1 00:00:22,300 --> 00:00:26,300 Criminal Minds Season 1 Episode 4 2 00:02:33,400 --> 00:02:35,200 Get a good shot at her face 3 00:02:40,300 --> 00:02:41,500 Make a wish! 4 00:02:44,100 --> 00:02:46,300 Come on man! Blow, baby blow! 5 00:02:46,300 --> 00:02:48,600 I thought you are a ******** 6 00:02:48,600 --> 00:02:49,500 Come on, Reid. 7 00:02:49,500 --> 00:02:51,200 They're trick candles, Spence OKay? 8 00:02:51,200 --> 00:02:53,500 They gonna come back on every time. 9 00:02:53,900 --> 00:02:55,800 Oh, mommy to rescue you! 10 00:02:55,800 --> 00:02:56,800 Mommy? 11 00:02:57,500 --> 00:03:00,400 Is it amazing you knows what he knows he's only 24? 12 00:03:02,000 --> 00:03:03,700 *******I'm about 50. 13 00:03:05,000 --> 00:03:06,100 Hope you like chocolate. 14 00:03:09,700 --> 00:03:10,700 Agent Hotchner? 15 00:03:18,300 --> 00:03:19,200 You having fun? 16 00:03:19,200 --> 00:03:22,300 Yes, definitely. I'm definitely having fun. 17 00:03:22,600 --> 00:03:23,400 Make a wish? 18 00:03:23,800 --> 00:03:25,100 Can I take this hat off? 19 00:03:27,300 --> 00:03:28,200 I wouldn't. 20 00:03:30,000 --> 00:03:32,700 Hey Spence, first piece for the birthday boy. 21 00:03:35,700 --> 00:03:39,000 Do you know she's the only person in the whole world who calls me "Spence"? 22 00:03:42,600 --> 00:03:44,200 - Thank you. - Birthday boy. 23 00:03:47,200 --> 00:03:49,500 Sorry, guys, the party's over. 24 00:03:54,300 --> 00:03:55,600 We're going to San Diego. 25 00:03:56,200 --> 00:03:57,500 Not for the surfing, huh? 26 00:03:57,700 --> 00:03:58,900 They're calling him the Tommy killer. 27 00:03:58,900 --> 00:04:01,600 6 women raped and murdered in their homes in the last 3 weeks. 28 00:04:01,600 --> 00:04:03,100 6 in 3 weeks? 29 00:04:03,100 --> 00:04:04,200 That's a short fuse. 30 00:04:04,200 --> 00:04:06,500 And getting shorter. The first 2 were 8 days apart 31 00:04:06,500 --> 00:04:08,100 then the next 4 in 2 weeks. 32 00:04:08,100 --> 00:04:09,300 Rapid escalation. Do you think 33 00:04:09,300 --> 00:04:11,600 he's regressing to a psychopathic frenzy? 34 00:04:11,600 --> 00:04:13,300 No, he's too controlled for that. 35 00:04:16,600 --> 00:04:17,800 See you on the plane. 36 00:04:18,900 --> 00:04:20,400 Why the Tommy killer? 37 00:04:20,400 --> 00:04:21,900 You know the rock opera? 38 00:04:22,400 --> 00:04:25,100 This unsub glues the victims' eyes wide open. 39 00:04:33,500 --> 00:04:35,200 He wants them to see him. 40 00:04:36,300 --> 00:04:37,500 And feel him. 41 00:05:14,000 --> 00:05:16,400 French poet Jacques Rigaut said 42 00:05:16,400 --> 00:05:19,200 "don't forget that I cannot see myself 43 00:05:19,200 --> 00:05:23,700 that my role is limited to being the one who looks in the mirror." 44 00:05:25,100 --> 00:05:27,100 Brenda Samms was found yesterday by her children 45 00:05:27,100 --> 00:05:29,100 when they got home from school. 46 00:05:29,100 --> 00:05:32,400 She had been strangled with a thin ligature, possibly a wire. 47 00:05:32,400 --> 00:05:34,200 No weapon left at the scene. 48 00:05:34,400 --> 00:05:35,900 Residue on the wrist and mouth 49 00:05:35,900 --> 00:05:38,300 indicate that duct tape was used and then removed. 50 00:05:38,300 --> 00:05:39,700 Also not found at the scene. 51 00:05:39,700 --> 00:05:40,900 Brought it with him, took it with him. 52 00:05:40,900 --> 00:05:44,300 He also started leaving messages at the fourth scene. 53 00:05:44,900 --> 00:05:46,300 This was on the mirrors. 54 00:05:47,300 --> 00:05:50,000 "Fair lady, throw those costly robes aside. 55 00:05:50,000 --> 00:05:52,400 No longer may you glory in your pride. 56 00:05:52,400 --> 00:05:54,800 Take leave of all your carnal, vain delight." 57 00:05:54,800 --> 00:05:57,400 "I've come to summon you away this night." 58 00:05:58,400 --> 00:06:01,200 It's a ballad from the late 1600s. 59 00:06:01,200 --> 00:06:03,500 A dialogue betwixt death and a lady. 60 00:06:03,500 --> 00:06:05,600 A 17th century ballad? 61 00:06:05,600 --> 00:06:08,600 Essentially, a woman begging death to live. 62 00:06:08,600 --> 00:06:10,200 What kind of person knows this ballad? 63 00:06:10,200 --> 00:06:12,600 Are we looking for a literature professor? 64 00:06:12,600 --> 00:06:15,400 Anyone with an internet connection, actually. 65 00:06:15,400 --> 00:06:16,100 You should see what comes in 66 00:06:16,100 --> 00:06:18,200 when you type the word "death" into a search engine. 67 00:06:18,600 --> 00:06:20,200 Reid, no wonder you can't get a date. 68 00:06:20,200 --> 00:06:21,400 Reid, you stay on the messages. 69 00:06:21,400 --> 00:06:23,300 See if there's a deeper meaning. 70 00:06:23,500 --> 00:06:24,200 It definitely looks like 71 00:06:24,200 --> 00:06:25,900 he ransacked the crime scene pretty well. 72 00:06:25,900 --> 00:06:27,500 A lot of damage, nothing taken. 73 00:06:27,500 --> 00:06:29,500 The eyes are the thing, the signature. 74 00:06:29,500 --> 00:06:31,500 The behavior that isn't necessary for the murder, 75 00:06:31,500 --> 00:06:34,000 but necessary for the emotional release. 76 00:06:34,400 --> 00:06:35,900 That's what he's there for. 77 00:06:35,900 --> 00:06:37,300 There used to be a widely held belief 78 00:06:37,300 --> 00:06:41,400 that the eyes record a snapshot of the last thing a person sees before they die. 79 00:06:41,400 --> 00:06:41,800 Yeah, that's right. 