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Diane Arbus once said:
"A photograph is a secret about a secret.
the more it tells you, the less you know."
Spencer!
Spencer Reid!
Dude! Look at you!
You look just the same.
Look at you, dude. Nothing's changed.
Spencer was only 12-year-old
in our graduating class.
Just the same.
Thanks.
This is special agent Jason Gideon.
This is Parker Dunley.
We went to high school together, as you can probably gather.
- Hi, how are you? - Hey.
It's a beautiful gallery.
Thank you. Thank you.
Jason's a big contemporary art enthusiast.
We're exhibiting four up-and-coming artists in this show.
Everything's for sale and
I could definitely swing a nice discount for a friend of...
Lila.
Hey.
Guys, come on.
Do I look 12 years old to you?
14?
Spencer,
you ever meet a real movie star?
Movie star? Please,
she's a supporting role on a television series
about beach volleyball.
Totally blue-collar.
I'm Lila.
Hi, I'm... I'm doctor Spencer... Reid.
I'm Spencer. You don't have to... call me doctor.
I won't.
Excuse me.
Hey you! I told you!
No photos in the gallery!
All right? Out!
And who are you?
I'm Jason Gideon, I'm a...
- friend of Reid. - Have you seen my work?
No.
Thanks.
So... you're not from around here, are you?
Me? No. No, I'm...
We're running a training service about profiling
for the Los Angeles police department.
Profiling?
Yeah, I'm with the behavioral analysis unit of the FBI.
We psychoanalyze crime scenes in order to
gain a better understanding
of the criminal who might have committed the crime.
Psychoanalyze, huh?
Are you doing that to me right now?
What? no!
I'm not psychoanalyzing you. I'm just...
I'm kidding.
One of my earliest works.
Totally boring.
No, I don't think so,
I mean nothing's just a picture.
if viewed correctly
- whatever that means
one can see world views, obsessions,
manifestations of the subconscious.
If I weren't...
a lesbian,
I'd jump your bones.
I've always had this thing
for middle-aged men.
And you have these piercing, discerning eyes
which remind me of my father
who was a shrink. And I'm like...
God,
I am so
hot.
Pinky, some guy from ArtNews wants to talk to you.
Don't go away.
Does it make you feel anything?
Like what?
I can't tell you how to feel.
Right now, I feel pretty good.
We're leaving.
We're still looking at the exhibit.
Now.
Now, now.
Yeah, I guess we're leaving, so...
- Reid, now. - Nice to meet you.
on the way. Bye!
Today, we thought we'd focus on what is
probably the most important component of profiling or
for that matter, any investigative technique:
Victimology.
The word victim stems from the latin word
"victima" which means "sacrifice."
No, I can't go to the gym. I'm waiting for my shooting script.
I think it just came.
Yeah.
Okay, I'll see you at the gym, babe, bye.
Victims of violent crimes
are brutalized by a subject
who takes it upon him or herself
to decide life or death of a fellow human being.
Hey.
Are you gonna give it to me?
There are around
16 million people
in the Los Angeles metropolitan area.
Every time a person is killed,
robbed, or raped,
Most important question you will ask yourself
is "why?".
Why did your unsub choose
this victim
at this time.
- Natalie? - Was there anything done
which provoked the criminal to act?
Or was the target available or weak,
a causality of circumstance?
Natalie?
Natalie.
Oh, my God!
oh, my god! No! Natalie!
No! Nathalie! Oh, my god!
You know, we really can get ourselves to the airport.
I didn't invite the FBI here
to let them make their own way around town.
We really appreciate it.
I can't thank you guys enough for conducting the seminar.
Well, don't hesitate to call
if there's anything we can help with.
- You got it? - Yeah!
Kim here.
Great.
Yeah, I'll be there as soon as I drop the FBI agents at LAX
Everything all right?
Double murder at a Hollywood bungalow.
A celebrity.
A young movie star Natalie Ryan and her fiancé,
apparently shot to death.
It's gonna be a major pain in the ass.
You guys care to take a quick look before I drive you to the airport?
It's on the way.
Absolutely.
No sign of forced entry.
Same weapon.
The girl was shot execution style.
Once in the head.
The male three times in the torso.
So you have 2 different MOs.
We have an image on the video surveillance camera.
Looks like a messenger of some kind wearing a motorcycle helmet.
He's unidentifiable.
There's no sign of struggle between the girl and the unsub
from the door to the couch.
