1 00:00:00,315 --> 00:00:03,177 There are two types of people who sit sat thinking about how to kill people: 2 00:00:03,178 --> 00:00:05,140 PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:05,145 --> 00:00:08,190 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,191 --> 00:00:09,177 CASTLE. CASTLE. 5 00:00:09,178 --> 00:00:13,022 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,023 --> 00:00:14,682 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:14,683 --> 00:00:15,837 BECKETT. BECKETT. 8 00:00:15,838 --> 00:00:17,704 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:17,705 --> 00:00:19,375 AND THANKS TO MY FRIENDSHIP TH THE MAYOR, 10 00:00:19,376 --> 00:00:22,165 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:22,166 --> 00:00:25,211 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:25,212 --> 00:00:29,415 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:31,197 --> 00:00:34,081 stop it!what are you talking about? 14 00:00:35,207 --> 00:00:37,024 OH, A FOUNTAIN. 15 00:00:37,025 --> 00:00:39,561 I LOVE FOUNTAINS. WHOA! 16 00:00:39,564 --> 00:00:40,530 let's get into it 17 00:00:40,538 --> 00:00:42,096 COME BACK! COME ON, BABY. 18 00:00:42,097 --> 00:00:45,026 COME ON. IT'LL BE FUN. 19 00:00:45,028 --> 00:00:46,110 NOARKIING? 20 00:00:46,318 --> 00:00:49,267 you catch me,you can have me. 21 00:00:49,268 --> 00:00:51,227 OK, CONG. 22 00:00:51,229 --> 00:00:53,290 I'M COMING! I'M COMING OVER. 23 00:00:53,293 --> 00:00:55,288 TAKE YOUR PANTS OFF! 24 00:00:55,289 --> 00:00:57,922 GET OVER HERE! I'M COMING. 25 00:01:14,567 --> 00:01:15,425 I SWEAR, JASMINE. 26 00:01:15,426 --> 00:01:17,348 THIS HAS ALWAYS BEEN THE WAY WITH YOU. 27 00:01:17,349 --> 00:01:20,158 YOU CAN'T JUST GO THROUGH LIFE ASKING FOR AN EGG IN YOUR BEER 28 00:01:20,159 --> 00:01:22,465 AND YOUR MONEY BACK TWICE. 29 00:01:22,943 --> 00:01:24,366 AND YOUR MONEY BACK TWICE. 30 00:01:24,367 --> 00:01:26,946 SORRY. "OH, MAMA, IF I'M SUCH A DISAPPOINTMENT TO YOU, 31 00:01:26,947 --> 00:01:28,647 "I DON'T KNOW WHY YOU EVEN BOTHER COMING HOME. 32 00:01:28,648 --> 00:01:31,531 ISN'T THAT RIGHT, GRANNY?" "SHUT UP, BOTH OF YOU. 33 00:01:31,532 --> 00:01:35,821 I'M TRYIN' TO WATCH MY STORIES." OH, I WISH I'D NEVER LEFT PARIS. 34 00:01:35,822 --> 00:01:38,060 AND SCENE. GOOD. GOOD. 35 00:01:38,063 --> 00:01:40,260 ALL RIGHT, LET'S TAKE IT FROM THE TOP. UGH! 36 00:01:40,261 --> 00:01:44,059 MNH-MNH. OH, GUYS, COME ON. DON'T YOU WANT ME TO LAND THIS ROLE? 37 00:01:44,060 --> 00:01:44,811 OF COURSE WE DO. IT'S- YEAH. 38 00:01:44,812 --> 00:01:47,930 LOOK, WE ARE TALKING ABOUT THE LEAD IN A BROADWAY PLAY. 39 00:01:47,931 --> 00:01:49,613 THIS IS A POTENTIAL GOLD MINE. 40 00:01:49,614 --> 00:01:51,528 IF IT'S A HIT, WHO KNOWS HOW LONG IT COULD RUN? 41 00:01:51,529 --> 00:01:53,688 THEN I COULD TAKE IT ON THE ROAD. YOU MEAN YOU'D LEAVE US? 42 00:01:53,689 --> 00:01:55,812 WELL, ONLY FOR NINE MONTHS OF THE YEAR. 43 00:01:55,813 --> 00:02:00,314 OH, DON'T LOOK SO SAD. AND YOU, DON'T LOOK SO HAPPY. 44 00:02:02,012 --> 00:02:03,015 CASTLE. 45 00:02:03,591 --> 00:02:06,481 I'LL BE RIGHT THERE. ALL RIGHT. 46 00:02:06,482 --> 00:02:08,983 DEATH, MURDER, MAYHEM- WHOLE ENCHILADA. 47 00:02:08,984 --> 00:02:10,509 SORRY TO BAIL ON REHEARSAL. 48 00:02:10,510 --> 00:02:12,124 OH, DON'T WORRY. ALEXIS CAN READ BOTH PARTS. 49 00:02:12,125 --> 00:02:15,377 IT'S ALL RIGHT IF SHE MISSES A MORNING OF SCHOOL, ISN'T IT? 50 00:02:15,378 --> 00:02:17,516 TAKE ME WITH YOU. TO A CRIME SCENE? 51 00:02:17,517 --> 00:02:19,759 IT'D BE EDUCATIONAL. PLEASE. 52 00:02:19,760 --> 00:02:21,059 UH... 53 00:02:22,530 --> 00:02:25,673 FIND YOUR OWN HIDING PLACE. 54 00:02:28,580 --> 00:02:29,602 CAUCASIAN FEMALE. 55 00:02:29,603 --> 00:02:32,468 COUPLE OF SKINNY-DIPPERS FOUND HER THIS MORNING. BET THAT KILLED THE MOOD. 56 00:02:32,469 --> 00:02:34,193 PURSE IS MISSING, NO I.D. AND GET THIS- 57 00:02:34,194 --> 00:02:38,627 WE COULDN'T FIND HER SHOES. I'M GONNA GO WITH "STILL WITH PRINCE CHARMING AT THE BALL." 58 00:02:38,628 --> 00:02:41,509 SHOULD WE LOOK FOR A PUMPKIN AND SOME MICE? 59 00:02:41,510 --> 00:02:44,154 AH, I GUESS NOT. 60 00:02:44,155 --> 00:02:45,578 CANVASS THE BUILDINGS SURROUNDING THE PLAZA 61 00:02:45,579 --> 00:02:47,853 AND GET UNIFORMS TO CHECK TRASH CANS AND DUMPSTERS 62 00:02:47,854 --> 00:02:48,880 FOR HER PURSE. 63 00:02:48,890 --> 00:02:50,440 AYE-AYE. 64 00:02:52,842 --> 00:02:54,609 HI, LANIE. HEY. 65 00:02:54,610 --> 00:02:56,180 CAUSE OF DEATH? STABBING. 66 00:02:56,183 --> 00:02:57,885 THERE'S A FATAL WOUND IN HER BACK. 67 00:02:57,897 --> 00:02:59,989 MAYBE A RIVALRY GONE WRONG? MAYBE. 68 00:02:59,990 --> 00:03:01,051 WE GTA FIND OUT WHO SHE IS 69 00:03:01,052 --> 00:03:05,218 AND WHAT SHE WAS DOING HERE SO LATE, THOUGH. WELL, SHE'S TALL, SHE'S GORGEOUS, 70 00:03:05,219 --> 00:03:07,162 10 POUNDS UNDERWEIGHT, HER HAIR IS FRIED 71 00:03:07,163 --> 00:03:08,710 AND SHE'S WEARING TOO MUCH EYE MAKEUP. 72 00:03:08,711 --> 00:03:10,941 SHE'S A MODEL, WHICH MEANS SHE WAS PROBABLY 73 00:03:10,942 --> 00:03:13,601 AT A CLUB LAST NIGHT. IT IS, AFTER ALL, FASHION WEEK- 74 00:03:13,602 --> 00:03:14,696 WHEN ALL THE HOTTEST WOMEN IN THE WORLD 75 00:03:14,697 --> 00:03:17,477 DESCEND UPON THE HIPPEST NIGHT SPOTS LIKE LOCUSTS. 76 00:03:17,478 --> 00:03:21,727 ONLY LOCUSTS EAT. CAN YOU TELL ME WHO KILLED HER? 77 00:03:21,728 --> 00:03:26,339 THEN PIPE DOWN. THIS WAS ON HER WRIST. 78 00:03:26,340 --> 00:03:29,942 SHE WAS AT A CLUB. 79 00:03:29,946 --> 00:03:31,526 THAT'S TEDDY FARROW'S LOGO. 80 00:03:31,527 --> 00:03:35,133 HE DESIGNS CLOTHES FOR WOMEN - UPSCALE, EXPENSIVE. OH, MY CREDIT CARD AND I 81 00:03:35,134 --> 00:03:37,118 ARE PAINFULLY AWARE OF TEDDY'S DESIGNS. 82 00:03:37,119 --> 00:03:39,498 I ALMOST ASKED FOR CUSTODY OF THEM AFTER MY LAST DIVORCE. 83 00:03:39,499 --> 00:03:43,368 IS THERE A LABEL IN HER DRESS? 84 00:03:43,369 --> 00:03:44,603 TEDDY FARROW COLLECTION. 85 00:03:44,604 --> 00:03:45,681 WELL, IF SHE IS ONE OF HIS MODELS, 86 00:03:45,682 --> 00:03:49,952 MAYBE HE CAN IDENTIFY HER FOR US. THANK YOU, LANIE. YOU'RE WELCOME. 87 00:03:49,953 --> 00:03:52,216 I CAN ALREADY SEE THE BLURB Y NEXT BOOK JACKET. 88 00:03:52,217 --> 00:03:54,078 "IT'S FASHION WEEK IN NEW YORK CITY, 89 00:03:54,079 --> 00:03:56,100 AND THE CLHES ARE TO DIE FOR." 90 00:03:57,027 --> 00:03:57,592 fashion capital of the world 91 00:04:04,563 --> 00:04:06,018 FIVE MINUTES, PEOPLE. 92 00:04:06,443 --> 00:04:07,689 THAT'S JENNA. JENNA McBOYD. 93 00:04:07,690 --> 00:04:10,283 SHE WAS SUPPOSED TO WALK FOR ME TODAY. 94 00:04:10,284 --> 00:04:11,504 MY GOD. WHAT HAPPENED. 95 00:04:11,505 --> 00:04:14,033 SHE WAS STABBED SOME TIME THIS MORNING. I CAN'T BELIEVE IT. 96 00:04:14,036 --> 00:04:16,724 I MEAN, I SAW HER LAST NIGHT AT MY PARTY. 97 00:04:16,725 --> 00:04:20,565 DID YOU NOTICE ANYTHING UNUSUAL AT THE PARTY? SHE WAS AGITATED, 98 00:04:20,566 --> 00:04:23,163 BUT THAT WASN'T SO UNUSUAL FOR HER THESE DAYS. WHICH ONE? OKAY. 99 00:04:24,164 --> 00:04:26,842 ANY IDEA WHAT WAS WRONG? YEAH, SHE WAS STRESSED OUT. 100 00:04:26,844 --> 00:04:29,072 HEY, NOT THE PINK SASH. THE BLUE ONE. 101 00:04:29,073 --> 00:04:32,705 SORRY, SIR. LOOK, JENNA WAS A SMALL-TOWN GIRL. 102 00:04:32,706 --> 00:04:34,797 I MEAN, STRAIGHT OFF THE BUS FROM OHIO. 103 00:04:34,798 --> 00:04:37,355 YOU'RE SAYING SHE WAS AN INNOCENT. SHE WAS A RISING STAR, 104 00:04:37,356 --> 00:04:40,902 BUT SHE WASN'T READY FOR WHAT WAS COMING HER WAY. WHAT DO YOU MEAN? 105 00:04:40,903 --> 00:04:42,228 FOUR MINUTES, PEOPLE. FOUR MINUTES. 106 00:04:42,229 --> 00:04:44,922 I MEAN... I WAS THINKING OF MAKING HER 107 00:04:44,923 --> 00:04:46,787 THE FACE OF MY CAMPAIGN. 108 00:04:46,788 --> 00:04:49,052 THAT WOULD'VE MEANT PHOTO SHOOTS, MAGAZINES, 109 00:04:49,053 --> 00:04:51,266 BILLBOARDS IN TIMES SQUARE, TRAVEL, 110 00:04:51,267 --> 00:04:53,533 NOT TO MENTION A VERY GENEROUS PAYCHECK. 