:18:40,200 --> 00:18:43,400
CANAL'S WHERE THEY SELL THE
KNOCKOFFS-WATCHES, LUGGAGE. AND HANDBAGS.
388
00:18:43,400 --> 00:18:45,000
DARCY'S OFFICE
IS RIGHT NEAR CANAL.
389
00:18:45,000 --> 00:18:48,800
IF SHE WAS GONNA BUY A DESIGNER KNOCKOFF... SHE
MIGHT'VE GOT IT FROM THE STALL WHERE JAMAL WORKS.
390
00:18:48,800 --> 00:18:51,000
ONI'S STALL. THAT'S WHAT
CONNECTS OUR TWO VICTIMS.
391
00:18:51,000 --> 00:18:52,100
GET A SKETCH FROM AZI.
392
00:18:52,100 --> 00:18:53,500
MAYBE ONE OF
THE OTHER VENDORS
393
00:18:53,500 --> 00:18:56,500
WILL BE ABLE TO I.D. ONI'S
STALL. YOU GOT IT, BOSS.
394
00:18:56,500 --> 00:18:59,600
SEE? I ALWAYS
WAS YOUR LUCKY CHARM.
395
00:18:59,600 --> 00:19:03,200
JUST THINK OF THE THINGS
WE'LL DO ONCE I MOVE BACK.
396
00:19:09,800 --> 00:19:11,500
THAT'S ONI.
397
00:19:11,900 --> 00:19:13,800
THAT'S ONI
398
00:19:20,100 --> 00:19:21,400
CHARLES ONI.
399
00:19:21,600 --> 00:19:23,500
NOW WE HAVE A FACE
TO GO WITH THE NAME.
400
00:19:24,700 --> 00:19:27,300
SOMEONE ON CANAL STREET'S
GOTTA KNOW THIS GUY.
401
00:19:28,300 --> 00:19:29,100
WHERE'S CASTLE?
402
00:19:29,100 --> 00:19:30,300
HE WENT HOME.
403
00:19:31,600 --> 00:19:33,100
DEEP-FRIED TWINKIE, HUH?
404
00:19:33,300 --> 00:19:35,200
I DIDN'T ASK.
405
00:19:46,200 --> 00:19:47,700
WHY DON'T YOU
GET A CORKBOARD
406
00:19:47,700 --> 00:19:49,300
LIKE A NORMAL PERSON?
407
00:19:49,300 --> 00:19:51,800
WHY DON'T YOU KNOCK LIKE A
NORMAL PERSON? YOU KNOW MEREDITH
408
00:19:51,800 --> 00:19:56,200
KIDNAPPED ALEXIS FROM SCHOOL TODAY?
AND WE ALL PAID A HEFTY RANSOM.
409
00:19:56,200 --> 00:19:58,200
IT'S OUTRAGEOUS. YOU REMEMBER
YOUR TOURING PRODUCTION
410
00:19:58,200 --> 00:19:58,900
OF "A CHORUS LINE"?
411
00:19:58,900 --> 00:20:02,300
I ALMOST HAD TO REPEAT FIFTH
GRADE. OH, THAT WAS DIFFERENT.
412
00:20:02,300 --> 00:20:04,900
I WAS WORKING
AND TRYING TO BE A MOTHER.
413
00:20:04,900 --> 00:20:07,700
I WASN'T JUST WALTZING
INTO TOWN LIKE A DIVA,
414
00:20:07,700 --> 00:20:11,400
DISRUPTING EVERYBODY'S LIFE.
THAT'S WHO SHE IS. YOU KNOW THAT.
415
00:20:11,400 --> 00:20:14,100
HAVE YOU CONSIDERED
WHAT IT'S GOING TO BE LIKE
416
00:20:14,100 --> 00:20:16,500
HAVING MEREDITH BACK
IN NEW YORK,
417
00:20:16,500 --> 00:20:20,800
HOW IT'S GOING TO AFFECT YOU? YOU
MEAN HOW IT'S GOING TO AFFECT YOU.
418
00:20:20,800 --> 00:20:22,600
ALL OF US, ACTUALLY.
419
00:20:22,600 --> 00:20:23,800
WELL, WHAT DO YOU WANT ME
TO DO, MOTHER?
420
00:20:23,800 --> 00:20:25,500
IT'S NOT LIKE I COULD BAN HER
FROM NEW YORK.
421
00:20:25,500 --> 00:20:28,700
AND THIS WHOLE THEATER THING-
IT'S RIDICULOUS.
422
00:20:28,700 --> 00:20:33,100
YOU KNOW SHE HASN'T
LANDED A ROLE IN MONTHS?
423
00:20:33,100 --> 00:20:34,800
THAT'S RIGHT.
I MADE A COUPLE OF CALLS.
424
00:20:34,800 --> 00:20:36,800
WHY DO YOU THINK
SHE'S MOVING BACK TO NEW YORK?
425
00:20:36,800 --> 00:20:39,500
SHE CAN'T GET ARRESTED
IN L.A.
426
00:20:39,500 --> 00:20:41,300
I WONDER IF SHE COULD GET
ARRESTED IN NEW YORK.
427
00:20:41,300 --> 00:20:44,200
I KNOW PEOPLE NOW. AND
DOES SHE HONESTLY THINK
428
00:20:44,200 --> 00:20:47,000
THAT SHE'S JUST GONNA SHOW UP
WITH A REEL OF, WHAT,
429
00:20:47,000 --> 00:20:49,200
"ACCORDING TO JIM"
GUEST SPOTS,
430
00:20:49,200 --> 00:20:51,600
AND PUSH
SOME REAL ACTOR ASIDE,
431
00:20:51,600 --> 00:20:53,800
SOME ACTOR WHO HAS...
432
00:20:54,600 --> 00:20:56,700
WHO HAS
DEDICATED THEIR ENTIRE LIFE
433
00:20:56,700 --> 00:21:00,000
TO THE GREATEST PROFESSION
IN THE WORLD?
434
00:21:00,600 --> 00:21:02,800
YOU DON'T CHOOSE THE THEATER.
435
00:21:02,800 --> 00:21:05,000
THE THEATER CHOOSES YOU.
436
00:21:05,900 --> 00:21:08,400
WHY DID YOU MARRY HER,
ANYWAY?
437
00:21:08,400 --> 00:21:11,600
I DON'T KNOW, MOTHER.
