1 00:00:12,382 --> 00:00:15,851 * well, I know they say all good things * 2 00:00:15,885 --> 00:00:19,087 * must come to some kind of ending * 3 00:00:19,122 --> 00:00:21,189 * we were so damn good * 4 00:00:21,224 --> 00:00:24,593 * I guess we never stood a chance * 5 00:00:24,627 --> 00:00:27,996 * go on and find what you've been missin' * 6 00:00:28,031 --> 00:00:31,099 * when that highway's tired of listenin'... * 7 00:00:34,270 --> 00:00:36,438 You can't just barge in here like... oh! Oh! 8 00:00:36,472 --> 00:00:40,042 What did I tell you two about talking to lawyers? 9 00:00:40,076 --> 00:00:42,477 I-I... no, we didn't! We didn't! 10 00:00:42,512 --> 00:00:44,646 You don't think I know what goes on in my town? 11 00:00:44,681 --> 00:00:46,448 When I tell you not to do something... 12 00:00:46,482 --> 00:00:47,449 aah! 13 00:00:49,052 --> 00:00:50,318 No! No! Ah! 14 00:00:51,921 --> 00:00:53,121 Sit down! 15 00:00:54,891 --> 00:00:57,059 Don't do it. 16 00:00:58,695 --> 00:00:59,828 Now, get me the other hand. 17 00:00:59,862 --> 00:01:00,796 No. 18 00:01:00,830 --> 00:01:03,765 No. No. No. Please don't. Please. 19 00:01:03,800 --> 00:01:05,901 I swear, we didn't do anything. Please! 20 00:01:05,935 --> 00:01:07,669 We didn't do nothing. 21 00:01:11,507 --> 00:01:14,409 The rich and powerful take what they want. 22 00:01:14,444 --> 00:01:16,478 We steal it back for you. 23 00:01:22,719 --> 00:01:27,522 Sometimes, bad guys make the best good guys. 24 00:01:29,058 --> 00:01:30,492 We provide... Leverage ! 25 00:01:36,899 --> 00:01:39,101 I'm sorry. I'm still a bit shook up. 26 00:01:39,135 --> 00:01:40,268 That's all right. 27 00:01:40,303 --> 00:01:41,670 I got it. 28 00:01:41,704 --> 00:01:42,738 That's all right. 29 00:01:42,772 --> 00:01:45,006 Thank you. 30 00:01:45,041 --> 00:01:46,541 So, uh, your brother... 31 00:01:46,576 --> 00:01:48,577 Now, will he ever play again? 32 00:01:48,611 --> 00:01:51,646 Doctors say he'll be lucky to move his fingers again. 33 00:01:51,681 --> 00:01:52,848 Music was his life. 34 00:01:52,882 --> 00:01:55,951 What Kirkwood did was more than wrong. 35 00:01:55,985 --> 00:01:56,318 It was... 36 00:01:56,352 --> 00:01:57,419 It was cruel. 37 00:01:59,956 --> 00:02:01,123 Now, this guy Kirkwood... 38 00:02:01,157 --> 00:02:03,492 You said he has a reputation for doing these kinds of things. 39 00:02:03,526 --> 00:02:04,926 So why would you work for him? 40 00:02:04,961 --> 00:02:07,162 Well, he owns a record label, Mr. Ford. 41 00:02:07,196 --> 00:02:08,163 So? 42 00:02:09,298 --> 00:02:10,866 Put it like this. 43 00:02:10,900 --> 00:02:12,067 The day I was born, 44 00:02:12,101 --> 00:02:14,236 my Mama said I looked at her, smiled, 45 00:02:14,270 --> 00:02:16,104 and asked, "which way to music city?" 46 00:02:16,139 --> 00:02:18,707 He was your shot at stardom. Right. 47 00:02:18,741 --> 00:02:22,410 He hired us to write songs for other artists... 48 00:02:22,445 --> 00:02:23,211 His more established artists. 49 00:02:23,246 --> 00:02:25,113 It was good money, plus royalties. 50 00:02:25,148 --> 00:02:27,149 And we thought we'd hit the jackpot. 51 00:02:27,183 --> 00:02:28,550 But when it came time to pay... 52 00:02:28,584 --> 00:02:30,185 He showed you the fine print. 53 00:02:30,219 --> 00:02:31,219 Exactly. 54 00:02:31,254 --> 00:02:32,454 He charged us rent to park in his lot. 55 00:02:32,488 --> 00:02:34,623 He charged us for the pens we used. 56 00:02:34,657 --> 00:02:36,124 He... he owns our publishing. 57 00:02:36,159 --> 00:02:38,560 So the only difference between Kirkwood and the majors 58 00:02:38,594 --> 00:02:41,296 is that the majors use lawyers to do their dirty work. 59 00:02:41,330 --> 00:02:42,664 And our songs were good. 60 00:02:42,698 --> 00:02:43,732 And they did well. 61 00:02:43,766 --> 00:02:44,933 And before you knew it, 62 00:02:44,967 --> 00:02:48,103 he owed us hundreds of thousands in royalties. 63 00:02:48,137 --> 00:02:48,870 You ever confront him? 64 00:02:48,905 --> 00:02:50,238 Instead of paying us, 65 00:02:50,273 --> 00:02:52,307 he offered to record our own album in his studio... 66 00:02:52,341 --> 00:02:53,341 No charge. 67 00:02:53,376 --> 00:02:54,676 And he said he was gonna get us a spot 68 00:02:54,710 --> 00:02:55,577 on "Saddles & Spurs." 69 00:02:55,611 --> 00:02:57,078 "Saddles & Spu... " what's that? 70 00:02:57,113 --> 00:02:59,281 A big music festival in Memphis. 71 00:02:59,315 --> 00:03:01,283 All right. So, what happened? 72 00:03:01,317 --> 00:03:02,551 When he heard the album, 73 00:03:02,585 --> 00:03:04,419 he decided it was too good to waste 74 00:03:04,453 --> 00:03:06,054 on a couple of unknowns. 75 00:03:06,088 --> 00:03:07,189 So he stole it! 76 00:03:07,223 --> 00:03:09,991 The devil may have gone down to Georgia, Mr. Ford, 77 00:03:10,026 --> 00:03:12,294 but he lives in Memphis. 78 00:03:12,328 --> 00:03:14,930 Mitchell Kirkwood. 79 00:03:14,964 --> 00:03:17,465 Record producer and CEO of Kirkwood Records. 80 00:03:17,500 --> 00:03:18,333 Now, here's a fun fact. 81 00:03:18,367 --> 00:03:19,501 He started off his career as an artist. 82 00:03:19,535 --> 00:03:20,869 Does anybody remember this? 83 00:03:20,903 --> 00:03:22,871 *... Should have been * 84 00:03:22,905 --> 00:03:29,411 * it took a single spark to set the sky a flame * 85 00:03:29,445 --> 00:03:31,780 * when you were in my heart * 86 00:03:31,814 --> 00:03:35,150 * the stars spelled out your name * 87 00:03:35,184 --> 00:03:37,619 I say we take him down for that alone. 88 00:03:38,821 --> 00:03:40,055 Critics agreed. 89 00:03:40,089 --> 00:03:42,390 It's probably why he never released another single. 90 00:03:42,425 --> 00:03:44,292 He took all the money he made and funneled it 91 00:03:44,327 --> 00:03:45,660 into his record company. 92 00:03:45,695 --> 00:03:47,329 And judging by the number of lawsuits filed, 93 00:03:47,363 --> 00:03:48,530 and dropped within days, 94 00:03:48,564 --> 00:03:49,464 I'd sait's not his first time 95 00:03:49,498 --> 00:03:50,966 forcing somebody to settle out of court. 96 00:03:51,000 --> 00:03:53,468 Does he have a criminal record? None. 97 00:03:53,502 --> 00:03:55,637 He carved out a nice, little kingdom in the country-music world. 98 00:03:55,671 --> 00:03:57,706 Yeah, well, he stole Kaye Lynn's music. 99 00:03:57,740 --> 00:04:00,175 He stole her money, he took over their publishing. 100 00:04:00,209 --> 00:04:02,677 Yeah, but we're gonna get it back. 101 00:04:02,712 --> 00:04:05,213 I understand how to steal money, 102 00:04:05,248 --> 00:04:07,115 but how do you steal music? 103 00:04:07,149 --> 00:04:08,683 Oh, it's called a digital master. 104 00:04:08,718 --> 00:04:10,852 It's high-quality, multi-channel, 105 00:04:10,887 --> 00:04:12,787 studio-recorded, mixed, and engineered. 106 00:04:12,822 --> 00:04:15,724 Price to produce... hundreds of thousands, 107 00:04:15,758 --> 00:04:16,925 sometimes millions. 