He most likely forced her at gunpoint.
He told her to trust him. "do what I say. I won't hurt you."
Fatal mistake.
He asked her to sit on the couch and then...
shot her in the head.
Fiancé wasn't expected, his killing's messier, it's...
less controlled, it's less organized.
What do you think?
I've had a couple other cases recently.
Past few months.
Same type of weapon. 22 caliber handgun.
Both shot in the head.
The first was an established film producer.
Wally Melman.
and the second was Chloe Harris,
another young actress...
but not as well known as Natalie here.
Any forensic evidence?
No.
The guys have been going through this place all morning
and haven't come up with anything.
So he clearly knows how to cover his tracks.
Like a professional hit man?
Maybe.
Gideon,
There are people actually taking photographs of us from the next yard.
Welcome to L.A.!
22's are small but efficient.
They bounce around inside a person like a pinball.
Preferred weapon of the mafia.
You know, there's no obvious sexual component to these crimes,
which is usually the case with serial murders.
so are are thinking this is a serial killer?
It's certainly a series of murders,
we don't know enough yet to call them serial.
Would you consider hanging out in L.A. a little while,
let me lean on your expertise
until we do figure out what we've got?
Yeah. just cancel our flights.
We'll have the rest of our team out here ASAP.
First 2 victims: Wally Melman,
Chloe Harris. Both killed in public places.
Chloe was killed while walking her dog
on the beach in Santa Monica
which she did every morning.
And Wally was killed outside of a massage parlor.
- In Culver city. - Which he went to every tuesday.
If he knows their schedules, maybe that means
he follows his victims for a while.
And not a single witness.
So we know this unsub can blend in.
Regardless of the location,
he has the ability to hide in plain sight.
He's meticulous.
The media's calling Natalie Ryan's murder
the biggest celebrity homicide since Sharon Tate.
What does that mean for us?
That everybody will be watching.
This guy is an assassin?
When you look at the victimolgy,
there's no obvious links.
All the kills are clean except in the instance of the last victim,
Jeremy Collins.
There's absolutely no evidence left at the crime scene.
there's no DNA,
no manifestation of psycho-sexual release,
and there's no detectable signature of any kind.
Remember, our profiles are formulated
not just by what's present at the scene but,
also what's absent.
From all the evidence that we've gathered,
we believe that you're looking for a type-4 assassin.
- Type 4? - Type 1's are political assassins,
like John Wilkes Booth. Type 2's are
egocentrics looking for simple recognition.
Type 3's are psychopaths,
cold-blooded killers who leave far messier scenes.
and type 4, our Unsub,
suffers from a major mental disorder
and is frequently delusional.
the closer we come to figuring out that delusion,
the closer we'll get to finding the unsub.
What's he going to be doing until we do?
Finding other victims.
Excuse me,
Hi.
Is there a detective Kim here?
Right here.
You're heading the investigation into the Natalie Ryan murder?
Yes...
My... I have a client. She's...
Is there any place we could be private?
We're all working this murder.
Well...
She received a note, my client did,
and she freaked out.
I told her not to worry about it.
Where is the note?
- Where's your client? - She's waiting in the other room.
Reid.
Let's go.
Lila.
Hi.
How well did you know Natalie Ryan?
We spoke when we saw each other in public, but
but we were never friends.
How about Wally Melman?
- What? - Wally Melman.
He's a producer who was killed a couple of months ago.
The paper said that was a robbery
The paper was wrong.
Did you know him?
We met a few times
about a project, but...
I didn't get the part, they went a different way.
Which way?
He cast, another act...
Oh, my god.
What is it?
He cast Natalie Ryan.
"You owe me."
I guess that's one way to ice out the competition.
Don't look at me.
I brought her into the police station.
Have you ever had a sense that someone is watching you?
Following you?
From the moment I get to work, I have:
Hair and make-up and wardrobe people,
producers, writers, my agent,
my manager, publicist.
Not to mention photographer...
It's part of the life.
Anything seems odd, out of the ordinary?
Happens on a regular basis
or semi-regular basis?
What do you mean?
Repetitive phone calls with hang ups,
gifts left anonymously?
I receive flowers
on the seventh of each month. They just appear
Never a note, just...
a plain glass bowl.
Red anemones.
My favorite.
You don't want to know who they're from?
Celebrities get anonymous gifts all the time.
She has fans, you know.