MAYBE SHE REMINDED ME OF YOU.
438
00:21:15,200 --> 00:21:16,700
LOOK AT THIS CRAP.
439
00:21:16,700 --> 00:21:18,800
ALL MY YEARS ON THE FORCE,
I NEVER UNDERSTOOD
440
00:21:18,800 --> 00:21:21,700
WHY WE NEVER SHUT THESE
GUYS DOWN. COME HERE.
441
00:21:22,300 --> 00:21:25,100
SEE, THIS IS SUPPOSED
TO BE A GUCCI.
442
00:21:25,300 --> 00:21:26,600
BUT IF YOU LOOK CLOSE,
443
00:21:26,600 --> 00:21:30,500
INSTEAD OF THE "G.G.," THE INITIALS SAY
"C.C." I DON'T KNOW. THAT'S PRETTY CLOSE, BRO.
444
00:21:30,500 --> 00:21:32,200
BUT NOT EXACT. AND THAT'S
WHAT KEEPS THESE GUYS
445
00:21:32,200 --> 00:21:33,600
FROM GETTING BUSTED.
SEE, TECHNICALLY,
446
00:21:33,600 --> 00:21:38,300
IT'S NOT AN IMITATION. IT'S
AN HOMAGE. AN "HOMAGE." RIGHT.
447
00:21:38,300 --> 00:21:41,000
YOU LADIES PICKING OUT SOMETHING
PRETTY FOR YOURSELVES?
448
00:21:41,900 --> 00:21:44,900
YOU GOT THE WARRANT?
WHICH ONE IS IT?
449
00:21:55,600 --> 00:21:57,300
THIS PLACE HAS BEEN TRASHED.
450
00:21:59,500 --> 00:22:01,700
YOU GUYS,
SAME CHANEL BAGS.
451
00:22:01,700 --> 00:22:05,400
THAT'S WEIRD-SHREDDED,
LIKE OUR VICTIM'S PURSE.
452
00:22:05,400 --> 00:22:08,500
MAYBE DARCY WASN'T
USING IT TO DEFEND HERSELF.
453
00:22:08,500 --> 00:22:09,600
BECKETT.
454
00:22:16,500 --> 00:22:17,400
THIS ONE LOOKS DIFFERENT.
455
00:22:17,400 --> 00:22:18,800
IT DOESN'T LOOK LIKE
THE ONES THAT WE FOUND
456
00:22:18,800 --> 00:22:20,900
IN THE OTHER VICTIMS' MOUTHS.
457
00:22:20,900 --> 00:22:22,800
I'VE SEEN
THIS SYMBOL BEFORE.
458
00:22:23,500 --> 00:22:25,300
THAT'S THE SYMBOL
FOR DEATH.
459
00:22:25,800 --> 00:22:27,200
WHY WOULD A GUY
MARK HIS OWN STALL
460
00:22:27,200 --> 00:22:28,200
WITH THE DEATH SYMBOL?
461
00:22:28,200 --> 00:22:30,900
HE WOULDN'T. THE SYMBOL
WAS MEANT FOR HIM.
462
00:22:31,300 --> 00:22:33,500
CHARLES ONI'S
BEEN MARKED FOR DEATH.
463
00:22:36,000 --> 00:22:38,000
THE LININGS
HAVE ALL BEEN CUT OUT.
464
00:22:38,800 --> 00:22:40,400
ALL OF THIS STUFF
IS IMPORTED, RIGHT?
465
00:22:40,400 --> 00:22:43,600
YEAH. YOU KNOW, KNOCKOFFS WOULD
BE THE PERFECT DELIVERY SYSTEM
466
00:22:43,600 --> 00:22:45,700
FOR A SMUGGLER. YEAH, BUT
WHAT ARE THEY SMUGGLING?
467
00:22:45,700 --> 00:22:47,000
THE ONLY PERSON
WHO CAN TELL US THAT
468
00:22:47,000 --> 00:22:50,200
HAS BEEN MARKED FOR DEATH.
WELL, IF HE IS STILL ALIVE,
469
00:22:50,200 --> 00:22:52,900
HE DOESN'T HAVE ANY INCENTIVE
TO STICK AROUND.
470
00:22:53,000 --> 00:22:54,300
CASTLE?
471
00:22:55,700 --> 00:22:56,900
WHERE'S HE GOING?
472
00:22:57,300 --> 00:22:59,400
NOTIFY PASSPORT CONTROL.
GET 'EM THE SKETCH OF ONI
473
00:22:59,400 --> 00:23:02,300
AND TELL 'EM TO PUT HIS NAME
AND ALIASES ON THE NO-FLY LIST.
474
00:23:02,300 --> 00:23:03,700
YOU GOT IT, BOSS.
475
00:23:03,900 --> 00:23:05,300
CASTLE?
476
00:23:06,500 --> 00:23:09,000
CASTLE!
I'M ON TV.
477
00:23:09,000 --> 00:23:11,300
ARE YOU HAVING A BREAKDOWN?
NOT A BREAKDOWN. A BREAKTHROUGH.
478
00:23:11,300 --> 00:23:14,600
AND I REALLY AM RUGGEDLY HANDSOME, AREN'T
I? I'M WAITING FOR THE BREAKTHROUGH.
479
00:23:14,600 --> 00:23:17,200
LOOK BEHIND ME.
IF THAT CAMERA'S RECORDING...
480
00:23:17,200 --> 00:23:19,800
THEN WE'D BE ABLE TO SEE
WHO TRASHED THE STALL.
481
00:23:22,400 --> 00:23:23,200
WHAT CAN I SAY?
482
00:23:23,200 --> 00:23:25,700
PEOPLE LIKE TO SEE THEMSELVES
ON TELEVISION.
483
00:23:25,700 --> 00:23:28,300
I MEAN, YOU WOULD NOT BELIEVE
THE THINGS PEOPLE DO
484
00:23:28,300 --> 00:23:30,300
IN FRONT OF A CAMERA.
I'M LISTENING.
485
00:23:30,300 --> 00:23:32,300
LIKE, THIS ONE CHICK,
SHE'S STANDING THERE
486
00:23:32,300 --> 00:23:34,400
RIGHT IN FRONT OF THE STORE,
AND SHE STARTS TO TAKE OFF
487
00:23:34,400 --> 00:23:36,800
HER, UH-
JUST SHOW US THE RECORDINGS
488
00:23:36,800 --> 00:23:38,700
FROM THE PAST COUPLE
OF DAYS, OKAY?
