1
00:00:08,200 --> 00:00:10,700


2
00:00:22,100 --> 00:00:23,200
DAMN!

3
00:00:30,400 --> 00:00:33,000
DISPATCH 88,
IN PURSUIT OF A VEHICLE.

4
00:00:33,000 --> 00:00:34,700
PLATES MATCH
MISSING BLUE HONDA,

5
00:00:34,700 --> 00:00:35,900
HIGHWAY 227.

6
00:00:36,800 --> 00:00:38,500
THIS IS 71
JOINING PURSUIT,

7
00:00:38,500 --> 00:00:40,300
REQUEST ADDITIONAL
BACK-UP.

8
00:00:43,600 --> 00:00:45,500
COME ON. COME ON!

9
00:00:46,200 --> 00:00:47,700
WHAT A PIECE OF CRAP.

10
00:00:52,500 --> 00:00:55,000
DRIVER,
PULL YOUR VEHICLE OVER!

11
00:01:00,500 --> 00:01:02,200
DRIVER, TURN OFF
YOUR VEHICLE

12
00:01:02,200 --> 00:01:03,200
AND STAY
WHERE YOU ARE.

13
00:01:09,500 --> 00:01:13,500
DRIVER! PUT YOUR HANDS OUTSIDE THE VEHICLE
WHERE WE CAN SEE THEM!

14
00:01:23,300 --> 00:01:26,100
TURN OFF THE RADIO AND REACH YOUR HANDS
OUTSIDE THE WINDOW!

15
00:01:30,200 --> 00:01:32,500
HANDS! LET ME SEE YOUR HANDS!

16
00:01:39,900 --> 00:01:41,500
BOTH HANDS, NOW!

17
00:01:45,200 --> 00:01:48,500
- NOW SLOWLY... 
- GRENADE! GET BACK! GET BACK!

18
00:02:01,200 --> 00:02:02,400
CALL FOR AN AMBULANCE.

19
00:02:02,400 --> 00:02:04,900
OFFICER DOWN! OFFICER DOWN!

20
00:02:05,500 --> 00:02:07,900
A POPULAR THEORY AMONG LEADING
ASTROPHYSICISTS

21
00:02:07,900 --> 00:02:09,400
ESTIMATES THAT
THE HYPER MATTER REACTOR

22
00:02:09,400 --> 00:02:11,700
WOULD NEED ABOUT 10 TO THE 32nd
JEWELS OF ENERGY

23
00:02:11,700 --> 00:02:13,600
TO DESTROY A PLANET
THE SIZE OF EARTH.

24
00:02:13,700 --> 00:02:17,200
NOW, LUCAS SAID IT TOOK 19 YEARS 
TO BUILD THE FIRST DEATH STAR, RIGHT?

25
00:02:17,200 --> 00:02:18,900
BUT IF YOU LOOK AT THE NEW ESSENTIAL
CHRONOLOGY,

26
00:02:18,900 --> 00:02:21,100
THERE'S A TESTBED PROTOTYPE 
FOR A SUPER LASER THAT SPANS--

27
00:02:21,100 --> 00:02:21,800
WHERE ARE YOU GOIN'?

28
00:02:22,400 --> 00:02:24,300
TAKING BACK THE LAST
5 MINUTES OF MY LIFE.

29
00:02:25,900 --> 00:02:26,800
YOU CAN'T GO IN THERE.

30
00:02:26,800 --> 00:02:28,300
DON'T YOU WANT TO KNOW ABOUT
THIS GUY?

31
00:02:28,300 --> 00:02:29,200
I DO.

32
00:02:29,800 --> 00:02:31,700
GOT IT ALL MEMORIZED--
HIS BOOKS, HIS BIO.

33
00:02:31,700 --> 00:02:33,600
YEAH, BOOKS HAVE SOLD
OVER A MILLION COPIES.

34
00:02:33,700 --> 00:02:34,500
SO?

35
00:02:34,600 --> 00:02:37,300
THERE'S A MILLION REASONS NOT TO COME BACK,
IF YOU KNOW WHAT I'M SAYIN'.

36
00:02:40,100 --> 00:02:41,000
HUH.

37
00:02:41,200 --> 00:02:42,400
TAUPE WALLS.

38
00:02:43,000 --> 00:02:44,100
THAT'S A NEGATIVE COLOR.

39
00:02:44,500 --> 00:02:47,100
COLD, DISTANT.
YOU KNOW, EMOTIONALLY,

40
00:02:47,100 --> 00:02:48,800
TAUPE IS LINKED TO LONELINESS

41
00:02:48,800 --> 00:02:51,400
AND THE DESIRE
TO ESCAPE FROM THE WORLD.

42
00:02:51,400 --> 00:02:54,600
I JUST FIGURED THE GUY'S WALLS WOULD BE 
COVERED WITH PLAQUES AND COMMENDATIONS.

43
00:02:54,600 --> 00:02:57,400
HUH. MAYBE HE DOESN'T WANT TO 
BE REMINDED OF PAST VICTORIES.

44
00:02:57,400 --> 00:02:58,800
IT'S A NEW CHAPTER
FOR HIM.

45
00:02:58,800 --> 00:02:59,800
WHAT HAPPENED TO THE MORATORIUM

46
00:02:59,800 --> 00:03:01,700
ON INTER-TEAM PROFILING, GUYS?

47
00:03:01,900 --> 00:03:03,200
COME ON, REID, TEAM?

48
00:03:03,900 --> 00:03:05,900
I DON'T THINK THIS GUY KNOWS
THE MEANING OF THE WORD.

49
00:03:08,000 --> 00:03:09,100
OH, I FOUND SOMETHING.

50
00:03:09,300 --> 00:03:10,800
LOOKS LIKE SOME TYPE
OFRELIGIOUSRELIGOUS ART.

51
00:03:11,200 --> 00:03:12,300
ORIGINAL, MAYBE?

52
00:03:13,100 --> 00:03:14,200
DEFINITELY EXPENSIVE.

53
00:03:14,600 --> 00:03:15,700
IT'S RENAISSANCE ART.

54
00:03:16,000 --> 00:03:17,800
- IF THAT'S ORIGINAL...
- IS IT?

55
00:03:17,800 --> 00:03:19,600
I DON'T KNOW,
IT'S KINDA HARD TO TELL.

56
00:03:20,800 --> 00:03:22,500
MEANS HE'S INTO
THE CLASSICS.

57
00:03:22,500 --> 00:03:23,300
WHAT ELSE?

58
00:03:23,300 --> 00:03:26,400
UH, ITALIAN,
STRICT CATHOLIC UPBRINGING.

59
00:03:26,400 --> 00:03:28,000
PROBABLY BELIEVES
IN REDEMPTION.

60
00:03:28,600 --> 00:03:31,500
WELL, I BELIEVE IN A LOT OF THINGS.
CATHOLIC, YES.

61
00:03:31,500 --> 00:03:34,100
ITALIAN-AMERICAN,
52 YEARS.

62
00:03:34,100 --> 00:03:36,100
STRICT UPBRINGING,
NOT SO MUCH.

63
00:03:36,300 --> 00:03:37,300
NOW, THE ARTWORK,

64
00:03:37,600 --> 00:03:39,900
THAT'S 15th CENTURY,
ORIGINAL.

65
00:03:39,900 --> 00:03:41,400
COST MORE THAN
MY FIRST HOUSE.

66
00:03:41,600 --> 00:03:44,800
AND AS FOR THE WALL COLOR,
IT'S JUST A BASE COAT.

67
00:03:44,800 --> 00:03:46,600
PAINTERS WILL COME IN
AND FINISH TOMORROW.

68
00:03:46,700 --> 00:03:51,000
NOW, IF YOU'RE ALL FINISHED,
I THINK J.J. AND HOTCH ARE READY FOR US.

69
00:03:52,000 --> 00:03:53,600
ISN'T THAT HOW A TEAM WORKS?

70
00:04:07,300 --> 00:04:09,700
GREAT FALLS, MONTANA.
OVER THE PAST 14 MONTHS,

71
00:04:09,700 --> 00:04:11,800
3 WOMEN HAVE BEEN
REPORTED MISSING.

72
00:04:12,300 --> 00:04:13,200
MICHELLE LAWFORD,

73
00:04:13,200 --> 00:04:16,300
JENNIFER HILLBRIDGE,
AND DARCY CRANWELL.

74
00:04:16,800 --> 00:04:18,700
ALL YOUNG CAUCASIAN BRUNETTES.

75
00:04:18,700 --> 00:04:20,500
AFTER AN EXTENSIVE SEARCH,

76
00:04:20,500 --> 00:04:22,600
ALL WERE PRESUMED DEAD
BY LOCAL AUTHORITIES.

77
00:04:22,600 --> 00:04:24,300
SO AT LEAST WE KNOW
HE HAS A TYPE.

78
00:04:24,300 --> 00:04:26,700
AND NOW THERE'S A FOURTH WOMAN,
ANGELA MILLER.

79
00:04:26,700 --> 00:04:28,200
THIS MORNING,
SHE AND HER CAR

80
00:04:28,200 --> 00:04:30,500
WENT MISSING
FROM A SMALL GROCERY STORE

81
00:04:30,600 --> 00:04:32,500
WHILE HER HUSBAND AND SON
WERE INSIDE.

82
00:04:32,600 --> 00:04:33,600
THIS MORNING?

83
00:04:33,700 --> 00:04:35,900
MONTANA'S REQUESTING
OUR HELP?

84
00:04:37,700 --> 00:04:39,000
40 MINUTES LATER,
STATE TROOPERS

85
00:04:39,000 --> 00:04:41,100
SPOTTED ANGELA MILLER'S CAR
ON THE HIGHWAY.

86
00:04:41,100 --> 00:04:43,200
AND WHEN TROOPERS TRIED
TO APPREHEND THE DRIVER,

87
00:04:43,300 --> 00:04:45,100
HE BLEW HIMSELF UP
WITH A GRENADE,

88
00:04:45,300 --> 00:04:47,200
PUTTING ONE OF THE TROOPERS
IN THE I.C.U.

89
00:04:47,300 --> 00:04:48,800
ARE THEY SURE THAT SHE WASN'T
IN THE CAR WITH HIM?

90
00:04:48,800 --> 00:04:50,200
THEY WENT THROUGH
THE WRECKAGE,

91
00:04:50,200 --> 00:04:51,700
AND IT APPEARS
SHE'S STILL MISSING.

92
00:04:51,700 --> 00:04:52,800
TROOPERS GET
A LOOK AT THE GUY?

93
00:04:52,800 --> 00:04:55,100
CAUCASIAN, STOCKY,
BROWN HAIR,

94
00:04:55,100 --> 00:04:57,200
MOUSTACHE. EARLY FORTIES.

95
00:04:57,200 --> 00:04:58,900
HE HAS A SCAR ON THE LEFT SIDE
OF HIS FACE.

96
00:04:59,200 --> 00:05:01,100
DO YOU THINK
ANGELA MILLER'S STILL ALIVE?