108 00:04:17,660 --> 00:04:18,760 Now, this building right here... 109 00:04:18,794 --> 00:04:20,495 This is Kirkwood Records, Memphis, Tennessee. 110 00:04:20,529 --> 00:04:22,697 Now, inside this building is a hidden safe. 111 00:04:22,732 --> 00:04:24,599 that contains these digital masters, 112 00:04:24,634 --> 00:04:26,735 one of which has Kaye Lynn's music on it. 113 00:04:26,769 --> 00:04:28,236 So it's a smash and grab. 114 00:04:28,271 --> 00:04:30,372 Well, no, no. Not exactly. No. 115 00:04:30,406 --> 00:04:32,040 'cause we have to make sure she gets back the money. 116 00:04:32,074 --> 00:04:34,276 And a little extra for hospital bills. 117 00:04:34,310 --> 00:04:35,377 Making sure that he can't come after them... 118 00:04:35,411 --> 00:04:37,212 Well, that wouldn't hurt. 119 00:04:37,246 --> 00:04:39,981 A fiddle game. 120 00:04:41,784 --> 00:04:42,784 Uh, Parker! 121 00:04:42,818 --> 00:04:44,085 Uh, I don't know how to play the fiddle. 122 00:04:44,120 --> 00:04:46,788 Well, actually we're not gonna play a fiddle. 123 00:04:46,822 --> 00:04:48,757 No. We're gonna sell one. 124 00:04:48,791 --> 00:04:51,693 For a hell of a lot more than it's worth. 125 00:05:09,512 --> 00:05:10,645 Y'all have a good night. 126 00:05:10,680 --> 00:05:11,813 Thank you very much. 127 00:05:14,650 --> 00:05:16,918 Uh, Mr. Kirkwood! 128 00:05:16,953 --> 00:05:19,220 Hello, Kelly. 129 00:05:25,328 --> 00:05:27,128 Who is at my table? 130 00:05:27,163 --> 00:05:29,831 Uh... Well, the computer said you canceled! 131 00:05:29,865 --> 00:05:32,267 Does it look like I canceled? 132 00:05:32,301 --> 00:05:33,902 But the computer... Go ahead. 133 00:05:33,936 --> 00:05:35,837 Say it again. 134 00:05:35,871 --> 00:05:38,673 Say something else about the computer. 135 00:05:39,642 --> 00:05:42,077 I'll put a table together right away. 136 00:05:46,916 --> 00:05:48,850 Kirkwood's on his way over. 137 00:05:51,620 --> 00:05:52,654 Hey. Hey. 138 00:05:52,688 --> 00:05:55,724 Oliver, pour from my bottle. Make it a double. 139 00:05:55,758 --> 00:05:57,959 Oh, no, no, no, no, no. 140 00:06:00,863 --> 00:06:04,432 Hey, why don't you put it on my, uh, tab, there? 141 00:06:04,467 --> 00:06:06,668 You're, uh, Mitch Kirkwood, aren't you? 142 00:06:06,702 --> 00:06:08,770 Yes. 143 00:06:10,406 --> 00:06:13,508 Parker, I'm on my way to the sound booth. 144 00:06:13,533 --> 00:06:15,533 Subtitles edited by Ehhhhtozebec 145 00:06:30,893 --> 00:06:34,029 Let's see what our friend likes to listen to. 146 00:06:35,498 --> 00:06:38,433 Most played... Brooks & Dunn. 147 00:06:45,207 --> 00:06:45,707 I need tickets for Brooks & Dunn. 148 00:06:45,741 --> 00:06:47,375 You got that, Parker? 149 00:07:07,396 --> 00:07:09,731 Uh, you're not supposed to be in here. 150 00:07:09,765 --> 00:07:12,267 Tell me about it, buddy. Why are you here? 151 00:07:12,301 --> 00:07:14,269 I work here. 152 00:07:14,303 --> 00:07:15,537 Flippin' fantastical. 153 00:07:15,571 --> 00:07:17,405 They call me on my night off. 154 00:07:17,440 --> 00:07:19,274 And gone and double-book it. 155 00:07:19,308 --> 00:07:20,542 Better call the main office. 156 00:07:20,576 --> 00:07:22,077 Find out what's going on here. 157 00:07:22,111 --> 00:07:23,278 Please do, Skipper. 158 00:07:23,312 --> 00:07:24,412 'cause if I got to work tonight, 159 00:07:24,447 --> 00:07:26,114 then I need to find somebody 160 00:07:26,148 --> 00:07:28,883 to take this Brooks & Dunn ticket off my hands. 161 00:07:28,918 --> 00:07:29,851 You know what? 162 00:07:29,885 --> 00:07:31,986 I am starting to remember something... 163 00:07:32,021 --> 00:07:34,222 Out having the night off. 164 00:07:34,256 --> 00:07:34,689 Don't you think you could go on and double-check that, butter britches? 165 00:07:34,723 --> 00:07:36,124 Naw. 166 00:07:36,158 --> 00:07:37,826 I definitely remember now. 167 00:07:37,860 --> 00:07:38,827 Really? 168 00:07:38,861 --> 00:07:40,295 All right, now. 169 00:07:40,329 --> 00:07:42,397 Think you can find somebody to take this ticket off my hands? 170 00:07:42,431 --> 00:07:43,832 I think I can find somebody. 171 00:07:43,866 --> 00:07:45,467 Hot diggity dadgum. 172 00:07:45,501 --> 00:07:47,102 Let me... 173 00:07:47,136 --> 00:07:49,938 Get you this Brooks & Dunn... 174 00:07:49,972 --> 00:07:51,406 Ticket, so... 175 00:07:58,547 --> 00:07:59,547 Well... 176 00:07:59,582 --> 00:08:00,615 Spick-and-span... 177 00:08:00,649 --> 00:08:01,683 Damn. Look. There it goes, right there. 178 00:08:01,717 --> 00:08:03,218 Yes, it is. I must have dropped it. 179 00:08:03,252 --> 00:08:05,019 Been there the whole time. 180 00:08:05,054 --> 00:08:06,588 whole time. 181 00:08:06,622 --> 00:08:09,591 All right, well, thanks. All right, yeah, well, you were right, man. 182 00:08:09,625 --> 00:08:10,992 Give me a t-shirt. 183 00:08:11,026 --> 00:08:12,460 I'm not gonna lie to you. 184 00:08:12,495 --> 00:08:15,230 Being rich? That'll get you the chicks. 185 00:08:16,599 --> 00:08:17,732 Here you go, Mr. Kirkwood. 186 00:08:17,766 --> 00:08:20,235 But you add to that... Being famous? 187 00:08:21,637 --> 00:08:24,339 I tell you... 188 00:08:24,373 --> 00:08:25,740 I have the opportunity to turn down girls prettier than this. 189 00:08:25,774 --> 00:08:27,208 Damn near every day. 190 00:08:27,243 --> 00:08:28,877 Why, th-th-that's really... that's really somethin'. 191 00:08:28,911 --> 00:08:29,978 Yeah. Yeah. 192 00:08:30,012 --> 00:08:31,913 Wow. 193 00:08:31,947 --> 00:08:34,916 Now, why... why would you just, uh, stop at one song? 194 00:08:34,950 --> 00:08:36,217 Oh. 195 00:08:36,252 --> 00:08:38,586 Same reason you manage musicians. 196 00:08:38,621 --> 00:08:40,221 Why be the cow when you can be the farmer? 197 00:08:40,256 --> 00:08:42,123 Oh. Well... 198 00:08:42,158 --> 00:08:44,192 Tell me about this kid you got. 199 00:08:44,226 --> 00:08:46,528 - Yeah, well, his name is, uh, Kenneth Crane. Right? - Yeah. 200 00:08:46,562 --> 00:08:47,929 Now, a couple of years ago, 201 00:08:47,963 --> 00:08:49,497 Uh, we took his best song, we put it on a demo tape, 202 00:08:49,532 --> 00:08:51,099 and we sent it out everywhere. 203 00:08:51,133 --> 00:08:52,634 Well, two days ago, 204 00:08:52,668 --> 00:08:53,835 this, uh, european lady, 205 00:08:53,869 --> 00:08:55,904 she offered $25,000 , 206 00:08:55,938 --> 00:08:57,639 for the rights to that song. 207 00:08:57,673 --> 00:08:59,140 $25,000? 208 00:08:59,175 --> 00:09:00,275 Yeah. 209 00:09:00,309 --> 00:09:03,278 Well, what did you say to that? 210 00:09:03,312 --> 00:09:04,445 Well, that's the thing. 211 00:09:04,480 --> 00:09:05,747 I-I didn't know what to say to her. 212 00:09:05,781 --> 00:09:07,148 You know? 213 00:09:07,183 --> 00:09:09,350 And she's sitting right over there waiting on an answer. 214 00:09:13,422 --> 00:09:14,522 Interesting. 