489
00:23:38,700 --> 00:23:43,000
HER BLOOD SUGAR GETS LOW, SHE GETS
A LITTLE CRANKY. ZIP IT... KITTEN.
490
00:23:43,000 --> 00:23:45,000
I'M SORRY, BUT I CAN'T
SHOW YOU THE RECORDING.
491
00:23:45,000 --> 00:23:47,600
YOU NEED A WARRANT?
WOULDN'T HELP. SOLD IT.
492
00:23:47,600 --> 00:23:50,600
SOLD THE CAMERA IN THE WINDOW?
SOME GUY ROLLS IN HERE YESTERDAY,
493
00:23:50,600 --> 00:23:52,500
ASKED FOR THAT ONE
SPECIFICALLY.
494
00:23:52,500 --> 00:23:55,100
I TOLD HIM WE GOT OTHERS,
ONES WITH BOXES.
495
00:23:55,100 --> 00:23:57,600
BUT HE WANTS THE ONE IN THE
WINDOW. WHAT DOES HE LOOK LIKE?
496
00:23:57,600 --> 00:24:01,500
6', BIG, BLACK,
HAD AN ACCENT.
497
00:24:03,100 --> 00:24:04,100
WAS IT HIM?
498
00:24:04,100 --> 00:24:07,000
NO, HE OWNS THE STALL ACROSS
THE STREET. YOU KNOW HIM?
499
00:24:07,000 --> 00:24:11,800
WE SAY HI. BUT THIS GUY-
HE SEEMED, UH, HEAVY.
500
00:24:11,800 --> 00:24:14,800
NOT IN THE PHYSICAL SENSE-JUST
SOMETHING ABOUT HIM, YOU KNOW?
501
00:24:14,800 --> 00:24:18,900
LIKE HE'D SEEN THINGS
- BAD THINGS. WHAT ELSE?
502
00:24:18,900 --> 00:24:21,000
HE PAID CASH-RETAIL.
503
00:24:21,000 --> 00:24:24,500
I MEAN, AT MY PRICES? HE DIDN'T
EVEN TRY TO NEGOTIATE ONCE.
504
00:24:24,500 --> 00:24:27,300
WOULD YOU BE WILLING TO WORK
WITH A POLICE SKETCH ARTIST?
505
00:24:27,300 --> 00:24:29,000
WOULDN'T A REAL PICTURE
BE BETTER?
506
00:24:29,000 --> 00:24:31,800
YOU SAID THAT HE TOOK
THE CAMERA AND THE RECORDINGS.
507
00:24:31,800 --> 00:24:34,900
LADY, THIS IS
AN ELECTRONICS STORE.
508
00:24:34,900 --> 00:24:37,800
I GOT CAMERAS
ALL OVER THIS PLACE.
509
00:24:37,800 --> 00:24:39,600
YEAH, HE DOES LOOK LIKE
THE KIND OF GUY
510
00:24:39,600 --> 00:24:43,200
WHO'D PAINT A DEATH SYMBOL ON YOUR FLOOR. WHAT
I DON'T GET IS, WHY WOULD HE WANT THE CAMERA?
511
00:24:43,200 --> 00:24:46,600
'CAUSE HE HAD THE SAME IDEA WE DID. WE WANTED
THE CAMERA BECAUSE WE WANTED TO FIND HIM.
512
00:24:46,600 --> 00:24:50,400
WELL, WHAT WAS HE LOOKING FOR?
AND WHAT WAS INSIDE THE PURSES?
513
00:24:52,300 --> 00:24:55,700
ESPOSITO. YEAH. REALLY?
514
00:24:55,700 --> 00:24:58,600
WHEN? NO, NO, NO.
ABSOLUTELY.
515
00:24:58,600 --> 00:25:00,100
BRING HIM IN.
516
00:25:01,000 --> 00:25:02,700
T.S.A. JUST PULLED
CHARLES ONI
517
00:25:02,700 --> 00:25:04,800
OUT OF THE SECURITY LINE
AT J.F.K. OFF OUR SKETCH.
518
00:25:04,800 --> 00:25:06,100
GOOD CALL, BRO.
THANK YOU.
519
00:25:06,100 --> 00:25:07,100
WHERE WAS HE GOING?
520
00:25:07,100 --> 00:25:11,100
NIGERIA. UNDER THE NAME
ROBERT BURNETT.
521
00:25:14,500 --> 00:25:16,200
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
522
00:25:16,200 --> 00:25:18,100
I WAS GOING HOME
TO VISIT MY FAMILY.
523
00:25:18,100 --> 00:25:20,700
THEN WHY'D YOU ONLY HAVE
A ONE-WAY TICKET?
524
00:25:21,100 --> 00:25:23,000
MY MOTHER IS ILL.
525
00:25:23,000 --> 00:25:25,200
I DID NOT KNOW
WHEN I'D BE RETURNING.
526
00:25:25,200 --> 00:25:27,900
MUST BE NICE, BEING ABLE
TO SEE YOUR MOTHER,
527
00:25:27,900 --> 00:25:30,600
SOMETHING THAT JAMAL BUONSI
WILL NEVER GET A CHANCE TO DO.
528
00:25:30,600 --> 00:25:34,300
WE KNOW THAT YOU ARE INVOLVED
IN BOTH OF THESE MURDERS.
529
00:25:34,300 --> 00:25:37,500
AZI-THE MAN THAT YOU
INTIMIDATED INTO FINDING JAMAL-
530
00:25:37,500 --> 00:25:40,600
HE IS VERY EAGER
TO TESTIFY AGAINST YOU.
531
00:25:40,600 --> 00:25:42,300
APPARENTLY, HE TAKES
HIS RELIGIOUS BELIEFS
532
00:25:42,300 --> 00:25:43,400
VERY SERIOUSLY.
533
00:25:43,400 --> 00:25:46,800
DOESN'T BELIEVE VODUN SHOULD BE USED
TO KILL PEOPLE. I DIDN'T KILL ANYONE.
534
00:25:46,800 --> 00:25:48,900
THEN WHY WERE YOU
LOOKING FOR JAMAL?
535
00:25:50,800 --> 00:25:53,500
TELL ME SOMETHING-
WHAT'S IN THE PURSE?
