1
00:00:02,033 --> 00:00:02,968
PREVIOUSLY, ON CRIMINAL MINDS...

2
00:00:03,033 --> 00:00:04,434
I MET A GUY.
WHERE?

3
00:00:04,501 --> 00:00:05,968
COFFEE SHOP.
I FIXED HIS COMPUTER.

4
00:00:06,033 --> 00:00:07,934
MAYBE I COULD
TAKE YOU TO LUNCH.

5
00:00:08,000 --> 00:00:09,267
CAN YOU BELIEVE THAT?
A COMPLETE STRANGER.

6
00:00:09,334 --> 00:00:10,601
IT HAPPENS.

7
00:00:10,667 --> 00:00:11,901
NOT TO ME.
NOT LIKE THIS.

8
00:00:11,968 --> 00:00:13,334
I THINK YOU SHOULD
ALWAYS TRUST YOUR GUT.

9
00:00:13,400 --> 00:00:14,801
MAYBE YOU SHOULD
WALK THE OTHER WAY.

10
00:00:14,868 --> 00:00:16,267
I WAS WONDERING
IF YOU'D LET ME

11
00:00:16,334 --> 00:00:17,667
MAKE THAT THANK-YOU
LUNCH A DINNER.

12
00:00:17,734 --> 00:00:19,267
I'M ASKING YOU OUT,
GARCIA.

13
00:00:19,334 --> 00:00:20,567
HEY, GARCIA.

14
00:00:20,634 --> 00:00:22,167
I'VE BEEN THINKING ABOUT
DOING THIS ALL NIGHT.

15
00:00:30,534 --> 00:00:32,467
[SIREN]

16
00:00:32,534 --> 00:00:35,701
I WAS INSIDE.
I HEARD THE SHOT,
BUT I DIDN'T SEE ANYTHING.

17
00:00:35,767 --> 00:00:37,367
GSW, CHEST
THROUGH ABDOMEN.

18
00:00:37,434 --> 00:00:39,167
B.P. 90 OVER 50
AND DROPPING.

19
00:00:39,234 --> 00:00:40,334
[SIREN]

20
00:00:40,400 --> 00:00:41,501
GET A BACKBOARD
AND A C-COLLAR.

21
00:00:41,567 --> 00:00:43,267
IS SHE GONNA MAKE IT?
MA'AM, CAN YOU HEAR ME?

22
00:00:43,334 --> 00:00:44,701
OVER HERE, QUICKLY!

23
00:00:44,767 --> 00:00:46,934
CAN YOU HEAR ME?
 CAROTID'S READY.

24
00:00:47,000 --> 00:00:48,434
HI. HELLO.
CAN YOU TELL ME YOUR NAME?

25
00:00:48,501 --> 00:00:49,834
BLOOD PRESSURE--

26
00:00:49,901 --> 00:00:50,834
SHE'S IN AND OUT
OF CONSCIOUSNESS.

27
00:00:50,901 --> 00:00:52,000
HER NAME IS PENELOPE.

28
00:00:52,067 --> 00:00:53,701
MA'AM, PLEASE.

29
00:00:53,767 --> 00:00:55,167
THANK YOU.
GIVE US SOME ROOM HERE.

30
00:00:55,234 --> 00:00:56,567
EVERYTHING'S GONNA BE FINE.

31
00:00:56,634 --> 00:00:58,033
MA'AM, DID YOU
HEAR ANYTHING?

32
00:00:58,100 --> 00:01:00,534
IT SOUNDED LIKE A--
A BROOM HANDLE
SNAPPING IN TWO.

33
00:01:00,601 --> 00:01:02,701
I DIDN'T EVEN REALIZE
IT WAS A GUNSHOT
AT FIRST.

34
00:01:02,767 --> 00:01:04,234
STAY WITH US.
STAY WITH US.

35
00:01:04,300 --> 00:01:05,367
[GARCIA MOANS]

36
00:01:05,434 --> 00:01:07,167
CAN YOU HEAR ME?
CAN YOU HEAR MY VOICE?

37
00:01:07,234 --> 00:01:08,167
ON 3--1, 2, 3.

38
00:01:08,234 --> 00:01:09,767
UHH!
HERE WE GO.

39
00:01:10,968 --> 00:01:13,033
THERE YOU ARE.
EVERYTHING'S GREAT.

40
00:01:13,100 --> 00:01:14,367
CAN YOU TELL ME YOUR NAME?

41
00:01:14,434 --> 00:01:16,868
PENELOPE GARCIA.

42
00:01:16,934 --> 00:01:19,200
LET'S GET HER IN, GUYS.
GO, GO, GO.

43
00:01:19,267 --> 00:01:21,467
I THINK SHE WORKS
FOR THE FBI.

44
00:01:21,534 --> 00:01:23,300
PENELOPE, EVERYTHING'S
GONNA BE FINE.

45
00:01:23,367 --> 00:01:25,534
YOU'RE DOING SO GOOD.
HANG IN THERE.

46
00:01:25,601 --> 00:01:26,534
STEP.

47
00:01:26,601 --> 00:01:27,834
STAY WITH ME.

48
00:01:27,901 --> 00:01:30,167
 CURB.
STAY WITH ME, PENELOPE.

49
00:01:30,234 --> 00:01:32,534
THAT'S IT, PENELOPE.
YOU'RE DOING GREAT.

50
00:01:32,601 --> 00:01:35,000
STAY WITH US.

51
00:01:42,501 --> 00:01:45,601
WHAT, YOU TRYING TO MAKE ME
LOOK BAD BY STAYING HERE
LATER THAN ME?

52
00:01:45,667 --> 00:01:47,534
J.J.

53
00:01:47,601 --> 00:01:49,033
[SIREN]
SATS ARE DROPPING--82.

54
00:01:49,100 --> 00:01:51,000
COME ON,
WAKE UP AND BREATHE.

55
00:01:51,067 --> 00:01:52,634
SHE'S HYPOVENTILATING.
HAND ME THE BAG.

56
00:01:54,267 --> 00:01:56,234
COME ON.

57
00:01:56,300 --> 00:01:58,501
COME ON, PENELOPE,
STAY WITH US.

58
00:01:59,801 --> 00:02:02,901
30-YEAR-OLD, SINGLE GSW,
CHEST TO ABDOMEN.

59
00:02:02,968 --> 00:02:03,901
PULSE?

60
00:02:03,968 --> 00:02:05,234
TACHY IN THE 140s.

61
00:02:05,300 --> 00:02:07,133
DROPPED HER SYSTOLIC
TO 78.

62
00:02:07,200 --> 00:02:09,100
INTUBATE, AND RED-LINE
TO THE O.R. NOW.

63
00:02:09,167 --> 00:02:11,601
HANG IN THERE, PENELOPE.
HANG IN THERE.

64
00:02:11,667 --> 00:02:13,100
COME ON.

65
00:02:13,167 --> 00:02:15,234
GO, GO, GO, GO.

66
00:02:22,667 --> 00:02:24,601
SHE'S IN SURGERY.

67
00:02:24,667 --> 00:02:25,868
THERE'S NO WORD.

68
00:02:25,934 --> 00:02:27,701
THIS IS CRAZY.

69
00:02:29,968 --> 00:02:31,267
[MONITORS BEEPING]

70
00:02:31,334 --> 00:02:32,968
ON THE I-PACK.
YES, DOCTOR.

71
00:02:33,033 --> 00:02:34,634
CLAMP.
FIELD'S TOO BLOODY.

72
00:02:34,701 --> 00:02:35,734
I NEED SUCTION.

73
00:02:35,801 --> 00:02:37,634
CAN'T FIND THE SOURCE.

74
00:02:37,701 --> 00:02:39,467
TURN UP THE SUCTION.
HERE WE GO.

75
00:02:39,534 --> 00:02:41,067
WHAT DO WE KNOW?

76
00:02:41,133 --> 00:02:42,901
POLICE THINK IT WAS
A BOTCHED ROBBERY.

77
00:02:44,133 --> 00:02:45,133
WHERE'S MORGAN?

78
00:02:45,200 --> 00:02:46,501
HE'S NOT ANSWERING HIS CELL.

79
00:02:46,567 --> 00:02:48,300
I'LL CALL HIM AGAIN.

80
00:02:48,367 --> 00:02:49,701
WHAT AREN'T YOU SAYING?

81
00:02:51,033 --> 00:02:53,968
I SPOKE TO ONE OF
THE PARAMEDICS
WHO BROUGHT HER IN.

82
00:02:54,033 --> 00:02:56,234
IT DOESN'T LOOK GOOD.

83
00:02:56,300 --> 00:02:57,801
[BEEPING]

84
00:02:57,868 --> 00:02:58,968
SHE'S IN V-TACH.

85
00:02:59,033 --> 00:03:00,701
CHARGE TO 360 AND CLEAR.

86
00:03:00,767 --> 00:03:02,300
WAIT. WE GOTTA FIND
THE BLEEDER.

87
00:03:02,367 --> 00:03:05,167
SHE'LL GO INTO V-FIB.
WE HAVE TO FIND THE BLEEDER.

88
00:03:05,234 --> 00:03:08,300
THEY CAN'T GIVE ME
AN UPDATE.

89
00:03:08,367 --> 00:03:11,200
MORGAN'S PHONE
JUST KEEPS GOING
STRAIGHT TO VOICE MAIL.

90
00:03:11,267 --> 00:03:12,400
WHERE THE HELL IS HE?

91
00:03:14,000 --> 00:03:20,074
Shop this shows fashion, download the 
"LookLive" app in iTunes

92
00:03:22,033 --> 00:03:24,200
[WATER LAPPING]

93
00:03:29,167 --> 00:03:30,934
[SPLASH]

94
00:03:32,501 --> 00:03:34,100
[SPLASH]

95
00:03:35,267 --> 00:03:36,767
[BEEPING]

96
00:03:36,834 --> 00:03:38,701
ANOTHER 750
OUT OF THE CHEST TUBE.

97
00:03:38,767 --> 00:03:40,968
HOW'S IT GETTING UP THERE
WHEN SHE'S BLEEDING
DOWN THERE?

98
00:03:41,033 --> 00:03:42,734
PRESSURE'S DROPPING.
67 OVER 42.

99
00:03:42,801 --> 00:03:45,200
BULLET MUST HAVE RIPPED
RIGHT THROUGH THE DIAPHRAGM.

100
00:03:45,267 --> 00:03:47,000
AND BAGGED
THE SPLENIC ARTERY.

101
00:03:56,434 --> 00:03:57,834
PUT DIRECT PRESSURE.
RIGHT HERE.

102
00:03:57,901 --> 00:03:59,701
SHE'S BLEEDING TOO QUICKLY.
MORE BLOOD.

103
00:03:59,767 --> 00:04:01,701
 WE'RE WAY BEHIND.
 MORE PRESSURE.

104
00:04:09,901 --> 00:04:12,400
ALL RIGHT, KEEP PRESSURE
ON THE ARTERY
WHILE I TIE HER OFF.

105
00:04:12,467 --> 00:04:13,701
OK. HOLD ON.

106
00:04:15,133 --> 00:04:17,400
[FLATLINE TONE]

107
00:04:17,467 --> 00:04:18,601
V-FIB.

108
00:04:18,667 --> 00:04:19,968
SHE'S FLATLINING. CLEAR.

109
00:04:22,434 --> 00:04:23,667
CLEAR.

110
00:04:25,334 --> 00:04:27,400
LIDOCAINE 100 ON THE BOLUS.

111
00:04:27,467 --> 00:04:28,734
NO CHANGE.

112
00:04:28,801 --> 00:04:30,067
CHARGE.

113
00:04:30,133 --> 00:04:31,767
300.

114
00:04:31,834 --> 00:04:33,200
CLEAR.

115
00:04:34,267 --> 00:04:35,534
NO CHANGE.

116
00:04:35,601 --> 00:04:37,000
CHARGE.
360.

117
00:04:37,067 --> 00:04:39,267
THIS ISN'T WORKING.

118
00:04:39,334 --> 00:04:40,868
CHARGE.

119
00:04:42,167 --> 00:04:44,067
NOTHING STILL.

120
00:04:44,133 --> 00:04:45,167
CLEAR.

121
00:05:30,334 --> 00:05:32,267
[FLATLINE TONE]

122
00:05:33,934 --> 00:05:35,701
Garcia:
WILLIAM SHAKESPEARE WROTE:

123
00:05:35,767 --> 00:05:37,968
"LOVE ALL. TRUST A FEW.