215 00:09:14,557 --> 00:09:16,124 Yeah. Yeah. 216 00:09:16,158 --> 00:09:17,959 Do you know... do you know her? 217 00:09:17,993 --> 00:09:21,930 No. No. Not... 218 00:09:21,964 --> 00:09:22,564 Not really, but I tell you what I will do. 219 00:09:22,598 --> 00:09:23,831 I will go over there 220 00:09:23,866 --> 00:09:24,866 for you... 221 00:09:24,900 --> 00:09:27,168 Talk to her, see if I can't... 222 00:09:27,203 --> 00:09:28,102 get her to show her hand. 223 00:09:28,137 --> 00:09:29,871 That... that's amazing. You would do that? 224 00:09:29,905 --> 00:09:32,273 Hell yes, I would do that. 225 00:09:33,409 --> 00:09:34,976 Local boys got to stick together. 226 00:09:35,010 --> 00:09:37,312 Well... 227 00:09:41,717 --> 00:09:44,085 Let the fiddle games begin? 228 00:09:44,119 --> 00:09:45,753 Yeah. Um, I'm still a little unclear. 229 00:09:45,788 --> 00:09:47,422 Where, exactly, is this fiddle? 230 00:09:47,456 --> 00:09:49,557 It just walked through the door. 231 00:10:05,179 --> 00:10:06,613 What are you looking at? 232 00:10:06,647 --> 00:10:07,680 Don't! 233 00:10:07,715 --> 00:10:08,848 - What's wrong? - Nothing's wrong. 234 00:10:08,883 --> 00:10:10,216 - Something's wrong. - I'm fine. 235 00:10:10,251 --> 00:10:11,217 I startled you. 236 00:10:11,252 --> 00:10:12,619 You're a cat burglar. That's what you do. 237 00:10:12,653 --> 00:10:14,821 Yeah, I've been a cat burglar since I was 10 years old. 238 00:10:14,855 --> 00:10:15,922 Don't... 239 00:10:15,956 --> 00:10:17,157 Really? 240 00:10:17,191 --> 00:10:18,258 Well, maybe not, 241 00:10:18,292 --> 00:10:20,527 but this is the first time I've startled you. 242 00:10:20,561 --> 00:10:23,730 He's nervous, Parker. I'm not nervous. 243 00:10:23,764 --> 00:10:24,964 I thought you said you could sing. I can sing. 244 00:10:25,800 --> 00:10:26,766 I just... I didn't... 245 00:10:26,801 --> 00:10:29,502 Realize there was gonna be this many people. 246 00:10:29,537 --> 00:10:31,805 you are nervous. 247 00:10:33,307 --> 00:10:34,841 Relax, man. 248 00:10:34,875 --> 00:10:35,842 I told you. I got you. 249 00:10:35,876 --> 00:10:36,810 Say something. 250 00:10:36,844 --> 00:10:38,411 I don't speak on command, Hardison. 251 00:10:38,446 --> 00:10:39,979 Perfect. 252 00:10:40,014 --> 00:10:43,016 Now, I rigged my laptop to record your comm. 253 00:10:43,050 --> 00:10:44,784 Now, this means that I can alter your pitch 254 00:10:44,819 --> 00:10:46,986 from anywhere to make you sound like Darth Eliot... 255 00:10:47,021 --> 00:10:49,689 I don't speak on command, Hardison. 256 00:10:49,723 --> 00:10:52,692 ... - To Spencer smurf. - I don't speak on command, Hardison. 257 00:10:52,960 --> 00:10:53,827 Hardison? 258 00:10:53,861 --> 00:10:55,128 Don't ever do the smurf thing again? 259 00:10:55,162 --> 00:10:56,296 Right. 260 00:10:56,330 --> 00:10:58,565 So, the software 261 00:10:58,599 --> 00:11:01,334 takes the frequency of your voice, 262 00:11:01,368 --> 00:11:02,402 and it matches it to the key of the song, 263 00:11:02,436 --> 00:11:04,003 then uses a fourier transform to correct the pitch, 264 00:11:04,038 --> 00:11:06,639 and sends the tuned audio out through the bar's speakers. 265 00:11:06,674 --> 00:11:08,208 What does that mean? 266 00:11:08,242 --> 00:11:10,376 That means that, for tonight, Eliot has perfect pitch. 267 00:11:10,411 --> 00:11:13,613 You ever wonder how Britney Spears sounds so good on her tracks? 268 00:11:13,647 --> 00:11:14,681 Well, this is it... 269 00:11:14,715 --> 00:11:17,350 Except mine's is in real time, Baby. 270 00:11:17,384 --> 00:11:19,519 Uh, who, exactly, did you just refer to as "Baby"? 271 00:11:19,553 --> 00:11:22,622 It's like the universal term of "Baby". 272 00:11:22,656 --> 00:11:24,424 How old are you? 273 00:11:29,730 --> 00:11:31,397 Ahh. 274 00:11:31,432 --> 00:11:34,167 All right. 275 00:11:34,201 --> 00:11:35,602 Where is he? 276 00:11:35,636 --> 00:11:37,070 I'm sorry? 277 00:11:37,104 --> 00:11:39,339 Beautiful girl like you couldn't possibly 278 00:11:39,373 --> 00:11:40,573 be sitting here all alone. 279 00:11:40,608 --> 00:11:41,941 Where is he? 280 00:11:41,976 --> 00:11:45,845 This must be that southern charm I've heard so much about. 281 00:11:47,147 --> 00:11:49,749 - Mitchell Kirkwood. - Oh. 282 00:11:49,783 --> 00:11:53,119 I seem to have stolen your table. 283 00:11:53,153 --> 00:11:54,354 You must be a very important man. 284 00:11:54,388 --> 00:11:56,055 Should I know you? 285 00:11:56,090 --> 00:11:57,156 Truth be known, they give one of these 286 00:11:57,191 --> 00:11:59,092 to just about anybody who happens to own the place. 287 00:11:59,126 --> 00:12:00,760 I will let you make it up to me... 288 00:12:00,794 --> 00:12:02,762 By allowing me to give you the nickel tour. 289 00:12:02,796 --> 00:12:04,864 And I won't even charge you the nickel. 290 00:12:04,899 --> 00:12:06,733 Come on. 291 00:12:08,369 --> 00:12:10,837 Virginia. Virginia Ellington. 292 00:12:10,871 --> 00:12:12,505 My things gonna be safe here? 293 00:12:12,540 --> 00:12:14,707 At this table, they will. 294 00:12:38,065 --> 00:12:40,733 Worcester Studios. 295 00:12:40,768 --> 00:12:41,834 How may I direct your call? 296 00:12:57,217 --> 00:12:57,784 Aww... 297 00:13:01,622 --> 00:13:03,356 What? Are you nervous? 298 00:13:03,390 --> 00:13:05,158 That song... You're going out there to sing? 299 00:13:05,192 --> 00:13:07,794 That's the only thing my brother and I have left. 300 00:13:07,828 --> 00:13:10,897 That Kirkwood hasn't stolen or destroyed, and... 301 00:13:10,931 --> 00:13:13,099 If I lose it... 302 00:13:13,133 --> 00:13:13,900 You're not gonna lose it. All right? 303 00:13:13,934 --> 00:13:15,268 We're gonna get you your money, 304 00:13:15,302 --> 00:13:17,270 We're gonna get you your music back. 305 00:13:17,304 --> 00:13:18,371 I promise you. 306 00:13:20,107 --> 00:13:23,276 How can you be so sure? 307 00:13:23,310 --> 00:13:26,312 'cause this is what we do. 308 00:13:33,854 --> 00:13:35,755 You still having trouble with that bridge? 309 00:13:35,789 --> 00:13:37,957 No. I-I think... 310 00:13:37,992 --> 00:13:39,626 Let me... let me show you. 311 00:13:39,660 --> 00:13:41,694 Let me... okay. 312 00:13:41,729 --> 00:13:44,664 When you strum... 313 00:13:44,698 --> 00:13:46,633 Just do this, all right? 314 00:13:46,667 --> 00:13:48,735 So... 315 00:13:48,769 --> 00:13:50,269 "G" 316 00:13:51,372 --> 00:13:52,572 Right. 317 00:13:52,606 --> 00:13:55,008 - You have "D"... - "D" 318 00:13:56,243 --> 00:13:57,977 Right. 319 00:13:58,012 --> 00:14:00,380 - You got... you got "G" again. - "G" 320 00:14:03,317 --> 00:14:04,417 "A" minor. 321 00:14:04,451 --> 00:14:05,652 Now the "G" 322 00:14:05,686 --> 00:14:08,221 "G" from the top. 323 00:14:12,559 --> 00:14:13,826 Good. 324 00:14:13,861 --> 00:14:15,695 That's right. 325 00:14:15,729 --> 00:14:16,095 That's right. 326 00:14:18,332 --> 00:14:20,533 How do you feel when you play? 327 00:14:22,236 --> 00:14:24,537 I'm... I think... 