97
00:05:01,500 --> 00:05:03,500
SINCE THE OTHER MISSINGS
WERE NEVER FOUND, WE DON'T KNOW,

98
00:05:03,500 --> 00:05:05,000
BUT HE ONLY HAD HER
FOR 40 MINUTES,

99
00:05:05,000 --> 00:05:06,700
SO WE HAVE TO ASSUME SHE IS.

100
00:05:18,800 --> 00:05:26,400
<font color="#4096d1">本字幕仅供学习交流，严禁用于商业用途</font>

101
00:05:26,400 --> 00:05:29,300
<font color="#4096d1">-==http://www.ragbear.com==-
CRIMINAL MINDS 307</font>

102
00:05:48,300 --> 00:05:54,300
<font color=#4096d1>-=破烂熊字幕组=-
翻译:&校对:狗熊
时间轴:ABBIEMCGEE</font>

103
00:05:58,600 --> 00:06:00,300
 "AN EARTHLY KINGDOM
CANNOT EXIST

104
00:06:00,300 --> 00:06:02,200
"WITHOUT INEQUALITY OF PERSONS.

105
00:06:02,600 --> 00:06:05,300
"SOME MUST BE FREE,
SOME SERFS,

106
00:06:05,400 --> 00:06:07,700
 SOME RULERS,
 SOME SUBJECTS."

107
00:06:07,700 --> 00:06:09,100
MARTIN L M

108
00:06:09,200 --> 00:06:11,600
YOU KNOW, I COULD HAVE GOTTEN YOU 
A COLORING BOOK AT THE AIRPORT.

109
00:06:11,800 --> 00:06:13,500
I'M CREATING A TOPOGRAPHICAL MAP, 

110
00:06:13,500 --> 00:06:16,800
WEIGHING DOWN AND GEOCODING ALL 
KEY LOCATIONS LOOKING FOR ALGORITHMS.

111
00:06:17,300 --> 00:06:18,200
YEAH.

112
00:06:18,300 --> 00:06:20,000
THAT'S EXACTLY
WHAT I THOUGHT YOU WERE DOING.

113
00:06:20,100 --> 00:06:21,700
IT'S CALLED
A JEOPARDY SURFACE.

114
00:06:21,800 --> 00:06:24,500
 IT'S A WAY OF NARROWING DOWN
 WHERE THE UNSUB COULD RESIDE.

115
00:06:24,700 --> 00:06:27,900
AND BY DEFAULT,
WHERE HE MAY BE STASHING ANGELA MILLER.

116
00:06:27,900 --> 00:06:30,600
YOU KNOW, IT SAYS HERE THE GUY HAD 
A FULLY LOADED GUN, SO WE KNOW 
HE HAD OPTIONS.

117
00:06:30,600 --> 00:06:31,500
WHY THE GRENADE?

118
00:06:31,500 --> 00:06:33,200
HE WANTS TO BE
REMEMBERED.

119
00:06:33,600 --> 00:06:34,300
AND HE WANTED
TO BE SURE

120
00:06:34,300 --> 00:06:36,800
TO TAKE AS MANY COPS
WITH HIM AS POSSIBLE.

121
00:06:37,500 --> 00:06:38,800
HE KNOWS
HE'S OUT GUNNED.

122
00:06:39,600 --> 00:06:40,900
SO HE WAITS.

123
00:06:41,200 --> 00:06:43,100
TIMES IT
TO THE LAST SECOND.

124
00:06:43,200 --> 00:06:44,200
BOOM!

125
00:06:45,200 --> 00:06:48,200
THERE ARE SOME VERY COMMITTED PEOPLE
IN THOSE PARTS.

126
00:06:48,200 --> 00:06:49,400
WHO LOVE THEIR FIRE POWER.

127
00:06:49,400 --> 00:06:51,600
ALMOST AS MUCH
AS THEY HATE US.

128
00:06:52,700 --> 00:06:53,600
MILITIA.

129
00:06:53,600 --> 00:06:54,900
AND THEY'RE HEAVILY ARMED.

130
00:06:54,900 --> 00:06:57,100
YEAH, BUT HAND GRENADES?

131
00:06:57,500 --> 00:07:00,800
IT'S NOT UNCOMMON FOR MILITIA MEMBERS 
TO HAVE MILITARY EXPERIENCE.

132
00:07:00,800 --> 00:07:03,200
OFTENTIMES, THEY RESENT THE STRUCTURE
AND THEY GET DISCHARGED,

133
00:07:03,200 --> 00:07:05,300
AND THEY FORM THEIR OWN
PARAMILITARY GOVERNMENTS.

134
00:07:05,300 --> 00:07:07,200
DENTAL RECORDS ARE ON THEIR WAY
TO GARCIA.

135
00:07:07,200 --> 00:07:08,900
I'LL TELL HER TO CHECK
THE MILITARY FIRST.

136
00:07:08,900 --> 00:07:10,400
PRENTISS AND I WILL GO MEET THE HUSBAND.

137
00:07:10,500 --> 00:07:12,300
I CAN WALK THE OTHER
ABDUCTION SIGHTS.

138
00:07:12,300 --> 00:07:15,000
EVERYBODY ELSE, SET UP BASE, 
WORK ON GEOGRAPHICAL PROFILES.

139
00:07:15,000 --> 00:07:17,600
ESTABLISH CONTACT WITH THE LOCALS,
AND TREAD CAREFULLY.

140
00:07:18,500 --> 00:07:19,600
THEY'LL BE WATCHING US.

141
00:07:30,200 --> 00:07:33,000
HE KILLED A 15-YEAR
POLICE VETERAN.

142
00:07:33,600 --> 00:07:35,800
 HE DIED IN I.C.U.
 A COUPLE HOURS AGO.

143
00:07:35,800 --> 00:07:36,700
SORRY TO HEAR THAT.

144
00:07:36,700 --> 00:07:38,500
SO ANGELA MILLER
CAME OUT WITH THE GROCERIES

145
00:07:38,500 --> 00:07:40,700
WHILE HER HUSBAND TOOK MARK
INTO THE BATHROOM.

146
00:07:41,300 --> 00:07:43,000
HE CAME OUT,
SHE WAS GONE,

147
00:07:43,000 --> 00:07:44,300
HER AND THE CAR.

148
00:07:44,600 --> 00:07:47,400
UNSUB GETS INTO THE CAR, GUN DRAWN,
AND TELLS HER TO DRIVE.

149
00:07:47,800 --> 00:07:49,600
SHE KNOWS HER SON'S
COMING OUT ANY MINUTE,

150
00:07:49,600 --> 00:07:52,000
SO TO KEEP HIM OUT OF HARM'S WAY,
SHE DRIVES OFF.

151
00:07:52,000 --> 00:07:52,700
WHERE DID HE COME FROM?

152
00:07:52,700 --> 00:07:54,800
ALL THE VEHICLES IN THE VICINITY
HAVE BEEN ACCOUNTED FOR.

153
00:07:55,200 --> 00:07:57,800
WELL, IF HE'S A LOCAL,
HE WALKED.

154
00:07:57,900 --> 00:08:02,600
WELL, THESE FOLKS CAN REST EASY KNOWING
THE BASTARD'S DEAD.

155
00:08:04,300 --> 00:08:06,700
EXCEPT, OF COURSE,
FOR ANGELA MILLER'S FAMILY.

156
00:08:18,200 --> 00:08:20,900
HI, THIS IS AGENT JAREAU
WITH THE F.B.I., AND--

157
00:08:22,500 --> 00:08:24,700
THAT'S THE THIRD TIME
I'VE BEEN HUNG UP ON.

158
00:08:24,800 --> 00:08:26,200
TRY NOT SAYING F.B.I.

159
00:08:26,500 --> 00:08:27,300
WHO WAS THAT?

160
00:08:27,600 --> 00:08:29,400
CONTACT FOR A LOCAL
MILITIA NEWSLETTER.

161
00:08:29,600 --> 00:08:31,100
YEAH, DROP THE F.B.I. PART.

162
00:08:31,700 --> 00:08:32,900
A WOMAN IS MISSING.

163
00:08:32,900 --> 00:08:34,700
YOU'D THINK THESE PEOPLE
WOULD WANT TO HELP US.

164
00:08:34,800 --> 00:08:37,400
THEY DO WANT TO HELP.
THE MISSING WOMAN, NOT US.

165
00:08:38,600 --> 00:08:39,900
GO AHEAD, GARCIA.

166
00:08:40,200 --> 00:08:42,900
YOU WERE SPOT ON,
CRIME FIGHTERS .

167
00:08:43,000 --> 00:08:45,000
MILITARY RECORDS MATCH.

168
00:08:45,400 --> 00:08:47,500
FRANCIS GOEHRING,
42 YEARS OLD.

169
00:08:47,500 --> 00:08:49,700
DID A YEAR IN THE ARMY

170
00:08:49,900 --> 00:08:52,200
BUT FOR A BAD CONDUCT DISCHARGE.

171
00:08:53,000 --> 00:08:57,300
HIGHLIGHT OF WHICH WAS AN ARREST
DURING A BAR BRAWL

172
00:08:57,300 --> 00:09:00,000
IN WHICH THREE OTHER PEOPLE
WERE HOSPITALIZED.

173
00:09:00,200 --> 00:09:02,500
HE ALSO APPEARS
IN THE FEDERAL DATABASE

174
00:09:02,500 --> 00:09:06,000
FOR...GET THIS,
AGGRESSIVE MILITIA GROUPs

175
00:09:06,000 --> 00:09:08,900
AGGRESSIVE MILITIA GROUPS.
IS THERE ANY OTHER TYPE?

176
00:09:08,900 --> 00:09:12,100
UH-HUH. THAT'S YOUR FEDERAL
GOVERNMENT AT WORK.

177
00:09:12,100 --> 00:09:13,900
WE SPECIALIZE IN REDUNDANCY.

178
00:09:13,900 --> 00:09:15,600
YOU SEE
A LAST KNOWN ADDRESS?

179
00:09:15,600 --> 00:09:18,600
A COMPOUND
JUST OUTSIDE OF TOWN

180
00:09:18,600 --> 00:09:19,700
IT'S COMING YOUR WAY.

181
00:09:20,100 --> 00:09:23,600
OH, HE ALSO HAS A WIFE
THAT DOESN'T APPEAR TO LIVE WITH HIM.

182
00:09:23,600 --> 00:09:24,800
DIANE MARIE GOEHRING,

183
00:09:24,800 --> 00:09:26,900
LIVES IN SHELBY
A FEW HOURS AWAY.

184
00:09:26,900 --> 00:09:28,500
HAVE THE STATE POLICE
BRING IN THE WIFE.

185
00:09:28,500 --> 00:09:30,700
REID AND I WILL GO MAKE FRIENDS
WITH HIS NEIGHBORS.

186
00:09:30,800 --> 00:09:31,600
THANKS, GARCIA.

187
00:09:34,800 --> 00:09:36,500
WE NEED YOU TO TELL US
WHAT HAPPENED.

188
00:09:36,700 --> 00:09:38,700
THE GUY THAT TOOK
MY WIFE...

