1
00:00:00,300 --> 00:00:01,567
PREVIOUSLY ON "DEXTER"...

2
00:00:02,501 --> 00:00:04,334
Dexter:
TONIGHT'S THE NIGHT.

3
00:00:04,400 --> 00:00:07,400
AND IT'S GOING TO HAPPEN
AGAIN AND AGAIN --

4
00:00:07,467 --> 00:00:09,767
HAS TO HAPPEN.

5
00:00:09,834 --> 00:00:13,534
THERE HE IS.
HE'S THE ONE.

6
00:00:13,601 --> 00:00:16,100
[ CHOKING ]

7
00:00:16,167 --> 00:00:19,234
YOU'RE MINE NOW,
SO DO EXACTLY AS I SAY.

8
00:00:19,300 --> 00:00:22,133
YOU BETTER BE A COP.
NO -- FORENSICS.

9
00:00:22,200 --> 00:00:24,200
THERE IS NO BLOOD
NEAR THE BODY AT ALL.

10
00:00:24,267 --> 00:00:25,901
IT'S THE WEIRDEST THING
YOU EVER SAW.

11
00:00:25,968 --> 00:00:30,133
I'VE NEVER SEEN SUCH CLEAN,
DRY, NEAT-LOOKING DEAD FLESH.

12
00:00:30,200 --> 00:00:32,200
HOW DOES THE KILLER
GET RID OF THE BLOOD?

13
00:00:32,267 --> 00:00:34,067
ONE OF THESE DAYS,
YOU'RE GONNA TELL ME.

14
00:00:34,133 --> 00:00:36,801
I TOLD YOU BLOOD SPATTER
DOESN'T TAKE UP ALL MY TIME.

15
00:00:36,868 --> 00:00:39,767
HOW THE HELL WAS YOUR DATE
WITH RITA LAST NIGHT?
GREAT.

16
00:00:39,834 --> 00:00:41,634
SHE'S PERFECT BECAUSE RITA IS,

17
00:00:41,701 --> 00:00:43,968
IN HER OWN WAY,
AS DAMAGED AS ME.

18
00:00:44,033 --> 00:00:47,067
OPEN YOUR EYES
AND LOOK AT WHAT YOU DID!

19
00:00:47,133 --> 00:00:48,734
Man: PLEASE,
YOU HAVE TO UNDERSTAND.

20
00:00:48,801 --> 00:00:51,300
TRUST ME.
I DEFINITELY UNDERSTAND.

21
00:00:51,367 --> 00:00:54,100
[ WHIRRING ]
[ MUFFLED SCREAMS ]

22
00:00:54,167 --> 00:00:56,067
HELLO?

23
00:00:56,133 --> 00:00:57,434
WHAT ARE YOU DOING NOW?

24
00:00:57,501 --> 00:01:00,300
JUST FINISHING UP A LITTLE
PROJECT, BUT I'LL COME BY LATER.

25
00:01:00,367 --> 00:01:02,167
THEY FOUND
ANOTHER HOOKER.

26
00:01:02,234 --> 00:01:03,968
THAT'S THE THIRD ONE
IN FIVE MONTHS.

27
00:01:04,033 --> 00:01:05,467
THIRD?
YOU MEAN THERE'S A...

28
00:01:05,534 --> 00:01:06,968
SERIAL KILLER,
THAT'S RIGHT.

29
00:01:07,033 --> 00:01:10,400
There are people out there
who do really bad things.

30
00:01:10,467 --> 00:01:12,801
You have to learn how to spot
them, but I can teach you.

31
00:01:12,868 --> 00:01:15,501
THE KILLER FLAYED THE SKIN,
THE FLESH, COMPLETELY OFF.

32
00:01:15,567 --> 00:01:17,601
NOW,
WHY WOULD HE DO THAT?

33
00:01:17,667 --> 00:01:20,133
HE'S EXPERIMENTING.
HE TRYING TO FIND THE RIGHT WAY.

34
00:01:20,200 --> 00:01:25,167
HE'S CERTAINLY RAISING THE BAR.
DAMN, THIS GUY IS GOOD.

35
00:01:25,234 --> 00:01:26,534
THE KILLER IS AN ARTIST.

36
00:01:26,601 --> 00:01:28,767
YOU GIVE ME
THE FUCKING CREEPS.

37
00:01:28,834 --> 00:01:30,534
YEAH, I KNOW.
SORRY ABOUT THAT.

38
00:01:30,601 --> 00:01:34,267
BUT NOW WE HAVE A FOURTH BODY,
AND THE CUTS WERE DIFFERENT.

39
00:01:34,334 --> 00:01:36,868
AND THAT'S TELLING US A STORY.
THE RITUAL IS CHANGING.

40
00:01:36,934 --> 00:01:39,701
I'D LIKE TO CHECK AND SEE
IF ANY REFRIGERATED TRUCKS

41
00:01:39,767 --> 00:01:42,033
HAVE BEEN STOLEN
IN THE LAST WEEK OR SO.

42
00:01:44,000 --> 00:01:45,000
[ GASPS ]

43
00:01:45,067 --> 00:01:46,501
IT JUST SEEMS ODD.

44
00:01:46,567 --> 00:01:48,934
YOUR SISTER HAS
THIS ICE-TRUCK THEORY,

45
00:01:49,000 --> 00:01:50,901
AND THEN HERE YOU ARE
TO BACK IT UP.

46
00:01:50,968 --> 00:01:53,634
SHE'S GOOD, LIEUTENANT.
YOU SHOULD GIVE HER A CHANCE.

47
00:01:54,901 --> 00:01:56,767
I THINK
THIS IS A FRIENDLY MESSAGE.

48
00:01:56,834 --> 00:01:58,901
"HEY, WANT TO PLAY?"

49
00:01:58,968 --> 00:02:03,133
AND, YES, I WANT TO PLAY.
I REALLY, REALLY DO.

50
00:02:05,000 --> 00:02:11,074
Support us and become VIP member 
to remove all ads from www.OpenSubtitles.org

51
00:02:48,000 --> 00:02:49,534
[ SIZZLING ]

52
00:02:57,100 --> 00:02:59,467
[ SIZZLING ]

53
00:03:03,634 --> 00:03:05,701
[ WHIRRING ]

54
00:03:35,567 --> 00:03:36,934
[ LEATHER CRUNCHING ]

55
00:03:51,133 --> 00:03:54,901
[ FROGS CROAKING ]

56
00:03:54,968 --> 00:03:56,968
[ BIRDS CHIRPING ]

57
00:04:09,133 --> 00:04:12,334
I DREAM.

58
00:04:15,868 --> 00:04:20,400
I DREAM I'M FLOATING
ON THE SURFACE OF MY OWN LIFE,

59
00:04:20,467 --> 00:04:24,834
WATCHING IT UNFOLD,
OBSERVING IT.

60
00:04:24,901 --> 00:04:28,567
I'M THE OUTSIDER, LOOKING IN.

61
00:04:30,501 --> 00:04:32,000
Man: HO HO!

62
00:04:32,067 --> 00:04:33,667
HA HA!

63
00:04:37,000 --> 00:04:38,467
[ LAUGHTER ]

64
00:04:38,534 --> 00:04:40,434
YEAH!

65
00:04:40,501 --> 00:04:43,501
OH, YOU WANT TO PLAY, MAN?!
COME ON!

66
00:04:43,567 --> 00:04:45,100
IN THE WATER!
AAH!

67
00:04:45,167 --> 00:04:47,434
WHOA!

68
00:04:47,501 --> 00:04:50,434
LOOK AT THEM.
THEY CAN LAUGH AND PLAY.

69
00:04:50,501 --> 00:04:52,601
IT COMES SO EASILY FOR THEM.

70
00:04:54,834 --> 00:04:57,367
EVEN THOUGH
I'M NOT ONE OF THEM,

71
00:04:57,434 --> 00:05:01,634
EVEN THOUGH SOMETIMES
I CAN REALLY BE A MONSTER...

72
00:05:01,701 --> 00:05:04,067
TODAY, I'M JUST...

73
00:05:04,133 --> 00:05:06,567
A SEA MONSTER.

74
00:05:23,334 --> 00:05:27,601
SOON ENOUGH, I'LL HAVE TO GO
BACK TO DOING WHAT I DO...

75
00:05:27,667 --> 00:05:30,434
SO I MAKE A POINT OF ENJOYING
DAYS LIKE THIS

76
00:05:30,501 --> 00:05:32,200
WHEN I HAVE THEM.

77
00:05:44,133 --> 00:05:46,834
[ AIR-CONDITIONER WHIRRING ]

78
00:05:46,901 --> 00:05:48,334
JUST A SECOND.

79
00:05:48,400 --> 00:05:53,567
THE ICE-TRUCK KILLER LEFT ME
A GRUESOME SOUVENIR.

80
00:05:53,634 --> 00:05:56,601
EXPLAINING IT
COULD BE KIND OF...

81
00:05:56,667 --> 00:05:58,534
AWKWARD.

82
00:05:58,601 --> 00:06:00,400
HEY.

83
00:06:00,467 --> 00:06:02,234
BAGELS, BROTHER --
LET ME IN.

84
00:06:08,601 --> 00:06:10,400
COULD IT BE MORE DEPRESSING
IN HERE?

85
00:06:12,767 --> 00:06:15,033
GOT ANYTHING TO DRINK?
IT'S HOT AS HELL OUT THERE.

86
00:06:15,100 --> 00:06:16,501
O.J.?

87
00:06:16,567 --> 00:06:18,033
WITH ICE.

88
00:06:22,801 --> 00:06:24,434
SO, HOW YOU DOING?

89
00:06:24,501 --> 00:06:25,767
I'M FINE.

90
00:06:25,834 --> 00:06:27,501
YEAH, THINGS ARE FINE.

91
00:06:27,567 --> 00:06:29,868
BREAKFAST, WHICH I ALREADY HAD,
WAS FINE,

92
00:06:29,934 --> 00:06:32,033
BUT YOU KNOW ME --
I'M ALWAYS HUNGRY.

93
00:06:32,100 --> 00:06:33,968
[ CHUCKLES ]

94
00:06:36,934 --> 00:06:38,801
MMM.

95
00:06:38,868 --> 00:06:40,367
SO, WHAT'S UP, HOTSHOT?

96
00:06:40,434 --> 00:06:41,767
ALL RIGHT, GET THIS --

97
00:06:41,834 --> 00:06:44,734
LIEUTENANT'S LOOKING
FOR THAT REFRIGERATED TRUCK

98
00:06:44,801 --> 00:06:46,701
IN EVERY SWAMP, GLADE,
AND CHOP SHOP

99
00:06:46,767 --> 00:06:48,200
FROM HERE TO THE KEYS.

100
00:06:48,267 --> 00:06:49,801
BUT THE WAY I SEE IT,

101
00:06:49,868 --> 00:06:51,934
THAT WHACKJOB TRUCK DRIVER

102
00:06:52,000 --> 00:06:54,801
THREW A SEVERED HEAD
AT YOUR CAR.

103
00:06:54,868 --> 00:06:56,200
IT'S NOT AS IF HE'S SHY.

104
00:06:56,267 --> 00:06:58,400
YOU THINK HE'S HIDING THE TRUCK
IN PLAIN SIGHT,

105
00:06:58,467 --> 00:06:59,601
WANTING IT TO BE FOUND?

106
00:06:59,667 --> 00:07:00,934
I COULD ANSWER THAT

107
00:07:01,000 --> 00:07:03,167
IF LaGUERTA DIDN'T HAVE ME
BACK WITH MY HOOKERS.

108
00:07:03,234 --> 00:07:06,000
FINDING THAT TRUCK IS YOUR
GOLDEN TICKET INTO HOMICIDE.

109
00:07:06,067 --> 00:07:08,734
JUST BECAUSE LaGUERTA HAS YOU
LOOKING FOR HOOKERS ON HER TIME

110
00:07:08,801 --> 00:07:10,801
DOESN'T MEAN YOU CAN'T LOOK
FOR THE TRUCK --

111
00:07:10,868 --> 00:07:12,801
ON MY TIME.

112
00:07:12,868 --> 00:07:15,467
HMM.
WHAT'S WITH THESE?

113
00:07:15,534 --> 00:07:17,000
I'VE GOT COURT.

114
00:07:17,067 --> 00:07:19,334
[ CHUCKLES ]

115
00:07:19,400 --> 00:07:22,834
WHY IS IT WE NEVER TALK
BROTHER-SISTER STUFF?

116
00:07:22,901 --> 00:07:24,934
OUR DAD WAS A COP.
YOU'RE A COP.

117
00:07:25,000 --> 00:07:26,200
I WORK FOR THE COPS.

118
00:07:26,267 --> 00:07:28,501
FOR US, THIS IS
BROTHER-SISTER STUFF.

119
00:07:29,801 --> 00:07:31,701
BRINGS OUT YOUR EYES.