328 00:14:24,571 --> 00:14:26,205 I think I got it. 329 00:14:26,240 --> 00:14:28,608 See, that... that's your problem. 330 00:14:29,677 --> 00:14:34,047 You're thinking... 331 00:14:34,081 --> 00:14:36,449 About how to play the song. 332 00:14:36,483 --> 00:14:41,387 And I'm asking you, "how do you feel when you play?" 333 00:14:42,723 --> 00:14:44,457 You ever been in love? 334 00:14:44,491 --> 00:14:47,293 Once. 335 00:14:47,327 --> 00:14:48,261 How'd it end? 336 00:14:48,295 --> 00:14:49,962 I made her a promise that if she ever needed me 337 00:14:49,997 --> 00:14:52,065 that I'd be there for her. 338 00:14:52,099 --> 00:14:52,899 What's wrong with that? 339 00:14:52,933 --> 00:14:54,534 Because I made the same promise. 340 00:14:54,568 --> 00:14:56,269 To the United States government. 341 00:14:56,303 --> 00:14:58,738 And I found out... 342 00:14:58,772 --> 00:15:01,607 You can't make that promise to more than one person. 343 00:15:01,642 --> 00:15:03,943 That feeling? 344 00:15:03,977 --> 00:15:05,111 Right there? 345 00:15:05,145 --> 00:15:07,547 Hold on to that, 346 00:15:07,581 --> 00:15:09,549 and you'll do just fine. 347 00:15:12,419 --> 00:15:14,253 All right. Here you go. 348 00:15:14,288 --> 00:15:15,888 Ugh. What is it with this city and ribs? 349 00:15:15,923 --> 00:15:17,523 Why don't you try one and find out? 350 00:15:17,558 --> 00:15:19,525 Ohh. No. I couldn't. I just... 351 00:15:19,560 --> 00:15:21,294 Mr. Kirkwood. 352 00:15:22,029 --> 00:15:23,229 Excuse me. 353 00:15:23,263 --> 00:15:25,131 She's a record executive from England. 354 00:15:25,165 --> 00:15:27,100 Okay, Hardison. How are we doing? 355 00:15:28,202 --> 00:15:29,268 Ready when Eliot is. 356 00:15:29,303 --> 00:15:30,803 Tell me something. 357 00:15:30,838 --> 00:15:33,439 Why would a star like K-GENT 358 00:15:33,474 --> 00:15:35,108 send you all the way here from London 359 00:15:35,142 --> 00:15:38,444 to sign an unknown, unsigned country singer 360 00:15:38,479 --> 00:15:41,314 and give him $25,000 for a song 361 00:15:41,348 --> 00:15:42,014 on a demo tape? 362 00:15:42,049 --> 00:15:43,583 Congratulations, Mr. Kirkwood. 363 00:15:43,617 --> 00:15:44,350 You've impressed me. 364 00:15:44,384 --> 00:15:46,619 And I'm not easily impressed. 365 00:15:46,653 --> 00:15:47,453 I didn't think you were. 366 00:15:47,488 --> 00:15:48,788 You gonna tell me how you did that? 367 00:15:48,822 --> 00:15:50,389 I want you to tell me first. 368 00:15:50,424 --> 00:15:51,457 Right now. 369 00:15:51,492 --> 00:15:53,392 It's very simple. 370 00:15:53,427 --> 00:15:54,827 Box of demos, lying around t studio, 371 00:15:54,862 --> 00:15:56,329 waiting to go to the rubbish. 372 00:15:56,363 --> 00:15:59,766 K-GENT picks one up... Who knows why? 373 00:15:59,800 --> 00:16:01,467 Next thing we know, he's sampled one of the tracks 374 00:16:01,502 --> 00:16:03,136 on his new album. 375 00:16:03,170 --> 00:16:05,171 And you came here to offer the kid $25,000 376 00:16:05,205 --> 00:16:07,940 before he realized he had won the lottery. 377 00:16:07,975 --> 00:16:10,610 Something like that. 378 00:16:15,149 --> 00:16:17,650 Hi, I'm Kenneth Crane. 379 00:16:17,684 --> 00:16:21,487 And, uh, I'm gonna sing a song... 380 00:16:21,522 --> 00:16:23,990 I'm gonna sing... sing a song I wrote about... 381 00:16:24,024 --> 00:16:25,191 the road not traveled. 382 00:16:43,877 --> 00:16:47,580 * well, I know they say all good things * 383 00:16:47,614 --> 00:16:49,982 * must come to some kind of ending * 384 00:16:50,017 --> 00:16:51,717 * we were so damn good * 385 00:16:51,752 --> 00:16:53,886 Nate, something's wrong. * I guess we never stood a chance * 386 00:16:53,921 --> 00:16:55,154 All right. What is it? 387 00:16:55,189 --> 00:16:57,790 Uh... The system's not working. S-something's wrong. 388 00:16:57,825 --> 00:16:59,826 No, it's fine. 389 00:16:59,860 --> 00:17:03,162 No, it's not fine. I'm looking at it right now. It is not correcting his voice. 390 00:17:03,197 --> 00:17:04,530 *... Listenin' * 391 00:17:04,565 --> 00:17:10,036 * you'll see I'm not that easy to forget * 392 00:17:10,070 --> 00:17:14,507 * and when a new moon shines through your window * 393 00:17:14,541 --> 00:17:17,109 * or you hear a sad song on the radio * that's because it doesn't need correcting. 394 00:17:17,144 --> 00:17:19,245 * and you don't know why * 395 00:17:19,279 --> 00:17:23,316 * but you just start to cry * 396 00:17:23,350 --> 00:17:24,884 You know who he sounds like? 397 00:17:24,918 --> 00:17:27,687 * or you're driving 'round on a sunny day * 398 00:17:27,721 --> 00:17:31,691 * and out of nowhere comes the pouring rain * Don't let the manager leave. 399 00:17:31,725 --> 00:17:36,996 * and a memory hits you right out of the blue * 400 00:17:37,030 --> 00:17:40,366 * yeah, that's just me * 401 00:17:40,400 --> 00:17:42,301 * thinking of you * 402 00:17:42,336 --> 00:17:46,038 * and I'm thinking about the road you're on * 403 00:17:46,073 --> 00:17:49,842 * I'm thinking about you coming home * 404 00:17:49,877 --> 00:17:56,883 * I'm wondering if you got your radio on * 405 00:18:08,161 --> 00:18:12,431 * yeah, when you find your way to another town * 406 00:18:12,466 --> 00:18:15,434 * and someone tries to lay you down * 407 00:18:15,469 --> 00:18:22,008 * and a memory hits you right out of the blue * 408 00:18:22,042 --> 00:18:26,379 * it's me thinking of you * 409 00:18:28,115 --> 00:18:31,217 * yeah, it's just me * 410 00:18:31,251 --> 00:18:33,419 * thinking of you * 411 00:18:44,865 --> 00:18:46,198 Whoo! 412 00:18:53,974 --> 00:18:56,809 I think you and I need to talk. 413 00:19:03,817 --> 00:19:05,618 How'd I... 414 00:19:05,652 --> 00:19:07,853 How'd I do? 415 00:19:07,888 --> 00:19:08,988 That was amazing! 416 00:19:31,278 --> 00:19:33,579 Hang on. 417 00:19:40,454 --> 00:19:42,888 Mr. Kirkwood wants to see you. 418 00:19:42,923 --> 00:19:45,057 He knows where I am. 419 00:19:46,326 --> 00:19:49,528 Or, uh, you know... 420 00:19:49,563 --> 00:19:50,363 I could go to him. 421 00:19:50,397 --> 00:19:51,597 Yeah. 422 00:19:51,631 --> 00:19:53,532 Eliot. 423 00:19:53,567 --> 00:19:55,067 Eliot, how soon can you get here? 424 00:19:55,102 --> 00:19:55,568 Eliot? 425 00:19:55,602 --> 00:19:58,137 Eliot! 426 00:20:00,807 --> 00:20:01,974 On our way, Nate. 427 00:20:02,009 --> 00:20:03,409 You! 428 00:20:03,443 --> 00:20:05,478 You lied to me. 429 00:20:06,580 --> 00:20:09,415 This is for tomorrow night. 430 00:20:10,684 --> 00:20:13,252 You offered, what? $25,000? 431 00:20:13,286 --> 00:20:15,955 I happen to know that you would pay half a million dollars 432 00:20:15,989 --> 00:20:16,989 for that song. 433 00:20:17,024 --> 00:20:20,393 Fortunately for me, he doesn't know that. 434 00:20:20,427 --> 00:20:21,527 Fortunately for you, 435 00:20:21,561 --> 00:20:23,529 his manager and I happen to go way back. 436 00:20:23,563 --> 00:20:24,964 We did 4H together. 437 00:20:24,998 --> 00:20:27,733 It's a cowboy thing. 