80 00:06:41,800 --> 00:06:44,100 People used to write poems about talking to death. 81 00:06:44,100 --> 00:06:45,100 Ballads. 82 00:06:46,100 --> 00:06:47,100 Whatever. 83 00:06:47,700 --> 00:06:50,600 You think they'll ever run out of new things to do with their victims? 84 00:06:51,400 --> 00:06:54,400 Well, finding new ways to hurt each other is what we're good at. 85 00:07:36,300 --> 00:07:37,800 Captain Griffith, task force commander. 86 00:07:37,800 --> 00:07:39,400 Sorry, we all get tunnel vision. 87 00:07:39,400 --> 00:07:42,200 I'm special agent Hotchner, this is agent Jareau, our liaison. 88 00:07:42,200 --> 00:07:43,200 I appreciate you coming out. 89 00:07:43,200 --> 00:07:44,400 Thanks, hope we can help. 90 00:08:02,600 --> 00:08:04,300 Hi, you've reached the Chandlers. 91 00:08:04,300 --> 00:08:06,300 Leave a message, and have a beautiful day. 92 00:08:07,800 --> 00:08:09,400 What a good soccer game. 93 00:08:09,400 --> 00:08:10,800 I'm so proud of you. 94 00:08:11,100 --> 00:08:12,900 When's mommy coming in? 95 00:08:17,500 --> 00:08:20,300 Happy anniversary, honey. Love you. 96 00:08:20,300 --> 00:08:23,000 Ready for bed, mom. Will you tuck me in? 97 00:08:23,000 --> 00:08:25,200 This unsub glues the victims' eyes wide open. 98 00:08:25,200 --> 00:08:26,200 They're calling him the Tommy killer. 99 00:08:26,200 --> 00:08:28,300 It definitely looks like he ransacked the crime scene. 100 00:08:28,300 --> 00:08:30,400 Do you have a lot of homework, sweetie? 101 00:08:30,400 --> 00:08:34,700 Mom? Mom? Mom, where are you? 102 00:08:35,400 --> 00:08:38,400 "My name is death. Have you not heard of me? 103 00:08:38,400 --> 00:08:40,100 You may as well be mute..." 104 00:08:42,200 --> 00:08:43,600 creepy, huh? 105 00:08:44,100 --> 00:08:47,400 Actually, conversations between death and his victims 106 00:08:47,400 --> 00:08:52,500 was a fairly popular literary and artistic theme throughout the renaissance. 107 00:08:55,400 --> 00:08:57,200 Yeah, creepy. 108 00:09:01,900 --> 00:09:04,500 He strikes during the day in upper-middle-class neighborhoods. 109 00:09:05,200 --> 00:09:08,700 Extremely high-risk victims at a high-risk time. 110 00:09:09,900 --> 00:09:12,100 He's confident in his ability. 111 00:09:12,600 --> 00:09:15,200 Looks to be about a 5-square mile radius. 112 00:09:15,400 --> 00:09:17,500 So he probably has a vehicle. 113 00:09:18,300 --> 00:09:19,700 You wanna see that crime scene? 114 00:09:21,500 --> 00:09:22,100 It's still taped off. 115 00:09:22,100 --> 00:09:23,600 The husband won't go back inside. 116 00:09:24,800 --> 00:09:25,700 Let's go. 117 00:09:26,600 --> 00:09:29,000 All right, so we need answers to these questions. 118 00:09:29,000 --> 00:09:31,300 What does the evidence tell you about the sexual aspect? 119 00:09:31,300 --> 00:09:33,900 What kind of rapist is he independent of the homicides? 120 00:09:33,900 --> 00:09:34,800 I'm on it. 121 00:09:35,200 --> 00:09:36,600 It looks like what he's written at the scenes 122 00:09:36,600 --> 00:09:39,500 are most of the first 3 verses of the same ballad. 123 00:09:39,500 --> 00:09:40,100 Most of? 124 00:09:40,100 --> 00:09:42,200 It's only one part of the conversation. 125 00:09:42,200 --> 00:09:43,700 There's no "betwixt". 126 00:09:46,100 --> 00:09:48,500 Death speaks, but the lady never answers. 127 00:09:48,500 --> 00:09:50,900 Maybe he feels like their bodies are answer enough. 128 00:10:05,900 --> 00:10:07,500 Very nice. 129 00:10:26,200 --> 00:10:27,800 This profiling really works? 130 00:10:28,700 --> 00:10:29,700 It's a tool. 131 00:10:29,700 --> 00:10:32,900 You can tell all about a guy from looking at the scene. 132 00:10:32,900 --> 00:10:34,000 Well, the scene's only part of it. 133 00:10:34,000 --> 00:10:36,100 We also use victimology, precedent. 134 00:10:36,100 --> 00:10:38,300 We can usually get a fairly clear picture of the guy. 135 00:10:38,800 --> 00:10:40,700 Our guys went over it pretty well. 136 00:10:41,700 --> 00:10:42,700 I'm sure they did. 137 00:10:43,500 --> 00:10:46,300 Local officers aren't trained to look for the things we look for. 138 00:10:47,100 --> 00:10:48,100 What's that? 139 00:10:48,900 --> 00:10:51,300 Hate, insecurity, fear, anger. 140 00:10:51,600 --> 00:10:52,800 That's all at the scene? 141 00:10:53,200 --> 00:10:54,600 It's all in his behavior. 142 00:10:56,100 --> 00:10:57,700 You know anything about our guy yet? 143 00:10:57,700 --> 00:11:01,200 Yeah. He isn't gonna stop until he's caught. 144 00:11:30,000 --> 00:11:33,100 You increased patrols in these neighborhoods when the pattern was identified? 145 00:11:33,100 --> 00:11:34,300 After the fourth victim. 146 00:11:34,300 --> 00:11:36,400 Bosses cancelled days off, vacations. 147 00:11:36,400 --> 00:11:38,600 Neighborhood full of cruisers, and he still struck 2 more times. 148 00:11:38,600 --> 00:11:40,200 He blends. Gideon. 149 00:11:40,200 --> 00:11:42,600 There may have been another attempt 6 blocks from the station house. 150 00:11:42,600 --> 00:11:43,300 Attempt? 