124
00:05:38,033 --> 00:05:40,033
DO WRONG TO NONE."

125
00:05:40,100 --> 00:05:42,033
[FLATLINE CONTINUES]

126
00:05:44,267 --> 00:05:46,367
CLEAR!

127
00:05:46,434 --> 00:05:48,901
NOTHING STILL.

128
00:05:48,968 --> 00:05:50,434
CLEAR.

129
00:05:50,501 --> 00:05:52,133
[BEEPING]

130
00:05:52,200 --> 00:05:54,834
SHE'S BACK.

131
00:05:54,901 --> 00:05:56,567
GOOD JOB, GUYS.

132
00:05:58,334 --> 00:05:59,834
WHEW. ALL RIGHT.

133
00:05:59,901 --> 00:06:01,100
SUCTION.

134
00:06:01,167 --> 00:06:02,901
AND PROLENE.

135
00:06:08,067 --> 00:06:10,234
SHE'S BEEN IN SURGERY
A COUPLE HOURS.

136
00:06:10,300 --> 00:06:12,501
I WAS IN CHURCH.
MY PHONE WAS OFF.

137
00:06:12,567 --> 00:06:14,501
THERE'S NOTHING YOU COULD
HAVE BEEN DOING HERE.

138
00:06:14,567 --> 00:06:16,167
THE POLICE
GOT ANY LEADS?

139
00:06:16,234 --> 00:06:18,133
I SPOKE TO
THE LEAD DETECTIVE.

140
00:06:18,200 --> 00:06:20,767
HE DOESN'T THINK WE'LL GET
ANYTHING FROM THE SCENE.

141
00:06:20,834 --> 00:06:22,434
[DOOR OPENS]

142
00:06:22,501 --> 00:06:24,200
PENELOPE GARCIA?

143
00:06:24,267 --> 00:06:25,801
YES.
YES.

144
00:06:25,868 --> 00:06:27,467
THE BULLET WENT IN HER CHEST

145
00:06:27,534 --> 00:06:29,501
AND RICOCHETED
INTO HER ABDOMEN.

146
00:06:29,567 --> 00:06:30,701
SHE LOST A LOT OF BLOOD.

147
00:06:30,767 --> 00:06:32,267
IT WAS TOUCH-AND-GO
FOR A WHILE,

148
00:06:32,334 --> 00:06:34,167
BUT WE WERE ABLE
TO REPAIR THE INJURIES.

149
00:06:34,234 --> 00:06:35,501
SO, WHAT ARE YOU
SAYING?

150
00:06:35,567 --> 00:06:36,667
ONE CENTIMETER OVER

151
00:06:36,734 --> 00:06:38,501
AND IT WOULD HAVE TORN
RIGHT THROUGH HER HEART.

152
00:06:38,567 --> 00:06:40,767
INSTEAD, SHE COULD
ACTUALLY WALK OUT OF HERE
IN A COUPLE OF DAYS.

153
00:06:40,834 --> 00:06:43,968
AND I'D SAY
THAT'S A MINOR MIRACLE.

154
00:06:44,033 --> 00:06:45,133
SHE NEEDS HER REST.

155
00:06:45,200 --> 00:06:46,534
YOU CAN SEE HER
IN THE MORNING.

156
00:06:46,601 --> 00:06:47,934
THANK YOU.
THANK YOU.

157
00:06:49,534 --> 00:06:51,200
DAVID AND I
WILL GO TO THE SCENE.

158
00:06:51,267 --> 00:06:53,801
I THINK THE REST OF YOU
SHOULD BE HERE
WHEN SHE WAKES UP.

159
00:06:53,868 --> 00:06:55,467
I DON'T CARE ABOUT PROTOCOL.
I DON'T CARE

160
00:06:55,534 --> 00:06:57,300
WHETHER WE'RE WORKING THIS
OFFICIALLY OR NOT.

161
00:06:57,367 --> 00:07:00,667
WE DON'T TOUCH ANY NEW CASES
UNTIL WE FIND OUT WHO DID THIS.

162
00:07:04,634 --> 00:07:07,133
[MONITOR BEEPING]

163
00:07:09,300 --> 00:07:10,767
HEY, GARCIA.

164
00:07:16,300 --> 00:07:19,734
OUR GUESS IS HE SAW HER
ENTER, THEN KICKED THE DOOR
IN AFTER HER.

165
00:07:19,801 --> 00:07:21,734
HE ROBS HER, SHE TRIES
TO CHASE HIM,

166
00:07:21,801 --> 00:07:23,534
THEN HE TURNS AND SHOOTS HER
AS HE'S GETTING AWAY.

167
00:07:23,601 --> 00:07:25,868
YOU HAVE AN ESTIMATE
ON HOW FAR AWAY
THE GUNSHOT WAS?

168
00:07:25,934 --> 00:07:27,133
APPROXIMATELY 15 FEET.

169
00:07:27,200 --> 00:07:28,567
ANY REASON
BESIDES THE DOOR

170
00:07:28,634 --> 00:07:30,000
THAT YOU THINK
IT WAS A ROBBERY?

171
00:07:30,067 --> 00:07:32,567
HE TOOK HER PURSE,
DUMPED HALF OF IT
BEFORE HE TOOK OFF.

172
00:07:32,634 --> 00:07:34,267
DID YOU FIND
A SHELL CASING?

173
00:07:35,834 --> 00:07:38,100
SO, HE HIT HER
SQUARE FROM HERE?

174
00:07:38,167 --> 00:07:40,033
HELL OF A SHOT
ON THE RUN.

175
00:07:40,100 --> 00:07:42,200
WHY DOES HE RISK COMING IN
TO AN ENCLOSED COURTYARD

176
00:07:42,267 --> 00:07:43,534
TO STEAL A PURSE?

177
00:07:43,601 --> 00:07:45,868
WORLD'S BOLDEST
PURSE-SNATCHER?

178
00:07:45,934 --> 00:07:47,200
IT DOESN'T MAKE SENSE.

179
00:07:47,267 --> 00:07:48,934
[CELL PHONE RINGS]

180
00:07:50,767 --> 00:07:52,701
YEAH.

181
00:07:52,767 --> 00:07:54,033
GOOD.

182
00:07:54,100 --> 00:07:55,901
WE'LL BE RIGHT THERE.

183
00:07:55,968 --> 00:07:57,567
SHE'S UP.

184
00:07:57,634 --> 00:08:00,067
[GARCIA GROANS]

185
00:08:04,267 --> 00:08:05,567
HI.

186
00:08:05,634 --> 00:08:07,167
NO TEARS.

187
00:08:07,234 --> 00:08:09,000
I'M AFRAID
IF I START CRYING

188
00:08:09,067 --> 00:08:10,868
I'LL COME UNSTAPLED.

189
00:08:10,934 --> 00:08:12,501
HOW ARE YOU FEELING?

190
00:08:12,567 --> 00:08:14,000
OH...

191
00:08:14,067 --> 00:08:16,200
CONFUSED...

192
00:08:16,267 --> 00:08:19,100
STUPID, AND...

193
00:08:19,167 --> 00:08:20,434
IN PAIN.

194
00:08:21,868 --> 00:08:26,000
ARE YOU UP FOR
SOME QUESTIONS?

195
00:08:26,067 --> 00:08:28,400
I NEVER SAW IT COMING.

196
00:08:28,467 --> 00:08:30,701
HE SEEMED...

197
00:08:30,767 --> 00:08:32,567
DELICIOUSLY NORMAL.

198
00:08:32,634 --> 00:08:34,167
YOU KNOW HIM?

199
00:08:35,567 --> 00:08:37,400
YOU WERE RIGHT.

200
00:08:37,467 --> 00:08:39,767
I SHOULDN'T HAVE
TRUSTED IT.

201
00:08:39,834 --> 00:08:41,701
WHAT ARE YOU TALKING ABOUT?

202
00:08:41,767 --> 00:08:43,868
IT'S THAT GUY
I TOLD YOU ABOUT.

203
00:08:43,934 --> 00:08:46,200
THE ONE I MET
AT THE COFFEE SHOP.

204
00:08:47,734 --> 00:08:50,567
I WANTED TO BELIEVE
HE WAS INTERESTED IN ME.

205
00:08:50,634 --> 00:08:51,567
FORGET THAT.

206
00:08:51,634 --> 00:08:53,467
I LET MY GUARD DOWN.

207
00:08:53,534 --> 00:08:56,133
DO YOU HAVE ANY IDEA
WHY HE WOULD HAVE DONE THIS?

208
00:08:56,200 --> 00:08:59,567
DID HE THREATEN YOU?
DID HE WANT SOMETHING?

209
00:08:59,634 --> 00:09:02,067
I JUST THOUGHT
HE LIKED ME.

210
00:09:04,734 --> 00:09:06,300
OK. UM...
WE'RE GONNA--

211
00:09:06,367 --> 00:09:08,133
WE'RE GONNA COME BACK
IN A LITTLE WHILE.

212
00:09:08,200 --> 00:09:10,200
WE NEED A NAME.

213
00:09:11,567 --> 00:09:14,133
JAMES COLBY BAYLOR.

214
00:09:17,267 --> 00:09:19,601
J.J.

215
00:09:19,667 --> 00:09:21,467
CAN YOU STAY FOR A SEC?

216
00:09:27,901 --> 00:09:29,434
WE NEED TO STAY CALM.

217
00:09:29,501 --> 00:09:30,934
DON'T TELL ME WHAT TO BE.

218
00:09:33,334 --> 00:09:35,501
DO YOU REMEMBER ANYTHING
SHE SAID ABOUT HIM?

219
00:09:35,567 --> 00:09:37,000
NO.

220
00:09:37,067 --> 00:09:38,667
I JUST TALKED TO HOTCH.

221
00:09:38,734 --> 00:09:40,334
THEY THINK HE USED
A REVOLVER.

222
00:09:40,400 --> 00:09:41,701
WHO THE HELL
USES A REVOLVER?

223
00:09:41,767 --> 00:09:43,000
SOMEONE WHO DOESN'T
WANT TO LEAVE

224
00:09:43,067 --> 00:09:45,300
SHELL CASINGS
BEHIND AS EVIDENCE.

225
00:09:45,367 --> 00:09:46,300
WHAT ABOUT WITNESSES?

226
00:09:46,367 --> 00:09:47,467
NONE SO FAR.

227
00:09:47,534 --> 00:09:48,701
AND HE STAGED IT
TO LOOK LIKE A ROBBERY.

228
00:09:48,767 --> 00:09:49,868
WHICH MEANS
IF HE'S SMART ENOUGH

229
00:09:49,934 --> 00:09:51,200
TO USE FORENSIC
COUNTERMEASURES,

230
00:09:51,267 --> 00:09:53,767
ODDS ARE THE NAME
HE GAVE GARCIA
IS PROBABLY BOGUS.

231
00:09:53,834 --> 00:09:55,868
WHAT DID SHE SAY?

232
00:09:55,934 --> 00:09:59,200
SHE MADE ME PROMISE
NOT TO TALK ABOUT HER
LIKE A VICTIM.

233
00:10:01,434 --> 00:10:03,367
SO, VICTIMOLOGY--WHY GARCIA?

234
00:10:03,434 --> 00:10:04,534
LOOK AT HER.

235
00:10:04,601 --> 00:10:06,200
WHAT ARE YOU SAYING?

236
00:10:06,267 --> 00:10:08,133
YOU DON'T LOOK LIKE THAT
BY ACCIDENT.

237
00:10:08,200 --> 00:10:10,534
SHE WEARS HER INDIVIDUALITY
LIKE A SHIELD.

238
00:10:10,601 --> 00:10:12,601
LEADING SOMEONE
TO BE ANTAGONISTIC?

239
00:10:12,667 --> 00:10:14,200
SHE STANDS OUT. SINGLE WOMAN.

240
00:10:14,267 --> 00:10:16,033
COULD BE SOMEONE WAS
WATCHING HER FOR A WHILE.

241
00:10:16,100 --> 00:10:18,234
THE SADIST WHO GETS OFF
ON GAINING HER TRUST

242
00:10:18,300 --> 00:10:19,834
AND THEN TRYING
TO KILL HER?

243
00:10:19,901 --> 00:10:21,868
PRETTY COMMON.
KEMPER, BUNDY,
ROBERT ANDERSON--

244
00:10:21,934 --> 00:10:24,067
THEY ALL HAD
AN ELEMENT OF IT.

245
00:10:25,133 --> 00:10:26,501
WHAT'S BUGGING YOU?