438 00:20:27,768 --> 00:20:29,301 Why don't you let me 439 00:20:29,336 --> 00:20:32,371 see if I can't nudge the deal along for you? 440 00:20:32,406 --> 00:20:35,408 And what would you want, exactly? 441 00:20:35,442 --> 00:20:38,344 Oh, I'll think of something. 442 00:20:46,887 --> 00:20:48,921 You two work out together? 443 00:20:48,955 --> 00:20:50,689 Oh, hey. 444 00:20:50,724 --> 00:20:52,358 I'm just gonna leave my card and get going here. 445 00:20:52,392 --> 00:20:55,461 Listen, I gotta go take care of my musician. 446 00:20:55,495 --> 00:20:57,029 You know how artists get. 447 00:20:57,064 --> 00:20:58,564 Sit down! 448 00:20:58,598 --> 00:21:00,366 ohh! 449 00:21:02,302 --> 00:21:03,636 Nate. Yeah. 450 00:21:03,670 --> 00:21:04,570 Nate! 451 00:21:04,604 --> 00:21:06,872 Nate, I'm on my way! 452 00:21:09,309 --> 00:21:10,509 Get in here! 453 00:21:10,544 --> 00:21:12,178 Who do you work for?! 454 00:21:12,212 --> 00:21:14,947 Forever 21! Don't hit me! 455 00:21:14,981 --> 00:21:19,018 I'm not gonna... What are you doing here? 456 00:21:19,052 --> 00:21:21,987 I just want your autograph. 457 00:21:33,133 --> 00:21:35,701 Oh, hey, yeah. They got ave, so into a fight, these guys. Gh. 458 00:21:35,736 --> 00:21:37,903 Yeah, something about reps versus sets. 459 00:21:37,938 --> 00:21:39,739 To be honest, I wasn't really paying attention. 460 00:21:51,518 --> 00:21:53,352 Yeah. 461 00:21:53,387 --> 00:21:56,289 Now, that is how you run a fiddle game. 462 00:21:56,323 --> 00:21:58,724 I don't even know how to begin to thank you. 463 00:21:58,759 --> 00:22:00,993 And that's just 10% of it. Now, tomorrow, he's taking Eliot into the studio, 464 00:22:01,028 --> 00:22:02,962 And we'll get you the other 90%. 465 00:22:02,996 --> 00:22:04,230 And while Eliot's in the studio, 466 00:22:04,264 --> 00:22:05,598 Parker will get into the safe and grab the masters. 467 00:22:05,632 --> 00:22:08,267 Ohh! 468 00:22:08,302 --> 00:22:10,069 Eliot's the fiddle! Ha ha ha! 469 00:22:10,103 --> 00:22:11,304 What's she doing back there? 470 00:22:11,338 --> 00:22:13,706 She's trying on her costume. 471 00:22:13,740 --> 00:22:17,576 We sold Eliot to Kirkwood. I totally get this. 472 00:22:18,378 --> 00:22:20,946 Supposed to be some hot shot producer, 473 00:22:20,981 --> 00:22:23,282 works for K-GENT. Oh. 474 00:22:23,317 --> 00:22:25,618 And he came all this way just to produce one song? 475 00:22:25,652 --> 00:22:27,486 I guess so. Hmm. 476 00:22:27,521 --> 00:22:30,956 Now, listen, anything he wants, you get. 477 00:22:30,991 --> 00:22:31,957 Understand? 478 00:22:31,992 --> 00:22:33,392 Anything. 479 00:22:33,427 --> 00:22:35,761 Okay. 480 00:22:39,833 --> 00:22:42,368 Hi! Welcome to Kirkwood Records. 481 00:22:42,402 --> 00:22:43,836 I'm JC. 482 00:22:43,870 --> 00:22:46,205 Anything you need, you just let me know. 483 00:22:46,239 --> 00:22:48,374 Okay, first of all, my man, real quick, lose the attitude. 484 00:22:48,408 --> 00:22:50,509 Second of all, yes, it's her... breathe. 485 00:22:50,544 --> 00:22:52,912 I'm okay. 486 00:22:52,946 --> 00:22:55,681 Um... If I could get you 487 00:22:55,716 --> 00:22:58,484 to fill out these visitor badges... 488 00:23:00,253 --> 00:23:01,754 Did you just look her in the eyes? 489 00:23:01,788 --> 00:23:04,623 Oh. I-I-I don't think I was. Whoa! 490 00:23:04,658 --> 00:23:06,726 Chill with the attitude! Don't... don't raise your voice! 491 00:23:06,760 --> 00:23:08,194 Did they not tell you nothing? 492 00:23:08,228 --> 00:23:09,929 You know who you're in front of? 493 00:23:09,963 --> 00:23:10,663 Think about it. 494 00:23:10,697 --> 00:23:12,064 Iceland. Pop star. Figure it out. 495 00:23:12,099 --> 00:23:13,966 Click it together. Bells and whistles. 496 00:23:14,501 --> 00:23:15,101 Give me something! 497 00:23:15,135 --> 00:23:16,535 bjor... 498 00:23:16,570 --> 00:23:17,503 mnh-mnh! 499 00:23:17,537 --> 00:23:20,072 Uh... Oh. 500 00:23:20,107 --> 00:23:21,040 Oh. I'm so... oh, I'm so sorry. 501 00:23:21,074 --> 00:23:22,108 Are you okay? 502 00:23:22,142 --> 00:23:23,075 Are you okay? 503 00:23:23,110 --> 00:23:24,944 Is the duck...? Good. Woman... 504 00:23:24,978 --> 00:23:26,245 For real. Get up in here. 505 00:23:26,279 --> 00:23:27,880 Mommy, mommy, mommy, real quick. Oka... okay. 506 00:23:27,914 --> 00:23:29,014 I hope, for your sake, 507 00:23:29,049 --> 00:23:31,617 that you was not about to say 508 00:23:31,651 --> 00:23:33,018 what I think you was about to say. 509 00:23:33,053 --> 00:23:34,920 Well, I don't think I was. 510 00:23:34,955 --> 00:23:37,890 What I'm gonna need you to do is just roll up out of here, cuz, 511 00:23:37,924 --> 00:23:39,525 'cause you messin' up the aura. 512 00:23:39,559 --> 00:23:40,693 We was cool. We was vibin'. 513 00:23:40,727 --> 00:23:43,696 Okay. Um... Great. 514 00:23:43,730 --> 00:23:45,931 Well, I'm gonna get going on that paperwork. 515 00:23:45,966 --> 00:23:46,966 Okay. 516 00:23:47,000 --> 00:23:49,001 Yeah, you do that. Okay. 517 00:23:49,035 --> 00:23:50,269 So I can start recording this hillbilly. 518 00:23:50,303 --> 00:23:52,905 I crossed an ocean, a pond, and a creek to get here. 519 00:23:52,939 --> 00:23:55,274 Hey, yo, Eliot, you got an ETA? 520 00:23:55,308 --> 00:23:56,609 Yeah. I'm almost there. 521 00:23:56,643 --> 00:23:58,411 But I think somebody's following me. 522 00:23:58,445 --> 00:23:59,979 Do some Eliot-fu on 'em. 523 00:24:00,013 --> 00:24:00,813 What happened to... 524 00:24:00,847 --> 00:24:02,982 "this is what I do"? 525 00:24:03,016 --> 00:24:04,884 Yeah, I don't think that's gonna work this time. 526 00:24:11,992 --> 00:24:15,728 I been meaning to tell you, this, uh, Kenneth Crane? 527 00:24:15,762 --> 00:24:17,396 He is blowing up on Twitter. 528 00:24:17,431 --> 00:24:18,197 He's got a fan page and everything. 529 00:24:18,231 --> 00:24:18,864 It's a pretty good picture, too. 530 00:24:18,899 --> 00:24:20,032 That's the problem. 531 00:24:20,066 --> 00:24:21,066 I can't have my picture out there like that. 532 00:24:21,101 --> 00:24:24,036 Well, contrary to what y'all may believe, 533 00:24:24,070 --> 00:24:25,871 I do not control everything that happens on the internet. 534 00:24:25,906 --> 00:24:27,239 There's a price on my head. 535 00:24:27,274 --> 00:24:29,208 In three different countries, 536 00:24:29,242 --> 00:24:29,909 and I'm fairly certain a fatwa was issued! 537 00:24:29,943 --> 00:24:32,445 You are so vain, man. 538 00:24:33,413 --> 00:24:35,114 - Boom. There. - Fan site... no. 539 00:24:35,148 --> 00:24:36,682 But you know what? When you get back, 540 00:24:36,716 --> 00:24:38,384 we gonna have us a serious conversation 541 00:24:38,418 --> 00:24:39,518 about the difference 542 00:24:39,553 --> 00:24:41,153 between caution and paranoia. 543 00:24:41,188 --> 00:24:41,987 When you've done the things I've done, 544 00:24:42,022 --> 00:24:43,456 there's no such thing as paranoia. 