111 00:04:53,534 --> 00:04:55,975 SEEMS TO BE ALL PRET HEADY STUFF FOR A NAIVE YOUNG GIRL. 112 00:04:55,976 --> 00:04:59,770 IN RECENT WEEKS, SHE'D BECOME SO BAD TEMPERED, UH, PARANOID. 113 00:04:59,771 --> 00:05:02,204 I'D STARTED TO WONDER IF SHE WASN'T TOO INEXPERIENCED 114 00:05:02,205 --> 00:05:03,618 FOR A MAJOR CAMPAIGN. 115 00:05:03,619 --> 00:05:05,185 YOU SAID THAT SHE WAS PARANOID. 116 00:05:05,186 --> 00:05:07,497 ANY CHANCE SHE WAS DOING DRUGS? NOT HER STYLE. 117 00:05:07,498 --> 00:05:09,375 TEDDY, IF YOU WANT ME TO SHOOT THE GIRLS, 118 00:05:09,376 --> 00:05:15,155 YOU NEED TO GET THAT BOY-BAND POSER OUT OF MY SEAT. WYATT, I'LL TAKE CARE OF IT. 119 00:05:15,156 --> 00:05:16,904 UH, MR. FARROW, JUST A COUPLE MORE QUESTIONS. 120 00:05:16,905 --> 00:05:19,093 YES. BUT QUICKLY, PLEASE. 121 00:05:19,094 --> 00:05:21,393 WHO WAS JENNA WITH LAST NIGHT AT YOUR PARTY? 122 00:05:21,394 --> 00:05:23,839 CASTLE, FOCUS. I ONLY SAW HER BRIEFLY. 123 00:05:23,840 --> 00:05:27,206 SHE SPENT MOST OF HER TIME WITH SIERRA, HER BEST FRIEND. 124 00:05:27,207 --> 00:05:29,601 THAT'S SIERRA THERE, WITH THE WEDDING GOWN. 125 00:05:29,632 --> 00:05:31,948 SO IF THAT'S ALL, NOW I REALLY MUST TAKE CARE 126 00:05:31,949 --> 00:05:35,156 OF LAST-MINUTE DETAILS. UH, ONE LAST THING. 127 00:05:35,157 --> 00:05:37,484 WHEN, UH, JENNA LEFT YOUR PARTY, WAS SHE WEARING SHOES? 128 00:05:37,485 --> 00:05:41,093 YES. UH, CHRISTIAN LOUBOUTIN PINK SA 129 00:05:41,094 --> 00:05:42,396 I LENT HER FOR THE EVENING. 130 00:05:42,397 --> 00:05:45,998 THE DRESS SHE WAS WEARING WAS A ONE OF A KIND. 131 00:05:45,999 --> 00:05:48,150 I DON'T SUPPOSE WE CAN HAVE IT RETURNED. 132 00:05:48,152 --> 00:05:50,007 IT'S IN EVIDENCE NOW. 133 00:05:50,009 --> 00:05:54,405 AND IT HAS A HOLE IN THE BACK OF IT WHERE SHE WAS STABBED. 134 00:05:54,406 --> 00:05:56,419 SORRY. 135 00:05:59,668 --> 00:06:00,920 RICK CASTLE. 136 00:06:00,921 --> 00:06:02,763 IT'S SO FUNNY I RAN INTO YOU TODAY. 137 00:06:02,764 --> 00:06:06,018 I JUST BOUGHT THIS ON MY WAY IN. 138 00:06:06,019 --> 00:06:08,099 OH, LOOK AT THAT. IT'S MY COVER. 139 00:06:08,100 --> 00:06:10,840 AND IT'S ON STANDS ALREADY. "RICHARD CASTLE GETS THE INSPIRATION 140 00:06:10,841 --> 00:06:12,702 "FOR HIS LATEST NOVEL, 'HEAT WAVE'... " 141 00:06:12,703 --> 00:06:14,100 MM. "AND HIS NEW CHARACTER NIKKI HEAT 142 00:06:14,102 --> 00:06:17,265 FROM NEW YORK'S FINEST." THAT'S NICE, RIGHT? 143 00:06:17,266 --> 00:06:20,273 COULD YOU - YES, ABSOLUTELY. WHO SHOULD I MAKE IT OUT TO? 144 00:06:20,274 --> 00:06:22,502 OH. YOU DON'T REMEMBER ME? 145 00:06:22,503 --> 00:06:25,281 NO-YES. OF COURSE I DO. YEAH. YOU'RE- 146 00:06:25,282 --> 00:06:29,034 RINA. RINA. YES. WE MET AT THAT PARTY WITH THAT- 147 00:06:29,035 --> 00:06:30,787 THAT THING THAT WAS LATE, AND IT WAS CRAZY. 148 00:06:30,788 --> 00:06:33,170 THAT-WOW, WHAT A NIGHT. LET'S GO, MODELS. TAKE YOUR PLACES. 149 00:06:33,171 --> 00:06:35,488 I NEED YOU UP HERE AND IN LINE. 150 00:06:35,490 --> 00:06:36,986 HERE. 151 00:06:39,095 --> 00:06:41,305 CALL ME. 152 00:06:45,832 --> 00:06:48,089 YOU'RE IN HERE, TOO, YOU KNOW? 153 00:06:54,593 --> 00:06:55,847 OH, GOD. 154 00:06:55,848 --> 00:06:57,439 I FEEL SICK. 155 00:06:57,440 --> 00:06:59,481 AND I'M WEARING HER GOWN. 156 00:06:59,482 --> 00:07:01,349 SHE WAS SUPPOSED TO CLOSE THE SHOW TODAY, NOT ME. 157 00:07:02,350 --> 00:07:04,280 I CALLED HER THIS MORNING LIKE A MILLION TIMES, 158 00:07:04,281 --> 00:07:07,373 BUT IT JUST KEPT GOING TO VOICE MAIL. WHEN DID JENNA LEAVE THE PARTY 159 00:07:08,374 --> 00:07:10,097 UH, AROUND MIDNIGHT. 160 00:07:10,099 --> 00:07:11,705 I ASSUMED SHE WAS GOING HOME. 161 00:07:11,706 --> 00:07:14,367 MR. FARROW MENTIONED THAT SHE SEEMED AGITATED LATELY. 162 00:07:14,368 --> 00:07:17,334 TOMORROW, TEDDY'S ANNOUNCING THE NEW FACE OF HIS COLLECTION. 163 00:07:17,335 --> 00:07:19,497 JENNA WAS UP FOR THE JOB, AND SHE WAS A LITTLE TENSE. 164 00:07:19,499 --> 00:07:22,280 BUT SHE DIDN'T HAVE ANY REASON TO BE. WHY NOT? 165 00:07:22,281 --> 00:07:26,660 SHE WAS A LOCK. JENNA WAS TEDDY'S FAVORITE. 166 00:07:26,662 --> 00:07:27,650 OH, GOD. 167 00:07:27,656 --> 00:07:29,955 DOES TRAVIS KNOW? 168 00:07:29,957 --> 00:07:33,520 HER HUSBAND? HE'S GONNA BE DEVASTATED. 169 00:07:33,521 --> 00:07:36,050 THEY WERE SO IN LOVE. 170 00:07:36,052 --> 00:07:38,168 I WENT TO BED AROUND 11:00. 171 00:07:38,169 --> 00:07:40,770 I FIGURED SHE'D WAKE ME WHEN SHE GOT IN. 172 00:07:40,772 --> 00:07:43,035 BUT AT 3:00 A.M., SHE WASN'T HOME. 173 00:07:43,036 --> 00:07:45,735 SO... I CALLED HER CELL PHONE. 174 00:07:45,736 --> 00:07:47,639 SHE WASN'T THERE. 175 00:07:47,640 --> 00:07:48,925 I CALLED THE COPS. 176 00:07:48,927 --> 00:07:51,245 THEY SAID I HAD TO WAIT 48 HOURS 177 00:07:51,246 --> 00:07:52,979 TILL I COULD REPORT HER MISSING. 178 00:07:52,980 --> 00:07:55,309 I TOLD THEM, "YOU DON'T KNOW MY WIFE. 179 00:07:55,310 --> 00:08:00,295 IF SHE'S NOT HOME BY NOW, SOMETHING HAPPENED TO HER." 180 00:08:00,298 --> 00:08:03,912 GOD, I SHOULD'VE BEEN THERE. TH- 181 00:08:03,913 --> 00:08:05,104 THESE PARTIES, YOU KNOW, THEY'RE JUST- 182 00:08:05,105 --> 00:08:07,505 EVERYONE'S SO PHONY. 183 00:08:07,508 --> 00:08:09,083 TRAVIS, I KNOW THIS IS DIFFICULT, 184 00:08:09,084 --> 00:08:12,990 BUT I HAVE TO ASK YOU THIS QUESTION. 185 00:08:12,993 --> 00:08:14,786 WAS THERE ANYONE THAT YOU CAN THINK OF 186 00:08:14,787 --> 00:08:18,875 THAT WOULD WANT TO DO HARM TO JENNA? 187 00:08:18,876 --> 00:08:21,927 YOU'RE KIDDING, RIGHT? 188 00:08:21,928 --> 00:08:23,990 WE-WE-WE FILED THE REPORTS. 189 00:08:23,993 --> 00:08:26,316 DID-DIDN'T THE OTHER COPS SEND 'EM TO YOGUYS? 190 00:08:26,317 --> 00:08:29,016 REPORTS? FOR HARASSMENT. 191 00:08:29,017 --> 00:08:31,898 SOME GUY WAS SENDING JENNA LETTERS. 192 00:08:31,899 --> 00:08:34,079 LIKE, WRITING ALL SORTS OF SICK THINGS. 193 00:08:34,080 --> 00:08:35,790 HE WAS TAKING PICTURES OF HER, TOO. 194 00:08:35,791 --> 00:08:39,170 IT'S LIKE WAS WATCHING US ALL THE TIME. 195 00:08:39,171 --> 00:08:42,241 SHE WAS FALLING APART. I MEAN, WE BOTH WERE. 196 00:08:42,242 --> 00:08:45,479 HELL, WE ALMOST MOVED BACK HOME. AND YOU FILED A REPORT? 197 00:08:45,480 --> 00:08:47,550 YEAH, A DOZEN OF 'EM. 198 00:08:47,553 --> 00:08:50,558 AND EVERY TIME, YOU PEOPLE SAID THE SAME DAMN THING. 199 00:08:50,559 --> 00:08:53,150 THAT THIS IS NEW YORK, 200 00:08:53,151 --> 00:08:54,960 AND YOU GOT MORE IMPORTANT THINGS TO DO 201 00:08:54,961 --> 00:08:58,165 THAN TO TRACK DOWN SOME ANNOYING FAN. 202 00:08:58,166 --> 00:08:59,913 AND NOW SHE'S DEAD. 203 00:08:59,914 --> 00:09:03,375 MY WIFE... IS DEAD. 204 00:09:03,376 --> 00:09:05,689 LETTERS WERE MAILED FROM THE SOHO POST OFFICE. 205 00:09:05,690 --> 00:09:07,800 NO RETURN ADDRESS, NO SIGNATURE. 206 00:09:07,801 --> 00:09:09,933 HMM. SO THE ANONYMOUS STALKER DIDN'T WRITE DOW 207 00:09:09,934 --> 00:09:13,217 HIS NAME AND NUMBER? YEAH, I'M JUST SAYIN'. 208 00:09:13,218 --> 00:09:15,564 "I SAW YOU TODAY IN THE SUBWAY. DID YOU SEE ME? 209 00:09:15,565 --> 00:09:18,427 I WANTED TO TASTE YOU." THAT'S PRETTY SICK STUFF. 210 00:09:18,428 --> 00:09:20,436 BUT HE DOESN'T MAKE ANY DIRECT THREATS. 211 00:09:20,437 --> 00:09:22,442 THAT'S WHY JENNA AND TRAVIS COULDN'T GET THE BEAT COPS 212 00:09:22,443 --> 00:09:26,205 TO TAKE 'EM SERIOUSLY. BOY, TWO SMALL-TOWN KIDS GO TO THE BIG CITY 213 00:09:26,206 --> 00:09:28,434 TO FOLLOW THEIR DREAMS, AND THEN THIS. 214 00:09:28,435 --> 00:09:30,976 NOT THE FAIRY-TALE ENDING THEY WERE LOOKING FOR, I'M SURE. 215 00:09:30,977 --> 00:09:32,710 YOU KNOW, TO TAKE THESE SHOTS, HE WOULD'VE HAD TO HAVE BEEN 216 00:09:32,711 --> 00:09:36,417 ON A ROOFTOP PRETTY CLOSE TO THE APARTMENT. 217 00:09:36,418 --> 00:09:39,362 NO WONDER SHE WAS FREAKED OUT. 218 00:09:39,363 --> 00:09:41,309 FIND THE ROOF, SEE IF THERE'S ANYTHING UP THERE 219 00:09:41,310 --> 00:09:42,911 THAT WE CAN USE TO IDENTIFY HIM. 220 00:09:42,912 --> 00:09:45,840 THOSE COPS LET JENNA DOWN ONCE. WE'RE NOT GONNA DO IT AGAIN. 