189
00:09:40,900 --> 00:09:42,500
HE TOOK THE OTHER MISSING WOMEN,
DIDN'T HE?

190
00:09:43,100 --> 00:09:45,000
HE'S A SERIAL KILLER,
THAT'S WHY YOU'RE HERE?

191
00:09:45,300 --> 00:09:47,100
NO, WE'RE HERE
TO HELP YOU FIND YOUR WIFE.

192
00:09:47,500 --> 00:09:49,000
YOU DO BELIEVE SHE'S ALIVE?

193
00:09:49,100 --> 00:09:50,900
UNLESS I HAVE EVIDENCE
TO THE CONTRARY,

194
00:09:50,900 --> 00:09:52,900
I VERY MUCH CONSIDER HER
TO BE ALIVE.

195
00:09:53,200 --> 00:09:56,100
I WOULDN'T HAVE CALLED HIM IN
IF I BELIEVED OTHERWISE.

196
00:09:57,500 --> 00:09:58,600
WHAT DO YOU BELIEVE?

197
00:09:59,100 --> 00:10:00,700
I BELIEVE
YOU SPENT ALL MORNING...

198
00:10:01,600 --> 00:10:04,300
GOING OVER AND OVER IN YOUR HEAD ABOUT
THE LAST TIME YOU SAW HER.

199
00:10:05,800 --> 00:10:09,600
AND ASKING YOURSELF
HOW COULD IT HAPPEN, WHY DID IT HAPPEN.

200
00:10:10,000 --> 00:10:12,000
THOSE MOMENTS,
THOSE MEMORIES,

201
00:10:12,700 --> 00:10:15,000
WE NEED TO HEAR THEM ALL,
IN DETAIL.

202
00:10:17,000 --> 00:10:18,500
HOW'S THAT GONNA HELP
SAVE HER?

203
00:10:19,200 --> 00:10:20,800
WELL, IN ONE
OF THOSE MOMENTS,

204
00:10:22,600 --> 00:10:24,700
SOMEONE ELSE MAY HAVE BEEN
WATCHING HER, TOO.

205
00:10:59,200 --> 00:11:00,600
WHAT THE HELL
DO YOU WANT?

206
00:11:00,900 --> 00:11:01,800
CAN'T YOU READ?

207
00:11:01,900 --> 00:11:04,100
I'M NOT A SALESMAN,
I'M WITH THE FBI.

208
00:11:04,100 --> 00:11:06,800
FBI? YOU'RE NOT SERIOUS.

209
00:11:06,900 --> 00:11:09,000
YOU LOOK LIKE A PIPE CLEANER WITH EYES. 

210
00:11:09,000 --> 00:11:10,700
I COULD SNAP YOU
LIKE A TWIG.

211
00:11:10,700 --> 00:11:12,700
BUT THEN,
HE ISN'T ALONE.

212
00:11:13,300 --> 00:11:15,000
WE'RE HERE BECAUSE THIS WAS
THE ADDRESS LISTED

213
00:11:15,000 --> 00:11:16,400
FOR FRANCIS GOEHRING.

214
00:11:16,400 --> 00:11:17,800
I HAVEN'T SEEN HIM
IN MONTHS.

215
00:11:17,800 --> 00:11:19,000
WE'D LIKE TO SEE
HIS RESIDENCE.

216
00:11:20,800 --> 00:11:23,200
FRANCIS GOEHRING
ABDUCTED 3 WOMEN.

217
00:11:23,600 --> 00:11:24,900
WE'RE LOOKING FOR A FOURTH.

218
00:11:26,500 --> 00:11:29,400
HE TOOK HER WHILE
HER HUSBAND AND SON WERE IN A STORE.

219
00:11:29,500 --> 00:11:30,600
THIS ISN'T ABOUT US,

220
00:11:30,700 --> 00:11:32,700
IT'S ABOUT A WOMAN
FROM YOUR COMMUNITY.

221
00:11:38,200 --> 00:11:39,800
I'LL SHOW YOU
HIS PLACE.

222
00:11:42,700 --> 00:11:44,400
PIECE OF ADVICE,
PIPE CLEANER,

223
00:11:44,800 --> 00:11:46,100
WAY YOU'RE WEARIN'
THAT GUN...

224
00:11:47,200 --> 00:11:49,000
BEGGIN' SOMEONE
TO TAKE IT OFF YOU.

225
00:12:09,900 --> 00:12:11,400
MOSTLY JUST JUNK MAIL.

226
00:12:11,500 --> 00:12:13,600
CATALOGS FOR FIREARMS...

227
00:12:14,600 --> 00:12:16,300
SURVIVAL PREPAREDNESS.

228
00:12:16,700 --> 00:12:17,700
HE DOESN'T SLEEP HERE.

229
00:12:18,800 --> 00:12:20,100
POSTMARKS ARE NEW.

230
00:12:20,100 --> 00:12:22,100
HE PROBABLY JUST USES
THIS ADDRESS FOR MAIL.

231
00:12:22,900 --> 00:12:24,600
ODD CHOICE
OF READING MATERIAL.

232
00:12:25,400 --> 00:12:26,900
UH, SPEAKING
OF READING MATERIAL,

233
00:12:27,000 --> 00:12:29,200
I'VE, UH,
READ ALL YOUR BOOKS.

234
00:12:30,100 --> 00:12:31,000
THANKS.

235
00:12:32,000 --> 00:12:32,900
UM...

236
00:12:33,400 --> 00:12:35,500
ONE THING THAT ALWAYS
KIND OF STRUCK ME AS ODD

237
00:12:35,500 --> 00:12:39,800
IS THAT YOU REALLY JUST SORT OF GLANCE OVER
RUBY RIDGE.

238
00:12:41,700 --> 00:12:44,300
I MEAN, YOU DON'T--
YOU DON'T HAVE TO TELL ME,

239
00:12:44,300 --> 00:12:45,000
I...

240
00:12:50,200 --> 00:12:53,200
THIS PICTURE SEEMS OLD.
IT'S PART OF A PAST LIFE.

241
00:12:53,900 --> 00:12:56,100
WE NEED TO FIND
WHERE HIS NEW LIFE IS.

242
00:12:56,400 --> 00:12:58,400
HOW'S THAT MAP OF YOURS
COMING ALONG?

243
00:12:58,400 --> 00:13:01,600
I'VE GOT IT NARROWED DOWN 
TO ABOUT A 30 MILE RADIUS.

244
00:13:01,600 --> 00:13:03,700
WELL, HOTCH SEEMS TO THINK
HE WAS ON FOOT.

245
00:13:03,700 --> 00:13:04,900
THAT'S A LONG WALK.

246
00:13:04,900 --> 00:13:07,900
- I'M STILL REFINING IT.
- GOOD.

247
00:13:14,400 --> 00:13:15,300
HELLO.

248
00:13:18,000 --> 00:13:19,100
HOME MOVIES.

249
00:13:20,400 --> 00:13:21,800
AN EARTHLY KINGDOM...

250
00:13:22,900 --> 00:13:26,200
CANNOT EXIST WITHOUT
THE INEQUALITY OF PERSONS.

251
00:13:26,500 --> 00:13:30,500
MARTIN LUTHER UNDERSTOOD
THE WEAK WILL ALWAYS SERVE THE STRONG.

252
00:13:30,900 --> 00:13:31,900
LIKE ME.

253
00:13:33,700 --> 00:13:35,100
HE HAD DREAMS.

254
00:13:35,600 --> 00:13:36,900
AND IDEAS.

255
00:13:39,900 --> 00:13:41,800
IT'S FUNNY, HE USES THE CHAIR
LIKE IT'S A THRONE

256
00:13:41,800 --> 00:13:44,700
AND HE'S FRAMING HIMSELF
INTENTIONALLY WITH A LOW ANGLE

257
00:13:44,700 --> 00:13:47,500
TO GIVE HIM POWER AND DOMINANCE
IN THE FRAME.

258
00:13:47,700 --> 00:13:50,400
IN FEUDAL TIMES,
THE LORD LIVED ON HIGH GROUND

259
00:13:50,400 --> 00:13:52,000
TO SPOT THE INVADER.

260
00:13:52,300 --> 00:13:55,100
HE HAD SERFS
TO SERVE HIS KINGDOM.

261
00:13:55,600 --> 00:13:57,900
THE LORD NEVER HAD
TO LEAVE HIS CASTLE.

262
00:13:58,700 --> 00:14:00,900
 THE SERFS WOULD
 BRING HIM EVERYTHING.

263
00:14:01,700 --> 00:14:04,400
THEY WERE THE APPENDAGES
OF HIS WILL.

264
00:14:04,700 --> 00:14:06,600
THERE'S 11 MORE
TAPES OF THIS?

265
00:14:06,900 --> 00:14:08,400
IT'S HIS
MANIFESTO.

266
00:14:08,600 --> 00:14:10,400
FIRST, I WILL
BUILD A COMPOUND,

267
00:14:10,900 --> 00:14:11,900
A KINGDOM.

268
00:14:12,500 --> 00:14:16,900
SECOND, I WILL ARM, PROTECT 
AND FORTIFY MY KINGDOM.

269
00:14:18,300 --> 00:14:22,100
THIRD, I WILL KEEP WOMEN
AS SERFS TO SERVE MY EVERY NEED.

270
00:14:22,100 --> 00:14:24,300
THIS IS MY RIGHT.

271
00:14:26,300 --> 00:14:29,300
AS A MAN WITH FREE WILL
IN AMERICA,

272
00:14:30,000 --> 00:14:32,500
I WILL MAKE MY KINGDOM
A REALITY.

273
00:14:33,200 --> 00:14:35,600
WELL, WE KNOW
HE'S MOVED OUT OF HIS HOUSE.

274
00:14:35,600 --> 00:14:38,700
MY GUESS IS THAT KINGDOM
IS THE REALITY NOW.

275
00:14:38,800 --> 00:14:41,900
HEY, HE TALKS ABOUT
KEEPING WOMEN TO SERVE HIM.

276
00:14:41,900 --> 00:14:44,800
IT'S POSSIBLE ALL THESE WOMEN
ARE STILL ALIVE.

277
00:14:45,400 --> 00:14:46,200
EXCUSE ME.

278
00:14:46,800 --> 00:14:48,100
GOEHRING'S WIFE
IS HERE.

279
00:14:48,900 --> 00:14:51,100
THANK YOU FOR COMING TO SPEAK
WITH US, MRS. GOEHRING.

280
00:14:52,100 --> 00:14:53,200
DID I HAVE A CHOICE?

281
00:14:53,200 --> 00:14:54,600
WE NEED YOUR HELP.

282
00:14:54,800 --> 00:14:56,900
IF I DON'T HAVE
TO BE HERE, GOOD-BYE.

283
00:14:56,900 --> 00:14:58,600
UM, IS THIS YOU?

284
00:14:58,900 --> 00:15:00,200
THAT IS YOU,
ISN'T IT?

285
00:15:03,700 --> 00:15:04,600
WHERE DID YOU GET THIS?