246
00:10:26,567 --> 00:10:30,934
A SADIST WHO JUST HAPPENS TO
CHOOSE AN ANALYST FOR THE FBI?

247
00:10:40,467 --> 00:10:42,767
[MONITOR BEEPING]

248
00:10:42,834 --> 00:10:44,934
I ASKED HER
TO GO OUT LAST NIGHT.

249
00:10:45,000 --> 00:10:47,133
BUT SHE WAS PISSED AT ME.

250
00:10:48,467 --> 00:10:50,501
SHE BLEW ME OFF.

251
00:10:53,968 --> 00:10:56,000
SO YOU ENDED UP
IN CHURCH?

252
00:10:56,067 --> 00:10:57,067
YEAH.

253
00:10:58,400 --> 00:11:00,000
WHAT DOES IT MEAN?

254
00:11:02,667 --> 00:11:04,434
ONE ONE HAND,
IF SHE'D GONE OUT WITH ME,

255
00:11:04,501 --> 00:11:06,534
SHE WOULD HAVE NEVER GOT SHOT.

256
00:11:06,601 --> 00:11:08,868
ON THE OTHER HAND...

257
00:11:08,934 --> 00:11:11,701
WHAT ARE THE ODDS
THAT THE FIRST TIME
I PRAY IN 20 YEARS,

258
00:11:11,767 --> 00:11:13,200
SHE'S ON THE TABLE?

259
00:11:13,267 --> 00:11:15,834
SHE'S ASKING FOR YOU.

260
00:11:26,801 --> 00:11:28,767
HEY.

261
00:11:28,834 --> 00:11:30,734
HOW ARE YOU FEELING?

262
00:11:30,801 --> 00:11:33,901
GOOD NEWS, BAD NEWS.

263
00:11:33,968 --> 00:11:36,300
THE MORPHINE'S WEARING OFF.

264
00:11:40,000 --> 00:11:42,734
WHEN I WAS IN THE AMBULANCE,

265
00:11:42,801 --> 00:11:45,834
I COULD HEAR
THE SONG HEROES

266
00:11:45,901 --> 00:11:47,801
PLAYING IN MY HEAD.

267
00:11:49,367 --> 00:11:53,801
I KEPT FLASHING IN AND OUT
OF CONSCIOUSNESS.

268
00:11:53,868 --> 00:11:56,234
EVERYTHING
WAS REALLY BRIGHT.

269
00:11:56,300 --> 00:11:57,834
AND I REMEMBER THINKING,

270
00:11:57,901 --> 00:11:59,267
WAIT...

271
00:11:59,334 --> 00:12:01,467
IS DAVID BOWIE REALLY GOD?

272
00:12:05,167 --> 00:12:07,000
WE HAVE A, UH...

273
00:12:07,067 --> 00:12:10,601
WE HAVE A SKETCH ARTIST
COMING IN.

274
00:12:10,667 --> 00:12:12,534
OK.

275
00:12:12,601 --> 00:12:14,501
I'M STILL A LITTLE HAZY.

276
00:12:14,567 --> 00:12:16,000
IT'S OK.

277
00:12:17,067 --> 00:12:18,834
ANYTHING YOU TELL US
WILL HELP.

278
00:12:18,901 --> 00:12:20,601
YEAH.

279
00:12:22,434 --> 00:12:24,234
THIS GUY SAY WHAT HE DID
FOR A LIVING?

280
00:12:25,968 --> 00:12:28,167
HE SAID HE WAS A LAWYER.

281
00:12:28,234 --> 00:12:31,734
DID...DID PEOPLE KNOW HIM
WHERE YOU WENT?

282
00:12:31,801 --> 00:12:35,200
HE SAID HE WANTED
TO SHOW ME A PLACE.

283
00:12:35,267 --> 00:12:38,133
IT WAS HALF AN HOUR AWAY.

284
00:12:38,200 --> 00:12:39,400
YOU DROVE TOGETHER?

285
00:12:39,467 --> 00:12:41,334
MM.
WHAT KIND OF CAR?

286
00:12:41,400 --> 00:12:43,834
WHITE.

287
00:12:43,901 --> 00:12:45,734
4-DOOR SEDAN.

288
00:12:45,801 --> 00:12:47,634
AMERICAN.

289
00:12:47,701 --> 00:12:49,167
IT SMELLED NEW.

290
00:12:49,234 --> 00:12:51,634
RENTAL CAR MAYBE?

291
00:12:51,701 --> 00:12:52,801
MAYBE.

292
00:12:52,868 --> 00:12:54,067
I DON'T KNOW.

293
00:12:54,133 --> 00:12:56,234
I DON'T LOOK AT THINGS
LIKE YOU GUYS DO.

294
00:12:56,300 --> 00:12:57,567
I DON'T SEE DANGER--

295
00:12:57,634 --> 00:12:58,801
OK. TAKE IT EASY.

296
00:12:58,868 --> 00:13:01,467
TAKE IT EASY.

297
00:13:01,534 --> 00:13:03,467
WHAT ELSE CAN YOU REMEMBER?

298
00:13:05,100 --> 00:13:07,434
HE SMELLED GOOD.

299
00:13:07,501 --> 00:13:08,667
GOOD NIGHT.

300
00:13:08,734 --> 00:13:10,400
GOOD NIGHT.

301
00:13:10,467 --> 00:13:12,234
Reid: HE SEEM NERVOUS?

302
00:13:12,300 --> 00:13:16,634
I THOUGHT HE WAS JUST AFRAID
TO KISS ME GOOD NIGHT.

303
00:13:18,267 --> 00:13:19,701
HEY.

304
00:13:19,767 --> 00:13:21,667
YOU SURE
YOU'RE UP FOR THIS?

305
00:13:26,133 --> 00:13:27,267
HEY, GARCIA.

306
00:13:27,334 --> 00:13:28,534
YEAH.

307
00:13:28,601 --> 00:13:30,501
I'VE BEEN THINKING
ABOUT DOING THIS ALL NIGHT.

308
00:13:35,067 --> 00:13:38,167
I COULD HEAR HIM WALKING.

309
00:13:39,734 --> 00:13:41,968
HE LEANED OVER ME
AND I HELD MY BREATH

310
00:13:42,033 --> 00:13:43,567
SO HE'D THINK
I WAS DEAD.

311
00:13:50,968 --> 00:13:52,734
WHAT HAPPENED HERE?

312
00:13:52,801 --> 00:13:54,234
A SHOOTING.

313
00:13:54,300 --> 00:13:55,868
IT WAS HORRIBLE.

314
00:13:55,934 --> 00:13:57,300
SHE'S IN INTENSIVE CARE.

315
00:13:57,367 --> 00:13:59,534
SHE SURVIVED?

316
00:13:59,601 --> 00:14:02,834
I HAVE NO IDEA HOW.

317
00:14:02,901 --> 00:14:04,234
MIRACLES OF SCIENCE, RIGHT?

318
00:14:04,300 --> 00:14:05,868
YEAH.

319
00:14:05,934 --> 00:14:08,968
THEY GET THE GUY?

320
00:14:09,033 --> 00:14:10,334
NO CLUE AT ALL?

321
00:14:10,400 --> 00:14:12,000
PROBABLY SOME CRACKHEAD.

322
00:14:12,067 --> 00:14:13,367
IT'S CRAZY.

323
00:14:13,434 --> 00:14:16,200
POLICE AROUND HERE
CAN'T EVEN KEEP YOU SAFE.

324
00:14:16,267 --> 00:14:19,200
THIS WHOLE CITY'S
GOING TO HELL.

325
00:14:37,334 --> 00:14:39,100
YOU LOOK LIKE CRAP.

326
00:14:39,167 --> 00:14:41,434
WELL, 4 DAYS, NO LEADS,
I FEEL LIKE CRAP.

327
00:14:41,501 --> 00:14:43,100
ANY WORD
FROM THE HOSPITAL?

328
00:14:43,167 --> 00:14:45,701
SHE'S OUT OF THE ICU.
DOCTOR SAID SHE COULD GO HOME
IN A COUPLE OF DAYS.

329
00:14:45,767 --> 00:14:47,367
REID AND MORGAN
ARE REPLAYING IT WITH HER

330
00:14:47,434 --> 00:14:49,033
AND THEY'LL
KEEP US POSTED.

331
00:14:49,100 --> 00:14:51,133
WE CAN ALWAYS ROUND UP
THE 3 MILLION GUYS

332
00:14:51,200 --> 00:14:52,634
THE SKETCH LOOKS LIKE.

333
00:14:52,701 --> 00:14:54,133
THAT WAS THE POLICE.

334
00:14:54,200 --> 00:14:55,868
THEY TOOK THE SKETCH
BACK TO THE COFFEE SHOP,

335
00:14:55,934 --> 00:14:58,367
RESTAURANT,
CAME UP EMPTY.

336
00:14:58,434 --> 00:14:59,534
I EVEN RAN IT
THROUGH VICAP.

337
00:14:59,601 --> 00:15:00,534
NO HITS.

338
00:15:00,601 --> 00:15:02,100
NO LUCK WITH
THE RENTAL CAR COMPANIES.

339
00:15:02,167 --> 00:15:03,934
NO PRINTS AT THE SCENE.
NO SHELL CASINGS.

340
00:15:04,000 --> 00:15:06,267
THE CELL PHONE THE GUY USED
TO CALL GARCIA AT WORK

341
00:15:06,334 --> 00:15:07,834
WAS A DISPOSABLE.

342
00:15:07,901 --> 00:15:09,634
THE GUY'S A CIPHER.

343
00:15:14,767 --> 00:15:16,567
HYPERVIGILANCE, RIGHT?

344
00:15:16,634 --> 00:15:18,367
SOMETHING LIKE THAT.

345
00:15:18,434 --> 00:15:20,267
YOU KNOW, MOST PEOPLE
THESE DAYS ARE LOOKING

346
00:15:20,334 --> 00:15:22,267
FOR A SEMI-AUTOMATIC.
YEAH?

347
00:15:22,334 --> 00:15:24,467
YEAH. HOLDS MORE ROUNDS.

348
00:15:24,534 --> 00:15:28,200
YOU DON'T NEED MORE ROUNDS
IF YOU DON'T MISS.

349
00:15:30,667 --> 00:15:33,133
PENELOPE, I KNOW
IT'S GOTTA BE HARD
TO KEEP RELIVING THIS.

350
00:15:33,200 --> 00:15:35,133
I JUST DON'T KNOW WHAT ELSE
THERE IS TO REMEMBER.

351
00:15:35,200 --> 00:15:36,968
LET'S START
WITH THE BEHAVIOR.

352
00:15:37,033 --> 00:15:41,934
THAT'S ALL--THAT'S ALL
PROFILING REALLY IS,
JUST NOTICING BEHAVIOR.

353
00:15:42,000 --> 00:15:46,300
SWEETHEART, ANY DETAILS
YOU CAN REMEMBER
WILL TELL US WHO HE IS.

354
00:15:46,367 --> 00:15:48,100
OK?
MM-HMM.

355
00:15:48,167 --> 00:15:51,367
ALL RIGHT, SO LET'S GO BACK
TO WHEN YOU FIRST ARRIVED
AT THAT RESTAURANT.

356
00:15:53,400 --> 00:15:54,901
WAS HE NERVOUS?

357
00:15:54,968 --> 00:15:56,000
NO.

358
00:15:56,067 --> 00:15:58,767
THE OPPOSITE, ACTUALLY.

359
00:15:58,834 --> 00:16:00,767
Waiter: CAN I START YOU
WITH ANYTHING TO DRINK?

360
00:16:00,834 --> 00:16:03,133
WE'LL HAVE A BOTTLE
OF SANCERRE.

361
00:16:03,200 --> 00:16:04,968
ACTUALLY, I DRINK RED.

362
00:16:05,033 --> 00:16:06,133
TRUST ME,

363
00:16:06,200 --> 00:16:07,868
YOU'LL LOVE IT.

364
00:16:09,467 --> 00:16:11,234
SO, HE WAS TRYING
TO IMPRESS YOU

365
00:16:11,300 --> 00:16:13,167
BY SHOWING YOU HOW
HE CAN TAKE CHARGE.

366
00:16:13,234 --> 00:16:15,234
I GUESS SO.

367
00:16:15,300 --> 00:16:17,000
TELL ME ABOUT HIS WATCH.

368
00:16:17,067 --> 00:16:19,200
IT'S A FAKE ROLEX.

369
00:16:19,267 --> 00:16:20,667
YOU SURE ABOUT THAT?