221 00:09:46,162 --> 00:09:48,162 -==破烂熊乐园倾情奉献==- 本字幕仅供学习交流，严禁用于商业用途 222 00:09:48,163 --> 00:09:50,002 -=破烂熊字幕组=- 时间轴：哈局三段 223 00:09:50,004 --> 00:09:51,491 -==http://www.ragbear.com==- 灵书妙探 第2季第3集 224 00:09:52,941 --> 00:09:57,120 HELLO. I'M HOME. AND I BROUGHT CHOW FUN. 225 00:09:57,122 --> 00:09:58,740 HI,DAD -HI 226 00:09:58,745 --> 00:10:00,321 OH, NICE. 227 00:10:00,322 --> 00:10:02,408 BUT I ALREADY PICKED UP A COPY ON MY WAY HOME. 228 00:10:02,409 --> 00:10:04,860 WELL, DID YOU READ IT? WAS SHE KIND? 229 00:10:04,861 --> 00:10:07,931 THE WRITER LOVED YOU. SHE LOVED DETECTIVE BECKETT. 230 00:10:07,932 --> 00:10:11,728 SHE EVEN LOVED THE BOOK. IT WAS YOUR BASIC PUFF PIECE. 231 00:10:11,729 --> 00:10:13,910 WELL, I'M SURE MY MOTHER WILL FIND SOMETHING TO SAY 232 00:10:13,911 --> 00:10:16,045 THAT WILL KEEP ME FROM GETTING TOO PUFFED. 233 00:10:16,046 --> 00:10:17,487 NOT TONIGHT SHE WON'T. 234 00:10:17,488 --> 00:10:20,288 SHE'S IN HER ROOM, MOURNING THE DEATH OF HER CAREER. 235 00:10:20,289 --> 00:10:22,083 OH, SHE DIDN'T GET THAT PLAY? 236 00:10:22,084 --> 00:10:24,470 SHE DID. JUST NOT THE PART SHE WANTED. 237 00:10:24,471 --> 00:10:28,215 THE PRODUCER SAID SHE'S NOT RIGHT TO PLAY THE LEAD. 238 00:10:28,216 --> 00:10:30,143 THEY WANT HER TO PLAY THE CRAZY GRANNY. 239 00:10:30,144 --> 00:10:32,550 OH, THE CRAZY GRANNY. 240 00:10:32,551 --> 00:10:34,923 WHO DIES IN ACT ONE... OH. 241 00:10:34,924 --> 00:10:36,715 OFFSTAGE. OH. 242 00:10:40,223 --> 00:10:40,942 NO. 243 00:10:40,943 --> 00:10:43,635 YOU EXPECTING A CALL? A CALLBACK, ACTUALLY. 244 00:10:43,636 --> 00:10:46,223 I MET A NICE YOUNG WOMAN AT FASHION WEEK. 245 00:10:46,224 --> 00:10:47,405 I LEFT HER A MESSAGE ABOUT AN HOUR AGO. 246 00:10:48,406 --> 00:10:50,848 A MODEL? MM-HMM. 247 00:10:50,849 --> 00:10:53,901 GEE, DAD. PICKING UP HOTTIES WHILE YOU'RE WORKING A CASE? 248 00:10:53,902 --> 00:10:55,880 SHE PICKED ME UP, AS A MATTER OF FACT. 249 00:10:55,881 --> 00:10:58,663 SHE SAID WE KNEW EACH OTHER FROM... SOMEWHERE. 250 00:10:58,664 --> 00:11:01,745 IT'S A CURSE, BEING SO IRRESISTIBLE. HMM. 251 00:11:01,746 --> 00:11:03,623 WHAT'S THIS ONE'S NAME- LOLA, 252 00:11:03,624 --> 00:11:06,384 BREE, TATIANA? 253 00:11:06,385 --> 00:11:08,253 RINA. 254 00:11:08,254 --> 00:11:10,438 DID YOU SAY RINA? YEAH. 255 00:11:10,439 --> 00:11:12,424 BLONDE HAIR? YEAH. 256 00:11:12,425 --> 00:11:14,333 BAMBI EYES? YEAH. 257 00:11:14,334 --> 00:11:17,144 CUTE LITTLE OVERBITE? YEAH. 258 00:11:17,145 --> 00:11:19,583 DAD, YOU KNOW RINA. 259 00:11:19,584 --> 00:11:23,049 SHE USED TO BABYSIT ME. SHE USED TO WHAT YOU? 260 00:11:23,050 --> 00:11:24,972 BABY... SIT. 261 00:11:24,973 --> 00:11:26,849 REMEMBER? WE WATCHED "HIGH SCHOOL MUSICAL" TOGETHER, 262 00:11:26,850 --> 00:11:28,910 LIKE, A MILLION TIMES. 263 00:11:28,911 --> 00:11:31,913 I- I VAGUELY REMEMBER A-A- LIKE, A GANGLY GIRL 264 00:11:31,914 --> 00:11:34,210 WITH STRINGY HAIR AND BRACES NAMED KATRINA. 265 00:11:34,211 --> 00:11:35,500 THAT'S THE ONE. 266 00:11:35,501 --> 00:11:37,393 SHE DID THE WHOLE "UGLY DUCKLING TO SWAN" THING, 267 00:11:37,394 --> 00:11:39,547 SHORTENED HER NAME AND BECAME A MODEL. 268 00:11:39,548 --> 00:11:42,014 THAT'S SO FUNNY THAT YOU RAN INTO HER. 269 00:11:42,015 --> 00:11:43,731 THE WORLD IS REALLY SMALL. 270 00:11:43,732 --> 00:11:47,902 YEAH, SMALL AND CRUEL. 271 00:11:47,903 --> 00:11:48,995 I'M PUTTING THE TIME OF DEATH 272 00:11:48,996 --> 00:11:52,679 BETWEEN 2:00 AND 5:00 A.M. SHE LEFT THE PARTY AT MIDNIGHT. 273 00:11:52,680 --> 00:11:54,775 SO WHERE WAS SHE FOR TWO HOURS? 274 00:11:54,776 --> 00:11:56,595 ANY SIGNS OF SEXUAL ASSAULT? 275 00:11:56,596 --> 00:11:58,803 NO, BUT SHE PUT UP A FIGHT. 276 00:11:58,804 --> 00:12:01,178 THERE'S SOME BRUISING ON HER ARMS AND HANDS, 277 00:12:01,179 --> 00:12:02,834 HER DRESS WAS TORN. 278 00:12:02,835 --> 00:12:04,861 THERE'S A CUT INSIDE OF HER CHEEK, INDICATING THAT 279 00:12:04,862 --> 00:12:09,166 SHE WAS SLAPPED, HARD. BUT HERE'S THE W PART- 280 00:12:09,167 --> 00:12:12,267 SHE WAS STABBED WITH SETHING LONG AND SHARP. 281 00:12:12,268 --> 00:12:13,792 IT WASN'T YOUR TYPICAL BLADE. 282 00:12:13,793 --> 00:12:14,651 HOW SO? 283 00:12:14,652 --> 00:12:17,665 WELL, BASED ON THE WOUND, I MADE A RECONSTRUCTION. 284 00:12:17,666 --> 00:12:20,705 IT'S 4-SIDED. IT'S SLIMMER AT THE TIP 285 00:12:20,706 --> 00:12:23,495 AND GETS PROGRESSIVELY WIDER AT THE BASE. 286 00:12:23,497 --> 00:12:26,539 ALSO, I FOUND TRACES OF GLASS IN THE WOUND. 287 00:12:26,540 --> 00:12:30,215 SHE WAS STABBED WITH THE WASHINGTON MONUMENT? 288 00:12:30,216 --> 00:12:31,716 EXCUSE ME. 289 00:12:34,065 --> 00:12:35,652 ESPOSITO, ANY LUCK? 290 00:12:35,653 --> 00:12:36,995 YEP, ROOFTOP 291 00:12:36,996 --> 00:12:38,827 is right across the street from the vic's apartment. 292 00:12:38,828 --> 00:12:42,031 Easy access. YOU FIND ANYTHING? 293 00:12:42,032 --> 00:12:45,328 LOTS OF CIGARETTE BUTTS, SODA CANS AND AN EMPTY PACKAGE 294 00:12:45,329 --> 00:12:46,924 FOR A DIGITAL CAMERA MEMORY CARD. 295 00:12:46,925 --> 00:12:49,126 GET IT TO C.S.U. SEE IF YOU CAN PULL ANY PRINTS. 296 00:12:49,127 --> 00:12:50,855 ON OUR WAY. 297 00:12:51,696 --> 00:12:53,496 ANYTHING ELSE? YEAH. 298 00:12:53,497 --> 00:12:57,011 PRELIMINARY TOX SCREEN INDICATES HER BLOOD ALCOHOL WAS.02. 299 00:12:57,012 --> 00:12:59,657 AND THERE WERE TRACES OF ADDMAIR IN HER SYSTEM. 300 00:12:59,658 --> 00:13:01,373 WHAT'S THAT? IT'S A FORM OF SPEED 301 00:13:01,374 --> 00:13:03,647 USUALLY PRESCRIBED TO PEOPLE WITH A.D.D. 302 00:13:03,648 --> 00:13:05,974 BUT MODELS HAVE BEEN KNOWN TO BUY IT OFF THE STREET 303 00:13:05,975 --> 00:13:08,384 AND USE IT FOR WEIGHT LOSS. 304 00:13:08,385 --> 00:13:10,426 SO MUCH FOR HER BEING ANTIDRUG. 305 00:13:10,427 --> 00:13:11,952 I GUESS THE JOB AND THE STALKER 306 00:13:11,953 --> 00:13:14,261 WEREN'T THE ONLY THINGS MAKING HER TENSE. 307 00:13:16,139 --> 00:13:18,670 DO YOU FIND IT ODD JENNA HAD A STALKER? 308 00:13:18,671 --> 00:13:21,616 NO, NOT REALLY. WHY? WELL, SHE WASN'T HEIDI KLUM. 309 00:13:21,617 --> 00:13:23,832 SHE HADN'T EVED A NATIONAL CAMPAIGN. 310 00:13:23,833 --> 00:13:24,835 WELL, MAYBE THE GUY FIGURED 311 00:13:24,836 --> 00:13:26,606 HE WAS GETTING IN ON THE GROUND FLOOR 312 00:13:26,607 --> 00:13:28,279 STALKER-WISE, YOU KNOW? 313 00:13:28,290 --> 00:13:30,170 BEAT THE RUSH. 314 00:13:30,171 --> 00:13:32,101 OH! 315 00:13:32,102 --> 00:13:35,886 YOU COULDN'T RESIST, COULD YOU? 316 00:13:35,887 --> 00:13:37,219 PRETTY NICE WRITE-UP, HUH? 317 00:13:37,220 --> 00:13:39,782 YEAH, IF YOU LIKE THOSE SORTS OF FLUFF PIECES. 318 00:13:39,783 --> 00:13:42,051 FLUFF? THE REPORTER MADE YOU SOUND LIKE YOU'RE 319 00:13:42,052 --> 00:13:44,825 A CROSS BETWEEN SHERLOCK HOLMES AND ANGELINA JOLIE. 320 00:13:44,826 --> 00:13:46,757 AND THE PICTURE ISN'T HALF BAD EITHER. 321 00:13:46,758 --> 00:13:50,394 THOUGH YOU DON'T ALWAYS NEED TO CROSS YOUR ARMS. IT'S FINE. 322 00:13:50,395 --> 00:13:52,522 THEN WHY ARE YOU UPSET? 323 00:13:52,523 --> 00:13:53,405 I'M NOT UPSET. 324 00:13:53,406 --> 00:13:55,302 YOU LOOK UPSET. WELL, I'M NOT. 325 00:13:55,303 --> 00:13:57,479 BUT IF YOU WERE UPSET, YOU WOULD TELL ME, RIGHT? I'M NOT. 326 00:13:57,480 --> 00:14:01,103 BUT IF YOU WERE - IT DOESN'T MATTER BECAUSE I'M NOT UPSET. 327 00:14:01,104 --> 00:14:02,718 WELL, WELL, WELL. 328 00:14:02,719 --> 00:14:05,344 RICHARD CASTLE- THE MAN OF THE HOUR. 329 00:14:05,345 --> 00:14:08,155 OH, DO YOU MEAN THIS? PRETTY FLATTERING, RIGHT? 330 00:14:08,156 --> 00:14:10,128 AT LEAST I THOUGHT SO. OLD NEWS, MY FRIEND. 331 00:14:10,129 --> 00:14:13,029 I'M TALKING ABOUT YESTERDAY, FASHION WEEK. WORD ON THE STREET 332 00:14:13,030 --> 00:14:14,957 IS YOU BROUGHT BACK A LITTLE SOUVENIR. 333 00:14:14,958 --> 00:14:18,674 THE DIGITS OF A PARTICULAR YOUNG HONEY NAMED RINA? 334 00:14:18,675 --> 00:14:20,350 RINA. 335 00:14:20,361 --> 00:14:22,591 I MIGHT HAVE MENTIONED IT TO THEM IN PASSING. 