286
00:15:04,600 --> 00:15:07,300
UM, HAVE YOU SEEN THIS WOMAN?

287
00:15:08,600 --> 00:15:09,800
TODAY ON THE NEWS.

288
00:15:10,200 --> 00:15:14,400
WELL, YOU PROBABLY SAW 
THESE THREE WOMEN ON THE NEWS AS WELL

289
00:15:14,400 --> 00:15:17,300
AND WE THINK THEY ALL SHARE
ONE THING IN COMMON.

290
00:15:17,900 --> 00:15:18,700
WHAT?

291
00:15:19,600 --> 00:15:21,000
THEY ALL LOOK LIKE YOU.

292
00:15:22,100 --> 00:15:23,800
A PATTERN,
A TYPE.

293
00:15:23,800 --> 00:15:26,500
YOU AND ALL OF THESE
WOMEN FIT A TYPE.

294
00:15:28,300 --> 00:15:30,500
WHEN WAS THE LAST TIME
YOU SAW YOUR HUSBAND?

295
00:15:34,900 --> 00:15:35,800
I...

296
00:15:37,300 --> 00:15:40,100
I HAVEN'T SEEN HIM
SINCE WE THREW HIM OUT.

297
00:15:40,500 --> 00:15:41,500
WE?

298
00:15:43,500 --> 00:15:44,700
THE MILITIA.

299
00:15:46,200 --> 00:15:48,700
THEY SAW WHAT-- WHAT HE DID TO ME,
AND THREW HIM OUT.

300
00:15:49,400 --> 00:15:50,600
WHAT HE DID TO YOU?

301
00:15:54,200 --> 00:15:55,900
FRANCIS KILLED HIMSELF
YESTERDAY.

302
00:15:57,000 --> 00:15:58,500
HE'S--HE'S DEAD?

303
00:15:58,600 --> 00:16:01,700
AFTER BEING CAUGHT
DRIVING ANGELA MILLER'S CAR.

304
00:16:02,400 --> 00:16:04,500
CAN YOU THINK
OF ANYWHERE

305
00:16:04,600 --> 00:16:06,600
THAT HE WOULD HAVE
TAKEN THESE WOMEN?

306
00:16:09,600 --> 00:16:11,300
YOUR HUSBAND
WAS SADISTIC.

307
00:16:11,300 --> 00:16:14,400
HE HURT YOU, MADE YOU DO
HORRIBLE THINGS.

308
00:16:14,400 --> 00:16:16,200
 HE TREATED YOU
 LIKE A SLAVE.

309
00:16:16,200 --> 00:16:18,500
DID WHAT HE WANTED,
WHENEVER HE WANTED.

310
00:16:19,000 --> 00:16:21,200
HE DID THE SAME THING
TO THOSE OTHER WOMEN,

311
00:16:21,200 --> 00:16:24,000
 EXCEPT THEY DIDN'T HAVE THE MILITIA
 TO SAVE THEM.

312
00:16:28,700 --> 00:16:31,000
FRANCIS SAID THAT HIS DREAM
STARTED WITH 9 ACRES.

313
00:16:31,000 --> 00:16:32,400
WHAT'S HE TALKING ABOUT?

314
00:16:35,100 --> 00:16:36,600
MY PARENTS' LAND.

315
00:16:38,200 --> 00:16:40,800
WHEN--WHEN--WHEN THEY DIED,
HE MADE ME GIVE IT TO HIM.

316
00:16:41,700 --> 00:16:42,400
WHERE IS IT?

317
00:16:56,400 --> 00:16:58,800
SHERIFF, LET ME KNOW WHEN THEY'VE 
SWEPT THE HOUSE FOR EXPLOSIVES.

318
00:16:58,900 --> 00:17:01,000
IN THE MEANTIME, CHECK THE PERIMETER.
LET'S FIND HER.

319
00:17:01,000 --> 00:17:02,800
TOMMY, 2 MEN ON THE HOUSE.

320
00:17:02,800 --> 00:17:03,600
ANGELA?

321
00:17:03,600 --> 00:17:04,600
???

322
00:17:04,600 --> 00:17:07,000
ANGELA? ANGELA?

323
00:17:07,200 --> 00:17:08,500
ANGELA MILLER?

324
00:17:08,800 --> 00:17:11,300
- ANGELA!
- HOTCH!

325
00:17:11,600 --> 00:17:12,400
ROSSI!

326
00:17:16,000 --> 00:17:16,900
WE GOT HER.

327
00:17:18,500 --> 00:17:19,500
IT'S ANGELA.

328
00:17:23,000 --> 00:17:24,000
SHE'S GONE.

329
00:17:27,700 --> 00:17:29,400
2 EXIT WOUNDS, UPPER TORSO.

330
00:17:30,000 --> 00:17:32,500
I PROMISED HER SON
WE'D FIND HER ALIVE.

331
00:17:37,000 --> 00:17:37,700
WHAT IS IT?

332
00:17:37,700 --> 00:17:38,800
SHE'S STILL WARM.

333
00:17:40,300 --> 00:17:42,800
LOOK AT THE BLOOD, IT HASN'T DRIED YET.
THIS IS RECENT.

334
00:17:42,800 --> 00:17:45,000
- VERY RECENT.
- HOW IS THAT POSSIBLE?

335
00:17:45,600 --> 00:17:46,900
GOEHRING DIDN'T DO THIS.

336
00:17:47,800 --> 00:17:49,100
HE'S GOT A PARTNER.

337
00:18:19,100 --> 00:18:21,100
ANGELA'S BEEN DEAD FOR NO MORE 
THAN HALF AN HOUR.

338
00:18:21,100 --> 00:18:22,400
THE PARTNER WAS JUST HERE.

339
00:18:22,400 --> 00:18:23,900
HE CAN'T HAVE GOTTEN FAR.

340
00:18:24,000 --> 00:18:26,600
WE SET UP ROAD BLOCKS
WITHIN A 40 MILE RADIUS.

341
00:18:26,800 --> 00:18:29,300
SHERIFF, SOMEBODY AROUND HERE MUST KNOW
WHO GOEHRING'S PARTNER IS.

342
00:18:29,300 --> 00:18:30,800
WE SHOULD TRY GOEHRING'S PALS,
THE MILITIA.

343
00:18:30,800 --> 00:18:31,900
MAYBE THEY CAN HELP.

344
00:18:32,100 --> 00:18:33,700
MILITIA LEADER
IS HARRIS TOWNSEND.

345
00:18:33,700 --> 00:18:35,500
HE OWNS A BAR
CALLED THE HORSE POST.

346
00:18:35,500 --> 00:18:37,600
I'D SUGGEST
SENDING MORGAN.

347
00:18:38,200 --> 00:18:40,100
WHAT? 
ALL DUE RESPECT, ROSSI,

348
00:18:40,100 --> 00:18:42,000
BUT YOU'VE GOT AN ENTIRE TEAM
TO PICK FROM.

349
00:18:42,400 --> 00:18:44,700
YOU'RE CHOOSING ME?
ARE YOU SERIOUS?

350
00:18:44,900 --> 00:18:47,500
NO OFFENSE, BUT DO YOU
REALLY WANT TO DO THAT?

351
00:18:47,500 --> 00:18:50,200
- TAKE J.J. WITH YOU.
- THEY KNOW WE'RE HERE.

352
00:18:50,400 --> 00:18:52,300
BUT YOU'RE THE LAST FACE
THEY EXPECT.

353
00:18:54,400 --> 00:18:55,500
LET'S DO IT, J.J.

354
00:18:56,000 --> 00:18:57,500
SHERIFF,
WE NEED TO GET INTO THE HOUSE.

355
00:18:57,500 --> 00:18:59,000
NOT UNTIL I GET
THE ALL CLEAR.

356
00:18:59,300 --> 00:19:00,600
GOEHRING BLEW HIMSELF UP.

357
00:19:00,600 --> 00:19:01,900
GOD KNOWS WHAT ELSE
HE'S GOT IN THERE.

358
00:19:01,900 --> 00:19:03,300
SEARCH WHAT YOU CAN
UNTIL WE GET IN.

359
00:19:03,300 --> 00:19:04,800
ANYTHING TO BUILD
A WORKABLE PROFILE.

360
00:19:13,700 --> 00:19:15,000
KEEPS
EVERYTHING NEAT.

361
00:19:15,000 --> 00:19:16,300
OBSESSIVELY SO.

362
00:19:16,700 --> 00:19:19,200
HIS TRAILER WAS ORGANIZED,
BUT THIS IS DIFFERENT.

363
00:19:22,400 --> 00:19:23,300
UH-OH.

364
00:19:23,700 --> 00:19:24,700
GET BACK TO ME ON IT.

365
00:19:25,500 --> 00:19:27,800
WE FOUND SOME CARTRIDGES
AND DIFFERENT CASINGS.

366
00:19:27,900 --> 00:19:30,200
THE GUN RACKS WERE EMPTY.
HE TOOK HIS ENTIRE ARSENAL WITH HIM.

367
00:19:30,600 --> 00:19:31,900
7.62 MILLIMETER.

368
00:19:31,900 --> 00:19:33,100
HE'S GOT
AN ASSAULT RIFLE.

369
00:19:33,100 --> 00:19:35,500
AND I FOUND 2 SETS OF MEN'S SHOES
OF DIFFERENT SIZES.

370
00:19:35,500 --> 00:19:38,100
WE FOUND FRESH TIRE TRACKS.
SMALL PICK-UP TRUCK.

371
00:19:38,100 --> 00:19:39,500
I KNOW IT DOESN'T
NARROW IT DOWN MUCH,

372
00:19:39,500 --> 00:19:41,600
BUT LET THE TROOPERS KNOW
THEY'RE LOOKING FOR A MAN
IN A PICK-UP.

373
00:19:41,700 --> 00:19:42,800
IF HE'S AS PREPARED
AS GOEHRING,

374
00:19:42,800 --> 00:19:44,900
HE'LL HAVE A POLICE SCANNER
AND A 2-WAY RADIO.

375
00:19:45,200 --> 00:19:47,600
WE CAN TUNE INTO THE STATE GEOLOGICAL
SURVEY FREQUENCY.

376
00:19:47,600 --> 00:19:49,000
NOBODY EVER LISTENS TO THAT.

377
00:19:49,000 --> 00:19:50,100
HEY, GUYS?

378
00:19:53,300 --> 00:19:57,400
THERE ARE 3 SECTIONS OF ROSES, 
DIFFERENT HEIGHTS, DIFFERENT LEVELS
OF MATURITY.

379
00:19:57,500 --> 00:19:58,400
3 DIFFERENT WOMEN.

380
00:19:58,400 --> 00:20:00,300
THESE APPEAR TO BE
THE MOST RECENTLY PLANTED.

381
00:20:00,300 --> 00:20:01,800
THE TAGS ARE STILL ON THEM.

382
00:20:03,000 --> 00:20:03,800
GUYS...

383
00:20:07,000 --> 00:20:08,100
CARRION BEETLES.