370
00:16:20,734 --> 00:16:22,567
I KNOW MY KNOCKOFFS.

371
00:16:22,634 --> 00:16:24,300
CLEARLY HE WAS PLAYING
WITH IT, THOUGH,

372
00:16:24,367 --> 00:16:26,000
'CAUSE HE WANTED YOU
TO NOTICE. I MEAN,

373
00:16:26,067 --> 00:16:28,968
HE WANTED YOU TO THINK
THAT IT WAS REAL.

374
00:16:29,033 --> 00:16:30,767
GARCIA, ARE YOU OK?

375
00:16:32,000 --> 00:16:33,267
I'M FEELING REALLY EXPOSED.

376
00:16:33,334 --> 00:16:35,100
YOU'RE DOING JUST FINE.

377
00:16:35,167 --> 00:16:37,334
JUST FINE.

378
00:16:37,400 --> 00:16:39,334
SO YOU WORK
FOR THE FBI.

379
00:16:39,400 --> 00:16:41,100
MM-HMM.
THAT'S GLAMOROUS.

380
00:16:41,167 --> 00:16:44,100
IF YOU WANT TO CALL
14-HOUR DAYS

381
00:16:44,167 --> 00:16:47,634
CLOISTERED IN A SMALL,
DARK ROOM, SURROUNDED
BY VIOLENT IMAGES,

382
00:16:47,701 --> 00:16:49,133
GLAMOROUS, THEN HELLS YEAH.

383
00:16:49,200 --> 00:16:51,701
ABSOLUTELY. IT'S PARIS
IN THE TWENTIES.

384
00:16:51,767 --> 00:16:53,400
[LAUGHS]

385
00:16:53,467 --> 00:16:55,033
YOU WORK MURDER CASES?

386
00:16:55,100 --> 00:16:56,133
MM-HMM. 24/7.

387
00:16:56,200 --> 00:16:57,367
I SEE.

388
00:16:57,434 --> 00:16:59,234
THAT'S THE BIG-TIME
RIGHT THERE.

389
00:16:59,300 --> 00:17:01,067
YOU'RE LIKE A COP
AND BIG BROTHER

390
00:17:01,133 --> 00:17:02,868
ALL ROLLED INTO ONE.

391
00:17:02,934 --> 00:17:04,400
I LIKE TO THINK OF MYSELF

392
00:17:04,467 --> 00:17:06,300
AS A TIRELESS CRUSADER
FOR WORLD KARMA.

393
00:17:06,367 --> 00:17:07,701
RIGHT.

394
00:17:07,767 --> 00:17:09,133
WHAT ABOUT YOU?

395
00:17:09,200 --> 00:17:10,834
AH, I DON'T KNOW.

396
00:17:10,901 --> 00:17:12,534
SCHOOL IN NEW HAVEN,

397
00:17:12,601 --> 00:17:14,400
LAW SCHOOL IN BOSTON--

398
00:17:14,467 --> 00:17:16,400
CAMBRIDGE, I GUESS,
TECHNICALLY.

399
00:17:16,467 --> 00:17:18,067
IT'S ALL
ONE COLLEGE TOWN.

400
00:17:18,133 --> 00:17:19,834
WHAT KIND OF LAW
DO YOU PRACTICE?

401
00:17:19,901 --> 00:17:21,534
I WAS A CITY ATTORNEY.

402
00:17:21,601 --> 00:17:24,334
BUT ONCE YOU'VE HAD
A MURDER CASE DISMISSED

403
00:17:24,400 --> 00:17:27,901
FOR JUDICIAL INEPTITUDE
OR A RANDOM COLLATERAL
ESTOPPEL,

404
00:17:27,968 --> 00:17:31,200
LET'S JUST SAY
PRIVATE PRACTICE STARTS
MAKING A LOT OF SENSE.

405
00:17:31,267 --> 00:17:34,601
PEOPLE CAN GET AWAY
WITH MURDER

406
00:17:34,667 --> 00:17:37,200
FOR OTHER PEOPLE'S
INCOMPETENCE.

407
00:17:37,267 --> 00:17:40,601
WELL, WHY AM I
TELLING YOU THIS?

408
00:17:40,667 --> 00:17:42,734
I'M SURE YOU SEE IT
ALL THE TIME.

409
00:17:42,801 --> 00:17:44,367
TO KARMA.

410
00:17:45,901 --> 00:17:49,167
Reid: CITY ATTORNEYS
DON'T TRY MURDER CASES.

411
00:17:49,234 --> 00:17:50,667
WHAT?

412
00:17:50,734 --> 00:17:53,434
Reid: HE KNOWS ENOUGH
TO USE LEGAL TERMINOLOGY,

413
00:17:53,501 --> 00:17:55,534
BUT HE'S NOT ACTUALLY
A WORKING LAWYER.

414
00:17:55,601 --> 00:17:58,033
I THINK WE'RE LOOKING
AT SOMEONE WHO
FAILED OUT OF LAW SCHOOL

415
00:17:58,100 --> 00:17:59,601
OR DIDN'T PASS THE BAR.

416
00:17:59,667 --> 00:18:01,534
DID GARCIA SAY IF HE GAVE
ANY DETAILS ABOUT THE CASES

417
00:18:01,601 --> 00:18:03,334
HE WAS SUPPOSEDLY WORKING?
NO SPECIFICS.

418
00:18:03,400 --> 00:18:05,367
IF HE FAILED OUT OF
THE SYSTEM,
IT COULD EXPLAIN

419
00:18:05,434 --> 00:18:07,868
WHY HE'S GOT
A WORKING VOCABULARY
AND NOT MUCH MORE.

420
00:18:07,934 --> 00:18:09,534
IT COULD ALSO
EXPLAIN HIS ANGER.

421
00:18:09,601 --> 00:18:11,434
EVEN IN HIS LIE,
HE RAILS AGAINST

422
00:18:11,501 --> 00:18:12,734
OTHER PEOPLE'S INCOMPETENCE.

423
00:18:12,801 --> 00:18:14,234
WELL, HE'S CLEARLY A NARCISSIST.

424
00:18:14,300 --> 00:18:16,033
THE CLOTHES, THE WATCH,
THE SUBTLE HINTS

425
00:18:16,100 --> 00:18:17,567
AT WHERE HE WENT TO SCHOOL.

426
00:18:17,634 --> 00:18:18,868
HE'S FAKING HUMILITY

427
00:18:18,934 --> 00:18:21,067
WHEN HE'S SAYING NEW HAVEN
AND CAMBRIDGE

428
00:18:21,133 --> 00:18:22,567
INSTEAD OF YALE AND HARVARD.

429
00:18:22,634 --> 00:18:23,901
J.J., WE NEED AN ANALYST

430
00:18:23,968 --> 00:18:25,234
WHO CAN, UH,
PUT OUR INFORMATION

431
00:18:25,300 --> 00:18:26,734
THROUGH OUR LEGAL DATABASES.

432
00:18:26,801 --> 00:18:28,033
I'M ON IT.

433
00:18:28,100 --> 00:18:29,567
NOW, YOU SURE ANOTHER TECH
IS OK WITH ME IN HER SYSTEM?

434
00:18:29,634 --> 00:18:30,901
WE'RE KIND OF WEIRD
ABOUT THAT.

435
00:18:30,968 --> 00:18:33,133
WE JUST NEED YOU TO RUN
SOME BAR ASSOCIATION RECORDS.

436
00:18:33,200 --> 00:18:34,567
WHY DOESN'T SHE DO IT?

437
00:18:34,634 --> 00:18:35,901
SHE'S IN THE HOSPITAL.

438
00:18:35,968 --> 00:18:37,734
YOU'RE TALKING ABOUT
THE ANALYST WHO WAS SHOT.

439
00:18:37,801 --> 00:18:39,467
Hotch: THAT'S RIGHT.

440
00:18:39,534 --> 00:18:41,100
YOU KNOW WHO HIT HER?

441
00:18:41,167 --> 00:18:43,367
THAT'S WHAT WE'RE HOPING
TO FIND OUT.

442
00:18:44,801 --> 00:18:46,167
WHAT?

443
00:18:46,234 --> 00:18:48,634
WE'RE THE GATEKEEPERS
TO A WHOLE LOT OF
INFORMATION, MAN.

444
00:18:48,701 --> 00:18:51,267
IT'S ENOUGH TO MAKE US ALL
A LITTLE PARANOID.

445
00:18:51,334 --> 00:18:53,767
YOU KNOW, I COULD HAVE
DONE THIS AT MY COMPUTER.

446
00:18:53,834 --> 00:18:57,033
FIRST WE NEED YOU
TO LOOK UP THE NAME
JAMES COLBY BAYLOR

447
00:18:57,100 --> 00:18:59,133
AND SEE IF IT SHOWS UP
ANYWHERE IN THE SYSTEM.

448
00:18:59,200 --> 00:19:00,767
[BEEPING]

449
00:19:03,501 --> 00:19:04,968
WHOA.

450
00:19:05,033 --> 00:19:06,534
WHAT IS IT?

451
00:19:06,601 --> 00:19:08,934
THIS SYSTEM IS INSANE.

452
00:19:09,000 --> 00:19:11,367
IT'S COMPLETELY LINUX-BASED.
OPEN-SOURCED PROGRAMMING.

453
00:19:11,434 --> 00:19:13,667
YOU DON'T SEE THIS
IN GOVERNMENT SYSTEMS,

454
00:19:13,734 --> 00:19:15,300
I MEAN OUTSIDE OF, LIKE,
SWITZERLAND.

455
00:19:15,367 --> 00:19:17,334
JAMES COLBY BAYLOR.

456
00:19:17,400 --> 00:19:18,501
RIGHT. I GET IT.

457
00:19:18,567 --> 00:19:20,601
CHOP-CHOP. JEEZ.

458
00:19:25,534 --> 00:19:27,267
UH-UH. NOTHING.

459
00:19:27,334 --> 00:19:29,467
ALL RIGHT, LET'S START
WITH A LIST OF EVERYONE
IN THE AREA

460
00:19:29,534 --> 00:19:30,868
WHO EITHER FAILED
THE BAR EXAM

461
00:19:30,934 --> 00:19:32,300
OR WAS FIRED
FROM A LARGE LAW FIRM

462
00:19:32,367 --> 00:19:33,601
IN THE LAST 5 YEARS.

463
00:19:33,667 --> 00:19:34,734
WHAT, ARE YOU SERIOUS?

464
00:19:34,801 --> 00:19:36,234
THAT'S GOT TO BE, LIKE,
THOUSANDS OF NAMES.

465
00:19:36,300 --> 00:19:39,634
TRY NARROWING IT DOWN TO
ANYONE WITH THE INITIALS J.C.B.

466
00:19:39,701 --> 00:19:42,934
HE HAD MONOGRAMMED SHIRTS.
TRUST ME, THEY AIN'T CHEAP.

467
00:19:45,300 --> 00:19:47,133
[BEEPING]

468
00:19:50,801 --> 00:19:52,067
IS THERE A PROBLEM?

469
00:19:52,133 --> 00:19:54,467
THIS MIGHT BE THE COOLEST
GIRL I'VE EVER MET.

470
00:19:54,534 --> 00:19:55,567
YOU'VE NEVER
LAID EYES ON HER.

471
00:19:55,634 --> 00:19:57,167
WELL, HER GOOEY
IS MIND-BLOWING.

472
00:19:57,234 --> 00:19:58,968
THE LIST.

473
00:20:02,300 --> 00:20:03,767
OH, THAT'S WEIRD.

474
00:20:10,267 --> 00:20:12,834
WELL, THIS ISN'T GOOD.

475
00:20:20,834 --> 00:20:22,767
WHAT'S HOTCH DOING?

476
00:20:22,834 --> 00:20:25,000
RIGHT NOW I'M GUESSING
HE'S WISHING

477
00:20:25,067 --> 00:20:28,300
ANYBODY ELSE WAS THE LEADER
OF THIS TEAM.

478
00:20:29,534 --> 00:20:31,267
[KNOCK KNOCK]

479
00:20:31,334 --> 00:20:33,033
HEY.

480
00:20:33,100 --> 00:20:34,901
HOW ARE YOU FEELING?

481
00:20:34,968 --> 00:20:36,834
YOU KNOW, I'VE HAD
BETTER DATES.

482
00:20:36,901 --> 00:20:38,267
WHAT'S GOING ON?

483
00:20:38,334 --> 00:20:40,400
WE FOUND AN ENCRYPTED FILE
ON YOUR COMPUTER.