336 00:14:22,592 --> 00:14:25,923 COME ON, CASTLE. TAKE PITY ON YOUR MODEL-DEPRIVED BROTHERS. 337 00:14:25,924 --> 00:14:28,829 GIVE US THE STATS. WAS SHE THE SEXY, CURVY LINGERIE TYPE 338 00:14:28,830 --> 00:14:32,247 THAT YOU COULD JUST- OR THE-THE TONED AND TANNED BIKINI-WEARING TYPE? 339 00:14:32,248 --> 00:14:33,940 SHE'S MORE LIKE THE "I'M TOTALLY PSYCHED 340 00:14:33,941 --> 00:14:36,214 I JUST GOT MY DRIVER'S LICENSE" TYPE. OKAY, YOU KNOW WHAT? 341 00:14:36,215 --> 00:14:38,423 YOU TWO SO NEED TO EVOLVE, BECAUSE THAT LITTLE GIRL 342 00:14:38,424 --> 00:14:39,956 YOU'RE TALKING ABOUT LIKE A PIECE OF MEAT, 343 00:14:39,957 --> 00:14:41,473 THAT'S SOMEBODY'S DAUGHTER, ALL RIGHT? 344 00:14:41,474 --> 00:14:45,173 SHE'S SOMEBODY'S... BABYSITTER. YOU GUYS, C.S.U. MATCHED A PRINT 345 00:14:45,174 --> 00:14:47,664 OFF THE MEMORY CARD PACKAGING. WILL JAMES. 346 00:14:47,665 --> 00:14:50,268 UH-HUH. REAL CHARM BOY. ON PROBATION 347 00:14:50,269 --> 00:14:54,734 FOR DOMESTIC ASSAULT, COUPLE OF RESTRAINING ORDERS. SOUNDS LIKE OUR GUY. 348 00:14:55,601 --> 00:14:58,696 WILL JAMES, NYPD! 349 00:15:07,966 --> 00:15:08,669 WE'RE ALL CLEAR. 350 00:15:08,670 --> 00:15:10,158 YEAH, CLEAR IN HERE, TOO. 351 00:15:10,159 --> 00:15:13,153 YOU GUYS, LOOK WHAT I FOUND. 352 00:15:13,154 --> 00:15:15,393 JENNA'S COMP CARD. COMP CARD? 353 00:15:15,394 --> 00:15:18,672 YEAH, AGENCIES USE IT TO GET MODELS WORK. HUH. 354 00:15:18,673 --> 00:15:21,687 A SINGLE COMP CARD? THAT'S NOT VERY STALKERY. 355 00:15:21,688 --> 00:15:23,540 WHERE'S THE BIG CREEPY WALL OF JENNA? 356 00:15:23,541 --> 00:15:24,338 BECKETT? YEAH. 357 00:15:24,339 --> 00:15:29,455 I THINK I GOT SOMETHING - A CAMERA WITH A TELEPHOTO LENS. WHAT HAS IT GOT ON IT? 358 00:15:29,456 --> 00:15:31,906 NOTHING. MAYBE IT'S BEEN ERASED. 359 00:15:33,226 --> 00:15:35,276 AH. Q-TECH, 4 GIG. 360 00:15:35,277 --> 00:15:36,740 SAME AS THE EMPTY PACKAGE ON THE ROOF. 361 00:15:36,741 --> 00:15:39,221 GET IT TO C.S.U. SEE IF THEY CAN RECOVER THE PHOTOS. 362 00:15:39,222 --> 00:15:40,361 IF THIS GUY HAD A THING FOR JENNA, 363 00:15:40,362 --> 00:15:44,231 HE SURE WAS SUBTLE ABOUT IT. 364 00:15:44,232 --> 00:15:46,645 DID YOU KNOW WHAT A COMP CARD IS? 365 00:15:46,646 --> 00:15:48,822 YEAH, ME NEITHER. 366 00:15:52,943 --> 00:15:56,500 CAN I HELP YOU, OFFICERS? WILL JAMES? GET YOUR HANDS UP. 367 00:15:56,501 --> 00:15:57,657 WE CAN PLACE YOU ON THE ROOFTOP 368 00:15:57,658 --> 00:15:59,145 OF THE BUILDING ACROSS FROM HERS, 369 00:15:59,146 --> 00:16:02,978 SO IF YOU WEREN'T TAKING PHOTOS, WHAT WERE YOU DOING THERE? I DIDN'T KILL HER, ALL RIGHT? 370 00:16:02,979 --> 00:16:06,998 I WASN'T EVEN HERE SUNDAY. I WAS WORKIN'. RIGHT, AT THE CASINO OVER IN ATLANTIC CITY. 371 00:16:06,999 --> 00:16:08,824 DON'T WORRY. WE'RE RUNNING IT DOWN NOW. 372 00:16:08,825 --> 00:16:10,149 IN THE MEANTIME, MAYBE YOU CAN EXPLAIN 373 00:16:10,150 --> 00:16:13,733 HOW THIS GOT IN YOUR APARTMENT. 374 00:16:13,734 --> 00:16:18,466 HAVING PICTURES OF HOT CHICKS IS NOT A CRIME. NO, BUT SENDING THEM THREATENING LETTERS IS. 375 00:16:18,467 --> 00:16:22,389 IF I MAY... "YOU WERE WEARING A LOT OF MAKEUP TODAY. 376 00:16:22,390 --> 00:16:26,522 IT MADE YOU LOOK LIKE A SLUT." 377 00:16:26,523 --> 00:16:30,087 OH, YOU GUYS THINK I WROTE THAT? 378 00:16:33,247 --> 00:16:35,027 THAT GUY IS APTLY NAMED. 379 00:16:35,028 --> 00:16:36,540 HE GIVES ME THE WILLIES. 380 00:16:36,541 --> 00:16:38,231 WE HAVE A PROBLEM. 381 00:16:38,232 --> 00:16:40,616 HIS ALIBI CHECKS OUT. 382 00:16:40,617 --> 00:16:41,937 YOU GOTTA BE KIDDING ME. 383 00:16:41,938 --> 00:16:45,028 MNH-MNH. TALKED TO THE MANAGER AT THE CASINO WHERE HE WORKS. 384 00:16:45,029 --> 00:16:47,769 SAYS THAT WILL JAMES WAS THERE THE NIGHT THE GIRL WAS KILLED. 385 00:16:47,770 --> 00:16:51,647 THERE'S GOTTA BE SOME KIND OF MISTAKE. MAYBE HIS BOSS IS IN ON IT, COVERING FOR HIS FRIEND. 386 00:16:51,648 --> 00:16:54,769 I THOUGHT SO. SO THEY SENT OVER THE SECURITY FOOTAGE. 387 00:16:54,770 --> 00:16:57,025 JAMES WAS PARKING CARS ALL NIGHT. 388 00:16:57,026 --> 00:16:59,287 HE'S NOT OUR GUY. 389 00:17:01,278 --> 00:17:03,210 OKAY, I DON'T... I DON'T UNDERSTAND. 390 00:17:03,211 --> 00:17:06,643 WE'RE HOLDING HIM ON STALKING CHARGES. 391 00:17:06,644 --> 00:17:08,266 BUT HE DIDN'T KILL HER. 392 00:17:08,267 --> 00:17:12,038 HE SENT THOSE LETTERS, RIGHT? HE TOOK THE PICTURES? 393 00:17:12,039 --> 00:17:13,729 WE WON'T KNOW FOR SURE UNLESS C.S.U. 394 00:17:13,730 --> 00:17:18,935 IS ABLE TO RECOVER FILES FROM THE CAMERA CARD. 395 00:17:18,936 --> 00:17:21,969 WHOEVER KILLED JENNA, WE WILL FIND THEM. 396 00:17:21,970 --> 00:17:23,961 I PROMISE. 397 00:17:23,962 --> 00:17:25,857 OKAY. JUST- WHATEVER I CAN DO. 398 00:17:25,858 --> 00:17:28,778 WELL, THERE IS SOMETHING THAT WE'RE TRYING TO FIGURE OUT. 399 00:17:28,779 --> 00:17:31,094 THE MEDICAL EXAMINER SAID THAT SHE FOUND ADDMAIR 400 00:17:31,095 --> 00:17:32,110 IN JENNA'S BLOOD STREAM. 401 00:17:32,111 --> 00:17:33,433 IT'S A TYPE OF AMPHETAMINE. 402 00:17:33,434 --> 00:17:36,313 NO. NO. JENNA DIDN'T USE DRUGS. 403 00:17:36,314 --> 00:17:36,895 SOME PEOPLE SAY 404 00:17:36,896 --> 00:17:39,751 THAT SHE'D BEEN ACTING NERVOUS LATELY, EDGY. 405 00:17:39,752 --> 00:17:43,114 SURE. THAT WAS THE STRESS. 406 00:17:43,115 --> 00:17:45,741 LOOK, THESE LETTERS, THEY REALLY SCARED HER. 407 00:17:45,742 --> 00:17:48,728 SHE DIDN'T WANT TO TELL PEOPLE AT WORK ABOUT 'EM. 408 00:17:48,729 --> 00:17:50,877 HOW WERE THINGS GOING FOR HER AT WORK? 409 00:17:50,878 --> 00:17:52,248 WAS THERE ANYONE SHE DIDN'T GET ALONG WITH- 410 00:17:52,249 --> 00:17:54,744 MR. FARROW PERHAPS? NO. LOOK, SHE LOVED TEDDY. 411 00:17:54,745 --> 00:17:59,025 SHE GOT ALONG GOOD WITH EVERYONE. 412 00:17:59,026 --> 00:18:01,847 I DON'T KNOW. MAYBE THIS ONE GUY. 413 00:18:01,848 --> 00:18:04,738 A PHOTOGRAPHER. THEY HAD A FIGHT. 414 00:18:04,739 --> 00:18:06,393 ABOUT WHAT? I GUESS HE WAS THE GUY 415 00:18:06,394 --> 00:18:08,337 THAT WAS GONNA SHOOT THE FARROW CAMPAIGN. 416 00:18:08,338 --> 00:18:12,031 SO LAST WEEK, HE AND JENNA, THEY DID THIS TEST SHOOT. 417 00:18:12,032 --> 00:18:13,703 SHE CAME HOME CRYING, 418 00:18:13,704 --> 00:18:16,776 SAID THAT HER PICTURES WERE AWFUL. 419 00:18:16,777 --> 00:18:17,984 SHE WAS WORRIED SHE WOULDN'T GET THE JOB NOW. 420 00:18:18,985 --> 00:18:21,590 DID JENNA SAY WHAT WENT WRONG? 421 00:18:21,591 --> 00:18:24,177 SHE SAID THAT HE JUST DIDN'T LIKE HER. 422 00:18:24,178 --> 00:18:27,811 HE WAS TRYING TO RUIN IT FOR HER BY MAKING HER LOOK BAD. 423 00:18:27,812 --> 00:18:30,258 THIS PHOTOGRAPHER- DO YOU KNOW HIS NAME? 424 00:18:32,010 --> 00:18:32,557 MR. MONROE, 425 00:18:32,558 --> 00:18:35,026 WHAT HAPPENED BETWEEN YOU AND JENNA? 426 00:18:35,027 --> 00:18:37,353 LOOK, JENNA WAS A GREAT MODEL AND A GREA 427 00:18:37,354 --> 00:18:39,971 BUT THAT DAY, SHE WAS UNFOCUSED, AWKWARD. 428 00:18:39,972 --> 00:18:44,218 WE HAD WORDS, BUT WE RESOLVED OUR ISSUES. HOW? 429 00:18:44,219 --> 00:18:47,478 I AGREED TO DO ANOTHER TEST ON MY TIME AND MY DIME. 430 00:18:47,479 --> 00:18:48,553 WE WERE SUPPOSED TO MEET YESTERDAY 431 00:18:48,554 --> 00:18:52,347 AFTER THE RUNWAY SHOW, BUT - CAN YOU CONFIRM WHERE YOU WERE AT BETWEEN 1:00 AND 5:00 A.M. 432 00:18:52,348 --> 00:18:56,374 THE NIGHT SHE DIED? I WAS AT THE ZAC POSEN PARTY UNTIL 3:00, 433 00:18:56,375 --> 00:18:59,472 AND THEN HOME ASLEEP. 434 00:18:59,473 --> 00:19:01,420 THANK YOU, MR. MONROE. 435 00:19:01,421 --> 00:19:03,236 LADIES AND GENTLEMEN- 436 00:19:03,237 --> 00:19:05,883 TEDDY FARROW! 437 00:19:09,972 --> 00:19:11,242 GOOD AFTERNOON. 438 00:19:12,350 --> 00:19:15,259 IT'S BEEN A HARD WEEK FOR US HERE AT TEDDY FARROW. 439 00:19:15,260 --> 00:19:16,823 I'M SURE YOU'VE HEARD, 440 00:19:16,824 --> 00:19:20,281 WE LOST ONE OF OUR OWN ON SUNDAY NIGHT. 