120
00:07:36,868 --> 00:07:39,501
FIRST HE THROWS
A SEVERED HEAD AT ME,

121
00:07:39,567 --> 00:07:42,067
THEN HE LEAVES ME
THESE DOLL PARTS,

122
00:07:42,133 --> 00:07:44,400
LIKE PIECES OF A PUZZLE.

123
00:07:44,467 --> 00:07:46,000
I LIKE PUZZLES.

124
00:07:53,634 --> 00:07:55,501
BUT THERE'S NOTHING
MORE FRUSTRATING

125
00:07:55,567 --> 00:07:57,067
THAN PUTTING A PUZZLE TOGETHER

126
00:07:57,133 --> 00:08:01,167
AND FINDING THAT IT STILL
DOESN'T MAKE SENSE.

127
00:08:05,601 --> 00:08:08,200
Man: PLEASE STATE
YOUR NAME AND OCCUPATION.

128
00:08:08,267 --> 00:08:11,601
MY NAME IS DEXTER MORGAN,
AND I'M A FORENSICS SPECIALIST

129
00:08:11,667 --> 00:08:12,901
IN BLOOD-SPATTER ANALYSIS

130
00:08:12,968 --> 00:08:14,868
FOR THE MIAMI METRO
POLICE DEPARTMENT.

131
00:08:14,934 --> 00:08:17,901
AND HOW LONG HAVE YOU BEEN
DOING BLOOD-SPATTER ANALYSIS?

132
00:08:17,968 --> 00:08:19,267
ALMOST 12 YEARS.

133
00:08:19,334 --> 00:08:21,567
YOU'VE BEEN INVOLVED
IN QUITE A FEW CASES, THEN.

134
00:08:21,634 --> 00:08:23,734
2,103.

135
00:08:23,801 --> 00:08:25,767
GIVE OR TAKE.

136
00:08:25,834 --> 00:08:28,167
NO, 2,103.

137
00:08:28,234 --> 00:08:31,467
THEN IT'S SAFE TO SAY
BLOOD IS YOUR LIFE.

138
00:08:34,067 --> 00:08:36,133
SAFE TO SAY.

139
00:08:36,200 --> 00:08:38,167
UNLIKE THE OTHER GUYS
DOWN AT THE STATION,

140
00:08:38,234 --> 00:08:40,067
I LOVE COMING TO COURT
TO RUB SHOULDERS

141
00:08:40,133 --> 00:08:43,000
WITH THE GOOD PEOPLE
OF THE SUNSHINE STATE...

142
00:08:43,067 --> 00:08:45,234
AND SASQUATCH.

143
00:08:45,300 --> 00:08:49,000
IN A COURTHOUSE, EVERYONE'S
ON THEIR BEST BEHAVIOR...

144
00:08:51,901 --> 00:08:53,567
...LIKE THEY'RE BEING WATCHED.

145
00:08:58,234 --> 00:09:00,200
AND THEY ARE.

146
00:09:00,267 --> 00:09:02,100
SOME PEOPLE WOULD LOOK
AT THIS FAMILY

147
00:09:02,167 --> 00:09:03,934
AND SEE ONLY TRAGEDY
AND HEARTBREAK.

148
00:09:04,000 --> 00:09:06,501
BUT I SEE SO MUCH MORE
THAN THAT.

149
00:09:06,567 --> 00:09:09,801
I'LL DO THIS, OKAY?

150
00:09:09,868 --> 00:09:12,467
[ SIGHS ]

151
00:09:12,534 --> 00:09:15,200
I SEE OPPORTUNITY.

152
00:09:17,100 --> 00:09:20,300
ALEXANDER PRYCE FINISHED
HIS HOMEWORK, KISSED HIS MOM,

153
00:09:20,367 --> 00:09:22,200
WENT OUT FOR A JOG.

154
00:09:22,267 --> 00:09:24,801
HE TOLD HER HE'D BE BACK IN TIME
TO TAKE OUT THE TRASH CANS.

155
00:09:24,868 --> 00:09:27,734
JUST ANOTHER NIGHT, UNTIL...

156
00:09:27,801 --> 00:09:30,901
UNTIL THE DEFENDANT
NOT ONLY STRUCK HIM WITH HIS CAR

157
00:09:30,968 --> 00:09:32,267
BUT FLED THE SCENE,

158
00:09:32,334 --> 00:09:36,067
LEAVING ALEXANDER PRYCE
ALONE AND DYING FOR HOURS

159
00:09:36,133 --> 00:09:38,133
BEFORE HIS BODY WAS FOUND
THE NEXT MORNING --

160
00:09:38,200 --> 00:09:42,467
FROM HEINOUS TO UNSPEAKABLE.

161
00:09:42,534 --> 00:09:45,601
THE PEOPLE WILL PROVE
THAT NOT ONLY DID MR. CHAMBERS

162
00:09:45,667 --> 00:09:47,434
STRIKE AND KILL ALEXANDER PRYCE

163
00:09:47,501 --> 00:09:50,934
BUT DID SO WHILE ONCE AGAIN
UNDER THE INFLUENCE OF ALCOHOL.

164
00:09:52,634 --> 00:09:53,868
HAPPY BIRTHDAY, ALEX!

165
00:09:53,934 --> 00:09:55,300
THANK YOU.

166
00:09:55,367 --> 00:09:56,901
RIP RIGHT INTO IT.
WHAT?

167
00:09:56,968 --> 00:09:59,334
YEAH.
HOPE IT'S MONEY.

168
00:09:59,400 --> 00:10:00,834
YEAH, YOU WISH.

169
00:10:00,901 --> 00:10:02,033
OH!

170
00:10:02,100 --> 00:10:04,567
THANKS, GUYS.
IT'S LIKE 80 DEGREES OUT.

171
00:10:04,634 --> 00:10:06,501
BUT NEXT YEAR
AT THIS TIME,

172
00:10:06,567 --> 00:10:09,367
WE'RE COMING TO VISIT YOU
AT HARVARD.

173
00:10:09,434 --> 00:10:12,934
IT'S EVERYTHING I'VE EVER
WANTED FOR YOU, ALEXANDER.

174
00:10:13,000 --> 00:10:14,067
THANKS, DAD.

175
00:10:14,133 --> 00:10:17,834
ALL RIGHT,
ENOUGH CORNINESS.

176
00:10:17,901 --> 00:10:19,901
Dexter:
I SEE THEIR PAIN.

177
00:10:19,968 --> 00:10:24,067
ON SOME LEVEL,
I EVEN UNDERSTAND THEIR PAIN.

178
00:10:24,133 --> 00:10:27,267
I JUST CAN'T FEEL THEIR PAIN.

179
00:10:32,067 --> 00:10:34,767
IT JUST A MATTER OF TIME
BEFORE WE SEE HOW FAR

180
00:10:34,834 --> 00:10:37,567
MATT CHAMBERS'S CROCODILE TEARS
WILL GET HIM.

181
00:10:39,334 --> 00:10:41,534
BUT UNTIL THEN,

182
00:10:41,601 --> 00:10:45,767
A LITTLE OF
MY FAVORITE TROPICAL FRUIT...

183
00:10:45,834 --> 00:10:50,334
THE PERFECT DRIVING FOOD
NEXT TO A PULLED-PORK SANDWICH.

184
00:10:50,400 --> 00:10:53,100
ALSO, I CAN KEEP MY ENERGY UP
FOR THE DAY JOB.

185
00:10:53,167 --> 00:10:56,000
*VEN CONMIGO... *

186
00:11:02,300 --> 00:11:08,267
*JUNTO A MI CORAZóN *

187
00:11:08,334 --> 00:11:18,267
*Y ME QUITE LA VIDA
SI NO TENGO TU AMOR *

188
00:11:23,434 --> 00:11:24,367
Woman: DETECTIVE!

189
00:11:24,434 --> 00:11:26,334
BUENA.
BUENA.

190
00:11:26,400 --> 00:11:27,501
DID WE GET AN I.D.?

191
00:11:27,567 --> 00:11:29,200
FIRST ON SCENE
PULLED THE WALLET.

192
00:11:29,267 --> 00:11:30,234
WE'RE STILL WAITING.

193
00:11:30,300 --> 00:11:31,601
HELLO, DEX.

194
00:11:31,667 --> 00:11:34,767
HER BOSS --
LIEUTENANT LaGUERTA.

195
00:11:34,834 --> 00:11:37,667
IN KEEPING WITH HER TOTAL SENSE
OF ENTITLEMENT,

196
00:11:37,734 --> 00:11:39,467
SHE HAS THIS ATTRACTION TO ME.

197
00:11:39,534 --> 00:11:41,567
AND I THOUGHT I WAS CREEPY.

198
00:11:43,300 --> 00:11:45,901
GIVEN THE SKIN RUPTURE
AND THE SECONDARY SPATTER,

199
00:11:45,968 --> 00:11:48,100
DISTANCE HAD TO BE
A 50-, 60-FOOT DROP.

200
00:11:48,167 --> 00:11:50,400
THE EASTBOUND'S
ONLY 40 FEET.

201
00:11:50,467 --> 00:11:53,067
IT'S NOT HIGH ENOUGH
FOR THIS KIND OF DAMAGE.

202
00:11:53,133 --> 00:11:56,467
SO, BEST GUESS, ORIGINATING
POINT IS THE WESTBOUND CAUSEWAY.

203
00:11:58,100 --> 00:12:00,968
HEY! GET ME A TEAM
ON THE WESTBOUND CAUSEWAY!

204
00:12:01,033 --> 00:12:02,634
OH, SHE'S GOOD.

205
00:12:02,701 --> 00:12:04,434
ANGEL, LOOK AT THIS.

206
00:12:06,567 --> 00:12:09,534
I THINK THERE'S SOMETHING
IN HIS MOUTH.

207
00:12:11,267 --> 00:12:12,300
MEDIC!

208
00:12:14,133 --> 00:12:16,968
Ohh.

209
00:12:19,200 --> 00:12:21,601
AH, IT'S JUST A DEATH RATTLE.
HE'S GONZO.

210
00:12:21,667 --> 00:12:23,434
YOU BETTER CHECK
OUT MY FRIEND, TOO.

211
00:12:23,501 --> 00:12:25,400
NO TELLING WHAT THIS GUY
MIGHT HAVE HAD.

212
00:12:25,467 --> 00:12:26,968
[ CHUCKLES ]

213
00:12:29,100 --> 00:12:31,634
THIS IS WHAT HE HAD.

214
00:12:33,434 --> 00:12:36,367
CALL ME CRAZY, ANGEL,
BUT I THINK THIS IS HUMAN FLESH.

215
00:13:02,534 --> 00:13:03,467
[ SIGHS ]

216
00:13:03,534 --> 00:13:06,334
HOOKED UP
WITH SEAN LAST NIGHT.

217
00:13:06,400 --> 00:13:07,601
[ SIGHS ]

218
00:13:07,667 --> 00:13:09,100
THE CABLE-GUY SEAN?

219
00:13:09,167 --> 00:13:10,634
[ Chuckling ]
OH, GOD, NO.

220
00:13:10,701 --> 00:13:12,200
HE SMELLED LIKE CHEESE.

221
00:13:12,267 --> 00:13:14,133
SO THE MECHANIC SEAN?

222
00:13:14,200 --> 00:13:15,834
YEP.

223
00:13:15,901 --> 00:13:17,634
HE CAME OVER.

224
00:13:17,701 --> 00:13:20,400
WE OPENED A BOTTLE
OF PINOT GRIS.

225
00:13:20,467 --> 00:13:22,434
WE FINISHED A BOTTLE
OF PINOT GRIS.

226
00:13:22,501 --> 00:13:24,167
BEFORE I KNEW IT,
WE WERE --

227
00:13:24,234 --> 00:13:25,968
STOP THAT.

228
00:13:26,033 --> 00:13:27,734
YOU DON'T WANT
TO HEAR THIS, DO YOU?

229
00:13:27,801 --> 00:13:29,000
NO.

230
00:13:29,067 --> 00:13:32,367
BUT IF YOU TWO ARE GETTING
SERIOUS, I'D LOVE TO MEET HIM.

231
00:13:32,434 --> 00:13:34,200
WHY DON'T YOU
AND SEAN THE MECHANIC

232
00:13:34,267 --> 00:13:37,000
JOIN ME AND RITA THE GIRLFRIEND
FOR DINNER TOMORROW NIGHT?

233
00:13:37,067 --> 00:13:38,567
WHY?
SO YOU CAN TELL ME LATER

234
00:13:38,634 --> 00:13:40,734
HE'S NOT GOOD ENOUGH
FOR YOUR LITTLE SISTER?

235
00:13:40,801 --> 00:13:42,133
DON'T.

236
00:13:42,200 --> 00:13:45,467
YOU'RE THE ONE WHO WAS GOING ON
ABOUT BROTHER-AND-SISTER STUFF.