151 00:11:43,300 --> 00:11:45,100 The husband interrupted, and the attacker got away 152 00:11:45,100 --> 00:11:46,800 but Elle and I are headed over there right now. 153 00:11:46,800 --> 00:11:48,600 Well, we're already at the last crime scene. 154 00:11:48,600 --> 00:11:50,400 Let us know if you identify a suspect. 155 00:11:50,900 --> 00:11:51,800 Suspect? 156 00:11:51,800 --> 00:11:54,500 There might have been another attack not far from your station. 157 00:11:55,200 --> 00:11:57,700 Hey. Hey. Hey. Where you going? 158 00:11:58,200 --> 00:11:59,000 Over there. 159 00:11:59,600 --> 00:12:01,200 Well, units are already heading that way. 160 00:12:01,200 --> 00:12:02,800 We can get more accomplished here. 161 00:12:03,200 --> 00:12:04,000 You're kidding me, right? 162 00:12:04,000 --> 00:12:05,400 No. If there's an arrest 163 00:12:05,400 --> 00:12:07,300 what we find here will help you prosecute. 164 00:12:09,000 --> 00:12:10,900 The scene won't be pristine forever. 165 00:12:12,900 --> 00:12:15,400 - Guys, knock yourselves out. - Thank you. 166 00:12:15,800 --> 00:12:16,600 Hey, wait a minute. 167 00:12:18,100 --> 00:12:20,600 The unsub went through the back, right? 168 00:12:20,600 --> 00:12:22,800 The family room. It's the window full of print dust. 169 00:12:23,200 --> 00:12:24,600 Gideon, I'm going around the house. 170 00:12:54,500 --> 00:12:56,400 Ok, not that easy to maneuver. 171 00:12:57,600 --> 00:12:59,500 That means I'm a little bit athletic. 172 00:13:38,500 --> 00:13:40,000 All right. 173 00:13:41,400 --> 00:13:42,900 I messed with something in here. 174 00:13:47,100 --> 00:13:48,900 Broken cappuccino machine. 175 00:13:50,300 --> 00:13:53,000 Took the appliances, which are upstairs. Why? 176 00:13:55,100 --> 00:13:56,500 Why would I take the time? 177 00:14:03,300 --> 00:14:04,300 Lucky woman. 178 00:14:05,400 --> 00:14:08,300 You know what, she's probably not feeling so lucky right about now. 179 00:14:08,500 --> 00:14:11,700 You're absolutely sure about that, Mr. Gordon? 180 00:14:12,200 --> 00:14:14,200 He was black and 6 feet tall. 181 00:14:14,200 --> 00:14:16,000 I watched him run out that back door. 182 00:14:18,400 --> 00:14:20,900 Get a description out in the field A.S.A.P. 183 00:14:25,200 --> 00:14:27,900 Inter-racial serial sex crimes are rare. 184 00:14:27,900 --> 00:14:29,500 Are they impossible? 185 00:14:29,500 --> 00:14:30,400 No. 186 00:14:31,300 --> 00:14:32,400 Then what's your point? 187 00:14:32,600 --> 00:14:34,500 Only to provide you with information. 188 00:14:37,600 --> 00:14:38,900 I'm gonna go talk to her. 189 00:14:38,900 --> 00:14:40,200 May I ask why? 190 00:14:40,500 --> 00:14:42,100 She's surrounded by men. 191 00:14:46,500 --> 00:14:48,800 Mrs. Gordon? I'm Elle. 192 00:14:49,200 --> 00:14:50,500 Would you like to go outside? 193 00:14:52,400 --> 00:14:53,500 It's all right. 194 00:14:53,800 --> 00:14:55,200 We're just gonna go some place quiet. 195 00:15:12,200 --> 00:15:13,500 Here's where I got the china. 196 00:15:16,700 --> 00:15:17,500 The silver. 197 00:15:19,400 --> 00:15:21,200 I didn't take it, I broke it. 198 00:15:23,800 --> 00:15:25,000 Why wouldn't she hear me? 199 00:15:28,600 --> 00:15:30,000 Because I did it after. 200 00:15:37,500 --> 00:15:39,700 "You may as well be mute. 201 00:15:39,700 --> 00:15:43,200 There is no time at all for vain dispute 202 00:15:43,200 --> 00:15:47,800 your riches, gold, and garments, jewels bright 203 00:15:47,800 --> 00:15:52,800 your house and land must on new owners light." 204 00:15:55,300 --> 00:15:57,600 I really don't know that much about him. 205 00:15:57,600 --> 00:15:59,200 Well, you don't have to. 206 00:15:59,200 --> 00:16:02,300 Just take a little time to collect your thoughts 207 00:16:02,300 --> 00:16:04,600 to just sit here, breathe. 208 00:16:04,600 --> 00:16:06,800 You don't want to ask me questions? 209 00:16:07,100 --> 00:16:08,800 Not until you're ready. 210 00:16:09,300 --> 00:16:11,100 I'll be right behind that doorway. 211 00:16:17,900 --> 00:16:20,200 I didn't even know he was in the house. 212 00:16:22,400 --> 00:16:23,600 Is that common? 213 00:16:27,700 --> 00:16:28,800 Very. 214 00:16:33,000 --> 00:16:34,800 She had a workout video on. 215 00:16:35,900 --> 00:16:37,500 Step aerobics. 216 00:16:37,700 --> 00:16:38,800 Step aerobics? 217 00:16:39,300 --> 00:16:40,300 With the platforms? 218 00:16:40,900 --> 00:16:42,600 Step up, step down, step up, step down? 219 00:16:42,600 --> 00:16:44,000 Where's the platform? 220 00:16:52,800 --> 00:16:54,000 He spent a lot of time here. 221 00:16:54,000 --> 00:16:55,300 What, so he vacuumed? 222 00:16:57,200 --> 00:16:58,800 I mean, there's no marks from the platforms. 223 00:16:59,600 --> 00:17:00,900 A lot of time. 224 00:17:01,900 --> 00:17:03,100 The broken things. 225 00:17:03,800 --> 00:17:06,400 She must have already been dead or incapacitated when he did that. 226 00:17:06,600 --> 00:17:09,600 Cappuccino maker from the kitchen, dishes, vases, broken jewelry. 227 00:17:09,800 --> 00:17:10,700 Symbols. 228 00:17:11,400 --> 00:17:15,800 "Your riches, gold, garments, jewels bright. 229 00:17:15,800 --> 00:17:20,200 Your house and land must on new owners light." 