484
00:20:42,267 --> 00:20:45,501
ARE YOU INVOLVED IN
SOMETHING THAT I NEED
TO KNOW ABOUT?

485
00:20:45,567 --> 00:20:46,567
NO.

486
00:20:46,634 --> 00:20:47,968
HOTCH, WHAT'S GOING ON?

487
00:20:48,033 --> 00:20:50,367
COULD THIS BE CONNECTED
IN ANY WAY
TO WHOEVER SHOT YOU?

488
00:20:50,434 --> 00:20:52,200
I DON'T THINK SO.

489
00:20:52,267 --> 00:20:53,300
I NEED THE PASSWORD.

490
00:20:53,367 --> 00:20:55,767
Morgan: IS THIS
REALLY NECESSARY?

491
00:20:55,834 --> 00:20:57,000
YES.

492
00:20:58,133 --> 00:20:59,434
THE PASSWORD.

493
00:21:00,767 --> 00:21:02,567
GILMAN STREET.

494
00:21:02,634 --> 00:21:04,367
THANK YOU.

495
00:21:04,434 --> 00:21:06,267
THEY DON'T HONESTLY THINK
GARCIA'S A SECURITY RISK,
DO THEY?

496
00:21:06,334 --> 00:21:07,934
I DON'T KNOW.

497
00:21:08,000 --> 00:21:10,467
WE'VE BEEN ORDERED
BY INTERNAL AFFAIRS
TO STOP WORKING THE CASE.

498
00:21:10,534 --> 00:21:11,667
WHAT?

499
00:21:11,734 --> 00:21:14,534
AND UNTIL THIS IS CLEARED UP...

500
00:21:14,601 --> 00:21:16,434
YOU'VE BEEN SUSPENDED.

501
00:21:16,501 --> 00:21:18,367
I'M SORRY.

502
00:21:21,267 --> 00:21:22,567
RIGHT.

503
00:21:28,334 --> 00:21:30,067
WHAT ARE YOU DOING?
I NEED TO GET OUT OF HERE.

504
00:21:30,133 --> 00:21:31,934
WHOA, WHOA, WHOA,
WHOA, WHOA. PLEASE, BABY,

505
00:21:32,000 --> 00:21:33,000
LISTEN TO ME.

506
00:21:33,067 --> 00:21:34,467
WE'RE GONNA GET IT
STRAIGHTENED OUT.

507
00:21:34,534 --> 00:21:36,267
I'M GONNA FIND OUT
WHO DID THIS TO YOU.

508
00:21:36,334 --> 00:21:38,667
I DON'T GIVE A DAMN
WHAT I.A. WANTS ME TO DO

509
00:21:38,734 --> 00:21:41,567
OR DOESN'T WANT ME TO DO,
BUT RIGHT NOW YOU NEED TO REST.

510
00:21:41,634 --> 00:21:43,234
BUT...ONE OF
THE LAST THINGS I SAID

511
00:21:43,300 --> 00:21:45,834
BEFORE HE SHOT ME
WAS, "EVERYTHING
HAPPENS FOR A REASON."

512
00:21:45,901 --> 00:21:48,634
DEREK, IF I LOSE FAITH
IN THAT, THEN NOTHING
IN MY LIFE MAKES SENSE.

513
00:21:48,701 --> 00:21:49,801
I GET THAT.

514
00:21:49,868 --> 00:21:52,300
NO, YOU DON'T.

515
00:21:52,367 --> 00:21:54,234
J.J.: IS THIS REALLY
NECESSARY?

516
00:21:54,300 --> 00:21:55,634
IT'S PROTOCOL.

517
00:21:57,634 --> 00:21:59,434
YES, IT'S NECESSARY.

518
00:21:59,501 --> 00:22:02,033
MR. LYNCH HERE WILL DO
AN AUDIT OF HER COMPUTER.

519
00:22:02,100 --> 00:22:04,267
I WILL OVERSEE
THE INVESTIGATION.

520
00:22:04,334 --> 00:22:06,334
A FEDERAL EMPLOYEE
WAS JUST GUNNED DOWN

521
00:22:06,400 --> 00:22:08,601
AND YOU MAKE IT SEEM
LIKE INVESTIGATING HER
IS MORE IMPORTANT

522
00:22:08,667 --> 00:22:09,801
THAN FINDING OUT
WHO SHOT HER.

523
00:22:09,868 --> 00:22:11,133
WELL, THAT'S NOT TRUE.

524
00:22:11,200 --> 00:22:12,634
THE POLICE HAVE JURISDICTION,
AND TRUST ME,

525
00:22:12,701 --> 00:22:14,868
I WILL OFFER THEM
THE FULL FORCE OF THE FBI

526
00:22:14,934 --> 00:22:16,434
TO SOLVE THIS CASE.

527
00:22:16,501 --> 00:22:19,634
WITH ALL DUE RESPECT,
SIR, THE B.A.U.
IS PART OF THAT FORCE.

528
00:22:19,701 --> 00:22:21,601
LOOK, I'M SORRY. I REALIZE
HOW HARD THIS MUST BE.

529
00:22:21,667 --> 00:22:22,834
BUT?

530
00:22:22,901 --> 00:22:24,601
BUT THE FIRST THING
YOU LOOK AT IS VICTIMOLOGY.

531
00:22:24,667 --> 00:22:26,434
CORRECT?

532
00:22:26,501 --> 00:22:29,434
THE BUREAU NEEDS TO KNOW
WHAT SHE'S INVOLVED IN

533
00:22:29,501 --> 00:22:31,434
AND WHETHER IT HAS TO DO
WITH WHY SHE WAS SHOT.

534
00:22:31,501 --> 00:22:33,033
SHE'S NOT INVOLVED
IN ANYTHING.

535
00:22:33,100 --> 00:22:34,467
AND YOU'RE CERTAIN OF THAT.

536
00:22:34,534 --> 00:22:36,100
ABSOLUTELY.

537
00:22:43,868 --> 00:22:47,167
WHAT DO YOU KNOW ABOUT HOW
SHE WAS RECRUITED TO THE FBI?

538
00:22:48,801 --> 00:22:50,934
Garcia: AFTER
MY PARENTS DIED, I...

539
00:22:52,033 --> 00:22:53,801
KIND OF WENT OFF THE RAILS
FOR A WHILE.

540
00:22:53,868 --> 00:22:56,400
I DROPPED OUT OF CAL TECH.
I LIVED UNDERGROUND,

541
00:22:56,467 --> 00:22:57,567
BASICALLY.

542
00:22:57,634 --> 00:22:59,868
BUT I KEPT TEACHING
MYSELF CODE.

543
00:22:59,934 --> 00:23:02,634
IT WAS LIKE THE ONE THING
THAT KEPT ME TOGETHER.

544
00:23:02,701 --> 00:23:05,734
THE BUREAU KEEPS TRACK
OF COMPUTER HACKERS--

545
00:23:05,801 --> 00:23:08,734
ONES WHO HAVE THE SKILL TO
BE EITHER EXTREMELY USEFUL

546
00:23:08,801 --> 00:23:10,601
 OR A POTENTIAL MENACE.

547
00:23:10,667 --> 00:23:12,434
SO GARCIA
WAS ON A WATCH LIST?

548
00:23:12,501 --> 00:23:13,934
NO. WATCH LISTS ARE LONG.

549
00:23:14,000 --> 00:23:16,567
I'M TALKING ABOUT
ONLY A HANDFUL OF PEOPLE
ON THE PLANET.

550
00:23:16,634 --> 00:23:18,601
WHAT DID SHE DO
TO GET ON THAT LIST?

551
00:23:18,667 --> 00:23:20,901
I'M AFRAID I'M NOT
AT LIBERTY TO ANSWER THAT.

552
00:23:20,968 --> 00:23:22,734
Reid: SO THEY
OFFERED YOU A JOB?

553
00:23:22,801 --> 00:23:23,767
MM-HMM.

554
00:23:23,834 --> 00:23:25,100
LIKE FRANK ABAGNALE.

555
00:23:25,167 --> 00:23:27,100
THE BUREAU FIGURED
IF YOU CAN'T BEAT 'EM,

556
00:23:27,167 --> 00:23:29,434
HIRE 'EM.
YEAH. SOMETHING LIKE THAT.

557
00:23:29,501 --> 00:23:31,234
GARCIA, WHAT'S ON
THE ENCRYPTED FILE?

558
00:23:31,300 --> 00:23:36,000
I'M REQUIRED TO KEEP A RECORD
OF EVERYTHING THE TEAM DOES.

559
00:23:36,067 --> 00:23:40,634
AND AFTER MY SYSTEM GOT HACKED
AND ELLE GOT SHOT,

560
00:23:40,701 --> 00:23:45,033
I JUST DIDN'T WANT ANYONE ELSE
TO BE ABLE TO GET AT YOU.

561
00:23:45,100 --> 00:23:48,067
WE'LL TALK TO THE DOCTOR,
SEE IF HE'LL CLEAR YOU
TO LEAVE.

562
00:23:52,100 --> 00:23:53,868
[POLICE RADIO CHATTER]

563
00:24:10,634 --> 00:24:13,167
HI. I'M MIKE FLEMING.
I'M ON TILL MIDNIGHT.

564
00:24:13,234 --> 00:24:15,434
OFFICER CRANBECK
WILL BE HERE AFTER THAT, OK?

565
00:24:15,501 --> 00:24:16,434
THANK YOU.

566
00:24:16,501 --> 00:24:17,734
YOU'RE WELCOME.

567
00:24:17,801 --> 00:24:20,067
COME ON,
LET'S GET YOU INSIDE.

568
00:24:27,801 --> 00:24:29,334
COME ON.

569
00:24:29,400 --> 00:24:31,434
IT WASHES OFF.

570
00:24:31,501 --> 00:24:33,767
I PROMISE.

571
00:24:45,033 --> 00:24:47,167
[MORGAN CHUCKLES]

572
00:24:48,400 --> 00:24:51,100
I, UM...

573
00:24:51,167 --> 00:24:53,100
I WOULD EXPECT
NOTHING LESS.

574
00:24:53,167 --> 00:24:54,868
[CHUCKLES] YOU SHOULD BE
FLATTERED.

575
00:24:54,934 --> 00:24:58,934
NOT MANY PEOPLE
ARE INVITED IN OFF THE GRID.

576
00:25:01,868 --> 00:25:03,100
SUPER-8?

577
00:25:03,167 --> 00:25:04,901
YEAH.

578
00:25:12,334 --> 00:25:15,133
I ALWAYS IMAGINED MYSELF
FIGHTING CRIME.

579
00:25:15,200 --> 00:25:16,934
MY PARENTS WERE HIPPIES.

580
00:25:17,000 --> 00:25:19,968
I THINK IT HORRIFIED THEM.

581
00:25:21,434 --> 00:25:23,968
HOW OLD WERE YOU
WHEN YOU LOST THEM?

582
00:25:24,033 --> 00:25:26,067
18. DRUNK DRIVER.

583
00:25:27,801 --> 00:25:29,734
[TINKLING]

584
00:25:29,801 --> 00:25:31,601
[TURNS OFF PROJECTOR]

585
00:25:36,767 --> 00:25:38,601
I VOLUNTEER ONCE A WEEK.

586
00:25:38,667 --> 00:25:40,868
I COUNSEL FAMILY MEMBERS
OF MURDER VICTIMS.

587
00:25:40,934 --> 00:25:42,534
BABY, YOU DON'T GET ENOUGH
OF THIS STUFF AT WORK?

588
00:25:42,601 --> 00:25:45,334
I LOOK AT THOSE CRIME SCENE
PHOTOS ALL DAY LONG.

589
00:25:45,400 --> 00:25:47,033
I CAN'T KNOW THAT
THOSE FAMILIES ARE OUT THERE

590
00:25:47,100 --> 00:25:49,033
TRYING TO COPE
AND NOT DO SOMETHING TO HELP.

591
00:25:49,100 --> 00:25:52,200
YOU DO KNOW IT WAS STUPID
TO ENCRYPT THAT FILE?

592
00:25:52,267 --> 00:25:54,501
YES, I KNOW.

593
00:25:54,567 --> 00:25:56,734
OLD HABITS, I GUESS.

594
00:25:56,801 --> 00:25:58,734
YOU NEED SOME REST.

595
00:25:58,801 --> 00:26:00,400
YOU'RE RIGHT.

596
00:26:00,467 --> 00:26:01,534
GO.

597
00:26:01,601 --> 00:26:03,667
BE FREE, MY LOVE.