536
00:25:55,300 --> 00:25:57,600
WHAT ARE YOU SMUGGLING,
MR. ONI?
537
00:25:58,500 --> 00:25:59,800
I WANT A LAWYER.
538
00:25:59,800 --> 00:26:01,500
ARE YOU SURE? BECAUSE IF
YOU GET A LAWYER,
539
00:26:01,500 --> 00:26:02,800
YOU'LL BE OUT OF HERE
IN ABOUT AN HOUR,
540
00:26:02,800 --> 00:26:04,300
AND I WON'T LET YOU
LEAVE TOWN,
541
00:26:04,300 --> 00:26:09,100
AND THAT'S EXACTLY WHAT YOU
WANT, ISN'T IT, TO LEAVE TOWN?
542
00:26:10,600 --> 00:26:12,800
YOU SCARE A LOT OF PEOPLE,
MR. ONI-
543
00:26:12,800 --> 00:26:15,800
IMMIGRANTS, ILLEGALS.
544
00:26:16,000 --> 00:26:17,700
TELL ME...
545
00:26:19,000 --> 00:26:21,000
WHO SCARES YOU?
546
00:26:23,600 --> 00:26:25,000
I DON'T KNOW THIS MAN.
547
00:26:25,000 --> 00:26:26,300
HE KNOWS YOU.
548
00:26:26,800 --> 00:26:30,200
MATTER OF FACT,
HE'S MARKED YOU FOR DEATH.
549
00:26:31,000 --> 00:26:34,400
JAMAL WORKED FOR YOU,
AND HE'S DEAD.
550
00:26:34,600 --> 00:26:37,100
DARCY CHO-SHE JUST
BOUGHT A PURSE FROM YOU,
551
00:26:37,100 --> 00:26:38,700
AND NOW SHE'S DEAD.
552
00:26:38,800 --> 00:26:40,400
WHY?
553
00:26:42,300 --> 00:26:43,900
I WON'T TALK
WITHOUT PROTECTION.
554
00:26:43,900 --> 00:26:47,900
I CAN'T PROTECT YOU
UNLESS YOU TELL ME FROM WHAT.
555
00:26:52,000 --> 00:26:54,300
HIS NAME IS MUKHTAR BAYLOR.
556
00:26:54,300 --> 00:26:56,500
VERY BAD, VERY DANGEROUS.
557
00:26:57,100 --> 00:26:59,200
FORMER CHILD SOLDIER.
558
00:26:59,200 --> 00:27:01,300
THEY CALL HIM
"THE BUTCHER OF BENIN."
559
00:27:01,300 --> 00:27:04,400
WHAT'S HE DOING
IN THE U.S.?
560
00:27:04,400 --> 00:27:08,100
HE TRAFFICS-DRUGS, WOMEN,
WHATEVER WILL MAKE HIM MONEY.
561
00:27:09,400 --> 00:27:12,800
IT IS HIM THAT KILLED JAMAL
AND THE WOMAN.
562
00:27:12,800 --> 00:27:14,300
WHY?
563
00:27:18,300 --> 00:27:20,100
IF I TELL YOU,
564
00:27:20,800 --> 00:27:22,600
YOU WILL PROTECT ME?
565
00:27:23,800 --> 00:27:25,500
ONI'S A COUNTERFEITER.
566
00:27:25,500 --> 00:27:28,000
HE GETS PAPERS FOR ILLEGALS-
PASSPORTS, VISAS,
567
00:27:28,000 --> 00:27:30,000
WHATEVER THEY NEED.
A REAL FRIEND TO THE COMMUNITY.
568
00:27:30,000 --> 00:27:31,900
ONI ALSO PROVIDED BAYLOR
WITH DOCUMENTS
569
00:27:31,900 --> 00:27:34,500
FOR HIS TRAFFICKERS. SEWN
INSIDE THE LINING OF HIS PURSES.
570
00:27:34,500 --> 00:27:37,900
YEAH, WHICH HE KEEPS IN THE BACK OF THE STALL.
ONLY HE DIDN'T COUNT ON "FASHION SCOOP DAILY."
571
00:27:37,900 --> 00:27:40,900
THE WEB SITE. YEAH, THE
ARTICLE ON SARAH JESSICA PARKER?
572
00:27:40,900 --> 00:27:44,200
APPEARS THERE WAS A RUN ON THE
PURSES. YEAH. OUR FIRST VIC, JAMAL-
573
00:27:44,200 --> 00:27:45,800
YEAH?
HE SOLD BAGS OUT FRONT.
574
00:27:45,800 --> 00:27:47,100
HE DIDN'T KNOW
ABOUT ONI'S SCAM.
575
00:27:47,100 --> 00:27:49,100
WHEN HE RAN OUT OF BAGS,
HE SOLD THE ONES FROM THE BACK.
576
00:27:49,100 --> 00:27:50,800
WHY DIDN'T HE JUST GET ONI
TO FORGE MORE DOCUMENTS?
577
00:27:50,800 --> 00:27:54,700
IT TAKES TIME, AND BAYLOR DOESN'T HAVE TIME.
THE PAPERS ARE FOR BAYLOR'S BROTHER IN AFRICA.
578
00:27:54,700 --> 00:27:56,600
THE NIGERIAN OFFICIALS
ARE CLOSING IN ON HIM
579
00:27:56,600 --> 00:27:57,600
FOR DRUG TRAFFICKING.
580
00:27:57,600 --> 00:28:00,100
IF BAYLOR DOESN'T GET HIM
TO THE U.S. SOON,
581
00:28:00,500 --> 00:28:02,600
THEY'LL EXECUTE HIM. ONI SAYS BAYLOR
OPERATES OUT OF A WAREHOUSE DOWNTOWN.
582
00:28:02,600 --> 00:28:06,200
FIND THIS DIRTBALL BEFORE HE
MURDERS SOMEONE ELSE, ALL RIGHT?
583
00:28:11,100 --> 00:28:12,100
WHERE DID THE BAG
COME FROM?
584
00:28:12,100 --> 00:28:13,500
OH, SORRY, THAT'S MINE.
585
00:28:13,500 --> 00:28:15,100
I FELT, GIVEN EVERYTHING
THAT'S HAPPENED,
586
00:28:15,100 --> 00:28:16,800
I SHOULD BE PREPARED.
587
00:28:17,600 --> 00:28:20,100
I GOT THIS
SPECIAL ORDER.