441 00:19:20,282 --> 00:19:25,020 JENNA McBOYD WAS TAKEN FROM THIS WORLD TOO SOON. 442 00:19:25,021 --> 00:19:28,483 BUT EVEN AS WE HONOR HER MEMORY, 443 00:19:28,484 --> 00:19:30,916 SHE WOULD'VE WANTED US TO CARRY ON. 444 00:19:30,917 --> 00:19:33,064 AND THAT'S WHY I'VE INVITED YOU HERE, 445 00:19:33,065 --> 00:19:36,541 TO INTRODUCE THE NEW FACE OF MY COLLECTION. 446 00:19:36,542 --> 00:19:38,560 SHE'S AN EXCITING TALENT. 447 00:19:38,561 --> 00:19:41,482 AND TOGETHER, WE SHALL ACHIEVE GREAT THINGS. 448 00:19:41,483 --> 00:19:45,469 I GIVE YOU MISS SIERRA GOODWIN. 449 00:20:03,104 --> 00:20:03,783 AND THERE'S SIERRA, 450 00:20:03,784 --> 00:20:08,084 STEPPING IN FOR HER GOOD FRIEND JENNA AGAIN. 451 00:20:08,085 --> 00:20:09,532 IS IT JUST ME 452 00:20:09,533 --> 00:20:12,242 OR DOES SHE LOOK REALLY HAPPY? 453 00:20:15,568 --> 00:20:18,526 WHAT WAS IT THAT TEDDY WAS SAYING ABOUT HIS NEW FACE? 454 00:20:18,527 --> 00:20:22,027 A PICTURE IN EVERY MAGAZINE, A BILLBOARD IN TIMES SQUARE, 455 00:20:22,028 --> 00:20:23,342 A HUGE PAYCHECK- 456 00:20:23,343 --> 00:20:25,465 DEFINITELY WORTH KILLING FOR. 457 00:20:25,466 --> 00:20:27,301 CASTLE, YOU'RE TALKING ABOUT ONE GIRL 458 00:20:27,302 --> 00:20:29,218 MURDERING ANOTHER FOR A JOB. 459 00:20:29,219 --> 00:20:31,627 IT'S NOT A JOB. IT'S A CAMPAIGN- 460 00:20:31,628 --> 00:20:34,338 A CAREER-MER-MAKER-AND JEALOUSY'S A CLASSIC MOTIVE. 461 00:20:34,339 --> 00:20:34,894 YOU'VE SEEN THE FILMS- 462 00:20:34,895 --> 00:20:37,323 "THE TALENTED MR. RIPLEY," "DEAD RINGERS," AND, OF COURSE, 463 00:20:37,324 --> 00:20:40,951 THE UNDERRATED CLASSIC "SHOWGIRLS." NOBODY MURDERED ANYONE IN "SHOWGIRLS." 464 00:20:42,249 --> 00:20:43,360 I HEAR. 465 00:20:43,361 --> 00:20:45,185 SIERRA WANTS TO BE TEDDY'S FAVORITE. 466 00:20:45,186 --> 00:20:47,066 BUT SHE'S ALWAYS SECOND CHOICE. 467 00:20:47,067 --> 00:20:49,389 SIERRA THINKS, WHAT IF JENNA WAS GONE? 468 00:20:49,390 --> 00:20:51,051 THEN I'D BE NUMBER ONE. 469 00:20:51,052 --> 00:20:53,273 THEN I WOULD FINALLY GET EVERYTHING THAT I DESERVE. 470 00:20:53,274 --> 00:20:56,821 AND THEN ONE NIGHT, SHE SEES HER CHANCE. 471 00:20:56,822 --> 00:21:00,455 SHE LURES JENNA SOMEWHERE QUIET... 472 00:21:00,460 --> 00:21:01,736 DESERTED. 473 00:21:01,737 --> 00:21:05,603 AND WHEN JENNA TURNS HER BACK, SIERRA STABS HER. 474 00:21:05,604 --> 00:21:07,269 WITH THE STATUE OF THE WASHINGTON MONUMENT 475 00:21:07,270 --> 00:21:09,286 THAT SHE CARRIES IN HER PURSE? 476 00:21:09,287 --> 00:21:11,498 AND THEN STEALS HER SHOES. MM. 477 00:21:11,499 --> 00:21:13,899 NOT A PERFECT THEORY, BUT WE'RE HERE ANYWAY. 478 00:21:13,900 --> 00:21:16,318 SO NO HARM IN LEARNING A LITTLE BIT MORE 479 00:21:16,319 --> 00:21:20,533 ABOUT WHAT MAKES SIERRA GOODWIN TICK. 480 00:21:21,578 --> 00:21:24,192 AND I SEE JUST THE GIRL TO CLUE US IN. 481 00:21:27,974 --> 00:21:28,572 RICK. 482 00:21:28,573 --> 00:21:31,419 UH, THAT'S MR. CASTLE TO YOU, MISSY. 483 00:21:31,420 --> 00:21:33,197 RINA, THIS IS DETECTIVE BECKETT. 484 00:21:33,198 --> 00:21:36,303 DETECTIVE BECKETT, RINA. SHE USED TO BABYSIT FOR ME. 485 00:21:36,304 --> 00:21:39,390 FOR-I MEAN ALEXIS. YOU DON'T SAY? 486 00:21:39,391 --> 00:21:41,476 ACTUALLY, WE'RE HERE ABOUT JENNA. 487 00:21:41,477 --> 00:21:43,524 OH. THAT WAS SO TERRIBLE. 488 00:21:43,525 --> 00:21:45,093 YEAH. WAS IT TRUE THAT SHE AND SIERRA GOODWIN 489 00:21:45,094 --> 00:21:46,710 WERE KINDA B.F.F.s? 490 00:21:46,711 --> 00:21:50,751 I WOULDN'T SAY B.F.F.s. SIERRA'S MORE OF A FRENEMY. 491 00:21:50,752 --> 00:21:53,224 HOW SO? SHE DOESN'T PLAY WELL WITH OTHERS. 492 00:21:53,225 --> 00:21:54,571 SHE EVER PUSH ANYBODY DOWN THE STAIRS? 493 00:21:54,572 --> 00:21:58,646 NO. STUPID STUFF, REALLY- LYING ABOUT WHEN A CALL TIME IS, 494 00:21:58,647 --> 00:22:00,646 ITCHING POWDER IN YOUR UNDERWEAR- 495 00:22:00,647 --> 00:22:03,532 WAIT, AND THIS ONE TIME, SHE CRUSHED UP A DIET PILL 496 00:22:03,534 --> 00:22:06,193 AND DROPPED IT INTO ANOTHER MODEL'S CHAMPAGNE. 497 00:22:06,194 --> 00:22:07,827 YOU'RE SAYING SHE DOSED SOMEONE. 498 00:22:07,828 --> 00:22:10,193 THE GIRL GOT ALL WIRED AND CALLED CALVIN KLEIN 499 00:22:10,194 --> 00:22:12,601 A BORING, OLD FART... 500 00:22:12,602 --> 00:22:13,635 TO HIS FACE. 501 00:22:13,636 --> 00:22:15,300 OH. 502 00:22:15,409 --> 00:22:18,683 THANK YOU, RINA. YOU'VE BEEN VERY HELPFUL. 503 00:22:29,907 --> 00:22:32,864 GOT SOMETHING YOU WANT TO SHARE WITH THE CLASS? 504 00:22:32,865 --> 00:22:34,281 I WAS JUST THINKING... 505 00:22:34,282 --> 00:22:36,015 MAYBE JENNA DIDN'T USE DRUGS. 506 00:22:36,016 --> 00:22:37,863 MAYBE SIERRA WAS SLIPPING 'EM INTO HER DRINKS 507 00:22:37,864 --> 00:22:38,869 WHEN TEDDY FARROW WAS AROUND 508 00:22:38,880 --> 00:22:41,154 TO MAKE HER SEEM CRAZY OR PARANOID. 509 00:22:41,155 --> 00:22:42,737 NOW THAT IS AN EVIL DEED 510 00:22:42,738 --> 00:22:45,258 WORTHY OF THE "SHOWGIRLS" SPECIAL EDITION. 511 00:22:45,259 --> 00:22:47,618 WHAT ARE THOSE TWO DOING HERE? 512 00:22:50,592 --> 00:22:52,515 OKAY, GUYS, WHAT'S GOING ON? TECH MANAGED TO RECOVER 513 00:22:52,516 --> 00:22:54,835 E DELETED PHOTOS FROM WILL JAMES' MEMORY CARD. 514 00:22:54,836 --> 00:22:56,262 HE MIGHT NOT HAVE BEEN JENNA'S KILLER, 515 00:22:56,263 --> 00:23:01,022 BUT HE WAS DEFINITELY HER STALKER. AND YOU DROVE ALL THE WAY DOWN HERE JUST TO SHOW ME THIS? 516 00:23:01,024 --> 00:23:02,798 WE THOUGHT YOU'D WANT 'EM RIGHT AWAY. 517 00:23:02,799 --> 00:23:05,476 THAT IS SO THOUGHTFUL OF YOU GUYS. 518 00:23:05,477 --> 00:23:08,761 WHAT DO YOU THINK, BECKETT? YOU MISSING THE GLAMOROUS LIFE? THE WHAT LIFE? 519 00:23:08,762 --> 00:23:11,168 CASTLE, HEY, IS YOUR, UH, YOUR GIRL HERE? 520 00:23:11,169 --> 00:23:12,706 RINA. 521 00:23:12,707 --> 00:23:14,875 RINA USED TO BABYSIT ALEXIS, FELLAS. 522 00:23:14,876 --> 00:23:16,691 SO AS FAR AS BIG RICK HERE IS CONCERNED, 523 00:23:16,692 --> 00:23:19,036 SHE MIGHT AS WELL BE WEARING A CHASTITY BELT. THANK YOU FOR THAT VISUAL IMAGE. 524 00:23:19,037 --> 00:23:25,332 THANKS. AND ALSO, THANK YOU FOR CALLING ME "BIG RICK." HEY, BY THE WAY, OUR BUDDY WILL 525 00:23:25,333 --> 00:23:27,089 HAS A GIRLFRIEND WE MIGHT WANT TO TALK TO. 526 00:23:27,090 --> 00:23:30,706 THERE'S, UH, SOME PHOTOS OF HER RIGHT HERE IN THE BACK. 527 00:23:30,707 --> 00:23:34,322 MM. NAKED PHOTOS. CASTLE, CHECK THIS OUT. 528 00:23:34,323 --> 00:23:37,338 LOOK AT NAKED PICTURES? IF YOU INSIST. 529 00:23:37,339 --> 00:23:40,636 SHE'S WILL JAMES' GIRLFRIEND? 530 00:23:40,637 --> 00:23:41,219 LOOKS LIKE TEDDY FARROW 531 00:23:41,220 --> 00:23:44,613 ISN'T THE ONLY GUY THAT SIERRA WAS MODELING FOR. 532 00:23:48,653 --> 00:23:51,410 HAVE YOU ANY IDEA OF THE SPECTACLE YOU JUST CAUSED? 533 00:23:51,411 --> 00:23:54,078 I MEAN, WHY THE HELL WOULD YOU DRAG THE FACE OFY CAMPAIGN 534 00:23:54,079 --> 00:23:56,998 OUT OF MY LAUNCH PARTY AND BRING HER DOWN HERE 535 00:23:57,000 --> 00:23:59,760 AS IF SHE WERE SOME SORT OF CRIMINAL? BECAUSE SHE IS. 536 00:23:59,761 --> 00:24:02,290 WILL JAMES' CONFESSION. HE ADMITS SIERRA HIRED HIM 537 00:24:02,291 --> 00:24:04,068 TO TAKE THE STALKER PHOTOS OF JENNA. 538 00:24:04,069 --> 00:24:05,048 HE EVEN HELPED HER WRITE THE LETTERS. 539 00:24:05,484 --> 00:24:08,934 AND HE CLAIMS HE WAS SUPPLYING SIERRA WITH ADDMAIR. SHE WAS DOSING JENNA. 540 00:24:08,935 --> 00:24:12,159 SHE WAS TRYING TO MAKE HER SEEM PARANOID AROUND YOU. WHY WOULD SHE DO THAT? 541 00:24:12,160 --> 00:24:14,539 TO PREY ON THE FEARS OF A NAIVE COUPLE, 542 00:24:14,540 --> 00:24:16,826 PRESSURE THEM INTO MOVING BACK TO OHIO 543 00:24:16,827 --> 00:24:20,215 SO SIERRA COULD TAKE HER PLACE. MR. FARROW, HAVE YOU EVER HEARD OF THE EXPRESSION, 544 00:24:20,216 --> 00:24:21,715 "I WOULD KILL FOR THAT JOB"? 545 00:24:21,716 --> 00:24:24,536 BUT SHE WAS MY FACE- MY FACE. 546 00:24:24,537 --> 00:24:26,562 I MEAN, HAVE YOU ANY IDEA WHAT THIS WILL DO TO ME, 547 00:24:26,563 --> 00:24:28,056 THE SCANDAL? 548 00:24:28,057 --> 00:24:30,666 IT WILL TAINT THE ENTIRE SPRING LINE. 549 00:24:30,667 --> 00:24:33,727 A GIRL IS DEAD, MR. FARROW. DOES THAT MEAN ANYTHING TO YOU? 550 00:24:33,728 --> 00:24:37,197 IT DOESN'T MEAN MY BUSINESS SHOULD SUFFER. THEY'RE JUST CLOTHES. 