384
00:20:08,400 --> 00:20:09,600
LIKE IN A CEMETERY.

385
00:20:11,100 --> 00:20:13,400
SHERIFF, LET'S GET SOME SHOVELS. 
WE NEED TO START DIGGING.

386
00:20:25,000 --> 00:20:26,300
THIS SHOULD BE INTERESTING.

387
00:20:26,900 --> 00:20:28,100
J.J., WAIT A MINUTE.

388
00:20:30,100 --> 00:20:31,100
STAY BEHIND ME.

389
00:20:31,100 --> 00:20:32,600
WHEN WE GET INSIDE,
DO NOT, WHATEVER YOU DO,

390
00:20:32,600 --> 00:20:34,000
TURN YOUR BACK ON THAT DOOR.
DO YOU HEAR ME?

391
00:20:34,000 --> 00:20:35,300
I CAN HANDLE MYSELF.

392
00:20:53,500 --> 00:20:55,100
WE'RE LOOKING FOR
HARRIS TOWNSEND.

393
00:20:56,500 --> 00:20:57,800
PUT YOUR BADGE AWAY.

394
00:20:59,200 --> 00:21:00,300
WE KNOW WHO YOU ARE.

395
00:21:00,400 --> 00:21:02,200
WE'RE ONLY HERE
TO TALK TO HARRIS TOWNSEND.

396
00:21:03,100 --> 00:21:04,400
WE HEARD HE RUNS THIS BAR.

397
00:21:04,800 --> 00:21:05,700
I DO.

398
00:21:06,700 --> 00:21:09,200
TALKIN' ISN'T EXACTLY 
WHAT YOU BOYS ARE KNOWN FOR.

399
00:21:09,200 --> 00:21:10,600
WE'RE INVESTIGATING
A MISSING WOMAN--

400
00:21:10,600 --> 00:21:12,600
BOBBY, BE A GENTLEMAN.

401
00:21:13,300 --> 00:21:15,100
PULL UP A CHAIR
FOR THE LITTLE LADY.

402
00:21:15,100 --> 00:21:16,700
NOW, I'd PREFER TO STAND.

403
00:21:16,700 --> 00:21:18,900
I'D PREFER IT IF YOU BOTH LEFT MY BAR.

404
00:21:19,500 --> 00:21:20,900
BUT WE HAVE MANNERS.

405
00:21:22,500 --> 00:21:25,800
GLOCK 17.
TACTICAL, BUT EUROPEAN.

406
00:21:27,800 --> 00:21:28,800
SMITH AND WESSON.

407
00:21:29,100 --> 00:21:30,700
PURE AMERICAN HARDWARE.

408
00:21:32,300 --> 00:21:34,300
I WONDER WHICH ONE
IS MORE DEPENDABLE.

409
00:21:37,800 --> 00:21:40,500
I DON'T WANT TO BE HERE JUST AS MUCH AS
YOU DON'T WANT ME HERE.

410
00:21:41,200 --> 00:21:42,400
BUT WE HAVE A JOB TO DO.

411
00:21:43,800 --> 00:21:49,000
I NEVER UNDERSTOOD HOW SOMEONE LIKE YOU
COULD TRUST THEM.

412
00:21:50,000 --> 00:21:50,900
SOMEONE LIKE ME?

413
00:21:50,900 --> 00:21:54,200
HOW WAS THE FEDERAL GOVERNMENT
EVER HELPED YOUR PEOPLE?

414
00:21:55,100 --> 00:21:56,000
SLAVERY,

415
00:21:56,200 --> 00:21:58,400
GHETTOS, POVERTY.

416
00:21:58,400 --> 00:22:01,600
THE CIA GOT YOU ALL HOOKED
ON HEROIN IN THE SIXTIES,

417
00:22:01,600 --> 00:22:03,000
CRACK IN THE EIGHTIES.

418
00:22:04,300 --> 00:22:05,600
NOW, I HATE THE GOVERNMENT.

419
00:22:05,800 --> 00:22:06,800
BUT YOU...

420
00:22:08,500 --> 00:22:09,900
YOU SHOULD DESPISE THEM.

421
00:22:10,300 --> 00:22:12,300
THEY SURE AS HELL
DON'T CARE ABOUT YOU NOW.

422
00:22:13,000 --> 00:22:15,400
 THERE ARE 5 OTHER MEMBERS
 OF YOUR TEAM.

423
00:22:16,500 --> 00:22:17,500
LOOK AROUND YOU.

424
00:22:18,400 --> 00:22:20,800
WHY THE HELL
DID THEY SEND YOU IN HERE?

425
00:22:24,300 --> 00:22:25,700
FRANCIS GOEHRING
AND A PARTNER

426
00:22:25,700 --> 00:22:28,000
ABDUCTED AND KILLED
4 INNOCENT WOMEN,

427
00:22:29,600 --> 00:22:31,700
THE LAST OF WHICH WE JUST FOUND DEAD
IN A BED OF ROSES,

428
00:22:31,700 --> 00:22:33,500
SHOT IN THE BACK TWICE.

429
00:22:33,900 --> 00:22:35,300
NOBODY SENT ME ANYWHERE.

430
00:22:36,000 --> 00:22:37,700
I CAME HERE
TO DO RIGHT BY HER.

431
00:22:38,400 --> 00:22:39,800
NOW, GOEHRING'S PARTNER
IS OUT THERE SOMEWHERE,

432
00:22:39,800 --> 00:22:41,500
SO WE COMPLETELY UNDERSTAND
IF YOU BOYS

433
00:22:41,500 --> 00:22:43,900
ARE JUST TOO AFRAID TO TELL US ABOUT HIM.
I GET IT.

434
00:22:45,200 --> 00:22:46,600
BUT JUST SAY SO.

435
00:22:47,200 --> 00:22:49,000
DON'T GO HIDIN' BEHIND
YOUR VAGUE LITTLE GUN THREATS

436
00:22:49,000 --> 00:22:51,600
AND YOUR TIRED
CONSPIRACY THEORIES, PLEASE.

437
00:22:57,300 --> 00:22:59,200
GOEHRING WAS
A PIECE OF DUNG.

438
00:23:00,800 --> 00:23:02,700
I DON'T KNOW
WHO HIS PARTNER IS.

439
00:23:03,700 --> 00:23:05,600
I SAW HIM ONCE,

440
00:23:06,000 --> 00:23:07,800
THROUGH THE SCOPE
OF MY RIFLE.

441
00:23:08,400 --> 00:23:10,600
ME AND SOME OF THE BOYS
WERE OUT HUNTIN'.

442
00:23:11,800 --> 00:23:14,800
SMALL GUY, ABOUT 5'8.

443
00:23:16,300 --> 00:23:19,700
FOLLOWING GOEHRING AROUND
LIKE HIS PRIVATE PACK MULE.

444
00:23:20,500 --> 00:23:22,100
HAT ON, HEAD DOWN.

445
00:23:23,900 --> 00:23:25,800
THAT'S IT,
THAT'S ALL I KNOW.

446
00:23:28,700 --> 00:23:29,900
AH.

447
00:23:37,000 --> 00:23:39,000
JUST IN CASE YOU REMEMBER
SOMETHING ELSE.

448
00:23:42,400 --> 00:23:43,800
TAKE CARE, BOYS.

449
00:23:47,100 --> 00:23:48,600
DIDN'T FIND
ANY EXPLOSIVES,

450
00:23:48,800 --> 00:23:50,600
NOTHING RIGGED,
BUT BE CAREFUL.

451
00:23:51,800 --> 00:23:52,600
ODD.

452
00:23:53,000 --> 00:23:55,100
GOEHRING KEPT HIS HOUSE
ALMOST COZY.

453
00:24:08,700 --> 00:24:09,800
- HOTCH?
- YEAH.

454
00:24:13,300 --> 00:24:16,200
THESE TAPES HAVE THE NAMES
OF THE MISSING WOMEN.

455
00:24:16,800 --> 00:24:17,800
THEY'VE ALL BEEN
UN-SPOOLED.

456
00:24:17,800 --> 00:24:19,800
WE NEED TO GET THESE
TO GARCIA IMMEDIATELY.

457
00:24:20,100 --> 00:24:20,800
DEPUTY.

458
00:24:23,200 --> 00:24:26,600
ONE, ALL ACTIONS MUST SERVE 
TO PLEASE THE MASTER.

459
00:24:26,600 --> 00:24:29,300
2, INSUBORDINATION WILL
RESULT IN PUNISHMENT...

460
00:24:30,300 --> 00:24:31,800
THIS IS
HIS NEW MANIFESTO.

461
00:24:32,100 --> 00:24:34,600
NOTICE THE "MASTER"
IS SINGULAR AND CAPITALIZED,

462
00:24:34,600 --> 00:24:36,900
EMPHASIZING THERE'S
ONLY ONE DOMINANT PARTNER.

463
00:24:37,600 --> 00:24:39,800
SO HIS PARTNER IS MORE
OF A SERVANT.

464
00:24:40,000 --> 00:24:41,000
OR A SERF.

465
00:24:41,000 --> 00:24:43,200
WATCHING THE HOUSE, MINDING THE LAWN,

466
00:24:43,200 --> 00:24:44,500
HELPING HIM
ABDUCT WOMEN...

467
00:24:44,500 --> 00:24:46,700
OK, SO IF HIS PARTNER
IS A SERF,

468
00:24:46,700 --> 00:24:48,500
WHAT ARE
THE FEMALE SLAVES FOR?

469
00:24:48,700 --> 00:24:50,200
OH, I THINK
I CAN ANSWER THAT.

470
00:24:58,900 --> 00:25:01,600
NOW WE KNOW WHY THE VICTIMS 
WERE TAKEN SO FAR APART.

471
00:25:02,700 --> 00:25:05,000
THEY TORTURED THEM.
IT TOOK TIME FOR THEM TO DIE.

472
00:25:05,400 --> 00:25:08,100
THIS IS WHERE HE KEPT THEM.
THE BLOOD'S FRESH.

473
00:25:11,900 --> 00:25:13,000
WHAT THE HELL IS THIS?

474
00:25:15,400 --> 00:25:16,800
THE PEAR OF ANGUISH.

475
00:25:19,500 --> 00:25:20,600
I'VE GOT SOMETHING HERE.

476
00:25:26,700 --> 00:25:28,700
HOMEMADE TORTURE TOOLS.

477
00:25:33,500 --> 00:25:35,100
THEY COVERED THE FLOOR
IN SOMETHING.

478
00:25:35,100 --> 00:25:37,700
 THE BODIES ARE PROBABLY WRAPPED
 IN WHATEVER IT WAS.

479
00:25:38,400 --> 00:25:41,000
THEY MUST HAVE KEPT THESE WOMEN
IN THAT BOX FOR MONTHS,

480
00:25:42,000 --> 00:25:43,500
JUDGING BY THESE TOOLS,

481
00:25:43,600 --> 00:25:46,000
THERE WILL BE A CONSIDERABLE AMOUNT
OF MUTILATION.