588
00:28:20,100 --> 00:28:21,300
AND LOOK.
589
00:28:22,300 --> 00:28:24,300
"WRITER"?
COOL, HUH?
590
00:28:24,300 --> 00:28:25,800
NO, NOT COOL.
591
00:28:26,300 --> 00:28:29,900
YOU DON'T NEED A VEST. IF
YOU SHOOT ME, DO I NOT BLEED?
592
00:28:29,900 --> 00:28:32,300
YOU'RE NOT GONNA GET SHOT.
AND YOU KNOW WHY?
593
00:28:32,300 --> 00:28:34,700
BECAUSE YOU ARE GOING
NOWHERE NEAR THE GUNFIRE.
594
00:28:34,700 --> 00:28:37,300
YOU'RE STAYING HERE. YES,
WE'VE SEEN HOW WELL THAT WORKS.
595
00:28:37,300 --> 00:28:39,800
STAY HERE, CASTLE,
AND DON'T DO ANYTHING.
596
00:28:42,300 --> 00:28:45,300
ALL RIGHT, THIS IS
OUR GUY. GOT HIM? YEAH.
597
00:28:45,300 --> 00:28:46,400
LET'S GO.
598
00:29:40,000 --> 00:29:41,300
DAD! DAD! DAD!
599
00:29:41,300 --> 00:29:44,100
DAD! DAD! DAD!
DAD! DAD! DAD!
600
00:29:44,100 --> 00:29:45,600
DAD! DAD! DAD!
601
00:29:45,600 --> 00:29:49,100
DAD! DAD! DAD!
DAD! DAD! DAD!
602
00:29:52,900 --> 00:29:55,800
I'M GONNA-
I'M GONNA JUST GET THAT.
603
00:30:01,000 --> 00:30:01,500
Hi.
604
00:30:01,500 --> 00:30:04,400
ALEXIS? WHAT'S WRONG?
Richard, guess what.
605
00:30:04,400 --> 00:30:06,500
MEREDITH?
I found a place.
606
00:30:06,500 --> 00:30:09,200
A PERFECT PLACE.
IT'S LIGHT, SPACIOUS
607
00:30:09,200 --> 00:30:11,100
AND ONLY A MILLION SIX.
608
00:30:11,100 --> 00:30:14,900
BUT THE TEXT SAID "ALEXIS."
IT SAID IT WAS AN EMERGENCY.
609
00:30:15,100 --> 00:30:17,500
WELL, HOW ELSE WAS I
GONNA GET YOU TO CALL ME BACK?
610
00:30:18,300 --> 00:30:20,100
B- BUT-
ARE YOU AT THE LOFT?
611
00:30:20,100 --> 00:30:22,000
Mm, I was in the neighborhood
and I had to pee,
612
00:30:22,000 --> 00:30:25,000
so I had Eduardo let me in.
So I called the realtor,
613
00:30:25,000 --> 00:30:28,100
AND HERE'S THE THING-I MAY
NEED YOU TO COSIGN THE LOAN.
614
00:30:28,300 --> 00:30:29,800
MEREDITH, WE'RE DIVORCED.
615
00:30:29,800 --> 00:30:31,600
I- I'M NOT GONNA COSIGN
A LOAN FOR YOU.
616
00:30:31,600 --> 00:30:34,400
IT'S FOR ALEXIS, TOO. I MEAN,
IT'S ONLY A ONE-BEDROOM,
617
00:30:34,400 --> 00:30:36,900
BUT YOU WANT HER
TO BE COMFORTABLE WHEN SHE VISITS, RIGHT?
618
00:30:36,900 --> 00:30:39,000
LOOK, CAN I
CALL YOU BACK? I'M RIGHT IN THE MIDDLE
619
00:30:39,000 --> 00:30:41,300
OF CAPTURING A VERY DANGEROUS
NIGERIAN DRUG LORD...
620
00:30:41,300 --> 00:30:42,800
IT'S KIND OF A THING.
621
00:30:42,800 --> 00:30:46,100
OKAY, LATER THEN.
HEY, RICHARD?
622
00:30:46,100 --> 00:30:47,100
YEAH.
623
00:30:47,500 --> 00:30:48,900
THANKS.
624
00:30:48,900 --> 00:30:51,000
FOR WHAT?
Putting up with me.
625
00:30:51,000 --> 00:30:53,300
I know I've been
a handful, but...
626
00:30:53,300 --> 00:30:56,300
once things settle down,
I think it's gonna be great.
627
00:30:56,300 --> 00:30:57,900
THAT'S THE GUY.
THAT'S THE GUY!
628
00:30:57,900 --> 00:31:00,100
HEY! HEY!
629
00:31:00,500 --> 00:31:02,100
HEY! THE-
630
00:31:02,600 --> 00:31:04,400
HEY! THE-
631
00:31:06,600 --> 00:31:08,300
ARE YOU EVEN LISTENING
TO ME?
632
00:31:08,300 --> 00:31:10,200
HEY!
633
00:31:16,000 --> 00:31:18,100
THIS IS GONNA BITE ME
IN THE ASS.
634
00:31:18,100 --> 00:31:19,800
CASTLE!
635
00:31:24,500 --> 00:31:26,000
WHAT DO YOU MEAN
YOU DIDN'T GET THE PLATE?
636
00:31:26,000 --> 00:31:29,300
UH, THERE WAS A- IT WAS
COMING- WHAT KIND OF CAR WAS IT?
637
00:31:29,300 --> 00:31:31,600
UH, IT WAS BIG. IT WAS AN
S.U.V., I THINK. YOU THINK?
638
00:31:31,600 --> 00:31:34,800
WHAT ABOUT THE COLOR?
UM, BLACK. UH, DARK BLUE.
639
00:31:34,800 --> 00:31:38,000
UH, IT'S-IT'S VERY HARD
BEING A WITNESS.
640
00:31:38,000 --> 00:31:39,700
I DON'T KNOW HOW YOU GUYS
EVER GET A CONVICTION.
641
00:31:39,700 --> 00:31:42,100
I'M USUALLY REALLY GOOD
WITH THE DETAILED STUFF.
642
00:31:42,100 --> 00:31:46,200
I JUST-I GOT DISTRACTED. YEAH, YOU
WERE ROLLING CALLS DURING A TAC STRIKE.
643
00:31:47,500 --> 00:31:50,800
INTERESTING. HE WAS SUPPOSED
TO BE INSIDE THE BUILDING!