545 00:24:45,959 --> 00:24:47,827 Mmm. 546 00:24:49,696 --> 00:24:51,197 Seriously? 547 00:24:51,231 --> 00:24:52,364 For breakfast? 548 00:24:52,399 --> 00:24:53,666 Mm. Oh, yeah. 549 00:24:56,770 --> 00:24:58,771 Oh! Geez. 550 00:24:58,805 --> 00:25:01,307 What, did Kirkwood just walk in or something? 551 00:25:01,341 --> 00:25:03,008 How'd he find us? 552 00:25:03,043 --> 00:25:05,911 Well, there's probably not a lot of five-star hotels in Memphis. 553 00:25:05,946 --> 00:25:07,746 Now, you should probably just, you know, act the part, 554 00:25:07,781 --> 00:25:11,750 ride this out, be in character, and... 555 00:25:11,785 --> 00:25:13,752 You should probably storm off about now. 556 00:25:13,787 --> 00:25:15,654 I thought I'd give it another beat. 557 00:25:17,457 --> 00:25:18,224 Okay, then. 558 00:25:19,426 --> 00:25:20,726 Perfect. 559 00:25:20,760 --> 00:25:23,128 The other man in Memphis I'd like to slap. 560 00:25:23,163 --> 00:25:25,898 Just relax now, little filly. 561 00:25:25,932 --> 00:25:27,700 I am perfectly aware that you went behind my back 562 00:25:27,734 --> 00:25:29,635 to get the rights to that song. 563 00:25:29,669 --> 00:25:30,636 So let's just cut to the chase, huh? 564 00:25:30,670 --> 00:25:31,971 What do you want? 565 00:25:32,005 --> 00:25:34,473 Mr. Crane arrived just a moment ago. 566 00:25:34,508 --> 00:25:37,376 He's just setting up in his studio now. 567 00:25:38,612 --> 00:25:39,945 All right. Let the magic begin. 568 00:25:39,980 --> 00:25:42,114 You're not joining them. 569 00:25:43,083 --> 00:25:44,617 And risk being tainted? 570 00:25:44,651 --> 00:25:45,918 By what? 571 00:25:45,952 --> 00:25:47,586 Exactly. 572 00:25:48,922 --> 00:25:50,422 Which way to the meditation temple? 573 00:25:50,457 --> 00:25:51,590 Hmm? 574 00:25:52,493 --> 00:25:53,226 Oh. Um... 575 00:25:54,261 --> 00:25:55,494 You know, we do have a few rooms. 576 00:25:55,529 --> 00:25:57,496 Just, um, actually, right this... Way... 577 00:25:57,531 --> 00:25:59,498 Okay, that way's great, too. That's perfect. Okay. 578 00:26:00,133 --> 00:26:05,470 Parker's on the loose, but there are a lot of unfriendlies. 579 00:26:05,505 --> 00:26:07,605 Yeah, which is exactly why we have cover stories. 580 00:26:07,639 --> 00:26:09,240 How's Eliot? 581 00:26:09,274 --> 00:26:10,474 He's good. He's about to record. 582 00:26:10,508 --> 00:26:11,942 So he took his comm out. 583 00:26:13,412 --> 00:26:14,879 Oh. Mm? 584 00:26:15,013 --> 00:26:17,114 Mm. Too much clutter. 585 00:26:17,149 --> 00:26:18,883 You ready, man? 586 00:26:18,917 --> 00:26:20,751 Whew. Yeah. 587 00:26:20,786 --> 00:26:22,853 All right. 588 00:26:22,888 --> 00:26:26,424 * when a new moon shines through your window * 589 00:26:26,458 --> 00:26:29,427 * or you hear a sad song on the radio *. 590 00:26:29,461 --> 00:26:31,395 Hold up, man. It's... it's a little pitchy. 591 00:26:31,430 --> 00:26:33,898 It's... Just a scosh. 592 00:26:34,332 --> 00:26:35,866 A little pitchy. 593 00:26:37,570 --> 00:26:38,971 Not enough clutter. 594 00:26:40,906 --> 00:26:43,074 * when a new moon shines... * It's pitchy 595 00:26:43,108 --> 00:26:45,443 in that very same spot, right? 596 00:26:46,077 --> 00:26:48,612 It's... yeah, it's a little pitchy. 597 00:26:48,847 --> 00:26:50,381 * and when a new... * Hold up, man. 598 00:26:50,415 --> 00:26:52,816 Hang on, man. Let me get into the song. 599 00:26:52,851 --> 00:26:54,585 Did you practice your warbles? 600 00:26:54,619 --> 00:26:55,152 Just put a... smooth it out. 601 00:26:55,186 --> 00:26:57,154 Like, you... 602 00:26:57,188 --> 00:26:58,455 * when a new moon shines through your... * 603 00:26:59,225 --> 00:27:02,361 * when a new moon shines through your window * 604 00:27:08,134 --> 00:27:09,401 Oh. 605 00:27:10,736 --> 00:27:11,869 Water! Hurry! Okay. 606 00:27:16,875 --> 00:27:18,810 How's it going, Parker? 607 00:27:18,844 --> 00:27:21,412 I don't think I'm being weird enough. 608 00:27:22,448 --> 00:27:24,115 Somehow I doubt that. 609 00:27:24,149 --> 00:27:28,419 Okay, sugar, I got... I got your water. 610 00:27:35,828 --> 00:27:38,930 This isn't from an iceberg! 611 00:27:38,964 --> 00:27:41,699 Oh... 612 00:27:41,734 --> 00:27:43,902 I don't think we have that here. 613 00:27:44,770 --> 00:27:46,438 Fine. 614 00:27:46,472 --> 00:27:48,273 Just... 615 00:27:48,407 --> 00:27:50,241 Bring me some champagne. 616 00:27:50,276 --> 00:27:51,776 Okay. 617 00:27:57,749 --> 00:28:01,252 * and when a new moon shines through your window * 618 00:28:01,286 --> 00:28:04,955 * or you hear a sad song on the radio * 619 00:28:04,990 --> 00:28:07,191 * and you don't know why, but you just start to... *. 620 00:28:07,225 --> 00:28:08,692 No. Ma... 621 00:28:08,727 --> 00:28:10,594 Listen to me, man. Say "pitchy" one more time... 622 00:28:10,629 --> 00:28:12,396 Say "pitchy" one more time and see what happens. 623 00:28:12,430 --> 00:28:14,598 I don't even think that word means what you think it means. 624 00:28:14,633 --> 00:28:15,833 - It means "pitchy". - Define it. 625 00:28:15,867 --> 00:28:17,768 - You define it. - I don't have to define it! 626 00:28:17,802 --> 00:28:19,270 I'm not saying it every five seconds! 627 00:28:19,304 --> 00:28:20,971 I'm... I'm sorry. Well, I can't... 628 00:28:21,006 --> 00:28:22,740 I lo... I lost you. I can't hear you. 629 00:28:22,774 --> 00:28:24,975 I'm sorry. I... I... it... 630 00:28:25,810 --> 00:28:29,846 Maybe the safe is off-site. I've looked everywhere. 631 00:28:35,487 --> 00:28:37,755 Isn't the recording studio supposed to be soundproof? 632 00:28:38,489 --> 00:28:39,357 Uh, yeah. Completely. 633 00:28:46,230 --> 00:28:49,666 Here's the master from the Kenneth Crane session. 634 00:29:04,071 --> 00:29:05,371 I don't understand. 635 00:29:05,406 --> 00:29:08,842 You just paid $100,000 for the rights to that song, 636 00:29:08,876 --> 00:29:12,178 and you're just gonna give them to me for free. 637 00:29:13,547 --> 00:29:16,449 That's just about the lay of the land. 638 00:29:16,784 --> 00:29:18,251 You must want something. 639 00:29:19,420 --> 00:29:21,955 I would like you to forget that you ever heard the name 640 00:29:21,990 --> 00:29:23,056 "Kenneth Crane." 641 00:29:23,091 --> 00:29:24,391 Well, why would I do that? 642 00:29:24,425 --> 00:29:26,660 I'm thinking about getting back into the spotlight, 643 00:29:26,694 --> 00:29:28,095 and I don't think there's anything 644 00:29:28,129 --> 00:29:30,097 that would, uh, jump-start a career any more 645 00:29:30,131 --> 00:29:32,633 than having a song of yours sampled 646 00:29:32,667 --> 00:29:33,734 by a major rap superstar. 647 00:29:33,768 --> 00:29:35,569 Hmm? 648 00:29:35,603 --> 00:29:37,870 You're gonna steal Crane's song for yourself? 649 00:29:37,873 --> 00:29:41,475 How are you gonna get him to go along with that? 650 00:29:41,510 --> 00:29:43,377 Well, I wasn't exactly gonna give him a choice in the matter. 