482
00:25:48,600 --> 00:25:52,100
WE NEED TO DO WHAT WE CAN
TO HELP THEIR FAMILIES GIVE A PROPER BURIAL.

483
00:25:54,600 --> 00:25:56,800
GOEHRING'S PARTNER IS
EARLY TO MID-TWENTIES.

484
00:25:57,200 --> 00:26:00,500
5'8". SLIGHT BUILD.
SHY AND RETIRING,

485
00:26:00,500 --> 00:26:04,100
BUT GROOMED BY A SEPARATIST
ARMED WITH ASSAULT WEAPONRY.

486
00:26:04,200 --> 00:26:07,300
LIKE GOEHRING, HE'S UNLIKELY 
TO SURRENDER IF HE'S CORNERED.

487
00:26:07,400 --> 00:26:10,700
HIS OBSESSION WITH CLEANLINESS AND ORDER
IS DEEPLY INGRAINED.

488
00:26:10,700 --> 00:26:13,600
THIS WILL BE REFLECTED
IN HIS HOME AND HIS VEHICLE.

489
00:26:13,800 --> 00:26:16,000
WE'VE LOCATED HAIR SAMPLES
IN THE CABIN

490
00:26:16,000 --> 00:26:19,800
WE BELIEVE ARE HIS,
MEDIUM-SHORT LENGTH AND BLONDE.

491
00:26:22,800 --> 00:26:24,200
HE'S THE SUBMISSIVE PARTNER,

492
00:26:24,200 --> 00:26:25,600
BUT HAVING
JUST LOST GOEHRING--

493
00:26:25,600 --> 00:26:26,900
THE MAN
HE WAS DEDICATED TO

494
00:26:26,900 --> 00:26:28,400
AND HEAVILY
DEPENDENT UPON--

495
00:26:28,800 --> 00:26:30,200
HE'S IN CRISIS.

496
00:27:16,500 --> 00:27:17,900
ONE MORE THING--

497
00:27:19,000 --> 00:27:21,300
NEVER LET THE BASTARDS
TAKE YOU ALIVE.

498
00:27:23,200 --> 00:27:24,600
AND NEVER BE FORGOTTEN.

499
00:27:28,500 --> 00:27:30,500
THAT'S IT.
THE WHOLE TAMALE.

500
00:27:30,700 --> 00:27:33,600
EVERY HORRIFIC FRAME.

501
00:27:34,100 --> 00:27:35,000
I'M DONE.

502
00:27:35,000 --> 00:27:36,500
NO LUCK SEEING
THE PARTNER?

503
00:27:36,500 --> 00:27:39,500
NO. HE--
I SCANNED EVERY FRAME.

504
00:27:39,500 --> 00:27:40,800
HE'S HOLDING THE CAMERA.

505
00:27:41,200 --> 00:27:43,100
- YOU OK?
- NO.

506
00:27:43,400 --> 00:27:44,500
I'M SORRY.

507
00:27:48,300 --> 00:27:49,400
THIS IS
JENNIFER HILLBRIDGE,

508
00:27:49,400 --> 00:27:51,000
THE SECOND WOMAN
ABDUCTED.

509
00:27:51,700 --> 00:27:54,100
PLEASE, STOP.
PLEASE. IT HURTS.

510
00:27:56,100 --> 00:27:58,800
HUH? 
WHAT IS IT WITH YOU?

511
00:28:00,000 --> 00:28:02,000
YOU JUST DON'T GET IT, DO YOU?

512
00:28:02,800 --> 00:28:04,600
TOTAL POWER
OVER YOUR LIFE.

513
00:28:04,600 --> 00:28:07,500
THE CAMERAMAN FRAMES GOEHRING,
BUT NEVER HER.

514
00:28:07,500 --> 00:28:08,700
I DECIDE.

515
00:28:08,700 --> 00:28:12,400
WATCH. HE NEVER STAYS
ON HER THAT LONG.

516
00:28:12,400 --> 00:28:13,700
HE'S MORE INTERESTED
IN GOEHRING

517
00:28:13,700 --> 00:28:14,600
THAN THE TORTURE.

518
00:28:14,900 --> 00:28:16,500
HE'S LINGERING ON HIS BICEPS

519
00:28:16,500 --> 00:28:19,000
LIKE HE'S CARESSING
GOEHRING'S BODY.

520
00:28:19,000 --> 00:28:20,300
WHY THE HELL?

521
00:28:20,400 --> 00:28:21,400
THE UNSPOOLED TAPES --

522
00:28:21,400 --> 00:28:23,700
THAT WASN'T
TO DESTROY EVIDENCE.

523
00:28:23,900 --> 00:28:25,500
IT WAS FROM JEALOUSY.

524
00:28:26,500 --> 00:28:27,300
WHAT?

525
00:28:27,600 --> 00:28:29,300
HE'S IN LOVE
WITH GOEHRING.

526
00:28:31,300 --> 00:28:33,700
MAKE A LOOP. TIE IT AROUND.
BRING IT THROUGH.

527
00:28:34,400 --> 00:28:35,400
GOES THROUGH.

528
00:28:35,800 --> 00:28:38,000
HE'S TEACHING HIM HOW TO TIE
THE PERFECT KNOT.

529
00:28:39,800 --> 00:28:41,200
A TRUCKER'S HITCH.

530
00:28:42,000 --> 00:28:43,100
SHE'S NOT GOING
ANYWHERE.

531
00:28:43,100 --> 00:28:45,000
SO HE CAN BE
THE PERFECT SERF.

532
00:28:45,300 --> 00:28:46,600
IT WOULD BE
PART OF HIS SERVITUDE

533
00:28:46,600 --> 00:28:49,600
TO CLEAN HIS HOUSE,
HELP ABDUCT GIRLS,

534
00:28:49,900 --> 00:28:51,000
BURY THE BODIES,

535
00:28:51,000 --> 00:28:53,600
GET SUPPLIES,
PLANT THE ROSES.

536
00:28:54,000 --> 00:28:57,100
HE HAD TO BUY ROSES,
AND A LOT OF THEM.

537
00:28:57,100 --> 00:28:58,500
SOMEONE MUST HAVE SEEN HIM.

538
00:28:58,700 --> 00:29:00,000
LET'S GET
TO THE NURSERIES.

539
00:29:03,500 --> 00:29:05,200
WE'RE LOOKING FOR
A MAN IN HIS TWENTIES.

540
00:29:05,200 --> 00:29:06,400
HE KEEPS TO HIMSELF.

541
00:29:07,500 --> 00:29:08,800
AVOIDS EYE CONTACT.

542
00:29:08,800 --> 00:29:10,600
SPEAKS VERY LITTLE,
BUT WHEN HE DOES,

543
00:29:10,600 --> 00:29:12,900
HE WOULD SOUND MEEK,
ALMOST FEMININE.

544
00:29:14,500 --> 00:29:16,800
HE'D HAVE PURCHASED SOIL,
GARDENING TOOLS...

545
00:29:17,000 --> 00:29:18,800
BUYS QUITE A FEW
ROSE PLANTS.

546
00:29:19,100 --> 00:29:21,600
YEAH, I KNOW WHO YOU'RE TALKING ABOUT.
HENRY.

547
00:29:22,000 --> 00:29:23,200
HE'S NOT A CUSTOMER.

548
00:29:23,800 --> 00:29:26,100
HENRY FROST. HERE.

549
00:29:27,700 --> 00:29:29,300
- HE WORKS HERE.
- GREAT.

550
00:29:29,300 --> 00:29:30,300
I NEED AN ADDRESS.

551
00:29:31,800 --> 00:29:34,600
HENRY FROST'S TRAILER

552
00:29:54,500 --> 00:29:56,100
HE'S DESTROYED
EVERYTHING HE OWNS.

553
00:29:56,300 --> 00:29:59,800
HE HAS NO IDENTITY.
HE BURNED HIS FACE OFF HIS PICTURES.

554
00:30:00,000 --> 00:30:00,800
WHY?

555
00:30:00,800 --> 00:30:02,500
A SUBMISSIVE DEPENDS
UPON A DOMINANT PARTNER

556
00:30:02,500 --> 00:30:04,100
NOT ONLY FOR
INSTRUCTION,

557
00:30:04,100 --> 00:30:06,400
BUT FOR PURPOSE
AND MEANING.

558
00:30:06,500 --> 00:30:08,600
SO HE'S STARTING OVER,
WIPING THE SLATE CLEAN.

559
00:30:08,700 --> 00:30:10,000
YEAH, BUT AS WHAT?

560
00:30:23,600 --> 00:30:25,900
SORRY.
DID I SCARE YOU?

561
00:30:26,100 --> 00:30:27,100
NO, IT'S OK.

562
00:30:27,400 --> 00:30:29,400
- LET ME HELP YOU WITH THAT.
- NO, THANKS. I GOT IT.

563
00:30:52,200 --> 00:30:53,500
- OH, GOD!
- GET IN THE TRUNK.

564
00:30:53,500 --> 00:30:54,600
- NO!
- GET IN THE TRUNK!

565
00:30:54,600 --> 00:30:55,900
- GOD, PLEASE, NO!
- SHUT UP!

566
00:30:56,300 --> 00:30:58,100
SHUT UP! SHUT UP! SHUT UP!

567
00:30:58,100 --> 00:30:59,700
- GET IN THE TRUNK!
- TAKE THE CAR --

568
00:30:59,700 --> 00:31:01,000
DON'T TELL ME WHAT TO DO!

569
00:31:05,500 --> 00:31:07,600
HELP ME, SOMEBODY!

570
00:31:07,900 --> 00:31:09,300
- PLEASE!
- SHUT UP!

571
00:31:10,400 --> 00:31:10,999
HELP!

572
00:31:11,000 --> 00:31:12,300


573
00:31:12,800 --> 00:31:13,600
HEY!

574
00:31:14,500 --> 00:31:18,000
SON OF A ...
STOP THE CAR OR I'LL SHOOT!

575
00:31:20,000 --> 00:31:20,800
DAMN IT.

576
00:31:22,900 --> 00:31:24,100
I COULD HAVE TAKEN
THE SHOT.

577
00:31:24,700 --> 00:31:26,000
I WAS JUST AFRAID
OF HITTING HER.

578
00:31:26,000 --> 00:31:27,300
YOU GET
A GOOD LOOK AT HIM?

579
00:31:27,300 --> 00:31:30,500
YEAH, HE CAME IN.
BIG ASS BANDAGE ON THE LEFT SIDE OF HIS FACE.

580
00:31:30,800 --> 00:31:32,100
BOUGHT A BEER
AND PUMPKIN SEEDS,

581
00:31:32,100 --> 00:31:33,700
WENT BACK TO HIS TRUCK
AND SAT THERE.

582
00:31:33,700 --> 00:31:35,900
- WHAT THAT HIS TRUCK?
- YES, SIR.

583
00:31:36,000 --> 00:31:37,200
THAT WAS THEIR M.O.

584
00:31:37,400 --> 00:31:38,900
FROST CHAUFFEURED
GOEHRING AROUND.