237
00:13:45,534 --> 00:13:48,501
THAT BECOMES BROTHER-AND-SISTER
DOUBLE-DATING?

238
00:13:48,567 --> 00:13:50,033
COME ON.
IT'LL BE FUN.

239
00:13:50,100 --> 00:13:53,200
ALL RIGHT, WE'LL GO, BUT I'M NOT
PROMISING WE'LL HAVE ANY FUN.

240
00:13:53,267 --> 00:13:55,167
NOT NOW.

241
00:13:55,234 --> 00:13:57,000
WHAT CRAWLED UP HIS ASS?

242
00:13:57,067 --> 00:13:58,901
He hates lab rats.

243
00:13:58,968 --> 00:14:00,801
WELL, HERE'S A HEADLINE --

244
00:14:00,868 --> 00:14:04,167
IT'S LAB RATS
THAT MAKE US COPS LOOK GOOD.

245
00:14:05,200 --> 00:14:07,133
OKAY, LISTEN UP.

246
00:14:07,200 --> 00:14:10,901
WE JUST GOT AN I.D. ON THE BODY
FROM UNDER THE CAUSEWAY.

247
00:14:10,968 --> 00:14:13,400
HIS NAME IS RICKY SIMMONS.

248
00:14:13,467 --> 00:14:15,534
HE WAS A COP.

249
00:14:31,501 --> 00:14:34,667
LET ME
ASK YOU SOMETHING.
YEAH.

250
00:14:34,734 --> 00:14:37,534
WHEN WE WERE PARTNERS, YOU USED
TO USE EVERY EXCUSE IN THE BOOK

251
00:14:37,601 --> 00:14:39,834
TO GET OUT OF MAKING
A NEXT-OF-KIN NOTIFICATION.

252
00:14:39,901 --> 00:14:42,334
I KNEW RICKY FROM
THE DEPARTMENT SOFTBALL TEAM.

253
00:14:42,400 --> 00:14:45,300
HE WAS A GOOD GUY, A GOOD COP.
IT'S THE LEAST I COULD DO.

254
00:14:45,367 --> 00:14:47,534
[ DOORBELL RINGS ]

255
00:14:47,601 --> 00:14:50,434
[ DOORBELL RINGS ]

256
00:14:53,901 --> 00:14:55,067
MOTHERFUCKER!

257
00:14:57,067 --> 00:14:59,334
[ WOMAN SOBBING ]

258
00:14:59,400 --> 00:15:01,133
CALL IT IN!

259
00:15:03,434 --> 00:15:06,133
3H-77 TO DISPATCH.

260
00:15:06,200 --> 00:15:08,400
WE NEED E.M.T.
AND POLICE BACKUP NOW.

261
00:15:08,467 --> 00:15:09,734
I'LL CHECK THE HOUSE.

262
00:15:09,801 --> 00:15:12,634
KARA, IT'S ME.
IT'S JAMES.

263
00:15:12,701 --> 00:15:14,567
YOU'RE OKAY.

264
00:15:14,634 --> 00:15:17,033
[ WOMAN SOBBING ]

265
00:15:17,100 --> 00:15:20,234
HEY, IT'S ME.

266
00:15:20,300 --> 00:15:22,968
IT'S OKAY.

267
00:15:23,033 --> 00:15:25,901
THIS IS SO FUCKED-UP, MAN.

268
00:15:25,968 --> 00:15:28,901
[ CAMERA SHUTTER CLICKS ]

269
00:15:28,968 --> 00:15:31,400
GOING AFTER
A COP'S FAMILY...

270
00:15:31,467 --> 00:15:33,033
WHO WOULD DO SUCH A THING?

271
00:15:33,100 --> 00:15:35,868
THAT'S WHY WE'RE HERE.

272
00:15:35,934 --> 00:15:37,634
BUT IT'S STILL FUCKED-UP.

273
00:15:37,701 --> 00:15:40,100
THEY'RE TELLING ME RICKY SIMMONS
WAS UNDER DEEP COVER

274
00:15:40,167 --> 00:15:42,100
IN CARLOS GUERRERO'S FAMILY.

275
00:15:42,167 --> 00:15:43,601
ALL RIGHT. THANKS.

276
00:15:43,667 --> 00:15:46,400
HE'D BEEN WORKING THE GIG FOR 10
MONTHS, AND EVERYTHING WAS GOOD.

277
00:15:46,467 --> 00:15:49,734
BUT THIS,
GOING AFTER HIS WIFE...

278
00:15:49,801 --> 00:15:52,968
GUERRERO'S CROSSING
A WHOLE NEW LINE.

279
00:15:53,033 --> 00:15:54,601
NOW HE'S GONE AND PISSED OFF

280
00:15:54,667 --> 00:15:56,801
THE ENTIRE
MIAMI POLICE DEPARTMENT.

281
00:15:58,767 --> 00:16:00,100
IS THERE ANY WORD
ON THE WIFE?

282
00:16:00,167 --> 00:16:01,667
SHE SHOULD BE
IN SURGERY BY NOW.

283
00:16:03,067 --> 00:16:04,968
¿QUé PASó?

284
00:16:05,033 --> 00:16:07,367
UH, THERE'S AN INCONSISTENCY
SOMEWHERE.

285
00:16:07,434 --> 00:16:09,334
AND THAT WOULD BE?

286
00:16:09,400 --> 00:16:11,534
I'M NOT SURE, BUT IT'S
THE ANSWER TO A QUESTION

287
00:16:11,601 --> 00:16:12,834
WE HAVEN'T THOUGHT OF YET.

288
00:16:20,434 --> 00:16:22,400
LOOK.

289
00:16:27,200 --> 00:16:28,300
[ BEEPING ]

290
00:16:28,367 --> 00:16:30,667
WHOSE IS IT?
PROBABLY HERS.

291
00:16:30,734 --> 00:16:34,033
RICKY SIMMONS, HER HUSBAND --
LAST NUMBER DIALED.

292
00:16:39,434 --> 00:16:40,968
I GOT IT.

293
00:16:41,033 --> 00:16:42,334
GOOD WORK, ANGEL.

294
00:16:42,400 --> 00:16:43,968
WELL, ACTUALLY,
IT WAS DEXTER.

295
00:16:44,033 --> 00:16:45,300
UH, SERGEANT?

296
00:16:45,367 --> 00:16:47,300
[ SCOFFS ]

297
00:16:47,367 --> 00:16:51,367
98, 99, 100!

298
00:16:51,434 --> 00:16:54,667
LADIES AND GENTLEMEN,
WE HAVE A NEW WORLD RECORD!

299
00:16:54,734 --> 00:16:55,834
[ LAUGHS ]

300
00:16:55,901 --> 00:16:57,000
[ Laughing ]
STOP IT!

301
00:16:57,067 --> 00:16:58,667
CAN'T STOP!
MUST TICKLE!

302
00:16:58,734 --> 00:17:00,367
GOT TO HEAR
THE MAGIC WORD!

303
00:17:00,434 --> 00:17:03,567
I HAVE YOUR MAGIC WORD
RIGHT HERE -- CHOCOLATE CHIP.

304
00:17:03,634 --> 00:17:05,267
COOKIES!
OOH.

305
00:17:05,334 --> 00:17:06,267
HOMEMADE.

306
00:17:06,334 --> 00:17:07,434
OKAY, YOU GUYS,

307
00:17:07,501 --> 00:17:10,000
TAKE YOUR COOKIES
INTO THE BEDROOM.

308
00:17:10,067 --> 00:17:11,367
TWO EACH.

309
00:17:11,434 --> 00:17:13,367
BUT YOU NEVER LET US EAT
IN OUR BEDROOM.

310
00:17:13,434 --> 00:17:16,501
WELL, I WANT SOME ALONE TIME
WITH DEXTER.

311
00:17:18,334 --> 00:17:19,901
ARE YOU GONNA KISS HIM?

312
00:17:19,968 --> 00:17:21,734
ACTUALLY, YES.

313
00:17:21,801 --> 00:17:22,934
COOL.

314
00:17:23,000 --> 00:17:24,067
GROSS!

315
00:17:28,200 --> 00:17:31,000
COOKIE?

316
00:17:31,067 --> 00:17:33,234
I WUV COOKIES.

317
00:17:33,300 --> 00:17:34,634
[ LAUGHS ]

318
00:17:34,701 --> 00:17:37,234
WELL, YOU'RE SNARFING THEM DOWN
LIKE THE COOKIE MONSTER.

319
00:17:37,300 --> 00:17:41,000
THIS ISN'T SNARFING.
THIS IS EATING WITH ENTHUSIASM.

320
00:17:42,334 --> 00:17:44,267
TELL ME ABOUT YOUR DAY.

321
00:17:44,334 --> 00:17:48,033
MMM, I HAD COURT --
YOU KNOW, THE BLOOD THING.

322
00:17:48,100 --> 00:17:52,234
AND THEN A CRIME SCENE
AND MORE BLOOD.

323
00:17:52,300 --> 00:17:54,734
MMM, I DON'T KNOW
HOW YOU DO IT.

324
00:17:54,801 --> 00:17:55,801
WELL, BLOOD IS...

325
00:17:55,868 --> 00:17:56,801
MY LIFE.

326
00:17:56,868 --> 00:17:58,234
...MY JOB.

327
00:17:58,300 --> 00:18:00,767
LATELY, THE THING THAT
SURPRISES ME MOST ABOUT RITA

328
00:18:00,834 --> 00:18:02,434
IS HOW MUCH I LIKE
BEING WITH HER.

329
00:18:02,501 --> 00:18:05,167
BUT WHENEVER THAT HAPPENS
WITH A WOMAN,

330
00:18:05,234 --> 00:18:08,601
WHEN I FEEL COMFORTABLE
WITH HER, IT ALL GOES WRONG.

331
00:18:08,667 --> 00:18:12,300
THAT'S WHY I THINK IT'S BEST
TO TAKE IT ONE STEP AT A TIME.

332
00:18:12,367 --> 00:18:15,934
HEY, YOU KNOW,
DEB HAS BEEN ALL OVER ME

333
00:18:16,000 --> 00:18:18,000
FOR US TO GET TOGETHER
WITH HER NEW BOYFRIEND.

334
00:18:18,067 --> 00:18:20,367
YOU THINK YOU CAN GET
A BABYSITTER SOME NIGHT?

335
00:18:20,434 --> 00:18:23,100
YOU MEAN AN ACTUAL
GROWN-UP MEAL?

336
00:18:23,167 --> 00:18:26,067
I'D LOVE THAT.
MAKE A DATE.

337
00:18:26,133 --> 00:18:28,734
I PICK YOU.

338
00:18:30,234 --> 00:18:32,901
AND I PICK MY SISTER
TO CHAPERON.

339
00:18:47,033 --> 00:18:48,701
[ CELLPHONE RINGING ]

340
00:18:58,267 --> 00:19:00,300
[ SIGHS ]

341
00:19:00,367 --> 00:19:02,200
[ BEEP ]

342
00:19:02,267 --> 00:19:03,901
SISTER.

343
00:19:03,968 --> 00:19:05,801
Deb:
So, Miami's the haystack,

344
00:19:05,868 --> 00:19:08,200
and the ice truck's
the needle, right?

345
00:19:08,267 --> 00:19:09,434
OKAY.

346
00:19:09,501 --> 00:19:13,968
And, brother, I just found
the fucking needle.

347
00:19:20,534 --> 00:19:22,133
HOW DID YOU FIND IT?

348
00:19:22,200 --> 00:19:23,701
I PUT THE WORD OUT
WITH PATROL --

349
00:19:23,767 --> 00:19:25,734
YOU KNOW, THE WHOLE
HIDE-IN-PLAIN-SIGHT THING.

350
00:19:25,801 --> 00:19:28,567
JUAN PIERRE FLAGGED THIS ONE
AND CALLED ME.

351
00:19:28,634 --> 00:19:30,634
THIS IS A BUSY STREET.
ANYONE SEE THE DRIVER?

352
00:19:30,701 --> 00:19:33,300
THE RESTAURANT MANAGER SAID
IT WAS HERE WHEN HE OPENED UP.

353
00:19:33,367 --> 00:19:34,901
IS THIS THE ONE YOU SAW?

354
00:19:34,968 --> 00:19:37,634
I FEEL LIKE A KID
AT HIS OWN SURPRISE PARTY.

355
00:19:37,701 --> 00:19:39,367
THIS IS THE SAME TRUCK.

356
00:19:39,434 --> 00:19:42,267
IT'S HARD TO SAY.
IT ALL HAPPENED SO FAST.

357
00:19:42,334 --> 00:19:45,834
LET'S GO ON A NONFORENSIC-GEEK
LIMB HERE AND SAY THAT IT IS.

358
00:19:45,901 --> 00:19:47,100
WHY IS IT STILL RUNNING?