598
00:26:03,734 --> 00:26:06,234
HEY. I'M NOT
GOING ANYWHERE.

599
00:26:06,300 --> 00:26:08,334
I'M FINE. I GOT MY
GOON SQUAD PARKED OUT FRONT.

600
00:26:08,400 --> 00:26:09,868
GOON SQUAD
OR NO GOON SQUAD,

601
00:26:09,934 --> 00:26:11,901
THAT COUCH RIGHT THERE
IS GONNA BE MY BEST FRIEND

602
00:26:11,968 --> 00:26:13,834
UNTIL WE FIND THIS GUY.
NOW LEAVE IT ALONE.

603
00:26:13,901 --> 00:26:15,601
OK.

604
00:26:21,033 --> 00:26:24,000
BUT IF YOU'RE THINKING
OF TRYING TO TAKE
ADVANTAGE OF ME...

605
00:26:24,067 --> 00:26:26,934
LET ME CALL MY DOCTOR
SO HE CAN REVIVE ME
AFTERWARD.

606
00:26:27,000 --> 00:26:28,534
[BOTH LAUGH]

607
00:26:28,601 --> 00:26:29,901
HEY, SILLY GIRL.

608
00:26:29,968 --> 00:26:31,067
HMM?

609
00:26:33,734 --> 00:26:35,701
I LOVE YOU.
YOU KNOW THAT, RIGHT?

610
00:26:38,100 --> 00:26:39,968
I LOVE YOU, TOO.

611
00:26:40,033 --> 00:26:41,801
GO TO BED.

612
00:26:59,133 --> 00:27:01,501
CAN I HELP YOU
WITH SOMETHING?

613
00:27:03,400 --> 00:27:05,067
I NEED YOU TO STOP
RIGHT THERE.

614
00:27:05,133 --> 00:27:06,901
STOP--

615
00:27:08,534 --> 00:27:09,767
GARCIA!

616
00:27:09,834 --> 00:27:11,067
WHAT'S GOING ON?!

617
00:27:11,133 --> 00:27:13,334
STAY RIGHT THERE.
STAY THERE!

618
00:27:13,400 --> 00:27:14,767
COME HERE.

619
00:27:14,834 --> 00:27:16,734
COME HERE. COME WITH ME.

620
00:27:18,968 --> 00:27:20,734
GET IN THE CORNER.
GET IN THE CORNER.

621
00:27:20,801 --> 00:27:22,133
GARCIA, YOU LISTEN TO ME.

622
00:27:22,200 --> 00:27:24,000
TAKE THIS GUN.

623
00:27:24,067 --> 00:27:25,701
I DON'T BELIEVE IN GUNS.

624
00:27:25,767 --> 00:27:27,601
OK, TRUST ME,
THEY ARE VERY REAL.
TAKE IT.

625
00:27:27,667 --> 00:27:29,067
ALL RIGHT, YOU KEEP YOUR FINGER
OFF THAT TRIGGER.

626
00:27:29,133 --> 00:27:30,567
IF SOMEBODY WALKS THROUGH
THAT DOOR,

627
00:27:30,634 --> 00:27:32,100
YOU GRAB AHOLD OF IT
AND YOU SQUEEZE.

628
00:27:32,167 --> 00:27:33,467
FIRE, YOU HEAR ME?

629
00:27:39,667 --> 00:27:41,667
MORGAN!
STAY THERE!

630
00:28:07,701 --> 00:28:09,834
[TIRES SQUEAL]
[HORN HONKS]

631
00:28:11,567 --> 00:28:13,868
[TIRES SQUEAL, HORNS HONK]

632
00:28:23,300 --> 00:28:25,133
107 LEAVENWORTH.
I GOT AN OFFICER DOWN.

633
00:28:25,200 --> 00:28:27,801
REPEAT--OFFICER DOWN.
SEND ME AN AMBULANCE.

634
00:28:27,868 --> 00:28:29,334
Dispatch: ALL RIGHT,
THIS IS DISPATCH.

635
00:28:29,400 --> 00:28:30,567
WE COPY YOUR REQUEST.

636
00:28:30,634 --> 00:28:33,400
[GASPING]

637
00:28:33,467 --> 00:28:34,634
[FOOTSTEPS]

638
00:28:49,901 --> 00:28:51,334
AAH! AAH!

639
00:28:51,400 --> 00:28:52,501
GARCIA! IT'S ME.

640
00:28:52,567 --> 00:28:54,234
DON'T SHOOT. IT'S ME.

641
00:28:54,300 --> 00:28:55,501
IT'S MORGAN, BABY.

642
00:28:59,067 --> 00:29:01,033
[CRYING]

643
00:29:01,100 --> 00:29:03,067
WHY IS THIS
HAPPENING TO ME?

644
00:29:03,133 --> 00:29:04,334
I DON'T KNOW.

645
00:29:04,400 --> 00:29:05,834
I DON'T KNOW.

646
00:29:15,667 --> 00:29:17,534
[POLICE RADIO CHATTER]

647
00:29:19,133 --> 00:29:20,634
WHAT'S GOING ON?

648
00:29:20,701 --> 00:29:22,501
I DON'T KNOW. THIS GUY'S
GETTING SERIOUSLY BOLD,

649
00:29:22,567 --> 00:29:23,734
AND I CAN GUARANTEE
IT'S NOT OVER.

650
00:29:23,801 --> 00:29:24,901
YOU OK?

651
00:29:24,968 --> 00:29:26,167
I DON'T KNOW
WHAT HE WANTS FROM ME.

652
00:29:26,234 --> 00:29:28,167
COULD YOU KNOW SOMETHING
ABOUT HIM?

653
00:29:28,234 --> 00:29:29,167
I DON'T KNOW.

654
00:29:29,234 --> 00:29:30,434
MAYBE YOU HAVE
SOMETHING HE WANTS?

655
00:29:30,501 --> 00:29:32,467
I DON'T KNOW WHO HE IS.

656
00:29:32,534 --> 00:29:33,968
I'M SO SCARED.

657
00:29:34,033 --> 00:29:35,467
I KNOW.

658
00:29:37,200 --> 00:29:38,634
[SIREN]

659
00:29:56,534 --> 00:29:58,601
JUST SO YOU KNOW,
YOUR OFFICE CALLED
TO TELL ME

660
00:29:58,667 --> 00:30:00,534
WE'RE SUPPOSED TO
RUN POINT ON THIS.

661
00:30:00,601 --> 00:30:01,968
THEY DON'T WANT YOU
WORKING THE CASE.

662
00:30:02,033 --> 00:30:03,834
WE'RE JUST HERE
TO COMFORT A FRIEND.

663
00:30:03,901 --> 00:30:06,634
I'M ABOUT TO HAVE TO TELL
A GOOD FRIEND'S WIFE
HER HUSBAND GOT MURDERED.

664
00:30:06,701 --> 00:30:08,868
I DON'T CARE
WHAT YOUR OFFICE SAYS.

665
00:30:08,934 --> 00:30:11,067
ANY HELP YOU CAN GIVE
IS GOOD IN MY BOOK.

666
00:30:11,133 --> 00:30:12,267
THANKS.

667
00:30:12,334 --> 00:30:14,701
I'M SICK OF BEING
BEHIND THIS GUY.

668
00:30:14,767 --> 00:30:16,801
WE GOTTA END THIS.

669
00:30:25,200 --> 00:30:27,000
HEY. DID YOU GET
A LOOK AT HIM?

670
00:30:27,067 --> 00:30:28,367
NOTHING SOLID.

671
00:30:28,434 --> 00:30:29,767
GARCIA, WE NEED TO GET YOU
BACK TO THE HOSPITAL.

672
00:30:29,834 --> 00:30:31,000
NO.
YOU KNOW WHAT?

673
00:30:31,067 --> 00:30:32,801
YOU SHOULD STILL BE THERE.
WE NEED HER SOMEPLACE SAFE.

674
00:30:32,868 --> 00:30:34,434
I FEEL SAFE
WITH ALL OF YOU.

675
00:30:35,567 --> 00:30:37,200
WE CAN TAKE YOU
TO THE B.A.U.

676
00:30:42,701 --> 00:30:44,734
GARCIA?

677
00:30:44,801 --> 00:30:46,467
Reid: OK?

678
00:30:46,534 --> 00:30:48,467
GET IN THE CORNER.
GET IN THE CORNER.

679
00:30:51,033 --> 00:30:52,834
WHEN WE WERE AT DINNER...

680
00:30:52,901 --> 00:30:55,834
THEY WANTED TO SEAT US
BY A WINDOW,

681
00:30:55,901 --> 00:30:59,467
BUT HE INSISTED
ON SITTING AT THE WORST
TABLE IN THE PLACE.

682
00:30:59,534 --> 00:31:02,534
AND HE SAT WITH HIS BACK
TO THE CORNER.

683
00:31:06,300 --> 00:31:08,100
[TALKING QUIETLY]

684
00:31:08,167 --> 00:31:09,701
DETECTIVE.

685
00:31:09,767 --> 00:31:11,534
CAN YOU CLEAR THE ROOM
FOR JUST A MINUTE?

686
00:31:11,601 --> 00:31:13,033
I GOT A DEAD COP
DOWNSTAIRS.

687
00:31:13,100 --> 00:31:14,868
I'M CONSIDERING THIS
PART OF THE CRIME SCENE.

688
00:31:14,934 --> 00:31:16,834
I KNOW.
JUST A COUPLE OF MINUTES.

689
00:31:17,968 --> 00:31:19,601
DO WHAT YOU GOTTA DO.

690
00:31:19,667 --> 00:31:20,601
THANK YOU.

691
00:31:22,067 --> 00:31:23,868
TELL US ABOUT THE CAR.

692
00:31:23,934 --> 00:31:26,067
WHY?
JUST GO WITH HIM.

693
00:31:26,133 --> 00:31:28,734
YOU SAID IT WAS WHITE,
4-DOOR, AMERICAN. WHAT ELSE?

694
00:31:28,801 --> 00:31:30,400
THAT'S IT.
IT WAS JUST A CAR.

695
00:31:30,467 --> 00:31:32,667
NO, COME ON, THINK.
ANYTHING. GO BACK.

696
00:31:39,267 --> 00:31:42,367
THE SEAT BELT WAS BUCKLED
BEHIND HIS BACK.

697
00:31:46,901 --> 00:31:48,467
WHY DOES THAT MATTER?

698
00:31:48,534 --> 00:31:49,834
IT WASN'T A RENTAL.

699
00:31:49,901 --> 00:31:52,033
IT WAS FOR SURVEILLANCE.

700
00:31:52,100 --> 00:31:54,033
AGENTS DON'T WEAR
SEAT BELTS.

701
00:31:54,100 --> 00:31:55,968
THEY NEED TO GET OUT
IN A HURRY.

702
00:31:56,033 --> 00:31:57,434
ALL RIGHT,
LET'S CUT THE CRAP.

703
00:31:57,501 --> 00:32:00,601
YOU NEED TO BE STRAIGHT
WITH US. RIGHT NOW.

704
00:32:00,667 --> 00:32:03,467
LOOK AT ME, NOT THEM.
I'M NOT HIDING ANYTHING.

705
00:32:03,534 --> 00:32:06,000
YOU GOT SHOT. MOST PEOPLE
GET SHOT FOR A REASON.

706
00:32:06,067 --> 00:32:07,300
EYES HERE!

707
00:32:07,367 --> 00:32:08,667
EASE UP, ROSSI.

708
00:32:08,734 --> 00:32:10,234
YOU GOT A ROOMFUL
OF PEOPLE HERE

709
00:32:10,300 --> 00:32:12,968
 WILLING TO BELIEVE
 THAT AN FBI AGENT
 HAS TRIED TO KILL YOU.

710
00:32:13,033 --> 00:32:16,100
WE NEED TO KNOW EVERYTHING
YOU DO ON COMPANY TIME
THAT WE DON'T KNOW ABOUT.

711
00:32:17,567 --> 00:32:19,300
WHAT?
COME ON, MAN.

712
00:32:19,367 --> 00:32:21,133
SPIT IT OUT!
IT'S NOTHING BAD.

713
00:32:21,200 --> 00:32:22,167
 IT'S JU--

714
00:32:22,234 --> 00:32:25,467
I COUNSEL VICTIMS' FAMILIES

715
00:32:25,534 --> 00:32:27,601
AND THEY KNOW WHERE I WORK,
SO SOMETIMES THEY ASK ME

716
00:32:27,667 --> 00:32:29,300
TO LOOK INTO CASES FOR THEM.