551 00:24:37,198 --> 00:24:40,688 "JUST CLOTHES," DETECTIVE? CLOTHES ARE CIVILIZATION. 552 00:24:40,690 --> 00:24:44,637 CLOTHES ARE WHAT SEPARATE US FROM ANIMALS. 553 00:24:45,612 --> 00:24:47,982 NOT ALWAYS. 554 00:24:50,988 --> 00:24:52,709 SHE WAS YOUR ONLY COMPETITION. 555 00:24:52,710 --> 00:24:54,318 YOU NEEDED HER OUT OF THE WAY, 556 00:24:54,319 --> 00:24:57,776 AND YOU WERE RUNNING OUT OF TIME. NO, NO. I DIDN'T KILL HER. 557 00:24:57,777 --> 00:25:00,004 RIGHT. YOU JUST DRUGGED HER 558 00:25:00,005 --> 00:25:01,162 AND SENT HER THREATENING LETTERS. 559 00:25:01,163 --> 00:25:04,803 WHERE WERE YOU AT 2:00 A.M. ON SUNDAY NIGHT? 560 00:25:04,804 --> 00:25:08,537 SIERRA... YOU ARE FACING A MURDER CHARGE. 561 00:25:08,538 --> 00:25:12,317 IF YOU HAVE SOMETHING TO SAY, NOW WOULD BE THE TIME. 562 00:25:15,362 --> 00:25:18,200 SHE WENT TO WYATT'S PLACE. THE PHOTOGRAPHER? 563 00:25:18,201 --> 00:25:19,922 JENNA WASN'T JUST BEING PARANOID 564 00:25:19,923 --> 00:25:22,419 WHEN SHE SAID WYATT SABOTAGED HER PHOTO SHOOT. 565 00:25:22,420 --> 00:25:24,575 HE DID. WHY? 566 00:25:24,576 --> 00:25:27,416 BECAUSE JENNA WOULDN'T SLEEP WITH HIM. 567 00:25:27,417 --> 00:25:29,666 IT'S LIKE AN OPEN SECRET WITH THE GIRLS. 568 00:25:29,667 --> 00:25:32,211 YOU GIVE WYATT WHAT HE WANTS, HE GIVES YOU GREAT SHOTS. 569 00:25:32,212 --> 00:25:35,901 IF YOU DON'T, HE CAN RUIN YOU. AND HE WANTED JENNA. 570 00:25:35,902 --> 00:25:37,364 SO HE WAS MAKING HER CHOOSE 571 00:25:37,365 --> 00:25:39,904 BETWEEN HER CAREER AND HER MARRIAGE VOWS? 572 00:25:39,905 --> 00:25:40,398 NICE GUY. 573 00:25:40,399 --> 00:25:42,649 SHE KNEW THE PHOTOS FROM THE SECOND TEST HAD TO BE GREAT 574 00:25:42,650 --> 00:25:44,097 OR SHE REALLY WOULD LOSE THE JOB. 575 00:25:44,098 --> 00:25:47,693 SHE NEEDED HIM TO DO IT RIGHT THIS TIME. SO WHAT PPENED ON SUNDAY? 576 00:25:47,694 --> 00:25:49,137 SHE TOLD ME SHE HAD A PLAN. 577 00:25:49,138 --> 00:25:51,599 I FIGURED SHE WAS GONNA GIVE WYATT WHAT HE WANTED. 578 00:25:51,600 --> 00:25:54,085 I JUST TOLD HER, "IT'S NOT THE WORST THING IN THE WORLD, 579 00:25:54,086 --> 00:25:54,897 "YOU KNOW? 580 00:25:54,898 --> 00:26:00,075 YOU MIGHT EVEN LIKE IT. I DID." 581 00:26:05,016 --> 00:26:07,563 THAT WAS THE LAST TIME I SAW HER ALIVE. 582 00:26:07,564 --> 00:26:08,704 YO, BECKETT. YEAH. 583 00:26:08,705 --> 00:26:11,451 WE JUST GOT THE RUNDOWN ON WYATT MONROE. NO PRIORS. 584 00:26:11,452 --> 00:26:13,400 BUT TURNS OUT HIS APARTMENT IS RIGHT NEXT DOOR 585 00:26:13,401 --> 00:26:15,532 TO THE ARTS CENTER, AND HIS LIVING ROOM OVERLOOK 586 00:26:15,534 --> 00:26:18,743 THE FOUNTAIN WHERE JENNA WAS KILLED. HE LIVES NEXT TO THE CRIME SCENE? 587 00:26:18,744 --> 00:26:20,613 WE RAN THAT ALIBI THAT HE GAVE YOU. 588 00:26:20,614 --> 00:26:25,551 WITNESSES AT THE ZAC POSEN PARTY SAID HE LEFT AROUND 11:30. HE TOLD US HE LEFT AT 3:00 A.M. 589 00:26:25,552 --> 00:26:28,079 OH, THERE'S MORE. WE CHECKED WITH THE TEDDY FARROW PEOPLE. 590 00:26:28,080 --> 00:26:32,760 THEY SAID HE GOT TO THEIR PARTY JUST BEFORE MIDNIGHT. HE LIED TO US. 591 00:26:33,418 --> 00:26:36,408 I N'T TELL YOU HOW SHOCKED I WAS WHEN SIERRA WAS ARRESTED. 592 00:26:36,409 --> 00:26:37,653 ARE YOU TWO CLOSE? 593 00:26:37,654 --> 00:26:40,926 I WOULDN'T SAY CLOSE, BUT I DID A NUMBER OF SESSIONS WITH HER. 594 00:26:40,927 --> 00:26:43,203 SO WE'VE HEARD. 595 00:26:44,221 --> 00:26:46,546 THAT'S A REALLY NICE VIEW. 596 00:26:46,547 --> 00:26:48,051 THANKS. 597 00:26:48,052 --> 00:26:50,876 SO HOW CAN HELP? YOU COULD TELL ME WHY YOU DIDN'T MENTION 598 00:26:50,877 --> 00:26:54,660 GOING TO THE FARROW PARTY ON SUNDAY NIGHT. MUST HAVE SLIPPED MY MIND. 599 00:26:54,661 --> 00:26:57,926 IT'S FASHION WEEK. I GO TO A LOT OF PARTIES. 600 00:26:57,928 --> 00:26:58,561 HEY. 601 00:26:58,562 --> 00:26:59,985 HMM? WHAT ARE YOU DOING? 602 00:26:59,986 --> 00:27:03,711 OH, DON'T MIND ME. DID YOU TALK TO JENNA AT THE PARTY? 603 00:27:03,712 --> 00:27:05,630 I THINK I DID, BUT JUST TO SAY HELLO. 604 00:27:05,631 --> 00:27:09,188 YOU DIDN'T PLAN ON A RENDEZVOUS LATER ON AT YOUR PLACE? NO. 605 00:27:09,189 --> 00:27:12,184 OH, REALLY? THEN WHOSE ARE THESE? 606 00:27:12,187 --> 00:27:13,799 CHRISTIAN LOUBOUTIN PINK SATIN PUMPS 607 00:27:13,800 --> 00:27:15,715 ON LOAN FROM TEDDY FARROW. 608 00:27:15,715 --> 00:27:17,484 I DON'T KNOW WHO THOSE BELONG TO. 609 00:27:17,485 --> 00:27:22,152 WHAT IS THIS AWARD, MR. MONROE? IT'S THE HILO. 610 00:27:22,153 --> 00:27:26,381 "FOR EXCELLENCE IN EDITORIAL PHOTOGRAPHY." 611 00:27:26,382 --> 00:27:28,721 LOOKS LIKE ONE OF THESE IS MISSING. 612 00:27:28,722 --> 00:27:30,362 MR. MONROE, WHERE IS IT? 613 00:27:30,363 --> 00:27:32,963 THE CLEANING WOMAN, UH, DROPPED IT... 614 00:27:32,964 --> 00:27:34,818 LAST WEEK. 615 00:27:34,819 --> 00:27:36,444 IT BROKE. 616 00:27:36,445 --> 00:27:38,951 YOU KNOW, IT LOOKS JUST LIKE THE WASHINGTON MONUMENT. 617 00:27:38,952 --> 00:27:41,158 IT DOES, DOESN'T IT? 618 00:27:43,599 --> 00:27:44,934 OKAY. 619 00:27:44,936 --> 00:27:49,072 LOOK. JENNA WAS AT MY PLACE ON SUNDAY NIGHT. 620 00:27:49,073 --> 00:27:51,485 BUT SHE WAS ALIVE WHEN SHE LEFT. WHY WAS SHE THERE? 621 00:27:51,489 --> 00:27:55,199 SHE FOUND ME AT TEDDY'S PARTY, SAID SHE HAD A CHANGE OF HEART. 622 00:27:55,200 --> 00:27:57,956 WANTED US TO WORK TOGETHER FROM NOW ON AS A TEAM. 623 00:27:57,958 --> 00:28:01,525 AND YOU ASSUMED THAT WAS CODE FOR "DO ME." 624 00:28:01,526 --> 00:28:03,528 WE AGREED TO MEET BACK AT MY PLACE. 625 00:28:03,529 --> 00:28:05,040 SHE CAME IN, WE HAD A DRINK, 626 00:28:05,041 --> 00:28:06,904 GOT COMFORTABLE ON THE COUCH. 627 00:28:06,905 --> 00:28:08,601 I WAS READY TO GET DOWN TO BUSINESS, 628 00:28:08,602 --> 00:28:11,682 BUT SHE KEPT WANTING TO TALK ABOUT OUR DEAL. 629 00:28:11,686 --> 00:28:12,714 THAT'S WHAT SHE CALLED IT. 630 00:28:12,715 --> 00:28:15,650 SAID SHE WANTED ME TO TELL HER EXACTLY WHAT SHE HAD TO DO 631 00:28:15,651 --> 00:28:20,032 TO GET GOOD SHOTS - EXACTLY. SHE WAS TRYING TO GET YOU TO INCRIMINATE YOURSELF. 632 00:28:20,033 --> 00:28:22,476 A MASTER SPY THIS GIRL WAS NOT. 633 00:28:22,477 --> 00:28:24,182 I GRABBED HER PURSE, PULLED OUT HER PHONE. 634 00:28:24,183 --> 00:28:27,193 DAMNHING HAD AN APP ON IT THAT TURNED IT INTO A RECORDER. 635 00:28:27,194 --> 00:28:31,303 SHE TAPED OUR WHOLE CONVERSATION. SHE WANTED TO RECORD HIM DEMANDING SEX FOR GOOD SHOTS 636 00:28:31,304 --> 00:28:32,894 SO SHE COULD PLAY IT FOR TEDDY FARROW. YEAH. 637 00:28:32,895 --> 00:28:34,863 SHE GRABBED THE PHONE BACK. WE STRUGGLED. 638 00:28:34,864 --> 00:28:36,462 SHE PICKED UP MY AWARD OFF THE SHELF, 639 00:28:36,463 --> 00:28:38,492 STARTED WAVING IT AROUND AND ACTING CRAZY. 640 00:28:38,493 --> 00:28:41,059 SHE SMACKED THHILO INTO A BOOKSHELF. THE TIP BROKE OFF. 641 00:28:41,481 --> 00:28:45,177 I TRIED TO GRAB IT. SHE CUT ME WITH THE EDGE. 642 00:28:45,178 --> 00:28:49,135 SO I BACKED OFF, AND SHE LEFT. 643 00:28:49,136 --> 00:28:52,038 YOU KNOW, THAT'S A GREAT STORY, BUT I DON'T BELIEVE YOU. 644 00:28:52,039 --> 00:28:54,339 JUST LISTEN TO THE RECORDING ON HER PHONE. 645 00:28:54,340 --> 00:28:55,326 I'M TELLING YOU THE TRUTH. 646 00:28:55,327 --> 00:28:57,231 HER PURSE WAS NEVER FOUND. 647 00:28:57,232 --> 00:28:58,942 SO IT LOOKS LIKE THE EVIDCE THAT'LL CLEAR YOU 648 00:28:58,943 --> 00:29:01,305 IS LYING IN A LANDFILL SOMEWHERE 649 00:29:01,309 --> 00:29:03,486 ALONG WITH YOUR HILO. 650 00:29:03,487 --> 00:29:06,140 TOUGH BREAK. 651 00:29:06,141 --> 00:29:07,704 %%%??? 652 00:29:08,907 --> 00:29:12,349 NOT EVERYBODY IN THAT BUSINESS IS PREDATORY. IT SURE SEEMS THAT WAY. 653 00:29:12,350 --> 00:29:14,034 JENNA'S BEST FRIEND WAS DRUGGING HER, 654 00:29:14,035 --> 00:29:16,961 AND HER PHOTOGRAPHER KILLED HER. EVEN HER CLOTHING DESIGNER SEEMED MORE INTERESTED 655 00:29:16,962 --> 00:29:19,315 IN HIS SHOW THAN IN HER MURDER. 