359
00:19:49,400 --> 00:19:52,334
IT KEEPS THE BACK COMPARTMENT
REFRIGERATED.

360
00:19:59,467 --> 00:20:01,067
DIOS MíO.

361
00:20:02,000 --> 00:20:04,901
HOLY SHIT,
THEY'RE FUCKING FINGERTIPS.

362
00:20:08,767 --> 00:20:11,133
CLEAN SLICES,
NO BLOOD.

363
00:20:14,167 --> 00:20:16,334
MY GUESS IS HE DRAINED
THE BODY ENTIRELY

364
00:20:16,400 --> 00:20:18,067
BEFORE THESE CUTS
WERE MADE.

365
00:20:18,133 --> 00:20:19,968
HOW'D HE DO THAT --
SOME KIND OF PUMP?

366
00:20:20,033 --> 00:20:21,200
NO.

367
00:20:21,267 --> 00:20:24,667
I HAD FORENSICS DO A WORKUP
ON OUR LAST VICTIM.

368
00:20:24,734 --> 00:20:26,601
OUR GUY'S OLD SCHOOL.

369
00:20:26,667 --> 00:20:29,200
YEAH, HE HOISTS THE BODY UP,
SEVERS THE JUGULAR.

370
00:20:29,267 --> 00:20:30,901
THE HEART
DOES ALL THE WORK.

371
00:20:30,968 --> 00:20:33,634
IT'S THE MOST EFFECTIVE METHOD,
REALLY.

372
00:20:33,701 --> 00:20:35,968
FUCKING BUTCHER.

373
00:20:37,968 --> 00:20:40,901
THERE ARE 206 BONES
IN THE HUMAN BODY.

374
00:20:40,968 --> 00:20:44,133
HE COULD HAVE LEFT
ANY ONE OF THEM.

375
00:20:44,200 --> 00:20:47,934
BUT HE GAVE US EXACTLY WHAT
WE NEED TO IDENTIFY THE VICTIM,

376
00:20:48,000 --> 00:20:51,601
LIKE HE'S LEAVING A TRAIL
OF BREAD CRUMBS.

377
00:20:55,067 --> 00:20:56,334
WHO MADE THE FIND?

378
00:20:56,400 --> 00:20:57,834
OFFICER MORGAN.

379
00:20:57,901 --> 00:21:00,000
HARRY'S DAUGHTER, HUH?

380
00:21:00,067 --> 00:21:03,234
MUST BE IN THE GENES,
HER AND HER BROTHER.

381
00:21:03,300 --> 00:21:05,200
THIS TRUCK'S A GOOD GET.

382
00:21:05,267 --> 00:21:06,901
IT'S THEIR FIRST
SOLID LEAD.

383
00:21:06,968 --> 00:21:09,934
I ENCOURAGE ALL MY OFFICERS
TO THINK OUTSIDE THE BOX.

384
00:21:10,000 --> 00:21:12,868
WELL, NICE WORK,
LIEUTENANT.

385
00:21:12,934 --> 00:21:14,534
I GOT
THE DEPUTY MAYOR.

386
00:21:14,601 --> 00:21:16,567
CONGRATULATE MORGAN
FOR ME.

387
00:21:16,634 --> 00:21:18,234
MM-HMM.

388
00:21:20,033 --> 00:21:22,400
[ INDISTINCT TALKING
ON POLICE RADIO ]

389
00:21:28,000 --> 00:21:29,968
ANOTHER BEAUTIFUL MIAMI DAY --

390
00:21:30,033 --> 00:21:33,334
MUTILATED CORPSES WITH THE
CHANCE OF AFTERNOON SHOWERS.

391
00:21:33,400 --> 00:21:35,501
CHALK ONE UP
FOR MIAMI METRO, EH, MA'AM?

392
00:21:35,567 --> 00:21:38,868
LAST TIME I CHECKED, MORGAN,
I'M THE LIEUTENANT,

393
00:21:38,934 --> 00:21:41,567
WHICH MEANS MY OFFICERS
KEEP ME APPRISED

394
00:21:41,634 --> 00:21:43,734
AT ALL TIMES
ON ALL THINGS.

395
00:21:43,801 --> 00:21:45,534
YOU PULL A STUNT
LIKE THAT AGAIN,

396
00:21:45,601 --> 00:21:47,434
IT WON'T MATTER
WHO YOUR FATHER WAS.

397
00:21:47,501 --> 00:21:48,934
OKAY?

398
00:21:57,334 --> 00:22:00,868
[ SCREWGUN WHIRRING ]

399
00:22:06,767 --> 00:22:08,801
[ WHIRRING ]

400
00:22:17,200 --> 00:22:18,868
DUDE, IS THIS BLOOD?

401
00:22:18,934 --> 00:22:21,133
IT'S CHOCOLATE.
IT'S ON YOUR SHIRT, TOO.

402
00:22:23,434 --> 00:22:25,667
OH.
IT'S A NEW SHIRT.

403
00:22:25,734 --> 00:22:27,868
[ WHIRRING ]

404
00:22:27,934 --> 00:22:29,267
WHAT IS TAKING SO LONG?

405
00:22:29,334 --> 00:22:31,133
IT'S A BIG TRUCK.

406
00:22:31,200 --> 00:22:34,067
THEY WON'T FIND ANYTHING,
NOT EVEN A TIC TAC.

407
00:22:34,133 --> 00:22:36,067
HE'S THOUGHT ALL THIS THROUGH.

408
00:22:36,133 --> 00:22:38,534
I KNOW I WOULD.

409
00:22:38,601 --> 00:22:40,367
YOUR FAMOUS HUNCHES
TELLING YOU ANYTHING?

410
00:22:40,434 --> 00:22:41,767
ICE COLD.

411
00:22:41,834 --> 00:22:43,334
YOU'RE A GODDAMN RIOT.

412
00:22:43,400 --> 00:22:44,901
THIS FUCKING GUY'S
TOYING WITH US.

413
00:22:44,968 --> 00:22:46,501
DEB'S RIGHT.

414
00:22:46,567 --> 00:22:48,868
THIS TRUCK'S NOT ANOTHER PIECE
OF THE PUZZLE...

415
00:22:48,934 --> 00:22:50,000
[ HAND TRUCK RATTLES ]

416
00:22:50,067 --> 00:22:51,400
...THEY ARE.

417
00:22:53,801 --> 00:22:56,767
[ TELEPHONE RINGS IN DISTANCE ]

418
00:22:56,834 --> 00:22:58,634
WATCHING ICE MELT --
THIS IS FUN.

419
00:22:58,701 --> 00:23:01,400
STAND A LITTLE CLOSER, MORGAN,
AND I'LL MELT YOUR HEART.

420
00:23:01,467 --> 00:23:03,434
I THINK HE'S GOT A CRUSH
ON YOU, DEX.

421
00:23:03,501 --> 00:23:04,701
HUH?

422
00:23:04,767 --> 00:23:07,033
YO, I WAS TALKING TO MORGAN
THE SISTER.

423
00:23:07,100 --> 00:23:08,801
VINCE MASUKA
ONLY SWINGS ONE WAY.

424
00:23:08,868 --> 00:23:10,167
YEAH,
FROM VINE TO VINE.

425
00:23:10,234 --> 00:23:11,434
ENOUGH.

426
00:23:11,501 --> 00:23:13,434
I'M GLAD TO SEE
THE SEXUAL-HARASSMENT SEMINAR

427
00:23:13,501 --> 00:23:15,767
REALLY PAID OFF.

428
00:23:15,834 --> 00:23:17,334
[ ICE CRACKLING ]

429
00:23:30,601 --> 00:23:33,467
OH, THIS IS SERIOUSLY
FUCKED-UP, MY FRIENDS.

430
00:23:35,300 --> 00:23:36,968
WHY GO TO ALL THIS TROUBLE?

431
00:23:37,033 --> 00:23:40,968
WHAT'S THIS SICK SON OF A BITCH
TRYING TO TELL US?

432
00:23:41,033 --> 00:23:43,467
NOT "US" -- ME.

433
00:23:43,534 --> 00:23:48,400
MY FREEZER, THE PAINTED DOLL'S
FINGERNAILS...

434
00:23:48,467 --> 00:23:51,434
I THINK HE'S TRYING
TO IMPRESS ME...

435
00:23:51,501 --> 00:23:54,334
AND IT'S WORKING.

436
00:23:54,400 --> 00:23:57,601
WHAT, A MAN CAN'T CALL HIS WIFE
THREE TIMES IN ONE DAY?

437
00:23:57,667 --> 00:23:59,801
Sí, CLARO.

438
00:23:59,868 --> 00:24:01,334
BUENO.

439
00:24:01,400 --> 00:24:03,901
KISS MY BABY AND TELL HER,
"DADDY BE HOMEPARA LA CENA."

440
00:24:03,968 --> 00:24:05,067
[ CELLPHONE BEEPS ]

441
00:24:05,133 --> 00:24:06,934
I'M GETTING ANOTHER CALL.

442
00:24:07,000 --> 00:24:08,267
YEAH,TE AMO.

443
00:24:08,334 --> 00:24:09,267
[ BEEP ]

444
00:24:09,334 --> 00:24:11,033
BATISTA.

445
00:24:11,100 --> 00:24:13,067
¿DE VERAS?
I'LL BE THERE IN TWO MINUTES.

446
00:24:13,133 --> 00:24:14,300
[ CELLPHONE CLICKS ]

447
00:24:16,033 --> 00:24:17,501
SHE'S STILL IN SURGERY.

448
00:24:17,567 --> 00:24:19,033
THE DOCTORS ARE HOPEFUL.

449
00:24:19,100 --> 00:24:22,467
ICE-TRUCK KILLER RETURNS,
DEAD UNDERCOVER COP --

450
00:24:22,534 --> 00:24:24,934
IT'S A TYPICAL DAY
IN THE NEIGHBORHOOD.

451
00:24:25,000 --> 00:24:26,968
YOU GOT TO HEAR THIS.

452
00:24:29,801 --> 00:24:32,167
Kara:[ Sobbing ]
RICKY, WHERE THE FUCK ARE YOU?

453
00:24:32,234 --> 00:24:33,934
I'M GONNA TRY
FOR THE BACK DOOR.

454
00:24:34,000 --> 00:24:36,267
OHH!
OH, FUCK, HE SAW ME!

455
00:24:36,334 --> 00:24:38,434
OH, PLEASE DON'T HURT ME!

456
00:24:38,501 --> 00:24:39,434
[GUNSHOT ]

457
00:24:39,501 --> 00:24:41,434
Batista: LIEUTENANT!

458
00:24:41,501 --> 00:24:44,400
NATIONAL DATABASE
KICKED BACK THE DNA MATCH.

459
00:24:46,100 --> 00:24:47,634
NORBERTO CERVANTES.

460
00:24:49,534 --> 00:24:52,167
LET ME SEE THAT.

461
00:24:55,400 --> 00:24:57,400
[ UP-TEMPO SPANISH MUSIC PLAYS ]

462
00:25:03,534 --> 00:25:05,400
DAME. AHORA.

463
00:25:07,701 --> 00:25:09,334
ES TU DíA
DE MALA SUERTE.

464
00:25:16,133 --> 00:25:19,400
ESTOY AGRADECIDO
POR TU LEALDAD.

465
00:25:19,467 --> 00:25:21,367
EL GUSTO
ES MíO, PATRóN.

466
00:25:26,767 --> 00:25:28,234
GET DOWN!
POLICE!

467
00:25:28,300 --> 00:25:30,000
PUT YOUR HANDS UP!
POLICE!

468
00:25:30,067 --> 00:25:32,033
PUT YOUR HANDS UP!
GET THEM DOWN!

469
00:25:32,100 --> 00:25:34,601
PUT YOUR FUCKING HANDS UP!
PUT YOUR HANDS UP!

470
00:25:36,734 --> 00:25:38,100
HEY!

471
00:25:39,334 --> 00:25:40,501
IS THAT NECESSARY?

472
00:25:40,567 --> 00:25:42,667
IT'S A DANGEROUS WORLD,
GUERRERO.

473
00:25:45,000 --> 00:25:48,000
YES, AND ONE CAN'T BE
TOO CAREFUL, DETECTIVE.

474
00:25:52,934 --> 00:25:55,100
YES, I-I'VE HAD ALC--

475
00:25:55,167 --> 00:25:57,868
PROBLEMS WITH ALCOHOL
IN THE PAST.

476
00:25:57,934 --> 00:25:59,567
I NEVER TRIED TO HIDE THAT.

477
00:25:59,634 --> 00:26:03,267
BUT, UH, YOU HEARD
FROM MY A.A. SPONSOR.

478
00:26:03,334 --> 00:26:05,968
I-I'VE BEEN SOBER
FOR OVER A YEAR NOW, SO...

479
00:26:07,501 --> 00:26:12,667
LOOK, I-I'M NOT DISPUTING
THAT -- THAT IT WAS MY CAR...