717
00:32:29,367 --> 00:32:30,400
WHAT DOES THAT MEAN?

718
00:32:30,467 --> 00:32:31,801
IT JUST MEANS
THAT THE CASES,

719
00:32:31,868 --> 00:32:33,667
THE UNSOLVED ONES,
I TAG THEM,

720
00:32:33,734 --> 00:32:35,334
SO WHOEVER'S
INVESTIGATING THEM

721
00:32:35,400 --> 00:32:37,467
KNOWS THAT THE FBI
CONSIDERS THEM
A PRIORITY.

722
00:32:37,534 --> 00:32:38,968
YOU'RE NOT AUTHORIZED
TO DO THAT.

723
00:32:39,033 --> 00:32:41,000
I KNOW. I WAS JUST
TRYING TO HELP.

724
00:32:41,067 --> 00:32:44,033
BUT WHOEVER'S WORKING
THOSE CASES THINKS
YOU'RE WATCHING THEM.

725
00:32:44,100 --> 00:32:46,300
I JUST WANTED TO PUT
PRESSURE ON THEM SO THAT
THEY DON'T SLIDE.

726
00:32:46,367 --> 00:32:48,000
HOW MANY CASES
ARE WE TALKING ABOUT?

727
00:32:48,067 --> 00:32:49,534
I DON'T KNOW. 7, 8 MAYBE.

728
00:32:49,601 --> 00:32:50,868
I NEED TO GET INTO
MY SYSTEM.

729
00:32:50,934 --> 00:32:52,300
YOU CAN'T.
YOU'RE SUSPENDED.

730
00:32:52,367 --> 00:32:54,100
WAIT A MINUTE, GARCIA.

731
00:32:54,167 --> 00:32:55,868
ON YOUR DATE, YOU SAID
THIS GUY WAS PRESSING YOU

732
00:32:55,934 --> 00:32:57,767
TO FIND OUT IF YOU WERE
WORKING MURDER CASES.

733
00:32:57,834 --> 00:33:00,934
HOTCH, WE GOTTA LOOK
AT THOSE FILES.

734
00:33:02,400 --> 00:33:06,067
I TOLD YOU, I'M SICK OF THIS
JAGOFF BEING IN FRONT OF US.

735
00:33:06,133 --> 00:33:07,734
DAVE'S RIGHT.

736
00:33:07,801 --> 00:33:09,634
WE'LL GO BACK TO THE B.A.U.

737
00:33:09,701 --> 00:33:11,834
MORGAN, REID, PRENTISS,
YOU STAY HERE AND MAKE SURE

738
00:33:11,901 --> 00:33:13,734
NO ONE FORGETS
TO LOG OUT OF THE SYSTEM.

739
00:33:13,801 --> 00:33:16,567
GARCIA SHOULD
NOT HAVE ACCESS.

740
00:33:16,634 --> 00:33:17,634
UNDERSTOOD.

741
00:33:19,534 --> 00:33:22,300
[OVERLAPPING
POLICE RADIO CHATTER]

742
00:33:50,334 --> 00:33:52,267
[BEEPING]

743
00:33:52,334 --> 00:33:54,434
WHAT THE HELL?

744
00:33:54,501 --> 00:33:58,267
 [VIRTUALLY HAPPY
 BY HOLLY GOLIGHTLY PLAYING]

745
00:33:58,334 --> 00:33:59,734
OH, NO, YOU DON'T.

746
00:33:59,801 --> 00:34:01,601
I DO NOT HAVE TIME
FOR THIS.

747
00:34:01,667 --> 00:34:03,501
* FEELS LIKE A GOD *

748
00:34:03,567 --> 00:34:06,234
NO CHANCE.
* HAS COME OVER ME... *

749
00:34:06,300 --> 00:34:10,200
Garcia: HUH.
AND YET...

750
00:34:10,267 --> 00:34:12,567
OH, YOU WANT TO PLAY?

751
00:34:12,634 --> 00:34:14,968
WHAT IS SHE DOING
IN THERE?

752
00:34:15,033 --> 00:34:17,200
DO YOU REALLY WANT TO KNOW?

753
00:34:17,267 --> 00:34:20,934
* AND THERE'S HOPE... *

754
00:34:21,000 --> 00:34:22,133
OH, NO.

755
00:34:22,200 --> 00:34:25,901
YOU ARE NOT SERIOUSLY
TRYING TO BACK-HACK ME?

756
00:34:25,968 --> 00:34:28,033
OH, NICELY PLAYED.

757
00:34:28,100 --> 00:34:29,467
OK.

758
00:34:29,534 --> 00:34:31,801
NEW PLAN.
* I BELIEVE... *

759
00:34:31,868 --> 00:34:34,968
WELL, NOW,
THIS IS JUST WAY TOO EASY.

760
00:34:35,033 --> 00:34:37,701
YEAH, THAT'S RIGHT.
CHASE ME.

761
00:34:37,767 --> 00:34:40,367
I THOUGHT YOU HAD SKILLS.

762
00:34:42,167 --> 00:34:44,267
[BEEPING]

763
00:34:44,334 --> 00:34:46,734
[POWERING DOWN]

764
00:34:46,801 --> 00:34:48,467
OH, BOY.

765
00:34:48,534 --> 00:34:51,567
HAVE FUN GETTING OUT
OF THE WORMHOLE.

766
00:34:51,634 --> 00:34:54,901
[BEEPING]
* VIRTUALLY HAPPY *

767
00:34:54,968 --> 00:34:57,334
THOSE ARE ALL THE CASES
I FLAGGED.

768
00:34:57,400 --> 00:35:00,100
OK. EVERYBODY TAKE A COPY.

769
00:35:00,167 --> 00:35:02,434
WE NEED TO SEE
IF ANY OF THE AGENTS OVERLAP

770
00:35:02,501 --> 00:35:04,000
IN ALL OF THE CASES.

771
00:35:04,067 --> 00:35:05,968
[BEEPING]

772
00:35:12,567 --> 00:35:15,100
[POWERING UP]

773
00:35:15,167 --> 00:35:17,234
NOW...

774
00:35:17,300 --> 00:35:19,033
WHAT WERE YOU LOOKING FOR?

775
00:35:19,100 --> 00:35:22,000
THERE AREN'T ANY AGENTS
WORKING ON THESE CASES.

776
00:35:22,067 --> 00:35:25,834
BUT THE SAME DEPUTY WAS
A FIRST RESPONDER IN 3.

777
00:35:25,901 --> 00:35:26,834
WHAT'S THE NAME?

778
00:35:26,901 --> 00:35:28,200
JASON CLARK BATTLE.

779
00:35:28,267 --> 00:35:29,267
WHAT ARE THE CASES?

780
00:35:29,334 --> 00:35:31,167
UH, ALL 3 WERE DRIVE-BYS,

781
00:35:31,234 --> 00:35:32,501
AT CLOSE RANGE,

782
00:35:32,567 --> 00:35:33,901
SHOT WITH A REVOLVER.

783
00:35:40,901 --> 00:35:43,434
IS THAT HIM?
YEAH.

784
00:35:47,534 --> 00:35:50,300
HE'S BEEN HONORED TWICE
AS A HERO.

785
00:35:50,367 --> 00:35:51,300
SO WHY IS HE
STUCK AT DEPUTY?

786
00:35:51,367 --> 00:35:53,167
BECAUSE EVEN TO HIS SUPERIORS,

787
00:35:53,234 --> 00:35:54,801
SOMETHING WAS OFF ABOUT HIM.

788
00:35:54,868 --> 00:35:56,367
MAKES SENSE.
THE SHOWY CLOTHES,

789
00:35:56,434 --> 00:35:58,167
THE SUBTLE BRAGGING.
HE PRESENTS HIMSELF

790
00:35:58,234 --> 00:36:00,567
AS A PROMINENT ATTORNEY
WHEN HE'S ACTUALLY
JUST A DEPUTY SHERIFF.

791
00:36:00,634 --> 00:36:01,901
UNDERAPPRECIATED IN THE WORLD

792
00:36:01,968 --> 00:36:03,400
AND OVERAPPRECIATED
IN HIS OWN MIND.

793
00:36:03,467 --> 00:36:04,634
I DON'T UNDERSTAND.

794
00:36:04,701 --> 00:36:07,133
I THINK YOU MAY HAVE STUMBLED
UPON AN ANGEL OF DEATH.

795
00:36:07,200 --> 00:36:10,000
I THOUGHT THOSE ARE NURSES
WHO PUT PEOPLE
OUT OF THEIR MISERY.

796
00:36:10,067 --> 00:36:12,000
YEAH, THAT'S ONE MODEL.
THE OTHER IS SOMEONE

797
00:36:12,067 --> 00:36:13,868
WHO PUTS PEOPLE AT RISK
IN ORDER TO SAVE THEM.

798
00:36:13,934 --> 00:36:16,067
SO HE SHOT THEM
SO THAT HE COULD SAVE THEM?

799
00:36:16,133 --> 00:36:18,801
YEAH. AND WHEN HE COULDN'T,
HE MADE IT LOOK LIKE
A RANDOM MURDER.

800
00:36:18,868 --> 00:36:20,834
IT'S HOW HE WAS ABLE
TO BE THE FIRST RESPONDER.

801
00:36:20,901 --> 00:36:22,834
IT'S CALLED
HERO HOMICIDE COMPLEX.

802
00:36:22,901 --> 00:36:25,200
IT'S MOST COMMONLY FOUND
IN FIREMEN WHO SET FIRES

803
00:36:25,267 --> 00:36:26,734
IN ORDER TO SAVE THE DAY.

804
00:36:26,801 --> 00:36:28,901
GARCIA. YOU FLAGGED
THESE CASES.

805
00:36:28,968 --> 00:36:30,834
HE THOUGHT YOU WERE ONTO HIM.

806
00:36:30,901 --> 00:36:32,033
I WASN'T.

807
00:36:32,100 --> 00:36:33,534
BUT YOU'RE THE ONLY PERSON
IN THE WORLD

808
00:36:33,601 --> 00:36:35,334
WHO WAS GONNA MAKE
THE CONNECTION.
IN HIS MIND,

809
00:36:35,400 --> 00:36:38,000
HE HAD TO ELIMINATE YOU.

810
00:36:39,234 --> 00:36:40,634
[BEEPING]

811
00:36:44,067 --> 00:36:45,767
DEPUTY BATTLE, PLEASE.

812
00:36:45,834 --> 00:36:48,634
OK, WHAT TIME
IS HIS SHIFT OVER?

813
00:36:48,701 --> 00:36:50,467
NO, NO MESSAGE. THANK YOU.

814
00:36:50,534 --> 00:36:52,534
OK, HE DIDN'T SIGN OUT
TO A LOCATION.

815
00:36:52,601 --> 00:36:54,567
HIS SHIFT IS OVER
AT MIDNIGHT.

816
00:36:54,634 --> 00:36:57,100
UNTIL THEN, I DO NOT WHAT
THIS GUY KNOWING THAT
WE ARE ONTO HIM.

817
00:36:57,167 --> 00:36:59,100
WHY? WHAT'S THE PROFILE SAY?

818
00:36:59,167 --> 00:37:01,367
HE'LL KEEP GETTING BOLDER
TRYING TO COVER HIS TRACKS.

819
00:37:01,434 --> 00:37:04,033
AND IF THAT DOESN'T WORK,
HE'LL DIE SHOOTING.

820
00:37:07,634 --> 00:37:09,434
GREAT.

821
00:37:09,501 --> 00:37:11,534
THANKS FOR HAVING ME IN.

822
00:37:11,601 --> 00:37:13,868
OH, WE WANT YOU TO KNOW
WE TAKE BUREAU INTERFERENCE

823
00:37:13,934 --> 00:37:15,534
WITH LOCAL LAW ENFORCEMENT
SERIOUSLY.

824
00:37:15,601 --> 00:37:18,133
I APPRECIATE THAT.
IT'S GOOD TO KNOW
WE'RE ON THE SAME TEAM.

825
00:37:18,200 --> 00:37:21,100
MR. LYNCH, I NEED YOU
TO ACCESS SOME FILES.

826
00:37:21,167 --> 00:37:22,968
YEAH, I'M KIND OF BUSY.

827
00:37:23,033 --> 00:37:25,100
WE'LL STEP IN HERE.
IT'LL JUST TAKE A SECOND.

828
00:37:31,367 --> 00:37:32,434
DEPUTY.