230 00:17:21,300 --> 00:17:22,500 Her riches. 231 00:17:23,100 --> 00:17:23,900 Right. 232 00:17:25,000 --> 00:17:26,800 Ever feel like there's something obvious right in front of you, 233 00:17:26,800 --> 00:17:28,100 you just can't see it? 234 00:17:28,700 --> 00:17:30,700 Yeah, usually right before a woman dumps me. 235 00:17:33,100 --> 00:17:34,400 He slapped me from behind 236 00:17:34,400 --> 00:17:35,800 he pulled me down on the floor. 237 00:17:35,800 --> 00:17:40,200 I tried to scratch him and bite him, but he was so strong. 238 00:17:40,600 --> 00:17:43,100 And then my husband came home from work. 239 00:17:44,000 --> 00:17:48,600 He screamed, and the man ran out the door. 240 00:17:49,300 --> 00:17:50,700 He was a black man. 241 00:17:51,300 --> 00:17:57,200 Bill was sure of it, but I...I only remember his eyes. 242 00:17:57,200 --> 00:18:01,500 When we were fighting, I kept staring him right in the eyes. 243 00:18:01,500 --> 00:18:04,700 I remember thinking, "if he's gonna kill me 244 00:18:04,700 --> 00:18:07,900 then he's gonna have to look at me while he does." 245 00:18:09,700 --> 00:18:15,400 And he just kept staring back at me through the ski mask. 246 00:18:16,600 --> 00:18:17,400 A ski mask. 247 00:18:17,400 --> 00:18:18,500 Yeah. 248 00:18:23,800 --> 00:18:26,300 It's all right. You did good. 249 00:18:33,100 --> 00:18:34,100 The verses. 250 00:18:34,400 --> 00:18:35,400 Found something? 251 00:18:35,400 --> 00:18:36,500 Not an answer, a question. 252 00:18:36,500 --> 00:18:37,500 I found the full text. 253 00:18:37,500 --> 00:18:39,500 He's pretty much following it to a t, 254 00:18:39,500 --> 00:18:42,300 at least the death side of the conversation. 255 00:18:42,400 --> 00:18:43,200 But? 256 00:18:43,200 --> 00:18:45,400 Why didn't he leave them at the first 3 murders? 257 00:18:45,400 --> 00:18:48,200 I mean, this ballad is 10 verses long just on the death side. 258 00:18:48,200 --> 00:18:49,600 He's got plenty to work with. 259 00:18:49,600 --> 00:18:51,200 But if it's not part of his signature 260 00:18:51,200 --> 00:18:53,700 it isn't something that he has to do for an emotional reason 261 00:18:53,700 --> 00:18:56,000 then, I mean, why start? 262 00:18:59,400 --> 00:19:04,100 JJ, find out when the press ran the first story on this unsub. 263 00:19:04,100 --> 00:19:04,900 When? 264 00:19:04,900 --> 00:19:06,000 After which victim. 265 00:19:06,000 --> 00:19:07,000 Yeah, you got it. 266 00:19:07,800 --> 00:19:08,500 What're you thinking? 267 00:19:08,500 --> 00:19:10,100 He wasn't getting enough attention. 268 00:19:10,100 --> 00:19:12,900 The police department sometimes don't even realize they're looking at a pattern. 269 00:19:12,900 --> 00:19:14,400 Yeah, until somebody tells 'em. 270 00:19:15,400 --> 00:19:18,000 The first story ran the morning after the fourth victim was found. 271 00:19:18,000 --> 00:19:20,500 The increased patrols didn't begin until after the fourth victim, either. 272 00:19:20,500 --> 00:19:22,000 Yeah, the police didn't realize what was happening 273 00:19:22,000 --> 00:19:22,800 he writes his verse, and-- 274 00:19:22,800 --> 00:19:24,400 and everyone knows that he was there. 275 00:19:25,100 --> 00:19:27,100 The offender in this new attempt is a black male. 276 00:19:27,100 --> 00:19:29,100 Black male? That's cross racial. That doesn't happen. 277 00:19:29,100 --> 00:19:29,700 What about Herbert Mullin? 278 00:19:29,700 --> 00:19:33,200 He killed 14 different people of completely varying ages, races, and creeds. 279 00:19:33,200 --> 00:19:35,900 But there was no sexual component to his crimes. 280 00:19:36,100 --> 00:19:37,500 And he wore a ski mask. 281 00:19:37,500 --> 00:19:40,300 This attacker wore a ski mask. 282 00:19:43,800 --> 00:19:44,900 Tell 'em we're ready. 283 00:19:45,300 --> 00:19:46,500 For a profile? 284 00:19:47,900 --> 00:19:49,700 We're gonna make Tommy contact us. 285 00:20:05,900 --> 00:20:08,300 The unsub brought the weapons with him 286 00:20:08,300 --> 00:20:11,500 tape, glue, wire. 287 00:20:14,800 --> 00:20:16,700 He did not leave them at the scene. 288 00:20:17,600 --> 00:20:19,500 He took them when he left. 289 00:20:20,700 --> 00:20:23,500 He has a kind of killing kit that he carries. 290 00:20:24,500 --> 00:20:28,100 Organized killers usually have a skilled job, likely technology related 291 00:20:28,100 --> 00:20:29,900 which may involve the use of the hands. 292 00:20:29,900 --> 00:20:32,700 The crime scenes are far enough apart that he needs a vehicle. 293 00:20:32,700 --> 00:20:36,700 This will be well kept, obsessively clean, as will be his home. 294 00:20:36,700 --> 00:20:38,900 He's diurnal, the attacks occurred during the day 295 00:20:38,900 --> 00:20:42,200 so the vehicle may be related to his work, possibly a company car or truck. 296 00:20:42,200 --> 00:20:44,500 We believe he watches the victims for a time 297 00:20:44,500 --> 00:20:47,500 learns the rhythms of the home, knows his time frame. 298 00:20:48,000 --> 00:20:50,000 You're not gonna catch him accidentally. 299 00:20:50,800 --> 00:20:54,300 He destroys symbols of wealth in the victim's homes. 