651 00:29:43,412 --> 00:29:46,214 Uh... You know, I guess there is one more thing 652 00:29:46,248 --> 00:29:48,115 that you can do for me. 653 00:29:49,851 --> 00:29:51,720 Stop asking questions. 654 00:29:52,754 --> 00:29:55,658 Hey, hey! Talk to me. 655 00:29:57,092 --> 00:29:58,793 Okay, Nate. We have a little problem. 656 00:29:58,827 --> 00:30:00,261 Y-yeah, what kind of problem? 657 00:30:00,295 --> 00:30:05,132 The guy who's buying our fiddle? He thinks he is the fiddle. 658 00:30:05,967 --> 00:30:09,770 Yes, sir. I'll take care of that first. 659 00:30:17,779 --> 00:30:19,246 You're not done yet? 660 00:30:19,280 --> 00:30:20,847 He's doing one for him. 661 00:30:20,882 --> 00:30:22,949 Well, I found it. 662 00:30:23,919 --> 00:30:27,388 Um... Let's see. 663 00:30:27,389 --> 00:30:29,590 Got it. 664 00:30:29,625 --> 00:30:31,192 Um... Let'hey.E. 665 00:30:31,226 --> 00:30:33,894 Look. This is that song Kirkwood did. 666 00:30:33,929 --> 00:30:35,129 This is the original master. 667 00:30:35,163 --> 00:30:36,998 Why is the artist's name blacked out? 668 00:30:44,706 --> 00:30:47,575 You need to come with me. 669 00:31:00,087 --> 00:31:01,220 No. 670 00:31:02,323 --> 00:31:04,791 Try telling this guy that. 671 00:31:05,360 --> 00:31:06,694 Oh! 672 00:31:06,728 --> 00:31:07,928 Ugh! 673 00:31:13,300 --> 00:31:14,801 Get up. 674 00:31:17,371 --> 00:31:19,472 Okay. So, this is the original recording of the song 675 00:31:19,707 --> 00:31:21,374 that made Kirkwood famous. 676 00:31:22,408 --> 00:31:28,013 * it took a single spark * * to set the sky aflame * 677 00:31:28,949 --> 00:31:30,149 * when... * 678 00:31:31,652 --> 00:31:34,820 And this is the recording he released to the video ... 679 00:31:34,855 --> 00:31:38,057 * it took a single spark * 680 00:31:38,091 --> 00:31:41,694 * to set the sky aflame * 681 00:31:41,828 --> 00:31:44,096 It's not the same. 682 00:31:44,131 --> 00:31:45,531 Which one is Kirkwood? 683 00:31:45,665 --> 00:31:47,366 That's just it. Neither. 684 00:31:47,400 --> 00:31:49,335 It's the same song, just with a pitch adjustment. 685 00:31:49,469 --> 00:31:51,170 Well, then, who's singing the song? 686 00:31:51,204 --> 00:31:53,338 * and the sky is filled with stars * 687 00:31:53,373 --> 00:31:55,808 I am matching a voice print right now. 688 00:31:55,842 --> 00:31:58,644 *... All that's left for me to do is face * 689 00:31:58,678 --> 00:31:59,978 Where's Eliot? 690 00:32:00,013 --> 00:32:02,581 * the long road home * 691 00:32:06,988 --> 00:32:10,224 Got it. Boom. Jesse Jenkins. 692 00:32:10,258 --> 00:32:12,560 All right. That's... that's why Kirkwood 693 00:32:12,594 --> 00:32:14,862 never recorded a second song. 694 00:32:15,296 --> 00:32:16,696 He didn't record the first one. 695 00:32:16,730 --> 00:32:18,665 Kirkwood paid him off? 696 00:32:18,699 --> 00:32:19,499 I don't think so. 697 00:32:19,533 --> 00:32:20,900 Jenkins sued him. 698 00:32:20,934 --> 00:32:23,302 Copyright infringement, harassment, fraud... 699 00:32:23,337 --> 00:32:25,004 The whole nine... 700 00:32:25,039 --> 00:32:26,805 But those charges weren't formally dropped. 701 00:32:26,840 --> 00:32:28,174 They went to court? 702 00:32:28,208 --> 00:32:29,308 Not exactly. 703 00:32:29,342 --> 00:32:31,076 Any other guesses? 704 00:32:36,316 --> 00:32:39,652 Jenkins was killed. Circumstances were suspicious. 705 00:32:39,686 --> 00:32:41,420 Kirkwood was implicated but never charged. 706 00:32:41,454 --> 00:32:43,889 Yeah. Dead on. How'd you know? 707 00:32:43,924 --> 00:32:46,992 Because he is about to do the exact same thing to Eliot. 708 00:32:56,270 --> 00:32:58,004 Let's go! Now! 709 00:32:58,138 --> 00:32:59,538 Oh. 710 00:33:04,812 --> 00:33:05,912 All right. Good. 711 00:33:05,946 --> 00:33:09,148 Ahh, I do love it when a plan comes together. 712 00:33:09,283 --> 00:33:12,185 Okay. Uh... 713 00:33:14,888 --> 00:33:17,322 Yeah, but... Wh-where's the tape? 714 00:33:18,026 --> 00:33:19,826 I think I may have left her tape in the deck. 715 00:33:20,628 --> 00:33:21,728 Unbelievable! 716 00:33:21,762 --> 00:33:23,363 Where are you going? 717 00:33:23,397 --> 00:33:24,764 When they find Kaye Lynn's tape, 718 00:33:24,798 --> 00:33:26,599 They're gonna want to ask her some questions. 719 00:33:26,634 --> 00:33:28,936 And we know they don't ask questions very nicely, do they? 720 00:33:29,070 --> 00:33:30,437 Damn it, Hardison! 721 00:33:38,879 --> 00:33:39,979 You okay? 722 00:33:40,013 --> 00:33:43,415 The festival director just called. 723 00:33:43,550 --> 00:33:46,118 Kirkwood took my spot in the showcase. 724 00:33:46,252 --> 00:33:48,687 He's gonna sing my brother's song. 725 00:33:48,722 --> 00:33:50,389 And you told me you were gonna get our money 726 00:33:50,423 --> 00:33:52,124 and our songs back, 727 00:33:52,158 --> 00:33:54,723 but all you did was lose the only thing I had left! 728 00:34:01,923 --> 00:34:03,256 Come with me. Trust me. What's the plan? 729 00:34:03,290 --> 00:34:06,725 All right. Come back to the hotel. We'll rework the approach. 730 00:34:06,760 --> 00:34:08,694 Hit him hard in a couple of days. 731 00:34:08,728 --> 00:34:10,362 No. Kirkwood's getting ready to sing this song. 732 00:34:10,397 --> 00:34:11,964 In front of the Who's Who of country music. 733 00:34:11,998 --> 00:34:13,499 Listen, uh, you know, it's too late to stop him tonight. 734 00:34:13,533 --> 00:34:15,601 No, I hacked into his truck's navigation system. 735 00:34:15,635 --> 00:34:17,770 He's on the move. It's game over. 736 00:34:17,804 --> 00:34:20,573 Eliot, if he plays that song in front of those A & R's, 737 00:34:20,607 --> 00:34:22,374 I'll lose it forever. 738 00:34:22,409 --> 00:34:24,143 Eliot, it's too late. 739 00:34:24,177 --> 00:34:25,277 All right. Help don't help, 740 00:34:25,311 --> 00:34:26,678 But don't tell me it's too late! 741 00:34:26,712 --> 00:34:27,879 Put that on. 742 00:34:36,622 --> 00:34:39,223 Sometimes you... you... you don't get a second chance 743 00:34:39,258 --> 00:34:40,492 to get it right. 744 00:34:40,526 --> 00:34:42,294 Why not? 745 00:34:42,328 --> 00:34:43,795 Rules of life. 746 00:34:43,830 --> 00:34:45,831 But that's exactly what we do. 747 00:34:45,865 --> 00:34:48,400 We change the rules. 748 00:34:54,841 --> 00:34:59,178 Uh, uh, where's Kirkwood right about now? 749 00:34:59,212 --> 00:35:01,213 * oh, you're driving 'round on a sunny day * 750 00:35:01,247 --> 00:35:04,783 * and out of nowhere comes the pouring rain * 751 00:35:04,817 --> 00:35:08,053 * and a memory hits you right out... * 752 00:35:09,855 --> 00:35:12,157 We got three blocks, Jesse. Go on. 753 00:35:12,191 --> 00:35:13,224 Go! 754 00:35:13,259 --> 00:35:14,859 I can't move. 755 00:35:14,894 --> 00:35:15,960 Give me the cd. 756 00:35:18,630 --> 00:35:21,065 All right, come on, girls! Get out of my... 757 00:35:21,099 --> 00:35:22,600 I'm trying to get somewhere. 758 00:35:22,634 --> 00:35:24,168 Get out of here! 759 00:35:27,406 --> 00:35:29,741 Eliot, I used your fans to stall Kirkwood. 