829
00:37:45,000 --> 00:37:46,434
JASON BATTLE.

830
00:37:46,501 --> 00:37:49,367
B-A-T-T-L-E.

831
00:37:49,434 --> 00:37:51,200
I JUST DON'T UNDERSTAND
WHY ONE OF YOUR ANALYSTS

832
00:37:51,267 --> 00:37:53,100
WOULD BE LOOKING INTO
MY MURDER CASES.

833
00:37:53,167 --> 00:37:55,767
TO BE HONEST, THE WOMAN
WE'RE TALKING ABOUT
IS CURRENTLY

834
00:37:55,834 --> 00:37:57,267
UNDER INVESTIGATION.

835
00:37:57,334 --> 00:37:58,934
YOU DON'T THINK
SHE COULD BE INVOLVED

836
00:37:59,000 --> 00:38:00,601
IN A KILLING SOMEHOW,
DO YOU?

837
00:38:00,667 --> 00:38:02,834
WE HAVEN'T MADE
ANY DETERMINATIONS.

838
00:38:02,901 --> 00:38:06,100
WOULDN'T IT BE EASIER
TO JUST LET ME SPEAK TO HER?

839
00:38:06,167 --> 00:38:08,067
I'M AFRAID
SHE'S IN THE HOSPITAL.

840
00:38:08,133 --> 00:38:10,801
THIS THE WOMAN
WHO WAS SHOT?
YEAH.

841
00:38:10,868 --> 00:38:12,801
EVERY COP IN THE CITY'S
WORKING OVERTIME,

842
00:38:12,868 --> 00:38:14,801
BUT THEY CAN'T COME UP
WITH ANYTHING.

843
00:38:16,234 --> 00:38:17,901
THINK SHE MIGHT BE
DIRTY?

844
00:38:17,968 --> 00:38:20,400
LIKE I SAID, WE HAVEN'T
MADE ANY DETERMINATIONS.

845
00:38:20,467 --> 00:38:22,734
WELL, UNTIL YOU DO,
IS IT POSSIBLE

846
00:38:22,801 --> 00:38:26,300
TO REMOVE MY FILES
FROM YOUR SYSTEM

847
00:38:26,367 --> 00:38:27,801
FOR SECURITY'S SAKE?

848
00:38:27,868 --> 00:38:30,033
YEAH, WE CAN DO THAT.
MR. LYNCH?

849
00:38:30,100 --> 00:38:32,634
YES, SIR.

850
00:38:34,734 --> 00:38:35,901
OK, THAT'S FUNKY.

851
00:38:35,968 --> 00:38:37,634
WHAT'S GOING ON?

852
00:38:37,701 --> 00:38:39,968
HE JUST LOGGED IN
TO MY SYSTEM.

853
00:38:40,033 --> 00:38:42,200
THERE'S A LINK UP ON MY SCREEN.

854
00:38:42,267 --> 00:38:43,501
MAYBE IT'S A MISTAKE.

855
00:38:43,567 --> 00:38:45,367
NO. HE'S GOOD.
HE'S NOT CARELESS.

856
00:38:45,434 --> 00:38:47,701
COULD HE BE TRYING
TO SHOW YOU SOMETHING?

857
00:38:47,767 --> 00:38:49,334
HE COULD BE BAITING ME.

858
00:38:49,400 --> 00:38:50,400
WHAT DO YOU MEAN?

859
00:38:50,467 --> 00:38:52,567
IF HE'S WITH INTERNAL AFFAIRS

860
00:38:52,634 --> 00:38:56,400
AND I FOLLOW HIS LEAD,
WHOSEVER LOGIN I USE
COULD LOSE THEIR JOB.

861
00:38:56,467 --> 00:38:57,734
WHAT'S YOUR GUT SAY?

862
00:38:57,801 --> 00:39:00,200
HE'S A HACKER.
WE HAVE A CODE.

863
00:39:00,267 --> 00:39:01,200
YOU TRUST IT?

864
00:39:01,267 --> 00:39:02,200
I HAVE TO.

865
00:39:02,267 --> 00:39:04,234
DO IT.

866
00:39:04,300 --> 00:39:05,701
MAKE CONTACT.

867
00:39:19,100 --> 00:39:20,267
IT'S THE B.A.U.

868
00:39:20,334 --> 00:39:21,834
GOD, THAT'S HIM.

869
00:39:25,067 --> 00:39:27,434
HOTCH, IT'S MORGAN.
HE'S IN THE B.A.U.

870
00:39:27,501 --> 00:39:29,868
DEPUTY SHERIFF, MID-BULLPEN,
JUST PAST MY DESK.

871
00:39:29,934 --> 00:39:31,434
GOT HIM?

872
00:39:31,501 --> 00:39:33,400
I GOT HIM.

873
00:39:33,467 --> 00:39:35,868
DON'T LET HIM KNOW
WE'RE ONTO HIM.
HE'S A CLASSIC NARCISSIST

874
00:39:35,934 --> 00:39:37,868
WITH A HERO HOMICIDE COMPLEX,
AND HE'S SPIRALING.

875
00:39:37,934 --> 00:39:40,167
IF YOU LET HIM KNOW
WE'RE ONTO HIM,
HE'S GONNA START SHOOTING.

876
00:39:56,734 --> 00:39:59,067
HE'S TRYING TO PROVE
TO HIMSELF

877
00:39:59,133 --> 00:40:00,934
HE'S SMARTER
THAN ALL OF US.

878
00:40:01,000 --> 00:40:02,634
IT'S TOO CROWDED IN HERE.

879
00:40:02,701 --> 00:40:04,334
WE CAN'T GET AN ANGLE ON HIM

880
00:40:04,400 --> 00:40:06,968
WITHOUT PUTTING PEOPLE
IN JEOPARDY.

881
00:40:08,701 --> 00:40:10,567
WE GOTTA SLIP
SOMEBODY IN BEHIND HIM.

882
00:40:10,634 --> 00:40:13,701
CAN YOU GET US THE CAMERAS
OUTSIDE THE BULLPEN?

883
00:40:20,934 --> 00:40:22,601
IS THERE A PROBLEM?

884
00:40:22,667 --> 00:40:23,767
[CLEARS THROAT]

885
00:40:23,834 --> 00:40:25,133
NO, I'M SORRY.

886
00:40:25,200 --> 00:40:27,534
IT'S--IT'S NOT MY SYSTEM.

887
00:40:27,601 --> 00:40:29,434
IT'S TAKING ME LONGER.

888
00:40:35,234 --> 00:40:37,934
[GASPS] OH, MY GIRL.

889
00:40:39,667 --> 00:40:41,367
COME ON, J.J.,
PICK UP THE PHONE.

890
00:40:41,434 --> 00:40:44,467
 PICK IT UP.

891
00:40:44,534 --> 00:40:45,868
J.J., IT'S MORGAN.
LISTEN TO ME.

892
00:40:45,934 --> 00:40:48,734
LISTEN TO ME
VERY CAREFULLY.

893
00:40:53,567 --> 00:40:54,834
OKEY-DOKE.

894
00:40:54,901 --> 00:40:57,601
YOU'RE SURE MY FILES
ARE WIPED OFF THE SYSTEM?

895
00:40:58,767 --> 00:40:59,834
YES, SIR.

896
00:40:59,901 --> 00:41:02,067
ALL RIGHT,
I'LL KEEP YOU UPDATED

897
00:41:02,133 --> 00:41:03,834
ON OUR INVESTIGATION.

898
00:41:06,701 --> 00:41:08,300
HE KNOWS THEY KNOW.

899
00:41:08,367 --> 00:41:09,567
THIS IS CRAZY.
WE GOTTA GET OVER THERE.

900
00:41:09,634 --> 00:41:11,200
I'M COMING WITH YOU.
NO, YOU ARE NOT.

901
00:41:11,267 --> 00:41:13,801
YOU DO NOT HAVE TIME
TO ARGUE.

902
00:41:18,200 --> 00:41:19,701
YOU'RE A COP.

903
00:41:19,767 --> 00:41:21,634
YOU KNOW THIS ISN'T
GONNA END WELL.

904
00:41:23,300 --> 00:41:25,033
YOU'RE STANDING
IN THE MIDDLE OF THE FBI.

905
00:41:25,100 --> 00:41:27,200
YOU THINK I'M AFRAID
OF THE FBI?

906
00:41:27,267 --> 00:41:29,934
I KNOW HOW THIS
IS GONNA END, AND SO DO YOU.

907
00:41:30,000 --> 00:41:31,667
I'M A DECORATED OFFICER.

908
00:41:31,734 --> 00:41:33,400
THAT'S RIGHT.

909
00:41:33,467 --> 00:41:35,767
AND THIS IS NOT HOW
YOU WANT TO BE REMEMBERED.

910
00:41:35,834 --> 00:41:37,934
YOU'RE IN CONTROL HERE.

911
00:41:38,000 --> 00:41:39,534
YOU WRITE THE ENDING.

912
00:41:39,601 --> 00:41:41,000
YOUR CHOICE.

913
00:41:41,067 --> 00:41:43,868
THE BEST MINDS IN THE FBI.

914
00:41:43,934 --> 00:41:45,534
[SNORTS]

915
00:41:45,601 --> 00:41:48,033
YOU CAN'T EVEN STOP ME.

916
00:42:02,133 --> 00:42:03,501
HE'S CLEAR!

917
00:42:11,200 --> 00:42:12,567
IT'S REALLY OVER?

918
00:42:12,634 --> 00:42:13,567
YEAH.

919
00:42:13,634 --> 00:42:14,834
IT'S REALLY OVER.

920
00:42:14,901 --> 00:42:17,200
NOW CAN WE PLEASE
GET YOU BACK TO THE HOSPITAL?

921
00:42:17,267 --> 00:42:18,200
I...

922
00:42:20,000 --> 00:42:23,868
OH, DON'T WORRY ABOUT
YOUR REINSTATEMENT PAPERS.

923
00:42:23,934 --> 00:42:26,534
HE'LL SIGN THEM AS SOON AS
HIS HAND STOPS SHAKING.

924
00:42:29,567 --> 00:42:32,067
HEY.

925
00:42:32,133 --> 00:42:33,400
HEY.

926
00:42:35,133 --> 00:42:37,734
I NEVER WANTED YOU
TO HAVE TO DO SOMETHING
LIKE THAT.

927
00:42:37,801 --> 00:42:39,467
I NEVER EVEN BLINKED.

928
00:42:39,534 --> 00:42:41,033
[SIGHS]

929
00:42:41,100 --> 00:42:43,634
YOU DO WHATEVER IT TAKES
TO, UH...

930
00:42:43,701 --> 00:42:45,400
PROTECT YOUR FAMILY.

931
00:42:53,634 --> 00:42:55,300
HOW'S GARCIA?

932
00:42:55,367 --> 00:42:57,067
SHE'LL MAKE SENSE OF IT.

933
00:42:57,133 --> 00:42:58,234
AND YOU?

934
00:42:58,300 --> 00:42:59,634
HOW'S YOUR FAITH?

935
00:43:03,534 --> 00:43:05,734
DAY TO DAY.

936
00:43:11,033 --> 00:43:14,601
I THINK SOMEONE'S
WATCHING YOU.

937
00:43:19,334 --> 00:43:22,334
DO YOU BELIEVE EVERYTHING
HAPPENS FOR A REASON?

938
00:43:26,667 --> 00:43:29,133
 [HEROES BY DAVID BOWIE
 PLAYING]

939
00:43:29,200 --> 00:43:30,767
YOU.

940
00:43:30,834 --> 00:43:32,601
* I WILL BE KING... *

941
00:43:32,667 --> 00:43:34,167
YOU.

942
00:43:35,300 --> 00:43:36,334
YOU'RE GOOD.

943
00:43:36,400 --> 00:43:37,801
YOU'RE BETTER.

944
00:43:39,334 --> 00:43:42,701
KEVIN LYNCH.
* YOU WILL BE QUEEN... *

945
00:43:42,767 --> 00:43:44,834
PENELOPE.

946
00:43:44,901 --> 00:43:48,000
[WHISPERING] Penelope.
* THOUGH NOTHING *

947
00:43:48,067 --> 00:43:51,534
* WILL DRIVE THEM AWAY *

948
00:43:51,601 --> 00:43:55,534
* WE CAN BE HEROES *

949
00:43:55,601 --> 00:43:58,834
* JUST FOR ONE DAY *

950
00:44:00,334 --> 00:44:02,100
* OH, OH... *

951
00:44:03,305 --> 00:44:09,874
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