300 00:20:57,700 --> 00:21:03,100 He harbors envy of and hatred toward people of a higher social class. 301 00:21:03,300 --> 00:21:04,900 He feels invisible around them. 302 00:21:04,900 --> 00:21:08,400 Class is the theme of the poem which he left at the various crime scenes. 303 00:21:08,400 --> 00:21:11,500 At one point in the poem, the women attempts to bribe death 304 00:21:11,500 --> 00:21:12,500 but he doesn't accept it. 305 00:21:12,500 --> 00:21:15,800 He says this is the one moment when riches mean nothing 306 00:21:15,800 --> 00:21:18,900 when death comes, the poor and the rich are exactly alike. 307 00:21:18,900 --> 00:21:19,800 So he's poor. 308 00:21:19,800 --> 00:21:21,300 Probably middle-class. 309 00:21:21,300 --> 00:21:25,500 A decidedly lower-class person would stick out in a highly patrolled neighborhood. 310 00:21:25,500 --> 00:21:28,500 This guy appears to belong there. He blends in. 311 00:21:28,500 --> 00:21:30,500 Why does he glue the eyes open? 312 00:21:30,500 --> 00:21:33,300 The unsub is an exploitative rapist. 313 00:21:33,300 --> 00:21:36,900 Most rape victims close their eyes during the attack, turn their heads. 314 00:21:36,900 --> 00:21:39,700 For some rapists, this ruins the fantasy. 315 00:21:39,700 --> 00:21:42,900 For this type of rapist, the goal is more related to 316 00:21:42,900 --> 00:21:45,900 the victim watching him than the act itself. 317 00:21:45,900 --> 00:21:49,500 The verses, the staging, the aggressive language, "I am death," 318 00:21:49,500 --> 00:21:52,100 this is a guy who, while being in control of the crime scene 319 00:21:52,100 --> 00:21:55,100 almost certainly feels inadequate in the rest of his life. 320 00:21:55,100 --> 00:21:57,700 That's why he couldn't wait for you to figure out what he'd done. 321 00:21:58,200 --> 00:22:01,300 Why he needed to make sure all his crimes were counted. 322 00:22:01,300 --> 00:22:05,200 His victims, they represent whatever it is that's controlling him 323 00:22:05,200 --> 00:22:07,200 and he wants that control back. 324 00:22:07,200 --> 00:22:11,600 He is under the thumb of a powerful woman who frightens him. 325 00:22:12,300 --> 00:22:16,800 And a final point. He is white. 326 00:22:16,800 --> 00:22:20,500 We have witnesses that identify him as a black male. 327 00:22:20,500 --> 00:22:22,100 The attacker was black. 328 00:22:22,100 --> 00:22:24,100 He is not the Tommy killer. 329 00:22:24,100 --> 00:22:27,100 Mrs. Gordon's husband came home at the same time that he always does. 330 00:22:27,100 --> 00:22:28,500 The Tommy killer would've known that. 331 00:22:28,500 --> 00:22:31,200 And Mrs. Gordon's attacker wore a ski mask. 332 00:22:31,200 --> 00:22:33,500 The unsub knows when he walks into a house 333 00:22:33,500 --> 00:22:36,000 he's going to kill the woman who lives there. 334 00:22:37,000 --> 00:22:39,200 If you're not leaving any witnesses, why wear a ski mask? 335 00:22:39,200 --> 00:22:41,100 And he wants the victim to see him anyway. 336 00:22:41,100 --> 00:22:45,200 Your attempted rapist is a garden variety disorganized young man. 337 00:22:45,200 --> 00:22:48,000 As the victim's age goes up, generally 338 00:22:48,000 --> 00:22:49,500 the attacker's age goes down. 339 00:22:49,500 --> 00:22:52,900 Mrs. Gordon is about 60, which puts her rapist at about 20. 340 00:22:52,900 --> 00:22:56,900 And it takes years to develop the level of calm and sophistication 341 00:22:56,900 --> 00:22:58,900 that Tommy displays at a crime scene. 342 00:22:58,900 --> 00:23:01,300 The rapist is far too young for that. 343 00:23:01,300 --> 00:23:03,200 Mrs. Gordon told me that there's a young man 344 00:23:03,200 --> 00:23:06,300 who delivers groceries to their home. 345 00:23:06,300 --> 00:23:08,400 He fits a lot of what we're describing here. 346 00:23:08,400 --> 00:23:11,700 Great. So we're back to zero on Tommy. 347 00:23:11,700 --> 00:23:12,300 Not at all. 348 00:23:12,300 --> 00:23:14,900 May I see you in your office for a moment? 349 00:23:17,000 --> 00:23:18,500 You have a tip line for the public? 350 00:23:18,500 --> 00:23:19,400 Yes. 351 00:23:20,400 --> 00:23:23,600 We have a technician at quantico who can tap into your phone system. 352 00:23:23,600 --> 00:23:24,900 He's gonna call us? 353 00:23:24,900 --> 00:23:27,500 Well, he's gone out of his way to show you how scary he is. 354 00:23:27,500 --> 00:23:29,400 And when the 11:00 news leads with the capture 355 00:23:29,400 --> 00:23:32,500 of a 6 foot tall black man in connection with his crimes 356 00:23:32,500 --> 00:23:34,200 he's gonna be furious. 357 00:23:34,700 --> 00:23:36,300 Furious enough to call. 358 00:23:37,200 --> 00:23:38,600 Later, man. See ya. 359 00:23:44,500 --> 00:23:46,500 FBI. You're under arrest. 360 00:23:48,900 --> 00:23:51,000 You're under arrest for the attempted rape of Marcia Gordon. 361 00:23:51,000 --> 00:23:51,900 What?! 362 00:23:53,200 --> 00:23:56,800 The FBI's behavioral analysis unit was called in yesterday afternoon 363 00:23:56,800 --> 00:24:01,500 by the San Diego police department to assist in the ongoing Tommy killer investigation. 