480
00:26:12,734 --> 00:26:15,033
THAT HIT MR. PRYCE.

481
00:26:15,100 --> 00:26:17,634
BUT...

482
00:26:17,701 --> 00:26:22,133
I REPORTED IT STOLEN
HOURS BEFORE THE ACCIDENT.

483
00:26:22,200 --> 00:26:24,033
[ SIGHS ]

484
00:26:24,100 --> 00:26:26,467
[ SNIFFLES ]

485
00:26:26,534 --> 00:26:28,133
Dexter:
MEN LIKE MATT CHAMBERS

486
00:26:28,200 --> 00:26:30,734
KNOW HOW TO PULL ON
THE INVISIBLE MASK OF SYMPATHY,

487
00:26:30,801 --> 00:26:32,267
EVEN EMPATHY,

488
00:26:32,334 --> 00:26:36,300
AND OTHERWISE RIGHT-THINKING
PEOPLE DON'T STAND A CHANCE.

489
00:26:36,367 --> 00:26:37,834
[ ELEVATOR DINGS ]

490
00:26:37,901 --> 00:26:39,734
[ INDISTINCT CONVERSATIONS ]

491
00:26:41,901 --> 00:26:43,667
I KNEW IT.

492
00:26:43,734 --> 00:26:45,567
"NOT GUILTY."

493
00:26:45,634 --> 00:26:50,067
MATT CHAMBERS MAY HAVE FOUND
A WAY TO BEAT THE SYSTEM...

494
00:26:50,133 --> 00:26:52,501
BUT SO HAVE I.

495
00:26:53,834 --> 00:26:56,033
Kara:[ Sobbing ]
RICKY, WHERE THE FUCK ARE YOU?

496
00:26:56,100 --> 00:26:58,434
OHH!
OH, FUCK, HE SAW ME!

497
00:26:58,501 --> 00:27:00,834
OH, PLEASE DON'T HURT ME!

498
00:27:00,901 --> 00:27:02,467
[GUNSHOT ]

499
00:27:02,534 --> 00:27:04,701
[ RECORDER CLICKS OFF ]

500
00:27:04,767 --> 00:27:06,667
THE WAY WE SEE IT,

501
00:27:06,734 --> 00:27:09,000
YOU'RE IN ON THE KILL
OF RICKY SIMMONS,

502
00:27:09,067 --> 00:27:11,667
BUT THAT'S NOT ENOUGH FOR YOU
OR FOR GUERRERO.

503
00:27:11,734 --> 00:27:14,067
RICKY IS DEAD?

504
00:27:14,133 --> 00:27:16,100
THAT SADDENS ME.

505
00:27:16,167 --> 00:27:17,934
[ DOOR OPENS ]
SHUT THE FUCK UP!

506
00:27:22,434 --> 00:27:24,868
WAIT, YOU'RE NOT IMPLYING

507
00:27:24,934 --> 00:27:26,934
THAT RICKY SIMMONS WAS A COP,
ARE YOU?

508
00:27:27,000 --> 00:27:29,534
I'M TRULY DISAPPOINTED.

509
00:27:29,601 --> 00:27:32,133
NOT ONLY DO I HAVE
A DEAD COP,

510
00:27:32,200 --> 00:27:35,801
SOMEONE BROKE IN HIS HOUSE
AND SHOT HIS WIFE.

511
00:27:35,868 --> 00:27:39,801
WORD OUT IN THE WORLD,
SERGEANT --

512
00:27:39,868 --> 00:27:42,133
SIMMONS'S WIFE
WAS FUCKING AROUND.

513
00:27:42,200 --> 00:27:45,901
MAYBE HE TRIED
TO KILL THE BITCH HIMSELF

514
00:27:45,968 --> 00:27:48,734
AND FELT SO BAD ABOUT IT,
HE COMMITTED SUICIDE.

515
00:27:48,801 --> 00:27:51,033
A COP MURDER-SUICIDE --

516
00:27:51,100 --> 00:27:54,501
IT'S A HEALTH CRISIS
FOR YOU GUYS, AIN'T IT?

517
00:27:55,200 --> 00:27:56,300
WHOA, WHOA!

518
00:27:56,367 --> 00:27:58,067
YOU THINK
IT'S A FUCKING COINCIDENCE

519
00:27:58,133 --> 00:27:59,801
YOUR ASS IS IN HERE?!

520
00:27:59,868 --> 00:28:02,467
WE GOT YOU ON THE CAUSEWAY
THE MORNING RICKY SIMMONS DIED!

521
00:28:02,534 --> 00:28:03,467
BULLSHIT.

522
00:28:03,534 --> 00:28:05,334
WE DON'T DEAL IN BULLSHIT.

523
00:28:05,400 --> 00:28:08,834
WE DEAL
IN GOOD POLICE WORK...

524
00:28:08,901 --> 00:28:11,033
AND GOOD SCIENCE.

525
00:28:15,100 --> 00:28:19,400
YOU MUST HAVE BEEN A
MOTHERFUCKER AT CAT'S CRADLE.

526
00:28:21,167 --> 00:28:22,400
I NEVER PLAYED IT.

527
00:28:22,467 --> 00:28:25,334
OKAY, KARA SIMMONS WAS SHOT
WHILE SHE WAS RUNNING.

528
00:28:25,400 --> 00:28:27,267
HER PHONE CALL
TELLS US THAT, RIGHT?

529
00:28:27,334 --> 00:28:29,434
SHE WAS RUNNING TOWARDS
THE BACK DOOR -- THERE.

530
00:28:29,501 --> 00:28:30,767
SHE TURNS.

531
00:28:30,834 --> 00:28:33,801
THE SHOOTER SEES HER.
SHE'S SHOT HIGH ON THE CHEST.

532
00:28:33,868 --> 00:28:35,300
IT SPINS HER AROUND,

533
00:28:35,367 --> 00:28:37,868
SPRAYING BLOOD ON THE WALLS
THERE AND THERE.

534
00:28:37,934 --> 00:28:39,534
SHE LOSES HER CELLPHONE.

535
00:28:39,601 --> 00:28:41,400
SHE STRUGGLES
WITH THE COFFEE TABLE,

536
00:28:41,467 --> 00:28:43,534
THE COUCH, AND THEN
SHE FINALLY FALLS BACK,

537
00:28:43,601 --> 00:28:44,534
"POP" -- THERE.

538
00:28:44,601 --> 00:28:47,000
[ SIGHS ]

539
00:28:50,167 --> 00:28:52,100
SHE NEVER GOT THIS FAR.

540
00:28:54,968 --> 00:28:56,734
IT'S NOT HER BLOOD.

541
00:28:56,801 --> 00:28:58,100
[ KNIFE CLICKS ]

542
00:29:02,834 --> 00:29:04,501
[ TILE RIPS ]

543
00:29:07,133 --> 00:29:09,300
ANGEL, MEET OUR SHOOTER.

544
00:29:11,100 --> 00:29:14,234
Batista: DNA OF CERVANTES' FLESH
IN RICKY SIMMONS' MOUTH.

545
00:29:14,300 --> 00:29:17,501
DNA FROM A ROGUE DROP OF BLOOD
WE FOUND AT THE SIMMONS' HOUSE.

546
00:29:17,567 --> 00:29:19,067
[ KEYS CLACKING ]

547
00:29:19,133 --> 00:29:20,901
[ BEEPING ]

548
00:29:24,434 --> 00:29:26,133
TELL ME
YOU'RE SURE ABOUT THIS.

549
00:29:26,200 --> 00:29:27,734
100%.

550
00:29:27,801 --> 00:29:30,067
THAT PUTS CERVANTES
AT BOTH CRIME SCENES.

551
00:29:30,133 --> 00:29:31,634
LET'S NAIL HIS COFFIN
AND SHIP IT.

552
00:29:31,701 --> 00:29:33,067
WHOA.
HANG ON, SERGEANT.

553
00:29:33,133 --> 00:29:35,968
WE GET HIM TO ROLL OVER ON
GUERRERO, AND WE OWN THEM BOTH.

554
00:29:36,033 --> 00:29:38,234
YOU'RE TALKING
ABOUT THROWING HIM A DEAL?

555
00:29:38,300 --> 00:29:39,567
AND THEN, WHAT, HE WALKS?

556
00:29:39,634 --> 00:29:41,701
IF HE DOES, WE PICK HIM UP
ON OTHER CHARGES.

557
00:29:41,767 --> 00:29:43,934
IF HE GETS US GUERRERO,
IT'S WIN-WIN.

558
00:29:44,000 --> 00:29:45,901
GETS US GUERRERO?!
WE CAN'T CATCH THE GUY!

559
00:29:45,968 --> 00:29:47,267
HE'S UN-FUCKING-TOUCHABLE!

560
00:29:47,334 --> 00:29:49,801
[ SIGHS ]
COME ON, LIEUTENANT.

561
00:29:49,868 --> 00:29:51,267
WE ALREADY GOT A WIN.

562
00:29:51,334 --> 00:29:52,934
IT'S NOT ABOUT YOUR WIN.

563
00:29:53,000 --> 00:29:55,267
IT'S ABOUT THE BIG PICTURE.

564
00:30:05,667 --> 00:30:07,634
Dexter:
I'VE SEEN THIS BEFORE.

565
00:30:07,701 --> 00:30:09,801
WHENEVER A COP IS KILLED,

566
00:30:09,868 --> 00:30:13,868
IT'S LIKE EVERYONE'S LIFE HAS
BEEN STOPPED IN MID-SENTENCE.

567
00:30:13,934 --> 00:30:17,701
DAVEY SANCHEZ WAS
A FEARLESS AND DEDICATED COP.

568
00:30:17,767 --> 00:30:23,167
DAVEY SANCHEZ WAS A SON,
A HUSBAND, AND A FATHER.

569
00:30:23,234 --> 00:30:26,567
DAVEY SANCHEZ WAS MY PARTNER.

570
00:30:26,634 --> 00:30:30,300
DAVEY SANCHEZ WAS MY HERO.

571
00:30:32,400 --> 00:30:34,067
THAT WAS GREAT.

572
00:30:34,133 --> 00:30:36,601
[ SIGHS ]

573
00:30:38,534 --> 00:30:39,801
WHAT, DAD?

574
00:30:41,634 --> 00:30:45,467
EVER SINCE DAVEY WAS KILLED,
MY WORLD FEELS OUT OF CONTROL.

575
00:30:47,167 --> 00:30:48,634
HOW DO YOU FIX IT?

576
00:30:51,234 --> 00:30:53,634
TWO WAYS, I GUESS...

577
00:30:56,033 --> 00:30:58,067
HONOR DAVEY'S MEMORY...

578
00:31:00,400 --> 00:31:02,734
...AND CATCH THE BASTARD
WHO DID THIS TO HIM.

579
00:31:04,901 --> 00:31:08,334
IT'S NOT ABOUT VENGEANCE.

580
00:31:08,400 --> 00:31:11,167
IT'S NOT
ABOUT RETALIATION...

581
00:31:11,234 --> 00:31:14,234
OR BALANCING THE BOOKS.

582
00:31:14,300 --> 00:31:17,767
IT'S ABOUT SOMETHING
DEEP INSIDE.

583
00:31:20,634 --> 00:31:23,567
MY FATHER HAD MORE
THAN HIS SHARE OF PAIN.

584
00:31:23,634 --> 00:31:27,133
BUT HE DIDN'T DEAL WITH IT
THE WAY MOST PEOPLE DO.

585
00:31:27,200 --> 00:31:30,701
HAPPY HOUR --
NOW, THERE'S A MISNOMER.

586
00:31:30,767 --> 00:31:32,767
I'LL HAVE WHAT HE'S HAVING.

587
00:31:34,000 --> 00:31:35,033
WISE CHOICE.

588
00:31:36,767 --> 00:31:37,701
[ SIGHS ]

589
00:31:37,767 --> 00:31:39,033
YOU CELEBRATING?

590
00:31:39,100 --> 00:31:41,033
SOMETHING LIKE THAT.

591
00:31:43,434 --> 00:31:46,000
HEY, HAVE WE MET?

592
00:31:46,067 --> 00:31:48,534
I DOUBT IT.
I JUST MOVED DOWN HERE.

593
00:31:48,601 --> 00:31:51,133
I NEEDED A NEW START.

594
00:31:51,200 --> 00:31:53,367
GIRLFRIEND OR BOYFRIEND?

595
00:31:53,434 --> 00:31:55,267
EX-WIFE.

596
00:31:55,334 --> 00:31:57,067
SHE SAID I DRANK TOO MUCH.

597
00:31:57,133 --> 00:31:59,334
HENCE THE "EX" PART.

598
00:31:59,400 --> 00:32:00,834
FUCK HER.