644
00:31:50,800 --> 00:31:52,300
WHAT ABOUT THE COLOR
OF YOUR SHIRT?
645
00:31:52,300 --> 00:31:53,800
WHAT IS THAT RIGHT NOW?
IS THAT BLACK OR BLUE?
646
00:31:53,800 --> 00:31:56,900
I- I-I COULDN'T QUITE TELL.
THE SUN WAS IN MY EYES.
647
00:32:10,800 --> 00:32:11,900
WEIRD.
648
00:32:11,900 --> 00:32:13,500
REALLY WEIRD.
649
00:32:17,300 --> 00:32:18,800
IT'S THE SAME RED FLANNEL.
650
00:32:20,300 --> 00:32:23,800
HEY... VODUN GUY'S
A YOGA NUT.
651
00:32:23,800 --> 00:32:25,100
WELL, JUST 'CAUSE YOU'RE
A COLD-BLOODED KILLER
652
00:32:25,100 --> 00:32:27,300
DOESN'T MEAN YOU
DON'T TAKE CARE OF YOURSELF.
653
00:32:35,100 --> 00:32:36,300
YOU GUYS.
654
00:32:36,800 --> 00:32:39,200
THE CAMERA
FROM THE ELECTRONICS STORE.
655
00:32:41,000 --> 00:32:43,700
SEE? NOT A COMPLETE BUST.
656
00:32:46,100 --> 00:32:47,800
THERE'S JAMAL.
657
00:32:49,800 --> 00:32:51,800
AND DARCY CHO.
658
00:32:53,500 --> 00:32:55,200
GO BACK,
GO BACK, GO BACK, GO BACK. OKAY.
659
00:32:55,200 --> 00:32:56,700
MORE. MORE. ALL RIGHT.
660
00:32:56,700 --> 00:33:00,200
STOP. WELL, LOOKS LIKE
SOMEONE ELSE BESIDES DARCY
661
00:33:00,200 --> 00:33:03,600
BOUGHT A CHANEL BAG FROM JAMAL.
AND SHE'S CARRYING A YOGA MAT.
662
00:33:03,600 --> 00:33:05,200
THAT'S WHY HE BOUGHT THE CAMERA.
663
00:33:05,200 --> 00:33:07,600
BAYLOR'S LOOKING FOR HER.
HE WANTS HIS PASSPORT
664
00:33:07,600 --> 00:33:10,500
SO HE'S HUNTING DOWN EVERYONE THAT BOUGHT
THAT PURSE. EIGHT MILLION PEOPLE IN THE CITY.
665
00:33:10,500 --> 00:33:13,100
HE'LL NEVER FIND HER. HE FOUND
DARCY CHO. HE'LL FIND HER.
666
00:33:13,600 --> 00:33:15,600
NOT IF WE FIND HER FIRST.
667
00:33:15,600 --> 00:33:17,200
YOU ZOOM IN ON HER HAND.
668
00:33:19,200 --> 00:33:21,700
SHE'S GOT A COFFEE
FROM JAVA LOFT.
669
00:33:22,100 --> 00:33:24,500
SO? SO WE'RE LOOKING FOR A YOGA STUDIO
670
00:33:24,500 --> 00:33:26,600
NEAR A JAVA LOFT
SOMEWHERE OFF CANAL STREET.
671
00:33:26,600 --> 00:33:29,000
GOTTA BE A DOZEN POSSIBILITIES.
BAYLOR'S GOT A HEAD START.
672
00:33:29,000 --> 00:33:31,700
YES, BUT I'VE GOT
AN AWESOME SERVICE PLAN NOW.
673
00:33:31,700 --> 00:33:32,600
WE'RE LOOKING
FOR YOGA GIRL.
674
00:33:32,600 --> 00:33:35,000
YOU GUYS SEE IF ANYONE ELSE
BOUGHT THAT PURSE.
675
00:33:36,400 --> 00:33:38,800
THERE ARE FOUR JAVA LOFTS
WITHIN FIVE BLOCKS
676
00:33:38,800 --> 00:33:40,700
OF CANAL STREET.
AND YOGA STUDIOS?
677
00:33:40,700 --> 00:33:42,700
THE TIME STAMP
ON THE VIDEO WAS 3:22.
678
00:33:42,700 --> 00:33:46,000
WE'RE LOOKING
FOR A YOGA STUDIO NEARBY
679
00:33:46,000 --> 00:33:48,400
WITH A CLASS THAT ENDS
AT ABOUT 3:00.
680
00:33:48,400 --> 00:33:50,800
MAYBE THE WOMAN WAS
ON HER WAY TO YOGA CLASS.
681
00:33:50,800 --> 00:33:52,100
YOU EVER TRY
DOING A HALF MOON POSE
682
00:33:52,100 --> 00:33:53,800
CRANKED UP ON CAFFEINE?
683
00:33:53,800 --> 00:33:55,300
IT COMPLETELY THROWS OFF
YOUR CHI.
684
00:33:55,300 --> 00:33:59,300
TRUST ME, SHE BOUGHT HER COFFEE AFTER
CLASS. A CLASS FINISHING AROUND 3:00 P.M.
685
00:33:59,300 --> 00:34:01,800
WOULD GIVE HER ENOUGH TIME
TO BUY A COFFEE.
686
00:34:01,800 --> 00:34:05,200
BUT ENOUGH TIME TO FINISH IT
BEFORE CANAL STREET.
687
00:34:05,200 --> 00:34:06,500
GOT IT.
688
00:34:08,300 --> 00:34:09,500
NYPD.
689
00:34:09,500 --> 00:34:10,700
DO YOU KNOW THIS GIRL?
690
00:34:10,700 --> 00:34:13,600
DIANA EDWARDS. WHAT'S SHE
DONE? WHAT DO YOU MEAN?
691
00:34:13,600 --> 00:34:17,800
YOU'RE THE SECOND COP THAT'S COME IN
LOOKING FOR HER. ANOTHER COP WAS HERE?
692
00:34:17,800 --> 00:34:23,000
YEAH, HE JUST LEFT A FEW MINUTES AGO.
BAYLOR. WE NEED DIANA'S ADDRESS RIGHT NOW.
693
00:34:24,800 --> 00:34:27,600
DIANA EDWARDS! NYPD!
OPEN UP!