You remember meeting anyone on the seventh day of the month?
Or in july,
the seventh month of the year?
No.
Wally Melman was a producer who considered
hiring you, but didn't. And...
Natalie was a rival.
And Chloe Harris,
she looks a lot like you, don't you think?
- Who? - A potential rival.
She was murdered, too.
So all these...
people are being killed because of me?
It's possible.
I'm sorry...
I can't.
I have to go.
Lila!
Lila.
What's happening, Spencer?
It's still rather speculative,
but it appears there's a delusional assassin
who's killing people to help further your career.
He probably started as a stalker,
an erotomanic stalker.
There's a psychopathology of the evolution
of these types of stalkers.
The fact that he's contacting you indicates that
He believes you owe him something.
This model frequently concludes itself
to one of two possibilities:
Either the stalker will kill himself,
or he'll kill the object of his affection.
With this unsub, we're looking at a compound profile:
a type-4 delusional assassin.
With an erotomanic fixation on the actress Lila Archer.
Erotomanics are a form of stalker,
who posses the delusional belief that another person,
usually of a higher social status, is in love with them.
In the United States, at any given time,
there are over 200,000 people being stalked.
Our Unsub
is having a fantasy love affair
with Lila Archer.
The way John Hinkley did with Jodie Foster.
Miss Archer was not aware of her stalker until yesterday.
He wasn't trying to impress her.
He was more like an unwanted,
very violent guardian angel.
When the stalk feels as if they've been in some way
betrayed by their love object,
this often leads to violence against the target.
In the case of John Robert Bardo when
actress Rebecca Schaeffer took a role where she had to have
a sexual relationship with another character,
too enough to force him to snap
and seek her out to kill her.
Those stalkers can be either male or female.
It's most likely we're looking for a single male,
A loner, in his late twenties to early forties.
Very intelligent,
with ample time to follow his victim
and study her habits.
As of yet, the Unsub has not directed
any violence towards Miss Archer.
But he has shifted his focus
from those around her to her directly.
This doesn't preclude the fact that anyone,
who has the vaguest association with Miss Archer
is a potential target.
I love you,
- you're my favorite client. - No.
I haven't asked you anything yet.
I'm not stopping my life.
- You could stay with me. - No.
A hotel? Just until the police say you're safe?
- Michael! - You know I worry.
Bye, Michael.
Okay. call me...
lots. Kisses.
Hello. Good-bye.
I'm leaving.
Hey, Mags.
He's an odd guy.
Yeah, but who isn't a little odd out here?
Well, that's for sure.
Look, we're ready to rehearse scene 43 and...
this was taped to your trailer door.
Thanks, hon.
I'm intrigued by this particular version of the verb "to be."
Past participle.
Steady state of being, preceding adverb.
- "always." - In english?
That is english, actually.
- We're discussing the verb tenses. - Reid.
Our stalker sounds like someone she knows.
Based on the tense of the verb.
Maybe it's time to get her off the street.
There's been no physical threat to her.
She might be... safe just
staying put as opposed to anywhere else.
I'm standing right here, guys.
If we did remove you,
we'd have to take you to an undisclosed location
I'm sure your stalker knows where you live.
I'm not having the whole show close down.
I only need one more scene to shoot.
Last night I decided I wasn't gonna be afraid of this lunatic.
Am I safe here?
The set's cleared of everyone except essential personnel,
And we have increased security at the gate.
Lila, they're ready for you.
I'm staying at work, gentlemen.
Well, she's one tough girl.
Yeah.
I didn't want to say anything in front of her,
his anger about her going to the police suggests he might alter his agenda.
It's typical for a stalker.
She didn't go alone to the police.
Her manager took her.
You and Reid stay here. Keep an eye on her.
- I'll hang back, too. - Where you going?
Talk to her manager.
sorry if I was... insensitive
last night.
You're only doing your job, right?
Yeah.
Then there's no need to apologize.
You don't mind sharing with me, do you?
No.
You don't mind sharing with me, do you?
- Shut up. - Go get'em, lover.
Hello?
Mr. Ryer?
Michael...
Up until now, every victim was a person
who could be perceived as a threat to ms. Archer.
But Michael wa a friend!
He was a threat to the stalker...
Get Lila to a safe house.
She's still on set working, did you meet up with her manager?
Reid,
take her home, have her pack some things.
What's going on?
We were too late.
She's gonna be devastated.