656 00:29:19,316 --> 00:29:20,352 BUT AT LEAST WE GOT THE BAD GUY. 657 00:29:20,353 --> 00:29:23,433 THAT'S SOMETHING. 658 00:29:24,355 --> 00:29:25,637 WHAT? 659 00:29:25,638 --> 00:29:27,495 IF WYATT KILLED HER, 660 00:29:27,496 --> 00:29:31,781 WHY DIDN'T HE DO A BETTER JOB OF CLEANING UP HIS PLACE? 661 00:29:31,782 --> 00:29:34,679 AND WHY WOULD HE LEAVE HER BODY RIGHT OUTSIDE OF HIS APARTMENT? 662 00:29:34,680 --> 00:29:37,157 MAYBE HE'S NOT THAT BRIGHT. 663 00:29:37,158 --> 00:29:39,154 OR MAYBE HE WAS TELLING THE TRUTH. 664 00:29:39,155 --> 00:29:42,078 MAYBE HE DIDN'T DO IT. 665 00:29:43,523 --> 00:29:45,406 WHAT'S UP WITH THE STROLL DOWN MEMORY LANE? 666 00:29:45,407 --> 00:29:47,133 OH, I CALLED MY AGENT 667 00:29:47,135 --> 00:29:49,033 AND TOLD HIM TO PASS ON THE PLAY. 668 00:29:49,034 --> 00:29:51,505 I SAID, "MARTHA RODGERS DOES NOT DIE IN THE FIRST ACT, 669 00:29:51,508 --> 00:29:54,575 AND SHE NEVER DIES OFFSTAGE." 670 00:29:54,576 --> 00:29:55,683 FEEL BETTER? 671 00:29:55,684 --> 00:29:59,247 NO, I FEEL ROTTEN AND OLD. 672 00:29:59,248 --> 00:30:01,540 I FEEL LIKE I'M DYING OFFSTAGE. 673 00:30:01,541 --> 00:30:05,315 I WAS ALWAYS THE INGENUE, THE LEAD, THE STAR. 674 00:30:05,316 --> 00:30:07,237 I LIKED IT THAT WAY. 675 00:30:07,238 --> 00:30:08,876 IT'S A POWERFUL THING, KIDDO, 676 00:30:08,877 --> 00:30:12,230 TO BE YOUNG, BEAUTIFUL, TALENTED. 677 00:30:12,231 --> 00:30:14,299 NO WOMAN WANTS TO GIVE IT UP. 678 00:30:14,300 --> 00:30:17,270 YOU ARE STILL BEAUTIFUL AND YOU ARE STILL TALENTED. 679 00:30:17,273 --> 00:30:18,715 AND YOU DIDN'T GIVE UP YOUR YOUTH. 680 00:30:18,716 --> 00:30:20,082 YOU TRADED IT FOR WISDOM. 681 00:30:20,083 --> 00:30:21,552 WISDOM. 682 00:30:21,553 --> 00:30:25,705 WISDOM. 683 00:30:25,706 --> 00:30:31,965 GIMME THAT. 684 00:30:31,966 --> 00:30:36,129 RINA. HEY, ARE WE STILL ON FOR THAT DATE TONIGHT? 685 00:30:36,130 --> 00:30:39,140 ALL RIGHT. YOU REMEMBER WHERE I LIVE? 686 00:30:39,141 --> 00:30:43,235 I'LL SEE YOU THEN. 687 00:30:43,236 --> 00:30:44,173 WHAT? 688 00:30:44,174 --> 00:30:46,209 ALEXIS TOLD ME ALL ABOUT IT. 689 00:30:46,209 --> 00:30:47,787 AT GIRL IS TOO YOUNG FOR YOU. 690 00:30:47,788 --> 00:30:49,681 OR I SHOULD SAY, YOU ARE TOO OLD FOR HER. 691 00:30:49,682 --> 00:30:51,291 IT IS NOT WHAT YOU THINK. OH- 692 00:30:51,292 --> 00:30:55,058 AND UNEMPLOYED DIVAS WHO LIVE IN GLASS HOUSES RENT FREE 693 00:30:55,059 --> 00:30:57,796 SHOULD NOT THROW STONES. 694 00:30:57,797 --> 00:30:59,696 POINT TAKEN. 695 00:31:01,286 --> 00:31:02,323 WHAT'S THE GOOD WORD? 696 00:31:02,324 --> 00:31:04,333 SUNSHINE ELECTRONICS. 697 00:31:04,334 --> 00:31:08,208 THAT'S TWO WORDS. NOPE. THAT'S WHERE JENNA McBOYD BOUGHT HER NEW CELL PHONE. 698 00:31:08,209 --> 00:31:10,656 WHAT? SO I WAS TALKING TO HER HUSBAND LAST NIGHT, 699 00:31:10,657 --> 00:31:13,133 AND ON A HUNCH, I ASK HIM ABOUT HER CELL PHONE. 700 00:31:13,134 --> 00:31:15,441 HE SAID IT WOULDN'T ACCOMMODATE A RECORDING APP. 701 00:31:15,442 --> 00:31:17,664 SO I CHECKED INTO HER CREDIT CARD RECEIPTS. 702 00:31:17,665 --> 00:31:19,943 SHE BOUGHT A NEW CELL PHONE THE DAY SHE DIED, 703 00:31:19,944 --> 00:31:21,240 AND IT HAD GPS IN IT, 704 00:31:21,241 --> 00:31:23,736 WHICH SHE HAD THE FORESIGHT TO SWITCH ON. 705 00:31:23,737 --> 00:31:25,562 WHOA. YOU FOUND IT? 706 00:31:25,563 --> 00:31:29,681 IN A DUMPSTER ON WEST 81st. UNIFORMS ARE BRINGING IT IN NOW. 707 00:31:29,683 --> 00:31:31,817 STOP IT, WYATT! GIVE ME THE PHONE! 708 00:31:31,818 --> 00:31:35,628 SO FAR IT'S HAPPENING JUST LIKE HE SAID IT DID. MM-HMM. 709 00:31:35,629 --> 00:31:38,292 THIS IS WHEN HE SAID SHE GRABBED THE WEAPON. 710 00:31:38,293 --> 00:31:39,760 GIVE THAT TO ME! 711 00:31:39,761 --> 00:31:41,562 STAY AWAY FROM ME. 712 00:31:41,563 --> 00:31:43,635 BE CAREFUL WITH THAT THING. 713 00:31:43,636 --> 00:31:46,764 AAH! DAMN IT. 714 00:31:46,765 --> 00:31:52,553 I'M BLEEDING, YOU CRAZY BITCH. 715 00:31:52,554 --> 00:31:56,035 SOUNDS LIKE SHE LEFT THE PLACE ALIVE. DOESN'T MEAN HE DIDN'T GO AFTER HER. 716 00:31:56,036 --> 00:31:56,808 YEAH, BUT IF HE WAS GONNA KILL HER, 717 00:31:56,809 --> 00:31:59,997 HE WOULDN'T T HER LEAVE THE APARTMENT. SHH. IT'S STILL GOING. 718 00:31:59,998 --> 00:32:03,309 I NEED A CAB. I'VE GOTTA GET OUTTA HERE. 719 00:32:03,310 --> 00:32:05,901 OH, MY GOD! DID YOU FOLLOW ME? 720 00:32:05,902 --> 00:32:10,629 WAIT. LET GO OF ME. STOP! 721 00:32:11,862 --> 00:32:14,246 SO... WHAT'S OUR PLAN? 722 00:32:14,247 --> 00:32:15,365 MAKE HIM CONFESS. 723 00:32:15,366 --> 00:32:18,494 I DON'T THINK HE'S GONNA CRACK THAT EASY. 724 00:32:18,495 --> 00:32:19,483 I MEAN, WHAT IF HE FIGURES OUT 725 00:32:19,484 --> 00:32:21,170 WE ONLY HAVE A PARTIAL RECORDING, 726 00:32:21,171 --> 00:32:22,709 THAT THE MEMORY ON THE PHONE RAN OUT 727 00:32:22,710 --> 00:32:27,483 BEFORE THE ACTUAL MURDER TOOK PLACE? HE WON'T. 728 00:32:27,484 --> 00:32:30,678 WE, UH, WE DON'T HAVE ANY PROOF THAT HE DID IT. 729 00:32:30,679 --> 00:32:33,806 I MEAN, WHAT IF HE SHUTS DOWN AND DOESN'T TALK? HE WON'T. 730 00:32:33,807 --> 00:32:36,434 HE'S NOT A STUPID MAN. HE MIGHT ASK FOR A LAWYER. 731 00:32:36,435 --> 00:32:39,354 HE WON'T. LOOK, LET ME HANDLE THIS. 732 00:32:39,355 --> 00:32:41,841 YOU CAN GO IN IF YOU WANT, BUT DON'T SPEAK. 733 00:32:41,843 --> 00:32:44,117 I JUST- DON'T SPEAK. 734 00:32:48,995 --> 00:32:52,894 WHY DID YOU FOLLOW ME? WELL, IT SEEMS LIKE I HAD A GOOD REASON. 735 00:32:52,895 --> 00:32:54,478 OKAY, WAIT. SHE WAS RECORDING ME? 736 00:32:54,479 --> 00:32:58,224 YOU FOLLOWED HER TO FARROW'S PARTY SUNDAY NIGHT 737 00:32:58,225 --> 00:32:59,764 AND THEN TO MONROE'S APTMENT. 738 00:32:59,765 --> 00:33:02,180 YOU DON'T UNDERSTAND. SHE JUST- 739 00:33:02,181 --> 00:33:04,235 SHE HAD BEEN ACTING SO STRANGE LATELY. 740 00:33:04,237 --> 00:33:09,211 AND THEN SIERRA TELLS ME ABOUT THIS PHOTOGRAPHER - YOU TALKED WITH SIERRA ABOUT WYATT MONROE? 741 00:33:09,212 --> 00:33:11,442 SHE WAS WORRIED ABOUT ME AND JENNA, 742 00:33:11,443 --> 00:33:14,509 THAT IT WA-WAS MORE THAN JUST BUSINESS BETWEEN THEM, 743 00:33:14,510 --> 00:33:17,870 THAT SOMETHING WAS GOING ON. 744 00:33:18,687 --> 00:33:21,173 LOOK, O-ONCE THIS WAS IN MY HEAD, I- 745 00:33:21,174 --> 00:33:24,079 I COULDN'T STOP THINKING ABOUT IT. 746 00:33:24,080 --> 00:33:27,879 YEAH, I FOLLOWED HER TO THE PARTY. 747 00:33:27,880 --> 00:33:29,785 THEY WERE TOGETHER. 748 00:33:29,786 --> 00:33:30,987 WHEN SHE DIDN'T GO HOME 749 00:33:30,988 --> 00:33:34,105 AND SHE WENT HIS PLACE INSTEAD, 750 00:33:34,106 --> 00:33:35,144 I KNEW. 751 00:33:41,702 --> 00:33:43,143 OKAY, SO THEN YOU WAITED. 752 00:33:43,144 --> 00:33:47,068 SHE CAME OUT. HER CLOTHES WERE ALL MESSED UP. 753 00:33:47,069 --> 00:33:49,238 HER LIPSTICK WAS... 754 00:33:49,239 --> 00:33:50,443 RUBBED OFF. 755 00:33:50,444 --> 00:33:51,781 YOU CALLED HER A WHORE. 756 00:33:51,782 --> 00:33:55,834 I TOLD HER THAT SHE WAS MY WIFE- 757 00:33:55,835 --> 00:33:58,274 MY WIFE. 758 00:33:58,275 --> 00:33:59,863 AND SHE-SHE JUST STARTED CRYING. 759 00:33:59,864 --> 00:34:02,723 SHE... SHE SAID I DIDN'T UNDERSTAND, 760 00:34:02,724 --> 00:34:05,579 THAT I WAS JUST LIKE EVERYBODY ELSE. 761 00:34:06,474 --> 00:34:07,846 TRAVIS... 762 00:34:07,847 --> 00:34:13,653 I CAN'T HELP YOU UNLESS YOU TELL ME THE TRUTH. 763 00:34:17,067 --> 00:34:20,284 AND THEN YOU SLAPPED HER, HARD ENOUGH TO CUT HER CHEEK. 764 00:34:20,285 --> 00:34:22,312 LOOK, I DIDN'T MEAN- LOOK, I JUST-I COULDN'T- 765 00:34:22,313 --> 00:34:23,824 I COULDN'T SEE STRAIGHT. 766 00:34:23,825 --> 00:34:25,820 IT'S LIKE I WASN'T EVEN MYSELF ANYMORE. 767 00:34:25,821 --> 00:34:29,920 I WAS SO MAD, I JUST-I DIDN'T EVEN KNOW WHAT I WAS DOING. AND SO YOU KILLED HER. 768 00:34:29,921 --> 00:34:34,248 NO. NO. I DIDN'T KILL HER. 769 00:34:34,249 --> 00:34:37,311 TEDDY DID. TEDDY FARROW? 