694
00:34:27,600 --> 00:34:28,800
CAN I KICK IT DOWN?
695
00:34:28,800 --> 00:34:30,200
SORRY, KITTEN.
696
00:34:30,600 --> 00:34:31,700
NYPD!
697
00:34:31,700 --> 00:34:34,600
OKAY, OKAY!
TAKE IT EASY!
698
00:34:34,600 --> 00:34:37,600
DETECTIVE BECKETT, NYPD.
ARE YOU DIANA EDWARDS? YEAH.
699
00:34:37,600 --> 00:34:39,300
HEY!
IS EVERYTHING OKAY?
700
00:34:39,300 --> 00:34:40,300
FINE.
701
00:34:41,200 --> 00:34:43,700
WE HAVE A VIDEO SURVEILLANCE
OF YOU PURCHASING A CHANEL BAG
702
00:34:43,700 --> 00:34:47,000
ON CANAL STREET TWO DAYS AGO. WOW,
I KNOW YOU GUYS ARE CRACKING DOWN
703
00:34:47,000 --> 00:34:49,300
ON THE KNOCKOFFS, BUT I
- WHERE'S THE BAG?
704
00:34:49,300 --> 00:34:50,800
OVER THERE.
705
00:34:55,700 --> 00:34:57,400
EXCUSE ME!
706
00:34:57,700 --> 00:35:00,700
HEY! WHAT ARE YOU
DOING THAT FOR?
707
00:35:03,800 --> 00:35:05,000
WHAT'S GOING ON?
708
00:35:05,000 --> 00:35:08,000
YOU ARE A VERY LUCKY LADY. I
DON'T UNDERSTAND. AM I IN TROUBLE?
709
00:35:08,000 --> 00:35:10,200
NO. BUT FROM NOW ON,
ALWAYS BUY RETAIL.
710
00:35:10,200 --> 00:35:13,100
DETECTIVE BECKETT. I NEED A UNIT AT 91st AND BROADWAY
711
00:35:15,300 --> 00:35:17,200
CALL 9-1-1!
712
00:35:27,000 --> 00:35:31,500
GIVE ME THE PASSPORT!
PUT DOWN YOUR WEAPON, NOW!
713
00:35:33,200 --> 00:35:35,300
GIVE ME THE PASSPORT!
714
00:35:38,600 --> 00:35:40,100
BAYLOR, ANY MINUTE NOW,
715
00:35:40,100 --> 00:35:42,500
THIS PLACE IS GONNA BE
CRAWLING WITH COPS!
716
00:35:42,500 --> 00:35:45,400
DON'T MAKE THINGS WORSE
THAN THEY ARE!
717
00:35:52,100 --> 00:35:55,700
GIVE ME WHAT I WANT, AND I WALK AWAY! I'VE
WRITTEN THIS SCENE ABOUT A HUNDRED TIMES.
718
00:35:55,700 --> 00:35:57,300
WE GIVE HIM WHAT HE WANTS,
YOU KNOW HOW IT ENDS?
719
00:35:57,300 --> 00:36:00,200
BADLY. AND BY "BADLY," I
MEAN US DEAD. JUST STAY DOWN.
720
00:36:00,200 --> 00:36:02,200
YOU STAY DOWN. I CAN'T
SHOOT HIM FROM DOWN HERE.
721
00:36:02,200 --> 00:36:04,000
YEAH, HE CAN'T
SHOOT YOU, EITHER.
722
00:36:08,500 --> 00:36:09,600
I CAN'T SEE HIM.
723
00:36:11,200 --> 00:36:12,900
HE'S MOVING.
724
00:36:13,500 --> 00:36:15,300
I'VE ONLY GOT
TWO ROUNDS LEFT.
725
00:36:15,800 --> 00:36:17,100
I NEED A CLEAN SHOT.
726
00:36:17,100 --> 00:36:19,300
I GOTTA GET EYES
ON HIM SOMEHOW.
727
00:36:21,200 --> 00:36:23,200
WHAT'S WITH YOU AND PHONES?
728
00:36:24,900 --> 00:36:26,600
I'M NOT PLAYING GAMES!
729
00:36:26,700 --> 00:36:29,100
I DON'T HAVE AN ANGLE ON HIM
FROM DOWN HERE.
730
00:36:29,100 --> 00:36:32,300
I WILL KILL YOU BOTH!
OKAY.
731
00:36:32,700 --> 00:36:34,400
WHEN WE SHOOT,
HE SHOOTS.
732
00:36:34,400 --> 00:36:36,000
HE'LL BE EXPOSED.
733
00:36:38,200 --> 00:36:40,800
I'LL SET THE PICK,
YOU TAKE HIM DOWN.
734
00:36:40,800 --> 00:36:42,500
SET THE PICK WITH WHAT?
735
00:36:42,800 --> 00:36:45,400
THIS. YOU'RE GONNA GET YOURSELF SHOT.
736
00:36:45,400 --> 00:36:48,000
NOT IF YOU MAKE YOUR SHOT COUNT. CASTLE!
737
00:36:48,000 --> 00:36:50,200
JUST BE READY.
738
00:36:54,200 --> 00:36:55,500
THIS IS YOUR LAST WARNING!
739
00:36:55,500 --> 00:36:56,600
NOW!
740
00:37:06,000 --> 00:37:07,800
I'D SAY THIS DESERVES
A TOAST.
741
00:37:20,600 --> 00:37:22,200
BAYLOR'S GONNA MAKE IT.
742
00:37:22,900 --> 00:37:24,300
YOU OKAY, CASTLE?
743
00:37:24,300 --> 00:37:26,200
MY FIRST GUN BATTLE.
744
00:37:26,200 --> 00:37:28,100
YOUR LAST GUN BATTLE.
745
00:37:28,800 --> 00:37:29,800
DON'T BE
SO PESSIMISTIC.
746
00:37:29,800 --> 00:37:31,300
I THINK I HANDLED MYSELF
PRETTY WELL.
747
00:37:31,300 --> 00:37:34,600
YEAH. YOU PROBABLY
SAVED MY LIFE. PROBABLY?
748
00:37:34,800 --> 00:37:36,600
I DEFINITELY SAVED
YOUR LIFE.
749
00:37:36,600 --> 00:37:38,400
AND YOU KNOW WHAT
THAT MEANS, DON'T YOU?
750
00:37:38,500 --> 00:37:41,300
IT MEANS YOU OWE ME.