I know.
JJ's keeping it out of the press for now.
Let's not tell her yet.
Not tell her?
No, not yet.
We need her to cooperate with us...
in order to protect her.
I'll talk to you later.
You gonna take her of the street?
I'm gonna completely deny him access.
Won't even give him a glimpse of her.
Hopefully, that'll bring him out of the woodwork.
Hopefully.
Yeah. No, we're pulling up right now.
There's a marked car out front.
Yeah.
Got it. I'll check it out.
Is everything ok?
I just need to run through some security measures with you.
All right.
Gideon,
you better take a look at these.
Morgan, it's Elle.
Yeah.
We found a manila envelope on Michael Ryer's desk.
It's full of photos.
Okay.
Well, they're candid shots os Lila Archer nude.
I'm guessing he's probably paying someone off to keep them out of press.
Do we know who?
The name on the envelope was Joe Martinez.
The paparazzo?
You know him?
Yeah, I dealt with him a lot.
Elle,
we're on it.
I like your house.
I rent it.
Nice. you should also probably change all your phone numbers.
I'm unlisted.
Anytime you call an 800 number or an 888 number,
Your phone number's put into a databank
that's been sold to telemarketers.
If someone get your cell phone number, they can go on line
and research all your records.
Hanging out with you can be really depressing.
You should also probably carry a piece of paper and a pen
with you wherever you go in case you see any suspicious license plates
that often reappear.
Photographic collage.
I like it because it's like life, you know?
You know, like obscure, difficult.
You should also get a dog.
Like a guard dog of some sort.
Allergic.
Earl grey or chamomile?
What?
- What? - Do you want some tea?
Yes, yes, sure.
FBI!
Martinez!
It's clear.
See?
This guy's a real scumbag.
You got that right.
What's this?
It's a call sheet.
It's a shooting schedule for a film or television show.
- That's Lila's show. - Yeah.
He's not supposed to have that?
No.
Look at that.
That's Reid.
There's a whole bunch of them.
He a target now?
Not if I can help it. Let's go.
Reid,
it's Morgan, listen to me. You gotta watch your back over there,
we found a bunch of close-up photos of you
at this guy Joseph Martinez's studio.
It looks like he could be the Unsub.
He had a ton of photos of Lila and Natalie,
plus a call sheet for Lila's show.
We're on our way right now, but I need you to be real careful
until we get there, all right?
All right.
- You're hit? - Yeah, it's just my shoulder.
All right, I'm calling for help.
Officer down, we need an ambulance in La Brea and Wilshire!
How are we doing?
He'll make it.
Caught one in the shoulder and shattered his collarbone.
Are you okay?
I'm fine.
No sign of this Martinez, the photographer?
No.
Whoever took a shot at you followed you from the set.
Martinez has a bunch of paperwork in his studio
that says where Lila's gonna be every day.
Gideon.
That's what I thought. Thanks.
Garcia's gone through every article written about Lila.
She never says anything about red anemones being her favorite flower.
We're looking for someone pretty close to her.
This list gets shorter every day.
He's circling in. We need to get to her house.
I'll make sure the press doesn't get out of hand with this mess.
Feel anything yet?
There's something definitely appealing about this one.
It's a start.
What are you doing?
- Going for a swim. - What?
No, Lila!
Lila, you cannot do this.
Five minutes.
Go get a suit in the house.
What? No! I don't wanna grab a suit.
- Are you kidding me? No! - Join me.
No, I'm not gonna join you.
Why not?
You're being pursued by a psychotic killer who shoots people in the head!
I'm not gonna stop living my life. I'm just not.
Lila, I'm begging of you. Will you please get out of the pool?
Really, Spence, you should live a little.
Live a little? I've known you 48 hours, I feel like I've already aged 10 years.
I can't be that bad.
Yes. no, you are that bad.
Fine,
can you help me out at least?
Yes, very funny. Laugh it up, Lila.
Hilarious.
My gun's wet. So great.
My clothes.
You should have worn the suit.
This is completely inappropriate.
This? What's this?
This isn't...
No, there's this thing
called transference.
You don't like me?
What?
- You don't like me. - No, are you cra... I do!
I like you too. Just I'm a federal agent,
you know, and I'm supposed to protect you.
Then keep me close.
I'm just, I'm a little bit worried.
You know, we're... we're in a pool,
and it's a... we're pretty much exposed.
We have cops.