599
00:32:00,901 --> 00:32:02,601
MAN, SHE WAS ALL OVER ME
TO CHANGE,

600
00:32:02,667 --> 00:32:05,634
LIKE SHE NEVER DONE ANYTHING
WRONG IN HER LIFE...

601
00:32:05,701 --> 00:32:07,934
BESIDES MARRYING ME.

602
00:32:08,000 --> 00:32:09,300
WE ALL MAKE MISTAKES.

603
00:32:09,367 --> 00:32:11,534
UNFORTUNATELY,
MINE USUALLY INVOLVE LAWYERS.

604
00:32:11,601 --> 00:32:14,400
GOD!
DAMN IT!

605
00:32:14,467 --> 00:32:17,100
I THOUGHT I WAS THE ONLY ONE
WHO HATED THE HURRICANES.

606
00:32:17,167 --> 00:32:18,901
I TAKE IT YOU DIDN'T GROW UP
IN MIAMI.

607
00:32:18,968 --> 00:32:21,501
NO, I'VE HAD TO MOVE
AROUND SOME.

608
00:32:21,567 --> 00:32:23,000
SAY NO MORE.

609
00:32:23,067 --> 00:32:26,200
BUT HOME
IS WHERE MY ASS IS.

610
00:32:26,267 --> 00:32:28,400
I'M GETTING MINE
OUT OF TOWN.

611
00:32:28,467 --> 00:32:31,100
ENJOY MIAMI.

612
00:32:31,167 --> 00:32:33,968
REMEMBER, THERE'S NOTHING
A NEW CITY CAN'T CURE.

613
00:32:34,033 --> 00:32:37,133
[ CHUCKLES ]
YOU GOT THAT RIGHT.

614
00:32:37,200 --> 00:32:38,734
HEY, THANKS, BUDDY.

615
00:32:38,801 --> 00:32:41,067
NEXT ONE'S ON ME.

616
00:32:41,133 --> 00:32:42,901
[ SIGHS ]

617
00:32:42,968 --> 00:32:44,601
YOU SURE YOU'RE GOOD
TO DRIVE?

618
00:32:44,667 --> 00:32:46,767
BEEN A LOT WORSE.

619
00:32:58,033 --> 00:33:00,701
[ CAR ALARM BEEPS ]

620
00:33:00,767 --> 00:33:03,601
[ CAR DOOR CLOSES,
ENGINE TURNS OVER ]

621
00:33:03,667 --> 00:33:05,968
[ TIRES SCREECH ]

622
00:33:07,200 --> 00:33:09,501
I SURE HOPE HE DOESN'T GO OUT
THERE AND KILL HIMSELF.

623
00:33:09,567 --> 00:33:11,501
THAT WOULD BE...TRAGIC.

624
00:33:23,167 --> 00:33:26,901
MATT CHAMBERS IS ACCUSED OF
COMMITTING A CRIME IN FLORIDA.

625
00:33:26,968 --> 00:33:28,601
HE WAS ARRESTED IN FLORIDA,

626
00:33:28,667 --> 00:33:30,801
AND HE'S BEING TRIED
IN FLORIDA.

627
00:33:32,400 --> 00:33:34,067
SO THE GOOD PEOPLE OF FLORIDA

628
00:33:34,133 --> 00:33:37,200
ONLY WENT AS FAR AS VALIDATING
THEIR OWN ASSUMPTIONS

629
00:33:37,267 --> 00:33:40,234
THAT MATT CHAMBERS
IS A FLORIDA BAD GUY.

630
00:33:55,834 --> 00:33:57,667
[ PRINTER WHIRS ]

631
00:34:00,901 --> 00:34:04,267
"NOTHING A NEW CITY
CAN'T CURE."

632
00:34:09,067 --> 00:34:14,801
MY FATHER TAUGHT ME ONE THING
ABOVE ALL OTHERS -- TO BE SURE.

633
00:34:14,868 --> 00:34:16,567
AND I AM.

634
00:34:16,634 --> 00:34:20,467
MATT CHAMBERS,
MIAMI IS YOUR LAST STOP.

635
00:34:20,534 --> 00:34:24,133
IF GOD IS IN THE DETAILS,
AND IF I BELIEVED IN GOD,

636
00:34:24,200 --> 00:34:26,534
THEN HE'S IN THIS ROOM WITH ME.

637
00:34:28,400 --> 00:34:31,567
I JUST WISH HE'D BROUGHT
AN EXTENSION CORD.

638
00:34:31,634 --> 00:34:33,868
[ INDISTINCT TALKING ON P.A. ]

639
00:34:35,467 --> 00:34:37,400
HEY.

640
00:34:37,467 --> 00:34:39,167
IT'S JAMES.

641
00:34:39,234 --> 00:34:43,801
WE'RE GONNA GET THE BASTARD
WHO DID THIS TO YOU.

642
00:34:43,868 --> 00:34:48,834
[ SPEAKING INDISTINCTLY ]

643
00:35:06,434 --> 00:35:08,300
Deb: THIS GUY
IS JUST TOYING WITH US,

644
00:35:08,367 --> 00:35:10,434
AND LaGUERTA'S
TOO FUCKING DUMB TO SEE IT.

645
00:35:10,501 --> 00:35:12,267
DEB WAS SAYING
THAT THIS PSYCHO GUY

646
00:35:12,334 --> 00:35:14,234
CUT OFF THAT CHICK'S
FINGERTIPS?

647
00:35:14,300 --> 00:35:17,734
MAN, THAT'S GOT TO
SUCK, RIGHT?

648
00:35:19,901 --> 00:35:23,501
GUERRERO TAKING HOME LOBSTERS
TO BOIL ALIVE --

649
00:35:23,567 --> 00:35:25,267
THAT'S NOT HIS STYLE.

650
00:35:25,334 --> 00:35:30,868
HE USUALLY LEAVES THE KILLING
TO SOMEONE ELSE.

651
00:35:30,934 --> 00:35:34,133
SO, HOW LONG HAVE YOU TWO
BEEN GOING OUT?

652
00:35:34,200 --> 00:35:35,567
A COUPLE WEEKS, I GUESS.

653
00:35:35,634 --> 00:35:37,968
UH, DEB NEVER MENTIONED
HOW YOU MET.

654
00:35:38,033 --> 00:35:40,767
WELL, SHE BROUGHT HER CAR
INTO MY SHOP, AND...

655
00:35:40,834 --> 00:35:44,100
YOU HAVE YOUR OWN PLACE?

656
00:35:44,167 --> 00:35:45,434
NO, BUT I WISH I DID.

657
00:35:52,667 --> 00:35:53,734
SOMEDAY, HUH?

658
00:35:53,801 --> 00:35:56,467
DEX, ENOUGH
WITH THE INQUISITION.

659
00:35:56,534 --> 00:35:57,868
NO, IT'S ALL RIGHT.

660
00:35:57,934 --> 00:35:59,901
IF I HAD A SISTER
WITH LEGS LIKE YOURS,

661
00:35:59,968 --> 00:36:02,534
I'D BE CHECKING OUT THE DUDE
SHE WAS SEEING, TOO.

662
00:36:02,601 --> 00:36:05,534
IS THIS GUY A KEEPER
OR WHAT?

663
00:36:07,200 --> 00:36:09,968
COME ON.
I'LL GET YOU ANOTHER DRINK.

664
00:36:10,033 --> 00:36:12,100
ARE YOU GUYS GOOD?

665
00:36:12,167 --> 00:36:13,534
YEP.

666
00:36:18,667 --> 00:36:19,968
SEEMS LIKE A NICE GUY.

667
00:36:20,033 --> 00:36:21,467
MM-HMM.

668
00:36:21,534 --> 00:36:24,901
THEY COULD BARELY KEEP
THEIR HANDS OFF EACH OTHER.

669
00:36:24,968 --> 00:36:27,901
I CAN KILL A MAN,
DISMEMBER HIS BODY,

670
00:36:27,968 --> 00:36:30,300
AND BE HOME IN TIME
FOR "LETTERMAN."

671
00:36:30,367 --> 00:36:31,834
BUT KNOWING WHAT TO SAY

672
00:36:31,901 --> 00:36:35,033
WHEN MY GIRLFRIEND'S
FEELING INSECURE...

673
00:36:35,100 --> 00:36:37,200
I'M TOTALLY LOST.

674
00:36:41,067 --> 00:36:43,801
Man: OFF YOUR ASS, CERVANTES.
HANDS BEHIND YOUR BACK.

675
00:36:43,868 --> 00:36:46,000
WALK BACKWARDS
AND ASSUME THE POSITION.

676
00:36:46,067 --> 00:36:47,834
[ KEYS RATTLE ]

677
00:36:55,467 --> 00:36:56,834
STEP AWAY.

678
00:36:59,434 --> 00:37:00,601
[ LOCK CLICKS ]

679
00:37:03,968 --> 00:37:05,400
EXIT THE CELL.

680
00:37:07,868 --> 00:37:09,167
WHERE ARE WE GOING?

681
00:37:09,234 --> 00:37:10,701
THE CALL CAME DOWN.

682
00:37:10,767 --> 00:37:12,968
THEY WANT YOU MOVED
TO A MORE SECURE BLOCK.

683
00:37:17,567 --> 00:37:21,000
YOU THINK THE CALL TO TAKE CARE
OF ME CAME DOWN FROM THE WARDEN?

684
00:37:21,067 --> 00:37:24,701
WHO THE FUCK DO YOU THINK
THE WARDEN LISTENS TO?

685
00:37:26,334 --> 00:37:27,701
GET USED TO IT.

686
00:37:27,767 --> 00:37:30,434
[ GRUNTING ]

687
00:37:32,100 --> 00:37:34,067
THAT'S
FROM MR. GUERRERO.

688
00:37:34,133 --> 00:37:36,100
[ GRUNTS ]

689
00:37:38,734 --> 00:37:40,834
[ DOOR CLOSES ]

690
00:37:40,901 --> 00:37:42,934
Dexter:
* ARE YOU SLEEPING? *

691
00:37:43,000 --> 00:37:46,734
* ARE YOU SLEEPING? *

692
00:37:46,801 --> 00:37:50,400
* BROTHER JOHN *

693
00:37:50,467 --> 00:37:54,234
* BROTHER JOHN *

694
00:37:54,300 --> 00:37:57,934
* MORNING BELLS ARE RINGING *

695
00:37:58,000 --> 00:38:02,067
* MORNING BELLS ARE RINGING *

696
00:38:02,133 --> 00:38:06,300
* DING DING DONG *

697
00:38:06,367 --> 00:38:11,434
* DING DING DONG *

698
00:38:11,501 --> 00:38:13,801
Man:NEW CLAIMS
FOR U.S. UNEMPLOYMENT BENEFITS

699
00:38:13,868 --> 00:38:17,234
FELL UNEXPECTEDLY TO 273,000
LAST WEEK,

700
00:38:17,300 --> 00:38:19,234
PUSHING THE 4-WEEK
AVERAGE CLAIM

701
00:38:19,300 --> 00:38:21,501
TO THE LOWEST LEVEL
IN NEARLY 6 YEARS.

702
00:38:21,567 --> 00:38:23,534
INITIAL CLAIMS
FOR STATE JOBLESS AID

703
00:38:23,601 --> 00:38:26,334
FELL 11,000
IN THE WEEK JUST ENDED.

704
00:38:26,400 --> 00:38:27,934
[ TELEVISION MUTES ]

705
00:38:32,667 --> 00:38:36,033
Dexter:EVERY TIME A WOMAN
TRIES TO DO THIS TO ME, IT...

706
00:38:36,100 --> 00:38:37,834
TICKLES.

707
00:38:40,133 --> 00:38:41,968
STILL, IT'S NOT ENTIRELY
UNPLEASANT.

708
00:38:42,033 --> 00:38:43,334
WHAT?

709
00:38:43,400 --> 00:38:44,801
THE KIDS.

710
00:38:44,868 --> 00:38:48,934
OH, THEY SLEEP
THROUGH THUNDERSTORMS.

711
00:39:17,901 --> 00:39:19,000
[ GRUNTS ]

712
00:39:20,734 --> 00:39:23,033
I'M SORRY.

713
00:39:25,467 --> 00:39:27,400
[ SIGHS ]

714
00:39:27,467 --> 00:39:29,367
TELL ME.

715
00:39:31,400 --> 00:39:33,801
I-I CAN'T DO THIS.

716
00:39:35,267 --> 00:39:37,634
THAT'S OKAY.

717
00:39:37,701 --> 00:39:40,067
THAT'S OKAY.

718
00:39:40,133 --> 00:39:42,367
I'M OKAY.

719
00:39:43,601 --> 00:39:46,934
[ SIGHS ]

720
00:39:47,000 --> 00:39:50,334
WE HAVE AN ELEPHANT IN THE ROOM,
AND ITS NAME IS "SEX."

721
00:39:50,400 --> 00:39:53,434
[ CHUCKLES NERVOUSLY ]
TELL ME ABOUT IT.