OWE YOU WHAT?
751
00:37:41,300 --> 00:37:43,800
WHATEVER I WANT.
752
00:37:44,400 --> 00:37:49,500
AND YOU KNOW EXACTLY
WHAT I WANT, DON'T YOU?
753
00:37:49,700 --> 00:37:55,500
YOU KNOW WHAT I REALLY,
REALLY WANT YOU TO DO?
754
00:37:56,700 --> 00:37:59,600
NEVER... EVER...
755
00:37:59,600 --> 00:38:02,000
CALL ME "KITTEN."
756
00:38:15,200 --> 00:38:16,200
DAD?
757
00:38:16,200 --> 00:38:17,800
YEAH, SWEETIE?
758
00:38:21,000 --> 00:38:22,400
HYPOTHETICALLY,
759
00:38:22,400 --> 00:38:25,200
IS IT OKAY TO LOVE SOMEONE
760
00:38:25,200 --> 00:38:27,200
BUT NOT WANT THEM AROUND
ALL THE TIME?
761
00:38:28,600 --> 00:38:30,000
YOU MEAN MOM?
762
00:38:30,000 --> 00:38:32,100
I LOVE HER. I DO.
763
00:38:32,100 --> 00:38:34,800
I KNOW YOU DO,
AND I'M GLAD YOU DO.
764
00:38:35,000 --> 00:38:38,800
BUT, DAD,
SHE DRIVES ME CRAZY.
765
00:38:38,800 --> 00:38:39,700
YEAH.
766
00:38:39,700 --> 00:38:41,300
THAT'S WHAT MOMS DO.
767
00:38:42,500 --> 00:38:44,400
BUT IF SHE LIVES HERE...
768
00:38:44,700 --> 00:38:48,500
RICHARD?
RICHARD. ALEXIS.
769
00:38:49,000 --> 00:38:51,200
YOUR SECRET'S SAFE
WITH ME.
770
00:38:53,100 --> 00:38:57,100
HELLO? ANYONE HOME? HELLO?
771
00:38:57,800 --> 00:38:59,700
YOU WILL NOT BELIEVE
WHAT HAPPENED.
772
00:38:59,700 --> 00:39:01,400
I GOT A CALL FROM MY AGENT.
773
00:39:01,400 --> 00:39:05,300
I'VE BEEN OFFERED A HUGE
ROLE IN A NEW INDIE FILM. OH-
774
00:39:07,700 --> 00:39:09,100
MOM, THAT'S AWESOME.
775
00:39:09,100 --> 00:39:13,200
IT IS. BUT... HERE'S
THE BAD NEWS, SWEETIE.
776
00:39:13,500 --> 00:39:14,800
I'M GONNA
HAVE TO PUT MY PLANS
777
00:39:14,800 --> 00:39:19,100
TO MOVE BACK TO NEW YORK ON HOLD.
OH... HOW EVER WILL WE MANAGE?
778
00:39:19,100 --> 00:39:20,000
WELL, THAT'S OKAY, MOM.
779
00:39:20,000 --> 00:39:23,800
IT SOUNDS LIKE A HUGE
OPPORTUNITY. IT IS. IT REALLY IS.
780
00:39:23,800 --> 00:39:26,200
BESIDES, IT'S NOT LIKE
BROADWAY'S GOING ANYWHERE.
781
00:39:26,200 --> 00:39:29,200
I CAN ALWAYS DO THEATER
WHEN I'M TOO OLD FOR HI-DEF.
782
00:39:30,600 --> 00:39:32,700
UH, SO WHEN DO YOU NEED
TO BE BACK IN L.A.?
783
00:39:32,700 --> 00:39:35,400
TOMORROW. I NEED TO GET BACK
TO MY HOTEL AND PACK,
784
00:39:35,400 --> 00:39:38,000
BUT I WANTED TO TELL YOU
THE GOOD NEWS.
785
00:39:38,000 --> 00:39:41,000
THERE'S SO MUCH FUN STUFF
WE DIDN'T GET TO DO.
786
00:39:41,000 --> 00:39:44,000
BUT I'LL BE BACK SOON,
I PROMISE. I KNOW.
787
00:39:44,000 --> 00:39:44,800
I LOVE YOU, MOM.
788
00:39:44,800 --> 00:39:48,900
THANKS FOR TAKING ME
SHOPPING. OH, ANYTIME.
789
00:39:50,500 --> 00:39:52,200
GOOD-BYE, MARTHA.
790
00:39:52,200 --> 00:39:54,500
MEREDITH.
791
00:39:55,900 --> 00:39:58,900
YOU KNOW I ALWAYS HATE
TO SEE YOU GO.
792
00:40:00,800 --> 00:40:03,400
NEXT TIME-TOP TEN.
793
00:40:05,200 --> 00:40:06,700
TOP TEN.
794
00:40:14,100 --> 00:40:15,600
OKAY, DAD, SPILL.
795
00:40:15,600 --> 00:40:17,100
WHAT?
796
00:40:17,100 --> 00:40:18,400
WHAT DID YOU DO?
797
00:40:18,400 --> 00:40:19,700
NOTHING.
798
00:40:20,500 --> 00:40:22,700
OH. MY BUSINESS MANAGER
CALLED
799
00:40:22,700 --> 00:40:24,600
WITH AN EXCELLENT
INVESTMENT OPPORTUNITY-
800
00:40:24,600 --> 00:40:27,300
A SMALL, ARTSY
INDEPENDENT FEATURE.
801
00:40:27,300 --> 00:40:29,200
OH, THAT'S MY BOY!
802
00:40:29,200 --> 00:40:31,000
EH, SHE'S PERFECT
FOR THE ROLE.
803
00:40:31,000 --> 00:40:33,500
I'M DOING THEM A FAVOR.
I THINK.
804
00:40:33,700 --> 00:40:36,200
I HOPE YOU DON'T MIND. RAISING
ONE PARENT'S HARD ENOUGH.
805
00:40:36,200 --> 00:40:38,900
I DON'T KNOW WHAT I'D DO
IF I HAD TO RAISE TWO.
806
00:40:41,300 --> 00:40:43,300
THERE WASN'T
A LITTLE PART FOR ME...
807
00:40:43,300 --> 00:40:45,300
NO, NO. IN THE ARTSY... UH, NO.
808
00:40:45,300 --> 00:40:50,400
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