364 00:24:01,500 --> 00:24:03,200 The unit is headed-- 365 00:24:07,900 --> 00:24:09,500 I can now announce that our office has assisted 366 00:24:09,500 --> 00:24:12,500 in making an arrest in connection with the investigation. 367 00:24:12,500 --> 00:24:14,400 That's all I can say at this time. 368 00:24:16,300 --> 00:24:19,200 He confessed to Mrs. Gordon's attack before we even got to the car. 369 00:24:19,200 --> 00:24:20,000 Thanks, Elle. 370 00:24:20,000 --> 00:24:21,800 Should just make the 11:00 news. 371 00:24:21,800 --> 00:24:22,900 Did they get good footage? 372 00:24:22,900 --> 00:24:24,100 Yeah, couldn't miss him. 373 00:24:24,100 --> 00:24:25,600 Good. Now we wait. 374 00:24:25,600 --> 00:24:26,700 Contact Garcia. 375 00:24:27,600 --> 00:24:29,700 Go for Mrs. Penelope Garcia. 376 00:24:29,700 --> 00:24:31,000 Ready with the trap and trace? 377 00:24:31,000 --> 00:24:33,700 Peaches, this is the office of unmitigated superiority. 378 00:24:33,700 --> 00:24:35,700 I am always ready. 379 00:24:35,700 --> 00:24:37,400 With the awesome power I have in this room 380 00:24:37,400 --> 00:24:41,000 all I need is 15 seconds on the phone to nail this skeevy perv. 381 00:24:41,000 --> 00:24:42,300 15 seconds? 382 00:24:42,300 --> 00:24:44,000 If that. 383 00:24:48,000 --> 00:24:50,400 I can now announce that our office has assisted 384 00:24:50,400 --> 00:24:53,500 in making an arrest in connection with the investigation. 385 00:24:53,500 --> 00:24:55,400 That's really all I can say at this time. 386 00:24:55,400 --> 00:24:57,800 Turn that damn television down! 387 00:25:01,100 --> 00:25:02,000 I'm sorry. 388 00:25:11,800 --> 00:25:13,500 We're still waiting, Garcia. 389 00:25:19,800 --> 00:25:22,600 God, I hate waiting like this. 390 00:25:23,000 --> 00:25:24,700 Do you think it's weird that I knew that ballad? 391 00:25:26,100 --> 00:25:29,600 I don't know how it is that you know half the things you know 392 00:25:29,600 --> 00:25:30,600 but I'm glad you do. 393 00:25:30,600 --> 00:25:32,400 Do you think it's why I can't get a date? 394 00:25:33,400 --> 00:25:35,000 You ever ask anyone out? 395 00:25:36,000 --> 00:25:36,700 No. 396 00:25:36,700 --> 00:25:38,400 That's why you can't get a date. 397 00:25:41,800 --> 00:25:42,700 Detective Martin. 398 00:25:44,500 --> 00:25:45,800 Hey. Hey. 399 00:25:46,700 --> 00:25:48,800 Line 6, Penelope. Line 6. 400 00:25:49,500 --> 00:25:52,700 You stupid, incompetent sons of bitches! 401 00:25:52,700 --> 00:25:57,000 I don't make mistakes! I am death! You hear me?! 402 00:25:57,000 --> 00:26:00,200 I am death! You'll see now. 403 00:26:00,200 --> 00:26:04,500 Tomorrow, mark my words, you will see. 404 00:26:04,500 --> 00:26:09,500 And while I'm taking her, I'm gonna be thinking of you. 405 00:26:09,800 --> 00:26:10,900 Anything? 406 00:26:10,900 --> 00:26:12,900 Are you kidding me? 407 00:26:12,900 --> 00:26:13,900 I don't know how this is possible 408 00:26:13,900 --> 00:26:16,100 because there was definitely enough time for me to get a location 409 00:26:16,100 --> 00:26:19,000 but I got nothing. I got absolutely nothing. 410 00:26:19,000 --> 00:26:20,100 Let me work on this. 411 00:26:20,100 --> 00:26:21,200 She said she got nothing. 412 00:26:21,200 --> 00:26:22,000 Nothing? 413 00:26:22,000 --> 00:26:23,300 We missed him? 414 00:26:41,200 --> 00:26:43,500 We have an undercover car for each of your teams 415 00:26:43,500 --> 00:26:46,000 and the entire damn department out there, too. 416 00:26:46,400 --> 00:26:50,000 Remember, a truck. Maybe a work truck in excellent condition. 417 00:26:50,000 --> 00:26:51,300 Everyone knows. 418 00:26:52,000 --> 00:26:53,400 All right, he might make a mistake today. 419 00:26:53,400 --> 00:26:56,100 He's angry, and he probably hasn't done the kind of surveillance he'd like. 420 00:26:56,100 --> 00:26:57,400 Yeah, well, neither have we. 421 00:26:57,600 --> 00:26:58,600 Let's go, Reid. 422 00:26:58,900 --> 00:27:00,000 I'll bring the car around. 423 00:27:05,000 --> 00:27:05,900 We'll find him. 424 00:27:44,800 --> 00:27:47,300 That's the last place he watched. 425 00:27:47,800 --> 00:27:49,100 That house. 426 00:27:49,700 --> 00:27:52,200 Morgan said the family hasn't moved back in. 427 00:27:53,500 --> 00:27:55,100 Probably never will. 428 00:27:57,600 --> 00:27:59,100 It's the eyes. 429 00:27:59,600 --> 00:28:00,400 Excuse me? 430 00:28:00,400 --> 00:28:02,000 It's the eyes, Elle. 431 00:28:04,400 --> 00:28:06,500 Just something not right about the eyes. 432 00:28:06,500 --> 00:28:08,800 If you mean what he does to them, yeah, I agree. 433 00:28:08,800 --> 00:28:14,400 No. It's almost a classic move for an exploitative rapist to force a victim to watch. 434 00:28:14,400 --> 00:28:15,600 But? 435 00:28:18,000 --> 00:28:19,700 We're missing something about it. 436 00:28:35,200 --> 00:28:36,700 It's 10:30 already. 437 00:28:36,700 --> 00:28:38,800 All he said was tomorrow. He didn't... 438 00:28:38,800 --> 00:28:40,300 specify morning. 439 00:28:40,300 --> 00:28:42,500 Reid, this guy's gotta spend a lot of time in that house. 440 00:28:42,500 --> 00:28:45,400 A lot. He needs it to be morning. 441 00:28:48,100 --> 00:28:49,500 Are we sure this is a good spot? 442 00:28:49,500 --> 00:28:51,600 3 of the victims lived within a block of this street. 