760 00:35:29,775 --> 00:35:31,709 I bought you like two minutes. 761 00:35:37,450 --> 00:35:38,983 We're here. 762 00:35:39,018 --> 00:35:40,452 Is Kirkwood there? 763 00:35:40,486 --> 00:35:43,321 I don't see him. 764 00:35:43,355 --> 00:35:44,055 Wait. 765 00:35:46,458 --> 00:35:49,694 Yeah, he just walked in. 766 00:35:54,834 --> 00:35:56,033 Got it. 767 00:35:57,903 --> 00:35:59,537 All right. A few more minutes. 768 00:35:59,572 --> 00:36:01,339 Eliot, I'm sorry. 769 00:36:01,373 --> 00:36:03,608 We did everything we can. 770 00:36:03,642 --> 00:36:05,510 Maybe not everything. 771 00:36:49,388 --> 00:36:51,456 Hey. 772 00:36:51,490 --> 00:36:53,058 Surprised to see me? 773 00:36:53,092 --> 00:36:55,927 Why would you say that? 774 00:36:55,962 --> 00:36:57,095 Well, you tried to kill me. 775 00:36:57,129 --> 00:36:59,230 Same way you killed Jesse Jenkins. 776 00:37:01,568 --> 00:37:04,136 You're unstable, Kenneth. 777 00:37:04,170 --> 00:37:07,339 And I'd really like to help you... 778 00:37:07,374 --> 00:37:10,476 If you'd let me. 779 00:37:13,614 --> 00:37:16,116 You think I'm gonna confess to a murder. 780 00:37:16,150 --> 00:37:19,319 In a room full of microphones? 781 00:37:20,853 --> 00:37:22,087 If I was that stupid, 782 00:37:22,121 --> 00:37:25,056 I never would have gotten away with it. 783 00:37:28,695 --> 00:37:30,328 Well, let's put an end to amateur night. 784 00:37:30,463 --> 00:37:33,998 And give a warm welcome to Mitchell Kirkwood! 785 00:37:58,290 --> 00:38:01,392 * well, I know they say all good things * 786 00:38:01,426 --> 00:38:04,528 * must come to some kind of ending * 787 00:38:04,563 --> 00:38:06,464 * we were so damn good * 788 00:38:06,598 --> 00:38:09,733 * I guess we never stood a chance * 789 00:38:09,736 --> 00:38:14,172 * go on and find what you've been missin' * 790 00:38:14,207 --> 00:38:17,909 * and when that highway's tired of listenin' * 791 00:38:17,944 --> 00:38:23,448 * you'll see I'm not that easy to forget *. 792 00:38:23,483 --> 00:38:28,720 * and when a new moon shines through your window * 793 00:38:28,755 --> 00:38:30,956 * or you hear a sad song on the radio * 794 00:38:30,990 --> 00:38:38,030 * and you don't know why, but you just start to cry * 795 00:38:38,064 --> 00:38:41,566 * or you drive around on a sunny day * 796 00:38:41,601 --> 00:38:44,936 * and out of nowhere comes the pouring rain * 797 00:38:45,071 --> 00:38:51,076 * and a memory hits you right out of the blue * 798 00:38:51,110 --> 00:38:54,212 * that's just me * 799 00:38:54,247 --> 00:38:58,583 * thinking of you * 800 00:39:03,522 --> 00:39:04,822 How about it? 801 00:39:05,256 --> 00:39:07,357 Oh! She's wonderful! Isn't she? 802 00:39:08,660 --> 00:39:10,928 ... The same way you killed Jesse Jenkins. 803 00:39:11,063 --> 00:39:13,197 You think I'm gonna confess to a murder 804 00:39:13,231 --> 00:39:15,333 In a room full of microphones? 805 00:39:15,367 --> 00:39:16,667 If I was that stupid, 806 00:39:16,702 --> 00:39:19,003 I wouldn't have gotten away with it. 807 00:39:19,639 --> 00:39:21,907 You think I'm gonna confess to a murder. 808 00:39:21,942 --> 00:39:23,642 In a roomful of microphones? 809 00:39:24,677 --> 00:39:27,011 If I was that stupid, and you make fun of earbuds. 810 00:39:27,046 --> 00:39:29,647 I wouldn't have gotten away with it. 811 00:39:29,682 --> 00:39:32,384 Hmm.That was a, uh... 812 00:39:32,418 --> 00:39:33,952 That was a joke, ladies and gentlemen. 813 00:39:33,987 --> 00:39:35,420 Very funny joke. I'll be right back. 814 00:39:35,454 --> 00:39:38,456 How about that, huh? Give it up for her. 815 00:39:41,694 --> 00:39:43,895 - Let me explain something to you, Kirkwood. - Yeah? 816 00:39:43,929 --> 00:39:45,296 Next time you hit somebody in the stomach. 817 00:39:45,330 --> 00:39:46,631 And you want 'em to stay down... 818 00:39:46,665 --> 00:39:48,633 You gotta hit him in the solar plexus! 819 00:39:48,667 --> 00:39:50,534 Ohh! 820 00:39:53,138 --> 00:39:55,472 See the difference? 821 00:40:01,548 --> 00:40:02,915 Easy, buddy. 822 00:40:02,949 --> 00:40:04,750 Yes. 823 00:40:04,785 --> 00:40:06,552 This is a number where you can reach me at. 824 00:40:06,586 --> 00:40:08,254 All right. Th... um, just... just a sec. 825 00:40:08,288 --> 00:40:10,556 Ckk. 826 00:40:11,790 --> 00:40:13,725 There's a lot of A & R's 827 00:40:13,759 --> 00:40:15,526 who want to meet with me. 828 00:40:15,561 --> 00:40:17,128 Thank you. For my brother, too. 829 00:40:17,162 --> 00:40:18,463 For what? 830 00:40:18,498 --> 00:40:19,397 It was all you. 831 00:40:19,432 --> 00:40:21,867 Thank you for keeping your promise. 832 00:40:21,901 --> 00:40:23,735 Speaking of that... 833 00:40:27,007 --> 00:40:27,807 That's yours. 834 00:40:27,841 --> 00:40:30,675 That's for your trip to Nashville. 835 00:40:32,244 --> 00:40:34,779 You can come with me, you know. 836 00:40:34,814 --> 00:40:37,281 You're a natural-born country star if I've ever seen one. 837 00:40:39,251 --> 00:40:40,685 Maybe the next Johnny and June? 838 00:40:45,125 --> 00:40:47,359 Mm. 839 00:40:53,833 --> 00:40:56,001 Some roads, you start going down... 840 00:40:56,035 --> 00:40:58,837 Well, you can't turn back, and... 841 00:40:58,871 --> 00:41:01,406 I'm about 100 miles down one of those right now, so... 842 00:41:01,441 --> 00:41:03,575 Excuse us. Kaye Lynn? 843 00:41:03,809 --> 00:41:05,610 I sound like a bad country song. 844 00:41:06,645 --> 00:41:08,479 Oh. Um... 845 00:41:08,714 --> 00:41:10,447 I have some folks I'd like for you to meet. 846 00:41:10,482 --> 00:41:12,716 We have so many ideas for you. 847 00:41:12,751 --> 00:41:14,084 We're dying to talk to you. 848 00:41:21,460 --> 00:41:22,627 Ready? 849 00:41:22,661 --> 00:41:24,197 Yeah. 850 00:41:24,431 --> 00:41:26,365 Tell me something, man. 851 00:41:26,400 --> 00:41:27,833 How'd you take those two guys out by yourself? 852 00:41:27,867 --> 00:41:28,934 Oh, they got into a fight. 853 00:41:28,968 --> 00:41:30,368 Yeah, but, really, how'd you do it? 854 00:41:30,403 --> 00:41:32,336 Can't say it any plainer. They got into a fight. 855 00:41:32,371 --> 00:41:33,904 You're not... you're not gonna tell me. 856 00:41:33,939 --> 00:41:35,973 And where were you when all this was going on, huh? 857 00:41:36,107 --> 00:41:38,742 What? I was getting notes from Kaye Lynn on my performance. 858 00:41:38,777 --> 00:41:40,244 Ohh. 859 00:41:40,278 --> 00:41:41,679 How were you? 860 00:41:41,713 --> 00:41:42,746 No complaints. 861 00:41:42,881 --> 00:41:44,348 Excuse me, sir? Yeah. 862 00:41:44,382 --> 00:41:46,049 Oh. 863 00:41:46,084 --> 00:41:49,486 Man. All right. This is the last one, Sweetie. 864 00:41:49,521 --> 00:41:51,321 I just wanted to know what time it was. 865 00:41:51,389 --> 00:41:53,224 Yeah. I know. 866 00:41:53,258 --> 00:41:54,191 It's late. 867 00:41:54,226 --> 00:41:56,961 Go home. It's past your bedtime.