722
00:39:54,801 --> 00:39:56,400
HEY, AS FAR
AS I'M CONCERNED,

723
00:39:56,467 --> 00:39:58,133
IT CAN JUST STAY
IN THE CORNER

724
00:39:58,200 --> 00:39:59,901
AND MIND
ITS OWN DAMN BUSINESS.

725
00:40:01,234 --> 00:40:03,501
IT'S EASIER SAID
THAN DONE.

726
00:40:05,133 --> 00:40:07,133
YEAH.

727
00:40:08,167 --> 00:40:12,067
BUT IT NEEDS TO BE RIGHT...

728
00:40:12,133 --> 00:40:14,567
FOR BOTH OF US.

729
00:40:16,100 --> 00:40:19,467
OR IT WON'T BE RIGHT
FOR EITHER OF US.

730
00:40:22,133 --> 00:40:24,067
I DON'T WANT THAT.
DO YOU?

731
00:40:26,334 --> 00:40:28,534
NO.

732
00:40:28,601 --> 00:40:30,367
YOU KNOW...

733
00:40:30,434 --> 00:40:31,901
[ CHUCKLES ]

734
00:40:31,968 --> 00:40:33,734
WOW.

735
00:40:33,801 --> 00:40:36,901
I CAN'T BELIEVE I FOUND
THE ONE GOOD, TRULY DECENT MAN

736
00:40:36,968 --> 00:40:38,634
LEFT ON THE PLANET.

737
00:40:40,968 --> 00:40:43,167
...WAS FOUND DEAD
IN A BASEMENT HALLWAY

738
00:40:43,234 --> 00:40:44,501
OF THE MIAMI METRO JAIL.

739
00:40:44,567 --> 00:40:47,067
NORBERTO CERVANTES
WAS A KNOWN ASSOCIATE

740
00:40:47,133 --> 00:40:49,501
OF REPUTED DRUG LORD
CARLOS GUERRERO.

741
00:40:49,567 --> 00:40:51,667
SPECULATION IS
THAT ANOTHER INMATE

742
00:40:51,734 --> 00:40:54,267
IS RESPONSIBLE
FOR THE MAYHEM HERE TONIGHT.

743
00:41:13,734 --> 00:41:15,100
[ KNOCK ON DOOR ]

744
00:41:15,167 --> 00:41:16,701
[ DOOR OPENS ]

745
00:41:18,701 --> 00:41:20,434
[ DOOR CLOSES ]

746
00:41:20,501 --> 00:41:22,934
NOTICE HOW THE SKIN IS GLOVING
AROUND THE JOINTS?

747
00:41:23,000 --> 00:41:25,100
AND THAT IS IMPORTANT
BECAUSE?

748
00:41:25,167 --> 00:41:27,501
A SURE SIGN
OF POSTMORTEM SEVERANCE,

749
00:41:27,567 --> 00:41:30,634
MEANING THE VICTIM WAS ALREADY
DEAD WHEN SHE WAS [WHISTLES]

750
00:41:30,701 --> 00:41:32,467
RELIEVED OF HER FINGERTIPS.

751
00:41:32,534 --> 00:41:33,901
WHY THE DIFFERENT
NAIL POLISHES?

752
00:41:33,968 --> 00:41:35,467
WHAT THE HELL IS THIS GUY
THINKING?

753
00:41:35,534 --> 00:41:38,167
Dexter:HE'S THINKING,
"TAG, DEXTER, YOU'RE IT."

754
00:41:38,234 --> 00:41:40,634
I DON'T KNOW.
DO YOU HAVE AN I.D.?

755
00:41:40,701 --> 00:41:43,200
SHARI TAYLOR --
ANOTHER HOOKER.

756
00:41:43,267 --> 00:41:45,234
AT LEAST HE'S CONSISTENT.
YEAH.

757
00:41:45,300 --> 00:41:48,167
KILLING YOUNG WOMEN
THAT HAVE TO SELL THEIR BODIES

758
00:41:48,234 --> 00:41:49,701
JUST TO SURVIVE...

759
00:41:49,767 --> 00:41:51,434
OR FEED THEIR KIDS.

760
00:41:51,501 --> 00:41:53,501
MY SISTER PUTS UP A FRONT

761
00:41:53,567 --> 00:41:56,133
SO THE WORLD WON'T SEE
HOW VULNERABLE SHE IS.

762
00:41:58,534 --> 00:42:00,133
ME, I PUT UP A FRONT

763
00:42:00,200 --> 00:42:04,334
SO THE WORLD WON'T SEE
HOW VULNERABLE I'M NOT.

764
00:42:04,400 --> 00:42:08,033
I DON'T CARE WHO
THESE FINGERTIPS BELONG TO,

765
00:42:08,100 --> 00:42:11,267
ONLY WHAT MY NEW FRIEND
OUT THERE IS TRYING TO SAY.

766
00:42:11,334 --> 00:42:14,000
MORGAN?
THE CAPTAIN WANTS YOU.

767
00:42:16,400 --> 00:42:17,834
HER.

768
00:42:22,567 --> 00:42:24,434
[ DOOR CLOSES ]

769
00:42:24,501 --> 00:42:26,534
[ SIGHS ]

770
00:42:26,601 --> 00:42:28,000
[ TELEPHONE RINGS ]

771
00:42:36,634 --> 00:42:37,901
YOU WANTED
TO SEE ME, SIR?

772
00:42:37,968 --> 00:42:40,868
LIEUTENANT LaGUERTA HAS
SOMETHING SHE WANTS TO TELL YOU.

773
00:42:40,934 --> 00:42:44,734
OFFICER MORGAN, YOU'VE SHOWN
TREMENDOUS INITIATIVE

774
00:42:44,801 --> 00:42:46,067
THESE LAST FEW DAYS.

775
00:42:46,133 --> 00:42:49,534
BECAUSE OF YOU, WE WERE ABLE TO
TRACK DOWN THAT ICE TRUCK,

776
00:42:49,601 --> 00:42:52,834
AND WE NOW HAVE AN I.D.
ON THE LATEST VICTIM.

777
00:42:52,901 --> 00:42:55,234
THE CAPTAIN BELIEVES
YOU SHOULD BE REASSIGNED

778
00:42:55,300 --> 00:42:56,434
FROM VICE TO HOMICIDE.

779
00:42:56,501 --> 00:43:00,367
AND I CONCUR.
CONGRATULATIONS.

780
00:43:00,434 --> 00:43:02,868
YOU'RE A GOOD COP,
LIKE YOUR OLD MAN.

781
00:43:02,934 --> 00:43:05,267
[ Laughing ]
THANK YOU, SIR!

782
00:43:05,334 --> 00:43:07,067
[ SNIFFLES ]

783
00:43:09,434 --> 00:43:11,234
THANK YOU SO MUCH.

784
00:43:11,300 --> 00:43:13,767
I SEE A DETECTIVE SHIELD
IN YOUR FUTURE.

785
00:43:13,834 --> 00:43:15,968
I WON'T LET YOU DOWN,
SIR.

786
00:43:16,033 --> 00:43:18,634
[ LAUGHS ]

787
00:43:23,133 --> 00:43:24,901
I HOPE YOU KNOW
WHAT YOU'RE DOING.

788
00:43:24,968 --> 00:43:27,501
I PROMOTEDYOU,
DIDN'T I?

789
00:43:29,300 --> 00:43:32,000
NOW FIND ME
THIS ICE-TRUCK SON OF A BITCH.

790
00:43:32,067 --> 00:43:33,834
[ DOOR CLOSES ]

791
00:43:36,067 --> 00:43:39,601
OKAY?
OKAY.

792
00:43:39,667 --> 00:43:40,834
[ SIGHS ]

793
00:43:40,901 --> 00:43:44,200
Y NINA Y TU HIJA,
¿CóMO ESTáN?

794
00:43:44,267 --> 00:43:46,968
ESTáN MARAVILLOSAS.

795
00:43:48,968 --> 00:43:51,467
Tú SABES QUE ELLAS TAMBIéN
TE NECESITAN, ¿EH?

796
00:43:53,400 --> 00:43:56,334
ANGEL,
VETE A TU CASA.

797
00:44:04,000 --> 00:44:05,267
Okay.

798
00:44:05,334 --> 00:44:06,534
LaGuerta:
BURNING THE OIL?

799
00:44:06,601 --> 00:44:09,067
I CLOCKED OUT.

800
00:44:11,367 --> 00:44:13,968
WHY ARE YOU GOING AT THIS
SO HARD?

801
00:44:14,033 --> 00:44:15,934
WHEN SOMEONE COMES
AFTER ONE OF US,

802
00:44:16,000 --> 00:44:17,367
HE COMES AFTER ALL OF US.

803
00:44:22,400 --> 00:44:23,701
I KNOW THAT LOOK, MARIA.

804
00:44:23,767 --> 00:44:25,901
YOU GOT SOMETHING TO SAY,
JUST SAY IT.

805
00:44:25,968 --> 00:44:28,501
I JUST GOT OFF THE PHONE
WITH THE HOSPITAL.

806
00:44:30,367 --> 00:44:33,467
KARA SIMMONS SUFFERED MASSIVE
HEART FAILURE 30 MINUTES AGO.

807
00:44:33,534 --> 00:44:34,801
I GOT TO BE THERE.

808
00:44:36,067 --> 00:44:37,367
JAMES, SHE DIED.

809
00:44:52,100 --> 00:44:54,167
WAS CERVANTES RIGHT?

810
00:44:56,167 --> 00:44:59,434
WAS KARA SLEEPING WITH SOMEONE
OTHER THAN RICKY?

811
00:45:01,901 --> 00:45:04,033
WAS IT YOU?

812
00:45:07,601 --> 00:45:09,868
[ SIGHS ] WHAT THE FUCK
WERE YOU THINKING?!

813
00:45:09,934 --> 00:45:11,567
WHAT THE FUCK BUSINESS
IS IT OF YOURS?!

814
00:45:11,634 --> 00:45:15,234
MY COPS, MY PRECINCT --
MY BUSINESS!

815
00:45:15,300 --> 00:45:17,667
KARA WAS GONNA ASK RICKY
FOR A DIVORCE

816
00:45:17,734 --> 00:45:19,667
AS SOON AS HE CAME OFF
UNDERCOVER.

817
00:45:19,734 --> 00:45:21,033
SHE DIDN'T WANT TO...

818
00:45:21,100 --> 00:45:24,200
SHE DIDN'T WANT TO HURT HIM
WHEN HE WAS ON THE CASE.

819
00:45:27,667 --> 00:45:30,567
IF I GO BY THE BOOK,
I TAKE YOU OFF THE CASE.

820
00:45:30,634 --> 00:45:31,834
FUCK THE BOOK.

821
00:45:31,901 --> 00:45:33,834
THERE'S NOBODY
MORE MOTIVATED TO GET --

822
00:45:33,901 --> 00:45:35,200
REVENGE?

823
00:45:35,267 --> 00:45:38,634
JUSTICE.

824
00:45:46,667 --> 00:45:48,567
TAKE POINT
ON GUERRERO.

825
00:45:52,734 --> 00:45:54,601
THANKS.

826
00:45:57,100 --> 00:45:58,534
IN SLAUGHTERHOUSES,

827
00:45:58,601 --> 00:46:01,534
THEY STUN THE ANIMALS
BEFORE BUTCHERING THEM.

828
00:46:01,601 --> 00:46:03,801
IT'S THE HUMANE THING TO DO.

829
00:46:03,868 --> 00:46:07,801
THOSE ANIMALS...
THEY'RE THE LUCKY ONES.

830
00:46:14,601 --> 00:46:15,934
[ ENGINE TURNS OFF ]

831
00:46:20,467 --> 00:46:22,467
[ BEEPING ]

832
00:46:22,534 --> 00:46:25,501
"BROTHER, MEET ME
AT LOCO'S CRAB SHACK.

833
00:46:25,567 --> 00:46:28,534
TOTALLY IMPORTANT.
DO NOT LET ME DOWN. DEB."

834
00:46:30,167 --> 00:46:31,601
GONE TO REST HIS WEARY HEAD.

835
00:46:31,667 --> 00:46:33,734
THE GOOD NEWS IS,
HE'LL STILL BE HERE

836
00:46:33,801 --> 00:46:36,434
WHEN I COME BACK FOR
OUR OWN PERSONAL HAPPY HOUR.

837
00:46:36,501 --> 00:46:39,167
[ UP-TEMPO SPANISH MUSIC PLAYS ]

838
00:46:39,234 --> 00:46:41,400
MMM,
GOD, THESE ARE SO GOOD.

839
00:46:41,467 --> 00:46:43,601
NOT AS GOOD
AS YOUR GOOD NEWS.

840
00:46:43,667 --> 00:46:48,000
MY LITTLE SISTER'S ALL GROWED-UP
AND TRANSFERRED TO HOMICIDE.