443 00:28:51,600 --> 00:28:53,000 It's the main artery through the neighborhood. 444 00:28:53,000 --> 00:28:56,900 True, but 3 victims in the same block could mean he's done with the area. 445 00:28:56,900 --> 00:28:59,100 Or that he's just really familiar with it. 446 00:28:59,100 --> 00:29:01,000 And comfortable in it. 447 00:29:01,800 --> 00:29:02,500 But then, on the other hand 448 00:29:02,500 --> 00:29:04,900 the other victims lived more than a mile in either direction. 449 00:29:04,900 --> 00:29:06,000 Right. 450 00:29:06,000 --> 00:29:07,900 God, I hate not having a plan. 451 00:29:07,900 --> 00:29:09,800 We're looking for a needle in a haystack here. 452 00:29:10,600 --> 00:29:15,100 Actually, it's more like we're looking for a needle in a pile of needles. 453 00:29:16,300 --> 00:29:17,100 What? 454 00:29:17,100 --> 00:29:19,500 A needle would stand out in a haystack. 455 00:29:21,000 --> 00:29:24,300 Ok. And we're not looking for someone who stands out? 456 00:29:24,300 --> 00:29:28,600 No. We're looking for a particular needle in a pile of needles. 457 00:29:50,300 --> 00:29:51,700 Can I help you folks with something? 458 00:29:51,700 --> 00:29:52,800 FBI. 459 00:29:55,000 --> 00:29:56,900 Oh, sorry. 460 00:30:00,000 --> 00:30:02,600 After the fourth killing, P.D. Doubled the patrol in these neighborhoods, 461 00:30:02,600 --> 00:30:04,600 then double them again after the fifth and sixth. 462 00:30:04,600 --> 00:30:07,500 Yet our unsub still watched the houses. 463 00:30:07,500 --> 00:30:08,900 How could he not have been seen? 464 00:30:13,400 --> 00:30:14,500 Is that an oriole? 465 00:30:15,500 --> 00:30:17,300 No. A black-headed grosbeak. 466 00:30:18,800 --> 00:30:20,200 Grosbeak? 467 00:30:22,300 --> 00:30:24,700 Grosbeak, female. 468 00:30:26,800 --> 00:30:31,100 Orson Welles said all the birds that belong to our sex have prettier feathers 469 00:30:31,100 --> 00:30:34,100 'cause males have got to try to justify their existence. 470 00:30:34,100 --> 00:30:37,600 We spend all our time screaming, "look at me. Look at me." 471 00:30:37,600 --> 00:30:41,200 "Mommy, mommy. Look at me." 472 00:30:41,200 --> 00:30:42,200 Yeah? 473 00:30:45,800 --> 00:30:46,900 25? 474 00:30:47,400 --> 00:30:48,100 Look at me. 475 00:30:48,100 --> 00:30:49,000 Ok. 476 00:30:50,700 --> 00:30:52,200 Garcia couldn't get a fix on the call 477 00:30:52,200 --> 00:30:55,100 because it was routed through 25 different substations. 478 00:30:55,100 --> 00:30:57,100 25 substations. 479 00:30:59,900 --> 00:31:01,700 He wanted them to see him. 480 00:31:01,700 --> 00:31:03,200 We established that. 481 00:31:12,000 --> 00:31:15,700 He's meticulous. Nothing is an accident. 482 00:31:15,700 --> 00:31:17,600 He vacuumed. 483 00:31:18,300 --> 00:31:21,300 Seeing is about domination. 484 00:31:21,300 --> 00:31:22,900 His creation. 485 00:31:22,900 --> 00:31:26,800 He positioned everything exactly the way he wanted it. 486 00:31:26,800 --> 00:31:28,200 And? 487 00:31:31,400 --> 00:31:34,500 If the eyes were so they could watch the attack 488 00:31:34,900 --> 00:31:37,300 why are they all facing away from it? 489 00:31:38,200 --> 00:31:40,900 In that position, they couldn't see him during. 490 00:31:43,100 --> 00:31:45,400 He wanted them to see him afterward. 491 00:31:51,500 --> 00:31:54,600 Office of unfettered omniscience. Penelope Garcia is in. 492 00:31:54,600 --> 00:31:56,200 Speak, oh fortunate one. 493 00:31:56,200 --> 00:31:57,900 Garcia, it's Elle. 494 00:31:57,900 --> 00:32:00,600 Could you get into the phone repair records in San Diego? 495 00:32:00,600 --> 00:32:01,700 Sunshine... 496 00:32:01,900 --> 00:32:05,200 I can run centcom from here and still participate in simultaneous tetris tournaments. 497 00:32:05,200 --> 00:32:09,700 I'm looking for repairmen cross-referenced with the murders in San Diego. 498 00:32:09,700 --> 00:32:11,700 It could be as much as four or five days prior. 499 00:32:11,700 --> 00:32:13,900 See if there are any common names. 500 00:32:13,900 --> 00:32:15,600 Total cake. Stay on the line. 501 00:32:19,800 --> 00:32:20,400 What you got? 502 00:32:20,400 --> 00:32:22,100 He's a phone technician, Hotch. 503 00:32:22,100 --> 00:32:24,600 Police are looking for someone walking around the neighborhood in broad daylight. 504 00:32:24,600 --> 00:32:26,300 Who notices a phone guy up on a pole? 505 00:32:26,300 --> 00:32:27,900 He can watch for husbands leaving for work 506 00:32:27,900 --> 00:32:30,600 watch for police patrols, know when the neighborhood's quiet. 507 00:32:30,600 --> 00:32:31,900 He knows when he'll have plenty of time. 508 00:32:31,900 --> 00:32:34,500 He can even tap into a phone line to make sure someone's home. 509 00:32:34,500 --> 00:32:37,000 How about routing a call through 25 substations? 510 00:32:37,000 --> 00:32:38,700 Backyard? Hey, he's just looking for a pole. 511 00:32:38,700 --> 00:32:40,000 Got tape? Course he does. 512 00:32:40,000 --> 00:32:41,700 Wire? He's a repairman. 513 00:32:41,700 --> 00:32:42,700 Sounds right, Jason. 