585
00:31:38,900 --> 00:31:41,200
GOEHRING PICKS A VICTIM,
ABDUCTS HER ON FOOT,

586
00:31:41,200 --> 00:31:42,900
THEY DRIVE OFF
IN SEPARATE VEHICLES.

587
00:31:42,900 --> 00:31:44,700
BUT THIS TIME,
FROST HAD TO PLAY BOTH ROLES,

588
00:31:44,700 --> 00:31:47,300
AND HE GOT SLOPPY,
AND HE LEFT A WITNESS AND HIS CAR.

589
00:31:47,500 --> 00:31:49,800
CAN YOU CONFIRM
THAT THAT'S THE GUY YOU SAW?

590
00:31:51,800 --> 00:31:52,600
NO.

591
00:31:55,200 --> 00:31:55,900
THAT'S HIM.

592
00:32:00,300 --> 00:32:01,500
HE LOOKS
LIKE GOEHRING.

593
00:32:02,300 --> 00:32:04,000
OR FROST'S
VERSION OF HIM.

594
00:32:06,000 --> 00:32:08,900
OK, YOU'RE GOEHRING.
SADISTIC BASTARD.

595
00:32:09,400 --> 00:32:12,700
I'M FROST, A SUBMISSIVE,
TROUBLED, GAY MAN.

596
00:32:12,700 --> 00:32:14,000
I NEED YOU TO DOMINATE ME

597
00:32:14,000 --> 00:32:16,700
BECAUSE IT GIVES ME DIRECTION
AND A PURPOSE IN LIFE.

598
00:32:17,000 --> 00:32:18,300
AND LIFE IS GOOD.
AND THEN ONE DAY,

599
00:32:18,300 --> 00:32:19,900
I PULL THE PIN
HEONINRENADE.

600
00:32:20,100 --> 00:32:22,600
YOU DIE.
AND WHEN I LOSE YOU,

601
00:32:23,000 --> 00:32:24,200
I BEGIN TO LOSE MY IDENTITY

602
00:32:24,200 --> 00:32:27,800
- BECAUSE MY SENSE OF SELF WAS TIED TO YOU.
- YOU'RE SHOWING CLASSIC SIGNS

603
00:32:27,800 --> 00:32:29,400
OF DEPERSONALIZATION
DISORDER

604
00:32:29,600 --> 00:32:31,900
PRECIPITATED BY THE STRESSOR
OF LOSING A LOVED ONE.

605
00:32:31,900 --> 00:32:33,400
NOW,
ALL THAT'S LEFT IS ME.

606
00:32:33,600 --> 00:32:35,800
- AND YOU HATE YOURSELF.
- I DO. WHY?

607
00:32:36,200 --> 00:32:38,000
BECAUSE I BRAINWASHED YOU
WITH ALL MY RULES.

608
00:32:38,000 --> 00:32:40,100
I'VE TOLD YOU OVER AND OVER
HOW WEAK YOU ARE

609
00:32:40,300 --> 00:32:41,600
HOW YOU'RE NOTHING
WITHOUT ME.

610
00:32:41,600 --> 00:32:43,400
RIGHT. SO I GO BACK TO MY HOME

611
00:32:43,400 --> 00:32:43,900
AND ANNIHILATE

612
00:32:43,900 --> 00:32:46,100
EVERYTHING I OWN, EVERY REMINDER
OF WHO I AM.

613
00:32:46,100 --> 00:32:48,400
I ERASE MYSELF
AND BECOME YOU.

614
00:32:48,400 --> 00:32:50,100
'CAUSE IT'S THE ONLY WAY
THAT YOU CAN SURVIVE.

615
00:32:50,100 --> 00:32:51,900
THE ONLY WAY THAT
YOU CAN HOLD ONTO ME.

616
00:32:51,900 --> 00:32:54,100
FROST TRANSFORMS HIMSELF
INTO GOEHRING

617
00:32:54,100 --> 00:32:55,900
AND GOES BACK
TO ABDUCTING WOMEN

618
00:32:56,600 --> 00:32:58,600
BECAUSE THAT'S
WHAT GOEHRING WOULD DO.

619
00:32:58,600 --> 00:32:59,900
WE NEED TO STOP THINKING
LIKE FROST

620
00:32:59,900 --> 00:33:01,000
 AND START THINKING
 LIKE GOEHRING.

621
00:33:01,000 --> 00:33:02,600
'CAUSE HE'S
STILL CALLING THE SHOTS.

622
00:33:04,800 --> 00:33:07,000
* HEART AND SOUL *
SOMEBODY PLEASE HELP ME OUT

623
00:33:13,300 --> 00:33:16,100
* SHE'S MY PRIDE AND JOY *
PLEASE HELP ME.

624
00:33:17,400 --> 00:33:20,100
* SHE'S MY SWEET LITTLE BABY *
LET ME OUT.

625
00:33:21,500 --> 00:33:25,000
WHAT KIND OF MAN FOLLOWS 
ANOTHER MAN AROUND
LIKE A DOG?

626
00:33:25,000 --> 00:33:25,800
PLEASE LET ME OUT.

627
00:33:25,800 --> 00:33:27,400
IF YOU ACT LIKE A NOBODY...

628
00:33:29,100 --> 00:33:30,700
YOU'LL BE TREATED
LIKE A NOBODY.

629
00:33:31,500 --> 00:33:32,800
I'M NOT A NOBODY.

630
00:33:34,100 --> 00:33:34,800
 I'M YOU.

631
00:33:34,800 --> 00:33:35,600
HELP ME! HELP!

632
00:33:44,100 --> 00:33:45,600
LET ME OUT! 

633
00:33:52,600 --> 00:33:53,700
HURRY UP.

634
00:33:53,700 --> 00:33:54,700
HURRY UP! COME ON!

635
00:33:54,700 --> 00:33:56,000
OK, OK!

636
00:33:57,800 --> 00:33:58,700
GET OVER HERE.

637
00:34:01,400 --> 00:34:02,100
GET DOWN.

638
00:34:05,900 --> 00:34:08,000
SHERIFF, HE'S TAKEN ON
GOEHRING'S PERSONA.

639
00:34:08,000 --> 00:34:09,900
WE HAVE TO ASSUME HE'S GOING 
TO BEHAVE THE SAME WAY.

640
00:34:09,900 --> 00:34:12,300
HE'S HEAVILY ARMED,
AND HE'S COMMITTED TO HIS CAUSE.

641
00:34:12,400 --> 00:34:13,800
IF HE'S CAUGHT,
HE'S NOT ONLY WILLING TO DIE,

642
00:34:13,800 --> 00:34:15,900
BUT TO TAKE AS MANY OF US
WITH HIM AS POSSIBLE.

643
00:34:15,900 --> 00:34:17,200
HE'S GOT A HOSTAGE,
WHICH MEANS

644
00:34:17,200 --> 00:34:18,900
I'M GOING TO NEED THE BEST SHARP SHOOTER
YOU'VE GOT.

645
00:34:19,100 --> 00:34:19,800
THAT'S FINE.

646
00:34:19,800 --> 00:34:21,500
BUT WE DON'T EVEN KNOW
WHERE THIS GUY'S HEADED.

647
00:34:21,500 --> 00:34:22,700
THE TEAM'S BEEN
WORKING THE PROFILE,

648
00:34:22,700 --> 00:34:24,000
AND WE THINK
WE'VE GOT SOMETHING.

649
00:34:24,000 --> 00:34:26,000
IN THE TAPES,
GOEHRING MAKES SEVERAL MENTIONS

650
00:34:26,000 --> 00:34:27,600
OF "IDEAL LAND."

651
00:34:27,600 --> 00:34:30,100
HE ALSO SAID THAT 
"LORDS LIVE ON HIGHER GROUND

652
00:34:30,100 --> 00:34:32,700
TO BETTER SURVEIL THE LAND AND
SPOT INVADERS."

653
00:34:32,700 --> 00:34:34,300
HE STUDIED
MEDIEVAL DEFENSE STRATEGIES,

654
00:34:34,300 --> 00:34:36,400
SO HE'LL PROBABLY GO TO A PLACE 
WHERE HE CAN PROTECT HIMSELF.

655
00:34:36,400 --> 00:34:38,900
HIGH GROUND,
EASILY DEFENDABLE.

656
00:34:39,100 --> 00:34:42,600
THIS PICTURE WAS
ON GOEHRING'S FRIDGE.

657
00:34:42,600 --> 00:34:43,700
DO YOU KNOW
WHERE THAT IS?

658
00:34:44,600 --> 00:34:45,900
THAT'S BLACK EAGLE PEAK.

659
00:34:45,900 --> 00:34:47,700
MILITIA GROUPS USED TO USE IT
FOR TRAINING DRILLS

660
00:34:47,700 --> 00:34:49,200
TILL THE STATE
STOPPED THEM.

661
00:34:52,900 --> 00:34:53,900
IDEAL LAND.

662
00:34:58,000 --> 00:34:59,300
PLEASE,
DON'T DO THIS.

663
00:34:59,900 --> 00:35:02,700
WHY? THIS IS WHAT I DO.

664
00:35:02,800 --> 00:35:04,100
MY NAME IS BECKY--

665
00:35:04,100 --> 00:35:05,500
YEAH. YOU SHUT UP!

666
00:35:06,300 --> 00:35:07,500
SHUT UP!

667
00:35:07,600 --> 00:35:08,600
YOU DON'T HAVE A NAME,

668
00:35:09,100 --> 00:35:11,000
NOT UNTIL I GIVE YOU ONE.
YOU HEAR ME? 

669
00:35:24,200 --> 00:35:28,000
I TEACH SCHOOL.
I HAVE A FIANCEE.

670
00:35:32,200 --> 00:35:35,200
WHAT HAPPENED TO YOUR FACE?
IT LOOKS BAD.

671
00:35:36,700 --> 00:35:37,800
WHAT'S YOUR NAME?

672
00:35:38,800 --> 00:35:39,800
WHAT'S MY NAME?

673
00:35:40,800 --> 00:35:42,600
MY NAME IS
FRANCIS GOEHRING.

674
00:35:53,500 --> 00:35:54,500
MY GUY'S GOT EYES ON HIM.

675
00:35:54,500 --> 00:35:55,800
HE'S ON THE VERY TOP
OF THE PEAK

676
00:35:55,800 --> 00:35:58,300
ON THE FAR SIDE OF THAT RIDGE.
HE'LL SEE US COMING.

677
00:35:58,400 --> 00:36:00,500
HE ALREADY KNOWS IF HE'S USING
THAT POLICE SCANNER.

678
00:36:00,500 --> 00:36:01,900
WE GOT TO FIND A WAY
TO GET UP THERE.

679
00:36:01,900 --> 00:36:03,500
WE'LL NEVER BE ABLE
TO GET CLOSE ENOUGH.

680
00:36:03,600 --> 00:36:04,900
HOW IT GOING
WITH THE SHARP SHOOTER?

681
00:36:04,900 --> 00:36:06,000
WHO'S THAT?

682
00:36:06,800 --> 00:36:08,000
OH, YOU CAN'T BE SERIOUS.