We have cops posted out front.
There are coyotes out back.
And right here it's just... you and me.
Stop. I'm sorry. I have to...
I have to tell you something.
What?
I didn't want to tell you this before'cause I was a bit worried.
I don't know how to say it, but I can't not tell you.
What is it?
Your manager, Michael...
What?
Gideon went to check on him, but...
he got there too late.
Lila.
How could you-
- How could you not tell me? - I was afraid you'd be upset.
You...
You knew what you knew, and...
How could you not...
I'm so sorry.
Don't. Don't touch me. Don't touch me.
Give me a reason.
Well, we found him in the bushes.
I told her she should cut those.
I fell in.
Yeah, and I'm sure there's plenty of photos of it.
Stop shoving me, man.
You're a suspect in the murder of Wally Melman,
- Natalie Ryan, and Jeremy Collins. - Murder? what?
Shut up!
We know for a fact that you have hundreds of photographs
of Lila Archer and Natalie Ryan on the walls of your studio.
You have miss Archer's daily schedule on your desk.
- You've been stalking her. - Look, guy. Hold up.
Every parazzo's a celebrity stalker.
If you don't stalk'em, you don't get the shot.
If you don't make the shot, you don't sell no pictures.
- Well, this one is gonna cost you. - What! No.
- That's just wrong. - Tell it to your lawyer.
- I'm still being locked up? - That's right.
Very least, you're trespassing. Let's go.
You're welcome.
Are you still...
Are you okay?
Michael was like family.
I'm so sorry.
It's just...
so hard to trust people out here.
You don't know who to believe.
Everybody wants something from you.
That's why I thought you were different.
I know I should have told you.
I told him not to.
He was only following my orders.
You know...
The last time I was able to fully
trust someone was at Julliard.
Before I was... a somebody.
Julliard.
And didn't you say you used to live on Houston street?
What?
You were a waitress. You lived on Houston.
Yeah.
I need to take this thing apart.
What?
I'll put it back.
I think I see images of you.
Guys.
Lila, it looks like someone's been stalking you for years.
Yeah, this tells your whole life story.
Movie premieres,
- theater playbills. - Everything since college.
That's our country house.
Right here.
Who gave you this collage?
He did.
This guy? Who is he?
That's the guy I went to High School with. Parker Dunley.
Garcia: Parker Dunley.
E- mail me a sheet on him, all right?
Look who's here.
Where's parker?
I don't even get a hello?
Where is he?
Guess that follows since I...
I never got a good-bye.
Parker!
Friend of yours?
No.
How could I help?
Spencer's friend, right?
Yes.
Did you give Lila Archer a collage?
What?
There's a photographic collage above Lila Archer's sofa.
She says you gave it to her.
So?
So it has your face hidden all over it.
I didn't make the damn thing.
So you...
Just happened to give her a work of art that contains most of her life in it?
No.
If there's something you aren't saying, now would be a real good time to say it.
All right.
All right, I lied.
What about?
I just wanted her to like me.
I met her here.
She was a fan of art, I figured if there was hip, young stars
coming into the gallery, it would help business.
What was the lie?
Someone gave me the piece to give to her,
But I told her it was from me.
I said I found it and I thought she'd love it.
And who gave it to you?
Her name's Maggie Lowe. She...
She works on Lila's show.
She said she went to college with Li. She's like a...
P.A. or A.D. or some acronym.
She wanted to make sure that Lila got the collage,
but she didn't want Lila to know that she gave it to her.
She said to say that it was from a secret admirer.
But I told her it was from me.
I have a name. Maggie Lowe.
She's the Unsub. She's on Lila's show.
We're on our way.
Lila, do you know someone named Maggie Lowe?
Mags?
Yeah, of course I know her. I've known her for years.
I got her a job on my show.
What?
- That's her calling right now. - Is she calling from a cell phone?
- Yeah. - Lila, we think Maggie's the Unsub.
The what?
The stalker.
No way.
Answer the phone.
That's... that's crazy.
Answer the phone, act completely natural.
The longer you keep her on the line, the more we'll be able to trace the call.
Trust me.
Hello?
Hello, Maggie?
Maggie, is that you?
What's wrong?
Oracle of Quantico, speak
if you deign to hear truth.
Garcia, I need an emergency trace
on a cell phone call to Lila Archer's cell phone.
Sure, go ahead.
3-2-35-5-5 0-1-2-9.