841
00:46:49,734 --> 00:46:50,834
MMM.

842
00:46:50,901 --> 00:46:52,334
AND THE BEST PART --

843
00:46:52,400 --> 00:46:55,868
LaGUERTA HAD TO SAY
THE ACTUAL WORDS.

844
00:46:55,934 --> 00:46:57,567
I THOUGHT HER HEAD
WOULD EXPLODE.

845
00:46:57,634 --> 00:46:58,868
I'M REALLY PROUD OF YOU.

846
00:46:58,934 --> 00:47:01,634
YOU HAD MY BACK THE WHOLE WAY,
AND I APPRECIATE IT.

847
00:47:01,701 --> 00:47:04,801
I MEAN THAT.
YOU'RE THE BEST.

848
00:47:04,868 --> 00:47:07,801
AND THAT'S WHY I WANTED
TO SHARE THIS MOMENT WITH YOU.

849
00:47:07,868 --> 00:47:09,367
SO, SEAN WAS BUSY?

850
00:47:09,434 --> 00:47:13,667
AH, IT TURNS OUT
THERE'S ANOTHER WOMAN.

851
00:47:13,734 --> 00:47:15,534
WHO?

852
00:47:15,601 --> 00:47:17,667
ME.

853
00:47:17,734 --> 00:47:20,000
SEAN THE MECHANIC
IS MARRIED?

854
00:47:20,067 --> 00:47:22,367
IMAGINE ME PICKING
THE WRONG GUY, HUH?

855
00:47:22,434 --> 00:47:24,534
AND YOU AND HE ARE...

856
00:47:24,601 --> 00:47:25,701
SO OVER.

857
00:47:25,767 --> 00:47:27,701
I DUMPED HIS MARRIED ASS.

858
00:47:27,767 --> 00:47:30,467
I JUST WISH I COULD GET
INTO A HEALTHY RELATIONSHIP,

859
00:47:30,534 --> 00:47:32,534
LIKE YOU AND RITA,
WITHOUT THE DRAMA

860
00:47:32,601 --> 00:47:35,267
AND THE TENSION
AND THE UNCERTAINTY.

861
00:47:35,334 --> 00:47:37,734
YEAH, I'M A LUCKY GUY.

862
00:47:37,801 --> 00:47:40,767
[ SPANISH MUSIC CONTINUES ]

863
00:47:49,767 --> 00:47:52,367
[ THUNDER RUMBLES ]

864
00:47:54,501 --> 00:47:56,334
JESUS, DAD,
IT'S CALLED BEING ON TIME!

865
00:47:56,400 --> 00:47:57,701
DID YOU EVER HEAR OF IT?

866
00:47:57,767 --> 00:47:59,901
I WAS HAVING A BAD DAY.

867
00:47:59,968 --> 00:48:02,667
THE CAPTAIN AND I
HAD A DISCUSSION.

868
00:48:02,734 --> 00:48:04,400
WELL, MAYBE YOU SH--

869
00:48:04,467 --> 00:48:06,067
WAIT.
W-WHAT KIND OF BAD DAY?

870
00:48:06,133 --> 00:48:10,367
IT'S ABOUT THE GUY
WHO KILLED DAVEY, ISN'T IT?

871
00:48:10,434 --> 00:48:14,434
THE JUDGE SAID THE BUST WASN'T
RIGHTEOUS AND LET HIM WALK.

872
00:48:14,501 --> 00:48:17,734
THAT GUY KILLS A COP,
AND NOTHING HAPPENS?

873
00:48:19,133 --> 00:48:20,834
[ SCOFFS ]
THAT'S NOT FAIR.

874
00:48:20,901 --> 00:48:22,467
LIFE'S NOT FAIR, DEXTER.

875
00:48:22,534 --> 00:48:24,033
[ THUNDER RUMBLES ]

876
00:48:24,100 --> 00:48:25,534
CAN'T ANYONE DO ANYTHING?

877
00:48:25,601 --> 00:48:27,467
CAN'T YOU DO SOMETHING?

878
00:48:27,534 --> 00:48:29,968
NO, NOT NOW.

879
00:48:32,467 --> 00:48:34,033
SO WHAT, THEN?

880
00:48:34,100 --> 00:48:37,267
THE WORLD JUST KEEPS
SPINNING OUT OF CONTROL?

881
00:48:39,400 --> 00:48:41,667
NO.

882
00:48:41,734 --> 00:48:43,767
THE WORLD CAN ALWAYS
BE SET RIGHT AGAIN.

883
00:48:43,834 --> 00:48:45,067
[ THUNDER RUMBLES ]

884
00:48:45,133 --> 00:48:48,734
THAT GUY KILLS A COP,
AND NOTHING HAPPENS?

885
00:48:48,801 --> 00:48:51,434
NOT ANYMORE.

886
00:48:51,501 --> 00:48:52,734
BE BACK IN A SEC.

887
00:48:52,801 --> 00:48:56,000
I'M KIND OF RUNNING THE GAMUT
HERE EMOTION-WISE.

888
00:48:56,067 --> 00:48:58,501
NATURE CALLS.

889
00:48:58,567 --> 00:49:02,100
ALL THE PLANNING,
THE MAKING SURE...

890
00:49:02,167 --> 00:49:04,601
DOES IT GO AWAY
BECAUSE I HAVE A CHANCE

891
00:49:04,667 --> 00:49:08,667
TO RID THE WORLD OF A COP
KILLER AND BALANCE THE BOOKS?

892
00:49:08,734 --> 00:49:11,467
DO I JUST IGNORE
EVERYTHING MY FATHER TAUGHT ME

893
00:49:11,534 --> 00:49:13,200
ABOUT HOW TO DO THIS RIGHT,

894
00:49:13,267 --> 00:49:16,834
ABOUT HOW TO STAY SAFE
SO I CAN DO IT AGAIN?

895
00:49:20,434 --> 00:49:25,267
[ CELLPHONE RINGS ]

896
00:49:25,334 --> 00:49:26,667
YEP.

897
00:49:28,200 --> 00:49:31,234
I DON'T GIVE A SHIT
ABOUT YOUR GODDAMN PROBLEMS.

898
00:49:31,300 --> 00:49:33,868
I GAVE YOU A JOB.
YOU TAKE CARE OF IT.

899
00:49:33,934 --> 00:49:36,334
[ CELLPHONE CLICKS ]

900
00:49:37,634 --> 00:49:40,167
WHAT THE FUCK
YOU LOOKING AT?

901
00:49:51,734 --> 00:49:53,601
HAPPY BIRTHDAY, ALEX!

902
00:49:53,667 --> 00:49:56,400
[INDISTINCT VOICES ]

903
00:50:06,601 --> 00:50:08,300
BUT NEXT YEAR
AT THIS TIME...

904
00:50:08,367 --> 00:50:10,734
IT'S YOU.

905
00:50:10,801 --> 00:50:12,734
AND YOU.

906
00:50:12,801 --> 00:50:15,801
Alex:
THANKS, DAD.

907
00:50:15,868 --> 00:50:18,801
[ SIGHS ]

908
00:50:18,868 --> 00:50:20,367
ALL RIGHT,
ENOUGH CORNINESS.

909
00:50:20,434 --> 00:50:22,367
WE MEET AGAIN...

910
00:50:22,434 --> 00:50:25,100
AAH!
[ GRUNTS ]

911
00:50:25,167 --> 00:50:27,934
[ GASPING ]

912
00:50:30,234 --> 00:50:31,667
...FOR THE LAST TIME.

913
00:50:34,467 --> 00:50:36,834
I DIDN'T DO ANYTH--
ANYTHING.

914
00:50:36,901 --> 00:50:38,901
SOME PEOPLE BELIEVE THAT.

915
00:50:41,334 --> 00:50:43,033
THE PROBLEM IS, I DON'T.

916
00:50:43,100 --> 00:50:44,901
BUT IT'S TRUE.

917
00:50:44,968 --> 00:50:46,467
I WAS -- I WAS SET UP.

918
00:50:49,267 --> 00:50:50,634
BY WHOM?

919
00:50:50,701 --> 00:50:54,167
THAT -- THAT FAMILY.

920
00:50:55,601 --> 00:50:57,033
THEY NEEDED SOMEONE
TO BLAME.

921
00:50:57,100 --> 00:50:59,300
IT'S A NATURAL THING TO DO
WHEN YOU'RE GRIEVING.

922
00:50:59,367 --> 00:51:01,200
SO THEN NONE OF THIS
IS YOUR FAULT?

923
00:51:01,267 --> 00:51:02,734
I SWEAR.

924
00:51:02,801 --> 00:51:03,734
[ DRILL WHIRRING ]

925
00:51:03,801 --> 00:51:06,033
Okay! Okay! Okay!
No!

926
00:51:06,100 --> 00:51:08,000
Okay. Okay. Stop.

927
00:51:08,067 --> 00:51:09,801
ALL RIGHT.

928
00:51:09,868 --> 00:51:10,834
OKAY, OKAY.

929
00:51:10,901 --> 00:51:14,033
IT -- IT WAS ME,
ONLY IT WASN'T ME.

930
00:51:14,100 --> 00:51:15,934
IT WAS THE BOOZE.

931
00:51:16,000 --> 00:51:18,200
IT TAKES ME OVER.

932
00:51:18,267 --> 00:51:19,434
THAT'S A POINT OF VIEW

933
00:51:19,501 --> 00:51:21,634
TO WHICH I'M NOT ENTIRELY
UNSYMPATHETIC.

934
00:51:21,701 --> 00:51:24,567
NEITHER YOU NOR I

935
00:51:24,634 --> 00:51:29,100
IS IN COMPLETE CONTROL
OF OUR DESTINIES.

936
00:51:29,167 --> 00:51:30,400
ALTHOUGH, AT THE MOMENT,

937
00:51:30,467 --> 00:51:32,667
[ WHIRRING ]
IT WOULD SEEM
I HAVE THE UPPER HAND.

938
00:51:32,734 --> 00:51:34,467
[ WHIMPERS ]

939
00:51:34,534 --> 00:51:36,767
[ Voice breaking ]
REALLY, I'M SO SORRY.

940
00:51:36,834 --> 00:51:40,968
YOU'VE DONE THIS
TOO MANY TIMES TO BE SORRY.

941
00:51:41,033 --> 00:51:42,868
[ GASPING ]

942
00:51:42,934 --> 00:51:45,434
[ UP-TEMPO SPANISH MUSIC PLAYS ]

943
00:51:49,400 --> 00:51:50,734
[ DRILL WHIRRING ]

944
00:51:52,901 --> 00:51:56,334
CARLOS GUERRERO HAS CHOSEN
TO LIVE IN A DANGEROUS WORLD.

945
00:51:56,400 --> 00:51:58,334
THAT'S HIS TRUTH.

946
00:51:58,400 --> 00:51:59,901
MY TRUTH IS,

947
00:51:59,968 --> 00:52:02,868
THAT WORLD DOESN'T NEED ME
TO BALANCE ITS BOOKS.

948
00:52:02,934 --> 00:52:05,200
[ SINGING IN SPANISH ]

949
00:52:13,801 --> 00:52:15,167
[ GRUNTS ]

950
00:52:17,434 --> 00:52:18,767
[ ENGINE TURNS OVER ]

951
00:52:35,200 --> 00:52:40,501
MATT CHAMBERS, WELCOME TO
YOUR LAST CHANGE OF ADDRESS.

952
00:52:40,567 --> 00:52:42,300
YOU'LL LIKE IT HERE.

953
00:52:42,367 --> 00:52:45,367
YOU AND YOUR NEIGHBORS
HAVE SO MUCH IN COMMON.

954
00:52:48,601 --> 00:52:49,767
[ SWITCH CLICKS ]

955
00:52:49,834 --> 00:52:51,567
[ AIR-CONDITIONER WHIRRING ]

956
00:53:12,667 --> 00:53:15,367
THE WORST THING ABOUT FINALLY
PUTTING TOGETHER A PUZZLE

957
00:53:15,434 --> 00:53:18,534
IS FINDING
THERE ARE MISSING PIECES.

958
00:53:25,734 --> 00:53:28,934
HE CAME BACK AND LEFT NOTHING
BEHIND BUT A MESSAGE --

959
00:53:29,000 --> 00:53:30,567
COME FIND ME.

960
00:53:32,567 --> 00:53:34,200
AND I WILL.

961
00:53:37,133 --> 00:53:39,834
THERE ARE NO SECRETS IN LIFE,

962
00:53:39,901 --> 00:53:45,200
JUST HIDDEN TRUTHS
THAT LIE BENEATH THE SURFACE.

963
00:53:50,033 --> 00:53:53,033
-- <font color="#ffff00">Captions by VITAC</font> --
 <font color="#00ffff">www.vitac.com</font>

964
00:53:54,305 --> 00:54:54,514
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