514 00:32:42,700 --> 00:32:45,200 It is right, and we have his name. 515 00:32:55,100 --> 00:32:59,500 There you go. Oh, that's a good boy. 516 00:32:59,500 --> 00:33:01,100 You want some juice, big boy? 517 00:33:01,100 --> 00:33:03,800 You want some juice? Ok. 518 00:33:07,400 --> 00:33:08,600 Mommy. 519 00:33:08,600 --> 00:33:13,000 Ooh, yes, I know. We're gonna have some apple juice, pookie. 520 00:33:13,000 --> 00:33:14,700 That's your favorite. 521 00:33:17,400 --> 00:33:21,200 I know. I know you love it. 522 00:33:39,400 --> 00:33:40,400 FBI. 523 00:33:40,900 --> 00:33:42,600 I need to know where one of your technicians is. 524 00:33:42,600 --> 00:33:43,200 FBI? 525 00:33:43,200 --> 00:33:44,500 Where are your technicians? 526 00:33:44,500 --> 00:33:45,500 They're all out in the field. 527 00:33:45,500 --> 00:33:48,800 Listen! I need Franklin Graney right now. 528 00:33:51,100 --> 00:33:52,100 Now you'll lay down. 529 00:33:52,100 --> 00:33:57,700 Please. Please don't hurt me. I have a baby. 530 00:33:57,700 --> 00:33:59,600 Cooperate and you'll be all right. 531 00:33:59,600 --> 00:34:01,000 Please. Oh! 532 00:34:02,100 --> 00:34:04,400 Cooperate and you'll be all right. 533 00:34:07,400 --> 00:34:10,400 He's on service calls in the area of Orange and Chandler. 534 00:34:15,300 --> 00:34:15,900 Get a hold of Hotch. 535 00:34:15,900 --> 00:34:18,700 Tell him to bring the team and any S.D. Cops he can round up. 536 00:34:31,700 --> 00:34:33,000 This is his truck. 537 00:34:39,600 --> 00:34:42,300 Fan out. Go through yards. Look at telephone poles. 538 00:34:42,300 --> 00:34:43,600 He's around here. 539 00:35:40,700 --> 00:35:45,000 Let me out. Let me out. 540 00:36:10,000 --> 00:36:13,000 875 Orange, Hotch. Back door. 541 00:36:55,400 --> 00:37:00,000 Never acknowledge me. Never...think of me. 542 00:37:13,400 --> 00:37:14,400 I'll shoot her. 543 00:37:14,400 --> 00:37:15,800 No, you won't, Franklin. 544 00:37:15,800 --> 00:37:17,300 Yes, I will. 545 00:37:17,300 --> 00:37:18,700 If you hurt her, I'll kill you. 546 00:37:18,700 --> 00:37:21,100 I'll just say we caught a low-life burglar. 547 00:37:21,100 --> 00:37:24,000 You didn't turn out to be Tommy after all. 548 00:37:25,500 --> 00:37:27,600 You will remain uncaught. 549 00:37:27,900 --> 00:37:30,200 After a while, people will forget you. You'll be nothing. 550 00:37:31,300 --> 00:37:33,200 Once every 5 or 10 years, they'll do a TV show. 551 00:37:33,200 --> 00:37:36,500 They'll ask, "what ever happened to that Tommy guy? Why'd he disappear?" 552 00:37:36,500 --> 00:37:38,600 Then they'll stop talking about it altogether. 553 00:37:40,600 --> 00:37:42,000 Put the gun down. 554 00:37:42,400 --> 00:37:44,500 Come on. Walk outta here with me. 555 00:37:44,500 --> 00:37:48,700 I'll make sure your face is splashed across every newspaper and TV in the country. 556 00:37:48,900 --> 00:37:51,100 Tommy killer: Franklin Graney. 557 00:37:51,100 --> 00:37:52,900 Everyone will see you then. 558 00:37:53,500 --> 00:37:55,300 Bundy, Dahmer, Graney. 559 00:37:56,000 --> 00:37:57,700 Whole world will know who you are. 560 00:37:58,700 --> 00:38:00,300 It's up to you, Franklin. 561 00:38:01,200 --> 00:38:05,400 You can be famous, or you can be invisible. 562 00:38:08,300 --> 00:38:09,900 You'll tell everyone? 563 00:38:10,900 --> 00:38:13,600 I have a media specialist outside right now. 564 00:38:14,400 --> 00:38:15,900 It is your choice. 565 00:38:16,900 --> 00:38:17,700 Promise? 566 00:38:17,700 --> 00:38:19,200 Yes, sir. I promise. 567 00:38:25,600 --> 00:38:27,000 Back away from the gun. 568 00:38:39,800 --> 00:38:43,500 Where's my baby? My baby! 569 00:38:43,500 --> 00:38:45,300 He's fine. He's just fine. 570 00:38:45,300 --> 00:38:46,600 You're ok. 571 00:38:46,600 --> 00:38:50,000 Thank you. 572 00:38:51,100 --> 00:38:51,900 It's ok. 573 00:38:53,100 --> 00:38:54,700 It's ok. 574 00:38:55,800 --> 00:38:59,900 Rose Kennedy once said, "birds sing after a storm. 575 00:38:59,900 --> 00:39:06,000 "Why shouldn't people feel as free to delight in whatever sunlight remains to them?" 576 00:39:21,900 --> 00:39:23,900 Oh, I almost forgot. I have something for you. 577 00:39:23,900 --> 00:39:24,600 Oh, yeah? 578 00:39:24,600 --> 00:39:26,600 Forgot to give it to you at the party. 579 00:39:28,600 --> 00:39:30,300 But you don't give birthday presents. 580 00:39:43,100 --> 00:39:44,700 The "red....skins." 581 00:39:44,700 --> 00:39:46,000 It's a V.I.P. Box. 582 00:39:47,100 --> 00:39:48,700 Thank you so much. 583 00:39:50,200 --> 00:39:51,600 Every been to a pro football game? 584 00:39:51,600 --> 00:39:55,400 No, I honestly didn't even know this was football. 585 00:39:55,400 --> 00:39:56,900 You're gonna love it. 586 00:39:56,900 --> 00:39:58,700 We are. You're coming with me, right? 587 00:39:58,700 --> 00:40:00,100 No. 588 00:40:00,100 --> 00:40:02,900 Someone else on the plane is a huge skins fan. 589 00:40:03,200 --> 00:40:04,400 Who? 590 00:40:04,400 --> 00:40:06,700 Only person in the world who calls you Spence. 591 00:40:08,000 --> 00:40:09,600 JJ? 592 00:40:09,800 --> 00:40:11,700 She's a huge redskins fan. 593 00:40:19,100 --> 00:40:21,700 Wh-what should I say? 594 00:40:31,800 --> 00:40:33,000 Checkmate. 595 00:40:48,000 --> 00:40:52,500 Heard you're, uh, a fan of football.