683
00:36:08,000 --> 00:36:10,000
YOU ASKED FOR THE BEST.
HE'S IT.

684
00:36:10,000 --> 00:36:11,400
EX-SPECIAL FORCES SNIPER.

685
00:36:11,400 --> 00:36:13,100
- HE'S A CIVILIAN.
- HE'S MILITIA.

686
00:36:13,100 --> 00:36:14,500
I DEPUTIZED HIM.

687
00:36:14,900 --> 00:36:16,800
HE KNOWS THE TERRAIN
LIKE NOBODY ELSE.

688
00:36:16,900 --> 00:36:20,300
WIND IN THIS VALLEY WILL
CHANGE THE TRAJECTORY
OF A SHOT BY INCHES.

689
00:36:20,300 --> 00:36:21,200
IF YOU CAN'T READ
THE WIND,

690
00:36:21,200 --> 00:36:23,000
THE WRONG PERSON
MIGHT GET SHOT.

691
00:36:23,800 --> 00:36:26,100
I GUESS I DON'T NEED
TO REMIND YOU GENTLEMAN OF THAT.

692
00:36:26,100 --> 00:36:28,300
- WE CAN HANDLE THIS.
- GOOD LUCK WITH THAT.

693
00:36:28,300 --> 00:36:29,400
HEY, IT MIGHT NOT
COME DOWN TO IT

694
00:36:29,400 --> 00:36:31,400
IF WE DON'T GET MOVING.
I'LL GO WITH HIM.

695
00:36:31,700 --> 00:36:33,700
YOU WANT TO FLANK AROUND 
THE WEST SIDE OF THE MOUNTAIN?

696
00:36:33,700 --> 00:36:36,000
 IF HE'S ON THE NORTH,
 I'LL GET A BETTER VIEW
 FROM THE EAST RIDGE.

697
00:36:36,000 --> 00:36:38,300
IT'S STEEPER, HIGHER GROUND.
GET A CLEAR SHOT FROM THERE.

698
00:36:38,400 --> 00:36:39,900
IF YOU SEE THE SHOT,
CALL IT.

699
00:36:40,200 --> 00:36:42,000
- GOOD. 
- CHANNEL 23. KEEP IT OPEN.

700
00:36:42,000 --> 00:36:43,000
I'LL GO WITH THE SHERIFF.

701
00:36:43,000 --> 00:36:44,800
WE'LL STAY AT THE BASE
AND TRY TO DISTRACT HIM.

702
00:36:44,800 --> 00:36:46,700
YOU GO UP TO THE NORTHEAST
AND THROUGH THE MIDDLE.

703
00:36:46,800 --> 00:36:47,700
KEEP YOUR HEAD DOWN.

704
00:37:06,100 --> 00:37:08,700
FRANCIS GOEHRING?
CHANNEL 2!

705
00:37:11,000 --> 00:37:11,900
ALL WE WANT TO DO
IS TALK TO YOU.

706
00:37:11,900 --> 00:37:13,200
LET ME KNOW
IF YOU CAN HEAR ME.

707
00:37:13,700 --> 00:37:15,400
YEAH, I CAN HEAR YOU.

708
00:37:16,100 --> 00:37:18,700


709
00:37:19,500 --> 00:37:20,800
THIS IS MY LAND.

710
00:37:21,800 --> 00:37:23,700
YOU UNDERSTAND?
NOT YOURS.

711
00:37:24,000 --> 00:37:25,800
 AND YOU WILL LEAVE IT,

712
00:37:26,400 --> 00:37:27,600
OR SHE DIES.

713
00:37:32,000 --> 00:37:33,800
SHE'S TUCKED IN
REAL TIGHT.

714
00:37:34,800 --> 00:37:36,000
TOO TIGHT.
I CAN'T GET THE SHOT.

715
00:37:36,000 --> 00:37:37,600
YOU GOT TO GET HIM
TO MOVE.

716
00:37:38,700 --> 00:37:40,700
NO SHOT.
WE GOT TO DISTRACT FROST.

717
00:37:40,700 --> 00:37:42,000
GET HIM AWAY FROM BECKY.

718
00:37:42,000 --> 00:37:43,300
HOW ARE WE GOING
TO DO THAT?

719
00:37:45,000 --> 00:37:47,300
HE'S NOT GOEHRING.
HE CAN'T DO THIS.

720
00:37:47,400 --> 00:37:49,400
HE SHOT ANGELA MILLER
IN THE BACK.

721
00:37:50,200 --> 00:37:52,000
ALL I WANT TO DO IS TALK!

722
00:37:52,200 --> 00:37:54,300
YOU WANT TO TALK?
YOU GO AHEAD AND TALK.

723
00:37:54,700 --> 00:37:57,800
BUT YOU COME ANY CLOSER,
AND SHE GETS A BULLET.
YOU HEAR ME?

724
00:37:58,500 --> 00:37:59,300
HUH?

725
00:37:59,700 --> 00:38:01,700
SHE'S GOING TO BE
THE FIRST TO GO. I SWEAR!

726
00:38:03,100 --> 00:38:06,000
YOUR POLICY WAS SHOOT
TO KILL AT RUBY RIDGE,
WASN'T IT?

727
00:38:06,200 --> 00:38:08,100
IT WASN'T, BUT IT IS NOW.

728
00:38:09,900 --> 00:38:10,600
YEAH. 

729
00:38:12,000 --> 00:38:13,700
WELL, I'M NOT IN
THE BUREAU, AM I?

730
00:38:13,700 --> 00:38:15,300
WE KNOW A LOT
ABOUT YOU, HENRY.

731
00:38:15,500 --> 00:38:17,000
WE KNOW YOUR NAME
IS HENRY FROST.

732
00:38:17,000 --> 00:38:18,300
WE KNOW YOU'RE 25-YEARS-OLD.

733
00:38:18,300 --> 00:38:21,600
WE KNOW THAT YOUR DAD KICKED YOU 
OUT OF THE HOUSE WHEN YOU WERE 15.

734
00:38:21,800 --> 00:38:24,300
HE WAS A DRUNK AND HE ABUSED
AND HE ABANDONED YOU.

735
00:38:24,400 --> 00:38:27,700
AND EVER SINCE, YOUR LIFE
HAS BEEN A SERIES OF JAILS
AND INSTITUTIONS,

736
00:38:28,100 --> 00:38:28,800
AND IT'S BEEN HELL.

737
00:38:28,800 --> 00:38:29,700
SHUT UP!

738
00:38:30,600 --> 00:38:31,400
NO!

739
00:38:33,000 --> 00:38:35,800
NEVER LET THE BASTARDS
TAKE YOU ALIVE.

740
00:38:36,300 --> 00:38:38,000
NEVER BE FORGOTTEN.

741
00:38:38,000 --> 00:38:40,800
YOU THE MAN WHO SENT THOSE
2 AGENTS INTO MY BAR?

742
00:38:41,500 --> 00:38:42,300
I WAS.

743
00:38:42,500 --> 00:38:43,900
TO PISS ME OFF.

744
00:38:44,400 --> 00:38:45,900
IF YOU HAVE THE SHOT,
TAKE IT.

745
00:38:47,100 --> 00:38:49,100
INNOCENT WOMAN
DIED AT RUBY RIDGE.

746
00:38:49,800 --> 00:38:51,200
AS TRAGIC
AS THAT OUTCOME WAS,

747
00:38:51,200 --> 00:38:53,800
MY ORDER ON THAT DAY
IS THE SAME AS IT IS NOW.

748
00:38:54,400 --> 00:38:56,400
THAT MAN IS NOT GOING
TO BE TAKEN ALIVE.

749
00:38:58,000 --> 00:38:59,100
YOU WERE THERE?

750
00:38:59,600 --> 00:39:00,500
I WAS.

751
00:39:00,900 --> 00:39:02,200
THE SHOT'S
THE SIGNAL TO GO.

752
00:39:04,100 --> 00:39:05,400
TAKE THE DAMN SHOT.

753
00:39:05,600 --> 00:39:07,500
MAYBE YOUR PARTNER
WILL TALK HIM OUT OF IT.

754
00:39:07,500 --> 00:39:09,400
HENRY,
JUST LET THE GIRL GO.

755
00:39:09,600 --> 00:39:12,600
AND I'LL CLEAR EVERYBODY OUT,
AND YOU AND I CAN JUST TALK.

756
00:39:12,900 --> 00:39:15,100
THAT'S A PROMISE.
IT DOESN'T HAVE TO END LIKE THIS.

757
00:39:15,100 --> 00:39:17,000
YES, IT DOES!
YES, IT DOES!

758
00:39:17,500 --> 00:39:18,300
AND IT WILL!

759
00:39:18,300 --> 00:39:20,600
HENRY, LET HER GO.
HENRY, LET HER GO!

760
00:39:37,100 --> 00:39:39,500
OK, OK,
IT'S OK.

761
00:39:40,300 --> 00:39:41,300
I'M GONNA GET THIS OFF YOU.

762
00:39:43,800 --> 00:39:44,600
HE'S GONE.

763
00:39:47,000 --> 00:39:48,000
LET ME HELP YOU UP.

764
00:39:48,200 --> 00:39:50,000
- IS THERE ANYTHING ELSE ON YOU?
- NO.

765
00:40:16,000 --> 00:40:17,000
IT'S QUITE A VIEW.

766
00:40:18,700 --> 00:40:19,900
REMINDS ME OF IDAHO.

767
00:40:24,000 --> 00:40:25,100
ME, TOO.

768
00:40:29,100 --> 00:40:32,300
ALL ANYBODY REMEMBERS
IS THAT AN FBI SNIPER

769
00:40:32,500 --> 00:40:35,200
KILLED A MOTHER
WHILE SHE WAS HOLDING HER BABY.

770
00:40:37,900 --> 00:40:39,700
6 MONTHS LATER. WACO.

771
00:40:40,100 --> 00:40:42,300
80 MEN, WOMEN
AND CHILDREN DIED.

772
00:40:45,100 --> 00:40:47,500
NOT A SINGLE SHOT
DID WE FIRE THAT DAY.

773
00:40:48,100 --> 00:40:50,600
THE LEGACY OF THOSE FAILURES
STILL HAUNTS US.

774
00:40:50,900 --> 00:40:52,600
IT'S WHY SOME PEOPLE
DON'T TRUST US.

775
00:40:53,700 --> 00:40:57,000
MADE ME START THINKING ABOUT
LEAVING THE AGENCY.

776
00:40:59,700 --> 00:41:01,700
SO WHAT STARTED YOU THINKING
ABOUT COMING BACK?

777
00:41:03,500 --> 00:41:05,000
UNFINISHED BUSINESS.

778
00:41:10,000 --> 00:41:12,200
YOU KNOW, THERE'S ONE THING
YOU'LL LEARN ABOUT ME, ROSSI.

779
00:41:14,300 --> 00:41:17,700
I'M RELENTLESS.
I'LL FIND OUT.

780
00:41:32,300 --> 00:41:42,300
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