770 00:34:37,312 --> 00:34:40,359 AW, MAN. IT WAS ALWAYS TEDDY. IT WAS TEDDY THIS, TEDDY THAT. 771 00:34:40,360 --> 00:34:42,469 JUST, LIKE, WHISPERING IN HER EAR. 772 00:34:42,470 --> 00:34:45,383 YOU KNOW, TELLING HER HOW TO WALK, HOW TO TALK, WHO TO BE. 773 00:34:45,384 --> 00:34:49,333 JUST FEEDING HER MIND WITH LIES. 774 00:34:49,334 --> 00:34:51,433 I TELL YOU WHAT, IF ANYONE DID IT, 775 00:34:51,434 --> 00:34:56,231 IT WAS HIM. 776 00:34:56,232 --> 00:34:58,750 IT WAS YOU, TRAVIS, IN THE PLAZA, 777 00:34:58,751 --> 00:35:00,604 NOT TEDDY... 778 00:35:00,605 --> 00:35:02,452 STANDING BY THE FOUNTAIN 779 00:35:02,453 --> 00:35:05,304 THINKING ABOUT ALL THE THINGS YOU'D DONE FOR HER, 780 00:35:05,305 --> 00:35:09,907 ABOUT HOW YOU MOVED TO THIS CITY THAT YOU HATED???? 781 00:35:09,908 --> 00:35:13,336 NOW SHE HAD SOMETHING IN HER HANDS, SOMETHING SHARP. 782 00:35:13,337 --> 00:35:16,129 WHAT WAS IT? 783 00:35:16,130 --> 00:35:18,440 TRAVIS, DO YOU REALLY WANT ME TO TURN THAT TAPE ON? 784 00:35:18,441 --> 00:35:18,713 DO YOU REALLY WANT 785 00:35:18,716 --> 00:35:23,458 TO LISTEN TO WHAT YOU SAID AND WHAT YOU DID? 786 00:35:36,290 --> 00:35:40,427 SHE WAS HOLDING THIS BROKEN GLASS. 787 00:35:40,428 --> 00:35:41,472 TOLD ME TO STAY AWAY. 788 00:35:41,473 --> 00:35:44,700 AND SO YOU TOOK IT FROM HER. 789 00:35:44,705 --> 00:35:46,295 IT JUST HAPPENED. 790 00:35:46,296 --> 00:35:49,178 WHAT HAPPENED? 791 00:35:58,116 --> 00:35:58,653 I S- 792 00:35:58,654 --> 00:36:01,747 I STABBED HER. 793 00:36:01,748 --> 00:36:05,003 I STABBED HER IN THE BACK. 794 00:36:05,351 --> 00:36:07,634 LOOK, SHE WAS- SHE WAS TRYING TO LEAVE ME. 795 00:36:07,635 --> 00:36:10,258 I... OH, I LOVED HER SO MUCH. 796 00:36:10,259 --> 00:36:13,511 I JUST-I COULDN'T LET HER LEAVE ME. 797 00:36:13,512 --> 00:36:17,736 SHE WASN'T GONNA LEAVE YOU, TRAVIS. 798 00:36:31,090 --> 00:36:33,456 WHAT THE HELL? YOU'RE RECORDING ME?! 799 00:36:33,457 --> 00:36:35,089 GIVE IT BACK, WYATT. 800 00:36:35,090 --> 00:36:37,080 I- I DIDN'T KNOW WHAT ELSE TO DO. 801 00:36:37,081 --> 00:36:39,721 I- I WANT THE JOB, WYATT. 802 00:36:39,722 --> 00:36:43,490 BUT I LOVE MY HUSBAND. I CAN'T DO THIS TO HIM. 803 00:36:43,491 --> 00:36:47,743 I WON'T! YOU'RE HURTING ME! 804 00:36:47,744 --> 00:36:54,423 I JUST WANT TO GO HOME. I WANT TO GO HOME! 805 00:36:54,424 --> 00:36:57,236 HOME. 806 00:36:57,237 --> 00:36:59,149 SHE WAS TRYING TO GO HOME... 807 00:36:59,150 --> 00:37:01,360 TO YOU. 808 00:37:09,184 --> 00:37:10,857 THAT WAS A RISKY BLUFF- 809 00:37:10,858 --> 00:37:13,384 THREATENING TO PLAY A RECORDING WE DIDN'T EVEN HAVE. 810 00:37:13,385 --> 00:37:15,583 IT DIDN'T SEEM LIKE A RISK TO ME. 811 00:37:15,584 --> 00:37:17,324 HE LOVED HIS WIFE VERY MUCH. 812 00:37:17,325 --> 00:37:19,193 HE WOULDN'T WANT TO RELIVE HER DEATH. 813 00:37:19,194 --> 00:37:21,207 WHAT ABOUT SIERRA? WHAT ABOUT WYATT ME? 814 00:37:21,208 --> 00:37:23,867 THEY JUST GO FREE? DOESN'T SOUND LIKE JUSTICE. 815 00:37:23,868 --> 00:37:26,502 WELL, I SPOKE WITH TEDDY FARROW THIS MORNING. 816 00:37:26,503 --> 00:37:28,232 NOW THAT HE UNDERSTANDS WHAT THOSE TWO DID TO JENNA, 817 00:37:28,233 --> 00:37:31,139 HE'S GONNA LAUNCH A VERY DIFFERENT KIND OF CAMPAIGN. 818 00:37:31,140 --> 00:37:32,820 HE'S GONNA GET THEM BLACKBALLED IN THE INDUSTRY. 819 00:37:32,828 --> 00:37:37,080 NO ONE WILL HIRE THEM AGAIN. AH, YOU MEAN POETIC JUSTICE. 820 00:37:37,844 --> 00:37:42,600 WELL... AS A WRITER, I GUESS I CAN LIVE WITH THAT. 821 00:37:42,601 --> 00:37:44,959 I WISH I COULD FEEL THAT WAY. 822 00:37:44,960 --> 00:37:49,933 I WISH I COULD FEEL A SENSE OF... VICTORY. 823 00:37:50,887 --> 00:37:53,768 SO WHAT WOULD NIKKI HEAT DO AFTER A BAD DAY? 824 00:37:54,552 --> 00:37:56,286 SHE'D GO HOME, 825 00:37:56,287 --> 00:37:59,588 POUR A STIFF DRINK, RUN A HOT BATH, 826 00:37:59,589 --> 00:38:01,412 READ A GOOD BOOK. 827 00:38:01,413 --> 00:38:02,976 TOO BAD I DON'T HAVE A GOOD BOOK TO READ. 828 00:38:02,977 --> 00:38:04,652 MM. I'D LET YOU HAVE "HEAT WAVE," 829 00:38:04,653 --> 00:38:07,034 BUT MY PUBLISHER DOESN'T WANT ANY COPIES LEAKING OUT. 830 00:38:07,035 --> 00:38:10,735 WHY'D YOU LET THAT "COSMO" REPORTER READ IT, THEN? WELL, THAT'S FOR PUBLICITY PURPOSES. 831 00:38:10,736 --> 00:38:14,003 YOU KNOW, YOU WANT THE PRESS TO HAVE A LITTLE TASTE OF... 832 00:38:14,004 --> 00:38:17,274 WAIT. WHOA. IS... IS THAT WHY YOU'VE BEEN SO UPSET, 833 00:38:17,275 --> 00:38:19,450 BECAUSE I LET HER READ IT BEFORE YOU? I AM THE INSPIRATION. 834 00:38:19,451 --> 00:38:22,488 I SHOULD BE READING IT BEFORE A REPORTER DOES. WHY DIDN'T YOU JUST SAY SO? 835 00:38:22,489 --> 00:38:24,407 WHY DIDN'T YOU JUST GIVE IT TO ME? WHY DIDN'T YOU ASK? 836 00:38:24,408 --> 00:38:30,226 WHY DIDN'T IT OCCUR TO YOU? 837 00:38:30,227 --> 00:38:31,330 YOU'LL HAVE IT BY TOMORROW. 838 00:38:31,331 --> 00:38:34,382 GOOD. GOOD. 839 00:38:45,442 --> 00:38:48,810 LOOKING GOOD, DETECTIVE BECKETT. 840 00:38:49,219 --> 00:38:49,634 HOW DID YOU GUYS- 841 00:38:49,635 --> 00:38:52,684 WE'RE DETECTIVES. CALLED YOUR DAD. 842 00:38:53,288 --> 00:38:53,938 OKAY. 843 00:38:54,864 --> 00:38:58,725 OKAY. YOU GUYS HAVE HAD YOUR FUN. 844 00:38:58,726 --> 00:39:01,333 I WAS 17, AND I THOUGHT THAT... MODELING 845 00:39:01,334 --> 00:39:02,703 WOULD BE AN EASIER WAY TO MAKE MONEY 846 00:39:02,704 --> 00:39:05,282 THAN WAITRESSING. RIGHT. 847 00:39:05,283 --> 00:39:09,290 IT WAS ONE SUMMER. NO BIG DEAL. 848 00:39:11,417 --> 00:39:13,049 AND IF YOU GUYS TELL CASTLE ABOUT IS, 849 00:39:13,050 --> 00:39:16,068 I WILL KILL YOU. 850 00:39:21,175 --> 00:39:23,754 GOOD EVENING, MY DEARS. 851 00:39:23,755 --> 00:39:24,568 HEY THERE. 852 00:39:24,569 --> 00:39:25,754 YOU LOOK IN BRIGHTER SPIRITS. 853 00:39:25,755 --> 00:39:27,211 WHAT'S CHANGED SINCE THIS MORNING? 854 00:39:27,212 --> 00:39:29,621 THE PLAY I PASSED ON? 855 00:39:29,622 --> 00:39:32,421 THE PRODUCERS CAME BACK WITH A BETTER OFFER. 856 00:39:32,422 --> 00:39:35,438 I WAS JUST AT THE DORCHESTER SIGNING MY CONTRACTS. 857 00:39:35,439 --> 00:39:36,504 SO YOU GOT THE LEAD? 858 00:39:36,505 --> 00:39:38,689 WELL, NO, I STILL PLAY THE CRAZY GRANNY. 859 00:39:38,690 --> 00:39:41,426 BUT YOU-YOU DON'T DIE. NO, STILL DIE. 860 00:39:41,427 --> 00:39:43,715 MORE MONEY? PEANUTS. 861 00:39:43,716 --> 00:39:44,929 ALL RIGHT. SO WHAT'S THE BETTER OFFER? 862 00:39:44,930 --> 00:39:48,116 THEY HAVE REWRITTEN THE SCRIPT SO THAT I DIE ONSTAGE. 863 00:39:48,117 --> 00:39:50,904 MY DEATH CLOSES ACT ONE. 864 00:39:50,905 --> 00:39:52,901 IT'S BETTER THAN THE LEAD, REALLY. 865 00:39:52,902 --> 00:39:54,861 GRANNY'S THE BRAVURA ROLE. 866 00:39:54,862 --> 00:39:57,048 IN ART AS IN LIFE. 867 00:39:57,049 --> 00:39:58,454 I'M SO PROUD OF YOU. OH, THANK YOU. 868 00:39:58,455 --> 00:40:01,906 THANK YOU, MY BABY. 869 00:40:01,907 --> 00:40:04,169 ARE WE EXPECTING COMPANY? UH, THAT'S RINA. 870 00:40:04,170 --> 00:40:06,525 OH, OF COURSE, YOUR DATE. 871 00:40:06,526 --> 00:40:08,020 NOT MY DATE. 872 00:40:08,021 --> 00:40:12,189 HI! HEY. 873 00:40:12,190 --> 00:40:12,624 READY FOR 874 00:40:12,625 --> 00:40:16,001 A "HIGH SCHOOL MUSICAL" MARATHON? I'M SO READY. 875 00:40:18,067 --> 00:40:18,663 HEY, RINA. 876 00:40:18,664 --> 00:40:21,087 OH, HI, MR. CASTLE. COME ON. 877 00:40:21,088 --> 00:40:23,758 OH, MY GOSH. THAT SHIRT IS SO CUTE ON YOU. 878 00:40:23,759 --> 00:40:26,007 COLOR ME SHOCKED, BUT APPARENTLY THE MODELING WORLD 879 00:40:26,008 --> 00:40:28,165 ISN'T ALL SEXY CLOTHES AND FUN PARTIES. 880 00:40:28,166 --> 00:40:30,042 IT OCCURRED TOE THAT IF JENNA McBOYD HAD SOMEONE 881 00:40:30,043 --> 00:40:31,271 LOOKING OUT FOR HER A LITTLE BIT, 882 00:40:31,272 --> 00:40:33,067 SHE MIGHT STILL BE ALIVE TODAY. 883 00:40:33,068 --> 00:40:38,649 SO IF RINA NEEDS A FRIEND, SHE KNOWS SHE'S GOT ONE. 884 00:40:38,650 --> 00:40:40,946 OH, MY SON... 885 00:40:40,947 --> 00:40:43,333 THE BIG SOFTIE. 886 00:40:43,334 --> 00:40:46,414 AND DON'T WORRY. I KNOW YOU HAVE AN IMAGE TO PROTECT. 887 00:40:46,415 --> 00:40:49,190 YOUR SECRET'S SAFE WITH ME. 888 00:40:49,191 --> 00:40:51,190 破烂熊字幕组 -==http://www.ragbear.com==- 欢迎加入 9999 00:00:0,500 --> 00:00:2,00