Okay, keep her talking. Keep her talking.
Maggie?
I am so tired Lila.
Tired?
There's been so much upset,
in the world really.
I think it's just so tragic.
All of it.
I miss you.
I just do.
Mags.
I saw you today.
It's never gonna be the same as it was.
It's just never gonna be the same.
I don't know
what you're talking about.
I'm talking about
that time in college.
When the heat in your apartment was off
and the two of us stayed in my dorm room.
don't you remember?
You were playing Ophelia
on the main stage.
I remember.
That was the happiest time of my life.
Maggie...
Sweetheart,
That was only for a weekend.
The happiest time,
and you don't know anything about me at all.
And I did everything for you.
Reid,
is Lila's address 6028 Pike street?
Yeah.
She's calling from inside the house.
I'll get you some backup.
Lila.
How is she in the house?
She has keys.
Why'd you have to bring these people here?
- Put down the gun. - Maggie.
Don't call me Maggie. You don't know me.
Come on, Lila. Let's go.
We really got to go, baby.
Come on.
Maggie, don't hurt her.
You don't need to hurt her.
You don't know anything.
I would never... do anything to hurt you.
No.
I created you.
No, you didn't.
Yes, I did.
I know
I did.
God.
You stupid,
ungrateful...
God!
I can't believe that I loved you.
Maggie, she...
She loves me, now.
What?
She told me so.
We were in the pool,
she kissed me.
- Now she loves me, okay? - No.
Tell her we kissed in the pool.
No!
Yes, we kissed.
God!
Don't move.
Please kill me.
Come on, shoot me please.
I'd be so much, happier. Please.
Please!
Come on.
We're gonna get you help.
Back up, let's go.
Darling,
E- scape wants to do a segment on you
this evening on the stalking event. I told them yes.
- Why'd you do that? - It's okay. It's gonna be fine.
The hair and makeup people are coming in 10 minutes.
There's also talk about 60 minutes.
This kind of publicity makes me really uncomfortable.
Don't be ridiculous,
I'm talking about performing a public service, all right?
Stalking is a major problem in this country.
It's good, it's good.
I got to take this.
Looks like... you're gonna be pretty busy.
I wish...
things had been...
more normal
when we had met.
Lila,
believe me when I say this.
I've never known a normal day in my entire life.
Hey, Reid.
Come on, we got to move.
- Gotcha. - Well,
If I'm ever in Washington, and
I were to give you a call, that would be okay?
Yeah, I'd like that a lot.
- I don't want to intrude. - No, not at all.
- Reid, sorry, we're waiting. - Lila!
Lila, we gotta go.
And I don't know when you're gonna be back here,
the next time you're in Los Angeles,
if you'll be fit for time.
Lila, we got to go.
Bernard Shaw once said,
"An american has no sense of privacy.
He does not know what it means.
There is no such thing in the country."
Godd night, hollywood!
Come on, man.
You know, Reid,
you're lucky they didn't get a shot of you next to the pool trying to draw your gun.
You looked like a wet rat.
I was playing.
Did you know that...
she...
I kissed her in the pool?
It's so weird. It doesn't even...
feel like it really happened, you know?
Sure, sure.
- She's a beautiful young actress. - Yeah.
I kept explaining to her about transference and the fact that,
she probably only liked me
- because I was there to protect her. - Reid.
You were her hero.
I wanted to think that.
No, no. Don't go selling yourself short, kid.
You took down an armed subject without firing a shot.
You saved her life.
That's pretty much a hero in my book.
Let me ask you this. Have you ever...
crossed the professional boundaries with a...
a victim of a case you were working on?
No.
It's pretty bad, right?
There are some things you can't control even with that big old brain of yours.
No harm, no foul.
Let it go.
Hey, Morgan?
Has there ever been...
a girl that you wanted to be with for more than,
you know, not just one night?
Excuse me?
I've never seen you
with the same girl twice.
- are you calling me a dog? - No, no.
No. Not at all. I'm just...
I'm just trying to figure out if...
this feeling I have is ever gonna go away.
Reid, what we do for a living, it takes up all our time.
And a relationship's hard enough even in the same city.
So,
I mean, you're saying it's probably wise
that I don't call her, right?
I can't answer that one for you.
Hey, I'll tell you what I do know.
You don't need to come up with that answer tonight.
I'm out.
Have a good weekend.
Yeah, you too, Romeo.
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